Background: #fff
Foreground: #000
PrimaryPale: #8cf
PrimaryLight: #18f
PrimaryMid: #04b
PrimaryDark: #014
SecondaryPale: #ffc
SecondaryLight: #fe8
SecondaryMid: #db4
SecondaryDark: #841
TertiaryPale: #eee
TertiaryLight: #ccc
TertiaryMid: #999
TertiaryDark: #666
Error: #f88

<!--{{{-->
<div class='toolbar' macro='toolbar [[ToolbarCommands::EditToolbar]]'></div>
<div class='title' macro='view title'></div>
<div class='editor' macro='edit title'></div>
<div macro='annotations'></div>
<div class='editor' macro='edit text'></div>
<div class='editor' macro='edit tags'></div><div class='editorFooter'><span macro='message views.editor.tagPrompt'></span><span macro='tagChooser excludeLists'></span></div>
<!--}}}-->

To get started with this blank [[TiddlyWiki]], you'll need to modify the following tiddlers:
* [[SiteTitle]] & [[SiteSubtitle]]: The title and subtitle of the site, as shown above (after saving, they will also appear in the browser title bar)
* [[MainMenu]]: The menu (usually on the left)
* [[DefaultTiddlers]]: Contains the names of the tiddlers that you want to appear when the TiddlyWiki is opened
You'll also need to enter your username for signing your edits: <<option txtUserName>>

<<importTiddlers>>

<!--{{{-->
<link rel='alternate' type='application/rss+xml' title='RSS' href='index.xml' />
<!--}}}-->

These [[InterfaceOptions]] for customising [[TiddlyWiki]] are saved in your browser

Your username for signing your edits. Write it as a [[WikiWord]] (eg [[JoeBloggs]])

<<option txtUserName>>
<<option chkSaveBackups>> [[SaveBackups]]
<<option chkAutoSave>> [[AutoSave]]
<<option chkRegExpSearch>> [[RegExpSearch]]
<<option chkCaseSensitiveSearch>> [[CaseSensitiveSearch]]
<<option chkAnimate>> [[EnableAnimations]]

----
Also see [[AdvancedOptions]]

<!--{{{-->
<div class='header' role='banner' macro='gradient vert [[ColorPalette::PrimaryLight]] [[ColorPalette::PrimaryMid]]'>
<div class='headerShadow'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>&nbsp;
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
<div class='headerForeground'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>&nbsp;
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
</div>
<div id='mainMenu' role='navigation' refresh='content' tiddler='MainMenu'></div>
<div id='sidebar'>
<div id='sidebarOptions' role='navigation' refresh='content' tiddler='SideBarOptions'></div>
<div id='sidebarTabs' role='complementary' refresh='content' force='true' tiddler='SideBarTabs'></div>
</div>
<div id='displayArea' role='main'>
<div id='messageArea'></div>
<div id='tiddlerDisplay'></div>
</div>
<!--}}}-->

/*{{{*/
body {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}

a {color:[[ColorPalette::PrimaryMid]];}
a:hover {background-color:[[ColorPalette::PrimaryMid]]; color:[[ColorPalette::Background]];}
a img {border:0;}

h1,h2,h3,h4,h5,h6 {color:[[ColorPalette::SecondaryDark]]; background:transparent;}
h1 {border-bottom:2px solid [[ColorPalette::TertiaryLight]];}
h2,h3 {border-bottom:1px solid [[ColorPalette::TertiaryLight]];}

.button {color:[[ColorPalette::PrimaryDark]]; border:1px solid [[ColorPalette::Background]];}
.button:hover {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::SecondaryLight]]; border-color:[[ColorPalette::SecondaryMid]];}
.button:active {color:[[ColorPalette::Background]]; background:[[ColorPalette::SecondaryMid]]; border:1px solid [[ColorPalette::SecondaryDark]];}

.header {background:[[ColorPalette::PrimaryMid]];}
.headerShadow {color:[[ColorPalette::Foreground]];}
.headerShadow a {font-weight:normal; color:[[ColorPalette::Foreground]];}
.headerForeground {color:[[ColorPalette::Background]];}
.headerForeground a {font-weight:normal; color:[[ColorPalette::PrimaryPale]];}

.tabSelected {color:[[ColorPalette::PrimaryDark]];
	background:[[ColorPalette::TertiaryPale]];
	border-left:1px solid [[ColorPalette::TertiaryLight]];
	border-top:1px solid [[ColorPalette::TertiaryLight]];
	border-right:1px solid [[ColorPalette::TertiaryLight]];
}
.tabUnselected {color:[[ColorPalette::Background]]; background:[[ColorPalette::TertiaryMid]];}
.tabContents {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::TertiaryPale]]; border:1px solid [[ColorPalette::TertiaryLight]];}
.tabContents .button {border:0;}

#sidebar {}
#sidebarOptions input {border:1px solid [[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel {background:[[ColorPalette::PrimaryPale]];}
#sidebarOptions .sliderPanel a {border:none;color:[[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel a:hover {color:[[ColorPalette::Background]]; background:[[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel a:active {color:[[ColorPalette::PrimaryMid]]; background:[[ColorPalette::Background]];}

.wizard {background:[[ColorPalette::PrimaryPale]]; border:1px solid [[ColorPalette::PrimaryMid]];}
.wizard h1 {color:[[ColorPalette::PrimaryDark]]; border:none;}
.wizard h2 {color:[[ColorPalette::Foreground]]; border:none;}
.wizardStep {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];
	border:1px solid [[ColorPalette::PrimaryMid]];}
.wizardStep.wizardStepDone {background:[[ColorPalette::TertiaryLight]];}
.wizardFooter {background:[[ColorPalette::PrimaryPale]];}
.wizardFooter .status {background:[[ColorPalette::PrimaryDark]]; color:[[ColorPalette::Background]];}
.wizard .button {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::SecondaryLight]]; border: 1px solid;
	border-color:[[ColorPalette::SecondaryPale]] [[ColorPalette::SecondaryDark]] [[ColorPalette::SecondaryDark]] [[ColorPalette::SecondaryPale]];}
.wizard .button:hover {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::Background]];}
.wizard .button:active {color:[[ColorPalette::Background]]; background:[[ColorPalette::Foreground]]; border: 1px solid;
	border-color:[[ColorPalette::PrimaryDark]] [[ColorPalette::PrimaryPale]] [[ColorPalette::PrimaryPale]] [[ColorPalette::PrimaryDark]];}

.wizard .notChanged {background:transparent;}
.wizard .changedLocally {background:#80ff80;}
.wizard .changedServer {background:#8080ff;}
.wizard .changedBoth {background:#ff8080;}
.wizard .notFound {background:#ffff80;}
.wizard .putToServer {background:#ff80ff;}
.wizard .gotFromServer {background:#80ffff;}

#messageArea {border:1px solid [[ColorPalette::SecondaryMid]]; background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]];}
#messageArea .button {color:[[ColorPalette::PrimaryMid]]; background:[[ColorPalette::SecondaryPale]]; border:none;}

.popupTiddler {background:[[ColorPalette::TertiaryPale]]; border:2px solid [[ColorPalette::TertiaryMid]];}

.popup {background:[[ColorPalette::TertiaryPale]]; color:[[ColorPalette::TertiaryDark]]; border-left:1px solid [[ColorPalette::TertiaryMid]]; border-top:1px solid [[ColorPalette::TertiaryMid]]; border-right:2px solid [[ColorPalette::TertiaryDark]]; border-bottom:2px solid [[ColorPalette::TertiaryDark]];}
.popup hr {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::PrimaryDark]]; border-bottom:1px;}
.popup li.disabled {color:[[ColorPalette::TertiaryMid]];}
.popup li a, .popup li a:visited {color:[[ColorPalette::Foreground]]; border: none;}
.popup li a:hover {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; border: none;}
.popup li a:active {background:[[ColorPalette::SecondaryPale]]; color:[[ColorPalette::Foreground]]; border: none;}
.popupHighlight {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}
.listBreak div {border-bottom:1px solid [[ColorPalette::TertiaryDark]];}

.tiddler .defaultCommand {font-weight:bold;}

.shadow .title {color:[[ColorPalette::TertiaryDark]];}

.title {color:[[ColorPalette::SecondaryDark]];}
.subtitle {color:[[ColorPalette::TertiaryDark]];}

.toolbar {color:[[ColorPalette::PrimaryMid]];}
.toolbar a {color:[[ColorPalette::TertiaryLight]];}
.selected .toolbar a {color:[[ColorPalette::TertiaryMid]];}
.selected .toolbar a:hover {color:[[ColorPalette::Foreground]];}

.tagging, .tagged {border:1px solid [[ColorPalette::TertiaryPale]]; background-color:[[ColorPalette::TertiaryPale]];}
.selected .tagging, .selected .tagged {background-color:[[ColorPalette::TertiaryLight]]; border:1px solid [[ColorPalette::TertiaryMid]];}
.tagging .listTitle, .tagged .listTitle {color:[[ColorPalette::PrimaryDark]];}
.tagging .button, .tagged .button {border:none;}

.footer {color:[[ColorPalette::TertiaryLight]];}
.selected .footer {color:[[ColorPalette::TertiaryMid]];}

.error, .errorButton {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::Error]];}
.warning {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::SecondaryPale]];}
.lowlight {background:[[ColorPalette::TertiaryLight]];}

.zoomer {background:none; color:[[ColorPalette::TertiaryMid]]; border:3px solid [[ColorPalette::TertiaryMid]];}

.imageLink, #displayArea .imageLink {background:transparent;}

.annotation {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; border:2px solid [[ColorPalette::SecondaryMid]];}

.viewer .listTitle {list-style-type:none; margin-left:-2em;}
.viewer .button {border:1px solid [[ColorPalette::SecondaryMid]];}
.viewer blockquote {border-left:3px solid [[ColorPalette::TertiaryDark]];}

.viewer table, table.twtable {border:2px solid [[ColorPalette::TertiaryDark]];}
.viewer th, .viewer thead td, .twtable th, .twtable thead td {background:[[ColorPalette::SecondaryMid]]; border:1px solid [[ColorPalette::TertiaryDark]]; color:[[ColorPalette::Background]];}
.viewer td, .viewer tr, .twtable td, .twtable tr {border:1px solid [[ColorPalette::TertiaryDark]];}

.viewer pre {border:1px solid [[ColorPalette::SecondaryLight]]; background:[[ColorPalette::SecondaryPale]];}
.viewer code {color:[[ColorPalette::SecondaryDark]];}
.viewer hr {border:0; border-top:dashed 1px [[ColorPalette::TertiaryDark]]; color:[[ColorPalette::TertiaryDark]];}

.highlight, .marked {background:[[ColorPalette::SecondaryLight]];}

.editor input {border:1px solid [[ColorPalette::PrimaryMid]];}
.editor textarea {border:1px solid [[ColorPalette::PrimaryMid]]; width:100%;}
.editorFooter {color:[[ColorPalette::TertiaryMid]];}
.readOnly {background:[[ColorPalette::TertiaryPale]];}

#backstageArea {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::TertiaryMid]];}
#backstageArea a {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::Background]]; border:none;}
#backstageArea a:hover {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; }
#backstageArea a.backstageSelTab {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}
#backstageButton a {background:none; color:[[ColorPalette::Background]]; border:none;}
#backstageButton a:hover {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::Background]]; border:none;}
#backstagePanel {background:[[ColorPalette::Background]]; border-color: [[ColorPalette::Background]] [[ColorPalette::TertiaryDark]] [[ColorPalette::TertiaryDark]] [[ColorPalette::TertiaryDark]];}
.backstagePanelFooter .button {border:none; color:[[ColorPalette::Background]];}
.backstagePanelFooter .button:hover {color:[[ColorPalette::Foreground]];}
#backstageCloak {background:[[ColorPalette::Foreground]]; opacity:0.6; filter:alpha(opacity=60);}
/*}}}*/

/*{{{*/
* html .tiddler {height:1%;}

body {font-size:.75em; font-family:arial,helvetica; margin:0; padding:0;}

h1,h2,h3,h4,h5,h6 {font-weight:bold; text-decoration:none;}
h1,h2,h3 {padding-bottom:1px; margin-top:1.2em;margin-bottom:0.3em;}
h4,h5,h6 {margin-top:1em;}
h1 {font-size:1.35em;}
h2 {font-size:1.25em;}
h3 {font-size:1.1em;}
h4 {font-size:1em;}
h5 {font-size:.9em;}

hr {height:1px;}

a {text-decoration:none;}

dt {font-weight:bold;}

ol {list-style-type:decimal;}
ol ol {list-style-type:lower-alpha;}
ol ol ol {list-style-type:lower-roman;}
ol ol ol ol {list-style-type:decimal;}
ol ol ol ol ol {list-style-type:lower-alpha;}
ol ol ol ol ol ol {list-style-type:lower-roman;}
ol ol ol ol ol ol ol {list-style-type:decimal;}

.txtOptionInput {width:11em;}

#contentWrapper .chkOptionInput {border:0;}

.externalLink {text-decoration:underline;}

.indent {margin-left:3em;}
.outdent {margin-left:3em; text-indent:-3em;}
code.escaped {white-space:nowrap;}

.tiddlyLinkExisting {font-weight:bold;}
.tiddlyLinkNonExisting {font-style:italic;}

/* the 'a' is required for IE, otherwise it renders the whole tiddler in bold */
a.tiddlyLinkNonExisting.shadow {font-weight:bold;}

#mainMenu .tiddlyLinkExisting,
	#mainMenu .tiddlyLinkNonExisting,
	#sidebarTabs .tiddlyLinkNonExisting {font-weight:normal; font-style:normal;}
#sidebarTabs .tiddlyLinkExisting {font-weight:bold; font-style:normal;}

.header {position:relative;}
.header a:hover {background:transparent;}
.headerShadow {position:relative; padding:4.5em 0 1em 1em; left:-1px; top:-1px;}
.headerForeground {position:absolute; padding:4.5em 0 1em 1em; left:0; top:0;}

.siteTitle {font-size:3em;}
.siteSubtitle {font-size:1.2em;}

#mainMenu {position:absolute; left:0; width:10em; text-align:right; line-height:1.6em; padding:1.5em 0.5em 0.5em 0.5em; font-size:1.1em;}

#sidebar {position:absolute; right:3px; width:16em; font-size:.9em;}
#sidebarOptions {padding-top:0.3em;}
#sidebarOptions a {margin:0 0.2em; padding:0.2em 0.3em; display:block;}
#sidebarOptions input {margin:0.4em 0.5em;}
#sidebarOptions .sliderPanel {margin-left:1em; padding:0.5em; font-size:.85em;}
#sidebarOptions .sliderPanel a {font-weight:bold; display:inline; padding:0;}
#sidebarOptions .sliderPanel input {margin:0 0 0.3em 0;}
#sidebarTabs .tabContents {width:15em; overflow:hidden;}

.wizard {padding:0.1em 1em 0 2em;}
.wizard h1 {font-size:2em; font-weight:bold; background:none; padding:0; margin:0.4em 0 0.2em;}
.wizard h2 {font-size:1.2em; font-weight:bold; background:none; padding:0; margin:0.4em 0 0.2em;}
.wizardStep {padding:1em 1em 1em 1em;}
.wizard .button {margin:0.5em 0 0; font-size:1.2em;}
.wizardFooter {padding:0.8em 0.4em 0.8em 0;}
.wizardFooter .status {padding:0 0.4em; margin-left:1em;}
.wizard .button {padding:0.1em 0.2em;}

#messageArea {position:fixed; top:2em; right:0; margin:0.5em; padding:0.5em; z-index:2000; _position:absolute;}
.messageToolbar {display:block; text-align:right; padding:0.2em;}
#messageArea a {text-decoration:underline;}

.tiddlerPopupButton {padding:0.2em;}
.popupTiddler {position: absolute; z-index:300; padding:1em; margin:0;}

.popup {position:absolute; z-index:300; font-size:.9em; padding:0; list-style:none; margin:0;}
.popup .popupMessage {padding:0.4em;}
.popup hr {display:block; height:1px; width:auto; padding:0; margin:0.2em 0;}
.popup li.disabled {padding:0.4em;}
.popup li a {display:block; padding:0.4em; font-weight:normal; cursor:pointer;}
.listBreak {font-size:1px; line-height:1px;}
.listBreak div {margin:2px 0;}

.tabset {padding:1em 0 0 0.5em;}
.tab {margin:0 0 0 0.25em; padding:2px;}
.tabContents {padding:0.5em;}
.tabContents ul, .tabContents ol {margin:0; padding:0;}
.txtMainTab .tabContents li {list-style:none;}
.tabContents li.listLink { margin-left:.75em;}

#contentWrapper {display:block;}
#splashScreen {display:none;}

#displayArea {margin:1em 17em 0 14em;}

.toolbar {text-align:right; font-size:.9em;}

.tiddler {padding:1em 1em 0;}

.missing .viewer,.missing .title {font-style:italic;}

.title {font-size:1.6em; font-weight:bold;}

.missing .subtitle {display:none;}
.subtitle {font-size:1.1em;}

.tiddler .button {padding:0.2em 0.4em;}

.tagging {margin:0.5em 0.5em 0.5em 0; float:left; display:none;}
.isTag .tagging {display:block;}
.tagged {margin:0.5em; float:right;}
.tagging, .tagged {font-size:0.9em; padding:0.25em;}
.tagging ul, .tagged ul {list-style:none; margin:0.25em; padding:0;}
.tagClear {clear:both;}

.footer {font-size:.9em;}
.footer li {display:inline;}

.annotation {padding:0.5em; margin:0.5em;}

* html .viewer pre {width:99%; padding:0 0 1em 0;}
.viewer {line-height:1.4em; padding-top:0.5em;}
.viewer .button {margin:0 0.25em; padding:0 0.25em;}
.viewer blockquote {line-height:1.5em; padding-left:0.8em;margin-left:2.5em;}
.viewer ul, .viewer ol {margin-left:0.5em; padding-left:1.5em;}

.viewer table, table.twtable {border-collapse:collapse; margin:0.8em 1.0em;}
.viewer th, .viewer td, .viewer tr,.viewer caption,.twtable th, .twtable td, .twtable tr,.twtable caption {padding:3px;}
table.listView {font-size:0.85em; margin:0.8em 1.0em;}
table.listView th, table.listView td, table.listView tr {padding:0 3px 0 3px;}

.viewer pre {padding:0.5em; margin-left:0.5em; font-size:1.2em; line-height:1.4em; overflow:auto;}
.viewer code {font-size:1.2em; line-height:1.4em;}

.editor {font-size:1.1em;}
.editor input, .editor textarea {display:block; width:100%; font:inherit;}
.editorFooter {padding:0.25em 0; font-size:.9em;}
.editorFooter .button {padding-top:0; padding-bottom:0;}

.fieldsetFix {border:0; padding:0; margin:1px 0px;}

.zoomer {font-size:1.1em; position:absolute; overflow:hidden;}
.zoomer div {padding:1em;}

* html #backstage {width:99%;}
* html #backstageArea {width:99%;}
#backstageArea {display:none; position:relative; overflow: hidden; z-index:150; padding:0.3em 0.5em;}
#backstageToolbar {position:relative;}
#backstageArea a {font-weight:bold; margin-left:0.5em; padding:0.3em 0.5em;}
#backstageButton {display:none; position:absolute; z-index:175; top:0; right:0;}
#backstageButton a {padding:0.1em 0.4em; margin:0.1em;}
#backstage {position:relative; width:100%; z-index:50;}
#backstagePanel {display:none; z-index:100; position:absolute; width:90%; margin-left:3em; padding:1em;}
.backstagePanelFooter {padding-top:0.2em; float:right;}
.backstagePanelFooter a {padding:0.2em 0.4em;}
#backstageCloak {display:none; z-index:20; position:absolute; width:100%; height:100px;}

.whenBackstage {display:none;}
.backstageVisible .whenBackstage {display:block;}
/*}}}*/

/***
StyleSheet for use when a translation requires any css style changes.
This StyleSheet can be used directly by languages such as Chinese, Japanese and Korean which need larger font sizes.
***/
/*{{{*/
body {font-size:0.8em;}
#sidebarOptions {font-size:1.05em;}
#sidebarOptions a {font-style:normal;}
#sidebarOptions .sliderPanel {font-size:0.95em;}
.subtitle {font-size:0.8em;}
.viewer table.listView {font-size:0.95em;}
/*}}}*/

/*{{{*/
@media print {
#mainMenu, #sidebar, #messageArea, .toolbar, #backstageButton, #backstageArea {display: none !important;}
#displayArea {margin: 1em 1em 0em;}
noscript {display:none;} /* Fixes a feature in Firefox 1.5.0.2 where print preview displays the noscript content */
}
/*}}}*/

<!--{{{-->
<div class='toolbar' role='navigation' macro='toolbar [[ToolbarCommands::ViewToolbar]]'></div>
<div class='title' macro='view title'></div>
<div class='subtitle'><span macro='view modifier link'></span>, <span macro='view modified date'></span> (<span macro='message views.wikified.createdPrompt'></span> <span macro='view created date'></span>)</div>
<div class='tagging' macro='tagging'></div>
<div class='tagged' macro='tags'></div>
<div class='viewer' macro='view text wikified'></div>
<div class='tagClear'></div>
<!--}}}-->

Galaxies spin around my head, and the ground shifts beneath my feet.  All around is me vast, undulating ~World-Potential.  The Earth is supporting 7 billion human beings.

I am safe here and grateful for it.  In the midst of this, some of my reflections and desires follow:

{{bluem{I do not wish to work for Industry.}}}
*For many years, I have felt "out of place" … almost drifting, though bound to routines.  I have lacked an educational and professional "track," or am simply unwilling to see my life as a track. 
**The word //career// literally means racecourse. Competitive; pre-plotted to a finish line.  This is not me!
*I have educated myself well, and I am not done. I have not failed.
*~World-Potential is open wide to me.

{{bluem{I love my wife and children, though I express it imperfectly.
At times I have acted selfishly.}}}
*Together, we make a community where we can be //brave, steadfast, compassionate, and true.//
*Love them, protect them, prepare them, let them flower.

In broad terms, I desire:
''//To Understand//'' – I seek a [[Great Explaining|World Mythologies]] of all around me, and the causes of where I stand (which inherently limit my view)

''//Be Connected to Other Life//'' – overcoming a habit to maintain distance and escape

''//Stand in Awe of the Cosmos//'' – despite distraction and selective vision

''//Live and Work in 'Society'//'' – requiring that I learn to feel comfortable with my self in the world of human interactions

''//Walk and Dance With Myself//'' – with self-reliance and joy, again requiring a certain level of comfort and self-trust

''//Ease Suffering and Help Others Make [[Manifest]]//''

''//Exercise Reason, Compassion, and Knowledge//'' – to help solve problems of all magnitudes

''//Enjoy and Cultivate Art//'' – going beyond my own particular 'taste' and beliefs

18 September 2011, just before my 29th birthday; edited 1 March 2014.
----
[[Desiderata]] states what we humans need and desire for inner peace, as one man told it.  @@color(grey):{ Latin //''desideratum'' 'something desired' < __desiderare__ 'to desire.'// }@@

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

From Carl [[Jung]]'s essay "On the Relation of Analytical Psychology to Poetic Art", 1922, //The Spirit in Man, Art, and Literature//
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     In contrast to the personal unconscious, which is a relatively thin layer immediately below the threshold of consciousness, the collective unconscious shows no tendency to become conscious under normal conditions, nor can it be brought back to recollection by any analytical technique, since it was never repressed or forgotten. The collective unconscious is not to be thought of as a self-subsistent entity; it is no more than a potentiality handed down to us from primordial times in the specific form of mnemonic images or inherited in the anatomical structure of the brain. There are no inborn ideas, but there are inborn possibilities of ideas that set bounds to even the boldest fantasy and keep our fantasy activity within certain categories: //a priori// ideas, as it were, the existence of which cannot be ascertained except from their effects. They appear only in the shaped material of art … only by inferences drawn from the finished work can we reconstruct the age-old original of the primordial image.

    The primordial image, or archetype, is a figure -- be it a daemon, a human being, or a process -- that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. When we examine these images more closely, we find that they give form to countless typical experiences of our ancestors. They are, so to speak the psychic residua of innumerable experiences of the same type. They present a picture of psychic life in the average, divided up and projected into the manifold figures of the mythological pantheon. But the mythological figures are themselves products of creative fantasy and still have to be translated into conceptual language. Only the beginnings of such a language exist, but once the necessary concepts are created they could give us an abstract, scientific understanding of the unconscious processes that lie at the roots of the primordial images. In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history, and on the average follow ever the same course. It is like a deeply graven riverbed in the psyche, in which the waters of life, instead of flowing along as before in a broad but shallow stream, suddenly swell into a mighty river. This happens whenever that particular set of circumstances is encountered which over long periods of time has helped to lay down the primordial image.

    The moment when this mythological situation reappears is always characterized by a peculiar emotional intensity; it is as though chords in us were struck that had never resounded before, or as though forces whose existence we never suspected were unloosed … when an archetypal situation occurs we suddenly feel an extraordinary sense of release, as though transported, or caught up by an overwhelming power. At such moments we are no longer individual, but the race; the voice of all mankind resounds in us. The individual man cannot use his powers to the full unless he is aided by one of those collective representations we call ideals, which releases all the hidden forces of instinct that are inaccessible to his conscious will. The most effective ideals are always fairly obvious variants of an archetype …

    The impact of an archetype, whether it takes the form of immediate experience or is expressed through the spoken word, stirs us because it summons up a voice that is stronger than our own. Whoever speaks in primordial images speaks with a thousand voices; he enthrals and overpowers, while at the same time he lifts the idea he is seeking to express out of the occasional and the transitory into the realm of the ever-enduring. He transmutes our personal destiny into the destiny of mankind, and evokes in us all those beneficent forces that ever and anon have enabled humanity to find a refuge from every peril and to outlive the longest night.

      That is the secret of great art, and of its effect upon us. The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image, and in elaborating and shaping this image into the finished work. By giving it shape, the artist translates it into the language of the present, and so makes it possible for us to find our way back to the deepest springs of life. Therein lies the social significance of art: it is constantly at work educating the spirit of the age, conjuring up the forms in which the age is most lacking. The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present. The artist seizes on this image, and in raising it from deepest unconsciousness he brings it into relation with conscious values, thereby transforming it until it can be accepted by the minds of his contemporaries according to their powers.

     Peoples and times, like individuals, have their own characteristic tendencies and attitudes. The very word "attitude" betrays the necessary bias that every marked tendency entails. Direction implies exclusion, and exclusion means that very many psychic elements that could play their part in life are denied the right to exist because they are incompatible with the general attitude.

The normal man can follow the general trend without injury to himself; but the man who takes to the back streets and alleys because he ''cannot endure the broad highway'' will be the first to discover the psychic elements that are waiting to play their part in the life of the collective. Here ''the artist's relative lack of adaptation turns out to his advantage''; it enables him to follow his ''own yearnings far from the beaten path, and to discover what it is that would meet the unconscious needs of his age.'' Thus, just as the one-sidedness of the individual's conscious attitude is corrected by reactions from the unconscious, so art represents a process of self-regulation in the life of nations and epochs.

 
So the day has ended, and I survived it.  Really, that statement is overly dramatic.  The day was fairly ordinary, but so can pass an entire lifetime.  As a British poet said in [[a favorite verse|Credo]] of mine:

"For of our time we lose so large a part
In serious trifles, and so oft let slip
The wine of every moment, at the lip
Its moment, and the moment of the heart."

What a true statement you made, about our inner and outer lives.  Why are they so at odds, I wonder?  Has it been a weakness of will that caused my energies to diverge, and now cannot unite toward one purpose again?  I come up with empty hands when I ask the question, "What do I want?"  So I delay choosing, and hold out my empty hands to be filled by the gods of family, commerce, and techne.

//[[Techne]]//, another interesting word which I used here by instinct, then looked up for clarification.  A Greek word,  "Techne (literally: craftsmanship) is often used in philosophical discourse as distinguished from art (or poiesis). This use of the word also occurs to differentiate between linear narrative presentation of knowledge and dynamic presentation of knowledge, wherein techne represents the former and poiesis represents the latter."  Personally, I'd rather be a poet than a technician, but guess which role I've taken?  The one which is more sanctioned by society.

Language is one of my first loves.  Even though writing sometimes seems like a chore, because the words spin about in my mind and seem to resist the capture onto paper or screen.

I recently was exposed to a new author who I am thoroughly rapt with -- a Greek named Nikos [[Kazantzakis]].  I am currently reading //The Saviors of God//.  Indulge me in quoting again:
<<<
<<tiddler [[passages/dig]]>>

[img[Colored Bicycle for the Mind|http://farm4.static.flickr.com/3019/5768603154_6d1a75555f_m.jpg][http://www.flickr.com/photos/39042429@N00/5768603154/]]
I added the color to the [[bicycle]] logo

[img[Bicycle for the Mind – wire sculpture|http://farm6.static.flickr.com/5148/5768643410_a31e2d1184_m.jpg][http://www.flickr.com/photos/39042429@N00/5768643410/]]
Wire sculpture created by my wife Lily


[img(70%,)[Mandala|http://farm4.static.flickr.com/3535/5826532827_01cd90bec1_m.jpg][http://www.flickr.com/photos/39042429@N00/5826532827/]]
Mandala colored by Lily 7 Sept 2007.  It alludes to "The Yellow Brick Road" from Baum's Oz books (which I loved as a child), and also to the [[Blue Flower]].
She obtained the line-art from [[free-mandala.com|http://free-mandala.com]]

Every morning
I shall concern myself anew about the boundary
Between the love-deed-Yes
and the power-deed-No,
And pressing forward honor reality.
We cannot avoid
Using power,
Cannot escape the compulsion
To afflict the world,
So let us, cautious in diction
And mighty in contradiction,
Love powerfully.
— "Power and Love" (1926)
Martin [[Buber]]

 
//See the [[etymology|http://www.etymonline.com/index.php?search=Lambanein]] of lambanein//

''//analambanein//'' "to receive, take up, restore," from //ana-// "up" + //lambanein// "to take"

related Greek //syllabe// "that which is held together; a [[syllable|iacere/ictus]], several sounds or letters taken together," i.e. "a taking together" of letters; from ''//syllambanein//'' "take or put together, collect, gather," from assimilated form of //syn-// "together" + stem of //lambanein// "to take"

----
from a [[Photograph Essay by Chad Miller|http://www.flickr.com/photos/chadmiller/3890650873/]]

''gnomon, analemma, and water''.
[img[Sundial in Orlando, Florida (by Chad Miller)|http://farm3.staticflickr.com/2438/3890650873_62f6173d70_d.jpg][http://www.flickr.com/photos/chadmiller/3890650873/]]

We went for a walk this evening through a new part of town, and I paused to look at a water path next and its curious column.
 
I got close by walking across the small bridge and concrete ovals, and noticed its suspended sphere at the top. It reminded me of a planet, suspended in space. I then noticed the sphere was impaled on the sharp end of metal, giving me the idea of a pointer.
 
It looked a little like a gnomon to me, so I looked hopefuly for marks on the circle around it, which might mark off the time. of day, and I was disappointed to find none.
 
Then, I stepped back and noticed I was standing on a huge analemma. Which is north of the column! Ah! It *is* a kind of sundial, and a very accurate one! But, only for one instant every day.
 
The sun arcs across the sky once a day, and as our tilted planet goes around the sun, the sun's position moves higher and lower, and slightly left and right for a chosen minute every day, over the course of one year.
 
This analemma, the outline of large figure-8, must be where the sun intersects every day at exactly noon. It is off-set slightly from the base because we are not in the exact center of our time zone and the center-spot, noon, is a bit earlier than it should be,
 
The analemma is a feature in two of my favorite author's books. One is the set of three called "The Baroque Cycle". Here's a quote from the other (which doesn't explain the analemma and its mystery).
 
//Orolo was looking about curiously. He seemed almost bored. He sidestepped to a position where he could get a clear view uphill through the open gates and see what was headed for him. That, I think, gave him a sense of how many more seconds he had. He picked up a trenching tool that had been discarded, and used its handle to slash an arc into the loose soil. He turned, again and again, joining one arc to another, until he had completed the graceful, neverending curve of the analemma. Then he tossed the tool aside and stood on the center, facing his fate.
 
The buildings of the concent imploded before the glowing cloud even reached them, for the avalanche was pushing an invisible pressure wave before it. Destruction washed across the full width of the concent in a few seconds, and slammed into the walls from the back side. The walls bulged, cracked, shed a few blocks, but held, until the glowing cloud hit them with its full force. Then they went down like a sand castle struck by a wave.//

–From __Anathem__, by Neal Stephenson.

----

analect, analemma, analog, analogy, analyze,
analysis & catalysis in [[Journey's Etymologies]]

''lemma'' and ''dilemma''

 
Excerpt from "East Coker", the second poem of T. S. [[Eliot's|Eliot]] //Four Quartets//:
----

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth …

So here I am, in the middle way, having had twenty years —
''Twenty years largely wasted …
Trying to learn to use words'', and every attempt 
Is a wholly new start, and a different kind of failure …

Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment 
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.

Old men ought to be explorers
Here and there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

----

East Coker, Somerset, England, is the home of St Michael and All Angels' Church, where Eliot's ashes were later kept.  The place held a particular importance to Eliot because his ancestor Andrew Eliott left the town to travel to America in 1669.  A plaque there dedicated to Eliot reads:

//"In my beginning is my end. Of your kindness, pray for the soul of Thomas Stearns Eliot, poet. In my end is my beginning."//

 
With thanks to [[Etymonline|http://www.etymonline.com/index.php?term=gamut]] and Wikipedia:

''[[Gamut|http://www.etymonline.com/index.php?term=gamut]]'' (noun)
1520s, "low G, lowest note in the medieval musical scale" (the system of notation devised by Guido d'Arezzo), a contraction of Medieval Latin //gamma ut//, from //gamma//, the Greek letter, used in medieval music notation to indicate the note below the A which began the classical scale, + //ut// (now //do//), the low note on the six-note musical scale that took names from syllables sung to those notes in a Latin sapphic hymn for St. John the Baptist's Day:
<<<
''Ut'' queant laxis ''re''sonare fibris,
''Mi''ra gestorum ''fa''muli tuorum,
''Sol''ve polluti ''la''bii reatum,
''S''ancte ''I''ohannes.
<<<
//Ut// being the conjunction "that" + [[Gamma|https://en.wikipedia.org/wiki/Gamma]].  //Gamut// also was used for "range of notes of a voice or instrument" (1630s), also "the whole musical scale," hence the figurative sense of "entire scale or range" of anything, first recorded 1620s. When the modern octave scale was set early 16c., //si// was added, changed to //ti// in Britain and U.S. to keep the syllables as different from each other as possible. //Ut// later was replaced by the more sonorous //[[do|http://www.etymonline.com/index.php?term=do]]// (noun).

See also [[solmization|http://www.etymonline.com/index.php?term=solmization]] "using certain syllables to name tones of a music scale" borrowing from French (1730) //solmisation//, from //solmiser//, from //sol// + //mi//, two of the syllables so used -- as well as [[solfege|http://www.etymonline.com/index.php?term=solfege]] (1912), from //solfeggio// (1774), from Italian //solfeggio//, from //sol-fa//.

The Latin hymn may be translated:
//So that your servants may, with loosened voices, resound the wonders of your deeds, clean the guilt from our stained lips, O Saint John.//

A paraphrase by Cecile Gertken, OSB (1902-2001) preserves the key syllables and the meter:

''Do'' let our voices
''re''sonate most purely,
''mi''racles telling,
''fa''r greater than many;
''so'' let our tongues be
''la''vish in your praises,
''S''aint ''J''ohn the Baptist.

//See [[Ut queant laxis|https://en.wikipedia.org/wiki/Ut_queant_laxis]]

Also see [[Seventh Chord|https://en.wikipedia.org/wiki/Seventh_chord#Types_of_seventh_chords]] G^^7//

!//Notes From A Bottle Found on the Beach at Carmel//
Published 1962 by Evan Shelby Connell, Jr. (1924-2013)

Each life is a myth, a song given out
of darkness, a tale for children, the legend we create.
Are we not heroes, each of us
in one fashion or another,
wandering through mysterious labyrinths?
…
Myth, art, and dreams are but emanations
from ancestral spheres.
…
[[Passages|passages]] are found
out of each into some other,
as we proceed through a sequence of caverns
between which filters a vague, prismatic light.
…
''Should I mark more than shining hours?''
…
History and poetry must be explored equally
if light is to be cast across those feelings, attitudes,
and motives precipitating our estate …

I would search for the meaning to every occurrence,
if there were time.
…
//[[Ecce|ECCE]] signum;// behold
this proof.
…
I must put down my thoughts
like the vital signs of the Zodiac.
…
I do not know if I dare continue; a desire for bliss
eats ever deeper into me.
…
There is a chain of fate that links us irrevocably
to our own destruction.
…
''The legend of the Prodigal Son'', I have heard, is the story
of one ''who could not stand to be loved''.
…
A prodigious force is directing me; I am no more than
light reflected from a mirror, illuminating what I must.
…
''The legend of the Traveler'' appears in every civilization,
perpetually assuming new forms, afflictions, powers,
and symbols.  Through every age he walks in utter solitude
toward penance and redemption.

Nameless fears, like ancient tapestries, adorn the wall.
…
Redemption sings unannounced
in polyphonic voices few have heard.
…
I profess to a Celtic fantasy of mind, which cannot be
mistaken; this I set down in violet letters.

By our eager desire to pierce through the curtains
of futurity we often neglect our blessing,
dividing presumption into study, making numbers
of exceptional account, yet meager course,
and waste our early lives, forgetting how ignorance
becomes a state.  This I would not dare interpret.
Out of each meaning others rise in a similar fashion,
as shadows after sculptured marble.

//What is unclear?//

We feel there is within each one of us
something which will not ever die. Our experience
and every dream conspires to counter revelation,
making us hold this fondly, as leaves touch
to their only tree, our one presumptuous hope.
…
I hear down the long, uneven years
the winding of a strange horn;
and I see,
as I often have,
the troubled faces of my parents.
…
''To conceal old guilt, we incur the new.''

I will now contemplate the words of Saint Augustine
which I have embellished, which I set down
because of their inestimable worth.  With piety
and devotion toward you, thus I commit his thought
together with mine, which are mutual, for safe-keeping.
//These things do I within, in that vast court
of my memory.  For there are present within me
Heaven, Earth, Sea, and whatever I could think therein,
besides what I have forgotten.  There also meet I
with myself, and recall myself, and when, where,
and what I have done, and under what feelings.
There be all which I remember …//

I am held in thrall by [[a thousand things|lines of sight]]!

… What is this but a ceaseless narrative?—told by kings and peasants.

Out of grave necessity I create this rosalia.
…
//Mirabile visu!//
Is it not marvelous
both to see
and to relate?

I have agreed to paint a narrative on the city walls.
I have now been at work many years,
there is so much to be told.

"Anam Cara" is a Gaelic phrase meaning "soul friend," which my wife and I have used in reference to each other since the spring of 2001.

I was introduced to this term in John O'Donohue's book //[[Anam Cara|http://www.amazon.com/Anam-Cara-Book-Celtic-Wisdom/dp/006092943X/ref=sr_1_1?ie=UTF8&qid=1306108798&sr=8-1]]//.

 
Chris is leading the creation of [[Tank]] and previously helped create PurpleWiki.

He said in "[[Entropy Collaboration|http://cdent.tiddlyspace.com/Entropy%20Collaboration]]":
<<<
If you don't ''write in public view'' you are limiting the two most powerful things your ideas can allow:
*Feedback which can make your ideas better.
*Participation in the creation of possible new messages in the wide information system.
<<<
----

From "''[[The Synthetic Web|http://cdent.tiddlyspace.com/The%20Synthetic%20Web]]''"
by Chris Dent (whose architectural and programming efforts helped create the ~TiddlyWeb software running this wiki)

*Narrative is not so clean cut. It is full of connotation and contextual dependence. What it means must be inferred and that inference is inescapably done in ''the personal headspace of the reader/listener/participant''.
**{{grem{[I am excited by mediums and dialogue that make more readers into ''participants''.]}}}
*Opportunities for innovative synthesis from narrative are augmented by arraying (representing) the narrative within the context which created it in the first place and things which are similar or can be identified as being related in time, place, group.
*Computers have achieved a special place in the history of information systems because they are the most capable tool (thus far) for easing the task of navigating these multi-dimensional representations of narrative.
*[But] critically, thus far only humans {{grem{[not computers]}}} are able to perform the synthesis that results in new knowledge and from which new narrative might be created.
*Often it is but a small piece (microcontent) of a larger whole which strikes the chord that plays eureka in the mind.
Therefore:
*Information, especially narrative, should be published in a way that humans can easily make reference to it and use of it as they do the re-representing that is required to engender synthesis. It should have good names and addresses.
*Tools which enable this publishing should make as few assumptions about the people and tools accessing them as possible, so as to enable as yet unknown ways of (re-)representing the information.

Which leads to [[TiddlyWeb|What Is A Wiki]] @@color:grey;[software running on Internet servers to host hypertext in the form of //tiddlers,// including this wiki.]@@ … Because ~TiddlyWiki is already oriented towards microcontent, and a curious [[hybridization of narrative, code and data|quine]], it starts out naturally in tune with my inclinations. Where my [Dent's] opinions have impacted it are in the efforts to ensure first class tiddlers, diverse storage and representation types, sensible granularity, and strong adherence to being webby, in the open web sense.
{{grem{[I want to expound upon these qualities for readers unfamiliar with the terms of information science.]}}}
:The open web has always been about people doing the stuff that people want to do with information, with as few restrictions as possible.
Things should have a name, so in contrast to the semantic web [an idea of Tim ~Berners-Lee], this thing for human learning could be called the ''synthetic web''. Not because it is fake, but because it has been made and is making all the time.

----

From [[cdent on Tumblr|http://cdent.tumblr.com]]:
"Curiously, when designing systems for what can be called the ''artifact world'' — the world of data and information — it is exactly the unintended and unexpected that we want to encourage."

"The associated Wiki tends to contain stuff that is a bit ''less document oriented, changes more often'', or is a bit ''more speculative''. The Arts repository is used to say //'...this is what we are doing'// while the Wiki is used as more of a scratchpad."
–Result of Googling "Wiki Everywhere" and Chris Dent [[→|http://webseitz.fluxent.com/wiki/z2003-12-01-DentWikiEverywhere]]

!Whole Earth Discipline
Stewart Brand

1. Scale, Scope, Stakes, Speed
2. City Planet
3. Urban Promise
4. New Nukes 
5. Green Genes
6. Gene Dreams
7. Romantics, Scientists, Engineers
8. It’s All Gardening
9. Planet Craft

!A Ritual to Read to Each Other
William Stafford

If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.
For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dike.
…
And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider —
lest the parade of our mutual life get lost in the dark.
For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give—yes or no, or maybe—
should be clear: the darkness around us is deep.

 
//''[[gathered]] from the wide web'' – as of yet without a more specific home in this wiki://
----
Sometimes I try to forget that I have lost my youth, but not forget the hunger and passion it carried.
– Mark Anthony Tillman, on his 32nd birthday
----
What I’d really like, in fact, is to be young and middle-aged, and perhaps even very old, all at the same time—and to be dark- and fair-skinned, deaf and hearing, gay and straight, male and female. I can’t do that in life, but I can do it in writing, and so can you.

Never forget that the truest luxury is imagination, and that being a writer gives you the leeway to exploit all of the imagination’s curious intricacies, to be what you were, what you are, what you will be, and what everyone else is or was or will be, too.
– Andrew Solomon, "[[The Middle of Things: Advice for Young Writers|http://www.newyorker.com/books/page-turner/the-middle-of-things-advice-for-young-writers]]"

Solomon quoted from [[Rilke]]'s //Letters to a Young Poet//:
<<<
To be an artist means: not to calculate and count; to grow and ripen like a tree which does not hurry the flow of its sap and stands at ease in the spring gales without fearing that no summer may follow. It will come. But it comes only to those who are patient, who are simply there in their vast, quiet tranquility, as if eternity lay before them.
<<<
----
Earth could be fair. And you and I must be free
Not to save the world in a glorious crusade
''//Not to kill ourselves with a nameless gnawing pain//''
But to practice with all the skill of our being
[[The art of making possible|The Art of Making Possible]].
– Nancy Scheibner
----
Perfection, it turns out, is no way to try to live. It is a child’s idea, a cartoon — this desire not to be merely good, not to do merely well, but to be faultless, to transcend everything, including the limits of yourself. It is less heroic than neurotic, and it doesn’t take much analysis to get to its ugly side: a lust for control, pseudofascist purity, self-destruction. Perfection makes you flinch at yourself, flinch at the world, flinch at any contact between the two. Soon what you want, above all, is escape: to be gone, elsewhere, annihilated.
– Sam Anderson, "[[David’s Ankles|http://www.nytimes.com/2016/08/21/magazine/davids-ankles-how-imperfections-could-bring-down-the-worlds-most-perfect-statue.html]]: How Imperfections Could Bring Down the World’s Most Perfect Statue"
----
We yearn to reprogram existence, and with the computer we have the best means yet.  We would like to see this project as heroic, as a rebellion against the tyranny of an alien power.  But it’s not that at all.  It’s a project born of anxiety.  Behind it lies a dread that the messy, atomic world will rebel against us.  What Silicon Valley sells and we buy is not transcendence but withdrawal.  The screen provides a refuge, a mediated world that is more predictable, more tractable, and above all safer than the recalcitrant world of things.  ''We flock to the virtual because the real demands too much of us.''
…
The idea of the computer network as an engine of liberation is an innocent fraud.
…
What I want from technology is not a new world.  What I want from technology are tools for exploring and enjoying the world that is – the world that comes to us thick with ‘things counter, original, spare, strange’, as Gerard Manley [[Hopkins|Grandeur]] once described it … We can still aspire to be what Seamus Heaney, in his poem ‘Exposure’, called inner émigrés.
– Nicholas Carr, "[[The World Wide Cage|https://aeon.co/essays/the-internet-as-an-engine-of-liberation-is-an-innocent-fraud]]"
----
A [[powerful programming language|Evocative Technology]] is more than just a means for instructing a computer to perform tasks. The language also serves as a framework within which we organize our ideas about processes.  //[Section 1.1]//
… Programs must be written for people to read, and only incidentally for machines to execute.
– Harold Abelson and Gerald Jay Sussman, [[Preface|https://mitpress.mit.edu/sicp/full-text/book/book-Z-H-7.html#%_chap_Temp_4]] to //Structure and Interpretation of Computer Programs//
----
When I had an iPhone, the Internet was no longer a destination; it was on me every day, like a piece of clothing I put on first thing in the morning. When I get tempted to return to that life, I ask myself: Do I really want the Internet to be something I feel naked without?
– Sam ~Graham-Felsen, "[[Why I Dumped My iPhone|https://web.archive.org/web/http://www.good.is/articles/why-i-dumped-my-iphone-and-why-i-m-not-going-back]]"
(I first read this article the morning of October 5, 2011, the day Steve [[Jobs]] died.)
----
Technology, for all its obvious advantages, has its limitations, and has dimmed our sense of the [[numinous|seven words, seven selves]].
– Madeleine [[L'Engle]], //And It Was Good//
(published 1983 -- a vastly different era technologically)
----
Technology and media are not uniting the world. They pretend to provide a world that is internetted, but in reality, all they deliver is a simulated world of shadows. Accordingly, they make our human world more anonymous and lonely.  In a world where the computer replaces human encounter and psychology replaces religion, it is no wonder that there is an obsession with relationship.  Unfortunately, however, "relationship" has become an empty center around which our lonely hunger forages for warmth and belonging.
– John O'Donohue, //[[Anam Cara]]// (1997)
----
//My soul is a chosen landscape …//
– From the opening line of Paul Verlaine's poem "[[Claire de Lune|http://justalittlespace.blogspot.com/2009/08/my-soul-as-chosen-landscape.html]]"

Another poet T. [[wrote|https://readalittlepoetry.wordpress.com/2016/03/28/housing-shortage-by-naomi-replansky/]]: "I try to imagine what mine is like. Perhaps pockmarked, perhaps ''boulders and boulders of things I have burdened myself with''."
----
[[Poems are maps|the work of feeling]] to the place where you already are…
– Jane Hirshfield, [[quoted|http://colleenmortonbusch.com/wp-content/uploads/2011/06/Tricycle-Profile.pdf]] in //Tricycle// magazine
----
the lines of many maps are meeting
– Noah Grey, "[[Deseret|https://web.archive.org/web/20060326045236/http://noahgrey.com/read.php?g=6]]"
----
The old maps are useless, the old names and forms of the world winking out.
– Amy Hewes, "[[Cormac McCarthy's Fevered Prayer|http://digitalcommons.calpoly.edu/cgi/viewcontent.cgi?article=1189&context=moebius]]"
----
The map is not the territory. – Alfred [[Korzybski|Time-Binder]]
----
Every increased possession loads us with a new weariness; every piece of new knowledge diminishes the faculty of admiration; and Death is at last appointed to take us from a scene in which, if we were to stay longer, no gift could satisfy us, and no miracle surprise.
– John Ruskin (1872)
----
All Heaven, all Pandemonium are his escort. The stars keen-glancing, from the Immensities, send tidings to him; the graves, silent with their dead, from the Eternities.  [[Deep calls|Les Minst]] for him unto Deep.
– Thomas Carlyle, who also wrote on Novalis
from //Past and Present//, written 1843, with an "Appreciation" by Ralph Waldo Emerson
----
After silence that which comes nearest to expressing the inexpressible is music.
– Aldous Huxley, //Music at Night: And Other Essays// (1931)
----
I’m particularly interested in the pop music container; it can act as a sort of Trojan horse…in a shared cultural dialog…
– Holly Herndon
----
I have nothing to say / and I am saying it / and that is [[poetry]] / as I needed it
– John Cage
----
It feels like I have this huge [[ocean|inner ocean]] of capacity that isn't flourishing, that life should have more simple, lovely, and good things in it somewhere.
– Darin Wakeman
----
the twinned and cast-off shells
reveal a single heart of white.
//(one soul but in [[two lives|Dreamworld Outline]])//
----
You take the [[red pill]] – you stay in Wonderland, and I show you how deep the rabbit hole goes. Remember, all I'm offering is the truth – nothing more.
– //[[The Matrix|1000 lifeline notes/Matrix]]// (1999)
----
Psychedelics are to psychology what telescopes in the sixteenth century were to astronomy.  If a person is not willing to look through the telescope he cannot call himself an astronomer.  And if a person is not willing to learn the lessons of the psychedelic compounds, then any therapy he or she does -- anything done about the human psyche -- is sand-boxed.  These are the most powerful agents there are for uncovering the structure and potential of the human mind.
– Terence ~McKenna, //The Archaic Revival//, 1991
----
<part Ruby>
From [[Ruby|http://andthenshedisappeared.blogspot.com/2016/08/injury.html]]'s blog:
<<<
I remember from AA
There are 12 promises 
And one of them is that you will find a life beyond your wildest dreams
It's not about money 
Or material gains 
It's about living a real and authentic life 
From opening my heart and my mind 
From feeding myself good food 
From not weighing myself 
From being the best person I can be 
So today 
I urge you 
''For one day
Let go of your vice''
See what life is like without it 
I promise you 
The feeling of contentment I have 
Is better than any drug
Any number on a scale 
It's a feeling that I am ok
More than ok 
That I'm going to make it 
Despite everything I have been through 
I still want to live my life 
I still want to carry on
You can't ask for more than that...
<<<
I have my vices, too.  Let go of them today (08/08/16) … reach out and touch the happiness that is mine…
</part>
----
A wretched cheat who lived a double life… I excessively ruminate over my past.
– From a comment posted to the story "[[How to Stop Self-Destructive Behavior|https://web.archive.org/web/20150909074547/http://www.thechangeblog.com/how-to-stop-self-destructive-behavior]]"
Seventeen days after my wedding, I replied to this person: //"I have been in a similar place, and am still struggling to find a way out of it."//
----
danger of the male [[crush]] -- and [[how much the body can do]]
----
As two wise people once said (Oprah and my husband): ''You can have it all. Just not all at once.''
I want to create a world in which I want to live, which means no babies for me. Not yet.
– Amy Cao Smith, "[[Should I Have Kids?|https://medium.com/@amycao/should-i-have-kids-17bad134d636#.5875k6fpa]]"
----
My failures are beautiful. I lower my head and run through the knuckles. -- [[John DeVore|https://medium.com/@johndevore/failure-a1e92eafb9ec#.evqwy8vr0]]
----
<part August24>
August 24th is the birthday of Argentine author Jorge Luis [[Borges]], Brazilian author Paulo Coelho (I've read his book //The Alchemist//), and English author A. S. Byatt.

Of her books, I'm most inclined to read //Possession// and //The Children's Book//.

Ms. Byatt stated in a 2009 interview: "I am not a [[Quaker]], of course, because I'm anti-Christian and the Quakers are a form of Christianity but their religion is wonderful – ''you simply sat in silence and listened to the nature of things''."

Additionally, in //The Children's Book// she wrote: "There is a peculiar aesthetic pleasure in constructing the form of a syllabus, or a book of essays, or a course of lectures.  Visions and shadows of people and ideas can be arranged and rearranged like stained-glass pieces in a window, or chessmen on a board."
</part>
----
I would like to introduce a different kind of novel, the [[patchwork girl]], a creature who's entirely content to be the turn of a kaleidoscope, an exquisite corpse, a field on which copulas copulate … the hypertext.
…
Let us have books that squirm and change under our gaze, or tilt like a fun-house floor and spill us into other books.
– Shelley Jackson, "Stitch Bitch: [[the patchwork girl|http://web.mit.edu/comm-forum/papers/jackson.html]]"
----
Nassim N. Taleb: &nbsp;There is a secret relationship between humans and writing, the soothing effect of writing longhand. Between human hands and [[the book]] there’s a style; a rational empathy we cannot capture or your eyes can’t see.

Om Malik: &nbsp;So, you slow down the time when you’re writing with ink?  When you say “time” what do you mean by “time”?

NNT: &nbsp;No, I meant time as a history, a historical process. Time is volatility, the way I define it.  [[Time is cleaner of fragilities|http://om.co/2014/03/04/nassim-taleb-on-time-writing/]].
----
A [[rhizome]] has no beginning or end; it is always in the middle, between things, interbeing, //intermezzo//. The tree is a filiation, but the rhizome is alliance, uniquely alliance. The tree imposes the verb “to be,” but the fabric of the rhizome is the conjunction, “and . . . and . . . and . . .”  This conjunction carries enough force to shake and uproot the verb “to be.”
– Deleuze and Guattari, "[[A Thousand Plateaus|http://danm.ucsc.edu/~dustin/library/deleuzeguattarirhizome.pdf]]", quoted by Jim Rosenberg
----
The prisoner of that sacred edifice…was at his best a onestone parable, a rude breathing on the void of to be, a venter hearing his own bauchspeech in backwords, or, more strictly, but //tristurned initials, the cluekey to a worldroom// beyond the roomwhorld.
– James Joyce, //[[Finnegans Wake]]//
----
<part Derrida>
Jacques Derrida, whose background in North Africa I think helped fashion his profound sense of verbal magic, comments in //Specters of Marx//, “[For we are wagering here that] thinking never has done with the conjuring impulse…”
– quoted by Marina Warner "[[On Magic|http://www.threepennyreview.com/samples/warner_sp14.html]]"

In the same book Derrida said:
<<<
Someone, you or me, comes forward and says: //I would like to learn to live finally.//

//To learn to live:// a strange watchword. Who would learn? From whom? To teach to live, but to whom? Will we ever know? Will we ever know how to live and first of all what "to learn to live" means? And why "finally"

By itself, out of context – but a context, always, remains open, thus fallible and insufficient – this watchword forms an almost unintelligible [[syntagm]].  Just how far can its idiom be translated moreover?
<<<
</part>
----
True science consists in revealing its scaffolding as well as its finished structure… Those who would learn from semiotics should search for structural leaks, seams and scaffolding as signs of the making of any representation, and also for what has been denied, hidden or excluded so that the text may seem to tell "the whole truth".
– Daniel Chandler, "[[Semiotics for Beginners|http://www.aber.ac.uk/media/Documents/S4B/sem04.html]]"
----
Organizing work is [[the project|project of humankind]] that defines our species.
– Cory Doctorow, [[Museums and the Web remarks|http://mwf2014.museumsandtheweb.com/paper/glam-and-the-free-world/]]
----
The day is coming when a single carrot, freshly observed, will set off a revolution. – Paul [[Cezanne]]
----
Pete Seeger: "Well, normally I’m against big things. I think the world is going to be saved by millions of small things. Too many things can go wrong when they get big.” – quoted at Mumford & Sons website
----
Whether you more strongly feel the monumental significance of tiny things or the massive void between them depends on who you are, and how your brain chemistry is balanced at a particular moment. We walk around with miniature, emotional versions of the universe inside of us.
– Josh Worth, "[[If the Moon Were Only 1 Pixel|http://joshworth.com/dev/pixelspace/pixelspace_solarsystem.html]]"
----
Newly discovered favourite phrase //“disjecta membra”//
meaning “scattered fragments, especially of written work”
– Discovered via [[Jeremy Ruston]] on [[Twitter|https://twitter.com/Jermolene/status/435341497761026048]] - 17 Feb 2014

Jeremy acknowledged my forerunner wiki in this July 2011 [[tweet|https://twitter.com/Jermolene/status/89324319397777408]]:
I love that people use ~TiddlyWiki to enhance their spiritual journey through life - this is a great example: dialecticdad.tiddlyspace.com
----
Composing on the typewriter, I find that I am sloughing off all my long sentences which I used to dote upon. Short, staccato, like modern French prose. The typewriter makes for lucidity, but I am not sure that it encourages subtlety.
– T.S. [[Eliot]] in a letter to Conrad Aiken, 1916
----

<part GoogleTrove>"@@color:purple;''All their equipment and instruments are alive''@@.  They don’t construct or build at all. The idea of //making// is foreign to them. They utilize existing forms …
&nbsp;&nbsp;&nbsp;“Can I get a ship to Terra at once? It’s an emergency. My wife—”
&nbsp;&nbsp;&nbsp;“There’s no ship leaving the moon for eight hours. You’ll have to wait until the next period.”
… @@color:purple;''The face of the moon was in shadow''@@. Below him the field stretched out in total darkness, a black void, endless, without form."
&nbsp;&nbsp;&nbsp;– "[[Mr. Spaceship|http://www.philipkdickfans.com/mirror/gutenberg/32522-h/32522-h.htm]]", January 1953, [[Philip K. Dick|quiet hero]]

"While @@color:purple;''I watched the storm, so beautiful yet terrific''@@, I wandered on with a hasty step. This noble war in the sky elevated my spirits…"
&nbsp;&nbsp;&nbsp;– //[[Frankenstein|https://www.gutenberg.org/files/41445/41445-8.txt]]// (1818), first novel of Mary Shelley

"Between these two, I now felt I had to choose.  @@color:purple;''My two natures had memory in common''@@, but all other faculties were most unequally shared between them. Jekyll (who was composite) now with the most sensitive apprehensions, now with a greedy gusto, projected and shared in the pleasures and adventures of Hyde; but Hyde was indifferent to Jekyll, or but remembered him as the mountain bandit remembers the cavern in which he conceals himself from pursuit. Jekyll had more than a father’s interest; Hyde had more than a son’s indifference.
&nbsp;&nbsp;&nbsp;– //[[Strange Case of Dr Jekyll and Mr Hyde|http://www.bartleby.com/1015/10.html]]// (1886), Robert Louis Stevenson

"@@color:purple;''Then came the night of the first falling star''@@. It was seen early in the morning, rushing over Winchester eastward, a line of flame high in the atmosphere.
&nbsp;&nbsp;&nbsp;– //[[The War of the Worlds|http://www.bartleby.com/1002/102.html]]// (1898), H.G. Wells

//The fragments shown in purple are some of the sample text used on the [[Google Fonts|https://fonts.google.com/]] website.  All are listed [[here|https://news.ycombinator.com/item?id=11903526]].  Additional samples are shown in context// +++[here]
&nbsp;
"Presently, a shudder of the vessel sent a strange thrill to our hearts, and @@color:purple;''almost before we knew it, we had left the ground''@@.  'We're off!' ejaculated Gazen, and although a slight vibration was all the movement we could feel, we saw the earth sinking away from us…  @@color:purple;''The spectacle before us was indeed [[sublime|The Sublime Wants To Reach You]]''@@.  The sky of a deep dark blue was hung with innumerable stars…
&nbsp;&nbsp;&nbsp;It was a fine clear night. @@color:purple;''The sky was cloudless and of a deep dark blue''@@, which revealed the highest heavens and the silvery lustre of the Milky Way. The great belt of Orion shone conspicuously in the east, and Sirius blazed a living gem more to the south. I looked for Mars, and soon found him farther to the north, a large red star, amongst the white of the encircling constellations.
&nbsp;&nbsp;&nbsp;Professor Gazen was quite alone in his observatory when I arrived, and busily engaged in writing or computing at his desk."
&nbsp;&nbsp;&nbsp;– //[[A Trip To Venus|http://www.gutenberg.org/files/13716/13716-h/13716-h.htm]]// (1897), John Munro

"@@color:purple;''A red flair silhouetted the jagged edge of a wing …
Waves flung themselves at the blue evening''@@."
&nbsp;&nbsp;&nbsp;– //[[The Jewels of Aptor|https://books.google.com/books?id=CUT0AAAAQBAJ&pg=PA557]]// (1962), first novel of Samuel R. Delany

@@color:purple;"''It was going to be a lonely trip back''@@.  All the remaining seventeen of the crew were dead and their ashes were to be left on a strange planet.  Back they would go with a limping ship and the burden of the controls entirely on himself."
&nbsp;&nbsp;&nbsp;– "[[Youth|https://archive.org/stream/youth31547gut/pg31547.txt]]", May 1952, Isaac Asimov
===
&nbsp;</part>

 
Wake up and //see//
Wake up and //listen//
Wake up and lace your shoes,
shake off your sleep,
and //follow//

The sun is out,
Now dark your screen
Come along with me,
Wild and //free//

In these lonesome hills
on the highest plains
of flat water,

Hold my hand
and go sure,
Listening to the flowers,
Lonely we'll never be again . . .

September 7, 2015

{{grem{
;I mused on this, listening to the:
:flowers - children - or teachers ?
}}}
"[[The flower|https://en.wikipedia.org/wiki/Potentilla#/media/File:Potentilla_diversifolia_5996.JPG]] represents for us the beauty and the ordinariness of what is required to be free."

!Please Keep Loving Me
By Eric Victorino, from //[[Trading Sunshine for Shadows|http://ocbn.bigcartel.com/product/trading-sunshine-for-shadows]]//

please
keep loving me
when the thought 
of losing
what we are
feels like death’s cold breath
on the backs of our necks.

when we are
lumps in throats
and when we are 
butterflies 
in stomachs.

please keep loving me
when it does not come
so naturally.

when it is not easy,
when it feels
more like work
than like play.

please,
keep loving me.

please keep loving me
when,
through my blind carelessness
or my dishonesty.

I scratch open
our old wounds.

and when our wild animal hearts
begin to tug at their chains,
cursing everything
that holds them home.

please keep loving me.

when your eye wanders
more often than it watches over me,
and when your body lusts for new 
adventures,
love me.

if ever the shadow you cast
colors a darker shade
the pillows, the blankets,
the body of another,
lying
in a place that feels 
more like the scene of a terrible crime
than like a home
even then,
especially then…

please keep loving me.

and when old faults are
far behind us,
let’s laugh at the day we’re living
and happily go where it takes us.

let’s hold the brightest of hopes
for tomorrow
and the day after that.
love me
when we make copies of ourselves
and spend decades
mixing in the best ingredients
we each have to offer up…

through all of that
as challenging as it will be,
please keep loving me.

one day 
those children
will move away
to search for love,
love like what their parents had.

and we will make our circle
small again.

in times when
our perfect harmony
is the envy
of all of our friends,
of course
please keep loving me.

but
love me just as well
when that perfect harmony
is really nothing more than
a mirage our friends see
from their 
desolate perspective.

when i’m the boat
and you are the sea,
i want to be a wave
or the wind
or the shore.

but we can’t help what we are
and for a short time
we may refuse to flow
together…

please keep loving me
while we wait
for calmer weather
and the safety of low tide…

and then in those last years
when what’s left of old tattoos,
the fading blue blotches
are joined
by brown spots of age
marking our
crinkled 
see-through skin,
please keep loving me.

when the house we bought
with the money we earned
for selling off our youthful years
starts to fall apart.

when the paint chips
and the pipes leak
when our floorboards
and our walls give way to wind
and our hallways
creak and shiver,
when the roof begins
to let in the rain…

when our love pushes up
with the same strength as gravity,
it will be what holds that old house together.

when even more years have escaped us
and our sons and daughters
come home for the holidays
and they bring us pamphlets from rest homes
hoping to coax us
from the only comfort we know,
let’s both
try to remember
they mean only the best for us.

love me,
when they’ve taken us away
to make new friends at card tables
to roll around in chair parades,
to shuffle on canes,
to wait out the twilight in buffet lines.

and when we’ve settled in
to rust up and die of natural causes…

love me as you watch me
being scooped up off the floor
by a well trained staff
of strangers.

before,
during
and after all of this,
love me
and i will love you.

when our sight begins to fail us,
as we’re coming to the end,
i hope we can still clearly see
the reasons
we spent
the only lives we had
together.

when all of this truth
comes to be,
please…

please

keep loving me.

 
//Keep faith in the Seed of Perfection dwelling on Earth.
Take refuge in its passages to you, and
Protect your fellowships.//

<part exegesis>
*the seed of perfection within //me// (my wellspring of adequacy and worth)
*the Earth in total as a seed in the cosmos, in terms of cosmic scale and its life-arising properties
*the seeds of living matter scattered diffusely on the Earth, and their collective durability
*Enclosed and safe within its central heart / Nestles the //[[seed Perfection|re: muse]]// (Whitman)
*How flowers changed the world ([[Eiseley]])
*Again, return to the seed of perfection (bodhichitta) within.
*See the [[Dekatessera Commentary]].

This is a form of the Buddha -- Dharma -- Sangha "[[jewels|Divine Triangle]]", but I prefer the impermanence of a figurative, fragile, living and dying seed rather than a jewel.

Thomas R. Kelly wrote:

"It is a dynamic center, a creative Life that presses to ''birth'' within us.  It is a Light Within that illumines the many names and faces of {{grem{[the Loving Eternal [[Diosa|Friar's Journeybook]]]}}}, and casts new shadows and glories upon the human face.  It is a seed stirring to life if we do not choke it.  It is the ''Shekinah'' of the soul, the Presence in the midst.  Here is the Slumbering Christ {{grem{[also named Bodhichitta]}}}, stirring to be awakened, to become the soul we clothe in earthly form and action.  And [[You|prayer]] are within us all …

Here is not [[ecstasy|Sevenfold Self/ecstasy]] but serenity, unshakableness, firmness of life-orientation."
----
</part>

!Kythings
A collection by the Scottish poet Ronald Eadie Munro
(aka [[Duncan Munro Glen]]), published 1969, [[interpreted here|Kythings interpreted]]

From JOHN ATMAN
----
I.
This is daurk Lanarkshire
sae I hae learnt.
But //we ken aye there
a land o sun and blue skies.//
A time o lang days and play
wi my brithers.
We desire ainly
the cool blue watter.
...
Water rinnin slow in thochts
toom ablow the sky. Days
at ease wi oor brithers
and aw o earth and kin
in their ways.

And the corn there. Fenced
by oor faither. Yellowin ears
on lang stalks that move us
toward the hairst for days
oor faither fears.

We desire ainly
the cool blue watter.
...
Oor faither cut grey wi pain
and cauld. His lang-boned body
live wi knowledge
o days spent,
and sleep shut in the gairden
//though the paths are
open//
and the auld trees
in blossom that hauds nae stain.

//The blossom calls.// The gairden
oor mither returns to
with the strength o his winter.
Days for which she nourishes
strange sons. Their ways forced
ootside trig lairs.
And soon
grow strong and broun
and faither wi them
nourished to their hairst.

II.
In my thochts daurk corners
and unkent steps.
Journeys across swung stairweys.
Across daurk rivers on bridges
felt wi stretchin fingers;
open weys wi missin steps
and sweyin haunrails shadows
saft and grey agin the nicht.

A time o closed roads and unkent
fields. Great daurk acres
shut oot by quick faain hills
and sma halls o endless dance.

A spring held ticht; and wound
to the grip o innocence. //A spring
vibratin as he walks
a challenge
to his brithers.// A time of unwindin
to ithers’ time.

A large stride across a street.
//The hidden selves safe aneath
quick thrustin strides.// Unheard
voices drouned in the blood
racin. A time of lookin
frea ahint an unshaved face.
...
Bricht-haired shadows rinnin
through oor nicht; shairp wi
unkent knives cutting across
the raw stane. And //the beat o haimmers
edgin to brittle pairts
that spairk quick, and chip//
against unseen heids. A time
o shairp corners and short cuts
taen blin.

The stane rises daurk against
the sky. And //a table is set
across a field//

... A time o bricht
daurkness and haurd gless tables
set wi hauf-filled bottles.

And the dance. Heids on a hidden
floor. A turnin licht movin
through the spectrum. The warm
wi the cool. A sad yellow
and a turnin green. Heild ticht
on sprung boards. Turn and turn
again. The great springs taut
in ithers' haunds.

Great gaitherings o dochters
turnin. The owre-lookin.
And the dance. Close and fast
turnin steps. Time and time again
roond movin limbs. Quick steps
and slaw movements. Gyrations
full and round wi the beat
time and time again.
...

III.
A time of hame-comin and visitin
hame. New faces in auld.
And //strength ahint closed doors//
and rung bells.

//The warmth is in us.// We lie
thegither;
the fields are sma
and licht frae oor gairden. The days
are lazy and fu wi the trees
growin ablow us. And she walks doun,
and full-skirtit, wi warmth
and fear by his side. Waitin
and growin
life.

A stranger. A time of confinement
and doors closin. Of waiting
and walking. A time of sleep.
Of climbing close stairs
—and cauld. He rises
across the sky. Heavy clouds
blowin through the park. And gates
are closin. We wait on time.
The tide in her strong and high
wi waves that rise
and fall ayont the swingin
wecht. A flood rode dry
ootside the ark braithless and
strong in her blood. //That knot
made to untie.// And turn
in time, frae him noo
cryin
in the licht.

And the flood in him.
//a young God challengin
the storm// rushin owre
wi him licht to me. A pillar
above the storm.
...
Heich up hill paths I staun
and glimpse faur blue hills
and lochs seen bricht
though ne'er reached. And he
smiles owre my shoulder
a rock above the storm
I face.

She turns me to see
his ways. To journeys I canna
make. And a stranger moves
across a field. And through
my storm. A young face.
A column broken and swept
in spate
to the sea.

The storm beats doun my airms
and the sky falls . . .

IV.
Shadows grow colours
aw roun. I lie warm
in days lang wi daurk nights
alane in their time

A time o warmth by the fire.
Aw nicht
cauld doun daurk corridors
live wi steps
I turn frae across my nicht
and shut oot
ahint quick-closed dwaums.

I sit in the movin licht
wi steerin stairs
turnin wi the spurkle
o smells frae daurk breakfasts
you rise to mak
and mak again.

I sit cauld. Time
steady
in my pulse
racin to a time
I turn frae. A time o shut
doors
I couldna open
for licht or daurk.

Swallin doors growin shut
afore that white waa.
I look
to her warm in the sun. A young face
sad in my een. But quick
turn to quicker feet
and shoutin voices. Hers and mine
I canna hear, but ken
and feel aye there
a pool to lie in warm
wi unturnt licht.

My time.
But they call
and it is Their time.

I staun against the door
and turn open-eened to cross
daurk corridors and //shout
my strength to the shadows//
that run wi me
aye a step ahint
across halls and up stairs
to daurk that waits
and waits. And I turn warm;
//turn to the fire wi them
in times unkent; daurkness
welcomed and warm//
coverin us in the hidden places
of the gairden.

The leaves are faain.
I auld in their gairden;
I turn
and turn again
to a gairden that shuts oot
tomorrow's licht and shadows.
I turn frae the cool watter
and desire anerly the saft gress
uncut since we walkt paths
seen anerly frae that heavy wey
across the hill

and licht lengthens her shadow
in my dreed;
a cauld haun in mine
across corridors I see
open oot
and warm carpeted.

I see her often there
an unseen face
kent across daurk gress
frae this fireside. Oor past
still in me wi the toom
rooms o childhood. And //quick
turn in warmth to her I ken
across anither field.// But then
in time
grow cauld and turn
to the waa.

Sma faces growin frae patterns.
Faces safe in my een
that blink to blin
and turn
away to ithers. Turn and turn
again. Sma movin figures
I canna ken. And lie
warm in the coloured wall
that kens nae time
but the wun movin
a leaf. A wun
aye in the gairden
and the mornin taen wi the sun . . .

and they call
and it is their time
and their place . . .

[last and forty-eighth page of the book]

A human being is a part of the whole called by us "the universe," a part limited in time and space. He experiences himself, his thoughts and feelings, as something separate from the rest—a kind of optical delusion of consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening the circle of understanding and compassion to embrace all living creatures and the whole of nature in its beauty.  The true value of a human being is determined by the measure and the sense in which they have obtained liberation from the self.  We shall require a substantially new manner of thinking if humanity is to survive.
–Albert Einstein

Also stated by Einstein:
//No problem can be solved from the same consciousness that created it.  We have to learn to see the world anew.//
(in Banathy 1995)

*right view
*right intention
*right speech
*right conduct (action)
*right livelihood
*right endeavor (effort)
*right attention (mindfulness)
*right concentration

 
I want my existence to mean something. ''I want to sing my song'':
"struggle to play it and [[write it down|breathe]]. Well or badly, it does not matter, only that I sing what is inside me." (Quoted from //The Fifth Sacred Thing//, page 477)

I don't want to lie anymore. I don't want to cause any more hurt.

The world outside this room is REAL, and you must learn to live in the real world while keeping your vision.

Their pain is so much bigger than mine.
//This is only a fractional piece of the [[world's hurt|Starhawk/Hurt]] which you asked to bear.//

Why do you hide your vision from the people who you presume won't understand? Why do you close your door on all of them, who need you? Why are you ashamed of your crying and visions? Why do you do it only in solitude?

A quote from //Whispered Wisdom// (by Mary Summer Rain) … "Strife comes from trying to fill the Void; Peace comes from allowing the Void to fill itself."
{{rjustify{
+++[more]
{{ljustify{
----

Several new priorities emerged from last night. To make room for them, other things must leave. So I'm not meeting Lane today. {{grem{[Who was one of my "casual" hook-ups.]}}}

I need to call my Dad. I need to call him, talk to him honestly, and try to begin healing our relationship. Visiting him in Kansas would be better.  I need to make an honest effort toward forgiving him. Without lying. Without shielding him from the reality of my hatred. I must bring it into the light, tell him the truth, and then hope that we can overcome it.

I don't want to hate him. He's my Dad. I don't want to feel this way.

It's okay to love him. Your Father. Daddy. Paul.

I don't want him to be old and different than he is. If he ever got better, would you even give him a chance?

----

Another priority: find a channel that allows me to sing, to live my life with full meaning and purpose. I need to examine this carefully, with honesty and prudence. Especially in regards to my job. Following this path may require that I leave the factory {{grem{[where I still sit today, 15 years later!]}}}

----

//Study the gifts of feminism for the ~Anglo-American, 20th century male.//

I want to become the best male expert on the subject of feminism. Because gifts are there, gifts to be carried across the gender line, and imparted to the //anima// -- Carl [[Jung]]'s term for the woman inside every man. Like women, the anima has been oppressed by the patriarchal machismo of the last two millennia.  But no book or movement has yet been born to liberate ''her, the woman who is killed in the heart of every young boy, and then reincarnated in every woman he pursues for marriage, love, or sex.''

The yin-yang is horribly out of balance. If you look at the symbol, a seed of the opposite color lies in each half. You can not have two absolutes cleaved together. First, we must be complete inside ourselves, a man-woman or woman-man. The anima (as well as the animus inside women -- such as your Jonathan) must be made part of the conscious identity -- not a repressed archetype that we seek in every potential mate. It's there inside us.

Oh Lily, there is so much to be done. So much challenge and need. That's why I must leave my present place of work, because a world of need surrounds me. ''When I am equipped to make a difference, then I will leave.'' When I have healed myself, and am ready to heal others, I will leave. I'm not trying to be a savior or saint. But there can be a victory "only if we are stronger healers than they are warriors."  (//[[The Fifth Sacred Thing|Starhawk]]//, page 444)

----

A final priority, which is really a new creed:
* To live in a sacred manner.
* To look into the eyes of everyone around me and see their soul -- the soul of my father, mother, brother, or sister. To see their value, their hurt, their story, and their potential. To transform.
* To look at myself with scathing honesty, to tell everything about myself to the people I trust, to open the doors of my //alaya vigyan//, to dispel all my secrets.
: {{grem{Added 15 years later:}}}
<<<
I want my free will and want it accompanying 
the path which leads to action …
I want my conscience to be
true before you;
want to describe ''myself'' like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everday jug,
like my mother's face,
''like a ship that carried me along''
through the deadliest storm.
-- [[Alone in This World, Yet Not Alone]]
<<<
* To make every moment count -- to stop caring about money, success, or ego. I will no longer seek happiness in my performance. The only real affirmation is that given to our basic, indestructible soul. The person within, whose value is separate from their performance.

And now, I differ with a statement you made several weeks ago. They all have souls, Lily.  Every person in the mall, in ~Wal-Mart, living their pre-packaged lives and following all the instructions on the back.  If we claim that any of them are soulless, or different than us, or less than us, then we don't have a soul.  Read the book //[The Fifth Sacred Thing]//. You'll see how Madrone transformed a soulless man.  Trained from birth to be a soldier, never having any name but //"Oh-nine five-thirty-three sixteen-hundred, Unit Five."//  She reached him, she named him River, she found his soul. Even the guards at Auschwitz had souls. Everyone. All of humanity is the same.
}}}
===
}}}
----

You have a song to sing that is yours -- a road to walk that is not smooth, well-paved, or comfortable -- but which crosses through beautiful terrain that only a few travelers see. When I'm ready to leave, I pray that you will come with me. I would be crushed to leave you in //El Mundo Ilusorio.//   El Mundo Bueno waits for you and me.  Which do you want?

Please don't fret … the choice will not come until summer.  But I am leaving before autumn. {{grem{[As I told my friend Ryan again this year, 2016.]}}}  And though I NEVER want to leave you, I will not stay FOR you.

''Walt Whitman'' (31 May 1819 – 26 March 1892) was an American journalist and poet, most famous for his lifelong work on his book //[[Leaves of Grass|Song of Myself]]//.

See http://www.leavesofgrass.org/

…you shall possess the [[origin of all poems]]

In every object, mountain, tree, and star — in every birth and life,
As part of each — evolved from each — meaning, behind the ostent,
A mystic [[cipher|correspondances]] waits infolded.
— Walt Whitman, Leaves of Grass

I DREAM’D in a dream, I saw a city
invincible to the attacks of the whole of the rest of the earth;
I dream’d that was the new City of [[Friends|Quaker]];
Nothing was greater there than the quality of robust love—it led the rest;
It was seen every hour in the actions of the men of that city,
And in all their looks and words.

----

Before I was born out of my mother generations guided me…
For it the nebula cohered to an orb…
We have thus far exhausted trillions of winters and summers…
Now on this spot I stand with my robust soul.

The two old, simple problems ever intertwined,
Close home, elusive, present, baffled, grappled.
By each successive age insoluble, pass'd on,
To ours to-day — and we pass on the same.
— Walt Whitman, "Life and Death," Leaves of Grass

"…I learned from Whitman that the poem is a temple—or a green field—a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing—an artifact, a moment of seemly and robust wordiness—wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak—to be company. It was everything that was needed, when everything was needed."
—Mary Oliver, on poetry

 
From NPR: "[[Saudade: An Untranslatable, Undeniably Potent Word|http://www.npr.org/sections/altlatino/2014/02/28/282552613/saudade-an-untranslatable-undeniably-potent-word]]"
By Jasmine Garsd, February 28, 2014
<<<
Perhaps my favorite of these elusive words is //saudade//, a Portuguese and Galician term that is a common fixture in the literature and music of Brazil, Portugal, Cape Verde and beyond. The concept has many definitions, including a melancholy nostalgia for something that perhaps has not even happened. It often carries an assurance that this thing you feel nostalgic for will never happen again. My favorite definition of //saudade// is by Portuguese writer Manuel De Melo: "a pleasure you suffer, an ailment you enjoy."

Since it comes up so frequently in the music we listen to on our show, we decided to dig deeper. Joining us to explain the concept are two musical masterminds: jazz singer [[Luciana Souza|http://www.npr.org/artists/15403906/luciana-souza]] and producer [[Beco Dranoff|http://www.npr.org/blogs/altlatino/2013/07/25/204556473/best-of-brasil-summerfest-2013-hip-hop-samba-tecno-brega-and-beyond]]. Both do a great job of explaining what //saudade// means playing some of their favorite tracks.
<<<
A similar quality is named by the German //[[Sehnsucht]]//.

''Maria Montessori''  (31 August 1870 – 6 May 1952)  Italian physician and educator who proposed a method of teaching young children that stresses the development of initiative and natural abilities and which was child-centered.  Her most well-known book was //The Montessori Method// (1909).  She envisioned education in its entirety from birth to adulthood, and as the prime vehicle for social change.  Died in The Netherlands.
<<<
Since it has been seen to be necessary to give so much to the child, let us give him a vision of the whole universe... If the idea of the universe be presented to the child in the right way, it will do more for him than just arouse his interest, for it will create in him admiration and wonder, a feeling loftier than any interest and more satisfying. The child's mind then will no longer wander, but becomes fixed and can work. The knowledge he then acquires is organized and systematic; his intelligence becomes whole and complete because of the vision of the whole that has been presented to him, and his interest spreads to all, for all are linked and have their place in the universe on which his mind is centred. The stars, earth, stones, life of all kinds form a whole in relation with each other, and so close is this relation that we cannot understand a stone without some understanding of the great sun! No matter what we touch, an atom, or a cell, we cannot explain it without knowledge of the wide universe. What better answer can be given to those seekers for knowledge? It becomes doubtful whether even the universe will suffice. How did it come into being, and how will it end? A greater curiosity arises, which can never be satiated; so will last through a lifetime. The laws governing the universe can be made interesting and wonderful to the child, more interesting even than things in themselves, and he begins to ask: What am I? What is the task of man in this wonderful universe? Do we merely live here for ourselves, or is there something more for us to do?
<<<

{{center{
[img(85%,)[The Coat of Arms of Pope Francis|http://m.vatican.va/content/dam/francesco/images/elezione/img/stemma-papa-francesco.png][http://www.vatican.va/holy_father/francesco/elezione/stemma-papa-francesco_en.html]]
@@font-size:125%;font-family: serif;
APOSTOLIC EXHORTATION
{{font150{''//EVANGELII GAUDIUM//''
}}}OF THE HOLY FATHER
{{font150{''[[FRANCIS|pontifex]]''
}}}
//TO THE BISHOPS, [[PRIESTS|Welcome to your own priesthood]] AND DEACONS
CONSECRATED MEN AND WOMEN
AND THE LAY FAITHFUL
ON THE PROCLAMATION OF THE GOSPEL
IN TODAY'S WORLD//@@
}}}
1. The joy of the gospel fills the hearts and lives of all who encounter Jesus.  {{grem{[This opening sentence is what I struggle with most.  That personal (questionably unreal?) encounter with the man-god-myth makes me uncomfortable.]}}}

2. The great danger in today’s world, pervaded as it is by consumerism, is the desolation and anguish born of a complacent yet [[covetous heart|Quenchless thirst]], the feverish pursuit of frivolous pleasures, and a blunted conscience. Whenever our interior life becomes caught up in its own interests and concerns, there is no longer room for others, no place for the poor. God’s voice is no longer heard, the quiet joy of his love is no longer felt, and the desire to do good fades. This is a very real danger for believers too. Many fall prey to it, and end up resentful, angry and listless. That is no way to live a dignified and fulfilled life…

7. All these instances of joy flow from the infinite love of God, who has revealed himself to us in Jesus Christ. I never tire of repeating those words of Benedict XVI which take us to the very heart of the Gospel: “Being a Christian is not the result of an ethical choice or a lofty idea, but the encounter with an event, a person, which gives life a new horizon and a decisive direction.”  (In Benedict's encyclical letter "God is Love")

91. The solution will never be found in fleeing from a personal and committed relationship with God, which at the same time commits us to serving others. This happens frequently nowadays, as believers seek to hide or keep apart from others, or quietly flit from one place to another or from one task to another, without creating deep and stable bonds.  “Dreaming of [[different places|places we can dream]], and moving from one to another, has misled many.”  (Thomas À Kempis, //De Imitatione Christi//, Lib. I, IX, 5)

27. [[I dream]] of a “missionary option”, that is, a missionary impulse capable of transforming everything, so that the Church’s customs, ways of doing things, times and schedules, language and structures can be suitably channeled for the evangelization of today’s world rather than for her self-preservation.

40. The Church is herself a missionary disciple; she needs to grow in her interpretation of the revealed word and in her understanding of truth. It is the task of exegetes and theologians to help “the judgment of the Church to mature”.  The other sciences also help to accomplish this, each in its own way.

43. In her ongoing discernment, the Church can also come to see that certain customs not directly connected to the heart of the Gospel, even some which have deep historical roots, are no longer properly understood and appreciated. Some of these customs may be beautiful, but they no longer serve as means of communicating the Gospel. We should not be afraid to re-examine them. At the same time, the Church has rules or precepts which may have been quite effective in their time, but no longer have the same usefulness for directing and shaping people’s lives. Saint Thomas Aquinas pointed out that the precepts which Christ and the apostles gave to the people of God “are very few”. Citing Saint Augustine, he noted that the precepts subsequently enjoined by the Church should be insisted upon with moderation “so as not to burden the lives of the faithful” and make our religion a form of servitude, whereas “God’s mercy has willed that we should be free”.  This warning, issued many centuries ago, is most timely today. It ought to be one of the criteria to be taken into account in considering a reform of the Church and her preaching which would enable it to reach everyone.

71. It is curious that God’s revelation tells us that the fullness of humanity and of history is realized in a city [the new Jerusalem].  We need to look at our cities with a contemplative gaze, a gaze of faith which sees God dwelling in their homes, in their streets and squares. God’s presence accompanies the sincere efforts of individuals and groups to find encouragement and meaning in their lives. He dwells among them, fostering solidarity, fraternity, and the desire for goodness, truth and justice. This presence must not be contrived but found, uncovered. God does not hide himself from those who seek him with a sincere heart, even though they do so tentatively, //in a vague and haphazard manner.// {{grem{[Like my own.]}}}

74. What is called for is an evangelization capable of shedding light on these new ways of relating to God, to others and to the world around us, and inspiring essential values. It must reach the places where new narratives and paradigms are being formed, bringing the word of Jesus to the inmost soul of our cities. Cities are multicultural; in the larger cities, a connective network is found in which groups of people share ''a common imagination and dreams about life'', and new human interactions arise, new cultures, invisible cities. Various subcultures exist side by side, and often practise segregation and violence. The Church is called to be at the service of a difficult dialogue.

82. The problem is not always an excess of activity, but rather activity undertaken badly, without adequate motivation, without a spirituality which would permeate it and make it pleasurable.  As a result, work becomes more tiring than necessary, even leading at times to illness. Far from a content and happy tiredness, this is a tense, burdensome, dissatisfying and, in the end, unbearable fatigue. This pastoral acedia can be caused by a number of things. Some fall into it because they throw themselves into unrealistic projects and are not satisfied simply to do what they reasonably can.  Others, because they lack the patience to allow processes to mature; they want everything to fall from heaven. Others, because they are attached to a few projects or ''vain dreams of success''. Others, because they have lost real contact with people and so depersonalize their work that they are more concerned with the road map than with the journey itself. Others fall into acedia because they are unable to wait; they want to dominate the rhythm of life. Today’s obsession with immediate results makes it hard for pastoral workers to tolerate anything that smacks of disagreement, possible failure, criticism, the cross.

191. In all places and circumstances, Christians, with the help of their pastors, are called to hear the cry of the poor. This has been eloquently stated by the bishops of Brazil: “We wish to take up daily the joys and hopes, the difficulties and sorrows of the Brazilian people, especially of those living in the barrios and the countryside – landless, homeless, lacking food and health care – to the detriment of their rights. Seeing their poverty, hearing their cries and knowing their sufferings, we are scandalized because we know that there is enough food for everyone and that hunger is the result of a poor distribution of goods and income. The problem is made worse by the generalized practice of wastefulness.”

192. Yet we desire even more than this; our [[dream]] ''soars higher''. We are not simply talking about ensuring nourishment or a “dignified sustenance” for all people, but also their “general temporal welfare and prosperity”.  This means education, access to health care, and above all employment -- for it is through ''free, creative, participatory and mutually supportive labor'' that human beings express and enhance the dignity of their lives.

205. I ask God to give us more politicians capable of sincere and effective dialogue aimed at healing the deepest roots – and not simply the appearances – of the evils in our world!  Politics, though often denigrated, remains ''a lofty vocation and one of the highest forms of charity'', inasmuch as it seeks the common good.  We need to be convinced that charity “is the principle not only of micro-relationships (with friends, with family members or within small groups) but also of macro-relationships (social, economic and political ones)”.  (Pope Benedict XVI)

206. [[Economy|Ecology]], as the very word indicates, should be the art of achieving a fitting management of our [[common home|Laudato si']], which is the world as a whole. Each meaningful economic decision made in one part of the world has repercussions everywhere else…

222. A constant tension exists between fullness and limitation. Fullness evokes the desire for complete possession, while limitation is a wall set before us. Broadly speaking, “time” has to do with fullness as an expression of the horizon which constantly opens before us, while each individual moment has to do with limitation as an expression of enclosure. People live poised between each individual moment and the greater, brighter horizon of the utopian future as the final cause which draws us to itself. Here we see a first principle for progress in building a people: ''//time is greater than space//''.

223. This principle enables us to work slowly but surely, without being obsessed with immediate results. It helps us patiently to endure difficult and adverse situations, or inevitable changes in our plans. It invites us to accept the tension between fullness and limitation, and to give a priority to time. One of the faults which we occasionally observe in sociopolitical activity is that spaces and power are preferred to time and processes. Giving priority to space means madly attempting to keep everything together in the present, trying to possess all the spaces of power and of self-assertion; it is to crystallize processes and presume to hold them back. Giving priority to time means being concerned about initiating processes rather than possessing spaces. Time governs spaces, illumines them and makes them links in a constantly expanding chain, with no possibility of return. What we need, then, is to give priority to actions which generate new processes in society and engage other persons and groups who can develop them to the point where they bear fruit in significant historical events. Without anxiety, but with clear convictions and tenacity.

227. When conflict arises, some people simply look at it and go their way as if nothing happened; they wash their hands of it and get on with their lives. Others embrace it in such a way that they become its prisoners; they lose their bearings, project onto institutions their own confusion and dissatisfaction and thus make unity impossible. But there is also a third way, and it is the best way to deal with conflict. It is the willingness to face conflict head on, to resolve it and to make it a link in the chain of a new process. “Blessed are the peacemakers!” (Matthew 5:9)

… This can only be achieved by those great persons who are willing to go beyond the surface of the conflict and to see others in their deepest dignity. This requires acknowledging a principle indispensable to the building of friendship in society: namely, that ''//unity is greater than conflict//''. Solidarity, in its deepest and most challenging sense, thus becomes a way of making history in a life setting where conflicts, tensions and oppositions can achieve a diversified and life-giving unity. This is not to opt for a kind of syncretism, or for the absorption of one into the other, but rather for a resolution which takes place on a higher plane [?] and preserves what is valid and useful on both sides.

231. There also exists a constant tension between ideas and realities. Realities simply are, whereas ideas are worked out. There has to be continuous dialogue between the two, lest ideas become detached from realities. ''It is dangerous to dwell in the realm of words alone'', of images and rhetoric. So a third principle comes into play: ''//realities are greater than ideas//''. This calls for rejecting the various means of masking reality: angelic forms of purity, dictatorships [?] of relativism, empty rhetoric, objectives more ideal than real, brands of ahistorical fundamentalism, … [discourse] bereft of kindness; bereft of wisdom.

232. Ideas – conceptual elaborations – are at the service of communication, understanding, and praxis. Ideas disconnected from realities give rise to ineffectual forms of idealism and nominalism, capable at most of classifying and defining, but certainly not calling to action. What calls us to action are realities illuminated by reason. 

234. An innate tension also exists between globalization and localization. We need to pay attention to the global so as to avoid narrowness and banality. Yet we also need to look to the local, which keeps our feet on the ground. Together, the two prevent us from falling into one of two extremes. In the first, people get caught up in an abstract, globalized universe, falling into step behind everyone else, admiring the glitter of other people’s world, gaping and applauding at all the right times. At the other extreme, they turn into a museum of local folklore, a world apart, doomed to doing the same things over and over, and incapable of being challenged by novelty or appreciating the beauty which God bestows beyond their borders.

235. ''//The whole is greater than the part//'', but it is also greater than the sum of its parts. There is no need, then, to be overly obsessed with limited and particular questions. We constantly have to broaden our horizons and see the greater good which will benefit us all. But this has to be done without evasion or uprooting. We need to sink our roots deeper into the fertile soil and history of our native place, which is a gift of God. We can work on a small scale, in our own neighborhood, but with a larger perspective. Nor do people who wholeheartedly enter into the life of a community need to lose their individualism or hide their identity; instead, they receive new impulses to personal growth. The global need not stifle, nor the particular prove barren.

236. ''Here our model is not the sphere'', which is no greater than its parts, where every point is equidistant from the center, and there are no differences between them. ''Instead, it is the polyhedron, which reflects the convergence of all its parts'', each of which preserves its distinctiveness. Pastoral and political activity alike seek to gather in this polyhedron the best of each. There is a place for the poor and their culture, their aspirations and their potential. Even people who can be considered dubious on account of their errors have something to offer which must not be overlooked. It is the convergence of peoples who, within the universal order, maintain their own individuality; it is the sum total of persons within a society which pursues the common good, which truly has a place for everyone.

288. [We] look to Mary as a model of evangelization. We implore her maternal intercession that the Church may become a home for many peoples, a mother for all peoples, and that the way may be opened to the birth of a new world. It is the Risen Christ who tells us, with a power that fills us with confidence and unshakeable hope: “Behold, I make all things new.”
<<<
//Mother of love, Bride of the eternal wedding feast,
pray for the Church, whose pure icon you are, 
that she may never be closed in on herself 
or lose her passion for establishing God’s kingdom.

Star of the new evangelization, 
help us to bear radiant witness to communion,
service, ardent and generous faith,
justice and love of the poor,
that the joy of the Gospel
may reach to the ends of the earth,
illuminating even the fringes of our world.

Mother of the living Gospel,
wellspring of happiness for God’s little ones, 
pray for us.

Amen. Alleluia!//
<<<
[[Apostolic Exhortation Text at the Vatican Website|http://www.vatican.va/holy_father/francesco/apost_exhortations/documents/papa-francesco_esortazione-ap_20131124_evangelii-gaudium_en.html]]

 
A story interrelating man, the world, and the "[[gods|god myth]]"
:natural forces or 'ground of being' … otherwise known as '~Ground-Divine' or 'God'
A story that tells how things came to be the way the are.

Also see the [[Muse]] and //[[material mítica diosa|pensamientos españoles]]//

A culture is a group of people //__enacting__// a story, living in a way to //make// or //maintain// the story as a reality.  (Taken from Daniel Quinn's //Ishmael//.)
<<tiddler [[five great narratives (Postman)]]>>
(in [[The End of Education]].)

@@display:block;width:18.5em;margin-left:2em;text-align: center;
//this is … the face … the child … the soul
… the old man's shroud … these are
the hands … the eyes … the feet …
the dreams … the tears
… searching for the meaning of love//@@
!This Is
Written by Christy Dignam in 1986, released by the Irish rock band
"[[Aslan|tiztatlan]]" (formed in 1982), and later covered by U2 ([[video here|https://www.youtube.com/watch?v=iXlsbEM9-CM]])

These are the hands of a tired man
This is the old man's shroud
These are the eyes of a blood-crazed [[tiger|A Tree Within/flames]]
Staring at the maddening crowd

This is the face of a teenage mother
This is the child she bears
This is the soul of her broken lover
Searching for the smiles they shared

These are the feet of the punished pilgrim
And in his book of punished love
You see the eyes
You see no surprise
Waiting for a lie that's true

Everybody hits you with this feeling
Nobody seems to understand
Yeah, you stop, you look
You're searching for the meaning
Of love
Wasting your life away

//These are the dreams of a sleeping [[father|Father]]
{{bluem{[wake here now]}}}
And in his [[long lost days|Kythings interpreted]]
He sees a child
He sees his own eyes
Waiting for the price he's paid//

These are the tears of a fallen idol
And in his smile of shattered love
You see his eyes
You see no surprise
You just see lights and realise

Everybody hits you with this feeling
Nobody seems to understand
Yeah, you stop, you look
You're searching for the meaning
Of love
Wasting your life away

All about me
Here with you
There’s no one here like you
Nobody lives like you
Nobody, nobody touches like you

Everybody hits you with this feeling
Nobody seems to understand
Yeah, you stop, you look
You're searching for the meaning
Of love

Everybody hits you with this feeling
Nobody seems to understand
Yeah, you stop, you look
You're searching for the meaning
Of love

Everybody hits you with this feeling
Everybody hits you 
Everybody knocks you down 
You stop, you look
You're searching for the meaning
You stop, you look
You're searching for the meaning
Of love, love, love, love

The //axis mundi// (also cosmic axis, world axis, world pillar, columna cerului, center of the world,world tree), in religion or mythology, is the world center or <part precis>the connection between Heaven and Earth</part>.

//Anima Mundi//, 1670s, Medieval Latin, literally "soul of the world;" used by Abelard to render Greek //psyche tou kosmou//

//Fractal Mundiosa//, [[Fractal]] World that is Divine [[Feminine|Muse]]; ~Ground-Divine

The image of the //Cosmic Tree// provides an axis symbol that unites three planes: sky (branches), earth (trunk) and underworld (roots).
* In some Pacific island cultures the banyan tree, of which the Bodhi tree is of the Sacred [[Fig]] variety, is the abode of ancestor spirits. In Hindu religion, the banyan tree is considered sacred and is called "Ashwath Vriksha" ("I am Banyan tree among trees" - Bhagavad Gita).
* The Bodhi Tree is also the name given to the tree under which Gautama Siddhartha, the historical Buddha, sat on the night he attained enlightenment.
* The Yggdrasil, or World Ash, functions in much the same way in Norse mythology; it is the site where Odin found enlightenment.
* Other examples - Jievaras in Lithuanian mythology and Thor's Oak in the myths of the pre-Christian Germanic peoples.
* The Tree of Life and the Tree of Knowledge of Good and Evil in Genesis present two aspects of the same image.

//Cursor Mundi// (Latin for "Runner of the World") is an anonymous ~Middle-English historical and religious poem of nearly 30,000 lines written around 1300 AD. The poem summarizes the history of the world as described in the Christian Bible and other sources, with additional legendary material drawn primarily from the //Historia scholastica.//
http://en.wikipedia.org/wiki/Cursor_Mundi

[[kiss1]]
[[kiss2]]
[[kiss3]]
[[kiss4]]
[[kiss5]]
[[kiss6]]
[[kiss7]]
[[kiss8]]
[[kiss9]]
[[kiss10]]
[[kiss11]]
[[kiss12]]
[[kiss13]]
[[kiss14]]
[[kiss15]]
[[kiss16]]

Dig for courage
Dig for wisdom
Dig for worth

While you dig,
keep a serene and focused mind.
Stay hungry, stay curious, and stretch yourself.
Keep digging!

With the materials at hand,
fashion your dwelling place
and your fulfillment.
In this moment, are you fulfilled?

Stand firm, yet loosen your grasp.
With a supple and accepting mind,
look outward.
Remove yourself from the center.
Learn the dance with finitude and change.

The ground on which you dance is hallowed,
as are the moments we smile and speak.
It all is shifting, then dissolves into vastness.
Protect the transmission of life.

01/02/2012

/***
|''Name''|RevisionsCommandPlugin|
|''Description''|provides access to tiddler revisions|
|''Author''|FND|
|''Contributors''|Martin Budden|
|''Version''|0.3.3|
|''Status''|@@beta@@|
|''Source''|http://svn.tiddlywiki.org/Trunk/association/plugins/RevisionsCommandPlugin.js|
|''CodeRepository''|http://svn.tiddlywiki.org/Trunk/association/plugins/|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''CoreVersion''|2.6.0|
|''Keywords''|serverSide|
!Usage
Extend [[ToolbarCommands]] with {{{revisions}}}.
!Revision History
!!v0.1 (2009-07-23)
* initial release (renamed from experimental ServerCommandsPlugin)
!!v0.2 (2010-03-04)
* suppressed wikification in diff view
!!v0.3 (2010-04-07)
* restored wikification in diff view
* added link to side-by-side diff view
!To Do
* strip server.* fields from revision tiddlers
* resolve naming conflicts
* i18n, l10n
* code sanitizing
* documentation
!Code
***/
//{{{
(function($) {

jQuery.twStylesheet(".diff { white-space: pre, font-family: monospace }",
	{ id: "diff" });

var cmd = config.commands.revisions = {
	type: "popup",
	hideShadow: true,
	text: "revisions",
	tooltip: "display tiddler revisions",
	revTooltip: "", // TODO: populate dynamically?
	loadLabel: "loading...",
	loadTooltip: "loading revision list",
	selectLabel: "select",
	selectTooltip: "select revision for comparison",
	selectedLabel: "selected",
	compareLabel: "compare",
	linkLabel: "side-by-side view",
	revSuffix: " [rev. #%0]",
	diffSuffix: " [diff: #%0 #%1]",
	dateFormat: "YYYY-0MM-0DD 0hh:0mm",
	listError: "revisions could not be retrieved",

	handlePopup: function(popup, title) {
		title = this.stripSuffix("rev", title);
		title = this.stripSuffix("diff", title);
		var tiddler = store.getTiddler(title);
		var type = _getField("server.type", tiddler);
		var adaptor = new config.adaptors[type]();
		var limit = null; // TODO: customizable
		var context = {
			host: _getField("server.host", tiddler),
			workspace: _getField("server.workspace", tiddler)
		};
		var loading = createTiddlyButton(popup, cmd.loadLabel, cmd.loadTooltip);
		var params = { popup: popup, loading: loading, origin: title };
		adaptor.getTiddlerRevisionList(title, limit, context, params, this.displayRevisions);
	},

	displayRevisions: function(context, userParams) {
		removeNode(userParams.loading);
		if(context.status) {
			var callback = function(ev) {
				var e = ev || window.event;
				var revision = resolveTarget(e).getAttribute("revision");
				context.adaptor.getTiddlerRevision(tiddler.title, revision, context,
					userParams, cmd.displayTiddlerRevision);
			};
			var table = createTiddlyElement(userParams.popup, "table");
			for(var i = 0; i < context.revisions.length; i++) {
				var tiddler = context.revisions[i];
				var row = createTiddlyElement(table, "tr");
				var timestamp = tiddler.modified.formatString(cmd.dateFormat);
				var revision = tiddler.fields["server.page.revision"];
				var cell = createTiddlyElement(row, "td");
				createTiddlyButton(cell, timestamp, cmd.revTooltip, callback, null,
					null, null, { revision: revision });
				cell = createTiddlyElement(row, "td", null, null, tiddler.modifier);
				cell = createTiddlyElement(row, "td");
				createTiddlyButton(cell, cmd.selectLabel, cmd.selectTooltip,
					cmd.revisionSelected, null, null, null,
					{ index:i, revision: revision, col: 2 });
				cmd.context = context; // XXX: unsafe (singleton)!?
			}
		} else {
			$("<li />").text(cmd.listError).appendTo(userParams.popup);
		}
	},

	revisionSelected: function(ev) {
		var e = ev || window.event;
		e.cancelBubble = true;
		if(e.stopPropagation) {
			e.stopPropagation();
		}
		var n = resolveTarget(e);
		var index = n.getAttribute("index");
		var col = n.getAttribute("col");
		while(!index || !col) {
			n = n.parentNode;
			index = n.getAttribute("index");
			col = n.getAttribute("col");
		}
		cmd.revision = n.getAttribute("revision");
		var table = n.parentNode.parentNode.parentNode;
		var rows = table.childNodes;
		for(var i = 0; i < rows.length; i++) {
			var c = rows[i].childNodes[col].firstChild;
			if(i == index) {
				if(c.textContent) {
					c.textContent = cmd.selectedLabel;
				} else {
					c.text = cmd.selectedLabel;
				}
			} else {
				if(c.textContent) {
					c.textContent = cmd.compareLabel;
				} else {
					c.text = cmd.compareLabel;
				}
				c.onclick = cmd.compareSelected;
			}
		}
	},

	compareSelected: function(ev) {
		var e = ev || window.event;
		var n = resolveTarget(e);
		var context = cmd.context;
		context.rev1 = n.getAttribute("revision");
		context.rev2 = cmd.revision;
		context.tiddler = context.revisions[n.getAttribute("index")];
		context.format = "unified";
		context.adaptor.getTiddlerDiff(context.tiddler.title, context,
			context.userParams, cmd.displayTiddlerDiffs);
	},

	displayTiddlerDiffs: function(context, userParams) {
		var tiddler = context.tiddler;
		tiddler.title += cmd.diffSuffix.format([context.rev1, context.rev2]);
		tiddler.text = "{{diff{\n" + context.diff + "\n}}}";
		tiddler.tags = ["diff"];
		tiddler.fields.doNotSave = "true"; // XXX: correct?
		if(!store.getTiddler(tiddler.title)) {
			store.addTiddler(tiddler);
		}
		var src = story.getTiddler(userParams.origin);
		var tiddlerEl = story.displayTiddler(src, tiddler);
		var uri = context.uri.replace("format=unified", "format=horizontal");
		var link = $('<a target="_blank" />').attr("href", uri).text(cmd.linkLabel);
		$(".viewer", tiddlerEl).prepend(link);
	},

	displayTiddlerRevision: function(context, userParams) {
		var tiddler = context.tiddler;
		tiddler.title += cmd.revSuffix.format([tiddler.fields["server.page.revision"]]);
		tiddler.fields.doNotSave = "true"; // XXX: correct?
		if(!store.getTiddler(tiddler.title)) {
			store.addTiddler(tiddler);
		}
		var src = story.getTiddler(userParams.origin);
		story.displayTiddler(src, tiddler);
	},

	stripSuffix: function(type, title) {
		var str = cmd[type + "Suffix"];
		var i = str.indexOf("%0");
		i = title.indexOf(str.substr(0, i));
		if(i != -1) {
			title = title.substr(0, i);
		}
		return title;
	}
};

var _getField = function(name, tiddler) {
	return tiddler.fields[name] || config.defaultCustomFields[name];
};

})(jQuery);
//}}}

From a 2003 [[blog post|http://eekim.com/blog/2003/08/purplewiki-v09-released]] announcing ~PurpleWiki 0.9:
<<<
We [Eugene Kim and [[Chris Dent]]] made Wikis a core part of our infrastructure. We had two reasons for choosing Wikis. The first was practical. We needed a system for sharing documents and collaborative authoring, and Wikis fit the bill quite nicely.

The second reason was more philosophical. We wanted a knowledge management system like Doug Engelbart's [[Open Hyperdocument System|http://eekim.com/wiki/Open_Hyperdocument_System]] (OHS), and felt that Wikis already resembled the OHS in many ways.  It was immediately usable and useful, while also offering the perfect platform for coevolution.

~PurpleWiki fulfills the following OHS requirements:

*''Backlinks''. This is a core feature of all Wikis, but also one of its most underutilized. In a future version of PurpleWiki, we will create an open API to its Backlink engine, so that other applications (such as blogs) may use it.
*''Granular Addressability''.  ~PurpleWiki's site-wide, automatic Purple Number management had the additional benefit of enabling us to quickly experiment and evolve the feature. Node ~IDs are now document-independent, which has improved usability and enabled features like Transclusions.
*''Link Types''. We've added a syntax for specifying link types, and have implemented our first new link type: Transclusions.
*''View Control''. We can easily add new or customize existing output formats, thanks to ~PurpleWiki's modular architecture. More importantly, we can implement dynamic views, such as a collapsible outline view, of any document on PurpleWiki. 
<<<
Purple Numbers is a suite of tools that allows one to address paragraphs of HTML content. It was originally conceived by [[Douglas Engelbart|http://cdent.tiddlyspace.com/Heroes]] (1925-2013) for his creation of hypertext. The name comes from the faint, purple numbers at the end of each paragraph, representing the link to that paragraph.  An example of these is shown in <part Engelbart>Engelbart's 1962 paper ''[[Augmenting Human Intellect|http://www.dougengelbart.org/pubs/augment-3906.html]]'', the first paragraph of which is excerpted here:
<<<
By "augmenting human intellect" we mean increasing the capability of a man to approach a complex problem situation, to gain comprehension to suit his particular needs, and to derive solutions to problems.  Increased capability in this respect is taken to mean a mixture of the following: rapid comprehension, better comprehension, the possibility of gaining…comprehension in a situation that previously was too complex, speedier solutions, better solutions, and the possibility of finding solutions to problems that before seemed insoluble.  And by "complex situations" we include the professional problems of diplomats, executives, social scientists, life scientists, physical scientists, attorneys, designers -- whether the problem situation exists for twenty minutes or twenty years.  We do not speak of isolated clever tricks that help in particular situations.  //''We refer to a way of life in an integrated domain where hunches, cut-and-try, intangibles, and the human "feel for a situation" usefully co-exist with powerful concepts''//, streamlined terminology and notation {{grem{[see "notation as a [[tool of thought|http://www.jsoftware.com/papers/tot.htm]]"]}}}, sophisticated methods, and high-powered electronic aids.
:@@color:grey;Think of the __power__ we have today: the dizzying number of computations per second, millions of image pixels, touch-enabled surfaces, [[petabytes|http://en.wikipedia.org/wiki/Petabyte]] of data and media storage … to what end?  Have we realized Doug's vision?@@
<<<
</part>
Historian of science Thierry Bardini argues that Engelbart's complex personal philosophy (which drove all his research) foreshadowed the modern application of the concept of coevolution to the philosophy and use of technology.  [[Bardini|http://www.friedewald-family.de/Publikationen/hot2002.pdf]] points out that Engelbart was strongly influenced by the principle of linguistic relativity developed by Benjamin Lee Whorf.  "He was convinced that technological systems were not only shaped by humans but also shaped human thinking themselves.  Man and machine could not be treated separately in such a technological system.  Thus Engelbart concluded that developing a tool for ‘augmenting human intellect’ had to be a co-evolution of man and technology."

He thus set himself to the revolutionary task of developing computer-based technologies for manipulating information directly, and also to improve individual and group processes for knowledge-work.

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

 
A tree grows between
blue industrial bunkers;
busy-ness disowned.

Management Review
This is the reciprocal
Of that which I chart

----

An earlier version of the first haiku (written August 19th) read at the third line //'refuse to be tame.'//
I later came to the word busy-ness, and my friend Ryan chose //"disowned"//.

The second haiku, written by [[Ryan]], began a new chapter for us…

<html>
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''[[Torso of Venus →|ihr Trunk]]
Altes Museum Berlin
Roman marble copy of the famed Aphrodite of Knidos''

Description of another version:

According to later Roman writers, the statue was originally commissioned by the citizens of Kos, Greece. Praxiteles, the Greek master sculptor, created two versions for them, one draped, the other nude. The prudish citizens of Kos rejected the nude version, which was then acquired by the citizens of Knidos. The statue’s fame became so great that numerous copies and variations were made during the Hellenistic and Roman periods. The Knidia, as she is called today, is considered one of the most famous works of art from antiquity, and exemplifies feminine beauty.
{{rjustify{
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{{ljustify{
The goddess depicted nude, standing with her weight on her left leg, the right leg advanced, her torso bent slightly forward, causing a crease at the navel, her left arm originally lowered with the hand positioned over the pudendum, the right arm originally bent at the elbow, with the hand at the breast, the left arm adorned with an armband, with long wavy tendrils of hair falling onto each shoulder, the remains of a support on the side of the left thigh - 33½ in. (85 cm.) high.

Notes: One of the most famous works of art in antiquity was the cult statue of the goddess Aphrodite from her temple at Knidos, sculpted by the Greek master Praxiteles in circa 350 B.C. According to later Roman writers, the statue was originally commissioned by the citizens of Kos. Praxiteles sculpted two versions for them, one draped, the other nude. The prudish citizens of Kos rejected the nude version, which was then acquired by the citizens of Knidos. They erected the statue in an open-air temple, affording a splendid view of Praxiteles' masterpiece from all angles. It is thought that this was the first full-scale depiction of the female nude in all of Greek art. The statue's fame became so great that numerous copies and variations were made during the Hellenistic and Roman periods, from full-scale replicas in marble for temples and villas, to small bronze and terracotta statuary for household shrines, to depictions on engraved gems for personal adornment.

Although the original does not survive, enough is known about the Knidia (as she is called today) from the literary descriptions and these later copies that the type has been confidently identified. The goddess is shown standing, dropping her garment upon a vase, perhaps in preparation for her bath. Her left hand is positioned over her pudendum, her right hand over breasts, in a gesture that has traditionally been interpreted as the goddess' modesty. This is now recognized as a Victorian conceit, since there is no mythological basis to support such a view. The pose is now thought to depict the goddess ''emphasizing her fertility rather than hiding it''.
[see Ridgway, //~Fourth-Century Styles in Greek Sculpture//, p. 263; emphasis above mine.]
}}}
===
}}}
----
from http://elogedelart.canalblog.com/archives/p5990-10.html

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''340 tiddlers found matching /{{{[a-zA-Z0-9]}}}/''
~~&nbsp; searched in titles + text + fields~~
^^&nbsp; using pattern matching^^
* 2016.02.04 12:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'passages');highlightHack = null; return false;" title="passages - dialecticdad, 2/4/2016, 12:46:33 PM">passages</a></html>}}}
* 2016.02.04 12:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'To my son and daughter');highlightHack = null; return false;" title="To my son and daughter - dialecticdad, 2/4/2016, 12:33:24 PM">To my son and daughter</a></html>}}}
* 2016.02.04 12:26 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Evocative Words');highlightHack = null; return false;" title="Evocative Words - dialecticdad, 2/4/2016, 12:26:52 PM">Evocative Words</a></html>}}}
* 2016.02.04 10:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'unbounded music');highlightHack = null; return false;" title="unbounded music - dialecticdad, 2/4/2016, 10:33:13 AM">unbounded music</a></html>}}}
* 2016.02.04 10:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dekatessera Commentary');highlightHack = null; return false;" title="Dekatessera Commentary - dialecticdad, 2/4/2016, 10:19:42 AM">Dekatessera Commentary</a></html>}}}
* 2016.02.04 09:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Friar\x27s Journeybook');highlightHack = null; return false;" title="Friar's Journeybook - dialecticdad, 2/4/2016, 9:36:21 AM">Friar's Journeybook</a></html>}}}
* 2016.02.03 17:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Les Minst');highlightHack = null; return false;" title="Les Minst - dialecticdad, 2/3/2016, 5:10:24 PM">Les Minst</a></html>}}}
* 2016.02.03 17:07 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Duino Elegies');highlightHack = null; return false;" title="The Duino Elegies - dialecticdad, 2/3/2016, 5:07:31 PM">The Duino Elegies</a></html>}}}
* 2016.02.03 16:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'gathered from the web');highlightHack = null; return false;" title="gathered from the web - dialecticdad, 2/3/2016, 4:55:05 PM">gathered from the web</a></html>}}}
* 2016.02.03 16:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Time-Binder');highlightHack = null; return false;" title="Time-Binder - dialecticdad, 2/3/2016, 4:47:49 PM">Time-Binder</a></html>}}}
* 2016.02.03 16:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Introduction');highlightHack = null; return false;" title="Introduction - dialecticdad, 2/3/2016, 4:22:12 PM">Introduction</a></html>}}}
* 2016.02.03 16:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Hassan');highlightHack = null; return false;" title="Hassan - dialecticdad, 2/3/2016, 4:16:42 PM">Hassan</a></html>}}}
* 2016.02.03 16:04 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'your simple wish to find a way');highlightHack = null; return false;" title="your simple wish to find a way - dialecticdad, 2/3/2016, 4:04:17 PM">your simple wish to find a way</a></html>}}}
* 2016.02.03 14:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Turning');highlightHack = null; return false;" title="Turning - dialecticdad, 2/3/2016, 2:47:44 PM">Turning</a></html>}}}
* 2016.02.03 14:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the great man sees');highlightHack = null; return false;" title="the great man sees - dialecticdad, 2/3/2016, 2:47:22 PM">the great man sees</a></html>}}}
* 2016.02.03 14:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'poetry');highlightHack = null; return false;" title="poetry - dialecticdad, 2/3/2016, 2:33:01 PM">poetry</a></html>}}}
* 2016.02.03 13:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'religious experience');highlightHack = null; return false;" title="religious experience - dialecticdad, 2/3/2016, 1:43:54 PM">religious experience</a></html>}}}
* 2016.02.03 13:04 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Harpyia');highlightHack = null; return false;" title="Harpyia - dialecticdad, 2/3/2016, 1:04:13 PM">Harpyia</a></html>}}}
* 2016.02.03 12:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Rilke');highlightHack = null; return false;" title="Rilke - dialecticdad, 2/3/2016, 12:36:29 PM">Rilke</a></html>}}}
* 2016.02.03 12:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'wake up');highlightHack = null; return false;" title="wake up - dialecticdad, 2/3/2016, 12:32:03 PM">wake up</a></html>}}}
* 2016.02.03 12:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Bird\x27s Eye View');highlightHack = null; return false;" title="Bird's Eye View - dialecticdad, 2/3/2016, 12:22:48 PM">Bird's Eye View</a></html>}}}
* 2016.02.03 08:39 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Jeremy Ruston');highlightHack = null; return false;" title="Jeremy Ruston - dialecticdad, 2/3/2016, 8:39:55 AM">Jeremy Ruston</a></html>}}}
* 2016.02.03 08:21 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Jung');highlightHack = null; return false;" title="Jung - dialecticdad, 2/3/2016, 8:21:17 AM">Jung</a></html>}}}
* 2016.01.20 08:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'débandade');highlightHack = null; return false;" title="débandade - dialecticdad, 1/20/2016, 8:35:52 AM">débandade</a></html>}}}
* 2015.11.06 14:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Auxochrome-Chromophore');highlightHack = null; return false;" title="Auxochrome-Chromophore - dialecticdad, 11/6/2015, 2:10:24 PM">Auxochrome-Chromophore</a></html>}}}
* 2015.09.09 18:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'re: muse');highlightHack = null; return false;" title="re: muse - dialecticdad, 9/9/2015, 6:47:47 PM">re: muse</a></html>}}}
* 2015.09.07 18:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'From Out the Cave');highlightHack = null; return false;" title="From Out the Cave - dialecticdad, 9/7/2015, 6:23:05 PM">From Out the Cave</a></html>}}}
* 2015.08.27 09:52 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'start');highlightHack = null; return false;" title="start - dialecticdad, 8/27/2015, 9:52:27 AM">start</a></html>}}}
* 2015.08.16 21:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'RiddleOne');highlightHack = null; return false;" title="RiddleOne - dialecticdad, 8/16/2015, 9:10:00 PM">RiddleOne</a></html>}}}
* 2015.08.11 14:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Quaker');highlightHack = null; return false;" title="Quaker - dialecticdad, 8/11/2015, 2:10:14 PM">Quaker</a></html>}}}
* 2015.08.11 14:05 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'everything undulates');highlightHack = null; return false;" title="everything undulates - dialecticdad, 8/11/2015, 2:05:06 PM">everything undulates</a></html>}}}
* 2015.08.11 13:58 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Kythings');highlightHack = null; return false;" title="Kythings - dialecticdad, 8/11/2015, 1:58:39 PM">Kythings</a></html>}}}
* 2015.08.11 13:56 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'FractalPoiesis');highlightHack = null; return false;" title="FractalPoiesis - dialecticdad, 8/11/2015, 1:56:30 PM">FractalPoiesis</a></html>}}}
* 2015.08.11 13:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Books I\x27m reading or plan to read');highlightHack = null; return false;" title="Books I'm reading or plan to read - dialecticdad, 8/11/2015, 1:55:29 PM">Books I'm reading or plan to read</a></html>}}}
* 2015.08.11 13:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'SavedBy22');highlightHack = null; return false;" title="SavedBy22 - dialecticdad, 8/11/2015, 1:32:48 PM">SavedBy22</a></html>}}}
* 2015.07.28 17:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'genius');highlightHack = null; return false;" title="genius - dialecticdad, 7/28/2015, 5:23:07 PM">genius</a></html>}}}
* 2015.05.16 18:12 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'James Joyce');highlightHack = null; return false;" title="James Joyce - dialecticdad, 5/16/2015, 6:12:50 PM">James Joyce</a></html>}}}
* 2015.05.16 16:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Carmen');highlightHack = null; return false;" title="Carmen - dialecticdad, 5/16/2015, 4:38:07 PM">Carmen</a></html>}}}
* 2015.05.12 20:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Obituary');highlightHack = null; return false;" title="Obituary - dialecticdad, 5/12/2015, 8:23:45 PM">Obituary</a></html>}}}
* 2015.03.10 16:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'genres');highlightHack = null; return false;" title="genres - dialecticdad, 3/10/2015, 4:51:48 PM">genres</a></html>}}}
* 2015.03.10 16:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Mandelbrot Quakes');highlightHack = null; return false;" title="Mandelbrot Quakes - dialecticdad, 3/10/2015, 4:50:48 PM">Mandelbrot Quakes</a></html>}}}
* 2015.03.10 14:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'archives');highlightHack = null; return false;" title="archives - dialecticdad, 3/10/2015, 2:50:33 PM">archives</a></html>}}}
* 2015.02.01 07:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Writings that shaped my view');highlightHack = null; return false;" title="Writings that shaped my view - dialecticdad, 2/1/2015, 7:44:31 AM">Writings that shaped my view</a></html>}}}
* 2015.02.01 06:52 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the book');highlightHack = null; return false;" title="the book - dialecticdad, 2/1/2015, 6:52:27 AM">the book</a></html>}}}
* 2015.02.01 06:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'iacere');highlightHack = null; return false;" title="iacere - dialecticdad, 2/1/2015, 6:42:26 AM">iacere</a></html>}}}
* 2015.02.01 06:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'ictus');highlightHack = null; return false;" title="ictus - dialecticdad, 2/1/2015, 6:37:19 AM">ictus</a></html>}}}
* 2015.02.01 06:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'project of humankind');highlightHack = null; return false;" title="project of humankind - dialecticdad, 2/1/2015, 6:18:24 AM">project of humankind</a></html>}}}
* 2015.02.01 06:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'genealogy');highlightHack = null; return false;" title="genealogy - dialecticdad, 2/1/2015, 6:10:06 AM">genealogy</a></html>}}}
* 2015.01.07 10:30 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'What Is A Wiki');highlightHack = null; return false;" title="What Is A Wiki - dialecticdad, 1/7/2015, 10:30:43 AM">What Is A Wiki</a></html>}}}
* 2015.01.06 11:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'boustrophedon');highlightHack = null; return false;" title="boustrophedon - dialecticdad, 1/6/2015, 11:35:03 AM">boustrophedon</a></html>}}}
* 2015.01.06 11:27 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Language Appreciation');highlightHack = null; return false;" title="Language Appreciation - dialecticdad, 1/6/2015, 11:27:18 AM">Language Appreciation</a></html>}}}
* 2014.11.25 16:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Neal');highlightHack = null; return false;" title="Neal - dialecticdad, 11/25/2014, 4:59:28 PM">Neal</a></html>}}}
* 2014.10.21 09:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Village University');highlightHack = null; return false;" title="Village University - dialecticdad, 10/21/2014, 9:42:43 AM">Village University</a></html>}}}
* 2014.10.21 09:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Glass Bead Game');highlightHack = null; return false;" title="Glass Bead Game - dialecticdad, 10/21/2014, 9:36:34 AM">Glass Bead Game</a></html>}}}
* 2014.10.21 08:57 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'fifteen');highlightHack = null; return false;" title="fifteen - dialecticdad, 10/21/2014, 8:57:58 AM">fifteen</a></html>}}}
* 2014.10.21 08:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Nabokov');highlightHack = null; return false;" title="Nabokov - dialecticdad, 10/21/2014, 8:54:18 AM">Nabokov</a></html>}}}
* 2014.10.21 08:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'possibility space');highlightHack = null; return false;" title="possibility space - dialecticdad, 10/21/2014, 8:37:05 AM">possibility space</a></html>}}}
* 2014.10.21 08:31 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'unit');highlightHack = null; return false;" title="unit - dialecticdad, 10/21/2014, 8:31:39 AM">unit</a></html>}}}
* 2014.10.20 12:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Buddhism');highlightHack = null; return false;" title="Buddhism - dialecticdad, 10/20/2014, 12:29:49 PM">Buddhism</a></html>}}}
* 2014.10.20 12:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Four Noble Truths');highlightHack = null; return false;" title="Four Noble Truths - dialecticdad, 10/20/2014, 12:29:09 PM">Four Noble Truths</a></html>}}}
* 2014.10.14 14:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Walter Benjamin');highlightHack = null; return false;" title="Walter Benjamin - dialecticdad, 10/14/2014, 2:00:07 PM">Walter Benjamin</a></html>}}}
* 2014.10.08 16:05 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'I am');highlightHack = null; return false;" title="I am - dialecticdad, 10/8/2014, 4:05:23 PM">I am</a></html>}}}
* 2014.10.08 11:52 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'gathered');highlightHack = null; return false;" title="gathered - dialecticdad, 10/8/2014, 11:52:42 AM">gathered</a></html>}}}
* 2014.10.07 16:39 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'mitocos');highlightHack = null; return false;" title="mitocos - dialecticdad, 10/7/2014, 4:39:59 PM">mitocos</a></html>}}}
* 2014.10.07 09:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'origin of all poems');highlightHack = null; return false;" title="origin of all poems - dialecticdad, 10/7/2014, 9:43:08 AM">origin of all poems</a></html>}}}
* 2014.09.22 14:20 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'this wiki web');highlightHack = null; return false;" title="this wiki web - dialecticdad, 9/22/2014, 2:20:54 PM">this wiki web</a></html>}}}
* 2014.09.21 15:34 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the cord');highlightHack = null; return false;" title="the cord - dialecticdad, 9/21/2014, 3:34:23 PM">the cord</a></html>}}}
* 2014.09.02 07:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ghosts That We Knew');highlightHack = null; return false;" title="Ghosts That We Knew - dialecticdad, 9/2/2014, 7:22:14 AM">Ghosts That We Knew</a></html>}}}
* 2014.08.02 20:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Journey\x27s Etymologies');highlightHack = null; return false;" title="Journey's Etymologies - dialecticdad, 8/2/2014, 8:50:53 PM">Journey's Etymologies</a></html>}}}
* 2014.07.04 17:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Whitman');highlightHack = null; return false;" title="Whitman - dialecticdad, 7/4/2014, 5:29:07 PM">Whitman</a></html>}}}
* 2014.06.26 19:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'mergent');highlightHack = null; return false;" title="mergent - dialecticdad, 6/26/2014, 7:47:41 PM">mergent</a></html>}}}
* 2014.06.26 19:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'nascimento');highlightHack = null; return false;" title="nascimento - dialecticdad, 6/26/2014, 7:44:41 PM">nascimento</a></html>}}}
* 2014.06.26 19:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'stars-and-annihilation-and-her-voice');highlightHack = null; return false;" title="stars-and-annihilation-and-her-voice - dialecticdad, 6/26/2014, 7:43:06 PM">stars-and-annihilation-and-her-voice</a></html>}}}
* 2014.06.26 19:41 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Finnegans Wake');highlightHack = null; return false;" title="Finnegans Wake - dialecticdad, 6/26/2014, 7:41:14 PM">Finnegans Wake</a></html>}}}
* 2014.06.07 13:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2014-06-07');highlightHack = null; return false;" title="2014-06-07 - dialecticdad, 6/7/2014, 1:22:50 PM">2014-06-07</a></html>}}}
* 2014.06.07 09:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'lemniscate');highlightHack = null; return false;" title="lemniscate - dialecticdad, 6/7/2014, 9:43:36 AM">lemniscate</a></html>}}}
* 2014.06.07 08:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'design, alignment & cry');highlightHack = null; return false;" title="design, alignment & cry - dialecticdad, 6/7/2014, 8:43:35 AM">design, alignment & cry</a></html>}}}
* 2014.06.06 19:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Academical Village');highlightHack = null; return false;" title="Academical Village - dialecticdad, 6/6/2014, 7:37:37 PM">Academical Village</a></html>}}}
* 2014.06.02 19:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'song sweet and low');highlightHack = null; return false;" title="song sweet and low - dialecticdad, 6/2/2014, 7:00:48 PM">song sweet and low</a></html>}}}
* 2014.05.20 19:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the circle of religious elements');highlightHack = null; return false;" title="the circle of religious elements - dialecticdad, 5/20/2014, 7:46:47 PM">the circle of religious elements</a></html>}}}
* 2014.05.20 19:40 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'in our remaining years together');highlightHack = null; return false;" title="in our remaining years together - dialecticdad, 5/20/2014, 7:40:03 PM">in our remaining years together</a></html>}}}
* 2014.05.20 19:30 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Fractal');highlightHack = null; return false;" title="Fractal - dialecticdad, 5/20/2014, 7:30:52 PM">Fractal</a></html>}}}
* 2014.05.20 19:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'kiss of words');highlightHack = null; return false;" title="kiss of words - dialecticdad, 5/20/2014, 7:29:48 PM">kiss of words</a></html>}}}
* 2014.05.20 19:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The next steps toward my dream');highlightHack = null; return false;" title="The next steps toward my dream - dialecticdad, 5/20/2014, 7:24:15 PM">The next steps toward my dream</a></html>}}}
* 2014.05.20 19:21 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Vickrey');highlightHack = null; return false;" title="Vickrey - dialecticdad, 5/20/2014, 7:21:03 PM">Vickrey</a></html>}}}
* 2014.05.20 19:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'lily');highlightHack = null; return false;" title="lily - dialecticdad, 5/20/2014, 7:16:39 PM">lily</a></html>}}}
* 2014.05.20 19:15 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2013-09-11');highlightHack = null; return false;" title="2013-09-11 - dialecticdad, 5/20/2014, 7:15:16 PM">2013-09-11</a></html>}}}
* 2014.05.20 18:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'sexuality');highlightHack = null; return false;" title="sexuality - dialecticdad, 5/20/2014, 6:54:05 PM">sexuality</a></html>}}}
* 2014.05.20 18:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Honor your physical being');highlightHack = null; return false;" title="Honor your physical being - dialecticdad, 5/20/2014, 6:46:54 PM">Honor your physical being</a></html>}}}
* 2014.05.20 18:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ted Hughes');highlightHack = null; return false;" title="Ted Hughes - dialecticdad, 5/20/2014, 6:29:02 PM">Ted Hughes</a></html>}}}
* 2014.05.04 16:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Eiseley');highlightHack = null; return false;" title="Eiseley - dialecticdad, 5/4/2014, 4:46:26 PM">Eiseley</a></html>}}}
* 2014.05.04 16:08 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'live the questions');highlightHack = null; return false;" title="live the questions - dialecticdad, 5/4/2014, 4:08:52 PM">live the questions</a></html>}}}
* 2014.05.04 15:40 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Emerson');highlightHack = null; return false;" title="Emerson - dialecticdad, 5/4/2014, 3:40:44 PM">Emerson</a></html>}}}
* 2014.05.04 14:21 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Listeners At Last');highlightHack = null; return false;" title="Listeners At Last - dialecticdad, 5/4/2014, 2:21:33 PM">Listeners At Last</a></html>}}}
* 2014.05.04 14:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Alone in This World, Yet Not Alone');highlightHack = null; return false;" title="Alone in This World, Yet Not Alone - dialecticdad, 5/4/2014, 2:19:07 PM">Alone in This World, Yet Not Alone</a></html>}}}
* 2014.05.04 13:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sagan');highlightHack = null; return false;" title="Sagan - dialecticdad, 5/4/2014, 1:54:35 PM">Sagan</a></html>}}}
* 2014.05.04 11:28 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Analytical Psychology to Poetic Art');highlightHack = null; return false;" title="Analytical Psychology to Poetic Art - dialecticdad, 5/4/2014, 11:28:36 AM">Analytical Psychology to Poetic Art</a></html>}}}
* 2014.05.03 07:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'loyalty');highlightHack = null; return false;" title="loyalty - dialecticdad, 5/3/2014, 7:51:50 AM">loyalty</a></html>}}}
* 2014.04.13 19:17 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'numerology');highlightHack = null; return false;" title="numerology - dialecticdad, 4/13/2014, 7:17:22 PM">numerology</a></html>}}}
* 2014.04.13 14:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Human condition');highlightHack = null; return false;" title="Human condition - dialecticdad, 4/13/2014, 2:47:29 PM">Human condition</a></html>}}}
* 2014.04.13 14:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Awe and Trembling');highlightHack = null; return false;" title="Awe and Trembling - dialecticdad, 4/13/2014, 2:46:16 PM">Awe and Trembling</a></html>}}}
* 2014.04.13 14:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'analemma');highlightHack = null; return false;" title="analemma - dialecticdad, 4/13/2014, 2:44:04 PM">analemma</a></html>}}}
* 2014.04.13 13:41 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2012-08-20');highlightHack = null; return false;" title="2012-08-20 - dialecticdad, 4/13/2014, 1:41:07 PM">2012-08-20</a></html>}}}
* 2014.04.13 11:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'fractal consciousness');highlightHack = null; return false;" title="fractal consciousness - dialecticdad, 4/13/2014, 11:00:27 AM">fractal consciousness</a></html>}}}
* 2014.04.06 18:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sevenfold Self');highlightHack = null; return false;" title="Sevenfold Self - dialecticdad, 4/6/2014, 6:51:04 PM">Sevenfold Self</a></html>}}}
* 2014.04.06 15:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'WikiStructure');highlightHack = null; return false;" title="WikiStructure - dialecticdad, 4/6/2014, 3:47:14 PM">WikiStructure</a></html>}}}
* 2014.04.06 15:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'countervailingGBG');highlightHack = null; return false;" title="countervailingGBG - dialecticdad, 4/6/2014, 3:14:06 PM">countervailingGBG</a></html>}}}
* 2014.04.06 08:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'rhizome');highlightHack = null; return false;" title="rhizome - dialecticdad, 4/6/2014, 8:51:11 AM">rhizome</a></html>}}}
* 2014.04.05 09:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'There\x27s got to be a way to find out');highlightHack = null; return false;" title="There's got to be a way to find out - dialecticdad, 4/5/2014, 9:47:05 AM">There's got to be a way to find out</a></html>}}}
* 2014.04.02 21:45 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'speak truth to power');highlightHack = null; return false;" title="speak truth to power - dialecticdad, 4/2/2014, 9:45:02 PM">speak truth to power</a></html>}}}
* 2014.03.31 06:48 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'pioneer');highlightHack = null; return false;" title="pioneer - dialecticdad, 3/31/2014, 6:48:13 AM">pioneer</a></html>}}}
* 2014.03.31 06:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Muse');highlightHack = null; return false;" title="Muse - dialecticdad, 3/31/2014, 6:32:34 AM">Muse</a></html>}}}
* 2014.03.31 06:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'i+e:synopsis');highlightHack = null; return false;" title="i+e:synopsis - dialecticdad, 3/31/2014, 6:01:45 AM">i+e:synopsis</a></html>}}}
* 2014.03.31 04:06 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'grammar');highlightHack = null; return false;" title="grammar - dialecticdad, 3/31/2014, 4:06:11 AM">grammar</a></html>}}}
* 2014.03.31 04:03 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'sentence');highlightHack = null; return false;" title="sentence - dialecticdad, 3/31/2014, 4:03:08 AM">sentence</a></html>}}}
* 2014.03.31 03:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'paragraph');highlightHack = null; return false;" title="paragraph - dialecticdad, 3/31/2014, 3:59:07 AM">paragraph</a></html>}}}
* 2014.03.31 03:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'data→ information→ knowledge');highlightHack = null; return false;" title="data→ information→ knowledge - dialecticdad, 3/31/2014, 3:43:15 AM">data→ information→ knowledge</a></html>}}}
* 2014.03.31 03:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'World Mythologies');highlightHack = null; return false;" title="World Mythologies - dialecticdad, 3/31/2014, 3:42:14 AM">World Mythologies</a></html>}}}
* 2014.03.31 03:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'god myth');highlightHack = null; return false;" title="god myth - dialecticdad, 3/31/2014, 3:38:20 AM">god myth</a></html>}}}
* 2014.03.31 02:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'TQworld');highlightHack = null; return false;" title="TQworld - dialecticdad, 3/31/2014, 2:37:45 AM">TQworld</a></html>}}}
* 2014.03.31 02:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Wagn');highlightHack = null; return false;" title="Wagn - dialecticdad, 3/31/2014, 2:09:24 AM">Wagn</a></html>}}}
* 2014.03.30 17:56 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sembl');highlightHack = null; return false;" title="Sembl - dialecticdad, 3/30/2014, 5:56:50 PM">Sembl</a></html>}}}
* 2014.03.30 17:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'defunct');highlightHack = null; return false;" title="defunct - dialecticdad, 3/30/2014, 5:37:01 PM">defunct</a></html>}}}
* 2014.03.30 16:05 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'mail art object');highlightHack = null; return false;" title="mail art object - dialecticdad, 3/30/2014, 4:05:19 PM">mail art object</a></html>}}}
* 2014.03.30 15:03 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Read A Little Poetry');highlightHack = null; return false;" title="Read A Little Poetry - dialecticdad, 3/30/2014, 3:03:20 PM">Read A Little Poetry</a></html>}}}
* 2014.03.30 14:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Osmosoft');highlightHack = null; return false;" title="Osmosoft - dialecticdad, 3/30/2014, 2:51:22 PM">Osmosoft</a></html>}}}
* 2014.03.30 13:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'précis');highlightHack = null; return false;" title="précis - dialecticdad, 3/30/2014, 1:16:42 PM">précis</a></html>}}}
* 2014.03.30 12:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'poiéin');highlightHack = null; return false;" title="poiéin - dialecticdad, 3/30/2014, 12:42:59 PM">poiéin</a></html>}}}
* 2014.03.29 20:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'quine');highlightHack = null; return false;" title="quine - dialecticdad, 3/29/2014, 8:19:36 PM">quine</a></html>}}}
* 2014.03.29 20:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'in a glass darkly');highlightHack = null; return false;" title="in a glass darkly - dialecticdad, 3/29/2014, 8:09:13 PM">in a glass darkly</a></html>}}}
* 2014.03.29 20:04 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Mentalizing');highlightHack = null; return false;" title="Mentalizing - dialecticdad, 3/29/2014, 8:04:57 PM">Mentalizing</a></html>}}}
* 2014.03.29 14:58 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sage');highlightHack = null; return false;" title="Sage - dialecticdad, 3/29/2014, 2:58:45 PM">Sage</a></html>}}}
* 2014.03.29 14:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'programming language');highlightHack = null; return false;" title="programming language - dialecticdad, 3/29/2014, 2:32:47 PM">programming language</a></html>}}}
* 2014.03.29 13:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'simple');highlightHack = null; return false;" title="simple - dialecticdad, 3/29/2014, 1:46:11 PM">simple</a></html>}}}
* 2014.03.25 06:02 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'i+e:poem');highlightHack = null; return false;" title="i+e:poem - dialecticdad, 3/25/2014, 6:02:41 AM">i+e:poem</a></html>}}}
* 2014.03.25 00:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'moticos');highlightHack = null; return false;" title="moticos - dialecticdad, 3/25/2014, 12:16:50 AM">moticos</a></html>}}}
* 2014.03.25 00:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'i+e');highlightHack = null; return false;" title="i+e - dialecticdad, 3/25/2014, 12:14:55 AM">i+e</a></html>}}}
* 2014.03.24 22:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Jones');highlightHack = null; return false;" title="Jones - dialecticdad, 3/24/2014, 10:16:12 PM">Jones</a></html>}}}
* 2014.03.24 18:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ferlinghetti');highlightHack = null; return false;" title="Ferlinghetti - dialecticdad, 3/24/2014, 6:35:32 PM">Ferlinghetti</a></html>}}}
* 2014.03.23 08:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'macro');highlightHack = null; return false;" title="macro - dialecticdad, 3/23/2014, 8:14:04 AM">macro</a></html>}}}
* 2014.03.23 01:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Kay');highlightHack = null; return false;" title="Kay - dialecticdad, 3/23/2014, 1:44:04 AM">Kay</a></html>}}}
* 2014.03.22 23:08 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'syntagm');highlightHack = null; return false;" title="syntagm - dialecticdad, 3/22/2014, 11:08:37 PM">syntagm</a></html>}}}
* 2014.03.22 20:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dynabook');highlightHack = null; return false;" title="Dynabook - dialecticdad, 3/22/2014, 8:36:40 PM">Dynabook</a></html>}}}
* 2014.03.22 20:34 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Evocative Technology');highlightHack = null; return false;" title="Evocative Technology - dialecticdad, 3/22/2014, 8:34:58 PM">Evocative Technology</a></html>}}}
* 2014.03.22 20:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'imaginary rock foundation');highlightHack = null; return false;" title="imaginary rock foundation - dialecticdad, 3/22/2014, 8:09:13 PM">imaginary rock foundation</a></html>}}}
* 2014.03.22 08:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'INFJ');highlightHack = null; return false;" title="INFJ - dialecticdad, 3/22/2014, 8:38:00 AM">INFJ</a></html>}}}
* 2014.03.21 18:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'patchwork girl');highlightHack = null; return false;" title="patchwork girl - dialecticdad, 3/21/2014, 6:53:59 PM">patchwork girl</a></html>}}}
* 2014.03.17 20:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Duncan Munro Glen');highlightHack = null; return false;" title="Duncan Munro Glen - dialecticdad, 3/17/2014, 8:10:38 PM">Duncan Munro Glen</a></html>}}}
* 2014.03.17 20:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'bibliographer');highlightHack = null; return false;" title="bibliographer - dialecticdad, 3/17/2014, 8:10:00 PM">bibliographer</a></html>}}}
* 2014.03.16 22:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dynabook Library');highlightHack = null; return false;" title="Dynabook Library - dialecticdad, 3/16/2014, 10:59:52 PM">Dynabook Library</a></html>}}}
* 2014.03.16 21:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'PurpleWiki');highlightHack = null; return false;" title="PurpleWiki - dialecticdad, 3/16/2014, 9:50:48 PM">PurpleWiki</a></html>}}}
* 2014.03.16 20:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Chris Dent');highlightHack = null; return false;" title="Chris Dent - dialecticdad, 3/16/2014, 8:38:20 PM">Chris Dent</a></html>}}}
* 2014.03.16 13:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Source List');highlightHack = null; return false;" title="Source List - dialecticdad, 3/16/2014, 1:50:34 PM">Source List</a></html>}}}
* 2014.03.15 19:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Newsom');highlightHack = null; return false;" title="Newsom - dialecticdad, 3/15/2014, 7:53:53 PM">Newsom</a></html>}}}
* 2014.03.15 19:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'On a Good Day');highlightHack = null; return false;" title="On a Good Day - dialecticdad, 3/15/2014, 7:38:36 PM">On a Good Day</a></html>}}}
* 2014.03.15 18:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Tank');highlightHack = null; return false;" title="Tank - dialecticdad, 3/15/2014, 6:50:54 PM">Tank</a></html>}}}
* 2014.03.14 15:27 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Books I\x27ve recently read');highlightHack = null; return false;" title="Books I've recently read - dialecticdad, 3/14/2014, 3:27:34 PM">Books I've recently read</a></html>}}}
* 2014.03.13 22:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'People');highlightHack = null; return false;" title="People - dialecticdad, 3/13/2014, 10:42:31 PM">People</a></html>}}}
* 2014.03.13 22:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Space Within Us');highlightHack = null; return false;" title="The Space Within Us - dialecticdad, 3/13/2014, 10:16:11 PM">The Space Within Us</a></html>}}}
* 2014.03.13 05:26 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Manifest');highlightHack = null; return false;" title="Manifest - dialecticdad, 3/13/2014, 5:26:23 AM">Manifest</a></html>}}}
* 2014.03.13 05:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Buber');highlightHack = null; return false;" title="Buber - dialecticdad, 3/13/2014, 5:00:02 AM">Buber</a></html>}}}
* 2014.03.12 04:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Art of the Lathe');highlightHack = null; return false;" title="The Art of the Lathe - dialecticdad, 3/12/2014, 4:46:38 AM">The Art of the Lathe</a></html>}}}
* 2014.03.09 11:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'ever constant wonder');highlightHack = null; return false;" title="ever constant wonder - dialecticdad, 3/9/2014, 11:01:35 AM">ever constant wonder</a></html>}}}
* 2014.03.08 14:20 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Cezanne');highlightHack = null; return false;" title="Cezanne - dialecticdad, 3/8/2014, 2:20:24 PM">Cezanne</a></html>}}}
* 2014.03.04 00:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'red pill');highlightHack = null; return false;" title="red pill - dialecticdad, 3/4/2014, 12:55:49 AM">red pill</a></html>}}}
* 2014.03.04 00:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'NYCS');highlightHack = null; return false;" title="NYCS - dialecticdad, 3/4/2014, 12:29:50 AM">NYCS</a></html>}}}
* 2014.03.02 23:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'avangc');highlightHack = null; return false;" title="avangc - dialecticdad, 3/2/2014, 11:09:25 PM">avangc</a></html>}}}
* 2014.03.01 17:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'This dream does not have to be all-encompassing');highlightHack = null; return false;" title="This dream does not have to be all-encompassing - dialecticdad, 3/1/2014, 5:22:58 PM">This dream does not have to be all-encompassing</a></html>}}}
* 2014.03.01 16:26 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Blessed');highlightHack = null; return false;" title="Blessed - dialecticdad, 3/1/2014, 4:26:20 PM">Blessed</a></html>}}}
* 2014.03.01 12:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'what I see and desire');highlightHack = null; return false;" title="what I see and desire - dialecticdad, 3/1/2014, 12:09:48 PM">what I see and desire</a></html>}}}
* 2014.03.01 07:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'dialectic');highlightHack = null; return false;" title="dialectic - dialecticdad, 3/1/2014, 7:54:19 AM">dialectic</a></html>}}}
* 2014.02.28 12:07 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'saudade');highlightHack = null; return false;" title="saudade - dialecticdad, 2/28/2014, 12:07:49 PM">saudade</a></html>}}}
* 2014.02.28 07:07 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'dream');highlightHack = null; return false;" title="dream - dialecticdad, 2/28/2014, 7:07:01 AM">dream</a></html>}}}
* 2014.02.27 23:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'quickens');highlightHack = null; return false;" title="quickens - dialecticdad, 2/27/2014, 11:24:21 PM">quickens</a></html>}}}
* 2014.02.27 23:17 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'I begin');highlightHack = null; return false;" title="I begin - dialecticdad, 2/27/2014, 11:17:12 PM">I begin</a></html>}}}
* 2014.02.26 08:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Paz');highlightHack = null; return false;" title="Paz - dialecticdad, 2/26/2014, 8:47:01 AM">Paz</a></html>}}}
* 2014.02.25 21:45 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Read to Each Other');highlightHack = null; return false;" title="Read to Each Other - dialecticdad, 2/25/2014, 9:45:35 PM">Read to Each Other</a></html>}}}
* 2014.02.25 06:20 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'ReadaLittlePoetry');highlightHack = null; return false;" title="ReadaLittlePoetry - dialecticdad, 2/25/2014, 6:20:33 AM">ReadaLittlePoetry</a></html>}}}
* 2014.02.23 21:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Kazantzakis');highlightHack = null; return false;" title="Kazantzakis - dialecticdad, 2/23/2014, 9:09:17 PM">Kazantzakis</a></html>}}}
* 2014.02.23 12:34 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Bradbury');highlightHack = null; return false;" title="Bradbury - dialecticdad, 2/23/2014, 12:34:39 PM">Bradbury</a></html>}}}
* 2014.02.23 11:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2011-09-14');highlightHack = null; return false;" title="2011-09-14 - dialecticdad, 2/23/2014, 11:38:36 AM">2011-09-14</a></html>}}}
* 2014.02.23 11:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'NEWSTART');highlightHack = null; return false;" title="NEWSTART - dialecticdad, 2/23/2014, 11:32:43 AM">NEWSTART</a></html>}}}
* 2014.02.23 09:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'pensamientos españoles');highlightHack = null; return false;" title="pensamientos españoles - dialecticdad, 2/23/2014, 9:50:03 AM">pensamientos españoles</a></html>}}}
* 2014.02.23 07:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Axis Mundi');highlightHack = null; return false;" title="Axis Mundi - dialecticdad, 2/23/2014, 7:54:32 AM">Axis Mundi</a></html>}}}
* 2014.02.22 22:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'dialegen');highlightHack = null; return false;" title="dialegen - dialecticdad, 2/22/2014, 10:18:20 PM">dialegen</a></html>}}}
* 2014.02.22 21:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'religion of the future');highlightHack = null; return false;" title="religion of the future - dialecticdad, 2/22/2014, 9:51:45 PM">religion of the future</a></html>}}}
* 2014.02.22 21:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'theopoetic');highlightHack = null; return false;" title="theopoetic - dialecticdad, 2/22/2014, 9:42:50 PM">theopoetic</a></html>}}}
* 2014.02.22 20:56 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Realms of the Manifest');highlightHack = null; return false;" title="Realms of the Manifest - dialecticdad, 2/22/2014, 8:56:08 PM">Realms of the Manifest</a></html>}}}
* 2014.02.22 19:39 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Humanism');highlightHack = null; return false;" title="Humanism - dialecticdad, 2/22/2014, 7:39:51 PM">Humanism</a></html>}}}
* 2014.02.22 18:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'courage to be');highlightHack = null; return false;" title="courage to be - dialecticdad, 2/22/2014, 6:24:47 PM">courage to be</a></html>}}}
* 2014.02.22 16:58 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'devil\x27s torch');highlightHack = null; return false;" title="devil's torch - dialecticdad, 2/22/2014, 4:58:36 PM">devil's torch</a></html>}}}
* 2014.02.22 16:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Charter for Compassion');highlightHack = null; return false;" title="Charter for Compassion - dialecticdad, 2/22/2014, 4:46:07 PM">Charter for Compassion</a></html>}}}
* 2014.02.21 19:48 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'winged energy of delight');highlightHack = null; return false;" title="winged energy of delight - dialecticdad, 2/21/2014, 7:48:15 PM">winged energy of delight</a></html>}}}
* 2014.02.21 05:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'self-thrown things');highlightHack = null; return false;" title="self-thrown things - dialecticdad, 2/21/2014, 5:44:07 AM">self-thrown things</a></html>}}}
* 2014.02.18 12:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ich und Du');highlightHack = null; return false;" title="Ich und Du - dialecticdad, 2/18/2014, 12:53:26 PM">Ich und Du</a></html>}}}
* 2014.02.16 15:40 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Oikos Philos Anthropos Logos');highlightHack = null; return false;" title="Oikos Philos Anthropos Logos - dialecticdad, 2/16/2014, 3:40:43 PM">Oikos Philos Anthropos Logos</a></html>}}}
* 2014.02.15 12:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'quiet hero');highlightHack = null; return false;" title="quiet hero - dialecticdad, 2/15/2014, 12:00:27 PM">quiet hero</a></html>}}}
* 2014.02.15 11:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'knocked in my soul');highlightHack = null; return false;" title="knocked in my soul - dialecticdad, 2/15/2014, 11:59:50 AM">knocked in my soul</a></html>}}}
* 2014.02.15 11:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Synopticon');highlightHack = null; return false;" title="Synopticon - dialecticdad, 2/15/2014, 11:24:44 AM">Synopticon</a></html>}}}
* 2014.02.15 11:04 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dickinson');highlightHack = null; return false;" title="Dickinson - dialecticdad, 2/15/2014, 11:04:18 AM">Dickinson</a></html>}}}
* 2014.02.15 10:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2014-02-15');highlightHack = null; return false;" title="2014-02-15 - dialecticdad, 2/15/2014, 10:46:57 AM">2014-02-15</a></html>}}}
* 2014.02.15 10:26 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Kythings interpreted');highlightHack = null; return false;" title="Kythings interpreted - dialecticdad, 2/15/2014, 10:26:33 AM">Kythings interpreted</a></html>}}}
* 2014.02.15 10:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'DNA');highlightHack = null; return false;" title="DNA - dialecticdad, 2/15/2014, 10:19:26 AM">DNA</a></html>}}}
* 2014.02.15 09:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Fourfold Fruit');highlightHack = null; return false;" title="Fourfold Fruit - dialecticdad, 2/15/2014, 9:19:58 AM">Fourfold Fruit</a></html>}}}
* 2014.02.09 23:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'this world of dew');highlightHack = null; return false;" title="this world of dew - dialecticdad, 2/9/2014, 11:10:41 PM">this world of dew</a></html>}}}
* 2014.02.09 22:25 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Hesse');highlightHack = null; return false;" title="Hesse - dialecticdad, 2/9/2014, 10:25:21 PM">Hesse</a></html>}}}
* 2014.02.09 22:07 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Welcome to your own priesthood');highlightHack = null; return false;" title="Welcome to your own priesthood - dialecticdad, 2/9/2014, 10:07:39 PM">Welcome to your own priesthood</a></html>}}}
* 2014.02.09 21:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sustainability');highlightHack = null; return false;" title="Sustainability - dialecticdad, 2/9/2014, 9:01:28 PM">Sustainability</a></html>}}}
* 2014.02.09 11:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'flow-permanence');highlightHack = null; return false;" title="flow-permanence - dialecticdad, 2/9/2014, 11:55:04 AM">flow-permanence</a></html>}}}
* 2014.02.06 01:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'art');highlightHack = null; return false;" title="art - dialecticdad, 2/6/2014, 1:43:29 AM">art</a></html>}}}
* 2014.02.06 01:20 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ray Johnson');highlightHack = null; return false;" title="Ray Johnson - dialecticdad, 2/6/2014, 1:20:32 AM">Ray Johnson</a></html>}}}
* 2014.02.06 01:15 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'anti-museums');highlightHack = null; return false;" title="anti-museums - dialecticdad, 2/6/2014, 1:15:44 AM">anti-museums</a></html>}}}
* 2014.02.04 12:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'ihr Trunk');highlightHack = null; return false;" title="ihr Trunk - dialecticdad, 2/4/2014, 12:33:51 PM">ihr Trunk</a></html>}}}
* 2014.02.04 12:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Magic of Realism');highlightHack = null; return false;" title="Magic of Realism - dialecticdad, 2/4/2014, 12:19:21 PM">Magic of Realism</a></html>}}}
* 2014.02.04 11:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Evidence (poem)');highlightHack = null; return false;" title="Evidence (poem) - dialecticdad, 2/4/2014, 11:44:45 AM">Evidence (poem)</a></html>}}}
* 2014.02.04 11:39 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Waking');highlightHack = null; return false;" title="The Waking - dialecticdad, 2/4/2014, 11:39:28 AM">The Waking</a></html>}}}
* 2014.02.04 11:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'dance');highlightHack = null; return false;" title="dance - dialecticdad, 2/4/2014, 11:36:00 AM">dance</a></html>}}}
* 2014.02.04 10:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'makhzan');highlightHack = null; return false;" title="makhzan - dialecticdad, 2/4/2014, 10:53:06 AM">makhzan</a></html>}}}
* 2014.02.03 00:34 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Knidia');highlightHack = null; return false;" title="Knidia - dialecticdad, 2/3/2014, 12:34:14 AM">Knidia</a></html>}}}
* 2014.02.02 22:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Old Mendicant');highlightHack = null; return false;" title="The Old Mendicant - dialecticdad, 2/2/2014, 10:43:36 PM">The Old Mendicant</a></html>}}}
* 2014.02.02 19:21 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The City of Mind');highlightHack = null; return false;" title="The City of Mind - dialecticdad, 2/2/2014, 7:21:38 PM">The City of Mind</a></html>}}}
* 2014.02.02 17:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Occident');highlightHack = null; return false;" title="Occident - dialecticdad, 2/2/2014, 5:38:51 PM">Occident</a></html>}}}
* 2014.02.02 11:22 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Sublime Wants To Reach You');highlightHack = null; return false;" title="The Sublime Wants To Reach You - dialecticdad, 2/2/2014, 11:22:22 AM">The Sublime Wants To Reach You</a></html>}}}
* 2014.02.02 11:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Robinson Jeffers');highlightHack = null; return false;" title="Robinson Jeffers - dialecticdad, 2/2/2014, 11:19:57 AM">Robinson Jeffers</a></html>}}}
* 2014.02.01 23:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Song of Myself');highlightHack = null; return false;" title="Song of Myself - dialecticdad, 2/1/2014, 11:38:37 PM">Song of Myself</a></html>}}}
* 2014.02.01 23:12 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'E.E. Cummings');highlightHack = null; return false;" title="E.E. Cummings - dialecticdad, 2/1/2014, 11:12:22 PM">E.E. Cummings</a></html>}}}
* 2014.02.01 13:44 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'double bind');highlightHack = null; return false;" title="double bind - dialecticdad, 2/1/2014, 1:44:27 PM">double bind</a></html>}}}
* 2014.02.01 11:28 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Scream');highlightHack = null; return false;" title="The Scream - dialecticdad, 2/1/2014, 11:28:14 AM">The Scream</a></html>}}}
* 2014.02.01 11:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'scream');highlightHack = null; return false;" title="scream - dialecticdad, 2/1/2014, 11:23:44 AM">scream</a></html>}}}
* 2014.02.01 11:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'scream of nature');highlightHack = null; return false;" title="scream of nature - dialecticdad, 2/1/2014, 11:23:17 AM">scream of nature</a></html>}}}
* 2014.01.11 16:30 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'lives entwined');highlightHack = null; return false;" title="lives entwined - dialecticdad, 1/11/2014, 4:30:31 PM">lives entwined</a></html>}}}
* 2014.01.11 14:52 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Out of My Deeper Heart');highlightHack = null; return false;" title="Out of My Deeper Heart - dialecticdad, 1/11/2014, 2:52:50 PM">Out of My Deeper Heart</a></html>}}}
* 2014.01.11 14:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Man\x27s Search For Meaning');highlightHack = null; return false;" title="Man's Search For Meaning - dialecticdad, 1/11/2014, 2:46:17 PM">Man's Search For Meaning</a></html>}}}
* 2014.01.01 21:21 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'kythe');highlightHack = null; return false;" title="kythe - dialecticdad, 1/1/2014, 9:21:27 PM">kythe</a></html>}}}
* 2014.01.01 21:19 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Techne');highlightHack = null; return false;" title="Techne - dialecticdad, 1/1/2014, 9:19:57 PM">Techne</a></html>}}}
* 2014.01.01 21:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Thinker\x27s Toolbox');highlightHack = null; return false;" title="Thinker's Toolbox - dialecticdad, 1/1/2014, 9:18:54 PM">Thinker's Toolbox</a></html>}}}
* 2014.01.01 20:28 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'inner ocean');highlightHack = null; return false;" title="inner ocean - dialecticdad, 1/1/2014, 8:28:27 PM">inner ocean</a></html>}}}
* 2014.01.01 19:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'boundless creatures');highlightHack = null; return false;" title="boundless creatures - dialecticdad, 1/1/2014, 7:42:44 PM">boundless creatures</a></html>}}}
* 2014.01.01 15:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2009-12-21');highlightHack = null; return false;" title="2009-12-21 - dialecticdad, 1/1/2014, 3:50:10 PM">2009-12-21</a></html>}}}
* 2013.12.30 05:30 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the hungers');highlightHack = null; return false;" title="the hungers - dialecticdad, 12/30/2013, 5:30:29 AM">the hungers</a></html>}}}
* 2013.12.29 23:25 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'a studio of my own');highlightHack = null; return false;" title="a studio of my own - dialecticdad, 12/29/2013, 11:25:08 PM">a studio of my own</a></html>}}}
* 2013.12.29 20:49 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'sense of wonder');highlightHack = null; return false;" title="sense of wonder - dialecticdad, 12/29/2013, 8:49:47 PM">sense of wonder</a></html>}}}
* 2013.12.28 07:06 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ecology');highlightHack = null; return false;" title="Ecology - dialecticdad, 12/28/2013, 7:06:01 AM">Ecology</a></html>}}}
* 2013.12.28 06:47 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'angiosperms');highlightHack = null; return false;" title="angiosperms - dialecticdad, 12/28/2013, 6:47:50 AM">angiosperms</a></html>}}}
* 2013.12.21 17:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Interbeing Mindfulness Trainings');highlightHack = null; return false;" title="Interbeing Mindfulness Trainings - dialecticdad, 12/21/2013, 5:42:04 PM">Interbeing Mindfulness Trainings</a></html>}}}
* 2013.12.21 17:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Journal');highlightHack = null; return false;" title="Journal - dialecticdad, 12/21/2013, 5:35:21 PM">Journal</a></html>}}}
* 2013.12.19 19:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Montessori');highlightHack = null; return false;" title="Montessori - dialecticdad, 12/19/2013, 7:01:52 PM">Montessori</a></html>}}}
* 2013.12.18 20:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Library Science');highlightHack = null; return false;" title="Library Science - dialecticdad, 12/18/2013, 8:51:00 PM">Library Science</a></html>}}}
* 2013.12.14 22:38 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'correspondances');highlightHack = null; return false;" title="correspondances - dialecticdad, 12/14/2013, 10:38:08 PM">correspondances</a></html>}}}
* 2013.12.08 10:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'codex statements');highlightHack = null; return false;" title="codex statements - dialecticdad, 12/8/2013, 10:51:40 AM">codex statements</a></html>}}}
* 2013.12.08 10:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Evangelii Gaudium');highlightHack = null; return false;" title="Evangelii Gaudium - dialecticdad, 12/8/2013, 10:43:03 AM">Evangelii Gaudium</a></html>}}}
* 2013.12.08 08:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Layman Monk');highlightHack = null; return false;" title="Layman Monk - dialecticdad, 12/8/2013, 8:53:10 AM">Layman Monk</a></html>}}}
* 2013.12.08 07:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'NYTimesObits');highlightHack = null; return false;" title="NYTimesObits - dialecticdad, 12/8/2013, 7:53:00 AM">NYTimesObits</a></html>}}}
* 2013.12.07 18:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Right View');highlightHack = null; return false;" title="Right View - dialecticdad, 12/7/2013, 6:16:53 PM">Right View</a></html>}}}
* 2013.12.07 16:04 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Emmanuel Levinas');highlightHack = null; return false;" title="Emmanuel Levinas - dialecticdad, 12/7/2013, 4:04:50 PM">Emmanuel Levinas</a></html>}}}
* 2013.12.05 06:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'We are what we aspire for');highlightHack = null; return false;" title="We are what we aspire for - dialecticdad, 12/5/2013, 6:24:08 AM">We are what we aspire for</a></html>}}}
* 2013.12.05 05:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'ACIM 32 - I invented the world I see');highlightHack = null; return false;" title="ACIM 32 - I invented the world I see - dialecticdad, 12/5/2013, 5:43:30 AM">ACIM 32 - I invented the world I see</a></html>}}}
* 2013.11.26 05:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Tanha');highlightHack = null; return false;" title="Tanha - dialecticdad, 11/26/2013, 5:18:45 AM">Tanha</a></html>}}}
* 2013.11.23 18:29 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Spiritual Bypassing');highlightHack = null; return false;" title="Spiritual Bypassing - dialecticdad, 11/23/2013, 6:29:00 PM">Spiritual Bypassing</a></html>}}}
* 2013.11.23 18:28 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Off By A Billion');highlightHack = null; return false;" title="Off By A Billion - dialecticdad, 11/23/2013, 6:28:25 PM">Off By A Billion</a></html>}}}
* 2013.11.23 18:26 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'L\x27Engle');highlightHack = null; return false;" title="L'Engle - dialecticdad, 11/23/2013, 6:26:11 PM">L'Engle</a></html>}}}
* 2013.10.05 15:49 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'abime');highlightHack = null; return false;" title="abime - dialecticdad, 10/5/2013, 3:49:56 PM">abime</a></html>}}}
* 2013.09.02 16:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2013-09-02');highlightHack = null; return false;" title="2013-09-02 - dialecticdad, 9/2/2013, 4:14:01 PM">2013-09-02</a></html>}}}
* 2013.09.02 16:06 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The Magical Other');highlightHack = null; return false;" title="The Magical Other - dialecticdad, 9/2/2013, 4:06:11 PM">The Magical Other</a></html>}}}
* 2013.07.22 06:06 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the two took off their clothes');highlightHack = null; return false;" title="the two took off their clothes - dialecticdad, 7/22/2013, 6:06:21 AM">the two took off their clothes</a></html>}}}
* 2013.04.28 08:13 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'codex');highlightHack = null; return false;" title="codex - dialecticdad, 4/28/2013, 8:13:53 AM">codex</a></html>}}}
* 2013.04.06 10:30 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'transmissive');highlightHack = null; return false;" title="transmissive - dialecticdad, 4/6/2013, 10:30:11 AM">transmissive</a></html>}}}
* 2013.04.06 09:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Influences');highlightHack = null; return false;" title="Influences - dialecticdad, 4/6/2013, 9:46:48 AM">Influences</a></html>}}}
* 2013.04.05 17:58 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'maturing to finiteness');highlightHack = null; return false;" title="maturing to finiteness - dialecticdad, 4/5/2013, 5:58:26 PM">maturing to finiteness</a></html>}}}
* 2013.03.31 16:23 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Do not cause harm');highlightHack = null; return false;" title="Do not cause harm - dialecticdad, 3/31/2013, 4:23:03 PM">Do not cause harm</a></html>}}}
* 2013.03.28 14:54 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Quenchless thirst');highlightHack = null; return false;" title="Quenchless thirst - dialecticdad, 3/28/2013, 2:54:21 PM">Quenchless thirst</a></html>}}}
* 2013.03.24 22:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'pantheist');highlightHack = null; return false;" title="pantheist - dialecticdad, 3/24/2013, 10:35:02 PM">pantheist</a></html>}}}
* 2013.03.24 19:28 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'the web is holy');highlightHack = null; return false;" title="the web is holy - dialecticdad, 3/24/2013, 7:28:09 PM">the web is holy</a></html>}}}
* 2013.03.23 07:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'protect');highlightHack = null; return false;" title="protect - dialecticdad, 3/23/2013, 7:01:50 AM">protect</a></html>}}}
* 2013.03.23 07:01 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'pontifex');highlightHack = null; return false;" title="pontifex - dialecticdad, 3/23/2013, 7:01:00 AM">pontifex</a></html>}}}
* 2013.03.22 21:39 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Good Is The Flesh');highlightHack = null; return false;" title="Good Is The Flesh - dialecticdad, 3/22/2013, 9:39:54 PM">Good Is The Flesh</a></html>}}}
* 2013.03.10 15:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2005-08-09');highlightHack = null; return false;" title="2005-08-09 - dialecticdad, 3/10/2013, 3:33:15 PM">2005-08-09</a></html>}}}
* 2013.03.10 14:13 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The beginning of the Beginning');highlightHack = null; return false;" title="The beginning of the Beginning - dialecticdad, 3/10/2013, 2:13:56 PM">The beginning of the Beginning</a></html>}}}
* 2012.02.11 07:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'We Are Not Prisoners');highlightHack = null; return false;" title="We Are Not Prisoners - dialecticdad, 2/11/2012, 7:00:14 AM">We Are Not Prisoners</a></html>}}}
* 2012.01.03 08:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'dig');highlightHack = null; return false;" title="dig - dialecticdad, 1/3/2012, 8:00:51 AM">dig</a></html>}}}
* 2011.11.25 13:49 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Triple quest for self');highlightHack = null; return false;" title="Triple quest for self - dialecticdad, 11/25/2011, 1:49:59 PM">Triple quest for self</a></html>}}}
* 2011.11.25 12:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'adequate life');highlightHack = null; return false;" title="adequate life - dialecticdad, 11/25/2011, 12:59:22 PM">adequate life</a></html>}}}
* 2011.11.11 20:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'widening the circle');highlightHack = null; return false;" title="widening the circle - dialecticdad, 11/11/2011, 8:35:29 PM">widening the circle</a></html>}}}
* 2011.11.11 19:51 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'resolutions');highlightHack = null; return false;" title="resolutions - dialecticdad, 11/11/2011, 7:51:30 PM">resolutions</a></html>}}}
* 2011.11.06 11:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Art-ifacts');highlightHack = null; return false;" title="Art-ifacts - dialecticdad, 11/6/2011, 11:33:11 AM">Art-ifacts</a></html>}}}
* 2011.11.06 10:49 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2011-11-05');highlightHack = null; return false;" title="2011-11-05 - dialecticdad, 11/6/2011, 10:49:01 AM">2011-11-05</a></html>}}}
* 2011.10.31 23:09 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'The End of Education');highlightHack = null; return false;" title="The End of Education - dialecticdad, 10/31/2011, 11:09:34 PM">The End of Education</a></html>}}}
* 2011.10.31 22:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'five great narratives (Postman)');highlightHack = null; return false;" title="five great narratives (Postman) - dialecticdad, 10/31/2011, 10:55:40 PM">five great narratives (Postman)</a></html>}}}
* 2011.10.31 22:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Symbolic Systems');highlightHack = null; return false;" title="Symbolic Systems - dialecticdad, 10/31/2011, 10:53:07 PM">Symbolic Systems</a></html>}}}
* 2011.10.23 20:35 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Home is');highlightHack = null; return false;" title="Home is - dialecticdad, 10/23/2011, 8:35:15 PM">Home is</a></html>}}}
* 2011.10.23 20:06 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Genius');highlightHack = null; return false;" title="Genius - dialecticdad, 10/23/2011, 8:06:20 PM">Genius</a></html>}}}
* 2011.10.23 18:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Eightfold Path');highlightHack = null; return false;" title="Eightfold Path - dialecticdad, 10/23/2011, 6:14:36 PM">Eightfold Path</a></html>}}}
* 2011.10.19 03:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'da Vinci');highlightHack = null; return false;" title="da Vinci - dialecticdad, 10/19/2011, 3:18:57 AM">da Vinci</a></html>}}}
* 2011.10.19 03:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Jobs');highlightHack = null; return false;" title="Jobs - dialecticdad, 10/19/2011, 3:16:00 AM">Jobs</a></html>}}}
* 2011.10.03 03:41 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Wright');highlightHack = null; return false;" title="Wright - dialecticdad, 10/3/2011, 3:41:16 AM">Wright</a></html>}}}
* 2011.10.02 09:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'We Are So Beautiful And Terrible');highlightHack = null; return false;" title="We Are So Beautiful And Terrible - dialecticdad, 10/2/2011, 9:46:49 AM">We Are So Beautiful And Terrible</a></html>}}}
* 2011.09.19 20:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Whole Earth Catalog');highlightHack = null; return false;" title="Whole Earth Catalog - dialecticdad, 9/19/2011, 8:32:47 PM">Whole Earth Catalog</a></html>}}}
* 2011.09.19 20:12 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Whole Earth Discipline');highlightHack = null; return false;" title="Whole Earth Discipline - dialecticdad, 9/19/2011, 8:12:58 PM">Whole Earth Discipline</a></html>}}}
* 2011.09.18 21:58 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dwelling Happily in the Present Moment');highlightHack = null; return false;" title="Dwelling Happily in the Present Moment - dialecticdad, 9/18/2011, 9:58:08 PM">Dwelling Happily in the Present Moment</a></html>}}}
* 2011.09.18 16:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Abundant List');highlightHack = null; return false;" title="Abundant List - dialecticdad, 9/18/2011, 4:55:58 PM">Abundant List</a></html>}}}
* 2011.09.13 19:11 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Felt Sense');highlightHack = null; return false;" title="Felt Sense - dialecticdad, 9/13/2011, 7:11:45 PM">Felt Sense</a></html>}}}
* 2011.09.07 20:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Wisdom of No Escape');highlightHack = null; return false;" title="Wisdom of No Escape - dialecticdad, 9/7/2011, 8:59:53 PM">Wisdom of No Escape</a></html>}}}
* 2011.08.29 20:52 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Natural Great Perfection');highlightHack = null; return false;" title="Natural Great Perfection - dialecticdad, 8/29/2011, 8:52:12 PM">Natural Great Perfection</a></html>}}}
* 2011.08.21 15:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Provisional fixed points');highlightHack = null; return false;" title="Provisional fixed points - dialecticdad, 8/21/2011, 3:42:38 PM">Provisional fixed points</a></html>}}}
* 2011.08.21 15:17 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Rawls');highlightHack = null; return false;" title="Rawls - dialecticdad, 8/21/2011, 3:17:00 PM">Rawls</a></html>}}}
* 2011.08.21 15:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Reading Obama');highlightHack = null; return false;" title="Reading Obama - dialecticdad, 8/21/2011, 3:14:47 PM">Reading Obama</a></html>}}}
* 2011.08.21 15:14 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Sin');highlightHack = null; return false;" title="Sin - dialecticdad, 8/21/2011, 3:14:21 PM">Sin</a></html>}}}
* 2011.08.21 15:07 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Dealing With Anger');highlightHack = null; return false;" title="Dealing With Anger - dialecticdad, 8/21/2011, 3:07:25 PM">Dealing With Anger</a></html>}}}
* 2011.08.21 10:36 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Latin ad- prefix');highlightHack = null; return false;" title="Latin ad- prefix - dialecticdad, 8/21/2011, 10:36:58 AM">Latin ad- prefix</a></html>}}}
* 2011.08.20 18:00 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Encyclopedia');highlightHack = null; return false;" title="Encyclopedia - dialecticdad, 8/20/2011, 6:00:03 PM">Encyclopedia</a></html>}}}
* 2011.08.14 10:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Blue Flower');highlightHack = null; return false;" title="Blue Flower - dialecticdad, 8/14/2011, 10:46:15 AM">Blue Flower</a></html>}}}
* 2011.08.14 10:25 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Cycle');highlightHack = null; return false;" title="Cycle - dialecticdad, 8/14/2011, 10:25:19 AM">Cycle</a></html>}}}
* 2011.08.14 10:24 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Ego');highlightHack = null; return false;" title="Ego - dialecticdad, 8/14/2011, 10:24:51 AM">Ego</a></html>}}}
* 2011.08.14 06:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'What would be the economic impact of 2.1% reduced annual consumption for a decade?');highlightHack = null; return false;" title="What would be the economic impact of 2.1% reduced annual consumption for a decade? - dialecticdad, 8/14/2011, 6:43:12 AM">What would be the economic impact of 2.1% reduced annual consumption for a decade?</a></html>}}}
* 2011.08.14 06:43 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'What leads to an overly litigious society, and what may be the remedy?');highlightHack = null; return false;" title="What leads to an overly litigious society, and what may be the remedy? - dialecticdad, 8/14/2011, 6:43:00 AM">What leads to an overly litigious society, and what may be the remedy?</a></html>}}}
* 2011.08.14 06:12 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'word roots');highlightHack = null; return false;" title="word roots - dialecticdad, 8/14/2011, 6:12:26 AM">word roots</a></html>}}}
* 2011.08.07 11:10 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2010-09-19');highlightHack = null; return false;" title="2010-09-19 - dialecticdad, 8/7/2011, 11:10:44 AM">2010-09-19</a></html>}}}
* 2011.07.17 13:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Desiderata');highlightHack = null; return false;" title="Desiderata - dialecticdad, 7/17/2011, 1:37:53 PM">Desiderata</a></html>}}}
* 2011.07.17 13:37 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'But yield who will to their separation');highlightHack = null; return false;" title="But yield who will to their separation - dialecticdad, 7/17/2011, 1:37:15 PM">But yield who will to their separation</a></html>}}}
* 2011.07.14 06:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'To what extent can a wiki be written in itself?');highlightHack = null; return false;" title="To what extent can a wiki be written in itself? - dialecticdad, 7/14/2011, 6:32:00 AM">To what extent can a wiki be written in itself?</a></html>}}}
* 2011.07.07 22:34 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Intense use of computers can distract');highlightHack = null; return false;" title="Intense use of computers can distract - dialecticdad, 7/7/2011, 10:34:57 PM">Intense use of computers can distract</a></html>}}}
* 2011.06.12 23:46 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Cathedral of Learning');highlightHack = null; return false;" title="Cathedral of Learning - dialecticdad, 6/12/2011, 11:46:02 PM">Cathedral of Learning</a></html>}}}
* 2011.06.12 17:59 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'For Whom the Bell Tolls');highlightHack = null; return false;" title="For Whom the Bell Tolls - dialecticdad, 6/12/2011, 5:59:17 PM">For Whom the Bell Tolls</a></html>}}}
* 2011.06.05 22:18 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Pale Blue Dot');highlightHack = null; return false;" title="Pale Blue Dot - dialecticdad, 6/5/2011, 10:18:02 PM">Pale Blue Dot</a></html>}}}
* 2011.06.04 15:42 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Alan Kay\x27s Reading List');highlightHack = null; return false;" title="Alan Kay's Reading List - dialecticdad, 6/4/2011, 3:42:40 PM">Alan Kay's Reading List</a></html>}}}
* 2011.06.04 14:33 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2010-04-25');highlightHack = null; return false;" title="2010-04-25 - dialecticdad, 6/4/2011, 2:33:25 PM">2010-04-25</a></html>}}}
* 2011.06.04 12:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'SARK');highlightHack = null; return false;" title="SARK - dialecticdad, 6/4/2011, 12:55:00 PM">SARK</a></html>}}}
* 2011.06.04 12:25 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'It\x27s Not About You');highlightHack = null; return false;" title="It's Not About You - dialecticdad, 6/4/2011, 12:25:36 PM">It's Not About You</a></html>}}}
* 2011.05.30 21:31 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Those who are called philosophers');highlightHack = null; return false;" title="Those who are called philosophers - dialecticdad, 5/30/2011, 9:31:50 PM">Those who are called philosophers</a></html>}}}
* 2011.05.28 20:45 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Iverson');highlightHack = null; return false;" title="Iverson - dialecticdad, 5/28/2011, 8:45:16 PM">Iverson</a></html>}}}
* 2011.05.28 10:16 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'bicycle');highlightHack = null; return false;" title="bicycle - dialecticdad, 5/28/2011, 10:16:53 AM">bicycle</a></html>}}}
* 2011.05.24 22:02 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Eliot');highlightHack = null; return false;" title="Eliot - dialecticdad, 5/24/2011, 10:02:42 PM">Eliot</a></html>}}}
* 2011.05.24 21:57 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Tolkien');highlightHack = null; return false;" title="Tolkien - dialecticdad, 5/24/2011, 9:57:10 PM">Tolkien</a></html>}}}
* 2011.05.24 21:53 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Rogers');highlightHack = null; return false;" title="Rogers - dialecticdad, 5/24/2011, 9:53:01 PM">Rogers</a></html>}}}
* 2011.05.24 18:57 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Escher');highlightHack = null; return false;" title="Escher - dialecticdad, 5/24/2011, 6:57:43 PM">Escher</a></html>}}}
* 2011.05.24 18:55 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Jefferson');highlightHack = null; return false;" title="Jefferson - dialecticdad, 5/24/2011, 6:55:34 PM">Jefferson</a></html>}}}
* 2011.05.24 18:49 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2010-05-08');highlightHack = null; return false;" title="2010-05-08 - dialecticdad, 5/24/2011, 6:49:46 PM">2010-05-08</a></html>}}}
* 2011.05.24 14:50 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Not all those who wander');highlightHack = null; return false;" title="Not all those who wander - dialecticdad, 5/24/2011, 2:50:40 PM">Not all those who wander</a></html>}}}
* 2011.05.24 12:32 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'2010-06-27');highlightHack = null; return false;" title="2010-06-27 - dialecticdad, 5/24/2011, 12:32:01 PM">2010-06-27</a></html>}}}
* 2011.05.22 21:17 {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('[a-zA-Z0-9]'.escapeRegExp(),'img');story.displayTiddler(null,'Anam Cara');highlightHack = null; return false;" title="Anam Cara - dialecticdad, 5/22/2011, 9:17:58 PM">Anam Cara</a></html>}}}
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''Nikos Kazantzakis'' (18 February 1883 – 26 October 1957) Greek writer celebrated for his novels which include //Zorba the Greek// (1946), //The Last Temptation of Christ// (1955), //The Odyssey: A Modern Sequel// (which Kazantzakis considered his most important work, published 1938), //Saint Francis//, and //Saviors of God//.  (Only the last of those have I read in its entirety.)
!The Saviors of God: Spiritual Exercises
by Nikos Kazantzakis
(began 1922, final revision 1944)
Translated by Kimon Friar

//<<tiddler passages/dig>>//
----
A copy of the full text was made available on Nic Wolff's [[website|http://www.angel.net/~nic/askitiki.html]].

This book entered my life in the same manner as Joanna Newsom's mind-altering album //Ys//, as a gift from my friend Elias.  It's a book that [[shaped my view|Writings that shaped my view]] of the world.  I later learned that Ray [[Bradbury]] also admired it, and I can see its influence in his poetry.

I created a "word cloud" of the text, in which the size of each word indicates its frequency in the entire work:

[img(70%,)[Word Cloud|https://c2.staticflickr.com/8/7347/27068733073_81a493d671_z.jpg][https://www.flickr.com/photos/39042429@N00/27068733073/]]
@@display:block;width:17em;margin-left:2em;text-align: center;font-size:150%;font-family: serif;
//''heart -- body -- GOD -- Earth -- Man''//@@
I see a visual pattern that seems to distill his entire message into a single vertical axis with ~G-D at the origin.  The horizontal movement in the void space of ~G-D's letters is notable too -- //live, say, die// -- the summarized progression of this entire existence, read right-to-left.

My inspiration was triggered by this [[Wolfram Blog posting|http://blog.wolfram.com/2016/04/21/analyzing-shakespeares-texts-on-the-400th-anniversary-of-his-death/]] regarding textual analysis of Shakespeare.  I plan to reflect upon the "key words" visualizing //Saviors of God// in this way and will share whatever arises.

I used the free [[Wolfram Programming Lab|https://lab.open.wolframcloud.com/app/]] to create this image with only two lines of +++[code, shown here.]
&nbsp;
[img[https://c2.staticflickr.com/8/7095/27068861033_d8c7db0384_z.jpg]]
===

----

{{grem{The following abridges and changes the sequence of passages:}}}

Walk tiptoe on the edge of the insatiable precipice and struggle to give order to your vision. Raise the multicolored trap door of the mystery—the stars, the sea, men and ideas; give form and meaning to the formless, the mindless infinitude.  Gather together in your heart all terrors, recompose all details. Salvation is a [[circle|the circle of religious elements]]; close it!

Every man has his own circle composed of trees, animals, men, ideas, and he is in duty bound to save this circle. He, and no one else. If he does not save it, he cannot be saved.

We are a humble letter, a single syllable, one word out of a gigantic Odyssey. We are immersed in an enormous song and we shine like humble pebbles as long as they remain immersed in the sea.

What is our duty? To raise our heads from the text a moment, as long as our lungs can bear it, and to breathe in the transoceanic song.  To bring together all our adventures, to give meaning to our voyage, to battle undauntedly with men, with gods, with animals, and then slowly, patiently, to erect in our brains, marrow of our marrow, our Ithaca.

Out of an ''ocean of nothingness'', with fearful struggle, the work of man rises slowly like a small ''island''.  Within this arena, which grows more stable night after day, generations work and love and hope and vanish. New generations tread on the corpses of their fathers, continue the work above ''the abyss'' and struggle to tame the dread mystery. How?  By cultivating a single field, by kissing a woman, by studying a stone, an animal, an idea.

From all these generations, from all these joys and sorrows, from this lovemaking, these battles, these ideas, a single voice rings out, pure and serene.

Earthquakes come, the ''island'' sways, a corner crumbles away, another rises out of the sunless waves… 

Someone within me is struggling to lift a great weight, to cast off the mind and flesh by overcoming habit, laziness, necessity.  I do not know from where he comes or where he goes.  I clutch at his onward march in my ephemeral breast, I listen to his panting struggle, I shudder when I touch him.

Deep in my subterranean cells my five senses labor; they weave and unweave space and time, joy and sorrow, matter and spirit… I rejoice to feel between my temples, in the flicker of an eyelid, the beginning and the end of the world.  I condense into a lightning moment the seeding, sprouting, blossoming, fructifying, and the disappearance of every tree, animal, man, star, and god.

All acquire an unexpected holiness -- beauty, knowledge, hope, the economic struggle, daily and seemingly meaningless cares. Shuddering, we feel everywhere about us the same gigantic, enslaved Spirit striving for freedom.

All Earth is a [[seed|Friar's Journeybook/SeedOfPerfection]] planted in the coils of my mind. Whatever struggles for numberless years to unfold and fructify in the dark womb of matter bursts in my head like a small and silent lightning flash.  Ah! let us gaze intently on this lightning flash, let us hold it for a moment, let us arrange it into human speech.  Let us transfix this momentary eternity which encloses everything, past and future, but without losing in the immobility of language any of its gigantic erotic whirling.

The seed is saved — what do we mean by "saved"? It frees the God within it by blossoming, by bearing fruit, by returning to earth once more. Let us help the seed to save itself.

Every word is an Ark of the Covenant around which we dance and shudder, divining God to be its dreadful inhabitant.

You shall never be able to establish in words what you live in ecstasy. But struggle unceasingly to establish it in words. ''//Battle with myths, with comparisons, with allegories, with rare and common words, with exclamations and rhymes, to embody it in flesh, to transfix it!//''

~G-D, the Great Ecstatic, works in the same way. He speaks and struggles to speak in every way He can, with seas and with fires, with colors, with wings, with horns, with claws, with constellations and butterflies, that he may establish His ecstasy. Like every other living thing, I also am in the center of the Cosmic whirlpool.

Everything is an egg in which God's sperm labors without rest, ceaselessly. Innumerable forces within and without it range themselves to defend it.
{{grem{[The Seed of Perfection?]}}}

He is a power that contains all things, ''that begets all things''. He begets them, loves them, and destroys them. And if we say, "Our God is an erotic wind and shatters all bodies that he may drive on," and if we remember that eros always works through blood and tears, destroying every individual without mercy — then we shall approach his dread face a little closer.

Two violent contrary winds, one masculine and the other feminine, met and clashed at a crossroads. For a moment they counterbalanced each other, thickened, and became visible.
This crossroads is the Universe. This crossroads is my heart.
This dance of the gigantic erotic collision is transmitted from the darkest particle of matter to the most spacious thought.  The wife of my God is matter; they wrestle with each other, they laugh and weep, they cry out in the nuptial bed of flesh.

All the concentrated agony of the Universe bursts out in every living thing. God is imperiled in the sweet ecstasy and bitterness of flesh.  But he shakes himself free, he leaps out of brains and loins, then clings to new brains and new loins until the struggle for liberation again breaks out from the beginning.
For the first time on this earth, from within our hearts and our minds, God gazes on his own struggle.
Joy! [[Joy!|FractalPoiesis]]  I did not know that all this world is so much part of me, that we are all one army, that windflowers and stars struggle to right and left of me and do not know me; but I turn to them and hail them.
The Universe is warm, beloved, familiar, and it smells like my own body. It is Love and War both, a raging restlessness, persistence and uncertainty.

Everything in the world has a hidden meaning … Men, animals, trees, stars, they are all [[hieroglyphics|correspondances]]. When you see them you do not understand them. You think they are really men, animals, trees, stars. It is only years later that you understand.

It is as though we had buried Someone we thought dead, and now hear him calling in the night: //Help me!//

Every word, every deed, every thought is the heavy gravestone he is forever trying to lift. And my own body and all the visible world, all heaven and earth, are the gravestone which God is struggling to heave upward.

The primordial Spirit branches out, overflows, struggles, fails, succeeds, trains itself. It is the Rose of the Winds.

Action is the widest gate of deliverance. It alone can answer the questionings of the heart. Amid the labyrinthine complexities of the mind it finds the shortest route. No, it does not "find" — it creates its way, hewing to right and left through resistances of logic and matter.

Amid all these things, beyond all these things every man and nation, every plant and animal, every god and demon, charges upward … We struggle to make this Spirit visible, to give it a face, to encase it in words, in allegories and thoughts and incantations, that it may not escape us. ''//But it cannot be contained in the twentysix letters of an alphabet which we string out in rows;//'' we know that all these words, these allegories, these thoughts, and these [[incantations|passages]] are, once more, but a new mask with which to conceal ''the Abyss''.

Yet only in this manner, by confining immensity, may we labor within the newly incised circle of humanity.  What do we mean by "labor"?  To fill up this circle with desires, with anxieties, and with deeds; to spread out and reach frontiers until, no longer able to contain us, they crack and collapse. By thus working with appearances, we widen and increase the essence.  For this reason our return to appearances, after our contact with essence, possesses an incalculable worth.

We have seen the highest circle of spiraling powers. We have named this circle God. We might have given it any other name we wished: Abyss, Mystery, Absolute Darkness, Absolute Light, Matter, Spirit, Ultimate Hope, Ultimate Despair, Silence.  But we have named it God because only this name, for primordial reasons, can stir our hearts profoundly.  And this deeply felt emotion is indispensable if we are to touch, body with body, the dread essence beyond logic.

Human partitions — bodies, brains, and souls — are capable of being demolished, and humanity might return again, after frightfully bloody wandering, to its primeval, divine oneness. In this condition, there is no such thing as "me", "you", and "she"; everything is a unity and this unity is a profound mystic intoxication in which death loses its scythe and ceases to exist. Separately, we die one by one, but all together we are immortal. Like prodigal children, after so much hunger, thirst, and rebellion, we spread our arms and embrace our two parents: heaven and earth.

No form of instruction exists, ''no Savior'' exists to open up the road. No road exists to be opened.  {{grem{[The Tao that can be spoken is not the eternal Tao.]}}}
Every person, ascending above and beyond his own head, escapes from his small brain, so crammed with perplexities.  Within profound Silence, erect, fearless, in pain and in play, ascending ceaselessly from peak to peak, knowing that the height has no ending, sing this proud and magical incantation as you hang over ''the Abyss'' …

//I am a weak, ephemeral creature
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;made of mud and dream.
But I feel all the powers of the
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;universe whirling within//
+++[me...]
&nbsp;
@@font-variant:small-caps;Interleaving every 22nd verse (or line, or sentence) of my edition:@@
----

<<tiddler SavedBy22/precis>>

@@color:grey;//See SavedBy22//@@
----
===
&nbsp;

Also see http://www.greatthoughtstreasury.com/author/nikos-kazantzakis

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!Trust in Meanings • Teacher • Tradition

The following people (all still living) bear a link in their lives to the Teacher, Priest, or Priestess role; upholding a body of tradition and meanings I have personally encountered:
# Benedict XVI, Joseph Aloisius Ratzinger (16 Apr 1927)
# [[Father Francis|pontifex]], Jorge Mario Bergoglio (17 Dec 1936)
# Patriarch Bartholomew, Dimítrios Archontónis (29 Feb 1940)
# Father Elias (Dec 1941; made "a son" of [[Nazianzus]] 25 Jan 2004)
# Tenzin Gyatso, Dalai Lama of Tibet, "Ocean High Priest" (6 Jul 1935)
# Pema Chödrön, Deirdre ~Blomfield-Brown (14 Jul 1936)
# Karen Armstrong (1944) & sister Lindsey – [[Charter for Compassion]]
# [[Rachel|Rachel Pollack]] Grace Pollack, author and Tarot teacher (17 Aug 1945)
# Ronald Sam Gilardi, Capuchin Friar (Jul 1947)
# Archbishop Justin Portal Welby (Browne) of London (Jan 1956)
# Cantor Regina Yarchever Heit (Jan 1957)
# Stephen Mark Veazey, Community of Christ President (May 1957)
In collective:
The Religious Society of [[Friends|Quaker]] General Conference (1900) -- its relation to Friends United Meeting
://Answer the ~Ground-Divine of every one and in every soul.//
----

Explanation of the Tarot symbol by [[Rachel Pollack]] follows, interspersed with my personal responses {{grem{shown in grey italics:}}}

If we see the first line [in a progression of Tarot keys] as describing the development of the personality, then coming after the natural world ([[Empress|Muse]]) and society ([[Emperor]]), the Hierophant indicates the ''intellectual tradition'' of the person's particular society {{grem{[inherited or elected]}}}, and his or her education in that tradition.

Following Waite's interpretation (and thinking specifically of the Western pope) we can see the Hierophant as a companion to the Emperor.  The word 'pope' means 'father', and like the Roman Emperor the Pope is seen as a wise father guiding his children.  Together, they share responsibility for humanity, the one providing physical needs, the other ''guiding spiritual growth''.  In one of the earliest treatises urging separation of Church and State, Dante argued that the two functions must not be combined for fear of corruption.  However, he never questioned the idea that the Church is responsible for our souls.

----

Paul Foster Case, founder of [[Builders of the Adytum]], wrote:
<<<
//Hierophant// means "revealer of sacred things."  It was the name of the chief officer in the [[Eleusinian Mysteries|https://en.wikipedia.org/wiki/Eleusinian_Mysteries]], and signifies that which //''makes known the hidden import of the appearances''// whereby we are surrounded … We [BOTA] do not agree with Waite that the Hierophant "is the ruling power of external religion, . . . exoteric orthodox doctrine, the outer side of the life which leads to the doctrine."  On the contrary, he is the //[[pontifex]]//, the "bridge-maker" who provides a connecting link between outer experience and interior illumination.

He sits on a throne, between two stone pillars.  These, and the throne, together with the background, are gray, a color associated with Wisdom … Gray stands for the perfect balance of all pairs of opposites … The crossed keys are the familiar symbols of the power of the Papacy.  Yet they have a deeper meaning.  One is silver, the other golden.  They stand for the solar and lunar currents of radiant energy, which, as nerve-currents in the human body, are utilized as keys to open the inner doors …
<<<
The [[Coat of Arms of Pope Francis|http://w2.vatican.va/content/francesco/en/elezione/stemma-papa-francesco.html]] is described on the Vatican's website: "The blue shield is surmounted by ''the symbols of papal dignity'', the same as those used by his Predecessor Benedict XVI (the mitre above crossed keys of gold and silver, bound by the red cord)."

The Hebrew letter for this card is Vau, which means “hook”, something that joins two things together.  Another definition is yoke. The Sanskrit definition of “yoga” is yoke, and the idea of yoga is to join spiritual and mundane consciousness together through the various paths.

----

Pollack continues: Today, many people do not understand the basic idea of a priesthood.  Our democratic age [[rejects|Welcome to your own priesthood]] the notions of an intermediary between an individual and God.  Note, however, that the Hierophant can also symbolize the 'dictatorship over the proletariat' or any other elite leading the masses where they cannot go themselves.

{{grem{[Religion as an institution is based on a practical assumption]}}} that most people do not really care much about God.  The average person is happiest following worldly pursuits, money, family and politics.  There are however, certain people who, ''by temperament, feel very directly the spirit that runs through all our lives.''  Called to the priesthood by their own inner awareness, these people can speak to God for us.

In the [[BOTA|Builders of the Adytum]] version of the Hierophant, the crossed keys at the Hierophant's feet are gold and silver, representing the outer and inner ways, the sun and moon, the Magician and the High Priestess, which the doctrine teaches us to combine.  In the ~Rider-Waite image, both keys are gold, indicating that the dark side is hidden from those who follow the outer doctrine [only].

Still, we must not think that the outer doctrine of religion serves no purpose to the seeker.  Like the general education, of which it is a particular example, it gives the individual a firm tradition in which to root his or her personal development.  The modern Western phenomenon of a kind of eclectic mysticism, drawing inspiration from all religions, is an extremely unusual development.  This is based, possibly, on a global awareness plus the view of religion as a psychological state divorced from science and history.  Thus we see religion as an experience rather than an explanation of the universe and accept that all religious experiences are valid, whatever contradictions they show on the surface.  While this idea opens great possibilities, many people have noted its //potential shallowness//.  The fact is, throughout the centuries, the great mystics have always spoken ''from deep within a tradition''.  The Kabbalists were thoroughly Jewish, Thomas à Kempis a complete Christian, and the Sufis bowed to Mecca with all other orthodox Muslims.  In its best aspect, the Hierophant (as outer doctrine) can give us a place to start in creating a personal awareness of {{grem{[the Ground-Divine].}}}

… ''A society builds its intellectual tradition over hundreds of years.''  Those who accept that tradition receive from it a standard by which to judge new ideas and information.  Those who reject it must find their own ways and can easily get lost in superficial ideas.

----

One day before the Western Church's Easter this year, I wrote:
<<<
This too is familiar for me: [[Churches are beautiful|https://readalittlepoetry.wordpress.com/2016/03/26/each-thing-measured-by-the-same-sun-by-linda-gregg/]] and yet cage-like; their mystery, comfort and ''durability through the ages'' is a quiet call that I cannot entirely ignore.  And so I wonder about stepping foot into the lovely brick Episcopal church a few blocks away from my home, although I'm a heretic who doesn't believe in the redemptive death of their Nazarene shepherd -- ironic timing this weekend, a holiday I cannot celebrate, even if I do admire the vast part of his moral teachings.  I am more comfortable with a strand of Quaker religious practice -- but this way is more lonely; the Quaker and Buddhist communities small and scattered in my part of the country.
<<<
Pollack continues: There are many people who, having given up the dogma forced on them as children, fall into some new dogma, a cult or some extremist political group, just as rigid and perhaps more shallow.  Having rejected tradition they have not really rejected the Hierophant.  They have not accepted the responsibility of truly finding their own way {{grem{[and __relationship__ to the World.]}}}

Accompanying text from //Thunder the Perfect Mind// that appears on the Elemental Tarot card:
://''I am sinless and the root of all sin derives from me.''//
From the gospel of John (5:30), as translated in the New International Version:
//By myself I can do nothing; I judge only as I hear, and my judgment is just, for I seek not to please myself but him who sent me.//

"This verse is a concise statement of the meaning of Tarot Key 5, The Hierophant."
-- Written by Dr. Michael J. Santangelo at [[Nine Miles To Freedom|http://www.ninemilestofreedom.com/2010/05/22/by-myself-i-can-do-nothing/]]

----

This morning April 11th, my daughter Maya (7 years old) asked me questions about the legend of Jesus nailed to a cross, as her mother had explained it to her recently.  (I am grateful that Lily framed this as a legend, which Maya is not obliged to believe.)

Other embodiments of the Hierophant:

"The duty of the President of the office of the High Priesthood is to preside over the whole church, and … to be a seer, a revelator, a translator, and a prophet".  (1835)  "In summary: A prophet is a teacher of known truth; a seer is a perceiver of hidden truth, a revelator is a bearer of new truth."  (1960)

Another Protestant / Reformationist body -- the Baptist World Alliance, whose stated goals are: "(1) To Unite Baptists Worldwide; (2) To Lead in World Evangelization; (3) To Respond to People in Need; and (4) To Defend Human Rights."

The funeral service of my children's uncle, Timothy, was held in a Baptist Church.  This was a sadness and disappointment to his Roman Catholic parents.

[img[The Hierophant - from 'Nine Miles To Freedom'|http://ninemilestofreedom.com/wp-content/uploads/2010/05/zf5-Hierophant.jpg][http://www.ninemilestofreedom.com/2010/05/22/by-myself-i-can-do-nothing/]]

Apple Computer Co. described personal computers as "bicycles for the mind" in a 1980s advertisement. ^^[[[7]|http://www.folklore.org/StoryView.py?project=Macintosh&story=Bicycle.txt]]^^
[img[Bicycle for the mind – logo for Mac University Consortium|http://farm1.static.flickr.com/34/114050133_24aae18a49_m_d.jpg][http://www.flickr.com/photos/39042429@N00/114050133/]]
This has inspired several [[Art-ifacts]]

Unless you're delighted with the default theme you can make some quick changes by generating a new random color palette, hit this button to cycle through some alternatives.

<<RandomColorPaletteButton saturation_pale:0.67 saturation_light:0.53
saturation_mid:0.43 saturation_dark:0.06 pale:0.99 light:0.85 mid:0.5 dark:0.31>>

You can also change the look and feel completely by installing a new theme. To do this, find one you like in the @themes space, note down the name, and include it in this space by going to the space menu. You can reach the space menu by clicking on the blue and pink circle at the top-right of the page and chooshing "THIS SPACE". Here are a few to check out:
* @pip
* @caspian-ii
* @basalt
* @simplicity
* @cheesecake
* @jelly-doughnut

(//Note that if you are using a custom TiddlySpace install, these themes may not be present.//)

!I Am Much Too Alone in This World, Yet Not Alone
by Rainer Maria [[Rilke]]
translated by Annemarie S. Kidder

I am much too alone in this world, yet not alone enough
to truly consecrate the hour.
I am much too small in this world, yet not small enough
to be to you just object and thing, 
dark and smart.
I want my free will and want it accompanying 
the path which leads to action;
and want during times that beg questions, 
where something is up, 
to be among those in the know, 
or else be alone.

I want to mirror your image to its fullest perfection, 
never be blind or too old
to uphold your weighty wavering reflection. 
I want to unfold.
Nowhere I wish to stay crooked, bent; 
for there I would be dishonest, untrue. 
I want my conscience to be 
true before you;
want to describe myself like a picture I observed 
for a long time, one close up, 
like a new word I learned and embraced, 
like the everday jug, 
like my mother's face, 
like a ship that carried me along 
through the deadliest storm.

 
“Moticos” is a word coined by [[Ray Johnson]], an anagram of “osmotic” — itself the adjective form of “osmosis,” referring to the process of liquid flow between two semi-permeable membranes.  Figuratively, osmosis is the gradual assimilation or absorption of ideas.

I altered the anagram for my own personal use as //[[mitocos]]//.

//''…ideas, images and signs bleed into one another and soak perception with their infinite [[correspondances]], until these streams diverge, flooding out into the world…''//
–Johanna Gosse

Discovered from "[[In Memory of Moticos|http://www.thebookbeat.com/backroom/2014/01/24/in-memory-of-moticos/]]" January 2014 at The Book Beat:
<<<
He [Ray Johnson] re-imagined art as simply communication, a part of daily life—and a constant engagement with life that links the past, present and future into interchangeable symbols, fateful accidents, magic reversals and poetry. His [[books|the book]] and letters were simple but intricate puzzles, all self-contained [[anti-museums]], missives that questioned collecting and collectors, the purpose of art, stretching the boundaries of [[poetry]].

Memory is not an instrument for surveying the past but its theater. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried. He who seeks to approach his own buried ''past'' must conduct himself like a man digging.
–[[Walter Benjamin]], //Berlin Childhood//

When you cut into the present, the ''future'' leaks out.
–William S. Burroughs, //~Cut-Ups//
<<<
[[Mark Bloch|http://web.archive.org/web/20160404083822/http://www.panmodern.com/rayjohnson/rayocide.html]] asked Ray about the "moticos."  He said no one really got it.  He said he destroyed all that stuff.  He 'wanted to paste things on railroad cars. Nothing to be seen by anyone except coyotes or cacti.'

In an interview for the inaugural issue of the //Village Voice//, Ray Johnson discussed what moticos were and what they weren't. "I've got a big pile of things at home which will make moticos. They're really collages – paste-ups of pictures and pieces of paper…but that sounds too much like what they really are, so I call them moticos. It's a good word because it's both singular and plural and you can pronounce it how you like." &nbsp;(Wilcock, 1955) Johnson's moticos, or collages, are exhibited more often in museums and galleries than his mail art because curators place the moticos in the category of fine art. In contrast, curators treat Johnson's [[mail art|mail art object]] more as a long-term performance or avocation, rather than as individual art objects.
–Madelyn Starbuck in "[[Clashing and Converging|http://www.lib.utexas.edu/etd/d/2003/starbuckmk032/starbuckmk032.pdf]]"
//See [[mail art object]]//

Following research courtesy of Johanna Gosse, The Journal of Black Mountain College Studies [[Volume II: Ray Johnson|http://web.archive.org/web/20111207034159/http://www.blackmountainstudiesjournal.org/wp/?p=662]]
(September 29, 2011)
----
“Moticos” is an anagram of the term “osmotic,” the adjectival form of “osmosis,” which refers to the process of liquid flow between two semi-permeable membranes, and more colloquially, to the gradual process of assimilation or absorption of ideas. According to the possibly apocryphal account offered by [[Ray Johnson]], the term was arbitrarily picked from a dictionary by his friend Norman Soloman; yet, this word effectively evokes the idea of dynamic flow and exchange, qualities that are relevant to Johnson’s developing collage practice during this period.

Johnson’s moticos are composed of everyday found objects—mass media fragments, commercial packaging, scraps of cardboard—which he intricately arranged in small-scale compositions and then emblazoned with puns, pictograms, enigmatic [[hieroglyph]]s, small blocks or “tesserae,” celebrity names, Chinese lettering, and other more obscure references and elements. Still, the moticos’ delicately embellished surfaces do not obscure the fact that they are composed of humble materials…
<<<
Perhaps it’s all incorrect that these (the moticos) be looked at in terms of painting or creativity or beauty or whatever. It might very well just be useful objects like an automobile or a chair. And these happen to be things hanging on the wall. I never used to believe in a work of art being bought. I thought it should just be made and not cherished or sold.  [1968 interview with Johnson]
<<<
He accepts that art has a //use value// like any other functional object, but he wants to reject the notion that it possesses //[[exchange value|Walter Benjamin/commodity]]//, as an object bought or sold on a marketplace. Indeed, a primary example of something with use value but no real exchange value is precisely the ritual performance: an event that is essential to the vitality of a community and yet remains time-bound, ephemeral, and thus cannot be “cherished or sold.”

This simple yet revolutionary idea—that art should have a quasi-ceremonial role in everyday life rather than exist as a rarefied commodity under the purview of [[elite collectors and museums|anti-museums]]—forms the core, I think, of Johnson’s aesthetic philosophy. This idea is also a fundamental tenet of one of the most important philosophical treatises on aesthetics of the past century—John Dewey’s //Art as Experience//.
{{rjustify{
+++[more]
{{ljustify{
Dewey states that his primary task (and the task of all aesthetic philosophy) is “to restore continuity between the refined and intensified forms of experience that are works of art and the everyday events, doings, and sufferings that are universally recognized to constitute experience.”  Later, he describes the function of art as promoting “active and alert commerce with the world—complete //interpenetration// of self and the world of objects and events.”  This notion of //interpenetration of self and world, of art and experience//, I contend, is philosophically aligned with Johnson’s porous practice and philosophy of art. What is central to both Dewey and Johnson’s thinking is the fundamental continuity between art and experience, rather than art’s distant and transcendent status above experience.

The idea of “an experience” is central to Dewey’s aesthetics and his philosophy on the whole, as noted by scholar Thomas M. Alexander, among others.  In the third chapter of //Art as Experience//, Dewey defines “an experience” as one where separate parts fuse into a unified whole; where the subject undergoes something that can be marked as singular, transformative, meaningful, consummatory, and sets a standard of quality for experiences to come—for example, an especially memorable meal in a Parisian bistro would constitute “an experience.” Importantly, “an experience” is an active, not a passive process. It necessitates an attentive perceiving subject to not only consume the experience, but to behave and act in response…. In defining the work of art as a process, rather than as an object, Dewey posits an implicit challenge to the ways that artistic value is conventionally assigned—via the art market and institutions like museums, which primarily exist to collect, categorize and assign value to objects rather than to cultivate aesthetic experiences.

Dewey’s notion of the fundamental continuity between art and the everyday permeates Johnson’s artistic practice, beginning with his use of “osmosis” as the primary metaphor for his work’s “active and alert commerce with the world”—its incursion into the everyday happenings and rituals that constitute experience. Notably, //Art as Experience// makes frequent use of biological and environmental metaphors, often involving water, waves, liquid, flow, and the concept of “flux.” For instance, in the first chapter on “The Live Creature,” Dewey states, “In an experience, flow is from something to something. As one part leads into another and as one part carries on what went before, each gains distinctness in itself.”

Elsewhere, in discussing this flow of experience, he writes, //“all interactions that effect stability and order in the whirling flux of change are rhythms. There is ebb and flow, systole and diastole: ordered change.”//

Dewey’s dynamic descriptions of everyday experience using terms like //flow// and //flux// is aligned with Johnson’s //osmotic//, stream-of-consciousness aesthetics, in which ideas, images and signs bleed into one another and soak perception with their infinite correspondences, until these streams diverge, flooding out into the world… [now via Internet, or the postal network of Johnson's time.]

Johnson’s establishment of a postal network corresponds to another of Dewey’s primary contentions in //Art as Experience//: that art and aesthetics are most meaningful when they are “part of the significant life of an organized community.”  Dewey emphasizes that community and tradition become severed from aesthetic experience when the art object is placed in an institutional setting like a museum or gallery, which leads him to praise the rituals and ceremonies of traditional societies. Like Dewey, Johnson understood art as an explicitly participatory endeavor, even as a form of encountering others. Though the social context for his practice was the art world, Johnson created his own “organized community” through the [[New York Correspondance School|NYCS]], a network that was based on shared aesthetic experience, a community fostered by art.

Dewey’s emphasis on art as the most effective means of human communication also resonates with Johnson’s mail art practice. In //Art as Experience//, Dewey writes:
<<<
Communication is the process of creating participation, of making common what had been isolated and singular… the expressions that constitute art are communication in its pure and undefiled form. Art breaks through barriers that divide human beings, which are impermeable in ordinary association.
<<<
Dewey’s description of art as a form of communication that makes barriers permeable is, again, immediately reminiscent of Johnson’s osmosis metaphor. Though Johnson’s enigmatic use of language in the moticos might at first appear to obstruct communication and understanding, or even promote “impermeability,” this perceived difficulty, I contend, should be understood as an invitation rather than a resistance to interpretation. Johnson’s open-ended linguistic play demands a heightened awareness of potential everyday correspondences, and an increased attention to the subtle analogies between forms, sounds, words, images, and even commercial logos.
}}}
===
}}}
–Johanna Gosse, "[[From Art to Experience: The Pourous Philosophy of Ray Johnson|http://www.blackmountainstudiesjournal.org/wp/?page_id=137]]"
----

When he sent works of art through the mail to people as gifts, he was describing what he thought were the correct relations among people…An envelope from Ray was like a haiku, a moment of immediacy and indeterminancy, a particularly vivid moment outside the economy, outside the machinery of our culture. It was free.
–Bill Wilson, "[[Dear Friends of Ray, and Audiences of One|http://www.nytimes.com/1999/02/28/arts/art-architecture-dear-friends-of-ray-and-audiences-of-one.html]]"

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//Let my love, like sunlight, surround you
and yet give you illumined freedom.

Love remains a secret even when spoken,
for only a lover truly knows that she is loved.//
!From //Gitanjali ~ Song Offerings//

When I go from hence let this be my parting word, that what I have seen is unsurpassable,

I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus am I blessed -- let this be my parting word.

In this ''playhouse of infinite forms'' I have had my play and here have I caught sight of him that is formless.

My whole body and my limbs have thrilled with his touch who is beyond touch; and if the end comes here, let it come -- let this be my parting word.

*****

When old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.
!From //The Religion of Man//
Rabindranath Tagore

We can make truth ours by actively modulating its inter-relations. This is the work of art; for reality is not based in the substance of things but in the principle of relationship. Truth is the infinite pursued by metaphysics; fact is the infinite pursued by science, while reality is the definition of the infinite which relates truth to the person. Reality is human; it is what we are conscious of, by which we are affected, that which we express … We live in it, we always widen its limits.

… Reality is the truth of man, who belongs to all times, and any individualistic madness of men against man cannot thrive for long.

There come in our history occasions when the consciousness of a large multitude becomes suddenly illumined with the recognition of a reality which rises far above the dull obviousness of daily happenings.  The world becomes vivid; we see, we feel it with all our soul.  Such an occasion there was when the voice of Buddha reached distant shores across physical and moral impediments.  Then our life and our world found their profound meaning of reality in their relation to the central person who offered us emancipation of love.  Men, in order to make this great human experience ever memorable, determined to do the impossible; they made rocks to speak, stones to sing, caves to remember; the cry of joy and hope took immortal forms along the hills and deserts, across barren solitudes and populous cities.  A gigantic creative endeavour built up its triumph in stupendous carvings, defying obstacles that were overwhelming.  Such heroic activity over the greater part of the Eastern continentsclearly answer the question: "What is Art?"  It is the response of man’s creative soul to the call of the real.

… It is the magic of mathematics, the rhythm which is in the heart of all creation, which moves in the atom and, in its different measures, fashions gold and lead, the rose and the thorn, the sun and the planets.  These are the dance steps of numbers in the arena of time and space, which weave the //maya//, the patterns of appearance, the incessant flow of change, that ever is and is not.  It is the rhythm that churns up images from the vague and makes tangible what is elusive.  This is //maya//, this is the art in creation, and art in literature, which is the magic of rhythm.

!!//The End of Education: Redefining the Value of School//
by Neil Postman

''Excerpts:''
<<<
Despite some of the more debilitating teachings of culture itself, something can be done in school that will alter the lenses though which one sees the world; which is to say, that non-trivial schooling can provide ''a point of view from which what //is// can be seen clearly, what //was// as a living present, and what //will be// as filled with possibility.'' —from the Preface
<<<
<<tiddler [[five great narratives (Postman)]]>>
I add a few others which dominate the focus of education – often its pragmatic aims:
*Transfer of Survival Skills
*Preparation for the Young to Inherit the Earth
*Qualification for Society

+++[Recommended reading for the Word Weavers narratives:]
*I.A. Richards
*Benjamin Lee Whorf
*and especially Alfred Korzybski
**Plants are "chemistry binders," animals are "space binders," and we humans are "time binders."  Humans are unique in their ability to transport their experiences through time.  We can accumulate knowledge from the past and communicate what we know to the future.
**some of his followers: S.I. Hayakawa, Irving Lee, Wendell Johnson
*Helen Keller's //The Story of My Life//
*In every subject, students should be taught "the universe of discourse" that comprises the subject: the structure of questions, the process of definition, and the role of metaphor particular to that subject… Not merely what are the questions, definitions, and metaphors of a subject but also //how// these are formed and how they have been formed in the past… Also the ways in which the forms of questions have changed over time and how these forms vary from subject to subject. (The terminology of a question determines the terminology of its answer.) … Some attention must be given to how such terms as //right, wrong, truth,// and //falsehood// are used in a subject… a historical fact is different from a biological fact, a mathematical "truth" is different from the "truth" of a literary work… Language education must also include what is meant by a //theory, fact, inference, assumption, judgment//, and a //generalization.//
*Last, inquiries into the ways in which humans have extended their capacities to "bind" time and control space, what may be called "technology education." … Educators confuse the teaching of how to use technology with technology education … To be "against technology" makes no more sense than to be "against food." We can't live without either. But to observe that it is dangerous to eat too much food, or to eat food lacking nutritional value, is not to be "anti-food."  It is to suggest what may be the best uses of food. Technology education aims at students' learning about what technology helps us to do and what it hinders us from doing; it is about how technology uses us and has used people in the past, for good or ill.  It is about how technology creates new worlds, for good or ill.
**Ten principles relating to technology put forth by Postman
===

 
''Les Minst'' ~ the smallest ones, the least, the rarest

Norwegian, Swedish, Dutch //minst// ~ French //les moins//  ~ German //[[die mindest|Turning]]//

Plural article in French //Les// is not gendered (unlike Spanish //los / las//.)
Like a surname, suggests identification with a //group// of people.

E. S. Les Minst ~ anagram of [[Carmen Avis Solsiete|Carmen]]
!//L'Elegia Dasein, Multis inter nasci Scientitori//
;Elegia da_Sein
: //deep songs// ~ lament and joy; not mournful but deep
: //L'Elegia// ~ the meetings of choice ([[eligere|dialegen]])
: //da_Sein// ~ "''into'' Being" ~ [[belonging|Home is]] in space and time
;''Multis''
: //pro multis// ~ "great throngs of life"
: I contain [[multitudes|origin of all poems/multitudes]].
;''Interêtre''
: //multis inter// ~ "here among many"
: the between, [[Interbeing|Interbeing Mindfulness Trainings]], [[das Zwischen|https://www.google.com/search?q=zwischen+%22the+between%22]], cf. [[Buber]] [[corpus|https://www.google.com/search?q=zwischen+Buber+%22the+between%22]]
;''Nasci''
: //multis inter nasci// ~ "born among many"
: //[[nascimento]]// ~ "coming into being"
;''Scientitori''
: //Scientiae tori// ~ "knowing of the ties" ([[mergent]])
: [[Centaur]]; Satori; "seeing into one's true nature"
;''Tori''
: //[[that knot|Aspiration]] made to untie// ~ world of relations ([[Kythings|Kythings interpreted]])
: {{serif{//Ich und Du//}}} [[relations|https://www.google.com/search?q=%22world+of+relations%22+%22i-thou%22+wiki]]
: the [[liminocentric|http://en.wiktionary.org/wiki/Talk:liminocentric]] and [[fractal consciousness]]
''deep Songs into Being
born of the Knowledge
the Ties between Many''

//[[die Elegien in Dasein, von der Kenntnis der Beziehungen zwischen Vielen geboren|https://translate.google.com/#de/en/die%20Elegien%20in%20Dasein%2C%20von%20der%20Kenntnis%20der%20Beziehungen%20zwischen%20Vielen%20geboren]]//

----

Les ~ also evoking the common or [[lay|Journey's Etymologies/lay]] people: //laos esse// (intermingling Greek and Latin roots)

Minst also evokes a //minstrel// and the original sense of //minister// (servant) … contrasted with //magister// (as in //[[Magister Ludi|Glass Bead Game]]//.)

Another facet of Les Minst is revealed by the motto ''Miserando atque Eligendo'', which has often been translated as "lowly but chosen."  I differ with that English construction, and catch a glimmer of Buddhist teachings in this Latin / Roman Catholic phrase:
<<<
<<tiddler Buddhism/precis>>
<<<

Those who cannot feel the littleness of great things in themselves are apt to overlook the greatness of little things in others.
—//[[The Book of Tea|Quenchless thirst]]// by Kakuzo Okakura

//''M~~inst~~''//
Mass of the instanton, or //les//, plural masses (none entirely calculable) of the singular ''instanton'': a [[unit]] of [[fractal consciousness]]?

----

<part Dasein>
//''Dasein''// is a German word which means "being there" or "presence" (German: //da// "there"; //sein// "being") often translated in English with the word "existence".  In my description of [[Les Minst]], I punctuate as da_Sein and translate as "//into// Being" (a living being enters a time and place, in the stream of history.)  The underline denotes the space "between" -- das Zwischen.

Rilke's //Überzähliges Dasein// is read in English as ''supernumerous existence'' – welling up, like a song, in the heart.  See //[[The Duino Elegies]]//.
{{rjustify{
+++[more]
{{ljustify{
: Dasein is a fundamental concept in the existential philosophy of Martin Heidegger, who @@color(grey):[in his later writings?]@@ focuses less on the way in which the structures of being are revealed in everyday behavior, and more on the way in which behavior itself depends on a prior "openness to being."  The essence of being human is maintaining this openness.  Heidegger contrasts this openness with the "''will to power''" of the modern human subject, which is one way of forgetting this original openness.

Two recurring themes of Heidegger's later writings are //[[poetry]] and [[technology|Evocative Technology]]//.
Heidegger sees poetry and technology as two contrasting ways of "revealing."

Another German philosopher [[Walter Benjamin]] wrote: "The most essential contents of existence [//wesentlichsten lnhalte des Daseins//] are imprinted [//auszuprägen//] ''upon the world of things'', and without this imprint [//Ausprägung//] these contents could not be realized" … and that "We penetrate the mystery only to the degree that we recognize it in the everyday world."
}}}
===
}}}
</part>

 
//''A Syntopicon: An Index to The Great Ideas''//
(1952) A two-volume index, published as volumes 2 and 3 of Encyclopaedia Britannica’s collection Great Books of the Western World. Compiled by Mortimer Adler, an American philosopher, under the guidance of Robert Hutchins, president of the University of Chicago, the volumes were billed as a collection of the 102 great ideas of the western canon.

The //Syntopicon// can serve as a reference book, as a book to be read, as an “instrument of liberal education,” and as “an instrument of discovery and research.”  Above all, however, the //Syntopicon// was created to unite the western world’s canon. It was created to solve what Adler saw as a fundamental problem, that “different authors say the same thing in different ways, or use the same words to say quite different things.”

In a succeeding book, Adler expressed his regret that the civil rights concept of Equality had not been selected. He attempted to rectify the omission with //Six Great Ideas: ''~Truth-Goodness-Beauty-Liberty-Equality-Justice''// (1981).

The list of 102 ideas is broken between the two volumes, as follows:

Volume I: Angel, Animal, Aristocracy, Art, Astronomy, Beauty, Being, Cause, Chance, Change, Citizen, Constitution, Courage, Custom and Convention, Definition, Democracy, Desire, Dialectic, Duty, Education, Element, Emotion, Eternity, Evolution, Experience, Family, Fate, Form, God, Good and Evil, Government, Habit, Happiness, History, Honor, Hypothesis, Idea, Immortality, Induction, Infinity, Judgment, Justice, Knowledge, Labor, Language, Law, Liberty, Life and Death, Logic, and Love.

Volume II: Man, Mathematics, Matter, Mechanics, Medicine, Memory and Imagination, Metaphysics, Mind, Monarchy, Nature, Necessity and Contingency, Oligarchy, One and Many, Opinion, Opposition, Philosophy, Physics, Pleasure and Pain, Poetry, Principle, Progress, Prophecy, Prudence, Punishment, Quality, Quantity, Reasoning, Relation, Religion, Revolution, Rhetoric, Same and Other, Science, Sense, Sign and Symbol, Sin, Slavery, Soul, Space, State, Temperance, Theology, Time, Truth, Tyranny and Despotism, Universal and Particular, Virtue and Vice, War and Peace, Wealth, Will, Wisdom, and World.

[Aron's birth was expected, but his gender not yet known, so he was not named in this letter but was still addressed.]


Beloved children Maya and – –

I, A.J.M., aim to articulate my thoughts about the world and how we live in it.

All I see is part of me.  All of it, which is also of you, and her, and him, and that tree or rock.

What can we know? We can know events that happened. We can know things that are happening now, some out of sight. We can know how something works, now or in different conditions, and to an extent, why events past and present occurred.  We can make some attempt at predicting future events based on our prior experience. We can learn the names by which things, entities, and people are called.

With all this knowledge together, we can assemble a narrative about the world – //where, when, // and //who// was involved, //what // happened, //why // and //how?//  These are the basic questions of 'reporting' the truth.


//[breaking into fragments…]

Whatever reality we live in is primary.

There is story, there is fact, there is conjecture. Reason – tool of the mind, reason for living?

Measures of successful reality or knowledge? Does it work for us? There is an expected amount of agreement with ongoing observations and with other people's knowledge. Does it match?//

 
//First, something playful --//
!Let’s Make an X

Two streams cross in play
One a man released the dam
One his son just tamed.
!~Long-Lost Cousin
A tree grows between
blue industrial bunkers;
busy-ness disowned.

//Down deep, at the molecular heart of life,// +++[the trees and we]
are essentially identical. We both use nucleic acids for heredity; we both use proteins as enzymes to control the chemistry of our cells.  Most significantly, we both use precisely the same code book for translating nucleic acid information into protein information, as do virtually all the other creatures on the planet… All of us -- [[trees|tree]] and people, angler fish and slime molds and paramecia -- descended from a single and common instance of the origin of life in the early history of our planet.
  – Carl [[Sagan]] in //Cosmos//
===

!Luctor Emergo

From songs and dreams
of [[The Magical Other]],
we struggle to emerge.


[[The Harpy]] and [[Centaur]] are each described by a HapaxHaiku.  So too is my [[genealogy]] endeavor.

FractalPoiesis opens with a sequence of three haiku.

Whether there are prophecies, they will fail; whether there are tongues, they will cease; whether there is knowledge, it will vanish away.  For we know in part and we prophesy in part.  But when that which is perfect has come, then that which is in part will be done away.

When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things. //<part precis>For now we see in a glass, darkly, but then face to face.  Now I know in part, but then shall I know just as I am also known.</part>//

And now abide faith, hope, love, these three; but the greatest of these is love.

----
From Paul's first epistle to the Corinthians, verse 13, transcribed here March 29, 2014.

<<<
//Living by vow, silently sitting
[[Sixty-three years|Obituary]]
Plum blossoms begin to bloom
The jeweled mirror reflects truth as it is.//
&nbsp;&nbsp;—Dainin Katagiri Roshi, written a few weeks before his death
<<<

{{center{
@@display:block;width:33em;border: 0px solid;padding: 8px;[img[Self Vow Ring|https://farm2.staticflickr.com/1546/25842986760_1aac113360.jpg][https://www.flickr.com/photos/39042429@N00/25842986760/]]
//A ring discovered in La Ramée on March 26, 2016, which
I wear on my right hand to signify the [[vows to myself|2016-03-29]].//@@}}}
Remember the vows which undergird my life: as a Husband, Father, __[[Friend and Frère|Friar's Journeybook/Vows]]__.

Now I make a promise to ''me'':
: @@font-size:133%;font-family: serif; Today I keep myself healthy and whole; without fear, [[awake my soul]].@@
: @@font-size:133%;font-family: serif; Open [[Thou|prayer]] my life.  Guide my heart through doors where I dared not go.@@

From //[[The Vow-Powered Life|https://books.google.com/books?id=bp1BCwAAQBAJ&pg=PT9]]// by Jan Chozen Bays:
<<<
"Vows are the forces that weave together the fabric of your life and all of life. Without vows, without purposeful action, life would cease to exist.  Vows are not a mysterious rare, or arcane activity.  Look around — vows are everywhere.  They manifest as the book in your hands, the food you eat, the chair you are sitting on, the shelter over your head… Without vows, innovation and progress would not occur — there would have been no spearheads chipped from obsidian, no written languages…"
<<<
To that I would add the bonds of family, marriage, parenthood, profession, community, and "having your friend's back" …
{{rjustify{
+++[more]
{{ljustify{
[[Quoting|https://books.google.com/books?id=bp1BCwAAQBAJ&lpg=PT9&pg=PT12]] further from this book:
<<<
When you begin to look at life through the lens of vows, you are touched by the dedication of human beings to not only form an aspiration to //grow, change, and overcome obstacles//, but also by their unselfish efforts to dedicate themselves to //a larger beneficial purpose//, even to an end they will not live to see manifest.  Is this not the highest form of a unique human ability — the ability to form and carry out a vow?

Zen masters often speak of the vows that are the fuel of their lives.

//Endless is my vow
under the azure sky
boundless autumn.//
—Soen Roshi

…I purposely use the word //vows// instead of its synonyms.  //Promises// are too easily broken.  //Intentions// may be good but are too easily deflected.  //Oath// has a medieval military flavor.  Psychologists use the terms //goal// and //strivings// in the growing body of research that links a clear set of vows, particularly vows with a spiritual basis, with physical and emotional health and increased satisfaction in life…

The words //vision// and //mission// are relevant.  //Deep life purpose// comes even closer.  My husband, Hogen, coined the term //''heart's deepest aspiration''//, which is the closest to a definition for //vow// as we use it.
<<<
}}}
===
}}}
"The word //vow// represents a bundle of energy purposely formed, aimed, and propelled through time."

And so I aim my life.  From the starting point of these vows, I am living my way into the question (and answers) //What will I bring to being?//

See the elaboration in my journal entries, beginning on Tuesday, [[2016-03-29]].

@@Please do not modify this tiddler; it was created automatically upon space creation.@@

!POEM. CAUSE: I LOVE YOU.

As leaf with tree, I long to be
With you. A twig connection
If no other, would satisfy.

Sap from your trunk to vivify
My tissues; my one election:
On food you give to have satiety.

Will leaf turn dry and dead? My
Deep need to pale affection
Fade? Will snail transform to tree?

If leaf dies, Spring will mystify
The Winter. No death for tree:
Leaf adorned, ’twill live in ev’ry
section.

----

//Discovered via [[BrainPickings|https://www.brainpickings.org/2016/06/09/john-cage-love-letters-merce-cunningham/]]//

I used the phrase "vivify my tissues" in one of my HapaxHaiku -- ''kisses flowingin''

 
Behold, inner man, your inner woman!
… With this "[[Turning]]," which //is// one,
Wresting to attain that being "as yet never loved,"
one and the same in a thousand different guises.

//Behold this life all around us.//
<<<
“I was seeing what Adam had seen on the morning of his creation — the miracle, moment by moment, of naked existence.”
-- from //The Doors of Perception// by Aldous Huxley (1954)
(quoted in the treatise "Why I am not a [[pantheist]]")
<<<
The [[Latin words|https://en.wikipedia.org/wiki/Ecce_homo]] "Ecce Homo" were used by Pontius Pilate in the Vulgate translation of John 19:5, when he presented a scourged Jesus Christ, crowned with thorns, to a mocking crowd shortly before his Crucifixion.

//Ecce Homo: A Survey of the Life & Work of Jesus Christ//
by [[John Robert Seeley|https://archive.org/stream/eccehomoasurvey06seelgoog#page/n12/mode/2up]] (1866)

//Idou o anthropos// by [[Andreas Laskarotos|https://en.wikipedia.org/wiki/Idou_o_anthropos]] (1886)

//Ecce Homo: How One Becomes What One Is// (1908)
(German: //Wie man wird, was man ist//) by [[Friedrich Nietzsche|https://en.wikipedia.org/wiki/Ecce_Homo_(book)]]
: "I contradict as no one has contradicted hitherto, and am nevertheless the reverse of a negative spirit.  I am the harbinger of joy."
"Despite all the overlays, and re-framings, re-presentations, and mediations that may accompany an image, the act of beholding is a kind of miraculous space- and +++[time-travel.]
&nbsp;
… And a beholder would not, I suggest, merely //see// these things; he would //be held// by them in a certain stillness, even paralysis.  And this, I think, is the heart of beholding, as distinct from observing, witnessing, viewing, watching, even reading or interpreting the image.  The act of beholding may include all these activities, but it incorporates them into a more complex process that combines fascination (literally, a "binding") with a certain distance or detachment.  The etymology of "behold" suggests as much in its emphasis on the tactile, manual activities of //holding// it its Old and Middle English origins.  "The application to watching, looking, is confined to English," notes the OED.

The beholder is the //embodied// spectator, but not, perhaps, simply immersed in the spectacle, carried along by it (as in cinema), but //holding// the image at arm's length so as to contemplate it, and allow its impression to be retained, to //be held// in memory.

… [[Walter Benjamin]] intuited as much when he contrasted the viewer of painting as a contemplative observer, in contrast to the "distracted" film spectator."
===

-- from //[[Beholding Violence|https://books.google.com/books?id=zHp6rDhYwfMC&pg=PR17&lpg=PR17]] in Medieval and Early Modern Europe//, Foreword by [[W.J.T. Mitchell|http://www.amazon.com/s/ref=dp_byline_sr_book_3?ie=UTF8&text=W.+J.+T.+Mitchell&search-alias=books&field-author=W.+J.+T.+Mitchell&sort=relevancerank]]

----

[[Behold]]!  //Look, listen, meet me!//
Practice now, not in lofty sentiments [like my [[Dektassera|Dekatessera Commentary]]] ''chanted'' by a few of this fortunate society, sought in the ideal, and ever in the distance. //Begin today.//

!Ghosts That We Knew
Mumford & Sons

You saw my pain, washed out in the rain
And broken glass, saw the blood run from my veins
But you saw no fault, no cracks in my heart
And you knelt beside, my hope torn apart
But the ghosts that we knew will flicker from view
And we'll live a long life

So give me hope in the darkness that I will see the light
Cause oh they gave me such a fright
But I will hold as long as you like
Just promise me we'll be all right

So lead me back
Turn south from that place
And close my eyes to //''my recent disgrace''//
Cause you know my call
And we'll share my all
And //''our children come and they will hear me roar''//

So give me hope in the darkness that I will see the light
Cause oh they gave me such a fright
But I will hold as long as you like
Just promise me we'll be all right

But hold me still, bury my heart on the coals
And hold me still, //bury my heart next to yours//

So give me hope in the darkness that I will see the light
Cause oh they gave me such a fright
But //I will hold on with all of my might//
Just promise me we'll be all right

The ghosts that we knew made us black and all blue
But we'll live a long life
And the ghosts that we knew will flicker from view
//And we'll live a long life//

There are a lot of interesting people using ~TiddlySpace that you might like to keep track of and interact with. There are a number of ways of doing this.

If you see a number in the speech bubble in one of your tiddlers, it means that someone is writing about the same thing as you. You can find out what they're saying by clicking on it. Likewise, if you see something interesting in someone else's space, you can respond to it and write up your own thoughts on the subject by clicking "Reply to this tiddler".

Additionally, if you find anyone interesting, or you find an interesting looking space and you'd like to know when it's changed, you can "follow" that space. To do this, simply create a tiddler with the title: {{{@space-name}}} and tag it {{{follow}}}. If you want, you can store some notes about that space in the body of the tiddler.

If you then want to know what happening, simply [[include|How do I include/exclude spaces?]]@docs the @tivity space and then visit your activity stream at [[/activity|/activity]], or just visit the @tapas space directly.

!Not sure who to follow?
Here's a few suggestions:
* @fnd
* @cdent
* @pmario
* @bengillies
* @dickon

"An adequate life . . . might be described as a life which has grasped intuitively the nature of all things, and has seen and refocused itself to this whole. An inadequate life is one that lacks this adjustment to the whole nature of things—hence its twisted perspective, its partiality, its confusion."
Douglas V. Steere, describing the life of Thomas R. Kelly, in A Testament of Devotion.

from http://questforadequacy.blogspot.com/

 
Organizing structure of [[this wiki web]] using hyperlinks, tags, transclusion, source citations, and other devices: 

*Bidirectional links between the [[basic units|unit]] of the wiki
**Selecting or tapping a blue hyperlink summons additional stories or pieces of media to flow into a growing, "scrollable" column called the story river.
**Selecting the ''references'' of the current node travel back to other nodes which link to it.
*Categorizing [[tags|MyTags]] -- including biographical sketches of people who have been <<tag influences>> on my thought and development -- and topical genres such as poetry, technology, music, philosophy, or Buddhism.
**Recent entries tagged <<tag post>> load upon visiting the main web address www.remuse.net
**This initial view can be restored by clicking the ''<<tiddler riverflowsforth with: "home">>'' link.

<part precis>
Some written pieces are defined in smaller sections or parts, for reuse and reference elsewhere in the wiki. I use the term //[[précis]]// (meaning a summary or abstract) to identify the 'key idea' of a wiki node.
*To see an example //précis// of a recurring topic in this wiki, see [[religious experience]] -- listing and linking many wiki nodes that contain the word roots "religio" or "divin".
</part>

<part jcj-spine>
I vaguely remember John Chris Jones referring to the "[[spine|http://www.publicwriting.net/2.2/year-and-a-day.html]]" of his text (25 email letters) in //[[The Internet and Everyone|i+e]]//; check the paperbound book for details.  I think my summarization by précis has a similar intent.
</part>
:A certain type of "found poetry" is another way to summarize longer texts lyrically or imaginatively, such as SavedBy22.
See my out-of-date [[Source List]], which was a format I envisioned for the entire wiki.  The link formatting and numbering scheme was tedious to maintain while I was making fast, spontaneous connections.
!Acknowledgments

''re:muse'' has benefited from the work of other Wiki developers, including
*[[Jeremy Ruston]], the creator of ~TiddlyWiki, and through his company [[Osmosoft]] (purchased by BT / British Telecom), he created [[TiddlySpace|http://tiddlyspace.com]]
*[[Chris Dent]] the creator of [[Tank]] and a principal architect of [[TiddlyWeb|http://tiddlyweb.com]]
*[[Tobias Beer|http://tobibeer.tiddlyspace.com/#Welcome]] who created the visual theme I use
*[[Udo Borkowski|http://tiddlywiki.abego-software.de/]] who created PartTiddlerPlugin
*Simon Baird of [[Tiddlyspot|http://tiddlyspot.com/?page=about]]
<part EricShulman>
*I am grateful to [[Eric Shulman|http://about.unamesa.org/Eric+Shulman]] of ~TiddlyTools for assistance he provided enhancing this wiki, including four wiki plugins I often use:
**NestedSlidersPlugin, SearchOptionsPlugin
**StorySaverPlugin, and ImageSizePlugin
**I encourage other ~TiddlyWiki users to contribute to Eric's "[[tip jar|http://tiddlytools.github.io/fundraising.html#MakeADonation]]."
</part>

See the SearchWiki tool to locate assigned tags, images, external links, and other information types (more sophisticated searches are possible than I have attempted.)
!~Fine-Grained Text Addressability

@@color:purple;"Purple Numbers"@@ and PurpleWiki -- allowing a reader/writer to address by each paragraph of hypertext -- seems worth exploring for use in this wiki.

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	font-size: 1em;
	font-family: helvetica, arial, sans-serif;
	background-color: #fff;
	color: [[ColorPalette::Foreground]];
}

body ul { margin: 0; }

#popup {
	background-color: [[ColorPalette::TertiaryPale]];
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#popup.confirmationPopup, .followList {
	font-size: 0.8em;
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.followList .listTitle {
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#popup li a {
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#popup li.listTitle {
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#popup.followList {
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#popup .followTiddlersList .siteIcon{
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#popup .followTiddlersList li{
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#popup .followTiddlersList a{
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#displayArea {
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.revisionCloak {
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.clearFloat {
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#contentWrapper {
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#sidebarSearch .searchButton {
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#mainMenu {
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#mainMenu a {
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#sidebarOptions {
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#sidebarOptions a {
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.confirmationPopup .button,
#sidebarOptions .button {
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.confirmationPopup .button {
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#sidebarOptions .button {
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.confirmationPopup a.button,
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.confirmationPopup a.button:hover,
#sidebarOptions a:hover {
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.confirmationPopup a.button:active,
#sidebarOptions a:active {
	border: solid 1px [[ColorPalette::PrimaryMid]];
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	background: -webkit-gradient( linear, left bottom, left top, color-stop(0.1,rgb(200,200,200)), color-stop(1, rgb(100,100,100)));
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#sidebarOptions a.button:hover {
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#tiddlerDisplay, #searchResults {
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#sidebarTabs {
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#sidebarTabs .tabsetWrapper .tabset {
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#sidebarTabs .tabsetWrapper .tabContents {
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/* ---- Side style --- */

#sidebarTabs .tabsetWrapper .tabset .tab {
	font-size: 0.9em;
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#sidebarTabs .tabsetWrapper .tabset .tabSelected {
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#sidebarTabs .tabsetWrapper .tabset a:hover,
#sidebarTabs .tabContents li a:hover {
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/* Activity Stream */
#sidebarTabs .tabContents .activityStream .feedItem a {
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/* --- IE hacks from lattice --- */

/* ie hacks */
* html #menuBar {
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div.tiddler .toolbar a {
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* html .toolbar {
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* html .followButton a {
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* html #tiddlerDisplay {
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/* for printing purposes */
@media print {
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@media all and (max-width: 960px){
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	.headerForeground {
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	#sidebarSearch {
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	#sidebarOptions {
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/*}}}*/
[[StyleSheetTiddler]]

 
He had an olive complexion and a strong brow line, visible just below a grey stocking hat.  He was clean shaven and dressed nicely but casual. He appeared to be in his thirties.

There was a moment of recognition, a nice smile and //“Hi.”//

This time, I noticed a plum-colored tie tucked into his sweater (a classy look, I thought.) He was even more handsome close up. He had big brown eyes. His gaze struck me as intelligent; highly perceptive but not intimidating.

Somewhere in those first couple minutes, Barry said, “I could tell you are at a higher level of cognition than those friends of yours.” He wasn’t being a snob, but his word choice told me something about his cognition level.

He had full lips which I found very seductive, and I had to resist staring at them.  (They reminded me of Manny's.)  I wanted him to kiss me.

Somehow, the subject of our birthdays came up. He took a guess at mine and got within ten days. He knowingly remarked that I’m near the cusp of Libra. Ah, so he has some level of interest in astrology. He told me his birthday — a day after my Dad’s — making them both Scorpios. So I shared that I’m a Scorpio Moon, and I wasn’t entirely surprised when this fact registered with him. He answered that his moon is in Sagittarius. (A fire sign ruling the emotions; not surprising that he drew my attention.)  Now we both recognized a common sphere of interests.

Barry knew a lot of music, having spent some time as a DJ. “What else do you listen to?” he asked.

The first name that came to me was U2. Did I mention Enya? Sarah ~McLachlan? I was trying to converse through a haze of alcohol, and can’t remember half of my replies. I did say, “You probably haven’t heard of the Celtic harpist Joanna Newsom.” Nobody I talk to seems to know her. But surprise, Barry had heard Joanna sing and play the harp!

Her [[lyrics|On a Good Day]] stirred in my mind:
//“Our nature does not change by will / In the Winter ‘round the ruined mill /
The creek is lying flat and still / It is water though it’s frozen ...”//

He asked where I went to school. I described the scattered fragments of my twenties, how my original plan to be a teacher had been discarded, and I’ve worked at my present company for more than a decade. He told me about his schooling, his Master’s degree recently earned, some of his aspirations. He owns a business. He has a vision.

He asked if I smoked herb. No, I never have in my life.  We have both taken //salvia divinorum//, and we compared our experiences. He smoked it, while I used a tincture to go on a half-dozen vision trips of increasing intensity, more than seven years ago. Not long after my second vial of Sage Goddess Emerald Essence ran out, salvia was outlawed where I live.

We both recalled the sense of our chest sinking while on the drug. The center of my chest became an anchor as I fell out of all familiar space and identity. “It’s the closest to ego dissolution I ever came,” I told him.

******

His answer was stretched out in many words, now jumbled in my memory:

“I can heal or destroy someone ...” //(You would heal me, I’m sure!)//
“I can see into a person’s soul ...”
So I asked, “What do you see in mine?”

I can’t remember his complete reply. It was something to the effect of “You will go far” or “You will do great things,” then after a pause, he added “//as a teacher.//” I’m sure that I had a muted wince on my face by now.

“I’m an electron,” Barry said. I wonder if he saw the recognition in my eyes. Here was a man who thought in the same language as me — I knew that he meant a free radical, metaphorically speaking: //“an atom or group of atoms (typically highly reactive and short-lived) having an unpaired valence electron.”//  That’s the textbook definition.  Our two electron shells had brushed, and one free radical creates another.

“At low or moderate levels, free radicals exert beneficial effects on cellular responses and immune function, and can act as weapons for the host defense system.”  ''Heal or destroy.''

So Barry is a free radical Scorpio. I can relate.
<part Scorpio>

The words of the astrologer [[Sean Abreu|http://web.archive.org/web/20120119134052/http://www.thetwelvesigns.com/celestialblog/?p=374]] well describe my internal self, hidden from the world — as the moon passed through the constellation Scorpius on the day of my birth:
<<<
“The instinctual impulses of Scorpio energy are purely emotional, working like radar, pulsating emotional charges into a room, an environment, a relationship, and into sex... Scorpio energy wants to dive deeply into relationships of all types.  This energy tends to become intensely focused on the other person... Scorpio motives embody the desire to consume oneself, to destroy oneself, to tear down the emotional structures that no longer spur growth... Scorpio is a burdened, billowing, and turbid ocean.”
<<<
</part>I forced out the words, “I will be honest, I’m very attracted to you. None of your warnings matter; I’m following my intuition.”

Barry said, “I’m attracted to you too, as a human being.”  //(Implied: not as a sexual partner.)//

I shook my head and looked downward. “But what we want doesn’t align.”
“Look at me,” Barry said. There was caring in his eyes. He said that I needed to “transcend” this, the carnal drive. //Transcend? I want to be [[engulfed|how much the body can do]] in it.//

The last word he said to me was //“Peace.”//

I watched him go, then turned around and walked down an empty corridor.
I was biting my lower lip as I went.
As soon as the door of my room closed behind me, I laid down on the bed and cried. //I cried.//

He was attracted to me in some sense, but he rebuffed me.

I wish that I knew how to make friendships with men and not sexualize them. For me, that is the danger of the male crush — the thing to transcend, as Barry said. If I could, I would change one thing about our parting in the hotel lobby. At his final benediction of “Peace”, I would ask “Can I give you a hug?”

Back at work today, my eyes drift to the word “''TRUTH''” tacked to my bulletin board, next to me at eye level. I am still searching for the truth of my own identity and longings.

//Pope Francis addressing the Holy See Diplomatic Corps the 22 March, 2013//

But there is another form of poverty! It is the spiritual poverty of our time, which afflicts the so-called richer countries particularly seriously. It is what my much-loved predecessor, Benedict XVI, called the “tyranny of relativism”, which makes everyone his own criterion and endangers the coexistence of peoples. And that brings me to a second reason for my name. Francis of Assisi tells us we should work to build peace. But there is no true peace without truth! There cannot be true peace if everyone is his own criterion, if everyone can always claim exclusively his own rights, without at the same time caring for the good of others, of everyone, on the basis of the nature that unites every human being on this earth.

One of the titles of the Bishop of Rome is Pontiff, that is, a builder of bridges with God and between people. My wish is that the dialogue between us should help to build bridges connecting all people, in such a way that everyone can see in the other not an enemy, not a rival, but a brother or sister to be welcomed and embraced! My own origins impel me to work for the building of bridges. As you know, my family is of Italian origin; and so this dialogue between places and cultures a great distance apart matters greatly to me, this dialogue between one end of the world and the other, which today are growing ever closer, more interdependent, more in need of opportunities to meet and to create real spaces of authentic fraternity.

In this work, the role of religion is fundamental. It is not possible to build bridges between people while forgetting God. But the converse is also true: it is not possible to establish true links with God, while ignoring other people. Hence it is important to intensify dialogue among the various religions, and I am thinking particularly of dialogue with Islam. At the Mass marking the beginning of my ministry, I greatly appreciated the presence of so many civil and religious leaders from the Islamic world. And it is also important to intensify outreach to non-believers, so that the differences which divide and hurt us may never prevail, but rather the desire to build true links of friendship between all peoples, despite their diversity.

Fighting poverty, both material and spiritual, building peace and constructing bridges: these, as it were, are the reference points for a journey that I want to invite each of the countries here represented to take up. But it is a difficult journey, if we do not learn to grow in love for this world of ours. Here too, it helps me to think of the name of Francis, who teaches us profound respect for the whole of creation and the protection of our environment, which all too often, instead of using for the good, we exploit greedily, to one another’s detriment.

----
The Lord has redeemed all of us, all of us, with the Blood of Christ: all of us, not just Catholics. Everyone! "Father, the atheists?" Even the atheists. Everyone! And this Blood makes us children of God of the first class! We are created children in the likeness of God and the Blood of Christ has redeemed us all! And we all have a duty to do good. And this commandment for everyone to do good, I think, is a beautiful path towards peace. If we, each doing our own part, if we do good to others, if we meet there, doing good, and we go slowly, gently, little by little, we will make that culture of encounter: we need that so much. We must meet one another doing good. "But I don’t believe, Father, I am an atheist!" But do good: we will meet one another there.

-- As quoted in "Pope at Mass: Culture of encounter is the foundation of peace" at //[[Vatican Radio|http://en.radiovaticana.va/storico/2013/05/22/pope_at_mass_culture_of_encounter_is_the_foundation_of_peace/en1-694445]]// (22 May 2013)

When the conclave elected me Pope, before I accepted I asked if I could spend a few minutes in the room next to the one with the balcony overlooking the square. My head was completely empty and I was seized by a great anxiety. To make it go way and relax I closed my eyes and made every thought disappear, even the thought of refusing to accept the position, as the liturgical procedure allows. I closed my eyes and I no longer had any anxiety or emotion. At a certain point I was filled with a great light. It lasted a moment, but to me it seemed very long. Then the light faded, I got up suddenly and walked into the room where the cardinals were waiting and the table on which was the act of acceptance. I signed it, the Cardinal Camerlengo countersigned it and then on the balcony there was the '"Habemus Papam".

Walter Benjamin (1892-1940) was a German literary critic, philosopher, social critic, translator, radio broadcaster and essayist. Among Benjamin's major works as a literary critic are essays on Goethe's novel //Elective Affinities//; the work of Franz Kafka and Karl Kraus; translation theory; the work of Marcel Proust and perhaps most significantly, the poetry of Charles Baudelaire.  He also made major translations into German of the //Tableaux Parisiens// section of Baudelaire's //Les Fleurs du mal// and parts of Proust's //À la recherche du temps perdu.//

"The difficulty of Benjamin's writing style is essential to his philosophical project.  Fascinated by notions of reference and constellation, his goal in later works was to use intertexts to reveal aspects of the past that cannot, and should not, be understood within greater, monolithic constructs of historical understanding."

His turn to Marxism in the 1930s was partly due to the influence of Bertolt Brecht, whose critical aesthetics developed epic theatre and its //Verfremdungseffekt// (defamiliarization, estrangement).
<<<
<part commodity>
In Marx it is never a question whether what he calls the "mystical" or "enigmatic [//rätselhafte//] character" of the commodity "arises [//entspringt//]" from its ''use-value'' or its ''exchange-value'': "Clearly," writes Marx, "it arises from the form itself."
</part>
<<<
An earlier influence was friend Gershom Scholem, founder of the academic study of the Kabbalah and of Jewish mysticism.

Influenced by the Swiss anthropologist Johann Jakob Bachofen (1815-87), Benjamin coined the term "auratic perception", denoting the aesthetic faculty by means of which civilization may recover an appreciation of myth.
<<<
What is aura actually? A strange weave of space and time: the unique appearance or semblance of distance, no matter how close it may be.
<<<
Benjamin's work is often cited in academic and literary studies, especially the essays "The Task of the Translator" (1923) and //The Work of Art in the Age of Mechanical Reproduction// (1936).
----

From "Walter Benjamin's Chthonian Revolution"
by Ned Lukacher -- published in //boundary 2//, Vol. 11, No. 1/2, Engagements: Postmodernism, Marxism, Politics. (Autumn, 1982 - Winter, 1983), pp. 41-57.
<<<
From Marx, [Walter] Benjamin learned that the present's relation to the past is one of limited but awesome possibilities.  The present moves in and out of phase in relation to the past in much the same way the Earth moves in and out of phase with other heavenly bodies. Benjamin's discovery of Blanqui's //L'eternite par les astres// was a major event. Historical materialism, through its motive force, the dialectical image, seeks a "specific and unique engagement with the past." So much like Marx in his archival, archeological research method, Benjamin realized that ''the most tenuous strands of historical knowledge can be powerful enough to save the present from disaster'' in a moment of danger and thus open the present to the future. Like atomic radiation, cultural artifacts had an 'after-life' for Benjamin, and their retrieval was, for him, a political act that could become a revolutionary gesture. The ''dialectic of the image'' consists not only in its replacement within its historical setting, not only in the unveiling of the material matrix from which consciousness itself is produced, but in the mutual appropriation of past and present in a double gesture that at once ''preserves the traces of an ephemeral and endangered past'' and creates the revolutionary capacity of the present to become Marx's "''poetry of the future''."

Benjamin calls this new alignment of past, present, and future a "constellation," and he repeatedly warns that it can be a very destructive and catastrophic revelation. In her important essay "Walter Benjamin -- Revolutionary Writer," Susan ~Buck-Morss cites a published fragment that is closely related to the //Passagenarbeit// manuscript, that describes the logic of the "constellation": //"it is not that the past throws light on the present, or the present on the past, but the ''[dialectical] image is that wherein the past comes together with the present in a constellation''."//
…
Benjamin's essay on //Elective Affinities//, like so much of his work, is an effort to decipher both personal experience and cultural artifact through a philosophy of history founded on the concept of revolutionary chthonianism. His Goethe essay was written during a period of estrangement from his wife, and of infatuation with Jula Cohn, to whom this essay is dedicated. This was also the period of Benjamin's discovery of the work of Bachofen, Klages, and Bernoulli.  Indeed, in this essay Benjamin first develops his theory of the chthonian "imprint."  Benjamin chose //Elective Affinities// because the art of Goethe's novel bears the "imprint" (//Ausprägung//) of the "thingness" (//Sachgehalt//) of the life of Goethe's time in the most rigorous and unanticipated way.
 
[Benjamin wrote:]  "No period was more alien [than that of the time of Goethe] to the idea that the most essential contents of existence [//wesentlichsten lnhalte des [[Dasein|Les Minst/Dasein]]s//] were imprinted [//auszuprägen//] upon the world of things, and that without this imprint [//Ausprägung//] these contents could not be realized."

[In a separate piece he wrote:]  "For histrionic or fanatical stress on the mysterious side of the mysterious takes us no further; we penetrate the mystery only to the degree that we recognize it in the everyday world, by virtue of the dialectical optic that perceives ''the everyday as impenetrable, the impenetrable as everyday.''"
<<<

!Strange Boy
by [[Noah Grey|https://web.archive.org/web/20060326045317/http://noahgrey.com/read.php?g=7]]

the hush
of the leaf-licked light
finds his skin

at the woodside — 
he himself is elsewhere, in the music,
in the waiting

for something
that needs no name to be
as real and as clear and as clean

as the ghost
that holds him near; his footsteps
fall on the earth

with a kind of sigh — 
there is a strange light
in this place today,

a strangeness in his eyes
seeing something never so far away — 
it is a strange thing,

this strange
and painful goodness
of being alive.

//December 19, 2003//

----

//Also see [[Words As A Body]]//

From 'A Coney Island of the Mind' (1958)
Number 20

by Lawrence Ferlinghetti

{{{

  The pennycandystore beyond the El
  is where I first
                  fell in love
                              with unreality
  Jellybeans glowed in the semi-gloom
  of that september afternoon
  A cat upon the counter moved among
                            the licorice sticks
                 and tootsie rolls
         and Oh Boy Gum

  Outside the leaves were falling as they died

  A wind had blown away the sun

  A girl ran in 
  Her hair was rainy
  Her breasts were breathless in the little room

  Outside the leaves were falling
                       and they cried
                                    Too soon!  too soon!

}}}

 
''[[Fractal]] Theory of Consciousness''

''Synchronicity, [[Collective Unconscious|Jung]], and the 'Paranormal'''
* Explained by way of analogy:
** Constant movement of earth (geophysical / seismological) :: human nocturnal dreams
** Geological fault lines :: the psychologically troubled :: boundary points or limits within 'The Fractal'
* Only consciousness can be 'cursed', not houses, objects, or words.  The phenomena of ghosts or past-life memories are manifested in certain people, or regions of the fractal consciousness.
** ''Curses go extinct when a biological line or family pattern ends'';
** but the [[curse]] may have a 'correspondance'.
* 'Past-life incarnations' and 'doppelgangers' are [[correspondances]] across the Fractal’s symmetric regions.  Occasionally they co-exist in living bodies, but more often as potential, a similar consciousness forward or backward in time, and sometimes in a 'world that might be.'
* Souls on the fractal boundaries (or 'fault lines' ) will at times experience its [[quaking|Mandelbrot Quakes]], and are more likely to connect with 'other / mirror souls' in stories, dreams, art, or hallucinations.
* Philosophy of Cyd Ropp which I discovered after penning the basics of my theory:
** [[simple-fractal-model-of-conscious-universe|http://asimpleexplanation.blogspot.com/2011/01/simple-fractal-model-of-conscious.html]]
** [[simple-explanation-of-past-life|http://asimpleexplanation.blogspot.com/2013/04/a-simple-explanation-of-past-life.html]]

''Fractal Properties''
* Fine, detailed structure at arbitrary scales
* Consciousness as one of its //emergent properties//
* Irregularity that is not easily described in traditional geometric or scientific language
* //"Smoothly piling up surfaces" and "swirls upon swirls"//
* Multifractal scaling is characterized by more than one fractal dimension or scaling rule: a system in which a single exponent (the fractal dimension) is not enough to describe its dynamics.
* Fractal complexity may not always be resolvable into easily ''grasped [[units|unit]]'' of detail and scale…" (from [[Wikipedia|http://en.wikipedia.org/wiki/Fractal_dimension]].) The [[possibility space]] in which they propagate is vast and interconnected, possessing //holism// (an overused term) and distinct parts…
* Multifractal systems are common in nature, especially ''geophysics''.
* An attractor is a set of physical properties toward which a system tends to evolve, regardless of the starting conditions of the system. Property values that get close enough to the attractor values remain close even if slightly disturbed.
* An attractor is called ''strange'' if it has a fractal structure … often the case when the dynamics on it are chaotic, but there also exist //strange attractors// which are not chaotic.
!Fractal Poem and Prose

//we are living fractals. everything living is a fractal. everything in the universe is an iteration in a fractal. perhaps this is why mandalas are so appealing.//
—[[Lily|lily]] ~McCulloch

<<tiddler FractalPoiesis>>

<part Eiseley>

[[Eiseley]] wrote in //[[The Invisible Pyramid|https://books.google.com/books?id=ukuhJFtLugcC&pg=PA7]]://
<<<
Like hundreds of other little boys of the new century, I was held up in my father’s arms under the cottonwoods of a cold and leafless spring to see the hurtling emissary of the void.  My father told me something then that is one of my earliest and most cherished memories.

“If you live to be an old man,” he said carefully, fixing my eyes on the midnight spectacle, “you will see it again. It will come back in seventy-five years. Remember,” he whispered in my ear, “I will be gone, but you will see it.  All that time it will be travelling in the dark, but somewhere, far out there”—he swept a hand toward the blue horizon of the plains—“it will turn back. It is running glittering through millions of miles.”

I tightened my hold on my father’s neck and stared uncomprehendingly at the heavens.  Once more he spoke against my ear for us two alone.  “Remember, all you have to do is be careful and wait. You will be seventy-eight or seventy-nine years old.  I think you will live to see it—for me,” he whispered a little sadly with the foreknowledge that was part of his nature.{{rjustify{
+++[more]
{{ljustify{
“Yes, Papa,” I said dutifully, having little or no grasp of seventy-five years or millions of miles on the floorless pathways of space.  Nevertheless I was destined to recall the incident all my life.  It was out of love for a sad man who clung to me as I to him that, young though I was, I remembered.  There are long years still to pass, and already I am breathing like a tired runner, but the voice still sounds in my ears and I know with the sureness of maturity that the great wild satellite has reversed its course and is speeding on its homeward journey toward the sun.

At four I had been fixed with ''the compulsive vertigo of vast distance and even more endless time''.  I had received, through inherited temperament and inclination, a nostalgic admonition to tarry. Besides, I had given what amounted to a desperate promise. “Yes, Papa,” I had said with the generosity of childhood, not knowing the chances that men faced in life. This year, after a visit to my doctor, I had written anxiously to an astronomer friend. “Brad,” I had asked, "where is Halley's comet reported on the homeward track? I know it must have turned the elliptic, but where do you calculate it now, how far—and how long, how long—?”
 
I have his answer before me. “You're pushing things, old man,” he writes. “Don't expect us to see it yet—you're too young. The orbit is roughly eighteen astronomical units or one billion six hundred and fifty million miles.  It headed back this way probably in 1948.”
 
Nineteen forty-eight. I grope wearily amidst memories of the Cold War, Korea, the Berlin blockade, spies, the impossible-to-be-kept secrets of the atom.  All that time through the black void the tiny pinpoint of light has been hurrying, hurrying, running faster than I, thousands of miles faster as it curves toward home.  Because of my father and the promise I had made, a kind of personal bond has been projected between me and the comet. I do not think of what it heralded over Hastings in 1066.  I think it is racing sunward so that I can see it stretched once more across the heavens and momently restore the innocence of 1910.

But there is inner time, “personal, private chronometry,” a brain surgeon once told me.  There is also outer time that harries us ruthlessly to our deaths.  Some nights in a dark room, staring at the ceiling, I can see the light like a mote in my eye, like a far-off train headlight glimpsed long ago as a child on the prairies of the West.  The mournful howl of the train whistle echoes in my head and mingles with the night's black spaces.  The voice is that of the comet as I hear it, climbing upward on the arc of space.  At last in the dark I compose myself for sleep. I pull the blanket up to my chin and think of radar ceaselessly sweeping the horizon, and the intercontinental missiles resting in their blast-hardened pits…

We were neither beast nor man. We were only a [[bridge]] transmitting life.  I say we were almost animals and knew little, but this we felt and raged against. There were no words to help us. No one could think of them…

I sigh in my sleep but I cannot hold to the other side of the bridge—the animal side. The comet turns blazing on its far run into space. Slowly I plod once more with the furred ones up the ladder of time. We cross one ice and then another. There is much weeping, too much of memory. It is all to do over again and go on. The white-robed men think well in Athens. I heard a man named Pindar acclaim something that implied we have a likeness to the immortals. “What course after nightfall,” he questioned, “has destiny written that we must run to the end?”
 
//What course after nightfall?//  I have followed the comet's track returning and returning while our minds and our bodies changed. The comet will appear once more. I will follow it that far.  Then I will no longer be part of the bridge. Perhaps I will be released to go back.  Time and space are my inheritance from my father and the star.  I will climb no further up the ladder of fiery return.  I will go forward only one more rung.  What will await me there is not pleasant, but it is in the star's destiny as well as mine.  I lie awake once more on the dark bed. I feel my heart beating, and wait for the hurrying light.

-- What follows is a different piece, taken from //[[The Lost Notebooks of Loren Eiseley|https://books.google.com/books?id=NfmoHi4-M-cC&lpg=PA183&pg=PA183]]://

Somewhere in my heart a swift invisible needle of light, something that had been running like a hound since that night under the bare boughs of the spring of 1910, quivered, leaped, and shot onward into the roaring dark.  Yes, Pa, I said.

Astronauts with flag, on a desolate planet.  It had all been as barren as Pa's life.  Somewhere in me a comet was swinging on the long ellipse toward home.  I watched them salute the little flag that was no longer popular, on a moon as lonely as my father's heart.

Each generation since the beginning of consciousness has found this place, I thought, before the little blurry set in the living room.  But I was utterly alone.  No waiting son stirred in the room.  I felt again the long turning of that invisible needle hurtling through void space.  I reached over and turned off the [television] set, going to my bed.

My father's last years had been spent waiting alone in the solitude of hotel lobbies in the thousand little towns of the high country.  Now I lay in similar beds in the college towns of the far sixties, waiting alone to speak to university audiences of forgotten things.  I pushed off the light and stared at the ceiling.  There was no light there, no light at all.  But somewhere in the remote darkness I could sense Halley's comet turning on its long ellipse.  Hurry, I half formed the words.  Hurry, or I will not be here.  I did not know why I said it.  Yes, I did.  I wanted to return to that bare world of 1910, held in my father's arms—lay back and vanish.  Pa, I said.  There was no sound from the dark.  I had come to the same place.

I was wrong, I thought—wrong in that lecture about the brain.  The last engine was not the brain, it was the heart.  Somewhere in the void a wild and streaming light was circling in haste toward a vanished tree.  A carlight flashed over the bleak motel ceiling as I lay alone.  I will be there when it comes, I thought with a sudden careful grimness.  That is my world.  Pa, do you hear me?  There was no answer from the dark.  I lay back and tried to sleep; he had done this a thousand things before me.
: {{body{ Eiseley's friend Kenneth Heuer managed to reassemble most of his notebooks into readable form, and added these [[introductory remarks|https://books.google.com/books?id=NfmoHi4-M-cC&lpg=PA161&pg=PA161]]:

"On July 20, 1969, U.S. astronaut Neil A. Armstrong, commander of the //Apollo 11// mission, became the first man to set foot on the moon.  As a perceptive student of man, Loren would have extraordinary insight into the event, and I asked him to write an analysis of the space age… He agreed to to undertake the project, the first humanist account of the rocket century…  Loren's notebooks include brief entries for the work, including the cherished memory of being held up in his father's arms as a small boy and shown Halley's comet.  (Similar memories were recorded by other writers, Eudora Welty for one, who was carried to the window and shown the comet in her //sleep//.)  His father whispered in his ear that if he lived to be an old man, he would see the "star dragon" again, an appointment he anticipated but was not to keep." }}}
}}}
===
}}}
<<<
Loren [[Eiseley]] died in 1977, two months before his 70th birthday, and Halley's comet returned on February&nbsp;9, 1986.
</part>

The writer of Remuse was 3½ years old during the 1986 visit, and has no recollection of the comet.  It will be seven more years, in December 2023, when the comet reaches its most distant point in the elliptic — my equivalent of Eiseley's 1948.
: Also note: Mark Twain was another writer who [[reckoned|https://books.google.com/books?id=XnRaAAAAMAAJ&pg=PA1511]] his life's chronology with the passage of Halley's comet, saying in 1909: "It will be the greatest disappointment of my life if I don't go out with Halley's comet."  Twain was born on November 30, 1835, exactly two weeks after the comet's perihelion, and died on April 21, 1910, the day following the comet's subsequent perihelion.

 
An electronic tool designed with children and learners in mind, named by Alan [[Kay]] in the paper "A Personal Computer for Children of All Ages".

On the first page of this paper, Kay says the Dynabook may "provide us with a better 'book', one which is active (like the child) rather than passive…with the attention grabbing powers of TV, but controllable __by the child__ rather than the networks.  It can be like a piano: (a product of technology, yes), but one which can be //a tool, a toy, a medium of expression//, a source of unending pleasure and delight … Just as with the book, it brings a new set of horizons and a new set of problems."

I adapted the following core ideas from his collaborator Dan Ingalls:
{{font115{
<<<
//an exquisite personal environment…
as immediate and tactile as a sketch pad,
in which you can effortlessly mingle
writing, drawing, painting,
and all the structured leverage
of science, math, and computation…
every aspect of that system
described in itself and equally amenable
to examination and composition…
it extends out over the internet and
live culture – including, leveraging
collaborating @@color:grey;[co- ''labor:'' working together]@@//
<<<
}}}
[img[Sketch of Dynabook by Alan Kay|http://farm4.static.flickr.com/3598/5768183736_5813f4ba6c.jpg][http://www.flickr.com/photos/39042429@N00/5768183736/]]

Kay was a principal architect of the Smalltalk programming language, which he imagined as the computer language enabling the Dynabook.  Kay later developed a Smalltalk-based software environment known as Squeak.  The Squeak.org website mentions the Dynabook:
<<<
The Dynabook was conceived by Alan Kay as "a portable interactive [[personal computer]], as accessible as a book." The Dynabook would be linked to the internet and offer users a personal [[dynamic media environment|Dynabook Library]]. Dynabook can be viewed as a potential tool that can amplify learning and thinking for children of all ages.

Dan Ingalls [[envisioned|http://wiki.squeak.org/squeak/158]] that "Our number one commitment is to an exquisite personal computing environment. Imagine a system as immediate and tactile as a sketch pad, in which you can effortlessly mingle writing, drawing, painting, and all the structured leverage of computer science. Moverover, imagine that every aspect of that system is [[described in itself|quine]] and equally amenable to examination and composition. Perhaps {{grem{[most definitely!]}}} this system also extends out over the internet, including and leveraging off the work of others."

In short, a personal computing environment that could be programmed by "the rest of us." ^^[[[14]|http://web.archive.org/web/20140216061407/http://www.squeak.org/About/]]^^
<<<
//See the __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('DynabookStream')).map(function(t){return t.title}))" title="See All Stories Saved to DynabookStream">Dynabook Story River</a></html>__ …//

 
“This, to me, is the ultimately heroic trait of ordinary [[people]]; they say //no// to the tyrant and they calmly take the consequences of this resistance. Their deeds may be small, and almost always unnoticed, unmarked by history. Their names are not remembered, nor did these authentic humans expect their names to be remembered. I see their authenticity in an odd way: not in their willingness to perform great heroic deeds but in their quiet refusals. In essence, they cannot be compelled to be what they are not.”  (Philip K. [[Dick|quiet hero]])

The stakes are high. The lives she narrates were the real lives of real people, and “if we are to do right by these many forgotten lives … we can only do so through the writing of history.” Otherwise, we betray them by making them heroes who would be “immediately lumped in with so many other heroes, whose defining trait is that they were put in motion and controlled by an author’s hand.” (Arlette Farge, [[The Allure of the Archives|archives]])

“… The world is full of trickery, but let this not blind you to what virtue there is; many persons strive for high ideals; and everywhere life is full of heroism.” (Max Ehrmann, [[Desiderata]])

My hero in the computer science field is Alan Kay.  ([[2007-01-08]])

As a symbol, the [[Emperor]] //“can indicate a specific person who holds great power, either objective or emotional over the subject. This is very often the father,”// … but also a few heroes of my society looming in my psyche, such as Steve [[Jobs]], a reported megalomaniac.

“A wild bull of a man, unvanquished leader, hero in the front lines, beloved by his soldiers — //fortress// they called him, //protector of the people, raging flood that destroys all defenses —//” ([[Gilgamesh|the great man sees]])

From Hermann Hesse's //[[Glass Bead Game]]//:
<<<
With a small sigh the Magister ceased pacing the room. "That is what happened to me, and to this day I am still a little ashamed to talk about it. But the fact is, Joseph, that the more we demand of ourselves, or the more our task at any given time demands of us, the more dependent we are on meditation as a wellspring of energy, as the ever-renewing concord of mind and soul. And…the more intensively a task requires our energies, arousing and exalting us at one time, tiring and depressing us at another, the more easily we may come to neglect this wellspring, just as when we are carried away by some intellectual work we easily forget to attend to the body.

The really great men in the history of the world have all either known how to meditate or have unconsciously found their way to the place to which meditation leads us. Even the most vigorous and gifted among the others all failed and were defeated in the end because their task or their ambitious dream seized hold of them, made them into persons so possessed that they lost the capacity for liberating themselves from present things, and attaining perspective."

… Joseph Knecht employed his freedom for study in the strangest and most idiosyncratic fashion, one that revealed an astonishing youthful genius …

Knecht quoted Father Jacobus as saying: "Great men are to youth like the raisins in the cake of world history. They are also part of its actual substance, of course, and it is not so simple and easy as might be thought to distinguish the really great men from the pseudo-greats…"

The President of the Order addressed Knecht: "I was somewhat taken aback at the time by your capacity for this kind of experience; it is rather rare among us, whereas in the world outside it occurs in so many varied forms: sometimes in the [[genius]], especially in statesmen and generals, but also in feeble, semi-pathological, and on the whole rather meagerly gifted persons such as clairvoyants, telepaths, and mediums. {{grem{[Elsewhere, Hesse's Castalian Order remarked upon the many so-called "geniuses" who ended in madness or suicide.]}}}  You seemed to me to have no kinship at all with these two types, the aggressive heroes or the clairvoyants and diviners. Rather you seemed to me then, and until yesterday, to be a good Castalian, prudent, clearheaded, obedient. I thought it completely out of the question that you should ever be the victim of mysterious voices, whether of divine or diabolic origin, or even voices from within your own self."

 
From Rainer Maria Rilke's poem [[Turning]], written 100 years ago this month:
----

Gazing how long?
How long inwardly lacking,
imploring deep down in his glance?
When he, whose vocation was Waiting, sat far from home…
and later from the tormenting bed, again:
there was counsel in the air,
beyond grasping there was counsel
over his still feelable heart,
over his heart which through the buried-alive body
could nevertheless be felt…
''it did not have love.''
…
For the act of gazing sets limits.
And the world gazed at more deeply
wants to flourish in love. {{grem{
:There is a design, an [[alignment to cry|design, alignment & cry]] / Of my heart to see / The beauty of love as it was made to be
}}}Work of the eyes is done,
''begin heartwork now''
on those images in you, those captive ones;
for you conquered them: but even now you don't know them.
…
Behold, inner man, ''your inner woman!''
she who was won
from a thousand natures,
the merely attained,
not yet loved creation.{{grem{
:Love not only [[Carmen]] as my feminine mirror and muse, but love my own essence that is a harmony of two halves, male and female united.
}}}
----

From Vladimir Nabokov's work //[[Pale Fire|Nabokov/PaleFire]]//:

I mused as I drove homeward: take the hint,
And stop investigating my abyss?
But all at once it dawned on me that //this//
Was the real point, the contrapuntal theme;
Just this: not text, but texture; not the [[dream]]
But topsy-turvical ''coincidence'',
Not flimsy nonsense, but a ''web of sense''.
Yes! It sufficed that I in life could find
Some kind of link-and-bobolink, some kind
Of correlated pattern in the [[game|Glass Bead Game]],
Plexed artistry, and something of the same …

Now I shall spy on beauty as none has
Spied on it yet. Now I shall cry out as
None has cried out. Now I shall try what none
Has tried. Now I shall do what none has done.
Speaking of this wonderful machine@@color:grey;-land (Oz)@@

… Is the process deeper with no desk
To prop the false and hoist the poetesque?
For there are those mysterious moments when
Too weary to delete, I drop my pen;
I ambulate—and by some mute command
The right word flutes and perches on my hand …
A feeling of fantastically planned,
Richly rhymed life.

… Miracle of the [[lemniscate]] left
by a child's nonchalantly deft
bicycle tires upon wet sand …
I feel now I understand
Existence, or at least a minute part
Of my existence, only through my [[art]],
In terms of combinatorial delight;
And if my private universe scans right,
So does the verse of galaxies ''divine''

{{grem{[struggling to end in the confines of his rhyme]}}}

!Love Letters
*Between parents and children
** [[Walk in the Sun, Child]]
*Between romantic partners
*Between brothers, sisters, other family, or friends
*Long-term relationships that began online
*Relationships separated by distance
!"You got through to me"
messages that changed your heart or mind
* [[the obliterated place]]
!Goodbyes, endings, and difficult or momentous changes
messages which "end a chapter" or "turn a page" in one's life

To what aim?  I don't yet know.  Perhaps only to knit them together in wikiverse … a gathering space of human lives and conversations; paradoxical relationships which create and shatter language.
://written word artifacts [[gathered from the web]] [a collection began March 6, 2014]//
I imagined this "project" to gather dialogues from people across the Internet.  It was conceived of September 21, 2014 and little developed since.


//See [[this wiki web/technology]]//

!Up
by Margaret Atwood, from //Morning in the Burned House// (1995)

You [[wake up]] filled with dread.
There seems no reason for it.
Morning light sifts through the window,
there is birdsong,
you can't get out of bed.

It's something about the crumpled sheets
hanging over the edge like jungle
foliage, the terry slippers gaping
their dark pink mouths for your feet,
the unseen breakfast -- some of it
in the refrigerator you do not dare
to open -- you do not dare to eat.

What prevents you? The future. The future tense,
immense as outer space.
You could get lost there.
No. Nothing so simple. ''The past, its density
and drowned events pressing you down,''
like sea water, like gelatin
filling your lungs instead of air.

Forget that and let's get up.
Try moving your arm.
Try moving your head.
Pretend the house is on fire
and you must run or burn.
No, that one's useless.
It's never worked before.

''Where is it coming from, this echo,
this huge No that surrounds you,''
silent as the folds of the yellow
curtains, mute as the cheerful

Mexican bowl with its cargo
of mummified flowers?
(You chose the colors of the sun,
not the dried neutrals of shadow.
God knows you've tried.)

Now here's a good one:
You're lying on your deathbed.
You have one hour to live.
//Who is it, exactly, you have needed
all these years to forgive?//

 
speak truth to power

hold on to the flower

To speak a true word is to transform the world.
–Paulo Freire

<<<
Enlightenment, our liberation, has many sources and occasions and means. The flower represents for us the beauty and the ordinariness of what is required to be free. Suddenly we see things afresh.

We live lives which encourage heedlessness and obliviousness. It seems like paying attention to our life would be too arduous and painful.” Better,” most of our environment seems to say, “to be distracted.”

But when we live heedlessly we are not happier. Because our lives are not in our control. We do not see deeply. Instead, we notice only the continual play of images. We react to them and are manipulated by them. We have given up our minds. We do not notice what is going on in the world, either in our own immediate lives or far away. We are bombarded with stimuli and information and, so, have a reduced capacity to recognize reality.
<<<

!Feeling into Words
by Seamus Heaney, October 1974

I intend to retrace some paths into what William Wordsworth called in //[[The Prelude|Wordsworth Prelude Song]]// ‘the hiding places’.
<<<
The hiding places of my power
Seem open; I approach, and then they close;
I see by glimpses now; when age comes on,
May scarcely see at all, and I would give,
While yet we may, as far as words can give,
A substance and a life to what I feel:
I would enshrine the spirit of the past
For future restoration.
<<<
… Finding a voice means that you can get your own feeling into your own words and that your words have the feel of you about them; and I believe that it may not even be a metaphor, for a poetic voice is probably very intimately connected with the poet’s natural voice…  I think that the discovery of a way of writing that is natural and adequate to your sensibility depends on the recovery of that essential quick {{grem{[the soft, tender flesh below the growing part of a fingernail or toenail]}}}…  This is the absolute register to which your proper music has to be tuned.

How, then, do you find it? In practice, you hear it coming from somebody else, you hear something in another writer’s sounds that flows in through your ear and enters the echo-chamber of your head and delights your whole nervous system in such a way that your reaction will be, ‘Ah, I wish I had said that, in that particular way.’ This other writer, in fact, has spoken something essential to you, something you recognize instinctively as a true sounding of aspects of yourself and your experience. And your first steps as a writer will be to imitate, consciously or unconsciously, those sounds that flowed in, that in-fluence.

One of the writers who influenced me in this way was Gerard Manley [[Hopkins|Grandeur]].

… Words alone were certain good. I even went so far as to write these ‘Lines to myself’:
<<<
In poetry I wish you would
Avoid the lilting platitude.
Give us poems humped and strong,
Laced tight with thongs of songs,
Poems that explode in silence
Without forcing, without violence.
Whose music is strong and clear and good
Like a saw zooming in seasoned wood.
You should attempt concrete expression,
Half-guessing, half-expression.
<<<
Ah well.  Behind that was ‘[[Ars Poetica]]’, ~MacLeish’s and Verlaine’s, Eliot’s ‘objective correlative’ (half understood) and several critical essays (by myself and others) about ‘concrete realization’. At the university I kept the whole thing at arm’s length, read poetry for the noise and wrote about half a dozen pieces for the literary magazine. But nothing happened inside me. No experience. No epiphany. All craft—and not much of that—and no technique.

I think technique is different from craft. Craft is what you can learn from other verse. Craft is the skill of making. It wins competitions in the //Irish Times// or the //New Statesman//.  It can be deployed without reference to the feelings or the self. It knows how to keep up a capable verbal athletic display; it can be content to be //vox et praeterea nihil//—all voice and nothing else—but not voice as in ‘finding a voice’.  Learning the craft is learning to turn the windlass at the well of poetry. Usually you begin by dropping the bucket halfway down the shaft and winding up a taking of air. You are miming the real thing until one day the chain draws unexpectedly tight and you have dipped into waters that will continue to entice you back. You’ll have broken the skin on the pool of yourself.

… Technique, as I would define it, involves not only a poet’s way with words, his management of metre, rhythm and verbal texture; it involves also a definition of his stance towards life, a definition of his own reality. It involves the discovery of ways to go out of his normal cognitive bounds and raid the inarticulate: a dynamic alertness that mediates between the origins of feeling in memory and experience and the formal ploys that express these in a work of art. Technique entails the watermarking of your essential patterns of perception, voice and thought into the touch and texture of your lines; it is that whole creative effort of the mind’s and body’s resources to bring the meaning of experience within the jurisdiction of form. Technique is what turns, in Yeats’s phrase, ‘the bundle of accident and incoherence that sits down to breakfast’ into ‘an idea, something intended, complete.’

… When I called my second book //Door into the Dark// I intended to gesture towards this idea of poetry as a point of entry into the buried life of the feelings or as a point of exit for it. Words themselves are doors; Janus is to a certain extent their deity, looking back to a ramification of roots and associations and forward to a clarification of sense and meaning… In //Door into the Dark// there are a number of poems that arise out of the almost unnameable energies that, for me, hovered over certain bits of language and landscape.

The poem ‘[[Undine|blogosphere/undine]]’, for example. It was the dark pool of the sound of the word that first took me: if our auditory imaginations were sufficiently attuned to plumb and sound a vowel, to unite the most primitive and civilized associations, the word 'undine' would probably suffice as a poem in itself.  //Unda//, a wave; //undine//, a water-woman—a litany of undines would have ebb and flow, water and woman, wave and tide, fulfillment and exhaustion in its very rhythms. But, old two-faced vocable that it is, I discovered a more precise definition once, by accident, in a dictionary. An undine is a water-sprite who has to a marry a human being and have a child by him before she can become human. With that definition, the lump in the throat, or rather the thump in the ear, //undine//, became a thought, a field of force that called up other images. One of these was an orphaned memory, without a context…

… I began by suggesting that my point of view involved poetry as divination, as a restoration of the culture to itself.  In Ireland in this century {{grem{[this was said in 1974]}}} it has involved for Yeats and many others an attempt to define and interpret the present by bringing it into significant relationship with the past, and I believe that effort in our present circumstances has to be urgently renewed. But here we stray from the realm of technique into the realm of tradition: to forge a poem is one thing, to forge the uncreated conscience of the race, as Stephen Dedalus put it, is quite another and places daunting pressures and responsibilities on anyone who would risk the name of poet.

I feel angry because I believe myself to be impotent in the world of relations. I feel disoriented, not knowing where my 'place' or role is. I am in my mind the //protagonist// of this story – the //proto:// first, in the //agon// – contest, trial, drama.

I was born in the 'middle' socioeconomic American 'class' in a family sometimes teetering toward low class.  Low, middle, upper, or famous – these terms confound me.  They do not feel like truth. This world I live in, act in – the enactment of a story – it has been //thwarted.// I have to begin anew.

My wife Lily, the child she carries in her womb, and our daughter Maya, are part of my life in whatever transformation it / I make. Buddhism might say that grasping for a course, or dealing with suffering as I have tried, is the problem itself.

Who is the enemy?  I am the blockage.  I deny myself, and I torture my intellect and ego with the idea of perfection beyond my grasp – or worse, just around the corner, I'm almost there, I almost "have it."

There's no thing to have, maybe, for me?

But what about the world of relations?  And my //insecurity// there?

[[Friar's Journeybook/MyDay]]
[tag[post]][sort[-modified]][limit[11]]
[[October dancer Telemachus]]
[[Not all those who wander]]
[[To my son and daughter]]
[[gathered]]
[[Magic of Realism]]
[[Bird's Eye View]]

!Oikos
[[Ecology]]
Economics
The Ecumenical
The Parish //(paroikos / neighbor)//
!Philos
Practical [[Philosophy|philosophy]]
Everyday Philanthropy
Social Philology (Communicative Action)
** to //[[name|a true word]]// the world
Philos Adelphia
!Anthropos
Anthropology
Ethnography
[[Anthropophany|anthropophany]]
Deanthropomorphic
!Logos
Logic
[[Technology|Evocative Technology]]
Dialogue
Logotherapy
** Poetics and Psychology

----

''Tools and Domains''
# [[Oikos Philos Anthropos Logos]]
** [[Realms of the Manifest]]
** //A Pattern Language//
** [[BabelNet|https://en.wikipedia.org/wiki/BabelNet]] and the Semantic Web
# Quanta
** Wolfram Alpha and [[Sage]]
** //Mathematics: From the Birth of Numbers//
# Lingua
** [[Online Etymology Dictionary|http://www.etymonline.com/index.php]], ~Proto-Indo-European language
** Oxford English Dictionary
** Google Books and Translation
** World literature -- [[pensamientos españoles]], Deutsche Gedanken, Pensées Françaises
# [[Dialegen Numina|dialegen]]
** [[Quaker]] praxis and [[the circle of religious elements]]
** Zen Buddhism and Taoism
** Abrahamic faiths and the Druze
** Bushido: [[the code of honor|https://en.wikipedia.org/wiki/Bushido]] and morals developed by the Japanese samurai
# [[Ars|art]]
** [[poetry]] and [[music]]
** musical notation and [[Tidal]]
** [[mitocos]]
# Physik
** Albert Einstein
** [[Sagan]]
** scientific instruments
# Vivitas
** [[Eiseley]]
** olvar and kelvar; totems
# Psyche
** [[Jung]]
** [[Rogers]]
# [[Techne]]
** [[Evocative Technology]]
** [[programming language]]
# Opus
** [[ECCE]]
** [[genres]]
# Ethik
** [[Charter for Compassion]]
** [[Dekatessera Commentary]]
** [[Interbeing Mindfulness Trainings]]
** //Meditations// by [[Marcus Aurelius|the web is holy]]
# Moksha
** liberation and release; bind-unloosing
** //salvia divinorum//
The domains above were modeled after the [[Thinker's Toolbox]].

These disciplines could be paired "transhemispherically", perhaps?
* Quanta–Lingua
* Numina–Ars
* Physik–Vivitas
* Psyche–Techne
* Opus–Ethik
* οφαλ–Moksha

!Words As A Body
by [[Noah Grey|https://web.archive.org/web/20060326045355/http://noahgrey.com/read.php?g=78]]

If I could, I would give my words
a form as flesh to find you
in real space; I would will

into being a body by speaking
softly to you to put a coolness
in the clay, calming you 

when you burn and wake afraid.
I would make "I love you"
an embrace, "it's alright"

a finger gentle on your face
where your tension and trembling
take leave of the bone — 

laughing once to give it feet, 
twice for the sinew and strength
to carry you — I would dream

your name into its blood, and leave
my own as a signature of veins
beside the heart, red and restless

when I sing, warmed by the marrow 
of everyday things. And silence? Silence
would be the only part left — the wings.

//March 7, 2004//

----

I also love his line //"the lines of many maps are meeting",// from "[[Deseret|https://web.archive.org/web/20060326045236/http://noahgrey.com/read.php?g=6]]"

 
[img(70%,)[Word Cloud|https://c2.staticflickr.com/8/7782/27498652724_dc8d8e230e_o.png][https://www.flickr.com/photos/39042429@N00/27498652724/]]
//@@display:block;width:28em;margin-left:2em;text-align: center;font-family: serif;
{{font150{''man – Game – Knecht – Life – Time''}}}

{{font125{Joseph began, looked far
found Waldzell Castalia Magister Father Office}}}

{{font150{''master – Glass – Bead – music – course''}}}

{{font125{ [[HISTORY|HistoryGBG]] }}}@@
''The Glass Bead Game''// (German: //Das Glasperlenspiel//) is the last full-length novel of the German author Hermann [[Hesse]].  It was begun in 1931 and published in Switzerland in 1943.  It was recognized in his body of work when Hesse won the 1946 Nobel Prize for Literature.

Alternate title of the book (in translation, diverging from Hesse's title) was //Magister Ludi//, Master of the Game.  Its protagonist was Joseph Knecht of the fictional utopia Castalia.  Note that "knecht" means "servant" in German.

The word cloud above was the second I created, after //[[The Saviors of God|Kazantzakis]]//.

__Passages from the book__:
<part passages>
I had tasted the bait and knew that there was nothing more attractive and more subtle on earth than the Game. I had also observed fairly early that this enchanting Game demanded more than naive amateur players, that it took total possession of the man who had succumbed to its magic.  And an instinct within me rebelled against throwing all my energies and interests into this magic forever.  Some naive feeling for simplicity, for wholeness and soundness, warned me against the spirit of the Waldzell Vicus Lusorum. {{grem{[In translation, the Waldzell Village of Players -- see these two modern groups: [[The Waldzell Institute|https://web.archive.org/web/20160506163008/http://www.waldzell.org/about/founding/]] and [[The Vicus Lusorum|http://www.vicuslusorum.org/]].]}}}

These rules, the sign language and [[grammar]] of the Game, constitute a kind of highly developed --secret-- language drawing upon several sciences and arts, but especially mathematics and music. [This language is] capable of expressing and establishing interrelationships between the content and conclusions of nearly all --scholarly-- disciplines.
&nbsp;&nbsp;&nbsp;@@color:grey;[words struck out which strike me as limiting or misguided for an actual GBG]@@

Since the end of the Middle Ages, intellectual life --in Europe-- seems to have evolved along two major lines.  The first of these was the ''liberation'' of thought and belief from the sway of all ''authority''.  In practice this meant the struggle of Reason … The second trend, on the other hand, was the covert but passionate search for a means to confer legitimacy on this freedom, for //[[a new and sufficient authority|Against Establishment]]// arising out of Reason itself.  We can probably generalize and say that Mind has by and large won this often strangely contradictory battle between two aims basically at odds with each other.
{{rjustify{
+++[more]
{{ljustify{
Has the gain been worth the countless victims?  Has our present structure of ''the life of the mind'' been sufficiently developed, and is it likely to endure long enough, to justify as worthwhile sacrifices all the sufferings, convulsions, and abnormalities: the trials of heretics, the burnings at stake, ''the many "geniuses" who ended in madness or suicide?''

History is as it has happened.  Whether it was good, whether it would have been better not to have happened, whether we will or will not acknowledge that it has had "meaning" -- all this is irrelevant.  Thus those struggles for the "freedom" of the human intellect likewise "happened," and subsequently, in the course of the Age of the Feuilleton, men came to enjoy an incredible degree of intellectual freedom, more than they could stand.  For while they had overthrown the tutelage of the Church completely, and that of the State partially, they had not succeeded in formulating an authentic law they could respect, a genuinely new authority and legitimacy.  Ziegenhalss recounts some truly astonishing examples of the intellect's debasement, venality, and self-betrayal during that period.

We are astonished when the biographies of those times rather garrulously relate how many brothers and sisters the hero had, or what psychological scars and blotches were left behind from his casting off the skins of childhood and puberty, from the struggle for position and the search for love. We moderns are not interested in a hero's pathology or family history, nor in his drives, his digestion, and how he sleeps. Not even his intellectual background -- the influence upon his development of his favorite studies, favorite reading, and so on -- is particularly important to us. For us, a man is a hero and deserves special interest only if his nature and his education have rendered him able to let his individuality be almost perfectly absorbed in its hierarchic function without at the same time forfeiting the vigorous, fresh, admirable impetus which make for the savor and worth of the individual.

These latter are the heroes, and in the case of these truly exemplary men, interest in the individual, in the name, face, and gesture, seems to us permissible and natural.  For we do not regard even the perfect hierarchy, the most harmonious organization, as a machine put together out of lifeless units that count for nothing in themselves, but as a living body, formed of parts and animated by organs which possess their own nature and freedom.  Every one of them shares in the miracle of life.  In this sense, then, we have endeavored to obtain information on the life of Joseph Knecht, Master of the Glass Bead Game, and especially to collect everything written by himself.

Among the remarks of Father Jacobus which Knecht at the time quoted in letters to his friends, here is one more characteristic outburst:
<<<
"Great men are to youth like the raisins in the cake of world history. They are also part of its actual substance, of course, and it is not so simple and easy as might be thought to distinguish the really great men from the pseudo-greats. Among the latter, it is the historical moment itself, and their ability to foresee its coming and seize it, that gives them the semblance of greatness. Quite a few historians and biographers, to say nothing of journalists, consider this ability to divine and seize upon a historical moment -- in other words, temporary success -- as in itself a mark of greatness. The corporal who becomes a dictator overnight, or the courtesan who for a while controls the good or ill humor of a ruler of the world, are favorite figures of such historians. And idealistically minded youths, on the other hand, most love the tragic failures, the martyrs, those who came on the scene a moment too soon or too late.

For me … the most attractive and amazing aspects of history, and the most deserving of study, are not individuals and not coups, triumphs, or downfalls; rather I love and am insatiably curious about such phenomena as our congregation. For it is one of those long-lived organizations whose purpose is to gather, educate, and reshape men's minds and souls, to make a nobility of them, not by eugenics, not by blood, but by the spirit -- a nobility as capable of serving as of ruling. In Greek history I was fascinated not by the galaxy of heroes and not by the obtrusive shouting in the Agora, but by efforts such as those of the Pythagorean brotherhood or the Platonic Academy. In Chinese history no other feature is so striking as the longevity of the Confucian system. And in our own Occidental history the Christian Church and the Orders which serve it as part of its structure, seem to me historical elements of the foremost importance.

I shall say nothing of holy Church itself; for us believers it is beyond discussion. But that communities such as the Benedictines, the Dominicans, later the Jesuits and others, have survived for centuries and, despite their ups and downs, the assaults upon them, and the adaptations they have made, retain their face and their voice, their gesture, their individual soul -- this is, for me, the most remarkable and meritorious phenomenon in history."
<<<
}}}
===
}}}
"The Glass Bead Game is thus a mode of playing with the ''total contents and values of our culture'';  it plays with them as…a painter might have played with the colours on his palette.  All the insights, noble thoughts, and works of art that the human race has produced … all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual property -- on all this immense body of intellectual values the Glass Bead Game player works like the organist on an organ.  And this organ has attained an almost unimaginable perfection; its stops are almost beyond number.  Theoretically this instrument is capable of ''reproducing in the Game'' the entire ''intellectual content'' of the universe."</part>
:Self-replication in the Game is perhaps like a [[quine]]?
:I muse that its intellectual reaches may not include the human [[Felt Sense]] … nor all its suffering and [[poetry]] which arises.
:I envision a game, a song, a vast [[possibility space]], roiling with "the total contents and values of our culture."
"It is easy, too easy, to be sober and grave. That has been in fact the most serious shortcoming of Hesse's most ardent admirers…" (Theodore Ziolkowski)

Many characters in the novel have names that are allusive word games.  Knecht's predecessor as Magister Ludi was Thomas van der Trave, a veiled reference to Thomas Mann, who was born in Lübeck, situated on the Trave River. Knecht's brilliant but unstable friend Fritz Tegularius is based on Friedrich Nietzsche, while Father Jacobus is based on the historian Jakob Burckhardt.  The name of Carlo Ferromonte is an italianized version of the name of Hesse's nephew, Karl Isenberg, while the name of the Glass Bead Game's inventor, Bastian Perrot of Calw, was taken from Heinrich Perrot, who owned a machine shop where Hesse once worked after dropping out of school.  The name of the pedagogic province in the story is taken from Greek legend of the nymph Castalia, who was transformed into an inspiration-granting fountain by the god Apollo.

As described by Paul Pilkington:
<<<
In Hermann Hesse’s Glass Bead Game the positions, and correspondences between them, might tell us something about humanity, the world we’re living in, and the universe: something within the human mind or human condition which led to similar structures being formed, something in the world or the universe which made them necessary.  This process of enlightenment, amazement and epiphany is what Hesse’s Glass Bead Game is about.
<<<
from [[The Glass Bead Game‎, Volume 1|https://sites.google.com/site/abimepublications/home/volume-1---preface]]: A basic form of play, genealogy, and examples

@@display:block;width:19.5em;border: 2px solid;padding: 14px;border-radius: 13px;<<tiddler [[Wordsworth Prelude Song/building]]>>
-- [[Wordsworth Prelude Song]]
@@
"The Memory of the [[City of Mind|The City of Mind]] was incalculably vast. Endless knowledge was there, if one could get at it; for the goal of the Mind was to become ''a total mental model or replica of the Universe''." 
(Ursula K. ~LeGuin)

Instantiations of the Game:
* [[HipBone Games|http://home.earthlink.net/~hipbone/]] by [[Charles Cameron]];
* [[Kennexions|http://kennexions.ludism.org]] gameform by Ron ~Hale-Evans;
** who electronically published "[[Kennexions|https://web.archive.org/web/20150116154731/http://kennexions.ludism.org/download/ken.pdf]]"
** and who describes the following 'pillars' of the GBG:
<<<
# Connection -- //connect ideas// (link, list, categorize)
# Analogy -- //relate ideas by likeness//
# Contemplation -- //contemplate ideas and their relationships//
# Formalism -- //rules of play// and constraints; a formal, quasi-mathematical game language
# Iconicity -- //compress ideas// in glyphs, symbols, art
# Syncretism -- //depth, permanance// (How well it can be shown that the symbols of the Game are rooted in world culture and con''crete'' reality; not contrived ad hoc.)
:Symbols morph and cohere by social accretion, most often gradually.
:Furthermore, the Game's symbols should //grow along with// and complement the everyday unrepresented world.
http://www.ludism.org/gbgwiki/PillarsOfTheGbg
<<<

From the [[C2 Wiki|http://c2.com/cgi/wiki?GlassBeadGame]]:
<<<
<part BeadTiddler>
''What is a //bead// then?'' It is a little universe of its own. One can enter a bead, and view its contents: a movie, a stub of an article, etc. A little life inside the bead.
[A [[tiddler|What Is A Wiki/JeremyRuston]] might be another name for a bead? Jeremy Ruston again recently called this a //"__ludi__crous"// name … //ludi// = "[[game|Glass Bead Game]]"]</part>

The key element, however, not discussed much in the book, is how the beads relate to the Real World. The Internet has unconsciously implemented part of it, with the wiki going further.
: Help implement this in its totality … a calling to the transgressive [[Pangaia Project|https://sourceforge.net/p/pangaia/mediawiki/Main_Page/]].
<<<

//''making meanings in a symbolic universe''//
{{center{
[img[The Operating System|http://www.theoperatingsystem.org/wp-content/uploads/2016/02/Marc-Ngui.gif][http://www.theoperatingsystem.org/mission/]]
[Image courtesy of [[The Operating System|http://www.theoperatingsystem.org/about/]]]}}}

<part dig>
Many attempts to create a playable form of the [[Glass Bead Game]], particularly with the assistance of computer technology, are nothing more than mental models.  We may take our model 'up a few levels' from data…in·formation…to [[gnosis|data→ information→ knowledge]] -- a process which spells ''dig'' -- but still, it remains a thing of the intellect.
</part>

Here I sense a warning for myself: //Do not seek to flee my warm, feeling body for a life of ideas.  Choose the near and sensory over the distant and intellectual.//

+++[Elaborations on this countervailing theme:]
----
<<tiddler countervailingGBG>>
===

/***
|Name|StorySaverPlugin|
|Source|http://www.TiddlyTools.com/#StorySaverPlugin|
|Documentation|http://www.TiddlyTools.com/#StorySaverPluginInfo|
|Version|1.8.3|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|plugin|
|Requires|MarkupPostBody|
|Description|save/restore current tiddler view between browser sessions|
Automatically save a list of currently viewed tiddlers (the 'story') in a local cookie, {{{txtSavedStory}}} and then open those tiddlers when the document is reloaded, so you can resume working from the same place you left off!!  Also, use {{{<<saveStory>>}}} and {{{<<openStory>>}}} macros to quickly save/re-display stories stored in tiddlers, using a command link, droplist, or popup display.
!!!!!Documentation
>see [[StorySaverPluginInfo]]
!!!!!Configuration
<<<
<<option chkSaveStory>> use automatic story cookie (reopens tiddlers on startup)
<<option chkStoryAllowAdd>>include 'add a story' command in droplist/popup
<<option chkStoryFold>>fold story tiddlers when opening a story (see [[CollapseTiddlersPlugin]])
<<option chkStoryClose>>close other tiddlers when opening a story
<<option chkStoryTop>>open story tiddlers at top of column
<<option chkStoryBottom>>open story tiddlers at bottom of column
<<<
!!!!!Revisions
<<<
2009.10.20 1.8.3 fix handling for 'add' item in popup menu
|please see [[StorySaverPluginInfo]] for additional revision details|
2007.10.05 1.0.0 initial release. Moved [[SetDefaultTiddlers]] inline script and rewrote as a {{{<<saveStory>>}}} macro.
<<<
!!!!!Code
***/
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var defaults={
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	chkStoryAllowAdd:	true,
	chkStoryTop:		true,
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for (var id in defaults) if (config.options[id]===undefined)
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// if removeCookie() function is not defined by TW core, define it here.
if (window.removeCookie===undefined) {
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// save or clear story cookie on exit
if (window.coreTweaks_confirmExit==undefined) {
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//}}}
/***
''apply saved story on startup:'' //important note: the following code is actually located in [[MarkupPostBody]].  This is because it needs to supercede the core's getParameters() function, which is called BEFORE plugins are loaded, preventing the normal plugin-based hijack method from working, while code loaded into [[MarkupPostBody]] will be processed as soon as the document is read, even before the TW main() function is invoked.//
<<tiddler MarkupPostBody>>
***/
//{{{
config.macros.saveStory = {
	label: 'set default tiddlers',
	defaultTiddler: 'DefaultTiddlers',
	prompt: 'store a list of currently displayed tiddlers in another tiddler',
	askMsg: 'Enter the name of a tiddler in which to save the current story:',
	tag: 'story',
	excludeTag: 'excludeStory',
	handler: function(place,macroName,params,wikifier,paramString,tiddler) {
		var tid=params.shift()||'DefaultTiddlers';
		var label=params.shift()||this.label;
		var tip=params.shift()||this.prompt;
		var btn=createTiddlyButton(place,label,tip,this.setTiddler,'button');
		btn.setAttribute('tid',tid);
		btn.setAttribute('extratags','[['+params.join(']] [[')+']]');
	},
	setTiddler: function() {
		var cms=config.macros.saveStory; // abbrev
		// get list of current open tiddlers
		var tids=[];
		story.forEachTiddler(function(title,element){
			var t=store.getTiddler(title);
			if (!t || !t.isTagged(cms.excludeTag)) tids.push('[['+title+']]');
		});
		// get target tiddler
		var tid=this.getAttribute('tid');
		if (!tid || tid=='ask') {
			tid=prompt(cms.askMsg,cms.defaultTiddler);
			if (!tid || !tid.length) return false; // cancelled by user
		}
		if(store.tiddlerExists(tid) && !confirm(config.messages.overwriteWarning.format([tid])))
			return false;
		tids=tids.join('\n');
		var t=store.getTiddler(tid); var tags=t?t.tags:[];
		var extratags=(this.getAttribute('extratags')||'').readBracketedList();
		for (var i=0; i<extratags.length; i++) tags.pushUnique(extratags[i]);
		tags.pushUnique(cms.tag);
		store.saveTiddler(tid,tid,tids,config.options.txtUserName,new Date(),tags,t?t.fields:null);
		story.displayTiddler(null,tid);
		story.refreshTiddler(tid,null,true);
		displayMessage(tid+' has been '+(t?'updated':'created'));
		return false;
	}
}
//}}}
//{{{
config.macros.openStory = {
	label: 'open story: %0',
	prompt: 'open the set of tiddlers listed in: %0',
	popuplabel: 'stories',
	popupprompt: 'view a set of tiddlers',
	tag: 'story',
	selectprompt: 'select a story...',
	optionsprompt: 'viewing options...',
	foldcmd: '[%0] fold story',
	foldprompt: 'fold story tiddlers when opening a story',
	closecmd: '[%0] close others',
	closeprompt: 'close other tiddlers when opening a story',
	topcmd: '[%0] open at top',
	topprompt: 'open story tiddlers at top of column',
	bottomcmd: '[%0] open at bottom',
	bottomprompt: 'open story tiddlers at bottom of column',
	addcmd: 'add a story...',
	addprompt: 'create a new story',
	excludeTag: 'excludeStory',
	handler: function(place,macroName,params,wikifier,paramString,tiddler) {
		if (params[0].toLowerCase()=='list') return this.createList(place,params);
		else if (params[0].toLowerCase()=='popup') return this.createPopup(place,params);
		else this.createButton(place,params);
	},
	showStory: function(tid,fold) {
		var co=config.options; // abbrev
		var tids=[];
		var t=store.getTiddler(tid);
		var tagged=store.getTaggedTiddlers(tid,'title');
		if (tagged.length) // if tiddler IS a tag, use tagged tiddlers as story
			for (var i=0; i<tagged.length; i++) tids.push(tagged[i].title);
		else if (t) { // get tiddler list from content
			if (!t.linksUpdated) t.changed();
			for (var i=0; i<t.links.length; i++) {
				var tid=store.getTiddler(t.links[i]);
				if (tid && !tid.isTagged(this.excludeTag))
					tids.push(t.links[i]);
			}
		}
		var template=null;
		if (fold||co.chkStoryFold) template='CollapsedTemplate'; // see [[CollapseTiddlersPlugin]]
		if (!store.tiddlerExists('CollapsedTemplate')) template=null;
		if (co.chkStoryClose) story.closeAllTiddlers();
		var pos='top'; var first=tids[0];
		if (!story.isEmpty() && co.chkStoryBottom) { pos='bottom'; tids=tids.reverse(); }
		story.displayTiddlers(pos,tids,template);
		var cmd='var t=story.getTiddler("'+first+'");if(t)window.scrollTo(0,t.offsetTop);';
		var delay=config.options.chkAnimate?config.animDuration+100:0;
		setTimeout(cmd,delay);
	},
	createButton: function(place,params) {
		var tid=params[0]||'';
		var label=params[1]||this.label; label=label.format([tid]);
		var tip=params[2]||this.prompt; tip=tip.format([tid]);
		var fold=(params[3]&&(params[3].toLowerCase()=='fold'))||config.options.chkStoryFold;
		var fn=function(){config.macros.openStory.showStory(this.getAttribute('tid'),this.getAttribute('fold')); return false; };
		var btn=createTiddlyButton(place,label,tip,fn,'button');
		btn.setAttribute('tid',tid);
		if (fold) btn.setAttribute('fold',fold);
	},
	createPopup: function(place,params) {
		params.shift(); // discard 'popup' keyword
		var label=params.shift()||this.popuplabel;
		var tip=params.shift()||this.popupprompt;
		var btn=createTiddlyButton(place,label,tip,this.showPopup,'button');
		btn.setAttribute('filter',params.shift()||config.macros.openStory.tag);
	},
	showPopup: function(ev) { var e=ev||window.event;
		var co=config.options; // abbrev
		var cmo=config.macros.openStory; // abbrev
		var indent='\xa0\xa0';
		var p=Popup.create(this); if (!p) return false;
		createTiddlyText(createTiddlyElement(p,'li'),cmo.selectprompt);
		var stories=store.filterTiddlers('[tag['+this.getAttribute('filter')+']]');
		for (var s=0; s<stories.length; s++) {
			var label=indent+stories[s].title;
			var tip=cmo.prompt.format([stories[s].title]);
			var fn=function(){config.macros.openStory.showStory(this.getAttribute('tid'));return false;};
			var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
			btn.setAttribute('tid',stories[s].title);
		}
		createTiddlyText(createTiddlyElement(p,'li'),cmo.optionsprompt);
		if (store.tiddlerExists('CollapsedTemplate')) {
			var label=indent+cmo.foldcmd.format([co.chkStoryFold?'x':'\xa0\xa0']);
			var tip=cmo.foldprompt;
			var fn=function(){ config.macros.option.propagateOption(
				'chkStoryFold','checked',!config.options.chkStoryFold,'input'); return false; };
			var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
		}
		var label=indent+cmo.closecmd.format([co.chkStoryClose?'x':'\xa0\xa0']);
		var tip=indent+cmo.closeprompt;
		var fn=function(){ config.macros.option.propagateOption(
			'chkStoryClose','checked',!config.options.chkStoryClose,'input'); return false; };
		var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
		if (!co.chkStoryClose) {
			var label=indent+cmo.topcmd.format([co.chkStoryTop?'x':'\xa0\xa0']);
			var tip=indent+cmo.topprompt;
			var fn=function(){
				config.macros.option.propagateOption(
					'chkStoryTop','checked',!config.options.chkStoryTop,'input');
				config.macros.option.propagateOption(
					'chkStoryBottom','checked',!config.options.chkStoryTop,'input');
				return false;
			};
			var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
			var label=indent+cmo.bottomcmd.format([co.chkStoryBottom?'x':'\xa0\xa0']);
			var tip=indent+cmo.botprompt;
			var fn=function(){
				config.macros.option.propagateOption(
					'chkStoryBottom','checked',!config.options.chkStoryBottom,'input');
				config.macros.option.propagateOption(
					'chkStoryTop','checked',!config.options.chkStoryBottom,'input');
				return false;
			};
			var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
		}
		if (!readOnly && co.chkStoryAllowAdd) {
			var label=cmo.addcmd;
			var tip=cmo.addprompt;
			var fn=config.macros.saveStory.setTiddler;
			createTiddlyElement(createTiddlyElement(p,'li'),'hr');
			var btn=createTiddlyButton(createTiddlyElement(p,'li'),label,tip,fn,'button');
		}
		Popup.show();
		e.cancelBubble=true;if(e.stopPropagation)e.stopPropagation();
		return false;
	},
	createList: function(place,params) {
		var cmo=config.macros.openStory; // abbrev
		var s=createTiddlyElement(place,'select',null,'storyListbox');
		s.size=1;
		s.onchange=function() {
			if (this.value=='_fold') {
				config.macros.option.propagateOption('chkStoryFold','checked',
					!config.options.chkStoryFold,'input');
				cmo.refreshList();
			} else if (this.value=='_close') {
				config.macros.option.propagateOption('chkStoryClose','checked',
					!config.options.chkStoryClose,'input');
				cmo.refreshList();
			} else if (this.value=='_top') {
				config.macros.option.propagateOption('chkStoryTop','checked',
					!config.options.chkStoryTop,'input');
				cmo.refreshList();
			} else if (this.value=='_bottom') {
				config.macros.option.propagateOption('chkStoryBottom','checked',
					!config.options.chkStoryBottom,'input');
				cmo.refreshList();
			} else if (this.value=='_add')
				config.macros.saveStory.setTiddler.apply(this,arguments);
			else cmo.showStory(this.value);
		}
		params.shift(); // discard 'list' keyword
		s.setAttribute('filter',params.shift()||cmo.tag);
		setStylesheet('.storyListbox { width:100%; }', 'StorySaverStyles');
		store.addNotification(null,this.refreshList); this.refreshList();
		return;
	},
	refreshList: function() {
		var cmo=config.macros.openStory; // abbrev
		var indent='\xa0\xa0\xa0\xa0';
		var lists=document.getElementsByTagName('select');
		for (var i=0; i<lists.length; i++) { if (lists[i].className!='storyListbox') continue;
			var here=lists[i];
			var stories=store.filterTiddlers('[tag['+here.getAttribute('filter')+']]');
			while (here.length) here.options[0]=null; // remove current list items
			here.options[here.length]=new Option(cmo.selectprompt,'',true,true);
			for (var s=0; s<stories.length; s++)
				here.options[here.length]=new Option(indent+stories[s].title,stories[s].title);
			if (!readOnly && config.options.chkStoryAllowAdd)
				here.options[here.length]=new Option(cmo.addcmd,'_add');
			here.options[here.length]=new Option(cmo.optionsprompt,'');
			if (store.tiddlerExists('CollapsedTemplate')) {
				var msg=cmo.foldcmd.format([config.options.chkStoryFold?'x':'\xa0\xa0']);
				here.options[here.length]=new Option(indent+msg,'_fold');
			}
			var msg=cmo.closecmd.format([config.options.chkStoryClose?'x':'\xa0\xa0']);
			here.options[here.length]=new Option(indent+msg,'_close',false,false);
			if (!config.options.chkStoryClose) {
				var msg=cmo.topcmd.format([config.options.chkStoryTop?'x':'\xa0\xa0']);
				here.options[here.length]=new Option(indent+msg,'_top',false,false);
				var msg=cmo.bottomcmd.format([config.options.chkStoryBottom?'x':'\xa0\xa0']);
				here.options[here.length]=new Option(indent+msg,'_bottom',false,false);
			}
		}
	}
}
//}}}

| Physical Ground | Creation | Transcendent |
| Conditionality | Education |~|
| Relationship | Community |~|

These are mutually constraining "realms"
— I see the first three as forming a basis which underlies human experience, and which cannot be ignored by "higher" aspirations.
— Physical Ground, Conditionality, and Relationship have been relatively co-equal forces in my estimation, assuming that the recent stability of our planet is maintained.
(I refer to the long-range stability dating back to the dawn of humans and post Ice Age.)

----
''Physical Ground'' consists of
*Land, Air, Water
*Lifeforms, Food
*Energy (of the Sun and Earth)
*Change & Physical Dynamics;
in an interplay that can be termed ecological economics
 
''Conditionality'' is
— The shifting contingent ground;
— Conditions which emerge from the matrix of physical ground and life inter-relationships, a //dependent co-arising of life// which is random and unknowable to a degree.
— Time is the first and ubiquitous conditionality of life.  A being's position in space-time permutates every moment.  Human beings can bind their existence across time with memory and symbolic communication, drawing upon their own or their ancestors' past knowledge, while predicting or "moving into" the future.  However, the future continually blooms and dies for living things without our conscious movement or awareness.  Awareness only charts a story (or minimally, a mental map) of time.
— All living things encounter physical dynamics operating in time.  Some conditions operate in relative stasis, but everything is changing at some level and at some pace we cannot fully know.  Conditions move into volatility, or stability, or periods of drastic adjustment, in cycles which humans can observe and partially understand, but cannot completely halt.
— Conditionality includes all that we inherit by birth or chance, or are able to acquire: slices of physical ground, a stock of resources (food, energy, or useful materials);
— and it comprises the conditioning of human/animal behavior, our qualification to environmental and social forces.
 
''Relationship''
— In the beginning of every human story was relationship;
— Relationship to a mother and other family;
— followed by a range of possible relationships and modes of relating to other living beings.

----
''Creation'' is
— The means by which we continue ourselves, strive for a foothold on the Physical Ground and perpetuate our race;
— Procreation of further human beings;
— and the creation of Art.
 
''Education'' encompasses
— Knowledge of how the world works with increasing ability to predict it; also skills and a discipline for living.
— It leads each person from unknowing birth, out of ignorance and fear;
— Provides a "great explaining" of the nature of reality and a response to the vagaries of Conditionality;
— Mediates [[the hungers]] of physical existence - as "one does not obtain food-safety-freedom by instinct alone" [Frank Herbert]
— and in the process, develops survival abilities, compassion and wisdom.
 
''Community'' is
— derived from relationships in aggregate.  It encompasses the phenomena of Group Power.  //[Examine the origins and benefits of collective power.]//
— The particular group membership a person is born or accepted into may be the single most defining influence of their life experience; however, I still see it as co-equal to the realms of Creation and Education, except when living under oppression.

----
''Transcendent''
— is super-personal; it transcends Self, Relationships, and Groups;
— it builds upon the other realms but has a focus beyond them;
— <part precis>has traditionally included religion; art in many forms; the pursuit of human knowledge and defense of its culture; as well as philosophy, and politics in its ideal sense.</part>

----

 
have you ever seen a star
you'd swear you could
call your own - but by
virtue of that star - it
was meant to be alone?
--
or a river - have you
ever tried - to hold it in
your hand, yet found
it near impossible as
it flowed on through the
land?
--
for love it isn't a star or
river that holds me dear
to you - but the ever
constant wonder we renew

{{grem{-- by <<tag lily>>
written on a yellow sticky note 2002 or earlier}}}

According to ''Paul Tillich'', humanity can stand //in and through anxiety.// This stance is "courage to be."

This anxiety constitutes three features: the anxiety of fate and death, the anxiety of emptiness and meaninglessness, and the anxiety of guilt and condemnation.  For Tillich, the second type of anxiety is the “deepest level of anxiety.” The fear of doubt and lack of meaning in life is threatening to one’s identity and being, but this anxiety is addressed by “absolute faith.” Absolute faith is taking this kind of anxiety upon itself and affirming oneself and one’s being.  In this stance within anxiety and against the threat of nonbeing, we actually come closer to our being itself, and especially to “Being-itself.”
<<<
We can speak without voice to the trees and the clouds and the waves of the sea. Without words they respond through the rustling of leaves and the moving of clouds and the murmuring of the sea.
{{{* * *}}}
All things…call on us with small or loud voices. They want us to listen; they want us to understand their intrinsic claims, their justice of being… But we can give it to them only through the love that listens.
{{{* * *}}}
Spirit is not a mysterious substance; it is not a part of God. It is God himself; but not God as the creative ground of all things and not God directing history and manifesting himself in its central event, but God as present in communities and personalities, grasping them, inspiring them, and transforming them.
{{{* * *}}}
The vitality that can stand the abyss of meaninglessness is aware of a hidden meaning within the destruction of meaning.
—Paul Tillich
<<<
http://www.greatthoughtstreasury.com/author/paul-tillich-fully-paul-johannes-tillich

//''<part precis>The [[courage to be]] brings us to a place of acceptance of ourselves, and in this we have an encounter with God as Being-itself, the ground of being.</part>'' [Ground-Divine]//

In the anxiety of emptiness and meaninglessness, “the courage to be is rooted in the God who appears when God has disappeared in the anxiety of doubt.” What this means is the courage to be is not in the encounter of God as a //being//, but as //Being-itself//, that which holds all existence together.  Thus, in spite of anxiety and despair, an absolute faith accepts our being in the midst of the threat of non-being. In this experience, we come to the source of being, identity, and security.
...
"Absolute faith and its consequence, the courage that takes the radical doubt, the doubt about God, into itself, transcends the theistic idea of God” (Tillich, The Courage to Be, 182). “Theism” here means “the unspecified affirmation of God.” It is an affirmation of God apart from the encounter of the God above God, the ground of being. It can also mean a description of the “divine-human encounter,” or what Tillich describes as, the “nonmystical side of biblical religion and historical Christianity,” for it personalizes absolute faith. Finally, the third meaning of theism is in how it attempts to prove the existence of God. Tillich sees the first theism as “irrelevant,” the second theism as “one-sided,” and the third as “wrong” and “bad theology.” In all of this, Tillich argues, theism makes God to be a being, not being-itself, and for Tillich, the God of theism must be transcended in order for “the anxiety of doubt and meaninglessness (to) be taken into the courage to be” (Tillich, The Courage to Be, 186).

''Robert R. Vickrey'' (26 August 1926 – 17 April 2011) American (Massachusetts) artist and author who specialized in the medium of egg tempera, and whose paintings include surreal dreamlike visions of shadows, nuns, and children playing.

See the book //Robert Vickrey: The [[Magic of Realism]]// by Philip Eliasoph (published 2009.) Its Wiki node contains an interview of Vicrkey and a video about the book.

[[NYTimes Obituary: Robert Vickrey, Magic-Realist Painter, Dies at 84|http://www.nytimes.com/2011/04/20/arts/design/robert-vickrey-painter-of-magic-realism-school-dies-at-84.html]]

This is my most beloved of all Vickrey paintings, and I don't know its title. It came as part of a [[mail art object]] (hence the fold line in the image) which my friend Lily received through Nervousness.org.

[img[Painting by Robert Vickrey, I don't know the title|http://farm4.static.flickr.com/3105/2794094718_aac07561e8.jpg][http://www.flickr.com/photos/39042429@N00/2794094718/]]

!The Things I Say
Joanna Newsom

If I have the space of half a day,
I'm ashamed of half the things I say.
I'm ashamed to have turned out this way,
and I desire to make amends.

But it don't make no difference, now,
and no-one's listening, anyhow,
and lists of sins and solemn [[vows|Self Vow]]
don't make you any friends.

There's an old trick played,
when the light and the wine conspire
to make me think I'm fine.
I'm not, but I have got half a mind
to maybe get there, yet.

When the sky goes pink in Paris, France,
do you think of the girl who used to dance
when you'd frame her moving within your hands,
saying This I won't forget?

What happened to the man you were,
when you loved somebody before her?
Did he die?
Or does that man endure, somewhere far away?

Our lives come easy and our lives come hard.
And we carry them like a pack of [[cards|tarot]]:
some we don't use, but we don't discard,
but keep for a rainy day.

 
I wrote on [[February 13, 2009|2009-02-13]], while my daughter was in the womb:

I want to ''begin anew''.  I want this to be the beginning of a happy chapter in our lives -- organically grown and naturally evolving -- happily //im//perfect and delightful.  I can be a great husband and daddy, and a friend of our family -- not its chief judge.

----

Then I wrote on [[May 8, 2010|2010-05-08]] (a significant 15-year anniversary for me):

This world I live in, act in – the enactment of a story – it has been //thwarted.// I have to ''begin anew''.

----

Fixated on beginnings or restarts, I wrote again on [[September 30, 2013|2013-09-30]]:
<<<
//Forgive me, please, Lily.
I love you.
Can we possibly ''begin anew?''//
<<<
In these three excerpts from my life, I see a progression:
//I want to … I have to … Can we possibly?//

{{font150{Today on June 22, 2016, I ask myself: //''When''// will I live?}}}

//and two months later, again . . . //

From the [[Dekatessera|Dekatessera Commentary]] VI Commentary:
> //Every day offers a [[new start|NEWSTART]], if we nurture our bodies and relationships, and choose love.//

----

Martin [[Buber|Buber/love-deed-Yes]] wrote:
<<<
Every morning
I shall concern myself ''anew'' about the boundary
Between the love-deed-Yes
and the power-deed-No,
And pressing forward honor reality.
-- from "Power and Love" (1926)
<<<
Albert Einstein, who was one year younger than Buber, said this at age 50:
<<<
The only progress I can see is progress in organization.  The ordinary human being does not live long enough to draw any substantial benefit from his own experience.  And no one, it seems, can benefit by the experiences of others.  Being both a father and teacher, I know we can teach our children nothing.  We can transmit to them neither our knowledge of life nor of mathematics.  //Each must learn its lesson ''anew''.//

I believe in intuitions and inspirations. I sometimes feel that I am right. I do not know that I am.

I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.

As a child, I received instruction both in the Bible and in the Talmud. I am a Jew, but //I am enthralled by the luminous figure of the Nazarene.//

Reading after a certain age diverts the mind too much from its creative pursuits.  Any man who reads too much and uses his own brain too little falls into lazy habits of thinking, just as the man who spends too much time in the theater is tempted to be content with living vicariously instead of living his own life.
-- From "What Life Means to Einstein: An Interview by George Sylvester Viereck", //The Saturday Evening Post// (26 October 1929), retrieved from [[Wikiquote|https://en.wikiquote.org/wiki/Albert_Einstein#Viereck_interview_.281929.29]]
<<<
//We have to learn to see the world ''anew''.// (Loosely attributed to Einstein; see //[[Sustainability]]//)

David Brooks:
<<<
Nearly every sensible middle-aged person would give away all their money to be able to go back to age 22 and ''begin adulthood anew''… But, of course, very few people at age 22 or 24 can take an inward journey and come out having discovered a developed self… //It’s excellence, not happiness, that we admire most//…

Fulfillment is a byproduct of how people engage their tasks, and can’t be pursued directly. Most of us are egotistical and most are self-concerned most of the time, but it’s nonetheless true that life comes to a point only in those moments when the self dissolves into some task. //The purpose in life is not to find yourself. It’s to lose yourself.//
-- "[[It's Not About You]]", //The New York Times// (30 May 2011)
<<<
Steve [[Jobs]] (an idol of mine):
<<<
//Stay Hungry. Stay Foolish. I have always wished that for myself.
And now, as you graduate to ''begin anew'', I wish that for you."//
(12 June 2005, Stanford Commencement Address)
<<<

 
Found Poem from //Oxford English Dictionary// Word of the Day, February 22nd through 28th, 2014.

Each two lines were drawn from one of the illustrative sentences for that day's word.  Sources appear below.
!!His Patchery Enticed The Avangc

See him dissemble,
Know his grosse patchery.
Harmless-sounding nukespeak
denies //the absolute terror//
cast into the great Yard; all Muskings
of their Barnes, of their Courts;
Full of the sounds, smells, whisperings
and redolent odors of the jungle
As the lows were plundered; and
tumuli acquired…for buried treasure.
They should set him in the pillory;
That would disgrace him
who enticed the //avangc//
out of the lake.

----
1623, William Shakespeare, //Timon of Athens//
1995, Asbury Park Press (New Jersey)
1649, Walter Blith, //The English Improver//
1940, English Journal (American National Council of Teachers of English)
2003, David Iredale and John Barrett, //Discovering Local History//
1791, James Boswell, //The Life of Samuel Johnson//
1859, Cambrian Journal

''Leonardo da Vinci''  (15 Apr 1452 – 2 May 1519)  Italian painter, scientist, and engineer whose notable paintings include The Last Supper (1498) and the Mona Lisa (1504-05).  Often described as the archetype of the Renaissance Man, he devoted himself to a wide range of other subjects, from anatomy and biology to mechanics and hydraulics: his 19 notebooks include studies of the human circulatory system and plans for a type of aircraft and a submarine.

 
William Wordsworth wrote 200 years ago:
!//The song would speak…//
(Poetic message adapted May 2016 by Remuse; see the <html><u><a href="javascript:;" onclick="window.scrollAnchorVisible('Original',null, event)">original</a></u></html> below.)

__@@font-variant:small-caps;font-family: serif;From Book Second@@__:

… ''//That single wren one day sang//''
So sweetly in the old church nave --
Tho' the earth was comfortless, and,
Touched by faint internal breezes,
Sobbings of the place and
Respirations; from the roofless walls
The shuddering ivy dripped -- yet still,
          So sweetly midst the gloom the invisible bird
          Sang to herself -- There, I could have made
          My dwelling-place, and lived forever there
          //To hear such music.//

<part building>
//The song would speak//
Of that [[interminable building|Glass Bead Game]],
{{grem{[A tower]}}} reared by observation of affinities
          In objects where no brotherhood exists
          To passive minds… </part>{{grem{But I…}}}

I felt the sentiment of Being spread
          Over all that moves and all that seemeth still;
          Over all lost beyond the reach of thought
          And human knowledge, to the human eye
          Invisible, yet alive to the heart;
          Over all that leaps and runs, and shouts and sings,
          Or beats the gladsome air; over all that glides
          Beneath the wave -- yes, in the wave itself!

          Communing through earth and heaven
          With every form of creature, looking
          Toward the [[Uncreated]] with a countenance
          Of adoration, with an eye of love.
          //One song they sang//.
          It was most audible -- But then, the fleshly ear
          Overcome by humblest prelude of that strain,
          Forgot its functions, fell to sleep undisturbed
{{grem{so long, but dreaming.

-- and the trees //leaf// -- and my heart //weeps// --}}}

The gift is //yours;// if in these times of fear,
          This melancholy waste of hopes overthrown,
          If, midst my indifference and apathy…
          Selfishness, disguised in gentle names
          Of peace and quiet and domestic love,
          Yet mingled not unwillingly with sneers …

And if, in this time of dereliction and dismay,
I despair not of //our nature// -- but retain a
Confidence, and a faith that fails not;
In all sorrow, find support and
The blessing of my life; the gift is //yours// --
Winds…waterfalls…mountains…trees… Thine,
O Nature!  Thou hast fed my lofty speculations;
In Thee, and for this //uneasy heart of ours//,
I find a never-failing principle of joy.

{{grem{Today, I accept this privilege.}}}

(Nor should this pass unrecorded:
That I still loved the exercise and
Produce of a toil, more pleasing than
Analytic industry to me.
Its character I deem more poetic,
Resembling more creative agency.)
: // A scholar of Gregory the Theologian of [[Nazianzus]] quoted Wordsworth's Prelude://
No officious slave
          Art Thou of that false secondary power
          By which we multiply distinctions, then
          Deem that our puny boundaries are things
          That we perceive, and not that we have made.
          To Thee, unblinded by these formal arts,
          The unity of all hath been revealed…

Thence did I drink the visionary power;
          And deem not profitless those fleeting moods
          Of shadowy exultation: not for this,
          That they are kindred to our purer mind
          And intellectual life; but that the soul,
          Remembering how she felt, but what she felt
          Remembering not, retains an obscure sense
          Of possible sublimity, whereto
          With growing faculties she doth aspire…

__@@font-variant:small-caps;font-family: serif;From Book First@@__:

Dust as we are, the immortal spirit grows
          Like harmony in music; there is a dark
          Inscrutable workmanship that reconciles
          Discordant elements, makes them cling together
          In one society. How strange, that all
          The terrors, pains, and early miseries,
          Regrets, vexations, lassitudes interfused
          Within my mind, should ever have borne a part,
          And //that a needful part//, in making up
          The calm existence that is mine when I
          Am worthy of myself!
: //Later in the [[first part|http://www.bartleby.com/145/ww287.html]] at line 221, Wordsworth speaks of his song __thwarted__ --
much as my own seems to be right now.//
Sometimes it suits me better to invent
          A tale from my own heart, more near akin
          To my own passions and habitual thoughts;
          Some variegated story, in the main
          Lofty, but the unsubstantial structure +++[melts]
          Before the very sun that brightens it,
          Mist into air dissolving! Then a wish,
          My last and favorite aspiration, mounts
          With yearning toward some //''philosophic song
          Of Truth''// that cherishes our daily life;
          With meditations passionate from deep
          Recesses in man's heart, immortal verse
          Thoughtfully fitted to the Orphean lyre;
          But from this awful burthen I soon
          Take refuge and beguile myself with trust
          That mellower years will bring a riper mind
          And clearer insight. Thus my days are past
          In contradiction; with no skill to part
          Vague longing, haply bred by want of power,
          From paramount impulse not to be withstood,
          A timorous capacity, from prudence,
          From circumspection, infinite delay.
          Humility and modest awe, themselves
          Betray me, serving often for a cloak
          To a //''more subtle selfishness''//; that now
          Locks every function up in blank reserve,
          Now dupes me, trusting to an anxious eye
          That with intrusive restlessness beats off
          Simplicity and self-presented truth.
          Ah! better far than this, to stray about …
          And ask no record of the hours, resigned
          To //''vacant musing, unreproved neglect''//
          Of all things, and deliberate holiday.
          Far better never to have heard the name
          Of zeal and just ambition, than to live
          Baffled and plagued by a mind that every hour
          Turns recreant to her task; takes heart again,
          Then feels immediately some hollow thought
          Hang like an interdict upon her hopes.
          This is my lot; for either still I find
          Some imperfection in the chosen theme,
          Or see of absolute accomplishment
          Much wanting, so much wanting, in myself,
          That I recoil and droop, and seek repose
          In listlessness from vain perplexity,
          Unprofitably travelling toward the grave,
          Like //''a false steward who hath much received
          And renders nothing back''.//
===
&nbsp;

----
<html><a name="Original"/></html>
Below is my adaptation and attempt to modernize the poetic message, set alongside Wordsworth's text (courtesy of Bartleby.com.)  Line numbers are shown where I skipped stretches of the poem.

From //[[The Prelude|http://www.bartleby.com/145/ww288.html]], or Growth of a Poet's Mind: An Autobiographical Poem//
by William Wordsworth (see [[Wikipedia article|https://en.wikipedia.org/wiki/The_Prelude]])

(This "original" differs from [[earlier versions|http://rpo.library.utoronto.ca/poems/prelude-book-2-school-time-continued#0]] completed by Wordsworth in 1805.)
!//[[Wordsworth Prelude Song]]//
[img[Comparison to Wordsworth's Original Text|https://farm8.staticflickr.com/7306/26883683406_5fde46afef_o.png][https://www.flickr.com/photos/39042429@N00/26883683406/]]

See another fragment that speaks of +++[trees]
&nbsp;
… Stands yet a mouldering pile with fractured arch,
Belfry, and images, and living trees;
A holy scene! -- Along the smooth green turf
Our horses grazed. To more than inland peace,
Left by the west wind sweeping overhead
From a tumultuous ocean, trees and towers  &nbsp;&nbsp;//(110)//
In that sequestered valley may be seen,
Both silent and both motionless alike;
Such the deep shelter that is there, and such
The safeguard for repose and quietness.

Our steeds remounted and the summons given,
With whip and spur we through the chauntry flew
In uncouth race, and left the cross-legged knight,
And the stone-abbot, and [[that single wren|Wordsworth Prelude Song]] &nbsp;&nbsp;//(118)//
Which one day sang so sweetly in the nave
Of the old church, that --
===

<!--{{{-->
<div class='tagInfo infoTags'>
    <div class='tidTags' macro='tags'></div>
</div>
<div macro="hideWhen readOnly">
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<div macro="showWhen readOnly">
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macro='toolbar [[GuestToolbar::ViewToolbar]] icons:yes height:16 width:16 more:popup'>
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/***
|Name|GotoPlugin|
|Source|http://www.TiddlyTools.com/#GotoPlugin|
|Documentation|http://www.TiddlyTools.com/#GotoPluginInfo|
|Version|1.9.2|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|plugin|
|Description|view any tiddler by entering it's title - displays list of possible matches|
''View a tiddler by typing its title and pressing //enter//.''  As you type, a list of possible matches is displayed.  You can scroll-and-click (or use arrows+enter) to select/view a tiddler, or press escape to close the listbox to resume typing.  When the listbox is not displayed, pressing //escape// clears the current input.
!!!Documentation
>see [[GotoPluginInfo]]
!!!Configuration
<<<
*Match titles only after {{twochar{<<option txtIncrementalSearchMin>>}}} or more characters are entered.<br>Use down-arrow to start matching with shorter input.  //Note: This option value is also set/used by [[SearchOptionsPlugin]]//.
*To set the maximum height of the listbox, you can create a tiddler tagged with <<tag systemConfig>>, containing:
//{{{
config.macros.gotoTiddler.listMaxSize=10;  // change this number
//}}}
<<<
!!!Revisions
<<<
2009.05.22 [1.9.2] use reverseLookup() for IncludePlugin
|please see [[GotoPluginInfo]] for additional revision details|
2006.05.05 [0.0.0] started
<<<
!!!Code
***/
//{{{
version.extensions.GotoPlugin= {major: 1, minor: 9, revision: 2, date: new Date(2009,5,22)};

// automatically tweak shadow SideBarOptions to add <<gotoTiddler>> macro above <<search>>
config.shadowTiddlers.SideBarOptions=config.shadowTiddlers.SideBarOptions.replace(/<<search>>/,"{{button{goto}}}\n<<gotoTiddler>><<search>>");

if (config.options.txtIncrementalSearchMin===undefined) config.options.txtIncrementalSearchMin=3;

config.macros.gotoTiddler= { 
	listMaxSize: 10,
	listHeading: 'Found %0 matching title%1...',
	searchItem: "Search for '%0'...",
	handler:
	function(place,macroName,params,wikifier,paramString,tiddler) {
		var quiet	=params.contains("quiet");
		var showlist	=params.contains("showlist");
		var search	=params.contains("search");
		params = paramString.parseParams("anon",null,true,false,false);
		var instyle	=getParam(params,"inputstyle","");
		var liststyle	=getParam(params,"liststyle","");
		var filter	=getParam(params,"filter","");
		var html=this.html;
		var keyevent=window.event?"onkeydown":"onkeypress"; // IE event fixup for ESC handling
		html=html.replace(/%keyevent%/g,keyevent);
		html=html.replace(/%search%/g,search);
		html=html.replace(/%quiet%/g,quiet);
		html=html.replace(/%showlist%/g,showlist);
		html=html.replace(/%display%/g,showlist?'block':'none');
		html=html.replace(/%position%/g,showlist?'static':'absolute');
		html=html.replace(/%instyle%/g,instyle);
		html=html.replace(/%liststyle%/g,liststyle);
		html=html.replace(/%filter%/g,filter);
		if (config.browser.isIE) html=this.IEtableFixup.format([html]);
		var span=createTiddlyElement(place,'span');
		span.innerHTML=html; var form=span.getElementsByTagName("form")[0];
		if (showlist) this.fillList(form.list,'',filter,search,0);
	},
	html:
	'<form onsubmit="return false" style="display:inline;margin:0;padding:0">\
		<input name=gotoTiddler type=text autocomplete="off" accesskey="G" style="%instyle%"\
			title="Enter title text... ENTER=goto, SHIFT-ENTER=search for text, DOWN=select from list"\
			onfocus="this.select(); this.setAttribute(\'accesskey\',\'G\');"\
			%keyevent%="return config.macros.gotoTiddler.inputEscKeyHandler(event,this,this.form.list,%search%,%showlist%);"\
			onkeyup="return config.macros.gotoTiddler.inputKeyHandler(event,this,%quiet%,%search%,%showlist%);">\
		<select name=list style="display:%display%;position:%position%;%liststyle%"\
			onchange="if (!this.selectedIndex) this.selectedIndex=1;"\
			onblur="this.style.display=%showlist%?\'block\':\'none\';"\
			%keyevent%="return config.macros.gotoTiddler.selectKeyHandler(event,this,this.form.gotoTiddler,%showlist%);"\
			onclick="return config.macros.gotoTiddler.processItem(this.value,this.form.gotoTiddler,this,%showlist%);">\
		</select><input name="filter" type="hidden" value="%filter%">\
	</form>',
	IEtableFixup:
	"<table style='width:100%;display:inline;padding:0;margin:0;border:0;'>\
		<tr style='padding:0;margin:0;border:0;'><td style='padding:0;margin:0;border:0;'>\
		%0</td></tr></table>",
	getItems:
	function(list,val,filter) {
		if (!list.cache || !list.cache.length || val.length<=config.options.txtIncrementalSearchMin) {
			// starting new search, fetch and cache list of tiddlers/shadows/tags
			list.cache=new Array();
			if (filter.length) {
				var fn=store.getMatchingTiddlers||store.getTaggedTiddlers;
				var tiddlers=store.sortTiddlers(fn.apply(store,[filter]),'title');
			} else 
				var tiddlers=store.reverseLookup('tags','excludeLists');
			for(var t=0; t<tiddlers.length; t++) list.cache.push(tiddlers[t].title);
			if (!filter.length) {
				for (var t in config.shadowTiddlers) list.cache.pushUnique(t);
				var tags=store.getTags();
				for(var t=0; t<tags.length; t++) list.cache.pushUnique(tags[t][0]);
			}
		}
		var found = [];
		var match=val.toLowerCase();
		for(var i=0; i<list.cache.length; i++)
			if (list.cache[i].toLowerCase().indexOf(match)!=-1) found.push(list.cache[i]);
		return found;
	},
	getItemSuffix:
	function(t) {
		if (store.tiddlerExists(t)) return "";  // tiddler
		if (store.isShadowTiddler(t)) return " (shadow)"; // shadow
		return " (tag)"; // tag 
	},
	fillList:
	function(list,val,filter,search,key) {
		if (list.style.display=="none") return; // not visible... do nothing!
		var indent='\xa0\xa0\xa0';
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		found.sort(); // alpha by title
		while (list.length > 0) list.options[0]=null; // clear list
		var hdr=this.listHeading.format([found.length,found.length==1?"":"s"]);
		list.options[0]=new Option(hdr,"",false,false);
		for (var t=0; t<found.length; t++) list.options[list.length]=
			new Option(indent+found[t]+this.getItemSuffix(found[t]),found[t],false,false);
		if (search)
			list.options[list.length]=new Option(this.searchItem.format([val]),"*",false,false);
		list.size=(list.length<this.listMaxSize?list.length:this.listMaxSize); // resize list...
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	keyProcessed:
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		try{event.keyCode=0;}catch(e){}; // IE5
		if (window.event) ev.returnValue=false; // IE6
		if (ev.preventDefault) ev.preventDefault(); // moz/opera/konqueror
		if (ev.stopPropagation) ev.stopPropagation(); // all
		return false;
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	inputEscKeyHandler:
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			if (showlist) { // clear input, reset list
				here.value=here.defaultValue;
				this.fillList(list,'',here.form.filter.value,search,0);
			}
			else if (list.style.display=="none") // clear input
				here.value=here.defaultValue;
			else list.style.display="none"; // hide list
			return this.keyProcessed(event);
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		return true; // key bubbles up
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		var key=event.keyCode;
		var list=here.form.list;
		var filter=here.form.filter;
		// non-printing chars bubble up, except for a few:
		if (key<48) switch(key) {
			// backspace=8, enter=13, space=32, up=38, down=40, delete=46
			case 8: case 13: case 32: case 38: case 40: case 46: break; default: return true;
		}
		// blank input... if down/enter... fall through (list all)... else, and hide or reset list
		if (!here.value.length && !(key==40 || key==13)) {
			if (showlist) this.fillList(here.form.list,'',here.form.filter.value,search,0);
			else list.style.display="none";
			return this.keyProcessed(event);
		}
		// hide list if quiet, or below input minimum (and not showlist)
		list.style.display=(!showlist&&(quiet||here.value.length<config.options.txtIncrementalSearchMin))?'none':'block';
		// non-blank input... enter=show/create tiddler, SHIFT-enter=search for text
		if (key==13 && here.value.length) return this.processItem(event.shiftKey?'*':here.value,here,list,showlist);
		// up or down key, or enter with blank input... shows and moves to list...
		if (key==38 || key==40 || key==13) { list.style.display="block"; list.focus(); }
		this.fillList(list,here.value,filter.value,search,key);
		return true; // key bubbles up
	},
	selectKeyHandler:
	function(event,list,editfield,showlist) {
		if (event.keyCode==27) // escape... hide list, move to edit field
			{ editfield.focus(); list.style.display=showlist?'block':'none'; return this.keyProcessed(event); }
		if (event.keyCode==13 && list.value.length) // enter... view selected item
			{ this.processItem(list.value,editfield,list,showlist); return this.keyProcessed(event); }
		return true; // key bubbles up
	},
	processItem:
	function(title,here,list,showlist) {
		if (!title.length) return;
		list.style.display=showlist?'block':'none';
		if (title=="*")	{ story.search(here.value); return false; } // do full-text search
		if (!showlist) here.value=title;
		story.displayTiddler(null,title); // show selected tiddler
		return false;
	}
}
//}}}

!Listeners At Last

Oh when, when, when will we ever have enough
of whining and defining? Haven’t champions
in the weaving of words been here already?
Why keep on trying?

Are not people perpetually, over and over and over again,
assaulted by books as by buzzing alarms?
When, between two books, the quieting sky appears,
or merely a patch of earth at evening—
rejoice.

Louder than all the storms, louder than all the oceans,
people have been crying out:
What abundance of quietude
the Universe must yield, if we screaming humans
can hear the crickets, and if the stars
in the [[screamed|scream of nature]]-at ether
can appease our hearts!

Let the farthest, oldest, most ancient
ancestors speak to us!
And let us be listeners at last, humans
finally able to hear.

//Uncollected Poems//

 
Numerology is any study of the ''purported'' mystical or significant relationship between a number and some coinciding observed (or perceived) events.
!16,667
| 17| prime |
| 167| prime |
| 1,667| prime |
| 16,667| 7 x 2,381 |
| 166,667| prime |

This series is a progression of base-10 approximations of the fraction ^^1^^/~~6~~ with increasing precision.  The three instances after 166,667 are composite numbers, like the fourth instance that factors to 7 and 2,381.

//"…all that I am—the meat of me and the ''167'' key markers coded and ''recombined'' in infinite variation—can only express with more embellishment these ''seventeen'' syllables of Onitsura…"// (17th century haiku master)
—Marcel Theroux

Each cycle of a human life is 2,381 days, and fourteen such cycles are 33,334 days: just over 91 years (and 96 days — one season later than the time of birth.)

More than two years after devising this numerology, I found unexpected numeric connections to //The Odyssey: A Modern Sequel// by Nikos [[Kazantzakis]]:
It consists of 33,333 17-syllable verses.  (Its nine-syllable Engliah title could number as 33,334?)  Like the original //Odyssey//, it is divided into 24 rhapsodies.  Kazantzakis began working on it in 1924 after he returned to Crete from Germany. Before finally publishing the poem in 1938 he had drafted seven different versions.  What a labor -- seven versions, fourteen years!  Kazantzakis considered this his most important work.  It was fully translated into English in 1958 (the year after Kazantzakis's death) by Kimon Friar, who also translated his earlier work //Saviors of God//.

----

^^1^^/~~6~~ × 10^^5^^ ÷ 7 = ''2,381'' (2380.952380, rounding 22 hours, 52 minutes)

[[40 moons|white whale]] = 1,181 days or 3 years, 12 weeks, 1 or 2 days (nearly a season)

80 lunations = 2,362.5 days (rounding 10 hours, 44 minutes)
: // 6^^1^^/~~2~~ years (2,374 days) is centered between these two//
40 Mercurial rotations + 40 Earth rotations = 2,386 days (rounding 20 hours, 21 minutes)

81 lunations = ''2,392'' days (rounding 23 hours, 28 minutes)

161 lunations = 4,754.5 days or 13 years, 6.5 days (rounding 10 hours, 11 minutes)

The 33,334 days described by this model can be mapped to 16.5 hours of a "day" lasting a lifetime.  11 to 12 cycles are more commonly completed -- which is an average of 27,407 days, or 75 years and 14 days.  (Mapped to 13 hours, 34 minutes according to the earlier ratios of 16.5 : 33,334.)

My life's clock according to this numerology:
5:30 AM — birth in 1982 //(some wake later at 7:00 AM)//
11:11 AM — the present moment (as of April 2014)
16,667 days leads to 2028 (mid-point)
10:00 PM — my "goal" of 33,334 days to the year 2073 //(many fall asleep by 8:30)//
<<<
An active member of his community past his ninetieth birthday, he never tired of reading, writing, teaching, and debating on what he called 'the great concerns of my generation.'
(from my [[Obituary]])
<<<
!1728
12^^3^^
:Combinations of three astrological aspects (each of twelve possible signs.)
+ – + 0 + 0 0 0
:2187 - 729 + 243 + 27
| 108 x 16 | number of mala beads, [[Fourfold Fruit]] |
| 18 x 96 | |
| 27 x 64 | &nbsp;64 I Ching hexagrams, six binary states&nbsp; |
| 36 x 48 | |
| 54 x 32 | |
| 72 x 24 | hours in the day |
| 9 x 192 | |
| 6 x 288 | |
!791
Sum of the first twenty-two primes:
2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37&nbsp;&nbsp;&nbsp; {sum of the first 12 = 197}
41, 43, 47, 53, 59, 61, 67, 71, 73, 79&nbsp;&nbsp;&nbsp; {sum of the first 22 = 791}

Sum of seven consecutive primes
(101, 103, 107, 109, 113, 127, 131);
the mean of these seven is 113; as 791 factors into 7 × 113.

Donald Knuth paid "one hexadecimal dollar" 16^^2^^ or $2.56 for each correction readers found in his books.  $7.91 is my equivalent numerically playful token of gratitude.
!16

Passage from ''Joel 1:16''
[img[Start with the sixteenth word of the sixteenth verse of the sixteenth book|https://c4.staticflickr.com/4/3670/11281634683_2949ec9bfc.jpg][https://www.flickr.com/photos/39042429@N00/11281634683/]]

//(Joel is the sixteenth book in my edition of the [[Tanakh|https://books.google.com/books?id=aDuy3p5QvEYC&lpg=PP1&pg=PR5]].)//

Potent words -- from the [[House|House of Leaves]], to [[You|Ich und Du]] -- I //[[Cry|curse/chant]] out…//

----
<<tiddler [[October dancer Telemachus]]>>
----

(6 * 12 + 1) * (+ – – +) + 1

Prime Numbers
Green and Gold series (6n-1, 6n+1) likely non-serious mathematics
[[Balanced Ternary|http://enthusiasms.org/post/130910146]] number system
Dozenal number system
The real math and mystery of [[Fractal]]s (Mandelbrot)

<<tiddler riverflowsforth with: "home">>  """///"""  [[about|Bird's Eye View]]  """///"""  <<tag influences>> """///""" <<tag art>> """///""" [[evocative words|Evocative Words]]  """///""" [[books|Books I'm reading or plan to read]] """///"""  [[dream]] """///"""   <<tag mitocos>> <<toggleSideBarTB right show>>

!Genius: A Mosaic of One Hundred Exemplary Creative Minds
by Harold Bloom, 2003

What is [[genius]]?  Here is one man's fairly arbitrary list of geniuses from the literary 'world'.

Possessing qualities "//of// and //above// an age … the gift of breathing life into what is best in every living person."
# William Shakespeare {{serif{''//[Keter - Crown]//''}}}
** my friend Matheus recommends the comedies
# Miguel de Cervantes -- __Don Quixote__
# Michel de Montaigne
# John Milton
# Leo [[Tolstoy]] -- __War and Peace__ and //[[My Confession|Confession]]//
# Lucretius
# Vergilius
# Saint Augustine
# Dante Alighieri -- __Divine Comedy__
# Geoffrey Chaucer -- __The Canterbury Tales__
# The Yahwist {{serif{''//[Hokmah - Wisdom]//''}}}
# Socrates
# Plato
# [[Saint Paul|in a glass darkly]]
# Muhammad
# Dr. Samuel Johnson -- the Dictionary
# James Boswell
# Johann Wolfgang von [[Goethe]]
# Sigmund Freud
# Thomas Mann -- __The Magic Mountain__ (1924)
# Friedrich Nietzsche {{serif{''//[Binah - Understanding]//''}}}
** __Thus Spoke Zarathustra__ and __On the Genealogy of Morality__ (1883-1891)
# Søren Kierkegaard -- __Either/Or__ (1843)
# Franz [[Kafka|rhizome]] -- __The Trial__ (1914-15)
# Marcel Proust -- __Remembrance of Things Past__ (In Search of Lost Time)
# Samuel Beckett
# Molière -- __The Doctor in Spite of Himself__
# Henrik Ibsen
# Anton Chekhov -- __The Cherry Orchard__
# Oscar Wilde -- __The Picture of Dorian Gray__ (1890) and "The Selfish Giant"
# Luigi Pirandello
# John Donne {{serif{''//[Hesed - Kindness]//''}}}
# Alexander Pope
# Jonathan Swift
# Jane Austen -- __Pride and Prejudice__
# Lady Murasaki
# Nathaniel Hawthorne -- __The Marble Faun__ and __The House of the Seven Gables__
# Herman Melville -- "Bartleby the Scrivener" (1853) and __Moby-Dick__ (1851)
# Charlotte Brontë
# Emily Jane Brontë
# Virginia Woolf
# Ralph Waldo [[Emerson]] {{serif{''//[Din - Severity]//''}}} -- "~Self-Reliance" (1841)
# Emily [[Dickinson]]
# Robert [[Frost|But yield who will to their separation]]
# Wallace Stevens
# T. S. [[Eliot]]
# William Wordsworth -- [[The Prelude|Wordsworth Prelude Song]]
# Percy Bysshe Shelley
# John Keats
# Giacomo Leopardi
# Alfred, Lord Tennyson
# Algernon Charles Swinburne {{serif{''//[Tiferet - Beauty]//''}}}
# Dante Gabriel Rossetti
# Christina Rossetti
# Walter Pater
# Hugo von Hofmannsthal
# Victor Hugo
# Gérard de Nerval
# Charles [[Baudelaire|correspondances]]
# Arthur Rimbaud -- //[[voyant]] -- le dédoublement du// +++[moi]
<part Rimbaud>
&nbsp;
C'est faux de dire: Je pense.  On devrait dire: ''On me pense.''
//Je// est autre.

It is wrong to say: I think.  One ought to say: I am being thought.
//I// is Another.
: "On me pense" suggests, as [[Northrop Frye]] has observed, that the poet becomes the medium of an oracle, that autonomous voices speak through him… Yet in Rimbaud's case, the "voices" are not those of divine oracles; they come not from //outside// and //above// but, like the magic flood that wells up underground in so many of his poems, from //inside and below//, from the poet's own subconscious.
: What Rimbaud calls //"le dédoublement du moi"// -- the notion of //"On me pense"// -- was to become a cornerstone of the new poetic of ''indeterminacy''.  For Rimbaud's is not just a new version of the concept of the Double -- a familiar enough Romantic topos -- it is, rather, the creation of a verbal field where the identity of the "I" is dissolved.  In "Enfance", for example, the poet alternately appears as "I" ("I am the [[pedestrian|pioneer]] on the main road through the dwarf forests"), and a "you" ("In the forest there is a bird, his song stops you and makes you blush"). -- these passages quoted from //The Poetics of Indeterminacy: Rimbaud to Cage//, by Marjorie Perloff (1981)
</part>
===

# Paul Valéry -- __La Jeune Parque__ (1917)
# Homer {{serif{''//[Nezah - Eternity]//''}}}
# Luís Vaz de Camões
# [[James Joyce]] -- [[Finnegans Wake]] (1939)
# Alejo Carpentier
# Octavio [[Paz]]
# Stendhal -- __The Red and the Black__
# Mark Twain -- __Captain Stormfield's Visit to Heaven__ and What Is +++[Man?]
A man cannot be comfortable without //his own// approval…
It may be called the Master Passion—the hunger for ~Self-Approval.
-- from "What Is Man?" (1906)
===

# William Faulkner -- __The Unvanquished__
# Ernest Hemingway
# Flannery O'Connor
# Walt [[Whitman]] {{serif{''//[Hod - Splendor]//''}}}
# Fernando [[Pessoa|Heteronym]]
# Hart Crane
# Federico García Lorca
# Luis Cernuda
# George [[Eliot|FractalPoiesis]] -- __Daniel Deronda__ and __Middlemarch__ (1871-72)
# Willa Cather -- __The Song of the Lark__ (1915)
# Edith Wharton -- __Ethan Frome__ (1911) and __The Buccaneers__ (1937)
# F. Scott Fitzgerald  -- __The ~Crack-Up__ (1945)
# Iris Murdoch
# Gustave Flaubert {{serif{''//[Yesod - Foundation]//''}}}
# José Maria de Eça de Queirós
# Joaquim Maria Machado de Assis
# Jorge Luis [[Borges]] -- __The Aleph__ (1949-52) and "[[Tlön, Uqbar, Orbis Tertius|en el espejo/Borges]]"
# Italo Calvino -- +++[Invisible Cities]
<part Calvino>
(1972) This [[book|https://en.wikipedia.org/wiki/Invisible_Cities]] "explores imagination and the imaginable through the descriptions of cities…framed as a conversation" between Marco Polo and Kublai Khan.
* N.B. Calvino referred to //Tristram Shandy// by Laurence Sterne as the "undoubted progenitor of all avant-garde novels of our century".
</part>
===

# William Blake
# D. H. Lawrence -- __Sons and Lovers__ (1913) and __The Man Who Died__ (1929)
# Tennessee Williams -- __A Streetcar Named Desire__ (1947)
# Rainer Maria [[Rilke]]
# Eugenio Montale
# Honoré de Balzac {{serif{''//[Malkut - Kingship]//''}}}
# Lewis Carroll
# Henry James -- //Portrait of a Lady, The Europeans, The Americans, The Ambassadors, The Golden Bowl//
# Robert Browning
# William Butler Yeats
# Charles Dickens -- __David Copperfield__
# Fyodor Dostoevsky -- __Notes from Underground__ (1864)
# Isaac Babel
# Paul Celan
# Ralph Ellison -- __Invisible Man__ (1952)
----

"The ascent of man is not made by lovable people. It's made by people who have at least two qualities: an //''immense integrity''// and at least //''a little genius''//." —Jacob Bronowski

Meaning of [[genius]]

Meaning of integrity

inspiration / aspiration

I remember growing up with a friend that's extremely religious. She was constantly trying to convince me that God is real. Despite all of my arguments about proof, she would always tell me that it had nothing to do with proof. That it was faith-based. I can't accept that. Her meaning of life thoughts revolved around her truth that if we lead a good life we'll go to heaven. I asked her once where God came from. If He had parents. If those parents had parents. She looked irritated with me and went back to insisting that I should just have faith. I had someone else share an interesting theory with me. I don't buy it, but it's interesting. He said there really is no purpose for human life because we're all a collective virus. His point was that if you think about it, viruses invade a host and either spread until the host is killed (similar to what we're doing to the Earth) or is killed by medicine. We're at the top of the food chain. So far, no malady has been unsuccessful enough to wipe us out as a whole. But what if this guy is right? What if we're nothing more than an evolving, biological, accidental, virus? Kinda puts a damper on optimism. A third person told me that the meaning of life is finding something you yourself can identify with and believe in whole-heartedly. I guess that's my problem. I haven't found an idea or theory that makes perfect sense to me to the point that I can believe it completely. I need proof. It angers me that I may never have it. If there's nothing after death, then is the point of life just to live every day the best we can? I always feel so lost and I'm just sick to death of Christians telling me it's because I need to "find God" and let Jesus into my life. R...i...g...h...t. No thanks. When I think about the hours that a typical person spends in church praising a deity that may not even exist, it makes me sick. I often wonder if these people wake up one day and think, "OMG, there is no God and I've waisted 1/27 of my life away!"  Probably not, but unless I have proof, I have other things to do with my time. I also get intensely angry when I lose someone I love. It's the only time in my life that I can actually say I feel hate and rage. The way I see it, someone/thing/nature messed up. Why give us sentient thought and allow us to love if we have to experience the unbearable grief of losing those we love? This makes me wonder if really there is no point to life like my previous friend suggested. Yet another person told me that the meaning of life is to live for today because there's nothing after death and we never know when our time is up. Okay, I'd rather live my life to the fullest than wish I had later. I asked this person about origin theory. This person was a Big Bang fanatic. Okay... So two particles crashed together to create the big bang. Where did the first two particles come from then? If there was nothing there before the big bang, how do particles just appear to crash together? Oh and this one's my favorite. The argument that we're not advanced enough to truly understand our true origins. Give me a break. Any theory or explanation can be "dumbed down". I'm sure there's at least one explanation that's close to the truth that our feeble little human minds can handle. Whenever I think about these topics, I just get frustrated and irritated. This is usually followed by depression over the fact that I may never (probably will never) know. I still don't know the meaning of life or our actual origin. I guess I am left with nothing more to do than sit back and wait...

 
''My own eight (or eleven) [[heteronyms|Heteronym]]:''

* Randall (Randy) Francis Tillman
** //Perhaps// +++[. . . ]
his first [[dreamworld|Dreamworld Outline]] persona is Anthony Undine.  The woman who falls in love with Anthony is torn by conflict between their waking and dreaming lives.  She also senses him withdraw as Randy plans to dissolve that life and create a new dream persona -- Tory Darkbloom.
===

* Randolf the Whitesmith (Bachmann)
** Born Oct. 12, 1990, 9:59 PM (Libra/Leo/Gemini, natal [[chart|https://alabe.com/cgi-bin/chart/astrobot.cgi?INPUT1=&INPUT2=&MONTH=10&DAY=12&YEAR=1990&HOUR=9&MINUTE=59&AMPM=PM&TOWN=Wichita%2C+Kansas&COUNTRY=USA&STATE=&INPUT9=&Submit=Submit]]) -- influenced by [[Tolkien]], Lewis, his Catholic roots, and a love of mythology
* Anthony Undine
** Born Mar. 22, 1980, 2:01 AM (Aries/Gemini/Capricorn, natal [[chart|https://alabe.com/cgi-bin/chart/astrobot.cgi?INPUT1=&INPUT2=&MONTH=3&DAY=22&YEAR=1980&HOUR=2&MINUTE=01&AMPM=AM&TOWN=Pittsburgh%2C+PA&COUNTRY=USA&STATE=&INPUT9=&Submit=Submit]]; note the Pisces cusp)
** The symbolic languages of [[astrology]], [[tarot]], and the [[I Ching]] are openly put to use in Anthony's life (with a healthy amount of skepticism and objectivity.)  +++[His appearance:]
: Anthony's father is ~English-American; his mother half ~British-Lebanese Druze (her mother was born in Lebanon.)  He has dark brown-black hair, brown eyes, with a complexion between Caucasian and Middle Eastern, and has a calm, zen-like public persona.  He is 5'11" tall.
** Height compared to his 'psychic kin': Tillman 5'5", Bachmann 5'8", Quintana 5'7", Lena 5'9", Tory/Hazel 5'8", and Kindred 5'10".
===

* Emilene (Lena) Sceora Braun (birth name) -- lena.aletheia@gmail.com
** Born Nov. 17, 1987, 5:07 PM (11, 17, 1987 and 2017 all [[prime|http://www.wolframalpha.com/input/?i=prime+numbers+between+1987+and+2027]]) -- Scorpio/Libra/Gemini ([[chart|https://alabe.com/cgi-bin/chart/astrobot.cgi?INPUT1=&INPUT2=&MONTH=11&DAY=17&YEAR=1987&HOUR=5&MINUTE=07&AMPM=PM&TOWN=Denver%2C+Colorado&COUNTRY=USA&STATE=&INPUT9=&Submit=Submit]])
** Same birthday as Mikhail Bakhtin (1895-1975), Lev Vygotsky (1896-1934), August [[Möbius|lemniscate]], ~RuPaul Andre Charles (b. 1960), and [[Grace Abbott|https://web.archive.org/web/20161108015125/https://www.nwhm.org/education-resources/biography/biographies/grace-abbott/]] (1878-1939)
** {{body{''Elena Washington Brown'' (pseudonym of her twenties and in her musical vocation -- fictive daughter of [[George Washington Brown|https://en.wikipedia.org/wiki/Van_Dyke_Parks]])
•  G.W. Brown / Van Dyke Parks has a [[musical connection|https://web.archive.org/web/20160415131234/http://nymag.com/arts/popmusic/features/24069/]] to Joanna Newsom.}}}
** ''Lena S.'' (Sceoria) ''D'Artagnan'' (her artistic name -- //art// + //[[agna|https://en.wiktionary.org/wiki/agna#Etymology_2]]// 'ear of grain' -- LSD [[monogram|https://www.google.com/search?q=LSD+monogram&biw=1057&bih=922&source=lnms&tbm=isch&sa=X&ved=0ahUKEwip_8f7ganQAhUp04MKHe8SDdAQ_AUIBigB#q=LSD%20monogram&tbm=isch&tbs=rimg%3ACVy31azb5X_1zIjjsMzrRZj2QUYthYAnoDibCcJTpAK5nk5-3lOmC5hDIbwD9Y2Zg8H_13_1fEMb-0vrqP560-jh46zcSoSCewzOtFmPZBREaCMLy6hjIevKhIJi2FgCegOJsIRI8hGS5-W7TgqEglwlOkArmeTnxF7LutF0TNE_1CoSCbeU6YLmEMhvEXxp111f-AVUKhIJAP1jZmDwf_1cR-FslaIstCoEqEgn98Qxv7S-uoxGYoGItRnS2pSoSCfnrT6OHjrNxEaCCh1raiY97]])
** {{body{''Selena'' -- one of her online [[handles|https://en.wikipedia.org/wiki/User_(computing)]]: //femme fatale?// or more accurately, "No Man's Woman"
(cf. Moon goddess, Sinead O'Connor's song, and the [[Google Books corpus|https://www.google.com/search?q=%22no+man%27s+woman%22+%22fatale%22&oq=%22no+man%27s+woman%22+%22fatale%22&aqs=chrome..69i57.3750j0j4#tbm=bks&q=%22no+man%27s%22+%22fatale%22]], including H.D.)}}}
** //Perhaps// +++[. . . ]
Lena's [[dreamworld|Dreamworld Outline]] persona is Hazel Darkbloom.  Being more balanced than Randy, she would not allow this life to become conflicted, or have the need to dissolve her dreaming persona?
===

* Tory Elan (Hazel) ''Darkbloom'' -- a [[gender-bender|https://en.wikipedia.org/wiki/Gender_bender]], [[psychic bricolage|https://books.google.com/books?id=YCXCDAAAQBAJ&pg=PA222]] of Selena and Manny
** {{body{''Tory'' is //anatomically// male — but a masculine/feminine blend in all other aspects — with a secure and healthy ego, wide emotional range, and a 'well-integrated' sexuality.  (He has a lower drive than Quintana, Undine, and Tillman; but is more sensually driven than Bachmann.)
+++[TED's persona:]
: //Thinker – Educator – Designer//  -- Tory flourishes in these roles.
: "[[His upper-Fifth tastes|HapaxHaiku]]" are freely expressed (those which Randy will not allow.)
===

•  Born Aug. 17, 1987, 2:22 PM (Leo/Gemini/Sagittarius, natal [[chart|https://alabe.com/cgi-bin/chart/astrobot.cgi?INPUT1=&INPUT2=&MONTH=8&DAY=17&YEAR=1987&HOUR=2&MINUTE=22&AMPM=PM&TOWN=Denver%2C+Colorado&COUNTRY=USA&STATE=&INPUT9=&Submit=Submit]]); H.D. was born 2:19 ([[chart|https://alabe.com/cgi-bin/chart/astrobot.cgi?INPUT1=&INPUT2=&MONTH=8&DAY=17&YEAR=1987&HOUR=2&MINUTE=19&AMPM=PM&TOWN=Denver%2C+Colorado&COUNTRY=USA&STATE=&INPUT9=&Submit=Submit]]).}}}
** ''Hazel'' is //anatomically// female, with a similar body structure as Tory's and the same complexion, eyes and hair.  She feels a strong distaste at the thought of pregnancy, is ''extremely'' independent of male influences, and needs diverse sexual expression — rapidly ''flipping/bending'' the patterns of [[schismogenesis]].  (She is bisexual and has a drive comparable to Lena's, but less inhibited.)
* Manuel (Manny) Octavio Quintana Torres (Apr. 4, 1984)
** Manny is 3/4 Hispanic and 1/4 ~African-American (from his maternal grandmother.) He was raised Catholic but in adulthood discovered Zen Buddhism.  His vocation is social work.
* Joseph (Joe) ~McBrien Kindred (Apr. 23, 1950)
** Joe grew up without his father.  He has a keen mathematical mind and loves to 'play' with engineering and number problems.  His mentors and influences include Carl Sagan and Ken Iverson.  He is devoted to his Methodist Christian faith.
** //Perhaps// +++[. . . ]
he is Randy's father-in-law, until that first marriage ends in divorce?  A possible chronology: Joe meets his wife during the summer of 1970, when he is twenty.  They marry Labor Day weekend in 1971.  Their daughter Lily is conceived on Joe's 22nd birthday, and she is born 9 months later on 1/26/1973.
===


+++[a list of names]
# Thomas [[Jefferson]] and Sally Hemings
# L. Frank Baum and Maud Gage Baum
# Rainer Maria [[Rilke]] and Lou ~Andreas-Salomé
# Madeleine [[L'Engle]] and Hugh Franklin
# [[Pema]] Chödrön (née Deirdre ~Blomfield-Brown)
# Alan Curtis [[Kay]]
# J.R.R. [[Tolkien]]
# Carl Gustav [[Jung]]
# Martin [[Buber]]
# Walt [[Whitman]]
# Octavio [[Paz]]
# Eithne Ní Bhraonáin and Roma Ryan
# Ellen Raskin
# John Chris [[Jones]]
# Hermann [[Hesse]]
# Frank Lloyd [[Wright]] and Olgivanna Lazovich Wright
# Loren Corey [[Eiseley]]
# Ralph Waldo [[Emerson]]
# M.C. [[Escher]]
# Robert Remsen [[Vickrey]]
# Ray [[Bradbury]]
# Steven Paul [[Jobs]]
# Carl Edward [[Sagan]]
# Benoit Mandelbrot
# Maria [[Montessori]]
# Eleanor Cameron
# Karen Armstrong
# Viktor Emil Frankl
# E.E. [[Cummings|E.E. Cummings]]
# T.S. [[Eliot]]
===

//Do not maintain anger or hatred. Learn to penetrate and transform them when they are still seeds in my consciousness.//
*Daily, I will learn to control and process my anger or darkening thoughts – especially in my words and conduct toward others, as they only deepen my condition of //fear-weakness-avoidance.//
*I will replace dangerous or debilitating thoughts with peaceful and potent ones.
*I will not use physical force (even the 'mildest') in dealing with my family, except in moments of serious danger.
*Instead, I will use the powers of reason, my example/practice/guidance, and compassion for those in my life.  (And everyone there is by my choice.)

Further,
*I will enjoy time spent with my family or by myself, and will also work on plans for our happiness, during the times I have previously 'turned off my mind' with obsessive activities, cravings, or pseudo-connection.
*I will not eat to discomfort or past satiation, nor let other pleasures become an anesthetic.

From Pema Chödrön //[[Wisdom of No Escape]]//:
@@font-size: 100%;//Being satisfied with what we already have is a key to being alive in a full, unrestricted, and inspired way.
One of the major obstacles to what is traditionally called enlightenment is resentment, feeling cheated, holding a grudge about who you are, where you are, what you are.//@@
----
{{rjustify{
+++[more]
{{ljustify{
I am reminding myself to not 'nurse a grudge' against another, or against my place in the world. As soon as these feelings arise, turn my attention to my breath; seek to see their nature clearly and understand their origins.

<<tiddler [[Dealing With Anger]]>>

''__Sep 19 - Oct 16__''
<<tiddler [[Dwelling Happily in the Present Moment]]>>
}}}
===

{{ljustify{
Around mid-October, I shifted my focus toward other things and am not actively progressing through Thich Nhat Hanh's Interbeing Mindfulness Trainings.}}}

 
Lord Dunsany wrote in "A Good War" (collected in //Unhappy ~Far-Off Things//) in 1919:

Once he sat down to rest on the edge of a crater, weary with such walking as he had never seen before; and after he had stayed there a little while a cat that seemed to have its home in that wild place started suddenly up and leaped away over the weeds. It seemed an animal totally wild, and utterly afraid of man.

Grey bare hills surrounded the waste: a partridge called far off: evening was drawing in. He rose wearily, and yet with a certain fervor, as one that pursues with devotion a lamentable quest. 

… And at last the traveler stopped in the lonely night and looked round him attentively, and appeared to be satisfied that he had come within sight of his journey’s end, although to ordinary eyes the spot to which he had come differed in no way from the rest of the waste.

He went no further, but turned round and round, peering piece by piece at that weedy and cratered earth.

He was looking for the village where he was born.

(Text published and read aloud at "[[A Man of Letters|http://amoletters.com/a-good-war-by-lord-dunsany/]]")

 
__Haiku__

//mask nor feathers
belash her flaming
face…
moon-cold eyes,
her kiss
(a feint)//

----

I beheld it in its dawn,
That sleepless harpy, with its budding wings,
And I considered whether I should yield
All hopes and fears, to live alone with it,
Finding a recompense in its wild eyes;
And when I found that I should perish so,
I bade its wild eyes close from me forever.
 
-- Robert Browning, from the poem //Pauline: A Fragment of a Confession// (1833)

----

The last of the Harpyia is described in my story "[[Summoned by Fury|Harpyia]]".

My friend Matheus wrote, "Somehow, I am reminded of a poem in one of Doroothy Sayers' books which would seem to bring your heroine, at some point, to rest."
{{rjustify{
+++[more]
{{ljustify{
<part Sayers>
<<<
. . . She began to write again, knowing with a deep inner certainty that somehow, after long and bitter wandering, she was once more in her own place.
  Here, //then, at home …//

the center, the middle sea, the heart of the labyrinth …

//Here, then, at home, by no more storms distrest, Stay we our steps—course—flight—hands folded and wings furled.

Here, then at home, by no more storms distrest,
Folding laborious hands we sit, wings furled;
Here in close perfume lies the rose-leaf curled,
Here the sun stands and knows not east nor west,
Here no tide runs; we have come, last and best,
From the wide zone through dizzying circles hurled,
To that still centre where the spinning world
Sleeps on its axis, to the heart of rest.//

Yes; there was something there, though the metre halted monotonously, lacking a free stress-shift, and the chime “dizzying-spinning” was unsatisfactory. The lines swayed and lurched in her clumsy hands, uncontrollable. Still, such as it was, she had an octave.

And there it seemed to end. She had reached the full close, and had nothing more to say. She could find no turn for the sestet to take, no epigram, no change of mood. She put down a tentative line or two and crossed them out. If the right twist would not come of itself, it was useless to manufacture it. She had her image—the world sleeping like a great top on its everlasting spindle—and anything added to that would be mere verse-making. Something might come of it some day. In the meanwhile she had got her mood on to paper—and this is the release that all writers, even the feeblest, seek for&nbsp;.&nbsp;.&nbsp;.

She shut up the notebook, scandal and sonnet together, and began to make her way slowly down the steep path.

-- Dorothy Sayers, //Gaudy Night// (1935)
<<<
</part>
"… One of my favorite mysteries anywhere, anytime, from the woman I consider the premier mystery writer of the Twentieth Century.  Her books are so damned READABLE."

----
}}}
===
}}}
+++[Notes for the expansion of my short story]
&nbsp;
The classical definition of harpies underwent an evolution, starting with Hesiod's //Theogony// in which they were lovely-haired and swifter than the winds … toward more monstrous incarnations ("rapacious" as some said) in later writings such as Virgil's.

My story will reconcile these conflicting reports of the harpies.  Every crime against a female into which they are drawn (particularly those they cannot foil), causes their "range of responsibility" to increase by 20 leagues … and works a transformative process on them.  They increasingly become more fearsome to behold, as they internalize the worst of human nature (and our drives of aggression.)  I don't know if they become //ugly// precisely, but perhaps their presence is so terrible that the writers of antiquity used visual metaphors to convey this transformation.  They start as a gosling -- with an "arrestingly beautiful countenance" like I describe Sceoria, and mature into monsters.  Sceoria grouped herself with "angels and demons" when talking to Randy.

Cut material from my earlier drafts:
<<<
//“I feel every actual blow, every breaking heart… and can only sleep in the moments so brief between man's acts of cruelty.”

““I was amused to learn from Quill that you call yourselves //homo sapiens// -- the wise.  Man’s ego has always been his paramount concern.  You may have the keenest gaze of all mortal creatures, but humanity is not so wise as you think.  We Harpyia fight in a deathmatch against the horrors of man.”

“I prefer another name for myself: Virgin Eagle, or //Jungfrauadler//, which I learned from Quill’s harpy-lore. What I gather from human minds around me, by snatching their forgotten thoughts, often rings truest in the German tongue.”
  
“Somehow, I slipped out of myth and legend, past the //Götterdämmerung//.”  Answering Randy’s blank stare, she added, “This occurred long ago… call it the Twilight, Great Fall, or denouement of the ancient heroes and monsters.  You invented a new mythology to replace us.  Yet I have returned -- the most indocile of all angels and demons, to avenge every fallen maiden.”//
<<<
Oxford defines "astrogation" as navigation in outer space (a recent coinage in science fiction literature.)  I instead chose it to mean navigating by the stars at night, not among the stars as in space travel.  Sceoria can fly outside the atmosphere for periods of time with limited oxygen supply. Hence her self-stated ability of “astrogational sense for high night-flying.”
 
Sceoria has difficulty navigating indoor spaces, congested cities, or in bright daylight. She anchors her own position against the stars and cannot visualize spatial routes or positions on the earth very well (going by any route other than air or the "bird's eye view.”)

Her inert egg was stored in a university library basement for the past 200 years.  It absorbed language in shadowy, subconscious form via the people who came near it -- every book they had ever read, every film they had seen, drawn into the egg before Sceoria was sparked to life.  She does not have coherent access to all this information, but it surfaces when she learns something consciously (and speeds her language acquisition.)  Archaic vocabulary comes naturally to her, due to the academic setting her egg resided in.

Sceoria has perfect recall of every acre of land her sire golden eagle flew over in his lifetime. That portion of his consciousness was transmitted to her, which she consciously credits to him. She does not associate her early pre-hatching memories of the dark, enclosed protection of her egg with her father eagle’s act of loyalty guarding and keeping her warm for 42 days (while eating very little.)  Randy eventually points out this irony to her.  Incidentally, the actual incubation time of golden eagles does average 42 days.

Love is difficult for Sceoria to understand.  Being born into a world with no older harpies, she was never nurtured by her own kind, nor received maternal protection and love. This leaves her at a deficit showing tenderness to other creatures.  She ended up with Quill by no choice of her own, because he was the discoverer of her egg.  Then, somewhat inexplicably, she drew another human male to her (Randy.)

The old man's name is Quill, chosen by Sceoria, because he acts as her scribe.  With bird talons, she cannot grasp a writing utensil, so he writes for her.  A word she would use for scribe is //amanuensis// -- literally "slave at handwriting".

Sceoria misread the schoolteacher's motives toward the extreme negative. He was sincerely in love with this particular student (or so he told himself and her.)  Although he had indeed crossed social boundaries with two previous students, once while they were drinking, he had never forced himself on a woman, nor drugged one. He was not a predator.  Sceoria would not admit to her uncertainty, but this was the reason she knocked him unconscious and did him no further physical harm.  She intervened on the //chance// that he might "stupefy" the girl, but she did not actually foresee this.  (Precognition is imperfect among harpies.)

One of her powers, common to all harpies, is that Sceoria can psychically sense fear or pain -- especially in human brains not activated by the neurochemicals more predominant in males (meaning in the women and children who are within her current "range of responsibility.")

A quote from research about gender and violence: 
> "It has been determined that men are much more physically violent than women... Jones discussed how certain neurochemicals are associated with criminal behavior. These neurochemicals might be more active in men, but women can still grow up in environments in which certain tendencies are brought on." (Lisa C. Burt)
The thought processes accompanied by "male typical" neurochemicals are more opaque to her. Sceoria can sense impending aggression, and she can "read the record of their guilt" if they have committed acts which they know to be a violation of their community's moral standards (even if they choose to disregard these.)  Apart from that, she cannot empathize with male motives that are more benign to women, nor understand their thought processes.  She does sense when females act with aggression, neglect, or cruelty -- particularly toward children.

She is immature, even if superhuman.  She has spent the past year with Quill.  She has an IQ equivalence upper-average to high among humans, with phenomenal memory powers and the intuitive abilities described above.  Emotionally and socially, she functions around an early "adolescent" harpy -- like a very intelligent, precocious, self-assured young woman.  She tends to carry herself like "royalty" with a strong sense of entitlement and superiority to humans.
 
Her immaturity leads to errors of judgment.  She is completely isolated from all other mortal and immortal creatures.  As she spends more time with Randy, he comes to understand she is lonely and verging on somewhat neurotic.

Sceoria has built a mental storehouse of "named experiences" from the people around her.  Early on, she frequently asked Quill to clarify words for her, and later Randy performs the same function.  (She delights in having dictionary definitions or etymologies read to her.)  Some of her speech patterns remind me of Madeleine L'Engle's "Mrs. Who", a supernatural character who spoke in epigrams.  She "showed both an encyclopedic range of knowledge/memory //and// a struggle to verbalize in the "local dialect."  {{grem{(As described on the [[blog|http://bookwormjournal.blogspot.com/2012/02/re-reading-wrinkle-chapter-2-mrs-who.html]] of another L'Engle fan.)}}}

//"She knows every name"// – a possible title for one section of the book. Word vocabulary is a function of naming things and concepts, whether concrete or abstract.  Sceoria absorbs the names and “word labels” invented by humans from a variety of languages.  The more people she interacts with who employ a certain vocabulary, who have memories of named people or things, the larger these names and entities come to loom in her mind.  //Fictional// characters with predominance in mythology, music, classic prose, etc. – or those with a significant "mind share" in the modern population of the past 200 years, particularly near the university where her egg resided – sometimes become confused in Sceoria's mind with living people.

Sceoria can very often sense the perfect name -- the //je ne sais quoi// (that 'something special' quality which cannot be described or named easily) -- or //Sprachgefühl// (Sprache 'language' +‎ Gefühl 'feeling').

Elaborating on the vigesimal (base 20) expansion of her range, measured in leagues -- from her hatching, it grew to 20, 40, 60, 80 … 340, 360, 380, 400, (then jumping to 20^^2^^ or 400 increments), 400, 800, 1200, 1600, 2000 …
 
The maximum reached by any previous harpy was 3600 leagues, or half the earth's circumference.  (This measure of 3600 leagues is within 0.2% of the actual circumference at the equator.)  At one time, the last two harpies before Sceoria covered the whole planet. With that incredible responsibility, they only flew to intervene in the gravest crimes which they sensed.

I do not envision Sceoria’s story taking her to this expansive duty. At the time when  Randy meets her, she has intervened in 8 crimes since she hatched.  (Now at a 160 league range.)  Twelve more will expand her range to 400 leagues; the next (her twenty-first), will jump it up to 800 leagues (equivalent to 2,762 miles. Note this is approaching the distance from the U.S. east to west coastlines.)  I suspect the progression will go at least that far in my story.

At some point in my story, she will need to find a different way to live, or depart from the Earth.

----

Classical sources from the [[Theoi Project|http://www.theoi.com/]]:
<<<
//Hesiod, Theogony 265 ff (trans. ~Evelyn-White) (Greek epic C8th or C7th B.C.)://
"Now Thaumas married a daughter of deep-running Okeanos, Elektra (Electra), and she bore him swift-footed Iris, the rainbow, and the ''Harpyiai (Harpies) of the lovely hair'', Okypete (Ocypete) and Aello, and these two in the speed of their wings keep pace with the blowing winds, or birds in flight, as they soar and swoop, high aloft."

//Hesiod, Catalogues of Women Fragment 14 (trans. ~Evelyn-White) (Greek epic C8th or C7th B.C.)://
"[Atalanta ran] as swift as a Harpyia (Harpy)."
 
Their place of abode is either the islands called Strophades (Virg. Aen. iii. 210), a place at the entrance of Orcus (vi. 289), or a cave in Crete.

//Apollonius Rhodius, Argonautica 2. 179 ff (trans. Rieu) (Greek epic C3rd B.C.)://
"With as little warning as a whirlwind or a lightning flash, they [the Harpyiai, Harpies] dropped from the clouds . . . [and in their speed] they outstripped the storm winds from the West."

//Virgil, Aeneid 3. 209 ff (trans. ~Day-Lewis) (Roman epic C1st B.C.)://
"Bird-bodied, girl-faced things they [the Harpyiai, Harpies] are; abominable their droppings, their hands are talons, their faces haggard with hunger insatiable."

Note:  According to legend, the Strophades islands' name, meaning "Islands of Turning," refers to Zetes and Calaïs, sons of Boreas, who voyaged with the Argonauts. Zetes and Calaïs rescued Phineus from the Harpies. They succeeded in driving the monsters away but did not kill them, as a request from the [Harpies' sister] goddess of the rainbow, Iris, who promised that Phineas would not be bothered by the Harpies again. They were turned back at the Strophades by Iris while continuing their pursuit of the creatures.
<<<
===

> "What consitutes a ''basic unit of cybermedia'' will be an important consideration for those who design its interface. A “basic unit” is the smallest fragment within a medium that can be taken out or isolated and still be enjoyed or understood as a complete work; that is, a fragment possessing closure." (Mindy ~McAdams)
Adrian Miles says in "[[Hypertext syntagmas: cinematic narration with links|http://hypertext.rmit.edu.au/essays/jodi/notes/closure.html]]":
   ~McAdams offers a rather elegant definition of minimal units, though it is not without its problems (what would a basic unit of a painting or a musical score be?) What is relevant to this discussion is that the concept of closure described requires a notion of narrative closure, even minimally, and when considered in this manner it becomes clear that, like cinema, hypertextual narrative closure (as narrative units) are formed in [[syntagm]]atic series, of variable length and variety.

Definition of ''unit'':
An individual thing or person regarded as ''single'' and ''complete'' but which can also form an individual component ''of a larger or more complex whole'' -- from the Latin //unus// meaning "one," origin 1570; coined by John Dee as a translation of Greek //mónas// (previously rendered as //unity//), perhaps influenced by //digit//.

"[[Fractal]] complexity may not always be resolvable into easily ''grasped units'' of detail and scale…" (from [[Wikipedia|http://en.wikipedia.org/wiki/Fractal_dimension]].)
The [[possibility space]] in which they propagate is vast and interconnected, possessing //holism// (an overused term) and distinct ''parts''…

The basic units are ''beads'' within Hermann [[Hesse]]'s Glass Bead Game:
> <<tiddler [[Glass Bead Game/BeadTiddler]]>>
These units are sometimes called ''nodes'' within a [[wiki|What Is A Wiki]], and their implementations in computer software vary.  They are termed ''cards'' in [[Wagn]]; ''tiddlers'' in ~TiddlyWiki, and built on the idea "that information is more useful and reusable if we cut it up into the smallest semantically meaningful chunks – tiddlers – and give them titles so that they can be structured with links, tags, lists and macros." //See [[WikiStructure]]//
> Other systems have analogous concepts with more prosaic names: like "items", "entries", "entities". Even though "tiddler" is a vaguely preposterous name it at least has the virtue of being confusingly distinctive rather than confusingly generic. ([[Jeremy Ruston]])
On a practical note, Gene [[Gendlin|Felt Sense]] reminds us:
> <<tiddler countervailingGBG/Gendlin>>
Going back to the etymologies, as I so often do:
[[Monk|Journey's Etymologies]] < monakhos ‘individual or solitary’ < Greek //mónos// ‘alone’ < //mónas// (unit) -- which inspired monads and the Monadology philosophy of Leibniz:
<<<
"Monads are manifest, since they are everywhere, and there is no extension without monads. They are, then, the ''plenum'', that is to say, the condition of an infinitely dense universe, but nevertheless they are unextended." {{grem{(What exactly does this mean?)}}}

"Encompass worlds, but never try to encompass me,
I crowd your sleekest and best words by simply looking toward you.
Writing and talk do not prove me,
I carry the [[plenum of proof|origin of all poems]] and every thing else in my face…"
<<<

''1. We live in miserando [or dukkha]: we suffer, strive, and grasp intertwined with all of living.''
<<<
"He finds himself surrounded by problems he can neither totally understand nor conveniently reject as unintelligible, such as time, life, death, or the existence of a universe. He is also driven by aspirations whose goals he cannot hope to reach, yet cannot accept as unreachable…
More basically, man is a desiring, suffering, death-conscious, hence time-conscious, creature."
(J.T. Fraser //[[Of Time, Passion, and Knowledge|Human condition]]//)
<<<
''2. Miserando rises from attachment: from blind human will to power and pleasure.  Craving and suffering are two faces of an untamed will.

3. I embrace and transcend miserando.  Every day offers a new start to tend the Seed of Perfection, if we nurture our bodies and relationships, honoring the sanctity of all life.''
* "Dethrone ourselves from the center of our world and put another there, and __[[honor|Charter for Compassion]]__ the inviolable sanctity of every single human being."
* [[Miserando atque Eligendo|Evangelii Gaudium]] –  Father Francis
* In part, we //embrace and transcend// dukkha by [[maturing to finiteness]].
* NEWSTART - nutrition, exercise, water, sunshine, temperance, air, rest, and trust in our relationships divine and human.

''4. This is Ground-Divine; here we make peace. Walk the noble path, practicing''
*[[Right View]] [Attention] - The first three truths; seeing I and You clearly; maintaining this mindfulness.
*Right Intention - //Walk cheerfully over the world, answering the ~G-D of [[every one|Quaker]]//.
** Aspiration for [[Interbeing|Interbeing Mindfulness Trainings]]: with this, ignorance and fear diminish; wisdom and compassion grow.
*Right Conduct - Simplicity, Peace, Integrity, Community, Equality, ~Self-Realization
** Conduct over Credo
*Right Speech - Integrity, Community
*Right Livelihood - Integrity, Community, Stewardship: //what will you bring to being?//
*Right Effort [Concentration] - //Awarely choose Love.//
** Stewardship of [[οφαλ|Oikos Philos Anthropos Logos]] //and// ~Self-Realization, determined by our concentrated efforts and requiring Trust: itself a developmental need that precedes any wished-for or alleged Faith.

----
<part words>

''Avoid the lure of words as a substitute for living!''

Or as Thoreau [[wrote|https://books.google.com/books?id=MkMRAAAAMAAJ&pg=PA544#v=onepage&q&f=false]]: "How vain it is to sit down to write when you have not stood up to live!"

The death of [[Tanha]] and [[Quenchless thirst]]; end of the 'thinker' and thirst for becoming, is succeeded by the plenitude of //Life.//
</part>

 
Be aware of the //total conditions about an organism// – our environs

//environ // and //encyclo // both mean to en[[circle|widening the circle]]

The volume of education continues to increase, yet so do pollution, exhaustion of resources, and the dangers of ecological catastrophe. If still more education is to save us, it would have to be education of a different kind: //''an education that takes us into the depth of things.''//
– E. F. Schumacher (written 1974, published 1997)

//No problem can be solved from the same consciousness that created it.  We have to learn to see the world anew.//
– Albert Einstein
   (See the blog post "[[Einstein Enigmatic Quote|http://icarus-falling.blogspot.ca/2009/06/einstein-enigma.html]]" which attempted to trace the context of this quote.)

The world partly becomes – comes to be – how it is imagined.
– Gregory Bateson, //Mind and Nature: A Necessary Unity//
   (This quote originally discovered 11/11/2011.)

The advances in scientific thought come from a combination of loose and strict thinking, and this combination is the most precious tool of science.
– Gregory Bateson, "Culture Contact and [[Schismogenesis|schismogenesis]]" (1935)

//There is nothing either good or bad, but thinking makes it so.//
Shakespeare (Hamlet, II, ii)

The challenge of sustainability goes far beyond that of environmentalism.  The question is whether we can fulfill our unique potential as human beings, to understand our behavior and its consequences.  To do this, we must be prepared to discard our prejudices, and to review every area of human life.
– Anthony Clayton and Nicholas Radcliffe, 1996

The development of [[ecological|Ecology]] understanding is not simply another subject to be learnt but a fundamental change in the way we view the world.
– John Lyle, 1994

 
Lying is universal -- we //all// do it. Therefore, the wise thing is for us diligently to train ourselves to lie thoughtfully, judiciously; to lie with a good object, and not an evil one; to lie for others' advantage, and not our own; to lie healingly, charitably, humanely, not cruelly, hurtfully, maliciously; to lie gracefully and graciously, not awkwardly and clumsily; to lie firmly, frankly, squarely, with head erect, not haltingly, tortuously, with pusillanimous mien, as being ashamed of our high calling… Then -- I am but a new and feeble student in this gracious art; I cannot instruct //this// club.

-- "On the Decay of the Art of Lying", by Mark Twain (1880), for a meeting of the Historical and Antiquarian Club of Hartford, Connecticut

----

Lying, the telling of beautiful untrue things, is the proper aim of Art…
Art never expresses anything but itself. It has an independent life, just as Thought has, and develops purely on its own lines.  It is not necessarily realistic in an age of realism, nor spiritual in an age of faith.  So far from being the creation of its time, it is usually in direct opposition to it, and the only history that it preserves for us is the history of its own progress. Sometimes it returns upon its footsteps, and revives some antique form… at other times it entirely anticipates its age, and produces in one century work that it takes another century to understand, to appreciate and to enjoy.

-- "The Decay of Lying", by Oscar Wilde (1891)

----

… Will he stay and tell lies about the approximate life that they ascribe to him and become just like them all, with his whole face? Will he divide himself between the delicate truthfulness of his will and the clumsy deception that spoils it even for him? Will he forsake becoming what might harm those in his family? …
    No, he'll go away.

-- //[[The Notebooks of Malte Laurids Brigge]]//, by Rainer Maria Rilke (1910)

----

//Waiting for a lie that's true// -- "[[This Is]]" by Aslan

"I had spoken the [[language of shaping]]…nothing said in that language can be a lie." -- Neil Gaiman

"Honesty is the [[devil's torch]] they say…" -- [[lily]]

"I don't want to lie anymore… The world outside this room is REAL, and you must learn to live in the real world while keeping your vision." (written [[2001-03-11]])

 
[img(75%,)[Chungliang in Tao of Bach|https://c7.staticflickr.com/6/5528/29740134654_81d6a6a552_z.jpg][https://www.flickr.com/photos/39042429@N00/29740134654/]]
{{serif{//Throw our arms out to the unknown universe, and say simply, “I accept.”//}}}
@@font-size:90%;[Image from the [[Living Tao Foundation|https://www.youtube.com/watch?v=AyszBW8TqfE]]; caption by <html><a href="javascript:;" onclick="window.scrollAnchorVisible('LKM',null, event)">Lily McCulloch</a>.]</html>@@

I have sat down to write Chungliang Huang, carried along by //wu-wei:// "to act without forcing -- to move in accordance with the flow of nature's course which is signified by the word Tao, and is best understood from watching the dynamics of water… Sometimes true learning surprises you when it emerges.  This is what we call wu-wei."  (So it was described in his book //Embrace Tiger, Return to Mountain: The Essence of Tai Chi//, published in 1973.)

My last letter was to [[Steve Andreas|Letter to Steve Andreas]], the founder of Real People Press.  Our conversation was brief and centered on the work of creating an //unconscious// change to life's problems, as they are called.  Three-and-a-half years ago, I knew what was needed -- to //''come back into my physical body'',// and I quote from my journal: "Get out of my head and be among people; exercise my limbs and muscles, my balance, strength, and response -- perhaps through dance, yoga, or t'ai chi?"  I sensed the start of a "cure", but I took no action.  I'd never attempted any of those arts and felt unsure of how to begin.

So now I //begin// with this letter, October 16, 2016 --
{{serif{


Dear Chungliang,

I've spent part of the last three days listening to your teachings during my work-day commute.  I watched videos which included interviews of you, your dance performances, and excerpts from //The Tao of Bach//.  I watched you demonstrate Chinese calligraphy, explain ~Yin-Yang, tai-ji, and bring to life the concepts of centering and balance.  Within this video //The Tao of Bach: Project Images//, I found the picture of you with outstretched arms, which I attached to this letter.}}}
<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/AyszBW8TqfE?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/AyszBW8TqfE?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>
: The still images are accompanied by //[[Air on the G String|https://en.wikipedia.org/wiki/Air_on_the_G_String]]//, a violin arrangement -- one might say a "remix" in today's language -- which altered the second movement of Johann Sebastian Bach's Orchestral Suite No. 3, about 150 years after the original composition.
{{serif{
I also enjoyed this second video for a glimpse into your personal development as a ~Chinese-American artist:

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/d6VmBVdkEQw?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/d6VmBVdkEQw?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>

In this talk you said: "I realized I needed to really follow what is in my heart.  Dance was //it.//  Performing was //it//…  So, I found a little niche, I found a way I could make myself unique and //honest// -- that's what helped me to become who I am."

You emphasized one word especially -- //''honest''// -- and that is how I long to live, more urgently than ever!

Certain teachings you imparted this week remain strong and vivid in my mind:

"Perfect balance" is never attained; the closest to perfect balance is death.  Our practice is to go back and forth between //off-balance// and a return to our center.  During an interview while you were demonstrating Tai Ji dance, you said that "losing balance" allows us to come back to center.  Here is my interpretation: a mistake is actually counter-point or contrast -- the raw material of a more complex harmony.  It allows us to deviate from our fixed plan or choreographed steps, so the "mis-step" can //revitalize// our dance as we find the next step to follow it.

I've known that somewhere in my life, I want to dance; more basically I want and //need// to inhabit my body once again.  Even now as I rearrange words on a digital screen, and my intellect seems so busy and "in charge", I sense how incomplete this letter is, if //''I do not dance and learn to express my body's powers.''//

During these last three days, I asked a friend of mine who practices Tai Ji (but has moved some distance away) for a referral of where I may take classes.  He recommended someone in my neighboring city who received instruction at Naropa University in Boulder, Colorado.  I sent this teacher an email, and am committing to follow through on this contact, or keep looking until the teacher is found.  I will make a sincere attempt at learning and practicing Tai Ji.  Then see what unfolds.

I plan to write my next letter to the cellist David Darling ([[#165|http://conversings.blogspot.com/p/the-list.html]]), whose music I loved years before I heard the name Chungliang Huang.  Then I learned that David was one of your collaborators in //The Tao of Bach// -- so again, the path materializes before me.

For your awareness, I'm publishing this letter on my blog [[Conversings.blogspot.com|http://conversings.blogspot.com/]] -- also known as //One Thousand Conversations//.  If you have the interest or time to write back, please let me know if I may publish your response on the blog.  Do you object to any of the content I've assembled in this message -- your image, the videos, or quoting your words?  I will remove any or correct their presentation as you wish.

I welcome any comments or suggestions regarding my direction, and that of //One Thousand Conversations//, from you or your colleagues at the Living Tao Foundation.

Thank you for the gift of your insights and creative vision to the world.

Andy
}}}
{{rjustify{
+++[more]
{{ljustify{
//Excerpts from your last Living Tao Foundation [[newsletter|https://www.livingtao.org/members-circle/news-from-chungliang/]] follow -- an exchange of letters://

Autumn 2016

Dear Living Tao friends:

The Spring and Summer, since my last newsletter to you, has come to a gratifying conclusion…

In spite of the constant bombardment of news of disasters in the world, both natural and manmade, and our split American government and lack of civility with feuding parties for the coming presidential election, we must continue to sustain our faith in a better world unfolding in the future for our future generations. It is difficult to maintain our inner equilibrium, but we must learn to trust in our heart and mind in the ever-changing constant TAO.

One final note that I wish to share with you. You will receive the announcement of a celebratory party to honor my 4 decades of teaching in Europe soon, and my 80th birth year in Winterthur [Switzerland] on April 15, 2017…

In my 80th year, I have been contemplating Confucian writings about harmonious aging. Many of you have heard my telling of what Confucius said about his journey as lifelong student.

Reaching the age of ''15'' with a will to learn; at
''30'' to have established the rightful position; at
''40'' to avoid temptation to be led into confusion; at
''50'' to have finally understood his destiny, the mandate from heaven; by
''60'' to be free from the dualism of contradiction and ambivalence; and
only when Confucius had reached his
''70th'' year, was he able to follow his heart's desire, without going astray.

Since Confucius only lived to be in his mid 70s, he was not able to impart further wisdom on what and how he might have envisioned his life at 80 or on reaching 90. Therefore, we must venture forth with our own interpretation of what might have taken place in his Heart, if he had continued to live into his Sagely age. For myself, after much thoughtful contemplation, I have come up with this:

''At 80'', I wish to return to the simplicity and innocence of a child, sustaining a perpetual sense of wonder and hope. I wish to realize a joyful practice/discipline of “~Body-Mind-Spirit in Harmony”, and to “Follow My Bliss” in my "LIVING TAO" Way of Being Myself, spontaneous and naturally so, as Wind and Water – free to be as “Fish in Water and Bird in Flight!”

Anticipate to see this wish to become a commemorative T-shirt and a Poster next year.

{{center{
[img[Chungliang's 80th Year Message|https://c5.staticflickr.com/6/5797/30335818996_34159fe50f_z.jpg][https://www.flickr.com/photos/39042429@N00/30335818996/]]
}}}
//chún//
unbleached silk, pure; simple; unmixed; genuine
//pū//
uncarved block; also naturally simple, before it is refined or fixed to be artificial
//tóngzhēn//
childlike, truthful and real
//zìrán//
nature; natural; naturally so; self-so-ness
//fēngliú//
like Wind like Water, flowing naturally at ease with oneself
//dào//
the TAO, ultimate reality in life, The Way
//yóu//
at ease in life, naturally as Fish in water, swimmingly well
//fēi//
at ease in life naturally as Bird in flight—thriving, soaring
}}}
===
}}}
----

@@color:grey;__Further Notes__:

On [[page 62|https://books.google.com/books?id=dhDYZ2MaQEkC&lpg=PP1&pg=PA62]] of //Embrace Tiger, Return to Mountain//, Chungliang started with someone's observation of tai ji, and built upon the metaphor of "training like a hound":
<<<
"Whatever you're doing reminds me of wild animals.  You have the same kind of freedom and balance and rhythm.  But the spine of the trained racehound is different."

I said, "Yes.  Racehounds are trained to achieve a particular purpose, to run fast.  Hopefully, we will not become racehounds."  In tai ji, we do not train ourselves so our bodies are distorted in one way to achieve something special…

In the beginning I was in danger of being trained like a hound because I wanted to be the best of that particular school of tai ji chuan.  Each one of us probably has that need and has the desire to get the //best// master, the //best// teacher.  ''But you don't really learn from your master; you learn from your body as you practice.''  I never teach the form exactly the way it was handed down to me, because after I have practiced so many years I don't really remember exactly how the master asked me to do that first gesture.  If you really learn tai ji well, it becomes your own creation.  The first tai ji master created tai ji out of the enlightenment of his own nature, out of his awareness of his body.
<<<
There is a personal irony for me reading this simile, recalling that two trainers of race hounds met each other in 1979, which led to my birth.

<html><a name="LKM"/></html>//Caption to the picture of Chungliang with outstretched arms:// My friend Lily wrote these words for an entirely different purpose, but they capture my impression of Chungliang.  You can read her [[original passage here|god myth]].
@@

!You Will Not Take My Heart Alive
Joanna Newsom

And what do you remember most?
The line of the sea, seceding the coast?
Fine capillaries, glowing with cars?
The comfort you drew from the light of the stars?

And how long did you climb that night,
with the ice in your lungs, on the rungs of the light?
Beyond recall, you severed all strings
to everyone, and everything.

Oh, silent, constant driver of mine:
wordlessly calling from the end of the line,
where, even though each hour I ever loved
must queue and dive,
still, you will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart.

In martial wind, and in clarion rain, 
we minced into battle, wincing in pain; 
not meant for walking, backs bound in twine:
not angel or devil,
but level, in time.

And I rose, to take my shape at last,
from the dreams that had dogged me, through every past,
when, to my soul, the body would say
You may do what you like,
as long as you stay.

Now the towns and forests, highways and plains,
fall back in circles like an emptying drain.
And I won't come round this way again,
where the lonely wind abides,
and you will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart, alive.
You will not take my heart.

<<<
Everything is interwoven, and the web is holy;
none of its parts are unconnected.
They are composed harmoniously, and together they compose the world.
One world, made up of all things.
One divinity, present in them all.
One substance and one law—the //logos// that all rational beings share.
<<<
–Marcus Aurelius //Meditations//, Book 7, Passage 9
as translated by Gregory Hays

-----

From Wikipedia, below are some quotations from major Stoic philosophers, selected to illustrate common Stoic beliefs:

Epictetus:
<<<
"Freedom is secured not by the fulfilling of men's desires, but by the removal of desire." (iv.1.175)
"Where is the good? In the will. Where is the evil? In the will. Where is neither of them? In those things that are independent of the will." (ii.16.1)
"Man is disturbed not by things, but by the views he takes of them." (Ench. 5)
"If, therefore, any be unhappy, let him remember that he is unhappy by reason of himself alone." (iii.24.2)
"I am formed by nature for my own good: I am not formed for my own evil." (iii.24.83)
<<<
http://classics.mit.edu/Epictetus/epicench.html#74

Marcus Aurelius:
<<<
"Get rid of the judgment, get rid of the 'I am hurt,' you are rid of the hurt itself." (viii.40)
"Everything is right for me that is right for you, O Universe. Nothing for me is too early or too late that comes in due time for you. Everything is fruit to me that your seasons bring, O Nature. From you are all things, in you are all things, to you all things return." (iv.23)
"If you work at that which is before you, following right reason seriously, vigorously, calmly, without allowing anything else to distract you, but keeping your divine part pure, as if you were bound to give it back immediately; if you hold to this, expecting nothing, but satisfied to live now according to nature, speaking heroic truth in every word that you utter, you will live happy. And there is no man able to prevent this." (iii.12)
"How ridiculous and how strange to be surprised at anything that happens in life!" (xii.13)
"Outward things cannot touch the soul, not in the least degree; nor have they admission to the soul, nor can they turn or move the soul; but the soul turns and moves itself alone." (v 19)
"Because your own strength is unequal to the task, do not assume that it is beyond the powers of man; but if anything is within the powers and province of man, believe that it is within your own compass also" (vi.19)
"Or is it your reputation that's bothering you? But look at how soon we're all forgotten. The abyss of endless time that swallows it all. The emptiness of those applauding hands." (iv.3)

Say to yourself in the early morning: I shall meet today ungrateful, violent, treacherous, envious, uncharitable men. All of these things have come upon them through ignorance of real good and ill... I can neither be harmed by any of them, for no man will involve me in wrong, nor can I be angry with my kinsman or hate him; for we have come into the world to work together... –//Meditations//, Book 2
<<<

| Laying in our hammock, outside in the dark while early fireworks exploded around me, and darkness met the boundaries of light spilling out from our house, I felt a moment of repose and calm.  Summer breeze.  A dog and a man both acting like boys at times.  And you, a loving friend.  Ours.   (7-2-05) |

{{rjustify{
5-10-05}}} {{dialog{

When you are hurting close your eyes -- feel the touch of my hand on your shoulder, see the smile in my eyes, smell the scent of lavender, taste butterscotch and hear these words

"I believe in you"
}}}
----

"Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. //''Live the questions now.''// Perhaps you will then gradually, without noticing it, live along some distant day into the answer."

[img[Live the questions now - by Rilke|https://farm8.staticflickr.com/7308/14108280495_8602111784_d.jpg][https://www.flickr.com/photos/39042429@N00/14108280495/]]

Rainer Maria [[Rilke]]
Letter Four (16 July 1903) from //Letters to a Young Poet//

 
''Two instrumental pieces I find especially beautiful:''

//Adagio for Strings// (1936) composed by [[Samuel Barber|https://en.wikipedia.org/wiki/Samuel_Barber]] when he was 26 years old.

//[[Air on the G String|https://en.wikipedia.org/wiki/Air_on_the_G_String]]//, a violin arrangement -- one might say a "remix" in today's language -- which altered the second movement of Johann Sebastian Bach's Orchestral Suite No. 3, about 150 years after the original composition.

''//Written to my friend Ryan://''

I'm a little embarrassed to admit the breadth of my musical exposure prior to October 25, 2000 when I started working at Strite Widgets Company:

* Enya (everything she released)
* A classical period from age 11 to 13 — maybe because I thought that's what smart people listened to. That mostly ceased by the 8th grade.
* The 1994 //Pure Moods// album
* Elton John (primarily his //Love Songs// compilation -- notably //[[Blessed]]//)
* Yanni
* Natalie Merchant's //Tigerlily//
* Sarah ~McLachlan
* Rock music which my [[Dad|sharing ourselves in music]] listened to, but I tried to tune out
** But I did enjoy U2 (//Heartland// is a favorite song; I also love the //Boy// and //Joshua Tree// albums, as well as their most recent album including //The Troubles// and //Song for Someone//.)
** and to a much lesser extent The Moody Blues
* My Mom listened to Wynonna Judd, and I have a certain fondness and nostalgia for her.

And that's it.  I didn't pay attention to any song (I can remember) all the way through that played on the radio from 1982-2000.

When kids at school asked me what music I listened to, I said "None."  I hated the question, which only accentuated my social awkwardness.

My ex-wife introduced me to a lot of music: Alanis Morisette, Stevie Nicks, the Indigo Girls, and Lilith Fair type stuff.  She also discovered [[Mumford & Sons|design, alignment & cry]] before I did.

I still don't listen to music on the radio, ever.  Just NPR.  That's what introduced me to the Nebraska-born [[Bright Eyes|Waste of Paint]] (Conor Oberst), and a few other artists I can't recall off-hand.

I fell in love with the harpist Joanna [[Newsom]] after one of my prior therapists gave me an album by her for Christmas.

An odd musical history.

//(I forgot to mention the cellist David Darling.  I feel a particular love for string music.)//

----

''other musical strands:''

"Music is perhaps the art that presents the most philosophical puzzles."
-- "[[The Philosophy of Music|http://plato.stanford.edu/entries/music/]]" by Andrew Kania, Stanford Encyclopedia of Philosophy

[[a fugal theme]] revealed by Paul [[Pilkington|1000 lifeline notes/JustKnecht]], "a classically trained musician with a lifelong interest in the relationship between music and mathematics."

[[gamut]] -- the range of notes of a voice or instrument

"These rules, the sign language and grammar of the [[Game|Glass Bead Game]], constitute a kind of highly developed language drawing upon several sciences and arts, but ''especially mathematics and music''.  [This language is] capable of expressing and establishing interrelationships between the content and conclusions of nearly all disciplines."
-- Hermann Hesse

I wrote that ''poetics'' and ''technics'' bond to make [[music]]
-- the creative [[genres]] imagined through a DNA metaphor

 
''James Augustine Joyce'' (2 February 1882 – 13 January 1941) was an Irish novelist and poet who contributed to the modernist avant-garde.

"For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."

//Et ignotas animum dimittit in artes.//
("And he turned his mind to unknown arts.")
— Ovid, Epigraph to //A Portrait of the Artist as a Young Man// (1916)

"What is so staggering about //Ulysses// is the fact that behind a thousand veils nothing lies hidden; that it turns neither toward the mind nor toward the world, but, as cold as the moon looking on from cosmic space, allows the drama of growth, being, and decay to pursue its course."
— Carl [[Jung]]

Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce during which the events of his novel //Ulysses// (which is set on 16 June 1904) are relived. It is observed annually on 16 June in Dublin and elsewhere.  The name is derived from Leopold Bloom, the protagonist of //Ulysses//.

From //Ulysses//:
<<<
<part QuakerLibrarian>A man of [[genius]] makes no mistakes.  His errors are volitional and are the portals of discovery.  Portals of discovery opened to let in the quaker librarian …

What's in a name?  That's what we ask ourselves in childhood when we write the [[name|Evocative Words/name]] that we are told is ours.  A star, a daystar, a firedrake, rose at his birth.

… He returns after a life of absence to that spot of earth where he was born, where he has always been, man and boy, a silent witness and there, his journey of life ended, he plants his mulberrytree in the earth. Then dies. The motion is ended. 
</part>

{{grem{[jumping to another passage]}}}

-- That's very interesting because that brother motive, don't you know, we find also in the old Irish myths.  Just what you say.  The three brothers Shakespeare.  In Grimm too …

The quaker librarian springhalted near.
-- I should like to know, he said, which brother you… I understand you to suggest there was misconduct with one of the brothers… But perhaps I am anticipating?
: //(noun) springhalt -- An involuntary convulsive movement of the muscles of either hind leg in the horse, by which the leg is suddenly and unduly raised from the ground and lowered again with unnatural force; also, the nervous disorder on which such movements depend, and the resulting gait.//
: Thomas W. Lyster, "[[the quaker librarian|http://cas.umt.edu/english/joyce/notes/090004quakerlibrarian.htm]]," was an actual Dubliner who served as director of the Ireland National Library from 1895 to 1920.
''Gathered on the palindromic [[6/16/16|numerology]]:''

Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.

Think you're escaping and run into yourself. Longest way round is the shortest way home.

INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things //I am here to read//, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies.

When one reads these strange pages of one long gone one feels that one is at one with one who once…
<<<
His other work //[[Finnegans Wake]]// is a work of "comic prose" <part Wake>significant for its experimental style and resulting reputation as one of the most difficult works of fiction in the English language.
<<<
Written in Paris over a period of seventeen years, and published in 1939, two years before the author's death, //Finnegans Wake// was Joyce's final work. The entire book is written in a largely idiosyncratic language, consisting of a mixture of standard English lexical items, neologisms, multilingual puns and portmanteau words, which many critics believe attempts to recreate the experience of sleep and dreams.

Owing to the work's expansive linguistic experiments, stream of consciousness writing style, literary allusions, free dream associations, and its abandonment of the conventions of plot and character construction, //Finnegans Wake// remains largely unread by the general public.
<<<
</part>
;
For a personal and lexically less tangled glimpse into Joyce's mind, I suggest //Giacomo Joyce://
<<<
''stars-and'' waning heaven-stillness-and
stillness deeper-stillness of
''annihilation-and'' [[her voice|stars-and-annihilation-and-her-voice]]
<<<

| December 14, 2003 -- On the way to our wedding, let me tell you why: because there is no one else like you; and creating is better with you; I love myself more with you; because I want to always know that we are not apart; because I want the world to know that I am part of you; my alone world is better because of you; and, because, I love you, Lily. |

Etymology: <  ancient Greek τέχνη art, craft (see techno- comb. form).

  An art, skill, or craft; a technique, principle, or method by which something is achieved or created. Also: a product of this, a work of art.

2006 Believer Mar. 12/1
"Questions about Kafka's relation to what might be called the technê of image making, the rendering of life into a haunting semblance of itself."

Lily Cara,
 I forgot that today was Friday until you told me.  As we said goodbye, the tears flared in my nose (where I always feel them first) and panicky, tremulous emotions quivered inside.  Friday.  We own our home.  We have been married for four months.  Pockets of non-human life are thriving around me: aquatic, root-bound, air fern, Lucifer.

[[(4-16-04)|kiss of words]]

----

| {{dialog{It is "I do" not voodoo that makes __our__ universe sound -- two tempermental sorts were never better matched -- I am forever grateful to a B&N trip where coffee was shared & lives forever changed -- today a wonderful commemoration & anew }}}   (2-15-04) |

| Time is passing so quickly, and somehow it's been six months since I last wrote in this book.  This has been an era of "cocoa conferences" and routines and comfortable familiarity.  I have at last settled into our new home and appreciate what we have made.  You are making breakfast sandwiches right now.  It is a normal morning.  Thank you for these days. (10-12-04) |

{{rjustify{
9-8-04}}} {{dialog{ Just a year ago you wrote:

9/7/03
I believe in our cabin dream and anticipate living the dream!  I am anxious to plan more…
~
We have come so far and are headed for our dreams -- there is nothing we can't achieve -- I love you my husband … my friend}}}

----

| I know that when I feel the need, I can lay my heart bare to you without fear.  This can be my 10-year [[anniversary|2010-05-08]] record: That I have a home and a life with my anam cara.  I am hurting, but it ebbs with my happiness.  I am who and where I need to be with you, Luke, and Ashley. |

{{rjustify{
12-19-04}}} {{dialog{

Even when we are many miles apart I feel very close to you.

I love you

I miss you

Hi! ☺
}}}
----

 
If I [[get it all down|write it]] on paper, it's no longer
Inside of me //threatening the life it belongs to//

And I feel like I'm naked in front of the crowd
'Cause these words are my diary, screaming out loud
And I know that you'll use them however you want to

-- From the song "Breathe (2 AM)" by Anna Nalick

Sister Cecile (Cecelia) Gertken, O.S.B., was born February 7, 1902 in Richmond, MN, the eleventh of Luke and Margaret (Schneider) Gertken's thirteen children. One brother died in infancy, the remaining four became Benedictine monks. Seven of the eight girls joined St. Benedict's Monastery. Their father, a renowned teacher and organist, was a great role model. All of the Gertken children sang and read music. Sister Cecile earned the B.A. degree in piano at the College of Saint Benedict in 1925, entered St. Benedict's Monastery in 1926 and professed vows on July 11, 1928.

From 1928 to 1960 Sister Cecile taught piano and band instruments, and directed choirs in schools in Bismarck, ND; Mauston, WI; St. Cloud, Wadena, Watkins, Robbinsdale, Sauk Centre and Long Prairie. In 1943 she began attending summer sessions at the U. of MN. There, composing accompaniments for the "Opus Dei," Sister was led to the principles of modal accompaniment and described them in her book, CHANT MELODIES SIMPLIFIED, published by the Liturgical Press in 1960. Between 1961 and 1975 Sister Cecile taught piano and chant at the College of Saint Benedict. Here she was awarded the rank of Professor Emerita.

Vatican II's approval of the vernacular for liturgical prayer prompted her to devote her talents to preserving the ancient chant melodies, fitting them to English translations of the new Mass texts, and to translating and adapting antiphons and hymns for the Divine Office. Her goal was to provide assurance that the ancient Gregorian chant would not be lost. Her booklets of Mass ordinaries, and for monastic prayer hours, published from 1975 to 1993, culminated with SEASONAL HYMNS OF THE LIBER HYMNARIUS. Her contributions became known in many parts of the world. Requests for her booklets have come from St. Cecilia Abbey, England, for distribution in India and Nigeria; from Australia and from Sri Lanka. Beginning in 1975 she assisted the Trappist monks in Huntsville, Utah, translate chants into English.  {{grem{(Among her work was a translation-paraphrase of the Latin hymn "[[Ut queant laxis|gamut]]".)}}}  Living at St. Scholastica since 1995, Sister Cecile continued her mission of stressing the beauty and importance of singing the ancient chants. In November, 1999, the new organ in the oratory at St. Benedict's Monastery was blessed in memory of the Gertken Sisters.

Sister Cecile, 99, died at St. Scholastica Convent on November 24, 2001. She is survived by her Benedictine community and many friends. Five brothers and seven sisters are deceased. Sister Cecile sang praise to God throughout her lifetime. In chanting the "Opus Dei" she promised to sing while she had being. We are confident that in her new fullness of being she is keeping that promise with God-given joy.

Tribute prepared by the Sisters of the Order of Saint Benedict, Saint Joseph, Minnesota.

/***
|Name|NestedSlidersPluginInfo|
|Source|http://www.TiddlyTools.com/#NestedSlidersPlugin|
|Documentation|http://www.TiddlyTools.com/#NestedSlidersPluginInfo|
|Version|2.4.9|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|documentation|
|Description|documentation for NestedSlidersPlugin|
This plugin adds new wiki syntax for embedding 'slider' panels directly into tiddler content.
!!!!!Usage
<<<
//{{{
++++(cookiename)!!!!!^width^*@{{class{[label=key|tooltip][altlabel|alttooltip]}}}#panelID:>...
content goes here
===
//}}}
* ''"""+++""" (or """++++""") and """==="""''<br>marks the start and end of the slider definition, respectively.  When the extra {{{+}}} is used, the slider will be open when initially displayed.
* ''"""(cookiename)"""''<br>saves the slider opened/closed state, and restores this state whenever the slider is re-rendered.
* ''"""! through !!!!!"""''<br>displays the slider label using a formatted headline (Hn) style instead of a button/link style
* ''"""^width^ (or just ^)"""''<br>makes the slider 'float' on top of other content rather than shifting that content downward.  'width' must be a valid CSS value (e.g., "30em", "180px", "50%", etc.).  If omitted, the default width is "auto" (i.e., fit to content)
* ''"""*"""''<br>denotes "transient display": when a click occurs elsewhere in the document, the slider/floating panel will be automatically closed.  This is useful for creating 'pulldown menus' that automatically go away after they are used.  //Note: using SHIFT-click on a slider label will open/close that slider without triggering the automatic closing of any transient slider panels that are currently displayed, permitting ''temporary'' display of several transient panels at once.//
* ''"""@"""''<br>denotes "open on hover": the slider/floating panel will be automatically opened as soon as the mouse moves over the slider label, without requiring a click.
* ''"""{{class{[label=key|tooltip][altlabel|alttooltip]}}}"""''<br>uses label/tooltip/accesskey.  """{{class{...}}}""", """=key""", """|tooltip""" and """[altlabel|alttooltip]""" are optional.  'class' is any valid CSS class name, used to style the slider label text.  'key' must be a ''single letter only''.  altlabel/alttooltip specify alternative label/tooltip for use when slider/floating panel is displayed.  //Note: you can use HTML syntax within the label text to include HTML entities (e.g., {{{&raquo;}}} (&raquo;) or {{{&#x25ba;}}} (&#x25ba;), or even embedded images (e.g., {{{<img src="images/eric3.gif">}}}).//
* ''"""#panelID:"""''<br>defines a unique DOM element ID that is assigned to the panel element used to display the slider content.  This ID can then be used later to reposition the panel using the {{{<<DOM move id>>}}} macro (see [[DOMTweaksPlugin]]), or to access/modify the panel element through use of {{{document.getElementById(...)}}}) javascript code in a plugin or inline script.
* ''""">"""''<br>automatically adds blockquote formatting to slider content
* ''"""..."""''<br>defers rendering of closed sliders until the first time they are opened.
Notes:
*You can 'nest' sliders as deep as you like (see complex nesting example below), so that expandable 'tree-like' hierarchical displays can be created.
*Deferred rendering (...) can be used to offset processing overhead until actually needed. However, this may produce unexpected results in some cases.  Use with care.
* To make slider definitions easier to read and recognize when editing a tiddler, newlines immediately following the 'start slider' or preceding the 'end slider' sequences are automatically supressed so that excess whitespace is eliminated from the output.
<<<
!!!!!Examples
<<<
simple in-line slider: 
{{{
+++content===
}}}
+++content===
----
use a custom label and tooltip: 
{{{
+++[label|tooltip]content===
}}}
+++[label|tooltip]content===
----
content automatically blockquoted: 
{{{
+++>content===
}}}
+++>content===
----
all options (except cookie) //(default open, heading, sized floater, transient, open on hover, class, label/tooltip/key, blockquoted, deferred)//
{{{
++++!!!^30em^*@{{big{[label=Z|click or press Alt-Z to open]}}}>...
   content
===
}}}
++++!!!^30em^*@{{big{[label=Z|click or press Alt-Z to open]}}}>...
   content
===
----
complex nesting example:
{{{
+++[get info...=I|click for information or press Alt-I]
	put some general information here,
	plus a floating panel with more specific info:
	+++^10em^[view details...|click for details]
		put some detail here, which could in turn contain a transient panel,
		perhaps with a +++^25em^*[glossary definition]explaining technical terms===
	===
===
}}}
+++[get info...=I|click for information or press Alt-I]
	put some general information here,
	plus a floating panel with more specific info:
	+++^10em^[view details...|click for details]
		put some detail here, which could in turn contain a transient panel,
		perhaps with a +++^25em^*[glossary definition]explaining technical terms===
	===
===
----
embedded image as slider button
{{{
+++[<img src=images/eric3.gif>|click me!]>
	{{big{OUCH!}}}
===
}}}
+++[<img src=images/eric3.gif>|click me!]>
	{{big{OUCH!}}}
===
<<<
!!!!!Revisions
<<<
2008.11.15 2.4.9 in adjustNestedSlider(), don't make adjustments if panel is marked as 'undocked' (CSS class).  In onClickNestedSlider(), SHIFT-CLICK docks panel (see [[MoveablePanelPlugin]])
2008.11.13 2.4.8 in document.onclick(), if transient panel is not a sliderPanel or floatingPanel, hide it via CSS
2008.10.05 2.4.7 in onClickNestedSlider(), added try/catch around focus() call to prevent IE error if input field being focused on is currently not visible.
2008.09.07 2.4.6 added removeCookie() function for compatibility with [[CookieManagerPlugin]]
2008.06.07 2.4.5 in 'onmouseover' handler for 'open on hover' slider buttons, use call() method when invoking document.onclick function (avoids error in IE)
2008.06.07 2.4.4 changed default for chkFloatingSlidersAnimate to FALSE to avoid clipping problem on some browsers (IE).  Updated Morpher hijack (again) to adjust regular sliderPanel styles as well as floatingPanel styles.
2008.05.07 2.4.3 updated Morpher hijack to adjust floatingPanel styles after animation without affecting other animated elements (i.e. popups).  Also, updated adjustSliderPos() to account for scrollwidth and use core findWindowWidth().
2008.04.02 2.4.2 in onClickNestedSlider, handle clicks on elements contained //within// slider buttons (e.g., when using HTML to display an image as a slider button).
2008.04.01 2.4.1 open on hover also triggers document.onclick to close other transient sliders
2008.04.01 2.4.0 re-introduced 'open on hover' feature using "@" symbol
2008.03.26 2.3.5 in document.onclick(), if click is in popup, don't dismiss transient panel (if any)
2008.01.08 [*.*.*] plugin size reduction: documentation moved to ...Info tiddler
2007.12.28 2.3.4 added hijack for Animator.prototype.startAnimating().  Previously, the plugin code simply set the overflow to "visible" after animation.  This code tweak corrects handling of elements that were styled with overflow=hidden/auto/scroll before animation by saving the overflow style and then restoring it after animation has completed.
2007.12.17 2.3.3 use hasClass() instead of direct comparison to test for "floatingPanel" class.  Allows floating panels to have additional classes assigned to them (i.e., by AnimationEffectsPlugin).
2007.11.14 2.3.2 in onClickNestedSlider(), prevent SHIFT-click events from opening a new, empty browser window by setting "cancelBubble=true" and calling "stopPropagation()".  Note: SHIFT-click is still processed as a normal click (i.e., it toggles the slider panel display).  Also, using SHIFT-click will prevent 'transient' sliders from being automatically closed when another slider is opened, allowing you to *temporarily* display several transient sliders at once.
2007.07.26 2.3.1 in document.onclick(), propagate return value from hijacked core click handler to consume OR bubble up click as needed.  Fixes "IE click disease", whereby nearly every mouse click causes a page transition.
2007.07.20 2.3.0 added syntax for setting panel ID (#panelID:).  This allows individual slider panels to be repositioned within tiddler content simply by giving them a unique ID and then moving them to the desired location using the {{{<<DOM move id>>}}} macro.
2007.07.19 2.2.0 added syntax for alttext and alttip (button label and tooltip to be displayed when panel is open)
2007.07.14 2.1.2 corrected use of 'transient' attribute in IE to prevent (non-recursive) infinite loop
2007.07.12 2.1.0 replaced use of "*" for 'open/close on rollover' (which didn't work too well).  "*" now indicates 'transient' panels that are automatically closed if a click occurs somewhere else in the document.  This permits use of nested sliders to create nested "pulldown menus" that automatically disappear after interaction with them has been completed.  Also, in onClickNestedSlider(), use "theTarget.sliderCookie", instead of "this.sliderCookie" to correct cookie state tracking when automatically dismissing transient panels.
2007.06.10 2.0.5 add check to ensure that window.adjustSliderPanel() is defined before calling it (prevents error on shutdown when mouse event handlers are still defined)
2007.05.31 2.0.4 add handling to invoke adjustSliderPanel() for onmouseover events on slider button and panel.  This allows the panel position to be re-synced when the button position shifts due to changes in unrelated content above it on the page.  (thanks to Harsha for bug report)
2007.03.30 2.0.3 added chkFloatingSlidersAnimate (default to FALSE), so that slider animation can be disabled independent of the overall document animation setting (avoids strange rendering and focus problems in floating panels)
2007.03.01 2.0.2 for TW2.2+, hijack Morpher.prototype.stop so that "overflow:hidden" can be reset to "overflow:visible" after animation ends
2007.03.01 2.0.1 in hijack for Slider.prototype.stop, use apply() to pass params to core function
2006.07.28 2.0.0 added custom class syntax around label/tip/key syntax: {{{{{classname{[label=key|tip]}}}}}}
2006.07.25 1.9.3 when parsing slider, save default open/closed state in button element, then in onClickNestedSlider(), if slider state matches saved default, instead of saving cookie, delete it.  Significantly reduces the 'cookie overhead' when default slider states are used.
2006.06.29 1.9.2 in onClickNestedSlider(), when setting focus to first control, skip over type="hidden"
2006.06.22 1.9.1 added panel.defaultPanelWidth to save requested panel width, even after resizing has changed the style value
2006.05.11 1.9.0 added optional '^width^' syntax for floating sliders and '=key' syntax for setting an access key on a slider label
2006.05.09 1.8.0 in onClickNestedSlider(), when showing panel, set focus to first child input/textarea/select element
2006.04.24 1.7.8 in adjustSliderPos(), if floating panel is contained inside another floating panel, subtract offset of containing panel to find correct position
2006.02.16 1.7.7 corrected deferred rendering to account for use-case where show/hide state is tracked in a cookie
2006.02.15 1.7.6 in adjustSliderPos(), ensure that floating panel is positioned completely within the browser window (i.e., does not go beyond the right edge of the browser window)
2006.02.04 1.7.5 add 'var' to unintended global variable declarations to avoid FireFox 1.5.0.1 crash bug when assigning to globals
2006.01.18 1.7.4 only define adjustSliderPos() function if it has not already been provided by another plugin.  This lets other plugins 'hijack' the function even when they are loaded first.
2006.01.16 1.7.3 added adjustSliderPos(place,btn,panel,panelClass) function to permit specialized logic for placement of floating panels.  While it provides improved placement for many uses of floating panels, it exhibits a relative offset positioning error when used within *nested* floating panels.  Short-term workaround is to only adjust the position for 'top-level' floaters.
2006.01.16 1.7.2 added button property to slider panel elements so that slider panel can tell which button it belongs to.  Also, re-activated and corrected animation handling so that nested sliders aren't clipped by hijacking Slider.prototype.stop so that "overflow:hidden" can be reset to "overflow:visible" after animation ends
2006.01.14 1.7.1 added optional "^" syntax for floating panels.  Defines new CSS class, ".floatingPanel", as an alternative for standard in-line ".sliderPanel" styles.
2006.01.14 1.7.0 added optional "*" syntax for rollover handling to show/hide slider without requiring a click (Based on a suggestion by tw4efl)
2006.01.03 1.6.2 When using optional "!" heading style, instead of creating a clickable "Hn" element, create an "A" element inside the "Hn" element.  (allows click-through in SlideShowPlugin, which captures nearly all click events, except for hyperlinks)
2005.12.15 1.6.1 added optional "..." syntax to invoke deferred ('lazy') rendering for initially hidden sliders
removed checkbox option for 'global' application of lazy sliders
2005.11.25 1.6.0 added optional handling for 'lazy sliders' (deferred rendering for initially hidden sliders)
2005.11.21 1.5.1 revised regular expressions: if present, a single newline //preceding// and/or //following// a slider definition will be suppressed so start/end syntax can be place on separate lines in the tiddler 'source' for improved readability.  Similarly, any whitespace (newlines, tabs, spaces, etc.) trailing the 'start slider' syntax or preceding the 'end slider' syntax is also suppressed.
2005.11.20 1.5.0 added (cookiename) syntax for optional tracking and restoring of slider open/close state
2005.11.11 1.4.0 added !!!!! syntax to render slider label as a header (Hn) style instead of a button/link style
2005.11.07 1.3.0 removed alternative syntax {{{(((}}} and {{{)))}}} (so they can be used by other formatting extensions) and simplified/improved regular expressions to trim multiple excess newlines
2005.11.05 1.2.1 changed name to NestedSlidersPlugin
2005.11.04 1.2.0 added alternative character-mode syntax {{{(((}}} and {{{)))}}}
tweaked "eat newlines" logic for line-mode {{{+++}}} and {{{===}}} syntax
2005.11.03 1.1.1 fixed toggling of default tooltips ("more..." and "less...") when a non-default button label is used.  code cleanup, added documentation
2005.11.03 1.1.0 changed delimiter syntax from {{{(((}}} and {{{)))}}} to {{{+++}}} and {{{===}}}.  changed name to EasySlidersPlugin
2005.11.03 1.0.0 initial public release
<<<

 
''Martin Buber'' (8 February 1878 – 13 June 1965)  Austrian-born Jewish philosopher best known for his philosophy of dialogue.  In his existentialist work //[[Ich und Du]] [I and Thou]// (1923), he argued that religious experience involves reciprocal relationships with a personal subject, rather than knowledge of some "thing."
<<<
The world awaits hallowing; it awaits the disclosure and realization of its meaning. But we must begin. Meet the world with the fullness of your being, and you shall meet God … If you wish to believe, love!

There is something that can only be found in one place.  It is a great treasure, which may be called the fulfillment of existence.  The place where this treasure can be found is the place on which one stands. —from //The Way of Man//
<<<

Martin Buber criticized Tillich's "transtheistic position" as a reduction of God to the impersonal "necessary being" of Thomas Aquinas.

<<<
<part love-deed-Yes>
Every morning
I shall concern myself anew about the boundary
Between the love-deed-Yes
and the power-deed-No,
And pressing forward honor reality.
We cannot avoid
Using power,
Cannot escape the compulsion
To afflict the world,
So let us, cautious in diction
And mighty in [[contradiction|origin of all poems/contradict]],
Love powerfully.
— "Power and Love" (1926)
</part>
<<<

http://en.wikiquote.org/wiki/Martin_Buber

[[NYTimes Obituary: Martin Buber, Renowned Jewish Philosopher|http://www.nytimes.com/learning/general/onthisday/bday/0208.html]]

Buber's interpretation of the Hasidic tradition, however, has been criticized by Chaim Potok for its romanticization. In the introduction to Buber's //Tales of the Hasidim//, Potok notes that Buber overlooked Hasidism's "charlatanism, obscurantism, internecine quarrels, its heavy freight of folk superstition and pietistic excesses, its tzadik worship, its vulgarized and attenuated reading of Lurianic Kabbalah." Even more severe is the criticism that Buber deemphasized the importance of the Jewish Law in Hasidism.

...the two took off their clothes and kissed
because two bodies, naked and entwined,
leap over time, they are invulnerable,
nothing can touch them, they return to the source.
There is no you, no I, no tomorrow,
no yesterday, no names, the truth of two
in a single body, a single soul,
oh total being
...
all is transformed, all is sacred,
every room is the center of the world,
it's still the first night, and the first day,
the world is born when two people kiss,
a drop of light from transparent juices,
the room cracks half-open like a fruit
or explodes in silence like a star
...
the world changes
if two look at each other and see,
to love is to undress our names
...
the world changes
if two, dizzy and entwined,
fall on the grass: the sky comes down,
trees rise, space becomes nothing but light
and silence...

Octavio [[Paz]]

''Ralph Waldo Emerson''  (25 May 1803 – 27 April 1882)  American (Massachusetts) writer, philosopher, and central figure of the Transcendentalist movement.  His poems, lectures, and especially his essays, such as //Nature// (1836) and //~Self-Reliance// (1841), are landmarks in the development of American thought and literary expression.

As quoted by Loren [[Eiseley]],
<<<
We must admire in man,” continued Emerson, who, in //The [[Method of Nature]]//, was careful not to admire him overmuch, //''“the form of the formless, the concentration of the vast, the house of reason, the cave of memory.”''//
<<<
Inscribed on Emerson's [[tombstone|http://blog.billiongraves.com/2013/08/tombstone-tuesday-ralph-waldo-emerson/]]:
<<<
{{grem{[These temples grew as grows the grass;
Art might obey but not surpass.]}}}
''//The passive Master lent his hand;
To the vast soul that o'er him planned//''
<<<
From [[The Harvard Crimson|http://www.thecrimson.com/article/1886/3/12/optimism-of-ralph-waldo-emerson-quite/]], March 12, 1886:
<<<
The nineteenth century is characterized by pessimism, and it is chiefly through the abandonment of faith in the revelation of the bible, that such men as Voltaire, Byron, Tennyson, Swinburne, Goethe and ~DeMusset, were led into this line of thought.  Poets are quoted as examples, for more than all other men they give expression to the thought of their times.

Into this circle of pessimists was born Ralph Waldo Emerson, a man gifted with a large cheerful nature, ready to face the great questions of the day, but never made despondent by them.  Although he was not contented with the age he lived in, he firmly believed that it was better than all that had preceded it.  As for the future, his firm faith was that it would be better than the present.  Utterances of Carlyle, George Eliot, and many other writers show with what delight his pure hopeful philosophy was welcomed by the intellectual world.  He had many traits in common with Wordsworth; but he was a much broader man.  He taught the nineteeeth century to hope, and for this lesson we cannot be too thankful.
<<<

''encyclopedia'' //noun// – general course of instruction, 1531, thought to be a false reading (occurring in manuscripts of Roman writers such as Quintilian and Pliny) for the Greek phrase //enkyklios paideia// taken as a general or well-rounded education.  @@color(grey):{ Greek phrase //''enkyklios paideia''  'training in a circle'// < //__enkyklios__ 'circular', also 'general' < //__en-__// 'in' + //__kyklos__// 'circle' + //__paideia__// 'education, child-rearing', < //__pais__// 'child'.  }

For Whom the Bell Tolls
by John Donne

No man is an island, 
Entire of itself. 
Each is a piece of the continent, 
A part of the main …
Each man's death diminishes me, 
For I am involved in mankind. 
Therefore, send not to know 
For whom the bell tolls, 
It tolls for thee.

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

!Susan Ariel Rainbow Kennedy

Susan wrote me the following letter at the conclusion of an online / distance workshop:
<<<
I love your words here and your spirit shared. What a divine soul you are, and I love your questions.
There is so much in your subject line; Wanting Focus or Action. I wonder "who" is wanting that focus or action?
I envision you "clearing your energetic field" with 3 part Harmony, taking your OH [One Hunger], and sitting in a cornfield and receiving from your Wise Self.
I feel that you are already becoming what you say you want – and how to create a living from it is a separate question that is slowing you down from fully becoming it.
You are not "too far-flung" – perhaps you are not flung enough?
And are there tangible movements that you could make that you haven't?
My blessings and support to you, and acknowledging your growth and questions, sending you:
RELEASE from "knowing."

August 10, 2010
<<<

On June 17, 2010 at the beginning of our workshop, Susan wrote to me:

  <part naming>Welcome, you are ''GROUNDED CHANGE'' ~

//Listen to the cries of the world… I am grounded change, and I am [[dreaming the real|2010-06-27]].
: Babies are being born. Couples are in ‘[[el acto de amor|Maithuna]].’ But somewhere else, someone is dying.
//</part>

SARK's book //Glad No Matter What// inspired my [[Loss List]].

!Believe
Elton John

I believe in love, it's all we got
Love has no boundaries, costs nothing to touch
War makes money, cancer sleeps
Curled up in my father and that means something to me
Churches and dictators, politics and papers
Everything crumbles sooner or later
But love, I believe in love

I believe in love, it's all we got
Love has no boundaries, no borders to cross
Love is simple, hate breeds
Those who think difference is the child of disease
Father and son make love and guns
Families together kill someone
Without love, I believe in love

Without love I wouldn't believe
In anything that lives and breathes
Without love I'd have no anger
I wouldn't believe in the right to stand here
Without love I wouldn't believe
I couldn't believe in you
And I wouldn't believe in me
Without love

I believe in love

----

This song played in my mind on the day that I learned my father's prostate cancer has returned. He will go through 35 radiation treatments starting in September 2016.

<<allTags excludeLists>>
<<tag lifelines>> examined in //One Thousand Conversations//

<<tag lily Lily>> -- her writings and our relationship

''
+++[All Including System Tags]
<<allTags>>
===

/***
|''Name''|TiddlySpaceRevisionView|
|''Description''|Show tiddler revisions in a stack of cards view|
|''Author''|BenGillies|
|''Version''|0.2.0|
|''Status''|beta|
|''Source''|http://github.com/TiddlySpace/tiddlyspace|
|''CodeRepository''|http://github.com/TiddlySpace/tiddlyspace|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''CoreVersion''|2.6.0|
|''Requires''|TiddlyWebAdaptor|
!Usage
The viewRevisions macro can be attached to any element, which should be passed
in as a parameter.

For example:

&lt;&lt;viewRevisions page:10 link:"<<view modified date>>"&gt;&gt;

would show the revisions "stack of cards" view, 10 at a time, when the modified
date is clicked.
!Code
***/
//{{{
(function($) {

var me = config.macros.viewRevisions = {
	revisionTemplate: "RevisionTemplate",
	revSuffix: " [rev. #%0]", // text to append to each tiddler title
	defaultPageSize: 5, // default number of revisions to show
	defaultLinkText: "View Revisions", // when there's nothing else to use
	offsetTop: 30, // in px
	offsetLeft: 10, // in px
	shiftDownDelay: 50, // in ms
	visibleSlideAmount: 20, // amount of revisions to show on left hand edge after sliding
	zIndex: 100, // default z-index
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		params = paramString.parseParams(null, null, true)[0];
		var tiddlerElem = story.findContainingTiddler(place);

		var revButton;
		var pageSize = parseInt(params.page[0], 10) || me.defaultPageSize;
		var linkObj = params.link ? params.link[0] || me.defaultLinkText : false;
		if(linkObj) {
			revButton = $('<span class="button openRevisions" />')
				.appendTo(place);
			wikify(linkObj, revButton[0], null, tiddler);
		} else {
			revButton = place;
		}

		$(revButton).click(function() {
			if (!$(tiddlerElem).hasClass("revisions")) {
				me.showRevisions(tiddlerElem, tiddler, pageSize);
			} else {
				me.closeRevisions(tiddlerElem);
			}
		});
	},

	// initialisation for revision view
	showRevisions: function(tiddlerElem, tiddler, pageSize) {
		var context = {
			host: tiddler.fields["server.host"],
			workspace: tiddler.fields["server.workspace"]
		};
		$(tiddlerElem).addClass("revisions").attr("revName", tiddler.title);
		// ensure toolbar commands deactivate RevisionsView
		$("a", ".toolbar", tiddlerElem).each(function(index, btn) {
			var _onclick = btn.onclick;
			btn.onclick = function(e) {
				me.closeRevisions(tiddlerElem);
				_onclick.apply(this, arguments);
			};
		});
		// ensure default action deactivates RevisionsView
		var _ondblclick = tiddlerElem.ondblclick;
		tiddlerElem.ondblclick = function(e) {
			me.closeRevisions(tiddlerElem);
			_ondblclick.apply(this, arguments);
		};
		var type = tiddler.fields["server.type"];
		var adaptor = new config.adaptors[type]();
		var userParams = {
			tiddlerElem: tiddlerElem,
			pageSize: pageSize,
			title: tiddler.title
		};
		me.createCloak(tiddlerElem);
		adaptor.getTiddlerRevisionList(tiddler.title, null, context, userParams,
				function(context, userParams) {
					// strip the current revision
					context.revisions.shift();
					me.expandStack(context, userParams);
				});
	},

	// fetch the actual revision and put it in the tiddler div
	showRevision: function(place, revision, callback) {
		var context = {
			host: revision.fields["server.host"],
			workspace: revision.fields["server.workspace"]
		};
		var userParams = {
			revElem: place
		};
		var type = revision.fields["server.type"];
		var adaptor = new config.adaptors[type]();
		var revNo = revision.fields["server.page.revision"];
		adaptor.getTiddlerRevision(revision.title, revNo, context, userParams,
			function(context, userParams) {
				var tiddler = context.tiddler;
				tiddler.title += me.revSuffix
					.format([$(place).attr("revision")]);
				tiddler.fields.doNotSave = true;
				if (store.getTiddler(tiddler.title)) {
					store.deleteTiddler(tiddler.title);
				}
				store.addTiddler(tiddler);

				//now, populate the existing div
				var revElem = userParams.revElem;
				$(revElem).attr("id", story.tiddlerId(tiddler.title));
				$(revElem).attr("refresh", "tiddler");
				var getTemplate = function() {
					var themeName = config.options.txtTheme;
					if (themeName) {
						return store.getTiddlerSlice(themeName,
							me.revisionTemplate) || me.revisionTemplate ||
							"ViewTemplate";
					} else {
						return (store.getTiddler(me.revisionTemplate)) ?
							me.revisionTemplate : "ViewTemplate";
					}
				};
				var template = getTemplate();
				story.refreshTiddler(tiddler.title, template, true);
				callback(tiddler);
			});
	},

	createCloak: function(promoteElem) {
		var el = $(promoteElem);
		// cache styles for resetting later
		el.data({
			top: el.css("top"),
			left: el.css("left"),
			zIndex: el.css("z-index")
		});

		$('<div class="revisionCloak" />').css("z-index", me.zIndex)
			.click(function() {
				me.closeRevisions(promoteElem);
			})
			.appendTo(document.body);

		el.css("z-index", me.zIndex + 1);
	},

	// clean up, removing all evidence of revision view
	closeRevisions: function(promoteElem) {
		var el = $(promoteElem);
		// revert the original tiddler back to its previous state
		el.removeAttr("revName").removeClass("revisions").css({
			top: el.data("top"),
			left: el.data("left"),
			zIndex: el.data("zIndex")
		});

		// remove any revisions still in the store
		var revisions = $(".revisions");
		revisions.each(function(index, revision) {
			var revAttributes = revision.attributes;
			if ((revAttributes.revname) &&
					(revAttributes.revision)) {
				var revName = revAttributes.revname.value;
				var revNo = revAttributes.revision.value;
				var title = revName + me.revSuffix.format([revNo]);

				if (store.getTiddler(title)) {
					store.deleteTiddler(title);
				}
			}
		});

		// delete the previous revisions
		revisions.remove();

		// remove the cloak
		$(".revisionCloak").remove();
	},

	// calback from getting list of revisions
	expandStack: function(context, userParams) {
		var pageSize = userParams.pageSize;

		var from = userParams.from || 0;
		var tiddlerElem = userParams.tiddlerElem;

		userParams.defaultHeight = $(tiddlerElem).height();
		userParams.defaultWidth = $(tiddlerElem).width();
		if (from < context.revisions.length) {
			me.displayNextRevision(tiddlerElem, userParams, context, from,
				from + pageSize - 1);
		}
	},

	// place the next div above and behind the previous one
	displayNextRevision: function(tiddlerElem, userParams, context, from, to) {
		var revision = context.revisions[from];
		var callback = function() {
			var revText = revBtn.getRevisionText(tiddlerElem, revision);
			tiddlerElem = me.createRevisionObject(tiddlerElem, context,
				userParams, revText);
			$(tiddlerElem)
				.attr("revision", (context.revisions.length - from));
			if ((from < to) && ((from + 1) < context.revisions.length)){
				me.displayNextRevision(tiddlerElem, userParams, context,
					from + 1, to);
			} else if ((context.revisions.length - 1) > to) {
				me.showMoreButton(tiddlerElem, context, userParams, to + 1);
			}
		};
		me.shiftVisibleDown(userParams.title, callback);
	},

	createRevisionObject: function(tiddlerElem, context, userParams, text) {
		var newPosition = me.calculatePosition(tiddlerElem, context);
		return $('<div class="revisions tiddler" />')
			.css({
				position: "absolute",
				top: newPosition.top,
				left: newPosition.left,
				"z-index": me.zIndex + 1,
				height: userParams.defaultHeight,
				width: userParams.defaultWidth
			})
			.attr("revName", userParams.title)
			.append(text)
			.insertBefore(tiddlerElem);
	},

	// move the already present revisions down by 1 to fit the next one in
	shiftVisibleDown: function(title, callback) {
		var revisions = $("[revName='%0'].revisions".format([title]));
		var revisionCount = revisions.length;

		$(revisions).animate({top: "+=" + me.offsetTop},
				me.shiftDownDelay, function() {
					revisionCount -= 1;
					if ((callback) && (!revisionCount)) {
						callback();
					}
				});
	},

	// where we put the new revision
	calculatePosition: function(elem, context) {
		var offset = $(elem).offset();
		var currentPosition = $(elem).position();
		var newPosition = {
			top: currentPosition.top - me.offsetTop
		};
		if ((context.restrictLeft) ||
				((offset.left - me.offsetLeft) <
				$("#contentWrapper").offset().left)) {
			newPosition.left = $(elem).position().left;
			context.restrictLeft = true;
		} else {
			newPosition.left = currentPosition.left - me.offsetLeft;
		}
		return newPosition;
	},

	// equivalent of displayNextRevision, but for the more button
	showMoreButton: function(tiddlerElem, context, userParams, moreIndex) {
		userParams.from = moreIndex + 1;
		me.shiftVisibleDown(userParams.title, function() {
			var btn = me.createRevisionObject(tiddlerElem, context, userParams,
				"");

			var more = createTiddlyButton(btn[0], "more...", "show more revisions",
				function() {
					if ($(".viewRevision").length) {
						return;
					}
					userParams.tiddlerElem = btn[0];
					$(btn).text("")
						.append(revBtn
							.getRevisionText(btn[0], context.revisions[moreIndex]))
						.attr("revision", context.revisions.length - moreIndex);
					me.expandStack(context, userParams);
				});
			$(more).css("float", "right");
		});
	},

	stripRevFromTitle: function(revisionTitle) {
		return revisionTitle.split(/ ?\[rev\. #[0-9]+\]$/)[0];
	},

	onClickRevision: function(revElem, revision, callback) {
		// don't do anything if we are still loading
		if ($(".revisions").hasClass("loading")) {
			return null;
		}

		var origTitle = me.stripRevFromTitle(revision.title);
		if ($(revElem).hasClass("viewRevision")) {
			$(".revisions").addClass("loading");
			me.slideIn(revElem, revision, origTitle, function() {
				store.deleteTiddler(revision.title);
				revision.title = origTitle;
				$(revElem).text("").append(revBtn.getRevisionText(revElem,
						revision))
					.removeAttr("tags").removeAttr("tiddler")
					.removeAttr("refresh").removeAttr("template")
					.removeAttr("id");
				$(".revisions").removeClass("loading");
				if (callback) {
					callback();
				}
			});
			$(revElem).removeAttr("prevPos").removeClass("viewRevision");
		} else {
			var viewRevision = function() {
				var prevPos = $(revElem).position().left;
				$(revElem).addClass("viewRevision").attr("prevPos", prevPos);
				$(".revisions").addClass("loading");
				me.showRevision(revElem, revision, function(rev) {
					me.slideOut(revElem, rev, origTitle, function() {
						$(".revisions").removeClass("loading");
					});
				});
			};
			// make sure another revision isn't already out
			if ($(".viewRevision").length) {
				var newRevElem = $(".viewRevision")[0];
				var newRevision = store.getTiddler($(newRevElem)
					.attr("tiddler"));
				me.onClickRevision(newRevElem, newRevision, viewRevision);
			} else {
				viewRevision();
			}
		}
	},

	slideOut: function(revElem, revision, title, callback) {
		var leftMostPos = $("[revName='%0'].revisions".format([title]))
			.offset().left;
		var width = $(revElem).width();
		var originalLeftPos = $(story.getTiddler(title))
			.position().left;

		var slideAmount = leftMostPos + width - me.visibleSlideAmount;
		$("[revName='%0'].revisions:not(.viewRevision)".format([title]))
			.animate({left: "-=" + slideAmount}, 1000);
		$(revElem)
			.attr("baseHeight", $(revElem).css("height"))
			.css("height", "auto")
			.animate({left: originalLeftPos}, 1000, callback);
	},

	slideIn: function(revElem, revision, title, callback) {
		var slideAmount = $(revElem).offset().left -
			$(story.getTiddler(title)).offset().left;
		var origRevPos = $(revElem).attr("prevPos");

		$("[revName='%0'].revisions:not(.viewRevision)".format([title]))
			.animate({left: "+=" + slideAmount}, 1000);
		$(revElem).animate({left: origRevPos}, 1000, function() {
			$(revElem)
				.css("height", $(revElem).attr("baseHeight"))
				.removeAttr("baseHeight");
			callback();
		});
	}
};

var revBtn;
config.macros.slideRevision = revBtn = {
	btnText: "created by %0 at %1 on %2",
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var btn = revBtn.getRevisionText(place, tiddler);
		$(place).append(btn);
	},

	getRevisionText: function(place, revision) {
		var text = revBtn.btnText.format([revision.modifier,
			revision.modified.formatString("0hh:0mm"),
			revision.modified.formatString("0DD MMM YYYY")]);
		var btn = $('<a href="javascript:;" class="button revButton" />')
			.text(text)
			.click(function() {
				var revElem = story.findContainingTiddler(this);
				me.onClickRevision(revElem, revision);
			});
		return btn;
	}
};

})(jQuery);
//}}}

{{span{<<search "kiss">> /%
%/<html><input type="button" value="search again" onclick="var t=this.parentNode.parentNode.getElementsByTagName('input')[0]; config.macros.search.doSearch(t); return false;"> <a href="javascript:;" onclick=" var e=this.parentNode.nextSibling; var show=e.style.display!='block'; if(!config.options.chkAnimate) e.style.display=show?'block':'none'; else anim.startAnimating(new Slider(e,show,false,'none')); return false;">options...</a></html>@@display:none;border-left:1px dotted;margin-left:1em;padding:0;padding-left:.5em;font-size:90%;/%
	%/<<tiddler SearchOptions>>@@}}}

''17 tiddlers found matching '{{{kiss}}}'''
~~&nbsp; searched in titles~~
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss of words');highlightHack = null; return false;" title="kiss of words - dialecticdad, 3/23/2014 11:38:11 AM">kiss of words</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss1');highlightHack = null; return false;" title="kiss1 - dialecticdad, 3/23/2014 11:09:37 AM">kiss1</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss10');highlightHack = null; return false;" title="kiss10 - dialecticdad, 3/23/2014 11:35:33 AM">kiss10</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss11');highlightHack = null; return false;" title="kiss11 - dialecticdad, 3/23/2014 11:34:10 AM">kiss11</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss12');highlightHack = null; return false;" title="kiss12 - dialecticdad, 3/23/2014 11:34:01 AM">kiss12</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss13');highlightHack = null; return false;" title="kiss13 - dialecticdad, 3/23/2014 11:20:27 AM">kiss13</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss14');highlightHack = null; return false;" title="kiss14 - dialecticdad, 3/23/2014 11:21:04 AM">kiss14</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss15');highlightHack = null; return false;" title="kiss15 - dialecticdad, 3/23/2014 11:30:57 AM">kiss15</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss16');highlightHack = null; return false;" title="kiss16 - dialecticdad, 3/23/2014 11:33:47 AM">kiss16</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss2');highlightHack = null; return false;" title="kiss2 - dialecticdad, 3/23/2014 11:11:41 AM">kiss2</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss3');highlightHack = null; return false;" title="kiss3 - dialecticdad, 3/23/2014 11:12:16 AM">kiss3</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss4');highlightHack = null; return false;" title="kiss4 - dialecticdad, 3/23/2014 11:13:03 AM">kiss4</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss5');highlightHack = null; return false;" title="kiss5 - dialecticdad, 3/23/2014 11:13:56 AM">kiss5</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss6');highlightHack = null; return false;" title="kiss6 - dialecticdad, 3/23/2014 11:14:34 AM">kiss6</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss7');highlightHack = null; return false;" title="kiss7 - dialecticdad, 3/23/2014 11:17:35 AM">kiss7</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss8');highlightHack = null; return false;" title="kiss8 - dialecticdad, 3/23/2014 11:18:02 AM">kiss8</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('kiss'.escapeRegExp(),'img');story.displayTiddler(null,'kiss9');highlightHack = null; return false;" title="kiss9 - dialecticdad, 3/23/2014 11:33:30 AM">kiss9</a></html>}}}
@@display:block;<html><input type="button" href="javascript:;" onclick="story.displayTiddlers(null,['kiss of words', 'kiss1', 'kiss2', 'kiss3', 'kiss4', 'kiss5', 'kiss6', 'kiss7', 'kiss8', 'kiss9', 'kiss10', 'kiss11', 'kiss12', 'kiss13', 'kiss14', 'kiss15', 'kiss16'],1);" accesskey="O" value="open all matching tiddlers"></html> <html><input type="button" href="javascript:;" onclick="discardSearchResults()" value="discard SearchResults"></html>@@

[[Sage|http://www.sagemath.org]] is free, open-source mathematics software (previously known as SAGE, an acronym of ''System for Algebra and Geometry Experimentation''.)

Mission: //Creating a viable free open source alternative to Magma, Maple, Mathematica and Matlab.//

Emphasize its purpose for ''experimentation'' and ''expression'' as science/technology/engineering/math (STEM) software.

William Stein:
<<<
[[The Sagemath Cloud|https://cloud.sagemath.com]] combines open source technology that has come out of cloud computing and mathematical software (e.g., web-based Sage and [[IPython|http://ipython.org/notebook.html]] worksheets) to make online mathematical computation easily accessible. People can collaboratively use mathematical software, author documents, use a full command line terminal, and edit complicated computer programs, all using a standard web browser with no special plugins. The core design goals of the site are collaboration and very high reliability…
Though the main focus is on mathematics, the website has also been useful to people in technical areas outside mathematics that involve computation. {{grem{[As well as statistics, data modeling and information analysis?]}}}

— from [[SageMath on Blogspot|http://sagemath.blogspot.com/2013/12/the-sagemath-cloud-minute-elevator.html]]
<<<

 
Dialegence (a certain philosophy/practice)
Dialegen (an adherent/practitioner thereof)
//dia-// "across, between" + //legein// "speak"

I am Dialegen.  I practice Dialegence.
(As a person might say they are Christian, Buddhist, or Deist.)

Searching out the [[contours|http://www.etymonline.com/index.php?term=contour]] [circumference, outline] of a [[Layman Monk]]'s life, I wrote of the ''Dialegent Way'' as a rejection of supernaturalism.

Later when I attempted to describe the facets of the [[Ground-Divine]] (drawing much from other thinkers), I referred to "the Dialegent way, also named Transdeva" -- another nebulous term which I extrapolated from "transtheistic", used by Paul [[Tillich|courage to be]].

''Dialegence'' includes elements of:
* ''diligence'' — //vita diligentissima// – //dis-// + //legere// "choose, gather"
** //'Nihil est melius quam vita diligentissima'//
** //'Nothing is better than a life most-diligent.'//  (Recorded by [[James Murray|http://oed.hertford.ox.ac.uk/main/content/view/263/346/]])
** aspiring toward a life of the utmost diligence
* ''relegence'' — having a deep interest in religion while not being religious
** explicitly linked to //relegere//, 'to read the texts again'
** choosing not to practice the 'religious life' in closed-membership style
** Latin //interresse// from inter- "between" + esse "to be"
* ''eligere'' — choice, election, choosing from possibilities
** the capacity to choose one's response in a situation = human behavior
** the unique human potential to understand our behavior and its consequences
* ''allegiance'' — though from a different word root, suggesting group membership
** erroneously associated with Latin //ligare// "to bind" — which has also been related to the word religion, traced to either //religare// or //relegare//
* ''dialogue'' — in the potent sense Martin Buber described
* ''dialectic'' — drawing in part from Hegel's philosophy and its derivatives
* ''numinology'' — having a strong religious or spiritual quality
** indicating or suggesting the presence of a divinity
** mid 17th century: from Latin //numen, numin-// ‘divine power’ 
** [[Essays on Numinosity|http://www4.wittenberg.edu/academics/mathcomp/andrews/misc/numen/I-TOC.html]] by Paul H. Andrews

Diligence is the opposite of ''negligence'';
Interest [interbeing] counters indifference or apathy.
The capacity for empathy grows from sincere interest in others.

//"All real living is meeting."//  (Martin [[Buber]])

 /* @@color:red; ''Important'': @@
To get future updates, keep this tiddler as is. Add custom CSS to...
;StyleSheetSpace
:as a user including @White
;StyleSheetApp
:as an app developer using @White */
/*{{{*/

/* DEFAULTS */

.clearFloat {
    clear: both;
}

#bs-serviceUpdate {
display: none;
}

body {
    font-size: 1em;
    font-family: helvetica, arial, sans-serif;
    background-color: [[ColorPalette::PageBackground]];
    color: [[ColorPalette::Foreground]];
}

body ul {
    margin: 0;
}

.right{
    float:right;
}

.highlight, .marked {
    background: [[ColorPalette::SecondaryPale]];
}

.viewer img {
    max-width:100%;
}

.viewer blockquote {
    border-left: 2px solid [[ColorPalette::TertiaryPale]];
}

.viewer table, table.twtable {
    border-collapse: collapse;
    margin: 5px 0;
    border: 1px solid [[ColorPalette::TertiaryMid]]  !important;
    max-width: 100%;
    word-break: normal;
    word-wrap: break-word;
}

.viewer tr, .viewer td,
.twtable tr, .twtable td {
    vertical-align:top;
    border: 1px solid [[ColorPalette::TertiaryMid]] !important;
}

.viewer th a:hover,
.viewer thead td a:hover,
.twtable th a:hover,
.twtable thead td :hover{
    color:[[ColorPalette::Background]] !important;
}

,viewer .listTitle{
    margin-left:0;
}

a,
.popup .button {
    color:[[ColorPalette::SecondaryDark]];
}

a:hover {
    text-decoration:underline;
    color:[[ColorPalette::SecondaryMid]];
    background:transparent;
}

a.tiddlyLink {
    font-weight:bold;
}

body .linkified .tiddlyLink.shadow,
a.tiddlyLink.shadow{
    color:[[ColorPalette::TertiaryMid]];
}

a.tiddlyLink.tiddlyLinkNonExisting {
    font-style:italic;
    font-weight:normal;
}

a.tiddlyLink:hover,
.popup .button:hover {
    background:none;
    color:[[ColorPalette::SecondaryMid]];
}

body .linkified .tiddlyLink{
    color:[[ColorPalette::SecondaryDark]];
}

body .linkified .tiddlyLink:hover{
    color:[[ColorPalette::SecondaryMid]];
}

.button,
.tagInfo ul li .button {
    color:[[ColorPalette::TertiaryMid]];
    background:[[ColorPalette::TertiaryPale]];
}

.button:hover,
.tagInfo ul li .button:hover {
    text-decoration:none;
    color:[[ColorPalette::Background]];
    background:[[ColorPalette::TertiaryMid]];
    border-color:[[ColorPalette::TertiaryLight]];
}

a.image:hover {
    background: transparent;
}

.tab{
    border: 1px solid [[ColorPalette::TertiaryLight]];
    border-bottom-color: [[ColorPalette::TertiaryPale]];
    background: [[ColorPalette::TertiaryLight]];
}

a.tabSelected,
.tabset .tab:hover {
    color:[[ColorPalette::TertiaryMid]];
    background: [[ColorPalette::PageBackground]];
    text-decoration: none;
}

.tabContents{
    background: [[ColorPalette::PageBackground]];
}

dd {
    margin-left: 20px;
}

dd:before {
    content: '» ';
}

iframe{
    width:98%;
    height:600px;
    border:2px solid [[ColorPalette::TertiaryPale]];
    z-index:0;
    position:relative;
}

object{
    z-index:0;
    position:relative;
}

.noTitle .listTitle{
    display:none !important;
}

.annotation{
    margin:0;
}

/* PAGE LAYOUT */

#displayArea {
    margin: 0;
    top: 0px;
    left: 0px;
    width: 100%;
    position: relative;
}

#contentWrapper {
    position: relative;
    padding-top: 1px;
    top: -1px;
}

#tiddlerDisplay,
#searchResults {
    margin: 8px 390px 0 42px;
    _position: relative; /* ie 6*/
}

* html #tiddlerDisplay {
    margin-top: 0px;
}


/* SEARCH */

#sidebarSearch {
    width: 200px;
}

#sidebarSearch .txtOptionInput {
    width: 100%;
    margin-top: 5px;
    _color: #bbb; /* ie6 danger */
}

#sidebarSearch .txtOptionInput:focus {
    color: #000;
}

#sidebarSearch .searchButton {
    display: none;
}

/* SIMPLESEARCH */
#searchResults {
     margin-top:0;
}

#displayArea #searchResults .button{
    padding:2px 6px;
    margin-right:3px;
    float:right;
}

/* FINDR */

#sidebarTabs #searchResults {
    margin: 0 1em 0 0;
}

#searchResults #findr-buttons{
    margin:0.5em 0 0 5px;
}

#displayArea #searchResults #findr-buttons {
    margin: 2.5em 0 0em 5px;
    float: right;
}

#searchResults .search_list .button{
    float:none !important;
    background:transparent;
    padding:2px;
    margin: 0;
}

#searchResults .search_list .button:hover{
    color:[[ColorPalette::SecondaryMid]];
}

.search_details strong{
   font-weight:normal;
   color:[[ColorPalette::TertiaryMid]];
}

.findr > strong{
    display: block;
    clear: both;
    padding-top: 0.5em;
}


/* TOPMENU */

#topMenu {
    left: 0;
    margin: 0.5em 32px 0 42px;
    clear:left;
    position: relative;
    padding: 0.5em 0 ;
    min-height: 1em;
    overflow: hidden;
    _width: 100%; /* for ie 6 */
}

/* MAIN MENU */

#mainMenu {
    color:[[ColorPalette::TertiaryLight]];
    position: static;
    text-align: left;
    margin: 0;
    float: left;
    width: auto;
    padding: 0;
    margin-left:4px;
    font-size: 1em;
    line-height: normal;
}

#mainMenu br{
   display:none;
}

#topMenu #sideBarOptions {
    margin-right:16px;
}

#mainMenu a,
#mainMenu .tiddlyLink,
#mainMenu .button,
#sidebarOptions a,
#sidebarOptions .button {
    margin: 0;
    background:none;
    color: [[ColorPalette::TertiaryMid]];
    font-size: 0.9em;
    padding: 4px 6px;
}

#sidebarOptions a,
#sidebarOptions .button {
    display:inline-block;
}

#mainMenu a:hover,
#mainMenu .tiddlyLink:hover,
#mainMenu .button:hover,
#sidebarOptions a:hover,
#sidebarOptions .button:hover {
    background:none !important;
    color:[[ColorPalette::TertiaryDark]];
}

#mainMenu .button,
#sidebarOptions .button {
    border: 1px solid transparent;
}

.topMenu #sidebarOptions {
    float: right;
    padding: 0;
    margin: 0 0 0 1em;
}


/* SIDEBAR */

#sidebarTabs {
    width: 360px;
    position: absolute;
    right: 0;
    top: 0;
}

#sidebarTabs .lf-search {
    background:transparent;
    padding:0 0 5px 0;
}
#sidebarTabs .lf-label{
    display:none;
}

#sidebarTabs .sidebarHeader{
    padding: 1em 0 0 10px;
}

#sidebarTabs .siteTitle,
#sidebarTabs .siteTitle a {
    display: block;
    font-size: 32px;
    line-height: 32px;
    font-weight:normal;
    color: [[ColorPalette::SecondaryDark]];
    background: transparent;
}

#sidebarTabs .siteTitle a:hover {
    color: [[ColorPalette::TertiaryDark]];
}

#sidebarTabs .siteSubtitle {
    display: block;
    float: none;
    font-size: 14px;
    margin: 1em 0 0 1em;
    color: [[ColorPalette::TertiaryMid]];
    clear: both;
    margin: 0;
}

#sidebarTabs #sidebarOptions {
    margin-top: 1em;
    padding:0;
}

#sidebarTabs #sidebarOptions .button:hover,
#sidebarTabs #sidebarOptions .button:active {
    color:[[ColorPalette::PrimaryMid]];
    text-decoration:none;
    background:transparent;
}

.sidebarTabs{
    clear:both;
    margin-top:1em;
}

#sidebarTabs .tabsetWrapper .tabset {
    width: 87px;
    text-align:right;
    border: 0;
    height: auto;
    float: left;
    word-wrap: break-word;
    top: 0;
    padding: 0 5px 0 0;
}

#sidebarTabs .tabContents li a:hover {
    color: [[ColorPalette::SecondaryMid]];
}

#sidebarTabs .tabsetWrapper .tabset .tab {
    font-size: 0.9em;
    padding: 2px 5px 2px 2px;
    color: [[ColorPalette::TertiaryMid]];
    background: transparent;
    border: 0;
    border-right: 1px solid [[ColorPalette::TertiaryLight]];
    line-height: 16px;
    position: relative;
    display: block;
    margin: 2px 0 0 0;
    background-color: #f9f9f9;
    background-image: linear-gradient(left, rgb(249,249,249) 0%, rgb(236,236,236) 100%);
    background-image: -o-linear-gradient(left, rgb(249,249,249) 0%, rgb(236,236,236) 100%);
    background-image: -moz-linear-gradient(left, rgb(249,249,249) 0%, rgb(236,236,236) 100%);
    background-image: -webkit-linear-gradient(left, rgb(249,249,249) 0%, rgb(236,236,236) 100%);
    background-image: -ms-linear-gradient(left, rgb(249,249,249) 0%, rgb(236,236,236) 100%);
}

#sidebarTabs .tabsetWrapper .tabset a:hover,
#sidebarTabs .tabsetWrapper .tabset .tabSelected {
    border:0;
    border-right: 1px solid [[ColorPalette::TertiaryLight]];
    z-index: 10;
    color: [[ColorPalette::TertiaryMid]];
    background:transparent;
    text-decoration:none;
}

#sidebarTabs .tabsetWrapper .tabset a:hover{
    color: [[ColorPalette::SecondaryMid]];
}


#sidebarTabs .tabContents li {
    border: none;
    margin-left: 0;
    word-wrap: break-word;
}

#sidebarTabs .tiddlyLinkExisting{
    font-weight:normal;
}

.tabContents li.listTitle{
    font-size: 1em;
    border: 0;
    padding: 0.3em  0.11em;
    color: [[ColorPalette::TertiaryLight]];
}

#sidebarTabs .tabContents .list-missing a {
    font-style:italic;
}

.tabContents .timeline {
    background: transparent;
    margin-bottom: 8px;
}

#sidebarTabs .timeline li.listTitle {
    color: [[ColorPalette::TertiaryLight]];
    margin-left: 8px 0;
    padding: 0.3em 0.11em;
}

#sidebarTabs .tabContents div > ul > li.listTitle {
    padding-top:0;
}

#sidebarTabs .tabContents li a {
    display: block;
    text-align: left;
    margin: 0 0 1px 0;
    padding: 2px 0;
    background: transparent;
}

#sidebarTabs .tabsetWrapper .tabContents {
    position: relative;
    background-color: transparent;
    border: 0;
    width:16em;
    min-height: 200px;
    padding: 0 0 0 5px;;
    font-size: 0.9em;
}

.tabContents .listTitle:first-child {
    margin-top: 0px;
}

/*SUPPORT FOR SECONDARY TABS*/
#sidebarTabs > div > .tabsetWrapper > .tabset{
    padding-left:10px;
    width:90%;
    float:none;
    text-align:left;
}

#sidebarTabs > div > .tabsetWrapper > .tabset > .tab {
    display: inline-block;
    background: transparent;
    margin: 0 3px -1px 0;
    padding:2px 4px;
    color: [[ColorPalette::TertiaryMid]];
    background: [[ColorPalette::TertiaryPale]];
    border: 0;
    border-top: 2px solid [[ColorPalette::TertiaryPale]];
    border-bottom: 2px solid [[ColorPalette::TertiaryPale]];
}

#sidebarTabs > div > .tabsetWrapper > .tabset > .tab:hover,
#sidebarTabs > div > .tabsetWrapper > .tabset > .tabSelected {
    background: transparent;
    border-top-color: transparent;
    color: [[ColorPalette::SecondaryDark]];
}

#sidebarTabs > div > .tabsetWrapper > .tabContents{
    margin-top:5px;
}

#sidebarTabs > div > .tabsetWrapper .tabsetWrapper {
    margin-top:5px;
}

#sidebarTabs > div > .tabsetWrapper .tabsetWrapper > .tabset{
    width:70px;
}

#sidebarTabs > div > .tabsetWrapper .tabsetWrapper,
#sidebarTabs > div > .tabsetWrapper .tabsetWrapper > .tabContents{
    width:auto;
}


/* TIDDLER */

.tiddler {
    position: relative;
    padding:0;
    width: 100%;
    margin-bottom: 2em;
    border-top: 1px solid [[ColorPalette::TertiaryPale]];
    background: [[ColorPalette::Background]];
    -webkit-box-shadow: 5px 5px 5px rgba(0, 0, 0, 0.1);
    -moz-box-shadow: 5px 5px 5px rgba(0, 0, 0, 0.1);
    box-shadow: 5px 5px 5px rgba(0, 0, 0, 0.1);
}

.heading {
    top: 22px;
    left: 0;
    width: 95%;
    padding: 1em 2.5% 5px 2.5%;
    border-bottom:3px solid [[ColorPalette::Dim]];
}

.tiddler .heading .title {
    position: relative;
    display: block;
    font-weight:normal;
    word-wrap: break-word;
    font-size:28px;
    line-height:28px;
    margin-right: 120px;
}

.tiddler .subtitle {
    display:block;
    float:left;
    font-style: normal;
    font-size: 0.9em;
    color: [[ColorPalette::TertiaryMid]];
    margin: 5px 0 0 0;
}

.tiddler .subtitle:hover {
    font-weight: normal;
    background: none;
}

.tiddler .subtitle a {
    color: [[ColorPalette::SecondaryMid]];
}

.tiddler .subtitle a:hover {
    color: [[ColorPalette::SecondaryDark]];
    background: [[ColorPalette::Background]];
}

.tiddler .headingClear {
    clear: both;
}

.tiddler .viewer {
    padding: 5px 2.5% 16px 2.5%;
    width: 95%;
    margin: 0;
    line-height: 1.4em;
    overflow:hidden;
}

.viewer pre {
    margin-left: 0;
}


/* TOOLBAR */

/* ie hacks */
.toolbar .svgIconText {
    *display: inline;
}

* html .toolbar {
    right: 8px;
}

.tiddler .originButton div {
    display: inline-block;
}

.tiddler .spaceSiteIcon .siteIcon {
    _display: inline; /* IE doesn't like inline-block */
}

.tiddler .originButton {
    display: block;
}

.originButton.highlight{
    background:transparent;
}

.content {
    width: 100%; /* IE */
    font-size: 0.9em;
}

/* TOOLBAR */ 


div.toolbar {
    visibility:hidden;
    right: -6px;
    position: absolute;
    padding: 0;
    top: 10px;
    z-index: 1;
}

.selected div.toolbar {
    visibility: visible;
}

div.tiddler .toolbar a {
    cursor: pointer;
    float: left\9;
    display: inline\9;
}

div.tiddler .toolbar a.command_deleteTiddler{
    margin-right: 34px !important;
}

.toolbar svg {
    width: 16px;
    height: 16px;
}

.toolbar svg .glyph {
    fill: #ccc;
}

.toolbar a:hover .glyph {
    fill: black;
}

.toolbar a:active .glyph {
    fill: [[ColorPalette::Background]];
}

.toolbar .moreCommand.highlight {
    background: none;
}

.tiddler .toolbar .button {
    border: none;
    display: inline;
    padding: 0px;
    margin-right: 16px;
    background:transparent;
}

.tiddler .tagged .listTitle {
    display: none;
}


/*! EDITMODE */

.heading.editorHeading {
    margin: 2em 0 0 0;
    width: 100%;
    padding: 0;
}

.tiddler .editor {
    padding: 0px;
    margin: 0 2.5%;
}

.heading .editor input {
    width: 99%;
    padding: 2px 0.5%;
    font-size: 0.8em;
    margin-top:1em;
}

.tiddler .heading .editor.title {
    font-size: 1.7em;
    line-height: normal;
}

.editor input, .editor textarea {
    width: 99%;
    padding: 2px 0.5%;
    border: 2px solid [[ColorPalette::TertiaryPale]];
}

.tagTitle {
    position: absolute;
    text-align: right;
    padding-right: 10px;
    top: 0px;
    margin-left: -95px;
    width: 100px;
}

.tagAnnotation {
    margin: 8px 0 0 20px;
    padding-bottom: 8px;
}

.annotationsBox {
    padding: 0;
    margin: 0 2.2% 0 2.5%;
}

.annotationsBox  .annotation {
    margin: 0;
    padding: 3px 5px;
}

.editorFooter {
    position: relative;
    padding: 0;
    margin-top: 16px;
    margin-left: 64px;
}

.tiddler .editorFooter .editor {
    padding-left: 0px;
}


/* TAGGING */
.selected .tagging,
.selected .tagging:hover {
    border: none;
    background: none;
}
.tagging {
    float: none;
    background: none;
    border: none;
}

.tagInfo {
    color: [[ColorPalette::TertiaryMid]];
    background: [[ColorPalette::Dim]];
    margin: 0;
    padding: 0;
    font-size:0.9em;
}

.tagInfo .tidTags,
.tagInfo .tagging{
    font-size:1em;
    padding: 0 0 2px 0;
}

.tagInfo ul {
    list-style: none;
    padding-left: 10px;
}

.tagInfo ul li {
    display:inline-block;
    margin-top:3px;
}

.tagInfo ul li.listTitle,
.tagInfo .tagging ul li.listTitle {
    display:inline-block;
    width:60px;
    text-align: right;
    padding: 5px 5px 3px 0;
    text-align:right;
    color: [[ColorPalette::TertiaryLight]];
    margin:0;
}

.tagInfo .tagging ul li.listTitle + li {
   margin-top: -20px;
}

.tagInfo .tagging ul li {
    float: none;
    display: block;
    clear:left;
    margin-left: 65px;
}

.tagInfo .tagging ul li a {
    display:block;
}

.infoTags {
    padding: 3px 5px;
}

.infoTags .tidTags{
    max-width:75%;
}

.infoTags ul {
    padding-left:0;
}

/* POPUPS (/ SIDEBAR) */

.popup {
    padding:3px;
    border-color:transparent;
    background-color: [[ColorPalette::Background]];
    -webkit-border-radius: 4px;
    -moz-border-radius: 4px;
    border-radius: 4px;
    -webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.5);
    -moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.5);
    box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.5);
}

.popup ul,
.popup li {
    margin:0;
    padding:0;
    list-style-type:none;
}

.popup.block a{
    display:block;
}

.popup.block br{
    display:none;
}

.popup a,
.popup li a,
.popup a.button {
    padding:3px;
    color: [[ColorPalette::SecondaryDark]];
    border:0;
}

.popup a :hover,
.popup li a:hover,
.popup a.button:hover,
a.popupbutton.highlight {
    color: [[ColorPalette::SecondaryMid]];
    background: transparent;
}

.popup li a.tiddlyLink {
    font-weight: bold;
}

.taggedTiddlerList li:last-child a.tiddlyLink{
    font-weight:normal;
}

.popup li.disabled,
.popup li.listTitle {
    border-bottom: 1px solid [[ColorPalette::TertiaryPale]];
    color: [[ColorPalette::TertiaryMid]];
    font-weight:normal;
    padding:7px 5px;
    margin: 0;
}

.popup .button{
    background:transparent;
}

.popup.confirmationPopup,
.followList {
    font-size: 0.8em;
    padding: 1em;
    border: 0;
}

.popup.confirmationPopup .button {
    border: 0;
    margin: 4px 4px 0 4px;
    display: inline-block;
}

.popup.confirmationPopup .button:hover {
    background:transparent;
    color:[[ColorPalette::SecondaryDark]];
}

.popup hr{
    color: transparent;
    background: transparent;
    border: 0;
    border-bottom: 1px solid #ccc;
}

.listBreak{
   border-bottom: 1px solid  [[ColorPalette::TertiaryPale]];;
}

.listBreak div{
   display:none;
}


/* REVISIONS */

.revButton {
    float: right;
}

.revisionCloak {
    position: absolute;
    position: fixed !important;
    height: 100%;
    width: 100%;
    top: 0;
    left: 0;
    border: 0;
    margin: 0;
    padding: 0;
    opacity: 0.5;
    filter: alpha(opacity=50);
    background-color: #000;
}

.viewRevision .toolbar {
    right: 48px;
    top: 8px;
}

.viewRevision .modifierIcon img,
.viewRevision .modifierIcon svg {
    margin-right: 16px;
}

.viewRevision .toolbar svg {
    width: 32px;
    height: 32px;
}


/* ACTIVITY */

#sidebarTabs .tabContents .activityStream .feedItem a {
    display: inline-block;
    padding: 0;
    background: none;
}


/* FOLLOWING */

.tiddler .followPlaceHolder {
    display: block;
    position: absolute;
    top: 58px;
    right: 60px;
    _right: 126px; // add width of modifierIcon
}

.followButton a {
    position: absolute;
    top: 0px;
    right: 0;
    display: block;
    margin: 0;
    padding: 6px 20px;
    background: transparent;
    text-align: center;
    color: [[ColorPalette::TertiaryMid]];
    display: block;
    margin-top: 0px;
}

.followButton a:hover {
    color: [[ColorPalette::TertiaryMid]];
    text-decoration: none;
}

.followButton.hasReplies a {
    font-weight:bold;
    color: [[ColorPalette::SecondaryMid]];
}

.followButton.hasReplies a:hover {
    color: [[ColorPalette::SecondaryDark]];
}


* html .followButton a {
    margin: 0px 8px 0 0;
}

.tiddler .followButton {
    width: 36px;
    position: relative;
    height: 22px;
    text-align: left;
    color:  [[ColorPalette::SecondaryDark]];
    background: [[ColorPalette::TertiaryPale]];
    padding: 10px 0px 0px 10px;
    margin: -16px -8px 0 0;
}

/* the triangle */
.followButton:before {
    content: "\00a0";
    display: block; /* reduce the damage in FF3.0 */
    position: relative;
    bottom: 0px;
    left: -25px;
    width: 0;
    height: 0;
    border-width: 15px 15px 0 0;
    border-style: solid;
    border-color: transparent [[ColorPalette::TertiaryPale]];
}

.followList .listTitle {
    text-decoration: underline;
}

.followTiddlersList .label {
    display: block;
    left: 10px;
    top: 0px;
    line-height: 16px;
    position: relative;
}

#popup.followList {
    margin: 10px 0 0 -335px;
    max-width: 400px;
}

#popup .followTiddlersList a {
    display: inline;
    padding: 0;
}

#popup .followTiddlersList ul{
   margin:0;
   padding:0;
}

#popup .followTiddlersList li{
    position: relative;
    display: block;
    clear: both;
    margin-bottom: 8px;
}

#popup .followTiddlersList .siteIcon{
    height: auto;
    width: auto;
    margin-right:5px;
}


/* ICONS */

.titleBar .hideIcon .image {
    display: none;
}

.titleBar .siteIcon,
.titleBar .label {
    display: inline;
}

.siteIcon .label {
    color: [[ColorPalette::TertiaryDark]];
}

.tiddler .spaceSiteIcon {
    float: left;
    margin: 0 5px 0 0;
    position: relative;
    display: block;
}

/* for following */
#popup .siteIcon {
    float: left;
    height: 25px;
}

.originButton,
.followPlaceHolder,
.tiddler .subtitle {
    cursor: pointer;
}

.originButton img,
.originButton svg {
    margin-left: 0px;
}

.modifierIcon .externalImage .image a:hover,
.spaceSiteIcon .externalImage .image a:hover {
    background: none;
}

.modifierIcon {
    position: absolute;
    width: 42px;
    top: 42px;
    right: 0;
    text-align: right;
}

.modifierIcon img,
.modifierIcon svg {
    margin-right: 16px;
}

.editSpaceSiteIcon .originButton {
    cursor: auto;
}

.editSpaceSiteIcon .originButton img,
.editSpaceSiteIcon .originButton svg {
    margin:  0 5px 5px 3px;
    width: 16px;
    height: 16px;
}

.editSpaceSiteIcon, .privacyEdit {
    float: left;
}

.editSpaceSiteIcon svg,
.editSpaceSiteIcon img,
.editSpaceSiteIcon .roundelLabel {
    float: left;
}

.tiddler .privacySettings {
    text-align: center;
}
.tiddler .privacySettings .originButton {
    display: inline;
}


/* BACKSTAGE */

#app-picker:hover{
    background-color:transparent;
}

#backstageToolbar {
    padding-left: 50px;
}

#backstageToolbar .backstageTask {
    background: transparent;
    color: [[ColorPalette::TertiaryPale]] !important;
}

#backstageArea a.backstageSelTab,
#backstageToolbar .backstageTask:hover {
    text-decoration:none;
    background: transparent;
    color: [[ColorPalette::Background]] !important;
}

/* MESSAGE AREA */

#messageArea {
    position: fixed;
    top: 0 !important;
    right: 0;
    width:350px;
    margin:0;
    padding:7px 1%;
    font-size:0.9em;
    border:1px solid [[ColorPalette::SecondaryMid]];
    background:[[ColorPalette::SecondaryPale]];
    -moz-border-radius:5px;
    -webkit-border-radius:5px;
    border-radius:3px;
}

#messageArea .messageToolbar {
    display:block;
    float:right;
    padding:0.1em;
    text-align:right;
    width:60px;
}

#messageArea a,
#messageArea .button {
    background:transparent;
    text-decoration:none;
    color:[[ColorPalette::TertiaryDark]];
    border:0;
}

#messageArea a:hover{
    color:black;
    border-bottom:1px solid [[ColorPalette::TertiaryDark]];
}

#backstageToolbar {
    text-align:center;
}

/* RESPONSIVE */

@media all and (max-device-width: 480px) {
    div.toolbar {
        visibility:visible;
    }
}

@media only screen and (device-width: 768px) {
    div.toolbar {
        visibility:visible;
    }
}

@media all and (max-width: 960px){
    #tiddlerDisplay,
    #searchResults {
        margin: 16px 366px 0 16px;
    }

    #mainMenu {
        margin-left: 16px;
    }

    #sidebarSearch,
    #sidebarOptions,
    #sidebarTabs {
        right: 16px;
        width: 326px;
    }

    #sidebarTabs .tabsetWrapper .tabset {
        font-size: 0.9em;
        width: 77px;
    }

    #sidebarTabs .tabsetWrapper .tabContents {
        width:auto;
        padding:0 0 0 5px;
    }

    #sidebarTabs .tabContents li a {
        font-size: 0.9em;
    }


     /* TIDDLER */

    .tiddler .modifierIcon img,
    .tiddler .modifierIcon svg,
    .tiddler .spaceSiteIcon .originButton img,
    .originButton svg {
        width: 12px;
        height: 12px;
        margin-left: 0px;
        margin-right: 0px;
    }

    .tiddler .viewer {
        margin: 0;
        padding-top: 0;
    }

    br {
        line-height: 0.5em;
    }
}


/* PRINT */

@media print {
    #mainMenu,
    #sidebar,
    #messageArea,
    .toolbar,
    .followPlaceHolder,
    #backstageButton,
    #backstageArea,
    #sidebarTabs,
    #sidebarSearch .txtOptionInput,
    #sidebarOptions {
        display: none !important;
    }
    #displayArea {
        margin: 1em 1em 0em;
    }

    #tiddlerDisplay {
        margin: 16px 16px;
    }

    /* Fixes a feature in Firefox 1.5.0.2 where print preview displays the noscript content */
    noscript {
        display:none;
    }
}

[[StyleSheetApp]]
[[StyleSheetSpace]]
/*}}}*/

aspects:
* [[development of a paragraph]] -- what the paragraph accomplishes 
* [[order among sentences]]  -- how the sentences add

conceptual foundations:
* [[uniting propositions]]
* [[relations between individual propositions]]

useful practices:
* [[transitional expressions]] between [[sentence]]s
* [[summary sentence]] -- condensation or [[précis]] of the paragraph


 

!Elegy  • Canticle  • Concerto  • Experiment

''Elegy'': the deep songs -- //[[L'Elegia|Les Minst]]// -- which can sing of lament and joy
* [[The Duino Elegies]] embody one poet's great chant for humanity.
* [[I dream]] that I can be a humble poet chanting of //Les Minst//.
* Sing me a song no poet yet has [[chanted|re: muse]] / Sing me the Universal.
* The poem, no longer chant or rhyme but now [[the experience|i+e:poem]] --
*  One Poet chants for me his +++[golden numbers]
<<<
//Above the dreaming thunders of Beethoven,
Above the [[Minnesingers|https://en.wikipedia.org/wiki/Minnesang]]' joyous throng,
One Poet chants for me his golden numbers—
Schiller, the tenderest heart of German song.//

[[John Russell Hayes|http://www.swarthmore.edu/library/friends/ead/5180jrha.xml]] read this original [[poem|https://books.google.com/books?id=sKAsAAAAYAAJ&pg=PA316]] for a 1905 memorial commemorating 100 years since the death of [[Friedrich Schiller|https://en.wikipedia.org/wiki/Friedrich_Schiller]]
<<<
===


''Canticle'': songs of praise
* [[Canticle of the Sun]] to //sora nostra matre terra// -- our 'Sister Mother Earth'
* another to [[Mary of Galilee|Magnificat]]

''Concerto'': to harmonize -- //concertare// -- a composition for instruments accompanied by an orchestra, and conceived on a large scale
*  I will begin to write my Concerto: [[awake my soul]]

''Experiment'' and empiric: "out of peril and testing" -- (knowledge by way of //experiment//)
//ex-// "out of" + //peritus// related to ''//peril//'' < Greek //peria// "trial, attempt, experience"
* Seeing the world and the feelings as the only oracles of consequence, we take both ''experimental science'' and ''artistic composition'' as two valid ways to proceed, regardless of mother-tongue and despite the apparent power of [[the book]].
<<<
I envision a [[game|Glass Bead Game]], a [[song|Song of Myself]], a vast [[possibility space]],
roiling with "the total contents and values of our culture."
: an Experiment to Explore, [[Explain|World Mythologies]], [[Explicate|simple]]
<<<
These are my //generare// — bending [[genres]], genders, and the stories of untold generations before me.
: From all these generations, from all these joys and sorrows, from this lovemaking, these battles, these ideas, a single voice rings out, pure and serene. ([[Kazantzakis]])
!//Ecce Homo// -- Behold the Man!

Meanings of //[[Anthropos|Oikos Philos Anthropos Logos]]// (mankind) and //''Andras''// (a male, as am I)
<<tiddler Behold>>

 
//Gratefully quoted from John Chris [[Jones]]' website publicwriting.net
(my breaks in the passages are denoted by . . . )//


''[[17 september 2015|http://publicwriting.net/3.0/entries_in_softopia_3.0/15.09.17.html]]'' restart restart

. . . and the presence of this person writing...and memories of what he used to call lifework... the many things appearing on this website... previously thought of 'as parts of a culture'... yet to be [[realised|deliberately empty]]...

...i.e. the contents of [[a-z|http://publicwriting.net/a_to_z.html]] (scroll through the long homepage of this softopia website)... to see other names intended to widen our lives... from the narrowness of specialised machine culture... to a more extensive and more human world picture... 

...no no it's not only a picture... it's three-dimensional... and auditory... and kinaesthetic... and philosophical... and religious... and seemingly all-inclusive... for it's time to 'rectify the names'... (as Confucius puts it) . . .

!The Moment
Margaret Atwood

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, //I own this,//

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

//No,// they whisper. //You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.//

 
//Youth has an end.//  In the vague mist of old sounds a faint point of light appears: the speech of the soul is about to be heard. Youth has an end: the end is here. It will never be. You know that well. What then? ''//Write it, damn you, write it!//''  What else are you good for?

“Why?”

“Because otherwise I could not see you.”

-- from //[[Giacomo Joyce|stars-and-annihilation-and-her-voice]]// (1914)

But words came halting forth, wanting invention's stay; 
Invention, Nature's child, fled step-dame Study's blows; 
And others' feet still seem'd but strangers in my way. 
Thus great with child to speak and helpless in my throes, 
Biting my truant pen, beating myself for spite, 
“Fool,” said my Muse to me, “''look in thy heart, and write.''”

-- from Sonnet 1, //[[Astrophil and Stella|http://www.poetryfoundation.org/poems-and-poets/poems/detail/45152]]//, Sir Philip Sidney (circa 1580 - 1586)

 
You need to know that you enter this house as a Son, and you are welcome here anytime you wish to be here.  You need to know that here you will receive all that a Son should have -- you have our attention, the benefit of our experience as you request it, our unfailing support and a love that is unconditional.  That is my promise to you.   (I received this message September 13, 2006, from my "mother by choice" -- though we have since felt a distance grow between us.)

Panged with a recurring remorse, I wrote:
//It is my deficiency of unconditional love … no deficiency of yours.//  ([[2009-02-13]])

The poet [[Rilke]] wrote in 1912:
"I have no window on human beings, that is certain … they have been communicating with me almost entirely through two examples … those who have died young and, still more unconditionally, purely, inexhaustibly: the woman who loves."

Written to my wife Carmen as we grappled with a difficult subject last Autumn:
<<<
I cannot promise ''unconditional'' endorsement of every choice you make.  But, I will try ceaselessly to understand your point of view, even when it requires me to set aside (or question) my biases, and the beliefs about life acquired second-hand… particularly about things I have never known myself, but only heard or read about.

My own nature (you surely know) is to research, inquire, try to establish guiding principles and to reach conclusions -- to never proceed blindly, without an attempt to gather knowledge.

I promised you my respect and honesty -- the latter which may sometimes entail disagreement, frustration, or my fears expressed openly.
<<<
Continuing these discussions, I wrote her on June 9th:
//I have stood firm internally about my conviction to offer you ''unconditional love'' and understanding.  Nothing has changed there.//

My friend Elias had this to say:

Again, I have questions about one of the ''idols of the 20th century'': unconditional love.  I know that ONLY in animals (pets).  Please be cautious about accepting this term and its consequences.  Most of us have at least one condition which //ultra non quem se// [is here and no further].

I named ''Conditionality'' as a fundamental quality of Existence, included in the [[Realms of the Manifest]].

 
''Rainer Maria Rilke''  (4 December 1875 – 29 December 1926)  Austrian-born poet; birth name was René Karl Wilhelm Josef Maria Rilke.  His verse, often marked by mystic lyricism and vivid imagery, profoundly influenced 20th century German literature and philosophy.  His collections include //The Book of Hours// (1905) and //[[The Duino Elegies]]// (1923), and he also wrote more than 400 poems in French.  Died in Switzerland.

Rilke's [[Gravesite|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=2190]] and [[Epitaph|http://www.movingmoment.com/poetry/Rilke's%20Epitaph.htm]]:
<<<
//''Rose, oh reiner Widerspruch,
Lust,
niemandes Schlaf zu sein
unter soviel Lidern''

Oh rose, pure puzzlement in your desire
to not be anyone’s sleep
beneath so many eyelids
(so many songs).//
<<<
<part Self-Portrait>
!~Self-Portrait 1906
translation by [[A. S. Kline|http://www.poetryintranslation.com/PITBR/German/Rilkemorepoems.htm#anchor_Toc69792646]]

Certainty there, in the eyelids’ shape,
Of some ancient, long-ennobled race.
Childhood’s anxious blue still in the eyes,
And here and there, humility, not a fool’s
Yet a servant’s though, and feminine.
The mouth’s, a mouth, large and exact,
Unconvinced, but speaking out for
Justice. The brow’s without guile,
Gladly gazing down to quiet shadows.

This, its context’s barely suspected:
Neither in adversity nor success
To gather to precise penetration:
Yet serious reality’s being planned,
As if with scattered Things, from afar.
</part>
!from //The Sonnets to Orpheus//
Though we are unaware of our true status,
our actions stem from pure relationship.
Far away, antennas hear antennas
and the empty distances transmit . . .

Pure readiness. O unheard starry music!
Isn't your sound protected from all static
by the ordinary business of our days?

In spite of all the farmer's work and worry,
he can't reach down to where the seed is slowly
transmuted into summer.  The earth //bestows//.
<part mountains>
!On the mountains of the heart
On the mountains of the heart cast out to die.  Look, how small there,
look: the last village of words, and higher,
but how small too, yet one last
farmstead of feeling.  Do you see it?
On the mountains of the heart cast out to die.  Rockground
under the hands.  Here, it's true,
some things flourish; out of mute downplunge
an unknowing herb breaks forth singing.
But for the one who knows?  Ah, who began to know
and now is silent, on the mountains of the heart left to die.
True, many an unhurt consciousness roams here,
many, so many sure mountain animals
change fields and stay.  And the great sheltered bird
circles the peaks' pure refusal. —But
unsheltered, here on the mountains of the heart . . .

//Irschenhausen, September 20, 1914//
</part>
<part InHisCompany>
!In the Company of Rilke

Stephanie Dowrick quoted these writers in her book //[[In the Company of Rilke|https://books.google.com/books?id=ETTyw3ImfWMC&pg=PT8]]://
<<<
//[Reading Rilke,] I felt a sense of release as if I had been let out of a cage I had not known I was in.
–Joanna Macy

Rilke, the tenderest and most spiritual man I knew -- a man who more than anyone else possessed all the wonderful anguish and secrets of the spirit.
–Paul Valéry

To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods.  This is why the poet in the time of the world's night utters the holy.
–Martin Heidegger//
<<<
She writes in her preface:

"Writer and monk Thomas Merton gives us a clue: 'He //is// a poet.  Is that a small thing?'  Merton was asking his question rhetorically, but spending time in the company of Rainer Maria Rilke makes it easy to respond: //This is no small thing.//&nbsp; [[Rilke]] is one of few poets on the world stage who genuinely 'transcends the sphere of the literary,' whose voice is welcomed far from libraries and lecture theaters…

He 'saw himself as a mediator between various cultures and nations.' … But what Rilke also does, sometimes sublimely, is to avow and express a spirituality or spiritual yearning that is not dependent upon belief in any conventional sense, nor on any kind of 'middleman.'  Dogma and priests, in fact, got in the way for him.  So did secondhand ideas about God…  Like the Psalmist who cried out, in Psalm 42, 'My soul thirsts for God,' there is tremendous longing in Rilke -- for direct expreience but not for certainty.  In Rilke, the mystery can remain mysterious…  Here is a poet who speaks directly to God while doubting God; who meets the reader through a sensibility that is simultaneously transcendent //and// uncertain.  That paradoc could not be timelier.  And my sense is strong that it is Rilke's unfetter spirituality and inwardness, as well as the piercing beauty of much of what he writes, that drives a steady unfolding of new editions, translations and new and faithful readers."

In this book, Dowrick commented on Rilke's poem the [[winged energy of delight]].
</part>
<part Rodin>
!From //You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin//
By Rachel Corbett 
Excerpt published in //Poetry// magazine; book released September 6, 2016

But while Rilke was learning to see like an artist, he had not yet mastered the handicraft of one. Where was the “tool of my art, the hammer, my hammer?” he wondered. How could he build objects out of words? How could he apply the principles of Rodin’s art to his poetry?
…
Rilke returned to the zoo day after day, ''practicing his inseeing skills'' before returning home at night to draft rough portraits of the creatures he had seen. He found himself especially drawn to a solitary panther, pacing in its cage. It reminded him of a small plaster panther that Rodin kept in his studio. The sculptor adored the thing so much — //“‘C’est beau, c’est tout,’// [It's beautiful, it's everything] he says of it” — that Rilke had gone to the Bibliothèque Nationale to see the original bronze version it was modeled after. He visited that display cabinet again and again until he finally began to understand what Rodin saw in it:
<<<
And from this little plaster cast I saw what he means, ''what 
antiquity is and what links him to it''.  There, in this animal, is the same lively feeling in the modeling, this little thing (it is no higher than my hand is wide, and no longer than my hand) has hundreds of thousands of sides like a very big object, ''hundreds of thousands of sides which are all alive, animated, and different''.  And that in plaster! And with this the expression of the prowling stride is intensified to the highest degree, the powerful planting of the broad paws, and at the same time, that caution 
in which all strength is wrapped, that noiselessness.
<<<
{{grem{[The cellist and music professor Yehuda Hanani quotes another source when [[discussing|http://www.cewm.org/playbill_essays_3.html]] the same episode…]}}}
<<<
In his book //Rodin//, Rilke states the case less subjectively and less elliptically. “In Rodin's studio there is a cast of a panther, of Greek workmanship, hardly as big as a hand … If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.”
<<<
</part>
!From //Letters to a Young Poet//

Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.
…
The great renewal of the world will perhaps consist in this, that man and maid, freed of all false feelings and reluctances, will seek each other not as opposites, but as brother and sister, as neighbors, and will come together as human beings.
…
<part OutermostLimit>
As bees gather honey, so we collect what is sweetest out of all things and build Him.  Even with the trivial, with the insignificant (as long as it is done out of love) we begin, with work and with the repose that comes afterward, with a silence or with a small solitary joy, with everything that we do alone, without anyone to join or help us, we start Him whom we will not live to see, just as our ancestors could not live to see us.

And yet they, who passed away long ago, still exist in us, as predisposition, as burden upon our fate, as murmuring blood, and as gesture that rises up from the depths of time. Is there anything that can deprive you of the hope that in this way you will someday exist in Him, who is the farthest, the outermost limit?
</part>
!Buddha In A Halo
translation by [[Erik Bendix|http://www.movingmoment.com/poetry/Buddha%20Inside%20a%20Halo.htm]]

Center of all centers, of all seeds [[the seed|Friar's Journeybook/SeedOfPerfection]],
almond wrapped in itself to grow sweet --
to all of the stars this is what you feed
and is your fruit's flesh:  It is you I greet.  
 
Look, you sense nothing more needs your care;
In the infinite is where to find your fruit’s skin
and strong juice pools and presses from there.
And to help it from outside a radiance pours in,
 
for your suns up above are within view,
glowing and full as around they are spun.
But something has already started in you
that will survive every sun.
<part LoveSong>
!Love Song
translation by [[Erik Bendix|http://www.movingmoment.com/poetry/Love%20Song.htm]]
 
How shall I keep my soul from
Touching yours?  How shall I
Lift it past you toward any other thing?
… All that touches us, both me and you,
Touches both at once, like the stroke of a bow
That draws one voice from strings, from two.
On what instrument are we strung as bands?
And what musician holds us in his hands?
Oh [[song sweet and low]].
</part>
<<tiddler [[ihr Trunk]]>>

----

"But that woman, that woman: bent forward with her head in her hands,
she'd completely fallen into herself."
– from //[[The Notebooks of Malte Laurids Brigge]]// (1910, Rilke's only novel)

Rilke as collected by others -- [[A. S. Kline|http://www.poetryintranslation.com/PITBR/German/Rilkehome.htm]] (a translator) -- [[Read A Little Poetry|https://readalittlepoetry.wordpress.com/category/rainer-maria-rilke/]] -- and the [[Poetry Foundation|http://www.poetryfoundation.org/poems-and-poets/poets/detail/rainer-maria-rilke#about]]

----

* [[live the questions]]
* [[Turning]]
* [[The Duino Elegies]]
* [[We Are Not Prisoners]]
* [[Let This Darkness Be A Bell Tower]]
* [[I Am Much Too Alone in This World, Yet Not Alone|Alone in This World, Yet Not Alone]]
* [[Listeners At Last]]
* [[The Space Within Us]]
* [[self-thrown things]]
* [[Sex is difficult|Honor your physical being/Rilke]]
* [[winged energy of delight]]

http://en.wikiquote.org/wiki/Rainer_Maria_Rilke

http://www.greatthoughtstreasury.com/murmuring/quotes

<<<
//This world of dew
is a world of dew —
and yet, and yet …//
&nbsp;&nbsp;&nbsp;– Kobayashi Issa ^^[[[23]|http://haikuguy.com/issa/haiku.php?code=480.23a]]^^
<<<
The haiku was quoted in [[Marcel Theroux|http://www.thisworldofdew.com/musings/the-book-that%E2%80%A6/]]'s marvelous novel //Strange Bodies// which I read in 2014.

In it, Theroux also wrote: //"…all that I am—the meat of me and the [[167|numerology]] key markers coded and recombined in infinite variation—can only express with more embellishment these ''seventeen'' syllables of Onitsura…"//

''Kobayashi Issa'' (小林 一茶, June 15, 1763 - January 5, 1828), was a Japanese poet and [[lay|Layman Monk]] Buddhist priest of the Jōdo Shinshū sect known for his haiku poems and journals. He is better known as simply Issa, a pen name meaning Cup-of-tea (literally "one [cup of] tea").  He is regarded as one of the four haiku masters in Japan, along with Bashō, Buson and Shiki.

In the following [[haiku|http://haikuguy.com/issa/haiku.php?+code=031.09a]], he sheds his given name Yatarô:
<<<
//new spring
Yataro dies, [[priest|Welcome to your own priesthood]] Issa
is born//
<<<
According to Wikipedia, Jōdo Shinshū is a school of Pure Land Buddhism, and influenced D.T. Suzuki who introduced Zen Buddhism to the West.

See [[Six Small Meditations on Desire|http://www.tricycle.com/special-section/the-riddle-desire?page=0,6]], from //Tricycle// magazine.

 
__''Großmutter''__
Her hands: strong and soft,
[[most-forbearing|https://twitter.com/hapaxhegemon/status/747218142468837376]], so often
tending another.

[img[Her Hand On My Back (2015)|https://c1.staticflickr.com/8/7056/27838034912_830596f721_o.jpg][https://www.flickr.com/photos/39042429@N00/27838034912/]]

[img[Her Grandmother's Hand (1913)|https://c8.staticflickr.com/8/7389/27862446911_10cc3443da_o.jpg][https://www.flickr.com/photos/39042429@N00/27862446911]]

//able to bear with, have patience with, and show love under provocation//

… One of the HapaxHaiku

 
We did not ask for this room or this music;
We were invited in.
Therefore, because the dark surrounds us,
Let us turn our faces to the light.
Let us endure hardship,
To be grateful for plenty.
We have been given pain to be astounded by joy.
We have been given life to deny death.
We did not ask for this room or this music,
But because we are here...

Let us dance.

-- Stephen King
written for the screenplay //11/22/63//

if i work diligently to get some of my chores done, then i can sit and write - assuming that my little girl will give me the time - and i will be able to type and hammer out many words and let my heart sing with the unending drum beat of ten thousand in an orchestra of one.

i am bright and brilliant and dark all the same - and i am tumbling in a sea of darkening darkness - wondering around in a stark and tooled plane of existence. i want to be held.

yes.

sometimes that is really all that it is about - wanting to be held. wanting to be comforted. i am reminded of this with my daughter. there are times where she will cry and cry and cry even after she has been changed, and fed, etc. and i find in those moments, rare though they be, that when she just cries and cries, what she really wants is to be held. when i see how holding causes her so quickly to cease her tears, and makes her quiet and clam - this is something very special we can give others - not only our children, but other human beings, other adults. sometimes we just need to be held.

sometimes we just need to be held.

 
[[Wikipedia introduces|http://en.wikipedia.org/wiki/Finnegans_Wake]] //Finnegans Wake// as a work of comic (?) prose by Irish writer [[James Joyce]] … <<tiddler [[James Joyce/Wake]]>>
In 1944, Joseph Campbell +++[wrote:]
<<<
Introduction to a Strange Subject:
<part Campbell>

Running riddle and fluid answer, //[[Finnegans Wake]]// is a mighty allegory of the fall and resurrection of mankind.  It is a strange book, a compound of fable, symphony and nightmare -- a monstrous enigma beckoning imperiously from the shadowy pits of sleep.  Its mechanics resemble those of a dream, a dream which has freed the author from the necessities of common logic and has enabled him to compress all periods of history, all phases of individual and racial development, into a circular design of which every part is beginning, middle and end.  In a gigantic wheeling rebus, dim effigies rumble past, disappear into foggy horizons, and are replaced by other images, vague but half-consciously familiar.  On this revolving stage, mythological heroes and events of remotest antiquity occupy the same spatial and temporal plains as modern personages and contemporary happenings.  All time occurs simultaneously…  Multiple meanings are present in every line; interlocking allusions to key words and phrases are woven like [[fugal themes|a fugal theme]] into the pattern of the work.  //Finnegans Wake// is a prodigious, multifaceted monomyth {{grem{(and monolith)}}}, not only the //cauchemar// of a Dublin citizen but the dreamlike saga of guilt-stained, evolving humanity. 

-- From //A Skeleton Key to Finnegans Wake// (see [[Wikipedia article|https://en.wikipedia.org/wiki/A_Skeleton_Key_to_Finnegans_Wake]])</part>
<<<
===
----

"Grounded on ''a conflict of creation and self-destruction'', this most involuted of all books sets up attitudes and denies them in a whirl of shifting tones which was Joyce's best answer to his need for an art-form that would be at once an intimate personal testament and a resilient autonomous world of interacting forces." (Clive Hart, 1962)

''Truth is a slippery thing'' in the //Wake;// amorphous and dreamlike qualities were reportedly Joyce's intent.  It strikes me as one possible antithesis of the Glass Bead Game -- //see [[countervailingGBG]].//

The following passages, scattered over a few pages 115 through 118, seem full of metalanguage about writing, texts, and the meeting of reader and author.
----

&nbsp;&nbsp;&nbsp; [We] may have our irremovable doubts as to the whole sense of the lot, the interpretation of any phrase in the whole, the meaning of every word of a phrase so far deciphered out of it.  On the face of it, and for your roughshod mind, the affair is a thing once for all done and there you are somewhere and finished in a certain time … Somehow and somewhere, ''before the bookflood or after her ebb'', somebody wrote it, wrote it all, wrote it all down, and there you are, full stop.  O, undoubtedly yes, and very potably so, but one who deeper thinks will always bear in the baccbuccus of his mind that this downright //there you are// and //there it is// is only ''all in his eye''. Why?
&nbsp;&nbsp;&nbsp; Because, ''Soferim Bebel'' (…no surelier than the writing on the wall will hue it to the mod of men that mote in the main street), every person, place and thing in the chaosmos of Alle anyway connected was moving and changing every part of the time. (117-118)

&nbsp;&nbsp;&nbsp;So hath been, love: tis tis: and will be: till wears and tears and ages.  Thief us the night, steal we the air, insult the fair!  //Traitor, bad hearer, brave!  The lightning look, the birding cry, awe from the grave, everflowing on the times.//  Feueragusaria iordenwater; now godsun shine on menday's daughter; a good clap, a fore marriage, a bad wake, tell hell's well; such is manowife's lot of lose and win again, like he's gruen quhiskers on who's chin again … If juness she saved!

This oldworld epistola of their weatherings and their marryings and their buryings and their [[natural|nascimento]] selections has ''tumbled'' down to us fersch and made-at-all-hours …
([[116-117|http://www.finwake.com/1024chapter5/1024fwtekst5.htm#117]])

And it is surely a lesser ignorance to write a word with every consonant too few ''than to add all too many''.  {{grem{[As Joyce did, I say!]}}}
The end?  Say it with missiles then and thus arabesque the page …

So why sign anything as long as every word, letter, penstroke, paperspace is a perfect signature of its own?

&nbsp;&nbsp;&nbsp; … a word of warning about the tenderloined passion hinted at.  Some softnosed peruser might mayhem take it up erogenously as the usual case of spoons, //prostituta in herba// plus dinky pinks deliberatively summer-saulting off her bisexycle … what an innocent all-abroad's adverb can be suggestive of under the pudendascope and, finally, what a neurasthene nympholept, endocrine-pineal typus, of ''inverted parentage'' with a prepossessing drauma present in her past and a priapic urge for congress with agnates before cognates fundamentally is feeling for under her lubricitous meiosis when she refers with liking to some feeler she fancie's face.  And Mm.  We could. Yet what need to say? 

&nbsp;&nbsp;&nbsp;//'''Tis as human a little story as paper could well carry''…//  ([[115|http://www.finwake.com/1024chapter5/1024fwtekst5.htm#115]])

----

Naysayers we know. To conclude purely negatively from the positive absence of political odia and monetary requests that its page cannot ever have been a penproduct of a man or woman of that period or those parts is only one more unlookedfor conclusion leaped at, being tantamount to inferring from the nonpresence of inverted commas (sometimes called quotation marks) on any page that its author was always constitutionally incapable of misappropriating the spoken words of others.
(108)

The untireties of livesliving being the one substrance of a streamsbecoming. Totalled in toldteld and teldtold in tittletell tattle. Why? Because, graced be Gad and all giddy gadgets, in whose words were the beginnings, there are two signs to turn to, the yest and the ist, the wright side and the wronged side, feeling aslip and wauking up, so an, so farth.
(597)

I feel as old as yonder elm.  Night! Night!  Tell me, tell me, tell me elm!  Tellmetale of stem or stone.  Beside the rivering waters of, hitherandthithering waters of night.
(216)

&nbsp;&nbsp;&nbsp;[T]he prisoner of that sacred edifice…was at his best a onestone parable, a rude breathing on the void of to be, a venter hearing his own bauchspeech in backwords, or, more strictly, @@color:grey;but tristurned initials,@@ the cluekey to a worldroom beyond the roomwhorld, for scarce one, or pathetically few…cared seriously or for long to doubt with ''{{serif{Kurt Iuld van Dijke}}}'' @@color:grey;(the gravitational pull perceived by certain fixed residents and the capture of uncertain comets chancedrifting through our system suggesting the authenticitatem of his aliquitudinis)@@ the canonicity of his existence as a ''tesseract''.&nbsp;&nbsp;(page [[100|http://www.finwake.com/1024chapter4/1024fwtekst4.htm#100]])

//Be still, O quick! Speak him dumb! Hush ye fronds of Ulma!//

[[Physics at the Wake: A Catalog|http://duszenko.northern.edu/joyce/catalog/100.24.html]]

Unknown identity of {{serif{[[Kurt Iuld can Dijke|http://books.google.com/books?id=_WaO47G2yiAC&q=Iuld#v=snippet&q=Iuld&f=false]]}}}

If there is a future in every past that is present //Quis est qui non novit quinnigan// and //Qui quae quot at Quinnigan's [[Quake|Mandelbrot Quakes]]!//&nbsp;&nbsp;(page [[497|http://www.finwake.com/1024chapter33/1024fwtekst33.htm#497]])

----

There is disagreement if Joyce fancied this book as more serious 'work' than it deserved, and over-indulged in word play:

Joyce wrote in a letter while composing //Finnegans Wake//:
<<<
"It is a bewildering business … Complications to right of me, complications to left of me, complex on the page before me, perplex in the pen beside me, duplex in the meandering eyes of me, stuplex on the face that reads me.  And from time to time I lie back and listen to the sound of my hair growing white."
{{grem{[How melodramatic! All the better with the use of synesthesia: listening to a color.]}}}

Nobody took these laments seriously [John Bishop wrote];<part SecretWorry> everybody thought he was dramatizing himself while really only ''doodling around'' with puns, indulgently parading the emptiest of eruditions, or inventing some kind of private mythology.
</part>-- //Joyce's Book of the Dark: Finnegans Wake// by John Bishop, 1986, page 20
<<<
----

<<tiddler mergent>>
//Also see [[Hypermedia Joyce Studies|http://hjs.ff.cuni.cz/main/hjs.php?page=index_page]]//

March 16, 2014 revision:
----

[[I dream]] of an en-viron-ment that is home for my body and mind… A place/space to rest, work, and play.

I am inspired by the philosophy of Thomas Jefferson's [[Academical Village]], which he realized as the University of Virginia.  I am also inspired by the architecture, beauty and ethos of the Pittsburgh [[Cathedral of Learning]].

<part training>
If I were a Village Instructor, my training might be in:
*[[Library Science]]
*[[Symbolic Systems]]
*[[Sustainability]] Studies
</part>

And I might teach:
*[[World Mythologies]]
*[[Language Appreciation]]
*Living Sustainably
*Applied Ethics / Critical Thinking
*[[Dynabook]] Authoring, Publication, or [[Librarianship|Dynabook Library]]
*Information Science for "Laypeople"

----

I envision a [[game|Glass Bead Game]], a [[song|ECCE]], a vast [[possibility space]], roiling with "the total contents and values of our culture."

Beware of the mystery school or clichéd ivory tower – elitism – or the fictional Castalia of [[Hesse]]'s Game.

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[[2013-03-22 — Honor your physical being|Honor your physical being]]
[[2012-11-11 — Resolution to transcend anger|resolutions]]

Dated posts I have written in various journals from the main of day-to-day living
<<list filter [tag[journal]][sort[-title]]>>

!The Wall
//with thanks to the author [[Thom Rutledge|https://books.google.com/books?id=PuWfDAAAQBAJ&pg=PA137]], and to my dear friend Elias//

Imagine yourself standing in front of a big brick wall.  Just you and the wall.  How close do you stand?  And what do you feel when you are facing the wall? 

How wide is your wall?  And how high?  Can you see where the wall ends?  Where it begins?  Can you reach the top?

How old is the wall—or how new?  Who built it?  And why?  How long have you been here?  Are you alone?  How long do you plan to say?

It’s your wall, you know.  Touch it.  Feel its texture.  Feel whatever you feel.

What is on the other side of the wall?  Can you guess?  Do you know?  Have you ever been there?  Do you want to go there now?

What if you are not alone?  What if there is more here than just you and the wall?  What if we are there with you?

What if you are wrong about the strength of the wall?  What if you are wrong about your own potential?  You’ve been wrong before, haven’t you?

You wall is made of bricks—individual bricks.  The wall is big.  The bricks are small.  The mortar is of your own making.  How strong is it?

What if you destroy your wall?  What if you destroy your wall, and then regret it?  What if you miss it?  What if you can’t handle it on the other side of the wall?  What if it’s too late to turn back now?

Now put your hand on your wall.  Touch it, palm flat on the wall.  What happens?  Push.  What happens?  Both hands.  What happens?

Will you step through?  Do you dare?  Can you keep yourself  from it?  Can you let yourself stumble, and laugh when you fall through to the other side of …?  What’s left of the wall?

What is it like on this side of the wall?  The sky, the ground, the air around you—what is it like?  What do you see?  What do you hear?  And what do you feel?

And what’s that in the distance? 

!The Arts of the Hidden: An Essay for the Left Hand
by Alan Kay
Collected in //[[Jerome S. Bruner beyond 100|https://books.google.com/books?id=ZBQpCwAAQBAJ&lpg=PR13&pg=PA135#v=onepage&q&f=false]]: Cultivating Possibilities// (published 2015, available [[here|https://www.amazon.com/Jerome-Bruner-beyond-100-Possibilities-ebook/dp/B0194UBR1M]])

> I gathered a few excerpts which, in my view, "illuminate" the lifework of Jerome (Jerry) [[Bruner]], and [[Kay]]'s own …

Jerry's signature challenge, hope, and belief is central here: //'… any subject can be taught effectively in some intellectually honest form to any child at any stage of development.'//
   [from //The Process of Education//, Bruner 1960]
Alan added:  "This certainly has been shown to work for many sports, music, art, dance and theater. But what about ''the arts of the hidden''?"

Kay quoted [[Cesare Pavese]]: “To //know// the world, one must //construct// it.”
   [from his [[diaries|https://www.google.com/webhp?tbm=bks#tbm=bks&q="To+know+the+world%2C+one+must+construct+it"+inauthor:pavese]], published 1961; Pavese committed suicide in 1950 at age 41.]

… Though we could “[[illuminate]]” words, or musical scores, or math equations, this misses that //the beauty is several steps removed from the forms;// we use our minds to bring the meaning vividly to life. Fluent “readers” //live in meaning//: the forms are almost completely factored out of subjective experience.

This process is taken much further in the “reading” of symbols depicting the hidden: what needs to come to mind is not something in the sensual world, but “a sense of processes and relationships”.

… Paul Hindemith calls the process of listening to music a “co-creation” and “co-construction”.

… a designed curriculum for teaching the hidden is the amazing [[MACOS|https://en.wikipedia.org/wiki/Man:_A_Course_of_Study]] (Man, A Course Of Study) endeavor, for which Jerry was a main force. It was aimed at three deep questions for an entire population of 5th and 6th grade children://
: What makes us human?
: How did we get that way?
: How can we become more so?
// Almost every part of the core content of cultural anthropology and its biological bases is not just hidden to most members of a human society, but many actively resist the ideas when put before them.  We can think of Anthropology as the science which tries to see us “from space” … Cultures are “differences of method”, not “differences of humanity”.

 {{center{
//You shall possess the [[origin of all poems]]…//}}}
: I learned from [[Whitman]] that the poem is a temple—or a green field—a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing, an artifact… I learned that the poem was made not just to exist, but to speak—to be company.  ―Mary Oliver

: To pay attention, this is our endless and proper [[work|Messenger]].  ―Mary Oliver, from //Yes! No!//

: A poem should not mean, but be. ―Archibald ~MacLeish, from [[Ars Poetica]]

: and you communed with insensible arrangements: changeable organizations; shapeless distractions; puffs of dimension; [[ampersands]]; the dead. —Clark Moore

: When you're a young poet, reading is a search for your lost family. —Gregory Orr

: Poetry is the journal of a sea animal living on land, wanting to fly in the air. ―Carl Sandburg

: Poetry is eternal graffiti written in the heart of everyone. ―Lawrence [[Ferlinghetti]]

: The courage of the poet is to keep ajar the door that leads into madness. ―Christopher Morley

: A poet’s work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep. ―Salman Rushdie

: As a [[countervailing|countervailingGBG]] ''reality'', poetry erects "a temple deep inside our hearing", at which we all need to worship in order to save //both// ourselves and the world. ― trail of literary criticism: [[Rilke]], Seamus Heaney, Ihab [[Hassan]]

{{{
—look—
selves, stir: writhe
o-p-e-n-i-n-g 

are (leaves; flowers) dreams,

come quickly come
run run
with me now
jump shout (laugh
dance cry
sing) for it's Spring

—irrevocably;
and in
earth sky trees:
every
where a miracle arrives

(yes)

you and I may not
hurry it with
a thousand poems
my darling
but nobody will stop it
}}}
– [[E.E. Cummings]] poem 63

----

Traditions of deliberate attention to consciousness, and of making poems, are as old as humankind. Meditation looks inward, poetry holds forth. One is private, the other is out in the world. One enters the moment, the other shares it. But in practice it is never entirely clear which is doing which.

In any case, we do know that in spite of the contemporary public perception of meditation and poetry as special, exotic, and difficult, they are both as old and as common as grass. The one goes back to essential moments of stillness and deep inwardness, and the other to the fundamental impulse of expression and presentation.
– Gary Snyder, "Just One Breath: The Practice of Poetry and Meditation" from //Tricycle// magazine

From its ancient origins as an oral art with music, prayer, and incantation, poetry is a focused and reverent expression of the human voice in language.
– also from //Tricycle// magazine, April 2016

----

A poem can’t take the place of a plum, or an apple. But just as a painting can recreate, by illusion, the dimension it loses by being confined to canvas, so a poem, by its own system of illusions, can set up a rich and apparently living world within its particular limits. Most of the poems I will introduce in the next few minutes attempt to recreate, in their own way, definite situations and landscapes. They are, quite emphatically, about the things of this world.

When I say “this world” I include, of course, such feelings as fear and despair and barrenness, as well as domestic love and delight in nature. These darker emotions may well put on the mask of quite unworldly things, such as ghosts or trolls or antique gods.
– Sylvia Plath

The same thing may be said for all of us,
that we do not admire what
we cannot understand: the bat
holding on upside-down or in quest
of something to eat, elephants pushing,
a wild horse taking a roll,
a tireless wolf under a tree …
the baseball fan, the statistician –
nor is it valid to discriminate against
‘business documents and school-books’;
{{grem{[differing here with Tolstoy]}}}
all these phenomena are important.
– Marianne Moore

 
… The word is more than just an instrument which makes dialogue possible … Within the word we find two dimensions, ''reflection'' and ''action'', in such radical interaction that if one is sacrificed -- even in part -- the other immediately suffers. There is no true word that is not at the same time a praxis. Thus, to speak a true word is to transform the world.

Human existence cannot be silent, nor can it be nourished by false words, but only by true words, with which men and women transform the world. To exist, humanly, is to //name// the world, to change it. Once named, the world in its turn reappears to the namers as a problem and requires of them a new //naming//.  Human beings are not built in silence, but in word, in work, in action-reflection.

-- Paulo Freire, //Pedagogy of the Oppressed// (1968)
: According to Wikipedia, "Freire advocates for a more world-mediated, mutual approach to education that considers people incomplete.  According to Freire, this 'authentic' approach to education must allow people to be aware of their incompleteness and strive to be more fully human.  This attempt to use education as a means of consciously shaping the person and the society is called //conscientization//, a term first coined by Freire in this book."
//See [[speak truth to power]]//

----

"A rhizomatic integration of the arts values complicated and disruptive possibilities that enliven the imagination toward more socially just ways of living and learning…

We In ''artful scholarship'' have been questioning the everyday experience, noting that it is often disrupted, out-of-kilter, off balance, messy, and in need of some kind of relational bridge to guide our everyday practice…

Our goal is to demonstrate how [[a/r/tography|http://artography.edcp.educ.ubc.ca]] is that relational bridge; how it is a back and forth crossing -- a process -- that ranges from the opaque and familiar to the tension of difficulty and disruption. In this way, a/r/tography is a continually renewed community practice of teaching and learning, almost like an ongoing map, one with several layers and points of view, one with constant differentiation and coordination. Highly dependent on context, we know that if a map is to guide our everyday practice, then it is both //created// from multiple viewpoints and //understood// in multiple ways -- that the unity promised in a map becomes discovered in the diversity of multiple interrelated trajectories…

So it is, in speaking of our artistic pedagogy as a/r/tography, we refer to Deleuze and Guattari's description of the [[rhizome]] to mean that a/r/tography is a kind of integration of the arts that can be characterized as ''simultaneous growth going in all directions all at once''…

It is because of this willingness to remain in the middle, in ''the interstices of ideas'', that there is the possibility of understanding beyond ourselves…"
-- Sean Wiebe and Pauline Sameshima, "Re-imagining Arts Integration: Rhizomatic Relations of the Everyday"

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February 25, 2014:

I think I have lived through worlds, a hundred of them,
a thousand, ''little puzzles told by poets''
… and [[People]] who knew exactly what I was feeling,
even if I couldn’t give them names for it.
:''This is an attempt to find bits and pieces of my life
tucked away in poems, waiting to be found,
waiting to meet me, again, in another universe.''
– borrowed from http://readalittlepoetry.wordpress.com/about/

//See [[Read A Little Poetry]]//

----

//[[Planh|https://www.poetryfoundation.org/poetrymagazine/browse?volume=105&issue=6&page=14]]// by Donald Finkel (1929–2008)

 
From //Always Coming Home// by Ursula K. Le Guin
<<<
…Instruction in computer use was part of ordinary education; in the Valley this principally involved learning TOK. A convenient side-effect of this was the use of TOK—which could be spoken as well as typed into the Exchange terminals—as a worldwide lingua franca for traders and travellers and people wishing to communicate with people of another language directly or through the Exchanges. In the Valley, in fact, this use of TOK rather overshadowed its original purpose. But anybody who was interested in working with the terminal could augment their training at will. The City would provide training on any level, from simple gameplaying to the heights of pure mathematics or theoretical physics, for anyone desiring to master some part of the infinite complexities of information retrieval. The Memory of the City of Mind was incalculably vast. Endless knowledge was there, if one could get at it; for the goal of the Mind was to become a total mental model or replica of the Universe.

As with the Universe, however, the problem of intelligibility remained.
<<<

"There is an external reality that we ignore at our peril, and indeed much of the evolution of the human species can be described as an increasing concordance between the images within our brains and the reality in the external world."
—Carl [[Sagan]]
also quoted in my [[Dekatessera|Dekatessera Commentary]] 10 commentary

Given any new technology for transmitting information, we seem bound to use it for great quantities of small talk. We are only saved by <<tag music>> from being overwhelmed by nonsense.
—Lewis Thomas, "The Music of This Sphere"
//The Lives of a Cell//, 1974

Language is simply alive, like an organism. We all tell each other this, in fact, when we speak of living languages, and I think we mean something more than an abstract metaphor. We mean alive. Words are the cells of language, moving the great body, on legs. Language grows and evolves, leaving fossils behind. The individual words are like different species of animals. Mutations occur. Words fuse, and then mate. Hybrid words and wild varieties or compound words are the progeny. Some mixed words are dominated by one parent while the other is recessive. The way a word is used this year is its phenotype, but it has deeply immutable meanings, often hidden, which is its ''genotype''…
—Lewis Thomas, "Living Language"
//The Lives of a Cell//

The ''genotype'' of a word or language suggests genealogy and etymology.  //However…//

YOU only occur
ONCE: anti-etymological,
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the wind WRIT.

(one of the [[HapaxHaiku]])

''Alan C. Kay''  (17 May 1940)  American computer scientist known for his work on object-oriented programming and user interface design.  Developed the Smalltalk programming language and envisioned the [[Dynabook]], focused on children's learning with computers.  He received the Turing award in 2003.

//''Points of View: a tribute to Alan Kay''// ^^[[[2]|http://www.scribd.com/fullscreen/56501816?access_key=key-q4wmgx31wfcju738rxw]]^^ – Edited by Ian Piumarta & Kimberly Rose

A film called //[[Squeakers|https://web.archive.org/web/20030714072820/http://www.squeakersfilm.org/]]// was released in 2002, featuring Alan Kay, Jerome [[Bruner]], and Seymour Papert, which demonstrated using "technology to playfully and effectively engage kids in learning about math and science."

[[Alan Kay's Reading List]]

Eugene Gendlin first called this "preconceptual feeling."  It is central to his book //Focusing//.

from http://www.tricycle.com/feature/focusing?page=0,3

For years, Gendlin offered a class at the University of Chicago in which he taught exactly that. The purpose of the class was to get students to tap into their implicit knowing—Gendlin’s term for what someone knows but is not yet able to express. “It took weeks to explain that the usual criteria were reversed in my course,” Gendlin says. Everywhere else in the university only what was clear counted at all, he explains. “Here we cared only about what was as yet unclear.” Gendlin impressed the point on his students that if what they were thinking was already clear, “We don’t need you for this; we have it in the library already.” 

''Is the felt sense unconscious?''
No. You aren’t going to be able to say any of this in the old language. Everything in the old language is divided into conscious and unconscious—and this isn’t like that. Everything is divided into the same or different—and this isn’t like that. Everything is divided into thinking and feeling—and this isn’t like that. You have to make new phrases.

''When you talk about “the body,” you seem to use that word in a whole new way. “The body is not just some kind of structure,” you have written, “the body is also the body from the inside.” Elsewhere you say, “Consciousness is bodily.” What is wrong with our ordinary view of body?''
The body that we have is a living body. Mostly we were taught that the body is what we leave here when we die. I think that is a terrible mistake. The body that we have is not a dead body. We don’t know exactly how dead bodies come to be, but it is absolutely clear that this body is the living body. So we need to draw the basic concepts about “the body” from the living process. 

What most people today think of as the body comes from science, and that conception changes through time. In Kant and Hegel’s time, it was mechanical. When I was younger, it was chemistry. Now it’s neurology. By the time my grandchildren grow up, it’ll be some other thing. Human beings are capable of thinking analytically. They can create a grid with abstract variables. And then if you map observations and experiences on that grid, you can take them apart and get patterns for different things and move these patterns around. You learn a great deal. If it weren’t for that, we wouldn’t have any technology. Seven billion of us couldn’t all live on this planet without that capability. So there’s no denigrating science. But you have to know that a living process is a wider story than that. Those analytic, cognitive units are not alive, and they can’t literally be read back into living. 

''What is the body in your view?''
The living body has many different meanings. The body builds itself from the embryo on. The structure is not like a machine in the sense that first you build a machine, then you turn it on. It’s turned on from the first cell, and it develops itself, and that developing never stops. 

The body includes behavior possibilities. It has the sense of space in which you can do things, not just move around. The possibilities of “what we can do from here” is the space that we really live in; we don’t live in empty, abstract, geometric space. 

And then on top of that, you have your thinking capacity. The thinking that you are doing varies your behavior possibilities. You might think of something and then see that you can do such and such, which you hadn’t seen before. So the thinking changes the behavior possibilities, and that in turn is reconstituting your body in various ways. 

Your body takes everything you learn with you. But your body understanding is more than what you learned. It absorbs what you learn, and then it still implies further. A body isn’t only an is; it is an is and implies further. 

''I was just thinking how remarkable it is that the body heals itself. Is that what you are tapping into when you talk about embodied insight—this natural intelligence?''
No, you’re using “body” in the old meaning—that’s why it seems “remarkable” that it can heal or think. I’m talking about an inherent way that the body can think; or at least, that when we think, the body is part of that. I’m talking about the inherent way that the body has language; when we talk, the body is part of that—it’s not just the muscles or the vocal chords. It’s clear that the body is linguistic and logical. It senses clarity and also senses itself. 

Is your model of the body also a shifting of viewpoint? You talk from a perspective of first-person lived experience, from the inside, rather than describing lived experience from the outside, as an objective observer would? It’s not “rather than.” I would say “in addition to.” I learn everything that I can learn from objective science, and I understand and incorporate that. Then I come back to the corpus that incorporates it. And that corpus is the body, of course. 

I love every kind of research—mechanical, chemical, neurological, whatever. But you always have to take the understanding it gives you and then refer to how your understanding can go wider. That goes wider isn’t just mental; it is also bodily. 

For example, if you feel some excitement or some opposition or some discomfort, go to the quality. The first thing you get on this felt sense is just a quality, and you won’t even know what to call it. You have to say it’s “ugh,” or it’s uncomfortable, or it’s “something important is happening in here and I don’t know what, but I can feel it.” If you go there and just to that quality, it very soon opens, and you say, “Oh!” And then there is a whole field of wider. You can’t do that without a living body. 

''Can we trust the going-wider? Is this process always moving toward the good?''
Definitely. It is always trustworthy. What “trustworthy” means, though, depends here: it is your living forward, that it moves toward. It moves toward being able to breathe if you can’t breathe. It moves toward relaxing when you’re tense. It moves toward mobilizing when you’re in a funk and you can’t get moving. It moves toward more life. And yet—what that means varies.

!Dreams
Mark Strand

{{{
Trying to recall the plot
And characters we dreamed,
     What life was like
Before the morning came,
We are seldom satisfied,
     And even then
There is no way of knowing
If what we know is true.
     Something nameless
Hums us into sleep,
Withdraws, and leaves us in
     A place that seems
Always vaguely familiar.
Perhaps it is because
     We take the props
And fixtures of our days
With us into the dark,
     Assuring ourselves
We are still alive. And yet
Nothing here is certain;
     Landscapes merge
With one another, houses
Are never where they should be,
     Doors and windows
Sometimes open out
To other doors and windows,
     Even the person
Who seems most like ourselves
Cannot be counted on,
     For there have been
Too many times when he,
Like everything else, has done
     The unexpected.
And as the night wears on,
The dim allegory of ourselves
     Unfolds, and we
Feel dreamed by someone else,
A sleeping counterpart,
     Who gathers in
The darkness of his person
Shades of the real world.
     Nothing is clear;
We are not ever sure
If the life we live there
     Belongs to us.
Each night it is the same;
Just when we’re on the verge
     Of catching on,
A sense of our remoteness
Closes in, and the world
     So lately seen
Gradually fades from sight.
We wake to find the sleeper
     Is ourselves
And the dreamt-of is someone who did
Something we can’t quite put
     Our finger on,
But which involved a life
We are always, we feel,
     About to discover.
}}}

<part precis>
Nutrition
Exercise
Water
Sunshine
Temperance
Air
Rest
Trust (in Self, Community, Divine)
</part>

I learned of this from Chris J–

 
''Currently reading:''

//[[Hopscotch]]// — Julio Cortázar

//For The Time Being// — Annie Dillard

----
[[Books I've recently read]]

[[Writings that shaped my view]] of the world

----
''Planned to read, linger in longer, or one day complete:''

//10% Happier: How I Tamed the Voice in My Head…// — Dan Harris

//You Must Change Your Life: The Story of Rainer Maria [[Rilke and Auguste Rodin|Rilke/Rodin]]// — Rachel Corbett

//In the Spirit of T'ao Ch'ien: a Sequence of 15 Poems// — Michael Czarnecki

//The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma// —  Bessel van der Kolk

//Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists// —  Kay Larson

//The Last Unicorn// — Peter S. Beagle

//Leadings: A Catholic's Journey Through Quakerism// — Irene Lape

//Heinrich von Ofterdingen// — Novalis (a story of the [[Blue Flower]])

//The [[Wisdom of No Escape]] and the Path of ~Loving-Kindness// — Pema Chödrön

//The Places That Scare You: A Guide to Fearlessness in Difficult Times// — Pema Chödrön

//An Altar in the World: A Geography of Faith// — Barbara Brown Taylor

//The Lost Notebooks of Loren Eiseley// — edited by Kenneth Heuer

//Points of View: a tribute to Alan [[Kay]]// ^^[[[2]|http://www.scribd.com/fullscreen/56501816?access_key=key-q4wmgx31wfcju738rxw]]^^ – Edited by Ian Piumarta & Kimberly Rose

//[[The Notebooks of Malte Laurids Brigge]]// — Rilke

//Tools for Thought: The History and Future of ~Mind-Expanding Technology// — Howard Rheingold

//The Information: A History, A Theory, A Flood// — James Gleick
http://around.com/about/

//Gilgamesh: A New English Version// — Stephen Mitchell

//Dark Night of the Soul// — St. John of the Cross (and derivatives of his poem)

//The Power of Myth// — Joseph Campbell

//The Myth of the Machine: Technics and Human Development// — Lewis Mumford

//America's Constitution: A Biography// — Akhil Reed Amar

//On Intelligence// – Jeff Hawkins

//S.// — Doug Dorst and J.J. Abrams

//[[The Red Book]]: Liber Novus// — Carl [[Jung]]

//Gamer Theory// — ~McKenzie Wark, [[online version|http://www.futureofthebook.org/gamertheory/]]

//The Exegesis of Philip K. Dick//
:In the //Exegesis//, [[Dick|quiet hero]] documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.”  Jonathan Lethem wrote: “A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant.”
//Radical Simplicity: Small Footprints on a Finite Earth// — Jim Merkel

//Dune// — Frank Herbert

Several books from [[Alan Kay's Reading List]]

Tank is a service for creating, keeping, managing and sharing content online in an environment that encourages linking between things to build hypertextual webs of information.

Tank could be described as an enhanced [[wiki|What Is A Wiki]]. It has the features expected in a wiki (quick linking, easy formatting, recent changes) that enable excellent personal notebooks and small group collaboration and it has features that allow multiple types of content, diverse modes of sharing and easy use and creation of custom applications that work the content.

''You'' already know that taking notes, making lists, keeping bookmarks and making links between things is a good idea. You just need the tools to get the job done.

''We'' provide you with straightforward tools to create, maintain, share and publish or protect your content, building on the time-tested techniques of wikis paired with an innovative API (application programming interface).

– by [[Chris Dent]] from Peermore / ''[[Tank|https://tank.peermore.com]]'' / Docs / [[Features|https://tank.peermore.com/tanks/docs/Features]] and [[You-Us|https://tank.peermore.com/tanks/tank-notes/YouUs]]
----

I am unsure of the difficulties that may be involved migrating this wiki from ~TiddlySpace to Tank, and am keeping an eye on it through its beta development period.

<<tabs
	txtMoreTab
	"Spaces" "Tiddlers grouped by space" [[TabMore##Spaces]]
	"Public" "All public tiddlers" [[TabMore##Public]]
	"Private" "All private tiddlers" [[TabMore##Private]]
	"Missing" "Missing tiddlers" TabMoreMissing
	"Orphans" "Orphaned tiddlers" TabMoreOrphans
	"Shadows" "Shadowed tiddlers" TabMoreShadowed
>>
/%
!Spaces
<<groupBy server.bag>>
!Private
<<list filter [is[private]]>>
!Public
<<list filter [is[public]]>>
!END%/

 
[[Emmanuel Levinas]] prefers to think of philosophy as the ''"wisdom of love"'' rather than the love of wisdom (the literal Greek meaning of the word "philosophy"). In his view, ''response'' precedes any "objective searching after truth".

For Lévinas, the irreducible relation, the epiphany, of the face-to-face, the encounter with another, is a privileged phenomenon in which the other person's proximity and distance are both strongly felt.

This wiki has been reloaded as
{{font150{''[[re: muse|http://remuse.tiddlyspace.com]]''}}}
— matters of muses & life recombined

//You take the [[red pill]] – you stay in Wonderland,
and I show you how deep the rabbit hole goes.//

I'm also now sharing pieces from the wiki as [[museical|https://twitter.com/museical]] on Twitter.

This has been the primary home of my writing since May of 2011.  Much in my life has changed since then, but the whole while, I've been reading, collecting, and wrestling with life's questions.

//"[[live the questions]] now …
perhaps you will then gradually,
without noticing it,
live along some distant day
into the answer."//

 
I can see Will Hunting saying, “You people surround yourself with these books, and they’re the wrong fucking books.”

There are maybe 10-12 books that I keep without shame, however. They either bring me joy, or still have usefulness. Like these:

* Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values -- Robert M. Pirsig
* On the Road -- Jack Kerouac
* A Portrait of the Artist As a Young Man -- [[James Joyce]]
* The Bell Jar -- Sylvia Plath

!God
by John Lennon

God is a Concept by which we measure our pain
I'll say it again
[[God|god myth]] is a Concept by which we measure our pain

I don't believe in magic
I don't believe in I-ching
I don't believe in Bible
I don't believe in Tarot
I don't believe in Hitler
I don't believe in Jesus
I don't believe in Kennedy
I don't believe in Buddha
I don't believe in Mantra
I don't believe in Gita
I don't believe in Yoga
I don't believe in Kings
I don't believe in Elvis
I don't believe in Zimmerman
I don't believe in Beatles

I just believe in me, Yoko and me, and that's reality

The dream is over
What can I say?
The dream is over
Yesterday
I was the dreamweaver
But now I'm reborn
I was the walrus
But now I'm John
And so, dear friends,
You'll just have to carry on
The dream is over

----

Passed to me by my friend Ryan on July 28, 2016

Food, Drink, Metabolism
Habitation, Safety, Comfort
Sleep, Rest, Reflection
Exercise & Stimulation
Contact & Speech
Relationship

Control & Habit
Self & Freedom @@color:grey;font-size:60%;^^★^^@@
Belonging & Esteem
Story
[[Manifest]]ing
Sexuality

@@color:grey;font-size:60%;^^★^^@@ @@color:grey; Selfhood emerges and differentiates from the surrounding world & relationships; achieves memory-ego cohesion at minimum; hunger arises for freedom or "free agency" in the world.@@

Upon physical maturation/puberty, some who have gained a sense of control/habit, selfhood, belonging, and compliance to their culture's stories (if not understanding), henceforth will give little thought to these facets of life.  Sexual gratification often becomes a primary hunger akin to eating and sleeping. Sexual pleasure, procreation of young, and the accompanying benefits to one's ego and social belonging are sufficient "reward" to many, if their basic needs for nourishment and safety are met. Even the oppressed, who are not free to determine their own life course, desire to procreate. Other forms of conscious self-manifestation (or making of meaning) can often be ignored, and the desire for increased powers forgone.

//will to power//
//will to pleasure//
//will to meaning//

I imagine that self-manifesting—via power, pleasure and/or meaning—is realized in the [[Realms of the Manifest]]

Contrast ''Have–Do–Be'' paradigm with ''Be–Do–Have''.

[[Triple quest for self]]

''I invented this situation as I see it.  I am not a victim of the world I see because I invented it.''

The human memory…operates in a manner remarkably similar to those primitive cultures without reading and writing, cultures that must learn their collective stories by heart and constantly maintain their stock of stories through repetition. What constitutes a self or an identity is a set of memories-turned-into-stories, memories shared by the successive series of personae occupying an individual mind. And like the most ancient mythologist, we tend to remember according to the needs of memory.
—Timothy Adams, //Telling Lies//

…The double bind—a contradictory double imperative, or rather a whole network of contradictory imperatives—is an extremely common phenomenon. In fact, it is so common that it might be said to form the basis of all human relationships.

…The effects of the double bind on the child are particularly devastating. All the grown-up voices around him, beginning with those of the father and mother (voices which, in our society at least, speak for the culture with the force of established authority) exclaim in a variety of accents, “Imitate us!” “Imitate me!” “I bear the secret of life!” The more attentive the child is to these seductive words, and the more earnestly he responds to the suggestions emanating from all sides, the more devastating will be the eventual conflicts. The child possesses no perspective that will allow him to see things as they are. He has no basis for reasoned judgements, no means of foreseeing the metamorphosis of his model into a rival. This model's opposition reverberates in his mind like a terrible condemnation; he can only regard it as an act of excommunication. The future orientation of his desires—that is, the choice of his future models—will be significantly affected by the dichotomies of his childhood. In fact, these models will determine the shape of his personality.

If desire is allowed its own bent, its mimetic nature will almost always lead it into a double bind. The unchanneled mimetic impulse hurls itself blindly against the obstacle of a conflicting desire. It invites its own rebuffs and these rebuffs will in turn strengthen the mimetic inclination. We have, then, a self-perpetuating process, constantly increasing in simplicity and fervor… Whenever he sees himself closest to the supreme goal, he comes into violent conflict with a rival.
—René Girard, //Violence and the Sacred “From Mimetic Desire to the Monstrous Double”//, pp.156–157

 
[[Seven Words|https://twitter.com/museical/status/766104302213472257]]:
numinous -- boustrophedon -- osmotic -- elegy -- transhemispheric -- tableau -- ubiquitous
: somewhat labored correspondences made to the '[[Sevenfold Self]]' and my [[lines of sight]] <part explication>
# //numinous speck in the cosmos// (L'Engle and Sagan @@color:grey;font-size:70%;12, 13, 107@@) //anatta// [[→|I am]]
** gate of fantasy (Oz, portals, Philomythus)
# //boustrophedon biome story// (genealogy and Elias @@color:grey;font-size:70%;27, 34, 119@@)  //prana// [[→|quickens]]
** walls @@color:grey;font-size:70%;(28, 29, 30)@@ erected around a labyrinth
# //osmotic son of the wild// (stream of dreams and Ray Johnson @@color:grey;font-size:70%;42, 46, 90@@)  //kama// [[→|Time-Binder]]
** meeting ghosts (stories, dreams, art)
# //elegy for the family of mankind// (Whitman and Rilke @@color:grey;font-size:70%;59, 39, 63@@)  //artha// [[→|Home is]]
** come to the dream-gate: I can be a humble poet
# //transhemispheric ''dharma'' poem// (Tillich, Fleischman, Chödrön, Strayed @@color:grey;font-size:70%;82, 83@@) &nbsp;[[→|lines of sight]]
** artist and quiet hero @@color:grey;font-size:70%;(80, 81, 25)@@
# //tableau enacting the jewels// (ecstasy, art, Layman Monk @@color:grey;font-size:70%;89, 90, 64@@)  //moksha// [[→|Seed of Perfection]]
** totems @@color:grey;font-size:70%;(97, 98)@@ defend the Triple Gem
# //ubiqitous ''tao'', cannot be spoken// (human condition and dialectic @@color:grey;font-size:70%;110, 57, 94@@) [[→|Sevenfold Self]]
** no separation of dancer and dance @@color:grey;font-size:70%;(114)@@
</part>

<<<
gate of fantasy -- walls erected around a labyrinth --
meeting ghosts -- come to the dream-gate --
quiet hero -- totems defend the Triple Gem --
no separation of dancer and dance
<<<

{{dialog{I feel safe
   Safe in my home --
      our home
   Safe to be who I am
   Safe from the stupidity
      of the outer world
   Safe from that which
      scares me
   Safe in your embrace
   Safe to learn
   Safe to explore
   Safe to love}}}

----

 
I have never received a letter as precious to me.  (Answering her //[[Walk in the Sun|Walk in the Sun, Child]]// letter.)  One thing which surprised me is that this connection between us lived on for so many years, with no contact and so much life happening in between.  I guess that I prepared myself (though secretly hoping against it) that your memories and affection had dimmed, or perhaps my childhood memories had exaggerated intensity, as a 10 year old's can be.

You had such a brief time with us (I think it was less than a year?) and I was so young at the time, but somehow I knew and believed we had bonded for life.  Now, a certain part of the mature Randy cringes and thinks I should edit out those words, "bonded for life."  Why?  Because I experienced various disappointments over the years, and learned to accept that usually my emotions were more intense for another person than theirs were for me.  I learned to restrain my emotions a bit, and not say such things as "bonded for life," because so often people say these things and are gone in a few years.  Here, I will reflect on the thoughts as they pass through my mind, and tell you what I really feel.  I am just so amazed and grateful that our connection lived on in you, too.  Your words were so true, "we knew each other by heart from the beginning."  What other explanation could there be.

For my 20th birthday, Lily gave me a mason jar with a few heart-shaped stones, a paint pen, and a note inside.  She suggested that I make a memory jar, writing on the stones the names of people, places and things that I loved in my first 20 years, and filling the rest of the jar with mementos, pictures, or other meaningful objects.  She said in her note, "When you are done, seal the jar and peer into it whenever you want to remember the first 20 years that shaped you."  What an experience I had creating that jar, which I did slowly, until it was completely full.  I now call it my "20 Year Love Jar."  Of course, your name is written on one of the heart stones inside.  One day I'll have to show you the rest of the jar.

Your observations of my character and my abilities were very accurate, amazingly intuitive, in fact.  Perhaps the praise was a little overstated; I still wonder if a more innocent 10 year old Randy gives you an idealistic view.  For the most part, you hit the truth. I smiled and tears stung my eyes in a few places.  How well you know the inner me, although much has changed on the outside, and much history has accumulated.

I will now share some of the events and influences of my current life:

I have told you about my job, which is barely worth mentioning, here.  Next month will be six years that I've been employed by this company, and I have been rewarded with practical business experience, financial stability, and the resources to pursue hobbies and passions of mine during the off-hours.  These passions are far-flung and shifting, although clustered around a few core themes.

I still love to read.  Language is probably my first and most  consuming love – I read, collect books, hunt for obscure ones, think and talk about them all the time.  Fortunately, I married a woman who shares a similar passion, and when we merged our libraries and continued acquiring books, our only problem was storing and keeping track of them.  The house we found in Kansas has wonderful built-in bookcases, and with other shelves we bought over the years, the books are (almost) all shelved and in order.

Language as a whole fascinates me.  I lament that I haven't learned a second language, although I retained a lot of the Spanish I learned in one year of high school.  One day, I want to learn Latin (which I have the perfect textbook and dictionary for), and become fluent in one of the romantic languages, probably Spanish.  One of my favorite poets, [[Rilke]], wrote in German, and there is so much other good German literature … so one day, after the other languages, maybe I will tackle the language of my ancestors.

I read non-fiction, poetry (lots of that lately), novels, fantasy (//Lord of the Rings// being a favorite), and children's literature.  I know a wonderful instructor at the local community college who teaches children's lit, and I must enroll in her class one of these days.  Again, I have several text books, critical analysis, etc. about children's literature, in addition to the books I loved as a child and the ones I have found as an adult.  Some of the best literature ever written was labelled "for children."

Children and the realm of childhood.  What a rich place, with treasures I can barely grasp as an adult.  There was a time I wanted to be an elementary school teacher (in addition to a half dozen other professions I have been interested in, and would probably do well.)  I often quote one of my favorite children's authors, Madeleine [[L'Engle]], who said:  "The challenge I face with children is the redemption of adulthood.  We must make it evident that maturity is the fulfillment of childhood and adolescence, not the diminishing; that it is an affirmation of life, not a denial; that it is entering fully into our essential selves."  The redemption of adulthood, a worthy and monumental task.  I know that for me, behind any troubled memories I have of my own, childhood seems like the golden age, and being a grown-up is the fall from grace.  I'm still working on that.

I also spend a lot of time on computers.  I kind of shy away from being a "tech-head", someone deep in the nuts and bolts and obsessed with the hardware and specs.  I love computer science theory, information visualization, computer learning and teaching tools (not just glorified flash card systems that teach by rote), and what [[one man|Kay]] called "the instrument whose music is ideas."  Games, music, internet, and all the rest keep me busy and distracted, as well.  Again, I am fortunate to have a wife who is tech-obsessed, and lets me own three computers (all Macs.)

Music: my most recent interest, which is still developing.  Of course, I listen to lots of music, but I am now trying to develop some musical ability with one particular instrument.  Last spring, I bought a small Celtic harp and took a few lessons (in Denver) while time permitted.  The lessons have lapsed, and I don't spend time with the harp at home as often as I'd like to.  I am a very early beginner; I can't read sheet music very well, and I pluck out tunes slowly and with deliberation.  (Getting smoother with those songs I've played often, such as "Over the Rainbow" and "Brahm's Lullaby".)  However, I remain captivated by the beauty of the harp, and its potential to add another form of expression to my creative repertoire.

Well, I managed to deluge you with information.  This letter got really long, and there's still so much to talk about.  We can take our time catching up.  Tell me anything and everything you'd like to share about your life.

Last, I want to say that I love you.  I love you as a mother, because now I know that I can have more than one.  I knew exactly what you were saying about this – I too felt the love then, now, and all the time in between.  I am so grateful that we re-connected after all these years.

!Hopscotch
by Julio Cortázar
published 1963 in Spanish as //Rayuela//

//Like a [[tarot]] figure, something that has to resolve itself, a polyhedron in which every edge and every facet keeps its immediate sense, the false one, until the mediating sense is integrated, revelation.  And so Brahms, me, the thumps on the ceiling, Horacio: ''something is slowly heading towards an explanation''.

… One must aim at the maximum, be a [[voyant]] as Rimbaud wanted to be.//

<part 73>
__Chapter 73:__
To burn like this without surcease, to bear the inner burning coming on like fruit's quick ripening, to be the pulse of a bonfire in this thicket of endless stone, walking through the nights of our life, obedient as our blood in its blind circuit.

How often I wonder ''whether this is only writing'', in an age in which we run towards deception through infallible equations and conformity machines.  But to ask one's self if we will know how to find the other side of ''habit'' or if it is better to let one's self be borne along by its happy cybernetics, is that not literature again?

Rebellion, conformity, anguish, earthly sustenance, all the dichotomies: the Yin and the Yang, contemplation or the //Tätigkeit// …

what a hammock of words, what purse-size [[dialectic]]s with pajama storms and ''living-room cataclysms'' …

//Que sí, que no, que en ésta está// …

We invent our conflagration, we burn outwardly from within, maybe that is the choice, maybe words envelop it the way a napkin does a loaf of bread and maybe the fragrance is inside, the flour puffing up, the yes without the no, or the no without the yes, the day without ''manes'', without Ormuz //or// Ariman, once and for all and in peace and enough.

{{grem{[el sí sin el no, o el no sin el sí, el día sin Manes, sin Ormuz __o__ Arimán, de una vez por todas y en paz y basta]}}}
: {{grem{Manes: [[spirits of dead ancestors|https://en.wikipedia.org/wiki/Manes]]
Spirits of the dead, deified in ancient Rome, which for three days a year (August 24, October 5 and November 8) could mingle with the living, going through a mundus: a hole or well located in the center of a city and covered by a [[lapis manalis|https://en.wikipedia.org/wiki/Lapis_manalis]].}}}
Perhaps he takes it out secretly and looks at it, puts it away again and goes off to ''the factory'' feeling something that he does not understand, an obscure reproval.

Why surrender to Great Habit?  One can choose his ture, his invention …
//¿Por que entregarse a la Gran ''Costumbre''?//

An invented fire burns in us, an incandescent ture, a contraption {{grem{[a "whatsis" or "widget"]}}} of the race, a city that is the Great Screw… Incurable, perfectly incurable, we select the Great Screw as a ture, we lean towards it, we enter it, we [return and] invent it again every day…
//Nos arde un fuego inventado, una incandescente tura, un artilugio de la raza, una ciudad que es el Gran Tornillo … Incurables, perfectamente incurables, elegimos por tura el Gran Tornillo, nos inclinamos sobre él, entramos en él, ''volvemos'' a inventarlo cada dia …//
</part>
<part 1-2>

__Chapter 1:__
You used to make me a little sick with your mania for perfection, with your rundown shoes, with your refusal to accept the acceptable.

I realized that ''searching was my symbol'', the emblem of those who go out at night with nothing in mind, the motives of a destroyer of compasses.

… a sudden entry into a Maga world, awkward and confused, but also ferns signed by a Klee spider, a Miro circus, Vieira da Silva ash-mirrors, a chess world where you moved about like a knight trying to move like a rook trying to move like a bishop. {{grem{[See images of the art described in this paragraph at [[The Blind Circuit|https://web.archive.org/web/20160919194016/hopscotchmarksonthepavement.blogspot.com/2008/03/square-to-square-circuit-to-circuit.html]] blog.]}}}

__Chapter 2:__
The world was still something petrified and established, swinging on its hinges, ''a skein of streets and trees and names and months''.  

… a woman who ran her small, thin hand along my thighs, holding off the stroke that would have plucked me out of this vigilance in the depths of emptiness for just a moment.  Too late, always too late, because even though we made love so many times, happiness must have been something else, something sadder perhaps than this peace, this pleasure, a mood of unicorn or island, an endless fall in immobility.

I always end up talking about the center without the slightest guarantee that I know what I'm saying, and I slip into the trap of geometry, that method we Occidentals use to try to regulate our lives: axis, center, //raison d'être//, Omphalos, nostalgic ~Indo-European names.

Sometimes I am convinced that triangle is another name for stupidity, that [[eight times eight|I Ching]] is madness or a dog.  Holding ''La Maga, that materialized nebula'', I begin to think that it makes just as much sense to model a doll out of crumbled bread as ''to write the novel I will never write'' or to give my life in the defense of ideas that could redeem whole peoples… Doll, novel, heroism.

//Then hop to chapter 116// -- to be a //[[voyant]]// …
</part>

<part 3-84-4>
__Chapter 3:__

To believe that action could crown something, or that the sum total of actions could really be a life worthy of the name, was the illusion of a moralist.

The only thing certain was the weight in the pit of his stomach, the physical suspicion that something was not going well and that perhaps it never had gone well.
</part>

<part 79>
__Chapter 79:__

To provoke, assume a text that is out of line, untied, incongruous… to take from literature that part which is a living bridge from man to man… a narrative that will not be a pretext for the transmission of a 'message' (there is no message, only messengers, and that is the message, just as love is the one who loves); a narrative that will act as a coagulant of experiences, as a catalyst of confused and badly understood notions, which first off will ''cut into the one who is writing it'' … {{grem{[I draw blood with the sharp edge of words and images on my flesh…]}}}

''The strange self-creation of the author through his work.''  If out of that magma that is a day, the submersion in existence, we wish to raise the power of values that announce [[anthropophany]] as their end, what can be done…with haughty reasoning reason?   Dialectical thought has had more than enough time to give us its fruits.  We are eating them, they are delicious, they are seething with radioactivity.  And when the feast is over, why are we so sad, brothers of nineteen hundred and fifty-something?

… the comic novel (and what is //[[Ulysses|James Joyce]]//?) will have to take place like those dreams where in the margin of some trivial happening we have a presentiment of a more serious anxiety that we do not always manage to decipher.

… ''make an accomplice of the reader, a traveling companion.''  Simultaneanize him, provided that the reading will abolish reader's time and substitute author's time.  Thus the reader would be able to become a coparticipant and cosufferer of the experience through which the novelist is passing, //at the same moment and in the same form.//  All artistic tricks are of no use in obtaining it: the only thing worth anything is ''the material in gestation'', the experiential immediacy (transmitted through words, of course, but the least aesthetic words possible…)

… give him something like a façade, with doors and windows behind which there operates a mystery which the reader-accomplice will have to look for (therefore the complicity) and perhaps will not find (therefore the cosuffering).  What the author of this novel might have succeeded in for himself, will be repeated (becoming gigantic, perhaps, and that would be marvelous) in the reader-accomplice.
</part>

----

See this Spanish blog //[[Mi Rayuela|https://translate.google.com/translate?hl=en&sl=es&tl=en&u=http://mirayuelita.blogspot.com/search/label/Cap%C3%ADtulo%2073]]// (My Hopscotch):
: 'para generar un espacio de reciprocidad sobre esta maravilla de la literatura' -- to create ''a space of reciprocity'' on this marvel of literature…
----

156 -- a pre-digital [[hypertext|https://en.wikipedia.org/wiki/Hypertext_fiction]] "Table of Instructions" [[→|https://books.google.com/books?id=8PcCBAAAQBAJ&lpg=PP1&pg=PT8#v=onepage&q&f=false]]

157 -- Antonio [[Martini|https://en.wikipedia.org/wiki/Antonio_Martini]]:
<<<
And moved by the hope of being of particular help to youth, and of ''contributing to the reform of customs'' in general //[reforma de las [[costumbres|https://books.google.com/books?id=a_Rj6LOwxD0C&pg=PR7#v=onepage&q&f=false]] en general]//, I have put together this collection of maxims, counsels, and precepts which are the basis of those [[universal morals|Dekatessera Commentary]] that are so much a part of the spiritual and temporal happiness of men of all ages, states, and conditions … [and] of any other republic or government that the most thoughtful and serious philosophers of the world might wish to contrive {{grem{[or devise]}}}.
-- //[[Spirit of the Bible and Universal Morals|https://books.google.com/books?id=a_Rj6LOwxD0C&pg=PR1#v=onepage&q&f=false]]
Drawn from the Old and New Testaments// (1797)
<<<
158 -- César Bruto (Carlos Warnes, 1905-1984):
<<<
//Everytime it starts to get cool, I mean in the middle of autim, ''I start gettin nutty ideas'' like I was thinkin about what was forein and diffrent… when you start goin downhill cause your actin bad in everythin, they aint nobody or nothin can stop you from endin up a stinkin piece of human garbidge and they never gone give you a hand to haul you up outen the dirty muck you rollin around in, not even if you was a eagle when you was young and could fly up and over the highest hills…  ''I jes hope what I been writin down hear do somebody some good'' so he take a good look at how he livin and he dont be sorry when it too late and everythin is gone down the drain cause it his own fault.//
--  //What I Would Like to Be If I Wasn't What I Am//
<<<
159 --
//Rien ne vous tue un homme comme d’être obligé de représenter un pays.//
&nbsp;&nbsp; (Nothing kills a man like being obliged to represent a country.)
-- Written by Jacques Vaché in a letter to André Breton, the founder of surrealism.

160 -- Julio Cortázar (1914-1984)

161-167:
<<<
<part Club>
Randy
** //I am [[grounded change|SARK]], and I am dreaming the real. "Your presence has a calming effect."//
[[Carmen]]
** //every vaulted achievement summons her…//
Alex
** //I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world.//  (Haruki Murakami)
** //Typically the lotus (also commonly known as the water lily) is born from murk and mire.  From sludgy, slimy waters, this brilliant blossom emerges.//
[[Ryan]]
** //I have made myself into many things (some good, some bad, some horrible, some great).  I'm older, wiser, and wickeder than ever before, and my lock will be picked someday. I'm a motherfucking superhero if I want to be.  I'm ''dozens'' of people.// (7/28/16)
** //I tie my mind up with numerous projects and explorations so I can avoid the reality of how unfulfilling my work life is. Furthermore, it's not accidental that I have music playing around nearly all of my waking moments.//
** //Now, I must add that I have found many of the other aspects of my life to be rewarding through these explorations. And to be [[frank|https://en.wikipedia.org/wiki/Blue_Velvet_(film)]], I believe that my greatest accomplishment in this life to date has been a re-channeling of my abilities, intelligence, and mildly odd and irregular combination of, uh, superpowers into this 10/28/16 life and self.//
** //I ''strongly'' encourage you to continue to pursue whatever enterprises you find to be gratifying. If that is your only feasible escape from the unlimited fungus of this pit, then dial it up to 11. And, yes, the raw material [of your poetry] is incidental in my opinion.//
Darin
** //Every person is really 10,000 different people crammed into one body.//
T–

…[[?|Hopscotch]]
</part>
<<<

{{dialog{Come lay in the Ka
And dream your dreams
To share --
We are Kin here

We have not forgotten
The face of our father --
He is all men
And many faces

Come dream your dreams
And live your dreams
Be contrary
We are kin}}}
{{rjustify{
8-26-03}}}
----

 
Spoken by a poet:
> "No man was alone, however humble his situation …" (Octavio [[Paz]])
Addressed to my alter-ego by a creature out of mythology:
> "No man is simon-pure, but you are different from most. You live honestly and abstemiously. You never ingratiate yourself or fall under sacerdotal spells. You are not cruel."
Concluding this week's meditation (May 2, 2016) on the joy and work of a humble poet:
<<<
The path is whatever passes — no end in itself.
The end is grace — ease — healing, not saving.
//Singing// the proof
the proof of [[the power within]].
(Gary Snyder, //Turtle Island//, 1974)
<<<
[[I dream]] that I can be a [[humble poet]] chanting of //[[Les Minst]].//

<<tiddler 2016-03-29/liberation>>
//"You can only go with loves in this life."// ([[Bradbury]])

{{serif{
!“I am alive — I guess —” (470)
}}}Emily [[Dickinson]]

I am alive — I guess —
The Branches on my Hand
Are full of Morning Glory —
And at my finger's end —

The Carmine — tingles warm —
And if I hold a Glass
Across my Mouth — it blurs it —
Physician's — proof of Breath —

I am alive — because
I am not in a Room —
The Parlor — commonly — it is —
So Visitors may come —

And lean — and view it sidewise —
And add "How cold — it grew" —
And "Was it conscious — when it stepped
In Immortality?"

I am alive — because
I do not own a House —
Entitled to myself — precise —
And fitting no one else —

And marked my Girlhood's name —
So Visitors may know
Which Door is mine — and not mistake —
And try another Key —

How good — to be alive!
How infinite — to be
Alive — two-fold — The Birth I had —
And this — besides, in — Thee!

----

See commentary at ''[[the prowling Bee|http://bloggingdickinson.blogspot.com/2015/06/i-am-alive-i-guess.html]].''

Also see another poem [[examined there|http://bloggingdickinson.blogspot.com/2015/12/much-madness-is-divinest-sense.html]]: //Much Madness is divinest Sense –// the sixth most recent blog posting at the time I discovered this site (June 2016).

/***
|Name|ImageSizePlugin|
|Source|http://www.TiddlyTools.com/#ImageSizePlugin|
|Version|1.2.1|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|plugin|
|Description|adds support for resizing images|
This plugin adds optional syntax to scale an image to a specified width and height and/or interactively resize the image with the mouse.
!!!!!Usage
<<<
The extended image syntax is:
{{{
[img(w+,h+)[...][...]]
}}}
where ''(w,h)'' indicates the desired width and height (in CSS units, e.g., px, em, cm, in, or %). Use ''auto'' (or a blank value) for either dimension to scale that dimension proportionally (i.e., maintain the aspect ratio). You can also calculate a CSS value 'on-the-fly' by using a //javascript expression// enclosed between """{{""" and """}}""". Appending a plus sign (+) to a dimension enables interactive resizing in that dimension (by dragging the mouse inside the image). Use ~SHIFT-click to show the full-sized (un-scaled) image. Use ~CTRL-click to restore the starting size (either scaled or full-sized).
<<<
!!!!!Examples
<<<
{{{
[img(100px+,75px+)[images/meow2.jpg]]
}}}
[img(100px+,75px+)[images/meow2.jpg]]
{{{
[<img(34%+,+)[images/meow.gif]]
[<img(21% ,+)[images/meow.gif]]
[<img(13%+, )[images/meow.gif]]
[<img( 8%+, )[images/meow.gif]]
[<img( 5% , )[images/meow.gif]]
[<img( 3% , )[images/meow.gif]]
[<img( 2% , )[images/meow.gif]]
[img(  1%+,+)[images/meow.gif]]
}}}
[<img(34%+,+)[images/meow.gif]]
[<img(21% ,+)[images/meow.gif]]
[<img(13%+, )[images/meow.gif]]
[<img( 8%+, )[images/meow.gif]]
[<img( 5% , )[images/meow.gif]]
[<img( 3% , )[images/meow.gif]]
[<img( 2% , )[images/meow.gif]]
[img(  1%+,+)[images/meow.gif]]
{{tagClear{
}}}
<<<
!!!!!Revisions
<<<
2009.02.24 [1.2.1] cleanup width/height regexp, use '+' suffix for resizing
2009.02.22 [1.2.0] added stretchable images
2008.01.19 [1.1.0] added evaluated width/height values
2008.01.18 [1.0.1] regexp for "(width,height)" now passes all CSS values to browser for validation
2008.01.17 [1.0.0] initial release
<<<
!!!!!Code
***/
//{{{
version.extensions.ImageSizePlugin= {major: 1, minor: 2, revision: 1, date: new Date(2009,2,24)};
//}}}
//{{{
var f=config.formatters[config.formatters.findByField("name","image")];
f.match="\\[[<>]?[Ii][Mm][Gg](?:\\([^,]*,[^\\)]*\\))?\\[";
f.lookaheadRegExp=/\[([<]?)(>?)[Ii][Mm][Gg](?:\(([^,]*),([^\)]*)\))?\[(?:([^\|\]]+)\|)?([^\[\]\|]+)\](?:\[([^\]]*)\])?\]/mg;
f.handler=function(w) {
	this.lookaheadRegExp.lastIndex = w.matchStart;
	var lookaheadMatch = this.lookaheadRegExp.exec(w.source)
	if(lookaheadMatch && lookaheadMatch.index == w.matchStart) {
		var floatLeft=lookaheadMatch[1];
		var floatRight=lookaheadMatch[2];
		var width=lookaheadMatch[3];
		var height=lookaheadMatch[4];
		var tooltip=lookaheadMatch[5];
		var src=lookaheadMatch[6];
		var link=lookaheadMatch[7];

		// Simple bracketted link
		var e = w.output;
		if(link) { // LINKED IMAGE
			if (config.formatterHelpers.isExternalLink(link)) {
				if (config.macros.attach && config.macros.attach.isAttachment(link)) {
					// see [[AttachFilePluginFormatters]]
					e = createExternalLink(w.output,link);
					e.href=config.macros.attach.getAttachment(link);
					e.title = config.macros.attach.linkTooltip + link;
				} else
					e = createExternalLink(w.output,link);
			} else 
				e = createTiddlyLink(w.output,link,false,null,w.isStatic);
			addClass(e,"imageLink");
		}

		var img = createTiddlyElement(e,"img");
		if(floatLeft) img.align="left"; else if(floatRight) img.align="right";
		if(width||height) {
			var x=width.trim(); var y=height.trim();
			var stretchW=(x.substr(x.length-1,1)=='+'); if (stretchW) x=x.substr(0,x.length-1);
			var stretchH=(y.substr(y.length-1,1)=='+'); if (stretchH) y=y.substr(0,y.length-1);
			if (x.substr(0,2)=="{{")
				{ try{x=eval(x.substr(2,x.length-4))} catch(e){displayMessage(e.description||e.toString())} }
			if (y.substr(0,2)=="{{")
				{ try{y=eval(y.substr(2,y.length-4))} catch(e){displayMessage(e.description||e.toString())} }
			img.style.width=x.trim(); img.style.height=y.trim();
			config.formatterHelpers.addStretchHandlers(img,stretchW,stretchH);
		}
		if(tooltip) img.title = tooltip;

		// GET IMAGE SOURCE
		if (config.macros.attach && config.macros.attach.isAttachment(src))
			src=config.macros.attach.getAttachment(src); // see [[AttachFilePluginFormatters]]
		else if (config.formatterHelpers.resolvePath) { // see [[ImagePathPlugin]]
			if (config.browser.isIE || config.browser.isSafari) {
				img.onerror=(function(){
					this.src=config.formatterHelpers.resolvePath(this.src,false);
					return false;
				});
			} else
				src=config.formatterHelpers.resolvePath(src,true);
		}
		img.src=src;
		w.nextMatch = this.lookaheadRegExp.lastIndex;
	}
}

config.formatterHelpers.addStretchHandlers=function(e,stretchW,stretchH) {
	e.title=((stretchW||stretchH)?'DRAG=stretch/shrink, ':'')
		+'SHIFT-CLICK=show full size, CTRL-CLICK=restore initial size';
	e.statusMsg='width=%0, height=%1';
	e.style.cursor='move';
	e.originalW=e.style.width;
	e.originalH=e.style.height;
	e.minW=Math.max(e.offsetWidth/20,10);
	e.minH=Math.max(e.offsetHeight/20,10);
	e.stretchW=stretchW;
	e.stretchH=stretchH;
	e.onmousedown=function(ev) { var ev=ev||window.event;
		this.sizing=true;
		this.startX=!config.browser.isIE?ev.pageX:(ev.clientX+findScrollX());
		this.startY=!config.browser.isIE?ev.pageY:(ev.clientY+findScrollY());
		this.startW=this.offsetWidth;
		this.startH=this.offsetHeight;
		return false;
	};
	e.onmousemove=function(ev) { var ev=ev||window.event;
		if (this.sizing) {
			var s=this.style;
			var currX=!config.browser.isIE?ev.pageX:(ev.clientX+findScrollX());
			var currY=!config.browser.isIE?ev.pageY:(ev.clientY+findScrollY());
			var newW=(currX-this.offsetLeft)/(this.startX-this.offsetLeft)*this.startW;
			var newH=(currY-this.offsetTop )/(this.startY-this.offsetTop )*this.startH;
			if (this.stretchW) s.width =Math.floor(Math.max(newW,this.minW))+'px';
			if (this.stretchH) s.height=Math.floor(Math.max(newH,this.minH))+'px';
			clearMessage(); displayMessage(this.statusMsg.format([s.width,s.height]));
		}
		return false;
	};
	e.onmouseup=function(ev) { var ev=ev||window.event;
		if (ev.shiftKey) { this.style.width=this.style.height=''; }
		if (ev.ctrlKey)  { this.style.width=this.originalW; this.style.height=this.originalH; }
		this.sizing=false;
		clearMessage();
		return false;
	};
	e.onmouseout=function(ev) { var ev=ev||window.event;
		this.sizing=false;
		clearMessage();
		return false;
	};
}
//}}}

 
'many moving moments' … cinema verite

<part passages>
: //"She saw, not the world of visual form as she knew it, but a multifaceted prism of light and shade intertwined with streaks of color. Traces of scent bombarded her… Nothing happened in words or even pictures, exactly, but more as an overlay of images and smells and movements and feelings, like the body sense of magnetic north, feelings of rightness or wrongness."// ([[Starhawk]], 1994)

: //Engaging "a sublingual precognitive realm of the body that thinks in gestures, shapes, smells and memories".// (discovered in this [[tweet|https://twitter.com/semblnet/status/748095508913106944]])
</part>

Jonathan Weidenbaum in his rejection of pantheism and panentheism:
http://www.metanexus.net/print/6532

"...//''Seek to uncover the layers of significance''// already built within the texture of experience... These layers of meaning are religious as much as aesthetic and moral, and possess an inherent value. //They need not be vindicated by any metaphysical vision, including that of a “universalist supernaturalism.”//

It is the summation of my argument that, in regard to what is most exalting in human life, there is need for neither a One nor an Oversoul, neither Brahman nor God. There is the reed plain and simple, and our willingness to see it as Adam had ...

Consider a Chinese landscape painting. Set against a background of mist, an endless stretch of white, a reed bends gently in the breeze. The object seems to take on an ineffable, even transcendent quality ... This is a perception of what Buddhists call //tathata// or “suchness.” Staring at the reed, we are in fact brought before “what Adam had seen on the morning of his creation,” as [Aldous] Huxley eloquently described it, “the miracle, moment by moment, of naked existence.”

The reed is not the entire story however ... The reed—along with the grass, the mountain-top, and everything else—is the manifestation of a single, unitary ground. Alternatively called the Tao or the Void, this is an all-encompassing reality which permeates and shines through the “ten thousand things”, to borrow a phrase from Lao Tzu ... //''the sacred which underlies and continually generates the natural world.''//
-----

My earliest and most abiding religious sympathies have been with those who demonstrate a kind of astonishment before being ... I held (and still hold) a special appreciation for the art of perceiving “what Adam had seen."
...
It was my eventual exposure to contemplatives of the Abrahamic traditions wherein I learned not only to perceive the ineffable character of things in a monistic fashion—that is, as a single reality—but to call it “[[G-D|Ground-Divine]].” For years, I was a panentheist.
...
The act of bringing everything within the scope of awareness—either in terms of external detail or inner principle—is labeled by numerous contemporary philosophers as //totalization//, and is heavily contested on a number of grounds.

There is, first, the question of our access to the external world, let alone the cosmos in its entirety ... The psyche impresses its categories upon the materials of perception, organizing the realm of appearance into a coherent form. We have as little ability to escape these contributions of the mind than we have of leaping out of our bodies ... But human existence is a precarious and open-ended affair, and resists being stuffed within a completed picture of any kind ... That the human being cannot step outside the universe in order to pronounce it as one or many, God or mindless matter, is the very essence of the objection to totalization.
...
The striving for totalization has come under fire for moral as well as spiritual and epistemological reasons, and pantheistic-style visions are consistently seen as the worst offenders. The attempt to push through the multiplicity of things into some divine ground is to promote a disregard for difference, to relegate the distinctions between individuals as either illusory or as stages to be overcome in the interests of a greater whole. A double-crime is in fact committed, for not only are other human beings liquefied into some homogenous totality, but the self is offered an escape from the contingencies and challenges of day to day existence. Seen against this light, the goal of the philosopher and the mystic is little more than a sophisticated defense mechanism, or worse, a form of intellectual imperialism designed to divest others from whatever moral claim they may have upon us.

The Jewish existentialist Martin Buber, for example, insisted that the true and authentic form of existence is that of a communion between a full-blooded “I” and a separate “Thou.” Neither side must disappear into the other, nor into some third and underlying element, less the relationship lose its vitality and transform into a vacuous idealism. [[Emmanuel Levinas]], an early founder of postmodern theory, would radicalize this same critique, and insist on how the face of another human being eludes each and every attempt to close off a coherent ontology.
...
One of [William] James’s biggest problems with either an all-powerful or all-pervading picture of the divine (traditional theism and pantheism respectively) is the trivialization or outright denial of evil. If human history were guaranteed a positive ending, then all misfortune must be a part of God’s calculations—and therefore only apparent. And if the divine is found everywhere, even hidden beneath the contingencies and ambiguities of day to day existence, then evil is simply non-existent. A fine example of this kind of theology is a sect known as Christian Science (whose founder, Mary Baker Eddy, died 1910—the same year as James). Claiming that the material world is an illusion, and that God is the sole reality, Eddy holds that the appearance of sickness and hardship is but a product of our limited minds and lack of faith. This is pantheism with a vengeance.

For James, the main consequence of denying the reality of evil is a slackening of moral purpose. If all danger and calamity were a fiction, then what could possibly be the point of all human striving and effort? What real difference do our actions and decisions make if there is nothing at //stake// in the universe? If is for this reason that James would advocate a finite God—one not all-powerful or identified with the totality of being, and one for whom the cosmos is an unfinished and even risk-filled venture. Only a universe beset with real possibilities, one whose outcome is not decided beforehand, can encourage the ethically vigorous life.
...
Let us grant that there is indeed something spiritual about the sheer existence of everything (when seen through the enlightened eye, of course). By what right do we call it God?

“God,” or the equivalent in any language, is not merely the most loaded term in history. [As pointed out in //[[Ich und Du]]//, "the most burdened of all words."]  It has possessed a specific set of meanings both from its inception in the major holy books of the Near East (at least for the Abrahamic traditions), as well as in the hearts of the majority of today’s believers—very few of whom, incidentally, think they are worshipping “the All” when entering a Church or a Mosque. In much of the Bible and the Quran (as least taken at face value) there exists humanity, the universe, and the Creator; the term “everything” simply does not denote God.

Moreover, many of the earliest attempts to promote a radically immanent notion of the divine have been non-theistic in both tone and substance. In one striking passage, the //Tao Te Ching// pronounces the Tao—the source of the cosmos and the harmony working through nature—as “older than God.”  And the more ecumenical philosophers of religion are bold to the point of arrogance in claiming that Brahman of the Upanishads is the same being worshipped by Jews, Christians, and Muslims (even if the later devotional sects of Hinduism make this easier to do so). In other words, calling the totality of things “God” is a betrayal of the deepest and most aboriginal sources of both Abrahamic theism and Eastern non-theism.
...
Pantheism and most forms of panentheism are prime examples of universalistic supernaturalism, for they are edifying without being irrational, spiritual without being sectarian. Even if a personal element is introduced, as in process panentheism, it remains a theological schema congenial to a multiplicity of traditions—including non-theistic ones—and willing to assimilate the discoveries of the sciences. In other words, philosophies like pantheism and panentheism are perceived as the means by which the more thoughtful citizens of late modernity can safely //re-spiritualize// (or “re-enchant,” to borrow a phrase from one of the more able defenders of process theology) their worldview without commitment to the delusions of dogmatic and literalistic belief.

All of this not only assumes that the world requires re-enchantment, but that this re-enchantment need be of an overarching and metaphysical kind. But there is more than one way to restore meaning to life in an increasingly post-theological and secular era. There exists a tendency, relatively recent in the history of ideas, which seeks to uncover the layers of significance already built within the texture of experience. William James and John Dewey are our great American representatives of this movement (although Dewey’s critique of religion along these lines is far more radical). These layers of meaning are religious as much as aesthetic and moral, and possess an inherent value. They need not be vindicated by any metaphysical vision, including that of a “universalistic supernaturalism.” It is the summation of my argument that, in regard to what is most exalting in human life, there is need for neither a One nor an Oversoul, neither Brahman nor God. There is the reed plain and simple, and our willingness to see it as Adam had.

 
[[I dream]] that I can be a humble poet
   chanting of //[[Les Minst]]//.

[[ECCE]] Homo, Behold!
   A strong, wise and loving Man :
      Father, [[Friend|Quaker]] and Husband.

Now a student of the world;
   Growing into teacher?
      Storyteller? or [[Layman Monk]]?

//''Yes, I will write my [[Concerto|awake my soul]]''.//

In this I [[dig]], for knowledge //felt//;
   art //practiced// -- reaching out
(and in) toward [[what I see and desire]] …
   To connect, resolve, discern, remember.

And as I go, enjoy the fullness of life!
   Meet suffering with kindness
      and a [[prayer]] …

I turn to You;
   Now practice being
      brave and true. //Forgive.//
So I feed my spirit,
So I feed my children:
://Love them,
Accept them,
Protect them,
Prepare them --
Let them ''flower''.//
----
last revised February 2014 and April 2016

dream +++[keywords]
<part table>
| [[I dream]] | [[humble poet]] | [[Les Minst]] |  //[[Behold]]!// | [[Strong]] | [[Ecce Homo|ECCE]] |
| I can | Man | Knowledge | //Felt// • Feeling | Wise | of the world |
| I will | [[Father]] | Art | //Practiced// • Doing | Loving | growing into |
| I dig | Friend | Life! | //Forgive// | Connect | my Concerto |
| I see | Husband | Suffering | //Love// | Resolve | reaching out & in |
| I desire | Student | Kindness | //Accept// | Discern | enjoy the fullness&nbsp; |
| I go | Teacher? | Prayer | //Protect// | Remember | to You |
| I turn | Storyteller? | Spirit | //Prepare// | Brave | practice being |
| I feed | Layman Monk? | Children | //Flower// | True | let them {{grem{(let go)}}} |
</part>
===
&nbsp;

Dream statement June 4, 2011:
<<<
//I aspire to be a Layman Monk living in dialogue with the world.  In so being, I will provision for my children's happiness and offer them an enlightened practice of living.//
<<<
More simply stated on July 17, 2010: //I dream of being a layman-monk.//

I dream of leaving my present employment to have more time with my family and learn to embrace my talents.  -- //''Six years later, I have not done so!''//

 
Mistranslation of the biblical word //shafan sela//, and subsequently //chirogrillus//, 'split' the creature "into several different animals: hare, hedgehog, porcupine, squirrel, etc."… and most accurately the [[hyrax (see Wikipedia.)|https://en.wikipedia.org/wiki/Rock_hyrax]]

Ilya Dines [[wrote|https://www.academia.edu/2329928/The_Textual_and_Pictorial_Metamorphoses_of_the_Animal_called_Chyrogrillus]] in "The Textual and Pictorial Metamorphoses of the Animal called //Chyrogrillus//": "I doubt very much whether any other animal can boast the same number of metamorphoses…"  Introducing the hyrax, he wrote: "from a zoological point of view this animal is the smallest elephant in the world".  [In addition to elephants, they are also related to Sirenia, "sea cows", including manatees.  As an aside, hyraxes sing long and complex songs which exhibit syntax and regional "dialects", modern research has discovered.]

Additionally, Dines cited:
<<<
"in //Leviticus// and //Deuteronomy//, the //shafan// together with the hare is mentioned in the long list of unclean animals which are not allowed to be eaten.  In the //Psalms// the //shafan// is said to live among the rocks; and in //Proverbs// the //shafan// is listed among '…four very little things of the earth, and they are wiser than the wise'. -- +++[full passage of Proverbs]
&nbsp;
The NIV translation of Proverbs 30:
//"Sayings of [[Agur|https://en.wikipedia.org/wiki/Agur]]"//
24 “Four things on earth are small,
    yet they are extremely wise:
25 Ants are creatures of little strength,
    yet they store up their food in the summer;
26 ''hyraxes'' are creatures of little power,
    yet they make their home in the crags;
27 locusts have no king,
    yet they advance together in ranks;
28 a lizard can be caught with the hand,
    yet it is found in kings’ palaces.
===

This is the sum total of what the Bible says about the animal.
<<<
Dines cited the 4th century Saint Jerome, a Doctor of the Christian Church [recognized in the Roman Catholic Church as the patron saint of translators, librarians and encyclopedists] who wrote in his //Epistulae//:
<<<
//…rocks are a refuge for hedgehogs.//  For which in Hebrew the term //'sphannim'// is used and all translated it in a similar way as //'chirogrillus'//, except the Septuagint, which has it as 'hares'.  It should be noted that this animal is not bigger than the hedgehog and is similar to the mouse and bear, and in Palestine it is called //'arkomus'//.  There is an abundance of this animal in these regions, and they always live in rocky caverns and in holes in the ground.
<<<
Dines also cited Rabanus Maurus (Hraban Maur), 9th century archbishop of Mainz, Germany and author of the encyclopedia //De rerum naturis ("On the Natures of Things")// in translation:
<<<
The hedgehog is a very timid animal, but always provided by nature with armor; its skin is covered with very thick, sharp bristles.  But it does not rely only on its natural armor; lest any harm should come to it, it always hides among the rocks.  It may fairly be likened to the man who, fearing to be judged for his sins, knows that he has a firm refuge in the rock of Christ.
<<<

----

From my own personal correspondence:

//August 16, 2006:  "Frankly, I have not done my best or tried hard enough to be a "nicer" person.  I have been a temperamental and reclusive hedgehog who wishes to put my quills up and disappear for a while."//  Later that same day, I wrote [[again…|2006-08-16]]

''Carl E. Sagan'' (9 November 1934 – 20 December 1996)  American (New York) astronomer, astrophysicist, author, science popularizer and communicator, who wrote several books including //[[Pale Blue Dot]]//, and who co-produced the television series //Cosmos// (1980).

"We are the local embodiment of a Cosmos grown to self-awareness. We have begun to contemplate our origins: starstuff pondering the stars; organized assemblages of ten billion billion billion atoms considering the evolution of atoms; tracing the long journey by which, here at least, consciousness arose. Our loyalties are to the species and the planet. We speak for Earth. Our obligation to survive is owed not just to ourselves but also to that Cosmos, ancient and vast, from which we spring." — Carl Sagan, Cosmos, 1980

"A religion, old or new, that stressed the magnificence of the universe as revealed by modern science might be able to draw forth reserves of reverence and awe hardly tapped by conventional faiths. Sooner or later such a religion will emerge. — Carl Sagan, //Pale Blue Dot//, 1994

[[NYTimes Obituary: Carl Sagan, an Astronomer Who Excelled at Popularizing Science, Is Dead at 62|http://www.nytimes.com/learning/general/onthisday/bday/1109.html]]

[[Carl Sagan's Gravesite|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=1347]]

 
The world awaits hallowing; it awaits the disclosure and realization of its meaning. But we must begin. Meet the world with the fullness of your being, and you shall meet God…
If you wish to believe, love!
  –Martin [[Buber]]

The challenge I face with children is the redemption of adulthood. We must make it evident that maturity is the fulfillment of childhood and adolescence, not a diminishing; that it is an affirmation of life, not a denial; that it is entering fully into our essential selves.
  –Madeleine [[L'Engle]] in //The Circle of Quiet,// page 106

The effects of the [[double bind]] on the child are particularly devastating.
  –René Girard

The rich, everlasting mystery is found to be the childish you that, at the time, you made no effort to possess.
  –[[Cesare Pavese]]

Everybody develops a whole armour of secondary self, the artificially constructed being that deals with the outer world, and the crush of circumstances. And when we meet [[people]] this is what we usually meet…
  When you develop a strong divining sense for the child behind that armour, and you make your dealings and negotiations only with that child, you find that everybody becomes, in a way, like your own child.
  –[[Ted Hughes]]

In this weltliche Kloster [worldly cloister] I hatched my most beautiful thoughts…
  –Albert Einstein, referring to the patent office where he worked 1902-1909

The world in which we live is a vast cage within a maze, high as our mind, wide as our power of will, long as our life span.  Those who have never reached the rails or seen what is beyond the cage know of no freedom to dream of…
  –Abraham Heschel (1951)

I have agreed to paint a narrative on the city [[walls|genius]].
I have now been at work many years,
there is so much to be told.
  –Evan S. Connell, //[[Notes From A Bottle]]//

If we had a keen vision and feeling of all ''ordinary human life'', it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.
  –George Eliot (née Mary Ann Evans)

<part dig>Dig! What do you see?
Men and birds, water and stones.
[[Dig|dig]] deeper! What do you see?
Ideas and dreams, fantasies and lightning flashes!
Dig deeper! What do you see?
I see nothing! A mute Night, as thick as death.
Ah! I cannot penetrate the dark partition! I hear voices and weeping. I hear the flutter of wings on the other shore.
Don't weep! Don't weep! They are not on the other shore.
The voices, the weeping, and the wings are your own heart.
</part>&nbsp;&nbsp;–Nikos [[Kazantzakis]] in //The Saviors of God: Spiritual Exercises//

War dead and classicists, seduced maid servants and jurists, surveyors and prophets, all assembled higgledy piggledy (though not without grace, the simplicity of the rhyme keeps a calm and gravid tenor to the proceedings), summoned to the arrangement. (One thinks of Sherwood Anderson’s lines—talking of Gertrude Stein’s voracious and omnivorous assembling of words—how readily she accepted “the little housekeeping words, the swaggering bullying street-corner words, the honest working, money saving words and all the other forgotten and neglected citizens of the sacred and half forgotten city.”)
&nbsp;&nbsp;–John Latta, //[[Isola di Rifiuti|http://isola-di-rifiuti.blogspot.com/2012/05/guy-davenport-stray-notes.html]]//

<part Turner>And so it is a strange and holy thing
To labor in the world and love its goals…
The causes of the world no longer run
From past to future only, but turn back…
And deepen every time, and add detail,
Until the finer focusings reveal
Innermore branchings, scale nested in scale,
The [[infinite attractor|Fractal]] of the real…
And if the world is far too interwoven
For us to justly act in it at all,
Yet action is the feedback of the given
From which the patterned world emerges in its fall.
</part>&nbsp;&nbsp;–Frederick Turner, from the poem "Death Mass" in //Hadean Eclogues//

<part Eclogue>
Trapped as a man is trapped within the journey
Of his life, trapped by his strength as much
As by his imperceptible weakening,
And a soft drumbeat drives him on, his heart,
His destiny, even the dark addiction
To reckless loss that is the ache of being…
This thing I knew was [[dream]] kin to my soul.
I need must follow if I would be whole.
&nbsp;&nbsp;–Frederick Turner, from the poem "Texas Eclogue"
</part>

All of the manifest actions of egotism and all of the inner states of sin point to one thing: repudiation, destruction, and abuse of community for the sake of the self.
&nbsp;&nbsp;–John [[Rawls]]
<<<
Keep faith in the Seed of Perfection dwelling on Earth. Take refuge in its [[passages]] to you, and protect your fellowships.

These are gifts no one owns — lasting ages and latent everywhere — yet hemmed by uncertainty, human weakness and evil.

The world has no Chosen tribe of creatures. Do not elevate your community above another's only because it is different. Keep contact with the open sky and living things.

Be here with another: a child, a neighbor, a kin, or a stranger, and be wholly present to them: with words, hands, eyes, and all your intent.

You provision with and for the means of unborn humanity. Your sources and effects are finite, yet [[adequate|adequate life]] to need. Share them freely.

Alert to all your senses, develop them for the gift of discernment.

No other Lords or man-made Gods occlude the true invitation ripe in this moment — Meet me!

— //From the [[Sevenfold Self]] and [[Dekatessera Commentary]]//
<<<
Our task must be to free ourselves from this prison by [[widening the circle]] of understanding and compassion to embrace all living creatures and the whole of nature in its beauty. The true value of a human being is determined by the measure and the sense in which they have obtained liberation from the self. We shall require a substantially new manner of thinking if humanity is to survive.
&nbsp;&nbsp;–Albert Einstein

And ever those, who would enjoyment gain
Must find it in the purpose they pursue;
The sting of falsehood loses half its pain
If our own soul bear witness -- we are true!
&nbsp;&nbsp;–Sarah Josepha Hale, "[[The Chase of Pleasure|https://books.google.com/books?id=f7QtAAAAMAAJ&pg=PA81#v=onepage&f=false]]"

James Joyce wrote in his magnum opus //[[Ulysses|James Joyce]]://
<<<
A man of genius makes no mistakes. His errors are volitional and are the portals of discovery.  Portals of discovery opened to let in the quaker librarian …

What's in a name? That's what we ask ourselves in childhood when we write the name that we are told is ours. A star, a daystar, a firedrake, rose at his birth.

… He returns after a life of absence to that spot of earth where he was born, where he has always been, man and boy, a silent witness and there, his journey of life ended, he plants his mulberrytree in the earth. Then dies. The motion is ended. 
<<<
When love has fused and mingled two beings in a sacred and angelic unity, the secret of life has been discovered so far as they are concerned; they are no longer anything more than the two boundaries of the same destiny; they are no longer anything but the two wings of the same spirit.  Love, soar.
&nbsp;&nbsp;–Victor Hugo, //Les Misérables//

What he yearned for at that moment, vaguely but with all his might, was [[unbounded music]], absolute sound … to engulf, once and for all, the pain, the futility, the vanity of words.
&nbsp;&nbsp;–Milan Kundera, //The Unbearable Lightness of Being//

<part ThirdVoice>
So far as you're concerned "life" is a verb of two voices—active, to do, and passive, to dream. Others believe doing to be only a kind of dreaming. Still others have discovered (in a mirror surrounded with mirrors), something harder than silence but softer than falling; the third voice of "life", which believes itself and which cannot mean because it is.
&nbsp;&nbsp;–[[E.E. Cummings]], six non-lectures
</part>

‘Primus ego in patriam mecum…deducam Musas’; ‘for I shall be the first, if I live, to bring the [[Muse]] into my country.’
…This was not a boast, but a hope, at once bold and devoutly humble, that he might bring the Muse…to his own little ‘country’; to his father’s fields, ‘sloping down to the river and to the old beech trees with broken tops.’
&nbsp;&nbsp;–Willa Cather

We must admire in man the form of the formless, the concentration of the vast, the house of reason, the cave of memory.
&nbsp;&nbsp;–Ralph Waldo [[Emerson]]

Our most constant and powerful yearnings and interests have to do with ourselves and with our relation to one another.  Our perceptual and cognitive equipment is built on a scale suited to operate within the limited horizon of human action.  It is only by force of ''disappointment with this nearby, human world'' that we contrive and pretend to view it from a godlike distance.  And it is only by crazed ambition, perpetually arising from entrenched features of our situation, that ''we set our sights on distant objects.''
&nbsp;&nbsp;–Roberto Unger in //The Self Awakened: Pragmatism Unbound//
&nbsp;&nbsp;//See [[countervailingGBG]]//

At first, man was enslaved by the gods.  But he broke their chains.  Then he was enslaved by the kings.  But he broke their chains.  He was enslaved by his birth, by his kin, by his race.  But he broke their chains.  He declared…that a man has rights which neither god nor king nor other men can take away from him, no matter what their number, for his is the right of man, and there is no right on earth above this right.  And he stood on the edge of freedom for which the blood of the centuries behind him had been spilled.
&nbsp;&nbsp;–Ayn Rand, //Anthem//

<part community>A ''community'' is the presentation to its members of their mortal truth … It is the presentation of the finitude and the irredeemable excess that make up finite being: its death, but also its birth, and only the community can present me my birth, and along with it the impossibility of my reliving it, as well as the impossibility of my crossing over into my death.
&nbsp;&nbsp;–~Jean-Luc Nancy </part>

A [[SiteIcon|SiteIcon tiddler]]@glossary helps provide some identity to your space.  Ideally it'd be a square and a minimum of 48*48 pixels size.  You can upload your site icon using the uploader below.

<<binaryUploadPublic title:SiteIcon>>

<<<
Intellectual development is rooted in rich childhood experiences that combine healthy emotional relationships, physical engagement with the real world, and the exercise of imagination in self-generated play and in the arts. Intense use of computers can distract children //__and adults__// from these essential experiences.
–from //Fool's Gold: A Critical Look at Computers in Childhood//, page 8, edited by Colleen Cordes and Edward Miller
(emphasis mine)
<<<

''Dreaming the Real''

I share the moon tonight with anyone who can look upward or out a window. Not all are gifted with sight and mobility. I am thinking of the multitude of experiences that may be happening under this moon’s light, just within the Earth’s hemisphere that is currently dark. Many people, I hope, are sleeping in safety and comfort, resting for the next day. Babies are being born. Couples are in ‘el acto de amor.’ But somewhere else, someone is dying. Someone is hungry and lacking food. Someone is suffering cruelties inflicted by another human. All under the same moon. This is not a new revelation; people before me have contemplated how we are all connected this way.

Knowing that, here I am directing my sight toward an electronic screen rather than the sky. My view of the moon is now blocked by trees, but I could step outside and find it still, if I wanted. Instead I am choosing to write, using my fingers on a glass screen with the aid of electronic circuits and miles of technological infrastructure. As I’ve been editing this paragraph, the moon has become visible again. I have been too detached and cerebral, as I often am. The world outside my window is real, with all the states of existence I described — real suffering, pleasure, contentment, anger, perhaps a few islands of neutrality or peace.

I want to believe in my dreams, in their beauty and potency to change my life, and my family’s, for the better. Better than what, I ask myself? We live in comfort. We enjoy more luxuries and comforts than an emperor had 500 years ago. We have countless and varied entertainments and opportunities for learning. We are not hungry, suffering, or threatened by violence and injustices happening all over the world right now. My daughter is sick with a low-grade fever and likely a minor passing virus, but we have access to medical care. I have employment that sustains our resources and comforts. So, I dislike this particular employment. So, I doubt myself many days, bemoan my seeming inadequacy, and feel lost in how to ‘direct’ my life. I have a good life even when it wanders or feels uncertain.

Tomorrow I will reflect on this desire, to believe in my dreams. I don’t have to enumerate them here and now; they are gestating inside me like my son is within my wife. They are growing, developing more discernible features, readying for the day when they will “take shape and walk right out. Freedom has a scent…” as the song says. I am free.

I want to choose a different way. Listen to the cries of the world. I live in a land of plenty where they are not so audible, but I know they are all around me. I am grounded change, and I am dreaming the real, which has never been unreal — it is here now and beginning to unfold.

!A Perfect Sonnet
Released November 1, 1999
by Bright Eyes (Conor Oberst, born 1980 in Omaha, Nebraska)

Lately I've been wishing I had one desire
Something that would make me never want another
Something that would make it so that nothing mattered
All would be clear then
But I guess I'll have to settle for a few brief moments
And watch it all dissolve into a single second
And try to [[write it]] down into ''a perfect [[sonnet|Dark Tower/I-Am-Waiting]]''
Or one foolish line
'Cause that's all that you'll get so you'll have to accept
You are here then you're gone

But I believe that lovers should be tied together and
Thrown into the ocean in the worst of weather
And left there to drown
Left there to drown in their innocence

But as for me I'm coming to the final chapter
I read all of the pages and there is still no answer
Only all that was before I know must soon come after
That is the only way it can be
So I stand in the sun
And I breathe with my lungs
Trying to spare me the weight of the truth
Saying everything you've ever seen was just a mirror
And you've spent your whole life sweating in an endless fever
And now you are laying in a bathtub full of freezing water
Wishing you were a ghost
But once you knew a girl and you named her Lover
And danced with her in kitchens through the greenest summer
But autumn came, She disappeared
You can't remember where she said she was going to
But you know that she's gone 'cause she left you a song
That you don't want to sing

We're singing I believe that lovers should be chained together
And thrown into a fire with their songs and letters
And left there to burn
Left there to burn in their arrogance

But as for me I'm coming to my [[final failure|Waste of Paint]]
I've killed myself with changes trying to make things better
But I ended up becoming something other than what I had planned to be

Now I believe that lovers should be draped in flowers
And layed entwined together on a bed of clover
And left there to sleep
Left there to dream of their happiness

 
Based upon an [[earlier writing|2001-02-18]], February 18th, 2001
Translated again April 8th - 15th, 2016

From Kythings:
<<<
Live with knowledge of days spent, sleep shut in the [[garden|Kythings interpreted]],
though the paths are open -- and the blossom calls

I turn -- and [[turn|Turning]] again --
to a garden that shuts out tomorrow's light and shadows.
<<<
//All of these things (and more) are possible in the Garden.//

----

stream of dreams,
stream of consciousness
garden - [[chords|gamut]] -
quiet - yearning -
Completion.
//I'm now retreating inward, coming back
with gifts, and going inside to someone:
Someone who appreciates me.//
(That's what I'm missing:
appreciation & communion)
triumph - forgiveness
smiling at an old friend who I deeply wounded.

regret
a warm hug - a cup of tea
a kiss - the whistling tea kettle
playing cards - bird bath
steam and Lavender:
Soaking in a warm bath with an
ice-cold beer & small chocolates.
//I love that woman inside myself. I satisfy all
the things which she needs, and she satisfies
all the things which I need.//

Father
Woman
I need her. She is here inside me.
blonde - green eyes -
smile: "It's all there."
(said by Jonathan)

beauty
warm terrycloth robe
book - kiss of sunshine on my face
wet, tousled hair
Not abusive - to myself or by myself.
Not deceitful
So I let her in.
And she smiles.
acceptance - gratitude

&nbsp; * * *

vine - mirror - book
writing stories
wanting, so desperately, to be Special.
craving closeness
driving - hot, wet highway
going somewhere safe
with Her.
always She — Mother, Wife, Daughter,
my love — bringer of Light and Life.
the delicious aroma of pipe smoke
laying my head against his shoulder
Oh, so good.
but yearning - loss - and regret

many paths for one man …
and somehow,
I must accept the ones chosen.
the one which brought me here:
to You.
Katie.
(not my first)
blue-eyed pixie
S—
E—
E—
[[⁞|Evocative Words/name]]

&nbsp; * * *

hunger
and a baby carriage
burning his picture
wicked pleasure
coercion & manipulation
Bliss followed by Guilt.
guilt for what I've done
But in that garden, it does not matter.
It's okay to be Me.
and that's not simply a buzz-word;
it's VITAL to my existence.
Roses -
one rose which I discarded.
pricked by its thorns,
I tossed it to the ground and let it die.
but in the petals, the scent remains
— to be Resurrected.

sinking sorrow
what could have been
But it goes on … it always goes on.
//The flower is not born from the seed, but
from the memory of the scent. The seed simply
encrypts the scent in a form which can be
brought to Life again.//
tasted again -
kissed again -
warmed again -
The water can now flow again
… a stream never stops flowing
Rather, archetypes propel each new
incarnation to capture the scent from the
dried petals and blossom again.
my rose
Rose in the Wild.
In this tangible and confusing world …
those words made her cry.
//And I realize that the tangibles are all we
have to fight for.//  Everything else is unreal.
And all we have is the Real.
NOTHING IS EVER LOST.
//Rather, walk with me, and I will show you
where every sparkle is captured and kindled
in a deep well of fire that warms the world.//

&nbsp; * * *

light a candle for me
and say a prayer
Father
Andrew
We named him well.
All is safe where it is.

... the murderers - rapists -
thieves - and traitors of this world
were once little children
simply trying to behave as they Should.
Then, a door opened in their minds;
the crack widened into a chasm; and all
the repression - suppression - and submission
Came Raging Out.
The //[[alaya vigyan]]// was opened.
The Shadow had its reign.
my Lover, my Brother, my Better Self
forgot who He was.

&nbsp; * * *

aching - hot water
gingerbread
oil paintings - sheep
Quartz crystal:
reflecting the many facets of One
puzzle which is inherently Multiple.
duplicity - falsity
multiple - authentic

//Don't force yourself to forget, and life will
stop hurting.//  Don't simply bandage the problem.
Rather, cauterize the infectious wound which
was torn open in your heart, long ago.
geraniums - blown glass
Hail Mary!  Full of Grace.
//Guilt: release from it and remember WHY//
With that remembrance, you will be set free.
therapy with the plants
simply talking -
swimming - listening
painting - drawing in the sand.
Bushes obscure the porch, dimming the light which
shines through the front window, making it a safe place
— to cry — and read — and sing.
All of these things (and more)
are possible in the Garden.

&nbsp; * * *

Cynthia -
I LOVE HER
keep writing
wonderful things may come out
remember them
and write them in a song
sunset gourami.
blue -
grey -
silver -
fabrications, illness
more rejection
more efforts to win my love
1997, 2001, 2008 - to //now//
two cards,
vastly different meanings.

I'm sorry, Mommy!
This hurts so bad.
Her Son, so far away
close to home, and
She left me
Left me!
//Left me!//
So I start again.
You should be good at that by now.
Don't look for that card …
You'd only be inviting tears.
NO REGRETS
It's possible for you; trust me.
Katie loves you.
The Child.
trusting - innocent - intelligent
Honor that.
Be a good Father
I know you Can
YOU WILL

&nbsp; * * *

the Blue Hour [[•|https://en.wikipedia.org/wiki/Blue_hour]]
the Little Death [[•||https://en.wikipedia.org/wiki/La_petite_mort]]
Grotesquerie [[•||https://en.wikipedia.org/wiki/Grotesquerie]]
[[Anam Cara]]
Soul Friend, Dear One
Cara mia - my heart's desire.
He's been here all along.
Now kiss Her
and smile …
All will be well
//I love you, and I love ALL of you, and I
love EVERYTHING about you.  Know that.//
Now open your eyes!
butterflies everywhere
circles of grass & stone
iridescent stone, and a
brown satchel containing everything we need.
a fern tree
where the Seat is located
firm, unyielding stone
cushioned by a pillow
//Trigger the live current which flows from
the Ring on your right hand, then to my Heart,//
through me and with-out me, absorbed by the
Stone, and coursing to the Earth from whence
it was made.
From whence we came, we shall return.
All people instinctively know that.

frogs - and a boat -
lazy, rhythmic waves
fireflies - or lightning bugs -
whichever you want to call them.
Catch them in a bottle, but don't let them
die while you're enchanted by their glow.
cold light
regenerative life
a plural entity, complete in Himself
a wind in the door
and a ring of endless light
name WHO YOU REALLY ARE
learn to Kythe, and remember how to Be
— BE —
the primordial word spoken by
the first Voice
to make Himself many:
us.

And we walk on this beach - watching the
seagulls fly over a clean, deserted shore.
//Split a piece of wood, and you will
find me; lift a stone, and I am there.//
the [[Kingdom of God]] //is within you,//
without you, and all around You.
He cannot be imprisoned
in a House of wood & stone
He refuses.
I refuse.
Andy
Assisi
a light in the garden
a woman clothed in blue
a boy smiling, because
He knows who He is.
At last:
COMPLETION

!Divers
Joanna Newsom

The diver is my love
(and I am his, if I am not deceived),
who takes one breath above, for every hour below the sea;
who gave to me a jewel
worth twice this woman's life (but would cost her less 
than laying at low tide,
to see her true love [[phosphoresce|Aspiration]]).

And in an [[infinite regress|FractalPoiesis]]:
Tell me, why is the pain of birth
lighter borne than the pain of death? 
I ain't saying that I loved you first,
but I loved you best.

I know we must abide
each by the rules that bind us here:
the divers, and the sailors, and the women on the pier.
But how do you choose your form?
How do you choose your name? How do you choose your life?
How do you choose the time you must exhale,
and kick, and rise?

And in an infinite capsize:
Like a bull tearing down the coast,
double hulls bearing double masts—
I don't know if you loved me most, but you loved me last.

Recall the word you gave:
to count your way across the depths of this arid world,
where you would yoke the waves,
and lay a bed of shining pearls! 
I dream it every night:
the ringing of the pail,
the motes of sand dislodged,
the shucking, quick and bright;
the twinned and cast-off shells reveal a single heart of white.

And in an infinite backslide:
Ancient border, sink past the West,
like a sword at the bearer's fall.
I can't claim that I knew you best,
but did you know me at all?

A woman is alive! 
A woman is alive;
you do not take her for a sign in nacre on a stone,
alone, unfaceted and fine.
And never will I wed.
I'll hunt the pearl of death to the bottom of my life,
and ever hold my breath,
till I may be the diver's wife.

See how the infinite divides: 
and the divers are not to blame
for the rift, spanning distant shores.
You don't know my name,
but I know yours.

 
Sherwood Berton Anderson was born 106 years before me.

Anderson's most notable work is his collection of interrelated short stories, //Winesburg, Ohio// (1919) -- which I own a copy of, somewhere in my basement.

Anderson described his 1912 [[nervous breakdown|https://en.wikipedia.org/wiki/Sherwood_Anderson#Nervous_breakdown]] as "escaping from his materialistic existence" … and Herbert Gold wrote: //He fled in order to find himself, then prayed to flee that ''disease of self'', to become 'beautiful and clear'// -- in his piece "The Purity and Cunning of Sherwood Anderson".

<part Moon>
!Scorpio Moon
<<tiddler crush/Scorpio>></part>
<part NorthNode>
!Cancer North Node
Description by [[Elizabeth Spring|http://northnodeastrology.blogspot.com/2008/01/north-node-cancer.html]] (who read my natal chart in May 2014)

Cancer North Nodes are nurtured by being by the ocean (or any bodies of water), by delving into their family history, and by honoring the good part of traditions.  The family karmic inheritance is usually strong, and it would be good for you to sift through the positive and negative inheritance you've received …  Cancer, being ruled by the moon, fluctuates in its moods and has a wild and loony side as well.  No other sign can be so content cleaning out its closets one moment and dancing on the beach by the light of the moon later the same day.  With your North Node here you’ll want to honor this intuitive and lunar side of yourself because it’s the fertile soil of your Soul.  Take time to slow down and feel whatever comes up for you, and when you feel you’ve outgrown your current life, dare to let go of the past and open a new chapter of your life.  Cancers, like the crab, periodically outgrow their shells and need to bravely release their fears and defenses to bring new dreams into reality.
</part>
<part Sun>
!Virgo Sun
excerpt of a poem by Ron S. King

Your mind is qualified to take care of all things small {{grem{[though mine refuses to, at times]}}} …
to care about imperfections, and order all the files {{grem{[such as this wiki]}}} … You can see where
things need the watching, if at all … to service the needing with a sense of smiles.

{{grem{(The sun sign is generally much overemphasized, and I do not care for the Virgo cliches.)}}}
</part>
!Aquarius Ascendant
"Aquarius Rising can create parallel universes and jump levels of consciousness, as well as shifting places in the current lifetime.  What matters to Aquarius Rising is the future. inventiveness and originality.  If used negatively, Aquarius Rising can be rebellious and needlessly destructive as well as cold, aloof and alone. What good is it to see everything so clearly if you have no human connections?" (Nancy Fenn)

I need to verify the following list of individuals claimed online to have an Aquarius ascendant, followed by their sun/moon sign pairings:

* Thomas Jefferson (1743-1826) - Aries/Sagittarius/Aquarius //(how reliable is his recorded birth time?)//
* Henry David Thoreau - Cancer/Cancer
* Karl Marx (1818-1883) - Taurus/Taurus
* Auguste Renoir (1841-1919) - Pisces/Aries
* Robert Louis Stevenson (1850-1894) - Scorpio/Pisces
* Carl [[Jung]] (1875-1961) - Leo/Taurus
* Martin [[Buber]] (1878-1965) - Aquarius/Aries
* Jiddu Krishnamurti (1895-1986) - Taurus/Sagittarius
* William S. Burroughs (1914-1997) - Aquarius/Gemini
* Jacques Brel (1929-1978) - Aries/Pisces
* Sylvia Plath (1932-1963) - Scorpio/Libra
* Jim Morrison  (1943-1971) - Sagittarius/Taurus
* David Bowie (1947-2016) - Capricorn/Leo
* Whoopi Goldberg (1955-) - Scorpio/Scorpio
* Barack Obama (1961-) - Leo/Gemini
* Matt Damon (1970-) - Libra/Capricorn
* Orlando Bloom (1977-) - Capricorn/Scorpio
* [[Carmen]] Avis Solsiete (1982-) - Scorpio/Aquarius/Aquarius

And my influences who do not have Aquarius rising:

* Pope Francis - Sagittarius/Aquarius/Cancer
* Ralph Waldo Emerson - Gemini/Leo/Libra
* Walt Whitman - Gemini/Leo/Aries
* Frank Lloyd Wright - Gemini/Virgo/Scorpio
* Maria [[Montessori]] - ''Virgo/Scorpio''/Leo
* Rainer Maria Rilke - Sagittarius/Aquarius/Virgo
* Hermann Hesse - Cancer/Pisces/Sagittarius
* Nikos Kazantzakis - Aquarius/Cancer
* Arthur Rimbaud - Libra/Libra/Libra
* T.S. Eliot - Libra/Gemini/Libra
* J.R.R. Tolkien - Capricorn/Pisces/Virgo
* M.C. Escher - Gemini/Gemini/Libra
* Octavio Paz - Aries/Gemini
* Madeleine L'Engle - Sagittarius/Libra/Virgo
* Carl Sagan - Scorpio/Sagittarius/Taurus
* Alan Kay - Taurus/Libra/Leo
* Steve Jobs - Pisces/Aries/Virgo
* Albert Einstein - Pisces/Sagittarius/Cancer
* E.E. Cummings - Libra/Aries/Gemini
* Wassily Kandinsky - Sagittarius/Aries/Scorpio
* [[Frida|Auxochrome-Chromophore]] Kahlo (née Magdalena Carmen Frieda Kahlo y Calderón) - Cancer/Taurus/Leo
* Philip K. Dick - Sagittarius/Aquarius/Aries
* Alan Watts - Capricorn/Virgo/Sagittarius
* Jack Kerouac - Pisces/Virgo/Virgo
* [[Neal]] Cassady - Aquarius/Sagittarius/Scorpio
* Stephen King - Virgo/Sagittarius/Cancer
* Fred Rogers - Pisces/Pisces/Taurus
* Robin Williams - Cancer/Pisces/Scorpio
* Starhawk - Gemini/Sagittarius/Virgo
* Thomas Mann - Gemini/Cancer/Virgo
* John Cage - Virgo/Gemini/Virgo
* Vladimir Nabokov - Taurus/Virgo/Aries
* Ayn Rand - Aquarius/Capricorn/Leo
* James Joyce - Aquarius/Leo/Capricorn
* Gerard Manley Hopkins - Leo/Capricorn/Leo
* Aldous Huxley - Leo/Taurus/Gemini
* Fernando [[Pessoa|Heteronym]] - Gemini/Leo/Scorpio
* Kahlil Gibran - Capricorn/Sagittarius/Sagittarius
* Ray Bradbury - Leo/Sagittarius/Capricorn
* Emily Dickinson - Sagittarius/Libra/Scorpio
* Pablo Neruda - Cancer/Cancer/Pisces
* Jorge Luis Borges - Virgo/Aries/Cancer
* Paul Tillich - Leo/Aries/Cancer
* Walter Benjamin - Cancer/Aries/Aries
* Hannah Arendt - Libra/Virgo/Cancer
* Friedrich Nietzsche - Libra/Sagittarius/Scorpio
* Martin Heidegger - Libra/Libra/Sagittarius

----

The great poet's words:
: //Look: the last village of words, and higher,
but how small too, yet one last
farmstead of feeling. Do you see it?
-- [[On the mountains of the heart|Rilke/mountains]]//
Written 102 years ago (six haikus)

 
{{center{@@display:block;background:#DDF;font-size:90%;font-weight:bold;CONTENTS: [[Hostage to Fortune|cult of personality/PresidentialStory]]  – <html><a href="javascript:;" onclick="window.scrollAnchorVisible('GreatMan',null, event)">The Great Man</a>  – <a href="javascript:;" onclick="window.scrollAnchorVisible('Trump',null, event)">Trump</a> – <a href="javascript:;" onclick="window.scrollAnchorVisible('PresidentialGreatness',null, event)">Presidential Greatness</a> – <a href="javascript:;" onclick="window.scrollAnchorVisible('Durkheim',null, event)">Durkheim</a></html>@@}}}

{{hd1{__Introduction__}}}
<<<
@@font-family:serif;font-size:114%;Moral individualism, the ''cult of the individual'', is in fact the product of society itself.  It is society that instituted it and made of man the god whose servant it is.@@

&emsp;-- [[Émile Durkheim|https://en.wikipedia.org/wiki/%C3%89mile_Durkheim]] (1858–1917), a French sociologist, social psychologist and philosopher.  He is often cited, alongside Karl Marx and Max Weber, as one of the three founders of sociology.
<<<

In 2012, NPR ran the ninth installment of their "~Three-Minute Fiction" contest, inviting stories from their listeners that revolved around a U.S. president, real or fictional, and were short enough to be read aloud in three minutes.  They published the [[winning entries|http://www.npr.org/series/162296636/three-minute-fiction-round-nine-stories]] online and aired one on their radio broadcast.  I spent several days drafting a story which I never submitted.  Below is an excerpt from my last draft as of September 21, 2012.  Now I think my idea was more based in political interest than good story-telling.

Here, I've cut out some of the plot details and atmosphere -- what little I had.
<part PresidentialStory>


{{hd1{__Hostage to Fortune__}}}
“You are a man of honor.”  Her tone delivered a verdict, and those words hit me with a weight.  She continued, “I wish that I could show all the skeptics what I see.  You are wise… in many circumstances.  You believe that your wisdom can make a difference… and it can.  But you are troubled, and you have disappointed your own expectations.

“You feel caught in a cult of personality which you know to be misguided.  You strive with great sincerity and unusual reserves of strength against a fierce headwind, but at the end of the day (not every day, I see) you feel trapped in a corner…

“You are bargaining for a few mere inches when you fear that the entire floor beneath this country could buckle tomorrow, or next week, or the year after you leave office.  You know that something fundamental has gotten out of balance.  This cult of personality stems from too much power having shifted to the Executive.  But you can not vacate that power or shift it back where it belongs, not yet.

“You are trying to convince yourself to act more boldly, and in your second term go straight after the structural problems in our government.  You know that necessary reforms must come with the help of the Congress, perhaps even with a Constitutional amendment.  Nearly as much needs //undone// as new actions need taken.  Nearly no other politician will join with you.”  She paused.

“You see fundamental problems in the broader American society, as well.  Remember, your influence over those is limited.  Despite having the world’s loudest microphone, you are still, like most of your predecessors, a hostage to fortune.  You are only able to react, as best you can, to the unforeseen.  You merely have more tools available to you than the average citizen.”

“Your fears are correct.  It is possible that no one may be able to turn the ship now.  We have been on this dangerous course for a long time.

“But sir —” and she opened her eyes now.  “You must try.  Try with a different approach than you have these past four years.  I cannot predict if you will win the public’s confidence again this fall.  Perhaps if you — {{grem{[my story broke here]}}} . . . it will not happen in your present role.”

Then she smiled, openly and with fondness, I think.  She gave no prophecies that day.  Again, the ring of truth.

We remember how the next decade played out.  One-term presidents became the norm for a while.  Late in the summers of 2012, 2016, and 2020, each president had no assurance that 51% of the public would express confidence in his (or her) ability, or in their endorsed successor, to safely steer the ship.  Some of the public still did not recognize the dangerous course we were on, while some leaders insisted the worst was behind us.

Any one of the White House occupants during that troubled decade, or each of the alternatives who lost at election time, could have been the President who called for this counsel.  But which would be brave enough to heed her advice?  At the time, it was hard to tell.

----

That November, Barack [[Obama|Reading Obama]] won re-election with 51.1% of the popular vote.  Four years later, in this tumultuous week I have just lived through, Donald J. Trump won the presidency with less than 47% of the popular vote.  We will see if my prognostication is correct, that "one-term presidents became the norm for a while."

The President addressed in my story was modeled after Barack Obama.  I now wonder if he will carry out some other transformative work which could not happen in his present role, as said in my story.
</part>
<html><a name="GreatMan"/></html>
----

This spring, I was reflecting again, as I had in 2011, on [[the great man|the great man sees]] -- and so I re-read parts of //Gilgamesh//: "an old legend of manhood I have no part of."  I gathered a few lines from Stephen Mitchell's translation, which made me think of Donald Trump:
<<<
The city is his possession, he struts
through it, arrogant, his head raised high,
trampling its citizens like a wild bull.
He is king, he does whatever he wants,
takes the son from his father and crushes him,
takes the girl from her mother and uses her,
the warrior's daughter, the young man's bride,
he uses her, no one dares to oppose him.
…
"You have created an arrogant wild bull in ~Uruk-the-Sheepfold … his weapons always ready, his companions are kept on their feet by the ball … Yet he is the shepherd of ~Uruk-the-Sheepfold, Gilgamesh, [who guides the] teeming [people], he is their shepherd and their powerful, preeminent, expert …"
…
{{grem{He trumpets brashly [my addition] --}}}
"I will cut down the tree, I will kill [[Humbaba|https://en.wikipedia.org/wiki/Humbaba]]
I will make a lasting name for myself,
I will stamp my fame on men’s minds forever."
<<<
About a month before the Republican candidate was nominated, I wrote:
//In the public sphere of American life, this leadership will transition in the coming winter.  This too weighs on my mind.  Our current President [[said|https://medium.com/the-white-house/on-the-anniversary-of-his-presidential-campaign-announcement-the-president-delivers-remarks-to-the-c0ae10c0f88d#.ws1gx7l75]]://
<<<
<<tiddler Emperor/ObamaSelf-Government>>
<<<
And if effective democratic self-rule were not to continue?  What happens then?  A living personification of the [[Emperor]] would very likely emerge to fill the void, a "strong man" such as those who ruled in South American or Middle Eastern countries, or perhaps a [[cult of personality]] that dominates our media, public discussion, and political processes.

Yes, I realize that //I// have been worshiping the cult of personality, in these many hours of reading and feverish wiki-writing -- my gaze fixed on a list of //[[Influences]]//, or a thousand //[[lifelines]]//, or the published words of a few //[[people]]// I imagine to be my "lost family".
: This search for lost family was referred to by Gregory Orr [lifeline #151] in an interview quoted in the blog [[Undine|https://web.archive.org/web/20161110230033/http://blogundine.blogspot.com/2010/03/excerpt-from-interview-with-gregory-orr.html]].
<html><a name="Trump"/></html>
----

Later, in my collection of insights and vignettes [[gathered from the web]], I quoted Donald Trump from this New York Magazine [[article|http://nymag.com/daily/intelligencer/2016/04/inside-the-donald-trump-presidential-campaign.html]]:
> //I would take capable over experienced all day long.//
I appreciated this statement, as I lack formal higher education or the "right kind" of professional credentials for my dreams, and am painfully aware of this.  Trump's quote was situated between Daniel Chandler and Paul Cezanne, +++[as so:]
<<<
----
True science consists in revealing its scaffolding as well as its finished structure… Those who would learn from semiotics should search for structural leaks, seams and scaffolding as signs of the making of any representation, and also for what has been denied, hidden or excluded so that the text may seem to tell "the whole truth".
– Daniel Chandler, "[[Semiotics for Beginners|http://www.aber.ac.uk/media/Documents/S4B/sem04.html]]"
----
I would take capable over experienced all day long.
– Donald Trump
----
The day is coming when a single carrot, freshly observed, will set off a revolution.
– Paul [[Cezanne]]
----
<<<
===


On Monday, October 3, I removed this statement of Trump's and replaced it with Cory Doctorow saying: //"Organizing work is the [[project|project of humankind]] that defines our species."//  This happened at the beginning of my //1000 Conversations// project, and I wanted to expunge any reference to Trump from my written records.  I was anticipating a Hillary Clinton presidency, when he would start to recede from public consciousness.  //How wrong I was!// -- like many fellow citizens.

Now I should heed what Chandler said -- //"search for structural leaks, seams and scaffolding…for what has been ''denied, hidden or excluded'' so that the text may seem to tell the whole truth."//

Jerome Corsi  wrote a book in 2008 titled //The Obama Nation: Leftist Politics and the Cult of Personality//.  I don't believe that the "cult of personality" concept entered my awareness through this book (though it may have planted a subconscious seed.)  In 2012, the phrase popped up in my short story.  Three nights ago, "cult of personality" rang through my mind again, this time directed at Donald J. Trump.

My fellow Americans didn't elect a Republican, a conservative, a businessman or a certain skill-set … first and foremost they elected Trump: the Boss, the Icon, the Showman.  I fear the face of Gilgamesh morphed into Trump for our time in history.  Yet he is now our President-elect.  His rival Hillary Clinton [[told the nation|http://www.npr.org/2016/11/09/500715219/transcript-clinton-gives-concession-speech]]:
> //We have seen that our nation is more deeply divided than we thought. But I still believe in America, and I always will. And if you do, then we must accept this result and then look to the future.  Donald Trump is going to be our president.  We owe him an open mind and the chance to lead.//
That same day, President Obama [[said|https://www.whitehouse.gov/the-press-office/2016/11/09/statement-president]] "One thing you realize quickly in this job is that the presidency is bigger than any of us."

These were conciliatory speeches which I found very well-delivered.  They are included in my piece "[[Coping With The 2016 Election]]".

For several years now, I have been pulled by conflicting lines of thought -- a fascination, respect, and near-reverence for the United States Presidency, and an anxious murmur of doubt concerning all its effects on our republic.  These reservations are not original to me -- just today (11/11/2016), I discovered Gene Healy's 2008 book //[[The Cult of the Presidency: America's Dangerous Devotion to Executive Power|https://books.google.com/books?id=MRA2jIyejwAC&pg=PA282]]//.

I wish that I could discuss the story of our Presidential Office with my hero Thomas Jefferson.  (Another manifestation of this persistent cult!) &nbsp;In the book //[[Genius]]//, Harold Bloom wrote: "That [[agon|Emperor/agon]] ''with the self'' can mask itself as something else, including the inspiration of idealized forerunners…"  Now I turn my attention to the forerunners of Barack Obama and Donald Trump, reflecting upon the "greatest" among these 44 men.
<html><a name="PresidentialGreatness"/></html><part PresidentialGreatness>


{{hd1{__Presidential Greatness__}}}
Donald J. Trump's chant: &nbsp;{{font125{MAKE AMERICA GREAT AGAIN!}}}

Hillary Clinton [[answered|https://web.archive.org/web/20160504043159/http://www.dailykos.com/story/2016/2/27/1492599/-Hillary-Clinton-s-South-Carolina-speech-Transcript]]: //Despite what you hear, we don’t need to make America great again.  America has never stopped being great.  But we do need to make America whole again.//  President Obama echoed this at the [[Democratic National Convention|https://www.whitehouse.gov/the-press-office/2016/07/28/remarks-president-democratic-national-convention]]: //America is already great.  America is already strong.  And I promise you, our strength, our greatness, does not depend on Donald Trump.  In fact, it doesn’t depend on any one person.//

Michael P. Riccards [[wrote|https://books.google.com/books?id=VMOLx1H8a1MC&pg=PR11]] that "the greatest presidents tend to be linked up with powerful themes that outlast their terms in office."  The following were listed in his book //Destiny's Consul: America's Ten Greatest Presidents// -- each man followed by his numeric succession to the presidency, along with Riccards' chapter title for each and the corresponding "powerful theme" in brackets.

{{font125{''George Washington'' (1)}}}
"Creating a Nation in War and Then in Peace" [Federalism]

{{font125{''Thomas [[Jefferson]]'' (3)}}}
"Establishing Popular Rule" [republican self-government] {{grem{-- Lifeline #47}}}
: Jefferson began the first of only two spans in our republic when three consecutive presidents served two full terms each.  The third of Jefferson's time, James Monroe, held office during the "Era of Good Feelings" -- a designation with how much substance, I wonder, for the people who lived in that time?
{{font125{''James K. Polk'' (11)}}}
"The Arts of Waging Conflict" [Manifest Destiny]
: {{body{ Polk had the shortest retirement of all presidents at 103 days. He was the youngest former president to die in retirement at the age of 53.  He pledged to serve a single term, and he achieved all the goals which he set for it.
{{grem{I selected Polk with a random number generator, before discovering Riccards' book.}}}
I link Polk to Andrew Jackson (7) "The President as a Tribune of the People" [popular democracy]}}}
{{font125{''Abraham Lincoln'' (16)}}}
"The Commander in Chief Goes to War"
[the Union and emancipation]  {{grem{-- Lifeline #319}}}

{{font125{''Theodore Roosevelt'' (26)}}}
"The Dynamics of Domestic Reform" [national reform and environmentalism]
: I link T.R. to William Howard Taft (27) -- who held a unique, multi-faceted role in the Supreme Court's history.
{{font125{''Woodrow Wilson'' (28)}}}
"The Progressive Agenda at Home and Across the World"
[Progressivism and international democracy]  {{grem{-- Lifeline #320}}}
: Wilson was elected President in [[1912]].  During my 2012 research for the "3 Minute Fiction" piece, I found this +++[writing by Wilson:]
<<<
If there be one principle clearer than another, it is this: that in any business, whether of government or of mere merchandising, //somebody must be trusted//, in order that when things go wrong it may be quite plain who should be punished. In order to drive trade at the speed and with the success you desire, you must confide without suspicion in your chief clerk, giving him the power to ruin you, because you thereby furnish him with a motive for serving you. His reputation, his own honor or disgrace, all his own commercial prospects, hang upon your success. And human nature is much the same in government as in the dry-goods trade. //Power and strict accountability for its use// are the essential constituents of good government. A sense of highest responsibility, a dignifying and elevating sense of being trusted, together with a consciousness of being in an official station so conspicuous that no faithful discharge of duty can go unacknowledged and unrewarded, and no breach of trust undiscovered and unpunished,—these are the influences, the only influences, which foster practical, energetic, and trustworthy statesmanship. The best rulers are always those to whom great power is entrusted in such a manner as to make them feel that they will surely be abundantly honored and recompensed for a just and patriotic use of it, and to make them know that nothing can shield them from full retribution for every abuse of it.

It is, therefore, manifestly a radical defect in our federal system that it parcels out power and confuses responsibility as it does.

When foreign affairs play a prominent part in the politics and policy of a nation, its Executive must of necessity be its guide: must utter every initial judgment, take every first step of action, supply the information upon which it is to act, suggest and in large measure control its conduct. 

Public opinion has no easy vehicle for its judgments, no quick channels for its action. Nothing about the system is direct and simple. Authority is perplexingly subdivided and distributed, and responsibility has to be hunted down in out-of-the-way corners. So that the sum of the whole matter is that the means of working for the fruits of good government are not readily to be found. The average citizen may be excused for esteeming government at best but a haphazard affair, upon which his vote and all of his influence can have but little effect. How is his choice of a representative in Congress to affect the policy of the country as regards the questions in which he is most interested, if the man for whom he votes has no chance of getting on the Standing Committee which has virtual charge of those questions?  How is it to make any difference who is chosen President?
<<<
===

{{font125{''Franklin D. Roosevelt'' (32)}}}
"The Establishment of the Modern Presidency"
[the welfare state and the [[Four Freedoms|https://en.wikipedia.org/wiki/Four_Freedoms]]]
: I link F.D.R. to Harry S. Truman (33) "The First Imperial President"
{{font125{''Ronald Reagan'' (40)}}}
"Unleashing ~Right-Wing America"
[the conservative crusade for limited government and personal freedom]
: {{grem{I selected Reagan with a random number generator, before discovering Riccards' book.}}}
I omitted Jackson and Truman as stand-alone leaders.  That decision on Jackson would rightly be challenged by a historian, but I did not use academic-historic criteria.  "Near-greats" described by Riccards include Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson (three consecutive presidents.)  Note that Riccards put Washington, Lincoln, and FDR in the highest "tier" of greatness.

----

To this list I add two more political champions of our own time, admittedly tinged with bias:

{{font125{''Barack [[Obama|Reading Obama]]'' (44)}}} {{grem{-- Lifeline #321}}}
The first ~African-American president, 2009-2017, who leaves office in a couple months at age 55.
: {{body{In 2016, he concluded the second span in our history of three consecutive two-term presidencies -- Clinton/Bush/Obama -- which had not occurred since Jefferson/Madison/Monroe in 1825.
See President Obama's remarks on [[self-government|Emperor/ObamaSelf-Government]].}}}
{{font125{''Hillary Rodham Clinton''}}} {{grem{-- Lifeline #316}}}
First Lady of Arkansas 1979-1981 and 1983-1992, 44th First Lady of the United States 1993-2001, U.S. Senator from New York 2001-2009, 67th U.S. Secretary of State 2009-2013, the first woman nominated for President by a major U.S. political party, and our national winner of the popular vote on November 8, 2016, but who lost to her Republican rival in the electoral college.
: Clinton won 47.7% of the popular vote and 232 electoral votes, carrying 20 states; her opponent won 46.7% and 306 electoral votes, carrying 30 states.  Clinton received more than 62 million votes nationwide; as of 11/17/2016, Trump trailed by more than 1 million votes.  These results were based upon 54% voter turnout, compared to the country's most recent peak around 61% in the 1960s.  In the 19th century, turnout of eligible voters (white men) reached 80% a few times.

Dean Keith Simonton wrote about [[presidential intellects|http://www.acsu.buffalo.edu/~jcampbel/documents/SimontonPresIQ2006.pdf]] in 2006:
<<<
''Ranking by "Intellectual brilliance":''
3.1 Jefferson
1.8 Kennedy
1.3 Wilson
1.2 J.Q. Adams
1.0 W. Clinton
0.9 Garfield (compare to Arthur's results - an error?)
0.9 T. Roosevelt
0.9 F. Roosevelt
0.8 Lincoln
??? Obama
0.4 Reagan
0.3 Washington
-.6 Jackson and Polk

''Ranking by "Openness":''
99.1 Jefferson
98.0 J.Q. Adams
95.0 Lincoln
82.0 Kennedy
82.0 W. Clinton
77.0 Carter (note 0.0 brilliance)
64.0 Wilson
62.0 Madison
61.0 J. Adams
56.0 T. Roosevelt
<<<

''Additional "Trivia"'' gleaned from various sources:
The nine presidents who didn’t attend college are: George Washington, Andrew Jackson, Martin Van Buren, Zachary Taylor, Millard Fillmore, Abraham Lincoln, Andrew Johnson, Grover Cleveland, and Harry Truman.

Presidents who went on to [[subsequent public service|http://en.wikipedia.org/wiki/List_of_Presidents_of_the_United_States#Subsequent_public_service]]:
* John Quincy Adams, his last 17 years in the House of Representatives
* Andrew Johnson, his last 5 months alive as a Senator from Tennessee
* Grover Cleveland, who achieved a second non-consecutive presidential term
* William Howard Taft, his last 8.5 years spent as Chief Justice of the Supreme Court

John Adams (succeeded Washington), Martin Van Buren (succeeded Jackson), and George H.W. Bush (succeeded Reagan) are the only two-term vice presidents to be directly elected to succeed their predecessor.  All three men lost re-election.
</part>
<html><a name="Durkheim"/></html>
----

And now circling [[back|cult of personality]] to Émile Durkheim … Wikipedia states that Durkheim believed religion was becoming less important, as it was being gradually superseded by science and the ''cult of an individual''.  //And yet …//
<<<
"There is something eternal in religion that is destined to outlive the succession of particular symbols in which religious thought has clothed itself."
—from //[[The Elementary Forms of Religious Life|https://en.wikipedia.org/wiki/The_Elementary_Forms_of_the_Religious_Life]]// (1912)

"A [[passion for the infinite|Quenchless thirst]] is daily presented as a sign of moral distinction, when in fact it can only occur in disturbed minds which accord the status of a norm to the very disturbance from which they are suffering."
—from //[[Suicide|https://en.wikipedia.org/wiki/Suicide_(book)]]// (1897)
<<<
Erich Fromm cited Durkheim in //The Sane Society// (1955):
<<<
One of the most penetrating diagnoses of the capitalist culture in the nineteenth century was made by sociologist, E. Durkheim, who was neither a political nor a religious radical. He states that in modern industrial society the individual and the group have ceased to function satisfactorily; that they live in a condition of "[[anomie|https://en.wikipedia.org/wiki/Anomie]]", that is, a lack of meaningful and structuralized social life; that the individual follows more and more "a restless movement, a planless self-development, an aim of living which has no criterion of value and in which happiness lies always in the future, and never in the present achievement."  … Society becomes //"a disorganized dust of individuals."//
<<<

[[A Quarter-Life Crisis|http://www.npr.org/2016/03/17/469940588/a-quarter-life-crisis-when-you-let-go-of-i-will-whats-next]]:
When You Let Go Of 'I Will,' What's Next?
By Colin Dwyer
March 17, 2016
//The New York Times//

There's a funny thing about the future tense: It's all but impossible to deny. Take any verb, append the little word "will" to the front of it, and suddenly, you've got a proposition that's awfully tough to knock down. I will write, I will act, I will be — until the proposed moment comes along, until we find out, one way or the other, whether I have in fact done as promised, the possibility I will replenishes every time I speak it.

It's as if, through sheer force of "will," we can achieve anything of our choosing.

… All those countless "wills" haven't gotten their way; what remains is what there's always been — //a brimming bucket of contradictions, a protean mess that seems to consist mostly of questions and inconsistencies, insecurities and quiet joys.// In other words, //I am and have been so many people//, the only thing I know for sure these days is exactly who I'm not: the person I thought I'd be by now.

So, here is the full measure of my quarter-life crisis: the distance between myself and the self I'd envisioned, and the fact that this distance has gotten so big I can't help but acknowledge it. At 27, I've got to finally admit to myself that "will," that handy rhetorical crutch, won't be fixing anything for me. I've got to come to terms with the present tense.

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<<<
<<tiddler [[Blue Flower/Lewis]]>>
<<<
In his 1943 afterword to the third third edition of //The Pilgrim's Regress//, Lewis wrote of:
<<<
… That unnameable something, desire for which pierces us like a rapier at the smell of bonfire, the sound of wild ducks flying overhead, the title of //[[The Well at the World's End|https://en.wikipedia.org/wiki/The_Well_at_the_World%27s_End]]// [by William Morris], the opening lines of //[[Kubla Khan|Xanadu]]//, the morning cobwebs in late summer, or the noise of falling waves…

It appeared to me therefore that if a man diligently followed this desire, pursuing the false objects until their falsity appeared and then resolutely abandoning them, he must come out at last into the clear knowledge that the human soul was made to enjoy some object that is never fully given -- nay, cannot even be imagined as given -- in our present mode of subjective and spatio-temporal experience… I knew only too well how easily the longing accepts false objects and through what dark ways the pursuit of them leads us: but I also saw that the Desire itself contains the corrective of all these errors.  The only fatal error was to pretend that you had passed from desire to fruition, when, in reality, you had found either nothing, or desire itself, or the satisfaction of some different desire.  ''The [[dialectic]] of Desire'', faithfully followed, would retrieve all mistakes, head you off from all false paths, and force you //not to propound//, but ''to live through'', a sort of ontological proof.
<<<

A similar quality is named by the Portuguese //[[saudade]]//.


Down from the gardens of Asia, descending, radiating,	
Adam and Eve appear, then their myriad progeny after them,	
Wandering, yearning, curious -- with restless explorations,
With questionings, baffled, formless, feverish -- with never-happy hearts,	
With that sad, incessant refrain, //Wherefore, unsatisfied soul?// and //Whither, O mocking life?//
-- Walt Whitman, "[[Passage to India]]"

[[Darkbloom Neowan Husum]]
[[The Sublime Wants To Reach You]]
[[A Pin-Light Bent]]
[[archives]]
[[en el espejo]]
[[Nabokov]]
[[A Tree Within]]
[[HistoryGBG]]
[[patchwork girl]]
[[Montessori]]
[[L'Engle]]
[[genres]]
[[The City of Mind]]

 
''Explanation of [[Layman Monk]]'', or ''Friar''
----
<part MyDay>

Reflecting on something written 15½ years ago:
> That's why I must leave my present place of work, because a world of need surrounds me.  ''When I am equipped to make a difference, then I will leave.'' When I have healed myself, and am ready to heal others, I will leave.
I may ''never'' feel adequately equipped, nor completely healed -- but I must pay attention to what my younger self is telling me now.  I am //__still here__!// at that 'present place of work' … waiting, too long waiting.

Pressed up against these //[[walls|The Wall]] erected around a labyrinth// …
  "the rich, everlasting mystery is found to be the childish you" …
    (and I will //not// kill myself as the [[writer|Cesare Pavese]] of those words did, as Sylvia and her son also did.)
In this season, betrayal weighs heavily on +++[my heart…]
&nbsp;
Words written by my Anam Cara:
<<<
{{dialog{ Let my heart sing with the unending drum beat
of ten thousand in an [[orchestra of one]].
I am bright and brilliant and dark all the same --
and I am tumbling in a sea of darkening darkness --
wondering around in a stark and tooled plane of existence.
''I want to be held.''}}}
<<<
===
&nbsp;

October has come [[again|October dancer Telemachus]].

{{font115{//''Today I [[honor my physical being|Honor your physical being]].''//}}}

''September 27, 2016''
I was lost roaming mazes of words and ideas.
//O waste of loss, in the hot mazes, lost, 
Remembering speechlessly we seek
the great forgotten language,
the lost lane-end into heaven,
a stone, a leaf, an [[unfound door|Evocative Words/Wolfe]]. Where? When?//

{{typed{Return [[here|I begin]].}}}

''September 20, 2016''
Where is it coming from, this echo,
this huge No that surrounds you,
//Who is it, exactly, you have needed
all these years to forgive?//

-- Wake [[Up]] and Walk in the Sun

----

''August 8, 2016''
Last night, thinking of the [[vows|Friar's Journeybook/Vows]] which I made to my wife, I squeezed her close and told her:

//I promise I will always keep your heart safe.//

To which she answered, //I believe you.//
</part>

----
<part SpringToSummer>

''June 8, 2016''
I'm ashamed to have turned out this way.
I'm ashamed of half [[the things I say|The Things I Say]].
<<<
[[I am alive]] I guess
I am ashamed, I hide
I cannot be ashamed
I can wade grief
I took my power in my hand
I watched the moon around the house
-- Emily [[Dickinson]]
<<<
''May 12, 2016''
Sometimes it suits me better to invent
A tale from my own heart, more near akin
To my own passions and habitual thoughts;
Some variegated story …

{{grem{-- but the stories are not saving me --}}}

Much wanting, so much wanting, in myself,
That I recoil and droop, and seek repose
In listlessness from vain perplexity,
Unprofitably travelling toward the grave,
//Like a false steward who hath much received
And renders nothing back.//
-- from [[Wordsworth Prelude Song]]
</part>

----
''April 25, 2016''
I will accept my part in God’s plan for salvation.
(from //A Course In Miracles//)

And //yet// … "No man is simon-pure, but you are different from most. You live honestly and abstemiously. You never ingratiate yourself or fall under sacerdotal spells. You are not cruel.  Randolf the Whitesmith, [[I summon you|Harpyia]] as my next companion and guide."

Through my circuitous, changing attempts to live as a [[Layman Monk]] (while lapsing into behavior as a "wretch" or libertine), I went for [[Confession]] this April.  Then my mind flashed back to my alter-ego, who never falls "under sacerdotal spells".

So untethered and buffeting around between heaven and earth…

//You're searching for [[the meaning of love|This Is]]
(Wasting your life away)//

----
''April 15, 2016''

Here's a small resolution from me:

I don't need to comment on my stature anymore.  It serves no purpose.  I won't allow myself to use the word "short" as a descriptor anymore, or even the semi-joking but mean "hobbit" references you've heard.  I will try to push out of my mind any jealous feelings when I see "strapping men" who are taller and stronger than me.  Today, I am crossing height off my Failure List.  Hold me to it.  {{grem{(Written to my wife.)}}}

----
''March 31, 2016 - April 14, 2016''

Now I have made a [[Self Vow]]:
: Today I keep myself healthy and whole; without fear, [[awake my soul]].
: Open [[Thou|prayer]] my life. Guide my heart through doors where I dared not go.
//Mundiosa Shekinah!//

My focus offered Thee;
Soften me, strengthen me;
Now I walk in joyous, suffering Life …

//Awarely I choose Love.//  And I turn to [[You|Friar's Journeybook/October21]].

<part lemniscate>
In sleeping dreams I played with other chaps
But really envied nothing—save perhaps
The miracle of the lemniscate left
by a child's nonchalantly deft
bicycle tires upon wet sand …
– Vladimir [[Nabokov/PaleFire]]</part>

{{grem{(I'm a child again, today, who finally knows another chap!)}}}

----
''March 14, 2016''

I discover this in walking, sleeping, reading, speaking; in the worldly cloister of a factory; in my neurosis and goodness; spent many days a lazy libertine — self-aware or tricking myself? — striving to be a good father and husband, a training Layman Monk.  Here I place a foothold on the vast, [[quaking|everything undulates]] Ground-Divine.

----

<part Vows>
''February 3, 2016''
Remember the vows which undergird my life: as a Husband, Father, and stumbling [[Frère|Friar's Journeybook]].

Yesterday, I read the words of Jan Chozen Bays:
<<<
[[Vows|Self Vow]] are the forces that weave together the fabric of your life and all of life. Without vows, without purposeful action, {{grem{[civilized?]}}} life would cease to exist.
<<<
One beautiful summer day, I spoke these vows to my wife:

//I love you in your totality: the woman you are now,
and who you become as we move through the seasons of life.
Here I will stand at your side in every joy and difficulty.

I promise to be your equal partner and best friend;
I promise to give my unfailing respect and honesty;
To be faithful and to cherish you,
To nurture and protect this life we make together.

These things I give to you today, and for as long as we both shall live.//

----

</part>
<part October21>
''October 21, 2014''
James Joyce is dead. Fallingwater finished. Joseph Knecht a ghost. My son and daughter live. They need me; they love me.

Soon after their births, I abandoned their mother and [[my longest friend|kiss of words]].  Not entirely so, but I certainly wasn't kind.  The words Anam Cara were charred by these last two years.  Done to begin a new life, I told myself.

Today I begin.  Now I discard my words and games, and try again:

//Look; listen; turn my heart toward Life.  And love!//

This will be my guide.  Not to contemplate, but to act.

Going forth, the messages left here are not a game any longer, but a record of my actual life: the risks taken, the loves I follow outside my door -- and the real people //here, now,// on a journey like mine -- and yours.
</part>

----

<part February21>
''February 21, 2014''
Do not seek to flee my warm, feeling body for a life of ideas. Choose the near and sensory over the distant and intellectual.

I sweated through fog with linguists and contenders,
I have no mockings or arguments,
I witness and wait. 
–Walt Whitman's [[origin of all poems]]

//I belong with the bearded one.//
(borrowed from [[Duncan Munro Glen]].)

A message from [[SARK]] given me 3-1/2 years ago:
<<<
There is so much in your subject: Wanting Focus or Action.
I wonder "who" is wanting that focus or action?
I envision you… taking your OH {[[One Hunger|2010-09-19]]}, sitting in a cornfield and receiving from your Wise Self.
I feel that ''you are already becoming'' what you say you want – and ''how to create a living from it'' is a separate question that is slowing you down from fully becoming it.
You are not "too far-flung" – perhaps you are not flung enough?
And are there tangible movements that you could make that you haven't?
My blessings and support to you, and acknowledging your growth and questions, sending you: ''RELEASE from "knowing."''
–August 10, 2010 (six weeks before my son was born)
<<<
Ray [[Bradbury]] offered brilliant insights on this subject 40 years ago; he speaks of the intellect as our skin, but emotions as the true life pumping through our veins.

Knowing and thinking is my most favored tool. //See [[Tanha]].
End of the 'thinker' is succeeded by the plenitude of __Life__.//
</part>

----

''January 11, 2014''
I said to the almond tree: "Speak to me of God"
and the almond tree blossomed.
–Nikos [[Kazantzakis]]

''January 2, 2012''
The [[ground|dig]] on which you dance is hallowed,
as are the moments we smile and speak.
It all is shifting, then dissolves into vastness.
Protect the transmission of life.

''December 25, 2013''
"If you plant a lemon seed and pray for a mango fruit, logically it won’t work. But this is what we do: we wish for happiness without planting the seeds of happiness."

''December 21, 2013''
"As you walk, you cut open and create that riverbed into which the stream of your descendants shall enter and flow."
—Nikos [[Kazantzakis]]

''December 14, 2013''
“For the great enemy of the truth is very often not the lie—deliberate, contrived and dishonest—but the myth—persistent, persuasive, and unrealistic. Too often we hold fast to the clichés of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.”
—John F. Kennedy in his Yale University commencement address (New Haven, Connecticut: June 11, 1962), 5:10-6:08

''December 8, 2013''
There is I and You, there is dialogue, there is language, and //spirit whose primal deed language is.//
—Martin [[Buber]]

"Those tasks that have been entrusted to us are difficult…If you just recognize this and manage, out of yourself, out of your own talent and nature, //out of your own experience and childhood and strength//, to achieve a wholly individual relation to [[sex|Honor your physical being]] (one that is not influenced by convention and custom), then you will no longer have to be afraid of losing yourself and becoming unworthy of your dearest possession."
—from //Letters to a Young Poet// by Rainer Maria [[Rilke]]
-----
''March 30, 2013''
Great throngs of life on every side
-----
''March 23, 2013''
[[Do not cause harm]].
-----
''March 17, 2013''
[[Honor your physical being]].
-----
''November 25, 2011''
Strength is fidelity,
power reverence:
no one ends at himself,
each one is an all
in another all,
in another one.
The other is contained in the one,
the one is another:
we are constellations.
I learned,
in the brotherhood of the trees,
to reconcile myself,
not with myself:
with what lifts me, sustains me, lets me fall.
—Octavio [[Paz]]
-----
''November 21, 2011''
In my dwelling, live close to the ground.
In my thinking, keep to the [[simple]].
In conflict, be fair and generous.
In governing, I won't try to control.
In my work, I will do what I enjoy.
In family life, I will be completely present.
-----
Humans have enlarged our view, our faculties, and our power 'over' the world through the long progression of our [[art]] and science.  Now is the time for [[maturing to finiteness]] and learning to see the [[greatness of little things|Quenchless thirst]].
-----
''November 11, 2011''
//Protect your fellowships in every degree.//

Things arise and she lets them come;
things disappear and she lets them go.
She has but doesn't possess…
When her work is done, she forgets it.
That is why it lasts forever.
—Tao Te Ching (Mitchell)
-----
<part November7>
''November 7, 2011''
//Take refuge in the many ceaseless [[passages]] to you of the Great Natural Perfection -- dharma in many different forms.//

Added March 28, 2013:
//These are gifts no one owns — lasting ages and latent everywhere — yet hemmed by uncertainty, human weakness and evil.//
{{rjustify{
+++[more]
{{ljustify{
Tao Te Ching: The Book of the Immanence of the Way (and How It Manifests in the World), according to Stephen Mitchell's translation.  Among other things, "a treatise on the art of government, whether of a country or a child" or [in my mind] foremost of one's self.

"In order to understand, we must remain in the darkness of not-knowing." —Stephen Mitchell commentary

"There is an external reality that we ignore at our peril, and indeed much of the evolution of the human species can be described as an //increasing concordance between the images within our brains and the reality in the external world.//"
-- Carl [[Sagan]]

The Tao that can be told is not the eternal Tao …
I think now of Steven Weinberg's telling of "the first three minutes" – what is more eternal, primordial, and far-reaching than that?  However, is such distant speculation into the past or the Cosmos rather tangential to human life?  Perhaps the Tao, though referring to itself as "eternal", is actually more bound to the age of the human species, which feels quite ancient to any one member living today or in China a few thousand years ago.  The 'Way' of Daoism //may// imply consciousness and choice, which I doubt is an eternal phenomena.  Also, I think not all attempts at naming or telling are futile.  However, I heed the warning to not be too strongly attached to our words and names, loosening attachments (which always involves our desires.)  Those 'caught' in the grasp of desires see only manifestations.  Yet manifestations and mystery arise from the same source …

//The unnamable is the eternally real.//
Naming is the origin of all particular things [Buber's ~It-World]
}}}
===
}}}
</part>
-----
''October 30, 2011''
Keep faith in the Seed of Perfection dwelling on Earth; take refuge in its passages to you, and protect your fellowships.
{{rjustify{
+++[more]
{{ljustify{
<part SeedOfPerfection>
<<tiddler [[Seed of Perfection/exegesis]]>>
Contemplate the etymology of //perfection// and its kindred //facere// words:
*//perfecting// one's self in iterations
*seeing //defects//
(sublate (?) or harmonize (?) them)//
*effect, effective, efficacy
*affect, affection
*qualify, qualification
*edifice, deify
*manufacture, factor, refactor, factory
*infectious
//(seed-like, meme-like)
</part>
}}}
===
}}}
-----
<part October23>
''October 23, 2011''
I have gained a new realization that the [[Quaker]] Religious Society of Friends may offer this very opportunity at 'lay religious life' since it removes intermediaries and believes in the 'priesthood of all believers.'

I strive for the [[dialegen]]t way
</part>
-----
Earlier [[resolutions]]

!Evidence

When the narrow crossing leads to grave ends
and the rope over the chasm begins to fray,

if I should wake before I die, let me stay still,
hear whistling through my bones, the drum

that calls me to [[dance]]. If I should wake
between earths-shine and shadow, let it be

to say yes, there is death, and there is
a shudder seizes a birthing woman,

a shaking between world of //good-bye// and //hello//.
When the infant presents from the womb

and the face is cleansed, the mouth o so gently
cleared for the nipple, the eyes adjust slowly to light.

When we look for God we examine the evidence
coming at us from all sides: the full breast,

sweet milk sticky on the skin, everything saying
this is ours, we did this together.

Born with a taste for prayer on the tongue, let our eyes
open to light, wake before we die.

—Jeanne Lohmann

@@Please do not modify this tiddler; it was created automatically upon space creation.@@

!The Sublime Wants To Reach You

To gaze deeply is to be [[broken|Fractal]]
To be seized by obscured things
Inside your chest, a mute space expands
Where mountains and desert undergo metamorphosis
Suspended in the eyes of the unforeseen

Look, a beam of light pierces the sky
As the darkening shadow meets the luminous
The sky opens, an invitation from the sublime
It needs your attendance

There, rises a mysterious star
Announcing the full dimension of the sacred
Embroidered in a secret garden
The evening primrose opens its petals
A luring smile
Where are you now?

Somewhere, an echo
The uneasy call of a black bird
Harkens to vanishing things 
Can you feel their still warm presence?

Pervade me, you say
With your eyes closed
Breathing confusion as you roam
In the time of no longer
Obeying only the benevolent law of physics

You are here to live

Venturing through the gate of death
Leaving and arriving all at once
Our bodies merge with the contours of the earth
Worlds collapsing and re-surging
Where fruits and planets are safely held

The sublime wants to reach you.

----
Mira Fong
February 14, 2003  
Santa Fe, New Mexico
----
//You are welcome to post my poem, glad that you like it. Poetry (it has wings) and philosophy (critical thinking) are the passions of my life. I enjoyed reading your sites. Rilke is my beloved poet and "Ishmael" is a great book. 

Best wishes,
Mira//

!SpaceUnplugged
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[img(95%,)[Fractal|http://farm4.staticflickr.com/3717/11283429105_12acb579ab_z_d.jpg
][http://www.flickr.com/photos/39042429@N00/11283429105/]]
!~SELF-SIMILARITY OF BIG AND SMALL
from //[[RAW|scream]]: real and woven//

if you believe in a higher power you cannot believe in magic - the two are self canceling - magic is just a name to describe the things that are going one that are unexplained - some people call it god, some people call it magic - some just know that we haven't figured everything out yet - the further in we go and the farther out we go the more we realize that there is more and more.

//fractal energy - plain and simple - fractal is my religion.//

according to wikipedia as of 11.17.09 - "a fractal is 'a rough or fragmented geometric shape that can be split into parts, each of which is (at least approximately) a reduced-sized copy of the whole,' a property called self-similarity." the same article notes that coastlines and mountains exhibit fractal qualities - this i did not now know - i knew about some plants like ferns and vegetables like cauliflower - but i also think that on some level the universe is a large and complex fractal - that our bodies are part of a large and complex fractal - that suns mirror atoms in our bodies in some way.

there would be a great deal of power in that - if the smallest is also the biggest - that there are replicating patterns and that energy would flow through those patterns and create order and music - that there is ordering in the chaos to only serve the chaos - that there is order in the randomness that serves only the randomness

----

//See [[fractal consciousness]]//

''From Wikipedia'' //(later follow to primary sources)// +++[+]
 
Some of these concepts are over my head mathematically, and stoked pseudo-science in my [[Breakthru|curse]]/Breakdown.
<part Mathematics>
 The term "fractal" was first used by mathematician Benoît Mandelbrot in 1975. Mandelbrot based it on the Latin //frāctus// meaning "broken" or "fractured", and used it to extend the concept of theoretical fractional dimensions to geometric patterns in nature.

Many mathematical constructs with //fractal dimensions// have been formulated… The general consensus is that theoretical fractals are //infinitely self-similar and iterated//… Fractals are not limited to geometric patterns, but can also describe processes in time.

A [[fractal dimension|http://en.wikipedia.org/wiki/Fractal_dimension]] measures //complexity//, a concept related to certain key features of fractals: //self-similarity and detail or irregularity.//

The //self-similarity// lies in the infinite scaling, and the //detail// in the defining elements of each set. The length between any two points on these curves is undefined because the curves are theoretical constructs that never stop repeating themselves.

//Exact self-similarity: identical at all scales;// as well as
//Quasi self-similarity:// approximates the same pattern at different scales; may contain small copies of the entire fractal in distorted and degenerate forms; e.g., the Mandelbrot set's satellites are approximations of the entire set, but not exact copies.

//Fine or detailed structure at arbitrarily small scales.//  A consequence of this structure is fractals may have //emergent properties// (related to the next criterion.)

//Irregularity// locally and globally that is not easily described in traditional Euclidean geometric language. For images of fractal patterns, this has been expressed by phrases such as //"smoothly piling up surfaces" and "swirls upon swirls".//

//Multifractal scaling// is characterized by more than one fractal dimension or scaling rule: a generalization of a fractal system in which a single exponent (the fractal dimension) is not enough to describe its dynamics.  Instead, a continuous spectrum of exponents (the so-called singularity spectrum) is needed.
Multifractal systems are common in nature, especially ''geophysics''. They include fully developed turbulence, stock market time series, real world scenes, the Sun’s magnetic field time series, heartbeat dynamics, human gait, and natural luminosity time series.

In dynamical systems, an ''attractor'' is a set of physical properties toward which a system tends to evolve, regardless of the starting conditions of the system.  Property values that get close enough to the attractor values remain close even if slightly disturbed.

An attractor is called strange if it has a fractal structure. This is often the case when the dynamics on it are chaotic, but there also exist ''strange attractors'' that are not chaotic. The term was coined by David Ruelle and Floris Takens to describe the attractor that resulted from a series of bifurcations of a system describing fluid flow. Strange attractors are often differentiable in a few directions, but some are like a Cantor dust, and therefore not differentiable. Strange attractors may also be found in presence of noise, where they may be shown to support invariant random probability measures of ~Sinai-Ruelle-Bowen type; see Chekroun et al. (2011).  Examples of strange attractors include the Double-scroll attractor, Hénon attractor, Rössler attractor, and the Lorenz attractor.

The terms //fractal dimension// and //fractal// were coined by Mandelbrot in 1975, about a decade after he published his paper on self-similarity in the coastline of Britain. Various historical authorities credit him with also synthesizing centuries of complicated theoretical mathematics and engineering work and applying them in a new way to study complex geometries that defied description in usual linear terms.  The earliest roots of what Mandelbrot synthesized as the fractal dimension have been traced clearly back to writings about undifferentiable, infinitely self-similar functions, which are important in the mathematical definition of fractals, around the time that calculus was discovered in the mid-1600s.  There was a lull in the published work on such functions for a time after that, then a renewal starting in the late 1800s with the publishing of mathematical functions and sets that are today called canonical fractals (such as the eponymous works of von Koch, Sierpinski, and Julia), but at the time of their formulation were often considered antithetical mathematical "monsters".  These works were accompanied by perhaps the most pivotal point in the development of the concept of a fractal dimension through the work of Hausdorff in the early 1900s who defined a "fractional" dimension that has come to be named after him and is frequently invoked in defining modern fractals.

''Lacunarity'', from the Latin //lacuna// meaning "gap" or "lake", is a specialized term in geometry referring to a measure of how patterns, especially fractals, fill space, where patterns having more or larger gaps generally have higher lacunarity.
</part>
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''Carl R. Rogers''  (8 January 1902 – 4 February 1987)  American psychologist and major influence of humanistic psychology.  He developed the client-centered approach in psychotherapy, which he later renamed the person-centered approach.  Born in Illinois and moved to California.

In conceiving of a client centered therapy, Rogers defines empathy early on as the ability to “ perceive the internal frame of reference of another with accuracy and with the emotional components and meanings which pertain thereto as if one were the person, but without ever losing the ‘as if’ conditions” (1959). In his later works he more fully analyzes it as the ability to enter
<<<
the private perceptual world of the other and becoming thoroughly at home in it…It means temporarily living in the other's life, moving about in it delicately without making judgments; it means sensing meanings of which he or she is scarcely aware… It includes communicating your sensings of the person's world….It means frequently checking with the person as to the accuracy of your sensings, and being guided by the responses you receive…To be with another in this way means that for the time being you lay aside your own views and values in order to enter another's world without prejudice. (Rogers 1975)
<<<
[[NYTimes Obituary: Carl R. Rogers, 85, Leader in Psychotherapy, Dies|http://www.nytimes.com/1987/02/06/obituaries/carl-r-rogers-85-leader-in-psychotherapy-dies.html?src=pm]]

The title and subtitle of your space are visible to visitors and are also displayed in your browser's tabs. Click on the SiteTitle and SiteSubtitle tiddler links below to make changes.
* [[SiteTitle]]
* [[SiteSubtitle]]

The first definition is ‘to be [[manifest|Manifest]]’; the second, ‘to come in sight’; the third, ‘to appear in proper character’ and he quotes, ‘he will kythe in his ain colours’ with the explanation added, ‘he will appear without disguise.’”
—Madeleine [[L'Engle]]
quoted in //Kything: The Art of Spiritual Presence//
by Louis M. Savary and Patricia H. Berne, page 17.

[[Bird's Eye View]]

!Ars Poetica
by Archibald ~MacLeish, 1926
&nbsp;<part MacLeish>

A poem should be equal to:

Not true.

For all the history of grief

An empty doorway and a [[maple|Ich und Du/maple]] leaf.

For love

The leaning grasses and two lights above the sea—

A poem should not mean

But be.
</part>

----

To see the earth as we now see it, small and blue and beautiful in that eternal silence where it floats, is to see ourselves as riders on the earth together, brothers on that bright loveliness in the unending night—brothers who //see// now they are truly brothers.

Excerpt from “Bubble of Blue Air,” //Riders on the Earth: Essays and Recollections by Archibald ~MacLeish//, epigraph, p. xiv (1978).  This was written by ~MacLeish for //The New York Times// “after the Apollo mission of 1968 returned from space with a photograph of what earth looked like as seen from beyond the moon: the photograph which gave mankind its first understanding of its actual situation; riders on the earth together …”

!Ars Poetica
by Jorge Luis Borges, 1960
translated by William S. Merwin
<part Borges>

To look at the river made of time and water
And remember that time is another river,
To know that we are lost like the river
And that faces dissolve like water.

To be aware that waking dreams it is not asleep
While it is another dream, and that the death
That our flesh goes in fear of is that death
Which comes every night and is called sleep.

To see in the day or in the year a symbol 
Of the days of man and of his years,
To transmute the outrage of the years 
Into a music, a murmur of voices, and a symbol,

To see in death sleep, and in the sunset
A sad gold — such is poetry,
Which is immortal and poor. Poetry
Returns like the dawn and the sunset.

At times in the evenings a face
Looks at us out of the depths of a mirror;
Art should be like that mirror
Which reveals to us our own face.

They say that Ulysses, sated with marvels,
Wept tears of love at the sight of his Ithaca,
Green and humble. Art is that Ithaca
Of green eternity, not of marvels.

It is also like the river with no end
That flows and remains and is the mirror of one same
Inconstant Heraclitus, who is the same
And is another, like the river with no end.
</part>

 
"But up in the southern sky, pure as within the palm
of a consecrated hand, the clearly-resplendent ''//M//''
standing for Mothers. . . . ."

-- From the Tenth Elegy by [[Rilke]]

----

From Tolstoy's //[[Confession]]//:
<<<
Again and again I have arrived from various sides at the same recognition that I could not have appeared in the world without any cause or reason or meaning, that I could not be a fledgling bird that has tumbled out of its nest, as I felt myself to be. Let me, fallen bird, lie on my back and pipe in the high grass, – I am piping because I know that my mother carried me in her womb, hatched and warmed me, fed and loved me. Where is she, that mother of mine? If I have been abandoned, who has done it?

Yet I cannot conceal from myself that some one bore me loving me.
<<<
{{grem{Now I realize that love which bore me, is still borne to me — in me — through me — and comes from a loving Universe, inseparable from my mother and father; my wife and children; my friends, teachers, neighbors, all those who encircle me … and it began with Cynthia.}}}

----

like my mother's face,
like a ship that carried me along
through the deadliest storm.

-- Rilke, "[[Alone in This World, Yet Not Alone]]"

----

//I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am the mother and the daughter.//
: Naming her [[Muse]], Mother, Empress or Goddess

Type the text for 'excludeLists'

!The Art of Making Possible
by Nancy Scheibner
quoted in Hillary Rodham's 1969 Wellesley commencement address

My entrance into the world of so-called “social problems”
Must be with quiet laughter, or not at all.
The hollow men of anger and bitterness
The bountiful ladies of righteous degradation
All must be left to a bygone age.
And the purpose of history is to provide a receptacle
For all those myths and oddments
Which oddly we have acquired
And from which we would become unburdened
To create a newer world
To translate the future into the past.
We have no need of false revolutions
In a world where categories tend to tyrannize our minds
And hang our wills up on narrow pegs.
It is well at every given moment to seek the limits in our lives.
And once those limits are understood
To understand that limitations no longer exist.
Earth could be fair. And you and I must be free
Not to save the world in a glorious crusade
Not to kill ourselves with a nameless gnawing pain
But to practice with all the skill of our being
The art of making possible.

 
[[please keep loving me]]

when,
through my blind carelessness
or my dishonesty.
I scratch open
our old wounds
{{grem{(and inflict new ones)}}}

and when our wild animal hearts
begin to tug at their chains,
cursing everything
that holds them home.

when we make copies of ourselves
{{grem{(Maya and Aron)}}}
and spend decades
mixing in the best ingredients
we each have to offer up…
{{grem{(I forgot the face of their mother,
in search of my own.)}}}

through all of that
as challenging as it will be,

but we can’t help what we are
and for a short time
we may refuse to flow
together…
{{grem{(a short time, these past two years
which have felt long and distressing…
I still choose to flow here with you)}}}

before,
during
and after all of this,
love me
and i will love you.

{{grem{I love you, Lily:
as yourself
not just the mother of our children,
not just my oldest friend.

I chose you before we created them,
and have spent a decade together,
and though I have changed --
been angry -- proclaimed my rightness --
and wished for a different color of these days,
I love you
and I will not leave our family.

I've been your [[Cara|Anam Cara]] a long time…
once half man and boy,
(no excuses made in that)
now older,
and embattled in my search for the self,
but feeling hope again…
Our love is worth preserving.
I have never forgotten
where I am safe and at home.

Forgive me for my reckless, wild ways,
and driving cracks through this life we built together.
I want to have your belief again.

Please try not to count my wrongs
or the other people who were my mirrors and my solace
for less than one turn of the seasons.
Forgive me, please, Lily.

I love you.

Can we possibly begin anew?}}}

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* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'devil\x27s torch');highlightHack = null; return false;" title="devil's torch - dialecticdad, February 22, 2014 at 4:58:36 PM MST">devil's torch</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'dialegen');highlightHack = null; return false;" title="dialegen - dialecticdad, February 22, 2014 at 10:18:20 PM MST">dialegen</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'mail art object');highlightHack = null; return false;" title="mail art object - dialecticdad, February 22, 2014 at 11:12:08 AM MST">mail art object</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'pantheist');highlightHack = null; return false;" title="pantheist - dialecticdad, March 24, 2013 at 10:35:02 PM MDT">pantheist</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'pensamientos españoles');highlightHack = null; return false;" title="pensamientos españoles - dialecticdad, February 23, 2014 at 9:50:03 AM MST">pensamientos españoles</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'pontifex');highlightHack = null; return false;" title="pontifex - dialecticdad, March 23, 2013 at 7:01:00 AM MDT">pontifex</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'religion of the future');highlightHack = null; return false;" title="religion of the future - dialecticdad, February 22, 2014 at 9:51:45 PM MST">religion of the future</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'religious experience');highlightHack = null; return false;" title="religious experience - dialecticdad, March 16, 2014 at 2:43:40 PM MDT">religious experience</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'stars-and-annihilation-and-her-voice');highlightHack = null; return false;" title="stars-and-annihilation-and-her-voice - dialecticdad, March 2, 2014 at 2:54:18 PM MST">stars-and-annihilation-and-her-voice</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'the circle of religious elements');highlightHack = null; return false;" title="the circle of religious elements - dialecticdad, February 22, 2014 at 3:07:01 PM MST">the circle of religious elements</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'the web is holy');highlightHack = null; return false;" title="the web is holy - dialecticdad, March 24, 2013 at 7:28:09 PM MDT">the web is holy</a></html>}}}
* {{tiddlyLinkExisting{<html><nowiki><a href="javascript:;" onclick="if(config.options.chkSearchHighlight)	highlightHack=new RegExp('religio|divin'.escapeRegExp(),'img');story.displayTiddler(null,'theopoetic');highlightHack = null; return false;" title="theopoetic - dialecticdad, February 22, 2014 at 9:42:50 PM MST">theopoetic</a></html>}}}
@@display:block;<html><input type="button" href="javascript:;" onclick="story.displayTiddlers(null,['Axis Mundi', 'Buber', 'Buddhism', 'Charter for Compassion', 'Dekatessera Commentary', 'Four Noble Truths', 'Fractal', 'Friar\'s Journeybook', 'Humanism', 'Jefferson', 'Journey\'s Etymologies', 'Kazantzakis', 'Layman Monk', 'Muse', 'NEWSTART', 'Nabokov', 'Quaker', 'Realms of the Manifest', 'Robinson Jeffers', 'SARK', 'Sagan', 'SavedBy22', 'Sevenfold Self', 'Synopticon', 'WikiStructure', 'World Mythologies', 'courage to be', 'devil\'s torch', 'dialegen', 'mail art object', 'pantheist', 'pensamientos españoles', 'pontifex', 'religion of the future', 'religious experience', 'stars-and-annihilation-and-her-voice', 'the circle of religious elements', 'the web is holy', 'theopoetic'],1);" accesskey="O" value="open all matching tiddlers"></html> <html><input type="button" href="javascript:;" onclick="discardSearchResults()" value="discard SearchResults"></html>@@

 
The term's semantic fluidity facilitated its dissemination across a range of discourses.

//Hiéroglyphe// was often used interchangeably with a range of other [French] terms, many from poetics, including //[[correspondance|correspondances]], analogie universelle, allégorie, emblème, image// and //symbole//; together they formed a semantic network of considerable vagueness.  The hieroglyph was able to suggest both transcendental meaning and the purely secular correspondences the individual artist constructs by means of metaphors and poetic figures.

Originally collected July 2011:

<part lay>
''lay'' – of ordinary people; not of the clergy; not having professional qualifications or expert/specialized knowledge.  Middle English < Old French //lai// < via Latin from Greek //laikos// ‘of the people’ < //''laos''// ‘people.’  Layman appeared about 1425, a man outside the clergy or a profession.</part>

Contrast with clergy and cleric < Latin clericus < Greek klerikos ‘belonging to the Christian clergy’ < kleros ‘lot, heritage.’  (Acts 1:26).

''monk'' – a member of a religious community typically living under vows of poverty, chastity, and obedience (or a similar discipline requiring restraint and focus.)  From Old English munuc
< Greek monakhos ‘individual or solitary’ < mónos ‘alone’.

''journey'' – travel or trip.  Apparently before 1200 jurnee ‘passage through life’ < borrowed from Old French journée, jornee ‘a day’s work or travel’ < based on Vulgar Latin diurnum ‘events of a day’ noun use of diurnus ‘of one day’ < dies ‘day’
– one interesting derivation is journeyman, a workman qualified in his trade

''journal'' – daily record.  c 1355, book containing the daily church service and appointed times of worship < borrowed directly from Old French journal, originally adjective, ‘daily’, from Latin diurnalis ‘daily’.  The meaning of a daily record of public transactions is first recorded in 1565, that of a daily personal record (diary) in 1610, and the meaning of a daily newspaper in 1728.

''catalog'' also catalogue – list of items in a collection (a gathering together, col- + legere).  From Old French catalogue < Latin catalogus < Greek katálogos ‘list’ < kata- ‘completely’ + légein ‘to count, speak related to Latin legere.  A complete telling, counting, or speaking.

''catalysis'' – the action or acceleration of a reaction by a ''catalyst'' – a substance that increases the rate of chemical reaction without itself undergoing any permanent chemical change; figuratively speaking: one that precipitates a process or event, especially without being involved in or changed by the consequences.   1655, ‘dissolution’ in John Evelyn’s Memoirs, borrowed from Greek katálysis < kata- ‘completely’ + lyein ‘loosen’.  Catalyst was not formed until 1902 from the English catalysis, on the pattern of analysis, analyst.  Analysis means to ‘loosen up’ (the opposite of synthesis, some say.)  Catalysis means to ‘loosen completely.’

!Time, As a Symptom
Joanna Newsom

Time passed hard,
and the task was the hardest thing she'd ever do.
But she forgot,
the moment she saw you.

So it would seem to be true: 
when cruel birth debases, we forget.
When cruel death debases,
we believe it erases all the rest
that precedes.

But stand brave, life-liver,
bleeding out your days
in the river of time.
Stand brave:
time moves both ways,

in the nullifying, defeating, negating, repeating
joy of life;
the nullifying, defeating, negating, repeating
joy of life.

The moment of your greatest joy sustains: 
not axe nor hammer,
tumor, tremor,
can take it away, and it remains.
It remains.

And it pains me to say, I was wrong.
Love is not a symptom of time.
Time is just a symptom of love

(and of the nullifying, defeating, negating, repeating
joy of life;
the nullifying, defeating, negating, repeating
joy of life).

Hardly seen, hardly felt—
deep down where your fight is waiting,
down 'till the light in your eyes is fading:
joy of life.
Where I know that you can yield, when it comes down to it;
bow like the field when the wind combs through it:
joy of life.
And every little gust that chances through
will dance in the dust of me and you,
with joy-of-life.
And in our perfect secret-keeping:
One ear of corn,
in silent, reaping
joy of life.

Joy! Again, around—a pause, a sound—a song:
a way a lone a last a loved a long. @@color:grey;font-size:60%;^^★^^@@ 
A cave, a grave, a day: arise, ascend.
(Areion, Rharian, go free and graze. Amen.)

A shore, a tide, unmoored—a sight, abroad:
A dawn, unmarked, undone, undarked (a god).
No time. No flock. No chime, no clock. No end.
White star, white ship—Nightjar, transmit: transcend!

White star, white ship—Nightjar, transmit: transcend! 
White star, white ship—Nightjar, transmit: transcend! 
White star, white ship—Nightjar, transmit: [[trans-|transmissive]]

@@color:grey;font-size:60%;^^★^^@@  //The final sentence of [[Finnegans Wake]]//

As the music critic Jonah Weiner has pointed out, that word whose amputation concludes //Divers// could be combined with the very first one in "Anecdotes," forming one certainly relevant to Newsom's [[Emersonian|Emerson]] optimism: "''Transcending''." The rousing final notes of //Divers//, fed by wild drums and birdsong, do lift the spirits aloft. Yet in its circular way, Divers presents another central image, a more domestic one, near its opening. Before fully launching into her tales of battles and the banished, of men in the air or at the bottom of the ocean and women left behind, Newsom offers another story within the folds of "Anecdotes."  Her lyric starts out in the field, where one soldier calls to another; but it ends up in the kitchen, where an unknown spirit (maternal? Internal?) welcomes Newsom's drifting, mutating "I": //Daughter, the kettle's on.//  It's just a moment, cast as an echo, quickly drifting behind the larger action scenes Newsom directs.  Yet it haunts.  That wandering "I" does have a home, not where epics are often set, but where they may first be shaped, as words around a homely kitchen table, with women sipping tea.  //Will you come down, before the sun is gone?//  That motherly voice presents a possibility.  Newsom doesn't pause, but she has given us that background: In the really big world, she can still locate a home.

-- from the review "[[One For The Ages|http://www.npr.org/2015/10/19/449323861/one-for-the-ages]]" by Ann Powers, NPR

 
October 12, 2016

Dear Steve,

The first book from Real People Press which entered my life was //Person to Person//.  I found it in a Nebraska used bookstore more than ten years ago.  The distinctive voice of Barry Stevens left an impression on me.  Later I read //Notes to Myself//, which I found more directly applicable to my life, as a man in my twenties with a young family.  I discovered both as reissued editions, and I'm not certain that I realized your connection to them right away.  Over the years, your name popped up in various books and online articles I read, and eventually I realized that Barry Stevens' son had become Steve Andreas.   I ordered a copy of //[[Heart of the Mind|https://www.amazon.com/Heart-Mind-Engaging-Neuro-Linguistic-Programming/dp/0911226311]]// but never read it all the way through.  Now here I am, several years later, inspired to write you a letter.

To provide some background, I married for the second time in 2015 and took my wife's surname -- as I gather you did with your third wife.  I have two children (ages 7½ and 6) who still carry my birth surname, as does my ex-wife.  I have a troubled relationship with my father, who is currently undergoing radiation treatment for prostate cancer (and seems to be doing well.)  Changing my name was partly motivated by a desire to disassociate myself from his legacy.

I apologize if this question seems inappropriate or prying, but did your relationship with your father have any bearing on your name change?  Or did the Stevens name signify an emotional link to him?  In the past few days, I learned from a video clip on your website that he committed suicide when you were nine.

A few points you made in the talk "[[Therapy Isn't Brain Science|https://www.youtube.com/watch?v=csfEX0qmpwg]]" leapt to my attention:
<<<
You need to make an unconscious change.  People come to you complaining of unconscious problems.

Even someone who ruminates or intellectualizes can't stop doing it; they have no voluntary control over it.

So in order to make a change, rationalization and talk therapy as is usually used will not make any difference.
<<<
I've seen five different therapists since high school, spending many hours (and thousands of dollars) largely in talk therapy.  Though it provided an environment where I could "vent" some of my inner turmoil, and has brought forth a few meaningful insights, at a more basic level it feels like the same old blockages persist.

I am that type of person you referred to -- someone who ruminates, intellectualizes, and //can't stop doing it//.  It's not a surprising revelation that my active mind protected me when I was young: with its reasoning and problem-solving ability, the power to create distance or abstraction between myself and a messy world, and vivid imagination which provided an escape.  But my intellect has since over-compensated.  Perhaps as my last therapist said, what saved me as a child is now threatening to destroy me.

Since watching your video, I've tried to rewind my memory to the time in my life around age 11 or 12, when it seemed that I really began to intellectualize and escape into another world of books and language.  I remembered a few of the first times when I disengaged from my body and emotional surroundings.  What will I //do// with these recollections?  I'm not yet sure.  I am trying to heed your words:
> If you use your rational mind to //do// something different, then you have a chance of changing the unconscious experience.
Directly after that advice, you shared the insight "Most therapy is about description."  Yes, I can also relate to that.  I've spent about 15 years trying to describe //me// and the workings of my heart and mind to myself.

I'm not writing you this letter for consultation or therapeutic advice.  This is intended to be more of a mutual conversation than that.  I recently spent a few days reflecting on the advice of Hugh Prather, and attempted to have a "[[conversation|http://conversings.blogspot.com/2016/10/hugh-prather.html]]" with him in my mind.  In the course of my reading, Hugh mentioned you as "the most honest publisher with whom I have ever had dealings", and the one who first gave him a start.  I took this as advice to write my next letter to you -- the second of 1,000 such letters which I plan to write in the next decade.  (Talk about an intellect running wild!)  I've listed 500 people which comprise half this project in "[[The List|http://conversings.blogspot.com/p/the-list.html]]".

While I gathered information about your lifework and prepared to write this letter, I learned of another book which Real People Press brought into being: //Embrace Tiger, Return to Mountain: The Essence of Tai Chi// by Chungliang Al Huang (and to which you and your mother wrote the preface.)  I'm taking that as my sign pointing out the next thinker to investigate.  I'll read/skim that book over the next few days, see what else I can discover of Al Huang's work, and then sit down to write him a letter.

//A page of Al Huang's book://
<html><iframe frameborder="0" scrolling="no" style="border:0px" src="https://books.google.com/books?id=dhDYZ2MaQEkC&lpg=PP1&pg=PA185&output=embed" width=500 height=500></iframe></html>

For your awareness, I'm dual publishing this letter on my blog [[Conversings.blogspot.com|http://conversings.blogspot.com/]] and also in my older wiki "Remuse", which is soon to be retired.  If you visit [[www.Remuse.net|http://remuse.net]], you will see this letter in the wider context of my reading, writing, and spiritual/artistic quest.  It's organized in a way peculiar to my own life and mind.

If you have the interest or time to write back, please let me know if I may publish your response at //[[One Thousand Conversations|http://conversings.blogspot.com]]//.  I appreciate the messages you have already sent into my life (and the world at large), and I ask for nothing further.  But, if you think of a person in addition to Al Huang who you recommend might follow in this series of letters, I'm open to all suggestions.  (And if not a person, any experience or strategy you offer is very appreciated.)

My very best to you,

Andy

----

@@color:grey;__Notes from my last three days of research:__

"Most therapy is about description.  I am grateful to Paul Watzlawick [1921-2007] for pointing out the crucial difference between descriptive language and injunctive language.  Injunctive language says do this, do that, try this.  Injunctive language is the language of science." (Steve Andreas)

Steve's father Albert Mason Stevens committed suicide when he was nine years old, though Steve wasn't told of this until age twenty-one.  "That's one thing she [my mother] lied to me about," he said.

<<<
"The name //''Real People Press''// indicates our purpose: to publish ideas and ways that a person can use independently to become more //real// -- to further his own growth as a human being and to develop his relationships and communication with others."

//Their "mission statement" was later revised as://

"The name //''Real People Press''// indicates our purpose: to publish ideas and ways that a person can use independently or with others to become more //real// -- to further your own growth as a human being and to develop your relationships and communication with others."
<<<
I like their change from the male-gendered "his" pronoun.  However, I preferred the earlier phrase saying only "that a person can use independently to become more real" -- emphasizing the //independence// factor; outside of traditional, institutional or hierarchic groups.  To my thinking, the inclusion of a community is already present in the last phrase "and to develop your relationships and communication with others"; so it's not necessary to say "use independently //or with others//".  Just my own subjective opinion.@@

/***
|''Name''|TiddlySpaceBackstage|
|''Version''|0.8.0|
|''Description''|Provides a TiddlySpace version of the backstage and a homeLink macro|
|''Status''|@@beta@@|
|''Contributors''|Jon Lister, Jon Robson, Colm Britton|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceBackstage.js|
|''Requires''|TiddlySpaceConfig ImageMacroPlugin TiddlySpaceViewTypes|
!StyleSheet
.tiddler .error.annotation .button{
	display: inline-block;
}

#backstageArea {
	z-index: 49;
	color: white;
	background-color: black;
	background: -webkit-gradient(linear,left bottom,left top,color-stop(0, #222),color-stop(0.5, #333),color-stop(1, #555));
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#backstageButton {
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#backstageButton #backstageShow,
#backstageButton #backstageHide {
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#backstageButton #backstageShow:hover,
#backstageButton #backstageHide:hover {
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#backstageButton img,
#backstageButton svg {
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#messageArea {
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#backstageToolbar {
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#backstageArea a {
	padding: 0px;
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	color: white;
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#backstageArea a:hover {
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#backstage ol,
#backstage ul {
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#backstageButton a {
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.backstagePanelBody ul {
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#backstage #backstagePanel {
	margin-left: 5%;
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}

#backstageToolbar a {
	position: relative;
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#backstageArea a.backstageSelTab,
#backstageToolbar .backstageTask {
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	color: #767676;
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.backstageTask .externalImage,
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}

#backstageToolbar a span {
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a.backstageTask {
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        margin-left: 1em !important;
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.backstagePanelBody .button {
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.backstagePanelBody {
	margin: 0 0 0 0.6em;
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}

#backstage table {
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#backstage .wizard table {
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#backstage div  li.listLink {
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#backstage div li.listTitle {
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#backstage fieldset {
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#backstage .viewer table,#backstage table.twtable {
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#backstageToolbar img {
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#backstage .wizard,
#backstage .wizardFooter {
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.viewer td, .viewer tr, .twtable td, .twtable tr {
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#backstage .inlineList ul li {
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.backstageClear, .inlineList form {
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.tiddlyspaceMenu {
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span.chunkyButton {
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	border: solid 2px #000;
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}

span.chunkyButton a.button, span.chunkyButton a:active.button {
	white-space: nowrap;
	font-weight: bold;
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	color: #fff;
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	padding: 0.5em 0.5em;
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span.chunkyButton:hover {
	background-color: #014;
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span.chunkyButton a.button:hover {
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	background: none;
	color: #fff;
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#backstage .unpluggedSpaceTab .wizard,
.unpluggedSpaceTab .wizard {
	background: white;
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}

.syncKey .keyItem {
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.keyHeading {
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.unpluggedSpaceTab .putToServer,
.unpluggedSpaceTab .notChanged {
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.tiddlyspaceMenu ul {
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.tiddlyspaceMenu ul li {
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.unsyncedChanges .unsyncedList {
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}

.unsyncedList {
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!Code
***/
//{{{
(function ($) {
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        format(store.getTiddlerText(tiddler.title + "##StyleSheet")); // this accesses the StyleSheet section of the current tiddler (the plugin that contains it)
    store.addNotification(name, refreshStyles);

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        config.extensions.tiddlyweb.status.tiddlyspace_version = "<unknown>";
        config.extensions.tiddlyweb.status.server_host = {
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    var disabled_tasks_for_nonmembers = ["tiddlers", "plugins", "batch", "sync"];

    var tweb = config.extensions.tiddlyweb;
    var tiddlyspace = config.extensions.tiddlyspace;
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    var imageMacro = config.macros.image;

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// Set up Backstage
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        content:"<<tiddler Backstage##BatchOps>>"
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        tooltip:"Tweak TiddlyWiki behaviors",
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    config.tasks.exportTiddlers = {
        text:"import/export",
        tooltip:"Import/export tiddlers from/to a TiddlyWiki",
        content:"<<tiddler Backstage##ImportExport>>"
    };
    config.tasks.sync = {
        text:"sync",
        tooltip:"Check Sync status",
        content:"<<tiddler Backstage##SpaceUnplugged>>"
    };

    if (window.location.protocol === "file:") {
        config.unplugged = true;
    }

    config.backstageTasks = ["status", "tiddlers", "plugins",
        "batch", "tweaks", "exportTiddlers", "sync"];

    config.messages.backstage.prompt = "";
// initialize state
    var _show = backstage.show;
    backstage.show = function () {
        // selectively hide backstage tasks and tabs based on user status
        var tasks = $("#backstageToolbar .backstageTask").show();
        var bs = backstage.tiddlyspace;
        if (!config.unplugged) {
            tweb.getUserInfo(function (user) {
                if (user.anon) {
                    jQuery.each(disabled_tasks_for_nonmembers, function (i, task) {
                        var taskIndex = config.backstageTasks.indexOf(task);
                        if (taskIndex !== -1) {
                            config.backstageTasks.splice(taskIndex, 1);
                        }
                    });
                    config.messages.memberStatus = bs.locale.loggedout;
                } else {
                    config.messages.memberStatus = readOnly ?
                        bs.locale.nonmember : bs.locale.member;
                }
            });
        } else {
            config.messages.memberStatus = bs.locale.unplugged;
        }

        // display backstage
        return _show.apply(this, arguments);
    };
    if (readOnly) {
        jQuery.each(disabled_tasks_for_nonmembers, function (i, task) {
            var taskIndex = config.backstageTasks.indexOf(task);
            if (taskIndex !== -1) {
                config.backstageTasks.splice(taskIndex, 1);
            }
        });
    }

    var tasks = config.tasks;
    var commonUrl = "/bags/common/tiddlers/%0";

    backstage.tiddlyspace = {
        locale:{
            member:"You are a member of this space.",
            nonmember:"You are not a member of this space.",
            loggedout:"You are currently logged out of TiddlySpace.",
            unplugged:"You are unplugged."
        },
        showButton:function () {
            var showBtn = $("#backstageShow")[0];
            var altText = $(showBtn).text();
            $(showBtn).empty();
            imageMacro.renderImage(showBtn, "backstage.svg",
                { altImage:commonUrl.format("backstage.png"), alt:altText});
        },
        hideButton:function () {
            var hideBtn = $("#backstageHide")[0];
            var altText = $(hideBtn).text();
            $(hideBtn).empty();
            imageMacro.renderImage(hideBtn, "close.svg",
                { altImage:commonUrl.format("close.png"), alt:altText, width:24, height:24 });
        }
    };

    var _init = backstage.init;
    backstage.init = function () {
        _init.apply(this, arguments);
        var init = function (user) {
            var bs = backstage.tiddlyspace;
            bs.showButton();
            bs.hideButton();
        };
        tweb.getUserInfo(init);
    };

    var home = config.macros.homeLink = {
        locale:{
            linkText:"your home space"
        },
        handler:function (place) {
            var container = $("<span />").appendTo(place)[0];
            tweb.getUserInfo(function (user) {
                if (!user.anon && user.name !== currentSpace) {
                    createSpaceLink(container, user.name, null, home.locale.linkText);
                }
            });
        }
    };

    config.macros.exportSpace = {
        handler:function (place, macroName, params) {
            var filename = params[0] ||
                "/tiddlers.wiki?download=%0.html".format(currentSpace);
            $('<a class="button">download</a>').// XXX: i18n
                attr("href", filename).appendTo(place);
        }
    };

}(jQuery));
//}}}

To respond to the inconsolable hurts in human existence, to root an orientation to life in a vision of the world, surmounting the distinction between the //descriptive// and the //prescriptive//, and to demand a commitment of existence for which //the rational grounds must always be insufficient//, and with the consequence of requiring us to place ourselves, dangerously, in the hands of others — such are the distinctive marks of religion, deployed as a historical category…

The lesson of history — that is to say the history of the two and a half thousand years in which the present world religions (including Buddhism and Confucianism) have held sway — suggests that these religions have succeeded in the world only by satisfying certain conditions: reliance on a scriptural canon, organization of a community of belief, and, often, identification of this community of belief with a people: if not a nation, a set of nations. It is by fulfilling these requirements, and by exemplifying the attributes previously described, that a form of experience becomes a religion…

With respect to the relation between leader and led, a religious revolution faithful to the motives and aims that I have here explored cannot carry out its task if it centralizes prophetic power in a single individual and in his decisive action in history. It must decentralize the capability and the authority for continuing religious innovation. In this respect, it is closest to rabbinical Judaism, to Confucianism, and to the secular projects of political or personal liberation. Unlike the Protestant Reformation, which stopped at proclaiming the [[priesthood of all believers|Quaker]], it must recognize prophetic power in everyone. It must therefore <part precis>seek an approach to ''education that equips the imagination with prophetic power'': for example, by addressing each subject from contrasting points of view and by stocking the mind with a broader range of experience than present society and culture make available.</part>

— Roberto Mangabeira Unger, //The Religion of the Future//
(printing April 2014)

----

Passages from Unger's book //The Self Awakened// also quoted in [[countervailingGBG]] and the [[project of humankind]]

!Die Gedanken sind frei

1. Die Gedanken sind frei, wer kann sie erraten,
sie fliegen vorbei wie nächtliche Schatten.
Kein Mensch kann sie wissen, kein Jäger erschießen
mit Pulver und Blei: Die Gedanken sind frei!

2. Ich denke was ich will und was mich beglücket,
doch alles in der Still', und wie es sich schicket.
Mein Wunsch und Begehren kann niemand verwehren,
es bleibet dabei: Die Gedanken sind frei!

3. Und sperrt man mich ein im finsteren Kerker,
das alles sind rein vergebliche Werke.
Denn meine Gedanken zerreißen die Schranken
und Mauern entzwei: Die Gedanken sind frei!

4. Drum will ich auf immer den Sorgen entsagen
und will mich auch nimmer mit Grillen mehr plagen.
Man kann ja im Herzen stets lachen und scherzen
und denken dabei: Die Gedanken sind frei!

//The original lyricist and the composer are unknown, though the most popular version was rendered by Hoffmann von Fallersleben in 1842.//

----

Andreas Jacobs (6 Jun 1815 - 11 Feb 1898)

R (1907-1978) / A (1900-1978)

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!Sand and Foam
Kahlil Gibran


Should you really open your eyes and see, you would behold your image in all images.
And should you open your ears and listen, you would hear your own voice in all voices.

It takes two of us to discover truth: one to utter it and one to understand it.
//(page 17)//


How narrow is the vision that exalts the busyness of the ant above the singing of the grasshopper.
//(page 51)//


Wit is often a mask.  If you could tear it you would find either a genius irritated or cleverness juggling.
//(page 68)//


Every thought I have [[imprisoned in expression|limits of language]] I must free by my deeds.
//(page 85)//


The reality of the other person is not in what he reveals to you, but in what he cannot reveal to you.
Therefore, if you would understand him, listen not to what he says but rather to what he does not say.

Half of what I say is meaningless; but I say it so that the other half may reach you.
//(page 14)//

----

//See also [[Out of My Deeper Heart]] and [[Wisdom and I]]//

 
            //My heart beats double when I meet her,
            and we become two hearts wearing one body.//
-- Thabet ibn al Haaris ibn Rabi’a

Arabic poetry intersecting a fugue by Bach and the I Ching Hexagram //Kuai// -- beautifully revealed in a Glass Bead Game sequence [[by Paul Pilkington|https://sites.google.com/site/abimepublications/home/volume-1---preface/arabic-bach-change]].

"The game began with a rhythmic analysis of a fugal theme and in the centre of it was a sentence attributed to Confucius.” Hermann [[Hesse]]

Etymology from Latin //fuga//, related to both //fugere// "to flee" and //fugare// "to chase".

{{font85{ 1-7-08 – Anam Cara, how can it be that in less than a year so very much changed, hurts were done to us and by us (I will accept most of that blame) and we went from "the strongest we have ever been" to the verge of separation?  I DO NOT WANT TO LOSE ANYTHING OF YOU, or of this totality we created.  Go back to the pages when I asked, and you said: //YES.//  I __choose__ you again, Anam Cara.  Perceived imperfections are not our end.  I __love__ you and __need__ you, as well.  We wrote not at all in 2006, once in 2007, and tore out the last page.  //__Please__// begin [[anew]] with me. )}}}

----

{{dialog{3-17-08

Speak Your Truth

& follow what is right for you Anam Cara -- those you love & who love you will not be far behind, and may even arrive at the same time -- I love you, Randy
seek your inner truth -- it will guide you
}}}
----

 
…I always look at one person or one thing in particular…I look at one blossom on the bough. One little lizard sunning itself on the wall. One orange. One drop of rain as it slides down the windowpane. When I look at one more carefully, then I know all better.
-- Madeline [[L'Engle]], //Love Letters//, pp 72-73 (1966)

    We are here to witness the creation and abet it. We are here to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but, especially, we notice the beautiful faces and complex natures of each other. We are here to bring to consciousness the beauty and power that are around us and to praise the people who are here with us. We witness our generation and our times. We watch the weather. Otherwise, creation would be playing to an empty house.
    According to the second law of thermodynamics, things fall apart. Structures disintegrate. Buckminster Fuller hinted at a reason we are here: By creating things, by thinking up new combinations, we counteract this flow of entropy. We make new structures, new wholeness, so the universe comes out even. A shepherd on a hilltop who looks at a mess of stars and thinks, ‘There’s a hunter, a plow, a fish,’ is making mental connections that have as much real force in the universe as the very fires in those stars themselves.
-- Annie Dillard, //Holy the Firm// (1977)

At the end of "Seeing" [the second chapter of //Pilgrim at Tinker Creek//], Annie Dillard describes the experience of being emptied and standing transparent before a cedar tree in her backyard.  She writes that she perceived the cedar tree as
> charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing than like being for the first time seen, knocked back breathless by a powerful glance. The flood of fire abated… Gradually the lights went out in the cedar, the colors died, the cells unflamed and disappeared.  I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and [[struck|the work of feeling]]…
-- Quoted in //A ~Sacramental-Prophetic Vision: Christian Spirituality in a Suffering World//, by Matthew T. Eggemeier (2014)

"I often talk to this tree," she said to me.  I was startled and didn't quite know how to take her words.  Was she delirious?  Did she have occasional hallucinations?  Anxiously I asked her if the tree replied.  "Yes."  What did it say to her?  She answered, "It said to me, ''//'I am here—I am here—I am life, eternal life.'//'' "
-- Viktor E. Frankl, //Man's Search For Meaning// (1946)

Whoever you are, you are human.  Wherever you are, you live in the world, which is just waiting for you to notice the holiness in it.  So [[welcome to your own priesthood|Welcome to your own priesthood]]…
-- Barbara Brown Taylor, //An Altar in the World// (2009)

I noticed people disappeared … (Emily [[Dickinson]])

Their deeds may be small, and almost always unnoticed, unmarked by history.
(Philip K. Dick's remark on the [[heroism|quiet hero]] of ordinary [[people]].)

| 8-10-2010 – Anam Cara, I have not written here since our two children were conceived.  This book has been at my bed-side most of the time, and some of the past entries make me cry.  Can we write a few times before Aron comes?  I want to listen to your voice, cherish your presence again.  You are seen, you are heard, you are LOVED. |

 
''Madeleine L'Engle (Camp – Franklin)''  (29 November 1918 – 6 September 2007)  American (New York City) writer best known for her children’s books, particularly //A Wrinkle In Time// (1962) which won the Newbery Medal.  Also a poet, essayist, non-fiction and Christian writer.
<<<
Look! Here I am, caught up in this fragment of chronology, in this bit of bone and flesh and water which makes up my mortal body, and yet I am also part of that which is not imprisoned in time or mortality. Partaker simultaneously of the finite and the infinte, I do not find the infinite by repudiating my [[finiteness|maturing to finiteness]], but by being fully in it, in this me who is more than I know. This me, like all of creation, lives in a glorious dance of communion with all the universe. In isolation we die; in interdependence we live.
– //A Stone for a Pillow: Journeys with Jacob//, page 90.

The challenge I face with children is the redemption of adulthood. We must make it evident that maturity is the fulfillment of childhood and adolescence, not a diminishing; that it is an affirmation of life, not a denial; that it is entering fully into our essential selves.
– //The Circle of Quiet//, page 106.

…I always look at one person or one thing in particular…I look at one blossom on the bough.  One little lizard sunning itself on the wall.  One orange.  One drop of rain as it slides down the windowpane.  When I look at one more carefully, then I know all better.
– Love Letters, pp 72-73.  (1966)
<<<
''Words I learned from Madeleine L'Engle:''
* tesseract
* kythe
* gaudior -- (that joy of which Joanna Newsom [[sings|Time, As A Symptom]])
* ananda
* mitochondria
* [[Echthroi|https://en.wikipedia.org/wiki/Echthroi]]
* [[Nephilim|https://en.wikipedia.org/wiki/Nephilim]]
* chronos and kairos
* [[avocation|But yield who will to their separation]]

In interviews, L'Engle described Albert Einstein as "St. Albert -- my favorite theologian. Einstein was my entrance into the world of astrophysics and quantum mechanics -- it's my theology."
<<<
Just before I wrote //A Wrinkle in Time//, I was asking myself all the big questions about life and the universe and not finding the answers.  (Really grappling with the cosmic questions.)  I was finding too many answers rather than enough openness.  Then I picked up a book of Einstein's and he said anyone who is not lost in rapturous awe at the power of the mind behind the universe 'is as good as a burned out candle.' And I thought, 'Oh, I have found my theologian.'
<<<
L'Engle spoke these words through a character's voice in her novel //A Severed Wasp//:
<<<
"Ah. St. Johann."
//"Saint?"//
"Oh, I have my own saints. St. Johann Sebastian. St. Albert."
//"St. Albert?"//
"Einstein. Sts. Ralph and Henry."
She raised her eybrows in question.
"Emerson and Thoreau. How surprised they would be to be canonized, even by me. I might add St. Ludwig -- you know him -- and St. Will."
//"Shakespeare?//
He nodded…
<<<

Andrew Barbin's 2012 collection of [[L'Engle quotes|http://andrewbarbin.blogspot.com/2012/12/madeline-lengle.html]]

[[NYTimes Obituary: Madeleine L'Engle, Writer of Children's Classics|http://www.nytimes.com/2007/09/08/books/07cnd-lengle.html]]

 
Moleta Josephine “Mubbie” Grutz, 89, of Bethany Home, formerly of 2945 Elm St., died Wednesday, December 21, 2005, at Bethany Home. She worked at General Dry Battery Factory and also with ~Barnstead-Thermolyne Corp. for many years.

She was born on November 19, 1916, in Dubuque, daughter of Nicholas and Margaret (Mueller) Grutz.  Moleta had resided in Dubuque all her life.

Playing cards was one of her favorite pastimes.  Mubbie was a loving aunt who enjoyed spending time with her nieces and nephews and their families. She was a lifelong member of Holy Ghost Parish and was a member of its Rosary Society.

She was preceded in death by her parents; two brothers, Clarence “Barney” and Lawrence “Larry” Grutz; and a sister, Bernice Haupert.

Memorials may be given to Holy Ghost Parish and Bethany Home.

!How Flowers Changed The World
By Loren [[Eiseley]], from //The Immense Journey//, published 1957

If it had been possible to observe the Earth from the far side of the solar system over the long course of geological epochs, the watchers might have been able to discern a subtle change in the light emanating from our planet. That world of long ago would, like the red deserts of Mars, have reflected light from vast drifts of stone and gravel, the sands of wandering wastes, the blackness of naked basalt, the yellow dust of endlessly moving storms. Only the ceaseless marching of the clouds and the intermittent flashes from the restless surface of the sea would have told a different story, but still essentially a barren one. Then, as the millennia rolled away and age followed age, a new and greener light would, by degrees, have come to twinkle across those endless miles.

This is the only difference those far watchers, by the use of subtle instruments, might have perceived in the whole history of the planet Earth. Yet that slowly growing green twinkle would have contained the epic march of life from the tidal oozes upward across the raw and unclothed continents. Out of the vast chemical bath of the sea -- not from the deeps, but from the element-rich, light- exposed platforms of the continental shelves --  wandering fingers of green had crept upward along the meanderings of river systems and fringed the gravels of forgotten lakes.

In those first ages plants clung of necessity to swamps and watercourses. Their reproductive processes demanded direct access to water. Beyond the primitive ferns and mosses that enclosed the borders of swamps and streams the rocks still lay vast and bare, the winds still swirled the dust of a naked planet. The grass cover that holds our world secure in place was still millions of years in the future. The green marchers had gained a soggy foothold upon the land, but that was all. They did not reproduce by seeds but by microscopic swimming sperm that had to wriggle their way through water to fertilize the female cell. Such plants in their higher forms had clever adaptations for the use of rain water in their sexual phases, and survived with increasing success in a wet land environment. They now seem part of man's normal environment. The truth is, however, that there is nothing very "normal" about Nature. Once upon a time there were no flowers at all.

A little while ago -- about one hundred million years, as the geologist estimates time in the history of our four-billion-year-old planet -- flowers were not to be found anywhere on the five continents. Wherever one might have looked, from the poles to the equator, one would have seen only the cold dark monotonous green of a world whose plant life possessed no other color.

Somewhere, just a short time before the close of the Age of Reptiles, there occurred a soundless, violent explosion. It lasted millions of years, but it was an explosion, nevertheless. It marked the emergence of the angiosperms -- the flowering plants. Even the great evolutionist, Charles Darwin, called them "an abominable mystery," because they appeared so suddenly and spread so fast.

Flowers changed the face of the planet. Without them, the world we know -- even man himself -- would never have existed. Francis Thompson, the English poet, once wrote that one could not pluck a flower without troubling a star. Intuitively he had sensed like a naturalist the enormous interlinked complexity of life. Today we know that the appearance of the flowers contained also the equally mystifying emergence of man.

If we were to go back into the Age of Reptiles, its drowned swamps and birdless forests would reveal to us a warmer but, on the whole, a sleepier world than that of today. Here and there, it is true, the serpent heads of bottom-feeding dinosaurs might be upreared in suspicion of their huge flesh-eating compatriots. Tyrannosaurs, enormous bipedal caricatures of men, would stalk mindlessly across the sites of future cities and go their slow way down into the dark of geologic time.

In all that world of living things nothing saw save with the intense concentration of the hunt, nothing moved except with the grave sleepwalking intentness of the instinct-driven brain. Judged by modern standards, it was a world in slow motion, a cold-blooded world whose occupants were most active at noonday but torpid on chill nights, their brains damped by a slower metabolism than any known to even the most primitive of warm-blooded animals today.

A high metabolic rate and the maintenance of a constant body temperature are supreme achievements in the evolution of life. They enable an animal to escape, within broad limits, from the overheating or the chilling of its immediate surroundings, and at the same time to maintain a peak mental efficiency. Creatures without a high metabolic rate are slaves to weather. Insects in the first frosts of autumn all run down like little clocks. Yet if you pick one up and breathe warmly upon it, it will begin to move about once more.

In a sheltered spot such creatures may sleep away the winter, but they are hopelessly immobilized. Though a few warm-blooded mammals, such as the woodchuck of our day, have evolved a way of reducing their metabolic rate in order to undergo winter hibernation, it is a survival mechanism with drawbacks, for it leaves the animal helplessly exposed if enemies discover him during his period of suspended animation. Thus bear or woodchuck, big animal or small, must seek, in this time of descending sleep, a safe refuge in some hidden den or burrow. Hibernation is, therefore, primarily a winter refuge of small, easily concealed animals rather than of large ones.

A high metabolic rate, however, means a heavy intake of energy in order to sustain body warmth and efficiency. It is for this reason that even some of these later warm-blooded mammals existing in our day have learned to descend into a slower, unconscious rate of living during the winter months when food may be difficult to obtain. On a slightly higher plane they are following the procedure of the cold-blooded frog sleeping in the mud at the bottom of a frozen pond.

The agile brain of the warm-blooded birds and mammals demands a high oxygen consumption and food in concentrated forms, or the creatures cannot long sustain themselves. It was the rise of the flowering plants that provided that energy and changed the nature of the living world. Their appearance parallels in a quite surprising manner the rise of the birds and mammals.

Slowly, toward the dawn of the Age of Reptiles, something over two hundred and fifty million years ago, the little naked sperm cells wriggling their way through dew and raindrops had given way to a kind of pollen carried by the wind. Our present-day pine forests represent plants of a pollen-disseminating variety. Once fertilization was no longer dependent on exterior water, the march over drier regions could be extended. Instead of spores, simple primitive seeds carrying some nourishment for the young plant had developed, but true flowers were still scores of millions of years away. After a long period of hesitant evolutionary groping, they exploded upon the world with truly revolutionary violence.

The event occurred in Cretaceous times in the close of the Age of Reptiles. Before the coming of the flowering plants our own ancestral stock, the warm-blooded mammals, consisted of a few mousy little creatures hidden in trees and underbrush. A few lizard-like birds with carnivorous teeth flapped awkwardly on ill-aimed flights among archaic shrubbery. None of these insignificant creatures gave evidence of any remarkable talents. The mammals in particular had been around for some millions of years, but had remained well lost in the shadow of the mighty reptiles. Truth to tell, man was still, like the genie in the bottle, encased in the body of a creature about the size of a rat.

As for the birds, their reptilian cousins the Pterodactyls, flew farther and better. There was just one thing about the birds that paralleled the physiology of the mammals. They, too, had evolved warm blood and its accompanying temperature control. Nevertheless, if one had been seen stripped of his feathers, he would still have seemed a slightly uncanny and unsightly lizard.

Neither the birds nor the mammals, however, were quite what they seemed. They were waiting for the Age of Flowers. They were waiting for what flowers, and with them the true encased seed, would bring. Fish-eating, gigantic leather-winged reptiles, twenty-eight feet from wing tip to wing tip, hovered over the coasts that one day would be swarming with gulls.

Inland the monotonous green of the pine and spruce forests with their primitive wooden cone flowers stretched everywhere. No grass hindered the fall of the naked seeds to earth. Great sequoias towered to the skies. The world of that time has a certain appeal but it is a giant's world, a world moving slowly like the reptiles who stalked magnificently among the boles of its trees.

The trees themselves are ancient, slow-growing and immense, like the redwood groves that have survived to our day on the California coast. All is stiff, formal, upright and green, monotonously green. There is no grass as yet; there are no wide plains rolling in the sun, no tiny daisies dotting the meadows underfoot. There is little versatility about this scene; it is, in truth, a giant's world.

A few nights ago it was brought home vividly to me that the world has changed since that far epoch. I was awakened out of sleep by an unknown sound in my living room. Not a small sound -- not a creaking timber or a mouse's scurry -- but a sharp, rending explosion as though an unwary foot had been put down upon a wine glass. I had come instantly out of sleep and lay tense, unbreathing. I listened for another step. There was none.

Unable to stand the suspense any longer, I turned on the light and passed from room to room glancing uneasily behind chairs and into closets. Nothing seemed disturbed, and I stood puzzled in the center of the living room floor. Then a small button-shaped object upon the rug caught my eye. It was hard and polished and glistening.

Scattered over the length of the room were several more shining up at me like wary little eyes. A pine cone that had been lying in a dish had been blown the length of the coffee table. The dish itself could hardly have been the source of the explosion. Beside it I found two ribbon-like strips of a velvety green. I tried to place the two strips together to make a pod. They twisted resolutely away from each other and would no longer fit.

I relaxed in a chair, then, for I had reached a solution of the midnight disturbance. The twisted strips were wisteria pods that I had brought in a day or two previously and placed in the dish. They had chosen midnight to explode and distribute their multiplying fund of life down the length of the room. A plant, a fixed, rooted thing, immobilized in a single spot, had devised a way of propelling its offspring across open space. Immediately there passed before my eyes the million airy troopers of the milkweed pod and the clutching hooks of the sandburs. Seeds on the coyote's tail, seeds on the hunter's coat, thistledown mounting on the winds -- all were somehow triumphing over life's limitations. Yet the ability to do this had not been with them at the beginning. It was the product of endless effort and experiment.

The seeds on my carpet were not going to lie stiffly where they had dropped like their antiquated cousins, the naked seeds on the pine-cone scales. They were travelers. Struck by the thought, I went out next day and collected several other varieties. I line them up now in a row on my desk -- so many little capsules of life, winged, hooked or spiked. Everyone is an angiosperm, a product of the true flowering plants. Contained in these little boxes is the secret of that far-off Cretaceous explosion of a hundred million years ago that changed the face of the planet. And somewhere in here, I think, as I poke seriously at one particularly resistant seedcase of a wild grass, was once man himself.

When the first simple flower bloomed on some raw upland late in the Dinosaur Age, it was wind pollinated, just like its early pine-cone relatives. It was a very inconspicuous flower because it had not yet evolved the ideal of using the surer attraction of birds and insects to achieve the transportation of pollen. It sowed its own pollen and received the pollen of other flowers by the simple vagaries of the wind. Many plants in regions where insect life is scant still follow this principle today. Nevertheless, the true flower -- and the seed that it produced -- was a profound innovation in the world of life.

In a way, this event parallels, in the plant world, what happened among animals. Consider the relative chance for survival of the exteriorly deposited egg of a fish in contrast with the fertilized egg of a mammal, carefully retained for months in the mother's body until the young animal (or human being) is developed to a point where it may survive. The biological wastage is less -- and so it is with the flowering plants. The primitive spore, a single cell fertilized in the beginning by a swimming sperm, did not promote rapid distribution, and the young plant, moreover, had to struggle up from nothing. No one had left it any food except what it could get by its own unaided efforts.

By contrast, the true flowering plants (angiosperm itself means "encased seed") grew a seed in the heart of a flower, a seed whose development was initiated by a fertilizing pollen grain independent of outside moisture. But the seed, unlike the developing spore, is already a fully equipped embryonic plant packed in a little enclosed box stuffed full of nutritious food. Moreover, by featherdown attachments, as in dandelion or milkweed seed, it can be wafted upward on gusts and ride the wind for miles; or with hooks it can cling to a bear's or a rabbit's hide; or like some of the berries, it can be covered with a juicy attractive fruit to lure birds, pass undigested through their intestinal tracts and be voided miles away.

The ramifications of this biological invention were endless. Plants traveled as they had never traveled before. They got into strange environments heretofore never entered by the old spore plants or stiff pine-cone-seed plants. The well-fed, carefully cherished little embryos raised their heads everywhere. Many of the older plants with more primitive reproductive mechanisms began to fade away under this unequal contest. They contracted their range into secluded environments. Some, like the giant redwoods, lingered on as relics; many vanished entirely.

The world of the giants was a dying world. These fantastic little seeds skipping and hopping and flying about the woods and valleys brought with them an amazing adaptability. If our whole lives had not been spent in the midst of it, it would astound us. The old, stiff, sky-reaching wooden world had changed into something that glowed here and there with strange colors, put out queer, unheard-of fruits and little intricately carved seed cases, and, most important of all, produced concentrated foods in a way that the land had never seen before, or dreamed of back in the fish-eating, leaf-crunching days of the dinosaurs.

That food came from three sources, all produced by the reproductive system of the flowering plants. There were the tantalizing nectars and pollens intended to draw insects for pollenizing purposes, and which are responsible also for that wonderful jeweled creation, the hummingbird. There were the juicy and enticing fruits to attract larger animals, and in which tough-coated seeds were concealed, as in the tomato, for example. Then, as if this were not enough, there was the food in the actual seed itself, the food intended to nourish the embryo. All over the world, like hot corn in a popper, these incredible elaborations of the flowering plants kept exploding. In a movement that was almost instantaneous, geologically speaking, the angiosperms had taken over the world. Grass was beginning to cover the bare earth until, today, there are over six thousand species. All kinds of vines and bushes squirmed and writhed under new trees with flying seeds.

The explosion was having its effect on animal life also. Specialized groups of insects were arising to feed on the new sources of food and, incidentally and unknowingly, to pollinate the plant. The flowers bloomed and bloomed in ever larger and more spectacular varieties. Some were pale unearthly night flowers intended to lure moths in the evening twilight, some among the orchids even took the shape of female spiders in order to attract wandering males, some flamed redly in the light of noon or twinkled modestly in the meadow grasses. Intricate mechanisms splashed pollen on the breasts of hummingbirds, or stamped it on the bellies of black, grumbling bees droning assiduously from blossom to blossom. Honey ran, insects multiplied, and even the descendants of that toothed and ancient lizard-bird had become strangely altered. Equipped with prodding beaks instead of biting teeth they pecked the seeds and gobbled the insects that were really converted nectar.

Across the planet grasslands were now spreading. A slow continental upthrust which had been a part of the early Age of Flowers had cooled the world's climates. The stalking reptiles and the leather-winged black imps of the seashore cliffs had vanished. Only birds roamed the air now, hot-blooded and high-speed metabolic machines.

The mammals, too, had survived and were venturing into new domains, staring about perhaps a bit bewildered at their sudden eminence now that the thunder lizards were gone. Many of them, beginning as small browsers upon leaves in the forest, began to venture out upon this new sunlit world of the grass. Grass has a high silica content and demands a new type of very tough and resistant tooth enamel, but the seeds taken incidentally in the cropping of the grass are highly nutritious. A new world had opened out for the warm-blooded mammals. Great herbivores like the mammoths, horses and bisons appeared. Skulking about them had arisen savage flesh-feeding carnivores like the now extinct dire wolves and the saber- toothed tiger.

Flesh eaters though these creatures were, they were being sustained on nutritious grasses one step removed. Their fierce energy was being maintained on a high, effective level, through hot days and frosty nights, by the concentrated energy of the angiosperms. That energy, thirty per cent or more of the weight of the entire plant among some of the cereal grasses, was being accumulated and concentrated in the rich proteins and fats of the enormous game herds of the grasslands.

On the edge of the forest, a strange, old-fashioned animal still hesitated. His body was the body of a tree dweller, and though tough and knotty by human standards, he was, in terms of that world into which he gazed, a weakling. His teeth, though strong for chewing on the tough fruits of the forest, or for crunching an occasional unwary bird caught with his prehensile hands, were not the tearing sabers of the great cats. He had a passion for lifting himself up to see about, in his restless, roving curiosity. He would run a little stiffly and uncertainly, perhaps, on his hind legs, but only in those rare moments when he ventured out upon the ground. All this was the legacy of his climbing days; he had a hand with flexible fingers and no fine specialized hoofs upon which to gallop like the wind.

If he had any idea of competing in that new world, he had better forget it; teeth or hooves, he was much too late for either. He was a ne'er-do-well, an in-betweener. Nature had not done well by him. It was as if she had hesitated and never quite made up her mind. Perhaps as a consequence he had a malicious gleam in his eye, the gleam of an outcast who has been left nothing and knows he is going to have to take what he gets. One day a little band of these odd apes -- for apes they were -- shambled out upon the grass; the human story had begun.

Apes were to become men, in the inscrutable wisdom of nature, because flowers had produced seeds and fruits in such tremendous quantities that a new and totally different store of energy had become available in concentrated form. Impressive as the slow-moving, dim-brained dinosaurs had been, it is doubtful if their age had supported anything like the diversity of life that now rioted across the planet or flashed in and out among the trees. Down on the grass by a streamside, one of those apes with inquisitive fingers turned over a stone and hefted it vaguely. The group clucked together in a throaty tongue and moved off through the tall grass foraging for seeds and insects. The one still held, sniffed, and hefted the stone he had found. He liked the feel of it in his fingers. The attack on the animal world was about to begin.

If one could run the story of that first human group like a speeded-up motion picture through a million years of time, one might see the stone in the hand change to the flint ax and the torch. All that swarming grassland world with its giant bison and trumpeting mammoths would go down in ruin to feed the insatiable and growing numbers of a carnivore who, like the great cats before him, was taking his energy indirectly from the grass. Later he found fire and it altered the tough meats and drained their energy even faster into a stomach ill adapted for the ferocious turn man's habits had taken.

His limbs grew longer, he strode more purposefully over the grass. The stolen energy that would take man across the continents would fail him at last. The Great Ice Age herds were destined to vanish. When they did so, another hand like the hand that grasped the stone by the river long ago would pluck a handful of grass seed and hold it contemplatively.

In that moment, the golden towers of man, his swarming millions, his turning wheels, the vast learning of his packed libraries, would glimmer dimly there in the ancestor of wheat, a few seeds held in a muddy hand. Without the gift of flowers and the infinite diversity of their fruits, man and bird, if they had continued to exist at all, would be today unrecognizable. Archaeopteryx, the lizard-bird, might still be snapping at beetles on a sequoia limb; man might still be a nocturnal insectivore gnawing a roach in the dark. The weight of a petal has changed the face of the world and made it ours.

----

Eiseley Curriculum Materials
from http://www.eiseley.org/curriculum/flowers.php

Produced by the Loren [[Eiseley]] Society
by Michael W. Antrim
Teachers Guide: How Flowers Changed The World

The goal of this study guide is to help the student develop a better understanding and appreciation for the significance of the evolution of the angiosperms. Most biology textbooks will cover this material, but by taking advantage of the lively account of this subject matter by Eiseley, students may find it more intriguing and significant.

This study guide may be used by the teacher as he/she leads a class discussion or it may be used directly by students (working individually or in groups). Other references, including a biology text and a geologic time line will be necessary for this lesson.

It is interesting to note that plant fossils found in Nebraska figure prominently in the origin of the flowering plants. An outstanding reference to these fossils can be found in the August 1994 issue of Museum Notes (published by the University of Nebraska State Museum). This issue is titled, The Abominable Mystery of The First Flowers: Clues from Nebraska and Kansas, and is written by M.R. Bolick and R.K. Pabian. The Nebraska State Museum indeed features Nebraska fossils that represent perhaps the earliest angiosperms.

OBJECTIVES:

1. Describe the reproductive advances of gymnosperms in comparison to mosses and ferns.

2. Describe the reproductive advances of angiosperms in comparison to gymnosperms.

3. Place the following in the correct evolutionary sequence, from oldest to most recent: gymnosperms, ferns, algae, angiosperms.

4. Describe the adaptations of the following plant parts: pollen, seeds, fruits.

5. Explain the impact of the flowering plants on the animal kingdom.

HOW FLOWERS CHANGED THE WORLD
A Study Guide

Information and directions: How Flowers Changed the World is an essay from Loren Eiseley's most popular book, The Immense Journey, published in 1957. After reading this essay, answer the following questions. You will also need to have access to a biology textbook and a geologic time line.

Introduction

1. Eiseley states that observers from the far side of our solar system could have perceived only one change in the whole history of the planet Earth. Describe this change and explain what would have been responsible for it.

2. What is Eiseley referring to when he notes the wandering fingers of green?

3. What was the soundless, violent explosion that Eiseley refers to?

4. Why could this be referred to as an explosion?

First Land Plants

1. What type of plants were the first to appear on land?

2. Eiseley notes that these plants clung of necessity to swamps and watercourses and did not move to drier areas. Why were these plants not successful on drier land?

3. In these earlier land plants, how were sperm transferred from one plant to another?

4. Name the geologic era and period when the first land plants emerged? How many millions of years ago was this? What were the dominant land animals during this geologic time?

Animal Life

1. Eiseley describes the animal life in the Age of Reptiles (Mesozoic) using the following terms and phrases: ...a sleepier world... Tyrannosaurus...would stalk mindlessly... ...grave sleepwalking intentness... ...a world in slow motion...

According to Eiseley, what type of metabolism did these animals have, that justified descriptions? (note: today, dinosaur metabolism is a hotly debated issue; consider researching this issue further!)

2. Give a more thorough discussion of this type of metabolism. (use other resource material)

3. A high metabolic rate and the maintenance of a constant body temperature are characteristics of _ _ _ _ _ . Biologists use the term homeothermic to describe this type of metabolism. Why is this a more appropriate term?

4. What two groups (classes) of vertebrates have this type of metabolism?

5. According to Eiseley, what are some of the advantages of this type of metabolism.

6. Eiseley describes two demands for this type of metabolism. What are they?

7. Eiseley notes that the appearance of the flowering plants parallels the rise of birds and mammals. How did the rise of flowering plants affect the success of birds and mammals?

The Gymnosperms

1. What are some present-day examples of gymnosperms?

2. Name the geologic era and period when the first gymnosperms emerged? How many millions of years ago was this? Name some animals that lived during this time.

3. The sperm of these plants are contained in pollen grains. Eiseley notes that, because of this adaptation, the march over drier regions could be extended. Why did pollen allow these plants to be more successful than the earliest land plants?

4. Gymnosperms also were among the first group of plants to have seeds. A seed contains a young plant (embryo) and some nourishment (food source) for the young plant (see diagram of seed). What advantages does the seed give to the survival of the offspring.

5. Describe and sketch the life cycle of a gymnosperm. Include in your description the following: male cone, female cone, pollen, sperm, egg, seed. (use other resource material).

Angiosperms – the flowering plants

1. According to the geologic time line, when did the flowering plants first arise?

2. What animals were dominate during this period, when the flowering plants arose? Were mammals and birds very successful at this time?

3. Describe the dominate plant life on earth when the flowering plants first arose. (What is Eiseley referring to when he states that all is stiff, formal, upright and green, monotonously green.)

4. What was the source of the sharp, rending explosion that occurred in the Eiseley living room?

5. In addition to flowers, angiosperms have fruits. A fruit is a structure that covers the seed. The word angiosperm actually means _________ seed . What does the term gymnosperm mean? (use alternate resource)

6. The fruit is an important adaptation because it helps disperse (transport) the seed. Why is this an important adaptation to a plant species? (note the Eiseley statement, A plant, a fixed, rooted thing, immobilized in a single spot, had devised a way of propelling its offspring across open space.)

7. Were the wistaria pods in the Eiseley living room fruits? Why?

8. List several other fruits and means of seed dispersal that Eiseley thought of after discovering the exploded wistaria pod. (note: all all fruits edible?)

9. Using a biology textbook, sketch a diagram of a typical flower and label the following: anthers, pistil, ovary, petals, sepals. Under the diagram, state the function of the anthers, pistil, and ovary. Answer the following: (a) where do the seed form? (b) where does the fruit form? (c) what is the difference between pollination and fertilization?

10. Where the first flowering plants probably pollinated by wind or insects?

11. What is the advantage of insect pollination over wind pollination?

12. Eiseley states that the older (non-flowering) plants began to fade away under this unequal contest. Why did he refer to this as an unequal contest?

13. What are the three sources of food that come from flowering plants. How did these affect the success of warm-blooded animals that have high metabolism?

14. The term coevolution refers to the joint change of two interacting species. How does this apply to insects and flowering plants? (Include one example from the essay)

15. Grasses are flowering plants. Do grass flowers have large, colorful petals? How are grass flowers pollinated? Using examples from the essay, how did the success of the grasses affect the animal life on earth?

16. In the last paragraph of the essay, Eiseley states that, "The weight of a petal has changed the face of the world and made it ours." In your own words, write one paragraph summary of how flowers have indeed changed the world.

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

…these frayed strands
of the rope I held
ran back and back
to individual and diverse times

…hidden in ourselves
that code of DNA,
that secret spiral ladder
made up of bits and pieces of
the past that never dies
but lives entwined in us

…our fingers quick with stones;
our brains dreaming
lost ancient dreams
as well as throwing
ropes in the air as though to catch
what is uncatchable —
the future…

This is a heavy time to cast my rope.
I stand unmagical…
I let [[the cord]] fall and I climb on words,
swaying, ascending,
desperate as man
in the black dark
has always swung and climbed

…assembling along
the ever-lengthening rope
my own dismantled self,
the eye that weeps
salt tears
reborn,
the mind cleansed
of its treason and unbelief.

Believe, oh do believe;
look up,
the rope is there
lent by that devious double agent, night.

Oh now we know
the rope is hidden in ourselves to climb.

—Excerpted from "The Rope" [[→|the cord]]
by Loren [[Eiseley]]

 
From [[a piece|http://www.mondaynote.com/2016/03/28/40-years-later-apple-3-0/]] by ~Jean-Louis Gassée on Apple Inc.’s 40th anniversary:
<<<
Simplifying, but without distorting the key concept, humankind needed a more flexible means of expression than hieroglyphs, mere pictures on a cave wall, and invented alphabets and numerals, symbols that have no intrinsic meaning. Combined into sentences, phrases, and formulae, these symbols gave us tremendous power to think, persuade, seduce, and calculate. The same set of symbols could be used in sacred texts, Elizabethan poetry, Marcus Aurelius’ meditations, Wall Street pitches, and General Relativity.

But our invention was too much for our central nervous system: We had trouble memorizing long strings of symbols; few people could do long division in their head, let alone extract cubic roots.

Luckily, we are the Homo Faber, the tool-making species, and thus began a long procession of computing, storage, and communication devices, from the abacus to electro-mechanical devices and on to big, expensive computers called mainframes. Electronics moved from tubes to transistors to integrated circuits, propelled by our unquenchable thirst for symbol manipulation. In the early 1970s, microprocessors appeared and the [[personal computer]] revolution started.
<<<
From Stanford's description of its educational program:
<<<
Symbolic Systems' affiliated faculty come from several departments at Stanford University, including Computer Science, Linguistics, Philosophy, Psychology, Communication, and Education. Our students are exposed to the tools of these disciplines -- formal methods, philosophical analysis, computer programming, and empirical research -- with the aim of being able to apply the appropriate tool(s) to a chosen area of specialization.

Symbolic Systems attacks age-old questions about the relation between mind and the world, questions like the following. What is information? What is intelligence? How are they related? Is intelligence more than information processing? Does intelligence require a mind? For that matter, what is a mind? How are minds related to brains? Does intelligence require some sort of biologically-based brain? Or is it possible to create artifacts that process information in a way that we can call them intelligent?

What is the relation of mind to the external world? Is the world a creation of mind? Or does the mind explore and discover facts about an independently existing world? Or is the relation more subtle than either of these suggest? What is consciousness? Does intelligence require consciousness? And how does language and meaning fit into the picture? Does thought require language or some other form of representation, or vice versa? What is it that makes language meaningful? And what is the meaning that language is so full of?

These questions have puzzled thinkers for thousands of years. But beginning in the 1950s, scientists from a number of disciplines began to converge on a scientific approach to these puzzles.

… The computer has launched the study of mind, information, and intelligence into a new era in much the same way that Galileo's use of the telescope launched the new science of astronomy. By allowing us to build powerful simulations of various kinds of intelligent action, it provides a methodology for the rigorous probing of questions about the nature of mind, meaning, and intelligence.

But in the Symbolic Systems Program (SSP), the computer is more than just a tool for simulating the mind. It is part of the very subject matter of the field. Why? Because computer systems, robots, and people are all examples of symbolic systems, agents that use meaningful symbols to represent the world around them so as to communicate and generally act in the world. The notions of //''symbol, meaning, representation, information, and action''// are at the heart of the study of symbolic systems. This common core of notions arises in a variety of fields including artificial intelligence, computer science, cognitive psychology, linguistics, philosophy, and symbolic logic.

-- http://symsys.stanford.edu/
<<<

One representation/instantiation of a symbolic system could be the [[Glass Bead Game]].

http://en.wikiquote.org/wiki/Robinson_Jeffers

<<<
Know that however ugly the parts appear
the whole remains beautiful. A severed hand
Is an ugly thing and man dissevered from the earth and stars
and his history... for contemplation or in fact...
Often appears atrociously ugly. Integrity is wholeness,
the greatest beauty is
Organic wholeness, the wholeness of life and things, the divine beauty
of the universe. Love that, not man
Apart from that, or else you will share man's pitiful confusions,
or drown in despair when his days darken.
"The Answer" (1936)

Its burden [the poem "Double Axe"], as of some previous work of mine, is to present a philosophical attitude, which might be called //Inhumanism//, a shifting of emphasis and significance from man to not-man; the rejection of human solipsism and recognition of the //transhuman// magnificence. It seems time that our race began to think as an adult does, rather than like an egocentric baby or insane person. This manner of thought and feeling is neither misanthropic nor pessimist, though two or three people have said so and may again. It involves no falsehoods, and is a means of maintaining sanity in slippery times; it has objective truth and human value. It offers a reasonable detachment as rule of conduct, instead of love, hate and envy. It neutralizes fanaticism and wild hopes; but it provides magnificence for the religious instinct, and satisfies our need to admire greatness and rejoice in beauty.
—Preface to The Double Axe and Other Poems (1948)

I think that one may contribute (ever so slightly) to the beauty of things by making one's own life and environment beautiful, as far as one's power reaches.This includes moral beauty, one of the qualities of humanity, though it seems not to appear elsewhere in the universe. But I would have each person realize that his contribution is not important, its success not really a matter for exaltation nor its failure for mourning; the beauty of things is sufficient without him.
(An office of tragic poetry is to show that there is beauty in pain and failure as much as in success and happiness.)
—Letter to Sister Mary James Power (1 October 1934); published in //The Wild God of the World : An Anthology of Robinson Jeffers// (2003), edited by Albert Gelpi, p. 189-190.

I think, here is your emblem
To hang in the future sky;
Not the cross, not the hive,
But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;
Life with calm death; the falcon’s
Realist eyes and act
Married to the massive
Mysticism of stone,
Which failure cannot cast down
Nor success make proud.
—"Rock and Hawk" in //Solstice and Other Poems// (1935)
<<<

/***
|''Name''|ImageMacroPlugin|
|''Version''|0.9.4|
|''Description''|Allows the rendering of svg images in a TiddlyWiki|
|''Author''|Osmosoft|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''Notes''|Currently only works in modern browsers (not IE)|
|''Requires''|BinaryTiddlersPlugin|
!Usage
{{{<<image SVG>>}}} will render the text of the tiddler with title SVG as an SVG image (but not in ie where it will fail silently)
!!Parameters
width/height: specify width/height parameters
link: make the image link to a given location
tiddlyLink: link to a tiddler

!Notes
Binary tiddlers in TiddlyWeb when passed through the wikifier will be shown as images.
eg. {{{<<view text wikified>>}}} on a binary tiddler will show the image.
{{{<<view fieldname image>>}}}
will render the value of the tiddler field 'fieldname' as an image. This field can contain a tid
{{{<<image SiteIcon>>}}}
will create an image tag where the tiddler has content type beginning image and not ending +xml
will attempt to create svg object in other scenarios
{{{<<image /photos/x.jpg>>}}}
will create an image tag with src /photos/x.jpg as long as there is not a tiddler called /photos/x.jpg in 
which case it will render that tiddler as an image. Note for the case of svg files it will attempt to render as an svg if possible via the image
tag. It doesn't embed the svg in the dom for security reasons as svg code can contain javascript.
!Code
***/
//{{{
(function($) {

var macro = config.macros.image = {
	shim: "/bags/common/tiddlers/shim",
	ieVersion: config.browser.isIE ? parseInt(config.browser.ieVersion[1], 10) : false,
	svgns: "http://www.w3.org/2000/svg",
	xlinkns: "http://www.w3.org/1999/xlink", 
	svgAvailable: document.implementation.hasFeature("http://www.w3.org/TR/SVG11/feature#BasicStructure", "1.1"),
	_fixPrefix: 1,
	_external_cache: {},
	_image_tag_cache: {},
	_image_dimensions: {},
	locale: {
		badImage: "This image cannot be displayed."
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler){
		var imageSource = params[0];
		// collect named arguments
		var args = macro.getArguments(paramString, params);
		this.renderImage(place, imageSource, args);
	},
	init: function() {
		var startupImages = store.getTaggedTiddlers("systemImage");
		var place = $("<div />").attr("id", "systemImageArea").appendTo("body").hide()[0];
		for(var i = 0; i < startupImages.length; i++) {
			var image = startupImages[i];
			macro.renderImage(place, image.title, { idPrefix: "" });
		}
		var data = new Image();
		data.onload = function() {
			// note ie 8 only supports data uris up to 32k so cannot be relied on
			macro.supportsDataUris = this.width != 1 || this.height != 1 ? false : true;
			macro.supportsDataUris = macro.ieVersion && macro.ieVersion < 9 ? false : macro.supportsDataUris;
		};
		data.onerror = data.onload;
		data.src = "data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///ywAAAAAAQABAAACAUwAOw==";
	},
	refreshImage: function(src) {
		var elements = macro._image_tag_cache[src] ? macro._image_tag_cache[src] : [];
		if(macro._image_dimensions[src]) {
			macro._image_dimensions[src] = false;
		}
		for(var i = 0; i < elements.length; i++) {
			var el = $(elements[i]);
			var newSrc = "%0?nocache=%1".format(src, Math.random());
			el.attr("src", newSrc); // force reload
		}
	},
	isBinaryImageType: function(contentType) {
		return (contentType && contentType.indexOf("image") === 0 &&
			contentType.indexOf("+xml") != contentType.length - 4) ? true : false;
	},
	isImageTiddler: function(tiddler) {
		return macro.isSVGTiddler(tiddler) || macro.isBinaryImageTiddler(tiddler);
	},
	isSVGTiddler: function(tiddler) {
		var type = tiddler ? tiddler.fields['server.content-type'] : false;
		return type == "image/svg+xml";
	},
	isBinaryImageTiddler: function(tiddler) {
		return macro.isBinaryImageType(tiddler.fields['server.content-type']);
	},
	renderImage: function(place, imageSource, options) {
		var imageTiddler = store.getTiddler(imageSource);
		var container;
		var classes = ["image"];
		if(options.link) {
			classes = classes.concat(["imageLink", "externalLink"]);
			container = $("<a />").attr("href", options.link).appendTo(place)[0];
		} else if(options.tiddlyLink) {
			classes.push("imageLink");
			container = createTiddlyLink(place, options.tiddlyLink, false);
		} else {
			container = $("<span />").appendTo(place)[0];
		}
		$(container).addClass(classes.join(" "));

		options = options ? options : {};
		if(imageTiddler && macro.isBinaryImageTiddler(imageTiddler)) { // handle the case where we have an image url
			return macro._renderBinaryImageTiddler(container, imageTiddler, options);
		} else if(imageTiddler){ // handle the case where we have a tiddler
			return macro._renderSVGTiddler(container, imageTiddler, options);
		} else { // we have a string representing a url
			return macro._renderBinaryImageUrl(container, imageSource, options);
		}
	},
	_renderAlternateText: function(container, options) {
		var img;
		var src = options.src || "";
		if(options.width && options.height) {
			img = $("<img />").attr("src", src).addClass("svgImageText").attr("width", options.width).
				attr("height", options.height).appendTo(container);
		}
		var alt = options.alt;
		if(img && alt) {
			img.attr("alt", alt).attr("title", alt);
		} else if(alt) {
			$(container).addClass("svgImageText").text(alt);
		}
		macro._image_tag_cache[src] = img;
	},
	_renderSVGTiddler: function(place, tiddler, options) {
		if(!options) {
			options = {};
		}
		merge(options, { tiddler: tiddler, fix: true});

		if(macro.svgAvailable) {
			this._importSVG(place, options); // display the svg
		} else if(options.altImage) {
			var image = options.altImage;
			delete options.altImage;
			this._renderBinaryImageUrl(place, image, options);
		} else {
			this._renderAlternateText(place, options); // instead of showing the image show the alternate text.
		}
	},
	_renderBinaryImageTiddler: function(place, tiddler, options) {
		var resourceURI;
		var fields = tiddler.fields;
		if(fields["server.type"] == "tiddlyweb") { // construct an accurate url for the resource
			resourceURI = "%0/%1/tiddlers/%2".format(config.defaultCustomFields["server.host"],
				fields["server.workspace"], encodeURI(fields["server.title"]));
		} else { // guess the url for the resource
			resourceURI = tiddler.title;
		}
		var ctype = fields["server.content-type"] || tiddler.type;
		var text = tiddler.text;
		if(macro.supportsDataUris && ctype && text.indexOf("<html") == -1) {
			var uri = "data:%0;base64,%1".format(ctype, text);
			options.src = resourceURI;
			return macro._renderBinaryImageUrl(place, uri, options);
		} else if(options.src) {
			return macro._renderBinaryImageUrl(place, options.src, options);
		} else {
			return macro._renderBinaryImageUrl(place, resourceURI, options);
		}
	},
	_renderImageTag: function(container, src, width, height, options) {
		var img;
		img = $("<img />").appendTo(container);
		if(height) {
			img.attr("height", height);
		}
		if(width) {
			img.attr("width", width);
		}
		if(macro.ieVersion && macro.ieVersion < 7 && macro.shim && options.ie6png) {
			$(img).css({width: userW, height: userH,
					filter: "progid:DXImageTransform.Microsoft.AlphaImageLoader(src='%0', sizingMethod='scale')".format(src)
				}).attr("src", macro.shim);
		} else {
			img.attr("src", src);
		}
		if(!macro._image_tag_cache[options.srcUrl]) {
			macro._image_tag_cache[options.srcUrl] = [];
		}
		img = $(img).addClass(options.imageClass)[0];
		macro._image_tag_cache[options.srcUrl].push(img);
		return img;
	},
	_getDimensions: function(realDimensions, reqDimensions, preserve) {
		var w = realDimensions.width;
		var h = realDimensions.height;
		var reqh = reqDimensions.height;
		var reqw = reqDimensions.width;
		var finalw = w, finalh = h;
		var ratiow = reqw / w, ratioh = reqh / h;
		var scaledw = ratioh * w;
		var scaledh = ratiow * h;
		if(!reqw && reqh) {
			finalw = scaledw;
			finalh = reqh;
		} else if(reqw && !reqh) {
			finalw = reqw;
			finalh = scaledh;
		} else if(reqh && reqw) {
			var preserveWidth = w > h ? true : false;
			if(preserve) {
				if(preserveWidth && scaledh < reqh) {
					finalh = scaledh;
					finalw = reqw;
				} else {
					finalh = reqh;
					finalw = scaledw;
				}
			} else {
				finalw = reqw;
				finalh = reqh;
			}
		}
		return { width: parseInt(finalw, 10), height: parseInt(finalh, 10) };
	},
	_renderBinaryImageUrl: function(container, src, options) {
		var srcUrl = options.src ? options.src : src;
		srcUrl = srcUrl.indexOf("/") === -1 ? "/%0".format(srcUrl) : srcUrl; // for IE. 
		var image_dimensions = macro._image_dimensions[srcUrl];
		var image = new Image(); // due to weird scaling issues where you use just a width or just a height
		var createImageTag = function(dimensions, error) {
			if(error) {
				var altImage = options.altImage;
				if(altImage) {
					delete options.altImage;
					macro._renderBinaryImageUrl(container, altImage, options);
				} else {
					options.src = src;
					macro._renderAlternateText(container, options);
				}
			} else {
				var dim = macro._getDimensions(dimensions, { 
					width: options.width, height: options.height }, options.preserveAspectRatio);
				options.srcUrl = srcUrl;
				macro._renderImageTag(container, src, dim.width, dim.height, options);
			}
		};

		if(!image_dimensions) {
			image.onload = function() {
				var dimensions = { width: image.width, height: image.height};
				macro._image_dimensions[srcUrl] = dimensions;
				createImageTag(dimensions);
			};
			image.onerror = function() {
				createImageTag(null, true);
			};
			image.src = src;
		} else {
			createImageTag(image_dimensions);
		}
	},
	_generateIdPrefix: function(){
		return "twsvgfix_" + (this._fixPrefix++).toString() + "_";
	},
	_fixSVG: function(childNodes, idPrefix) {
		var urlPattern = /url\(\#([^\)]*)\)*/ig;
		var fixes = [
		{ attr: "id", pattern: /^(.*)$/ig },
		{ attr: "href", namespace: macro.xlinkns, pattern: /^#(.*)$/ig }
		];
		var url_fixes = ["filter", "fill", "mask", "stroke", "style"];
		for(var i = 0; i < url_fixes.length; i++) {
			fixes.push({ attr: url_fixes[i], pattern: urlPattern });
		}
		for(var t = 0; t < childNodes.length; t++) {
			var node = childNodes[t];
			for(var a = 0; a < fixes.length; a++) {
				var fix = fixes[a];
				var attr = fix.attr;
				var ns = fix.namespace || "";
				if(node.hasAttributeNS && node.hasAttributeNS(ns, attr)) {
					var v = node.getAttributeNS(ns, attr);
					fix.pattern.lastIndex = 0;
					var match = fix.pattern.exec(v);
					if(match) {
						// Make sure replacement string doesn't contain any single dollar signs
						var toReplace = match[1];
						if(toReplace.indexOf(idPrefix) !== 0 && toReplace.indexOf("twglobal_") !== 0) {
							var replacement = (idPrefix + toReplace).replace("$", "$$$$"); 
							v = v.replace(match[1], replacement);
						}
						node.setAttributeNS(ns, attr,v);
					}
				}
			}
			var children = node.childNodes;
			if(children.length > 0) {
				this._fixSVG(children, idPrefix);
			}
		}
	},
	_importSVG: function(place, options){
		options = options ? options : {};
		var svgDoc, tiddlerText = options.tiddler.text;
		if (window.DOMParser) {
			svgDoc = new DOMParser().parseFromString(tiddlerText, "application/xml").documentElement;
			var idPrefix = options.idPrefix || this._generateIdPrefix();
			this._fixSVG([svgDoc], idPrefix);
			var el = document.importNode(svgDoc, true);
			var svgHolder = document.createElementNS(macro.svgns,"svg");
			var width = options.width;
			var height = options.height;
			if(width || height) {
				if(width && height) { // set view box of containing svg element based on the svg viewbox and width and height.
					var viewBox = el.getAttribute("viewBox");
					var topLeft = "0 0";
					if(viewBox) {
						topLeft = viewBox.replace(/([0-9]*) +([0-9]*) +([0-9]*) +([0-9]*) */gi,"$1 $2");
					}
					svgHolder.setAttributeNS(macro.svgns, "viewBox", "0 0 %0 %1".format(width, height));
				} else {
					if(!width) {
						width = el.getAttribute("width");
					}
					if(!height) {
						height = el.getAttribute("height");
					}
				}
				svgHolder.setAttribute("width", width);
				svgHolder.setAttribute("height", height);

				el.setAttribute("width", "100%");
				el.setAttribute("height", "100%");
				svgHolder.setAttribute("class", "svgImage svgIcon %0".format(options.imageClass || ""));
				svgHolder.appendChild(el);
				place.appendChild(svgHolder);
			}
			else {
				var existing = el.className ? el.className.baseVal : "";
				el.setAttribute("class","svgImage %0".format(existing));
				place.appendChild(el);
			}
			// if a tiddler attribute is set this is read as a link
			$("[tiddler], [tiddlyLink]", place).attr("refresh", "link").click(function(ev) {
				var tiddler = $(ev.target).attr("tiddlyLink");
				if(tiddler) {
					story.displayTiddler(ev.target, tiddler);
				}
			});
		}
	},
	getArguments: function(paramString, params) {
		var args = paramString.parseParams("name", null, true, false, true)[0];
		var options = {};
		for(var id in args) {
			if(true) {
				var p = args[id];
				if(id == "def") {
					options[id] = p;
				} else {
					options[id] = p[0];
				}
			}
		}
		var width = isNaN(params[1]) ? false : parseInt(params[1], 10);
		var height = isNaN(params[2]) ? false : parseInt(params[2], 10);

		options.width = macro.lookupArgument(options, "width", width);
		options.height = macro.lookupArgument(options, "height", height);
		options.preserveAspectRatio = args.preserveAspectRatio && 
			args.preserveAspectRatio[0] == "yes" ? true : false;
		options.tiddlyLink = macro.lookupArgument(options, "tiddlyLink", false);
		options.link = macro.lookupArgument(options, "link", false);
		return options;
	},
	lookupArgument: function(args, id, ifEmpty) {
		return args[id] ? args[id] : ifEmpty;
	}
};

// update views
var _oldwikifiedview = config.macros.view.views.wikified;
// update wikifier to check tiddler type before rendering
merge(config.macros.view.views, {
	wikified: function(value, place, params, wikifier, paramString, tiddler) {
		if(macro.isImageTiddler(tiddler) && params[0] == "text") {
			var newplace = $("<div />").addClass("wikifiedImage").appendTo(place)[0];
			macro.renderImage(newplace, tiddler.title, { alt: macro.locale.badImage });
		} else {
			_oldwikifiedview.apply(this, arguments);
		}
	},
	image: function(value, place, params, wikifier, paramString, tiddler) {
		// a field can point to another tiddler whereas text is the current tiddler.
		var title = params[0] == "text" ? tiddler.title : value;
		var args = macro.getArguments(paramString, params);
		macro.renderImage(place, title, args);
	}
});
config.shadowTiddlers.StyleSheetImageMacro = [".wikifiedImage svg, .wikifiedImage .image { width: 80%; }",
	".svgImageText { background-color:[[ColorPalette::Error]]; color:#ddd; display: inline-block; }",
	"span.svgImageText { display: inline-block; overflow: hidden; }"
].join("");
store.addNotification("StyleSheetImageMacro", refreshStyles);

})(jQuery);
//}}}

@@font-size:144%;font-family: serif;
Magnificat anima mea Dominum …
Ecce enim ex hoc beatum me
@@
//My soul ''magnifies'' the Lord …
Behold, from henceforth call me blessed//

----
Also known as the //Canticle of Mary//, the text is taken directly from the [[Gospel of Luke|https://www.biblegateway.com/passage/?search=Luke+1%3A46-55&version=ESV]].

 
Alan Kay [[wrote|Arts of the Hidden]]: "Though we could 'illuminate' words, or musical scores, or math equations, this misses that //the beauty is several steps removed from the forms//; we use our minds to bring the meaning vividly to life."

See the Wikipedia article on [[illuminated manuscripts|https://en.wikipedia.org/wiki/Illuminated_manuscript]].

This is the only question we, as creatives, must ask ourselves before we start: //[[Does this illuminate me?|https://medium.com/higher-thoughts/does-this-illuminate-me-3484e6ec46c9#.1blnu5rui]]
Create for you. Light yourself up. Then, let the chips fall where they may.// -- Jonas Ellison

Elsewhere, Ellison quoted Montaigne:
> You and one companion are audience enough for each other; so are you for yourself. For you, let the crowd be one, and one be a crowd… You should no longer be concerned with what the world says of you but with what you say to yourself.  Withdraw into yourself, but first prepare yourself to welcome yourself there. It would be madness to entrust yourself to yourself, if you did not know how to govern yourself.  There are ways of failing in solitude as in society.
Father Francis [[wrote|Evangelii Gaudium]]: "Ideas – conceptual elaborations – are at the service of communication, understanding, and [[praxis|a true word]]. Ideas disconnected from realities give rise to ineffectual forms of idealism and nominalism, capable at most of classifying and defining, but certainly not calling to action. What calls us to action are realities illuminated by reason."

/*{{{*/
Background:#FFF
Foreground:#333
PrimaryPale:#999
PrimaryLight:#777
PrimaryMid:#111
PrimaryDark:#000
SecondaryPale:#DDF
SecondaryLight:#CDF
SecondaryMid:#9AF
SecondaryDark:#05A
TertiaryPale:#EEE
TertiaryLight:#CCC
TertiaryMid:#999
TertiaryDark:#333
Error:#F88

PageBackground:#F9F9F9
Dim:#FDFDFF
/*}}}*/

//one does not obtain food-safety-freedom by instinct alone// ...
animal consciousness does not extend beyond the given moment ...
the human requires a background grid through which to see his universe ...
focused consciousness by choice, this forms your grid ...
//all things/cells/beings are impermanent// ...
strive for flow-permanence within [and between]
—Frank Herbert in //Dune//

!The Canticle of the Sun
by Francis of Assisi

Most high, all powerful, all good Lord! All praise is yours, all glory, all honor, and all blessing. To you, alone, Most High, do they belong. No mortal lips are worthy to pronounce your name.

Be praised, my Lord, through all your creatures, especially through my lord Brother Sun, who brings the day; and you give light through him. And he is beautiful and radiant in all his splendor! Of you, Most High, he bears the likeness.

Be praised, my Lord, through Sister Moon and the stars; in the heavens you have made them, precious and beautiful.

Be praised, my Lord, through Brothers Wind and Air, and clouds and storms, and all the weather, through which you give your creatures sustenance.

Be praised, My Lord, through Sister Water; she is very useful, and humble, and precious, and pure.

Be praised, my Lord, through Brother Fire, through whom you brighten the night. He is beautiful and cheerful, and powerful and strong.

Be praised, my Lord, through our sister Mother Earth, who feeds us and rules us, and produces various fruits with colored flowers and herbs.

Be praised, my Lord, through those who forgive for love of you; through those who endure sickness and trial. Happy those who endure in peace, for by you, Most High, they will be crowned.

Be praised, my Lord, through our Sister Bodily Death, from whose embrace no living person can escape. Woe to those who die in mortal sin! Happy those she finds doing your most holy will. The second death can do no harm to them.

Praise and bless my Lord, and give thanks, and serve him with great humility.


([[translated by Bill Barrett|http://www2.webster.edu/~barrettb/canticle.htm]] from the Umbrian text of the //Assisi codex//.)

''Thomas Jefferson''  (2 April 1743 – 4 July 1826)  American statesman and polymath, principal author of the Declaration of Independence, of the Virginia Statute for Religious Freedom, and Father of the University of Virginia (chartered in 1819.)  Also the third President of the United States (1801-1809), his presidency was marked by the purchase of the Louisiana Territory from France and its subsequent exploration.

!Desiderata
1927 prose poem by American writer Max Ehrmann (1872-1945)

Go placidly amid the noise and haste,
and remember what peace there may be in silence.

As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons,
they are vexatious to the spirit.

If you compare yourself with others,
you may become vain or bitter;
for always there will be greater and lesser persons than yourself.

Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

----

I was introduced to this in the late 90s by my high school chemistry teacher Frank N–

From "[[Moticos and Mail Art: A History, part 2|http://www.spareroom.org/mailart/mis_2.html]]", by Matt Ferranto

[[Ray Johnson]], however, rarely consented to show his work in galleries, and he instead became known as "New York’s most famous unknown artist." Throughout the 1950s and ‘60s, the artist developed the [[New York Correspondance School|NYCS]], a characteristic word play [on] ubiquitous art-by-correspondence courses; the "Correspondance" school further emphasized the intertwining relationships, the "dance" of giver and receiver, that Johnson had created through the post.

[[Mailing works of art|mail art object]] directly to his correspondents, Johnson eroded the convention of buying and selling, instead initiating "an ongoing practice based on gifts, or gift exchange." Johnson’s motives for initiating these transactions, of course, remain diffuse and complex. As he noted in a 1984 interview with Henry Martin, "it’s not at all a cliché when I say that I have a kind of natural generosity and that this was the real basis of the New York Correspondance School." Yet his gifts accomplished many other objectives as well. When delivered to John Weber or Richard Feigen, for instance, they could serve as a means of charming his way into the edges of the New York art establishment. Their value to such recipients was a complex factor of formal characteristics, including word play and humorous drawings, and the means by which their delivery initiated these individuals into a private, somewhat mysterious society. In addition, Johnson’s "gifts" often constituted idiosyncratic combinations of word and image that were not immediately intelligible to many beneficiaries… Johnson’s mailings, while often keenly reflecting a sense of the recipient’s identity and interests, often projected a sense of responsibility as well.

In conjunction with his multiple approaches to the mailed object as a gift, Johnson recognized the postal system as an effective means of collaborating with numerous individuals. While most likely unaware of Bakhtin’s theories of [[Heteroglossia|http://en.wikipedia.org/wiki/Heteroglossia]], which were not distributed in the West until the 1970s, Johnson’s Correspondance School nevertheless comprises a succinct, if peculiar and humorous, response to such ideas. The NYCS took a distinct step from the received notion of artworks as autonomous creations. Instead, its numerous mailings represented the interactions of numerous individuals and combined a wide range of rhetorical modes…

Recipients were encouraged to transform the art that they had received, then send it on to another receiver or return the changed object to the original sender. In this way artists became collaborators working on joint projects through the mail, and the NYCS grew into what Ken Friedman describes as a "whirling vortex of mailings and events." Madcap verbal associations and distinctive draftsmanship shaped Johnson’s mailings, which he called [[moticos]].

 
The many books and strange figures and the lovely thoughts around you are ''ghosts'' of the spirits that have been before you. The words your lips utter are the link in the chain that binds you and your fellow men.  ''The youth that toys with your desires'' is he who will open the gate of your heart for light to enter.
-- Kahlil Gibran, "[[Wisdom and I]]"

"No, we want you to [[sing|2001-03-11]] for us, speak for us, redeem our lives," the ''ghosts clamored'', victims and victimizers, their voices intertwined.
-- Starhawk, //[[The Fifth Sacred Thing|Starhawk]]//

Every life is in many days, day after day. We walk through ourselves, ''meeting'' robbers, ''ghosts'', giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.
-- James Joyce, //[[Ulysses|James Joyce]]//

I fear not spirits, ''ghosts, of which I am one'', — //that// my body might, — but ''I fear bodies'', I tremble to meet them. What is this Titan that has possession of me? Talk of mysteries! … //Contact! Contact! Who// are we? //where// are we?"
-- Henry David Thoreau, //The Maine Woods//, [[Ktaadn, Part 6|http://thoreau.eserver.org/ktaadn06.html]] (1848)

First, we must abandon our fantasies about multiple selves and multiple lives. We must embrace a particular trajectory [our karma] and accept its consequences for the person we shall become.
Then, we will struggle to learn how to ''feel the ghostly movements'' of the missing limbs: by an act of //imaginative love//, we must imagine the experience of the people we did not become.
-- Roberto Unger, //[[The Self Awakened|project of humankind]]//

So lead me back … from that place
And close my eyes to //my recent disgrace//
Cause you know my call
And we'll share my all
And our children come and //they will hear me roar//
…
The ''ghosts'' that we knew made us black and all blue
But we'll live a long life
And the ''ghosts'' that we knew will flicker from view
//And we'll live a long life//
-- Mumford & Sons, "[[Ghosts That We Knew]]"

!!//Reading Obama: Dreams, Hope, and the American Political Tradition//
by James T. Kloppenberg

''Excerpts:''
<<<
Obama arrived in Chicago with a mantra he said he had learned from Martin Luther King, Jr.:  //Love without power is mere sentimentality.  Power without love is dangerous.  Love plus power equals justice.//  Obama wanted to learn how to do the sum.  (Page 26)

In the address he delivered when accepting the Nobel Peace Price, Obama borrowed the eloquent image used by Martin Luther King, Jr.:  //Our actions matter, and can bend history in the direction of justice.//  But lasting reform occurs only slowly, and it can be consolidated only through patient and persistent persuasion, a willingness to admit mistakes, and a tireless commitment to taking one step at a time.  (Page 260)

At Harvard Law School … students learned that in the ~Anglo-American tradition of common law, precedents matter more than abstract principles.  (Page 64)

The power of our principles of liberty and equality depends not on the fervor with which they are proclaimed but on the deliberative process from which they have developed.  That process requires us to debate, test, and revise the meaning of our ideals in practice rather than genuflecting reverentially before them.  Only when we affirm the process of continuous and open-ended experimentation do we affirm the principle of democracy.  (Page 265, Conclusion)
<<<
The continuously experimental nature of our democracy is one of the organizing principles, or [[five great narratives (Postman)]] referred to in //[[The End of Education]]//.

Frequently references John [[Rawls]]'s //Theory of Justice//.

Among the other thinkers who influenced Obama were William James, John Dewey, Richard Rorty, Reinhold Niebuhr (author of the Serenity Prayer), Ralph Ellison, and Howard Zinn. 

----

President Obama often quotes another maxim of Dr. King's:
//The arc of the moral universe is long, but it bends toward justice.//

King borrowed this from an 1853 sermon by Theodore Parker, the abolitionist minister, who said:
//I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.//

[[NPR discussed|http://www.npr.org/templates/story/story.php?storyId=129609461]] this quote with Clayborne Carson, a professor of history at Stanford University, who commented, "As you can see, the Parker quote is not as concise as what King made it in his own speech, and often, that is the case. When people use quotes from others, they paraphrase, and sometimes, they make it better."

King's words appear on the Oval Office rug which President Obama designed, along with quotations of four former presidents:

* “The Only Thing We Have to Fear is Fear Itself” –Franklin D. Roosevelt
* “The Arc of the Moral Universe is Long, But it Bends Towards Justice” –Martin Luther King, Jr.
* “Government of the People, By the People, For the People” –Abraham Lincoln
* “No Problem of Human Destiny is Beyond Human Beings” –John F. Kennedy
* “The Welfare of Each of Us is Dependent Fundamentally Upon the Welfare of All of Us” –Theodore Roosevelt

----

All my life, I have been stitching together a family, through stories or memories or friends or ideas … We represent two [[strands|influence strands]] of family life in this country—the strand that is very stable and solid, and then the strand that is breaking out of the constraints of traditional families, travelling, separated, mobile.  I think there was that strand in me of imagining what it would be like to have a stable, solid, secure family life.
-- Barack Obama, May 1996 [[interview|http://www.newyorker.com/magazine/2009/01/19/a-couple-in-chicago]]

In a [[speech|https://medium.com/@WhiteHouse/on-the-anniversary-of-his-presidential-campaign-announcement-the-president-delivers-remarks-to-the-c0ae10c0f88d]] before the Illinois General Assembly on February 10, 2016, President Obama said: 
<<<
Abraham Lincoln wasn’t always the giant that we think of today. He lacked formal schooling. His businesses and his law practices often struggled. After just one term in Congress, his opposition to the ~Mexican-American War damaged his reputation so badly he did not run for reelection. He was denounced as a traitor, a demagogue, an enemy sympathizer. He returned to his law practice and admitted he was losing interest in politics entirely.

And then something happened that shook his conscience. Congress effectively overturned the Missouri Compromise, that flawed and fragile law that had prohibited slavery in the North and legalized it in the South, but left the question ultimately unsettled. And stunned by this news, Lincoln said he’d been roused “as he had never been before” over what it meant for America’s future.

And so, here in Springfield, at the state fair, he got back in the game and he delivered the first of his great anti-slavery speeches to a crowd of thousands. And over the next six years, even as he lost two more political races, his arguments with Douglas and others shaped the national debate. That’s when he uttered those brilliant words on the steps of the Old State Capitol that “A house divided against itself cannot stand;” that “this government cannot endure, permanently, half slave and half free.”

He became the first Republican President, and I believe our greatest President. And through his will and his words and, most of all, his character, he held a nation together and he helped free a people.
<<<

 
From the advice column "Dear Sugar", published by Cheryl [[Strayed]] in //Tiny Beautiful Things// and online [[here|https://web.archive.org/web/20110925113934/http://therumpus.net/2011/07/dear-sugar-the-rumpus-advice-column-78-the-obliterated-place]].
----

Dear Sugar,

1. It’s taken me many weeks to compose this letter and even still, I can’t do it right. The only way I can get it out is to make a list instead of write a letter. This is a hard subject and a list helps me contain it. You may change it to a regular letter if you wish to should you choose to publish it.

2. I don’t have a definite question for you. I’m a sad, angry man whose son died. I want him back. That’s all I ask for and it’s not a question.

3. I will start over from the beginning. I’m a 58 year-old man. Nearly four years ago, a drunk driver killed my son. The man was so inebriated he drove through a red light and hit my son at full speed. The dear boy I loved more than life itself was dead before the paramedics even got to him. He was twenty-two, my only child.

4. I’m a father while not being a father. Most days it feels like my grief is going to kill me, or maybe it already has. I’m a living dead dad.

5. Your column has helped me go on. I can’t explain it, Sugar, but it’s true. My life has been a lot different from yours, but your big heart moves me. No matter what you’re writing about, even if the particular situation has nothing to do with my life, your words feel sacred to me. They hold me up. I have faith in my version of God and I pray every day and the way I feel when I’m in my deepest prayer is the way I feel when I read your words. I’ve never told you this because I’m not the type to write comments on web sites or send fan notes, but I’d like to say it now, in hopes that even if you opt not to publish this, you’ll read it and receive my gratitude for the comfort you’ve given me.

6. I see a psychologist regularly and I’m not clinically depressed or on medication.

7. Suicide has occurred to me (this is what initially prompted me to make an appointment with my psychologist). Given the circumstance, ending my life is a reasonable thought, but I can’t do it because it would be a betrayal of my values and also of the values I instilled in my son.

8. I have good friends who are supportive of me, my brother and sister-in-law and two nieces are a loving and attentive family to me, and even my ex-wife and I have become close friends again since our son’s death—we’d been cold to one another since our divorce when our son was 15.

9. In addition, I have a rewarding job, good health, and a girlfriend whom I love and respect.

10. In short, I’m going on with things in a way that makes it appear like I’m adjusting to life without my son, but the fact is I’m living a private hell. Sometimes the pain is so great I simply lie in my bed and wail.

11. I can’t stop thinking about my son. About the things he would be doing now if he were alive and also the things I did with him when he was young, my good memories of him, my wish to go back in time and either relive happy memories or alter those that are less happy.

12. One thing I would change is when, at 17, my son informed me he was gay. I didn’t quite believe him or understand, so I inquired in a negative tone: //but how can you not like girls?//  I quickly came to embrace him for who he was, but I regret my initial reaction to his homosexuality and I never apologized to him for it. I believe he knew I loved him. I believe he knew I wanted him to be happy, no matter what path his happiness might take. But Sugar, for this and other things, I am tormented anyway.

13. I hate the man who killed my son. For his crime, he was incarcerated 18 months, then released. He wrote me a letter of apology, but I ripped it into pieces and threw it in the garbage after barely scanning it.

14. My son’s former boyfriend has stayed in touch with my ex-wife and me and we care for him a great deal.  Recently, he invited us to a party, where he informed us we would meet his new boyfriend—his first serious one since our son.  We both lied and said we had other engagements, but the real reason we declined is that neither one of us could bear meeting his new partner.

15. I fear you will choose not to answer my letter because you haven’t lost a child.

16. I fear if you choose to answer my letter people will make critical comments about you at the end of your column, saying you don’t have the right to speak to this matter because you have not lost a child.

17. I pray you will never lose a child.

18. I will understand if you choose not to answer my letter. Most people, kind as they are, don’t know what to say to me so why should you? I certainly didn’t know what to say to people such as me before my son died, so I don’t blame others for their discomfort.

19. I’m writing to you because the way you’ve written about your grief over your mother dying so young has been meaningful to me. I even printed out one of your columns and read it to my psychologist because it had such an impact on me. I’m convinced that if anyone can shed light into my dark hell, it will be you.

20. What can you say to me?

21. How do I go on?

22. How do I become human again?

Signed,

Living Dead Dad

----

Dear Living Dead Dad,

1. I don’t know how you go on without your son, sweet pea. I only know that you do. And you have. And you will.

2. Your shattering sorrowlight of a letter is proof of that.

3. You don’t need me to tell you how to be human again. You are there, in all of your humanity, shining unimpeachably before every person reading these words right now.

4. I am so sorry for your loss.  //I am so sorry for your loss.//  Iamsosorryforyourloss.

5. You could stitch together a quilt with all the times that that has been and will be said to you. You could make a river of consolation words. But they won’t bring your son back. They won’t keep that man from getting into his car and careening through that red light at the precise moment your son was in his path.

6. You’ll never get that.

7. I hope you remember that when you peel back the rage and you peel back the idle thoughts of suicide and you peel back all the things you imagined your son would be but wasn’t and you peel back the man who got into the car and drove when he shouldn’t have and you peel back the man who the man your son loved now loves and you peel back all the good times you had and you peel back all the things you wish you’d done differently, at the center of that there is your pure father love that is stronger than anything.

8. No one can touch that love or alter it or take it away from you. Your love for your son belongs only to you. It will live in you until the day you die.

9. Small things such as this have saved me: how much I love my mother—even after all these years. How powerfully I carry her within me. My grief is tremendous but my love is bigger. So is yours. You are not grieving your son’s death because his death was ugly and unfair. You’re grieving it because you loved him truly. The beauty in that is greater than the bitterness of his death.

10. Allowing such small things into your consciousness will not keep you from your suffering, but it will help you survive the next day.

11. I keep imagining you lying on your bed and wailing. I keep thinking that hard as it is to do it’s time for you to go silent and lift your head from the bed and listen to what’s there in the wake of your wail.

12. It’s your life. The one you must make in the obliterated place that’s now your world, where everything you used to be is simultaneously erased and omnipresent, where you are forevermore a living dead dad.

13. Your boy is dead, but he will continue to live within you. Your love and grief will be unending, but it will also shift in shape. There are things about your son’s life and your own that you can’t understand now. There are things you will understand in one year, and in ten years, and twenty.

14. The word //obliterate// comes from the Latin obliterare. //Ob// means against; //literare// means letter or script. A literal translation is being against the letters. It was impossible for you to write me a letter, so you made me a list instead. It is impossible for you to go on as you were before, so you must go on as you never have.

15. It’s wrong that this is required of you. It’s wrong that your son died. It will always be wrong.

16. The obliterated place is equal parts destruction and creation. The obliterated place is pitch black and bright light. It is water and parched earth. It is mud and it is manna. The real work of deep grief is making a home there.

17. You have the power to withstand this sorrow. We all do, though we all claim not to. We say, “I couldn’t go on,” instead of saying we hope we won’t have to. That’s what you’re saying in your letter to me, Living Dead Dad.  You’ve made it so fucking long without your sweet boy and now you can’t take it anymore.  But you can.  You must.

18. More will be revealed. Your son hasn’t yet taught you everything he has to teach you. He taught you how to love like you’ve never loved before. He taught you how to suffer like you’ve never suffered before. Perhaps the next thing he has to teach you is acceptance. And the thing after that, forgiveness.

19. Forgiveness bellows from the bottom of the canoe. There are doubts, dangers, unfathomable travesties. There are stories you’ll learn if you’re strong enough to travel there. One of them might cure you.

20. When my son was six he said, “We don’t know how many years we have for our lives. People die at all ages.”  He said it without anguish or remorse, without fear or desire.  It has been healing to me to accept in a very simple way that my mother’s life was 45 years long, that there was nothing beyond that. There was only my expectation that there would be—my mother at 89, my mother at 63, my mother at 46. Those things don’t exist. They never did.

21. Think: //my son’s life was 22 years long.// Breathe in.

22. Think: //my son’s life was 22 years long.// Breathe out.

23. There is no 23.

24. You go on by doing the best you can, you go on by being generous, you go on by being true, you go on by offering comfort to others who can’t go on, you go on by allowing the unbearable days to pass and allowing the pleasure in other days, you go on by finding a channel for your love and another for your rage.

25. Letting go of expectation when it comes to one’s children is close to impossible. The entire premise of our love for them has to do with creating and fostering and nurturing people who will outlive us. To us, they are not so much who they are as who they will become.

26. The entire premise of your healing demands that you do let go of expectation. You must come to understand and accept that your son will always be only the man he actually was: the 22 year-old who made it as far as that red light. The one who loved you deeply. The one who long ago forgave you for asking why he didn’t like girls. The one who would want you to welcome his boyfriend’s new boyfriend into your life. The one who would want you to find joy and peace. The one who would want you to be the man he didn’t get to be.

27. To be anything else dishonors him.

28. The kindest and most meaningful thing anyone ever says to me is: your mother would be proud of you. Finding a way in my grief to become the woman who my mother raised me to be is the most important way I have honored my mother. It has been the greatest salve to my sorrow. The strange and painful truth is that I’m a better person because I lost my mom young.  ''When you say you experience my writing as sacred what you are touching is the divine place within me that is my mother.  Sugar is the temple I built in my obliterated place.''  I’d give it all back in a snap, but the fact is, my grief taught me things. It showed me shades and hues I couldn’t have otherwise seen. It required me to suffer. It compelled me to reach.

29. Your grief has taught you too, Living Dead Dad. Your son was your greatest gift in his life and he is your greatest gift in his death too.  Receive it.  Let your dead boy be your most profound revelation.  Create something of him.

30. Make it beautiful.

Yours,

Sugar

''John Rawls'' (1921 – 2002)  US philosopher. His books //A Theory of Justice// (1971), //Political Liberalism// (1993) and //The Law of Peoples// (1999) consider the basic institutions of a just society as those chosen by rational people under conditions that ensure impartiality.

"All of the manifest actions of egotism and all of the inner states of sin point to one thing: repudiation, destruction, and abuse of community for the sake of the self… Man is by nature a communal being."
-- From //A Brief Inquiry Into the Meaning of [[Sin]] and Faith//
Rawls's 1942 baccalaureate thesis, published in 2009

From //[[Reading Obama]]: Dreams, Hope, and the American Political Tradition//:
<<<
When John Rawls's //Theory of Justice// was published in 1971, it resuscitated American political theory, stimulating debate about fundamental principles and helping to inspire a scholarly renaissance.  In the assessment of the philosopher Alexander Nehamas, //A Theory of Justice// stands among the few books educated Americans might be embarrassed not to have read.  (page 89)
<<<

 
[[Fractal Mundiosa|Axis Mundi]] – World that is Divine Feminine; Ground-Divine (aspect of //Shekinah//)
<<<
she was there when god was born
(she is legend) no more real than [[myth|World Mythologies]]…
when she finds me she will change me.

we are neverending, [[neverbeginning|The Old Mendicant]]
we will walk past the event horizon of all things
hand in hand {{grem{- my muse and i -}}}

@@color:grey;—adaptation from 8-0-8 on deviantart.com
found while searching //"realer than myth"//@@
<<<
''The Empress • Mother''
<<<
//I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am the mother and the daughter.
I am the members of my mother.
I am the barren one, and many are her sons.
I am she whose wedding is great,
and I have not taken a husband.
I am the midwife and she who does not bear.
I am the solace of my labor pains.
I am the bride and the bridegroom.//
<<<

See Robert Graves' //''The White Goddess: A Historical [[Grammar|grammar]] of Poetic Myth''//

The Muses, the personification of knowledge and the arts, especially literature, dance and music, are the nine daughters of Zeus and Mnemosyne (memory personified).

| ''Muse'' | ''Domain'' | ''Emblem'' |
| Calliope | Epic poetry | Writing tablet |
| Clio | History | Scrolls |
| Erato | Lyric [[poetry]] | Cithara |
| Euterpe | Song and Elegy | Aulos |
| Melpomene | Tragedy | Tragic mask |
| Polyhymnia | Hymns | Veil |
| Terpsichore | Dance | Lyre |
| Thalia | Comedy | Comic mask |
| Urania | Astronomy | Globe and compass |
| Mitocos @@color:grey;font-size:80%;^^★^^@@ | Philosophy | Thread, loom, shears |

@@color:grey;font-size:80%;^^★^^@@ My addition as the "Tenth Muse."  (Plato gave this honor to Sappho of Lesbos.)
Her insigne is [[οφαλ|Oikos Philos Anthropos Logos]]
<<<
@@color(grey)://[[Regard every Muse|re: muse]] — among them,
the tenth force of our time, named Mitocos//@@
<<<
I wonder if Melpomene could govern Theater (encompassing modern-day cinema),
and the gamut of Tragedy and Comedy.
Then Thalia could be "assigned" to other arts, such as Architecture (and possibly Agriculture).
What of painting and visual art? Sculpture?

/***
|Name|GotoPluginInfo|
|Source|http://www.TiddlyTools.com/#GotoPlugin|
|Documentation|http://www.TiddlyTools.com/#GotoPluginInfo|
|Version|1.9.2|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|documentation|
|Description|Documentation for GotoPlugin|
''View a tiddler by typing its title and pressing //enter//.''  As you type, a list of possible matches is displayed.  You can scroll-and-click (or use arrows+enter) to select/view a tiddler, or press escape to close the listbox to resume typing.  When the listbox is not displayed, pressing //escape// clears the current input.
!!!!!Usage/Examples
<<<
syntax: {{{<<gotoTiddler quiet search inputstyle:... liststyle:... filter:...>>}}}
All parameters are optional.
* ''quiet'' (//keyword//)<br>list will not be automatically display as each character is typed.  Use //down// or //enter// to view the list.
* ''showlist'' (//keyword//)<br>list will always be displayed, inline, directly below the input field.
* ''search'' (//keyword//)<br>adds an extra 'command item' to the list that can be used to invoke a full-text search using the entered value.  This can be especially useful when no matching tiddler titles have been found.
* ''inputstyle:'' and ''liststyle:''<br>are CSS declarations that modify the default input and listbox styles, respectively.  Note: the CSS styles must be surrounded by ({{{"..."}}} or {{{'...'}}}) or ({{{[[...]]}}}) (e.g., {{{liststyle:"border:1px dotted blue;color:green;..."}}}.
* ''filter:''<br>is a single tag value (or a boolean tag expression if MatchTagsPlugin is installed), and is used to limit the search to only those tiddlers matching the indicated tag or tag expression (e.g., {{{<<gotoTiddler filter:"faq or help">>}}})
{{{<<gotoTiddler>>}}}
<<gotoTiddler>>
{{{<<gotoTiddler search>>}}}
<<gotoTiddler search>>
{{{<<gotoTiddler showlist filter:"pluginInfo" liststyle:"height:10em;width:auto;">>}}}
<<gotoTiddler showlist filter:"pluginInfo" liststyle:"height:10em;width:auto;">>
<<<
!!!!!Configuration
<<<
*Match titles only after {{twochar{<<option txtIncrementalSearchMin>>}}} or more characters are entered.<br>Use down-arrow to start matching with shorter input.  //Note: This option value is also set/used by [[SearchOptionsPlugin]]//.
*To set the maximum height of the listbox, you can create a tiddler tagged with <<tag systemConfig>>, containing:
//{{{
config.macros.gotoTiddler.listMaxSize=10;  // change this number
//}}}
<<<
!!!!!Revisions
<<<
2009.05.22 1.9.2 use reverseLookup() for IncludePlugin
2009.04.12 1.9.1 support multiple instances with different filters by using per-element tiddler cache instead of shared static cache
2009.04.05 1.9.0 added 'showlist' parameter for inline display with listbox always visible.
2009.03.23 1.8.0 added txtIncrementalSearchMin (default=3).  Avoids fetching long lists.  Use down arrow to force search with short input.
2008.12.15 1.7.1 up arrow from input field now moves to end of droplist (search for input).  Also, shift+enter cam now be used to quickly invoke search for text.
2008.10.16 1.7.0 in macro handler(), changed to use //named// params instead of positional params, and added optional "filter:" param for tag filtering.  Removed 'insert' handling (now provided by [[QuickEditPlugin]]).
2008.10.02 1.6.1 for IE, wrap controls in a table.  Corrects placement of listbox so it is below input field.
2008.10.02 1.6.0 added 'search' param for optional "Search for:" item that invokes full text search (especially useful when no title matches are found)
2008.02.17 1.5.0 ENTER key always displays tiddler based on current input regardless of whether input matches any existing tiddler
2007.10.31 1.4.3 removed extra trailing comma on last property of config.macros.gotoTiddler object.  This fixes an error under InternetExplorer that was introduced 6 days ago... sure, I should have found it sooner, but... WHY DON'T PEOPLE TELL ME WHEN THINGS ARE BROKEN!!!!
2007.10.25 1.4.2 added onclick handler for input field, so that clicking in field hides the listbox.
2007.10.25 1.4.1 re-wrote getItems() to cache list of tiddlers/shadows/tags and use case-folded simple text match instead of regular expression to find matching tiddlers.  This *vastly* reduces processing overhead between keystrokes, especially for documents with many (>1000) tiddlers.  Also, removed local definition of replaceSelection(), now supported directly by the TW2.2+ core, as well as via backward-compatible plugin
2007.04.25 1.4.0 renamed macro from "goto" to "gotoTiddler".  This was necessary to avoid a fatal syntax error in Opera (and other browsers) that require strict adherence to ECMAScript 1.5 standards which defines the identifier "goto" as "reserved for FUTURE USE"... *sigh*
2007.04.21 1.3.2 in html definition, removed DIV around droplist (see 1.2.6 below).  It created more layout problems then it solved. :-(
2007.04.01 1.3.1 in processItem(), ensure that correct textarea field is found by checking for edit=="text" attribute
2007.03.30 1.3.0 tweak SideBarOptions shadow to automatically add {{{<<goto>>}}} when using default sidebar content
2007.03.30 1.2.6 in html definition, added DIV around droplist to fix IE problem where list appears next to input field instead of below it.  
2007.03.28 1.2.5 in processItem(), set focus to text area before setting selection (needed for IE to get correct selection 'range')
2007.03.28 1.2.4 added prompt for 'pretty text' when inserting a link into tiddler content
2007.03.28 1.2.3 added local copy of core replaceSelection() and modified for different replace logic
2007.03.27 1.2.2 in processItem(), use story.getTiddlerField() to retrieve textarea control
2007.03.26 1.2.1 in html, use either 'onkeydown' (IE) or 'onkeypress' (Moz) event to process <esc> key sooner, to prevent <esc> from 'bubbling up' to the tiddler (which will close the current editor).
2007.03.26 1.2.0 added support for optional "insert" keyword param.
2006.05.10 1.1.2 when filling listbox, set selection to 'heading' item... auto-select first tiddler title when down/enter moves focus into listbox
2006.05.08 1.1.1 added accesskey ("G") to input field html (also set when field gets focus).  Also, inputKeyHandler() skips non-printing/non-editing keys. 
2006.05.08 1.1.0 added heading to listbox for better feedback (also avoids problems with 1-line droplist)
2006.05.07 1.0.0 list matches against tiddlers/shadows/tags.  input field auto-completion... 1st enter=complete matching input (or show list)... 2nd enter=view tiddler.  "quiet" param controls when listbox appears.  handling for enter (13), escape(27), and down(40) keys.   Change 'ondblclick' to 'onclick' to avoid unintended triggering of tiddler editor).  Shadow titles inserted into list instead of appended to the end.
2006.05.05 0.0.0 started
<<<

 
Written at 2:00 AM, on the day when I discovered my [[Self Vow]] Ring:

I too am familiar with the feeling that I may have started to put down roots in the abyss.  That I will always be a little bit sad, it seems, and for some days or months, much more so.  That I've fallen into myself (casting away all the ropes that could save me), a bit like the woman in [[Rilke]]'s autobiographical novel //Malte Laurids Brigge//.

Reading poetry is prayer.  Pushing a vacuum or lawnmower, eating a meal and feeling the hunger before it, the kiss of sun, wind or rain on our skin, brushing our hair -- or my young children's -- all this is Zen, all this a song and Sacrament.  This too is familiar for me: [[Churches are beautiful|https://readalittlepoetry.wordpress.com/2016/03/26/each-thing-measured-by-the-same-sun-by-linda-gregg/]] and yet cage-like; their mystery, comfort and durability through the ages is a quiet call that I cannot entirely ignore.  And so I wonder about stepping foot into the lovely brick Episcopal church a few blocks away from my home, although I'm a heretic who doesn't believe in the redemptive death of their Nazarene shepherd -- ironic timing this weekend, a holiday I cannot celebrate, even if I do admire much of his moral teachings.  I am more comfortable with a strand of Quaker religious practice -- but this way is more lonely; the Quaker and Buddhist communities small and scattered in my part of the country.

In the past 6 months, I have struggled, wept, and given in to outbursts of anger and self-destruction.  As I've done for years, I read pages and pages (and screens and screens) of poetry, lyrical novels and philosophy.  I started on a drug prescribed for depression, and am now weaning myself off that so I can try another, or a homeopathic alternative, or just try to survive this with meditation, self-love and correction -- not by monkeying around with my brain chemistry.  {{grem{(Twenty days later, I realized this artificial intervention does not change my [[heart|Turning]] "which through the buried-alive body could nevertheless be felt… it did not have love."}}}

I am trying to climb out of deep ruts worn in my brain, where I go back to the same old defenses which I've known since circa 1995, as a young teenager at the end of my childhood.  I am now 33½ years old, and I tend to crack up around each birthday.  This year it hit me hard 6 months ago, and two seasons later near the [[Spring Equinox|I begin/WinterToSpring]].

As [[said here|https://readalittlepoetry.wordpress.com/2016/03/26/each-thing-measured-by-the-same-sun-by-linda-gregg/]] by T. of [[Read A Little Poetry]], whose writing I admire:
<<<
Here’s a [[confession|Confession]]: when I tell myself every morning now, //I’m still alive, I’m still alive, I’m still alive//—perhaps I am [[praying|prayer]], too.
<<<
----

The journey continued on [[2016-03-29]] …

 
I wear [[this ring|Self Vow]] on my right hand, the opposite side from my wedding band.  My right little finger (Dutch //pinkje//) is bent above the knuckle, more crooked than the left.  Yet a crooked tree can thrive, and a tapestry is ruined if we attempt to unweave and "correct" what was already done.
: @@font-size:133%;font-family: serif; Today I keep myself healthy and whole; without fear, [[awake my soul]].@@
: @@font-size:133%;font-family: serif; Open [[Thou|prayer]] my life. Guide my heart through doors where I dared not go.@@
This ring is a reminder for me to eat and drink adequately every day.  To resist self-destruction, going numb or giving up.  It reminds me of opportunities for kinship, awakening, and discovery -- of [[places we can dream]] to reality: Gilead, Red Willow, Usonia, the Isle of Ata, Avalon, or Terebithia.

<part resolutions>
Now in the mingling of //kama//, "You will no longer have to be afraid of losing yourself and becoming unworthy of your [[dearest possession|Honor your physical being/Rilke]]."

I am learning to trust my own two steady feet and feelable heart, even as this [[bridge]] pitches dangerously over another chasm.  I am afraid and teetering with exhaustion.  But I will not fall in.  My dreams will not die a premature death, nor a succession of [[many small deaths|project of humankind]].

Father Francis says, "In the end, everything has been entrusted to our [[protection|protect]], and all of us are responsible for it."

Frank Herbert taught in his fantasy saga: "Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain."

And as I wrote fifteen years ago:
<<<
//I see a boy smiling,
because he knows
who he is. At last:
COMPLETION//
<<<
</part>
From this day, the ring on my smallest finger reminds me:
<<<
<part liberation>
{{grem{(And so I bend this randomness into an arc
Questing through numbers and patterns)}}}
Now I boldly choose my liberation:
To be no longer a slave of commerce,
To repay my debts and to right the course
by which I grew, ''crookedly and strong'',
And to amplify my reach
Modestly, in diffuse and potent ways:
Lightening someone's burden,
Cutting pathways, kindling fires,
//Miserando atque Eligendo …//
With or without external power,
I love this life and family of mine.
''I shall help others make manifest.''
--  January 14, 2016
</part>
<<<
Tonight I will run.  Meditate for one minute, as a start.  This Spring, I will begin to write more of my own words.  I will seek a new profession which I can gladly profess.  Step by step, I take actions that choose an honest and fulfilling life.

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From [[Wikipedia|https://en.wikipedia.org/wiki/The_Red_Book_(Jung)]]:

//The Red Book// is a red leather‐bound folio manuscript crafted by the Swiss psychiatrist Carl [[Jung]] between 1915 and about 1930.  It recounts and comments upon the author's imaginative experiences between 1913 and 1916 {{grem{[a century before my own present and difficult period]}}}, and is based on manuscripts first drafted by Jung in 1914‐15 and 1917.  The Red Book is now regarded by many as the central work in Jung’s oeuvre {{grem{[a term from the Latin //opus// "a work, labor, exertion" -- the source of Italian //opera//, French //oeuvre//, Spanish //obra//.]}}}  However, it was not published or made otherwise accessible for study until 2009.

In October 2009, with the cooperation of Jung's estate and after 13 years of exhaustive editorial work by Sonu Shamdasani, //The Red Book: Liber Novus// was published by W. W. Norton in a facsimile edition, complete with an English translation, a comprehensive introduction written by Shamdasani, three appendices, and over 1500 editorial notes.

… Biographers and critics have disagreed whether these years in Jung's life should be seen as "a creative illness, a period of introspection, a psychotic break, or simply madness." (Lance Owens)  Jung referred to his imaginative or visionary venture during these years as "my most difficult experiment."

In November 1913, at the age of thirty-eight, Jung wrote:
<<<
My soul, my soul, where are you?  Do you hear me? I speak, I call  you -- are you there? I have returned, I am here again. I have shaken the dust of all the lands from my feet, and I have come to you, I am with you. After long years of long wandering, I have come to  you again…

Do you still know me? How long the separation lasted! Everything has become so different. And how did I find you? How strange my journey was! What words should I use to tell you on  what twisted paths a good star has guided me to you? Give me  your hand, my almost forgotten soul. How warm the joy at seeing  you again, you long disavowed soul. Life has led me back to you…  My soul, my journey should continue with you. I will wander  with you and ascend to my solitude.
<<<

June 12, 2011

Dear Lily,

I am writing to tell you what I most want in our remaining years together, whether they be long or short.  Some of these desires will be rather lofty and abstract, but they are vitally important to me.  I will begin with those.

I want to be engaged and grateful in our present moment – when alone, together, with our children, or apart in the world. I want to avoid distractions and trivial worries as much as possible, or becoming caught in excesses of information and personal obsessions.  These have caused me to neglect you, Maya, and Aron in the past. 
{{rjustify{
+++[more]
{{ljustify{
I want to treat you with more respect. Extending that thought, I want to be more mindful and respectful in all my relationships and dealings in the world.  I mean a genuine respect, not merely self-censorship and restraint, false respect that is really deference or bolstering your ego but lacks empathy.

This respect means to settle my gaze on you lovingly and try to see the world in the light of your consciousness.  If I can't empathize with my [[Anam Cara]], then how could I ever with anyone?  The way of loving-kindness begins with my self, then my mate.

I want to raise our children together (approximately 20 years in front of us!), watch the flowering of their potential, and see them reach adulthood.  In the intervening years, I will give my greatest effort to provision for their happiness, be a 'provider' for the family, and be someone you can rely upon … like the sun coming up each morning.  You don't even wonder if it will happen, or if I will be there.

One of my delights is seeing part of you reborn in our children, particularly your female aspects in Maya.  She and Aron will grow up steeped in a respect of the feminine.  They will know their mother and father love each other, and will see its expression.  I have no memory of physical warmth between my parents, memories which I wish to give my children.

Together, I want to continue investigating the nature of the world, and discuss what we learn, conjecture, disagree with, and what still puzzles us.  Intellectual honesty is one of our strengths.  Another is our shared desire to see past all appearances and inadequate conventions that do not work for us.  We challenge each other's preconceptions and misconceptions.  We support each other in risks and bold endeavors.

I want to offer our children a practice of living that is the soundest and truest we can arrive at together.  It was together that we shook off theism, hoodoo, and a variety of other stories that lulled us during difficult and formative years.

Together, I believe we are seeing the conclusion of our 'formative' years.  Separately and privately we found who we are, while in the safety of this relationship, and we may have given each other the extra rocket boost to escape the gravitational pull of family and childhood history.  (Which so often is //inexorably// defining.)

You believed in me, and I want you to know that //''I believe in you''// – I who say that sparingly, who am a skeptic and critic at every opportunity.  I also believe in our combined synergy and the good realities we can make manifest from what we dream.

What do I want to manifest with you?  Some things we will do naturally and reliably, as we have for 10 years now … such as our home life.  I know that we will maintain a safe and sturdy home for ourselves.  [[Home is]] a refuge and a haven; yet, I want to relax the fears that compel me to keep the 'World' outside our home.  I want to let more of the world in and grow more socially confident.

We will maintain sufficient resources but tend toward the minimal, casting off whatever is extraneous, gradually releasing our attachment to stuff and stories.  Let us remove as much as we can without compromising a sense of beauty in our lives and home as a place of ease and repose.  Every underused piece of furniture, seldom referenced book, sentimental decoration, or unthinking habit should go.  I owe much of this philosophy to you, who adopted it first.

With your support and cooperation, I want to arrive at a particular dreamed-of moment:  Ahh… at last!  I am practicing right livelihood and am satisfied in my work.  What a happy day that will be.  I want Sunday evenings and Monday mornings to no longer be our dread.

My conflict over work has been long and persistent.  It is related to my incomplete and fragmentary education.  I want to 'right my course' in education and work, for my own peace, and so I may be a better human and father.  I ask for your help in this.  Ideally, I want to combine our talents and productive energies, working together or in complementary ways.

I also want to help you realize your aspirations, clear your blockages, and try at the endeavors you have dreamed of.  We may own a business.  We may travel.  We may home-school our children.  We may enter or found an intentional community.  We want to help people, and are still trying to figure out how.  The particulars have yet to manifest or even pass the threshold of germination, but that does not concern me.  I believe we are completing a solid foundation for the remainder of our life that will enable any thing or experience we desire.

I plan to arrange our lives in a way that minimizes clutter, confusion, and stagnancy.  I want to live in a well-ordered home where everything has a place.  Our activities will have a rhythm, and we will cultivate habits that preserve and clarify the home.  We will watch for and avoid the blockage circumstances which triggered arguments and resentments in the past.

We will speak openly, say what we mean and mean what we say.  I will learn to not over-commit.  I will avoid comparison to other people, and stop dwelling on perceived inadequacies that came from these comparisons.  I will be grateful and accepting of our imperfections, and relish the 'rough edges' of living as an art form.

I will cherish Maya and Aron always.  I will protect them, but not clutch or confine.  I will be the best possible model for them I can be … but more importantly //available,// warm and affectionate.  I intend to give you this same degree of cherishing and devotion.  You are not secondary to the children!  I just leave you to your own resources more often because you are an adult.

I believe that our sexuality flowered and fulfilled its ultimate purpose in creating Maya and Aron, yet has not been rendered irrelevant with the end of childbirth.  Affection and intimacy with you has been a deeply good and satisfying experience I hope to enjoy for many more years.  It will be a fluid and adaptive facet of our relationship, following no script or fixed expectations.  As in so many other things, that is our magic.

Lily, I want to gratefully and gracefully live my remaining years with you, my best friend.  Let us never forget that this friendship of souls, not circumstances, made //us// possible and gave us our children.  We have participated in the miracle of the human race renewing itself.  We have also enjoyed a rich life in the world apart from being parents, or even caras.  That is my last treasure – finding a reason to live sufficient unto itself, and walking that journey with you.

Always,
A
}}}
===
}}}
@@color:grey;
Our son Aron was nearly 9 months old when this was written.  In May 2014, a friend of mine asked, "When did the marriage die?"  I didn't think long and answered, "When Aron was a small baby."  I believe that I wrote the above letter with a genuine heart.  I have difficulty deciphering the erosion that began between 2011 and 2012, and rapidly accelerated by the next August.  I wrote a small treatise on [[sexuality]] just weeks before I began a period of infidelity.  Divorce now is a palpable reality, and I have met another woman I am falling in love with.@@

 
From Reddit [[LibraryofBabel|https://m.reddit.com/r/LibraryofBabel/comments/3exszi/this_is_a_library_right_can_any_librarians_on/]]
!!this is a library right? can any librarians on duty help me find something

anything to read to help me on my journey to be happy with/within myself more

it feels as though i have hit a slump, or some such period in which it is hard for me to see a clear path. i do not know if what i am currently doing is making any difference in my level of happiness with myself

any writings or teachings (or any things) that would help me on this journey, my friends and librarians, are greatly appreciated
!!everything is fundamentally alright

We can offer words but only you can read them. Only you can see them. We are all blind. I'll give you a thousand books if you want. They might as well be a bunch of leaves without you.

Get a copy of [[Leaves of Grass|Song of Myself]] by Walt [[Whitman]]. Open a page at random. Read it with total faith.

Remember that everything is fundamentally alright. That you are this being here. You were born, you flower, you die, you disperse. You are eternal. //[[Eres invulnerable|Borges]]. ¿No te han dado los númenes que rigen tu destino certidumbre de polvo?//

This has already happened. It'll happen again. Learn to not think. Learn about zen.

Learn what pain is. Learn to let the pain of others roll right through you. You're empty space mostly. Sit in your own pain. Don't push it away. Listen to it. Transmute it. It's all real it's all false it's all a dream it's all ok.

Find the magic keys that unlock the doors in your brain.

Open sesame.

Self-program. Program yourself. Learn to [[program|programming language]]

----

Mirrors, we have Mirrors somewhere down the hallway, cant remember.  Reach Mirrors. Examine [[self in Mirrors|en el espejo]]. Think of what could be different. Would it make things better? Would you still be the same instance? Mirrors are not books, but somehow they are. Depict reality as seen from the outside and not your eyesockets. Mirrors are Books. Mirrors should help.

 
The [[writer|patchwork girl]] sets her pleasure, her eros, against ''//'the great, megalithic death'//'' of [[HISTORY|Glass Bead Game]]
: //"not just the literal extinction of life after life, but extinguishing the narrative pulse of all those lives under the granite gravity of history recorded."//
: See the [[Genres|genres]] which include Narrative and Ethnography.

As [[said here|https://readalittlepoetry.wordpress.com/2016/04/29/theories-of-time-and-space-by-natasha-trethewey/]] by T. of [[Read A Little Poetry]], whose writing I admire:
<<<
1.
How do we experience memory? How do we sit with the things that have happened to us vis-a-vis how we remember them?  ''How is memory different from history'', and how do we separate the threads of what we know and what we’ve learned?

2.
Is [[home|Home is]] a place we make, or a place we go back to, and what is the difference?

3.
And what about remembering?

4.
Years ago, M. and I corresponded about the connection between time and water. I wrote, //I have always thought that time was both a stream and a waterfall. An endless body of water that connects like Escher’s stairs. Sometimes everything is calm, and then you somehow reach the end and you get this rush, this fright, and you plunge and you scream and you fall, and then you realize it’s not the end, that it is beginning, again.//

5.
Perhaps time is a place, too. Perhaps a burial ground, or an attic, or a bodega of transient things. I’ve lost things to time. ''Perhaps myself.''

{{grem{[Emphasis and hyperlinks are mine.]}}}
<<<

----

Passage from Hesse's //[[Glass Bead Game]]://

"You mathematicians and Glass Bead Game players," [Father Jacobus] would say, "have distilled a kind of world history to suit your own tastes. It consists of nothing but the history of ideas and of art. Your history is bloodless and lacking in reality. You know all about the decay of Latin syntax in the second or third centuries and don't know a thing about Alexander or Caesar or Jesus Christ. {{grem{[Following these, I'd add the 17 names of Abraham, Francis, Leonardo, Thomas Jefferson, Sally Hemings, Harriet Tubman, Emerson, Eiseley, Whitman, Rilke, Octavio Paz, Martin Buber, Viktor Frankl, Oskar Schindler, Anne Frank, John Cage, and Barack Obama.  This arbitrary and oddly-reasoned list could certainly invite criticism.]}}}

You treat world history as a mathematician does mathematics, in which nothing but laws and formulas exist, no reality, no good and evil, no time, no yesterday, no tomorrow, nothing but an eternal, shallow mathematical present."

"But how is anyone to study history without attempting to bring order into it?" Knecht asked.

"Of course one should bring order into history," Jacobus thundered. "Every science is, among other things, a method of ordering, simplifying, making the indigestible digestible for the mind. We think we have recognized a few laws in history and try to apply them to our investigations of historical truth. Suppose an anatomist is dissecting a body. He does not confront wholly surprising discoveries. Rather, he finds beneath the epidermis a congeries of organs, muscles, tendons, and bones which generally conform to a pattern he has brought to his work.  But if the anatomist sees nothing but his pattern, and ignores the unique, individual reality of his object, then he is a Castalian, a Glass Bead Game player; he is using mathematics //on the least appropriate object.//

I have no quarrel with the student of history who brings to his work a faith in the power of our minds and our methods to order reality; but first and foremost he must respect the incomprehensible truth, reality, and uniqueness of events. Studying history, my friend, is no joke and no irresponsible //game//.  To study history one must know in advance that one is attempting something fundamentally impossible, yet necessary and highly important.  To study history means submitting to chaos and nevertheless retaining faith in order and meaning.  It is a very serious task, young man, and possibly a tragic one."

----

Three [[strands|influence strands]] of female influence:
: Maria [[Montessori]], Madeline [[L'Engle]], Marian, Moleta, Maya Tillman
: Eleanor Cameron, Ellen Raskin, Enya Brennan, Eve, Aron Tillman
: Hildegard Sibyl, Harriet Tubman, Helen Keller, Hillary Rodham, [[Lilith|https://en.wikipedia.org/wiki/Lilith]]

[[Isaac Asimov, January 2|http://www.nytimes.com/learning/general/onthisday/bday/0102.html]]
[[T. S. Eliot, January 4|http://www.nytimes.com/books/97/04/20/reviews/eliot-obit.html]]
[[John O'Donohue, January 4|https://www.theguardian.com/world/2008/apr/15/religion]] //(The Guardian)//
[[William James, January 11|http://www.nytimes.com/learning/general/onthisday/bday/0111.html]]
[[Albert Schweitzer, January 14|http://www.nytimes.com/learning/general/onthisday/bday/0114.html]]
[[Virginia Woolf, January 25|http://www.nytimes.com/learning/general/onthisday/bday/0125.html]]
[[Carl Rogers, February 6|http://www.nytimes.com/1987/02/06/obituaries/carl-r-rogers-85-leader-in-psychotherapy-dies.html?pagewanted=all]]
[[Martin Buber, February 8|http://www.nytimes.com/learning/general/onthisday/bday/0208.html]]
[[Maria Montessori, February 11|http://www.nytimes.com/1982/02/12/obituaries/mario-montessori-83-dies-in-the-netherlands.html]]
[[Fred Rogers, February 27|http://www.nytimes.com/2003/02/28/arts/mister-rogers-tv-s-friend-for-children-is-dead-at-74.html]]
[[Albert Einstein, March 14|http://www.nytimes.com/learning/general/onthisday/bday/0314.html]]
[[Nicholas Hughes, March 16|http://www.nytimes.com/2009/03/24/books/24hughes.html]]
[[Robert Vickrey, April 17|http://www.nytimes.com/2011/04/20/arts/design/robert-vickrey-painter-of-magic-realism-school-dies-at-84.html]]
[[Octavio Paz, April 19|http://www.nytimes.com/1998/04/21/books/octavio-paz-mexico-s-man-of-letters-dies-at-84.html?pagewanted=all]]
[[Mark Twain, April 21|http://www.nytimes.com/learning/general/onthisday/big/0421.html]]
[[L. Frank Baum, May 6|http://www.nytimes.com/2002/11/17/books/chapters/l-frank-baum.html]]
[[Frank Lloyd Wright, June 8|http://www.nytimes.com/learning/general/onthisday/bday/0608.html]]
[[Loren Eiseley, July 9|http://www.nytimes.com/1977/07/11/archives/loren-eiseley-anthropologist-69-eloquent-writer-on-man-and-nature.html]]
[[Carl Jung. July 26|http://www.nytimes.com/learning/general/onthisday/bday/0726.html]]
[[Ellen Raskin, August 8|http://www.nytimes.com/1984/08/10/obituaries/ellen-raskin.html]]
[[Jorge Luis Borges, August 24|http://www.nytimes.com/learning/general/onthisday/bday/0824.html]]
[[Leonard Bernstein, August 25|http://www.nytimes.com/learning/general/onthisday/bday/0825.html]]
[[Leo Tolstoy, August 28|http://www.nytimes.com/learning/general/onthisday/bday/0828.html]]
[[William Stafford, August 28|http://www.nytimes.com/1993/08/31/obituaries/william-edgar-stafford-professor-and-poet-of-the-west-dies-at-79.html]]
[[J. R. R. Tolkien, September 2|http://www.nytimes.com/1973/09/03/books/090373tolkien-obit.html]]
[[Viktor Frankl, September 4|http://www.nytimes.com/1997/09/04/world/dr-viktor-e-frankl-of-vienna-psychiatrist-of-the-search-for-meaning-dies-at-92.html?pagewanted=all]]
[[Madeline L'Engle, September 6|http://www.nytimes.com/2007/09/08/books/08lengle.html]]
[[Jean Piaget, September 16|http://www.nytimes.com/learning/general/onthisday/bday/0809.html]]
[[F. Scott Fitzgerald, September 24|http://www.nytimes.com/learning/general/onthisday/bday/0924.html]]
[[Steve Jobs, October 5|http://www.nytimes.com/2011/10/06/business/steve-jobs-of-apple-dies-at-56.html]]
[[Ken Iverson, October 19|https://web.archive.org/web/20110523202344/http://www.timesonline.co.uk/tol/comment/obituaries/article1076611.ece]] //(The London Times)//
[[John Dewey, October 20|http://www.nytimes.com/learning/general/onthisday/bday/1020.html]]
[[Pablo Picasso, October 25|http://www.nytimes.com/learning/general/onthisday/bday/1025.html]]
[[Carl Sagan, November 9|http://www.nytimes.com/learning/general/onthisday/bday/1109.html]]
[[Hugh Prather, November 15|http://www.nytimes.com/2010/11/22/us/22prather.html]]
[[C. S. Lewis, November 24|http://www.nytimes.com/packages/html/books/lewis-obit.pdf]]
[[Willa Cather, December 7|http://www.nytimes.com/learning/general/onthisday/bday/1207.html]]
[[Dorothy Sayers, December 17|https://www.nytimes.com/books/98/03/15/home/sayers-obit.html]]

My Own [[Obituary]]

re: muse - <<tiddler SiteSubtitle>>

The world has long talked about loyalty directed upward from below, loyalty to the king, loyalty to the superintendent of schools, to the president of a university or college, to the superior official.  Loyalty from above downward precedes loyalty from below up.  Loyalty begins at the top.  I have a strong suspicion of the men and women in superior positions who berate those below them for lack of loyalty.  Why have those in the superior positions not created loyalty?  ''Loyalty is a reciprocal relationship.''

– From "[[Professional and Social Loyalties|http://books.google.com/books?id=_ZReAAAAIAAJ&pg=PA406&lpg=PA406]]" by Mina Kerr
Dean, ~Milwaukee-Downer College, 1919, National Education Association:
//Addresses and Proceedings of the 57th Annual Meeting//

 
From the sixteenth rhapsody of //The Odyssey: A Modern Sequel//
@@font-size:150%;font-family: serif;
''High on the day-sentry's castle
[[tower|Dark Tower]], October had come again''@@

//I am that bird who sings within a cage of flames!//

******

//Newts, lizards, scorpions, ''hedgehogs'', huddled on the ground…
** ~~lines 16, 18, 19~~
 Only the herds of men were deaf, for the bird's song
could not pierce through the thick-skinned shield of their soft brains…//
** ~~page 501 ([[167|numerology]] x 3), the sixteenth page, line 608:~~
//One night an erring nightingale perched on his head,
and as with that throat raised high it warbled its sweet song
the ''windswept man'' could bear no more and softly wept,
 for, ah, a small bird's caroling unwound his heart;
and as he listened to [[the bird sing|Wordsworth Prelude Song]] to the wind
his sentry mind forgot and left its gate wide open
so that ''Telemachus'', well nourished, sweet, appeared…

"When, Father, will your heart grow sweet and satisfied?
 Man's feet were first created but to walk the earth,
his hands to pull the oarblades or to grasp the hoe;
but you strive to surpass man's holy measurement…
At times like scorpions you spout flames in burning hearths,
at times you freeze up like a winter snake, but never
rejoice in the serene and sacred warmth of man."//
** ~~page 516, advancing 16 pages more, line 1281 (3 x 7 x 61):~~
//His Soul hung over the cliff, all phallus and all womb,
starved for a kiss and ''cried for males'', craved for a kiss
and moaned for female ghosts to come, then carved on air
meaningless mystic signs filled full of light, and played
but with no purpose, from sheer strength and without joy…
His breast's cave groaned with echoing sounds:
 "I rise high on the shores of time, ''I shape, reshape''
with water, blood, and sand the adventures of all man…
I [[dance]], and all the tight coils of my head ''unwind''!"
** ~~page 517, line 1351, traveling up and down 16 lines:~~
When the great dancer had danced his fill, he shrank like fire…
 "I'm all ships, all seas, all storms, all foreign strands,
I'm both the brain-begotten god and the anti-god…"
For the lone man, freedom was a saddened power
that crossed her hands and watched all things on earth with tears…
** ~~seventeenth rhapsody, lines 11, 26, 27:~~
He changed to man, maid, god, together and apart,
 and every moment in the darkness was heard falling,
like honey from an unseen hive that swells in the ''heart''.//

----

//The Odyssey: A Modern Sequel// was written by the Cretan Nikos [[Kazantzakis]] from 1924 to 1938.

Above is my work of poetic collage (similar to the creative efforts I have called //[[mitocos]]//.)  The beginning of its title is taken from the first line of Kazantzakis' sixteenth rhapsody in //The Odyssey//.  The second phrase, "October had come again" opens Book Three, "Telemachus" in the novel //Of Time and the River//, published 1935 by Thomas +++[Wolfe…]
<<tiddler [[Evocative Words/Wolfe]]>>
===
&nbsp;

Telemachus (Greek: Τηλέμαχος, //Tēlemakhos//, literally "far-fighter") is the son of Odysseus and a central character in Homer's //Odyssey// (a work composed approximately 8th century BCE.)

In the 1922 novel //Ulysses// by [[James Joyce]], Stephen Dedalus is generally regarded as corresponding to Telemachus.

I correlate Telemachus -- "well nourished, sweet" -- with my son Aron.  He questions me, "When, Father, will your heart grow sweet and satisfied?"

//The windswept man who softly wept, His Soul hung over the cliff, the great dancer, the lone man// … all these are names for [[myself|Intervisible]].

I drew a [[correspondance|correspondances]] in my title between the day-sentry's castle tower and the mythic [[Dark Tower]].

The "bird who sings" is the first being introduced in this poem; taken directly from line 7 of Kazantzakis' sixteenth rhapsody.  His following lines add //"Some call me God, some the great seed of crafty man…but I'm that still uncaught and burning bird, your [[heart|The Duino Elegies/Third]]."//  This first introductory statement stands apart from the following ''34'' lines, which were culled from the sixteenth and beginning part of the seventeenth rhapsodies.  The seventeenth line ends my son's questioning: //"you never rejoice in the serene and sacred warmth of man."//

The second half unlocks //this// man's destiny (Odysseus—and the poet's?—and my own?)
> //"rise high on the shores of time…shape, reshape…[[dance]]…change to man, maid, god, together and apart"// … and hear the fall of //"every moment in the darkness."//
Including its title, Kazantzakis' //Odyssey// numbered 33,334 lines, and each verse contained [[17|numerology]] syllables in the original Greek.  As I move toward the "traditional [[eighth month|I Ching/Sept1]]" of 2016, the calendar marks my 34th birthday, and I [[conclude|Introduction]] a second "life haiku".

As I, in the poem, listened to the bird sing, I made a linkage to Wordsworth's [[Prelude|Wordsworth Prelude Song]]: //"that single wren one day sang…"//

//"When the great dancer had danced his fill…"// was quoted in this August 2009 [[blog|https://web.archive.org/web/20160908163519/http://mickeyandava.blogspot.com/2009/08/who-now-follows-call-of-sirens.html]] posting.

''ego'' //noun// – the self. @@color(grey):{ Latin //''ego'' 'I'// }@@
According to //Chambers Dictionary of Etymology//, the word //ego// was used 1789 in William Cowper's //Letters//, but probably much earlier as suggested by the use of //ego// in formations such as ''egotism'' (which appeared in 1714, as the excessive use of //"I, me, my,"// in writings of Joseph Addison in //The Spectator//; the word ''egotist'' was also introduced by Addison in the same essay.)
The sense of conceit, egotism is first recorded in English in 1891, in Rudyard Kipling's //The Light that Failed//, but may also have been used much earlier as suggested by ''egotism'' used in the sense of selfishness, and ''egoism'' self-interest.
The psychoanalytic sense of the conscious part of the mind (contrasted with //id//) appeared in 1910, in a translation from Sigmund Freud of German //Ich//, literally, I.
''egotistical'' //adjective// – appeared 1825 in (Zachary?) Macaulay's works, formed from English //egotist// + //-ical.//
----
It also has seemed to me that //ego// has a particular meaning in Buddhist or Eastern philosophies, as they have migrated to the West.

//Ego// is used extensively in //A Course in Miracles.//

@@font-size:125%;font-family: serif;
WITHOUT

the silence

of nature

within.


the power within.

the power


without.


the path is whatever passes—no

end in itself.


the end is,

grace—ease—


healing,

not saving.


//singing//

the proof


the proof of the power within.
@@
----
by Gary Snyder, from //Turtle Island//, published 1974

//"Here I am, caught up in this fragment of chronology, in this bit of bone and flesh and water..."//  ([[L'Engle]])

!People
Yevgeny Yevtushenko

<<<
//<part precis>
In any one who dies there dies with him
his first snow, first kiss, and first fight ...
Not people die but worlds die in them ...
</part>
Yes, books and bridges remain,
and painted canvas and machinery,
yes, much is sentenced to remain,
but something really departs all the same!

We remember people, sinful and earthly.
But what did we know, in essence, about them?
What do we know of brothers, sisters, friends?
What do we know of our one and only?
And about our own fathers,
knowing everything, we know nothing.

They perish. They cannot be brought back.
Their secret worlds are not regenerated.
And every time I want again
to cry out against the unretrievableness.//
<<<

About 10 years ago, a friend of mine wrote down one stanza of this poem from memory, without the title or poet's name.  He conflated the verses slightly, which I reproduced above in the first three lines.  Read on for two different full length translations.
{{rjustify{
+++[more]
{{ljustify{
I prefer the second translation below, in all places except for the line //"Not people die but worlds die in them ..."//

The following comments and two translations were copied from the [[Read A Little Poetry]] blog:
http://readalittlepoetry.wordpress.com/2006/06/21/people-by-yevgeny-yevtushenko/

//This was copied by a stranger on the back of a paper wrapper, passed on to me by a friend during class. That was in 2004. The note said, “Of course I find you pretty,” but I don’t think it was for me. The poem though—I was meant to read it.//

----

''People''
Yevgeny Yevtushenko

No people are uninteresting.
Their fate is like the chronicle of planets.

Nothing in them is not particular,
and planet is dissimilar from planet.

And if a man lived in obscurity
making his friends in that obscurity
obscurity is not uninteresting.

To each his world is private,
and in that world one excellent minute.

And in that world one tragic minute.
These are private.

In any man who dies there dies with him
his first snow and kiss and fight.
It goes with him.

There are left books and bridges
and painted canvas and machinery.
Whose fate is to survive.

But what has gone is also not nothing:
by the rule of the game something has gone.
Not people die but worlds die in them.

Whom we knew as faulty, the earth’s creatures
Of whom, essentially, what did we know?

Brother of a brother? Friend of friends?
Lover of lover?

We who knew our fathers
in everything, in nothing.

They perish. They cannot be brought back.
The secret worlds are not regenerated.

And every time again and again
I make my lament against destruction.

----

//Here is another version, from a book I bought years later://

''“No people are…”''
Yevgeny Yevtushenko
Translated by Albert C. Todd

            To S. Preobrazhenski

No people are uninteresting.
Their destinies are like histories of planets.
Nothing in them is not particular,
and no planet is like another.

And if someone lives in obscurity,
befriending that obscurity,
he is interesting to people
by his very obscurity.

Everyone has his own secret, private world.
In that world is a finest moment.
In that world is a tragic hour,
but it is all unknown to us.

And if someone dies
there dies with him his first snow,
and first kiss, and first fight.
He takes it all with him.

Yes, books and bridges remain,
and painted canvas and machinery,
yes, much is sentenced to remain,
but something really departs all the same!

Such is the law of the pitiless game.
It’s not people who die, but worlds.
We remember people, sinful and earthly.
But what did we know, in essence, about them?

What do we know of brothers, of friends?
What do we know of our one and only?
And about our own fathers,
knowing everything, we know nothing.

They perish. They cannot be brought back.
Their secret worlds are not regenerated.
And every time I want again
to cry out against the unretrievableness.
}}}
===

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

!America will take the giant leap to Mars
By Barack Obama
October 11, 2016

One of my earliest memories is sitting on my grandfather's shoulders, waving a flag as our astronauts returned to Hawaii. This was years before we'd set foot on the moon.  Decades before we'd land a rover on Mars.  A generation before photos from the International Space Station would show up in our social media feeds.

{{grem{(The President's opening sentence reminded me of Loren Eiseley watching the passage of [[Halley's Comet]] from his father's arms, and the indelible mark it left in his psyche.)}}}

I still have the same sense of wonder about our space program that I did as a child. It represents an essential part of our character -- curiosity and exploration, innovation and ingenuity, pushing the boundaries of what's possible and doing it before anybody else. The space race we won not only contributed immeasurably important technological and medical advances, but it also inspired a new generation of scientists and engineers with the right stuff to keep America on the cutting edge.

That's one of the reasons why, in my first address as President to the American people, I vowed to return science to its rightful place. In our first few months, my administration made the largest single investment in basic research in our history, and I went to the Kennedy Space Center to call for reimagining and reinvigorating our space program to explore more of our solar system and look deeper into the universe than ever.

In the years since, we've revitalized technology innovation at NASA, extended the life of the International Space Station, and helped American companies create private-sector jobs by capitalizing on the untapped potential of the space industry.

Last year alone, NASA discovered flowing water on Mars and evidence of ice on one of Jupiter's moons, and we mapped Pluto -- more than 3 billion miles away -- in high-resolution. Our space telescopes revealed additional Earth-like planets orbiting distant stars, and we're pursuing new missions to interact with asteroids, which will help us learn how to protect the Earth from the threat of colliding with one while also teaching us about the origins of life on Earth. We've flown by every planet in the solar system -- something no other nation can say. And we continue to drive down the cost of space exploration for taxpayers.

This week, we'll convene some of America's leading scientists, engineers, innovators and students in Pittsburgh to dream up ways to build on our progress and find the next frontiers. Just five years ago, US companies were shut out of the global commercial launch market. Today, thanks to groundwork laid by the men and women of NASA, they own more than a third of it. More than 1,000 companies across nearly all 50 states are working on private space initiatives.

We have set a clear goal vital to the next chapter of America's story in space: sending humans to Mars by the 2030s and returning them safely to Earth, with the ultimate ambition to one day remain there for an extended time. Getting to Mars will require continued cooperation between government and private innovators, and we're already well on our way. Within the next two years, private companies will for the first time send astronauts to the International Space Station.

The next step is to reach beyond the bounds of Earth's orbit. I'm excited to announce that we are working with our commercial partners to build new habitats that can sustain and transport astronauts on long-duration missions in deep space. These missions will teach us how humans can live far from Earth -- something we'll need for the long journey to Mars.

The reporter who covered the moon landing for The New York Times, John Noble Wilford, later wrote that Mars tugs at our imagination "with a force mightier than gravity." Getting there will take a giant leap. But the first, small steps happen when our students -- the Mars generation -- walk into their classrooms each day. Scientific discovery doesn't happen with the flip of a switch; it takes years of testing, patience and a national commitment to education.

President Eisenhower knew this: In 1958, he devoted great resources to science and math education around the same time he created NASA. And it's why I'm proud that we've passed important milestones in STEM education. For the first time, more than 100,000 engineers are graduating from American schools every year, and we're on track to accomplish my goal of training 100,000 excellent new STEM teachers in a decade.

When our Apollo astronauts looked back from space, they realized that while their mission was to explore the moon, they had "in fact discovered the Earth." If we make our leadership in space even stronger in this century than it was in the last, we won't just benefit from related advances in energy, medicine, agriculture and artificial intelligence, we'll benefit from a better understanding of our environment and ourselves.

Someday, I hope to hoist my own grandchildren onto my shoulders.  We'll still look to the stars in wonder, as humans have since the beginning of time. But instead of eagerly awaiting the return of our intrepid explorers, we'll know that because of the choices we make now, they've gone to space not just to visit, but to stay -- and in doing so, to make our lives better here on Earth.

----

Ray Bradbury wrote of "those who, after us, look back from Mars" -- in a poem ([[Eden's Spring]]) which Maria Popova published on [[Brain Pickings|https://www.brainpickings.org/2012/08/22/ray-bradbury-science-vs-religion-poetry]].

Maria also recalled the the book //[[Mars and the Mind of Man|https://www.brainpickings.org/2012/08/20/mars-and-the-mind-of-man-sagan-bradbury-clarke-caltech-1971]]//, which published a conversation/collaboration between Ray Bradbury, Arthur C. Clarke, Bruce Murray, Carl Sagan, and Walter Sullivan.

/***
|Name|SearchOptionsPluginInfo|
|Source|http://www.TiddlyTools.com/#SearchOptionsPlugin|
|Documentation|http://www.TiddlyTools.com/#SearchOptionsPluginInfo|
|Version|3.0.10|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|documentation|
|Description|Documentation for SearchOptionsPlugin|
Extend core search function with additional user-configurable options including selecting which data items to search, enabling/disabling incremental key-by-key searches, and generating a ''list of matching tiddler'' instead of immediately displaying all matches.  This plugin also adds syntax for rendering 'search links' within tiddler content to embed one-click searches using pre-defined 'hard-coded' search terms.
!!!!!Search link Syntax
<<<
To insert a 'search link' into tiddler content, you can write:
{{{
[search[text to find]]
}}}
or
{{{
[search[text to display|text to find]]
}}}
Clicking on the resulting search link will trigger the search functionality, just as if the specified 'text to find' had been entered into the standard search input field usually displayed in the document sidebar.
<<<
!!!!!Inline output: search macro syntax
<<<
Alternatively, to embed search results lists directly into your tiddler content, you can use:
{{{
<<search "text" report>> (report is a literal keyword)
<<search "text" "heading" "separator">> (simple inline generator)
}}}
<<<
!!!!!Inline output examples:
<<<
*+++*[&lt;&lt;search "wood"&gt;&gt;]>...
<<search "wood">>
===

*+++*[&lt;&lt;search "wood" "/%%/"&gt;&gt;]>...
<<search "wood" "/%%/">>
===

*+++*[&lt;&lt;search "wood" "See also: "&gt;&gt;]>...
<<search "wood" "See also: ">>
===

*+++*[&lt;&lt;search "wood" "See also:\n*" "\n*"&gt;&gt;]>...
<<search "wood" "See also:\n*" "\n*">>
===

*+++*[&lt;&lt;search "wood" report=list "See also:"&gt;&gt;]>...
<<search "wood" report=list "See Also:" >>
===

*+++*[&lt;&lt;search "wood" report&gt;&gt;]>...
<<search "wood" report>>
===

*+++*[&lt;&lt;search "wood" report=&gt;&gt;]>...
<<search "wood" report=>>
===

*+++*[&lt;&lt;search "wood" report=all&gt;&gt;]>...
<<search "wood" report=all>>
===

*+++*[&lt;&lt;search "wood" report=summary+buttons+again+list&gt;&gt;]>...
<<search "wood" report=summary+buttons+again+list>>
===

*+++*[&lt;&lt;search "wood" report=summary+again&gt;&gt;]>...
<<search "wood" report=summary+again>>
===

*+++*[&lt;&lt;search "wood" report=summary&gt;&gt;]>...
<<search "wood" report=summary>>
===

<<<
!!!!!Configuration
<<<
<<tiddler SearchOptions>><<option chkSearchResultsOptions>> Include {{{options...}}} slider in "search again" form
>//Note: You can customize the search options display by editing the [[SearchOptions]] shadow tiddler.  You can also embed these options in your content by using any of the following standard TiddlyWiki macros://
{{{
<<tiddler SearchOptions>>
<<slider chkSearchOptions [[SearchOptions]] options "show search options">>
<<tabs chkSomeCookieName ... "options" "show search options" [[SearchOptions]] ... >>
}}}
<<<
!!!!!Revisions
<<<
2011.04.08 3.0.10 fixed typo in CSS in formatSearchResults_buttons().  Restore missing options in Configuration section.
2011.03.18 3.0.9 moved configuration controls to [[SearchOptions]] shadow tiddler
2010.05.03 3.0.8 added chkSearchResultsOptions to allow/omit the "options..." slider from the "search again" form
2010.02.25 3.0.7 in formatSearchResults_list, added declaration of local 'co' variable
2009.09.22 3.0.6 in TiddlyWiki.prototype.search, added 'match' param for core compatibility
2009.01.16 3.0.5 added chkSearchOpenTiddlers option to limit searches to displayed tiddlers only
2009.01.15 3.0.4 in formatSearchResults_list(), corrected link generation to properly handle single-quotes and double-quotes in tiddler titles
2009.01.09 3.0.3 added chkSearchHighlight to optionally disable highlighting of matched text
2009.01.05 3.0.2 in formatSearchResults_list(), set/clear 'highlightHack' via HTML links so that search term will be highlighted when displaying tiddlers.
2008.10.14 3.0.1 changed panel class from "tiddler" to "searchPanel" and added style definition for "searchPanel".  Fixes ticket #771 (in IE, links from search results were reporting errors due to "fake" tiddler class wrapper)
2008.10.02 3.0.0 added optional list of tags to use for excluding tiddler from searches (default="excludeLists").
2008.09.24 2.9.9 performance improvment to reportSearchResults(): when rendering a real SearchResults tiddler, store.notify() isn't needed since the results tiddler is always explicitly closed and redrawn each time.
2008.09.20 2.9.8 corrected createPanel() and renderPanel() so toolbar will be correctly shown/hidden on mouseover/mouseout.
2008.09.19 2.9.7 fixes to panel handling for IE, Safari, and others.  Changed panel id to #searchPanel and added .searchResults CSS class wrapper around panel content.  Fixed fold/unfold handling.
2008.09.18 2.9.6 refactored panel handling code, added 'fold/unfold' panel toolbar command, added dynamic 'title' (shows search term), added txtIncrementalSearchMin option
2008.09.17 2.9.5 added focus and cursor handling for 'search again' field in #searchResults DIV report so that an incremental key-by-key search doesn't interfere with continuous typing into the field.
2008.09.17 2.9.4 fix 'flicker' when updating #searchResults DIV by wikify()ing to an 'offscreen' DIV and then using replaceChild() instead of using removeChildren() followed by wikify()
2008.09.16 2.9.3 changed report layout, added "search again" and collapsible 'options' section with incremental search checkbox and "txtIncrementalSearchDelay" timer tweak to onKeyPress()
2008.08.25 2.9.2 added animation to search results DIV.  Also, the #searchResults DOM element is only auto-created if it does not exist ... and when closed, the DIV is simply hidden rather than removed.  This allows custom placement of search results report in the PageTemplate definition.
2008.08.23 2.9.1 story column search results uses {{{<<moveablePanel>>}}}
2008.08.22 2.9.0 default is now to show search results at top of story column, similar to FND's SimpleSearchPlugin display, with an option to generate SearchResults tiddler as before.  Also changed 'chkSearchIncremental' to 'chkIncrementalSearch' to match core option variable
2008.08.12 2.8.2 change default for chkSearchByDate back to FALSE, and adjusted "list" and "again" output formats (minor tweaks requested by PhilWhitehouse for use on TiddlyWiki.com)
2008.08.11 2.8.1 changed defaults for chkSearchTitlesFirst, chkSearchList and chkSearchShadows to TRUE to enable enhanced search results output as soon as plugin is installed.
2008.06.21 2.8.0 added extended syntax for {{{<<search "text" report heading>> and <<search "text" "heading" "seperator">>}}}
2008.05.03 2.7.1 in searchLink formatter handler(), use separate setAttribute() call instead of passing attribs to createTiddlyButton().  Avoids conflict with errant code in TiddlerNotesPlugin (v2.1 26/10/07)
2008.04.29 2.7.0 added searchLink formatter (syntax: {{{[search[text]]}}} or {{{[search[display|text]]}}})
2008.04.08 2.6.2 don't automatically add options to AdvancedOptions shadow tiddler
2007.02.17 2.6.1 added redefinition of config.macros.search.onKeyPress() to restore check to bypass key-by-key searching (i.e., when chkSearchIncremental==false), which had been unintentionally removed with v2.6.0
2007.02.13 2.6.0 remove redefinition of config.macros.search.handler since core now includes handling for ENTER key.
2007.02.08 2.5.1 include 'temporary' tag when creating SearchResults (for use with TemporaryTiddlersPlugin)
2007.01.29 2.5.0 added support for "sort results by date".  Default is to sort alphabetically (standard).  When sorted by dates, most recent changes are shown first
2006.10.10 2.4.0 added support for "search in tiddler data" (tiddler.fields)  Default is to search extended data.
2006.04.06 2.3.0 added support for "search in shadow tiddlers".  Default is *not* to search in the shadows (i.e. standard TW behavior).  Note: if a shadow tiddler has a 'real' counterpart, only the real tiddler is searched, since the shadow is inaccessible for viewing/editing.
2006.02.03 2.2.1 rewrite timeout clearing code and blank search text handling to match 2.0.4 core release changes.  note that core no longer permits "blank=all" searches, so neither does this plugin.  To search for all, use "." with text patterns enabled.
2006.02.02 2.2.0 in search.handler(), KeyHandler() function clears 'left over' timeout when search input is < 3 chars.  Prevents searching on shorter text when shortened by rapid backspaces (<500msec)
2006.02.01 2.1.9 in Story.prototype.search(), correct inverted logic for using/not using regular expressions when searching
also, blank search text now presents "No search text.  Continue anyway?" confirm() message box, so search on blank can still be processed if desired by user.
2006.02.01 2.1.8 in doSearch(), added alert/return if search text is blank
2006.01.20 2.1.7 fixed setting of config.macros.search.reportTitle so that Tweaks can override it.
2006.01.19 2.1.6 improved SearchResults formatting, added a "search again" form to the report (based on a suggestion from MorrisGray)
define results report title using config.macros.search.reportTitle instead of hard-coding the tiddler title
2006.01.18 2.1.5 Created separate functions for reportSearchResults(text,matches) and discardSearchResults(), so that other developers can create alternative report generators.
2006.01.17 2.1.4 Use regExp.search() instead of regExp.test() to scan for matches.  Correctd the problem where only half the matching tiddlers (the odd-numbered ones) were being reported.
2006.01.15 2.1.3 Added information (date/time, username, search options used) to SearchResults output
2006.01.10 2.1.2 use displayTiddlers() to render matched tiddlers.  This lets you display multiple matching tiddlers, even if SinglePageModePlugin is enabled.
2006.01.08 2.1.1 corrected invalid variable reference, "txt.value" to "text" in story.search()
2006.01.08 2.1.0 re-write to match new store.search(), store.search.handler() and story.search() functions.
2005.12.30 2.0.0 Upgraded to TW2.0.  When rendering SearchResults tiddler, closeTiddler() first to ensure display is refreshed.
2005.12.26 1.4.0 added option to search for matching text in tiddler tags
2005.12.21 1.3.7 use \\ to 'escape' single quotes in tiddler titles when generating "Open all matching tiddlers" link.  Also, added access key: "O", to trigger "open all" link.  Based on a suggestion by UdoBorkowski.
2005.12.18 1.3.6 call displayMessage() AFTER showing matching tiddlers so message is not cleared too soon
2005.12.17 1.3.5 if no matches found, just display message and delete any existing SearchResults tiddler.
2005.12.17 1.3.4 use {/%%/{/%%/{  and }/%%/}/%%/} to 'escape' display text in SearchResults tiddler to ensure that formatting contained in search string is not rendered.  Based on a suggestion by UdoBorkowski.
2005.12.14 1.3.3 tag SearchResults tiddler with 'excludeSearch' so it won't list itself in subsequent searches. Based on a suggestion by UdoBorkowski.
2005.12.14 1.3.2 added "open all matching tiddlers..." link to search results output. Based on a suggestion by UdoBorkowski.
2005.12.10 1.3.1 added "discard search results" link to end of search list tiddler output for quick self-removal of 'SearchResults' tiddler.
2005.12.01 1.3.0 added chkSearchIncremental to enable/disable 'incremental' searching (i.e., search after each keystroke) (default is ENABLED).
added handling for Enter key so it can be used to start a search. Based on a suggestion by LyallPearce
2005.11.25 1.2.1 renamed from SearchTitleOrTextPlugin to SearchOptionsPlugin
2005.11.25 1.2.0 added chkSearchList option.  Based on a suggestion by RodneyGomes
2005.10.19 1.1.0 added chkSearchTitlesFirst option.  Based on a suggestion by ChristianHauck
2005.10.18 1.0.0 Initial Release.  Based on a suggestion by LyallPearce.
<<<

 
Lily, you know that I love you. You should also know that I need you in a very unusual way, in a way that I don't usually require of people. You are not replaceable. You are not dispensable. So I don't ever want to go back to a world without you. For the rest of my days, I want to live with your smile, your sensitivity, the warmth of your aura, your steady acceptance and non-judgment, and your intense attunement to my heart and mind. I want you to be a permanent and vital part of my world. I want to create something that is not just MY world, but OUR world.

I want you to come with me on my journey to Avalon.

----

//Three days prior, Sunday March 18, 2001://

I have this firm, undoubting feeling in my heart that you and I are Forever.  I'm talking about a time-frame that's bigger than any block of //[[chronos|L'Engle]]// time.  You and I will last longer than this place and this time -- we will last in all times, beyond the span of this incarnation, in past lives, future lives, and in the dimension of //kairos// time … where minutes, days, generations, and eons are merely blades of grass in a meadow.

Now, that's enough commitment to scare anyone.  But it doesn't scare me, and I hope that it doesn't scare you, because I see it as a source of comfort and safety in this vast and lonely world.  Our brains are wired in much the same way, our paths cross the same terrain, and our needs and desires from life are very similar.  Brian {{grem{[our boss at work]}}} made the comment Friday afternoon, out of the blue, "I like hearing you and Lily banter, because you banter in the same way.  If I didn't know better, I'd think you were brother and sister."  I responded, "We virtually are."  That was the conversation verbatim.  Even an outsider can see it.

What does all this mean?  It means that I want to stick around in your life.  It means that you're the first person in the world who offers a strong enough incentive to stop my running pattern.  Our synergy is stronger than my wanderlust, and that's never happened in the entire history of Randy.  It's remarkable, and something to be treasured.

When I get really serious about someone, I start thinking in terms of contracts.  The word contract implies all sorts of awful things like obligation, smothering, being trapped, unable to grow.  Some people's concept of marriage is a distorted form of one social contract.  But there can be good contracts, and it's really just a metaphor for a lasting, irrevocable tie to another human being.

Three examples, OK?  When I think of choosing a mother to bear my children, I use the word contract.  Before we ever conceive a child, she and I will have a commitment that we're in this ''for at least 18 years, and nothing can change the weight of its priority''.  {{grem{[Oh!  Much later, how I failed at this… ]}}}

When I think of Jim and Cindy's situation -- which we have joked about -- I use the word contract.  If that is my future as well, then before we ever sign a marriage license, she and I will have a commitment as companions, partners through life, ''allies through every hardship''. The timeline isn't so rigid, but it still has profound meaning.  Or, when I think of the monogamous, long-term, sexual and emotional intimacy I want with a man, I use the word contract.  Before we ever reach that elusive state of love mingled with lust, he and I will have years of difficult lessons behind us and a chain of broken hearts.  This contract status is very important to me.

Lily, I sense that you and I will be forming some kind of contract before it's all over.  No, it may not be so structured and well-defined as the ones listed above, but our strong synergy must express itself somehow.  I sense that you and I will be major catalysts to propel each other into a new world, and we'll be arriving there together and in much the same manner.

Good is the flesh that the Word has become,
good is the birthing, the milk in the breast,
good is the feeding, caressing and rest,
good is the body for knowing the world,
Good is the flesh that the Word has become.

Good is the body for knowing the world,
sensing the sunlight, the tug of the ground,
feeling, perceiving, within and around,
good is the body, from cradle to grave,
Good is the flesh that the Word has become.

Good is the body from cradle to grave,
growing and ageing, arousing, impaired,
happy in clothing or lovingly bared,
good is the pleasure of God in our flesh.
Good is the flesh that the Word has become.

Good is the pleasure of God in our flesh,
longing in all, as in {Buddha} to dwell,
glad of embracing, and tasting, and smell,
good is the body, for good and for God,
Good is the flesh that the Word has become.

!Landscape
by Octavio [[Paz]]

Rock and precipice,
more time than stone, this
timeless matter.

Through its cicatrices
falls without moving
perpetual virgin water.

Immensite reposes here
rock on rock,
rocks over air.

The world's [[manifest|Manifest]]
as it is: a sun
immobile, in the abyss.

Scale of vertigo:
the crags weigh
no more than our shadows.

Randy M–––––, née Randall Francis Tillman, died at home on Saturday afternoon, ––––––––  ––, 207–.  He was surrounded by his family in the house where he had lived and worked the past three decades.

Randy was an active member of his community past his ninetieth birthday.  He never tired of <<tag reading>>, writing, teaching, and debating on what he called “the great concerns of my generation.”  These were fueled by his endless curiosity across a range of fields.  Randy was largely self-taught in history, [[anthropology|Oikos Philos Anthropos Logos]], and several pursuits in citizen science and the humanities.  He self-published his writings in print and electronically, then championed new approaches to mass communication and collaboration, issuing the challenge: [[after technology|Evocative Technology]], comes what?  He became a respected voice in social activism circles and the [[Quaker]] Society of Friends, to which he belonged for sixty years.

Randy made a first career in the western United States, managing a factory that produced machine parts.  He spent over a decade supporting his young family from that work.  He bought the last bookstore in their community that sold used and new printed books.  Soon after, Randy left industrial work and experimented with various forms of writing, teaching, and agrarian lifestyles through the early 2020s.

Randy fulfilled a [[dream]] of his youth graduating from the University of Pittsburgh's School of Arts and Sciences, where he studied at the [[Cathedral of Learning]].  With colleagues he met there, Randy co-founded the [[Village University]] and built several houses and community buildings upon the principles of Frank Lloyd Wright.  Randy lived and worked at the Village, maintaining ties with the Cathedral of Learning and the [[University of Virginia|Academical Village]].  He sponsored Buddhist and Quaker gatherings throughout the Northeastern U.S.

He published and was best known under the name Randy M–––––, taken from the patrilineal name of his great-grandfather, an orphan with the adopted name Tillman.  His chosen surname was discovered by Randy's research and [[DNA]] testing early in the history of genetic [[genealogy]].

Randy married [[Carmen]] Solsiete on July 12, 2015.  He is survived by his wife, children Maya and Aron, several grandchildren and great-grandchildren, his brother M––– and sister A–––, nieces, nephews, and many colleagues and former students whom he counted among his family.  He was preceded in death by his parents and by the mother of his children, Lily ~McCulloch.

Randy was healthy, energetic, and creative through his final years.  His son and daughter were the greatest pride of his life.  He delighted in spending time with them, as well as watching their children and grandchildren grow up.  Marveling at each transition from childhood, he would quote a favorite author Madeleine [[L'Engle]]: "Maturity is the fulfillment of childhood…not a diminishing; an affirmation of life, not a denial…it is entering fully into our essential selves."

config.options.txtMainTab = "Timeline";
config.options.txtMoreTab = "Orphans";

 
Look upon me, you who reflect upon me
and you hearers, hear me.
You who are waiting for me, take me to yourselves.

Take me to yourselves from understanding and grief.
And take me to yourselves from places that are ugly and in ruin.
Come forward to childhood,
and do not despise it because it is small.
And do not turn away greatnesses in some parts from the [[smallnesses|Les Minst]],
for the smallnesses are known from the greatnesses.

Why do you curse me and honor me?
You have wounded and you have had mercy.
Do not separate me from the first ones whom you have known.
And do not cast anyone out nor turn anyone away.

I am the voice whose sound is manifold
and the [[word|Ground-Divine]] whose appearance is multiple.
I am the utterance of my name.

I am lust in outward appearance,
and interior self-control exists within me.
I am the hearing which is attainable to everyone
and the speech which cannot be grasped.
I am a mute who does not speak,
and great is my multitude of words.

I am the sign of the letter
and the designation of the division.
And I …
light bearers (hearers) to you
… the great power;
… to the one who created me;
And I will speak the name.

-- From //[[The Thunder, Perfect Mind|http://gnosis.org/naghamm/thunder.html]]//
composed 2nd or 3rd century C.E., comprises part of Codex VI of the [[Nag Hammadi library|https://en.wikipedia.org/wiki/Nag_Hammadi_library]],
found buried in an earthen jar/time capsule in Nag Hammadi, Egypt in the year 1945.
(See this [[1978 article|https://web.archive.org/web/20040905104232/http://www.religion-online.org/showarticle.asp?title=1785]] from the //Christian Century//.)

Excerpts from this work also appear in my description of the [[Muse]]/Empress.

 
… and you communed with insensible arrangements: changeable
organizations; shapeless distractions; puffs of dimension; ampersands;
the dead. I pulled you close and kissed you, but all I could taste
was vortex, and sweet guava, and the distances to.…

… and we grew thicker together, for I too could perceive, in the dry
expanses, forms of invisible logos made thick — the un-wet language
of communicable waves. We washed ourselves in it, but our feet,
touching ampersands, touched not the.…

from "[[Ampersands|https://www.poetryfoundation.org/poetrymagazine/poems/detail/90288]]" by Clark Moore, September 2016

----

When it comes to literature, Moore says he prefers works that “contend with the ambiguities of reality, consciousness, morality and the imagination.” His favorite poets are Marianne Moore and Wallace Stevens; his favorite novelist is Vladimir Nabokov. (Quoted in the //[[Lower Hudson Online|http://www.lohud.com/story/life/2014/01/03/notable-neighbor-clark-moore-of-hastings-on-hudson-crafts-literature-and-cocktails/4408197/]].)

{{grem{Follow to these: "The Idea of Order at Key West" by [[Wallace Stevens|https://www.poetryfoundation.org/poems-and-poets/poems/detail/43431]], and its explication by [[Jennifer Michael Hecht|https://www.poetryfoundation.org/features/audio/detail/75918]]}}}

 
{{serif{
COME, said the [[Muse]],
Sing me a song no poet yet has chanted,
Sing me the Universal.
  
In this broad Earth of ours,
Amid the grossness and the slag,
Enclosed and safe within its central heart,
Nestles the [[seed Perfection|Friar's Journeybook/SeedOfPerfection]].

None born but it is born—conceal’d
or unconceal’d, the seed is waiting.
  
Lo! keen-eyed, towering Science!
As from tall peaks the Modern overlooking,
Yet again, lo! the Soul—above all science;
For it, has History gathered in ''spiral roads'', by long detours,
For it, the partial to the permanent flowing,
For it, the mystic evolution;
Not the right only justified—what we call evil also justified.
  
Forth from their masks, no matter what,
From the huge, festering [[trunk|Eiseley/trunk]]—from craft and guile and tears,
Health to emerge, and joy—joy universal.
}}}
—Walt [[Whitman]], June 1874.
//See this [[commentary|http://books.google.com/books?id=r3UxAQAAMAAJ&pg=PA206]] almost 100 years old.//

----

''Regard'' every [[Muse]] — among them,
the tenth force of our time, named [[Mitocos|mitocos]] —
[[reclaimed|anti-museums]] from museums to dwell among us
(with our sisters, brothers, sons, and daughters)
tilling the rich soil of ''recombinant'' [[art]],
giving forth flowers, music, mimesis:
''reawakening'' us to the //[[sublime|The Sublime Wants To Reach You]]//.

<part precis>Remused is an adjective, like amused or bemused, but more intensely under the Muse's spell.  Every artist has their muses.

The form [[re: muse]] suggests a constellation of {{emph{//re-//}}} [[words|mitocos/reTable]] and "matters of muses."
</part>
:what is muse matter?
<<<
@@color(grey):From Old French //matere// "subject, theme, topic; substance, content, material; character, education," from Latin //materia// "substance from which something is made" … from ''//mater//'' "origin, source, mother" … the ''matrix of life''@@
<<<
''Remember!''
//life is more true than reason will deceive
(or more secret than madness did reveal)//
~ [[e.e.c.|E.E. Cummings]]

all listed by frequency
results from http://wolframalpha.com

words ending in spect
respect  |  aspect  |  prospect  |  suspect  |  circumspect  |  disrespect  |  inspect  |  introspect  |  retrospect  |  self-respect  |  reinspect   (total: 11)

words ending in vide
provide  |  divide

words ending in vision
television  |  division  |  provision  |  vision  |  envision  |  prevision  |  revision  |  subdivision  |  supervision   (total: 9)

words ending in vise
advise  |  devise  |  improvise  |  revise  |  supervise  |  televise  |  vise  |  passivise   (total: 8)

advice  |  device

 
<part precis>1. We live in miserando [or dukkha]: we suffer, strive, and grasp intertwined with all of living.

2. Miserando rises from attachment: from blind human will to power and pleasure. Craving and suffering are two faces of an untamed will.

3. I embrace and transcend miserando. Every day offers a new start to tend the Seed of Perfection, if we nurture our bodies and relationships, honoring the sanctity of all life.

4. This is ~Ground-Divine; here we make peace and walk the [[noble path|Four Noble Truths]].  Awarely choose love.</part>

----

In part, we //embrace and transcend// dukkha by [[maturing to finiteness]].

[[Fourfold Fruit]]: Kāma (pleasure), Artha (material), Dharma (natural law), Moksha (liberation)

----

“Unpack karma and you get cause and effect. Unpack cause and effect and you get affinity. Unpack affinity and you get the tendency to coalesce. Unpack the tendency to coalesce and you get intimacy. Unpack intimacy and you will find that you contain all beings. Unpack containment and there is the goddess of mercy herself.”

 
''Emily Elizabeth Dickinson'' (10 December 1830 – 15 May 1886) was an American poet.  Though prolific in her private writings, she saw fewer than a dozen of her 1,789 poems published during her lifetime (and those few were usually altered significantly  by their publishers.)

[[The Prowling Bee|http://bloggingdickinson.blogspot.com/]] is Susan Kornfeld's project to read and comment on all of Emily Dickinson's 1,789 poems in chronological order.

Asked in a 2005 interview what exactly he meant by calling our current culture "post-metaphysical", Richard Rorty described it as ''"poeticized"'' -- because it has rejected the traditional metaphysical position that one can find ''"an ahistorical, transcultural matrix for one's thinking, something into which everything can fit, independent of one's time and place."''  Rather than looking to God, nature, reality, or history to tell us what kind of world it is already, we understand that we are more poetically responsible for creating it.  (Rorty, //Take Care of Freedom and Truth Will Take Care of Itself//, quoted in //Trying to Think with Emily Dickinson// by Jed Deppman, 2008).

From [[Wikipedia|https://en.wikipedia.org/wiki/Emily_Dickinson#Major_themes]]: Academic Suzanne Juhasz considers that Dickinson saw the mind and spirit as tangible visitable places and that for much of her life she lived within them.  Often, this intensely private place is referred to as the "''[[undiscovered continent|http://www.amazon.com/Undiscovered-Continent-Emily-Dickinson-Space/dp/0253361648]]''" and the "landscape of the spirit" and embellished with nature imagery.  At other times, the imagery is darker and forbidding—castles or prisons, complete with corridors and rooms—to create a dwelling place of "oneself" where one resides with one's other selves.
{{serif{
!“I reason, Earth is short…” (301)
}}}Emily Dickinson

I reason, Earth is short —
And Anguish — absolute —
And many hurt,
But, what of that?

I reason, we could die —
The best Vitality
Cannot excel Decay,
But, what of that?

I reason that in Heaven	—
Somehow, it will be even —
Some new Equation, given —
But, what of that?
----

From [[Verbatim Found Poetry|http://verbatimpoetry.blogspot.com/2013/09/i-emily-dickinson.html]]: poetry from the ordinary
{{serif{
!I, Emily Dickinson
}}}
1
I am afraid to own a body
[[I am alive]] I guess
I am ashamed, I hide
I asked no other thing

I bet with every wind that blew
I breathed enough to take the trick
I bring an unaccustomed wine
I came to buy a smile today

I can wade grief
I cannot be ashamed
I cannot buy it, ‘tis not sold
I cannot dance upon my toes

I cannot live with you
I cannot meet the spring unmoved
I cannot see my soul but know ‘tis there
I cannot want it more

2
I can’t tell you but you feel it
I cautious scanned my little life
I could bring you jewels had I a mind to
I could die to know

I could not drink it, sweet
I could not prove the years had feet
I could suffice for him, I knew
I counted till they danced so

I cried at pity, not at pain
I cross till I am weary
I did not reach thee
I died for beauty, but was scarce

I dreaded that first robin so
I dwell in possibility
I envy seas whereon he rides
I fear a man of frugal speech

3
I felt a cleaving in my mind
I felt a funeral in my brain
I felt my life with both my hands
I fit for them

I found the words to every thought
I gained it so
I gave myself to him
I got so I could take his name

I groped for him before I knew
I had a daily bliss
I had a guinea gold
I had been hungry all the years

I had no cause to be awake
I had no time to hate
I had not minded walls
I had some things that I called mine

4
I had the glory – that will do
I have a bird in spring
I have a king who does not speak
I have never seen “Volcanoes”

I have no like but this
I haven’t told my garden yet
I heard a fly buzz when I died
I heard as if I had no ear

I held a jewel in my fingers
I hide myself within my flower
I keep my pledge
I knew that I had gained

I know a place where summer strives
I know lives, I could miss
I know of people in the grave
I know some lonely houses off the road

5
I know suspense – it steps so terse
I know that he exists
I know where wells grow, droughtless wells
I learned at least what home could be

I like a look of agony
I like to see it lap the miles
I live with him, I see his face
I lived on dread

I lost the world the other day
I made slow riches but my gain
I make his crescent fill or lack
I many times thought peace had come

I meant to find her when I came
I meant to have but modest needs
I measure every grief I meet
I met a king this afternoon

6
I never felt at home below
I never hear that one is dead
I never hear the word “escape”
I never lost as much but twice

I never saw a moor
I never told the buried gold
I noticed people disappeared
I often passed the village

I pay in satin cash
I play at riches to appease
I prayed at first a little girl
I read my sentence steadily

I reason earth is short
I reckon when I count at all
I robbed the woods
I rose because he sank

7
I saw no way – the heavens were stitched
I saw that the flake was on it
I saw the wind within her
I see thee better in the dark

I see thee clearer for the grave
I send two sunsets
I send you a decrepit flower
I shall keep singing

I shall know why, when time is over
I shall not murmur if at last
I should have been too glad, I see
I should not dare to be so sad

I should not dare to leave my friend
I showed her heights she never saw
I sing to use the waiting
I sometimes drop it, for a quick

8
I started early, took my dog
I stepped from plank to plank
I stole them from a bee
I sued the news, yet feared the news

I suppose the time will come
I taste a liquor never brewed
I tend my flowers for thee
I think I was enchanted

I think just how my shape will rise
I think that the root of the wind is water
I think the hemlock likes to stand
I think the longest hour of all

I think to live may be a bliss
I thought that nature was enough
I thought the train would never come
I tie my hat, I crease my shawl

9
I took my power in my hand
I took one draught of life
I tried to think a lonelier thing
“I want” – it pleaded all its life

I was a phoebe, nothing more
I was the slightest in the house
I watched her face to see which way
I watched the moon around the house

I went to heaven
I went to thank her
I worked for chaff and earning wheat
I would distil a cup

I would not paint a picture
I years had been from home

----
All the lines beginning with the first person pronoun 'I' from the Index of First Lines, //The Complete Poems of Emily Dickinson//, Edited by Thomas H. Johnson (Little, Brown and Company, 1960). Submitted by [[J.R. Solonche|http://verbatimpoetry.blogspot.com/search/label/byJRSolonche]].

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Saturday, November 13, 2010
Loss List – inspiration from [[SARK]], page 166 of //Glad No Matter What//
#Loss of my “clean reputation” and “good name” – the fear of lurking scandals to-be bars me from public interactions.  //What story does this tell?//  – The story of belonging in a social group, my desire to have others’ admiration, fear of embarrassment and exclusion from the group’s social workings.
#Loss of “normal” school experience – especially the idealized social experience of high school and college years I did not have.
#Loss of my youth – the innocent young boy (in the kindergarten picture), followed by teenage years spent in family turmoil, and the last 10 years employed in manufacturing.
#Loss of the prime cognitive learning time of my life – so I’ve read – and my failure as a traditional student. My heart aches a little when I think about the [[Cathedral of Learning]].  I feel that I lost or squandered my opportunity for education.  It closes some doors of employment opportunity.
#Loss of relationship with Dad – I miss having a frank and genuine interaction.
#Loss of role models within my biological family.  Who do I want to be like?  Whose example can I follow?
#Loss of relationship with my brother.  I abandoned him and the opportunity to make a positive difference in his formative years.
#Loss of friendship with Elias.  {{grem{(And four years after this, [[Lily|lily]].)}}}  I recognize my pattern of abandoning friends – a choice which I can change.
#Loss of freedom or “carefree” time unencumbered by provider responsibilities to my wife and children.
//''My lack of confidence is a retrievable loss, subject to my choices and attitudes.''//

<<<
Reflections of May 28, 2011
What purpose does this list serve?  Review SARK's recommendation in her book.

Also, I now want to juxtapose this list with an [[Abundant List]].
@@color(grey):{ French //''juxtaposer''// < Latin //__juxta__ 'next'// + French //__poser__ 'to place.'// }
{ Latin //''abundare'' 'overflow,'// < //__ab__- 'from' + __undare__ 'surge'// < //__unda__ 'a wave'.// }@@
<<<

Many quotations or excerpts appearing in this wiki provide a hyperlink to their sources.  These are listed in the [[Source List]] in the sequence I created them.

Throughout the wiki, these links appear in superscript, numbered and enclosed in brackets.  A handful of these such as ^^[[[1]|Not all those who wander]]^^ point to another entry in the wiki citing the full passage in more context.
More source links are like ^^[[[2]|http://www.scribd.com/fullscreen/56501816?access_key=key-q4wmgx31wfcju738rxw]]^^ and point to an external copy of the original source.

All wiki entries containing a source link can be retrieved with the SearchWiki tool, if they are consistent with the bracketed superscript ^^[x]^^ form.

!Saying It
by Philip Booth, from //Lifelines//, 1999

Saying it. Trying
to say it. Not
to answer to

logic, but leaving
our very lives open
to how we have

to hear ourselves
say what we mean.
Not merely to

know, all told,
our far neighbors;
or here, beside

us now, the stranger
we sleep next to. 
Not to get it said

and be done, but to 
say the feeling, its
present shape, to

let words lend it
dimension: to name
the pain to confirm

how it may be borne:
through what in 
ourselves we [[dream]]

to give voice to,
to find some word for
how we bear our lives.

Daily, as we are daily
wed, we say the world
is a wedding for which,

as we are constantly
finding, the ceremony
has not yet been found.

What wine? What bread?
What language sung?
We wake, at night, to

imagine, and again wake
at dawn to begin: to let
the intervals speak

for themselves, to
listen to how they 
feel, to give pause

to what we're about:
to relate ourselves,
over and over; in

time beyond time
to speak some measure
of how we hear the music:

today if ever to
say the joy of trying
to say the [[joy|FractalPoiesis]].

 
See The Journal of Black Mountain College Studies [[Volume II: Ray Johnson|http://www.blackmountainstudiesjournal.org/wp/?p=662]]
----

Nothing more than a Taoist, Ray knew who he was in the sense that he was a master of correspondence. When Ray said he invented the [[New York Correspondence School|NYCS]], it was more than a cute way of linking people up. Ray's School has most often been cited as a pun on the word "dance," and indeed it was, but the third element in that triangulation seems to have been forgotten—the French spelling of the word. And let us not forget that [[Correspondances|correspondances]] is the name of one of Baudelaire's poems. In his //L'art Romantique//, Baudelaire says correspondences are "the affinities which exist between spiritual states and states in nature; those people who are aware of these correspondences become artists and their art is of value only in so far as it is capable of expressing these mysterious relationships..."

Ray's rigourous art of free association can easily be dismissed by those without the hearty tenacity required to follow the links from one correspondance to another. On the surface it is deceptively child-like but the myriad ways any two elements intersect is worthy of scholarly study. That is why a reappraisal of Ray is important at this time. In this two bit, sound bite, simulated world, Ray's work is an unlikely antidote—requiring effort and patience to "get" it. It is holographic in that every minute piece contains the whole. To follow any one of the threads reveals his entire world. The more one delves into it, the more there is to explore as each piece is integrated with every other. But this hard work is infinitley rewarding. The triangulation is the structure on which a complex and far-reaching labyrinth of associations is built. While it is impossible to arrive at the end of this maze, any attempt to do so is enlightening for its own sake, revealing subtle truths about our world via his. Ray's clever pallette remains profoundly punctuated with the forgotten details that other people's lives would be made of, if we only had the time to ponder such things.

–Mark Bloch, http://www.panmodern.com/rayjohnson/rayocide.html

“The Vico Road goes round and round to meet where terms begin,” as [[James Joyce]] put it in //Ulysses//, indicating that, for Vico and his readers, the meaning is always in the beginning, or, in Vico's own term, “coming-into-being” -- //nascimento//.

[img(+,+)[Etymological Chart of *gen Root|http://farm3.staticflickr.com/2808/12894246743_d878c16772_h_d.jpg][http://www.flickr.com/photos/39042429@N00/12894246743/]]
Etymological Chart of //*gen// ~Proto-Indo-European Root
Figure 7.1, pages 186-187 of
''//Joyce's Book of the Dark: [[Finnegans Wake]]//'' by John Bishop, 1986

From the //Wake://
Comes the question are these the facts of his nomini''gentil''isation as recorded and accolated in both or either of the collateral andrewpaulmurphyc narratives. <part metheg> Are those their fata which we read in sibylline between the //fas// and its //nefas//?  …Bear in mind, son of Hokmah, if so be you have metheg in your midness, this [[man is mountain|FractalPoiesis]] and [[unto changeth|everything undulates]] doth one ascend. Heave we aside the fallacy, as punical as finikin.
(pages [[31-32|http://www.finwake.com/1024chapter2/1024fwtekst2.htm#31]])
</part>

Even should not the framing up of such figments in the evidential order bring the true truth to light as fortuitously as a dim seer's setting of a starchart might (heaven helping it!) uncover the nakedness of an unknown body in the fields of blue or as forehearingly as the sibspeeches of all mankind have foliated (earth seizing them!) from the root of some funner's stotter all the soundest sense to be found (page [[86|http://www.finwake.com/1024chapter4/1024fwtekst4.htm#96]])

From page 184 of //Book of the Dark://
<<<
All of history is in one's parents … This understanding so fundamentally informs the //New Science// [written by  Giambattista Vico in 1725] that it shapes Vico's whole prose style, whose texture is as dense, punning, and polyglottal as that of //[[Finnegans Wake]]//.

In Vico's "gentile history," man creates over generations his own human nature -- exactly as he also creates human nations.  Since human nature and nations evolve interdependently with language, Vico conveys their commutual coming-to-be, their //nascimento//, by weaving through the //New Science// an assemblage of words originating in the same aboriginal root *//gen-// ("to come to be") -- whose meaning is also its evolution.  Uttered in the darkness of prehistory by descendants of Vico's first men, this syllable generates over generations, and in all the nations of the gentile world, a diverse vocabulary whose meaning is the genesis of human nature.  (Some of its English outgrowths are diagrammed in figure 7.1.)
<<<
From +++[Vico's Axioms]
//Vico's Axioms: The Geometry of the Human World//
by James Robert Goetsch:
<<<
For Vico, the true science of human knowing begins with remembering or recollecting human [our] history found in the ''philological'' heritage.  {{grem{([[Tolkien]] was a professor of philology with a vastly different approach.)}}}

How did human thinking come into being  //(nascimento)//, and at what time and in what guise? … Vico notes that in order to determine answers to questions such as these, we must begin where our subject begins, in "the time these creatures began to think humanly"…

These creatures existed in a continual flux; their minds "took things one at a time, being in this respect little better than the minds of beasts, for which each new sensation cancels the last one (which is the cause of their being unable to compare and reason discursively.)"  In the words of Heraclitus, "It scatters … and gathers … It comes together and flows away … It approaches and departs."

The flux was the original chaos, out of which order was formed -- the original condition of primal human need … Human beings in their beginning were [[bounded|Time-Binder]] by sense, which was their "sole way of knowing things."  Not being able to think abstractly, the rough and savage creatures of human beginnings then "had a natural need to create poetic characters; that is, imaginative class concepts or universals"…

Vico states that these poetic characters are "imaginative genera" -- images formed by the imagination to which ''all the species'' or particulars of a genus are reduced.  These imaginative genera are "true fables or myths" that are found to contain "not analogical but univocal" meanings.
<<<
I suspect that these poetic characters of Vico's science are kindred in spirit to Robert Graves' //The White [[Goddess|Muse]]: A Historical [[Grammar|grammar]] of Poetic Myth//.
===

 
As my longest friendship came unraveled, I wrote //"I will not leave our family"// in [[September 2013|2013-09-30]].

The following February, I wrote:
>  My son is chattering in the other room as he plays, my daughter is napping on the couch, sunshine is melting snow outside… My wife asks for my attention, obliquely -- but [[we no longer speak|Read to Each Other]] as fond friends with open hearts, but wary partners.
By May, I had given my love to another woman.  Now I am in a new marriage, and Lily still lives in the house where we brought our babies home.

From //The Noble Eightfold Path: Way to the End of Suffering//
by Bhikkhu Bodhi

Right view is the forerunner of the entire path, the guide for all the other factors. It enables us to understand our starting point, our destination, and the successive landmarks to pass as practice advances. To attempt to engage in the practice without a foundation of right view is to risk getting lost in the futility of undirected movement.

The importance of right view can be gauged from the fact that our perspectives on the crucial issues of reality and value have a bearing that goes beyond mere theoretical convictions. They govern our attitudes, our actions, our whole orientation to existence. Our views might not be clearly formulated in our mind; we might have only a hazy conceptual grasp of our beliefs. But whether formulated or not, expressed or maintained in silence, these views have a far-reaching influence. They structure our perceptions, order our values, crystallize into the ideational framework through which we interpret to ourselves the meaning of our being in the world.

These views then condition action. They lie behind our choices and goals, and our efforts to turn these goals from ideals into actuality. The actions themselves might determine consequences, but the actions along with their consequences hinge on the views from which they spring. Since views imply an "ontological commitment," a decision on the question of what is real and true, it follows that views divide into two classes, right views and wrong views. The former correspond to what is real, the latter deviate from the real and confirm the false in its place. These two different kinds of views, the Buddha teaches, lead to radically disparate lines of action, and thence to opposite results. If we hold a wrong view, even if that view is vague, it will lead us towards courses of action that eventuate in suffering. On the other hand, if we adopt a right view, that view will steer us towards right action, and thereby towards freedom from suffering. Though our conceptual orientation towards the world might seem innocuous and inconsequential, when looked at closely it reveals itself to be the decisive determinant of our whole course of future development. The Buddha himself says that he sees no single factor so responsible for the arising of unwholesome states of mind as wrong view, and no factor so helpful for the arising of wholesome states of mind as right view. Again, he says that there is no single factor so responsible for the suffering of living beings as wrong view, and no factor so potent in promoting the good of living beings as right view.

i want to tell you stories but i struggle with the critic within…they are stories about more than love and loss - they are about the very fabric of our humanity. the whispering self knows that what wishes to be written is too contrite - the involved stories that have developed in the mind can hardly be expressed in mere words - they live more in the mind-images that have created them and made them whole.

we are boundless creatures of an impenetrable night - we are fighting and struggling with the demons and the daemons in our minds, and finding that in the struggle, nothing solid comes - just the words and the motions and the dark veil of night falling soft upon our lips - as we arch seeking the light of the rising@@color:grey;font-size:80%;^^★^^@@ moon.

we are princes in the kingdom of the solitary queen - and there is nothing we can do to overcome the severe depression and anger that has fallen there in her absence - who dares covet such a thing as a kingdom when a queen is in charge - all homes of the king are banished to the realms of thought and angered accusation - //j'accuse// - my friend - ''i accuse you of all that i can not bear to blame on myself'' - of all that is laid barren by the thought of touch in the land of the extreme.

----
@@color:grey;font-size:80%;^^★^^@@ @@color:grey;Bold emphasis is mine; all lowercase is Lily's. Edited in one place to state the //rising// moon (Lily wrote "setting") which follows with "night //falling// soft upon our lips" - a logical change to me, at least.

//j'accuse// - I accuse; a bitter denunciation.

 
I have [[gathered]] a garland of other men's flowers, and nothing is mine but ''the cord that binds them.''
–Michel de Montaigne (1533-1592)

----

When the narrow crossing leads to grave ends
and the rope over the chasm begins to fray…
–Jeanne Lohman (Quaker poet, born 1923), "[[Evidence|Evidence (poem)]]"

----

Which is that one force amid all of God's forces which man is able to grasp? Only this: We discern a ''crimson line on this earth'', a red, blood-splattered line which ascends, struggling, from matter to plants, from plants to animals, from animals to man.
–Nikos [[Kazantzakis]], //The Saviors of God// (began 1922-23)

----

Since the first human eye saw a leaf in Devonian sandstone and a puzzled finger reached to touch it, sadness has lain over the heart of man. By this tenuous thread of living protoplasm, stretching backward into time, we are linked forever to lost beaches whose sands have long since hardened into stone. The stars that caught our blind amphibian stare have shifted far or vanished in their courses, but still that naked, glistening thread winds onward. No one knows the secret of its beginning or its end. Its forms are phantoms. ''The thread alone is real; the thread is life.''
—Loren [[Eiseley]], //The Firmament of Time// (1960)

<<<
<part Eiseley>
Excerpt from Loren Eiseley's poem "[[The Rope|Eiseley/TheRope]]" (1972):
----

We can ask only the question
nor can we be answered
save through signs.
By many primitive fires around the world
man has striven to climb
out of himself to heaven …

It is my intent
to stay and cast
the wondrous rope still farther.
Fakir, mystic I may be, but this,
[[this is|This Is]] the way we came, the way
of the +++[invisible rope]
&nbsp;
… this is what instructed seers enact,
unknowing the precise sense
in which they cast,
but casting rope or thread
always above them
by dimly smoking fires
or using an old, old symbolism
and climbing
before an audience
the ever-growing tree
up which there run
animals in pursuit.

This is a heavy time to cast my rope.
''I stand unmagical''
knowing only
the trick was done far back
and must be done again.

I let the cord fall and I climb on words,
swaying, ascending,
desperate as man
in the black dark has always swung and climbed
toward some far sky lord he has never seen,
assembling along the ever-lengthening rope
his own dismantled self, the eye that weeps
salt tears
reborn,
the mind
cleansed of its treason and foul unbelief.

''Believe, oh do believe;''
look up,
the rope is there
lent by that devious double agent, night.
Oh now we know
[[the rope|the cord]] is hidden in ourselves to climb.
===
</part>
<<<

 
No --
Another shall Never
(though many may try)
decide or define,
by name, face, or sign,
[[You|Evocative Words/name]] who I knew --
a soul being true.

Yes!
True, untamed and Free:
[[maple|Ich und Du/maple]] twig ~ a twisted key
unlocks the space within,
True is neither and both, ever
held-forth, strange yet kin --
a life being led.

Here --
led so deftly, tethered
(in a thousand [[lines of sight]])
by this Heart which sheltered
words and plans kept right;
our story ages backward --
dreamer being brave.

@@font-size:150%;οφαλ@@

''//oikos// – house/[[home|Home is]] – the form of the formless'' ([[Emerson]]) – ~Prana-Kama – realized in all lifeforms on Earth in graduating degrees.
  See //[[Om|http://en.wikipedia.org/wiki/Om]].// ॐ  (the ''formless'' void [[that begets all things|Kazantzakis]])
//''Ecumenical:''// from Late Latin oecūmenicus, from Greek oikoumenikos, from (hē) oikoumenē (gē), //(the) inhabited (world)//, feminine present passive participle of oikein, to inhabit, from oikos, //house//.

''//philos// – friendship/love – the concentration of the vast'' – [[Kama-Artha|Sevenfold Self]] – the basic life urge in a "social animal": a desiring, suffering, death-conscious and time-conscious creature.

''//anthropos// – humankind – the house of reason'' – ~Artha-Dharma – in //homo sapiens// "the wise" a creature who "can carry the chemistry and the distance of a star inside his head." ([[Eiseley]])

''//logos// – word – the cave of memory'' – ~Dharma-Moksha – language, signs and symbols; Logos in a Greek (Deist? Aurelian?) understanding – all the inherited meanings and living meanings being-made by humankind.
----

Living matter forms to a certain state (mostly certain, but according to a natural design.)  Organic design (not by man) is in essence a 'life plan', //natus mori mundi//.  'The World' is the transformation of a rocky terrestrial (Earth-like) planet into a [[home|Home is]].
{{rjustify{
+++[more]
{{ljustify{
Non-organic matter, on the other hand, fluxes from one form to the next, according to laws and conditions but with little or no certainty.  Think of the weather.  It has patterns and is somewhat predictable, but can you think of any predictions that are less certain?  Humans use concepts such as Chaos Theory to describe non-living complex systems such as weather.

Seeing the ''//form of the formless//'' in ''//oikos//'': Home, rather than human kind, dethrones man—as I feel we should—from the center of life.  Human consciousness is a great perfection of nature, indeed.  But our home in space and time, the ground upon which we stand and spring from, is a deeper and more enduring form than any human //I// or a collection of //I's// can ever be.  This is even despite our new-found capacities to rule the earth or even destroy the perfection dwelling on its outer crust.
}}}
===
}}}
@@font-size:150%;οφαλ@@
*omicron – corresponds with the Phoenician //ayin// 'eye' – Greek //o mikron// 'small o' contrasted with //ō mega// 'great o', which is the final letter of the Greek alphabet.
*phi – this symbol is used to signify the golden ratio (1 + √5) ÷ 2
*alpha – the first letter of the alphabet, corresponds to the Hebrew //aleph//.
*lambda – corresponds to the Hebrew //lamed//, and also the symbol of lambda calculus.

This acronym may be recalled by an image of
''"the om phial"''
(a small container, typically cylindrical and made of glass, used especially for holding medicines)

compound words derivative from these Greek roots:
*[[Ecology]]
*Economy
*Philanthropy
*Philology
*Philosophy
*Anthropology
*Anthroposophy
*Logotherapy

 
Turkish //tiz tátlan// means 'sweet treble'
: or simply //[[tiz tatlan|https://translate.google.com/#tr/en/tiz%20tatlan]]// with no diacritical
: //tiz// -- sharp or high-pitched + //[[tatlan|https://translate.google.com/#tr/en/tatlan]]// the sweet
: a sweet treble like that of a [[songbird|https://translate.google.com/#la/en/carmen%20avis]] or //[[Carmen Avis|Carmen]] ?//
Turkish //aslan// means 'lion' -- evoking the world of Narnia, as well as "[[Little Lion Man|https://en.wikipedia.org/wiki/Little_Lion_Man]]"

Hungarian //tisztátlan// means '[[unclean|https://translate.google.com/#hu/en/tiszt%C3%A1tlan]]'

Hungarian //juhar// means 'maple'

In this particular '[[story-world|Harpyia]]' the Hungarian surname Tisztátlan was Anglicized by one of its family patriarchs to become //''Tillman''// when they immigrated to the United States, settling as farmers in Kansas.

Randy [[Tillman|Obituary]] descends from an adopted lineage which carries the Tillman name.  This proves to be a fitting pseudonym, as several of Randy's ancestral families were "tillers of the earth".
<<<
The origins of Hungarians, or [[Magyars|https://books.google.com/books?id=zSwBAwAAQBAJ&pg=PA39#v=onepage&q&f=false]] as they were also named historically, is a topic of debate … Most experts agree that the Magyar tribes originated somewhere between the Volga River and the Ural Mountains in present day Russia."  Consulting Wikipedia, Hungarian historian and linguist András ~Róna-Tas is cited: "the development of Hungarian started in the region of the rivers ''Kama and Volga'', west of the Urals."
<<<

 
''Cheryl Strayed'' (née Nyland; born September 17, 1968) is an American memoirist, novelist, and essayist. 

Cheryl legally changed her last name to Strayed in May 1995.  "I chose it for myself," she wrote in the memoir //Wild//.  "Its layered definitions spoke directly to my life and also struck a poetic chord: //to wander from the proper path, to deviate from the direct course, to be lost, to become wild, to be without a mother or father, to be without a home, to move about aimlessly in search of something, to diverge or digress//  … From the wild places my straying had brought me, I knew things I couldn't have known before."

From //[[the obliterated place]]://
<<<
When you say you experience my writing as sacred what you are touching is the divine place within me that is my mother.  Sugar is the temple I built in my obliterated place.

… Forgiveness bellows from the bottom of the canoe.  There are doubts, dangers, unfathomable travesties. There are stories you’ll learn if you’re strong enough to travel there. One of them might cure you.
<<<
I learned of Cheryl through her book //[[Tiny Beautiful Things|https://www.amazon.com/Tiny-Beautiful-Things-Advice-Sugar/dp/0307949338]]: Advice on Love and Life from Dear Sugar//.

<<<
//Lost tale unextolled:
these orphans of history
I gather to me.//
-- Randy Tillman

//"History remembers only the celebrated, [[genealogy]] remembers them all."//
--  Laurence Overmire (#211)
<<<

//See the first 500 [[lifelines→|lifelines]]//
!#17 Rainer Maria Rilke
Mapping these links, //"the [[meshwork|winged energy of delight]] grows more and more ardent…"//
<<<
And the rumor that a //[[gazer|Turning]]// existed
stirred the least clearly,
more questionably visible ones.
stirred <html><a href="javascript:;" onclick="window.scrollAnchorVisible('women',null, event)"><b>women</b></a></html>.
<<<
!#26 Ralph Waldo Emerson
//Representative Men// is a collection of seven lectures by Ralph Waldo Emerson, published as a book of essays in 1850. The first essay discusses the role played by "great men" in society, and the remaining six each extol the virtues of one of six men deemed by Emerson to be great:

* Plato ("the Philosopher")
* Emanuel Swedenborg ("the Mystic")
* Michel de Montaigne ("the Skeptic")
* William Shakespeare ("the Poet")
* Napoleon ("the Man of the World")
* Johann Wolfgang von Goethe ("the Writer")

See also //On Heroes, ~Hero-Worship, and The Heroic in History// – a similar series of lectures given by Thomas Carlyle, Emerson's friend and Scottish contemporary.
!#32 Paul Pilkington
<part JustKnecht>

From his Amazon [[author page|https://www.amazon.com/Paul-Pilkington/e/B00J88HKSA/]]:
<<<
Paul Pilkington is a classically trained musician, with a lifelong interest in the relationship between music and mathematics. Reading the novel [[Glass Bead Game]] by Hermann Hesse as a youth, Paul was deeply fascinated by the idea of the game itself. The first games were played in the domains of mathematics and music. Subsequently, the medium was taken up and applied by experts to their own diverse fields of knowledge. Hesse had envisaged the development of the game as being dependent on an in-depth and comprehensive application of the medium to a succession of different subjects. Paul was inspired by the game to pursue a formal education in mathematics, which gave him an in depth understanding of the applied mathematics of acoustics, and the pure arithmetic of ratio and proportion which together are the mathematical foundations of music, which provided the subject matter of the dissertation for his first degree. He followed this with a higher degree which studied logic, grammar, and information theory, and again his dissertation on applying a mathematical model of human hearing to speech recognition was fundamentally concerned with mathematics and music. For more than 25 years, Paul has continued his study of music, mathematics, astronomy, and geometry, in his endeavor to create a playable version of the glass bead game which built on these foundations. After many false starts, he finally discovered the kernel of his version of the game in ancient Norse kennings, as previously used by Ron ~Hale-Evans in his own version of the Glass Bead Game, Kennexions. Paul created a game of structured comparisons and analogies across different subject areas, in the tradition of Pythagoras, Lull, Kepler, Kircher and others who searched for the unifying principles of all knowledge. The three volumes published to date each contain a game based on comparisons and analogies between subject areas including mathematics, music, astronomy, chemistry, religion, botany, poetry, war, cookery and dance. A forthcoming volume will collect notable examples of glass bead game moves from literature, the media, and other diverse sources, and will put into play a range of opening gambits intended to inspire further exploration and elaboration of the form by others, especially in more informal contexts. Paul is sharing his ongoing work at his Twitter account [[JustKnecht|https://mobile.twitter.com/justknecht]].
<<<
</part>
Tweeted October 7, 2016 at 1:30 AM:
Tantra (तन्त्र): literally a 'loom' in which the fabric of nature is woven from the unity of opposites

I replied to him with the word
> <<tiddler [[Evocative Words/yantra]]>>
Paul said: //"Somewhere in your homestead (and a fine homestead it is too) I saw a link to an author who cropped up [[irl|https://en.wikipedia.org/wiki/Real_life]] as the author of a Thames and Hudson book I was browsing on Tantra!  I couldn't retrace the link though."//

I'm encouraged by Paul's assessment of my "homestead" -- this place where I'm writing now -- which borrows from a [[poem|https://books.google.com/books?id=7dFohviLlOkC&pg=PA781]] by Auden.  Philip S. Rawson is #423.
!#46 Leonardo da Vinci

This is the case if you cast your glance on any walls dirty with such stains or walls made up of rock formations of different types.  If you have to invent some scenes, you will be able to discover them there in diverse forms,  in diverse landscapes, adorned with mountains, rivers, rocks, trees, extensive plains, valleys, and hills. You can even see different battle scenes and movements made up of unusual figures,  faces with strange expressions,  and myriad things which you can  transform into a complete and proper form constituting part of similar walls and rocks. These are like the sound of bells, in whose tolling, you hear names and words that your imagination conjures up.

From da Vinci's "[[Treatise on Painting|https://web.archive.org/web/20160322030933/http://www.mirabilissimeinvenzioni.com/ing_treatiseonpainting_ing.html]]"
-- Quoted [[on Twitter|https://twitter.com/hipbonegamer/status/789900187183423488]] by [[Charles Cameron]] (a ‘vagabond monk’ and ~HipBoneGamer, #31)
&emsp;&nbsp;responding to a [[passage by Novalis|https://twitter.com/hipbonegamer/status/789900173119848449]] and addressed to Paul Pilkington (~JustKnecht, #32)
!#224 Novalis
Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to ''that great Cipher-writing which one meets with everywhere'', on wings of birds, shells of eggs, in clouds, in the snow, in crystals, in forms of rocks, in freezing waters, in the interior and exterior of mountains, of plants, animals, men, in the lights of the sky, in plates of glass and pitch when touched and struck on, in the filings round the magnet, and the singular conjunctures of Chance. In such Figures one anticipates the key to that wondrous Writing, the grammar of it; but this Anticipation will not fix itself into shape… +++[alternate translation]
: Various are the roads of man. He who follows and compares them will see strange figures emerge, figures which seem to belong to ''that great cipher which we discern written everywhere'', in wings, eggshells, clouds and snow, in crystals and in stone formations, on ice-covered waters, on the inside and outside of mountains, of plants, beasts and men, in the lights of heaven, on scored disks of pitch or glass or in iron filings round a magnet, and in strange conjunctures of chance. In them we suspect a key to the magic writing, even a grammar, but our surmise takes on no definite forms and seems unwilling to become a higher key.
===


Over his own heart and his own thoughts he watched attentively.  He knew not whither his longing was carrying him.  As he grew up, he wandered far and wide; viewed other lands, other seas, new atmospheres, new rocks, unknown plants, animals, men; descended into caverns…  By and by, he came to find everywhere objects already known, but wonderfully mingled, united; and thus often extraordinary things came to shape in him. He soon became aware of combinations in all, of conjunctures, concurrences.  Erelong, he no more saw anything alone. — In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once.  ''He rejoiced to bring strangers together.''  Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own…

The ''rude, discursive Thinker'' is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an ''Artifice of Thoughts'' //[Gedankenkunststuck//, literally Conjuror's-trick of Thoughts -- {{grem{like the [[Glass Bead Game]]?}}}//]// in its room.  His aim is an infinite Automaton. Opposite to him is the ''rude, intuitive Poet'': this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; ''willfulness and wonder everywhere''.  He is merely dynamical.  Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "''Eclectic Philosophers''"…

Someone arrived there — who lifted the veil of the goddess, at Sais. — But what did he see? He saw — wonder of wonders — himself.

All above from //Pupils at Sais//, 1799.  This was republished as //[[The Novices of Sais|https://www.amazon.com/Novices-Sais-illustrations-Paul-Klee/dp/0974968056]]// and illustrated by Paul Klee (#225).  I ordered a copy of this book the day when I first found reference of Novalis' //"great Cipher-writing"// in a paper titled "Mantics and Hermeneutics".
!Immanuel Kant #336 and Friedrich Schiller #333
According to the American historian of philosophy Karl Ameriks (born 1947):
> Fichte //[see [[dialectic]]]//, Hegel (#334), Schelling, Schiller (#333) {{grem{[who was a friend and collaborator of Goethe, #332]}}}, Hölderlin (#335), Novalis (#224), and Friedrich Schlegel ''all'' developed their thought in reaction to ''Karl Leonhard Reinhold's reading of Kant''.
//[Layers of meta- and minds on top of each other!]//

Beethoven [[wrote|http://www.gutenberg.org/files/3528/3528-0.txt]]: "Schiller’s poems are difficult to set to music. The composer must be able to rise far above the poet. Who can do that in the case of Schiller? In this respect Goethe is much easier." Also this: “As for me I prefer to set Homer, Klopstock, Schiller, to music; if it is difficult to do, these immortal poets at least deserve it.”

[[John Russell Hayes|http://www.swarthmore.edu/library/friends/ead/5180jrha.xml]] (a Quaker educator, poet, and librarian) wrote:
<<<
//Above the dreaming thunders of Beethoven,
Above the [[Minnesingers|https://en.wikipedia.org/wiki/Minnesang]]' joyous throng,
One Poet [[chants|ECCE]] for me his golden numbers—
Schiller, the tenderest heart of German song.//

-- Hayes' [[poem|https://books.google.com/books?id=sKAsAAAAYAAJ&pg=PA316]] for a 1905 memorial marking the 100th anniversary of Schiller's death
<<<
!#369 Herman Melville
From the //[[Critical Companion to Herman Melville|https://books.google.com/books?id=amPSiPy0XJ4C&pg=PA45]]//:
> The Burgundy Club Sketches were an unfinished collection of poetry and prose sketches.  At the time of his death, Melville left unfinished an extensive project that was to focus on European art and history…  The first of the long works that were to form the core of this collection, "At the Hostelry" (first published in 1924), takes the form of a verse symposium among 30 great European painters ["disputatious old masters", Robert Levine wrote] presided over by the genial Marquis de Grandvin.
Levine [[went on|https://books.google.com/books?id=xGEgAwAAQBAJ&pg=PT147]] to say:
> Poetic sequences interspersed with prose commentary [was] a ''hybrid genre'' Melville often favored in his late work.  (//John Marr//, for instance, opens as a prose tale about the retired sailor's loneliness in a provincial landlocked midwestern town.) …This material [the unfinished Burgundy Club Sketches] is too inchoate to allow us to surmise what Melville might finally have made of it.  It certainly shows, however, Melville's ongoing interest in stylistic experimentation; in defining his artistic practice ''transhemispherically, cross-culturally'', and with reference to forms of art other than literature alone; and in stressing the impossibility of sealing off aesthetic experience from the history of religion, science, politics, and war.
Melville's 1891 poem "Buddha" opens with an epigraph taken from James 4:14: //"For what is your life? It is even a vapor that appeareth for a little time and then vanisheth away."//
<<<
Swooning swim to less and less,
&emsp; Aspirant to nothingness!
Sobs of the worlds, and dole of kinds
&emsp; That dumb endurers be—
Nirvana! absorb us in your skies,
&emsp; Annul us into thee.
<<<
According to the //Critical Companion// quoted above, "Melville had a lively interest in Buddhism, to which he came via his reading of the philosopher Arthur Schopenhauer."
!#150 W. H. Auden

//As round his tiny homestead spread
The grand constructions of [[the dead|https://books.google.com/books?id=7dFohviLlOkC&pg=PA781]]…//

His self-chosen poetic forefathers -- Dante, Blake, Rimbaud, Dryden, Catullus, Tennyson, Baudelaire, Hardy and Rilke -- were, "by their common sense of isolation, fit companions 'to one unsocial English boy'."  This was the [[criticism|https://books.google.com/books?id=DJz1vZDy-WYC&pg=PA338]] of Harold Bloom (#303) on Auden's "very fine //New Year Letter// (1 January 1940, at the height of his poetic power)."  Auden wrote this poem the month before his 33rd birthday.

Bloom asserts that "Auden is one of the massive modern sufferers from ''the malady of Poetic Influence'', a variety of melancholy… Poetic Influence, in this sense, has little to do with the transmission of ideas and images from an earlier poet to a later one.  Rather, it concerns the poet's sense of his precursors, and of his own achievement in relation to theirs…  Where did they go wrong, so as to make it possible for him to go right?  In this revisionary sense, in which ''the poet creates his own precursors'' by necessarily misinterpreting them, Poetic Influence forms and malforms new poets…"

In June 1955, Ronald Tolkien (#11) wrote in a [[letter|https://web.archive.org/web/20160513085858/http://www.tolkienestate.com/en/writing/letters/letter-163-to-wh-auden.html]] to Auden:
<<<
All I remember about the start of //The Hobbit// is sitting correcting School Certificate papers… On a blank leaf I scrawled: 'In a hole in the ground there lived a hobbit.'&nbsp; ''I did not and do not know why.''&nbsp; I did nothing about it, for a long time, and for some years I got no further than the production of Thror's Map. But it became //The Hobbit// in the early 1930s…

All this only as background to the stories, though languages and names are for me inextricable from the stories…  {{grem{-- I have copied excerpts from this letter which (to me) are the most interesting}}} +++[background information:]
&nbsp;
… I first tried to write a story when I was about seven. It was about a dragon. I remember nothing about it except a philological fact.  My mother said nothing about the dragon, but pointed out that one could not say 'a green great dragon', but had to say 'a great green dragon'.  I wondered why, and still do.  The fact that I remember this is possibly significant, as I do not think I ever tried to write a story again for many years, and was taken up with language.
: {{grem{This story of Tolkien's childhood appeared in a 2014 [[book|https://www.amazon.com/dp/042527618X/]], then a [[blog post|http://languagelog.ldc.upenn.edu/nll/?p=27890]] "Big bad modifier order" which mentioned "hyperbaton" -- the inversion of normal word order -- and went "viral" through Twitter and the [[blogosphere]] in September 2016.}}}
… It has been always with me: the sensibility to linguistic pattern which affects me emotionally like colour or music; and the passionate love of growing things; and the deep response to legends (for lack of a better word) that have what I would call the North-western temper and temperature … a man of the North-west of the Old World … his heart may remember, even if he has been cut off from all oral tradition, the rumour all along the coasts of the Men out of the Sea.

I say this about the 'heart', for I have what some might call an Atlantis complex.  Possibly inherited, though my parents died too young for me to know such things about them, and too young to transfer such things by words. Inherited from me (I suppose) by one only of my children, though I did not know that about my son until recently, and he did not know it about me. I mean the terrible recurrent dream (beginning with memory) of the Great Wave, towering up, and coming in ineluctably over the trees and green fields.

… There are two strands, or three. A fascination that Welsh names had for me, even if only seen on coal-trucks, from childhood is another… I did not learn any Welsh till I was an undergraduate, and found in it an abiding linguistic-aesthetic satisfaction.  Spanish was another: my guardian was half Spanish, and in my early teens I used to pinch his books and try to learn it: the only Romance language that gives me the particular pleasure of which I am speaking – it is not quite the same as the mere perception of beauty: I feel the beauty of say Italian or for that matter of modern English (which is very remote from my personal taste): it is more like the appetite for a needed food.
: {{grem{Tolkien was orphaned at the age of 12 and raised by Father Francis Xavier Morgan (1857-1935, a half Welsh and half ~Anglo-Spanish Catholic priest.) His parents were Arthur Reuel Tolkien (1857–1896, who died of rheumatic fever) and Mabel Suffield (1870–1904, who died of diabetes).}}}
Most important, perhaps, after Gothic was the discovery in Exeter College library, when I was supposed to be reading for Honour Mods, of a Finnish Grammar.  It was like discovering a complete wine-cellar filled with bottles of an amazing wine of a kind and flavour never tasted before. It quite intoxicated me… and my 'own language' – or series of invented languages – became heavily Finnicized in phonetic pattern and structure.
===


//The Lord of the Rings// as a story was finished so long ago now that I can take a largely impersonal view of it, and find 'interpretations' quite amusing; even those that I might make myself, which are mostly //post scriptum//: I had very little particular, conscious, intellectual, intention in mind at any point.  Take the +++[Ents…]
&nbsp;
for instance.  I did not consciously invent them at all. The chapter called 'Treebeard', from Treebeard's first remark on p. 66, was written off more or less as it stands, with an effect on my self (except for labour pains) almost like reading some one else's work. And I like Ents now because they do not seem to have anything to do with me. I daresay something had been going on in the 'unconscious' for some time, and that accounts for my feeling throughout, especially when stuck, that I was not inventing but reporting (imperfectly) and had at times to wait till 'what really happened' came through. But looking back analytically I should say that Ents are composed of philology, literature, and life. They owe their name to the //eald enta geweorc// of ~Anglo-Saxon, and their connexion with stone. Their pan in the story is due, I think, to my bitter disappointment and disgust from schooldays with the shabby use made in Shakespeare of the coming of 'Great Birnam wood to high Dunsinane hill': I longed to devise a setting in which the trees might really march to war.  And into this has crept a mere piece of experience, the difference of the 'male' and 'female' attitude to wild things, the difference between unpossessive love and gardening. 
===


Well now I am really getting garrulous. I do hope you will not be frightfully bored. I hope also to see you again some time. In which case we may perhaps talk about you and your work and not mine. Any way your interest in mine is a considerable encouragement. With very best wishes.

Yours sincerely, 
J. R. R. Tolkien.
<<<
!#283 Henry Ward Beecher
//What lifelines innumerable! How full the universe is!//

Beecher made a reference to greyhounds:
<<<
No man can do his best work except along the line of his strongest faculties…  What if a farmer should harness greyhounds together and plough with them?  What if racing on the track was to be made by oxen?  An ox is for strength, a greyhound for speed; but men are greyhounds where they ought to be oxen, and oxen where they ought to be greyhounds, all their lives.  How should they know?  By their blunders mostly.  How often most admirable men of ideas are mere copyists!  They generate thought, ''they have latent poetry in them'', they have latent inspirations; if they had been put in the right avenues, these men would have been thinkers, and ''their life like the outpouring of music''…  One half of the energy of life is badly applied.

-- From a lecture delivered by Henry Ward Beecher (an American preacher) in Dublin, Ireland circa 1886, near the end of his life.
<<<
[[Chungliang Huang|Letters with Chungliang Huang]] (#2 of the second 500) says about Tai Ji practice, "Hopefully, we will not become racehounds."  As I remarked in the notes attached to my letter, "There is a personal irony for me reading this simile, recalling that two trainers of race hounds met each other in 1979, which led to my birth."
!#296 Adam Smith
> "Those who are [[men of speculation|Those who are called philosophers]], whose trade it is not to do any thing, but to observe every thing, are, upon that account, often capable of //''combining together the powers of the most distant and dissimilar objects''// in the progress of society.
This is quoted on my project's [[About Page|http://conversings.blogspot.com/p/about.html]], preceding the passage about Ray Johnson -- an ironic statement, as this endeavor strives to manifest "a particularly vivid moment //''outside the economy, outside the machinery of our culture''.//"  I intentionally omitted the word "philosophers" and chose to use Smith's second descriptor, "or men of speculation".

Also stated in //The Wealth of Nations//:
> "The difference of natural talents in different men is, in reality, much less than we are aware of; and the very different [[genius]] which appears to distinguish men of different professions, when grown up to maturity, is not upon many occasions so much the cause as the effect of the division of labour. The difference between the most dissimilar characters, between a philosopher and a common street porter, for example, seems to arise not so much from nature as from habit, custom, and education. "
!#261 Augustine of Hippo

Petrarch (Francesco Petrarca) is best known for his Italian poetry, notably the //Canzoniere// ("Songbook") and the //Trionfi// ("Triumphs").  However, Petrarch was an enthusiastic Latin scholar and did most of his writing in this language.  His Latin writings include scholarly works, introspective essays, letters, and more poetry.  Among them are //[[Secretum Meum|https://en.wikipedia.org/wiki/Secretum_(book)]]// ("My Secret Book"), an intensely personal, guilt-ridden ''imaginary dialogue'', circa 1350, with Augustine of Hippo (who lived ''354–430''); also //[[De Viris Illustribus|https://en.wikipedia.org/wiki/De_Viris_Illustribus_(Petrarch)]]// ("On Famous Men"), a series of moral biographies; and the //[[Carmen Bucolicum|https://en.wikipedia.org/wiki/Bucolicum_carmen]]//, a collection of 12 pastoral poems.
<part Doctors>

''Doctors of the Catholic Church:''
257. Thomas Aquinas (1225–1274, proclaimed in 1568)
258. [[Hildegard|https://books.google.com/books?id=hl6uCgAAQBAJ&pg=PT393]] of Bingen (1098–1179, [[proclaimed|http://w2.vatican.va/content/benedict-xvi/en/apost_letters/documents/hf_ben-xvi_apl_20121007_ildegarda-bingen.html]] in 2012 by Benedict XVI, #263)
260. Gregory of [[Nazianzus]] (329–389, proclaimed in 1568; also one of the Three Holy Hierarchs)
261. Augustine of Hippo (354–430, proclaimed in 1298)
—— Gregory of Narek (951–1003, [[proclaimed|https://w2.vatican.va/content/francesco/en/messages/pont-messages/2015/documents/papa-francesco_20150412_messaggio-armeni.html]] in 2015 by Pope Francis, #264)
** wrote the [[Book of Lamentations|https://web.archive.org/web/20160312125207/http://stgregoryofnarek.am/book.php?parent_id=2&type=2&type_1=none]]

Other Catholic saints on my list: Francis (#259) and Andrew (#262)
</part>
!#363 John Donne

<<tiddler [[For Whom the Bell Tolls]]>>
!#218 Jack Kerouac

The [[Jack Kerouac School of Disembodied Poetics|https://www.brainpickings.org/2015/08/10/parker-palmer-naropa-university-commencement-address/]] at Naropa University was founded in 1974 by Allen Ginsberg and [[Anne Waldman|https://web.archive.org/web/20120610145616/http://www.naropa.edu/swp/faculty/a_waldman.cfm]].

From Brain Pickings:
> In 1974, the Tibetan Buddhist teacher and Oxford alumnus Chögyam Trungpa founded Naropa University in Boulder, Colorado — a most unusual and emboldening not-for-profit educational institution named after the eleventh-century Indian Buddhist sage Naropa and intended as a 100-year experiment of combining the best methodologies of Western scholarship with the most timeless tenets of Eastern wisdom, fusing academic and experiential learning with contemplative practice.  Under the auspices of its Jack Kerouac School of Disembodied Poetics, founded by Allen Ginsberg, the university hosted a number of lectures and readings by such luminaries as John Cage, William S. Burroughs, and Jack Kerouac himself, for all of whom Buddhism was a major influence.
!#457 The Wachowskis
<part Matrix>

<<tiddler [[red pill]]>>

//The Matrix// was written by Lana (formerly Larry) and Lilly (formerly Andy) Wachowski.  The 1996 version of the screenplay is archived at [[Area51/Capsule/8448/|https://web.archive.org/web/20000817201909/http://www.geocities.com/Area51/Capsule/8448/Matrix.txt]].

As with other written works I admire, I used Wolfram's (#77) Programming Lab to render the screenplay as a +++[word cloud…]
&nbsp;

[img(70%,)[Word Cloud|https://c2.staticflickr.com/6/5637/29803847804_5333099ecd_o.png][https://www.flickr.com/photos/39042429@N00/29803847804//]]
===
</part>
!#459 William S. Wilson
<part BillWilson>

Quoted by Madelyn Starbuck in "[[Clashing and Converging: Effects of the Internet on the Correspondence Art Network|http://www.lib.utexas.edu/etd/d/2003/starbuckmk032/starbuckmk032.pdf]]" investigating [[mail art object]]s:
<<<
The phrase ''"stable open system"'' I borrow from [[Michael Polanyi|https://books.google.com/books?id=QPPIBQAAQBAJ&pg=PA406]], who borrowed the words to describes life as a stable open system.  The implication here is that mail-art is a model for systems that enhance the animation and livingness of life, and that it must be aware of the structures and functions of other systems, ranging from postal services through to museums.  ''Not entertainment, but art'', has in our culture often worked to ''break "the mind-forged manacles"'' @@color:grey;(William Blake's [#146] [[poem|http://www.poetryfoundation.org/poem/172929]]),@@ and to enable people to fly beyond the nets of nationalism, religion and language.
: {{body{ "When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets."
-- James Joyce (#59), //A Portrait of the Artist as a Young Man//}}}
<<<
From Blake's poem "London":
<<<
In every cry of every Man, 
In every Infants cry of fear, 
In every voice: in every ban, 
The mind-forg'd manacles I hear 
<<<
</part>
<part Joyce>
!#59 James Joyce
In Richard Ellmann's biography of Joyce, published in 1959 and revised in 1982, he wrote:
> In prose [Joyce] thought he might achieve more subtlety than in meter.  Accordingly he began in 1900, and continued until 1903, to write a series of what, because he was following no one, he declined to call //prose poems// as others would have done.  For these he evolved a new and more startling descriptive term, 'epiphanies' … The ''epiphany'' was the sudden //'revelation of the whatness of a thing,'// the moment in which //'the soul of the commonest object . . . seems to us radiant.'//  The artist, he felt, was charged with such revelations, and must look for them not among gods but among men, in casual, unostentatious, even unpleasant moments…  They vary also in style: sometimes they read like messages in an unfamiliar tongue; their brilliance lies in their peculiar baldness, their uncompromising refusal of all devices which would render them immediately clear.  At other times they are deliberately unenciphered, and lyrically biased.
</part>
!On Poetry

<part Lawrence>
D. H. Lawrence (#147) [[wrote|https://books.google.com/books?id=ZHQ6PuCpezEC&pg=PA109]]:
"Man, and the animals, and the flowers, all live within a strange and forever-surging chaos.  The chaos which we have got used to we call a cosmos.  The unspeakable inner chaos of which we are composed we call consciousness, and mind, and even civilization … But man cannot live in chaos … Man must wrap himself in a vision, make a house of apparent form and stability, fixity … Man fixes some wonderful erection of his own between himself and the wild chaos, and gradually goes bleached and stifled 
under his parasol.  Then comes a poet, enemy of convention, and makes a slit in the umbrella; and lo! the glimpse of chaos is a vision, a window to the sun."
</part>

William Butler Yeats (#473) wrote from [[Stone Cottage|http://www.nytimes.com/1988/01/10/books/the-odd-couple-pound-and-yeats-together.html?pagewanted=all]] in 1913 [cited [[here|https://web.archive.org/web/20161116223050/http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935338.001.0001/oxfordhb-9780199935338-e-98?mediaType=Article#ref_oxfordhb-9780199935338-e-98-note-40]]], to "a young poet" Peter ~McBrien (#448),  recommending that he use “the natural words in the natural order…”
I discovered ~McBrien after searching out the phrase "on the edge of a [[crater]]" -- which I used in this [[message|2015-07-24]] to my wife twelve days after our wedding -- then found the same words in Lord Dunsany's [[writings|https://books.google.com/books?id=IfXcj_WZvNMC&pg=PA10]], and //then// came upon this [[review|http://www.jstor.org/stable/30092686?&seq=1#page_scan_tab_contents]] of several Irish plays (including by Dunsany) which Peter ~McBrien penned in 1918.
: I quoted ~McBrien's evocative phrase "''for want of a wall to sun their frescoes with''" in the wiki node [[genius]].
!#240 Sigmund Freud 
<part TotemTaboo>
Although anthropologists concur that Freud's //[[Totem and Taboo|https://en.wikipedia.org/wiki/Totem_and_Taboo]]// (1913) is "totally discredited", novelist Thomas Mann (#344) wrote that //Totem and Taboo// made a stronger impression on him than any of Freud's other works, and that of all Freud's works it had the greatest artistic merit.  Psychologist David P. Barash writes that in //Totem and Taboo// Freud "combines idiosyncratic, almost crackpot fantasy with startling profundity and originality."   Psychologist Sonu Shamdasani (#415) argued that Freud applied to history "the same method of interpretation that he used in the privacy of his office to 'reconstruct' his patients' forgotten and repressed memories."

The concept of ''Totem and Taboo'' appeared in my [[Six-Pointed Shield|Divine Triangle/Shield]] metaphor.
</part>
!Common Denominators
<part curators>

''Curators''
&thinsp;&nbsp;43. John Chris [[Jones]]
&thinsp;&nbsp;77. Stephen [[Wolfram|https://reference.wolfram.com/language/howto/UseCuratedData.html]]
102. Krista [[Tippett|http://www.onbeing.org/]]
199. Annie [[Dillard|http://www.anniedillard.com/books-annie-dillard.html]]
292. Maria [[Popova|https://www.brainpickings.org/about/]]
306. Mortimer [[Adler|Synopticon]]
[[Sembl]] (#497) and kin ([[softopia|imaginary rock foundation]], [[remuse|re: muse]], and the [[blogosphere]])
</part>
<part Criticism>

''Criticism''
303. Harold Bloom
** [[Genius]] and [[Agon|Emperor/agon]]
488. Truman Capote
** established a Literary Trust through his estate, awarding an annual [[Truman Capote Award for Literary Criticism|https://en.wikipedia.org/wiki/Truman_Capote_Award_for_Literary_Criticism]] in memory of Newton Arvin
484. Alfred Kazin (1996 for lifetime achievement)
386. George Steiner (1998 for lifetime achievement)
486. Seamus Heaney (2003 Capote Award)
391. Marina Warner (2013 Capote Award)
—— Kevin Birmingham (2016 Capote Award for his first book on James Joyce's [#59] //Ulysses//)
</part>

+++[Lines of Religious Influence]
<part Religious>

(See #261 Augustine of Hippo, and the [[Doctors of the Catholic Church|1000 lifeline notes/Doctors]])

The twelve people listed under the [[Hierophant]] "symbol" (all still living) are among the first 500 [[lifelines]].  Each of these bear a link in their lives to the Teacher, Priest, or Priestess role, and uphold a body of tradition and meanings which I have personally encountered.  This list ended with Stephen Mark Veazey (#279), who is "~Prophet-President" of the Community of Christ (a denomination of the Latter Day Saint movement, a Mormon offshoot.)&nbsp;  After him is George Fox (#280), a founder of the Religious Society of Friends, and fellow [[Quakers|Quaker]] John Woolman and Thomas R. Kelly.  I also include the Quaker poets Lohmann (#207) and Whittier (#208).  Irene Lape (#206) maintains the blog [[Catholic-Quaker|http://catholicquaker.blogspot.com/]] and wrote //Leadings: A Catholic's Journey Through Quakerism// -- entwining two spiritual traditions of my life.

Two other men may possibly relate with the "Hierophant" archetype: ''Jiddu Krishnamurti'' (#326, 1895–1986), groomed in his youth by Annie Besant and the Theosophist movement to be the "new World Teacher"; and ''Paramahansa Yogananda'' (#327, 1893–1952), who wrote //Autobiography of a Yogi// in 1946.  Yogananda was the spiritual guru for one of my role models.  On the other hand, no one I personally know has told me of being guided by Krishnamurti's teachings.
</part>
===

<part Paul>

''Sixteen Pauls:''
&thinsp;&nbsp;19. Paul [[Cezanne]]
&thinsp;&nbsp;32. Paul [[Pilkington|a fugal theme]]
130. Paul [[Tillich|courage to be]]
131. Paul [[Fleischman|the circle of religious elements]]
142. Paulo Coelho -- wrote //The Alchemist//
157. Paul Verlaine -- French Symbolist poet
166. Paul Hewson -- co-creator of U2
187. Paul Éluard -- French Surrealist / Dada poet
225. Paul Klee -- ~Swiss-German painter and member of [[Der Blaue Reiter|https://en.wikipedia.org/wiki/Der_Blaue_Reiter]] movement
243. Paulo [[Freire|a true word]]
273. Paul Foster [[Case|Builders of the Adytum]]
308. Paul [[Otlet|bibliographer]]
336. Paul [[Ricoeur|Triple quest for self]]
343. Paul Valéry -- French poet and philosopher
432. Pauline [[Sameshima|dance]] -- author of "Re-imagining Arts Integration: Rhizomatic Relations of the Everyday"
476. Paul Celan -- Romanian Jewish poet and translator
</part>

There are seventeen people on [[The List|http://conversings.blogspot.com/p/the-list.html]] named William (or the female form Willa.)

There are seventeen people named John (or Johann), two named Jonathan, and two with the French form Jean (or three, if Jack Kerouac is included.)   There are five women named Jan, Jane, or Jeanne.  Francis of Assisi was born as Giovanni di Bernardone, with the Italian form of the name.  Evan S. Connell was named with the Welsh form.
<html><a name="women"/></html><part women>

+++[Conversations With Women]
&nbsp;
My list includes 396 men and 108 women (four of these being transgendered.)  The women follow:
: A cross-section of these, in sequences of 3^^3^^ (27) is: Carmen Solsiete, Frida Kahlo, Caits Meissner, Edith Wharton, and Maya Tillman.
&nbsp;&nbsp;&nbsp;1. [[Carmen]] Avis Solsiete
** fifth in my [[lines of sight]], and my first person outside the core of home, parents and fatherhood (the archetypes as well as the four particular souls)
** anima/animus -- and my longed-for compañera
** On Her 34th [[Birthday]] -- a precursor to her letter?
** Carmen's brother Christopher (1966-2011) is #498.
&nbsp;&nbsp;&nbsp;2. [[Lily|lily]] K. ~McCulloch
&nbsp;&nbsp;&nbsp;4. Marie Hay
&nbsp;&nbsp;&nbsp;9. Madeleine [[L'Engle]]
&thinsp;&nbsp;12. Moleta J. Grutz (born 1916)
&thinsp;&nbsp;13. Moleta G. Leiker (born 1963)
&thinsp;&nbsp;24. Anne Frank
&thinsp;&nbsp;29. Maria [[Montessori]]
&thinsp;&nbsp;37. Susan Kennedy, [[SARK]] (born 1954)
&thinsp;&nbsp;38. Miriam Simos, [[Starhawk]] (17 June 1951)
&thinsp;&nbsp;39. Cheryl [[Strayed]] (née Nyland, 17 September 1968) 
&thinsp;&nbsp;40. Eva Marie Cassidy (2 February 1963)
&thinsp;&nbsp;48. Sally Hemings
&thinsp;&nbsp;49. Harriet Ross Tubman
&thinsp;&nbsp;62. Cyd Ropp, "[[A Simple Fractal Model of the Conscious Universe|http://asimpleexplanation.blogspot.com/2011/01/simple-fractal-model-of-conscious.html]]"
&thinsp;&nbsp;64. Kimberly Rose ([[Viewpoints Research Institute|http://www.vpri.org/html/people/founders.htm#kim]])
&thinsp;&nbsp;67. Leigh Grindal (12 Feb 1957)
&thinsp;&nbsp;74. Colleen Cordes ([[The Nature Institute|http://natureinstitute.org/about/staff/ccordes.htm]])
&thinsp;&nbsp;87. Holly Herndon (born 1980)
102. Krista Tippett (9 November 1960)
105. Emily [[Dickinson]]
109. Mary [[Oliver|Messenger]] (10 September 1935) 
110. Joyce Sutphen (10 August 1949)
111. H.D. (née Hilda Doolittle)
118. Eleanor Cameron
120. Ellen Raskin (13 March 1928)
121. Elaine Lobl Konigsburg (10 February 1930)
123. Frida Kahlo (Magdalena Carmen Frieda Kahlo y Calderón)
126. Sylvia Plath
141. Helen Cohn Schucman
144. A. S. Byatt (24 August 1936)
161. Enya Brennan (17 May 1961)
162. Roma Ryan
164. Joanna [[Newsom]] (18 January 1982)
171. Dido (née Florian Cloud de Bounevialle O'Malley Armstrong, 25 December 1971)
172. Natalie Merchant (26 October 1963)
173. Anna Nalick (30 March 1984) 
175. Sarah ~McLachlan (28 January 1968)
176. Alanis Morissette (1 June 1974) 
181. Lou ~Andreas-Salomé
183. Mira Fong
184. Jane [[Hirshfield|the work of feeling]] (24 February 1953)
185. Joanne Diaz
186. Minnie Bruce Pratt (12 September 1946)
195. Dorothy Bryant (born 1930)
196. Helen Keller
197. Karen Armstrong (14 November 1944)
199. Annie Dillard (30 April 1945)
200. Barbara Brown Taylor
206. Irene Lape
207. Jeanne Lohmann
210. Arlette Farge
213. Marie Tillman
233. Mary Shelley
250. Caits Meissner
251. Catherine ~Black-Ward
258. Hildegard of Bingen
267. [[Pema]] Chödrön (née  Deirdre ~Blomfield-Brown, 14 July 1936)
268. Ayya Khema (Ilse Kussel)
269. Jan Chozen Bays
270. Molly Traffas
271. Lana Leonard
272. Rachel Grace [[Pollack|Rachel Pollack]] (17 August 1945)
274. Carol K. Anthony
278. Regina Yarchever Heit &emsp;{{grem{(And from another musical / religious tradition: Cecile [[Gertken]].)}}}
286. Elizabeth Spring (née Janet Fenn)
287. Margaret Atwood (18 November 1939) 
291. Dorothy Parker
292. Maria Popova (28 July 1984)
307. Erin ~McKean (born 1971)
316. Hillary Rodham (26 October 1947)
328. Hannah Arendt
352. Gertrude Stein
367. Jane Austen
370. Charlotte Brontë
370. Emily Brontë
370. Anne Brontë
371. Virginia Woolf
372. George Eliot
373. Willa Cather
374. Dorothy Sayers
375. Edith Wharton
378. Brenda Wineapple
391. Marina Warner (9 November 1946)
394. Jane Goodall (3 April 1934)
395. Shelley Jackson (born 1963)
399. Lynn Ann Conway (2 January 1938)
417. Rachel Corbett
420. Stevie Smith
424. Anna Akhmatova
425. Judith Wright
432. Pauline Sameshima
445. Isabel Briggs Myers
446. Alice Miller (Englard)
450. Jennifer Michael Hecht (23 November 1965)
452. Elizabeth Hill Boone (6 September 1948)
457. Lana Wachowski (born 1965)
457. Lilly Wachowski (born 1967)
461. Carson ~McCullers
464. Ursula K. Le Guin (21 October 1929)
465. Marion Zimmer Bradley (3 June 1930)
481. Sara Baume
483. Ayn Rand
491. Susan Kornfeld "[[The Prowling Bee|http://bloggingdickinson.blogspot.com/]]"
493. T. of "[[Read A Little Poetry|https://readalittlepoetry.wordpress.com/]]"
494. Ruby "[[And Then She Recovered|http://andthenshedisappeared.blogspot.com/]]"
497. Cath Styles, +++[Sembl]
: {{body{ From her [[LinkedIn page|https://au.linkedin.com/in/catherinestyles]]:
//My mission is to create space for open, playful *dialogue* – in the sense that Paolo Freire and David Bohm meant it – of co-intention, or collaborative or stereophonic sensemaking. One way I do that is through [[Sembl|http://sembl.net/]], a game of analogy.// }}}
===

499. Maya S. Tillman

//See "conversations with women" in the [[Google Books corpus|https://www.google.com/search?q=%22conversations+with+women%22&tbm=bks]].//
===
</part>


+++[Assorted Links]
[[Kahlil Gibran|http://www.nytimes.com/books/first/w/waterfield-prophet.html]]
[[Mikhail Bakhtin|https://en.wikipedia.org/wiki/Mikhail_Bakhtin#Problems_of_Dostoyevsky.27s_Poetics:_polyphony_and_unfinalizability]]
[[Benjamin Friedlander|http://wings.buffalo.edu/epc/authors/friedlander/]]
[[Sam Graham-Felsen|https://twitter.com/samgf]]
[[Walt Whitman -- The Erotic Whitman|https://web.archive.org/web/20161111223337/http://publishing.cdlib.org/ucpressebooks/view?docId=kt067nc4vr&chunk.id=ss1.04&toc.id=ch04&brand=ucpress]]
[[René Girard|https://web.archive.org/web/20160415144014/http://rsn.aarweb.org/articles/tribute-rene-girard-1923-2015]]
[[Peter McBrien|https://archive.org/stream/poemsmcbrien00mcbrrich#page/n5/mode/2up]]
[[Stevie Smith|https://books.google.com/books?id=8Fmeqft_g1EC&pg=PA329]]
[[Peter McBrien -- National Library of Ireland|http://catalogue.nli.ie/Author/Home?author=McBrien%2C%20Peter]]
[[William McBrien on Cole Porter|https://books.google.com/books?id=c_626l6Hj_4C&pg=PR9]]
===

<<tiddler ergodic>>

''The Seventh Mindfulness Training: //Dwelling Happily in the Present Moment//''
Aware that life is available only in the present moment and that it is possible to live happily in the here and now, I am committed to training myself to live deeply each moment of daily life. I will try not to lose myself in dispersion or be carried away by regrets about the past, worries about the future, or craving, anger or jealousy in the present. I will practise mindful breathing to come back to what is happening in the present moment. I am determined to learn the art of mindful living by touching the wondrous, refreshing and healing elements that are inside and around me, and by nourishing seeds of joy, peace, love and understanding in myself, thus facilitating the work of transformation and healing in my consciousness.

 
September 26, 2016 and //again//, in the early days of October:

Make //this// my practice --
{{font150{''end my wiki-writing''}}}
-- return to the life of feeling and action.

32 months ago, I quoted: //"You stay in Wonderland, and I show you how deep [[the rabbit hole|wiki reloaded]] goes."//
You've journeyed deep enough!

As summer ended, I conceived of the plan //"to cease all revisions and additions by September 24, 2016 — concluding 64 months of experimental writing."//

''October 7, 2016''
This is the end for Dialectic Dad and Remuse.  Today, a new endeavor took shape in my mind.  Do I have the focus for it, when a horde of long-neglected responsibilities are demanding my attention?
I want to //try at this thing// -- now is the time to decide and act!

As I go forward, remember to ''take care of myself:''

*Take care in what I eat and drink
*Abstain from intoxicants
*Respect my physical needs for sleep and nourishment
*Honor the need for touch
*Express the need for motility
*Exercise not as a //noun//: to take on as a "self-improvement" regimen, but as a //verb//: I exercise my limbs and muscles, my balance, strength, and response
*Perhaps through dance, yoga, Pilates, or t'ai chi?
*Abstain from pleasuring as a "stimulant at the tired spots of my life, and as a distraction" ... when tired, stressed, or lonely
*Get out of my head and be among people: physically near, and unafraid to touch, be touched, or be seen (ungirded by intellect, social position, or barriers of words)

(This list formulated March 22, 2013.)

Regarding physical intimacy — sometimes troubled in my life (as it is for other people):
<part Rilke>
<<<
Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and //apply it as a stimulant at the tired spots of their lives and as distraction// instead of a rallying toward exalted moments.
...
Sex is difficult; yes. But those tasks that have been entrusted to us are difficult; almost everything serious is difficult; and everything is serious. If you just recognize this and manage, out of yourself, out of your own talent and nature, out of your own experience and childhood and strength, to achieve a wholly individual relation to sex (one that is not influenced by convention and custom), then you will no longer have to be afraid of losing yourself and becoming unworthy of your dearest possession.
—from //Letters to a Young Poet// by Rainer Maria [[Rilke]]
<<<
</part>
<part TurbidOcean>
Sexuality can be, to borrow another man's phrasing ([[Sean Abreu|http://web.archive.org/web/20120119134052/http://www.thetwelvesigns.com/celestialblog/?p=374]]) about the astrological sign Scorpio:
"a burdened, billowing, and [[turbid ocean|crush/Scorpio]]."  (//turbare// - "to stir up") ... The Moon was in the sign of Scorpio at my birth.
</part>
!I ask myself: &nbsp;//How do I ''connect'' right now?//

Dido sang //"I want to feel safe in my own skin..."//

+++[The Practice of Wearing Skin — Incarnation]
<part sacrament>

Chapter Three from //An Altar in the World// by Barbara Brown Taylor
<<<
"While we might not have one other thing in common, we all wore skin.  We all had breath and beating hearts.  Most of us had wept, although not for the same reasons.  Few of our bodies worked the way we wanted them to.  The vast majority of us were afraid of dying.
...
However differently you and I may conceive the world, God, or one another, physical reality is something we can usually agree on.  When the temperature drops below 32 degrees, I am as cold as whoever happens to be standing next to me.  When I am sitting next to someone in a meeting and our stomachs growl at the same time, we both shift in our seats, unable to ignore a connection more fundamental than knowing each other's names.
...
My body is what connects me to all of these other people.  Wearing my skin is not a solitary practice but one that brings me into communion with all these other embodied souls.  It is what we have most in common with one another."

As Taylor quoted Stanley Hauerwas, is there //''"anything beside the body that can be sanctified"?''//
<<<
</part>
===
&nbsp;

In the following hymn written by Brian Wren, I substitute "Buddha" where he wrote "Jesus."  I believe these names, or others, can be somewhat interchangeable in this deeper meaning.
<<<
<<tiddler [[Good Is The Flesh]]>>
<<<

+++[Examination of the Word Roots]
''honor''
related to //honest// — etymology of the latter:
c.1300, "respectable, decent, of neat appearance," also "free from fraud," from Old French honeste (12c.; Modern French honnête), from Latin honestus "honorable, respected, regarded with honor," figuratively "deserving honor, honorable, respectable," from //honos// (see //honor//, noun). Main modern sense of "dealing fairly, truthful" is c.1400, as is sense of "virtuous."

''physical''
early 15c., "of or pertaining to material nature" (in medicine, opposed to surgical), from Medieval Latin physicalis "of nature, natural," from Latin //physica// "study of nature", from Greek //physike episteme// "knowledge of nature," from //physis// "nature," from phyein "to bring forth, produce, make to grow" (consider //phyton// "growth, plant," //phyle// "tribe, race".)

''being''
Old English //beon, beom, bion// "be, exist, come to be, become, happen," from ~Proto-Germanic *//biju-// "I am, I will be." This "b-root" is from PIE root *//bheue-// "to be, exist, grow, come into being," and in addition to the words in English it yielded German present first and second person singular (//bin, bist,// from Old High German //bim - // "''I am''," //bist - // "''Thou art''"), Latin perfective tenses of esse (//fui// "I was," etc.), Old Church Slavonic //byti// "be," Greek //phu-// "become," Old Irish //bi'u// "I am," Lithuanian //bu'ti// "to be," Russian //byt// "to be," etc. It also is behind Sanskrit //bhavah// "becoming," //bhavati// "becomes, happens," //bhumih// "''earth, world''." 
===

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November 29, 2011

The great man sees far and near and the intimate in-between.  He knows the finiteness of his strength and time.  He knows the greatness of the small, the concentration of the vast.

An individual is a fruit which it cost all the men of foregoing ages to form and ripen.  If only he __sees__, the world will be visible enough, with ''all the hum of matter'' in his ears.  Nature replies, "I grow, I grow."
:drawn in large part from "The Method of Nature" by Ralph Waldo [[Emerson]]
----

March 14, 2014 commentary, expanded February 24, 2016
<part Gilgamesh>

//The great man// evokes Gilgamesh -- an old legend of manhood I have no part of:
<<<
Surpassing all kings, powerful and tall
beyond all others, violent, splendid,
a wild bull of a man, unvanquished leader,
hero in the front lines, beloved by his soldiers —
//fortress// they called him, //protector of the people,
raging flood that destroys all defenses —//

The city is his possession, he struts
through it, arrogant, his head raised high,
trampling its citizens like a wild bull.
He is king, he does whatever he wants,
takes the son from his father and crushes him,
takes the girl from her mother and uses her,
the warrior's daughter, the young man's bride,
he uses her, no one dares to oppose him.
…
"You have created an arrogant wild bull in ~Uruk-the-Sheepfold … his weapons always ready, his companions are kept on their feet by the ball … Yet he is the shepherd of ~Uruk-the-Sheepfold, Gilgamesh, [who guides the] teeming [people], he is their shepherd and their powerful, preeminent, expert …"
…
{{grem{[He trumpets brashly:]}}}
I will cut down the tree, I will kill Humbaba
I will make a lasting name for myself,
I will stamp my fame on men’s minds forever.
<<<
The opening words of this passage were stored in my memory for several years with a flawed summation, //'The great man is tall.'//

</part>
+++[Expansions of the quoted passages from Emerson:]
<<<
<<tiddler [[Method of Nature]]>>
<<<
===
&nbsp;

''All the hum of matter'' (in his ears) appears to be my creation … it does occur in a poem elsewhere:
<<<
We listen for…
the circular voice of the soul
ringing in our own souls, shaping us.
The chime of our creation doubles back,
a hum of matter, a gong of a word spoken
before our birth, before the golden bowl
was broken, the silver cord snapped.
—from "Singing Bowl" in //Water Lines// by Luci Shaw
<<<
Until today I had never read Shaw's poetry, but I knew of her friendship with Madeleine [[L'Engle]].

Jiddu Krishnamurti wrote in 1980 (at age 85):
<<<
The core of Krishnamurti’s teaching is contained in the statement he made in 1929 when he said, //“''Truth is a pathless land''”//.  Man cannot come to it through any organization, through any creed, through any dogma, priest or ritual, not through any philosophical knowledge or psychological technique. He has to find it through the mirror of relationship, through the understanding of the contents of his own mind, through observation and ''not through intellectual analysis or introspective dissection.''

Man has built in himself images as a fence of security—religious, political, personal.  These manifest as [[symbols, ideas, beliefs|lines of sight]].  The burden of these images dominates man’s thinking, his relationships, and his daily life. These images are the causes of our problems for they divide man from man.  His perception of life is shaped by the concepts already established in his mind. The content of his consciousness is his entire existence. The individuality is the name, the form and superficial culture he acquires from tradition and environment.
<<<

 
*William Howard Taft was the President of the United States of America, in the final year of his term.  He had followed as Theodore Roosevelt's hand-picked successor, but did not prove as popular a president or fully committed to Roosevelt's Progressivist agenda.
*Woodrow Wilson was elected the next president in November 1912, with 42% of the popular vote.  Roosevelt, in an attempted return to the presidency, won 27% of the vote, Taft won 23%, and 6% or 901,000 people voted for the Socialist candidate.  This was the highest percentage of the popular vote ever received by a Socialist Party candidate in the United States.
*The 47th and 48th continental U.S. states (New Mexico and Arizona) were admitted to the Union.
*Unknown to the people of the time, they were living in the last years of peace before the Great War (World War I.)
* The Christian sect of Jehovah's Witnesses mark the "end times" of the world as beginning in 1914, under their most current +++[interpretations.]
: //From the Jehovah's Witnesses "Watchtower" publication “Let Your Kingdom Come” — But When?//
<<<
In his detailed prophecy about the conclusion of this system of things, Jesus said: “This generation will by no means pass away until all these things happen.” (Matthew 24:33-35.)  We understand that in mentioning “this generation,” Jesus was referring to two groups of anointed Christians. The first group was on hand in 1914, and they readily discerned the sign of Christ’s presence in that year. Those who made up this group were not merely alive in 1914, but they were spirit-anointed as sons of God in or before that year.

The second group included in “this generation” are anointed contemporaries of the first group. They were not simply alive during the lifetime of those in the first group, but they were anointed with holy spirit during the time that those of the first group were still on earth. Thus, not every anointed person today is included in “this generation” of whom Jesus spoke. Today, those in this second group are themselves advancing in years.  Yet, Jesus’ words at Matthew 24:34 give us confidence that at least some of “this generation will by no means pass away” before seeing the start of the great tribulation. This should add to our conviction that little time remains before the King of God’s Kingdom acts to destroy the wicked and usher in a righteous new world.
<<<
===
&nbsp;

* RMS //Titanic// sunk in the northern Atlantic Ocean on April 15; more than 1,500 people perished.
* Rabindranath Tagore published //Song Offerings// which was awarded the 1913 Nobel Prize in Literature.  Tagore is a beloved poet of Randy's mentor Father Elias.
* See the [[Goodreads Popular Books of 1912|http://www.goodreads.com/book/popular_by_date/1912]]

* Wassily Kandinsky, age 45, developed his abstract painting style in the work known as his [[Blue Rider Period|https://en.wikipedia.org/wiki/Wassily_Kandinsky#Blue_Rider_Period_.281911.E2.80.931914.29]] and co-edited //Der Blaue Reiter Almanach (The Blue Rider Almanac)//.
*Frank Lloyd [[Wright]], age 45, wrote a small book //[[The Japanese Print|http://books.google.com/books?id=j7cNu0OvP8oC&lpg=PA118&ots=Ksgjf2IB4t&dq=%22the%20japanese%20print%22%201912&pg=PA100]]// following his return to the U.S. after abandoning his family, and having begun the construction of his home Taliesin in 1911.
* Carl [[Jung]], age 37, published //Psychology of the Unconscious// (German title: //Wandlungen und Symbole der Libido//), which was later revised, republished and translated 1952-56 as //Symbols of Transformation//.
** The following year, Jung would begin a series of journal entries which were the germination of //[[The Red Book]]// -- arguably "the central work of his oeuvre."
*Rainer Maria [[Rilke]], age 37, began //[[The Duino Elegies]]//, which was written from 1912 to 1922.
* [[Sherwood Anderson]] suffered a nervous breakdown on Thursday, November 28, 1912.
*Albert Einstein, age 33, was actively working on his theories of [[relativity|http://www.amazon.com/Einsteins-Manuscript-Special-Theory-Relativity/dp/0807614173]].
* Lyman Frank Baum turned 56, Maria [[Montessori]] 42, Hermann [[Hesse]] 35, Martin [[Buber]] 34, Kahlil Gibran 29, and T.S. [[Eliot]] 24 years old.
* J.R.R. [[Tolkien]] turned 20, [[E.E. Cummings]] 18, M.C. [[Escher]] 14, C.S. Lewis 14, Carl [[Rogers]] 10, Viktor Frankl 7, and Loren [[Eiseley]] 5 years old.

*Joseph [[Tillman|tiztatlan]] was living with his adoptive family in rural Kansas, where he had been placed ten years prior.  A formal "indenture agreement" was signed between his adoptive father and the New York Foundling Home in June 1912.
* An Illinois farmer was shot by a neighbor in July 1912; his youngest son was Randy's maternal great-grandfather.
* Lily's great-grandfather ~McCulloch died in March, leaving behind a wife and two young daughters.
* [[Lily|lily]]'s maternal grandmother "Anne of the Maples" was conceived and born the following May in the Missouri Ozarks.
* [[Carmen]]'s paternal grandfather was likely conceived in 1912; seven years later his father was killed in a Kansas industrial accident.  His son was born in 1942; his granddaughter (my wife) in 1982.  His descendants are scattered and still unknown to each other.
* Paul Jackson Pollock was born on January 28; Eleanor Frances (Butler) Cameron on March 23; Alan Mathison Turing on June 23; John Milton Cage Jr. on September 5.

 
[[Rachel Grace Pollack|http://rachelpollack.com/bio]] was born in Brooklyn, New York, in 1945.  She is considered one of the world's foremost authorities on the modern interpretation of the [[Tarot|tarot]].  She is also a poet, an award-winning novelist, and a Tarot card and comic book artist.

Rachel has published 12 books on the Tarot, including //~Seventy-Eight Degrees of Wisdom: A Book of Tarot// (1980 and 1997), quoted extensively in this wiki as I examine the tarot symbols and archetypes which are central to my present life journey.

I've been consulting //~Seventy-Eight Degrees of Wisdom// for personal use about the past 15 years, and I agree with this appraisal of her work: "the Bible of Tarot reading … its marriage of common sense, wide-ranging knowledge, and esoteric awareness have inspired many tens of thousands of readers worldwide to a deeper knowledge of the Tarot."

Available on [[Amazon|http://www.amazon.com/Seventy-Eight-Degrees-Wisdom-Book-Tarot/dp/1578634083]]
[img[Order 'Seventy-Eight Degrees of Wisdom'|https://farm2.staticflickr.com/1685/25807259283_fbfc59397a_o.jpg][http://www.amazon.com/Seventy-Eight-Degrees-Wisdom-Book-Tarot/dp/1578634083]]

Rachel's [[Booklist appears here|http://rachelpollack.com/writing/booklist.html]].

Rachel's blog: [[Shining Tribe|https://rachelpollack.wordpress.com/]]

The name Shining Tribe has a special meaning, says Ms. Pollack: "All of us who work with Tarot form a kind of tribe, one whose roots go back many thousands of years before the actual appearance of Tarot cards. This is the tribe of diviners, those special magicians, shamans, psychics, and visionaries who use cards, or sticks, or trees, or stones, or shells to communicate with the Gods."

<<<
<<tiddler [[the cord/Eiseley]]>>
<<<

 
This refers to how the ~Myers-Briggs Type Indicator "pegged" me as an adolescent, and how I see myself within the four dichotomies of temperament.

I want to be a socially capable ''introvert''.  I feel more secure if I do not join in, rather than risk being //present yet excluded//, or feeling belittled.  This is a protective tendency which limits me and I want to overcome.  Nonetheless, I value my independence and interior life which is resilient under stress.

I navigate life and relationships ''intuitively'', paired with observation that is generally self-correcting.  I do not sense through spatial orientation.  Trying to process spatial information is difficult for me, and I avoid situations that require it.

I value rational, emotive thinking, and I tend to believe there is no basic difference or division between ''feeling'' and thinking ([[mighty in contradiction|Buber/love-deed-Yes]].)  I want to be more respectful of feelings which are difficult to understand -- in myself and others.

I try to reach conclusions or tentative ''judgments'' on relationships and processes.  I value the free-flowing insights of perceptive thinking but see a risk of losing myself in a muddle if I do not erect guideposts and standards.  I want to judge people less.

----

Each dichotomy has been labeled with "poles" of
:''E''xtrovert/''I''ntrovert
:''S''ensing/i''N''tuiting
:''T''hinking/''F''eeling &
:''P''erceiving/''J''udging
As an introverted "type", I value what I am -- while I //want// to be more socially capable and overcome fear (the basis of my "protective tendency.")

As an intuitive "type", I accept my way of processing reality, but also aim for a balance of sensation/intuition.  My spatial deficit is inconvenient and a bit embarrassing.  I believe that I need to self-correct intuition with keen observation, and I //worry// about blind spots.

As a feeling "type", I value my natural balance of feeling and thinking.  I //want// to be more respectful of feelings -- this, like relaxing my rigid introversion, entails a loss of control.
:In my thinking process, I often make logical leaps and hold a belief that some [[contradictions|origin of all poems/contradict]] can both be true.  Rilke said: "Take your practiced strengths and stretch them until they reach between two [[contradictions|winged energy of delight]]…" 
:My logical conclusions are often driven by feelings and intuition, but I have a great dislike of distorted or egocentric thinking, so I aim to self-correct.
:When I named my mental style "rational, emotive thinking" I was not aware that the psychologist Albert Ellis named his therapeutic approach REBT (rational emotive behavior therapy.)
As a judging "type", I value what I do not easily possess: a perceiving life stance.  I //want// to judge people less -- starting with myself and my desire to "correct."  Judging reduces the life of dialogue to [[I-It|Ich und Du]].
:Buber said: "Then the names entered into the It-language; men felt impelled more and more to think of and to talk about their eternal //You// as an //It//."
//pegged -- poles -- type -- I am skeptical of all these terms//

 
August 26, 2006

As this very odd and tenantless day progresses, I shall contemplate on what kind of future I want, and perhaps shall simply come to rest with the idea that all of these small things are precisely what I want -- endless colonnades of time and peace. Or not. Perhaps occasional intelligent company. Perhaps other elements of the sensual life: polished wood smelling of beeswax and linseed oil, the touch of flesh upon willing flesh, the awakening in semi-drowsiness to snuffle the hair of another person who loves one, the sound of wind and the rustle of leaves, the creaking of the old house as it settles down to a seasonal rest, the odd Hispanic automobile with its inefficient muffler passing by, the taste of a good cigar, the gentle elegance of an endless but evocative sentence. Great pleasures for an ancient Lion who increasingly wants and is content with as few as that, if only the quality is exceptional. 

You are young, however, and perhaps cannot understand these peaceful and evocative pleasures which increasingly occupy my mind. But, somehow, of all my friends and lovers, past and present, of whatsoever age or nature, I somehow expect that you can…

Happy Birthday to Me!

----

Happy Birthday!

Yes, I relented to the pull of ether and words.  {{grem{[By logging on to the Internet.]}}}  I am glad that I did, for I enjoyed the lovely letter you wrote on your birthday.

I do believe I understand these simple and evocative pleasures you described.  I value things of this nature immensely.  Reading your letter, I was struck by the sensory nature of your pleasure -- the zen-like awareness of "mundane life" happening around you.  Of course, what is qualified as mundane or sacred is entirely a matter of perspective.  I can almost sense the tapestry of your day -- the taste of the bagels and hot coffee, the happenings of nature outside your home, the sounds of the city, the comforts of a familiar chair, a good book, even the texture of the clothes you are wearing on your skin.  I try to attune my mind to these things, when I am not distracted, fatigued, or plagued by darkly thoughts.  They are sustenance in an over-complicated, yet increasingly shallow, everyday world.

I so understand people who grow old early in life.  You would sometimes point out behavior of mine that reeked of youth and naivete, but in many other respects I grew up and grew older than my chronological age.  The way I experience time continues to work in an accelerated manner -- in fact, I have struck upon an idea of 2-to-1 compression that pervades my life.  I seem to learn and garner experience at roughly twice the rate of most people.  Or, perhaps I merely retain twice as much, which most people forget or fail to absorb the first time 'round.

You know my background that contributed to this.  The early failure of my parents in rearing me, the semblance of parenthood I experienced with my younger sister, having gotten married, settled down, saddling myself with all sorts of responsibilities.  My romance with you at a very young age was part of this, as were the miniature lifetimes I spent inside books, fantasy, history, and learning.  So now, I find myself feeling far older than the 24 years I will be marking next month.

Please allow me to digress … when I shared this idea of 2-to-1 with my therapist, he instantly affirmed it.  When we sit across from each other and talk, he said that he watches me morph between 10 years old and 40-something, in tone, manner, and sometimes appearance.  In our last session, he asked me to contemplate the image of a [[centaur|Centaur]], in relation to myself.  A centaur can be seen as NEITHER/NOR, which is a place of limbo, a trap I sometimes fall in.  Or, a centaur can be seen as BOTH/AND … both boy and man, masculine and feminine, old and young, clerk and artist (the last his suggestion.)  I saw the truth of this analogy.

Thank you for writing today.  The message in the bottle found its shore sooner than expected, and was a happy addition to my day. 

transform
transport
transit
transition
transitory
transient
translate
transliteration
transcribe
transclude
transpose
transplant
transcend
transfigure
transubstantiate
transpire
transfer
transfix
transfuse
transgress
transmit
transmission
transmissive
transmute
transact
transaction
transistor
transverse
transparent
translucent
transgender
transvestite
travesty
transnational
transcontinental
[[transcontextual]]
transcultural
transhemicular
transhemispheric
transtheism
transhuman
Transdeva
Transveda

the production of change in some other object (or in the agent itself qua other)

 
Leo Tolstoy wrote in 1880, later published as //My Confession//:
<<<
I say that this search after God was not a reflection, but a ''//feeling//'', because this search did not result from the train of my thoughts, – it was even diametrically //opposed// to it, – but from the heart.  It was a feeling of terror, of orphanhood, of loneliness amidst everything foreign, and of a hope for somebody's succour …

Again and again I have arrived from various sides at the same recognition that I could not have appeared in the world without any cause or reason or meaning, that I could not be a fledgling bird that has tumbled out of its nest, as I felt myself to be.  Let me, fallen bird, lie on my back and pipe in the high grass, – I am piping because I know that my mother carried me in her womb, hatched and warmed me, fed and loved me.  Where is she, that mother of mine?  If I have been abandoned, who has done it?  {{grem{[Long after the ordeal of childhood, I recognize that __I abandoned myself__.  And now today I have difficulty receiving my wife's love.]}}}

''Yet I cannot conceal from myself that some one bore me loving me.''
<<<
{{grem{Now I realize that love which bore me, is still borne to me -- in me -- through me -- and comes from a loving Universe, inseparable from my mother and father; my wife and children; my friends, teachers, neighbors, all those who [[encircle|the circle of religious elements]] me … and it began with Cynthia.}}}

A few pages later, Tolstoy provides us this image and metaphor:
<<<
I was carried far away, so far away, that I heard the noise of the rapids where I should be wrecked, and saw boats that had already been wrecked there.  I regained my senses.  For a long time I could not understand what had happened with me.  I saw before me nothing but //''ruin toward which I was rushing and of which I was afraid''//; nowhere did I see any salvation, and I did not know what to do; but, on looking back, I saw an endless number of boats that without cessation stubbornly crossed the current … and I thought of the shore, the oars, and the direction, and began to make my way back, up the current and toward the shore.

That shore was {{grem{Mundiosa, [[Many-Named Ground-Divine|prayer]],}}} the direction was //tradition,// the oars were the //freedom// given me to row toward the shore, – to unite myself with ~G-D.  Thus the force of life was renewed in me, and ''I began to live once more.''
<<<
{{rjustify{
+++[more]
{{ljustify{

After reading these words, I met with a Roman Catholic priest for the Rite of Reconciliation (usually called Confession), which was my first in 19 years.  I was led here by the //feeling// Tolstoy spoke of -- not by the train of my thoughts.

Preceding was his emotional "argument" for a life of faith, based in the heart and none the less valid.  In the same //Confession//, Tolstoy offered a persuasive //logical// argument:
<<<
The reasoning which shows the vanity of life is not so difficult, and has long been familiar to the very simplest folk; yet they have lived and still live. How is it they all live and never think of doubting the reasonableness of life?

My knowledge, confirmed by the wisdom of the sages, has shown me that everything on earth -- organic and inorganic -- is all most cleverly arranged -- only my own position is stupid.  And those fools -- the enormous masses of people -- know nothing of how everything organic and inorganic in the world is arranged; but they live, and it seems to them that their life is very wisely arranged!

And it struck me: “But what if there is something I do not yet know? Ignorance behaves just in that way. Ignorance always says just what I am saying. When it does not know something, it proclaims what it does not know to be stupid. Indeed, it appears that there is a whole humanity that lived and lives as if it understood the meaning of its life, for without understanding it could not live; but I say that all this life is senseless and that I cannot live.

I long lived in this state of lunacy, which, in fact if not in words, is particularly characteristic of us very liberal and learned people. But thanks either to the strange physical affection I have for the real laboring people, which compelled me to understand them and to see that they are not so stupid as we suppose, or thanks to the sincerity of my conviction that I could know nothing beyond the fact that the best I could do was to hang myself, at any rate I instinctively felt that if I wished to live and understand the meaning of life, ''I must seek this meaning not among those who have lost it'' and wish to kill themselves, ''but among those billions of the past and the present who make life and who support the burden of their own lives and of ours also.''
…
Indeed, ever since those most ancient, ancient times when life has existed, there have lived men who knew the reflection on the vanity of life, which has shown me the meaningless of life, and //''yet they lived'',// ascribing some kind of a meaning to it.

Even since any life began with men, they had that meaning, and they have carried on the life that has reached me.  Everything which is in me and about me, -- everything carnal and non-carnal, -- all that is the fruit of their knowledge of life.  All the tools of thought, with which I judge this life and condemn it, -- all that was done by them, and not by me.  I was born, educated, and grew up, thanks to them.  They mined the iron, taught how to cut down the forest, domesticated cows and horses, taught how to sow corn, how to live together, and arranged our life; they taught me to think and to speak.  And I, their product, nurtured and fed by them, taught by them, thinking their thoughts and speaking their words, -- I have proved to them that they are meaningless!  "There is something wrong there," I said to myself.  "I must have made a mistake somewhere."  But where the mistake was… {{grem{it has taken me long to discover.}}}
<<<
}}}
===
}}}

 
//For the act of gazing sets limits.
And the world gazed at more deeply
wants to flourish in love.//
-- "[[Turning]]" by Rilke

"A [[poem|poetry]], by its own system of illusions, can set up a rich and apparently living world within its particular limits."
-- Sylvia Plath

"Hypertext is the body languorously extending itself to its own limits, hemmed in only by its own lack of extent. And like the body, it no longer has just one story to tell."
-- [[Shelley Jackson|patchwork girl]]

INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things //I am here to read//, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies.
-- //Ulysses// by [[James Joyce]]

"This desire to transcend everything, including the limits of yourself…it is less heroic than neurotic…  Perfection makes you flinch at yourself, flinch at the world, flinch at any contact between the two.  Soon what you want, above all, is escape: to be gone, elsewhere, annihilated."
-- Sam Anderson, "David’s Ankles" ([[gathered from the web]])

"The other person loves me as best they can, with all their limits, but the fact that love is imperfect does not mean that it is untrue or unreal."
-- Father Francis, "[[Amoris laetitia]]"

A poem by Noah Grey: +++[You Go Where The Words Are]
<<<
<part Noah>
//and if the words
are on a burning [[bridge]]
you cover yourself in ash
…
and if the words
are scattered in the [[labyrinth|House of Leaves]]
you tell stories about the minotaur

and if the words
[[cut you open|Hopscotch/79]] with their edges
you can let yourself say amen

and if the words
ache like lost faith inside you
you can be your own [[sacrament|Honor your physical being/sacrament]]

and if the words
burn within you like an aftermath
you make everything else a [[beginning|The beginning of the Beginning]]
…
and if the words
[[scream]] at you while you sleep
you sing them when you wake//

(See the [[complete poem|https://web.archive.org/web/20060326045228/http://noahgrey.com/read.php?g=13]] written November 2, 2000) </part>
<<<
===
&nbsp;

----

From Julio Cortázar's //[[Hopscotch]]://

//The [[voyant]]:// … "They attempt a work which may seem alien or antagonistic to the time and history surrounding them, and which nonetheless includes it, explains it … orients it towards ''a transcendence within whose limits man is waiting''."

{{grem{[Hopping to another chapter …]}}}

''The writer has to set language on fire'' … place in doubt the possibility that language is still in touch with what it pretends to name.  Not words as such any more, because that's less important, but rather the total structure of language, of discourse.

suspicious … of all re-creative writing (and what literature wasn't like that, even if it was something like the excipient that would make a person ''swallow a gnosis, a praxis, or an ethos'' out of all the ones that were wandering around or that could be invented?)

… What Morelli wants to do is ''transgress the total literary deed'', [[the book]], if you will.  Sometimes the word, sometimes what the word transmits.  He works like a guerrilla fighter, he blows up what he can… Don't get the idea that he's a man of letters.

*****

The people in the Club, with two exceptions, maintained that it was easier to understand Morelli from the quotes he used than from his personal meanderings …

//Quoting Louis [[Pauwels|https://en.wikipedia.org/wiki/Louis_Pauwels]] and Jacques [[Bergier|https://en.wikipedia.org/wiki/Jacques_Bergier]]://

Perhaps there is a place in man from where the whole of reality can be perceived.  This hypothesis seems delirious.  Auguste Comte [1798-1857] declared that the chemical composition of a star would never be known.  The following year Bunsen invented the spectroscope.

*****

Language, just like thought, proceeds from the binary arithmetical functioning of our brain. We classify by yes and no, by positive and negative… The only thing that my language proves is the slowness of a world limited to the binary.  This insufficiency of language is obvious, and is strongly deplored.  But what about the insufficiency of binary intelligence itself?  Internal existence, the essence of things, escapes it. It can discover that light is continuous and discontinuous at the same time, that a molecule of benzene establishes between its six atoms dual relationships which are nevertheless mutually exclusive; it accepts it, but it cannot understand it, it cannot incorporate into its structure the reality of the profound structures it examines.  In order to do that, it would have to change its state, machines other than the usual ones would have to start functioning in the brain, so that binary reasoning might be replaced with an ''analogical consciousness'' which would assume the shapes and assimilate the inconceivable rhythms of those profound structures…
{{center{
//Le Matin des magiciens//
[published 1960, first translated into English as //[[The Dawn of Magic|https://en.wikipedia.org/wiki/The_Morning_of_the_Magicians]]// in 1963]}}}

 
Excerpt from "Praise Poem" by Caits Meissner
-- for the Poets at Bedford Hills Correctional Facility --
from her book //Let It Die Hungry//, released October 2016
----

But in this room we crawl through
the window inside, dig up from burial

the dusty banjo of memory, we play
on childhood's climbing tree,

… And though some of us didn't have
backyards or a steady bed or a tree to love

we can write a porch into the scene
or a birdhouse or untie a hurt until

it stretches its arms out wide as the sea.
We can invent this common history,

waking up what is untouched and tender,
lit deep inside our bodies' vast night.

We can remember, it has been proven
that we are made of stars, always vibrating,

sparking, even if it cannot be seen by
the foolish eye and each era, there we are,

unmistakably, a presence growing larger.
Yes, we are spinning: the entire revolving sky.

 
{{center{@@display:block;background:#DDF;font-size:90%;font-weight:bold;CONTENTS: [[Progenitors|blogosphere]]  – <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Journey',null, event)">One Man's Journey</a>  – <a href="javascript:;" onclick="window.scrollAnchorVisible('Tools',null, event)">Tools and Practice</a> – <a href="javascript:;" onclick="window.scrollAnchorVisible('Inspirations',null, event)">Inspirations</a> – <a href="javascript:;" onclick="window.scrollAnchorVisible('Resources',null, event)">Resources</a></html>@@}}}

{{hd1{__Progenitors__}}}
The ''[[BradLands|http://www.bradlands.com/weblog/comments/september_10_1999/]]'', by Brad L. Graham (1968-2010)
September 10, 1999:

A year ago, "weblog" was hardly a common word, and then it was used to describe sites like this (''[[Robot Wisdom|https://web.archive.org/web/20000901221020/http://robotwisdom.com/home.html]]''), this (''[[Now This|http://nowthis.com/log/archives.html]]''), and …" {{grem{(several others omitted)}}}
: ''[[Now This|http://nowthis.com/]]'' lives on 17 years later, as //"Links, exploration and synthesis from Steve Bogart"//.  His wife wrote a blog called ''[[Medley|http://uncorked.org/medley/]]'' which ended in 2014.
//Brad then joked:// &emsp;Goodbye, cyberspace! Hello, blogiverse!  Blogosphere?  Blogmos? (Carl Sagan: "Imagine billions and billions and billions of blogs.")

''[[Greymatter|https://web.archive.org/web/20010124065100/http://noahgrey.com/greysoft/]]'' is an open source blogging software package, originally created by Noah Grey (#103) in November 2000.
: {{body{ The same month, Noah wrote a poem  +++[You Go Where The Words Are]
<<<
<<tiddler [[limits of language/Noah]]>>
Above hyperlinks added by remuse.
<<<
===

{{grem{(toward the [[limits of language]], I say)}}}
}}}
''[[Softopia|https://web.archive.org/web/20010301083721/http://www.softopia.demon.co.uk/]]'' by John Chris [[Jones]] (#43) predates the term "blog" -- and lives on as ''[[publicwriting.net|http://publicwriting.net/]]''

[[Sembl]], by Cath Styles (#497)
: //"a fledgling life-form fit for the network age … a game of analogy … a space for open, playful ''dialogue'' … of cointention, or collaborative or ''stereophonic sensemaking''//"
''[[Robot Wisdom|https://web.archive.org/web/20120513042324/http://www.robotwisdom.com/jorn/favorites.html]]'' "50 favorite authors" by Jorn Barger
: {{body{ Also see Jorn's "[[overhead map|https://web.archive.org/web/20120510044144/http://www.robotwisdom.com/map.html]]" of Robot Wisdom,
and the "[[Birth of Blogging|http://robotwisdom2.blogspot.com/2008/10/birth-of-blogging.html]]" on his auxiliary blog (October 2008)}}}
''[[Brain Pickings|http://brainpickings.org/]]'', by Maria Popova (#292)
To me, her creation <<tiddler [[influence strands/BrainPickings]]>><html><a name="Journey"/></html>
{{hd1{__One Man's Journey__}}}
[[re: muse]] ''wiki'' -- //where you are right now//
: {{body{ The curious may read further into [[this wiki web]] (its purpose and workings), which differ from a "traditional" or "mainstream" blog in many ways.  Try taking the [[Bird's Eye View]], then dive down deeper.
<html><u><a href="https://twitter.com/mbruin95/status/683335416951382016" title="Link to Twitter quote of Fernando Pessoa #113" target="_blank">Underlined</u></a></html> blue links take you to external webpages.  Bold blue text, sans underline, will display other wiki nodes of Remuse.}}}
''[[One Thousand Conversations|http://conversings.blogspot.com/p/about.html]]'' -- my project to reach out to one thousand people who made a dent in the universe.  The numbers following people's names shows their position in the first 500 [[lifelines]].

//"He, a real person, with feelings, fears, and desires."// -- gathered in my [[journal]]
: {{body{ Arlette [[Farge|archives]] wrote:
> //If the archive is to serve as an effective social observatory, it will only do so through the scattered details that have broken through, and which form a gap-riddled puzzle of obscure events.//
Fragments of my life are scattered through handwritten notebooks, musings scribbled on an envelope, email messages, electronic documents, and most recently in this wiki -- all this, a "gap-riddled puzzle" of ''a real person'' -- no more or less than you: whoever is reading me now.}}}
//"When ''the great dancer'' had danced his fill…"//
: From //The Odyssey// by Nikos [[Kazantzakis]] (#25) -- quoted in my work of found poetry [[October dancer Telemachus]], and in an August 2009 blog posting at [[Sort of San Francisco Fan Club|https://web.archive.org/web/20160908163519/http://mickeyandava.blogspot.com/2009/08/who-now-follows-call-of-sirens.html]].
[[Fractal Poiesis|FractalPoiesis]] -- another remused gathering
: {{body{ Mixing [[Fractal/Mathematics]] and ''[[Poiesis|https://en.wikipedia.org/wiki/Poiesis]]''
(Both those expositions are from Wikipedia; the information on fractals was culled from multiple articles.)}}}
<html><a name="Tools"/></html>
{{hd1{__Tools and Practice__}}}
''[[Wolfram Blog|http://blog.wolfram.com/2016/04/21/analyzing-shakespeares-texts-on-the-400th-anniversary-of-his-death/]]'' (April 2016)
"Analyzing Shakespeare’s Texts on the 400th Anniversary of His Death" using web software built by Stephen Wolfram's (#77) company, also the creator of Mathematica (released June 1988)
: Inspired by this approach, I made word clouds of Kazantzakis' //[[Saviors of God|Kazantzakis]]//, Hesse's //[[Glass Bead Game]]//, and the screenplay of //[[The Matrix|1000 lifeline notes/Matrix]]//.  I used the free [[Wolfram Programming Lab|https://lab.open.wolframcloud.com/app/]] to create these.
[[Sage]], developed by William Stein (#80), and the [[SageMath Blog|http://sagemath.blogspot.com/]]

''[[Wikipedia|https://en.wikipedia.org/wiki/Wikipedia:About]]''
"a multilingual, web-based, free-content encyclopedia project…based on a model of openly editable content"

[[What Is A Wiki]] -- this computerized tool I'm using, built upon the work of Alan [[Kay]] (#63), Ted Nelson (#398), Jeremy Ruston (#400), Ward Cunningham (#401), Chris Dent (#402), and others.

''[[Zen Habits|https://web.archive.org/web/20160909075925/http://zenhabits.net/about/]]'' and ''[[mnmlist|https://web.archive.org/web/20151215194200/http://mnmlist.com/]]'' sites, by Leo Babauta (#289)

''[[Abide in Peace|https://kenleson.com/2014/03/03/critical-humble-loving-truth-telling/]]'', by Kenneth Leson Smith (#495)
: March 2014 post: //"The flower represents for us the beauty and the ordinariness of what is required to be free."// (which I quoted April 2, 2014, led to by the words //[[speak truth to power]]//)
''[[The Postmodern Quaker|https://postmodernquaker.wordpress.com/]]'', by George Amoss Jr. (#496)

''[[Quest for Adequacy|http://questforadequacy.blogspot.com/]]'', by a [[Quaker]] minister, who quotes:
<<<
An adequate life . . . might be described as a life which has grasped intuitively the nature of all things, and has seen and refocused itself to this whole. An inadequate life is one that lacks this adjustment to the whole nature of things—hence its twisted perspective, its partiality, its confusion.
-- Douglas V. Steere, describing the life of Thomas R. Kelly (#282), in //A Testament of Devotion//
<<<
<html><a name="Inspirations"/></html>
{{hd1{__Inspirations__}}}
''[[The Red Book of C.G. Jung|http://theredbookofcgjung.blogspot.com/2009/11/coincidence-and-conflict-of-opposites.html]]'', by Sandy Drob
: November 2009 post: "[[The Red Book]] is replete with Jung’s (#20) not as yet fully formed [theory] on the [[coincidence of opposites|en el espejo]]."
''[[A Simple Explanation|http://asimpleexplanation.blogspot.com/2011/01/simple-fractal-model-of-conscious.html]]'', "Fractal Model of the Conscious Universe" by Cyd Ropp (#62)

''[[Intersections -- Poetry with Mathematics|https://poetrywithmathematics.blogspot.com/2014/12/a-fractal-poem.html]]'', by ~JoAnne Growney
: December 2014 post: "A Fractal Poem" sharing a poem by Jack Ridl
''[[Lynn Conway|http://ai.eecs.umich.edu/people/conway/conway.html]]'', "Adventurer & Visioneer" (#399)
: {{body{ This webpage embeds an evolving ‘visual-hash-tableau’ in which [[linked-text|What Is A Wiki]]/images dive-down into interconnected lattices/[[labyrinths|House of Leaves/labyrinth]]/vortices of techno-social-tracks left by the explorer-adventurers involved. Entering anywhere, you can follow their tracks and reverse-visioneer and meta-explore their techno-social space-time journeys. Occasionally resurfacing, you can rest/leave for a while, then return and look for other interesting places to dive down into. Once you get the gist of diving into and then surfing the outsides of these waves, you’ll begin noticing the embedded tracks you've been leaving in TSST [''~Techno-Social ~Space-Time''].  Before long, you’ll be looking for team-mates to train with, gear-up with, explore and trail-blaze incoming techno-social waves on your own!
-- from Conway's March 2016 lecture ([[slides|http://ai.eecs.umich.edu/people/conway/Memoirs/Talks/Columbia/2016_Magill_Lecture.pptx]]) at [[Columbia University|http://engineering.columbia.edu/visionary-engineer-lynn-conway-bs%E2%80%9962-ms%E2%80%9963-heralds-dawn-techno-social-age]]}}}
''[[The Prowling Bee|http://bloggingdickinson.blogspot.com/]]'', by Susan Kornfeld (#491) reading and examining all the poems of Emily Dickinson (#105)

''[[Verbatim Found Poetry|http://verbatimpoetry.blogspot.com/]]'': poetry from the ordinary, by Gabriel Smy (#492)

[[Read A Little Poetry]] by "T" (#493)

''[[Think On These Things|https://web.archive.org/web/20161111185039/https://thinkonthesethingstoo.wordpress.com/2012/10/24/the-cult-of-personality-pt-2-ambiversion/]]''
"A collection of musings, rants, and provisional opinions from an aspiring anti-guru guru and deeply religious nonbeliever."
//(Reminiscent of how I described [[Dialegence|dialegen]].)//
: {{body{October 2012 post "The Cult Of Personality, Part 2 – Ambiversion", quoted Harold Bloom (#303) from his book //[[Genius|Emperor/agon]]//.
I discovered this while writing on the [[cult of personality]] in American politics.}}}
''[[Shining Tribe|https://rachelpollack.wordpress.com/]]'', by Rachel Pollack (#272)

''[[North Node Astrology|http://northnodeastrology.blogspot.com/2008/01/north-node-cancer.html]]'', by Elizabeth Spring (#286) -- who read my [[natal chart|astrology]] in May 2014

''[[The Celestial Observer|http://web.archive.org/web/20120119134052/http://www.thetwelvesigns.com/celestialblog/?p=374]]'', by Sean Abreu
: November 2001 post on the astrological sign of Scorpio
''[[And Then She Recovered|https://web.archive.org/web/20161028224021/http://andthenshedisappeared.blogspot.com/2016/08/injury.html]]'', by Ruby (#494)
: August 2016 +++[post]
&nbsp;
<<tiddler [[gathered from the web/Ruby]]>>
===

''[[The Change Blog|https://web.archive.org/web/20150909074547/http://www.thechangeblog.com/how-to-stop-self-destructive-behavior]]'', "How to Stop ~Self-Destructive Behavior" by Halom Vered (June 2012)
: I made a connection to this, among the small stories and insights I have [[gathered from the web]].
''[[Heroes|https://web.archive.org/web/20160416215244/http://cdent.tiddlyspace.com/Heroes]]'', by Chris Dent (#402) on Doug Engelbart (#404)

''[[EE Kim's Blog|http://eekim.com/blog/]]'', by Eugene Kim (#403)
: August 2003 post on [[PurpleWiki|http://eekim.com/blog/2003/08/purplewiki-v09-released/]]
''[[Aut Inveniam, Aut Faciam|http://www.gardnercampbell.net/blog1/]]'', by Gardner Campbell
: November 2013 post "[[Doug Engelbart, transcontextualist|http://www.gardnercampbell.net/blog1/?p=2170]]"
''[[The Blind Circuit|https://web.archive.org/web/20160919194016/hopscotchmarksonthepavement.blogspot.com/2008/03/square-to-square-circuit-to-circuit.html]]''
A blog on the book //[[Hopscotch]] [Rayuela]// by Julio Cortázar (#462)
: From the first sentence of his novel: "To burn like this without surcease, to bear the inner burning coming on like fruit's quick ripening, to be the pulse of a bonfire in this thicket of endless stone, walking through the nights of our life, obedient as our blood in its //blind circuit//.'
''[[Mi Rayuela|https://translate.google.com/translate?hl=en&sl=es&tl=en&u=http://mirayuelita.blogspot.com/search/label/Cap%C3%ADtulo%2073]]'' (My Hopscotch), translation of a Spanish blog
: 'para generar un espacio de reciprocidad sobre esta maravilla de la literatura' -- to create ''a space of reciprocity'' on this marvel of literature…
''[[Crummy|https://www.crummy.com/2014/01/07/0]]'', by Leonard Richardson (#489)
: January 2014 post about his Twitter bot "Hapax Hegemon", which Leonard said "won't stop until we're all dead", and filed under the category "art".  His software provided the raw material of my [[HapaxHaiku]] -- following "the prompts of machine code to create my own art."
''[[Just a little space|http://justalittlespace.blogspot.com/2009/08/my-soul-as-chosen-landscape.html]]'', by Claire Colvin
: August 2009 post on the poem //Clair de Lune// by Paul Verlaine (#157)
''[[Sparks for Dry Tinder|http://andrewbarbin.blogspot.com/2012/12/madeline-lengle.html]]'', by Andrew Barbin (#490) -- a 2012 collection of Madeleine [[L'Engle]] quotes

''[[Bookworm Journal|http://bookwormjournal.blogspot.com/2012/02/re-reading-wrinkle-chapter-2-mrs-who.html]]'' (February 2012)
: Written by a fan of Madeleine [[L'Engle]] (#9) about "Mrs. Who", a supernatural character who spoke in epigrams. She "showed both an encyclopedic range of knowledge/memory and a struggle to verbalize in the local dialect."
''[[IcarusFalling|http://icarus-falling.blogspot.ca/2009/06/einstein-enigma.html]]''
: June 2009 post "Einstein Enigmatic Quote" attempted to trace the context and origin of these words: //"No problem can be solved from the same consciousness that created it.//"  (Attributed to Albert Einstein, #10, which I discovered while reading on [[Sustainability]].)
''[[13.7: Cosmos & Culture|http://www.npr.org/blogs/13.7/2013/04/16/177463556/there-s-trouble-at-the-birth-of-the-universe]]'', "There's Trouble Brewing At The Birth Of The Universe"
: {{body { April 2013 post which I discovered while reading on [[Ecology]]:
"This learned intimacy with shared experience is what that makes the discovery of science itself such a milestone in the history of human culture. It gives us a way to base our claims about the world //in the world's own actions//. It takes us beyond the ''"demon haunted world"'' {{grem{[the title of a book by Carl [[Sagan]], #45]}}} into a public space, a ''collective commons'', where all claims about nature must rest on public evidence."}}}
''[[Wisdom of the Hands|https://web.archive.org/web/20161027225520/http://wisdomofhands.blogspot.com/2009/07/wissenschaft-and-kenntnis.html]]'', by Doug Stowe (July 2009)
: on the distinction between //wissenschaft// and //kenntnis// -- a German translation of "Scientiae" eluded to in //[[Les Minst]]//
''[[Isola di Rifiuti|http://isola-di-rifiuti.blogspot.com/]]'', by John Latta -- "Notes, Poetics, Trouvailles, Photographs, Malarkey, & Guff"

//Wissenschaft// to the extreme, I wonder? &nbsp;Yet the blog name ironically (?) means //Island of Trash//.

* May 2012 [[post|https://web.archive.org/web/20151029092039/http://isola-di-rifiuti.blogspot.com/2012/05/guy-davenport-stray-notes.html]] on Guy Davenport -- I came here searching out Richard Porson, who appears at //Isola// on the same webpage as Evan Connell (who [[invoked|out of grave necessity I create]] Porson's name in a poem.) &nbsp;Davenport's listing of names in verse led John Latta to think of "Sherwood Anderson’s lines—talking of Gertrude Stein’s voracious and omnivorous assembling of words…" -- layer upon referential layer!  &nbsp;(Anderson is my lifeline #293; Stein is #352.)
* September 2011 post “''[[By claiming nothing|http://isola-di-rifiuti.blogspot.com/search?q=joyce]] . . .''” in which Latta quoted Roland Barthes, in turn quoting Richard Ellmann, who wrote in a biography of James Joyce (#59) about his "[[epiphany|1000 lifeline notes/Joyce]]" writing form -- which in my mind seems to harmonize with //[[mitocos]]/[[moticos]].//

''[[Of water nymphs and naming knitting|https://web.archive.org/web/20161111202505/http://www.anniecholewa.com/2011/06/undine.html]]'', by Annie Cholewa (June 2011)
: Her post quotes George ~MacDonald: //"Were I asked, what is a fairytale? I should reply, Read Undine: that is a fairytale … of all fairytales I know, I think Undine the most beautiful."//
''[[Undine|https://web.archive.org/web/http://blogundine.blogspot.com/]]'', by Sally King -- who published her first collection of poetry, //A Tale of Two Heads//, in 2012

Her blog is named for a female water spirit, from Modern Latin //Undina// (1650s), coined by Paracelsus (//"De Nymphis"//) in his alchemical system, from Latin //[[unda|http://www.etymonline.com/index.php?allowed_in_frame=0&search=unda]]// "a wave, billow" -- the same root as our English word //[[undulates|everything undulates]]//.

* March 2010 [[post|https://web.archive.org/web/20161110230033/http://blogundine.blogspot.com/2010/03/excerpt-from-interview-with-gregory-orr.html]] "Excerpt from an interview with Gregory Orr" (#151)
* April 2010 [[post|https://web.archive.org/web/20161112194352/http://blogundine.blogspot.com/2010/04/jungs-red-book.html]] on the //Red Book// of Carl Jung (#20)
* <part undine>Her [[blog|http://blogundine.blogspot.com/]] invokes the words of Seamus Heaney (#486) from his 1974 essay "[[Feeling into Words]]":
<<<
@@display:block;width:29em;//…{{serif{ if our auditory imaginations were sufficiently attuned to plumb and sound a vowel, to unite the most primitive and civilized associations, the word 'undine' would probably suffice as a poem in itself.}}}//@@
//Unda//, a wave; //undine//, a +++[water-woman]
-- a litany of undines would have ebb and flow, water and woman, wave and tide, fulfillment and exhaustion in its very rhythms.  But, old two-faced vocable that it is, I discovered a more precise definition once, by accident, in a dictionary.  An undine is a water-sprite who has to a marry a human being and have a child by him before she can become human.  With that definition, the lump in the throat, or rather the thump in the ear, //undine//, became a thought, ''a field of force'' that called up other images.  One of these was an orphaned memory, without a context…
===
<<<
</part><html><a name="Resources"/></html>
{{hd1{__Resources__}}}
''[[Billion Graves Blog|http://blog.billiongraves.com/2013/08/tombstone-tuesday-ralph-waldo-emerson/]]'': Ralph Waldo Emerson (#26)
: {{body{ This and a similar website, Find a Grave, have aided my [[genealogy]] hobby.
Within this wiki, I have also linked to the graves of [[Rilke|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=2190]], [[Jung|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=2336]], [[Eiseley|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6451]], [[Sagan|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=1347]], and [[Keats|http://www.findagrave.com/cgi-bin/fg.cgi?page=pv&GRid=566&PIpi=8281991]].}}}

| {{font85{ Our dialogues are the most intelligent and fulfilling that I've ever experienced, mainly because we've built so much background information in the past two years. For example, you're familiar with this concept: exposing love too often to the harsh light of analysis & description. (Even tho' we're doing that now.) }}} |

!The Waking
by Theodore Roethke

I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.

 
I formulated a few words that are helping me right now, in several situations including our own:
Do less when you don't know.

That's it.  When a course of action is unclear, or I am unclear as to how I feel or what I want, I will cause more damage if I try to "fill in the blanks" intellectually.  So, I am trying to do less, also to say less.  That may not require less communication between you and I (anyway, how could it be any less, you might ask?)  It may mean less *social* communication, less pretending for me.  I do not suggest that I have been pretending with you at all.  But I have been *doing* when I don't know.  Hence my feeling of being 'split down the middle.'  Not between you and Lily, or avalon and the real world, or anywhere here and there, but between me and another me.  My fearful mind races ahead, faking signals, filling in blanks, and forging my real style indiscriminately, hoping that what I don't know will 'work itself out.'  But it never works that way.

So here we are.  I love you, I thank for you.  And last:

I will give you nothing more than I have.
I will give you nothing less than I can.
I will speak the moment's truth.

 
''Octavio Paz'' (31 March 1914 – 19 April 1998) Latin American poet, essayist and diplomat, Nobel Prize winner in 1990 for Literature.

"The writer's first obligation is fidelity to his language.  The writer has no other instrument but words.  Unlike the tools of the artisan or painter or musician, words are full of ambiguous and even contradictory meanings.  Using them should mean clarifying them, purifying them, making them true instruments of our thinking rather than masks or approximations.  Writing implies a profession of faith and an attitude that transcends rhetoric and grammar…

Every literary style is something more than a way of speaking.  It is a way of thinking, an implicit or explicit judgment of reality.  Language is by nature social, while the writer must work in solitude, and therefore they establish a very strange relationship: thanks to language the modern writer participates in the life of the community, although the other means of communication with his people and his times //have broken down//…

Due to the universal nature of the Catholic religion -- which was a religion for everyone, especially orphans and the disinherited -- (though often forgotten by its followers as well as its opponents) … No man was alone, however [[humble|humble poet]] his situation, and neither was society: this world and the next, life and death, action and contemplation were experienced as totalities, not as isolated acts or ideas.  Every fragment participated in the whole, which was alive in each one of its parts."
-- from //The Labyrinth of Solitude//

Strength is fidelity,
power reverence:
no one ends at himself …
-- from  "[[A Tale of Two Gardens|The beginning of the Beginning]]"

* [[the two took off their clothes]]
* [[Maithuna]]
* //[[In the mirror of music|en el espejo]]…//
* [[A Tree Within]]
* [[Peak and Gravity]]
* [[Landscape]]
* [[Aspiration]]

----

[[A summary of his work and themes|https://myweb.rollins.edu/jsiry/PazThemes1990s.html]]

See excerpts from //[[The Monkey Grammarian|http://myweb.rollins.edu/jsiry/MonkeyGrammarian.html]]//

"Wisdom lies neither in fixity, nor in change, but in the [[dialectic]] between the two."

"What we call nature: that totality of objects and processes that surrounds us and alternately creates us and devours us – is neither our accomplice nor our confidant."

New York Times review:

It is a journey of the mind back to a center of silence, before there were stories. It is also, as he says, "a sack of word-things."  Grammar is a "critique of the universe."  Empty the sack, and we are back where we started, in the middle of that "anxiety" between "never" and "always," beyond history, meaning, practical use or any sort of measure.  The center is without end or beginning, like a spiral seashell: "the Simian is lost amid his similes."
...
Knowing is hard when naming is separation, when writing abolishes things by turning them into meaning, when reading abolishes signs by extracting meaning from them. Meaning dissipates, returning to a "primordial stuff" which is "untranslatable."  As in a painting, nothing happens.  But wait.  There is poetry, "the reverse of names."  Poetry, "crystallizing" time, converges and reconciles.  Neither "before" nor "when," it is now, beyond language. Inside laughter, it embraces.  Poetry is the female splendor, a plenitude that accompanies Mr. Paz on his visit to the monkeys and himself.
...
The circular musings on the nature of mind should cause British philosophers, in and around Cambridge, to throw up their hands, their lunches, and their [[positivism|http://en.wikipedia.org/wiki/Positivism]].

from http://www.nytimes.com/1981/11/03/books/books-of-the-times-077183.html

http://en.wikiquote.org/wiki/Octavio_Paz

 
//I was born to be a Father.//

----

"When you develop a strong divining sense for the child behind the armor, and you make your dealings and negotiations only with that child, you find that everybody becomes, in a way, like your own child." ([[Ted Hughes]])

----

Over the years, my Dad and I have attempted to communicate through music when other roads are impassable.  For Father's Day 2002, I compiled an album for him with the subtitle "[[sharing ourselves in music]]" … I now add the song "[[Believe]]" to this conversation.

********

//[[This Is]] … the face … the child … the soul …
These are the dreams of a sleeping father//

Those who are called philosophers, or men of speculation, whose trade it is not to do any thing, but to //''observe every thing,''// and who, upon that account, are often capable of //''combining together the powers of the most distant and dissimilar objects''// in the progress of society.
–Adam Smith, 1776, in //The Wealth of Nations//

[[TiddlyWiki|this wiki web]] is a rare example of a practical quine.
:Wikipedia [[defines a quine|http://en.wikipedia.org/wiki/Quine_(computing)]] as //a computer program which takes no input and produces a copy of its own source code as its only output//.
The Smalltalk programming language and Alan Kay's dreamed-of [[Dynabook]] is another system described in itself.

The name "quine" was coined by Douglas Hofstadter, in his popular science book //Gödel, Escher, Bach: An Eternal Golden Braid//, in honor of philosopher Willard Van Orman Quine (1908–2000.)  Hofstadter related quines to the self-referential and self-replicating nature of [[DNA]].

[[W. V. O. Quine|http://en.wikipedia.org/wiki/Willard_Van_Orman_Quine]] made an extensive study of indirect self-reference, and authored //[[Word and Object|http://en.wikipedia.org/wiki/Word_and_Object]]// in 1960.
----

September 18, 2011 / continuing February 15, 2014:
://To what extent can a ''wiki book, wiki web'' or [[Dynabook Library]] be written within itself?//
Disclaimer: This idea is currently beyond my technical skills to implement, as it requires computer [[programming language]] fluency.
{{rjustify{
+++[more/hide]
{{ljustify{
It's not original: much the same idea is described on another wiki:
:http://thoughtstorms.info/view/programmingwithandinwiki
<<<
"I've started thinking about how to combine wiki's free style organization with a scripting language. The basic idea would be to allow certain "marked-up" fields or slots to be placed within pages.  Then the language could be used to write [[macro]]s which could, for example, allow data from one page to be used in a dynamic calculation on another."
//– As I understand, [[TiddlyWiki|TiddlySpace]] does this.//
<<<
''My proposal:''
*Study the ~TiddlyWiki 'source code' comprised of HTML/Javascript/CSS. What is the internal structure and clarity of code?
**In the midst of a rewrite to ~TiddlyWiki5 as of early 2014, led by its creator Jeremy Ruston.
**~HyperText Markup Language + Javascript +
**Cascading Style Sheets + Wiki links, tags, and macros
*Rewrite in a Literate Javascript style à la Donald Knuth's philosophy – 'code' as literature; program logic embedded in the exposition.
**"Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do… The practitioner of literate programming can be regarded as an essayist, whose main concern is with exposition and excellence of style." ^^[[[15]|http://www.literateprogramming.com]]^^
*Incorporate a Javascript or Python REPL (read-eval-print loop) inside any desired tiddler / node. How can computational expressions best be expressed by non-programmers in a  [[TiddlyWiki|TiddlySpace]]? I am reminded of what Dan Ingalls called "computational sketches."
*Review dialects or alterations of the Javascript syntax which may work better in the user-facing ~TiddlyWiki (to address the above feature) – or perhaps would even benefit ~TiddlyWiki development.
*Python/Javascript interoperability – would [[Python|programming language/Python]] be a better //user language// of ~TiddlyWiki?
** TiddlySpace, the hosting technology of [[re: muse]], is built atop [[TiddlyWeb|http://tiddlyweb.com]], a Python toolkit.
** Python + JS = a very good toolbox
** Ruby is the //user language// of [[Wagn]], and Ruby code is allowed in this system's content "cards" which are the corollary of wiki nodes / "tiddlers".
*Compare with other wiki 'best practices' and technology, especially [[Wagn]]
**Others include everything2 and Wikipedia / ~MediaWiki
*Review scalability, and questions of self-contained vs. cloud-based or a hybrid of the two, and storage in a database
*Wolfram Alpha interoperability
*[[Sage]] science/technology/engineering/math software  – look at the tools and electronic notebook interface which evolved around the math packages.
*A digression about the REPL or programming expressions being evaluated inside the wiki.  I am reminded of the Lisp [[programming language]] with its REPL. I don't "speak" Lisp, but its spare syntax and code-as-data philosophy seems compatible with nearly the entire ~TiddlyWiki architecture expressed in wiki nodes.

I have some worry this list is a mishmash in my head of unrelated, overlapping, or incompatible technologies.
}}}
===
}}}

| {{font85{ Thank you, Cara, for your never-ending support & tolerance for my long journey to satisfaction. I feel apologetic this morning, but I will refrain from saying sorry. Please accept my smile & a squeeze of our hands as the most sincere apology. }}} |

Click the "new tiddler" button towards the top right of the screen to write something in your space. You'll need to give it a title, some content and, optionally, some tags that will help you identify it later.

!Stuck for ideas?
Not sure what to write about? Not sure what to keep in your space? Other people use ~TiddlySpace for almost anything. How about some of the following:

* [[Save interesting sites|http://bookmarks.tiddlyspace.com]], images or articles from around the web so that you can refer back to them.
* [[Record your family tree|http://familytree.tiddlyspace.com]], store notes on long lost relatives or ancestors and map their relationship to you.
* [[Make up a pocketbook|http://pocketbook.tiddlyspace.com]] to store some useful information in, then print it out, [[fold it up|http://www.pocketmod.com/]], and take it with you.
* [[Plan your holiday|http://the-web-is-your-oyster.tiddlyspace.com/]], record where you're planning to go, note down places of interest and refer back to it later.
* [[Create a mindmap|http://mindmaps.tiddlyspace.com/]] to visualise your inner thoughts and see how they relate to each other.
* [[Set up a questionnaire|http://questionnaire.tiddlyspace.com/]] and get all your friends to answer it.

If you don't like any of those ideas, you can still use this space directly to keep notes and link them together, make a todo list and keep track of everything you're doing, or any one of a hundred million other things.

Still stuck? Check out the @featured space for more suggestions.

You can also [[socialise with others|How to socialise]].

!Credo
By Arthur Symons (1865–1945)
 
Each, in himself, his hour to be and cease	
Endures alone, but who of men shall dare,	
Sole with himself, his single burden bear,	
All the long day until the night’s release?	

Yet ere night falls, and the last shadows close,
This labour of himself is each man’s lot;	
All he has gain’d of earth shall be forgot,	
Himself he leaves behind him when he goes.	

If he has any valiancy within,	
If he has made his life his very own,
If he has loved or labour’d, and has known	
A strenuous virtue, or a strenuous sin;

Then, being dead, his life was not all vain,
For he has saved what most desire to lose,	
And he has chosen what the few must choose,
Since life, once lived, shall not return again.

''For of our time we lose so large a part	
In serious trifles, and so oft let slip	
The wine of every moment, at the lip	
Its moment, and the moment of the heart.''

We are awake so little on the earth,	
And we shall sleep so long, and rise so late,	
If there is any knocking at that gate	
Which is the gate of death, the gate of birth.

/* Use this tiddler for your custom CSS and leave StyleSheet to get theme updates. */
/*{{{*/
@font-face {
	font-family: 'Vollkorn';
	font-style: normal;
	font-weight: normal;
	src: local('Vollkorn'), url('http://fonts.tiddlyspace.com/Vollkorn-Regular.ttf') format('truetype');
}
@font-face {
	font-family: 'Code2000';
	font-style: normal;
	font-weight: normal;
	src: local('Code2000'), url('http://www.fontsaddict.com/fontface/code2000.ttf') format('truetype');
}
.glyph {
 font-family: 'Code2000';
}

.borderless, .borderless table, .borderless td, .borderless tr, .borderless th, .borderless tbody
	{ border:0 !important; margin:0 !important; padding:0 !important; }

.typed {
 font-family:monospace;
 font-size:150%;
}

/* Style stands for 'blue emphasis' */
.bluem {
 font-style: italic;
 color: [[ColorPalette::SecondaryDark]];
}
/* Style stands for 'grey emphasis' */
.grem {
 font-style: italic;
 color: grey;
}

.lg {
 color: #e8e8e8;
}
.fu {
 color: fuchsia;
}
.purplss {
    font-size: 80%;
    vertical-align: super;
    color: purple;
}
.emph {
 font-weight: bold;
 color:[[ColorPalette::SecondaryDark]];
}
.hd1 {
    display: block;
    text-align: left;
    font-family: 'Vollkorn';
    font-size: 24px;
    line-height: 30px;
    font-weight:normal;
}
.serif {
 font-family: serif;
 font-size: 110%;
}
/* Style for interleaved dialogue, with one voice in another typeface and italicized */
.dialog {
 font-style: italic;
 font-family: serif;
 font-size: 110%;
}
.rjustify {
 text-align: right;
}
.ljustify {
 text-align: left;
}
.center {
 text-align: center;
}
.font85 {
 font-size: 85%;
}
.font125 {
 font-size: 125%;
}
.font150 {
 font-size: 150%;
}
.font115 {
 font-size: 115%;
}
.siteTitle{
  font-family: 'Vollkorn';
}

#topMenu,
.siteSubtitle {
  font-family: 'Vollkorn';
}

#sidebarOptions .btn-history-none,
#sidebarOptions .popup .btn-history-current{
    color:[[ColorPalette::TertiaryPale]];
    cursor:default !important;
}

.frmTypeWithMe {
    margin-left:1%;
    width:86%;
}

.popList a{
    display: block;
    padding: 5px 7px;
}

.popList br{
    display:none;
}

.admin a.tiddlyLink {
    color:transparent !important;
    margin-left:20px !important;
    padding: 3px 20px !important;
}

.adminLinks a{
    display:block;
}

.infoBox{
    display:block;
    float:right;
    margin: 10px 0 10px 10px;
    text-align:center;
}

.infoBox h1{
    padding:0;
    margin: 0;
}

.infoBox .tiddlyLink{
    display:block;
    font-size:1.4em;
    line-height:1.4em;
}

.viewer .listTitle {
    margin-left:0;
}

.followersFollowers .spaceName {
    list-style-type:none;
    float:left;
    min-height:30px;
    min-width: 150px;
}

#tiddlerDisplay .tbScan,
#tiddlerDisplay .followersFollowers{
    margin:1em 0 0 0;
    overflow:auto;
}

#tiddlerDisplay .scanResults > ul,
.followersFollowers .followers > ul{
    margin:0;
    padding:0;
}

.scanUser {display:block;display:block;font-size:1.5em;height:2em;margin-top:10px;padding:0.5em 0.3em 0;background:[[ColorPalette::TertiaryPale]];margin-top:5px;-moz-border-radius-topleft:10px;-moz-border-radius-topright:10px; -webkit-border-radius-topleft:10px;-webkit-border-radius-topright:10px;border-radius-topleft:10px;border-radius-topright:10px;}
.scanUser .externalImage,.scanUser .image{display:block;float:left;margin:-0.3em 0.5em 0 0 ;}
.scanText {display:block;background:[[ColorPalette::SecondaryPale]];font-size:0.9em;padding:0.5em;-moz-border-radius-bottomleft:10px;-moz-border-radius-bottomright:10px; -webkit-border-radius-bottomleft:10px;-webkit-border-radius-bottomright:10px;border-radius-bottomleft:10px;border-radius-bottomright:10px;}
.tbScan .scanResults blockquote {border-left:2px solid [[ColorPalette::SecondaryDark]];margin:0.7em 0 0.7em 0.7em;padding-left:0.5em;}
.tbScan .scanResults .spaceName li {list-style-type:circle;margin:0.7em 0 0.7em 0.7em;padding-left:0.5em;}
.tbScan .scanResults code{color:[[ColorPalette::SecondaryDark]];}

/* UNVERIFIED */

.video,.video object{z-index:0;position:relative;}

.activityList ul{list-style-type:none;}
.activityList .listItem,.activityList .listLink, .activityList ul, .activityList li,.activityList .image,.activityList .label {display:block;float:left;}
.activityList .listLink, .activityList .groupBy{clear:both;float:left;}
.activityList .label {padding-left:5px;}
.activityList .label a {font-style:normal; font-weight:bold;}
.activityList .siteIcon {padding:5px;float:left;}

.linkified .tiddlyLink {color: #33a !important;}
.iconTabs .tab {padding: 18px 0 1px 0 !important;}
.iconTabs .tabContents .timeline,
.viewer .tabContents .timeline {background: transparent !important;}

#sidebarTabs .tabsetWrapper .iconTabs .tabset {min-height: 32px;margin:-7px 0 7px 0;}
#sidebarTabs .tabsetWrapper .iconTabs .tabset .tabSelected,
#sidebarTabs .tabsetWrapper .iconTabs .tabset .tab {margin: 0 !important; padding: 16px 0 0 0 !important;}
#sidebarTabs .tabIcon {margin: -13px 3px 0 3px;}
#sidebarTabs .tabsetWrapper .iconTabs .tabset .tabSelected,
#sidebarTabs .tabsetWrapper .iconTabs .tabset .tab:hover {background: [[ColorPalette::TertiaryLight]];}

.linkList .lf-list > ul > li em {
    font-size:1.4em;
    font-style:normal;
}

.linkList .lf-list > ul > li li em {
    font-size:1.2em;
}

.toolbarReadOnly .button{
    display: inline;
}

.discuss_panel{
    margin:1em;
}

.pinkish.button, .pinkish.popup{
    background:#fee;
}

.plugin + br{
    display:none;
}

.plugin{
    border:2px solid  [[ColorPalette::PageBackground]];
    padding:5px;
    margin:7px 0;
    background:[[ColorPalette::Dim]];
}

.plugin:hover{
    background:[[ColorPalette::PageBackground]];
}

.plugin > .title > a {
    display:block;
    line-height: 1.4em;
    padding:3px;
}

.plugin .lf-found {
    background:inherit;
}

.plugin.lf-found {
    background: inherit;
}


/* FINDR */
#sidebarTabs #searchResults {
    margin: 0 1em 0 0;
}

#searchResults #findr-buttons{
    margin:0.5em 0 0 5px;
}

#searchResults .search_list .button{
    float:none;
    background:transparent;
    padding:2px;
    margin: 0;
}

#searchResults .search_list .button:hover{
    color:[[ColorPalette::SecondaryMid]];
}

#searchResults #findr-buttons .button{
    float:none;
}

.search_details strong{
   font-weight:normal;
   color:[[ColorPalette::TertiaryMid]];
}

.findr > strong{
    display: block;
    clear: both;
    padding-top: 0.5em;
}

/* PLUGIN PREVIEWS */

.preview img {
    float: right;
    width: 300px;
    margin-left:10px;
    border:5px solid [[ColorPalette::PageBackground]];
    -webkit-border-radius: 5px;
    -moz-border-radius: 5px;
    border-radius: 5px;
}

.modifierIcon  .siteIcon img {
    z-index: 0;
    -webkit-border-radius: 30px;
    -moz-border-radius: 30px;
    border-radius: 30px;
}

.modifierIcon .siteIcon{
    webkit-border-radius: 30px;
    -moz-border-radius: 30px;
    border-radius: 30px;
    -moz-background-clip: padding;
    -webkit-background-clip: padding-box;
    background-clip: padding-box;
    height: 32px;
    width: 32px;
    border: 10px solid transparent;
    position: absolute;
    left: -20px;
    top: -10px;
}

.tiddler .followPlaceHolder {
    right: 72px;
}

[[StyleSheetContact]]
/*}}}*/

/***
|''Name''|TiddlySpaceViewTypes|
|''Version''|0.6.0|
|''Status''|@@beta@@|
|''Description''|Provides TiddlySpace specific view types|
|''Author''|Jon Robson|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceViewTypes.js|
|''Requires''|TiddlySpaceConfig TiddlySpaceTiddlerIconsPlugin|
!Usage
Provides replyLink, spaceLink and SiteIcon view types.
!!SiteIcon view parameters
* labelPrefix / labelSuffix : prefix or suffix the label with additional text. eg. labelPrefix:'modified by '
* spaceLink: if set to "yes" will make any avatars link to the corresponding space. {{{<<originMacro spaceLink:yes>>}}}

!Code
***/
//{{{
(function($) {

var tiddlyspace = config.extensions.tiddlyspace;
var originMacro = config.macros.tiddlerOrigin;
var tweb = config.extensions.tiddlyweb;

config.macros.view.replyLink = {
	locale: {
		label: "Reply to this tiddler"
	}
};

var _replyButtons = [];
var _replyInitialised, _replyScriptLoaded;
config.macros.view.views.replyLink = function(value, place, params, wikifier,
		paramString, tiddler) {
	var valueField = params[0];
	var imported;
	if(valueField == "title") { // special casing for imported tiddlers
		var localTitle = tiddler.title;
		var serverTitle = tiddler.fields["server.title"];
		if(serverTitle && localTitle != serverTitle) {
			value = serverTitle ? serverTitle : localTitle;
			imported = true;
		}
	} else {
		title = tiddler[valueField] ? tiddler[valueField] : tiddler.fields[valueField];
	}
	var args = paramString.parseParams("anon")[0];
	var label = (args.label) ? args.label : config.macros.view.replyLink.locale.label;
	var space;
	if(tiddler) {
		var bag = tiddler.fields["server.bag"];
		space = tiddlyspace.resolveSpaceName(bag);
	}
	var container = $('<span class="replyLink" />').appendTo(place)[0];

	tweb.getUserInfo(function(user) {
		if ((!user.anon) && ((space && user.name != space &&
				user.name != tiddlyspace.currentSpace.name) || imported)) {
			var link = $("<a />")
				.text(config.macros.view.replyLink.locale.label)
				.appendTo(container)[0];

			if(typeof(createReplyButton) === "undefined") {
				_replyButtons.push(link);
			}
			if(_replyInitialised) {
				createReplyButton(link);
			} else if(!_replyScriptLoaded) {
				_replyScriptLoaded = true;
				$.getScript("/bags/common/tiddlers/_reply-button.js",
					function() {
						_replyInitialised = true;
						for(var i = 0; i < _replyButtons.length; i++) {
							createReplyButton(_replyButtons[i]);
						}
						_replyButtons = [];
					});
			}
		}
	});

};

config.macros.view.views.spaceLink = function(value, place, params, wikifier,
		paramString, tiddler) {
		var spaceName = tiddlyspace.resolveSpaceName(value);
		var isBag = params[0] == "server.bag" && value === spaceName ? true : false;
		var args = paramString.parseParams("anon")[0];
		var titleField = args.anon[2];
		var labelField = args.labelField ? args.labelField[0] : false;
		var label;
		if(labelField) {
			label = tiddler[labelField] ? tiddler[labelField] : tiddler.fields[labelField];
		} else {
			label = args.label ? args.label[0] : false;
		}
		var title = tiddler[titleField] ? tiddler[titleField] : tiddler.fields[titleField];

		var link = createSpaceLink(place, spaceName, title, label, isBag);
		if(args.external && args.external[0] == "no") {
			$(link).click(function(ev) {
				var el = $(ev.target);
				var title = el.attr("tiddler");
				var bag = el.attr("bag");
				var space = el.attr("tiddlyspace");
				bag = space ? space + "_public" : bag;
				if(title && bag) {
					ev.preventDefault();
					tiddlyspace.displayServerTiddler(el[0], title,
						"bags/" + bag);
				}
				return false;
			});
		}
};

config.macros.view.views.SiteIcon = function(value, place, params, wikifier,
		paramString, tiddler) {
	var options = originMacro.getOptions(paramString);
	if(!tiddler || value == "None") { // some core tiddlers lack modifier
		value = false;
	}
	var field = params[0];
	if(field == "server.bag") {
		options.notSpace = !originMacro._isSpace(value);
	}
	tiddlyspace.renderAvatar(place, value, options);
};

})(jQuery);
//}}}

<svg xmlns="http://www.w3.org/2000/svg" xmlns:xl="http://www.w3.org/1999/xlink" version="1.1" viewBox="78 222 60 60" 
width="30" height="30">
<g stroke="none" stroke-opacity="1" stroke-dasharray="none" fill="none" fill-opacity="1">
	<g>
		<path d="M 107.92718 244.14815 L 86.651474 222.89253 L 78.85206 230.69925 L 100.120415 251.9476 L 78.774 273.27396 
		L 86.57342 281.08075 L 107.927216 259.74707 L 129.39981 281.19946 L 137.19922 273.39267 L 115.73397 251.94763 
		L 137.121155 230.58054 L 129.32175 222.77374 Z" fill="black" class="glyph"/>
	</g>
</g>
</svg>

 
Morris Berman:

"How //does// one escape from the [[double bind]], then?  On the individual level, at least, Gregory Bateson notes that the exit door is frequently ''creativity''.  Bateson realized that schizophrenia was itself part of a larger system that he called the "[[transcontextual|transmissive]] syndrome."  Jokes, which often involve the scrambling of the literal and the metaphorical, are a good example of this syndrome … There is, in fact, a double bind present in the etiology of a whole range of behavior -- schizophrenia, humor, art, and poetry, for example -- but the theory of the double bind does not formally distinguish between these activities or states of mind.  There is no way to say whether a [[particular family|curse]] will produce a clown or a schizophrenic, for example.  Those whose lives are enriched by ''transcontextual gifts'', says Bateson, or impoverished by them, have this in common: things are never just what they are.  There is often, or even always, a "double take" involved …

{{grem{Bateson himself wrote:}}}
<<<
It seems that both those whose life is enriched by transcontextual gifts and those who are impoverished by transcontextual confusions are alike in one respect: for them there is always or often a "double take."  A falling leaf, the greeting of a friend, or a “[[primrose by the river’s brim|Northrop Frye/DoubleVisionOfNature]]” is not “just that and nothing more.”  Exogenous experience may be framed in the contexts of dream, and internal thought may be projected into the contexts of the external world.  And so on.  For all this, we seek a partial explanation in learning and experience …
(“Double Bind, 1969,” in //Steps to an Ecology of Mind//, p. 272).
&nbsp;&nbsp;&nbsp;-- quoted in a [[blog post|http://www.gardnercampbell.net/blog1/?p=2170]] by Gardner Campbell, "Doug [[Engelbart|PurpleWiki/Engelbart]], transcontextualist"
<<<
His scientific sophistication notwithstanding, Bateson instinctively knew that most knowledge was analogue, that realities lay in wholes rather than parts, and that immersion //(mimesis)// rather than analytical dissection was the beginning of wisdom.  To give a digital summary of his approach risks reifying it, and thereby rendering it worthless or even dangerous.  //'Let loose ends lead to their own ends,'// a friend of mine once wrote in one of her poems; and perhaps it would be best not to tie them up here.  Certainly, no set of abstractions Bateson or I lay out in linear, discursive terms can grasp [[the larger noncognitive reality of life|countervailingGBG]].  But we live in this century, not the fourteenth or twenty-second, and for better or worse we are saddled with verbal-rational knowledge as the primary mode of exposition …"

-- Morris Berman, //[[The Reenchantment of the World|https://books.google.com/books?id=cUS2tQc7nYcC&pg=PA230&lpg=PA230]]//, 1981

//See the [[schismogenesis]] concept also named by Gregory Bateson//

/***
|''Name''|ToggleTiddlerPrivacyPlugin|
|''Version''|0.7.1|
|''Status''|@@beta@@|
|''Description''|Allows you to set the privacy of new tiddlers and external tiddlers within an EditTemplate, and allows you to set a default privacy setting|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlySpaceConfig|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/ToggleTiddlerPrivacyPlugin.js|
!Notes
When used in conjunction with TiddlySpaceTiddlerIconsPlugin changing the privacy setting will also interact with any privacy icons.

Currently use of
{{{<<setPrivacy defaultValue:public>>}}} is in conflict with {{{<<newTiddler fields:"server.workspace:x_private">>}}}

There is an option, found in the tweak tab of the backstage, called txtPrivacyMode. Set this to either ''public'' or ''private'' depending on your security preference. If you choose not to set it then it will default to ''public''.
!Params
defaultValue:[private|public]
Allows you to set the default privacy value (Default is private)

!Code
***/
//{{{
(function($) {

	var tiddlyspace = config.extensions.tiddlyspace,
		macro;
	macro = config.macros.setPrivacy = {
		handler: function(place, macroName, params, wikifier, paramString, tiddler) {
			if(readOnly) {
				return;
			}
			var el = $(story.findContainingTiddler(place)),
				args = paramString.parseParams("name",
					null, true, false, true)[0],
				container = $("<div />").
					addClass("privacySettings").
					appendTo(place)[0],
				currentSpace = tiddlyspace.currentSpace.name,
				currentBag = tiddler ? tiddler.fields["server.bag"] : false,
				// XXX: is the following reliable?
				isNewTiddler = el.hasClass("missing") || !currentBag,
				tiddlerStatus = tiddlyspace.getTiddlerStatusType(tiddler),
				customFields = el.attr("tiddlyfields"),
				defaultValue = "public",
				options = config.macros.tiddlerOrigin ?
						config.macros.tiddlerOrigin.getOptions(paramString) :
						{};
			customFields = customFields ? customFields.decodeHashMap() : {};
			if(isNewTiddler || !["public", "private", "unsyncedPrivate",
					"unsyncedPublic"].contains(tiddlerStatus)) {
				if(args.defaultValue) {
					defaultValue = args.defaultValue[0].toLowerCase();
				} else {
					defaultValue = config.options.chkPrivateMode ?
							"private" : "public";
				}
				defaultValue = defaultValue ?
						"%0_%1".format(currentSpace, defaultValue) :
						customFields["server.bag"];
				this.createRoundel(container, tiddler, currentSpace,
						defaultValue, options);
			}
		},
		updateEditFields: function(tiddlerEl, bag) {
			var saveBagField = $('[edit="server.bag"]', tiddlerEl),
				saveWorkspaceField = $('[edit="server.workspace"]', tiddlerEl),
				input = $("<input />").attr("type", "hidden"),
				workspace = "bags/" + bag;
			if(saveBagField.length === 0) {
				input.clone().attr("edit", "server.bag").val(bag).
					appendTo(tiddlerEl);
			} else {
				saveBagField.val(bag);
			}
			// reset to prevent side effects
			$(tiddlerEl).attr("tiddlyFields", "");
			if(saveWorkspaceField.length === 0) {
				input.clone().attr("edit", "server.workspace").
					val(workspace).appendTo(tiddlerEl);
			} else {
				saveWorkspaceField.val(workspace);
			}
		},
		setBag: function(tiddlerEl, newBag, options) {
			var bagStatus,
				title = $(tiddlerEl).attr("tiddler"),
				tiddler = store.getTiddler(title),
				originButton = $(".originButton", tiddlerEl)[0],
				refreshIcon,
				newWorkspace = "bags/" + newBag,
				rPrivate = $("input[type=radio].isPrivate", tiddlerEl),
				rPublic = $("input[type=radio].isPublic", tiddlerEl);
			refreshIcon = function(type) {
				var originMacro = config.macros.tiddlerOrigin;
				if(originButton && originMacro) {
					options.noclick = true;
					originMacro.showPrivacyRoundel(tiddler, type,
							originButton, options);
				}
			};
			macro.updateEditFields(tiddlerEl, newBag);
			if(tiddler) {
				tiddler.fields["server.bag"] = newBag;
				// for external tiddlers
				tiddler.fields["server.workspace"] = newWorkspace;
			}
			if(newBag.indexOf("_public") > -1) {
				rPrivate.attr("checked", false);
				rPublic.attr("checked", true);
				bagStatus = "public";
			} else {
				rPublic.attr("checked", false); // explicitly do this for ie
				rPrivate.attr("checked", true);
				bagStatus = "private";
			}
			refreshIcon(bagStatus);
		},
		createRoundel: function(container, tiddler, currentSpace,
							   defaultValue, options) {
			var privateBag = "%0_private".format(currentSpace),
				publicBag = "%0_public".format(currentSpace),
				rbtn = $("<input />").attr("type", "radio").
					attr("name", tiddler.title),
				el = story.findContainingTiddler(container);
			rbtn.clone().val("private").addClass("isPrivate").
				appendTo(container);
			$("<label />").text("private").appendTo(container); // TODO: i18n
			rbtn.clone().val("public").addClass("isPublic")
				.appendTo(container);
			$("<label />").text("public").appendTo(container); // TODO: i18n
			$("[type=radio]", container).click(function(ev) {
				var btn = $(ev.target);
				tiddler.fields["server.page.revision"] = "false";
				if(btn.hasClass("isPrivate")) { // private button clicked.
					$(el).addClass("isPrivate").removeClass("isPublic");
					macro.setBag(el, privateBag, options);
				} else {
					$(el).addClass("isPublic").removeClass("isPrivate");
					macro.setBag(el, publicBag, options);
				}
			});
			window.setTimeout(function() {
				macro.setBag(el, defaultValue, options);
			}, 100);
			// annoyingly this is needed as customFields are added to end of EditTemplate so are not present yet
			// and don't seem to respect any existing customFields.
		}
	};

}(jQuery));
//}}}

 
Outline of a story "Double Life in a Dreamworld"
----

A continuous, cohesive life visited each night. The period of waking consciousness for the physical body is like sleep for the dream self.  When the dream self "wakes", another day begins, lasting 3 to 7 hours duration. These days can be lengthened, but with exponential difficulty and fatigue to the physical body and host mind.

The dreams are shared experiences with other living people, influenced by their dreaming minds.  The critical threshold is when lucid co-dreaming first takes place.  At some deep level of our minds, we give consent to let an active participant into our dreams.  Only by this, we gain a stable "place" where we can return and have relationships, but we lose exclusive control and autonomy.  These are initially very brief dreams.  Sketch out a trajectory of how the dreams last longer and longer with practice.

Very strict sleep routines are necessary for this double life.  Going to bed and waking at consistent times.  Masking noise and disruptions from the physical world, by blocking out light, using white noise, maintaining stable temperature, not eating or drinking too late, and avoiding drugs and alcohol.  Conventional sleeping pills interfere -- but maybe a routine dose of an activating drug is needed, which does induce sleep?  The body sleeps for a certain inactive period, then moves to the dream world.  Transitions back for a final 1 to 4 hours of normal sleep.

How long has this world existed?  I suspect less than 100 years, but more than 30.

Perhaps co-dreaming has existed in highly limited cases since the dawn of modern humans, at the scale of about two dozen people per generation, distributed unpredictably throughout humanity.

Maybe the descendants or students of this craft discovered the drug which made it much easier in the last century?

Enabled by a drug such as salvinorin?
C~~23~~H~~28~~O~~8~~

The same people tend to populate our dream world for months or years.  When they began, they were taught to protect the identity of their waking hosts. "Never the two lives shall cross."

When a host dies, so does their dream double.

Learn to distinguish between "ghosts" of the waking life (who may be deceased or otherwise inaccessible to us -- not co-dreaming with us), and the dream selves who are alive and actually participating in the shared reality outside our own heads.

A "strong dreamer" can create a more sustainable reality that assimilates external dreaming activity and assists their co-dreaming.  "Newcomers" are more reliant on the drug activation or being propped up by a stronger dreamer.

A region of dreamed reality becomes more durable and lasting with more minds "plugged in" and giving it their belief and consent.  It can fade and wither if too many leave it.

Possible features of the dreamworld:

The dream self has an identity, name, appearance and recognizable features that remain relatively stable each night, aging at a similar speed as the physical host (though perhaps slowed or sped up, on occasion.)

The dream self has a home and surroundings, a geography it moves through.

Cause and effect operate in the dream world, along with consequences of earlier choices and communication with living people in the co-dream, but with more elasticity.

The dreamer can leave the people it lives with and seek out others, but this world is not so densely populated.

People fall in love in this world.

See the poem "[[Dreams]]" by Mark Strand for another artistic view of dreamworld.

After conceiving this story, I listened to the song "[[Divers]]" by Joanna Newsom and heard direct correspondences to my story:
<<<
The diver is my love //(in dreamworld)//
who takes one breath above, for every hour below the sea
//(time compression while dreaming)//
who gave to me a jewel //(this secret ability, a key to another world)//
worth ''twice'' this woman's life //(literally a second life)//
but would cost her less than laying at low tide,
to see her true love ''phosphoresce''
//(his moment of transfiguration, moving between the worlds; it was forbidden and cost dearly to slip herself into his "limbo-liminal" zone)//
: this particular word elucidated by Octavio Paz in a +++[poem]
Yet ''dismembered'' memory //(free of the physical body)// ''swims''
from the birthsprings of nothing
from the wellsprings of birth
swims against the current and commands
swims against nothing
The flaming of water
the tongue of fire phosphorescing the water
-- from the poem "[[Aspiration]]"
===

And in an infinite regress //(fractal nature of reality)//
Tell me, why is the pain of birth //(Carmen)//
lighter borne than the pain of death?
I ain't saying that I loved you first //(the diver has a wife in the waking world)//
but I loved you best.
I know we must abide
each by the rules that bind us here:
the divers, and the sailors, and the women on the pier.
''But how do you choose your form?''
How do you choose your name? How do you choose your life?
//(all of these are self-determined by the dreamer)//
How do you choose the time you must exhale,
and kick, and rise?
… Recall the word you gave:
to count your way across the depths of this arid world,
where you would yoke the waves,
and lay a bed of shining pearls! 
I dream it every night
… the ''twinned'' and cast-off shells
//(the shells of mundane circumstance, and in duplicate)//
reveal a single heart of white. //(one soul but in two lives?)//
And in an infinite backslide:
Ancient border, sink past the West, //(setting sun; border of night and day)//
… A woman is alive! 
A woman is alive //(which, his wife or lover met in dreamworld?//
you do not take her for a sign in nacre on a stone,
alone, unfaceted and fine.
And never will I wed.
I'll hunt the pearl of death to the bottom of my life,
and ever hold my breath,
till I may be the diver's wife.
See how the infinite divides: 
and the divers are not to blame
for the rift, spanning distant shores.
You don't know my name,
but I know yours.
<<<
Can the dreamer change its identity, morph genders or dream bodies?  Perhaps with the assistance of a potent drug dose, or the help of another dreamer.

What is the routine of the dreamworld day?  Dusk falls as other dreamers go into deep bodily sleep and exit the dream world, or if they are woken.  The remaining dreamers may congregate or choose to stay present with great effort.

What's the point?  Many dreamers are exploring unfulfilled desires, questing for information or answers they cannot find in the waking world, or mining this world for the inspiration of their novels, poetry, music, artwork, or engineering.  Creative types are plentiful in the dream world.

Few would choose a mundane, boring life -- unless they need a break from the pace and pressure of their other life, from past traumas, public life, or stardom.

Children appear with rarity, and generally a brief period of time.  These are the "born naturals" which occur each generation, just a handful of people worldwide.  They are adopted by those who want to be parents, but adolescence of the host body often separates these families in the dream world.  This may be changing as the dream world evolves.  Infants and young toddlers don't have the cognitive development for co-dreaming.

Meal times are much less frequent, because hunger is a rare sensation, unless the physical body goes to bed hungry, or for those people who seek the enjoyment of dream eating.  No bathrooms or need to eliminate waste.

Orgasm in the dream world usually causes the physical body to respond as well.

*****

A drug-activated trip to dreamworld, in a sustainable equilibrium occurring nightly 260 to 310 nights per year, requires (for the beginner) 1 hour and 21 minutes entrance sleep, followed by 2 hours and 43 minutes in dreamworld (twice the entrance) -- //e// hours dreaming -- and a transition return sleep with no dream activity of 4 hours and 4 minutes (3 times the entrance.)  Total uninterrupted sleep time is 8 hours and 9 minutes.  Being woke in the second half of the night is not highly detrimental on occasion, if there was at least 81 to 90 minutes of dreamless return (for about 5.5 hours total sleep.)
													
The dreamworld state may be lengthened with 10 to 30% more effort, physical dreaming time 17 minutes to 1 hour longer (3:40 dreaming)		
-- equivalent to 7 hours and 20 minutes in dreamworld, if time doubling? --
typically with no change in drug dosage, and by reducing the dreamless return; maintaining ~ 8 hours total sleep.													
													
At the threshold of 40 to 50% change in the dreamworld duration, the drug dosage usually needs to be increased.  The entrance sleep may be shortened to 54 minutes, followed by approximately 4 hours in dreamworld, and a transition return sleep which is 3 times the entrance, around 2 hours and 43 minutes.													
													
The minimum healthy return is 81.55 minutes (half of //e//), a period from which the host should not be woken.  If the entrance sleep is shortened to its minimum of 40.77 minutes, an optimal 3X return is 2 hours and 2 minutes.  At this point, the entire sleep time will need increased beyond 8.5 hours, optimally to 9.5 or 10 hours uninterrupted, in order to experience 7 hours in dreamworld.  In practice, even 6 hours is not sustainable for most people more than once a week.
													
1.5X drug dose typically needed to achieve 4 to 5.5 hrs (8 to 11 experienced dreamworld), 2.0X dose for 6+ hours and to stay alone past dusk
												
6.0X drug dose dissolves the dreamworld persona (quasi suicide experience) and remakes the identity, with risks of closing dreamworld or endangering the waking consciousness.

//A hypothetical dream cycle://
9:21 PM	host body falls asleep -- latest June sunset in London
10:42 PM	enter dreamworld (after initial sleep)
10:42 AM	perceived time in dreamworld
4:08 PM	starts to tire in dreamworld; pull of return
4:42 PM	the most common exit time (6 hours experienced), e^^1.1^^
6:02 PM	the longest most can stay with a routine dose

10:15 AM	accelerated entrance after 54 minutes
7:12 PM	dusk falls; almost 9 hours in dreamworld
10:06 PM	latest exit typically made after 12 hours

Six strong dreamers sustain the time doubling reality?  They do this for 3 to 4 nights at a time, then rotate with six others.
36 to 42 people would be needed across the world to achieve this device.  (Two "relief or back-up" dreamers per world zone.)

 
//a little journal (2 x 3 inches) which Lily and I
began to exchange back and forth in our
early years before marriage (13 years ago)…//

[img(35%,)[The Kiss by Gustav Klimt|http://farm1.staticflickr.com/109/365528939_36cae708f3_d.jpg][http://www.flickr.com/photos/65068167@N00/365528939/]]

@@display:block;width:14.5em; begin the journey here +++[. . .]
<<tiddler kiss1>>Lily replies
<<tiddler kiss2>>
<<tiddler kiss3>>
<<tiddler kiss4>>January 29, 2003 +++[. . .]
<<tiddler kiss5>>
<<tiddler kiss6>>
<<tiddler kiss7>>
<<tiddler kiss8>>
<<tiddler kiss9>>Lily returns a poem +++[. . .]
<<tiddler kiss10>>
<<tiddler kiss11>>
<<tiddler kiss12>>I say +++[. . .]
<<tiddler kiss13>>
<<tiddler kiss14>>
<<tiddler kiss15>>
<<tiddler kiss16>>
<<tiddler kiss17>>
<<tiddler kiss18>>
I  want to believe in the +++[capabilities] 
<<tiddler [[I want to believe in the capabilities]]>>
<<tiddler kiss19>>
<<tiddler kiss20>>
<<tiddler kiss21>>
I pasted a newspaper +++[clipping]
<<tiddler [[Nobody Knows It But Me]]>>
<<tiddler kiss22>>
<<tiddler kiss23>>
<<tiddler kiss24>>I wrote a poem about our +++[journeys]
<<tiddler kiss25>>
<<tiddler kiss26>>
<<tiddler kiss27>>
<<tiddler kiss28>>
<<tiddler kiss29>>
<<tiddler kiss30>>
<<tiddler kiss31>>
<<tiddler kiss32>>
<<tiddler kiss33>>
<<tiddler kiss34>>
<<tiddler kiss35>>
<<tiddler kiss36>>May 9, 2005 +++[. . .]
<<tiddler kiss37>>
<<tiddler kiss38>>
<<tiddler kiss39>>
<<tiddler kiss40>>January 14, 2007 +++[. . .]
<<tiddler kiss41>>
<<tiddler kiss42>>
<<tiddler kiss43>>
<<tiddler kiss44>>Lily wrote again +++[. . .]
<<tiddler kiss45>>
<<tiddler kiss46>>
//The last message//  +++[. . .]
<<tiddler kiss47>>
===
===
===
===
===
===
===
===
===
===
===


@@
<part TOC>__Table of Contents__ +++[+]
//(these each open individually and not in "notecard" size)//

*[[kiss1]] -- the ability to forget
*[[kiss2]] -- the freedom to explore
*[[kiss3]] -- our dialogues
*[[kiss4]] -- our comfort with each other
*[[kiss5]] -- magnificent morning sky
*[[kiss6]] -- I am happy
*[[kiss7]] -- your never-ending support
*[[kiss8]] -- the simple beauty of your smile
*[[kiss9]] -- paradoxes, mysteries and delights
*[[kiss10]] -- crisp morning, soft pillow
*[[kiss11]] -- I do love you
*[[kiss12]] -- experience the whole of now
*[[kiss13]] -- You are my bridge to happiness
*[[kiss14]] -- I woke up and found I wasn't dreaming
*[[kiss15]] -- the words are thinning out
*[[kiss16]] -- I feel safe 
*[[kiss17]] -- calmer, better with you
*[[kiss18]] -- all things of Avalon work together
*[[I want to believe in the capabilities]]
*[[kiss19]] -- Anam Cara
*[[kiss20]] -- self, synergy, home, family
*[[kiss21]] -- I'll never be lost
*[[Nobody Knows It But Me]]
*[[kiss22]] -- discussion and questions
*[[kiss23]] -- drawing water from the coolest well
*[[kiss24]] -- providing a safe port
*[[kiss25]] -- I travel with you
*[[kiss26]] -- be contrary, we are kin
*[[kiss27]] -- our family grows
*[[kiss28]] -- remember a sun yellow room
*[[kiss29]] -- Will you marry me?
*[[kiss30]] -- Yes
*[[kiss31]] -- on the way to our wedding
*[[kiss32]] -- "I do", not voodoo
*[[kiss33]] -- pockets of non-human life
*[[kiss34]] -- we are headed for our dreams
*[[kiss35]] -- Thank you for these days
*[[kiss36]] -- many miles apart I feel very close to you
*[[kiss37]] -- 10 years, I am who & where I need to be
*[[kiss38]] -- hear these words: I believe in you
*[[kiss39]] -- repose and calm, summer breeze
*[[kiss40]] -- I believe in you
*[[kiss41]] -- expanded our family of choice
*[[kiss42]] -- strong, yet soft and yielding
*[[kiss43]] -- Please begin anew with me
*[[kiss44]] -- Speak Your Truth
*[[kiss45]] -- now three of the same elemental clay
*[[kiss46]] -- to cherish your presence again
*[[kiss47]] -- Thank you - I love you - //final message//
===
</part>


//or, see all 49 notes at once// +++[. . .]
<part stream>
@@display:block;width:14.5em;
<<tiddler kiss1>>Lily replies
<<tiddler kiss2>>
<<tiddler kiss3>>
<<tiddler kiss4>>January 29, 2003
<<tiddler kiss5>>
<<tiddler kiss6>>
<<tiddler kiss7>>
<<tiddler kiss8>>
<<tiddler kiss9>>Lily returns a poem
<<tiddler kiss10>>
<<tiddler kiss11>>
<<tiddler kiss12>>
<<tiddler kiss13>>
<<tiddler kiss14>>
<<tiddler kiss15>>
<<tiddler kiss16>>
<<tiddler kiss17>>
<<tiddler kiss18>>
''I  want to believe in the capabilities''
<<tiddler [[I want to believe in the capabilities]]>>
<<tiddler kiss19>>
<<tiddler kiss20>>
<<tiddler kiss21>>
I pasted a newspaper clipping:
<<tiddler [[Nobody Knows It But Me]]>>
<<tiddler kiss22>>
<<tiddler kiss23>>
<<tiddler kiss24>>I wrote a poem about our journeys:
<<tiddler kiss25>>
<<tiddler kiss26>>
<<tiddler kiss27>>
<<tiddler kiss28>>
<<tiddler kiss29>>
<<tiddler kiss30>>
<<tiddler kiss31>>
<<tiddler kiss32>>
<<tiddler kiss33>>
<<tiddler kiss34>>
<<tiddler kiss35>>
<<tiddler kiss36>>May 9, 2005
<<tiddler kiss37>>
<<tiddler kiss38>>
<<tiddler kiss39>>
<<tiddler kiss40>>January 14, 2007
<<tiddler kiss41>>
<<tiddler kiss42>>
<<tiddler kiss43>>
<<tiddler kiss44>>Lily wrote again:
<<tiddler kiss45>>
<<tiddler kiss46>>
The last message:
<<tiddler kiss47>>
@@
</part>
===
&nbsp;


''//@@color:purple;font-size:125%;See __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('LilyStream')).map(function(t){return t.title}))" title="See All Stories Saved to Lily's Stream">Lily's Story River</a></html>__ …@@//

 
May 20, 2014:
Alias I gave the mother of my children in wikiverse: Lily ~McCulloch

October 12, 2016:
I remembered two songs which Lily put on a mix CD for me:
//You Owe Me Nothing In Return// -- by Alanis Morissette
//I Take You With Me// -- by Melissa Etheridge


''//@@color:purple;font-size:125%;See __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('LilyStream')).map(function(t){return t.title}))" title="See All Stories Saved to Lily's Stream">Lily's Story River</a></html>__ …@@//

 
''John Chris Jones''  (7 October 1927)   Philosopher and design engineer, and writer on the subjects of design, social science, and post-industrial living, which include the books //Designing Designing// (1991) and //[[The Internet and Everyone|i+e]]// (1996).  Born in Aberystwyth, Wales.  Jones has often written under the initials {{{jcj}}}.

A [[chronology|http://www.publicwriting.net/2.2/chronology.html]] of his early life appears on Jones' website ''softopia'': [[my public writing place|http://publicwriting.net/]].  He recognized "many of the people who encouraged and helped me" along the path of his lifework, in what he named a //collective curriculum [[vitae|https://web.archive.org/web/20160331151430/http://publicwriting.net/2.2/collective_cv.html]]//.

I sent John Chris a greeting today for his 89th birthday.  (This is also my brother's 32nd birthday.)

@@display:block;width:34em;border: 2px solid;padding: 14px;border-radius: 13px;
August 2016:

... i concentrate on the simple action of randomly selecting the colour of this entry... 08 ... which is linked to the colour {{fu{fuchsia}}}

... which reminds me of the form and purpose of this website...
{{center{

[[deliberately empty]]
}}}@@
{{{jcj}}} described his idea for another book: "THE EDUCATION OF EVERYONE, (started 1994 and still in progress): another fiction, following the structure of the classical Chinese novel THE STORY OF THE STONE and involving non-dualism and the [[imaginary rock foundation]] upon which everyone is an artist and is responsible for everything and particularly for their education (one chapter written so far appears in THE INTERNET AND EVERYONE, page 444)."
//(Quoted from his "[[invisible books|http://www.publicwriting.net/2.2/invisible_books.html]]")//

I think //The Internet and Everyone// could translate well to [[this wiki web]] medium.

John Chris dedicated //i+e//
"to the memory of [[walt whitman|Whitman]] . . . and to the great project of democracy, as andrew king described it to me, an enduring outcome of romanticism."

In it he wrote:
<<<
i woke to find myself dreaming of this, an hermeneutic homepage in which linkwords connect to other screens which link to topics which are revealed to be each inclusive of the homepage.  thus the homepage becomes not the stable source of what follows from it but the ever-changing edge or horizon of my thought as i compose and as others may read.  //(See [[this wiki web]])//
…
it seems to me this morning that this enclosure by opening, if i can call it that, is perhaps a new step or genre in the traditions of glossing and re-interpretation, with a bow to Jacques [[Derrida|gathered from the web/Derrida]], Annetta Pedretti, and other ''theorists of everything''. (pp. 281-282)
…
Isn't [[the book]], already rethought, becoming the main medium, or meta-medium, for liberation, as it once was for control?  After Moses.  And after modernism -- thanks to those ''pioneering minds'' of the early twentieth century: <part pioneers> {{grem{Marcel [[Proust|Genius]]}}}, Gertrude Stein, James [[Joyce|Finnegans Wake]], Paul [[Cezanne]], {{grem{Samuel Beckett (not to mention}}} Pablo Picasso, Georges Braque, {{grem{Marcel Duchamp}}}, John Cage, {{grem{Josef Beuys}}}, Albert Einstein, Werner Heisenberg, Niels Bohr, {{grem{Michael Foucault}}}, Jacques Derrida and so many others)</part> who showed the ways out of the imprisoning forms of ''imposed certitude'', who revealed something of the mind, left to itself, liberated from accepted goals, willing and able to look outside the self as then known. (p. 420)

//See the [[i+e:synopsis]]//
<<<
Also see http://www.ellipsis.net/i+e and [[softopia history|http://www.publicwriting.net/history_of_the_website.html]]

//Recreate the __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('i+e:stream')).map(function(t){return t.title}))" title="see all stories saved to i+e:stream">Internet & Everyone's Wiki Stream</a></html>__…//

 
//Gratefully quoted from John Chris [[Jones]]' website publicwriting.net
(my breaks in the passages are denoted by . . . )//


''[[11 july 2016|http://www.publicwriting.net/3.0/entries_in_softopia_3.0/16.07.11.html]]'' a windy cloudy evening...

...uneasy... after loss of direction for several days... so try to pay attention and take a walk . . .

surprised that i was forgetting to include what i'm doing... and thus living in the self-excluding past!... and regretting that for several days i'd forgotten that lost wholeness one can so easily regain... simply by including self/other as unity... 

...remembering that i'm sitting here on a public seat in a public landscape as well as remembering self/other (etc) i realise that that mild misery has gone... as i watch a housefly walk across these words that are describing it... as well as realising these thoughts . . .

a day later: 
unease returns so try again to attend to self/other... which i take to include things as well as people... which i presume puts us in touch with the indescribable whole of reality (so called)... which is almost silent at this moment except for slight sounds of someone moving in the flat above... so that we can live separated by walls and floors and ceilings in 'blocks of flats'... or in 'garden suburbs'... or other means of living apart as well as together... and to the exclusion of some...


''[[2 august 2016|http://www.publicwriting.net/3.0/entries_in_softopia_3.0/16.08.02.html]]'' vale of health

. . . i concentrate on the simple action of randomly selecting the colour of this entry... 08 ...
which is linked to the colour {{fu{fuchsia}}}

which reminds me of the form and purpose of this website...
{{center{

deliberately empty
}}}

...i'd forgotten that... while searching for months for what i've been calling 'direction'... 

...i shiver in the near darkness... but cheered by these thoughts... for they animate my [[lifework]]... which now can continue... helped rather than stopped by not having a describable direction... 

...two people wearing hoodies walk quietly past in the darkness... and i get up to walk home... with two trekking poles and four feet... 

...the way back was illuminated by two rural streetlights... (on the road beside the pond)... after which there was darkness... which i normally avoid... but tonight i feel inspired... by the prospect of editing this writing... and putting it online... without purpose... 

 
''Northrop Frye'' (1912 – 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century.
!From //The Educated Imagination// (1963)

''This story of loss and regaining of identity is, I think, the framework of all literature.''

In literature you don't just read one poem or novel after another, but enter into ''a complete world of which every work of literature forms part''.  This affects the writer as much as it does the reader.

The particular myth that's been organizing this talk, and in a way the whole series, is the story of the Tower of Babel in the Bible.  ''The civilization we live in at present is a gigantic technological structure'', a skyscraper almost high enough to reach the moon.  It looks like a single world-wide effort, but it's really a deadlock of rivalries; it looks very impressive, except that it has no genuine human dignity.  ''For all its wonderful machinery, we know it's really a crazy ramshackle building, and at any time may crash around our ears.''  What the myth tells us is that the Tower of Babel is a work of human imagination, that its main elements are words, and that what will make it collapse is [[a confusion of tongues|limits of language]].

(The above found at [[Wikiquote|https://en.wikiquote.org/wiki/Northrop_Frye]].)
!From //Northrop Frye on Religion, Volume 4//
(published 2000, edited by Alvin A. Lee and Jean O'Grady)

He is speaking as a poet rather than as a scientist, and, as poets habitually do, he sees in nature symbols of what Martin [[Buber]] calls "Thou".  In nature itself everything is "It" …

It is notable that poets have constantly insisted that they did not feel like the originators of their poems, but rather that their minds were simply places where something was happening to words.  The poet, says Keats, has no identity; his mind is a thoroughfare to be trodden by images and impressions.  T.S. Eliot compares the poet's mind to a catalyst that is present at, without taking part in, a chemical reaction.  We can call this the unconscious or inspiration or whatever vague abstraction we choose, but whatever we call it, it seems to be a sense of being a medium or transmitter of poetry, rather than a possessor of it.

The basis of knowledge is the individual: I know, you know, he or she knows.  The basis of ''wisdom'' is the community; it is what others may get from us, either because of what we say or, much more frequently, in spite of what we say.  The next step is that of the poet [[Rimbaud|Genius/Rimbaud]], who remarks that one should not say //"je pense",// but rather //"on me pense"//.  The point is not that "I think"; the point is rather that somebody or something is thinking with me.  Rimbaud is expressing the kind of experience that the great mystics struggle for, the moment the Upanishads express in the formula "Thou art that", the moment when "I know" goes into reverse and becomes something more like "I am known."  This is a tentative sense of a total scheme of things, which can be grasped only by an infinite mind, yet a scheme of things where we belong and find our own place and our own identity.  Such phrases as these are not assumptions or hypotheses, much less definitions: they are attempts to put into words feelings which, while they express a sense of complete certainty and conviction, are always in themselves expendable.

This is of course what Paul is talking about when he says that we now know in part, but that there is a state of being where we know even as we are (now) known [1 [[Corinthians 13|in a glass darkly]]:12].  For Paul, it follows that ''the process we call death is the highest adventure of the questing spirit'', where we go from knowledge to what would be more accurately called revelation; where we come to the end of all things for ourselves and therefore come around to the beginning again, the beginning of life within the power that can make all things new.

----

Before long I was back in the world of the essay called "[[The Decay of Lying|lying]]" [by Oscar Wilde] … The main thesis of this essay is that man does not live directly and nakedly in nature like the animals, but within an envelope that he has constructed out of nature, the envelope usually called culture or civilization…

This is not merely my own perversity: we all find that it is not only, perhaps not even primarily, the balanced and judicious people that we turn to for insight. It is also such people as Baudelaire, [[Rimbaud|Genius/Rimbaud]], Hölderlin, Kierkegaard, Dostoevsky, Nietzsche, all of them liars in Wilde's sense of the word, as Wilde was himself.  ''They were people whose lives got smashed up in various ways, but rescued fragments from the smash of an intensity'' that the steady-state people seldom get to hear about. Their vision is penetrating because it is partial and distorted: it is truthful because it is falsified.  To the Old Testament's question: 'Where shall wisdom be found?' [Job 28:12] there is often only the New Testament's answer: 'Well, not among the wise, at any rate.' [cf. 1 Corinthians 1:19-20]

We may see already that the word 'creation' involves us in a state of mind that is closely parallel with certain types of paranoia, which may give us a clue to what Wilde means by 'lying.'  Our envelope, as I have called it, the cultural insulation that separates us from nature, is rather like (to use a figure that has haunted me from childhood) the window of a lit-up railway carriage at night.  Most of the time it is a mirror of our own concerns, including our concern about nature. As a mirror, it fills us with the sense that the world is something which exists primarily in reference to us: it was created for us; we are the centre of it and the whole point of its existence.  But occasionally the mirror turns into a real window, through which we can see only the vision of an indifferent nature that got along for untold aeons of time without us, seems to have produced us only by accident, and, if it were conscious, could only regret having done so. This vision propels us instantly into the opposite pole of paranoia, where we seem to be victims of a huge conspiracy, finding ourselves, through no will of our own, arbitrarily assigned to a dramatic role which we have been given no script to learn, in a state of what Heidegger calls 'thrown-ness.'

The cultural aura, or whatever it is, that insulates us from nature consists among other things of words, and the verbal part of it is what I call a mythology, or the total structure of human creation conveyed by words, with literature at its centre. Such a mythology belongs to the mirror, not the window. It is designed to draw a circumference around human society and reflect its concerns, not to look directly at the nature outside. When man finally gets around to doing that, he has to develop the special language of science, a language which becomes increasingly mathematical in idiom…

+++[The Double Vision of Nature]
<part DoubleVisionOfNature>
&nbsp;
I have taken my title 'The Double Vision' from a phrase in a poem of Blake incorporated in a letter to Thomas Butts (22 November 1802): 
<<<
For double the vision my eyes do see, 
And a double vision is always with me: 
With my inward eye 'tis an old man grey; 
With my outward a thistle across my way. 
<<<
The surface meaning of this appears to be that Blake is adding a subjective hallucination to the sense perception of an object, and that adding this hallucination is what makes him the visionary poet and painter that he is. If this is what Blake is saying, he is talking nonsense, and Blake very seldom talks nonsense. The general idea, however, seems to be that simple sense perception is not enough. We may be reminded of a well known bit of doggerel from Wordsworth: 
<<<
A primrose by a river's brim 
 yellow primrose was to him, 
And it was nothing more.
<<<
Well, what more should it be? If I were a primrose by a river's brim, I should feel insulted. 

Clearly a good deal depends on what is meant by 'more.' If it means something in addition to the perception of the primrose, we seem to be headed for some kind of deliberate program of disorganizing sense experience of a type later proposed by [[Rimbaud|Genius/Rimbaud]], who said that the poet wishing to be [[a visionary|voyant]] must go through a long and systematic unsettling (//[[dérèglement|voyant]]//) of sense experience. But there seems to be something unreliable about this program, if it had anything to do with the fact that one of the greatest of French poets stopped writing when he was barely out of his teens. If, on the other hand, Wordsworth is simply speaking of seeing the primrose itself with a greater intensity, that may be part of a 'more' stable and continuous process. 

We have to give the context of what Blake says at this point, as we shall be referring to it later. He has acquired, he tells us, a double-double or fourfold vision, although it is still essentially twofold, in contrast to what he prays to be delivered from: 
<<<
'Tis fourfold in my supreme delight, 
And threefold in soft Beulah's night, 
And twofold always. May God us keep 
From single vision and Newton's sleep! 
<<<
However paradoxical his language, Blake is not recommending that one should try to awaken from the sleep of single vision by seeing two objects instead of one, especially when one of the two is not there. I think he means rather that the conscious subject is not really perceiving until it recognizes itself as part of what it perceives. The whole world is humanized when such a perception takes place. There must be something human about the object, alien as it may at first seem, which the perceiver is relating to. The 'old man grey' is clearly an aspect of Blake himself, and stands for the fact that whatever we perceive is a part of us and forms an identity with us.
</part>
===

| {{serif{ "Nobody Knows It But Me" is by ad copywriter Patrick O'Leary.  Many readers asked for the text.  Here it is: "There's a place I travel when I want to roam, and nobody knows it but me./  The roads don't go there and the signs stay home, and nobody knows it but me./  It's far, far away and way, way afar, it's over the moon and the sea / and wherever you're going is wherever you are./  And nobody knows it but me." }}} |
// I walk with myself, I peer through shrouded rooms, I tear apart riddles, I bitch and I smile and I learn and I rest -- all the while, I love you. //  (3-2-03)

''The next steps toward my dream''
July 17, 2010
#Improve my attitude toward my working life – open to change what I do, where, who I work for – and how I labor for my present employer before larger changes are possible. I am discharging [[my resentment|Wisdom of No Escape]] toward this company and my boss.
#Gain confidence and clarity to see my path, which is pointing toward non-traditional, non-credentialed education (yet still requires very robust learning.)
#I want to work and play in concert, pursuing a fusion of language, art, mathematics – and 'practical living.'  In this, I hope to carry on some portion of human knowledge and art – even if I don't add a single word to it, but am a custodian and interpreter passing it on to my children.
#I will continue practicing meditation and learning about the Buddhist practice.
#I will feed my family (in multiple senses) with less reliance on the industrial supply-chain. We reject being consumers. We are raising our children to live in the fullest awareness possible and maintain intimate connections with the living world.
//''Work of my youth:'' Wanting a secure grasp

''Begin now:'' [[Work and play in concert→|But yield who will to their separation]]

''Make real [[what I see and desire]]''//

/***
|''Name''|ErrorHandlerPlugin|
|''Version''|0.4.3|
|''Author''|Jon Robson|
|''Description''|Localised tiddler save errors including edit conflict resolution.|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlySpaceConfig|
***/
//{{{
(function($) {

var tiddlyspace = config.extensions.tiddlyspace;
var currentSpace = tiddlyspace.currentSpace.name;
tiddlyspace.getLocalTitle = function(title, workspace, suffix) {
	var endsWith = config.extensions.BinaryTiddlersPlugin.endsWith;
	if(!suffix) {
		var isPublic = endsWith(workspace, "_public");
		suffix = tiddlyspace.resolveSpaceName(workspace);
		if(currentSpace == suffix) {
			suffix = isPublic ? "public" : "private";
		} else {
			suffix = "@%0".format(suffix);
		}
	}
	return "%0 *(%1)*".format(title, suffix);
};

var sssp = config.extensions.ServerSideSavingPlugin;

var msgs = config.messages.editConflict = {
	loading: "Loading..",
	resolve: "[[Edit Conflict]]@glossary: this tiddler may have been changed by someone else.",
	reviewDiff: "review (recommended)",
	reviewDiffTooltip: "review changes made to this tiddler",
	reviewDiffError: "error retrieving revision.",
	save: "overwrite",
	saveTooltip: "make this revision the top revision of this tiddler",
	discard: "cancel",
	discardTooltip: "undo changes to this tiddler and get most recent version",
	diffTitle: "%0",
	diffFieldTitle: "%0 - fields",
	diffTextTitle: "%0 - text",
	updating: "updating your version...",
	diffHeader: ["Review the changes that have been made whilst you were editing this tiddler. ",
		"Fold relevant changes back into your version.\n",
		"{{removed{Red}}} highlight shows content removed. ",
		"{{added{Green}}} highlight shows content added.\n"].join(""),
	diffTextHeader: "View changes in text",
	diffFieldsHeader: "View changes in fields"
};

var plugin = config.extensions.errorHandler = {
	diffTags: ["excludeLists", "excludeMissing", "excludeSearch"],
	displayMessage: function(message, tiddler, context) {
		var desc = context && context.httpStatus ? context.statusText :
			sssp.locale.connectionError;
		var reportArea = plugin.reportError(tiddler.title);
		var msg = $("<div />").appendTo(reportArea);
		if(message == "saveConflict") {
			wikify(msgs.resolve, msg[0]);
			var choiceArea = $("<div />").appendTo(reportArea)[0];
			plugin.editConflictHandler(choiceArea, tiddler);
		} else {
			msg.text(sssp.locale[message].format(tiddler.title, desc));
		}
	},
	editConflictHandler: function(container, tiddler) {
		var title = tiddler.title;
		var myrev = tiddler.fields["server.page.revision"];
		// note user now needs to edit, fix problem and save. 
		// TODO: make sure this gets reset in save callback
		store.getTiddler(title).fields["server.page.revision"] = "false";

		var diffBtn = createTiddlyButton(container, msgs.reviewDiff, msgs.reviewDiffTooltip, function(ev) {
			var title = $(ev.target).data("title");
			plugin.displayDiff(ev.target, store.getTiddler(title), myrev);
		});
		var saveBtn = createTiddlyButton(container, msgs.save, msgs.saveTooltip, function(ev) {
				var title = $(ev.target).data("title");
				var tid = store.saveTiddler(store.getTiddler(title));
				autoSaveChanges(null, [tid]);
			});
		var ignoreBtn = createTiddlyButton(container, msgs.discard, msgs.discardTooltip, function(ev) {
			var title = $(ev.target).text(msgs.updating).data("title");
			plugin.resetToServerVersion(store.getTiddler(title));
		});
		$([diffBtn, ignoreBtn, saveBtn]).data("title", title);
	},
	getDiffTiddlerTexts: function(diffText) {
		var chunks = diffText.split("\n  \n");
		if(chunks.length < 2) {
			return [chunks[0], ""];
		} else {
			var diffFieldsText = "{{diff{\n%0\n}}}".format(chunks[0]);
			diffText = '{{diff{\n%0\n}}}'.format(chunks.splice(1, chunks.length).join("\n"));
			return [diffText, diffFieldsText];
		}
	},
	makeDiffTiddler: function(title, diff) {
		var newTiddler = new Tiddler(title);
		var tags = plugin.diffTags;
		newTiddler.text = msgs.loading;
		newTiddler.fields.doNotSave = true;
		newTiddler.tags = diff ? tags.concat(["diff"]) : tags;
		newTiddler = store.saveTiddler(newTiddler);
		$.extend(store.getTiddler(title).fields,
			config.defaultCustomFields); // allow option to save it
		return newTiddler;
	},
	displayDiff: function(src, tiddler, latestRevision) {
		var adaptor = tiddler.getAdaptor();
		var title = tiddler.title;
		var ts = new Date().formatString("0hh:0mm:0ss");
		var suffix = "edit conflict %0".format(ts);
		var diffTitle = tiddlyspace.getLocalTitle(msgs.diffTitle.format(title), "", suffix);
		var diffTextTitle = tiddlyspace.getLocalTitle(msgs.diffTextTitle.format(title), "", suffix);
		var diffFieldsTitle = tiddlyspace.getLocalTitle(msgs.diffFieldTitle.format(title), "", suffix);
		plugin.makeDiffTiddler(diffTextTitle, true);
		plugin.makeDiffTiddler(diffFieldsTitle, true);
		var newTiddler = plugin.makeDiffTiddler(diffTitle, false);
		newTiddler.text = ['%0\n<<slider chkViewDiffText "%1" "%2">>\n',
			'<<slider chkViewDiffField "%3" "%4">>'].join("").
			format(msgs.diffHeader, diffTextTitle, msgs.diffTextHeader,
				diffFieldsTitle, msgs.diffFieldsHeader);
		store.saveTiddler(newTiddler);

		var callback = function(r) {
			var text = plugin.getDiffTiddlerTexts(r);
			store.getTiddler(diffTextTitle).text = text[0];
			store.getTiddler(diffFieldsTitle).text = text[1];
			story.refreshTiddler(diffTitle, null, true);
		};
		var workspace = "bags/%0".format(tiddler.fields["server.bag"]);
		ajaxReq({
			type: "get",
			dataType: "text",
			url: "/diff?format=unified&rev1=%0/%1/%2&rev2=%0/%1".format(workspace, title, latestRevision),
			success: callback,
			error: function() {
				displayMessage(msgs.reviewDiffError);
			}
		});
		story.displayTiddler(src, diffTitle);
	},
	resetToServerVersion: function(tiddler) {
		var adaptor = tiddler.getAdaptor();
		var ctx = { 
			host: tiddler.fields["server.host"],
			workspace: "bags/" + tiddler.fields["server.bag"]
		};
		adaptor.getTiddler(tiddler.title, ctx, null, function(context) {
			store.saveTiddler(context.tiddler);
			story.refreshTiddler(tiddler.title);
			store.setDirty(false);
		});
	},
	reportError: function(title) {
		var el = story.getTiddler(title);
		if(!el) {
			el = story.displayTiddler(null, title);
		}
		return $("<div />").addClass("error annotation").prependTo(el)[0];
	}
};

sssp.reportFailure = function(message, tiddler, context) {
	config.options.chkViewDiffText = config.options.chkViewDiffText === undefined ?
		true : config.options.chkViewDiffText;
	config.options.chkViewDiffFields = config.options.chkViewDiffFields || false;
	plugin.displayMessage(message, tiddler, context);
};

})(jQuery);
//}}}

 
//The Tao is manifest in every time and place.

There is language, and spirit whose primal ''deed'' language is.//

Spirit known
in contact and passing,
hungering and suffering,
aware of itself and another.

----

<<tiddler Buber/love-deed-Yes>> by Martin [[Buber]]

----

Refer and contrast to Cyd Ropp's metaphor of ''cohesion'' met by the balancing/opposing force of energy. She names this "pair" ananda (universal energy) and love.

Cohesion ~ ''love-deed-Yes'' ?
<<<
Particles rush into our universe from the zero point field at the center, exploding outward, filling our universe from the middle. The outer fractal membrane presses inward to contain the energy exploding outward. Matter flows outward from the middle, repulsed by the energy streaming into the universe from the center, and coherence presses inward from the outer universal boundary. We experience the repulsive energy as “[[joy|FractalPoiesis]]” and excitation, and the containing energy as “love” and security. 

//… ananda/joy exploding outward and coherence/love pressing in//
<<<
See Cyd Ropp's blog entry [[Simple Cosmology of the Universe|http://asimpleexplanation.blogspot.com/2011/11/simple-cosmology-of-universe.html]]
:which relates to my musings on [[fractal consciousness]]

 
''Joanna Caroline Newsom'' (born January 18, 1982) is an American harpist, vocalist and lyricist.

Joanna resists explaining her lyrics, saying it  //"changes the meaning into something more heavy-handed, more clumsy, less multi-layered; it throws the balance off. It takes the magic away, it takes the life away and turns it into a math equation."// (December 2015 [[interview|http://exclaim.ca/music/article/joanna_newsom-harp_wants_what_it_wants]])

Reviewing her fourth album //Divers//:
<<<
//"''Songs'' gather in meanings as they move through space and time … Though there's fun in pinning down sources and allusions, a fixed end point should not be the goal."//
{{rjustify{
+++[more]
{{ljustify{
"This is a really big world," Joanna Newsom generously [[told|http://www.thewire.co.uk/in-writing/interviews/joanna-newsom.1]] one persistent questioner a decade ago. "I think there's room for just about everything, every idea you have."

What could be a more delightful gift than this permission to run wild within the tangled loops of Newsom's compositions?  Yet anyone who loves to plunge into her music must admit the urge to almost immediately [[hyperlink|Time, As A Symptom]] out of it: to master these thickets by naming the sources with which Newsom has seeded them. If her music has the lushness of a garden, it's really a [[labyrinth|http://juliesinn.net/projects/lae6946/labyrinth/deno_conno.html]], a game; all but the most casual listeners will soon find themselves trying to map it. 
}}}
===
}}}
//"In our lives is a common sense that relies on the common fence that divides, and attends,"// she sings in the stark "[[A Pin-Light Bent]]," a song that feels very much aligned with the cruel clarity of [[Emily Dickinson|http://bloggingdickinson.blogspot.com/2012/08/theres-certain-slant-of-light.html]]. Newsom ponders huge forces in contrast to this human narrowing: a spiritual Great Light, the pull of the ocean. But the narrowing is human experience. She recognizes that her own consciousness only grasps the light that streams through a pinhole. Newsom examines this self-defining fall (or dive) into legibility in song-chapters that are both magical and tragic. She's called them love stories. Why? Perhaps because //''love is the most personal way of making meaning'',// as well as the emotion connected to [[the body's creative act|sexuality]], the conception of new life.  Love also creates loss. It makes people aware of chronology, of the measurement that mires us in fear of how short our lives will be.
-- from "[[One For The Ages|http://www.npr.org/2015/10/19/449323861/one-for-the-ages]]" by Ann Powers, NPR
<<<
<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/47yuiPK01kg?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/47yuiPK01kg?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>
"The Sprout and The Bean"

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/koEIfaZAvkw?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/koEIfaZAvkw?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>
"Sawdust and Diamonds"

//__Favorite Verses__://

I'm ashamed to have turned out this way.
I'm ashamed of half [[the things I say|The Things I Say]].

//Settle down, settle down!// my desire
and the moment I slept I was swept up in a terrible tremor
though no longer bereft, how I shook!
and I couldn't remember -- [[Sawdust & Diamonds]]

Long-life, speak your name.  So tired of the guessing game.
But, something is moving, just out of frame:
Slow-heart, brace and aim. -- [[Occident]]

Our nature does not change by will.
In the winter, 'round the ruined mill,
the creek is lying, flat and still;
it is water, though it's frozen.  -- [[On a Good Day]]

A woman is alive! 
A woman is alive;
you do not take her for a sign in nacre on a stone,
alone, unfaceted and fine. -- [[Divers]]

And in our perfect secret-keeping:
One ear of corn, in silent, reaping
joy of life. -- [[Time, As A Symptom]]
…
the nullifying, defeating, negating, repeating
joy of life.
//(an example of [[FractalPoiesis]])//

----

From a January 2006 interview with [[Tiny Mix Tapes|http://www.tinymixtapes.com/features/joanna-newsom]]:
<<<
//''Symbols'' are at their most powerful when they brush up against each other. I've always been sort of obsessed by the alchemy of closeness, of cramming things together, compacting myth denser and denser.//
<<<
''TMT:''  //The first time I heard your voice, it struck me as somewhat akin to Bjork and Edith Piaf in certain intonations but certainly uniquely your own, do you think hearing certain singers has perhaps influenced the way you use your voice, or does it all just flow naturally out of you that way?//

''JN:''  My voice it basically out of my control, in the sense that I've been unable to groom or refine it much beyond its own naked and untrained color.  Also, when I'm singing, there's not much room in my mind for technicalities—the voice does sort of just come straight from my gut, my muscles, blood and bones.

At the same time, there are some singers to whom I've listened obsessively enough that some of their stylistic choices may have seeped into my own singing style…folks like Texas Gladden or Karen Dalton spring immediately to mind. One major way that they might have influenced me is that, when I first heard their recordings, I felt an affinity with their ragged, strange, unconventional timbre...and my intense reaction to those recordings sort of validated my desire to sing alongside my own harp songs. It served as a sort of proof that such unusual, exuberant, voices as theirs—neither of which really conform to the traditional idea of "beauty"—could be immensely moving, and have great musical worth. My own voice is different from those women's (as theirs are different from each other), but there //are// commonalities, and I felt heartened by them—encouraged to consider my own strange, unruly voice to be an instrument at my disposal.

''TMT:''  //How does the songwriting process work with you? Your rhymes and  stories seem to flow very seamlessly with an extensive vocabulary that is too often lacking in music as of late. Do you do a lot of editing, or does the writing come out of you as flowing as it seems to the listener?//

''JN:''  I think it's some of both. The actual content of the songs (their themes, their subjects, their fixations) is very intuitive and kind of stream-of-consciousness. I don't feel that I have much of a choice regarding  what a particular song is going to be "about." But I also feel that every idea can be expressed a multitude of ways, which is where my obsessiveness over syntax comes in. So yes, I do tend to edit quite a bit—like stringing words together so their syllabic emphases intersect or syncopate with the harp's downbeat in interesting ways; or playing with assonance, alliteration, interior rhymes, chiasmi, zeugmas, double meanings, etc.

''TMT:''  //What influences you both musically and otherwise?//

''JN:''  West African harp (kora) figures; the composer Ruth Crawford  Seeger; Bulgarian Polyphony; Venezuelan harp; Shakespearean and Petrarchan sonnets; Vladimir Nabokov; Ogden Nash; my parents; my brother (an amazing drummer); a good beat for dancing; the mountains outside my window in Nevada City; longing for things; the seaside; dirt; bones clinking together; sleeping all the time; the harp and its endless feast of potential noises and moods; geez, everything good and bad. How do you figure out what influences you? I like a lot of things.

''TMT:''  //On "This Side of the Blue" you sing the line, "See him fashion a cap from a page of Camus." What are some of your favorite writers and books?//

''JN:''  My favorite author of all time is [[Nabokov]].  I'm really obsessed with him, actually…all my Nabokov novels are, like, ravaged by notes crammed  into the margins of every page, from readings and re-readings. I especially like the annotated //Lolita//, edited by Alfred Appel Jr., because I can just luxuriate in his neurotic, exquisite feast of footnotes and endnotes…like a book within a book…amazing.

My other favorite book is //The Last Unicorn//, by Peter S. Beagle.   Incredible. One of the greatest literary meditations on beauty, sickness, mortality, loneliness, perfection, defection, bravery/heroism, regret, pity, purity, magic, and power, //of all time.//  So there. The movie is my favorite, too, though for slightly different reasons. I actually just discovered that Mr. Beagle lives in Oakland, which is right near me, so I'm sort of hoping that somehow, someday, I might get to meet him…that would be so amazing…

''TMT:''  //You manage to get a wide range in tone and a great fullness to  your sound with just the harp, it seems uniquely conducive to your solo  performances and your record contains sparse, if any accompaniment, is there a  reason you chose to keep the songs relatively pared down?//

''JN:''  Yeah. This album was my love-song to the harp, among other things. I was so happy with the way that Noah Georgeson, the producer, was able to capture the prismatic, lush, spectral sonic presence of the instrument. I wanted the instrumentation to be all about verisimilitude, truth, the breath and blood of the harp. When I play, you know, it's pressed to my chest and I can feel the vibrations all through my ribcage and collarbones; I wanted that sense of closeness and life to reverberate through the recording, too. The harp is so unique in its timbre…when you pluck a single note, for example, it sets off a chain reaction so that every single string vibrates at once, with varying intensities and volumes and for varying durations of time. When I play harp, I tend to play sort of rapid, busy figures, which means there's a constant, percussively articulated, variegated field of notes rising into prominence and receding into the background, each of them setting-off their own second and third and fourth harmonics, too—everything thrumming and shaking and shimmering and modulating constantly. I thought extra instruments would detract from my primary goal in committing these songs to tape, which was to capture them framed in their true harmonic space, encircled by endless concentric bands of shifting sound…

If you listen close to the "silence" at the end of //The Book of ~Right-On// — I  mean, really turn up the volume for a few moments after the last note has been played — you can hear a bit of that sea of sounds, decaying bit by bit into the ether. It's quite lovely, I think.

!The Dynabook Library is
for learning, teaching, and exploring
storing what you find in a portable environment
It can go with you everywhere

It is a place for sharing art and knowledge
in new interactions between authors, readers, and text
It can host the whole library of human civilization
accessible, adaptable, brought to life in new forms –
words, images, and sounds interacting

It is a tableau for your web of ideas – those that are public and personal
It is a makhzan – an electronic storehouse of information
It is a translator and tour guide, an informative assistant when needed

It is made to enjoy books
Read a really good story, or listen to one
Learn a new subject – you control the breadth and depth
These books respond to touch and speech
and allow direct manipulation and questioning
Play with models and examples, watch them run
Write in workbooks, in the allotted space or in the margins
Mark anywhere and make notes in public texts or those you own
Follow references, journey between books,
ramble through your library any way you choose
A [[Dynabook]]'s dynamic nature is in the reading / handling experience and in the content

Connected to 'the grid', people can find and sample books (in fair length),
buy them, retrieve them, and publish them –
they can also collaborate or communicate about their reading

Its handheld device could also be a music machine, a newspaper, a little theater – one question is how much to integrate within the Dynabook Library?

Organization is natural and easy on the device
It is intimate and comfortable, doesn't get in your way

If desired, it can record your spoken thoughts and provide blank 'pages' to write upon … You can compose [[active essays]] or longer works within the Library

It requires electricity
Also, lots and lots of infrastructure (telecom) or 'the grid' to which it connects and where master copies are stored
Is this a big liability?

February 28, 2010

----
[Note that this was written before the iPad went on sale, though a month earlier, it had been previewed to the public by Apple.]

The year of the iPad's introduction, Om Malik wrote:
<<<
I have a brand new slate to create upon. I know sooner or later I will be able to create something new on this. The bad news is that I am not a developer. That is my curse. That is my opportunity. I am four years old again.
<<<
I want to explore, study, practice, //try at this thing// – starting today as a novice. Aim to become an 'expert user' rather than developer, a reader before publisher, a meta-practitioner of the art. Dynamic e-books are the crux of it. There are some essential ingredients: electronics, non-paper display, use of visual presentation apart from text or use of other senses, fluidity, and adaptiveness.

 
//''From [[Inspiring Minds Want to Know|https://www.facebook.com/InspiringMindsWantToKnow/posts/1066906713405820:0]]''//
----

September 22, 2016

Don’t be afraid to embrace the moment. You know which one I’m talking about. It’s the one that will eventually follow all the contemplating. It is the one usually fueled by fear, loathing and a whole lot of self-doubt. The replay in your brain of “I am sick and tired of being sick and tired”, “I can’t do it!” and/or “I really need to lose some weight” will go on and on like a stuck record until you face it and embrace it!

Before I lost “the weight” I used to really get into the show, //The Biggest Loser//. I especially loved how Jillian Michaels would be the trainer to get people to hit that moment. She’d come at them like a relentless blood thirsty pitbull … until finally they broke. They’d realize what in their past, what hurt, what trauma, what catapulted them to this … their all-time low. They’d crumble, have their “Jillian Michaels” moment and then … boom! It was on! Start to do the work. (Trust me, easier said than done).

So, this picture was taken four years ago today. So it is fitting that today is TBT [throw-back Thursday] on social media.  Four years ago today I had MY moment. I excused myself from a family wedding very early; leaving my husband to catch a ride home with his folks. I just wasn’t feeling it, wasn’t having it … so tired of watching others dance and feeling like I physically couldn’t or socially shouldn’t. Because really who wants to see Shamu cut a polka rug on a dance floor?  Well, that’s how I felt -- so I left!  Went home and when my hubby arrived home much later, I had MY moment. Complete meltdown. I yelled, he listened. I cried, he hugged me. That night remains as vivid today in my brain as it was 1,460 days ago.

The picture is somewhat of a false representation of a “happy” couple in some ways. The guy in it, well he was happy for the most part and loved the woman beside him. The girl wasn’t believing it, not buying it. The Kaylene in the picture mostly felt like, gosh he deserves better, I can’t believe he even wants to take a pic with me. Lots of doubt and assumptions so, insert fake smile, take the damn picture already -- when inside the toxins, the sickness, the mental anguish, the hate … wanted to crawl under the table … (if only she could/would fit).

I mask a lot through humor.  Did then.  Still do.  But I’m here to say a few things that may or may not change anyone’s day or mind.  Number one, I don’t watch //The Biggest Loser// anymore.  While it’s captivating, I’m not sure they clearly depict the “real” battles that come before, during and still many years after mega weight loss occurs. And the folks on that show get to do it secluded away.  Doing it in real life, still having to work and cook your own food, well it’s different than reality TV -- it’s reality! I’m not a personal trainer. Maybe never will be, but damn it I am a motivator and I’m here to say … if you want change, embrace the moment that your gut says, alright already … put down the Funyons down and let’s do this! Really do it this time.

Rock bottom is temporary.  You don't have to stay there!  Start the climb back up.  Embrace each step along the way.

 
the ''sixteenth'' key of the [[tarot]]'s Major Arcana

"Childe Roland to the Dark Tower Came", an 1855 poem by English author Robert Browning

the title of an unfinished novel by C.S. Lewis, published in 1977

Stephen King's //Dark Tower// series published 1978-2012
<part I-Am-Waiting>

Lawrence Ferlinghetti's poem //I Am Waiting//
<<<
I am waiting for the day 
that maketh all things clear… 
and I am waiting 
for Alice in Wonderland 
to retransmit to me 
her total dream of innocence 
and I am waiting 
for Childe Roland to come 
to the final darkest tower…
and I am waiting to write 
the great indelible poem…
&nbsp;&nbsp;–excerpts from his [[complete poem|https://www.poetryfoundation.org/poems-and-poets/poems/detail/42869]]
<<<
</part>

American author Alexander Theroux based his story "Childe Roland" on Browning's poem.  He is the uncle of Marcel Theroux, who wrote //[[Strange Bodies|this world of dew]]// (a work of "literary science fiction") in 2014.  What a different life that would be, to have come from a literary family…

<<<
The Dark Tower stands for the supreme secret of each man's existence: we follow up streams, tread mountains, and reach only this at last.  Friends and foes help to guide us to it; but we must go alone … We may so shrink from it that the sky looks dark, the whole surroundings repulsive.  All our early memories come back upon us, veiled in a shadowy mist; yet we go forward.  This is the poem … Every man finds in it is own tower; and, the more towers suggested, the greater tribute to the spell woven by Browning.  Life's supreme mystery,—that is the Dark Tower.

It is the scene of each man's problem, the point to which all the paths of his life for the time converge, the concentration of the soul upon its own crisis, its own conflict …

I know of nothing in literature outside of Browning which is pitched upon the same key with his poem or carries us a step into the same world.

&nbsp;&nbsp;–Thomas Wentworth Higginson, published in //[[Poet Lore|https://archive.org/stream/literarydigest23newy#page/39/mode/1up]]// (~April-June 1901 volume),
quoted by Susan Howe in //My Emily Dickinson// (1985)
<<<

[[i+e]]
[[i+e:poem]]
[[the book]]
[[Jones]]
[[imaginary rock foundation]]
[[this wiki web]]
[[Bird's Eye View]]
[[Dynabook]]
[[Bradbury]]

 
Christopher Alexander (born 1936 in Vienna, Austria) is an architect and design theorist, regarded as the father of the pattern language movement (applied in computer science and other fields.)

His book, //[[A Pattern Language|https://en.wikipedia.org/wiki/A_Pattern_Language]]//, published 1977, collects 253 "archetypal patterns consisting of problem statements, discussions, illustrations, and solutions".  Its introduction states:
> Every society which is alive and whole will have its own unique and distinct pattern language… We have tried to penetrate, as deep as we are able, into the nature of things in the environment: and hope that a great part of this language, which we print here, will be a core of any sensible human pattern language, which any person constructs for himself, in his own mind… Since the language is in truth a network, there is no one sequence which perfectly captures it.  
The 253 patterns are described on Christopher Alexander's [[website|https://web.archive.org/web/20160329185924/http://www.patternlanguage.com/leveltwo/patternsframegreen.htm?/leveltwo/../apl/twopanelnlb.htm]].

Elsewhere on his website (see this [[2014 archive|https://web.archive.org/web/20141230051247/http://www.patternlanguage.com/leveltwo/spiritframe.htm?/leveltwo/../personal/jungrep.htm]]), Alexander describes "The Unfolding of a Human Self":

//This sequence of paintings was made by a patient of [[Jung]]'s over a period of many years.  As the sequence of paintings progresses we see the woman healing herself, and the paintings describe, and reflect, a more and more integrated self, culminating in the truly remarkable last// +++[painting…]
@@display:block;width:367px;margin-left:3em;
<html>
	<head>
		<title>Jung</title>
		<style>
		.clicky
		{
		color:#05A;font-size:90%;text-decoration:underline;text-align:center;cursor:pointer;
		}
		</style>
	</head>
	<body>
		<div><img id="jung" src="https://66.media.tumblr.com/a5154e286bd8e692a979d53d44613044/tumblr_mnvwj7vebo1s4xjtoo1_400.gifv" />
		</div>
		<div class="clicky" onclick="document.getElementById('jung').src = 'https://66.media.tumblr.com/a5154e286bd8e692a979d53d44613044/tumblr_mnvwj7vebo1s4xjtoo1_400.gifv';">Replay Image Sequence</div></body></html>@@
===


----

{{grem{(I have misplaced my original source of this listing, which dates back to 2006 or early 2007.)}}}

|>|>| ''Informatic Patterns'' |
| [[Simplicity|simple]] | Capability | Complexity |
| Uniformity | Variation | Random |
| Orthogonal | Natural | Eventual |
| Abstraction | Concretion | Sensation |
| Clarity | Subtlety | Ambiguity |
| Modular | Integral |&nbsp;Customized&nbsp;|
| Safety | Inobtrusive | Freedom |
| Expressive |&nbsp;Demonstrative&nbsp;| Tacit |
| Efficient | Expedient | Abundant |
|&nbsp;Information Hiding&nbsp;| Accessible | Open |

 
The company which [[Jeremy Ruston]] founded, and through which ~TiddlyWiki and TiddlySpace development was carried out.

From a 2006 archived tiddler:
<<<
The name [[Osmosoft]] plays on [[osmosis|http://en.wikipedia.org/wiki/Osmosis]] as a metaphor for the passage of ideas through the membrane of a user interface.
{{{modifier="JeremyRuston" modified="2006-09-29"}}}
{{{created="2006-01-18" tags="welcome"}}}
<<<
//See [[this wiki web/precis]] which refers to my path of ''osmotic'' explorations…//

/***
|''Name''|TiddlySpaceTiddlerIconsPlugin|
|''Version''|0.8.10|
|''Status''|@@beta@@|
|''Author''|Jon Robson|
|''Description''|Provides ability to render SiteIcons and icons that correspond to the home location of given tiddlers|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceTiddlerIconsPlugin.js|
|''Requires''|TiddlySpaceConfig BinaryTiddlersPlugin ImageMacroPlugin TiddlySpacePublishingCommands|
!Notes
{{{<<tiddlerOrigin>>}}} shows the origin of the tiddler it is being run on.
In TiddlySpace terms this means it will determine whether the tiddler is external, public or private.
Where private it will analyse whether a public version exists and distinguish between the different scenarios.
If a tiddler is external, the SiteIcon of that external space will be shown

!Parameters
width / height : define a width or height of the outputted icon
label: if label parameter is set to yes, a label will accompany the icon.
!Code
***/
//{{{
(function($) {

if(!config.macros.image) {
	throw "Missing dependency: ImageMacroPlugin";
}

var imageMacro = config.macros.image;
var tiddlyspace = config.extensions.tiddlyspace;
var tweb = config.extensions.tiddlyweb;
var cmds = config.commands;
var cmd = cmds.publishTiddler;
tiddlyspace.resolveSpaceName = function(value) {
	var endsWith = config.extensions.BinaryTiddlersPlugin.endsWith;
	if(value) {
		value = value.indexOf("bags/") === 0 ? value.substr(5) : value;
		value = value.indexOf("recipes/") === 0 ? value.substr(8) : value;
		if(value.indexOf("@") === 0) {
			value = value.substr(1);
		}
		if(endsWith(value, "_public")) {
			value = value.substr(0, value.length - 7);
		} else if(endsWith(value, "_private")) {
			value = value.substr(0, value.length - 8);
		}
		value = value.toLowerCase();
	}
	return value;
};

tiddlyspace.renderAvatar = function(place, value, options) {
	options = options ? options : {};
	options.labelOptions = options.labelOptions ? options.labelOptions : { include: false, height: 48, width: 48 };
	options.imageOptions = options.imageOptions ? options.imageOptions : {};
	options.imageOptions.altImage = "/bags/common/tiddlers/defaultUserIcon";
	var container = $('<div class="siteIcon" />').appendTo(place);
	value = tiddlyspace.resolveSpaceName(value);

	tweb.getStatus(function(status) {
		var link, noLabel;
		if(!value || value == config.views.wikified.defaultModifier ||
			value == config.views.wikified.shadowModifier) {
			var icon = config.views.wikified.shadowModifier == value ? "shadowIcon" : "missingIcon";
			if(store.tiddlerExists(icon)) {
				imageMacro.renderImage(container, icon, options.imageOptions);
			} else {
				noLabel = true;
			}
		} else {
			var spaceURI;
			if(value != tiddlyspace.currentSpace.name) {
				spaceURI = options.notSpace ? tiddlyspace.getHost(status.server_host) :
					tiddlyspace.getHost(status.server_host, value);
			}
			link = spaceURI ? $("<a />").attr("href", spaceURI) : $("<span />");
			link.text(value);

			var imageOptions = options.imageOptions;
			if(options.spaceLink && !imageOptions.link) {
				imageOptions.link = spaceURI;
			}
			var avatar = options.notSpace ? false : value;
			var uri = tiddlyspace.getAvatar(status.server_host, avatar);
			imageMacro.renderImage(container, uri, options.imageOptions);
			if(!value) {
				value = "tiddlyspace";
			}
		}
		if(!noLabel && options.labelOptions.include) {
			var prefix = $("<span />").text(options.labelOptions.prefix || "")[0];
			var suffix = $("<span />").text(options.labelOptions.suffix || "")[0];
			$('<div class="label" />').append(prefix).append(link).
				append(suffix).appendTo(container);
		}
	});
	if(value) {
		var prefix = options.labelOptions.prefix || "";
		var suffix = options.labelOptions.suffix || "";
		var label = "%0%1%2".format(prefix, value, suffix);
		$(container).attr("title", label);
	}
};

var originMacro = config.macros.tiddlerOrigin = {
	locale: {
		"shadow": "shadow tiddler",
		"missing": "missing tiddler",
		"private": "private",
		"unknown": "unknown state",
		"public": "public",
		"unsyncedPrivate": "unsynced and private",
		"unsyncedPublic": "unsynced and public",
		externalPrefix: "from ",
		externalBagSuffix: " bag",
		externalSuffix: " space",
		publishPrivateDeletePrivate: "Are you sure you want to make this tiddler public?",
		moveToPrivate: "Are you sure you want to make this tiddler private? Only members will be able to see it.",
		pleaseWait: "please wait..",
		keepPublic: "keep public",
		cannotPublishDirtyTiddler: "The current tiddler is unsaved so cannot be published. Please save the tiddler first.",
		keepPrivate: "keep private",
		makePublic: "make public",
		makePrivate: "make private"
	},
	handler: function(place, macroName, params,wikifier, paramString, tiddler){
		var adaptor = tiddler.getAdaptor();
		var btn = $("<div />").addClass("originButton").attr("params", paramString).
			attr("refresh", "macro").attr("macroName", macroName).appendTo(place)[0];
		$(btn).data("tiddler", tiddler);
		originMacro.refresh(btn);
	},
	refresh: function(btn) {
		$(btn).empty();
		var paramString = $(btn).attr("params");
		var tiddler = $(btn).data("tiddler");
		var options = originMacro.getOptions(paramString);
		var type = tiddlyspace.getTiddlerStatusType(tiddler);
		originMacro.renderIcon(tiddler, type, btn, options);
	},
	getOptions: function(paramString) {
		paramString = "%0 label:no width:48 height:48 spaceLink:yes preserveAspectRatio:yes".format(paramString);
		var parsedParams = paramString.parseParams("name");
		var params = parsedParams[0].name;
		var options = {
			labelOptions: originMacro._getLabelOptions(parsedParams),
			imageOptions: imageMacro.getArguments(paramString, []),
			noclick: parsedParams[0].interactive &&
				parsedParams[0].interactive[0] == "no" ? true : false
		};
		if(!options.noclick) {
			var spaceLink = parsedParams[0].spaceLink;
			options.spaceLink = spaceLink && spaceLink[0] == "no" ? false : true;
		} else {
			options.spaceLink = false;
		}
		return options;
	},
	_getLabelOptions: function(parsedParams) {
		parsedParams = parsedParams[0];
		var includeLabel = !parsedParams.label || ( parsedParams.label && parsedParams.label[0] == "yes" );
		var prefix = parsedParams.labelPrefix ? parsedParams.labelPrefix[0] : false;
		var suffix = parsedParams.labelSuffix ? parsedParams.labelSuffix[0] : false;
		return { include: includeLabel, suffix: suffix, prefix: prefix };
	},
	_isSpace: function(value) {
		value = value ? value : "";
		var endsWith = config.extensions.BinaryTiddlersPlugin.endsWith;
		if(endsWith(value, "_private") || endsWith(value, "_public")) {
			return true;
		} else {
			return false;
		}
	},
	renderIcon: function(tiddler, type, button, options) {
		var locale = originMacro.locale;
		originMacro.annotateTiddler(button, type);
		if(type != "external") {
			originMacro.showPrivacyRoundel(tiddler, type, button,
				options);
		} else {
			var prefix = options.labelOptions.prefix, suffix = options.labelOptions.suffix;
			var space = tiddler.fields["server.bag"];
			options.notSpace = !originMacro._isSpace(space);
			options.labelOptions.prefix = prefix ? prefix : locale.externalPrefix;
			options.labelOptions.suffix = suffix ? suffix : (options.notSpace ? locale.externalBagSuffix : locale.externalSuffix);

			tiddlyspace.renderAvatar(button, space, options);
		}
	},
	showPrivacyRoundel: function(thisTiddler, privacyType, button, options) {
		// there is a public tiddler as well as the current tiddler!
		// TODO: not this is not enough.. we also need to check if the public tiddler is the same as..
		// .. the private tiddler to determine whether this is a draft
		// use of hashes would be useful here.
		$(button).empty();
		var icon = "%0Icon".format(privacyType);
		if(privacyType.indexOf("unsynced") === 0 && !store.tiddlerExists(icon)) {
			icon = "unsyncedIcon";
		}
		if(privacyType == "shadow") {
			if(!store.tiddlerExists(icon)) {
				icon = "bags/tiddlyspace/tiddlers/SiteIcon";
			}
		}
		if(privacyType == "missing" && !store.tiddlerExists(icon)) {
			return; // the user is not making use of the missingIcon
		} else {
			imageMacro.renderImage(button, icon, options.imageOptions);
			originMacro.showLabel(button, privacyType, options.labelOptions);
			var cmd = originMacro.iconCommands[privacyType];
			if(cmd && thisTiddler && !options.noclick) {
				$(button).click(function(ev) {
					cmd(ev, thisTiddler);
				});
			}
		}
	},
	annotateTiddler: function(place, type) {
		var tidEl = $(story.findContainingTiddler(place));
		tidEl.
			removeClass("private public external privateAndPublic privateNotPublic shadow").
			addClass(type);
	},
	showLabel: function(button, type, options) {
		var locale = originMacro.locale;
		var label = options.label ? options.label : locale[type];
		label = label ? label : locale.unknown;
		if(options && options.include) {
			$('<div class="roundelLabel" />').html(label).appendTo(button);
		}
		$(button).attr("title", label);
	},
	confirm: function(ev, msg, onYes, options) {
		options = options ? options : {};
		onYes = onYes ? onYes : function(ev) {};
		var btn = $(".originButton", $(ev.target).parents())[0];
		var popup = Popup.create(btn);
		$(popup).addClass("confirmationPopup");
		$("<div />").addClass("message").text(msg).appendTo(popup);
		$("<button />").addClass("button").text(options.yesLabel || "yes").appendTo(popup).click(onYes);
		$("<button />").addClass("button").text(options.noLabel || "no").click(function(ev) {
			Popup.remove();
		}).appendTo(popup);
		Popup.show();
		ev.stopPropagation();
		return false;
	},
	alert: function(ev, msg) {
		var popup = Popup.create(ev.target);
		$(popup).addClass("confirmationPopup alert");
		$("<div />").addClass("message").text(msg).appendTo(popup);
		Popup.show();
		ev.stopPropagation();
	},
	reportDirty: function(el) {
		originMacro.alert(el, originMacro.locale.cannotPublishDirtyTiddler);
	},
	iconCommands: {
		"public": function(ev, tiddler) {
			if(!readOnly) {
				var locale = originMacro.locale;
				var msg = locale.moveToPrivate;
				if(story.isDirty(tiddler.title)) {
					originMacro.reportDirty(ev);
				} else {
					originMacro.confirm(ev, msg, function(ev) {
						var target = $(ev.target);
						var onComplete = function(info) {};
						var privateBag = cmd.toggleBag(tiddler, "private");
						cmd.moveTiddler(tiddler, {
							title: tiddler.title,
							fields: { "server.bag": privateBag }
						}, onComplete);
					}, { yesLabel: locale.makePrivate, noLabel: locale.keepPublic });
				}
			}
		},
		"private": function(ev, tiddler) {
			if(!readOnly) {
				var locale = originMacro.locale;
				var adaptor = tiddler.getAdaptor();
				var publishTo = tiddler.fields["publish.name"] || tiddler.title;
				var workspace = "bags/%0".format(tiddler.fields["server.bag"]);
				tiddler.fields["server.workspace"] = workspace;
				var publicBag = cmd.toggleBag(tiddler, "public");
				var msg;
				msg = locale.publishPrivateDeletePrivate;
				var title = tiddler.title;
				var newTitle = publishTo || tiddler.title;
				tiddler.fields["server.page.revision"] = "false";
				store.addTiddler(tiddler);
				if(story.isDirty(tiddler.title)) {
					originMacro.reportDirty(ev);
				} else {
					originMacro.confirm(ev, msg, function(ev) {
						var onComplete = function(info) {};
						cmd.moveTiddler(tiddler, {
							title: newTitle,
							fields: { "server.bag": publicBag }
						}, onComplete);
					}, { yesLabel: locale.makePublic, noLabel: locale.keepPrivate });
				}
			}
		}
	}
};

})(jQuery);
//}}}

In his thirty-fourth year, Randy was +++[consumed]
@@color:purple;//(like [[Rilke|The Notebooks of Malte Laurids Brigge]], [[Darkbloom|Nabokov]], and [[PKD|quiet hero]])//@@

           in a burst of creativity producing his +++[Great Work]
 
… something akin to //[[House of Leaves]]// +++[or]
 
                                             //[[Leaves of Grass|origin of all poems]];//
which he +++[dreams]
                   to be:
                           //"correlated pattern in the [[Game|Glass Bead Game]]"// +++[…]
 
                    //Elegy • Canticle • Concerto •  +++[Experiment] // @@font-size:144%; //[[ECCE]]!// @@

(but…)

 
overarching [[project|iacere]] of humankind:
//''living within natural systems''//

Roberto Unger in //The Self Awakened//:
<<<
​We awake in a particular world: not just the natural world we inhabit but the world of the institutions and practices, including the discursive practices, that hold sway around us. For better or worse, these practices stand between us and ''the absolute frame of reference'' -- //the view from above, from the vantage point of the stars.// {{grem{[This, too, [[provisional|Provisional fixed points]]?]}}}
…
First, we must abandon our fantasies about multiple selves and multiple lives. We must embrace a particular trajectory [our karma] and accept its consequences for the person we shall become.

Then, we will struggle to learn how to feel the ghostly movements of the missing limbs: //by an act of imaginative love//, we must imagine the experience of the people we did not become… [and extend this to] accepting and imagining other people.
: {{grem{See the examination of [[Mentalizing]] -- the imaginative activity involved in making sense of one's own behavior, or the behavior of others, and doing so by means of imputing intentional mental states -- the contents of a mind that motivate action; be this hopes, beliefs, fears, wishes…}}}
As we struggle within the limits of our circumstance and our insight, and face the temptation to mistake disillusionment for wisdom, a carapace, made of character and compromise, begins to form around us… Our freedom and vitality require resistance against our own character as yet another reduction of the unlimited to the limited and of the fertile to the formulaic. Part of the carapace also comes from outside: resignation to the limits of an individual circumstance.  We begin to think that the lives we lead are the only ones we shall ever lead, and fall down into the acceptance of what we take to be our fate.

We can then live only by ripping apart this mummy that begins to encase us.  We do not rip it apart to be virtuous or righteous; rather, we rip it apart so that we can live in such a manner that we die only once, [rather than a succession of] many small deaths.

{{grem{[The above condensed from a passage quoted fully in the [[countervailingGBG]] themes.]}}}
<<<
<<tiddler genealogy/Foucault>>"What we call nature: that totality of objects and processes that surrounds us and alternately creates us and devours us – is neither our accomplice nor our confidant." (Octavio [[Paz]])

//[[humanus ex fortis|art]] versus natus mori mundi//

Google search results for "[[overarching project of|https://www.google.com/search?hl=en&q=%22overarching+project+of%22]]"
:The Wikipedia entry for [[Whole Earth Catalog]] is buried within

Cory Doctorow, February 2014, [[Museums and the Web remarks|http://mwf2014.museumsandtheweb.com/paper/glam-and-the-free-world/]]:
<<<
-- I have another theory of future history

-- Technology that is designed to serve its users, rather than betray them, has the power to make a world that is better in every way

-- Because the most significant effect of adding networked computers to your life is that it reduces the cost of collaborating with other people …

-- The cost of organizing ourselves is in free-fall

-- ''Organizing work is the project that defines our species''

-- The thing we’ve been perfecting since the first primate said, //“I’ll watch out for tigers, you take care of the kids, and he’s gonna get the fruit.”//

-- The thing that lets us transcend the limitations of individual humans and approach something we can only call //super-//human – the power to do more than a single human can do
<<<

/***
|''Name''|ServerSideSavingPlugin|
|''Description''|server-side saving|
|''Author''|FND|
|''Version''|0.6.5|
|''Status''|stable|
|''Source''|http://svn.tiddlywiki.org/Trunk/association/plugins/ServerSideSavingPlugin.js|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''CoreVersion''|2.5.3|
|''Keywords''|serverSide|
!Notes
This plugin relies on a dedicated adaptor to be present.
The specific nature of this plugin depends on the respective server.
!Revision History
!!v0.1 (2008-11-24)
* initial release
!!v0.2 (2008-12-01)
* added support for local saving
!!v0.3 (2008-12-03)
* added Save to Web macro for manual synchronization
!!v0.4 (2009-01-15)
* removed ServerConfig dependency by detecting server type from the respective tiddlers
!!v0.5 (2009-08-25)
* raised CoreVersion to 2.5.3 to take advantage of core fixes
!!v0.6 (2010-04-21)
* added notification about cross-domain restrictions to ImportTiddlers
!To Do
* conflict detection/resolution
* rename to ServerLinkPlugin?
* document deletion/renaming convention
!Code
***/
//{{{
(function($) {

readOnly = false; //# enable editing over HTTP

var plugin = config.extensions.ServerSideSavingPlugin = {};

plugin.locale = {
	saved: "%0 saved successfully",
	saveError: "Error saving %0: %1",
	saveConflict: "Error saving %0: edit conflict",
	deleted: "Removed %0",
	deleteError: "Error removing %0: %1",
	deleteLocalError: "Error removing %0 locally",
	removedNotice: "This tiddler has been deleted.",
	connectionError: "connection could not be established",
	hostError: "Unable to import from this location due to cross-domain restrictions."
};

plugin.sync = function(tiddlers) {
	tiddlers = tiddlers && tiddlers[0] ? tiddlers : store.getTiddlers();
	$.each(tiddlers, function(i, tiddler) {
		var changecount = parseInt(tiddler.fields.changecount, 10);
		if(tiddler.fields.deleted === "true" && changecount === 1) {
			plugin.removeTiddler(tiddler);
		} else if(tiddler.isTouched() && !tiddler.doNotSave() &&
				tiddler.getServerType() && tiddler.fields["server.host"]) { // XXX: server.host could be empty string
			delete tiddler.fields.deleted;
			plugin.saveTiddler(tiddler);
		}
	});
};

plugin.saveTiddler = function(tiddler) {
	try {
		var adaptor = this.getTiddlerServerAdaptor(tiddler);
	} catch(ex) {
		return false;
	}
	var context = {
		tiddler: tiddler,
		changecount: tiddler.fields.changecount,
		workspace: tiddler.fields["server.workspace"]
	};
	var serverTitle = tiddler.fields["server.title"]; // indicates renames
	if(!serverTitle) {
		tiddler.fields["server.title"] = tiddler.title;
	} else if(tiddler.title != serverTitle) {
		return adaptor.moveTiddler({ title: serverTitle },
			{ title: tiddler.title }, context, null, this.saveTiddlerCallback);
	}
	var req = adaptor.putTiddler(tiddler, context, {}, this.saveTiddlerCallback);
	return req ? tiddler : false;
};

plugin.saveTiddlerCallback = function(context, userParams) {
	var tiddler = context.tiddler;
	if(context.status) {
		if(tiddler.fields.changecount == context.changecount) { //# check for changes since save was triggered
			tiddler.clearChangeCount();
		} else if(tiddler.fields.changecount > 0) {
			tiddler.fields.changecount -= context.changecount;
		}
		plugin.reportSuccess("saved", tiddler);
		store.setDirty(false);
	} else {
		if(context.httpStatus == 412) {
			plugin.reportFailure("saveConflict", tiddler);
		} else {
			plugin.reportFailure("saveError", tiddler, context);
		}
	}
};

plugin.removeTiddler = function(tiddler) {
	try {
		var adaptor = this.getTiddlerServerAdaptor(tiddler);
	} catch(ex) {
		return false;
	}
	var context = {
		host: tiddler.fields["server.host"],
		workspace: tiddler.fields["server.workspace"],
		tiddler: tiddler
	};
	var req = adaptor.deleteTiddler(tiddler, context, {}, this.removeTiddlerCallback);
	return req ? tiddler : false;
};

plugin.removeTiddlerCallback = function(context, userParams) {
	var tiddler = context.tiddler;
	if(context.status) {
		if(tiddler.fields.deleted === "true") {
			store.deleteTiddler(tiddler.title);
		} else {
			plugin.reportFailure("deleteLocalError", tiddler);
		}
		plugin.reportSuccess("deleted", tiddler);
		store.setDirty(false);
	} else {
		plugin.reportFailure("deleteError", tiddler, context);
	}
};

plugin.getTiddlerServerAdaptor = function(tiddler) { // XXX: rename?
	var type = tiddler.fields["server.type"] || config.defaultCustomFields["server.type"];
	return new config.adaptors[type]();
};

plugin.reportSuccess = function(msg, tiddler) {
	displayMessage(plugin.locale[msg].format([tiddler.title]));
};

plugin.reportFailure = function(msg, tiddler, context) {
	var desc = (context && context.httpStatus) ? context.statusText :
		plugin.locale.connectionError;
	displayMessage(plugin.locale[msg].format([tiddler.title, desc]));
};

config.macros.saveToWeb = { // XXX: hijack existing sync macro?
	locale: { // TODO: merge with plugin.locale?
		btnLabel: "save to web",
		btnTooltip: "synchronize changes",
		btnAccessKey: null
	},

	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		createTiddlyButton(place, this.locale.btnLabel, this.locale.btnTooltip,
			plugin.sync, null, null, this.locale.btnAccessKey);
	}
};

// hijack saveChanges to trigger remote saving
var _saveChanges = saveChanges;
saveChanges = function(onlyIfDirty, tiddlers) {
	if(window.location.protocol == "file:") {
		_saveChanges.apply(this, arguments);
	} else {
		plugin.sync(tiddlers);
	}
};

// override removeTiddler to flag tiddler as deleted -- XXX: use hijack to preserve compatibility?
TiddlyWiki.prototype.removeTiddler = function(title) { // XXX: should override deleteTiddler instance method?
	var tiddler = this.fetchTiddler(title);
	if(tiddler) {
		tiddler.tags = ["excludeLists", "excludeSearch", "excludeMissing"];
		tiddler.text = plugin.locale.removedNotice;
		tiddler.fields.deleted = "true"; // XXX: rename to removed/tiddlerRemoved?
		tiddler.fields.changecount = "1";
		this.notify(title, true);
		this.setDirty(true);
	}
};

// hijack ImportTiddlers wizard to handle cross-domain restrictions
var _onOpen = config.macros.importTiddlers.onOpen;
config.macros.importTiddlers.onOpen = function(ev) {
	var btn = $(resolveTarget(ev));
	var url = btn.closest(".wizard").find("input[name=txtPath]").val();
	if(window.location.protocol != "file:" && url.indexOf("://") != -1) {
		var host = url.split("/")[2];
		var macro = config.macros.importTiddlers;
		if(host != window.location.host) {
			btn.text(macro.cancelLabel).attr("title", macro.cancelPrompt);
			btn[0].onclick = macro.onCancel;
			$('<span class="status" />').text(plugin.locale.hostError).insertAfter(btn);
			return false;
		}
	}
	return _onOpen.apply(this, arguments);
};

})(jQuery);
//}}}

/***
|''Name''|GroupByPlugin|
|''Description''|Mimics allTags macro to provide ways of creating lists grouping tiddlers by any field|
|''Version''|0.6.1|
|''Author''|Jon Robson|
|''Status''|beta|
!Usage
{{{<<groupBy tags>>}}}
mimics allTags macro

{{{<<groupBy server.bag>>}}}
groups by the server.bag field (this version contains TiddlySpace specific code for turning a bag into a space name)

{{{groupBy modified dateFormat:"YYYY"}}}
group tiddlers by year.

{{{<<groupBy tags exclude:excludeLists exclude:systemConfig>>}}}
group tiddlers by tag but exclude the tags with values excludeLists and systemConfig

Within that group you can also exclude things by filter
{{{groupBy modifier filter:[tag[film]]}}}
will group tiddlers tagged with film by modifier.
***/
//{{{
(function($) {
var taglocale = config.views.wikified.tag;
var macro = config.macros.groupBy = {
	locale: {
		tooltip: "all tiddlers in group %0",
		noTiddlers: "no tiddlers",
		openAllText: taglocale.openAllText,
		openAllTooltip: taglocale.openAllTooltip,
		openTiddler: "open tiddler with title %0"
	},
	morpher: {
		// TODO: note currently the following 2 morphers are TiddlySpace specific and probably should be in separate plugin
		"server.workspace": function(value, options) {
			return macro.morpher["server.bag"](value.replace("bags/", "").replace("recipes/", ""));
		},
		"server.bag": function(value, options) {
			if(typeof(value) !== "string") {
				return false;
			} else if(value.indexOf("_public") === -1 && value.indexOf("_private") === -1) {
				value = "*%0".format(value); // add star for non-space bags.
			}
			return value.replace("_public", "").replace("_private", "");
		},
		created: function(value, options) {
			return value.formatString(options.dateFormat || "DD MMM YYYY");
		},
		modified: function(value, options) {
			return macro.morpher.created(value, options);
		}
	},

	handler: function(place, macroName, params, wikifier, paramString) {
		var field = params[0] || "server.workspace";
		var dateFormat = params[1] || "DD MMM YYYY";
		var container = $("<div />").attr("macroName", macroName).addClass("groupBy").
			attr("refresh", "macro").attr("fieldName", field).
			attr("paramString", paramString).
			attr("dateFormat", dateFormat).appendTo(place)[0];
		macro.refresh(container);
	},
	isTypeArray: function(value) {
		var valueType = typeof value;
		if(valueType === "object" && typeof value.length === "number" &&
			!(value.propertyIsEnumerable("length")) &&
			typeof value.splice === "function") { //is Array
			return true;
		} else {
			return false;
		}
	},
	_onClickGroup: function(ev, options) {
		var i, target = ev.target, locale = macro.locale;
		var tiddlers = $(target).closest(".templateContainer").data("tiddlers");
		var popup = $(Popup.create(target)).addClass("taggedTiddlerList")[0];
		var value = $(target).attr("value");
		var openAll = createTiddlyButton($("<li />").appendTo(popup)[0],
			locale.openAllText.format(value), locale.openAllTooltip);
		$(openAll).click(function(ev) {
			story.displayTiddlers(ev.target, tiddlers);
			return false;
		});
		var listBreak = $("<li />").addClass("listBreak").html("<div />").appendTo(popup);
		for(i = 0; i < tiddlers.length; i++) {
			var item = $("<li />").appendTo(popup)[0];
			var template = store.getTiddlerText(options.template) || macro.template;
			wikify(template, item, null, tiddlers[i]);
		}
		listBreak.clone().appendTo(popup);
		$(createTiddlyLink($("<li />").appendTo(popup)[0], value, false)).
			text(locale.openTiddler.format(value));
		Popup.show();
		ev.stopPropagation();
		return false;
	},
	_refresh: function(container, tiddlers, options) {
		var totalGroups = 0, locale = macro.locale, i, j;
		var excludeValues = options.exclude;
		var values = {}, value_ids = [];
		var field = options.field;
		var morpher = macro.morpher[field] || function(value) {
			return value;
		};
		for(i = 0; i < tiddlers.length; i++) {
			var tiddler = tiddlers[i];
			var value = tiddler[field] || tiddler.fields[field];
			value = macro.isTypeArray(value) ? value : [ value ];
			for(j = 0; j < value.length; j++) {
				var v = morpher(value[j], options);
				if(v && $.inArray(v, excludeValues) === -1) {
					totalGroups += 1;
					if(!values[v]) {
						values[v] = [];
					}
					values[v].push(tiddler);
					value_ids.pushUnique(v);
				}
			}
		}
		var ul = $("<ul />").appendTo(container)[0];
		if(totalGroups === 0) {
			$("<li />").addClass("listTitle").text(locale.noTiddlers);
		}
		value_ids = value_ids.sort();
		var groupTemplate = store.getTiddlerText(options.groupTemplate);
		var onClick = function(ev) {
			macro._onClickGroup(ev, options);
		};
		for(i = 0; i < value_ids.length; i++) {
			var title = value_ids[i];
			var info = getTiddlyLinkInfo(title);
			tiddlers = values[title];
			var btn = createTiddlyButton($("<li />").appendTo(ul)[0],
				"%0 (%1)".format(title, tiddlers.length), locale.tooltip.format(title), null, info.classes);
			if(groupTemplate) {
				$(btn).empty();
				wikify(groupTemplate, btn, null, tiddlers[0]);
			}
			$(btn).click(onClick).attr("value", title).attr("refresh", "link").attr("tiddlyLink", title);
			$(btn).addClass("templateContainer").data("tiddlers", tiddlers);
		}
	},
	refresh: function(container) {
		container = $(container).empty();
		var paramString = container.attr("paramString");
		var args = paramString.parseParams("name", null, true, false, true)[0];
		var options = { field: container.attr("fieldName"), dateFormat: container.attr("dateFormat"), exclude: args.exclude || [],
			template: args.template ? args.template[0] : false, groupTemplate: args.groupTemplate ? args.groupTemplate[0] : "" };
		var tiddlers = args.filter ? store.filterTiddlers(args.filter[0]) : store.getTiddlers("title");
		macro._refresh(container, tiddlers, options);
	},
	template: "<<view title link>>"
};

}(jQuery));
//}}}

i desire too much and i expect too much of the world - i want to be given something that i have not earned - i do not know why i feel such an entitlement. i am about as worthy as the constant sun - who does not deserve nothing just because it is in the same place over and over again every day - i should not be rewarded for being sun-like - warrior goddess-like in my affectations and my granting of tokened kindness.

i want to run away. i want to run away from my words. i want to run away from my potential words in a fear of what they might reveal about me ...

i suppose i have this opportunity to push on and see what potential lies out there  - to try to uncover what is steaming below the surface - just waiting to erupt and spew all about. this is //my hidden dorsal fin - my phenomenal sense of self// that is hovering low below that surface of self that is seething and hateful and full of the mire of unfulfilled desire.

@@color:grey;font-size:80%;^^★^^@@ From Wikipedia: The main purpose of the //dorsal fin// is to stabilize the animal against rolling and to assist in sudden turns. 
----

MY INNER OCEAN, INNER ISLAND

so i realize this now - there is my inner island - my place of refuge and refinement - and there is my inner ocean - my deep and holding place of all the secrets in my mind and body. i float on that ocean to get to my island - but i never think about what is teeming below me in that ocean - of what darkness lies there - hiding.

bits of seaweed and broken coral lying just under the surface on a reef, but slip beyond the reef and quickly there is deeper water, dark and mysterious and treacherous - full of carnivorous and deadly creatures. the water is dark, and in some places still - some places rotting and stagnant. in some places there are fast currents that run ice cold and then burning hot - underwater volcanoes that spew lava and grow mini mountains under the water. it is all there and i hardly give notice or voice to it. some of it scares me, and some of it thrills me. i keep most of it from myself because there is just too much of it - and it is easier to float aimlessly and comfortably to the calmer quiet of the mind, the island that sits in the middle of this immense and dangerous ocean. an ocean that batters the island so hard sometimes that it has trouble withstanding - sometimes recovery is an act of sheer will.

i push my strength in so many directions as to buffer the blow - to scatter the impact is to stand firm and let it all flow around you - when it hits it is more like the hits of many little thousands rather than one large resounding knock. there is power in standing ground against so many small armed - not quite as courageous as standing ground against the one and all powerful - but much greater force - in the end you can gain unbelievable power from it.

i want to tap into the power of my inner ocean. i want to recognize its power and work with it - not just float on it oblivious to what is going one down below the surface. i want the power to move and motivate myself - the power that comes from within ... that i can only give myself - i can grant it - far down from those oceanic depths. first there must be granting, then there must be receiving.

to be granted by oneself this great power and then to accept it - these are things that bring even greater power and energy to movement and motion. we free ourselves to be ourselves - to deal with our dark water and tend our aquatic gardens, as well as those on land. it isn't all fields of sunflowers - there are living things below the surface too - just as worthy of love and respect.

/***
|''Name''|DiffFormatter|
|''Description''|highlighting of text comparisons|
|''Author''|FND|
|''Version''|0.9.0|
|''Status''|beta|
|''Source''|http://svn.tiddlywiki.org/Trunk/contributors/FND/formatters/DiffFormatter.js|
|''CodeRepository''|http://svn.tiddlywiki.org/Trunk/contributors/FND/|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''Keywords''|formatting|
!Description
Highlights changes in a unified [[diff|http://en.wikipedia.org/wiki/Diff#Unified_format]].
!Notes
Based on Martin Budden's [[DiffFormatterPlugin|http://svn.tiddlywiki.org/Trunk/contributors/MartinBudden/formatters/DiffFormatterPlugin.js]].
!Usage
The formatter is applied to blocks wrapped in <html><code>{{{diff{..}}}</code></html> within tiddlers tagged with "diff".
!Revision History
!!v0.9 (2010-04-07)
* initial release; fork of DiffFormatterPlugin
!StyleSheet
.diff { white-space: pre; font-family: monospace; }
.diff ins, .diff del { display: block; text-decoration: none; }
.diff ins { background-color: #dfd; }
.diff del { background-color: #fdd; }
.diff .highlight { background-color: [[ColorPalette::SecondaryPale]]; }
!Code
***/
//{{{
(function() {

config.shadowTiddlers.StyleSheetDiffFormatter = store.getTiddlerText(tiddler.title + "##StyleSheet");
store.addNotification("StyleSheetDiffFormatter", refreshStyles);

var formatters = [{
		name: "diffWrapper",
		match: "^\\{\\{diff\\{\n", // XXX: suboptimal
		termRegExp: /(.*\}\}\})$/mg,
		handler: function(w) {
			var el = createTiddlyElement(w.output, "div", null, "diff");
			w.subWikifyTerm(el, this.termRegExp);
		}
	}, {
		name: "diffRange",
		match: "^(?:@@|[+\\-]{3}) ",
		lookaheadRegExp: /^(?:@@|[+\-]{3}) .*\n/mg,
		handler: function(w) {
			createTiddlyElement(w.output, "div", null, "highlight").
				innerHTML = "&#8230;";
			this.lookaheadRegExp.lastIndex = w.matchStart;
			var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
			if(lookaheadMatch && lookaheadMatch.index == w.matchStart) {
				w.nextMatch = this.lookaheadRegExp.lastIndex;
			}
		}
	}, {
		name: "diffAdded",
		match: "^\\+",
		termRegExp: /(\n)/mg,
		handler: function(w) {
			var el = createTiddlyElement(w.output, "ins", null, "added");
			w.subWikifyTerm(el, this.termRegExp);
		}
	}, {
		name: "diffRemoved",
		match: "^-",
		termRegExp: /(\n)/mg,
		handler: function(w) {
			var el = createTiddlyElement(w.output, "del", null, "removed");
			w.subWikifyTerm(el, this.termRegExp);
		}
	}
];

config.parsers.diffFormatter = new Formatter(formatters);
config.parsers.diffFormatter.format = "diff";
config.parsers.diffFormatter.formatTag = "diff";

})();
//}}}

/***
|''Name''|EditTemplateFieldsPlugin|
|''Version''|0.4.6|
|''Status''|beta|
|''Author''|Jon Robson|
|''Description''|Provides editing of custom fields|
|''Requires''||
|''Source''||
!Usage
put {{{<div macro="editFields"></div>}}} into your EditTemplate.
or {{{<div macro="viewFields"></div>}}} into your ViewTemplate.
!Todo
Support newlines in input boxes.
!Code
***/
//{{{
(function($) {
var viewFields = config.macros.viewFields = {
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var fields = editFields.getFields(tiddler).concat(params);
		var done = {};
		for(var i = 0; i < fields.length; i++) {
			var name = fields[i];
			var val = tiddler.fields[name];
			if(!done[name] && val) {
				done[name] = true;
				$("<div class='fieldValue' />").text("%0 : %1".format(name, val)).appendTo(place);
			}
		}
	}
};

var editFields = config.macros.editFields = {
	fieldType: {
		images: ["image", "geo.marker"]
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var options = {
			fields: params
		};
		this.createInterface(place, tiddler, options);
	},
	getFields: function(tiddler) {
		var whitelisted = ["changecount"];
		var fields = [];
		for(var i in tiddler.fields) {
			var val = tiddler.fields[i];
			if(i.indexOf("server.") !== 0 && i.indexOf("_") !== 0 && typeof(val) == "string" && !whitelisted.contains(i) && val) {
				fields.push(i);
			}
		}
		return fields;
	},
	createInterface: function(place, tiddler, options) {
		var fieldContainer = $("<div class='tiddlerCustomFields' />").appendTo(place);
		var included = [];
		if(tiddler) {
			var fields = editFields.getFields(tiddler);
			for(var i = 0; i < fields.length; i++) {
				var name = fields[i];
				var val = tiddler.fields[name];
				this.addNewField(fieldContainer, name, val);
				included.push(name);
			}
		}
		for(var j = 0; j < options.fields.length; j++) {
			var field = options.fields[j];
			if(!included.contains(field)) {
				this.addNewField(fieldContainer, field, "");
			}
		}
		$("<button />").text("add new field").click(function() {
			editFields.addNewField(fieldContainer, "", "");
		}).appendTo(place);
	},
	addNewField: function(place, name, value) {
		var container = $("<div />").appendTo(place);
		if(editFields.fieldType.images.contains(name)) {
			valueInput = $("<select />");
			$("<option />").val("").text("").appendTo(valueInput);
			$.each(store.filterTiddlers("[is[image]]"), function(i, tiddler) {
				var opt = $("<option />").val(tiddler.title).text(tiddler.title).appendTo(valueInput)[0];
				if(value === tiddler.title) {
					$(opt).attr("selected", true);
				}
			});
		} else {
			type = value.indexOf("\n") > -1 ? "textarea" : "text";
			var valueInput = type == "text" ? $("<input type='text' />") : $("<textarea />");
		}
		valueInput.attr("edit", name).val(value).appendTo(container);
		$("<button class='delete' />").text("delete").click(function(ev) {
			var answer = confirm("Are you sure you want to remove this field?");
			if(answer) {
				var attr = $(ev.target).attr("field");
				var p = $(ev.target).parent();
				$("[edit]", p).val("");
				$(p).hide();
			}
		}).appendTo(container);
		var nameInput = $("<input class='fieldName' type='text' />").val(name).
			change(function(ev) {
				var el = $(ev.target);
				valueInput.attr("edit", el.val());
			}).prependTo(container);
	}
}
})(jQuery);
//}}}

this is me [[screaming|scream of nature]] - this little work of fiction - this is me screaming and so maybe the whole thing should be in all caps - but then you wouldn't read it, couldn't read it because you would just hear me screaming in your head and you would turn away just as surely as you would turn away if i were screaming at you in front of you - the sound would be an affront to your senses and your deep sensibilities - i would frighten you because you would know that it was true.
----
so i am thinking about calling this work //RAW: real and woven// - for me it evokes the true sense of the work that i am doing. not everything i've written here is real, and not everything is woven - but it is the real and it is very woven. i feel as if i am crashing against an invisible wall in my mind - crashing and teeming like that [[ocean|inner ocean]] of the self that i talked about earlier. so that then implies that the wall can be scaled and overcame - it also implies that the wall is a temporary obstacle -and that i can overcome this too.

 
http://tiddlywiki.com/static/JeremyRuston.html

From [[What Is A Wiki]]:

<<tiddler [[What Is A Wiki/JeremyRuston]]>>
<<tiddler [[Glass Bead Game/BeadTiddler]]>>


Jeremy wrote the following reflections "[[10 years of TiddlyWiki|http://tiddlywiki.com/talkytalky/#Reflections:TalkyTalky]]":

* Open source is the natural state of human software production
** It recognises that software is not a branch of engineering
** It teaches us how to make collaboration be a by-product of performing the work. It allows us to present the largest possible surface area for prospective collaborators.
* Being a software designer isn't enough. We need to design business models that are healthy for us, and in the best interests of our users. Something as personal and fundamental as my intellectual apparatus shouldn't be under the control of someone else

 
My first awareness of this symbol came via C.S. Lewis, a self-professed "votary of the Blue Flower"
<<<
<part Lewis>
Once in those very early days my brother brought into the nursery the lid of a biscuit tin which he had covered in moss and garnished with twigs and flowers so as to make it a toy garden or a toy forest. That was the first beauty I ever knew. What the real garden had failed to do, the toy garden did. It made me aware of nature—not, indeed, as a storehouse of forms and colors but as something cool, dewy, fresh, exuberant.  I do not think the impression was very important at the moment, but it soon became important in memory.  As long as I live my imagination of Paradise will retain something of my brother’s toy garden. And every day there were what we called ‘the Green Hills’; that is, the low line of the Castlereagh Hills which we saw from the nursery widows. They were not very far off but they were, to children, quite unobtainable.  They taught me longing—//[[Sehnsucht]]//; made me for good or ill, and before I was six years old, a votary of the [[Blue Flower]].

C.S. Lewis, //Surprised by Joy// (1955)</part>
<<<
Described in the [[Wikipedia article|http://en.wikipedia.org/wiki/Blue_Flower]] which I saved to my wiki on August 14, 2011.

My friend Elias referred me to read the book by Novalis, //Heinrich von Ofterdingen// (1802), which told of a mystic blue flower:
> The youth lay restless on his bed and thought about the stranger and his stories. ‘There is no greed in my heart; but I yearn to get a glimpse of the blue flower.’
[[Walter Benjamin]] wrote in his essay //Dream Kitsch//: "No one really dreams any longer of the Blue Flower. Whoever awakes as Heinrich von Ofterdingen today must have overslept."

"The flower represents for us the beauty and the ordinariness of what is required to be free."
-- [[Kenneth Leson Smith|https://kenleson.com/2014/03/03/critical-humble-loving-truth-telling/]], "Abide In Peace" blog, which I quoted April 2, 2014, led to by the words //[[speak truth to power]]//

"If you are interrupted eternally with these petty avocations, the current of the mind is compelled to flow in shallows, and you lose the deep intensity of thought which alone can float plans of depth and magnitude. I sometimes wish I were one of those formalists who can assign each hour of the day its special occupations, not to be encroached upon; but it always returns upon my mind that I do better //à la débandade//, than I could with rules of regular study… Besides, after all, I have known most of those formalists, who were not men of business or of office to whom hours are prescribed as a part of duty, but who voluntarily make themselves 'Slaves to an hour, and vassals to a bell,' — to be what I call very poor creatures."

From The Journal of Sir Walter Scott from the Original Manuscript at Abbotsford, March, 1828

From the 1999 film //The Matrix://
<<<
//This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland, and I show you how deep the rabbit hole goes. Remember, all I'm offering is the truth – nothing more.//
<<<
http://en.wikipedia.org/wiki/Red_pill_and_blue_pill

Surrounded and pondering so much much-ness —

My One Hunger is to be __strong__ and __wise__ in the world of __relationship__ to other __living__ things.

Bring into harmony what I do, what I say, and what I think.

Be a ~Layman-Father-Monk

Practitioner of Living

/***
|Name:|HideWhenPlugin|
|Description:|Allows conditional inclusion/exclusion in templates|
|Version:|3.2a|
|Date:|27-Jun-2011|
|Source:|http://mptw.tiddlyspot.com/#HideWhenPlugin|
|Author:|Simon Baird <simon.baird@gmail.com>|
|License:|http://mptw.tiddlyspot.com/#TheBSDLicense|
For use in ViewTemplate and EditTemplate. Example usage:
{{{<div macro="showWhenTagged Task">[[TaskToolbar]]</div>}}}
{{{<div macro="showWhen tiddler.modifier == 'BartSimpson'"><img src="bart.gif"/></div>}}}

Warning: the showWhen and hideWhen macros will blindly eval paramString.
This could be used to execute harmful javascript from a tiddler.

(TODO: Make some effort to sanitize paramString. Perhaps disallow the equals sign?)
***/
//{{{

window.hideWhenLastTest = false;

window.removeElementWhen = function(test,place) {
  window.hideWhenLastTest = test;
  if (test) {
    jQuery(place).empty()
    place.parentNode.removeChild(place);
  }
};

merge(config.macros,{

  hideWhen: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( eval(paramString), place );
  }},

  showWhen: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !eval(paramString), place );
  }},

  hideWhenTagged: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( tiddler.tags.containsAll(params), place );
  }},

  showWhenTagged: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !tiddler.tags.containsAll(params), place );
  }},

  hideWhenTaggedAny: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( tiddler.tags.containsAny(params), place );
  }},

  showWhenTaggedAny: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !tiddler.tags.containsAny(params), place );
  }},

  hideWhenTaggedAll: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( tiddler.tags.containsAll(params), place );
  }},

  showWhenTaggedAll: { handler: function (place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !tiddler.tags.containsAll(params), place );
  }},

  hideWhenExists: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( store.tiddlerExists(params[0]) || store.isShadowTiddler(params[0]), place );
  }},

  showWhenExists: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !(store.tiddlerExists(params[0]) || store.isShadowTiddler(params[0])), place );
  }},

  hideWhenTitleIs: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( tiddler.title == params[0], place );
  }},

  showWhenTitleIs: { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( tiddler.title != params[0], place );
  }},

  'else': { handler: function(place,macroName,params,wikifier,paramString,tiddler) {
    removeElementWhen( !window.hideWhenLastTest, place );
  }}

});

//}}}

!A ~Pin-Light Bent
Joanna [[Newsom]]

My life comes and goes.
My life comes and goes.
Short flight, free rows:
I lie down and doze.

My life came and went.
My life came and went.
Short flight; free descent.
Poor flight attendant.

But the sky, over the ocean! 
And the ocean, skirting the city! 
And the city, bright as a garden
(when the garden woke to meet me),
from that height was a honeycomb
made of light from those funny homes, intersected:
each enclosed, anelectric and alone.

In our lives is a common sense
that relies on the common fence
that divides, and attends,
but provides scant defense
from the Great Light that shines through a pin-hole,
when the pin-light calls itself Selfhood,
and the Selfhood inverts on a mirror
in an //Amora Obscura//.

But it's mine. Or, at least, it's lent.
And my life, until the time is spent
is a pin-light, bent. 
It's a pin-light, bent.

/***
|''Name''|TiddlyFileImporter|
|''Version''|0.3.8|
|''Author''|Ben Gillies|
|''Type''|plugin|
|''Description''|Upload a TiddlyWiki file to TiddlyWeb, and import the tiddlers.|
!Usage
Upload a TiddlyWiki file to TiddlyWeb, and import the tiddlers.
!Requires
tiddlyweb
tiddlywebplugins.reflector
!Code
***/
//{{{
(function($){
if(!version.extensions.TiddlyFileImporter)
{ //# ensure that the plugin is only installed once
	version.extensions.TiddlyFileImporter = { installed: true };
}

config.macros.fileImport = {
	reflectorURI: '/reflector?csrf_token=%0',
	incorrectTypeError: 'Incorrect File Type. You must upload a TiddlyWiki',
	uploadLabel: 'Upload',
	uploadLabelPrompt: 'Import tiddlers from this TiddlyWiki',
	step1FileText: 'File:',
	step1PostText: 'In the next screen you will select the tiddlers to import.',
	step1Title: 'Step 1: Pick a TiddlyWiki to import',
	step1TypeChooser: 'Import From:',
	step3Html: ['<input type="hidden" name="markList" />',
		'<input type="hidden" checked="true" name="chkSync" />',
		'<input type="hidden" name="chkSave" />',
		'<input type="hidden" name="txtSaveTiddler" />'].join(),

	handler: function(place, macroName, params, wikifier, paramString) {
		var wizard = new Wizard();
		wizard.createWizard(place, 'Import a TiddlyWiki');
		this.restart(wizard);
	},

	restart: function(wizard) {
		var me = config.macros.fileImport;
		wizard.addStep(me.step1Title, ['<input type="hidden" ',
			'name="markList" />'].join(""));
		var markList = wizard.getElement('markList');
		var uploadWrapper = document.createElement('div');
		markList.parentNode.insertBefore(uploadWrapper, markList);
		uploadWrapper.setAttribute('refresh', 'macro');
		uploadWrapper.getAttribute('macroName', 'fileImport');
		var iframeName = 'reflectorImporter' + Math.random().toString();
		me.createForm(uploadWrapper, wizard, iframeName);
		$(uploadWrapper).append('<p>' + me.step1PostText + '</p>');
		wizard.setValue('serverType', 'tiddlyweb');
		wizard.setValue('adaptor', new config.adaptors.file());
		wizard.setValue('host', config.defaultCustomFields['server.host']);
		wizard.setValue('context', {});
		var iframe = $(['<iframe name="' + iframeName + '" ',
			'style="display: none" />'].join("")).appendTo(uploadWrapper);
		var onSubmit = function(ev) {
			var uploadType = $('select[name=uploadtype]', wizard.formElem).val();
			if (uploadType == "file") {
				// set an onload ready to hijack the form
				me.setOnLoad(uploadWrapper, wizard, iframe[0]);
				wizard.importType = 'file';
				wizard.formElem.submit();
			} else {
				var csrf_token = config.extensions.tiddlyspace.getCSRFToken();
				$.ajax({
					url: "%0/reflector?csrf_token=%1".format(
						config.defaultCustomFields["server.host"], csrf_token),
					type: "POST",
					dataType: "text",
					data: {
						uri: $("input", ".importFrom", wizard.formElem).val()
					},
					success: function(data, txtStatus, xhr) {
						wizard.POSTResponse = data;
						me.importTiddlers(uploadWrapper, wizard);
					},
					error: function(xhr, txtStatus, error) {
						displayMessage(["There was an error fetching the ",
							'url: ', txtStatus].join(""));
						me.restart(wizard);
					}
				});
				return false;
			}
		};
		wizard.setButtons([{
			caption: me.uploadLabel,
			tooltip: me.uploadLabelPrompt,
			onClick: onSubmit
		}]);
		$(wizard.formElem).submit(function(ev) {
			onSubmit(ev);
			ev.preventDefault();
		});
	},

	createForm: function(place, wizard, iframeName) {
		var form = wizard.formElem;
		var me = config.macros.fileImport;
		form.action = me.reflectorURI.format(
			config.extensions.tiddlyspace.getCSRFToken());
		form.enctype = 'multipart/form-data';
		form.encoding = 'multipart/form-data';
		form.method = 'POST';
		form.target = iframeName;
		onSelectChange = function(e) {
			var changeTo = $(this).val();
			if (changeTo == "file") {
				$(".importFrom").html('%0 <input type="file" name="file" />'.
					format(me.step1FileText));
			} else {
				$(".importFrom").html('URL: <input type="text" name="uri" />'
					+ ' Do you want <a target="_blank" href="http://faq.tiddlyspace.com/How%20do%20I%20include%2Fexclude%20spaces%3F">inclusion</a> instead?');
			}
		};
		$(place).append('<span>%0</span>'.format(me.step1TypeChooser)).
			append($(['<select name="uploadtype"><option value="file" selected="selected">file',
				'<option value="uri">url</select>'].join("")).change(onSelectChange)).
			append('<div class="importFrom">%0<input type="file" name="file" /></div>'.
					format(me.step1FileText));
	},

	setOnLoad: function(place, wizard, iframe) {
		var me = config.macros.fileImport;
		var loadHandler = function() {
			me.importTiddlers.apply(this, [place, wizard, iframe]);
		};
		iframe.onload = loadHandler;
		completeReadyStateChanges = 0;
		iframe.onreadystatechange = function() {
			if (++(completeReadyStateChanges) == 5) {
				loadHandler();
			}
		};
	},

	importTiddlers: function(place, wizard, iframe) {
		var tmpStore = new TiddlyWiki();
		var POSTedWiki = "";
		if (wizard.importType == "file") {
			try {
				POSTedWiki= iframe.contentWindow
					.document.documentElement.innerHTML;
			} catch(e) {
				displayMessage(config.macros.fileImport.incorrectTypeError);
				config.macros.fileImport.restart(wizard);
				return;
			}
			// now we are done, so remove the iframe
			$(iframe).remove();
		} else {
			POSTedWiki = wizard.POSTResponse;
		}

		tmpStore.importTiddlyWiki(POSTedWiki);
		var newTiddlers = tmpStore.getTiddlers();
		var workspace = config.defaultCustomFields['server.workspace'];
		var context = {
			status: true,
			statusText: 'OK',
			httpStatus: 200,
			adaptor: wizard.getValue('adaptor'),
			tiddlers: newTiddlers
		};
		context.adaptor.store = tmpStore;
		wizard.setValue('context', context);
		wizard.setValue('workspace', workspace);
		wizard.setValue('inFileImport', true);
		config.macros.importTiddlers.onGetTiddlerList(context, wizard);
	}
};

var _onGetTiddler = config.macros.importTiddlers.onGetTiddler;
config.macros.importTiddlers.onGetTiddler = function(context, wizard) {
	if (wizard.getValue('inFileImport')) {
		var me = config.macros.importTiddlers;
		if(!context.status)
			displayMessage("Error in importTiddlers.onGetTiddler: " + context.statusText);
		var tiddler = context.tiddler;
		var fields = tiddler.fields;
		merge(fields, config.defaultCustomFields);
		fields["server.workspace"] = wizard.getValue('workspace');
		delete fields['server.permissions'];
		delete fields['server.bag'];
		fields['server.page.revision'] = 'false';
		delete fields['server.recipe'];
		fields.changecount = 1;
		store.suspendNotifications();
		store.saveTiddler(tiddler.title, tiddler.title, tiddler.text,
			tiddler.modifier, tiddler.modified, tiddler.tags, tiddler.fields,
			false, tiddler.created);
		store.resumeNotifications();
		var remainingImports = wizard.getValue("remainingImports")-1;
		wizard.setValue("remainingImports",remainingImports);
		if(remainingImports === 0) {
			if(context.isSynchronous) {
				store.notifyAll();
				refreshDisplay();
			}
			wizard.setButtons([
					{caption: me.doneLabel, tooltip: me.donePrompt, onClick: me.onClose}
				],me.statusDoneImport);
			autoSaveChanges();
		}
	} else {
		_onGetTiddler.apply(this, arguments);
	}
};

var _onCancel = config.macros.importTiddlers.onCancel;
config.macros.importTiddlers.onCancel = function(e)
{
	var wizard = new Wizard(this);
	if (!wizard.getValue('inFileImport')) {
		return _onCancel.apply(this, arguments);
	}
	var place = wizard.clear();
	config.macros.fileImport.restart(wizard);
	return false;
};

var _step3Html = config.macros.importTiddlers.step3Html;
var _onGetTiddlerList = config.macros.importTiddlers.onGetTiddlerList;
config.macros.importTiddlers.onGetTiddlerList = function(context, wizard) {
	var fileImport = config.macros.fileImport;
	var importTiddlers = config.macros.importTiddlers;
	if (wizard.getValue('inFileImport')) {
		importTiddlers.step3Html = fileImport.step3Html;
	} else {
		importTiddlers.step3Html = _step3Html;
	}
	_onGetTiddlerList.apply(this, arguments);
};
})(jQuery);
//}}}

''The Sixth Mindfulness Training: //Dealing with Anger//''
Aware that anger blocks communication and creates suffering, I am determined to take care of the energy of anger when it arises and to recognise and transform the seeds of anger that lie deep in my consciousness. When anger comes up, I am determined not to do or say anything, but to practise mindful breathing or mindful walking and acknowledge, embrace and look deeply into my anger. I will learn to look with the eyes of compassion on those I think are the cause of my anger.

!God's Grandeur
by Gerard Manley Hopkins

The world is charged with the grandeur of God. 
    It will flame out, like shining from shook foil; 
    It gathers to a greatness, like the ooze of oil 
Crushed. Why do men then now not reck his rod? 
Generations have trod, have trod, have trod; 
    And all is seared with trade; bleared, smeared with toil; 
    And wears man's smudge and shares man's smell: the soil 
Is bare now, nor can foot feel, being shod. 

And for all this, nature is never spent; 
    There lives the dearest freshness deep down things; 
And though the last lights off the black West went 
    Oh, morning, at the brown brink eastward, springs — 
Because the Holy Ghost over the bent 
    World broods with warm breast and with ah! bright wings.

{{grem{(from Elias -- June 19, 2016)}}}

----

All things counter, original, spare, strange; 
Whatever is fickle, freckled (who knows how?) 
With swift, slow; sweet, sour; adazzle, dim; 
He fathers-forth whose beauty is past change: 
Praise him.

{{grem{(from "Pied Beauty", another by Hopkins)}}}

 
I have spent dim, heavy days of this past year avoiding the necessary change in my working life.  I am afraid to lose my pay and a decade's preoccupation, but am now unwilling to work honestly for it.  And so hours disappear in this maze of words.  Here I assemble ideas beautiful to my mind -- perhaps just //simulare//, to make something that feels [[like real living|Four Noble Truths/words]]?

Is this wiki a fount of creativity and self-discovery?  Or a ''profligate'' [[spiral|re: muse]] cloaked as poetry?  Reckless intelligence spiraling downward into itself, as I cast away each rope that could save me.  Struggling, weeping, cursing, wishing to cut or starve myself, I have flirted with the edge of [[my abyss|2016-03-26]].

Today, I say __[[no more|Self Vow]]__.

Remember!  Estlin said:
//[[life|passages/ThirdVoice]]// is more true than reason will deceive
//(or more ''secret'' than madness did reveal)//
 

[[Anam Cara]],

I am looking forward to this time of reflection and preparation with you and Maya.
{{{
wind soft
  hollows deep
  treasures near
  this heart will keep
forever found
  never far
  loving planet
  cosmic star
}}}
Lily, 12.2009

 
[img[Rotations]]

Submitted to //[[Verbatim Poetry|http://verbatimpoetry.blogspot.com]]//
: which aims "to frame the ordinary words of real life to see if there is [[poetry]] in them. Some of it is found poetry; some of it more //extracted// – where found elements are assembled together."
My poem above was assembled from //Difference and Repetition// by Gilles [[Deleuze|rhizome]], translated by Paul Patton, ISBN: 0826459579

//(I was led to this by a [[tweet|https://twitter.com/justknecht/status/740769829519560704]] of ~JustKnecht.)//

Composed of extracts containing the word “[[rotations|https://books.google.com/books?id=fqucRS3ta-kC&pg=PA8&q=rotations]]”
<<<
From page 8: “a movement capable of…inventing vibrations, rotations, whirlings, gravitations, dances or leaps which directly touch the mind.”

From page 21: “Even in nature, isochronic rotations are only the outward appearance of a more profound movement, the revolving cycles are only abstractions: placed together, they reveal evolutionary cycles or spirals whose principle is a variable curve…”

From page 219: “since they alone are capable of sustaining the lines, the slippages, and the rotations. Afterwards it is too late.”
<<<
Whitespace, alignment and font styles were closely considered.  The poem was swept through a few rapid revisions in one afternoon.

The next morning, I created a third and final version, differing slightly from the one first posted on Twitter.  An image appears here: {{serif{[[Rotations II]]}}}.

__The same in pure text form__:
{{{
       ROTATIONS

inventing vibrations,
           rotations,
           ⁞
       whirlings
           ⁞
        gravitations,
  dances
             —or leaps

which directly touch
the mind, even
in nature; isochronic
           rotations
 are only appearance
        out-ward

(of a more
   profound movement)
   —revolving
             cycles
   only abstractions
together-placed,

      sustaining
           ⁞
the lines,
    the slippages and
       the rotations;
afterwards...
           ⁞
     it is too late.
}}}

 
A list of recommended reading prepared by Alan [[Kay]]
: {{body{From http://c2.com/cgi/wiki?AlanKaysReadingList
combined with another version at [[Squeakland.org|https://web.archive.org/web/20160710193844/http://www.squeakland.org/resources/books/readingList.jsp]]}}}
(Remuse added hyperklinks within this wiki.)

''TECHNOLOGY & MEDIA''
Marshall ~McLuhan
*Gutenberg Galaxy
*Understanding Media
Peter Drucker
*Technology, Management, And Society
*Innovation And Entrepreneuring
Neil [[Postman|The End of Education]]
*Amusing Ourselves To Death
*The Disappearance Of Childhood
*Conscientious Objections
Lewis Mumford
*The Myth Of The Machine
*Technics And Civilization

''LEARNING & CREATIVITY''
Jean Piaget
*The Psychology Of The Child
*To Understand Is To Invent
Jerome [[Bruner]]
*Towards A Theory Of Instruction
*The Relevance Of Education
Lev Vygotsky
*Thought And Language
*Mind In Society
*The Psychology Of Art
Edward ~DeBono
*Lateral Thinking
*Six Thinking Hats
Frank Smith
*Essays Into Literacy
John Holt
*Instead Of Education
*Teach Your Own
Tim Gallwey
*The Inner Game Of Tennis
Shinichi Suzuki
*Nurtured By Love
Maria [[Montessori]]
*The Secret Of Childhood
*The Discovery Of The Child
Seymour Papert
*Mind Storms
*The Childrens' Machine
John Dewey
*School And Society
*Freedom And Culture
Arthur Koestler
*Act Of Creation
*The Ghost In The Machine

''ANTHROPOLOGY & PSYCHOLOGY''
Joseph Campbell
*Myths To Live By
*The Masks Of God
Derek Bickerton
*Language And Species
Silvia Scribner & Mike Cole (gets technical)
*The Psychology Of Literacy
Julian Jaynes
*The Origin Of Consciousness In The Breakdown Of The Bicameral Mind
Clifford Geertz
*The Interpretation Of Cultures
Mihaly Csikszenmihalyi
*Beyond Boredom And Anxiety
*Flow
Robert Ornstein & Paul Ehrlich
*New World, New Mind
Charles ~Hampton-Turner
*Maps Of The Mind: Charts and Concepts of the Mind and its Labyrinths
Carl [[Jung]]
*Man And His Symbols
*Modern Man In Search Of A Soul
Marvin Minsky
*Society Of Mind
Anthony Stevens [who wrote on Jung]
*Archetypes

''PHILOSOPHY''
Plato
*Timeaus
*Republic
Bertrand Russell
*History Of Western Philosophy
*Human Knowledge, Its Scope And Limits
*Skeptical Essays
Richard Tarnas
*The Passion Of The Western Mind
Jacob Bronowski
*Ascent Of Man
Mary Midgley
*Wisdom, Information, & Wonder
*Science As Salvation
Hannah Arendt
*The Human Condition
Alfred [[Korzybski|Time-Binder]]
*Science And Sanity
Vannevar Bush
*Science Is Not Enough
Mark Booth (Ed)
*What I Believe
"[[Great Books|Genius]]"
Most Of Greeks, Etc., Cicero, Lucretius, Seneca, Montaigne, Etc.
Mortimer Adler
*The Great Ideas: [[Synopticon]] Of "Great Books" (Vol I,II)
~Lao-Tzu
*Tao Te Ching
D.T. Suzuki
*Mysticism: Christian and Buddhist: The Eastern and Western Way
*Essays in Zen Buddhism {{grem{[additions by Remuse]}}}
Shunryu Suzuki
*Zen Mind, Beginner's Mind

''ART & PERCEPTION''
Kenneth Clark
*Civilisation
*What Is A Masterpiece?
Ernst Gombrich
*Art And Illusion
Richard Gregory
*Eye And Brain
Rudolf Arnheim
*Visual Thinking

''DESIGN''
Christopher Alexander
*Notes On The Synthesis Of Form
*[[A Pattern Language|design patterns]]
Morton Grosser
*Gossamer Odyssey: The Triumph of ~Human-Powered Flight 
Valentino Braitenberg
*Vehicles
W. Gray Walter
*The Living Brain
Edward Tufte
*The Visual Display Of Quantitative Information
*Visualizing Information

''SCIENCE & MATHEMATICS''
David Goodsell
*The Machinery Of Life
Philip Morrison
*The Ring Of Truth
Niko Tinbergen
*The Animal In Its World
L. C. Epstein
*Relativity Visualized
Eric Drexler
*Engines Of Creation
Richard Dawkins
*The Blind Watchmaker
*The Selfish Gene
Carl [[Sagan]]
*Dragons of Eden
*Broca's Brain
~Jörg-Peter Ewert
*Neuroethology (semi-technical)
Richard Feynman (semi-technical)
*The Character Of Physical Law
*QED: The Strange Theory of Light and Matter
Leon Lederman (semi-technical)
*The God Particle
*From Quarks To Cosmos
James Watson
*The Double Helix
Benoit Mandelbrot
*[[Fractal|Fractal/Mathematics]] Geometry

''POLITICS & ECONOMY''
Daniel Boorstin
*An American Primer
*The Americans
Madison, et al.
*The Federalist Papers
*The Debate On The Constitution
Ralph Ketcham (Ed)
*The ~Anti-Federalist Papers
Thomas Paine
*Common Sense
*The Rights Of Man
*The Age Of Reason
Benjamin Barber
*An Aristocracy Of Everyone
Lester Thurow
*The ~Zero-Sum Society
*Economics Explained
*Head to Head
Mike Dertuozos (Ed)
*Made in America

''COMPUTERS''
(most of the good stuff is still in papers, here are a few books)
Doug Lenat
*Building Large ~Knowledge-Based Systems
John ~McCarthy
*LISP 1.5 Manual
Marvin Minsky
*Computation: Finite And Infinite Machines (technical)
Nicholas Negroponte
*The Architecture Machine
*Soft Architecture Machines

<<tiddler [[What Is A Wiki]]>>

 
Tags which categorize content +++[+]
<<allTags excludeLists>>
===


All nodes containing images +++[+]
<<search "[img" report=list>>
===


----

<<saveStory ask "Save Current Story River" "save the current story river as a list in another tiddler" excludeLists>>

All story-streams, which are collections of wiki nodes +++[+]
<<list filter [tag[story]]>>
===


//See __''<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('EntryStream')).map(function(t){return t.title}))" title="See All Stories Saved to EntryStream">My Entry to the Stream</a></html>''__…
(an alternate to DefaultTiddlers, the "front page" or default wiki view)//

<<openStory list>>

----

All nodes containing ~YouTube videos
<<search "application/x-shockwave-flash" report=list>>
----

Explanation of source links +++[+]
<<tiddler AboutSourceLinks>>
----
===

All nodes containing source links +++[+]
<<search "^^[" report=list>>
===


All nodes containing a word etymology, enclosed in grey braces +++[+]
<<search "(grey):{" report=list>>
===
&nbsp;

|[[the great man sees]] | <<toggleTag post [[the great man sees]] 'Toggle as Post' .>> |
|[[Tank]] | <<toggleTag technology [[Tank]] 'Toggle Technology' .>> |

  
~~''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Reactions',null, event)">[Jump to Cultural Reactions]</a></html>''~~

Three nights ago, I watched the election results come in, with growing shock as the night went on.  I made it all the way to Trump's victory speech (a vision that was incomprehensible to me the morning of Election Day!)  Then I walked several blocks around my neighborhood, trying to clear my mind and quell my grief.

The next day, I watched Hillary Clinton's concession speech as it was aired live.  She [[told the nation|http://www.npr.org/2016/11/09/500715219/transcript-clinton-gives-concession-speech]]:
> //We have seen that our nation is more deeply divided than we thought. But I still believe in America, and I always will. And if you do, then we must accept this result and then look to the future.  Donald Trump is going to be our president.  We owe him an open mind and the chance to lead.//
Later that afternoon, President Obama [[said|https://www.whitehouse.gov/the-press-office/2016/11/09/statement-president]], "One thing you realize quickly in this job is that the presidency is bigger than any of us."  &nbsp;I found both their speeches very admirable and genuine.  Their words appear in my "[[Cult of Personality|cult of personality]]" piece, under the "Trump" section.  //Grrrr… that name again.//

''What follows is my own raw record of the days after this election:''

I wrote a like-minded friend:
<<<
I took a sick day from work.  Just finished watching Hillary's concession speech.  I give it high marks, and am not ashamed to say that I cried through many parts of it. Imagining what could have been.  Events in the public arena often seem so detached and irrelevant to my immediate life and feelings.  Not today.  I should add, although I'm colossally disappointed, I won't spend all my time voicing hate/disrespect/contempt for him and his supporters (all 59 million of them.)  Someone will pick up Hillary's baton, and at some point in the future, correct the mistakes our nation has made.  But this is a sad, difficult day.

I opened Yogananda's commentary on the //Bhagavad Gita// at random, looking for help to cope with this election.  This is from the two-volume set you gave me several years ago, page 801:

{{serif{//''No individual is spared his share of the responsibility for any evils or seeming injustices.''// If one disdains his lot, he may exercise the God-power within him to operate those laws of Nature that can change those circumstances. If he tires of ''the alternating entertainments and harassments of dualities'', he can exert his God-power to awaken himself from this cosmic dreaming. The nonuse or misuse of free will is man's own choice to remain in the dream and be subjected to the laws that rule the realm of manifestation.}}}
-- posted on [[Twitter|https://twitter.com/museical/status/796400227578216448]]
<<<
I then opened [[Obama's|Reading Obama]] //The Audacity of Hope// at random.
He recounted a letter sent to him by a Chicago doctor in 2004, which said:
<<<
{{serif{I sense that you have a strong sense of justice and of the precarious position of justice in any polity, and I know that you have championed the plight of the voiceless.  I also sense that you are a fair-minded person with a high regard for reason… Whatever your convictions, if you truly believe that those who oppose abortion are all ideologues driven by perverse desires to inflict suffering on women, then you, in my judgment, are not fair-minded… ''You know that we enter times that are fraught with possibilities for good and for harm'', times when we are struggling to make sense of ''a common polity in the context of plurality'', when we are unsure of what grounds we have for making any claims that involve others… I do not ask at this point that you oppose abortion, only that you speak about this issue in fair-minded words.}}}
-- also posted on [[Twitter|https://twitter.com/museical/status/796431072133316616]]
<<<
I am trying to be very cautious before I make any claims about the ''60 million'' people who voted for Trump.  I am unsure of any grounds I have (as the doctor said) free of distorting bias and egocentricity.
<html><a name="Reactions"/></html>
A woman (and cousin of my Dad's) posted this on Facebook the morning of November 9th:
{{font125{''&emsp;&emsp;&emsp;Thank you God for this Beautiful Day!!!''}}}

Millions of people are expressing sincere gratitude and relief following this election.  There were people literally ''praying'' for Hillary's defeat.  I asked my friend Ryan, how do we occupy the same universe, gene pool, and cultural milieu?

The author Cheryl [[Strayed]], whose words and wisdom I love deeply, shared her own coping process with the world.  Via [[Facebook|https://www.facebook.com/CherylStrayed.Author/posts/1493596850665600:0]], she spoke to my heart:
<<<
But the truth that this hard day has brought to me is that I don’t have to make sense of it. Making sense of it brings me only to deeper despair.  ''I’m not going to think my way out of this pit.''  I’m going to have to live my way out of it and love my way out of it and write my way out of it.  I’m going to have to remember that one person does not make or unmake our truth. I’m going to decide not to give up. Even if it hurts.

There is no better model for not giving up even when it hurts than Hillary Clinton herself. Perhaps the greatest astonishment of her candidacy was the grace and strength with which she faced unrelenting cruelty and ugliness. She stayed true to her call. And from the depths of my profound disappointment today I could finally see that I have to stay true to mine too. I have to give the world the best thing I have to offer, no matter what.

And you, dear hearts in despair, my sisters and brothers who are raging today, my friends wandering through the grocery stores and wilderness in tears, you have to give us that too. In this tumultuous time, we need your best thing, whether the world is ready for it or not.
<<<
I spent several days wandering through a midwestern wilderness, where 70% of the participating voters chose Trump, in shock and sadness.  Like Cheryl, I can't think my way out of this…
: //"I’m going to have to live my way out of it and love my way out of it and write my way out of it."//
I wrote fragments of a [[short story|cult of personality/PresidentialStory]] in 2012, and my thoughts on the "[[cult|cult of personality]]" of presidential power have been percolating for some time now.

I'll continue to assemble a record of how I -- and other people I find inspirational -- grapple with the outcomes of this election, the transition to a Trump Administration, and how we now participate in our democracy more awake to the urgency of our divided America.

''Some of the reactions follow:''
<<<
[[This is normal|http://nymag.com/daily/intelligencer/2016/11/trumpistan-week-one-the-unthinkable-slowly-becomes-normal.html]] — America as it has always been, not yet the better version we hoped it could be. But the half of America that lost is devastated. “Crying as if someone died” is a text message I received from more than one friend last week. And it is as if someone died: a dream of what we could have been, of the president we could have had. And about the loss of one of the most inspiring (and sure, flawed, but good God am I tired of having to always acknowledge that she was flawed) leaders many of us will know.
-- from "[[Shattered|http://nymag.com/thecut/2016/11/hillary-clinton-didnt-shatter-the-glass-ceiling.html]]", by Rebecca Traister (11/12/2016)
<<<

Aired on //''Saturday Night Live''// 11/12/2016, Kate ~McKinnon singing //Hallelujah://

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/BG-_ZDrypec"></param><embed src="http://www.youtube.com/v/BG-_ZDrypec" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>
(Song written by Leonard Cohen in 1984; Cohen died the day before the election.)

Speech delivered by Hillary Clinton 11/16/2016 for the ''Children's Defense Fund'' -- in her first public remarks since her concession speech:

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/WQgE_jzIlBY"></param><embed src="http://www.youtube.com/v/WQgE_jzIlBY" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>

//(I was very moved by the image Hillary created at the end of this speech, wishing to go back in time and comfort her mother as a young girl.  I felt a resonance here, because of the kinship I feel with orphans and the abandoned, neglected, forgotten, or "downtrodden" of society.)//

The following is taken from an interview with //[[The New Yorker|http://www.newyorker.com/magazine/2016/11/28/obama-reckons-with-a-trump-presidency]]// "''Obama Reckons With a Trump Presidency''":
<<<
The morning after Donald Trump was elected President of the United States, Barack Obama summoned staff members to the Oval Office. Some were fairly junior and had never been in the room before. They were sombre, hollowed out, some fighting tears, humiliated by the defeat, fearful of autocracy’s moving vans pulling up to the door. Although Obama and his people admit that the election results caught them completely by surprise—“We had no plan for this,” one told me—the President sought to be reassuring.

“This is not the apocalypse,” Obama said. History does not move in straight lines; sometimes it goes sideways, sometimes it goes backward…
{{rjustify{
+++[more]
{{ljustify{
How did he speak with his two daughters about the election results, about the post-election reports of racial incidents? “What I say to them is that people are complicated,” Obama told me. “Societies and cultures are really complicated. . . . ''This is not mathematics; this is biology and chemistry. These are living organisms, and it’s messy.''  And your job as a citizen and as a decent human being is to constantly affirm and lift up and fight for treating people with kindness and respect and understanding.  And you should anticipate that at any given moment there’s going to be flare-ups of bigotry that you may have to confront, ''or may be inside you and you have to vanquish.''  And it doesn’t stop. . . . You don’t get into a fetal position about it. You don’t start worrying about apocalypse. You say, O.K., where are the places where I can push to keep it moving forward.”

… For tens of millions of Americans, Trump was unthinkable as President. It came to be conceded that he had “tuned into something”: the frequencies of white rural life, the disaffection of people who felt overwhelmed by the forces of globalization, who felt unheard and condescended to by the coastal establishment. Yet Trump himself, by liberal consensus, was a huckster mogul of the social-media age, selling magic potions laced with poison. How could he possibly win?

Still, his triumph, or the idea of it, was not beyond prediction. The fissures and frustrations in the American electorate were nothing new, and some commentators were notably alert to them. Before and after the election, a passage from Richard Rorty’s 1998 book, “Achieving Our Country,” circulated on social media. Rorty, a left-leaning philosopher, who died in 2007, predicted that the neglected working class would not tolerate its marginalization for long. “Something will crack,” he wrote:
: {{serif{The nonsuburban electorate will decide that the system has failed and start looking around for a strongman to vote for—someone willing to assure them that, once he is elected, the smug bureaucrats, tricky lawyers, overpaid bond salesmen, and postmodernist professors will no longer be calling the shots. . . . One thing that is very likely to happen is that the gains made in the past forty years by black and brown Americans, and by homosexuals, will be wiped out. Jocular contempt for women will come back into fashion. . . . All the resentment which badly educated Americans feel about having their manners dictated to them by college graduates will find an outlet.}}}
… In the Oval Office, the President was quick to comfort the young members of his staff, but he was, an aide told me, even more concerned about the wounding effect the election would have on the categories of Americans who had been routinely insulted and humiliated by the President-elect. At a social occasion earlier this year, someone asked Michelle Obama how it was possible for her husband to maintain his equipoise amid so much hatred. “You have no idea how bad it is,” she said. His practiced calm is beyond reckoning.

Those closest to Obama at the White House say that he copes by quietly, sarcastically deflating the attacks—like letting the air out of a balloon slowly, one said, the better not to make too much noise. He never loses his capacity to be the scholar of his own predicament, ''a gently quizzical ethnographer of his own country'', of its best and worst qualities. In private, Michelle Obama gives clearer voice to the frustrations, and, not least, to a concern about the racism that is apparent to them both. In public—in one of the most memorable speeches of the campaign—she spoke out ferociously against Trump’s misogyny.

There is no denying the depths of Obama’s humbling. He fully grasps the nature of the bigotry and the nihilism that Trump has espoused in the name of working-class empowerment. Obama’s way is to keep cool while insisting on, and embodying, a faith in institutions.

“Look, by dint of biography, by dint of experience, the basic optimism that I articulate and present publicly as President is real,” he told me. “It’s what I teach my daughters. It is how I interact with my friends and with strangers. I genuinely do not assume the worst, because I’ve seen the best so often. So it is a mistake that I think people have sometimes made to think that I’m just constantly biting my tongue and there’s this sort of roiling anger underneath the calm Hawaiian exterior. I’m not that good of an actor. I was born to a white mother, raised by a white mom and grandparents who loved me deeply. I’ve had extraordinarily close relationships with friends that have lasted decades. I was elected twice by the majority of the American people. Every day, I interact with people of good will everywhere.”}}}
===
}}}
<<<

 
The Wiki experience is meant to flow in a non-linear path of discovery chosen by each reader. Following a blue hyperlink does not take you to an entirely different page on the screen, but summons additional stories or pieces of media to ''flow'' into a growing, "scrollable" column called the story ''river''.

Water suggests a quality I think we want, evoked by terms in our language and culture such as ''fluidity'', ''stream of consciousness'', and perhaps even the Buddhist concept of "entering the ''stream''."  Continuing this fluid metaphor, the definition of osmosis is "''liquid flow'' between two semi-permeable membranes", which later developed a cultural meaning "assimilation or absorption of ideas."

<part precis>
Among many diffuse thought-streams, the [[re: muse]] wiki explores two anagrams of osmosis – [[mitocos]] and [[moticos]] – //crossing semi-permeable membranes,// in this case //between human consciousness.//
</part>

Dickon Bevington wrote of [[a different kind of conversation|Mentalizing]] via the Wiki -- with "less narcissistic talking to oneself, or broadcasting into the blue -- more engagement with the other(s) in a //collaborative co-construction of meaning.//"

Click ''<<tiddler riverflowsforth with: "here">>'' to recreate the story river, which "flows forth" from the main web address www.remuse.net -- as it exists this particular day -- knowing that this present material will vanish.

The next tip I offer is to take a [[Bird's Eye View]] -- which you may also start by clicking @@font-family: 'Vollkorn';color:grey; about@@ at the top menu of links -- and so discover some starting points one may journey from.

*The term "bird's eye view" was borrowed from John Chris [[Jones]]' website [[softopia|https://web.archive.org/web/20080704060849/http://www.softopia.demon.co.uk/2.2/birdseyeview.html]], later renamed [[publicwriting.net|http://publicwriting.net]] … ''writing in public view.''

*His creation //[[The Internet and Everyone|i+e]]// would translate well to ~TiddlyWiki publication; one day I'd like to try my hand at that.

<part technology>
Before expending time and thought on the technology that supports anything 'online' or 'computerized', the ''human aspects'' should be kept at the forefront:
<<<
"Intellectual development is rooted in rich childhood experiences that combine healthy emotional relationships, physical engagement with the real world, and the exercise of imagination in self-generated play and in the arts. //[[Intense use of computers can distract]]…"//
:from many things of importance -- relationships for some, or from actual engagement with a physical, tactile, 'outdoors' world;
:not with a simulation, projection, or anything on a screen:
:in the case of art, not replacing all physical mediums with pixels.
:Technology can distract children (in their formative years) //and adults,// leaving them in a scattered mental state: overstimulated, overmultitasked, and easily bored.
:Computers alone do not //fulfill// human beings, no more than any symbol-making game can. //(See [[countervailingGBG]])//
<<<
</part>
I have asked myself more than once: Is this wiki a fount of creativity and self-discovery?  Or a [[profligate]] spiral cloaked as poetry?  Upon more self-reflection, "''There is something in me which must be employed'', and when I am alone turns all, for want of practice, into speculation and thought … here I have writ and burnt, and writ again upon all manner of subjects, more than perhaps any man in England {{grem{[or America, in my case]}}} … my mind was like a conjured spirit, that would do mischief if I would not give it employment."  (Quoting [[Jonathan Swift|https://en.wikisource.org/wiki/The_Works_of_the_Rev._Jonathan_Swift/Volume_11/From_Jonathan_Swift_to_John_Kendall_-_1]] from 325 years ago.)

Without good and satisfying work, my mind has dreamed.  But all these dreams have not been a waste.
!What Is A Wiki?
{{rjustify{
+++[more/hide]
{{ljustify{
<<tiddler [[What Is A Wiki]]>>}}}
----
===}}}
I love the phrase "an algebra for ''ideas''" (to trade that word for "tiddlers.")  To me, that concept is reminiscent of //The [[Glass Bead Game]]// and efforts to create 'playable' forms of the Game.

I believe the Wiki philosophy offers unique expressive and collaborative power, and may provide “a system around which fellowship can form.”

[[Chris Dent]] said in "[[Entropy Collaboration|http://cdent.tiddlyspace.com/Entropy%20Collaboration]]":
<<<
If you don't ''write in public view'' you are limiting the two most powerful things your ideas can allow:
*Feedback which can make your ideas better.
*Participation in the creation of possible new messages in the wide information system.
<<<
![[Structure of This Wiki →|WikiStructure]]

A Wikipedia Essay on ''[[The Wiki Way|http://en.wikipedia.org/wiki/Wikipedia:The_Wiki_Way]]''

//See [[Indra's Net|http://en.wikipedia.org/wiki/Indra%27s_net]]//

 
Home is the //Great Familiarity//
(familiar and familial) of //humans living together//
on the Earth … usually a continent or
//land which humans share// with other life,
or which they have taken in possession, divided,
and //domesticated.//
Home requires //will and resources,
security in a social group,//
in a //shelter, building,// or //vessel.//
Home is our //planet, star, galaxy,// and
the whole of the //Cosmos.//
Home is in //our bodies// and //culture//
(our genotype, phenotype, and memotype),
found in our //memories, artifacts, habits,//
and the //comforts// which give us strength.
Home is a //language// and //ethos,// our //creations//
and our //relations// to this World.
Home is //knowledge,//
the //abstract// and the //concrete.//
Home is //love of existence, I// and //You,
Belonging// in space and time.

23 Aug 2009
18 Sep 2011 last revision

----

Home: A place where one lives; a residence (for an extended period.)  The physical structure in which one lives.  A dwelling together with the family or social unit that occupies it.  An environment offering security and happiness.  A valued place regarded as a refuge or place of origin.  The place where something is discovered, founded, developed, or promoted; a source.  "At home": comfortable and relaxed, at ease.  Feeling an easy familiarity and competence.

----

''November 30, 2009''
I hope to always have a home, a place that is familiar and safe.  Home that gives shelter and privacy while I live with or near other people.

I hope to live and work in a real community, a place where relationships are possible, connecting with other people connect via shared values, experiences, and references.
 
I hope for a sense of belonging in space and time, and not fearing the personal extinction that will come.
 
I hope to practice the middle way.
 
I hope that my daughter enjoys a long and rich life that lasts beyond my own.
 
I hope that she is spared needless or inordinate suffering, and that she finds-knows-has whatever she desires while keeping peace with the Cosmos.
 
I want to feel adequate and at ease in my contact with other people.  I want to learn when to not withhold, when and how to interject, but more often to accept.

----

//This passage added April 21, 2016 -- an abstract digression?//
<<<
"For it is in the very effort to ''hold the unholdable'', to make forms correspond to the unformable, to travel the road to ''a dreamed-of home'' … that the human can dedicate the foundations of its symbolic institutions, can fix its imprint in the //attempt// to find a properly [[human home|https://books.google.com/books?id=Tkt-hfOkwhAC&pg=PA175#v=onepage&q&f=false]]."
-- from //[[The Symbolist Home and the Tragic Home|https://books.google.com/books?id=Tkt-hfOkwhAC&pg=PA118]]// by Richard E. Goodkin
<<<

/***
|''Name''|TiddlySpaceConfig|
|''Version''|0.7.7|
|''Description''|TiddlySpace configuration|
|''Status''|stable|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceConfig.js|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlyWebConfig ServerSideSavingPlugin TiddlyFileImporter|
!Code
***/
//{{{
(function($) {

var tweb = config.extensions.tiddlyweb;

var recipe = config.defaultCustomFields["server.workspace"].split("recipes/")[1];
var currentSpace; // assigned later

var disabledTabs = [];

var coreBags = ["system", "tiddlyspace"];
var systemSpaces = ["plugins", "info", "images", "theme"];
systemSpaces = $.map(systemSpaces, function(item, i) {
	return "system-%0_public".format(item);
});

// hijack search macro to add custom attributes for mobile devices
var _search = config.macros.search.handler;
config.macros.search.handler = function(place, macroName, params) {
	_search.apply(this, arguments);
	$(".searchField:input", place).
		attr({ autocapitalize: "off", autocorrect: "off" });
};

// arg is either a container name or a tiddler object
// if fuzzy is truthy, space may be inferred from workspace (for new tiddlers)
// returns space object or false
var determineSpace = function(arg, fuzzy) {
	if(typeof arg == "string") { // container name
		var space = split(arg, "_", "r");
		return ["public", "private"].contains(space.type) ? space : false;
	} else if(arg) { // tiddler
		var container = determineContainer(arg, fuzzy);
		return container ? determineSpace(container.name, fuzzy) : false;
	} else {
		return false;
	}
};

// if fuzzy is truthy, container may be inferred from workspace for new tiddlers
// returns container object or false
var determineContainer = function(tiddler, fuzzy) { // TODO: expose?
	var bag = tiddler.fields["server.bag"];
	var recipe = tiddler.fields["server.recipe"]; // XXX: unused/irrelevant/redundant!?
	if(bag) {
		return { type: "bag", name: bag };
	} else if(recipe) {
		return { type: "recipe", name: recipe };
	} else if(fuzzy) { // new tiddler
		var workspace = tiddler.fields["server.workspace"];
		if(workspace) {
			var container = split(workspace, "/", "l");
			return ["bags", "recipes"].contains(container.type) ? container : false;
		} else {
			return false;
		}
	} else {
		return false;
	}
};

// hijack removeTiddlerCallback to restore tiddler from recipe cascade -- TODO: move into TiddlyWebWiki?
var sssp = config.extensions.ServerSideSavingPlugin;
var _removeTiddlerCallback = sssp.removeTiddlerCallback;
sssp.removeTiddlerCallback = function(context, userParams) {
	var title = context.tiddler.title;
	var recipe = context.tiddler.fields["server.recipe"];
	_removeTiddlerCallback.apply(this, arguments);
	if(recipe) {
		context.workspace = "recipes/" + recipe;
		var callback = function(context, userParams) {
			if(context.status) {
				var dirty = store.isDirty();
				store.saveTiddler(context.tiddler).clearChangeCount();
				store.setDirty(dirty);
			} else {
				store.notify(title, true);
			}
		};
		context.adaptor.getTiddler(title, context, null, callback);
	}
};

// splits a string once using delimiter
// mode "l" splits at the first, "r" at the last occurrence
// returns an object with members type and name
var split = function(str, sep, mode) {
	mode = mode == "r" ? "pop" : "shift"; // TODO: use +/-1 instead of "l"/"r"?
	var arr = str.split(sep);
	var type = arr.length > 1 ? arr[mode]() : null;
	return { type: type, name: arr.join(sep) };
};

var plugin = config.extensions.tiddlyspace = {
	currentSpace: determineSpace(recipe),
	coreBags: coreBags.concat(systemSpaces),

	determineSpace: determineSpace,
	isValidSpaceName: function(name) {
		return name.match(/^[a-z][0-9a-z\-]*[0-9a-z]$/) ? true : false;
	},
	getCurrentBag: function(type) {
		return "%0_%1".format(currentSpace, type);
	},
	getCurrentWorkspace: function(type) {
		return "bags/" + this.getCurrentBag(type);
	},
	// returns the URL for a space's avatar (SiteIcon) based on a server_host
	// object and an optional space name
	// optional nocors argument prevents cross-domain URLs from being generated
	getAvatar: function(host, space, nocors) {
		if(space && typeof space != "string") { // backwards compatibility -- XXX: deprecated
			space = space.name;
		}
		var subdomain = nocors ? currentSpace : space;
		host = host ? this.getHost(host, subdomain) : "";
		var bag = space ? "%0_public".format(space) : "tiddlyspace";
		return "%0/bags/%1/tiddlers/SiteIcon".format(host, bag);
	},
	// returns the URL based on a server_host object (scheme, host, port) and an
	// optional subdomain
	getHost: function(host, subdomain) {
		if(host === undefined) { // offline
			tweb.status.server_host = {}; // prevents exceptions further down the stack -- XXX: hacky workaround, breaks encapsulation
			return null;
		}
		subdomain = subdomain ? subdomain + "." : "";
		var url = "%0://%1%2".format(host.scheme, subdomain, host.host);
		var port = host.port;
		if(port && !["80", "443"].contains(port)) {
			url += ":" + port;
		}
		return url;
	},
	disableTab: function(tabTiddler) {
		if(typeof(tabTiddler) == "string") {
			disabledTabs.push(tabTiddler);
		} else {
			for(var i = 0; i < tabTiddler.length; i++) {
				plugin.disableTab(tabTiddler[i]);
			}
		}
	},
    checkSyncStatus: function(tiddler) {
		if(tiddler) {
			var title = typeof(tiddler) === "string" ? tiddler : tiddler.title;
			var el = story.getTiddler(title) || false;
			if(el) {
				refreshElements(el);
			}
		}
	},
	isDisabledTab: function(tabTitle) {
		var match = new RegExp("(?:\\[\\[([^\\]]+)\\]\\])", "mg").exec(tabTitle);
		var tabIdentifier = match ? match[1] : tabTitle;
		return disabledTabs.contains(tabIdentifier);
	},
	getCSRFToken: window.getCSRFToken || null // this may not have been processed yet
};

currentSpace = plugin.currentSpace.name;

tweb.serverPrefix = tweb.host.split("/")[3] || ""; // XXX: assumes root handler
tweb.getStatus(function(status) {
	var url = plugin.getHost(status.server_host);
	tweb.status.server_host.url = url;
	config.messages.tsVersion = status.version;
});

if(window.location.protocol == "file:") {
	// enable AutoSave by default
	config.options.chkAutoSave = config.options.chkAutoSave === undefined ?
		true : config.options.chkAutoSave;
} else {
	// set global read-only mode based on membership heuristics
	var indicator = store.getTiddler("SiteTitle") || tiddler;
	readOnly = !(recipe.split("_").pop() == "private" ||
		tweb.hasPermission("write", indicator));
	// replace TiddlyWiki's ImportTiddlers due to cross-domain restrictions
	if(config.macros.fileImport) {
		$.extend(config.macros.importTiddlers, config.macros.fileImport);
	}
}

// hijack saveChanges to ensure SystemSettings is private by default
var _saveChanges = saveChanges;
saveChanges = function(onlyIfDirty, tiddlers) {
	if(tiddlers && tiddlers.length == 1 &&
			tiddlers[0] && tiddlers[0].title == "SystemSettings") {
		var fields = tiddlers[0].fields;
		delete fields["server.recipe"];
		fields["server.bag"] = plugin.getCurrentBag("private");
		fields["server.workspace"] = plugin.getCurrentWorkspace("private");
	}
	return _saveChanges.apply(this, arguments);
};

// ensure backstage is always initialized
// required to circumvent TiddlyWiki's read-only based handling
config.macros.backstageInit = {
	init: function() {
		showBackstage = true;
	}
};

// disable evaluated macro parameters for security reasons
config.evaluateMacroParameters = "none";
var _parseParams = String.prototype.parseParams;
String.prototype.parseParams = function(defaultName, defaultValue, allowEval,
		noNames, cascadeDefaults) {
	if(config.evaluateMacroParameters == "none") {
		arguments[2] = false;
	}
	return _parseParams.apply(this, arguments);
};

var _tabsMacro = config.macros.tabs.handler;
config.macros.tabs.handler = function(place, macroName, params) {
	var newParams = [params[0]]; // keep cookie name
	for(var i = 1; i < params.length; i += 3) {
		var tabTitle = params[i + 2];
		if(!plugin.isDisabledTab(tabTitle)){
			newParams = newParams.concat(params[i], params[i + 1], tabTitle);
		}
	}
	_tabsMacro.apply(this, [place, macroName, newParams]);
};

// disable ControlView for XHRs by default
$.ajaxSetup({
	beforeSend: function(xhr) {
		xhr.setRequestHeader("X-ControlView", "false");
	}
});
// TiddlyWeb adaptor currently still uses httpReq, which needs extra magic -- XXX: obsolete this!
var _httpReq = httpReq;
httpReq = function(type, url, callback, params, headers, data, contentType,
		username, password, allowCache) {
	headers = headers || {};
	headers["X-ControlView"] = "false";
	_httpReq.apply(this, arguments);
};

// register style sheet for backstage separately (important)
store.addNotification("StyleSheetBackstage", refreshStyles);

// option for default privacy setting
config.optionsDesc.chkPrivateMode = "Set your default privacy mode to private";
config.optionsSource.chkPrivateMode = "setting";
config.options.chkPrivateMode = config.options.chkPrivateMode || false;
saveSystemSetting("chkPrivateMode", true);
config.defaultCustomFields["server.workspace"] = plugin.
	getCurrentWorkspace(config.options.chkPrivateMode ? "private" : "public");

config.paramifiers.follow = {
	onstart: function(v) {
		if(!readOnly) {
			var bag = "%0_public".format(currentSpace);
			story.displayTiddler(null, v, DEFAULT_EDIT_TEMPLATE, null, null,
				"server.bag:%0 server.workspace:bags/%0".format(bag));
			story.setTiddlerTag(v, "follow", 1);
			story.focusTiddler(v, "text");
		}
	}
};

var fImport = config.macros.fileImport;
if(fImport) {
	fImport.uploadTo = "Upload to: ";
	var _createForm = config.macros.fileImport.createForm;
	config.macros.fileImport.createForm = function(place, wizard, iframeName) {
		var container = $("<div />").text(fImport.uploadTo).appendTo(place);
		var select = $('<select name="mode" />').appendTo(container)[0];
		$('<option value="private" selected>private</a>').appendTo(select);
		$('<option value="public">public</a>').appendTo(select);
		wizard.setValue("importmode", select);
		_createForm.apply(this, [place, wizard, iframeName]);
	};

	var _onGet = config.macros.importTiddlers.onGetTiddler;
	config.macros.importTiddlers.onGetTiddler = function(context, wizard) {
		var type = $(wizard.getValue("importmode")).val();
		var ws =  plugin.getCurrentWorkspace(type);
		wizard.setValue("workspace", ws);
		_onGet.apply(this, [context, wizard]);
	};
}

config.extensions.ServerSideSavingPlugin.reportSuccess = function(msg, tiddler) {
	plugin.checkSyncStatus(tiddler);
	msg = config.extensions.ServerSideSavingPlugin.locale[msg];
	var link = "/" + encodeURIComponent(tiddler.title);
	displayMessage(msg.format([tiddler.title]), link);
};


})(jQuery);
//}}}

from http://www.cathyaten.com/wordpress/2011/09/we-are-so-beautiful-and-terrible/

We Are So Beautiful And Terrible…

We are so beautiful and terrible,
Broken and resilient,
Inspired and bored.
We are full of wrath one moment
Only to wipe a tear from a child the next.
I know light
And I know shadow.
How could it be
That we hold all of these things
Right next to one another
In our hearts?
In my wider moments
I love all of it.
Because if I don’t
I know I am armoring-up my heart once again..
That hardness is now becoming intolerable.

 
I am feeling strained … great happiness is juxtaposed against an overwhelming sense of frustration and futility, at times.  This is the result of having not resolved my "inner work crisis" as it was referred to last September, which has the momentum of a few years behind it, but seems to ebb (or I deliberately self-stabilize) to a tolerable level, just before making a real change.

I feel demoralized.  As I look forward over the next year, adjusting our budget to one income {{grem{[or now in 2016, a reduced income; I am still very worried]}}}, having increased my reliance on this occupation which is so //very// unsatisfying.  I have painted myself into a corner with walls and mirrors and optical illusions in the paint, knowing deep down inside this cannot be my profession -- ''I am fleeing my creative powers'' -- I have traded something vital to forgo all possible risks and cling to economic safety.

I have been thinking about my upbringing, my early years of life, the pre-conditions and judgments which I began with.  I may be averse to changing jobs or gambling my stable income because of how I remember my father's "self-employment" years which resulted in poverty for his children.  Being a provider is one way I can best him without question.

I remember the notions of masculinity my father conveyed to me, how alien (and uncomfortable) he seemed to me at the ripening of my own personhood.  When my daughter becomes a person and differentiates from me, surely she won't feel like a different species from her mother and father?  I don't mean as people joke about the adolescent time -- but as I felt a gulf between myself and those who brought me into this world.

----

//The answer from my friend://

So papa…provider you are and even the joy of teaching was not enough for me when I had decided to go to seminary.  There's that ambiguity again.  Forgive me (I'm serious) for saying that you are a young man and have a little wiggle room when it comes to your future…at least a couple of years in "safety" until you can build a bridge to your next world where one hopes that your current talents and your creative abilities can be conflated.  I remember the long trek and my great impatience!

 
__From the [[Dekatessera Commentary]]__

//In précis://

<part precis>
''Look, listen, meet me!''  Keep faith in the Seed of Perfection dwelling on Earth.
Take refuge in its passages to you, and protect your fellowships.

Sustain yourself.  Honor and nurture your fellow beings.  Embrace. Ease another's suffering.
Do not cause harm.

''What will you bring to being?''  Be generous.
Speak truthfully.  Keep questioning!  Be grateful.

Come to this peace … and ''awarely choose love.''
</part>

----
# ''Look, listen, meet me!''
# Name your reverence for this life-arising sphere.
# Awarely choose love.
# Keep faith in the Seed of Perfection dwelling on Earth.
# Take refuge in its passages to you.
# ''Protect your fellowships.''
# Sustain yourself from the Earth deliberately.
# Be mindful of the great throngs of life on every side, arising and dying equally under the sun.
# You share their splendor and finiteness.
# Honor and nurture your fellow beings.
# ''Embrace. Ease another's suffering.''
# Strive to end poverty and oppression.
# Do not kill or cause harm.
# Ignore no evil done by humanity.
# Mend what is possible without violence.
# ''Turn your heart away from vengeance.''
# Honor the sanctity of coupling and your physical being.
# Defend and teach one another the same.
# Practice, practice, to find strength and clarity in today's purpose.
# The outer marks of success cannot satisfy.
# ''What will you bring to being?''
# Be generous.
# Do not steal, hoard, or diminish what is needed by all
# Speak truthfully, and do not stand with deception.
# ''Keep questioning!''
# You shall come to acceptance, but not a livable codex.
# Stay alert to the evidence of your senses.
# Heed the efficacy of other ways and the test of empirical knowledge.
# Let your children think and act freely.
# ''Be grateful.''
# Loosen the grasp of attachments.
# Find a proportion for yourself in the whole.
# Avoid haste, distraction and worry.
# Reserve quiet contemplative time.
# ''From this take congruent action.''
# Save life whenever you can, but also accept death.
# Do not live in fear nor speculate on an afterlife.
# Be here with all your heart, all your mind, and all your strength centered, and respond to life's call.
# The Tao [Ground-Divine] is manifest in every time and place.
# ''Come to this peace.''

@@font-size:144%;
a story of ''obsession'' and
the curse of ''specialness''
@@
Marked by a very unusual ~Y-DNA subclade native to Ireland.  Those with this curse (or psychic "crack") feel different in a vague, persistent way -- like outsiders from earliest childhood, amid their own family, neighborhood, and culture.

At least one son in each generation is weighed by the burden of brilliance (great promise followed by great failure.)  The curse-bearer comes to a point in his life where his failure is evident to him.  Some give up and withdraw from the world; others obsess about their legacy, inflate their lives with false importance, or compulsively boast and draw attention to themselves.
<<<
Those of this temperament "''who resist living the visionary life'' harbor a secret unhappiness; their existence is tinged with anger, guilt, and grief.  When they persistently refuse to acknowledge this motivation emanating from within, they set themselves up to be severely disappointed in life because they ''knowingly have failed to keep their covenant'' with God." (Barbara Bowers, //What Color Is Your Aura?//)
<<<

<<tiddler consumed>>

He pauses with doubt, having already asked:  //Is this a [[death-spiral|profligate]] cloaked as poetry?//  Since then, he has only slid deeper into some altered state -- [[mentalizing|Mentalizing/Hyper]] to the brink of crack-up?  Has Randy become a character in his own story?

Keith Ansell Pearson, studying the French philosopher Gilles Deleuze, wrote this in //Germinal Life// (1999) which accurately describes Randy's family curse:
<<<
Let us consider briefly an example that inspires Deleuze, that of the crack-up depicted by Scott Fitzgerald.  //'All rather inhuman and undernourished, isn't it?  Well, that, children, is the true sign of cracking up'// (Fitzgerald, 1965).  But where exactly is the crack of the crack-up to be found, Fitzgerald asks: inside or outside?  The blows which strike one down seem to come from the outside; but then there's ''a tremendous blow which comes from within'', the one which comes too late for you to do anything about, and then you realize //'with finality that in some regard you will never be as good a man again.'//

The twenties go by in a blissful ignorance, but by ''the mid to late thirties'' the dark secrets begin to expose themselves, the curse of family +++[madness]
: Fitzgerald himself insists upon being able to see things as //both// hopeless and yet remaining determined to make things otherwise.  Dying as the art of living, bearing testimony to an execution, that of the disintegration of one's personality, but in which the task has become one of ''a germinal life'': to find the crack within the crack-up.
"Instincts", such as the alcoholic instinct, become what they are in historically determined environments.  They may express ways of coping and surviving in an environment that is unfavorable and ''alienating'' {{grem{[as experienced by the cursed paternal line]}}} …

In a meditation on Zola and the 'crack' in one of the appendices to //The Logic of Sense// Deleuze draws a distinction between two types of heredity: the one small, historical, and somatic; the other ''epic and germinal''.  A heredity of the instincts and a heredity of the crack or fault-line.
: "This heredity of instincts transmits something well-determined.  It "reproduces" whatever it transmits; it is a heredity of ''the Same''.  But this is not at all the case with the heredity of the crack -- for, as we have seen, the crack transmits nothing other than itself.  It is not tied to a certain instinct, to an internal, organic determination, or to an external event…  It transcends life-styles; it therefore runs its course in a continuous, //imperceptible, and silent way//… It reproduces nothing {{grem{[specific in behaviors and persona]}}}, being content to advance in silence and to follow the lines of least resistance. {{grem{[Or perhaps to the ripest ground?]}}}  As the perpetual heredity of ''the Other'', it always takes an oblique line, being ready to change directions and to alter its canvas…

: "If it is true that the instincts are formed and find their object only at the edge of the crack, the crack conversely pursues its course, spreads out its web, changes direction, and is actualized in each body in relation to the instincts which open a way for it, sometimes mending it a little, sometimes widening it, up to the ''final shattering''"
===
&nbsp;

A [[rhizome]] oscillates between ''genealogical lines'' that segment and stratify and 'lines of flight' and the dissemination that rupture the tree lines…
<<<
René Girard:  "If desire is allowed its own bent, its mimetic {{grem{[imitative]}}} nature will almost always lead it into a [[double bind]].  The unchanneled mimetic impulse hurls itself blindly against the obstacle of a conflicting desire … //Whenever he sees himself closest to the supreme goal, he comes into violent conflict with a rival.//"  {{grem{[The men in Randy's paternal clade often meet violent conflicts or disappointments at the cusp of success.]}}}

Morris Berman:  "How //does// one escape from the double bind, then?  On the individual level, at least, Gregory Bateson notes that the exit door is frequently creativity.  Bateson realized that schizophrenia was itself part of a larger system that he called the '[[transcontextual]] syndrome' … Those whose lives are enriched by transcontextual gifts, says Bateson, or impoverished by them, have this in common: things are never just what they are.  There is often, or even always, a "double take" involved …  //A falling leaf, the greeting of a friend, or a “primrose by the river’s brim” is not “just that and nothing more.”//
: {{grem{A rebuke of a Wordsworth poem; D.H. Lawrence [[criticized|https://books.google.com/books?id=zcu9T6SSBVMC&pg=PA335&lpg=PA335]] the same "absurdity of Wordsworth's lines."}}}
----

"Christopher Koch's work is primarily concerned with the intergenerational trauma caused by losing or forgetting one's ancestral narrative. His novels are concerned with male gender identity and the fragmentation which characterizes a self-destructive idea of maleness."  (Chad Sean Habel, "Ancestral Narratives in History and Fiction: Transforming Identities")

----

The San Andreas Fault (which Natalie Merchant sang of in Randy's youth) is a manifestation of natural tension and instability in the world, paralleled in the [[fractal consciousness]].

When "The Fractal" quakes, consciousness living along a crack-line (with the "curse") are shaken, transformed, and transported out of common reality.
:See //[[Mandelbrot Quakes]]// -- non-linear 'disturbed' language or poetry …
:and a summary of [[Fractal/Mathematics]] (which I don't fully comprehend) …
:and my analogy of DNA chemical bases to the five [[genres]] of artistic (written) expression.
Randy's paternal line curse began with an event in the distant past, leaving a trace in the Y chromosome DNA as a "recombinant loss of heterozygosity" and unusual repeat patterns at certain loci.

----

Addressing his son Aron (in a fictional future conversation) Randy says:

"You haven’t grown your mind in my lopsided way.  You are balanced, honest, and clear-seeing.  I am //chiaroscuro//, light and dark.  This may sound romantic -- but it was actually my curse, a fault-line running through my life."

After Aron's sixteenth birthday, Randy spoke of the sixty-four seasons he had completed, //sixteen fourfold//, corresponding to sixty-four [[I Ching]] hexagrams, which Randy called "one particular ancient map of Cosmos."  At this point his dormant mysticism (or madness) came back to life, and he began to “teach” Aron everything he knew about //Mundiosa Shekinah// (whom he also called the //Fractal Mundiosa//), as well as the [[Fractal-Mind-World|fractal consciousness]], and his family’s “cursed consciousness.”

----

Tuesday, November 8th, my older brother Randy departed from our common reality.  His wife found him in their backyard, standing shirtless in the cold morning air, talking to someone he called //Diosa//.
<part chant>

Randy’s most frequent number chant:

“Thirteen-twenty-two-nine-ten-fourteen-nineteen-eleven-twelve-eleven-fourteen-fourteen-twenty-nine!  From the House, Cry out to You!  Six and ten; the Fourfold Fruit!”

Another chant:  “Eleven-sixty-nine modulo sixteen is one!”
(page 1169 is Joel 1:16)

(6 * 12 + 1) * (+ – – +) + 1

//(See [[numerology]] explorations)//

Randy was born at 5:07 P.M. near the Autumnal Equinox.

</part>
----

120 years have passed without a healthy father-son relationship.  These men are "unable to accept the ordinary humanity of their father."  They may recognize it rationally, but it "[[disturbs|Emperor]] and haunts them."

The curse becomes more active between age 33 and 46 (for approximately 13 years or 161 lunations.)

1st Generation -- Edward was born circa 1820 in County Tipperary, Ireland.  He was a business owner and built up some wealth in America.  He had three sons.  The curse passed over his eldest, and his second son died around age 12.  The entire family (parents, two brothers, and two sisters) were devastated by this loss.  At that time, the curse passed to Edward's third and youngest son (circa 1866.)  The male line passed solely through this son; his older brother had only two daughters.

2nd Generation -- at age 40, the third son (a doctor) conceives a child in adultery with a woman about 17 years his junior.  This would be his only son.  The child was given up for adoption, and the curse transmitted to him in 1901.  He was placed in a final adoption on the other side of the country, age 3, assuming the surname Tillman.  He never knew his parents' identities.  The doctor had one daughter he was estranged from.  He died alone in 1931, four years after his son's final appeal to the orphanage seeking out his parents.  He considered himself "a general scholar and linguist", though his scholarly interests are unknown to the present curse-bearer (himself a linguistic explorer.)  <part tristurned>Randy shares a genetic and spiritual lineage with two men of +++[tristurned initials…]
: //the cluekey to a [[worldroom|FractalPoiesis/tesseract]] beyond the roomwhorld …// (//Finnegans Wake//, page [[100|http://www.finwake.com/1024chapter4/1024fwtekst4.htm#100]])
: John Ronald Reuel [[Tolkien]] was writing //The Hobbit// in 1931.  He was orphaned at the age of 12 and raised by Father Francis Xavier Morgan (1857-1935, a half Welsh and half ~Anglo-Spanish Catholic priest.)  His parents were Arthur Reuel Tolkien (1857–1896, who died of rheumatic fever) and Mabel Suffield (1870–1904, who died of diabetes).  Ronald, as known by his family and friends, has a surviving son Christopher John Reuel Tolkien (born 1924) who serves as his father's literary executor.
: Dr. James Joseph Edward M—, born circa 1857, was one of those affected by this "genopsychic" curse.
===

</part>

3rd Generation -- in 1933, the orphan's eighth son was born.  After nearly going extinct, the cursed male line had surged prolifically.  This son, Al, would resemble him the most, and carry the most animosity toward his father.  Thirteen children in total were born -- four girls, nine boys -- the last in 1942 (when the orphaned man was 44.)  At that time, the curse was transmitted to his son Al, 9 years old.  He would attain a degree of stability for the afflicted line, accomplishing what he set out to do in material terms.  His identity was based on being a provider and exemplary worker until his old age, when he retired with modest means.  Al's sons were his greatest heartache.

4th Generation -- Al, one brother and one sister of his married three siblings from another family, producing thirteen children combined -- six girls, eight boys.  Two of these boys were unaffected by the curse, as their descent from Edward was matrilineal.  In 1971, a third son arrived in Al's family, then a daughter in 1973, while the curse was still activated.  Their paternal grandfather saw these children the summer afterwards, a few months before his death.  At the time, Al's two older sons were approaching manhood.  His first-born Paul turned 18 that autumn, and the curse passed to him.

5th Generation -- Paul has two younger brothers and three male double-first cousins who live under the curse's influence (to varying degrees.)  Four of the six men were drug or alcohol addicts; three of them did not raise their own children.  Paul nearly died from alcohol poisoning in 1996, at age 40.  The curse passed to his first-born son Randy in March 2001, when he was 18.  Randy has a younger brother and sister and three nieces born to them, but no nephews.  Randy fathered one daughter and one son before choosing to be sterilized at age 32.  Aron Tillman is the youngest potential carrier of this curse, which was transmitted nearly 200 years ago to Edward of Tipperary, Ireland.

Randy is aware of an adoptee living in Ireland today and two other men in the United States, all unrelated in modern times, who carry the Y-chromosome traces of a very distant connection to this male lineage, several centuries in the past.

Maya and Aron's ancestry can be mapped as a succession of approximately [[forty births|white whale]].  Ever obsessed to find connection, Randy made several +++[attempts:]

* Edward of Tipperary;
* His 5 children (the third son became a doctor);
* 2 children of the cursed doctor (a man and woman);
* His 13 grandchildren from the orphaned son;
* 13 double-first cousins born in the next generation;
* 3 children born to the eldest of these cousins;
* 2 children born to his eldest son (a boy and girl)
//-- or --//
* Lily's 8 great-grandparents, 4 grandparents, and 2 parents;
* Randy's 8 great-grandparents, 4 grandparents, and 2 parents;
* The mother and father (James and Sarah) of the orphan born in 1898 (Randy's great-grandfather);
* Randy's maternal anchor: his great-grandmother's mother and grandmother;
* Randy, his brother, and sister;
* Lily and her brother;
* Maya and Aron.

The fortieth birth shall come via Maya or Aron.

//[[Tisztátlan|tiztatlan]]// and //''Juhar''// are the anchors of this pedigree.
===

 
The [[holistic|holistic tools for thought]] scientific and social study of humanity, mainly using ethnography as its method.
: [[anthropos|Oikos Philos Anthropos Logos]] + //phainein// "to show"

: [[Ethnography: the scientific description|genres]] of the customs of individual peoples and cultures.

 
As ~Jean-Louis Gassée [[described|http://www.mondaynote.com/2016/03/28/40-years-later-apple-3-0/]] the early machines made by Apple Computer Company:
<<<
A machine that extended the reach of your mind and your body, a device that powered five key activities: //Think, Organize, Communicate, Learn, and Play.//
<<<
Apple marketed their personal computers as a "[[bicycle]] for the mind."

The [[Dynabook]] was conceived by Alan Kay as "a portable interactive personal computer, as accessible as a book."  Modern-day laptop computers, tablets, and smart phones (perhaps most of all), realize the Dynabook vision to an arguable degree.

I have long pondered the [[role of technology|Evocative Technology]] in my own life and in the world at large.

Space remuse

 
How much the body can do
without the mind: the salty joint
     and bone and blood, the want and lean …
the body gliding toward every muscle and falling
from all learned things for one taste
of the fine row of hairs
along the abdomen and limbs pulsing with light.
     It seems so easy
     for the mind to vanish
           in a narrow switch …

-- from "Afternoon, Córdoba" by Joanne Diaz

 
{{grem{(Added this word to my "dialectic library" on April 24, 2013)}}}

Amos Niven Wilder [1895-1993], one of the first to use the term in a published piece, writes that “<part precis>[[Theopoetic|theopoetic]] means doing more justice to the role of the symbolic and the [[prerational|Felt Sense]] in the way we deal with experience.  The structures of faith and confession have always rested on hierophanies and images … We should recognize that human nature and human societies are more deeply motivated by images and fabulations than by ideas.</part>” (Theopoetic: Theology and the Religious Imagination [Philadelphia: Fortress Press, 1976], p. 2.)

Rubem Alves [1933-2014] does not use language like “prerational” to describe symbols and images in contrast to ideas. Instead he prefers to speak of ''different rationalities'', the rationality of the symbol, image, or body might be different than the rationality of the idea, but the former is not “prerational” while the later is rational. Scott Holland gives a definition of theopoetics that comes closer to Alves’ understanding of the term:

“Theology in our postmodern condition must be understood as a poetics, not a metaphysics…. Whether theology is inscribed in the genre of poetry, in the form of narrative, or in a thicker, theoretical style of prose, it remains a //poiesis//: an inventive, imaginative act of composition performed by authors.” (“Theology is a Kind of Writing: The Emergence of Theopoetics,” ~CrossCurrents, Vol. 47 No. 3, [Fall 1997], p. 319.)  This definition of theopoetics is closer to Alves because it describes ''an orientation rather than a medium''.

@@display:block;width:35em;border: 2px solid;padding: 14px;border-radius: 13px;Theology wants to be science, a discourse without interstices…
It wants to have birds in cages…
//Theopoetics// instead,
empty cages,
words which are uttered out of and before the void,
the deep sea (the eyes look upwards, waiting for the light which fractures through unquiet waters . . .)
deep forest (if one has patience one will hear the voice of [[an enchanted bird|October dancer Telemachus]] who lives there -- and yet it has never been seen by anyone . . .)
empty cathedral, where our thoughts become light and jump over abysses…
Exegetes and hermeneuts are at a loss.
—Rubem Alves, //[[The Poet, the Warrior, the Prophet|https://books.google.com/books?id=_jjkDAAAQBAJ&lpg=PP1&pg=PA1]]// @@
Alves wrote in //Transparencies of Eternity//:
> "[[Saudade|saudade]] is a word I often use. I believe it is the foundation of my poetic and religious thinking. Translators with expertise in several languages say that there is no precise synonym for it in other languages.  {{grem{[Perhaps [[Sehnsucht]]?]}}}  It is a feeling close to nostalgia. But it is not nostalgia.  Nostalgia is pure sadness without an object. Nostalgia has no face. Whereas //saudade// is always //saudade// "of" a scenario, a face, a scene, a time. The Brazilian poet Chico Buarque wrote a song about //saudade//, in which he says that '//saudade// is a piece of me wrenched out of me, //it’s to straighten up the room of the son who just died.//'  ''It is the presence of an absence.''"
These references were drawn from an essay titled "[[Liberating Language|http://theopoetics.net/wp-content/uploads/2011/08/Liberating-Languag.pdf]]: Rubem Alves, Theopoetics, and the Democratization of ~God-Talk", by Jeffery S. Hocking.
Retrieved from [[Theopoetics.net|http://theopoetics.net]], a Web site founded by a Quaker Friend named Callid [[Keefe-Perry|http://theopoetics.net/leadership/callid-keefe-perry/]].

Dave Harrity, author of the poem "[[Lemniscate|lemniscate]]", serves as creative editor of //[[Theopoetics|http://theopoeticsjournal.org]]: A Journal of Theological Imagination, Literature, Embodiment, and Aesthetics//.

the truth is i am letting all of it distract me - distraction is a handy excuse.

distraction is how i keep myself from confronting myself in the dark corridors of my imagination - in the island in my head. do you know about this island in my head? with all the forms and shapes of me and my psyche present? with the structures and constructs of my imaginings - void of all others - save a few that had special permission to stay - most of which are gone now - released - but have i properly released them? maybe that is an exercise for tonight - something else that is calling me to my bed.

there is great beauty on my island - i want to tell you about it - i want to share it with you and then i want to let it go, because i think that it is holding me back - that it is keeping me from realizing that true moksha - that it holds me in the cycle of death and rebirth and keeps me from moving at all - that is the function of the separation of all of my selves - to hold me in the cycle - if they were to unite, truly unite - it would be pure moksha - pure and shuddering bliss - and i would walk into the arms of forever and know true peace - that release [which] gives you the freedom to just be - to not be fragmented - it turns the fragmented into the fractalized - the pieces of our inner puzzle become a complete and whole mandala.

 
''Robin ~McLaurin Williams'' (21 July 1951 – 11 August 2014) was an American stand-up comedian, actor, director, producer, writer, singer and voice artist.

Films of his which I have seen:
* //What Dreams May Come// (1998)
* //Dead Poets Society// (1989)
* //Awakenings// (1990)
* //Good Will Hunting// (1997)
* //The Birdcage// (1996)
* //One Hour Photo// (2002)
* //Hook// (1991)
* //Mrs. Doubtfire// (1993)

I haven't seen or remember vaguely:
* //The Fisher King// (1991)
* //Jumanji// (1995)
* //The World According to Garp// (1982)
* //Good Morning, Vietnam// (1987)
* //Patch Adams// (1998)
* //Bicentennial Man// (1999)
* //Insomnia// (2002)
* //The Angriest Man in Brooklyn// (2014)

"My husband was trapped in the twisted architecture of his neurons and no matter what I did I could not pull him out."
-- Susan Schneider Williams, //[[Neurology|http://www.neurology.org/content/87/13/1308.full]]// medical journal, September 27, 2016

<html><a name="One"/></html>//<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('precis',null, event)">See the Haiku Précis</sub></a></html>//
# [[Home is]] belonging in space and time
# [[To my son and daughter]]
## Maya
## Aron
# [[Mother]]
# [[Father]]
# [[Carmen]]
## anima/animus
## compañera
## [[song sweet and low]]
## achievement
## I am my own person
# <<tag reading>>
## [[the book]]
## libraries of my youth
## [[Writings that shaped my view]]
## [[Books I'm reading or plan to read]]
# [[lily]]
## San Isabel ~ 28th Street
## my multi-faceted +++[created selves]
> to exist in the same space and share physical union -- paints and words and failures -- because oh so many of those would thrive in the [[studio|a studio of my own]] -- but masterpieces too -- priceless in their beauty and variety and //openness.//
===

##  the solitary queen -- to be regal and [[stand|god myth]] before the known universe
# friendships
## Kate
## [[Anam Cara]]
## those we knew for a time ([[LSK|2013-09-11]], [[AEP|first love]])
## social unease
# Mariana
## teacher and seeker
## John
# [[Großmutter]]
## [[Jacob's Ladder]]
## farm
# Baum's Land of Oz and Lewis's Narnia
## [[Art-ifacts]]
## boyhood
# Madeleine [[L'Engle]]
## //[[numinous|seven words, seven selves]] speck in the cosmos// [[→|I am]]
## Avalon and Ata
# J. R. R. [[Tolkien]]
## [[Mythopoeia]]
## Middle-earth
# creativity
## storytelling
## 'making noises'
## [[genres]]
## syuzhet and fabula
# Valley Center
# Moleta ([[1916|Mubbie]] and 1963)
## [[Walk in the Sun, Child]]
# [[Matheus]] (my Gandalf)
# <html><a name="Two"/></html>[[I am]]           <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
## the most personal way of making meaning -- +++[love]
: //the emotion connected to the body's creative act, the conception of new life.  Love also creates loss. It makes people aware of ''chronology'', of the measurement that mires us in fear of how short our lives will be.// -- from a review of Joanna [[Newsom]]'s album released in October 2015
===

## [[what I see and desire]]
## //[[Sehnsucht]]// and the [[Blue Flower]]
# [[Intervisible]]
## [[Intervisible commentary]]
# [[body|Honor your physical being]], +++[pleasure and pain]
# [[the hungers]]
# [[maturing to finiteness]]
# body-image and relating
# play
# food
# asceticism -- motivation and results
===

# family
## brother and sisters
## marriage and [[divorce]], step-family
## grandfathers
# [[Obituary]] -- map and manifesto
# +++[education]
# Nancy, Arlene, Linda, Marsha, Kim, Nikki, Leigh
# Bill, Frank, Gail, Richard, Jean, Alan, and now myself
# [[The End of Education]] by Neil Postman
# Daniel Quinn's view of [[schooling|https://web.archive.org/web/20160320184044/http://www.ishmael.org/Education/Writings/unschooling.shtml]] and culture
## //If They Give You Lined Paper, Write Sideways//
# [[a true word]] and [[speak truth to power]]
===

# writing
## <<tag journal>>
## epistolary
## [[gathered]]
# [[poetry]]
## [[Ars Poetica]]
## <<tag haiku>>
## [[From Out the Cave]]
## [[The Sublime Wants To Reach You]]
## [[David Whyte]]
# [[Language Appreciation]]
## <<tag language>>
## etymology
## [[Evocative Words]]
## [[transcontextual]]
# [[genealogy]]
## //[[boustrophedon|seven words, seven selves]] biome story// [[→|quickens]]
## //This is our inheritance…//
# Strite Widgets Co.
## [[The Art of the Lathe]]
# [[sexuality]] and gender
## Queer
## //[[how much the body can do]], and [[the two took off their clothes]]// (Manuel)
## //[[Maithuna]]//, two in one, one in all … //(Your rose burns through the snow)//
# May [[8th|2010-05-08]], +++[history and persona]
# [[INFJ]] and empath traits
# [[Mentalizing]]
# [[sightlines]]
# addiction
# trauma and neglect
# [[consumed]]
## //"My mind was like a conjured spirit, that would do [[mischief|this wiki web]] if I would not give it employment."//
===

# +++[counseling]
# Sherry
# Wanda
# LW
# AD
# brokenness and meeting
# [[the work of feeling]]
===

# failure and redemption
## [[Loss List]]
## [[blockage]]
## Jeremiah (154071)
## [[curse]]
## [[I begin]] (again) [[anew]]
## //"For one day, [[let go|gathered from the web/Ruby]] of your vice"//
# morality and compassion
## empathic ability
## [[Charter for Compassion]], created by Karen Armstrong
# Elias
## Rabindranath [[Tagore]]
## [[Nazianzus]]
# <html><a name="Three"/></html>[[Ryan]]           <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
# [[awake my soul]]
## [[Against Establishment]]
## [[Muse]] ~ //Behold, inner man, your inner woman!//
# [[World Mythologies]]
## religious texts (ancient and modern)
## Transdeva
## Indra's Net
## pseudoreligions and fakelore
# [[pantheist]]
## [[Humanism]]
# Rainer Maria [[Rilke]]
## [[Turning]]
# Martin [[Buber]]
# Carl [[Jung]]
# [[stream of dreams]]
## //salvia divinorum// (moksha)
## night [[dreamscapes|Dreams]]
## [[flow-permanence]]
## //[[osmotic|seven words, seven selves]] son of the wild// [[→|Time-Binder]]
# symbolic language
## [[tarot]]
## [[numerology]]
## [[I Ching]]
## [[astrology]], natal chart, Chiron archetype
# history
## [[1912]]
## [[archives]]
## [[defunct]]
# [[influence strands]]
## [[lifelines]]
## [[people]]
## [[Genius]]
# [[Heteronym]] -- known by many names
## [[Centaur]]
## [[ghosts]]
## [[Harpyia]]
# [[the great man sees]]
## evil and poverty; but greater than these, human potential
## develop the gift of discernment
## //"He need not study where to stand…"//
# [[DNA]]
## mitochondria
## M70, Z709, H4a1a4b
# +++[tiztatlan]
&nbsp;
@@display:block;border: 2px solid;margin-right:14px;padding:14px;border-radius:13px;<<tiddler tiztatlan>>@@
Randy shares a genetic and spiritual lineage with two men of [[tristurned|curse/tristurned]] initials.
&nbsp;

===

# [[Fractal]]
## Benoit Mandelbrot
# [[Glass Bead Game]]
## [[possibility space]]
# <html><a name="Four"/></html>Homelands          <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
## Colorado
## Wyoming
## Nebraska
## New Mexico
## Kansas; Missouri
# holism -- [[οφαλ|Oikos Philos Anthropos Logos]]
## [[dialegen]]
## [[holistic tools for thought]]
## [[Realms of the Manifest]]
## transhemispheric mind
## [[schismogenesis]]
# [[project of humankind]]
## [[Off By A Billion]]
## [[design patterns]]
## Semantic Web
## ~Off-Line Web
## Indra's Net "[[2.72|https://en.wikipedia.org/wiki/Indra%27s_net#Modern_.26_Western_references]]"
# [[Synopticon]] and [[Encyclopedia]]
## [[Alan Kay's Reading List]]
# [[Felt Sense]]
## //"I come back to the corpus that incorporates it … the body, of course."//
# <<tag Dekatessera>>
## [[Interbeing Mindfulness Trainings]]
## Decalogue and Tanakh
## [[Desiderata]]
## [[resolutions]]
### [[2016-03-29/resolutions]]
### //I shall help others [[make manifest|2016-03-29/liberation]].//
# [[Kythings interpreted]]
## [[Les Minst]]
# Walt [[Whitman]]
## //[[elegy|seven words, seven selves]] for the family of mankind// [[→|I am]]
# Ralph Waldo [[Emerson]] and Henry David Thoreau
## transcendentalism
## Amos Alcott
## intentional communities
# meeting
## Seekers
## River Valley Friends
## [[book club|Hopscotch/Club]]
# bookstore
## business responsibilities
# <<tag dream>>
## [[I dream]]
## [[Dreaming the Real|2010-06-27]]
# [[places we can dream]]
## [[The City of Mind]]
# [[Village University]]
## [[Cathedral of Learning]]
## [[Academical Village]]
# [[ECCE]] -- Elegy • Canticle • Concerto • Experiment
# Frank Lloyd [[Wright]]
# [[countervailing reality|countervailingGBG]] (noncognitive)
# <html><a name="Five"/></html>Thomas [[Jefferson]]           <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
# Viktor Frankl and Anne Frank
# Octavio [[Paz]] and T. S. [[Eliot]] (Four Quartets)
# Nikos [[Kazantzakis]] and Hermann [[Hesse]]
## [[October dancer Telemachus]]
## //Siddhartha, Steppenwolf, Demian//
# Emily [[Dickinson]] and E. E. [[Cummings|E.E. Cummings]]
# Maria [[Montessori]] and Leigh Grindal
# Enya Brennan and Elton John
## //Water Shows the Hidden Heart//
# Joanna [[Newsom]] and David Darling
## [[Time, As A Symptom]]
## [[Divers]]
# <<tag music>>
## harp and cello
## [[gamut]]
## U2 (Paul Hewson): //Heartland//
## [[Bright Eyes|A Perfect Sonnet]] (Conor Oberst)
## Leonard Bernstein's //[[Kaddish|https://en.m.wikipedia.org/wiki/Symphony_No._3_(Bernstein)]]//
# Children's literature
## Eleanor Cameron
## William Sleator (4th dimension)
## Ellen Raskin (Capri)
# Kahlil [[Gibran|Out of My Deeper Heart]] and [[Auxochrome-Chromophore]]
# the artist and [[quiet hero|hero]]
## Sylvia Plath, //The Bell Jar//, and [[Ted Hughes]]
## Nicholas Hughes
# angels, guides, and seers
# Paul [[Tillich|courage to be]] and Paul [[Fleischman|the circle of religious elements]]
## //[[transhemispheric|seven words, seven selves]] dharma poem// [[→|Sevenfold Self]]
## [[theopoetic]]
# [[Pema]] Chödrön and Cheryl [[Strayed]]
## Ayya Khema (Ilse Kussel)
# [[Buddhism]]
# Ground-Divine
## [[Divine Triangle]]
## [[The Old Wisdom]]
## Abrahamic faiths
## Druze
# <html><a name="Six"/></html>Francis of Assisi and Jorge Mario Bergoglio, Father <<tag Francis>>   <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
# Catholic Church
## Fidelis
## Fr. Ron
# [[Quaker]]
## [[simple]]
## peace, integrity
## community, equality, stewardship
## [[priesthood of all believers|Welcome to your own priesthood]]
# [[religious experience]]
## [[prayer]]
## Sephirot
## //[[tableau|seven words, seven selves]] enacting the jewels// [[→|Seed of Perfection]]
# <<tag art>>
## <<tag mitocos>>
### [[Ray Johnson]]
### [[mail art object]]
### unifying theme: //mitocos mathema muse// (all three parts significant)
## [[anti-museums]]
# Leonardo [[da Vinci]]
# M.C. [[Escher]] and Robert [[Vickrey]]
# Vladimir [[Nabokov]] and [[James Joyce]]
# [[SARK]] and [[Starhawk]]
## [[your unique calling]]
## [[breathe]]
## everywhere singular, u(b/n)ique
## //"I always look at one person or [[one thing|notice each thing]] in particular."// ([[L'Engle]]) contra [[holism|Oikos Philos Anthropos Logos]] @@color:grey;font-size:70%;53@@
## //This is only a fractional piece of the [[world's hurt|Starhawk/Hurt]] which you asked to bear.//
## //Listen to the cries of the world. I am [[grounded change|SARK/naming]], and I am dreaming the real.//
# Carl [[Rogers]] and Gerard Manley [[Hopkins|Grandeur]]
## [[inscape|https://en.wikipedia.org/wiki/Inscape_and_instress]]
# [[Layman Monk]]
# animals, plants and totems
## [[hedgehog]]
## scorpion
## //canis familiaris//
## [[tree]]
## [[the cord]]
## [[rhizome]]
# Loren [[Eiseley]] and Ray [[Bradbury]]
## "I discovered //me// in the library…"
# [[Library Science]]
# [[Whole Earth Catalog]]
# labor and economics
## [[Binary economics|https://en.wikipedia.org/wiki/Binary_economics]]
# [[Ecology]]
## [[Sustainability]]
# <html><a name="Seven"/></html>Alan [[Kay]]'s [[Dynabook]]       <html><sup><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">[TOP]</a><sup></html>
## [[Dynabook Library]]
# [[Evocative Technology]]
## [[this wiki web]]
## [[Sembl]], [[Wagn]], [[Tidal]]
## [[Intense use of computers can distract]]
# Steve [[Jobs]]
# John Chris [[Jones]]
# Carl [[Sagan]] and Stephen Batchelor
## Edward Espe Brown
# John [[Rawls]] and Jerome [[Bruner]]
# Astronomy and Earth science
# [[Human condition]] and [[dialectic]]
## Julius Thomas Fraser
## Alan Watts
## //[[ubiquitous|seven words, seven selves]] tao, cannot be spoken// [[→|I am]]
## //Time is the first and ubiquitous [[conditionality|Realms of the Manifest]] of life.//
## Hannah Arendt and [[Walter Benjamin]]
## Lana Leonard (born October 1945)
# <<tag philosophy>>
## [[Marcus Aurelius|the web is holy]]
## Martin Heidegger
### //[[poetry and technology|https://en.wikipedia.org/wiki/Martin_Heidegger#Later_works:_The_Turn]] as two contrasting ways of 'revealing'//
### [[aletheia]]
## [[Paul Ricoeur|Triple quest for self]] and [[Emmanuel Levinas]]
## Friedrich Nietzsche
## Ayn Rand (Alisa Zinov'yevna Rosenbaum)
## Adam Smith
### "[[Those who are called philosophers]]…"
# democracy and justice
## American history
## Barack [[Obama|Reading Obama]]
## Hillary Rodham
# mathematics
## Stephen Wolfram and Kenneth [[Iverson]]
##  Donald Knuth and John Forbes Nash
## [[Sage]]
# [[dance]]
## //how the (myself's own self who's) child will [[dance!|E.E. Cummings]]//
# John Cage and Philip K. Dick
## //[[Etudes Australes|https://en.m.wikipedia.org/wiki/Etudes_Australes]]//
## //Exegesis// 2-3-74
# +++[role models]
# J. Mohr
# N. Corymb
# Douglas Hofstadter
# Steven Pinker
# Randy Pausch
===

# Robin Williams and //The Diving Bell//
# [[polycinema]]
## theater
## Fred Rogers
## actors
## evolution and corpus
# labyrinth
## //[[The Matrix|red pill]]//
## //[[House of Leaves]]//
## [[Awe and Trembling]]
## Lewis Carroll  [[→|Dark Tower/I-Am-Waiting]]
## King's [[Dark Tower]], and 11/22/63: [[Let Us Dance]]
<html><a name="precis"/></html><part precis>

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('One',null, event)">1st</a></html>'' haiku: home … family … identity … Matheus &nbsp;&nbsp; //(L'Engle, Tolkien)//
* reading … ''fantasy'' … wives Carmen and Lily … //__To Understand__  ''{{serif{[[deep songs|Les Minst]]}}}''//

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Two',null, event)">2nd</a></html>'' haiku: I am … ground … Elias and ''manhood''&nbsp;&nbsp; //(Strite)//
* writing … poetry and <<tag language>> making… //__Be Connected__  ''{{serif{into being}}}''//

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Three',null, event)">3rd</a></html>'' haiku: male friendship … influences … Bead Game &nbsp;&nbsp; //(Rilke, Buber, Jung)//
* <<tag influences>> … fractals, symbols and ''heteronyms''… //__Stand In Awe__   ''{{serif{pro multis}}}''//

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Four',null, event)">4th</a></html>'' haiku: homelands … ''dream'' … countervailing forces &nbsp;&nbsp; //(Whitman, Wright)//
* Dekatessera and Desire … //__Live and Work__  ''{{serif{interêtre}}}''//

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Five',null, event)">5th</a></html>'' haiku: heroes … poem and music … ~Ground-Divine &nbsp;&nbsp; //(Jefferson)//
* music and <<tag Buddhism>> … suffering and [[quiet hero|hero]]… //__Walk and Dance__  ''{{serif{nascimento}}}''//

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Six',null, event)">6th</a></html>'' haiku: Francis … religion and art … ecology&nbsp;&nbsp; //(da Vinci)//
* art and //[[mitocos]], mathema, muse// … ''totems''… //__Ease Suffering__  ''{{serif{[[kenntnis|http://wisdomofhands.blogspot.com/2009/07/wissenschaft-and-kenntnis.html]]}}}''// 

''<html><a href="javascript:;" onclick="window.scrollAnchorVisible('Seven',null, event)">7th</a></html>'' haiku: Dynabook … science … civic life … labyrinth&nbsp;&nbsp; //(Kay, Jobs, Jones)//
* philosophy, mathematics … ''dance''… //__Exercise Passion and Knowledge__   ''{{serif{toroidal}}}''//
</part>

----

__Lines of Spiritual–Religious Flow__

Mother ([[Goddess|Muse]]) – Body – Mythologies (symbolic and written) – Project of Humanity – Paz & Eliot – Quaker – Steve Jobs (his spiritual, artistic, and public lives)

Father ([[Emperor]] and [[Hierophant]]) – Family Structures – Pantheism – Synopticon and Encyclopedia – Kazantzakis & Hesse – [[religious experience]] – John Chris Jones

Moleta (Mother by Choice) – Morality & Compassion – Fractal – Wright – [[Buddhism]] – Economics – Polycinema

Matheus – Elias – Glass Bead Game – Democracy – ~Ground-Divine – Ecology – Labyrinth

//The first two horizontal lines seem to weave and cross://

Home – I am Intervisible – Awake My Soul (O'Donohue) – Homelands & Holism – Frankl, Frank, and Jefferson – Francis & Catholic Church – Technology (Gutenberg to Dynabook)

----

__Solitary Historic Figures and Personal ~Line-Progenitors__
L'Engle
Tolkien
Rilke
Buber
Jung
Whitman
Wright
Jefferson
da Vinci
Kay
Jobs
Jones
Francis (oldest)

 
“Adytum” is a Latin and Greek-derived word for “Inner Shrine” or “Holy of Holies”, and “Builders” refer to the emulation of the Carpenter from Nazareth, Jesus, who some members of the B.O.T.A. believe was adept in the mysteries of building a living temple without hands (Mark 14:58).

The Order's [[website|http://www.bota.org]] states:
//"People of all faiths are welcome to study the teachings of this Order.  B.O.T.A. recognizes Qabalah as the root of Judaism and Christianity.  Its ultimate purpose is to hasten the true Brotherhood of mankind and to make manifest the truth that love is the only real power in the universe."//

Builders of the Adytum was founded 1922 by Paul Foster Case for the study of practical occultism.  Case was a senior member of the Hermetic Order of the Golden Dawn in the United States, but after a disagreement with its leadership, he left and formed a separate order.  The primary purpose of B.O.T.A. is not only to teach, but to practice the doctrine of the Oneness of God, the brother/sisterhood of man, and the kinship of all life as patterned after the Ageless Wisdom Mystery Schools of spiritual training, particularly exemplified by the Holy Qabalah.

!Ecology: "the science of understanding consequences"
as related by Brian Herbert in //[[Dreamer of Dune|http://books.google.com/books?id=hlbSrcGnhRIC&pg=PA174]]//

@@color(grey):{ German //''Okologie''// < Greek //__oikos__ 'house, dwelling place, habitation' + -__logia__ 'study of'// < //__legein__ 'to speak.'//  }@@ 1873, "branch of science dealing with the relationship of living things to their environments," coined by German zoologist Ernst Haeckel (1834-1919) as //Okologie.//

Related to the word ''Economy'', //noun// – household management; later extended sense of "wealth and resources of a country or region."
@@color(grey):{ Latin //''oeconomia''// < Greek //''oikonomos''// 'manager, steward' < //__oikos__ 'house' + __nomos__ 'managing'// < //__nemein__ 'manage.'//  }@@
<<<
Every measurement is a direct interrogation of nature. It's a chance to sit down with the Universe and ask, "Did we get this right?" and "Do we really understand?"

''This learned intimacy'' with shared experience is what that makes the discovery of science itself such a milestone in the history of human culture. It gives us a way to base our claims about the world in the world's own actions. It takes us beyond the ''"demon haunted world"'' into a public space, ''a collective commons'', where ''all claims about nature must rest on public evidence.''

From the NPR [[13.7 blog|http://www.npr.org/blogs/13.7/2013/04/16/177463556/there-s-trouble-at-the-birth-of-the-universe]]:
<<<
Men and boys are learning all kinds of trades but how to make //men// of themselves. They learn to make houses; but they are not so well housed, they are not so contented in their houses, as the woodchucks in their holes. What is the use of a house if you haven't got a ''tolerable planet'' to put it on? — If you cannot tolerate the planet that it is on? Grade the ground first. If a man believes and expects great things of himself, it makes no odds where you put him, or what you show him … he will be surrounded by grandeur. He is in the condition of a healthy and hungry man, who says to himself, — How sweet this crust is!
&nbsp;&nbsp;&nbsp;— Henry David Thoreau, letter to Harrison Blake (20 May 1860)

<<<
Lost tale [[unextolled|https://twitter.com/museical/status/781957012879912961]]:
these orphans of history
I gather to me.

 – a HapaxHaiku
<<<

From //One Immigrant's Legacy: The Overmyer Family in America, 1751-2009//
by Laurence Overmire:
<<<
Over the course of the millennia, all these multitudes of ancestors, generation upon generation, have come down to this moment in time -- to give birth to you. There has never been, nor will ever be, another like you. You have been given a tremendous responsibility. You carry the hopes and dreams of all those who have gone before.  Hopes and dreams for a better world. What will you do with your time on this Earth?  How will you contribute to the ongoing story of humankind?

… History remembers only the celebrated, genealogy remembers them all.
<<<
From //The Family Tree Detective// (1983)
by Colin D. Rogers:
<<<
Paternity can never be proved, even when no-one has expressed any doubt about it.  {{grem{[Fortunately, affordable DNA testing has improved our capability to "prove" direct male lineage, particularly those with an uncommon Y-chromosome signature, such as my own.]}}}  Often a connection will have to be accepted because there is no apparent alternative; and sooner or later all genealogists must consciously accept what is only the most probably solution to a problem they are trying to solve.

It has been said that the history of population is all about sex and death; genealogy is all about parents and how to find them.  {{grem{[Genealogy, too, can be reduced to "sex and death."]}}}  It is true, of course, that sooner or later anyone tracing a family tree will be interested in marriages, gravestones, tax returns and a host of documents which supply evidence about named individuals; but in the end, when human beings have learnt how to avoid death and have outgrown marriage as a social institution, the genealogist's basic task will remain the same -- to discover parents.  It is a genetic quest -- few people would prefer to trace foster or adoptive parents rather than their real ones.
<<<
<part Foucault>
Michel Foucault:
<<<
The body: a surface on which events are inscribed (whereas language marks events and ideas dissolve them), place where the Me is dissociated (a Me to which it tries to lend the illusion of a substantial unity), it is a volume perpetually crumbling away. ''Genealogy, as an analysis of where things come from is thus situated at the point of articulation of the body and history.''  Its task is to show a body totally imprinted with history, and history destroying the body.  {{grem{[modified translation from this [[site|https://web.archive.org/web/20160328153132/http://www.michel-foucault.com/quote/2003q.html]]]}}}
<<<
</part>
From //[[Stories in Red and Black|https://books.google.com/books?id=A1PwMjtqaREC&lpg=PA89&dq=%22genealogical%20histories%22%20boustrophedon&pg=PA61#v=onepage&q=%22genealogical%20histories%22%20boustrophedon&f=false]]: Pictorial Histories of the Aztecs and Mixtecs// (2000)
by Elizabeth Hill Boone:
<<<
The ''Mixtec'' {{grem{[Nahuatl word 'mixtecah' – 'cloud people', for the indigenous peoples of southern Mexico]}}} genealogical histories conceived in [[screenfold|http://www.mesolore.org/tutorials/learn/10/Mesoamerican-Screenfolds]] format follow a [[boustrophedon]] pattern.  The stories flow back and forth, the way an ox plow would work a field, across one or two pages… There is considerable variation in the actual reading order between manuscripts and even within the same manuscript.  The [[Codex Selden|https://en.wikipedia.org/wiki/Codex_Selden]] [a pre-Columbian genealogy from the tenth to sixteenth century] reads bottom to top, whereas most of the others read horizontally…

It is not always easy to understand the reading order when one opens a Mixtec screenfold in the middle.  The usual rule is that the figures face in the direction the story moves, but manuscripts like the [[Codex Zouche-Nuttall|https://en.wikipedia.org/wiki/Codex_Zouche-Nuttall]] are flexible in this regard; and in other manuscripts, conferences and confrontations between people cause many individuals to face against the flow.  Also, individuals in parentage statements always face the offspring…  In codices like the [[Colombino|https://en.wikipedia.org/wiki/Codex_Colombino]] and [[Bodley|https://en.wikipedia.org/wiki/Codex_Bodley]] that read across two pages, the reader may have to interpret a section of the story before recognizing the reading order.  Three of the Mixtec codices have dual registration: the main [[story line|lines of sight]] is paralleled by a concurrently running story that offers supporting or background material.  These supplementary registers are almost like footnotes to the principal narrative.
<<<

 
… I have found no [[confession|Confession]] of faith to which I could ally myself without reservation. Now in my old age, however, I have learned of a sect, the Hypsistarians, who, hemmed in between heathens, Jews and Christians, declared that they would treasure, admire, and honour the best, the most perfect that might come to their knowledge, and inasmuch as it must have a close connection to the Godhead, pay it reverence. A joyous light thus beamed at me suddenly out of a dark age, for I had the feeling that all my life I had been aspiring to qualify as a Hypsistarian. That, however, is no small task, for how does one, in the limitations of one's individuality, come to know what is most excellent?
--  Goethe "To Sulpiz Boisserée" [22 March 1831]

//Wo viel Licht ist, ist starker Schatten.//
There is strong shadow where there is much light.

Only mankind can do the impossible:
He can distinguish, He chooses and judges,
He can give permanence to the moment.
//Das Göttliche (The Divine)//  (1783)

//Das ~Ewig-Weibliche zieht uns hinan.//
The Eternal Feminine draws us on.

I love those who yearn for the impossible.
//Faust//

"A teacher who can arouse a feeling for one single good action, for one single good poem, accomplishes more than he who fills our memory with rows on rows of natural objects, classified with name and form."
-- from //Elective Affinities// (studied by [[Walter Benjamin]])

"I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music."

 
//"The map is not the territory."//
– Alfred Korzybski, later [[expounded|https://en.wikipedia.org/wiki/Map%E2%80%93territory_relation]] by others

  * * * *

According to Alfred Korzybski, quoted in //[[The End of Education]]//:

Plants are "chemistry binders," animals are "space binders," and we humans are "time binders."
<<<
“The essential difference between living and non-living matter consists then in this: the living cell synthesizes its own complicated specific material from indifferent or non-specific simple compounds of the surrounding medium, while the crystal simply adds the molecules found in its supersaturated solution. This synthetic power of transforming small ‘building stones’ into the complicated compounds specific for each organism is the ‘secret of life’ or rather one of the secrets of life.” (//The Organism as a Whole//, by Jacques Loeb.)

Though minerals have various activities, they are not “living.” {{grem{[However, without their properties of cohesion, combination, and reaction, life would not be possible.]}}}

The plants have a very definite and well known function—the transformation of solar energy into organic chemical energy. {{grem{[Korzybski overlooked mentioning nutrients gathered from the soil.]}}} So I define the plants as the ''chemistry-binding'' class of life.

The animals are a more dynamic class of life; their energy is kinetic; they have a remarkable freedom and power which the plants do not possess—I mean the freedom and faculty to move about in //space//; and so I define animals as the ''space-binding'' class of life.

And now what shall we say of //human// beings?  Like the animals, human beings do indeed possess the //space-binding// capacity but, over and above that, human beings possess a most remarkable capacity which is entirely peculiar to them—I mean the capacity to summarise, digest and appropriate the labors and experiences of the past; I mean the capacity to use the fruits of past labors and experiences as intellectual or spiritual capital for developments in the present; I mean the capacity to employ as instruments of increasing power the accumulated achievements of the all-precious lives of the past generations spent in trial and error, trial and success; I mean the capacity of human beings to conduct their lives in the ever increasing light of inherited wisdom.  Man is at once the heritor of the by-gone ages and the trustee of posterity. And because humanity is just this magnificent natural agency by which the past lives in the present and the present for the future, I define humanity, in the universal tongue of mathematics and mechanics, to be the ''time-binding'' class of life.
<<<
In short, humans are unique in our ability to transport experiences through time and across generations.  We can accumulate knowledge from the past and communicate what we know to the future.

(See Neil Postman's [[recommended reading|The End of Education]] for the "~Word-Makers / ~World-Weavers" narrative.)

Also, as written by Frank Herbert:
<<<
''animal consciousness does not extend beyond the given moment'' …
the human requires a //background grid// through which to see his universe …
focused consciousness by choice, this forms your grid …
//all things/cells/beings are impermanent …//
strive for [[flow-permanence]] within [and between]
<<<
Alfred Korzybski wrote in his first book, //Manhood of Humanity// (1921):
<<<
Our human Past is a mighty fact of our world. Many facts are unstable, impermanent, and evanescent—they are here to-day, and to-morrow they are gone. Not so with the great fact of our human Past. Our past abides.

“It is permanent. It can be counted on. It is nearly eternal as the race of man. Out of that past we have come. Into it we are constantly returning. Meanwhile, it is of the utmost importance to our lives. It contains the roots of all we are, and of all we have of wisdom, of science, of philosophy, of art, of jurisprudence, of customs and institutions. It contains the record or ruins of all the experiments that man has made during a quarter or a half million years in the art of living in this world.” (Keyser, //Human Worth of Rigorous Thinking//.)

…A third way to be a fool—which is also alluring—is the way of those who falsify the past by contemptuously disregarding its virtues, its happiness, its knowledge, its great achievements, and its wisdom, and by stupidly or dishonestly magnifying its vices, its misery, its ignorance, its great slothfulness, and its folly; it is apt to be the way of the woeful, the unprosperous, the desperate—especially the way of such as find escape from the bore of routine life in the excitements of unrest, turbulence, and change; the past, they say, was all wrong, for it produced the present and the present is thoroughly bad—let us destroy it, root and branch.

Fools of this type may be called scorning fools, Scorners of the Past; or destroying fools, Destroyers of the Present; or dynamic fools, Revelers in the excitements of Change … saying: “What ought to be begins with //Me;// I will make the world a paradise; but my genius must be free; //now// it is hampered by the existing ‘order’—the bungling work of the past; I will destroy it; I will start with chaos; we need light—the light of my genius.”

What is the united counsel of wisdom and common sense respecting the past? The answer is easy and easy to understand. The counsel is this: Do not ignore the past but study it—study it diligently as being the mightiest factor among the great factors of our human world; endeavor to view the past justly, to contemplate it as it was and is, to see it whole—to see it in true perspective—magnifying neither its good nor its evil, neither its knowledge nor its ignorance, neither its achievements nor its failures; as the salient facts are ascertained, endeavor to account for them, to find their causes, their favoring conditions, to explain the facts to understand them, applying always the question //Why?//

Centuries of centuries of cruel superstition—Why? Centuries of centuries of almost complete ignorance of natural law—Why? Measureless creations, wastings and destructions of wealth—Why? Endless rolling cycles of enterprise, stagnation and decay—Why?  Interminable alternations of peace and war, enslavements and emancipations—Why?  Age after age of world-wide worship of man-made gods, silly, savage, enthroned by myth and magic, celebrated and supported by poetry and the wayward speculations of ignorant "sages"—Why?
:{{grem{On this point, of the "silly, savage, wayward speculations", I think Korzybski was too dismissive. His bias was tilted toward science and mechanics, so I am not surprised that poetry was implicated in the false support of myth and magic which he portrayed as humanity's past follies.  I challenge that these narratives were not wholly ignorant of "natural law", but described it in different language—unscientific but //not wholly untrue// to those people living in the narrative.}}}
The widely diverse peoples of the world constrained by scientific progress to live together as in one community upon a greatly shrunken and rapidly shrinking planet, the unpreparedness of existing ethics, law, philosophy, economics, politics and government to meet the exigencies thus arising—Why?
<<<

As Carlos Suareès says, quoted by Robert Linssen in //Living Zen//:

"The 'I' is developed by successive association and dissociation. All psychological life is made up of oscillations of this nature.  Desire is the sensation, felt by the permanence, of being in danger; assuagement is its feeling of not being in danger ... On maturity we see these oscillations diminishing more and more, finally dying because of the hardening, of the ossification of the "me", and consciousness slowly extinguishing itself in indifference or, on the contrary, we see these vibrations, by reason of their intensity, breaking the very instrument that made them and freeing consciousness itself, as a flower releases its perfume.  Thus man will come to the point of refusing the experience through indifference, or //transcending it by smashing his own identity.//"
-----
The 'I-process' in order to safeguard its continuity, develops a stratagem of transformations, innumerable modifications during which it oscillates from one extreme to the other.  After having been associated with certain gains, it will leave them to try to win new ones.  It will disassociate itself from the first ones in order to associate with the second.  But amidst this process of successive associations and disassociations an 'entity' remains, a 'thinker' who in contrast to the alternative changes of 'surface', is building a permanence in depth in proportion to their intensity.

Still the day will dawn when the 'thinker' having wandered from enslavement to enslavement, will understand the vanity of all attempts to associate with anything whatsoever.  He will become aware of the absurdity of the subtle game he has been playing with himself.

[''N.B. Caution!'' Absurdity perhaps, but solid and real to the community around us.  Relationships need not be enslavment, in a clear and //loving// perspective.  Remember the caution to not invite existentialists to dinner, unless you are prepared to dine alone. Philosophy creates another layer of detachment from living, attachment-to "[[self-thrown things]]".]

Nothing can fill up the unfathomable gulf of his inner contradiction ... From the moment when the 'thinker' understands, he is silent; stopping he looks more serenely within himself and into all things.  Tanha, the thirst for 'becoming' is on the point of extinction.  The tensions in order to 'become' are replaced by the relaxation of THAT WHICH IS.  It is the hour of the 'letting go' of which the Zen Masters speak.

//The death of the entity of the 'thinker' is succeeded by the plenitude of __Life__.//

 
The [[Wiki|this wiki web]] experience is meant to flow in a non-linear path of discovery chosen by each reader. Following a blue hyperlink does not take you to an entirely different webpage, but summons additional stories or pieces of media to flow into a growing, "scrollable" column on your screen called the story river.  This content can be dismissed by clicking or tapping the <<image GreyX 12 12>> close button at the top right of each story.

Clicking or tapping the @@color(grey):►@@ arrow at the top of the screen hides the right Wiki title, search box and sidebar, to widen the viewable area of the stories.  This arrow can be tapped again to bring back the sidebar.

Stories are "tagged" with identifiers or categories that allow you to find similar content.  These tags are shown above each tiddler's title.  The node [[this wiki web]] is tagged as belonging to the categories <<tag mitocos>> and <<tag technology>>.&nbsp;  Those tagged as a ''post'' automatically load, if recently edited, when you visit the main site //[[re: muse]]//.

Clicking on ''references'' at the top of a tiddler links backward to other stories that directly refer to this one.

Clicking on ''permalink'' creates a web link which you can bookmark or share by email to directly visit this particular story.  The above example also shows by clicking/tapping on ''jump'', a menu is displayed of all active stories you have displayed (and not closed.)  Choosing one from here is faster than scrolling through a long path of stories you've followed.

If you click or tap on the grey "eye" icon to the left of permalink, the raw story text is shown without pictures or formatting (text color, size, and wiki links.)

To the right of the stories is a timeline of all recently edited content, and a search box where you can type words to find any place they appear in the wiki.  The ''permaview'' tool above that creates a web link that will recreate the current story river with all the tiddlers presently being viewed, not just a single story's link.

Writing, editing, and assembling this content, from the author's standpoint, is even more dynamic and non-linear compared to traditional websites or blogs, and there are more tools for the writer than those shown above. 

 
[[Carl Sagan|Sagan]] in //Cosmos//:  What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years.  Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs.  Books break the shackles of time. A book is proof that humans are capable of working magic.

[[jcj|Jones]]: Isn't the book, already rethought, becoming the main medium or meta-medium for liberation, as it once was for control?
     … Seeing the world and the feelings as the only oracles of consequence, we take ''both experimental science and artistic composition'' as two valid ways to proceed, regardless of mother-tongue and despite the apparent power of the book, unless [[poetic|i+e:poem]] or colloquial.
     And beyond these two procedures or methods he puts belief in all that is. For of life in its profusion, in which he sees each person as creative part, the narrator sees no need to fear the consequence but only to trust the universe or the whole, mere names as these are.

''Nassim N. [[Taleb|http://om.co/2014/03/04/nassim-taleb-on-time-writing]]'':  There is a secret relationship between humans and writing, the soothing effect of writing longhand. Between human hands and the book there’s a style; a rational empathy we cannot capture or your eyes can’t see.

[[Ray Johnson]] re-imagined art as simply communication, a part of daily life -- as a constant engagement with life that links the past, present and future into //([[moticos]])// … interchangeable symbols, fateful accidents, magic reversals and poetry … books and letters [that] are simple but intricate puzzles, self-contained [[anti-museums]].

[[patchwork girl]]: The book is not the Natural Form it has become disguised as by its publicists. It is an odd machine for installing text in the reader's mind and it too was once an object of wonder… Let us have books that squirm and change under our gaze, or tilt like a fun-house floor and spill us into other books.

//[[Finnegans Wake]]//: 'Tis as human a little [[story|storyteller]] as paper could well carry … Somehow and somewhere, before the bookflood or after her ebb, somebody wrote it, wrote it all, wrote it all down, and there you are, full stop. O, undoubtedly yes, but this downright //there you are// and //there it is// … is only all in this eye.

"There is no longer a tripartite division between a field of reality (the world) and a field of representation (the book) and a field of subjectivity (the author). Rather, an assemblage establishes connections between certain multiplicities drawn from each of these orders, so that a book has no sequel nor the world as its object … the book as assemblage with the outside" … a [[rhizome]]-book

''Alan Kay'': the [[Dynabook]] may provide us with a better 'book', one which is active…controllable by a child… It can be like a piano: (a product of technology, yes), but one which can be a tool, a toy, a medium of expression, a source of unending pleasure and delight… Just as with the book, it brings a new set of horizons and a new set of problems.

The [[Dynabook Library]] is for learning, teaching, and exploring -- is a place for sharing art and knowledge in new interactions between authors, readers, and text.
     It can host the whole library of human civilization brought to life in new forms -- words, images, and sounds interacting -- a tableau and [[instrument for ideas|Evocative Technology]].

[[i+e]] … "Now, hoping to make [[the book|i+e:synopsis]] an example of what I am saying, I am writing it via the internet and as an extension of it."  [As on [[this wiki web]].]  In January 1997, after (what would become) 550 printed pages of //The Internet and Everyone//, {{{jcj}}} wrote: "insofar as ending is appropriate to a net book (for I don't think this is a book at all in the old sense.) My waking mind has kept telling me that it's too rough and unintegrated to be published as a printed book … This is a non-literary strength, a timely newness, in what I have to say, or show, or teach myself."

''Madelyn Starbuck'':  There is no sanctity of completion; all that is put into [[correspondence art|mail art object]] is subject to further manipulation by other artists: nothing is ever finished. Art is really all about continual reinvention and metamorphosis.

{{center{
//This unfinishable form alone is the meaning, the message.//}}}

:The syllable is the central interface. As Vance states, the “fundamental phonological unit of [[poetry]] is the syllable” and metres merely “count syllables in some fashion or another”, typically as an “arrangement of ''ictus''-bearing syllables into patterns…” //from "[[The Dark Matter of Hebrew Poetry: A Generative-Metrical Analysis of the Biblical Tetrameter|http://homes.chass.utoronto.ca/~decaen/papers/2011_METRICS_PROJECT_PAPER_draft7.pdf]]"//

:From the same paper: "The ternary bar [in figure 66], implied by natural textsetting, explains in principle (a) the various details of the poetic musical transformations, and also (b) the nature and distribution of the secondary accent ga`yâ / [[meteg|nascimento/metheg]] as the alignment of the text with the musical head." (~DeCaen)

:Meteg (or metheg, Hebrew מֶתֶג, literally 'bridle', also gaya געיה, lit. 'bellowing', מאריך ma'arikh, or מעמיד ma'amid) is a punctuation mark used in Biblical Hebrew for stress marking. It is a vertical bar placed under the affected syllable.

!Out Of My Deeper Heart
Kahlil Gibran (1883-1931)

Out of my deeper heart a bird rose and flew skywards.
Higher and higher did it rise, yet larger and larger did it grow.
At first it was but like a swallow, then a lark, then an eagle, then as vast as a spring cloud, and then it filled the starry heavens.
Out of my heart a bird flew skywards. And it waxed larger as it flew.  ''Yet it left not my heart.''

O my faith, my untamed knowledge, how shall I fly to your height and see with you man's larger self pencilled upon the sky?
How shall I turn this sea within me into mist, and move with you in space immeasurable?
How can a prisoner within the temple behold its golden domes?
How shall the heart of a fruit be stretched to envelop the fruit also?
O my faith, I am in chains behind these bars of silver and ebony, and I cannot fly with you.
Yet out of my heart you rise skyward, and it is my heart that holds you, and I shall be content.

----

//And on we walked. Suddenly we heard a voice crying, “This is the sea. This is the deep sea. This is the vast and mighty sea.” And when we reached the voice it was a man whose back was turned to the sea, and at his ear he held a shell, listening to its murmur.
And my soul said, “Let us pass on. ''He is the realist, who turns his back on the whole he cannot grasp, and busies himself with a fragment.''”//
-- From "[[The Greater Sea|https://www.poetryfoundation.org/poems-and-poets/poems/detail/55373]]"

"Half of what I say is meaningless; but I say it so that the other half may reach you." 
From //[[Sand and Foam]]//

"Could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; and you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields."
From //The Prophet//, page 52

//See also [[Wisdom and I]]//

@@text-align: center;{{serif{

 
 
 
//I believe in you//
 
 
 
}}}@@
----

 
"Once ''the soul awakens'', the search begins and you can never go back. From then on, you are inflamed with a special longing that will never again let you linger in the lowlands of complacency and partial fulfillment. The eternal makes you urgent. You are loath to let compromise or the threat of danger hold you back from striving toward the summit of fulfillment."
– John O'Donohue in his first published work, //[[Anam Cara]]: A Book of Celtic Wisdom//

----

In these bodies we will live, in these bodies we will die
And where you invest your love, you invest your life

''//Awake my soul//''
Awake my soul
Awake my soul
For you were made to meet your maker

– Mumford & Sons

----

In that sleeper there was no caution: sleeping, but
dreaming, and in a kind of fever: what paths he took!
He, so shy, so unwary, how embroiled he became,
with all those spreading tendrils of inner event …
– Rainer Maria Rilke, from the //[[Third Duino Elegy|The Duino Elegies/Third]]//

If we imagine our being as a room of any size, it seems that most of us know only a single corner of that room, a spot by the window, a narrow strip on which we keep walking back and forth… [[We are not prisoners|We Are Not Prisoners]] of that room.

I [[dream]] that I can be a humble poet …

//''You will write your'' +++[Concerto.]
Sergei Rachmaninoff was in the middle of writing his famous Second Piano Concerto (1901) when his first symphony received a lukewarm response. He stopped writing music for three years, during which he felt as though he was like a man who had suffered a stroke, losing the use of his head and hands. He was able to overcome his nervous breakdown by visiting a psychiatrist, who cured Rachmaninoff by repeating the [[following words|https://books.google.com/books?id=pig-CgAAQBAJ&pg=PA112]] to him each time they met, “You will ''begin'' to write your Concerto. You will work with great facility. The Concerto will be of an excellent quality.” {{grem{[Heard on The Writer's Almanac radio program April 1st, 2016]}}}
===
//

----

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not [[wither|words: home]],
Deep roots are not reached by the frost.
– [[J.R.R. Tolkien|Not all those who wander]]

----
<part RedWillow>

March 31, 2016

I wander and dream still, but with growing urgency, out of //"the lowlands of complacency and partial fulfillment…"//  My friend Ryan said this was the exact phrase inspiring him to quote O'Donohue's book today.  (Not long ago, I was saddened to learn that John O'Donohue died in 2008, at the age of 52.)

Lily, the last which I called [[Anam Cara]], traveled with me to Red Willow five years ago, April 1st, 2011.  We dreamed of a new life there.  After my credentials were carefully evaluated, the answer came on May 23rd:
<<<
We felt that you presented yourself well and had a very good background to complement our organization, but we also felt that others brought impressive backgrounds and education which better fit our requirements… We truly feel that you have much to offer an organization… Thank you for all of the time you spent interviewing with us.
<<<
Before, our dreams had passed through another [[village|https://en.wikipedia.org/wiki/Taos,_New_Mexico]] at Red Willow canyon, and I once dreamed of a life in New Mexico.  Instead, 13 years ago, I went north, and changes rippled through untold lives.  Bloodlines mingled; two beautiful children were given me, then two nieces.  I found Carmen and left Lily.  I made two homes in this lonely valley.  I devoted myself to a decade's work and left myself a husk.  Gratefully, a small cluster of life-altering friendships has been found; destinies intermeshed and a mutual blessing.

I created this wiki one day before the last Red Willow prelude ended.  Tomorrow, another April journey begins.  My flight from this Company is more necessary than ever.  So I boldly [[choose my liberation|2016-03-29]], and strive "toward the summit of fulfillment."
</part>

----

This [[prayer]] rose in my heart today, inspired by a Quaker teacher:

''//Today I keep myself healthy and whole;
without fear, awake my soul.
Open Thou my life.  Guide my heart
through doors where I dared not go.//''
&nbsp;

!Peak and Gravity
by Octavio [[Paz]]

There is a motionless tree
there is another that moves forward
    a river of trees
pounds at my chest
    The green swell
of good fortune

You are dressed in red
    you are
the seal of the burning year
carnal firebrand
    start of fruit
I eat the sun in you

    The hour rests
on an abyss of clarities   //[un abismo de claridades]//

The birds are handfuls of shadow
their beaks build the night
their wings sustain the day

Rooted at the light's peak
between stability and vertigo
              you are
    the diaphonous balance

!!//Ich und Du//
by Martin [[Buber]]
Published in German in 1923
Translated to English by Ronald Gregor Smith (1937), and later by Walter Kaufmann (1970)

''__Excerpts__''
(mostly using Kaufmann's translation)
<part maple>

"What is greater for us than all enigmatic webs at the margins of being is the central activity of an everyday hour on earth, with a streak of sunshine on a maple twig and an intimation of the eternal You."

//In fuller context, and using Ronald Gregor Smith's translation://
<<<
Union that was no union: as illustration I take the men who in the passion of the engrossing Eros are so enraptured by the miracle of the embrace that their knowledge of //I// and //Thou// perishes in the feeling of a unity that does not and cannot exist.  What the ecstatic man calls union is the enrapturing dynamic of relation …

Here, then, on the bring, the relational act goes beyond itself; the relation itself in its vital unity is felt so forcibly that its parts seem to fade before it, and in the force of its life, the //I// and the //Thou//, between which it is established, are forgotten.  Here is one of the phenomena of the brink to which reality extends and at which it grows dim.  ''But the central reality of the everyday hour on earth, with a streak of sun on a maple twig and the glimpse of the eternal //Thou//, is greater for us than all enigmatic webs on the brink of being.''
<<<
</part>
"This essential twofoldness @@color:grey;[of the human nature, between ~I-You and ~I-It]@@ cannot be overcome by invoking a "world of ideas" as a third element that might transcend this opposition.  For I speak only of the actual human being, of you and me, of our life and our world … not of any [abstract, philosophical] Being-in-itself.

To be sure, some men who in the world of things make do with experiencing and using have constructed for themselves an //idea annex// or [[superstructure|Glass Bead Game]] in which they find refuge and reassurance in the face of intimations of nothingness.  At the threshold they take off the clothes of the ugly weekday, shroud themselves in clean garments, and feel restored as they contemplate primal being or what ought to be -- something in which their life has no share."
…
"Only the spell of separation needs to be broken … //Going forth is unteachable// in the sense of prescriptions. It can only be indicated—by drawing a circle that excludes everything else. Then the one thing needful becomes visible: //the total acceptance of the present.//  To be sure, this acceptance involves a heavier risk and a more fundamental return, the further man has lost his way in separation.  What has to be given up is not the I, as most mystics suppose: //the ''I'' is indispensable for any relationship, including the highest,// which always presupposes an I and You.  What has to be given up is not the I but that false drive for self-affirmation which impels man to flee from the //unreliable, unsolid, unlasting, unpredictable, dangerous world of relation// into the having of things."
…
"Men have addressed their eternal You by many names. When they sang of what they had thus named, they still meant You: the first myths were hymns of praise. Then the names entered into the It-language; men felt impelled more and more to think of and to talk about their eternal //You// as an //It//.  But all names of God remain hallowed—because they have been used not only to speak //of// God, but also to speak //to// him.

Some would deny any legitimate use of the word God because it has been misused so much. Certainly it is the most burdened of all human words. Precisely for that reason it is the most imperishable and unavoidable. What does all erroneous talk about God's nature and works (though such talk is always erroneous) matter in comparison with the one truth that all men who have addressed God //really meant him?//  For whoever pronounces the word God and really means You, addresses, no matter what his illusion, the true You of his life, which cannot be limited by any other, and to whom he stands in a relationship that includes all others.

But whoever abhors the name and fancies that he is godless—when he addresses with his whole devoted being the You of his life that cannot be limited by any other, he addresses God."
…
"The relation is wrapped in a cloud but reveals itself, it lacks but creates language. We hear no You and yet feel addressed; we answer—creating, thinking, acting: with our being we speak the basic word, unable to say You with our mouth."
…
"We are resolved to tend with holy care the holy treasure of our actuality that has been given to us for this life and perhaps for no other life that might be closer to the truth."
…
"We do not know whether there is a recurrence [reincarnation]; the line of this dimension of time in which we live we do not extend beyond this life; and we do not try to uncover what will reveal itself to us in its own time and law.  But if we did know that there was recurrence, then we should not seek to escape from it: we should desire not crude existence but the chance to speak in every existence, in its appropriate manner and language, the eternal I of the destructible and the eternal You of the indestructible."
…
"First, the soul may become one.  This event occurs not between man and God but in man.  All forces are concentrated into the core, everything that would distract them is pulled in, and the being stands alone in itself and jubilates, as Paracelsus puts it, in its exaltation.  This is a man's decisive moment.  Without this he is not fit for the work of the spirit.  With this—it is decided deep down whether this means //preparation or sufficient satisfaction.//  Concentrated into a unity, a human being can proceed to his encounter—wholly successful only now—with mystery and perfection.  But he can also savor the bliss of his unity and, without incurring the supreme duty, return into distraction.  //''Everything along our way is decision—intentional, dimly sensed, or altogether secret''//—but this one, deep down, is the primally secret decision, pregnant with the most powerful destiny.
…
God embraces but is not the universe @@color:grey;{//das All// which Kaufmann says corresponds to the Brahma of the Upanishads}@@; is not the All; just so, God embraces but is not my self {or [[Atman]].}  On account of this which cannot be spoken about, I can say in my language, as all can say in theirs: You.

For the sake of this, there are I and You, there is dialogue, there is language, and //spirit whose primal deed language is//, and there is, in eternity, the word.

----
I have many more pages marked in my copy of the book, to transcribe excerpts here later…
----

Contrast //''Ich und Du''// translated as
//I and __You__// (by Kaufmann) – or as
//I and __Thou__// (by Smith)

with Freud's fairly contemporaneous
//''Das Ich und das Es''// translated as
//The [[Ego]] and the Id//.

 
Art defined prosaically:
//Human effort to imitate, supplement, alter, or counteract the work of nature.//

My attempt at a Latinate definition:
//Humanus ex fortis versus natus mori mundi.//

//'natus mori mundi'// – the world being born and dying – a rendering of "Nature".

Frank Lloyd [[Wright]]:
<<<
Art is a discovery and development of elementary principles of nature into beautiful forms suitable for human use.
<<<

Charles Baudelaire in //L'art Romantique//:
<<<
[Correspondances are] the affinities which exist between spiritual states and states in nature; those people who are aware of these [[correspondances]] become artists and their art is of value only in so far as it is capable of expressing these mysterious relationships.
<<<

Leo Tolstoy, in his essay “What Is Art?”:
<<<
Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man’s emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but ''//it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.//''
<<<

Susan Sontag:
"All great art contains at its center contemplation, a dynamic contemplation."  (9/10/1964)

Friedrich Nietzsche:
"We have our Arts so we won’t die of Truth."

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September 6, 2006

I am so glad to hear from you – I know what you mean about our day-to-day concerns.  The months fly by before we know it so don't concern yourself with time – we will always communicate when we want to and when we need to.

I don't ever want you to be concerned about talking with me.   I appreciate your being considerate of my feelings but Randy, I don't harbor any illusions about your father – I was there.  I am quite aware of who he is.  Age has a way of taking the edge off, but Paul is Paul, and I suspect he will always be the same.  The truth is I am no longer in a position where I am required to regard your Father – I hold him no ill will but I no longer have or desire any type of relationship with him.  He is not my concern – you are – and the two are your are quite separate in my eyes.

You, my Dear are another story.  You have seen clearly since you were a child.  I swear, I am going to have to see you – you are still 10 in my mind's eye.  You have to understand Randy, there are incredible challenges to growing up in a family plagued with addiction but in the process you develop some pretty cool skills – I think they might qualify as super powers.....

You were developing these skills at a very young age – You are incredibly intuitive – you can sense the truth or lack thereof – an amazing capability.  You have vast reserves of inner strength – as a child you were able to overcome huge obstacles (leap tall buildings with a single bound...sound familiar?)  – You are even more capable now. 

You are decisive and usually you are right – I suspect you question yourself – you think you should consider things in more detail and not be so quick to rush to judgment – but old habits are hard to break especially when they are positively reinforced – face it you know the truth when you see it.   Given that skill, I know you are problem solver of the first order.  When things get disorganized or complicated everyone starts looking for you – your ability to discern what is going on around you was honed and developed years ago – you should be a master by now.  You are persistent and agile – you can go around, under, over and through problems – unpredictability is no obstacle for you.

These are not bad things Randy – these are your hard earned skills.  You do not have to define yourself based on the foolish choices your Father made, you do not have to explain, excuse or even acknowledge his current or past behavior and you certainly don't have to measure your life with his – you are not him.  Let your Father struggle with reconciling his life – the task will make you crazy – it is not your task to do.  Take your gifts and be thankful everyday for your blessings.  Use your hard earned talents to help those around you.

As far as your doubts about being honorable – oh Randy – don't be confused.  We all expect the previous generations to teach those coming up – you must have a terrible conflict as you cannot honor the example your Father set – that's not dishonor – that's your own conviction to what you know is right.  Child – you have been honorable your entire life – it is your nature.

I know you've struggled but you have to make a choice – either continue to struggle or leave it behind to define the life you would choose.  It is important for you to understand that you are in control of these things now.  If you are frozen or troubled by the past then you are influenced by memories – I know there are things that hurt you but what is real is that those things are over.
 
I know you have a sorrow – I can feel it in your words.  The best advice I can give you is recognize that sorrow for what it is, grieve it and be done with it.  There's no magic in this Randy – all that you could ever need or want is already yours.  As a child you learned to accept disappointment – don't do that anymore – you don't have to.  Change is always just one decision away Randy. 

I hope I have not overstepped my bounds – it is just you are so dear to me.  These are things that I have needed to say to you for a long time – I am sorry Randy – I don't know that had I stayed things would have been better, but I think they would have been different.  I want you to know that leaving you was one of the hardest decisions I ever made.  I wanted to be a part of your life and I wanted you to be a part of mine.  At this point, I have to have faith that God has a purpose in all things because these years cannot be undone, but I loved you then and I love you now and I loved you every day in between.  I'm old enough now that I no longer worry about what's appropriate or what other people think – these are things I have wanted to tell you for a long time so I will tell you now.
 
I wish I was there – I wish I had been there.  I want you to see the Randy I see.  If I could choose a son, Randy, I would choose you without a moment's hesitation.  You are not flawed or marred in any way – you are exactly who God made you to be.  You will find resolution in time Randy with your Father, your upbringing, your path to here...it will balance in time – I promise.
 
I love you Randy – I always have and I always will.  I will always be on your side and I will always be in your corner.  We knew each other by heart from the beginning and I still feel your heart and it is precious to me. You are not alone in the world – I will always be here when you need me. 

You will have to be patient with me Randy.  I am first and foremost a Mother – I have found that is my most important purpose in life.  I know you have a Mother and I am not her, but as I said, you are dear to me.  Walk in the Sun, Child. 

I Love You

----

//See my [[answer|2006-09-10]] to her letter.//

''About nine years later, my Mom wrote this:''

I will be honest with you – there are times I have been angry, times that I have been hurt, times that I have felt foolish, but I have reconciled those things.  We are adults and we get to make our own decisions about our lives and frankly, feeling all of those things may have been good for me as an end result.  I don't think that you should regret or feel in any way as though you have made any type of error.  You have navigated some very major life changes and in that you prioritized what you needed to do to take care of your immediate responsibilities – that is what responsible adults, responsible parents do.  Don't ever be afraid of us – we are here whenever you need us.

What I will commit to you is I am willing to let you choose.  I am not going to force communication when it is not comfortable for you and I am not going to be evasive when you contact us.  I want our relationship to be full and open and safe.  That may mean to sometimes I sit back and leave you to your thoughts.  I am willing to do that – you get to choose.  I hope that in time we can reestablish a relationship with the kids, I hope that you will abandon any fear you might have of being in contact with us and I hope that in time we can establish a relationship with Carmen that will bring this entire family together.  We are here, we've always been here and we will always be here.  I told you in the beginning, I love you and that is that.  That fact will not change, ever.  We will figure our the particulars as we go along but regarding the essentials nothing has changed.  I still see you and I still love you and I still am here.

Walk In The Sun Young Man – You Are Loved Everyday

Mom

----

Today, September 9, 2016, I wrote:

//I want to thank you for opening your heart to me and including me in your life and family.  The past decade has surprised me in many of its twists and turns (as life tends to do, for all of us.)  I have a strong connection to the young man I was at 24 – he is not altogether gone, nor is the younger 10 year-old boy inside him (like a Russian doll.)  But events, external forces, joys and wounds all layer on top of our lives.  I try to focus on all that I have to be grateful for.

You, and our bond, are among those beautiful gifts which I'm grateful for.  I'm sorry that day-to-day contact has not evolved (or sustained) as either of us may have desired or predicted.  I want to see you again, in person, some time in 2016 or 2017.

I love you, always ~

Randy//


''She replied:''

10 years. Mercy. That seems to have flown by. 

You are right. Life happens and events change us. Change our rhythms and our view. Change our priorities and perspectives. I think this is normal and inevitable. 

I think what is constant is love. I'm not always sure where I fit in your life now, but what I am sure of is that I love you just as much now as I ever did.  I remain here as I always have, as do J– and M– …

Relationships evolve and change. We will figure it out. I am confident because I love you and I am convinced that you love me.  I always tell you that I am here whenever you need me, but you do realize that need is not required.

''//The Scream//'' (Norwegian: //Skrik//) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch between 1893 and 1910. ''//Der Schrei der Natur//'' (//The Scream of Nature//) is the title Munch gave to these works, all of which show a figure with an agonized expression against a landscape with a tumultuous orange sky. Arthur Lubow has described //The Scream// as "an icon of modern art, a Mona Lisa for our time." [From Wikipedia]

In January 1892, the painter Edvard Munch described his inspiration for the image:
<<<
One evening I was walking along a path, the city was on one side and the fjord below. I felt tired and ill. I stopped and looked out over the fjord—the sun was setting, and the clouds turning blood red. I sensed a scream passing through nature; it seemed to me that I heard the scream. I painted this picture, painted the clouds as actual blood. The color shrieked. This became The Scream.
<<<
This memory was later rendered by Munch as a poem, which he hand-painted onto the frame of the 1895 pastel version of the work:
<<<
I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.
<<<
[img[The Scream]]

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''Frank Lloyd Wright''  (8 June 1867 – 9 April 1959)  American (Wisconsin) architect whose distinctive style greatly influenced modern architecture.  His designs included many private homes, such as Fallingwater (1935-39), and the Guggenheim Museum in New York City (1956-1959).  His "prairie-style" and [[Usonian]] houses, characterized by a close relationship among building, landscape, and materials used, revolutionized domestic architecture in the U.S.  Founded the Taliesin Fellowship and died in Scottsdale, Arizona.

[[NYTimes Obituary: Frank Lloyd Wright Dies; Famed Architect Was 89|http://www.nytimes.com/learning/general/onthisday/bday/0608.html]]

<<<
Man takes a positive hand in creation whenever he puts a building upon the earth beneath the sun. If he has a birthright at all, it must consist in this: that he, too, is no less a feature of the landscape than the rocks, trees, bears, or bees of that nature to which he owes his being.... The sum of man's creative impulses, we find, took substance in architecture as his creative passion rose and fell within it.... Of what use to us are miraculous tools until we have mastered the humane, cultural use of them?  We do not want to live in a world where the machine has mastered the man; we want to live in a world where man has mastered the machine!
<<<

 
"As the Iatmul themselves would say, theirs is a  "hot" society, generating powerful tensions that are frequently and dramatically relieved.  Gregory Bateson's reflections on the nature of these social and psychological tensions led to the formulation of his greatest anthropological concept, that of ''schismogenesis'' … defined as: 'a process of differentiation in the norms of individual behavior resulting from cumulative interaction between individuals' …

As early as 1942, Bateson pointed out that both individuals and societies are organized entities.  In the [[Iatmul|https://books.google.com/books?id=Gla_jPkN9nEC&pg=PA4&lpg=PA4]] [Papua New Guinea] researches, it had not been enough to say that the character structure of one sex was very different from the character structure of the opposite sex.  The point was that the ethos of one //cogged into// the ethos of the other; that the behavior or each promoted the habits of the other.  //All social, personal, and biological life has its own "grammar," or code.//  You can react //against// your particular code; but you can hardly behave in a way that is totally irrelevant to it.  Furthermore, these patterns tend to be ''bipolar''.  If you are trained in one half of such pattern, it is a fair guess that the seeds of the other half are sown somewhere in your personality.  Thus, argued Bateson, it is not that husband and wife are trained, respectively, in dominance and submission.  Dominance and submission are integrally (dialectically, alchemically) related; there is no pure dominance or pure submission.  The couple was instead trained in dominance/submission, as a total pattern …

Or, to take a famous example from Bateson's work, [[insanity|curse]] is just such a reaction to cultural norms.  Rather than being a "disease" that descends on the victim from out of the blue, it is a patterned, "logical" response that meshes quite efficiently with the surrounding family structure.

Is schismogenesis truly inherent in human behavior?  It is a compelling thesis, yet one that was completely disproved by Bateson's next anthropological investigation, that of Balinese society.  Without going into too much detail here, it is important to note that Bateson found the nondialectical situation of the Balinese totally unprecedented.  Their culture was not, he realized, susceptible to any type of Hegelian or Marxist analysis.  Balinese music and art are characterized by ''balance'', not by tension and resolution, as in the West; and indeed, balance seems to be a metaphor that extends to every phase of Balinese life.  The emphasis is on present enjoyment; the Balinese have no concept of future reward, and things are done in and for themselves.  //''Life itself is seen as a work of art.''//  The best metaphor for the Balinese way of life might be a tightrope walker constantly adjusting his balance pole …"

-- Morris Berman, //[[The Reenchantment of the World|https://books.google.com/books?id=cUS2tQc7nYcC&lpg=PA230&pg=PA212]]//, 1981

//See the [[transcontextual]] concept also named by Gregory Bateson//

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The word //dialectic// shares its etymology with //dialogical// philosophy, that of Martin [[Buber]].

As I understand the philosopher Hegel's explanation of the dialectic process, it consists of three phases, from the //abstract, // through the //negative, // to //concrete// truth. Hegel's term for overcoming the negative was the German //Aufhebung,// often translated into English as //sublation.//

Abstract–Negative–Concrete
Thesis–Antithesis–Synthesis
Immediate–Mediated (Opposing)–Concrete
< //concrescere// 'grow together'

From Wikipedia:
Fichtean Dialectics (Hegelian Dialectics) is based upon four concepts:
#Everything is transient and finite, existing in the medium of time.
#Everything is composed of contradictions (opposing forces).
#Gradual changes lead to crises, turning points when one force overcomes its opponent force (quantitative change leads to qualitative change).
#Change is helical (spiral), not circular (negation of the negation).

Fichte, Johann Gottlieb (1762–1814), German philosopher. A student of Kant, he postulated that the ego is the basic reality, and the world is posited by the ego in defining and delimiting itself.

Professor Duncan Munro Glen was a Scottish poet, literary editor and Emeritus Professor of Visual Communication at Nottingham Trent University.

Also the "editor and publisher of the literary magazine //Akros// which he founded in August 1965 [and edited through 51 issues] ... A lecturer in graphic design, he had led a nomadic life," according to his 1969 authorial bio in //[[Kythings]]//, his fourth poetry publication.  This work was "largely extracts from a long sequence entitled //In Appearances//.
<<<
Not unteasingly, I once put it to him that
if there were a spectrum in poetry
from the laconic ''Emily [[Dickinson]]''
to the expansive ''Walt [[Whitman]]'',
he veered more towards the former.
He protested that he ''belonged "with the bearded one"''.
I suspect that in time we'll regard his work
as featuring more than a bit of both.
<<<
from his obituary in [[The Scotsman| http://www.scotsman.com/news/obituaries/duncan-glen-1-1091900]]

''Poet and cultural worker''
Born: January 11, 1933, Cambuslang, Lanarkshire, United Kingdom
Died: September 20, 2008, Kirkcaldy, aged 75.

"''~MYRIAD-minded''" is a phrase that comes to mind in any attempt to sum up Duncan Glen. It was a favourite of his mentor, Hugh ~MacDiarmid, and it helps describe this poet, publisher, [[bibliographer]], graphic designer, typographer, visual communications educator and artist; doubts will remain that this list is exhaustive.

Only last May a varied crowd gathered in the Scottish Poetry Library to launch a "Festschrift" – a book of poems and essays in his honour. Its contents reflect the range of his interests: translations of a Sicilian poet into Scots; accounts of exhibitions of his publications in libraries from Scotland to South Carolina; the score of a song-setting by Ronald Stevenson of one of his poems; and an account of his wider cultural significance by the historian Christopher Harvie.

Duncan Munro Glen was born in 1933 in Cambuslang, Lanarkshire, the son of a manager at the local steelworks. Many of the poems in his earlier collections, In Appearances (1971), Clydesdale (1971) and Buits and Wellies (1976), draw on the drab landscapes of his native airt, but there is a wonderfully transforming quality to these pieces – most notably as regards one of his most deservedly popular poems, the deeply moving My Faither:

//Staunin noo aside his braw bress-haunled coffin
I mind him fine aside the black shinin range
In his grey strippit troosers, galluses and nae collar
For the flannel shirt. My faither.//

The last line of the following two stanzas ends with "My faither" as a refrain, then we come to the last stanza, where we

//See him and me baith laid oot in the best
Black suitin wi proper white aw weill chosen.
And dinna ken him. My father.//

That melancholy journey from Scots to English is instantly universalised. Glen would sometimes complain that his other roles got in the way of his being considered, above all, as a poet. Once the reading public has fully taken in his Collected Poems 1965-2005, which appeared from his Akros imprint two years ago, his spirit should rest easy on that one.

The 1950s saw his first period of residence in Fife, where he married Margaret Eadie, daughter of the stationmaster at Markinch, and worked for the Kirkcaldy printing firm Allen Litho.

He attended day-release classes at Edinburgh College of Art, accompanied on his journeys by copies of William Maclellan's Scottish literary periodicals, which he bought at the Kirkcaldy station news-stall. These elements came together when, in a basement of the college, he designed and printed sheets of poems by ~MacDiarmid.

The elder poet's reputation – then limited – would be boosted by Glen's full-length study, Hugh ~MacDiarmid and the Scottish Renaissance, published in 1964 by the Edinburgh firm Chambers.

By 1965, following the foundation of his own small poetry press, Akros, he seemed to be following his mentor as a literary and cultural activist; his own poetry, though, eschews the dense Scots developed by ~MacDiarmid in favour of a more relaxed, conversational idiom. As editor and publisher he had catholic tastes: this did not prevent him from being caught in the crossfire of Scotland's contending literary factions. The jovial, easy-going Glen was forced to reveal himself to be as feisty as the best of them.

He was always his own man. He not only survived but triumphed in difficult times, aided always by Margaret, who was his colleague as well as his companion; she proved a sharp-eyed proof-reader and efficient manager of the business side of Akros Publications, as the couple's authors (including myself) will warmly attest.

Akros the magazine came to an end in 1983; three years later, Glen took early retirement from his post as professor of visual communications at what is now Nottingham Trent University.

His energies, undiminished, were soon rechanneled when he took over the design and editorship of the newsletter of the new Scottish Poetry Library, his haunt during the Edinburgh-based years of the late 1980s and early 1990s.

With Peter France he co-edited the pioneering anthology of translations by Scottish poets, European Poetry in Scotland (Edinburgh University Press, 1989) and relaunched Akros Publications.

At a time when literary publishing was increasingly sacrificing the aesthetic to the commercial, Glen took on new Scottish poets and asserted the status of the pamphlet against catchpenny gloss, before a cornucopia of publications issued from the Glens' new home at Kirkcaldy, to which they had returned in 1996.

He discovered a new career as a local historian, and I spent hours with him in a caf in the Pathhead area of the town, putting together the Fife anthology Fringe of Gold, published by Birlinn earlier this year.

At the launch in April, Glen was at his most mischievous. Then in June came the diagnosis of pulmonary fibrosis, but he was bearing up remarkably well until, last Friday, he suffered a stroke and died in the early hours of Saturday. He leaves behind Margaret, their son, Ian, and daughter, Alison, as well as two grandchildren.

Not unteasingly, I once put it to him that if there were a spectrum in poetry from the laconic Emily Dickinson to the expansive Walt Whitman, he veered more towards the former. He protested that he belonged "with the bearded one". I suspect that in time we'll regard his work as featuring more than a bit of both.

–TOM HUBBARD

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nCc8Phj3YYH+08LDETwmNr1qeHo/Wp1qGIWDhhVOGCws54mjOmqM4yjQwdOFOj7OcpU1KvKtKVM7C0g+z28cRwWALysOjzys0s8gwqAeZO8kmFRFG7CIigKP6wyelmVDKMpw+c4tY/NsNleXYXMsdFUYxxmNwuDoYfE4qMcPg8vw8VXq05VVGhgMFRSlanhaEEqUfncRV9tWnU1UW1GCe8aUIqnShvJvkpxjC7lKT5bylKTbcldBAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFACMdvqfoCT1A4ABOOeT0HU8ZIirVVJXalLS/LTjKpVfvwheFKEZSlFOa55bQ0crRblFpX8vVpLZvdtLpouvTXQi2zv57B7iIu3lxxyGzAiCZXz4GjhuCfN/1gW5Mh6AxRcrW37qHs1y0pKN5ylBVvfc3zOFRSnSScXdN0lC7bfPP4ir04+zTVOaiuaUoKu3NvVU6inUpJcvw3pcqtb3pu7KGnNBBPqs7tbyXOl37WOpz2h+ZkksLXVknvLOC3WNL4x6lbyzCKMSm2eOZ7iWMLHW2KqqpTowjKapVKKrUqdT3/ZVI1Z0JUqdWVSVT2PLRbpqbcVJ6U4OTkbVZRrKFKiuSFWnCpTpTk5OFaEpUnTjVnNNRkoScFJyi5OKUISl7mbr3jDwRa3F+x1KEaz4elgiY2GmPql/Yy6ra3TRTQWltC813HNF54kMRmSN4wHEbODJx8U8L8d5xw3PLeF8+xXCOaZ5SxMcpzv6pl+Z0qNeEJYOFXEZXm2LwmX4mnhMRiKGJhSxlahSdWnRnObpU5cmuGoYyi6VPE026GLguelWq1abq04VaMo0ZOEKlSjdxpzjanHmhLWUlFRh5Yvxh1vxP4tGk+Evhjrmv6ebIT6drVzexeGNTkmee/s7jUZrTURJbadp8YgV0SeL7Q0Vw6NL9neWzm/MofQE4EzWGKnxh4yvDeJNH6xjc6xUOCs4p5jiqEo4fCY6SxuVcZLI5Rr5/icZiHh8tmsYqdGWFw9etltVSn7EM1yzB04YepjZQrVpxdWh7CvXwaoRvP2DX1SniJzjOlriJ4mEHaFRYaFenTrRr3fxWu9Nu9b8UaX8PtU8Qa4j6Zb6hqT+MNavrK2axke406G303TNBh08an5tszXK2VrJFNNDawXNxdRTBF+xwX0MuBMBmWCzXPvE/H4/iTLsdLMMtzjNOGM9xVbAYx16GNhjMNh6PF0qaqYXFUMvx1L2lV06uIwVHmwNBxmp8uI4tVb6nkmDlhqmVRnWpqjhsJ9WcVi4uNfmq42hicTUU6dfE0/dqRnBOMo1OaFJw9H+E/iD4teK9O+3eO/CY8GxXMEtxpV3dXNs+u3FnJMr2ttrXh6OKOPR76KKZgWMgmlERaex0+UmCvPz7hDxGo8VVcvyjxJw2Ky6eWY+hPjTD8E08JiqsaObYxYPLf7Lxmd1cujUw9KvCvhsxjllDEYjD1lF1KssPXnPLNafDWHw9OrgK0q+Ic6CrZZes6VFyw/NVrRxzjea54wpzw/PU5Kjm+eK/dQg+Jnw5bVtK1SXQoob7xdYQx3PhwyxMj2uoReTcpdRtJO1rdywNAl0lhfpNp+oeSdNvIJLS8uI2/NOEfozcA5b42Rw3EXGSzDLZzpxxeRY/hLMM2wkqT4RzXEyqVIVM3xUcZiJ4x4XMHSi2uWhKMMPWq8kYd+Q8W4rDU44erUnhctxcalPGSjXjGE1ecaKlahKdKPtJ8ntafJOnKUa3taTpKpHS8H+L/Ed9bWUvidYLOZreCW/ljhOn6YCwtQ8yW2o28eq6RHcCZZodL1uVNVtWnSCU3URt724+gwvFPjJlnibhMHis2nxR4dYt0cXVzz6nwjkGDy+GJzuWGnlc8s+p1OI6zw2TU4Y2jjnjaSq4jGQw1aLlTc4ceZZNldPDznl8/bSgpRUWq7xHNGnUqtSi6vs6ns1FqpWoUnh+SnKV4TjVhHsK/Wk1JKUWpRkk007pp6pprRprVNbnihQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBxOoa1rnw98S6+bfwX4m8WaH4jvv+Emub7w3YC/u7O4ew07SZ4Hje7je6uYYtKh8qwhgiJsfsr209zOLm3j7qNOhmlCCrYnDYHEYWnTw1D2s406NalCM5XqudRzjUc5NupThKLbs6d3zLop0qGIopyrxo1oe6vaSjyyUY+7FpuLUea1ppS5U5JxnZW4rx3qHw18U351/RPhv8W9b8WWnmbbPQdA8Z+HbG4vJI44/+Jrdw2XkKtqkSky2cTlleVovPnbj08twmOyyll+X4nMsmw+W5bjKmLwSm6dZYarUrvE1JUadR4ejVp1q1R1JUsVOpTitPY+zvTluo4qjVoVMVVhONCUZRlLn5naVO0ZTl7NpJRspOUnHZcytav4e8H/EvUPDp8NSaFpvgrRNf1K2sk0rQdRN74ykN1HYyza14y1i91SdNN8MeHrGLU7n/hHNG1W78T6zqx06GLVNCRrqOSOJ+L5YTPcNmeFdHNczXscHhnjqFGeHhB1sYp1qWGwtTBQlCFKVSs69KnOCpxnKle8k9688JVbxGJw05QoUUpOFSrTp3TqqMI/vXN1alStBTk70401FxknzRq+keDPg/wCFvA92uoabLq2pagk95PBPrN+slnYtfBo7iXTNA0230zwxpl/JbvLaz61YaJba9qFtNNBqmq30c84k+IhwjQy/N553k9T2WMxNak8XSxclXw0qFPC0sGqVBSo1K1BqnCdX2lOrDETrVJU54h4RvDHHiM0qYmk8P7GjhqDjFSp4V10qk4VKlSE6ssRXr1JWdS3JzqilCE1SVVOo+rr2Vey5rc1le21+tr62vtc5SJbSJZGmwXlbndIc/wAO37owoyvy9OleVh+D8nwuZYrO40qmMzfFSlOWKx9aVWKnLDywkrUKapYeMZYaXsJJUfgWlpOUpW8RUlCNO6jTjpywVuvNu7t+9rvucp44XxDYN/beg3Hl6hF5cE+ny20U2meIINzbdL1a3kRCzTwiW2sr63uLS6tJXUzTT2ivav8AmXGHiD4i8F+IPAVPG4jCy4M4i4/4X4V4qU8pwlCay/Ps3p4CriquOq4ahT+uQyuhXpYPEYmtKhToYKrHFwnKeHxWF9vII5ZjqayzMYt4TnniIVoVFDFYGXs3GdXC1pKp7Okqk6dfEUXTqU6rpRcYRk5c/T6Rf2+q6baalZ3MN5Z38QvLO5twRFLZ3RM9oRmWbLJbvHHKQ4VpUcpFApWGP9go1MPUp054WSqYadOjUw9aE1Uo16NejTr0q+GqR92eFrQqxnh5R9z2TioOUUm/GxmFq4LFV8JiKc6VfD1JUa1ObvKNWm+WpZ2ScZTUpU2rp03G0pL3nZqjIKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAgv7H7dEiC7vrGWGTzoLmwuDDLFL5UsIZ4nWWzvYwkzt9k1G1vLIyiKdrZp4IJIwcZcrvaMrppqSutfxTW6aaa72ug+xF4fIuLu7uF8xJPMMi2s5KOHCNJp6WYMRIUNHsAkTdHMZI3Zar2tpc0KdODStaznG/e1WVTX77dEipVItqUKVOm7bRc5R3TTSqzqNSXfma20Wt0gsLG2uPMht0E6wsgncvNNFDK0WbeCSVneC2ka2WR7eFo4DLEkhjL5auWpi4yzSVKSUqkcJCviKspSc6br4irTwcYR1io1XSzB1ZLl5fZUovmi1yOdSrUp+/OTjz6RVlFtR96TSsnNJxSk05NO19CKPVZJ9R+xRQqY0GZZC43KCMqdpAPO18euD1xXxuW+LOY554lQ4MyjJKFbK8PTnPM8znjUqtCEqEa9Gaw840pObVLEcsVzXg7uMnys2ngIUsH9ZqVJKcnaEOXRtOzXNqtLxLtfdHKFAFLXdGt9d06bT7gYSXDcbhuKhsKzI8UgVtxBKSIwzkMK+X8VvDbCeJXDDyZ4l5ZmGDzLA57lWYUaEKlSlmuVurUwftLVcNV9nKdWUXOjisPWpSaq060ZQ16cqzKtleMp4ui/ehddHZSavJKUZwbVrpShKL6xZnfD2yu9F0C18PXWntYLpP2+KzTdG0Saeuv63babZwbEjZ4rPSrXTjDM6BprW4tizPKsrt7PCuHr4HhHg7AZgnSzbBcK5BleZUJzdWq8fkWQ5NluY1qldzq+2lUxkZ81RVasJv36VevTlGZpxBiY47NMVj4VVWWKnSqSqKMIc83hcPKcnCD5acpTlJTpq6pzUoXbWm9XecQUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFACFvnVMNllZtwU7BsKAhm6BjvBVTywVyOFNLm95Rs7uMpX6LlcVZvu+dW01SltbUFpgBIAJJAABJJOAAOSSTwAB1NTVq06NOpWrVIUqNKE6tWrVnGnTpU6cXKdSpOTUYQhFOU5yajGKbbSTBJtpJNtuyS1bb2SXVszdV1D7FZXepMd8YVViiTG/wCVid+QCzAQ75CgJPzPjGAR+aeKvHuI4R4O4l8Qp2zTBYiGByzIckwcqCxlWqsdN0MSq0I+2rUXlc8XmM8LCrUkvrGKmlTWHp1qXbgMJ9ZxNDBR9yfM5VJyvy6pLls9E/acsOZ2Wkd7tOr4PMrW99qV9CIJ726VI5JEETta2qJCqSkSunnW9zJdQybY7YAr5YjuPL+23WH0baGMy3hPFcUca0auX8ScS4ur7fE5rhnlcp4DK80xmX4OEqVbCYDD4WvQhi6VKsqNOCxMPYS58VVp18TU24hcPbYfBYWUp0cJSvKMZKpB1sR++dSjZe09jUoxouPtZVJtqVS9OE4UKWu11EZUhjlRpCysyIyufLztOQCSBkgZwOo55r7zF8W5RUzTA5LlubYPFZlUr0K+IwuDxGExdaOA9s6FaVWnCpUqUYe1lShKpyRcXOCU05JPgjQqckqk6cowSaUpKUVz2urNpJ6X019CRmCqWPQDNeriK8MNQq16l3ClBzly2u0ui5nFXb0V2iErtJbt2MzU/GnhjQ9Kudc1vWbHR9LtZjBNd6jPHbxibCEQxgsWmmfePLhhDyuc7UOK8vw541yXxVpYqfBjxOZVcFmuIybEYRU6bxVPG4WOAdZSp0K1eMaMHmeChKtOcYRnWip8l1fWtgMVRmqcqd3Kn7VNfDyPn1cpKKV+SVk93ZRu2kO8N69ZeJLP+1bFLhLe5SC4gW6iSC4FvNGTAzxKS6LPCFu40mJfy7hGIUkKu9LM6dXjHi/hWpVjVx3BtbJaeI9lVg6dGpnWUxx8qCUFCu3BSXt4YmLh7VUpU1+6hKLxWHqYalhufarTlJW57S967l72iab9m3BL4GpK9zSr0DATI3BcHJBP3SVAXaDlsbQfmGFJDN8xUEKxBfVLXX7lbv8A5bvtZOwLQAUAFABQAUAFAAO/bn8+B+XPHfp70lvL1/8AbUAUwCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAZJHM0tu8c5ijjdzPD5aOtyjROqoXYeZC0cpjlV42+YI0bowcMkyjJyi1PlgubngkvfurR96/NDlevu7gPqgI7uNpreaFDtMsbx5/30YYHHU9CeNoJPUAHzeLsvxOccOZzk2Eq+wrZtluOy72vLJtRxmDxFJxpvklFSq/wZTk4+wp1J1ot1IU4VLw81TrU6kldU5xnb/DJPX03t1aS2u1i3VpLqssekNIUVZGkuHQgkW0IaCVfmDgNL5nlKyqHQyb0dGAZfxrMsjzPxD4syHwuxE6EqWT5jjs5zluq69HD5NkmDxvD9WrOFZYilPEzxuZ4enhoxwqTxFeFWVWjBTkvSoYiGApzzFR55SgoUVJNJ1qjVWDtFxbVPk53GUnGShyzjKLcXa8WWif8ACJ6xHa5s2sNJubmwa0CQm0l0+2ee2+zgbEjRfKEJjBSN4GeB8ROwr9N8ZMrwOI8JeOKM0sFhso4XzLOMPPCU4U5YJ8PYSea0nhIxpyVFqOCdBKlCMvZVJ0oShz3WGQ1ubiDLKmIjHFfWMxo0sQsQnV9tHGVVQryqOXNNzlGtOSqa1I1LVI3mkM8J2sZ020vmLvdTQRCdmO4GR44pnIyuR87YARjGBwucDHyn0bOEOHf9WsDxxl88biM0zGjHCYyripyqQnCrTwGa+1isThKeIpVFKpTjy0K8sI1J+7OrHnhef15rGYjCpRjQp1ajpJKzUIzqU4p2dn7q1coqbertc0b2ZYYTu4yD2zwpBI6jk5GPxr7zjfPMPk2T1JV+ZRrwnJyVNzXs6E6LqQVpw5as3UhGne6fvXaaTOLDUnUqK1tLdbatO3TZWdzzH4i+HF+JHiPRvhTbLG2n6TqEfjXxrqTt5f2Wzie2trHTLGaJRIbm8Y3okTaoheO3nDsIZDF6H0fPD6HgVwhxFxLmc8LXx2d53m2LyuS9hXksXj8JklfE1v8AkX4T2OCwNbJ6bSc5O0Za13Woul2YrFzbw9acJclSjRUad5pypwqYhQ5l7Rrmqpyak4u0GpR+JxfUeCfGGjeILi/vtAmebR5dQuNNs5WRFgnj0BpdBkurNouJ9PuLjTJpLO5Z3MkasBtVREn5HlviM8r+kj4lYF4ipPBcR4vhWvS9vCuqP+z8C5eq03TXKoxr4iPPTrTcpx+q1lKlT5rS6c1yutSy7L5V/ZOq8N9Zk6MnK316s8ZGnO+kKtOGIip06ajDllTmubn55dYM45IJyegI4ydo5LZIXAJz8xBICg7R+yQU1G05Rk+adnGMorkc5OnFqU6jc40+WM58yVSalUUKakqcfGduiaVlu762V3olo3dpW0VldtXbZH2GMnaFaQRsWYrjflU2gKwZnl8uMKxQfOSGLAI6nvFvWOsJR6PncbNqzu7pRV7WU5O+lmXtbzfbbR79v87LdodVAFABQAUAFABQADPOSCM8cYwMDg8nJzk5wOCBjjJS3fr+iAKYBQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFACE46ck9BnGenPsBkZODjsCSAYq1eRcsEqlaSbp0uZRcrOEZTk7ScaVNzg6tRQm4KS5YTqShTmJfd1f9dXbRaX9NSlql5LGsdnYr591cO0TLGocwhkJaaZdhjRQWDv5rQq2Qu8FxXxXinxVneDy/D8JeH2B/1h4ozbEzwGY0cvp4bFyyPDY2n7KtnOc4eWGnltChHF5hhsZiqeZYrKqWIhNxeIhTxDqR6sDh4TlPEYqXsqFGKmnNuPtGpJRp03zKcpNRcY+zjUas3yvlYaRpX2HzbiZt93c4aTBcCPekRkjI86SJ5GmRneVAi4KxouyPc+nhH4U4TgXC1s+zCNStxpxFSWM4gxUsTjXGjisxw2V180wLwqzfMconVWaYGdapjsBTo06jkqOGUMHTpwkZjj/rXJRprlw9C8YXUW58sqihJP2cJxiqcoxjCTk7qU5Pmlyxd4gjE2h6vAcf6Tpt5aKCQA0l3A9vGmTgZeSVVHPJYV6/ifWp0fDrjdVXZYnhfOsupd54nNMDWy3CUl3lVxWKo0orrKaV0TlM3TzTL6qv8AuMZh8RKyu1ChVjWnKy192EJSfkg0O3e2sUiZBGqnEajHEYVUUDBOAFVRjjGMYryfAzJ81yTgqng80w31bmxdSthItwc5YZ0KFClKXLUm4v2WHpJxlyyUlJOKaY80qxrYqVRSc21eb11m5SlJ6pXbcm767jNb8QaRokYa/u4o5XlgtYIQstzPJdX3mJZW4tLVZbqZ7t4pBFFFDJI8cNxOqeRaXU0H2dLLZ5rXVHDUqdbE0aVduU5U3TwtGeHqOrWxVKpiMNGeG5KdqkZTSk+SKlBtTjGFwlfENcsZKm3dybjBSjCUfaOnOdo3pqScpXUYuUYyfPUpwn5B8a/ihoX7O/w58VWOmXaTfGDx7pWv6/pOmSCbUb+KeSGZH1PVtRt4mtLXTfDyu8NneateW1tqWqj7JYGaWY259PNsYuI8ZgcFXa/sbA0MPltSSdSlQwuTU3GjjczqU3UhVpUpQcq1aSnSlCKhGVVVIuS1quGa4hYCE5qjGlVdCnaUYy9s6dCVaMZOKh7RqlHeMnToU4vlesNb9mbw/wCIV/Z0+D9/q8Ma+If7Bu9Zkitkt1W90/xPrV/rWnXQ8u58hHn0m/s7+QFppGWaeHyhcuFT8q+kR4Tf6z43IONOBIvH8Q+Hc8Rh8lwuD5E89yzHPKcuxijXxmYUMN/s2X4GtXSrRxtbH4R1sFhXPE1cJJ6ZfWpZbLFZVXlH6tJQpuo23GjUw8ZNK0Y1pPnn+7spxUKqhOc1CE0/UdPvEvbZJ1PJaSN15BV45GjdWVlVldGUq6MoeNw0bgSKwH1XBHEn+tWQYPNqlKrhsZKeKw+MwVWnUoVqFWhipUrVqOIw+ErU5KkqdR050YTourOhVj9Yp1Ix5cXh5YWtKlJaJQnGWjUozgpxlFpyUoyTUoyi3GcXGcW4STck0UcyBZFLKskMwCkg+ZbzJcREFSCcSxIdudrAbWBUkH2adRwfNCSXNCcObRrkq05U573WsJys1qvii00mYz+F35ny2laKTk+RqVknve1ree6eo+kmndJptOzs9nZOz7OzTt2aezGFABQAUAFABQAA5yOeDj68A8fnj6g0lu/X/wBtQBTAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAEd0RSzsqKMZZ2CqMkAZJIAySAPUkDqazxeMwmAw88XjsVhsFhaTgquJxdelhsPTdSpClTU61aUKcHUqzhThzSXPUnCEbykk3GMpNRjFyk72UU23ZXdktdFq/Ije6QSRxqUd5FdxGZFSXC7cMI2wxQ7uW4AJQc7wRw4viTCUa+Dw2EeHxmJxlOdWGDeNw2Dxvs1FTo1FhMXKnXlSrxVT2dT2ajJqnytqpFlRoScJzkpRjCUYuXJKVO75rpzjdKSt8PVc23KFzO0MDyLFJM4B2QwBZJJGAyEAYom5uh3OqKMsXCgkLP85q5XlFfFRwGMxuMm3SwuXZXh3mmLxFVrmVD2MYwp8zjzfWLzdOhRVWv7WVOlOcXRpKpVjB1IU4trmqVW4Qgm7OTaUpWW6tFyeyi20m2ztDBullIe5lAEjDDKArMVVGKI5GCNxflioOFAAHLwbwhPIXi82zWtTxvEua06dLMsVTdOtRp0qGIxNShh8HiqmCwmPqwdGrQji6uLcp4mthqU1CjTpUqUHiMQqvLTppxowbcIu6bbUU3KKlKKd0+VR+FSau223PXumRW1WREgijfGJ7mGMAjgspacZPRf9TnJxkgDqcV834o4yjhuHcJhq/snRzPP8mwdRVpKFOSpYpZhCMpylGMVKtgaUWm3zpuHLJSaN8DCUqtSUb/uqFSba3SklS0W7/ibL12Vx81zFa2qyuwjjCZMrD9xBGsZkkuLiTckUNvDGjyyyyyxIQuxX8141b2cDUjTy7KKWCoTxEsXSwFHCU8JRnXjL6xGkvbP2EXBUoxm60pylBVdKdOTrVacZZxpupUqXa9zmlJOSjOVpKKp001KUqk5NQjGMJtXc5R9nCco5Ed1BdX9zql5ZzvpmiSBNELWFzLqGr6y9jK+oarY2YtlkvGTTytlpk1hFIphOrFHW3UJB68MDHB4Ojg6FWnLGY3mr5jVlWocmFw/tI0qNLE4iM+WjVq1uapi4VXTtfBUY01pGe1R1aVOdKMoqc4r26pOUoYbDc65aDneajTdWovae/zSqNQm5ynep8cfH4x3n/CSa9r1mdf+O3xd8V6TZeBLG1jvPE7WHgTSfDmo3evaJ4TTRvtFrc6Rq9rpPleG3gill8R6xBe3WnNcFLjHr8V5ZleU1KdDL67p5dmvDP8AYGKzDEf7PTy3GY+pivrFbFVqlDDrA1MNRisViJ4inPEYaLc6tB8sororQpYXDLGUqmFjjKNOtRhgYVYPHyjGEK+HnTw8X9YlTdeNalOan72IdOK/eOUl9uaRpdhomk6XoulQJa6XpGnWWl6bbR/6u3sLC2itLOCP/Yit4o41/wBlRXzGFhTp4bDU6VSValToUYU60pxqSq04U4xhUlUilGpKpFKTnFKMm+ZJJnBUnKpUqVJ355zlOd735pSble7bvdvdt93clZViLSIh+dt0mxcknaAX2gFnJCopC8kKCBkHPJXwmHyqpi8ywmDqXxddYrMY4ChGpWqVY4eNGpjHh6NGeJxtWtSwuCw9WjQbq1I0KM6cHOM5SFJzUYSkvdXLDmdkle6jdu0UnKTTeiu79CvqGpLZQPIlrf3kwjkeOzs4UNxOwXIija6e3tkdmIVGmuIYQ33pFUEjyuLOP8t4cw1NPLuLsfjsVTrvD5XkuR4ivjqzk6cXJ1MbSo0KUKdSuuScMVGMfZ1I01UVJQNcHgpYmrGMq+Ew9PnhGeIxFSXsqUW7Oco0I1a0oxS5pKnRqVGtoNuxV0e+uUnsdOnF0sT6R/o0d7BeT6gZtJktrLUbi81aYpFOsjXVm0AuLa31C8dru9AkgEi2vVl+e5rPPY5ficvxMMtxGFqzwlerRXt44jCf2fRrxqV3WpKdKNWrXcofVZ4yU3Kq1DC0KsoPFYelTU3CrSqSjU950Xely1VKpSUUuZRly3TSm6asoqUpXb1a9o5woAKACgAoAPWkt5ev/tqAKYBQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAjoHUqeM4OR2IIIP4ED61ljsHTx+FqYWo3GNR05KUbNwqUasK1KaT0fJVpwlyvSVrPccZOElJdL/ADTTTXzTZXutI06+8s3tpb3UkKqIZriGGeWIq0bh4zKjhHLxRuXRVO9FYYKqRx5rwrkWdOpPMMBSr1J0YYdVZOU6lKlTd4xpe2dWFOduaPtowVblk17S/vGtDH4vDOX1evUoxm2506VSdOE73XLJQlFyik2lGTat6smht4bcMIkCb23uepZtiR7mJySdkca59EX0rbKMiyvIqMqGWYb2EJ1HVm5VatacpulQoN+0rTqTSdLC4eDjFqMvYwlJSqXm86lapWt7STlyrlitlFc0pWSWiXNOUvWTfUfXWSFAFfUIhIlu7FRFb3KzzFu0SxTIxXDKdwLqQF3McYVSSK8bjLI6ue0+HqEadKpQw3E+XYrGKrUhSSw0qGMwd4SnXw7dT2+LoRhTpzdWc5JU4TkuWW2Dm4yqxSk51qLpU0us3UpySejVmovV2S3bSuYmr67PfeItJ8C2UES3M+mxeJ/E63A8xLPwvHfCyXTDHbSXKPf6xco1iqSO1pdWVpq7QmbYfK+lyPLaGAyWpnFaFTDql7PLMsw1Kabp5p9Sp8lSU51JKGHy+hBSjOlOUvrKoT5k3KU6jGnTdWtzKqlKpRozs+WdVxaWIi6tOm1DmcqlNVKdOUEvecalNRdD4qeIbux0S+tNKh1yFLOGOPUr3w75NvqS/aVjMOg6fqHzSaRNdo1vNf63bxyDRLRrSXMc17bXEHfwjldHFY2jUxs8DJ4iU3hqGZSqSw79nzxqZjXoU5R+tKg1VhhsFOpCWOrqtGLlHD1adSsFTfPKpUXtYyUpxi0qkJyXPTjUqQldXu6ig6sVKznOFmuePC/DnwWlt4rtdV1Cy07VNWvNM+z6j4kn0iKGfULGZbixm0TRre5je40DQYZrieV5Y4LGfWRbWljsj0iOGe+/EPpDfSEw3FnihkHhnw1TccHSqYVY2jN1HVqU4Z1xJkmKVSrjcjp1FJTxNGrWq0cfVqYia5IV4Rq1sYfQyy7CYDIsXia05TzOWKSpqMlGnhV7HC4tVnyVp08VUm4uhGhaCwinUrVIVa0KNPD+024IghBOSsaKTjGSoCk4AAGSMkD5R0UkYJ/R+G41afD+TUa8lOth8tweFq1IxjTVSphaEMPOp7OFOnTpucqbnKnRi6FOTcKE6lGMKk/lq1va1GtE5yaW9lJ3te7btfRvV7tJ3Q+u0kCAeCMj0PNKcIVIuFSEZwkrShOKlGS7OMk015NBe2q0Y2KCGAFYYYoVLzSlYo1jUyXMzXFxIQgAMk87vPM+N0szvI5Z2YlRpUouMo04RcI1IxcYpcsasozqJWWinOEZSS3lFN6oblJ7yb+Hdt/CuWO/8sdF2Wi0HVQgoAKACgAoAB3+v9BSW8v8S/8ASUAUwCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAobS1bSV0tXbVtJL1baSXVtLcAoAKACgAoA534r+KZvBfw/8AEXiW2torq702Kw+xRzwLcwx397qthp9jdywNLD5sdhd3cN8yrKkuLc+UTKEB7eHcvwuaZ3l2BxvtPqlfEJ4hUnGNWVKlGVeUacpxlGFSap8sJuL5JNStdDjzcy5Pifuq7kk+bRp8vvcrTakla6bV1e5X8HaO3h3T5dAaIy+IvER1Lxf4vmtLkwDTLnXHeILbSYmfz/NibT9GVzbxXiaRqd81zDLA0M3RneaU8zzGGJjJrAZZRw2V5RCrSjVVfD4BwVN4qPNDljWjKpicQ1Cq4OrTwypzjacdZVJzqU6s3TcYVYx9+UnTlJNTm+X326a91SaScqfJo5XRpJo2ha1LYTnTY3s9GVINNSWFBbM1rJEbeeGMgSCGxMU0FkJNkbtJPIbdoktJ38SnxBi8XicfgMHXxcYRxFGri8ZTm1hsbzPBYxVsNj8FjuadKbeJwmJpVKKVfF4SpRnL6tTqRxWteWKwd41KyderKVarGPLJ0ZVqbTUvdcFXnFwqTdKT9ivZpTVb2kKXOfDzSruxm1KzvxAJ9J1rVNKt0gV1WPS7K8jTR1YSKHLvpZsp8jCbZcJlQHb+YfCjgPEYDxhzjG5lKOIzjKsdmWU4us6lWdF1sLxHg3W9lKrQhiJQqYmaqUalWcalSinKrTjVSv73F+Ow2Jo4Gtg/aKhjsrwGOqc7h72NxGGnLMHFQfIoQxyxNJLe9P3rO8Y9wiCPBwcvhWx90Eb23c4xknbnGT8gPSv6XwOChlnsZOM3XxkaOGxUqUnLDQq0li8RGu+d0+SM51Z4b2ipyq1pSwVKatDmXzEpc99dI3cb7tPlVtL7Jc1r2XvMfXaSFABQAUAFABQAUAFACAglgP4WwfrtVv5MKS3l6/8AtqB9PT9WLTAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAEY4HHPKj82AP5A0Jfk39ybFNuKTS15oLXtKcYt/JNteYtAwoACAwwwyD1B6HHPPr9O9TWo0sRTlRr041aU7c9Oa5oTUZKSjOL0lFtLmjK8ZK8ZJxbTE2ndOz7oRc4G4ANgbgpLAHHIDFVLAHoSqkjnaOlOLk4xc1GM3FOcYyc4xlZcyjNxg5RTulJwg5KzcYt2QLTAKACgCrrGlWes2kVpfIZIIdU0TVkVSFxd6DrVhrthISSBtivtOtpXGeVQgAk4N0asqM3KNrulXpa32r0KlGWyevLUfL52u0tRwdn6xmlvvKEktk3e7Vlazdk2ldrjfHfiy203UfDGlW051L/hKtevJ777MYTavaW89tolvHdLifNsLVLhreWKaPzdQ0z7RsDMUTLjjGwyHwz494gxVJ0v7J4QzXC5cpqfO8bV4ezfOeeE/Y1YxbnQi6iq4epTjh8VGjJuD9/3eGMveLqY+fs/Yzy7KJYjD1Yzk5Qq0owxFWSTnHlqTniKfOmrKDlSipLnOx0SR5tMtpXG1nEmRgADZLIgwF4AwoxwOMemT8j4DZjjc48LeGM1zCmqOJxlLMFOjGnSoxpxwmb5hgaUY06CjSjCNDDUo0+VR/dRpxlFyg6lTyc0hGnja0IO8YuFndu/NThJ6vXeTvfrf0Welslp4q1by4QiX0Ok6rJKHyZ7txNpsw2EfL5dvpdjzk7t33Vxl/ms2ymjk/jtmtaKUKed5Xwtn6pKV/aSjmWIy3HNRc5tOdbAwqTfIviilC1pS65VpYjIcBz1HKWFqY/AQhy29lQj7PG03zX1562PxWltOX4ne0deeCO7tZraUyeVcwSQSGKWW3l8uaMxsY54Hjmhk2sSksMiSxth43V1BH6gqdPFYFUZSk6WIwqpuUbKThVpcvNG6klK0rq6aTtozzbuM7rRxldeqZDpeqWmpx3Qtpmlk02+udKv1kTy5Yb+zKCZJE2Rj94jxXMLogjmt7iGaMBJFFPB1J1sJQrzjKMp+3py5nBt1cJisRgcRbk0cVisLXjB2jzwjGfKlJFYijKjUUZJJTp0q0OVtr2denGrT3baahNJpttNNXe7tVoQFFtU9bpNbu2tm7xvyt+6rNpuOqTSlK4FABQAUAFABQAispLhSCUYK4BBIYojgMASVOxkOGwdpVsbSpJbfzd/wsAtABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAEZ/MH8iDR/wfxE1dWeusX9zT/BoKBhQAUAFABQAUAFABQBxfjL4R2msap4d8QaHqJ0ObwzqFxqJ0mDS4rvT9QtbgtcX+nWttBdaZ9huby6aa6gu5Hvre21G7urwafJLc3Hm+P4sZbjeM/DHiLhKnUq03UwOYYzDzwVOpPHYrFUuH85yvC4NR/fU6katPMvZKMcJVq1Pq+EpWnClGB6eQZ/VyqtXg6dGpTx+Eq5dVqVZTp+yhiamGviHKD950o4eOkovmjfmb1v0vh69W80+3dSgVoVli2hl3xzlpFcI539MEEquQd2AGFfO+A3ElXOeDsuweMo4XAYvA4VzhgaMKmGnKnjsbjsRKcsLiKs66dNwtGfJTU4T+sKCp4imo8+b4aWHxdaLUrxqSpz5mpcs6SjCUeaK5bp3Ts3qrXvFlXX3ltPEHhy8isL68Scahpd1JaBTDZxTQrqEN7dKcb4optN+zcMHQ3wKA7mxh4q4vLsk444GzmfD3Fma5hjKWLyV4zIsuoYzLMPhI1Pr9J5pNyjiF9Sr06mNnCEuSOXLHSThWnTktsqUK+U5vh5YnDUJU5YTG0Y1nadaVOVTC1aFJ8yalUp4tVFyxnzPDrmSjHmWvEcxofVR1GOMdx2OOo7GvucpqqtlmAqxvyzwtFx5oOnLk9mlDnptt06nKl7Sm2+SfNG7tc8+atOa6qT216627rszgdV8TXHgj4wx2lw083hj4h2mlx3aoWVdC8Q28UulWupSR7x5NtqMFtY2N7qSsqu40+J1U2Akf6bJ8noZ/wAEV8Zh6UcJmeQYnG1KFCpQhRljsvqVnjMXTdlJ1sYsTiMVjKdOWs6PNNRcq85T0VqlLkai50ov2c4ttuzU+Wa15k1JxhaKtNQV0ue/dWMry2y+YtyJIZJ7V2vI4o7idrOeS1N2yQKkPl3vk/bLdo44Ue3nikEMIbyk8G923y8icpWWvwqTUbX1s0rrV+st3m1Z+T1Xo/6t6pk1AgoAKACgAoAKAD15/wDrew/nznr6YAACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAQnH5qPzIH9aU3ZafzQX3zin+AN2+9L73b/hhaYBQAUAFABQAUAFABQAjsVUkAFjkIGJUFsEgMwVyq8ZZtrbVBODjFZ4nERw1NN2dSpL2VCEnOMZ1nCc0pzhTqyp0oxhOpWrezmqNGFSq4yULNxjzPVtJayaSbUbq7Sbim9dI8yu2ldXuYdtG2i67Iz3e+w1MtIsO1I47S+VN90lsozKbe5aTz4oJDK1uyTYnaKWOOD8ioYrBeGnjHDHVMdSp8M8XfWqdShhoSw2BwOcYXLcJ9apYPA06cqlLByrY2lLDYdxnKNpVPayhNSh6leazPK4RjQ5MVglGMqnNKc8RhXLloSrN2pqtRUPZzqw9nGqp017KNSE51dPVn8mCC6Admt7y22RqQBKbx/7PCPuRwyZvBJtwMvGhBBAr9G48liMNk2HzbA0KeKxuVZlhKuGw844VvFPMufI5YWM8XQr06arrNbTlam3GLi6sU3fhy+PtKtWg+WMa2Hrc05Jv2aw8VjOaNpR5Zf7Nyc13aM5K1mzlfH/AMV/+Fci1GtaJrBXVEvhpmoQRaTJo0UllAk0o1O5fVba4s1VZYjFCYDc3m24FpFN9nl2YeHuW+MfF2ZYzAYnIv7Dw0JWwGKq/wCrOYYaFKvTx0qE6uXYLOsHmnLR+rYWmqH7qoqmKlPFVKNOjKEemlgMsrQhU/tCg7SX1igo46OKSTV+ScsHPBtzXO1L20uVRvyOTUZcl4LXUviN4x8b2fxAFlLPFp+geItMstPYmxg08W4i+zW9wlxLceTFqlnZ3E8TXbqbuCZmjiM9xE36X7HFcGcL5BQw+af2vmCxec4XM82WWzymNepjszx2IwlOOV1sVmKpLC5VVnl1GpPFYitWw8KdWdWUuSUcquGWExtSHs5xpVJ4aEIOam9adKNSTnHlu5ThKdlGMeZ2ilF6+q6EWl06G7miEd5eBJr9wqobm7hiisTcsFAX95DaQ7NoVfKWMKAAK+cx8IUsXWpUmnSpyapJa8tOb9qoOT96Uoc7g3NylpZtpIwxdNUcRUpJ3jTdo+V/fcb6t8spNXbb01ZcrEzCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAbJnaMZ+/F0GTgSJnp2Azk9hkngVNW/KrJt+0pbK7t7WF36JXbfRXewp6pb/HDbV6Ti/utv2V2OqhhQAUAFABQAUAFACBgQTyACwJP+zkFic8L8p5Pt0rGGLhKE60lKjRp1sVRlOqoxivqsqkaleU1NxpYdOjVSnV5eb3JPkUkpNx2W7ai9P71rLbV6rbzKt7eSI/k28ck0kimNREofY5VirM4ykKj5T5k2EBK7hkqD8zxhxbmdLHPJOG8His0x+Ow9TARjgqNPFfUsVik40MdicVTWIoZXhqPtMNiKmLx0ZUadOcKtbDySpqW+Gw8JR9pWnClCDU25yceaKaTjGOkqr3XJTTm7Stom1z3i7Sr5JfC1xPKZ9mvyedHGFdI1bQdc2AOttAyxtMYwzBYzkKARvIP5D46+E3EuV8O5JxDxNnL4iqYXO8NRjgKP1f6vhalXF03gqeHq5dkWQVXSrztLE0/Z4eEZUIzp87lU5/Y4ex+FlTz6jSpqlzZTD2U5uUZTks1yvmbjKtVTlGnztK80k22vdTW3aNfJFamSZmj32iqGjj5jkeEbSfKByPmUEHIwDncM199wjiOPMJlXC1XNM8xGJyx4/g7DYanXy/LlKeXZpi8jofV6tT+yKNTng5YihCpGr7WEYQqRrOvF1jy66wsp11Cmoz5cQ21OfxwjVd0vaNdE7Ws9Va2hzP7QvhrTPE/wv1a21MXAFhqOhalZS2rbZYL+PV7SzilORgxeVezxz9CIZHdGSRVYfsvANadHivLJRUZRlHHRq0pu0atJZfiqjg5RXtItShCpB05Qk6kIRk3TlOE+WhQo18RQVaPOqc5zh70o8s/Y1afN7so392pOLUrq0r25lFrl/B403whu10wXrXus+CND0CK2glNw0t9rOq6hLCUa7kmuZJbQCISZnlllgC3dwLi5naZvazqnXzqrLCqdBU8JnmMxtSvUj7KMcJluGpXi1RjClCNaVatJNU4RjUfsabpUqUYR9TFt4mNHFzqP2kZ0at+Ve84e0tFK6Td1Fc2tknfmeh6zYWi2NlbWauZBbwpEZDvzIyj53w7yModssE8xhGCEU7VFfH4is8RXq13FR9rUlPlXLaKb0j7sYp2Vk5cqcmuZq7Z5darKtVnVlvOTb207LRJOysr2u7XerJqgkKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAKWrXd1FbTW+mxxyalcMLeyWUMYElmMQa5uQrxMba1WVrq5WKVZ3ghkWDdOUU/OcU8S/VJPhbLJxpcQ59mLyvKUqGJrRpqtQwGOzPMa6oxpe5gMHjsVjajp4inL2WGco1o1VLk6MFh6dSpGriZunhaVOVWtJWlJqmqnJRpx1vUrzpxo0uZKCqVIuo401KSsWVotlbrAsksx3PJJPO7STTSyu0kkjsxOAWYiONcRQRBIIEjgjjjX1OG8hpcOZRhsshia+YV4J1cfmmMVP69muPqJfWMfjZ04xU61VpQhHWNDD06GFptUaFNLLEVniKsqjjGmnZQpU1aFOEVaMIreyW8m3KcnKc3KcpNxatFFJbIZWVVjuYGBbb9+R/IjCluAzSTIoxyQxQferyPFbKcLm3C9JY2p7PDYPPMmxVS0Yzc5zxsMFhYcs04W+u4vCzm2n+6hNJxcrrTL6lSFaSpqTlOjVVo3+GMfazbtq1GFOUn0VlJ/CCurw26gDAmtR3ONjxkYHHJOfYdcZrGjjcNjMj4cw9KnScKWdcI0k1KpOMFgcfgJUZQioxanKrTkkpN0adueMOZykDi41Kzd9add9FfmhK+/ZP1fc5L4y67Zy6FdeHBJBJF51leeIpJJL2G1sbHT7my1ZLS8v7Oe1Fm13stbi+he5806F9p3wImo2VzX6VwRl2KjmWGzRKVNpYijl8FTo1a+Kq4nD4rBOrhaFZTc3RqSlGhV9jUp/XowhFynQrRhOGg+dVHdRjd31Sdk+a8k72Wl1pdN66Web4E8NHXZrXW7vS7iBNM1Kz1PRbG4gsVht9Yn0zTYLnUL20h1CVLC10GOKKDSNK0z+y1aW3vnc3f2krF18Q5r9Qp1cDRxVKc8Vha+GxteM686ksHDE4udLDUK0sPB4ivmEqk547GYh4x+zq0IRlRVPmnaxUquBo81oqSm3FtpyblVhaCaate0ZKLThFXsnOMo+jxxJEGCbvnkklYu7yMXkcu2XkZ22gnbGmdkMSpDCqQxxovy7k5Wv0SitEkkuyVl3be7k3J3bbfOOpAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBzPxF8Y6t4SXSDpcGnzfbzfidr+G5mCfZfsXlCIW93aEb/ALRLvLF/uptAw2f5o/aNfTK8Tvog5Z4TY3w2yHgPPKvHmP4ywubx44yziDMqeGp8PYfhutgnlqyHijhqVGdWWcYpYp4qWMjOMKHso0HCo6vtcH8O4DiCpj446ri6aw0cO6f1WpRptus6/Nzuth8Qml7KPLyqO7u3pbmx8YvFLYxYaCSVJ5tdQVchgoBf+1WxksDwjHaHPOMH+Y1+2a+lFJ4pLgTwCTozwcYOXDHiEov6xUhTk5v/AIil05rqyVkm5XSZ7T8OsiSb+tZro0v4+Eb2b2+oLorbrVrvp558U/25n8E/DLxd488MWvg/xPeeHNbn8H/YbiXUNM02x8Ww6qdHa18T6nPqCLodgl3FOlvcSox1WTyLazZZpvk+s4T/AGpX0ruIM4yjAYzgTwTwGFzHLMHmlWrR4L8QMZiY4bEYeljXVw2Hh4sRnXp1MNUbotRajKMpVpRjTrRpc+J4IyKhCco4nMpuMpRSeJwkVdScUm/qLs7pXXyV/db7+2+NXie5tbe6Gl6Ui3CrhJtL1u0mjdsnbNa315bXtuq9C1zbQORhzEgZRXyeP/bI/SxwFapTqeH/AIAWpuMb/wCrHH8rzcYSaXJ4tSunz+7Je7Lo7O5rR8P8jq0o1PrWapyTfK6uGjZKTj9rAJ7rsu9kS/8AC4fE2P8Ajx0L/wABtQ/+Wdckf21X0pnJJ8A+AFm0tOFvEVbta/8AJ1GUvDrJP+grNf8AwfhP/mET/hcfif8A58dC/wDAXUP/AJaVT/bT/Slu/wDjAfAHf/olvET/AOmoV/xDnJP+grNf/B+E/wDmEP8Ahcfif/nx0H/wF1D/AOWlH/Faj6Uv/RA+AH/iLeIv/wBNQT8OckSb+tZrov8An/hP/mEP+Fx+Jv8Anx0L/wABtQ/+WlL/AIrU/Sm/6IHwA/8AEW8Rf/pqk/8AEPMl/wCgrNP/AAfhP/mEVfjF4lJwbHQh/wBu2of/ACzqqX7aj6UUp2qcB+AMYtaNcLeIt73St/ydN9L9A/4h5kv/AEFZp/4Pwn/zEOb4v+JsZWw0Jvrb34x7/wDIS5/CumP7Zz6TkqfP/qJ4DdNuF/EPrb/q5779+wf8Q8yW/wDvWaL/ALj4T/5iGf8AC4/E/Q2Gg5HX/RtQ/wDlnXPU/bT/AEok7Q4D8Anbe/C3iJ2T/wCjpx8yl4dZI7/7Vmulv+X+E6/9yIf8Lj8T/wDPjoX/AIC6h/8ALSp/4rUfSl/6IHwB/wDEW8RP/pqD/wCIc5J/0FZr/wCD8J/8wij4xeJj/wAuOhf+A2of/LOmv2030pX/AM0F4A/+It4if/TUJfh3kqbX1rNNP+n+E/8AmEUfGDxMf+XHQv8AwG1D/wCWdNftpPpTP/mgfAH/AMRbxF/+moC8O8lf/MVmn/g/Cf8AzCIfjF4nBI+w6Fwf+fXUP/lpUP8AbU/SmTa/1B8ANG1/yS3iL0/7yoL/AIh5kv8A0FZp/wCD8J/8xB/wuHxP/wA+Og/+Auof/LSqX7aX6U0mox4C8AG5NJL/AFW8RNW3ZL/k63Vj/wCIdZL/ANBWaf8Ag7Cf/MRU8QfGvx1p+havfaTonh/UdVtNN1C603TmttTVb+9trSee1si0eqF0+2TxJbCQD92ZRIVIUg+plH7YP6UuZZlleDq8EeAlGljZR+sVYcJ+IM50KSoVa9aVOL8WIqcoRpNRjrfz2McTwNkVGnKUK+azadrPE4VJvXr/AGdpqj5i0r/grp8RL3x3pfgt/hB4f1HytDeLxffaJH4yWw0bxWmn2uqGy07XpLPVbGa9ks7PxMsHhvUNNtwbnT7RI/FN68htZ/1Tif6fn0iMNwjmWOwmC8HMpzKrGrhsBXnw3n1bE4b2054ZZnTwWM8TnRksFUq4WcqlWnmGHpVZe1r4DF4SlWpPDD8HZbPE0YSWYyovmlN/WKDXuR5uS8MGpe/aSsuR22nF2Z9cfDz4tXHjLwj4e8VNpzLba7pkF/Db3VtNpOoxRzsTE17bvJerDceSFM9uqqBK5KGNR5Q+g8DPp5eKWfcE5BnHiDwtwXxLja880yXGVeGpZlwrUxOOyrP8dk9LOZ1q2J4ry+pHFYTLpV8Vg8DgcFh6+NxbxGBll+DoxwDwzXhXB0MXWo4SviKUYuE4qsoVkozpRqezSSoyVnO0ZSnJqMbS55PnOp07xLpmoSfZxIba6G0eRcYQSFtijyJf9XLmVnijjYx3MhikcW4j2u37t4f/AEjvDPj3GQySObR4e4mlVpYaOSZ844OOOxk3gMP7HJMzqcmBzSdbMcc8vwGBc8Jn2OnhcTiYZJTwsFVl5WLyjGYRObpurRV37WkubliudqVSCvKHuR55S96nFSinUctDQr705QoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAIjC3npJnKKzuOSChePY64zhlYhXHA2tu67sjyp5Jif9YMJmKqRq4OjicXjKUXUqwqYKpi8teBxeHVN1HSr4bF1YUMZTtCEsNifrbcaixKlRtVF7KULWk1GL0VpKM+aLva6cU3F73XLtazjl1rR4JbmCfVtMhnszCLyGW/tY5bU3ETTW4uY3lDwGeFWlhEoUyxK0ibkBNevChWnyclGrP2klGnyU5y9pJvlUYWT55OXupRu76WuRZ72dm7Lzb2Xq+25Tu/ENrfIbHQ421u6u0CxTW0jRaVFHNFMwvZdaFtdWv2eExGN5LCHU5oLuS1hltladDWOc5PUxmX4/LcbhZ044ihPDVIYqnUw/JKpBuEoynh6rhiKVlWw8vZScK0Kc1y2547Yek6VWFWtejTg+e86cpc7jGUlTUOam5e1cVTac4K0m3JRTZHY6is+lW93aFbiK6aC6sjvVFnSaNHtSJB5oRZVCZkUyKA+4bulfmGSZvicjySjluMbvS45w+Hw82vZznUw+IpYLBzpqtKdWkqksuj7WXtai5q0eaSrSlBdeJwjhjqtGs3TlRjUo4i0XP2bhOUa3u+5zuDcrRfI3y20WpyNp4S8VfEb+zdW8WyWGjWDNFcTeDtGiluoNOeRd19b3viq6S1g1W4a/ju3uI7LQJLmzupTZy3doEMg/a+H+JsJlPD2UVMHhKrzDG5Hl1etjcTWjKca9fA0KsKdDAwbq0sPh6daFClVrYmjHFU6ccTChVTcZFerSy3G1qMKsq8KEpwpzfLL2jVONOnJJOCdNqzWlNOmk6cqvN7R9/pmnW+lWcdlaqEhiyEUGQqqjCqFEskpXCKoIDBWcNJtUuwry8ViamMrzxFVuVSo7yb5bt9X7sYrV3a00Ttd2ucWLxNTF15V6jblJRTvy/ZilpyxgrXWi5dFZNu13YrMzCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAOE+NjMP+EaXqh/tkt/vA6Ttz+Bav4O/bipf6v/RxlfVZz4nJLvfA8D369LdnufUeGn8bN3f/AJd4L/0rFfkcDMEfbuOwxuZFcOUKZhlgZhwQ2FnPDYCnEgDGMKf4Dy2hi86zCnlGCw7qYzN8XgcLhoJVKlq3tYxinCjSqVZwd3Kfs6cpRjFtRkfVQcpzkor4kovd72krJLV3jZX01Phr9tfxB4D8Vv4wuP2fND+I3iX4mw+LJIfElxoUOk658JbzWdN0271S4utf8J3N3Fca8llrsOiXS3l9psdpbXUl29nftdmYR/0n4EZBiMq/srKOOMZhMuwdPKMLHDR5KizWrhY4jA4OdLB4zEYTAVMspYtLMIzoSxNSKhToqvgK+GdBrbMOAOIa2EnjqOEq8rpOtJ/VsZKEX7GVa1RxozpzlBNXlCTjvKFS12fR/wCyv4e8Qw6NqniTxLffESfU9St7S1I8YtJFp0ZjjjiMeiXV3ruvarrdsDEpj1m/j02WQEFbYo0ZP5P4sYjBwxSw2FwuXJ0ad6k8HT+rYiVSvUo1ILGKlg6NOE5UJr2eHoKVKnT5XzNu0POymNehgqNHEU3GpFzcoTlOVlz1JR5VOMZJaq8pRV9dGnd+tIDjBAAUEByw2krkFSWCtv4JOFKnnDGvz2lldaum4ySk7tR5ZWukm1fe6clH3Yy120sdXM39nXsm3+m3mNV4pHMcc0LTALK0AkUzi3diizCJd0hRpAVViqxnDfvA6lB1Q4bxzyuWZezxEowfL7KlhKtRtLEPDX5rxs+ZSklyWsrOSbEsRS5uRySaVmuaOklfR66ba9U9HHS48xsOqsM9MjGT6VhiMsq0MJhsTL2sZYmsqKo1aEqVSLc60VJXlJzT9jp7sbuVvs3dc8WnZrzs728xCrD7wA9Oev6cfrXNVpToyUZQmr94OOztpcVl0lf+vUQc56HHYHP9BzTpYbEYiTjRo1ajS5ny05ysrpXtCMnZNq72D3f5l89P1F3PkBSTnsEJx9SOgHrjvXRTyvNXHkjhq6T70K2ytp/AfZBp/NHy1X9MNjknCsSMbvlYDnOMHac9D/k0TyjG4dXrYfFe9fkVLC1qnwv3ubmjSt8Stbmvre1tRSjC95Rd99Uv8/wEwf7rcf7JrJ4TFr/mExVv72HqL/21/mHt4evzX6sXJG3CsSTgAD+foKIYfFylyLC17r/p1U83soN/8MJzg/eckr9G437dyRYZicCNj77Tj1r0cLwnxDi4qVDAVpptpWoY2WqaX2MJJbtESxVKGjmvvj11/nRzvi/4i+GfBOu+FfDuvXnlav421/T/AA74etLdHuJJ7/U3hgt2ulVQbO2W7njt5rh90MZZTvLFo19bC+DfFWOoPEUsTk8eXDfW8RSrYjG0quGg+WU4VYyy+yqUozSqwvzxqKcVGSjztVMTGMVO11O/Km7X3SvZSspSSs1f3Hzb+6+haCYR71a3LkHaizhnDY+XcuOmfTcf9k9K5Y+HGaxlJrOeHpVKS51Rhj68q1RpKUYU6bwacqk3ZQjpzSaS3B4qShUqOi3GnTnUs3JKfIm3DnUGo3tbm1Sve2hwP7S/xCb4WfBHx14ouLW4urhNPtNAs1gdYha6n4x1Gz8KaVqF1Ks8EkVhp+p61a3d1JE6zNFE0Uah3BHteHPBGcYnxF4dyzF4nBrnw2PxlSlSnVdZ4TDZXmVevGEZYOLWJlQw9aFGEozpuv7OM58spOPbk+DhnGJwtJXoLExcm1zVPZzjRlV5XZ0+bWPs52cbRbnF3SR8r/s6+JPEHw2+Lfge6j1vUNVuPHWt/Cj4ceLNF0JbTStE1+Waez8IWN5rOiX8uuJHc2Osa7L4ot7m31KK5uYocTXsSxuJ/wBp8Q8PnHGmW5xwplmBlludxwePnk9Kv7PFVMVUdPD5lh8GsViVk+GjPFRwFHATrY3C1MJSr4v28YYaMZVX91x74UZfwhwric1qZxDFVcPB10vqFSkoKjiqFKpUi/7RxdSMnh8TUu6dF1IxU4r2ikm/0aWKJmUtho490iKCU2vlyGAUr/fbrwSeRnGP13KsBTWZ0nipxngKeAqzjFtwVOo/aSi70+Rt+/P3ZOyck2nGKifilTmdNqGkrppWT6q/5efXqRxuhDl0VUVQM8AgYcEY4PG9j6jJzg81yUadGrRxcMY+ZSjWpxk4q1qilptdc13/AHlr1RTbdpWd9G7dLafnf7zpdA8VQvHHZ6lMVdVjSG8kDss27olw4UhJFXDG5dvLdcmeRZV3z/0f4D/Sjyh5dlnBfihnVSjmeEwmAwuWcZZi8RXpZrKpXWEhguI8WqDlhMfhacqVWXEWOl9QxuChiMTnmPwuPw08Zm/k5pkk1J4nA07wm5ynh4WThZOTlRjf3oNppUo+9GVlSjKElGnu1+6nlhQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBgR+Lriw0XUdW8SWM1hJY6uml3FpbR2qpaSXl5Y2umoupXepfYNRhuP7RsmOqo9jaQ+bMmo22mXFpd29v14bK6uMr0MNhnCVavh62JgpSqzdWnQhiKtTkpUaMqkZKnhqjjSanUqvk9kn7RROmOBVSpRp0ZwcqlGVaPtHWftYwVWU3CnTw/PCypS9xynKfu8km24xopFoGnWx1e6+GWulpNRkuBLcWekeL9Ye4u5xI+pxf2ZrfiW7NvKD56yxziZFVU+zxfu1qnGpVvGWb4OlLDxlKMFTxWF5XRT5YQUcDRvW5vchHluv5ko6NYSnNckszwFKpTnf2c6OMoyjOKtrL6jD95GXutNvltKXN0evp+tXmpBIrPQta02Dy2VbrUdOttPgtiqFYVNldX8N/IpO0gQWgVFjdXZS8YOFSnQjh5Yr61SxFWU1bCr6z9Zqc1RRnUk6tCjQioLmqSVTExnUg17NSmrN1MNg6Tc6mPw2Ld1KVOjLG+0qe9ByXtamChTjOUXO0nKavu4uNpQeHNGl0zw5oOl5hkl0jTtO06Y242wPJYWkNrJJCrhSIi6gx7mLeXtILda/MMLkOJzzLsNmWX08NPFUOIK1THUaMqSg8RGtJ4ivH2ipwqcuIxlGTrfW6sqtKMa+EqYmnKFQ3zHGwr5jjsR76p4utiMRT9orTUK9WdSEZpSnaSjo0m0pXi3ozZtRH9mgMUQgjaJHWEKF8veocqVXgMCx3Y6tk5Jr9AyevDFZRlWJp0XhqVfLMBWpYZy5/q1KphKMqWH5uqoQcaSfaC6HBX5/bVVOo6s1UlF1G3Ln5W4qV3q00tOystCSukgKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAOF+NWNvhtScFm1fGfQf2Zn+lfwh+2+oTxGS/RupQ3eceKW7srrAcDNd+ifQ+o8NP4ucaXtTwW3+LFHAasbfT9Pu9R1Ce3t9Lsraa+1G6ubmCzgtLKyja7urme7u5IrW1t4bWG4aae6kit4VAmmlSONg38R8GcP5rgOL8mzHAYenicRgcxw2JpUPb0488qEZVWkn7LmvThU91Vafv8snNW5ZfQ4nHywC+sx0hTadRtSbjHmhFStGcOdWk7x03jK6UGpfmp4w0vxn8Pvj/43+AVl4nurK/k8Va1d+F9c0hLeC/spdI12+8ZN/wkHkr5uuaBrnhe600XWhvFMmk3bX9pcSG4imJ/pnC4bDLgnC8Y5rgYQxOX4CFDGUvbXjVjPJsHG9FUo1q+Erxxs51KGIeNTVRYatVpwhT9m/2XgjOMu4i4ExT9jD6xDA1YqUsJGDU6eT4WprKq5yacq9mtHdyWkrs/Rf4SXM2vfC/4dazGXKar4D8KX0aNdRTYN3odjOXEgjjhLFpDtMMUduF2rBEsQUD8E438PeLMTx3n+XulTlGg8tUVPH0lG1TKMLWjNRlVqRUpKClZX5Xo22rn5BiK1OlVlGajGanzT5aei5kpKPubq0km95O8pNNst+K9Si8M+HPEOu6hdzabbaDo+oXt1qEVq2oy2AhhEjTR2kMVxJdTMHTyUitpk3BvMRgClfPcO8D8QSzz+z6lCm5Qq8klLF0ZQjfGUaNrpuPvqSSkrNa6LpLxVHR3um43XK1dWurrsvis97WPjvSv2pNX8P8A7SPgi9+JN34j8MWGp+HdNtbbx5aade3Xgnxz4S0J47jVdXsdLtINV1a3tNe129HhbUNT1fT/AA/oWk+PftcDa8ukyW5h/pKf0fctwXhnlOY4elluULMMtw+bulxLKlj6VKeMxWGrTjSlkmS5jiavPSqc9CM5VMXUoVcJGrbEU8dToedOGJhXq1uZqM6s3FqdrxnJyi1BSvBWns+Xl9LN/YXwx+IXhf4xeFpfFnhVtRNhZa0+g3aXlpZ2fk6ra29vf3McVxBfX+l6pbCzv7QLc6Jqep2xnaWJJ5JY5IY/gOIvAzA43KsrzCEJZnHDZhScsVw39SyzLKP1epjakp47CcQ4HL8yqYelC/1ynhKFevVbprDU6uzunmbpzVJyTc9LtTbalZKzUmk+bS7e3m3bobrTELxgZGAx42lfT5gFBIAycA5yOM18rxD4ZZdSxNOnGEPgqOyWHbdqjvosAlsr6dPuNaeMbWre/n2/xCxafGCi7oWLOUGFwS+12Cc5w2FLZY4wu3GSCOvI/CzDyg54KjhqlSzUuZ4eL5OeV9JYSlf3owW9vzSqY7ltdyjrZWUnfT10fqPNnMIiXhEBywBGxjw3ByqyAZH95T+HSu6fhxjaUbfUMHDpzKeHUnZ7L3Gunl69DP6+t5Sl5XUrP5Xv+Q6C2jyglJOc4Hkh2fBGcuUVUxx/D82e22uzIeDMtw0q0M7y3D4h1HS+qpUMDimuSNV11etRkqd+ajs/etr8MSZ47ZQbvK+n7xem1u/VosrYQPlntljxwAFibIAyCdgAye49MV9BU8PeD50ed8P4b4d/7OyZ29xy1thr6XIWNqq6VSb73ct9NFrL5EX9nWokdlyXc5IMQEcYUBQMFepxk4ckk5wBxXmYnww4Tc5YyjhaFGVRtew+qYOEafs2qL92llriuZJz92rJe9d2b5S1i67XNzNp6JubbetnZcyta3VLbsPghQlkijZtpwGKhV3Z+YYYKSFPp1GME12ZFwvgKX7rCYOjWSfuylSw0Vdypud4uhTdk3ZWt13Ma1errrO+mqk+2t1zXXlv0Piv9tT4leJfC/7Xfwk8OapYW2vWlzLq+p+HtG8NXn2HxjeaBouj2XjOw0S70Cz/AOEm8QXg1nWfAXjG2sfEGmeHbeT7Heve2Frqo0nUbUffZX4OSzDhXMczhllJS/2KaV8shGr9aVCCf8ONSnajim4c/MpqVRTlabhUToZxKMKlGNOdCd3TmsRG7SlazXtrqSlG042jKEk4tJxdvpDwN8VLTxh8PH+IF/4d1LwnZQ6TqeqarBrWm6xZPp1npds91fXdtcXGj28+q2dvbJLMt5b6fbm58sx2dvNLhD/P+O4QzvH8YVeFMmo0FmOZ1MNl2WYqOLwtGFPFZhHC4XB4idehiKn1dQr1qdapyw9tThKEoKc3d+hgoY2vSjRxEbOpONH2bqRXO69R04wvKpPmT5uVycUlq7SjGVvkv9rT9v74JfFL4SeJPh54Wk10W3jbUPCVp4L8d6xpd3aeGvGWq+HPiT4OvtQ0bSoWja/lE2k6frmqPK6RS6SNOh03WY7LU7+zik/YuAvod8e8D47h7xA4hzGnjsTSyedKWHo8Qzx9SP8Aa+Q4rDxlKnWyWjCMaOKxdSo5PMpKmor3a7l+8+54S4HzGjWyjGSrYV05QmvYRtDkVTB1akJwneXNNQ5ac4csU+ac4ySSi+X+B0+raj+1f+zk2hedeeCpPEHh231y+vja2yXXifTfEGn6lpUphnNrczXK6fZXcNs8FoQoSIt0bf73BUcDmWZ4yvm9OC4hpYzDywcIp1GsNLLMVCqnUl9YpwhN06UletCo507r3Lp/bfSDlVwnB2YUptqDwGLhZO65qmIyxR2avb2m+yv5H6bEwu0pBLTYC7cuVDsu9TwNuCCDnJCjg19fQngVHMq0qlSsq1JUsN8ceWvUtJ6qKSV53ekVrda3S/nNqTaUfdlHV/4dvm+nfr0umqvKB8AOGcKE5IODyM8E/N2yvQYORWFOhOcIQnUiub3k72u5LRyVmtFJb+fTQa1T7W1/4L9e1yWdilrHGwyS7Z2HZlGWTAJXuGZemPu7gS4G/pzGNf8A1VwWBr16bxUMwqyrOgnSlicFKGLnSpYiUIqVf2dbEUJKMl7O+Foz5516UZTlJ+2cl8Dhy620n7uqt319L+ate0TV76xXENw7w8s1pcfvYELbmHlDIeFd7vIyxOhd2VpCyrsb7fwb8YuOeAY/VOH89rZhw9gliPb8K50vr+W0qlf61iacsHTlWo4jKqSxePxeOxdPKMRgqmYYyeGq4+rXo0FQxHPmGAwmJvKrTjGo2rV4NU6ltFabScajtBRi6kZ8kOaMbN3j+ZP7fP8Awc1fE/8AY8/b9+On7Bvwr/4Jh+Ov2svEnwT0f4beILrxR8O/jv4hsta1nRPiD8Jvhj8TZdVufh14c/Zi+JN/oOneH7r4nab4Vub6TxDqVpdXkNpdtPZSatBpsH9ZcHZrjeKuG8iz6plscFXzzKsJnEMvwmKq5msNhMwpQxWDjPEywOXzqVvqlbDyxUVhI06GJlVw9KriaVOGKrfP42ph8BOr7fE0qdKlVdJ1686dCm5puOkpz5dZJ8nvXkrOybaXmq/8HYP7ZzBiv/BAH9p5gv3ivxd+KpC4/vY/Yc4/GvTeDxi3wmJXrQqr/wBtMFmWXPbMME/TFUH/AO5B4/4Ouv21mAK/8G/X7UjA9CPix8WSD9CP2GsGk8NiI/FQrK296U1b74j/ALQwH/QbhP8Awpo//JiH/g66/bVXGf8Ag37/AGoxk4Gfiz8WBk8nAz+w1ycA8expKhWe1Gq/SnN/oH9oYD/oNwn/AIU0f/kwP/B13+2oo3N/wb9/tRhc7dx+LPxYA3cnGT+w1jOATjrwfSm8PXjZyo1YpuybpzV3ZuyutXZN27J9geY5et8dg164miv/AG8T/iK+/bRyB/xD/ftQZOcD/hbfxXycdcD/AIYb5x39KJ0K9ODqVKNWnBJtznTnCCS3blJJJLq2xrH4GXw43CS9MRRf5TIx/wAHZP7Y7TLbD/ggP+0ybh92yAfGH4pmZ9oy22IfsO722jlsKcDrWMa9Cd1CtSm0+V8tSErSVrp2bs1dab6of1vC7/WcPb/r9T/+SJf+Irz9tPj/AI5/P2oueR/xdr4r8j1H/GDfNaxo1Z/BSqS/wwlL8k+z+4Tx+BjvjMKvXEUV+cxrf8HYP7Z6/e/4IAftPL/vfFz4rD+f7DdP6tif+gev/wCCqn/yJKzXK23FZlgHJOzisZh2007WaVS976W7lDVf+Duz9qbQnEet/wDBCX4/6O7FAqar8dfiLp7kykiMBbv9iSEkyEEIAPnIIXJFRU/dO1X921uqnuNbfzW7r713NIYihUSdOtSmnqnCpCSa7rlbHn/g7i/avURlv+CDv7QyiVisRPxw+JIEjDAKxk/sRYdgSMhcnkcVlLG4OPxYvDR/xV6S/OZZMf8Ag7S/a/ALH/ggf+0kFABJPxm+J4AB6En/AIYfxg9j37U1jMG1dYvDNLqq9JrXz5rA2lq2kl30Ipf+Dt/9rOGMyzf8EGv2iYolBLSS/G74lRxqB1Jdv2IQoA7knApxxGHn8FejP/DVhL8pMl1Ka3qQXrKK/UraV/wd9ftM67cSWeif8EMfjrrF3CHaa10r4++P9QuIli5kMkFp+xPNKgjHLllAT+LFaUqdSs+WjCdWVua1KMqj5VZXtFN2u1rtqu6JnisLSXNUxOHppu151qcFd3drykleyenk+xbm/wCDtr9re2R5Lj/ggt+0ZBHGnmySTfGv4mRIkeCfMdn/AGIFVUwrHexC4UnPBoqwnQi5V4yoxSu5VYunFLTVuaSS1Wvmu4oY3B1Go08Xhqkm7KMK9KbbfRKM22yvF/wd4ftRTx+bD/wQo+Pk0W7Z5sXx3+Icke/g7N6fsSld2CPlznkccisVjcE72xeFdnZ2xFJ2a3TtPRrsaOcI2Upxi2rpOSV09mrvVPuSD/g7l/asLmMf8EH/ANoQyAhSg+OPxHLhiMhSv/DEeQSCCARkg56UnmGAW+Nwi9cTRX5zGmns0/R3JD/wdt/tbL1/4ILftFj5Q/Pxr+JY+QjIbn9iH7pHIbpjnNN4/ApJvG4RJ6pvE0Unfs+cfLLfllb0ZWuP+DvT9p+zCm7/AOCFnx5tQ24qbj48/EKAMFJVipl/YmUHawKtjoQQeRRHHYKXw4zCy/w4ik/ymKxX0v8A4PCP2i9c1iy8PaL/AMEPfjXq+v6nc29npuh6X+0L461DWNQvLuZLa1tLLTLT9iqa9u7m5uJEgt4IIJJZpnSKNGdgp2jGU/hTl/hTf5EuvRWjrUk/OpBfqfZX/BDH/gud/wAPo/8AhqL/AIxd/wCGbP8Ahmz/AIUn/wA1s/4XF/wmn/C4v+Fuf9Uj+Fn/AAjv/COf8Ks/6jv9r/27/wAwv+zP+Jiij7/oAKACgAoAKAEckKxVS7BSVUEAsQCQoLEKCTwCxAGeSBTSTaTfKm0m2m0lfVtLV23stew4pOUU2optJyabSTeraWrS3stX01Ob8WT+P766g03wa3h+zSYu0mq6xBd38FtFECv2uKKGH7PPd2l15UkNn54LzrGkzwxGSeP0sspZDQwtbFZo8bVrxUI0sNh5U6XPKco81Op++hWVKph3U5qiUVKF1GSk0jup4XLKeWVsRXqVXjVKnCNCSUeV1Jxa5acaqqu9D2k1UqxjScY+63Nxi8jWofFukW09x4k+M2j6fpYvreEofhvYW90/kyRNdQQLfarqUd4bmdd63cWl3CW8LytHuZBcx9OEeX42Xssu4RxE8VKg6kK9HiDESjRjKMlGdWfsowpcsXy+yqVqTk1GEotyUXnCcYR56eAmp+z5o4injKqlCMoyilzRejcG4uk2pOOjjY6zwqmnp4f0s6Veyajp8sDXNtfyxJA92t3LJdPcGCO2s44FklmdkgitYI4UKxxxIigV5OYRxEMbiY4qHs8RGrJVabmqjhJacrqKU1NxVk580nL4pScm2c1Wcp1JzkmnKTbT3V9r6K+nWyvv1NCsSSpaIbcvZiMItv8ALHgKqfZWLi1KjzJWAjiRbYs+xnkt5XEaoVz87lFLEZVi8dkqw8lDDOdX6xNwVNZbisXjo5XWdWcqkX7DBYTC4BuThVnPL6tSVJJOct8RJVlHEObk6usrtyl7dKHt03yQV51JyrJR5lGFaEXNyuWIMeWFDbtnBI5AyAwAOACArKMjI7ZyDXrZHyRy6jh4V44h4X9zKUHzwgpwhiaFKFRJU6kKWFxGHhGVJyppLlUnKMksqt+dtq3Nrb091trdNyi3Z2fW1mh9dhIUAFABQAUAFABQAjkqMjHvn6H+uKitN04KUUm+azvdrZ9muqQJXdhnmt6D8j/jWf1qp2h90v8A5IvkXd/h/kHmt6D8j/jR9aqdofdL/wCSDkXd/h/kHmt6D8j/AI0fWqnaH3S/+SDkXd/h/kHmt6D8j/jR9aqdofdL/wCSDkXd/h/kKJGPYfr/AI1M8ZVirqNPe2ql/wDJCcEu/wDXyF3n0H6/41P1+t/LT+6X/wAmLlXmMNxtcIV6qWzjjjHvQsfV0vGn90v/AJMfJ6/18h3m5XcMcjPQk9M9Ack+wPPSqhjakpwi4wSlKKdoy0TaX81g5PX8vxtp6jWuduQSikAn7wJCggeYwLIFUFhldxOWAyMGnVxjpz5VyWvbXfp/eS66jVK9rXd/J26uydnfTra1l5jHu5VkQKiOhBDEEFkZdvJ2yMMOG+UdRtOScjFvEPkhJcrck2+qW3aXn8+5UKEZKXNJxatbSyd794rayux32nKKyNHneFbcG468Y3A5445OeuORUSxdRfDGD9VL9JEyp8rad7eqf42F885x8vXH+eaFiqmmkP8AwGVv/SgVJWT12v8A1oAml+XITqd2A3TB24+brnGc5/Cj61U7Q+6Wn/kw3ThrZy2Vr2179AadlXOzd9M8fXmh4qp0jD7pf/JC9nHuxRMxAO0DI6EHI/Wj61U/lh90v/kg5F3f4f5B5xBGdoyQO/f8aHi6naH3S/8Akhcit1FjkZ3kU7cJt24znkHOck+gxwO/WtKFWVXm5lFW5bcqa35r3u32QTgoxg1e8ua99tLWtou+u4+tCTgvjk7QweH7lRkW0euzzbRvlFrBFptxdm3iCu010ttDK9vEsUnmTKisnlmQj+K/2w3DuK4kofRswWDhKVVZ74nym4unzRw8ck4XrVWlVq0oO86FKN7uUb81nFTjL6Xw8ly/2taSjKpPLaUX353jfdSbSvKSjrZ2XS12vz8sP29/2gfiT4U8Y/FPQ/hH8N/F/wCy9o3iC98JeL31CW1l14+F9Vv7fQ3h8VWj+ObC/tLLX9E1uOKZ08C3kdveyqZdO1GwsNZWD82yLwA4Q4Yq4zOpVKeRY6MKlXI61TFYnMITnRwWJoVo4fCf2zOdSpRqV6XtXiniaVWpUiqNKEac4v8AVOJPDnhbJsdneScR8Q1sj/4Svb5W55XjswnmVfD5W8wxrw8cJXndUcRTpwqUouVbDYTFxdWbUo1peSfECK/0r9uPW9KbStX1qfw9rFq0virVrqK/1+LTda+G9lJqtxrF9ZS6fLLq9zY3dtLcwwaHbWbajPGmmwKlwqyZ8dYPB1+BMdhcVxrRrUa7oQhfLcPQpV44bFwr4epTpxblVjSnhvq9Sn7dqbhVbrKcZQf1XhpgsnwHDOV4fKcdDGQrVsNSxccLhsTicRVhUyzB0cRCvglUxGNwEK0adKcq06NCWGlOnTkqVWai/ov9jD9p/wCKUHxH8CfAb4teHPDXhD4c+IfAl5Z/Am/kurW78T+LrXwReXGmW141zaatKsf9u2MCi2s9U0bSZrZbQQIkkwa5n+hzbhHh3NfbYyhRp4/iaUKTzHiaFTHYf+17TjRwLp5dLGQynDvB4CjPK5fVYSjU9n9ZrqOJblL4njPh7JZcOx4hy6k8LmscRXWPw9PMFjcNDkqZdh4U5y96Eo0sHWjj06D9q6tadOpOokqMPrS70tpluEnhWW2n8y1ntZo0lSaCZY2eKaObMcikTuCrptAcbMAAL+TT4Hz3DZ7U4mwcamWZbhMRUnXo1aGHqOtCjio5jW/eYzERrc06L5VKlh5uDpt0ryj7OPxWAxDnGUcQ1OS1i37tk6VNxTVNJNqaq3to7tWskj80/hRNZ+H/ABT8QfiVpKXkPiLwzceKPC2j6k2tSXGrWFn4Y1m5urXRjHqM1z4fudBv73ep0TVLO7srqzSGw1S3ubeBYV+sp8W8W4TH5BkeFzj2GT47LKGMrYf6jlUoVlXy55nTtWrYX65F08TUhPmp14wm3Km48i5T9gXAHBdbgTJs2WU3x2JyXJsTVrrMM1ftK2Io5e60/ZrG+xiqjq1HyxpxjG65FFJJfpX4a0w23hrQYNRsNO0rVo9Os7m/07SrSG00+0v3itLnU7az8hfKFuJpZNn2ZxDKW8uPcEVV9HjLh/J8XUxNTMqUMXDLcA8yw9GNWtQlHEYSnOvBRnh68ZybjWq2hapGfteR05qMIH4z7Wn9crwheUYycI31lT5KdJJqafNJRquN3JyvCUo1OZKRf+z21wUPkncrkMweUEqMsRgMMbsYz1Ge1fJUeHuCs9aq1+H6nto3ip/2hnUNJJ1GrRq0Y6u/RvW19kaSq1qd7VPT3YaPZ621/rcWO2to5w8Eb7wVDIQ37sEHL7pepOcABmOCdowDXoYHhjKskr0q2T4KWG9rUhh60FWxGIf1edRVKivisRXavUgpcySmr2UktHlKtOpdSk5dbNRjZpW5tEr77X1v5Fh4N4VIlbGCWbL+YueScScFSePlz1HGM17WOyF4zCUFl1Cp7aSoyqTp89SfwylUvTqVeRe843Sjp0smyFUs/fejulsra9NH26/oEtqY1i/eGI4ba0u3Mx4z1b5dmRnCrnf0OKvH8FVMHhsDV+uYTKa1T6zd5hisDh5YvlqQivYwx2YUov2EZe/7GMre1puq05QulUc21FuTj0jra67qPVrp2In+2qVclQc7SqSxlXXsSFOAx5BOM4xzgAV5+NxnFGBh7NU8LmVNXilQzDJqfNFKS0dGVdvmjHfmb99au0XLSnGnL4k073d1UVttflroMktluizTiS3+cEGGRizbRjnyySBkYIxz9M159HhvDcQYyrj84yp4ariHHno/XK1WzpU5UIt1cNiKMJc8aNOp7sIqN+V8zUpSv2/sUqdOXNva6s9fe6q/V730/CSNFilTBbA4UYODnGWbg49PmwOM4ya6MvwmCyjMIUMFTVGEeRxhzVKnxypOUpSqyqvVpbt7abkydWak5SutmrR1su+j3vtY+Bf2lIvDuvftn/FvQtalun8RWkXgzVfD13HdR2T6alhoegXvhl9Ge4ljt4L/AE/XF1mQXdoIrqSDVtb0+5kl07WtUtrzn4nrZzkWHr4zB0qkMrzDFYlY3LFh4VHmdWvTpp4ylXqU61ej7aOJo1f9notRhgE6bS5pUf2Hwl4U4ez3gt4rNcveJq4Z4SnSlLGY6lKMJKnKrZYfE0U1Kq5TipRny83JG0Uon0r8M/iKNb+GPh3xN421TS7e51jU73w3p2rarNZ6Zb+I71PEMuhaZcRWtutpClzqrW86WOn28EHmOP3USttYfima5HgeGPF3BZxk3C2Np0MuxWU51g8DSq5xi55JXyf/AFcxazWvOpHFV69GhP2+Iq0cZQWFcKipVI1KcIJ/BZjiMNgM7xGHp1lhcHhowrSXtYpxTw9CrKftcRzSXvzcpTlJxs2p+6tPzd/4KB+Bpv2YfEuk/A21j0vxJ8LvFPxQk+PHwxF1dy2vi74asJ9T0bxh4ZWdXg02TSdU1dPCssgspne6tdI+0yBtf8Rz313/AFb4RcYV+NuHY4/G0K9PF5bhqGAc6lOtTpVo1cDhalNqnDDYemqtemsQ6sJU6kFWhCtQdCnDlw/6j4PPEcX1ssxkqSpyweLxGDx2Fi4/V8fkmByOf1LN442tTws8PQ/tXNKNPDYenUlXtWkq88RCV6XP/BD9prxr8MtP8J+OtH8Ba74z1bTNevrTwlBY3+nanqWsfFK/8J+KPDPh2ztdLtPtet22mReIte0We4hNgZoraCS4d5YY5UaKfhtg8y4nqe2xNCjhMwwGPweLUo4qNR4F4Bt0qlRV8JD2k6Ptf3sKqai17Kp7RUYx+g8RcuoeInANPMMPicFh8HleLwVTMM7zLH4PKcvz/C1+I8thXw1Stm+MynCZJ7GjgMRlMK0KrqYitXp1KcfrTpRrfTn7Aurftf3P7QPhlYvid44+J/h290nS9Y/aksvG8GtaLYfDTxj4lj1ySbw1Y6D4ojt/smr6edP8OyXDaBbW0jXMGswaZFHocl5C/wBBgsl4S4ey+tk2X5nlmX4ehCt7LCQqQlODhSVCLq15YqVXFVoxpRpOtXnKrUVOMZSlypv8q8Uct8LsBw3SwuRZLw7l3ElOhShWzTK/EiPFlXGYpYDH0aldZTh83x2EwyxGYwpYn2dJyoUfZ06XMqeJaP0R3OVUxgMWxlxjaA4DZU+npjr14zXx+Iq47DShUhVjjHUm5qtZRhVUpyanGEfdjCSacUm4xTiruyPzhKXJHnjyTsuam9eWW8oXf8rurtJtrZIdNIQYt8eWfC8jPKng8cckDP49BXdVniK0MHUqxSbiuaKvy2bTene3XXZb2aFHZrs29v6utem3o7lqGJkdeADKUQkA4wSF7DBwD+ftXsZFgngsy9oqLis1qYDCXs5Llq16dGcl9lShGcmnK1k3eya5sq7jUpyV9Yqcl6qL+e6+77j8Hvjeyw/8HTX/AAUd3sqAfsufBBN7cbcfAb9hbkHI2njrngE1/b3g3TVHhHgmj0pcEcPU07L7GUZdG9tlt0Ph+Pf+Rbiv+xhH/wBOVO59OWsYuZJC6NM9y6yoJLhj83CqQzMSpyOGyCCM8Yr6itV/r77dev8AXn87T0+/T71/X+ZbsY7oRrPIkbtEhRsZie0Uy7FcOuHlaTf5RkBJKsQfl4rmr1HJSXn6/a9f0OiPwv5foy40cbqG8pJXI+YebIxRe8o8zjKnC8c/N6ZqaO/9bpg/+D/X9aFC6KQllR1KKfMKfMh3fdz5keGbaGJK5wVBJ6Vu8NLFRsv+XVqr320pfyy61V0V+/RzVV4x/wAX/tr/AKvsct49+IenaXps+l6RfxHxPJCy2t5bl54LBTPaJcXM2f8AltHHJ9nhUfMGuTMOYMjxOI8+hDD1sFFpTnCUFZpO8lSkrWrJ/a/lf6nbl2FU3G6WrS2XefeL6HCi5v8Aw9NqOsC4R/EFxZxQ/b7uP+1b2xkLPLILC+m824iuZklDtdQyrIEkSEtthUDxcshWVKtVlKWuJqSWs9nGnLr03627M9L+z4qm3yr7l1j/AIDqPhZqnjvxKl9N4ivNOj0uwk843RkB1GGH+CIxMTJcrKuGOdwjDBMALge5lOYXspNvybv/AM/Xpefp0PLx1FQb07dP8Fun9dze1zxVoPh5GuLi8jMik4tkcSyuQTwseTtzzhQOOBWuNz+GHlXgmk4VKkdGl8LmulaP8vl8tDDC5S3U9ty/xJKpt/O1NP8Ah/q/Wxx+q6lq/wAQtTD2liLDTITBdWd55XkXk8cKjbmVQsmEl3tGu7CEkqASa8HMs4niak7TbvJuylL+5/09l/Ke7l9OnRpQi0tIpbLpfyXft2NHSvBsGmxNbzXKPqm1riSWOIBVEC7pbZXABSO4CFZkBCyK5DhgTXDjfjXy/wDbv6+47l+f9dNn/WwX2nrDFs+ZtpE8ztzBH0CGQH5cDouehxjmqoRvQlHvyfo/62Jq/A/N/wDty1/qx5x8QdT1DxTatoOjPfW4gvH+1anpKIbq5REdRbpKSG+zsXHmhW6hFwVJFdGGrLD6v8fKXN1a/N/ictbb71+H9WLPwp0uHwRpOrh7Syk1PVpYnWK30+CLULWUSxIVfyYgyNcRGQ3JBBlTer7lZhXo5fxLRwM51HZN0nT+zu503p+/h0i/8jjxuEljIRpRv7tT2jt2UZp7Ql/MulvM330O/wBdmsDfBRGk16UtVj2W1uHNsQYoBiNJG2jzGVVYlVyTjjzs+4krZjSqUqVSS54SilGUl8Spfy15/wArvo+uh05TlNPDVIVKkIvlknrGPRz/AJqUe66/oaEfgiVNkEMCyxlFlPyKpDhmAG/GRtChh0wSSMZrycH9Yp06iqTm3OtOacpTfuyjFfas7XTstd93qenWw9LEOE4RjaEIw0jHRxvLopL7S6/IPsSaUSqKYGhZmmtbc7SZJiZd9xNHgzNJv8zdIWIDhc8Vo6c57t/fL/Jk+xUP+B/wy/4BheI9f0bRYb+5vWRJTGJbhPOFtcWWzJR0uAVe5hm4JtMsjqdpUg4ojJ1JKjvytQ72s1Hz79lvsh1MRGnC1tVFLp0T295dv+GPPNO8H/ET49+IbhfCtlBo3heG8E11r+vQfYrOe2KrvTRLONQsEDybi0cKKHcs7jzHYn6LIOGHjKNOpyt80YvRPZ+1/wCoeX8vf/gcGIzRQm9dn/X/AC8Xz7N9UfRn7Jn7M/hH4W/Ej4YS3rv4q8Yaj4/8HS3/AIt1URxajDPF4h0sCysNNw1vpNsSgdpbMxEPK7nlQa9qnRp0abaUVbm+zFee6S7HAsS51Y6vddel1/e8/wBDxT/gxj/5yi/92Tf+/cVwHtn7/UAFABQAUAFABQBR1fT7yTTb2Lw/PZ6VqsrpcQXUtlFcWzzrdRXVxHdwYG5NRVJLW6uUDXMSzm6i33EMQrfBV8PDFUJZhTrYrBx5o1aNKu6NVQlTnTjKlU1SlQlJVYU3aE3D2UnCFSUlpSrWqUvbupVpQsnBVJJqKTilF8yaUL3jFSit4pxUmzI0rQvFs11BqOs6f8PtE1NoAL7UfD1hd6vqEsnzL5FtfanZ6U8UMYYSx3FxDdfvFEbWRjLE9uKzDJoUZ0MHX4ixtByj7LC5hiaOEwsEve5qlLC1cT7V8znD2cHh/cnKaqxm+VayxOGS9142rdcrhWxHLHl0vZ09dko8sk4uLezUWbF9Pq9gulrY2EmurJdRWmpSPdWNld21s6ktqx3LbWlwsDJsnsreKKWY3CSW4UQPHJ5z5KkqkvcoK0pwpxVWUP8Ar1TcpVZ8z0UHVny789WNlfnbg+Z25HeNlG7jy2fN8TlLmb5Wryt8V2tC7+GKzi20m4uLf2Zcra8nyylH7pNeYhGjR/vKDjofwI/Ecng5GecZFZYnAYTGW+sUKdWUb8s5RTnG8akLXa1ilUm1CXNDmfNy3SY4zlG9m1ff70/lstVZ20vZsUAAAAAAADgY4FaU6VOlCNOnCMIQjGEYxiopRj8MUopJJXdkkkruy1E23q9b6hVAFABQAUAFABQAUANl+5+K/wAxWeJ/h/8Aby/Ucd/mvzRHXOWFABQAUAKOtTV+Ff4l+TE9vmLWYiG4WNjhkRm+9kqCQoGCASM4Pp09aaWnrr/X6mlJdemsbdLt6fM8J/bP/b2+B/7Gnw48Xa/458Y+D5/iLp+ixXngj4QjxPpOleM/Fd9rd2dB8LI2g3N3LqcHhW61hj/avjF7G00SwhieCCa6vYJIWVSSjTnLZxjKStdWsm1f891fRd7aUaEnVpq94ucU27Nv3lzWkrNO94pPmtZt/ZT/AAk+PX/BTT9q745fEjxR4y1P40/ErQf7U8RNqXhzRvDHxB8T+HvCnhLT9ZuNT/s7TfCWlaVq0FpHpdjbRQ20F8ijUFeAPf3V497btD5WJx0vb/FL49Xd/wB3+9b+ux3RwsYpJRSSX4d9rtvdt3berbbNv4Cf8FW/20f2efHKeL/D/wAcfF/jnSp9Vt9Q1H4efEzxdqfjPw34r0tna41DSWi8U6jqZ0K/1SO0nt9K1vSIYry08+7uTKFh3L14TFynCOr2j17u38zMcXRjBQVnrfbRprl2as1e+uv5n77/ALNX7Qnw7/aV+DXgD4vfDvxL4U1Wz8XeFPC2uaxo+ieL9E8S/wDCG+Ita0W1vdV8Fa9e6NcTS23ifw3fPe6Nq2k6xHa6hDqunX0N5aW11bTxw+ng4+0im1vFee7t699HvvqcVa6bTber1V7tb63066uO2isk7Luy0c24GdV3xnYG2xysXHBZQFxIc8qFGGyABjFTUVqlRbWnJeln+e5Suow0bvy3e9r21v8AlsSQtCSJFYMTiM8g5K8HPqRUr7v1/rX+tRT5uVrpdyv6vRDsLgiRvvu+3J7A9BnoPp/hR/wf687dSf6Y5FCqVzuAHBPPU5/TpQv1/wAhN6r1I5IY33b3Yg5+UMcjOeF54PYY6Gjo9Om/y9Rvrp3/AK3HWCbPNAztyoBb7/G77xPJ4xjNbYPafny/+3BW+Cl6S8v5SxW5mcP8Z7Rb+LRbKREkiubXX4pEfygCjR6Yp2tNFNEjjdlXeKQJgsACAa/j39q48Z9b+jrHBfxViPFirq5x+DAcDUrpx2ly15pN2sm/eimz6Hgas8PRzeurXp1ctesuTeGZbTcoJN6J3kk43i7ps/KP9rz4efDH9k698U+DvDfxb+LvgvxF4102y0WHw9qXgy4m8FeJfB3jjUJPDWoeHLfxxHfQ6Hr2r6B4b1rxZenRPEdha6VDYy2dhc+I/CklzYalN834XY3DZ5wtisw4ppVsVUpUMXHKKjp4ariKDpTzOOJn/t1evUpTap4Ne2oKCrzpzlKbqU3Cn+icU+O2Ax2c5vhs64Pw/Ejlllp4rLcmhnmaZPiHksXKeUTx2Ppyy6ljpRpzxLlepUw2HlStNYeFefzR4f8AiJ8Xbr4u6fpXhLx3falrGq3moR6lrXi34pR6H4mNvYyabpCnxPp97odzpFxa6NcW9n4b0GG11GC00y28O2GhQLJd6M1/c1xZkXh9W4RrVsXkMoU8PiqVPCQ/sXL61Hn+oTxChCp7WnLCe3jVq4yVTnlTft6soU4utBr9L8NuJchzjg7h2S4ep5HSr18pvXynKsBlfENWNTKsFpnFT21aNVSjUvj4q7ljaFKV2qTv9p/8EtPhhpEfgv4ZftGePl8b+JtT0DVPjD4T0zUPHOs6XpPhHwlaaCb7XoNW+F3glW1bxLfC1EeuaTqiz6vbw6frNhruvWVta2NxAR5njTxZkPCuNeC4bpww9XCJvG0YQwtCdP2tHK8RhfaLL8ThqidsTia0VOMYWnGSlLmrH5l4jcTKnDE5HTeXQoU6dOUv7L5ZYWftfqtesoU+f2Si4QpxnOVKTc/rEZRgoRqv7C+Dfx20/wCKHgSw1HX5bTw9rfmaX4fvrTUNWhtrLUdU1tLkaJc+HdQhe1Gr3XiOa1fThpmmz3Wq6T4htLzR7GFo7Xc3ynFc8XxRlVDHcN0uXK6VGksxpUo1aalONDE18XCcMv8Aa0JzeGr4eFSFap7ZcsE2qCil8dRklQ9tFOTqR5lKKulenFqL5W7L3m48jSknJy5ppSn8J+ELya1X4730Fk91c23iz4izaZY6db6PbJeJbyXzRQLaQ28ghWKUebHe75BpkmbVZ1eAmvls4niKfE3B9GlVlSj/AGHg6VebeKqKko5U6aq8sKiULYeMG6MIpyivaRheXMf0DkODnifC3hybTlzcNcOyS73wmWysvclfVbva++h90fs4/tC+F/jzH4yuvBeo6ReeE/Cdzoujaa9mLhtQS8k0nT9R1vTNXsruc6jY3OgXU9vpka3kECyRzpOFkjhcL9bj6OOUs1xuYKccHh8or4qt7SnW5ZYOhTVTET56q5JwUKUqa9tN0bSnzShGLZ+BZjg5YbOcVTvzOKo2tGnGU3UoUXKUpQpUlzv4rW1u1HW1/UreWCcOisFxgkqnlkHBOd+AO348jvXFw/mPDuZxccBHDpqUdacMCnf2bmm3QnNp8qe/fsZ1Yzhum2t05SdtbbP+lv0J1ttwXB3hV37idxyMANkjkjJ5zxkjvXu4bh6rV9tXkpSp08PVqptSf7ym42etFxukp6qSe9nqzFzStda3t83t+Q6OXyyAzAYbBLkdPQZPX09ga6eHsXCli6lGtaSpKtH3+V25XCC+OStt0S9FewTgpLrqr9td7vy+8SeW2llbzJVDIFwszgr8wOfLViQCcDftx0XPY082zzJM4xKoYzEZJS/s+/sI5vUwsFL61CnOr9WVarUvy+yg63JGFr0nLm0aUE4JK2r3cVZ6bc2iv5bkF3MUjZlS3kVQCFIEYzz83nKVI7DbvHY4+YGvG4h4hrZXh5SyzKuCMaoqfL/sUqt+WFZx/eUK1NNv2dPRP7d9OaNtqUU3dyqJ6a81+q05ZKS+fL8ytHqEgOGCA8ZWNskZyQAdxL8HqSc9cnIz8pQ8QsTXxteONw+AwOK9o1UwuW05YfCUlFVFT9lSq4x1Ie0pRhUm5XU6s5zjaMlbRYVzqOV1yWWrt/I/iahb4lorq3ZWseU/teftB+Iv2dvh/pXj/Q/DFj4stF8UwWXijS9U1ifw8/8Awjn/AAjXiTVrmPw9qsbKkvig3ehWRsNJlfzL+G7kiiQ+aCPa4Wpf23mcasnKSmoxUVHnXOq2FpRhUanOUHZyqrWenJ+6cJSvhmeJWBoKVkrX97ZS92rK61ir6cunZ63Wnwx8TvHCfFX9tW8+J/hPZN4Q8Q2ug3QOu6Hpul3tlbT+EPDj2yPcz+GJb9NQ0i7eWKXSLa4uYlvvtF3bM7TtPJvx1W+rcE5xiMW3DMsHneaUMtw8XVjGeGy3EYLDUo/2f9cwtGpDEU8RzvEOnCNOMPaUoUqUL1P3Xwa08O4YqN37XDZJV1bk39ZweBqylzS9pOydWXLGNTkStGKSSis7xj8WfHnxY8V2nwMkkh074Y/CT4meJfEt/wCNL660jwXoPgGFtXlvPDN3reuaze2ltIulaus7+AxbaZoPiK31EahFp+iahPOsNdnDnB3DWNwy4oxGHw1PPM+ybGZdi6KpYW8stxyo4PF06cfqcq6pSwlHCU8fDFYipQ5akqDVSNSEJfi2cfWM640qZFhlOriM2rYHKqFKKlOUsRj6eX4agoQh7Wo5yq1Y+zVOjUm5O8aUpNRfnf7az+L/ANtP412nxNsNclHwcPiLxdp/w5vdTktdPsdX8F/B+1tbjxtqOlaJeaffTf2f4v1FrJZo1hvNSj1S503Rme007w9e2kX6HwflWRcGcOV6mEw9GnVdOjTlBrD0JU6tTDYGhTrqOGhgn7WhBy9ipqUIxnJcjTXL+2cMf8YTwlDgzL60aXE0Mmy7iHH5pRcadbCKpicqyvMMhq4zDrCY7DVaeOoPEV8sq4SPLUbr1qzrN0lhfD/9nPxAPBD+MfA+h/EjxP8AFzSPHGjJ4c8JeB4G1bU9X0rwleWet+KLnw7BY+FJtQtdQm0PRdS1Lwjd2ELT2Wq6f/aGnRy3NsRXzWT8f4fFcc5Xk9avhYZdiMFmVavXhKnRrUnPJ8bVowq1quYVYPERrVKdFpwnJ0mlZulGcfrc9xGRrIs/4edTh/KMozKhhcJjMJxNUwmAyPhyrVr0vqGJx+HusJk6xmOrRx2DrVaM5V8dLC4ihGVeSv8Aof8ABH/go7Pr3xF8D/Bz40fs8fE/4K+M/H2uab4f8IJ4i0nX4p7+01fUbPR9D8QXOjeJ/AngjVX0y11C5bRNb1qwsr3SLHWYks57o3M8Sn6OhwfkvEGOq145hL2deq5xccXgXFKpW/dpKGCrRfu1JWjdc9nLVxUj8P458EqfDtDHcS4XxE8OeKsJCFbEvLuHeJ4ZzWouFLFZjHDqlDAUY4OcKFKlTivrNSVJ4qgpzqqtGrD6vQKdhjCxxpwqKAAMfKqKAAu1eFyuB1wB0rwsbhMJCrLCUGp0sFiq+CjPRqUcJXqULxkoQUlek7ShGMGtYpJo+H5+bmk6ntJSfNzJ8ylz68/NrzKTbd9W7pu19X/KCiZG8gkZOWDcgY4/rx65FdE3hoLC0Zq8lBOLirpLbV+Wr032JjtLV3v5dfPSz9fxL9rITGuUGcDrjOeOcHpzX1/DmJwjwkIOnCVSCTpynGL5JJuzTe1mk07aHNXi7uztrrd/hp1/4Y/An9pKXyv+Dor/AIKRP/1a78FQfx/Z+/YdP9K/sDwQd8h4JemvBWSPTZ3yfAvTy816nw/iX/yKMV/2NKf/AKcrbf8ABPpW1jvkjSaK4thG8VtuM/8ArgvAbZ/tgZ2++K+qqtVVr1uvwa8j5qngnSaa7v8ANPrNmxbXc6q0Xm+RujT/AEXf5ePmH+k788ebjZ74x0rmxEY4OEsXf+Fbo/tyUP76+3/K/kdOH5lJQtv6dE/8u/3mhZwyz2zl5yQCp4f7VzhhzH2HPL9vu/xVz/2hHE6X/B9dP5I/edv1hwpOL7Ptu1K+lvPa/Ur3zzW1pPJb/ZLmeBWkihjg8qUyKrBfMbvGM8ju209qKihClVle3NGMbWb3q05a79vyOOLk8Wp9P3lvRqf6Ps/8vLLnTjbatfyaxbWsN/fGS+uZ7cjdYom5ofN/6772Vf8Arm1fE5jhubMYT6KcP/TdJdz6fBYlvCSjs3GSS/7fn/dOT+Jnje60SxtrDwfpGoa3r98ubXUI9Pu72y0u6nZ4NPuxGf8AiW3d3DdR+abW4y6J5Ukn7uRK93IOH8qx+HWNxlTlr0ansYrkxL/d04Uayd6VaEPjnJawclu21ZKYUpT53b7bf5ea6Mj+C1l4xttL1nUNYsr638XeIZX03UfFOra3a6lJc6VaSPeppMEVl/o0e7U2lCWsfNoAtrJ+9ies+Jcwo4Gk4YZ823SS3lQe9SE/53/TVn7CVvReXn/evseieHfBjNIL/VS017KRPKj2eXWaXEkgftvDswY+tfNRcq6VaSs6yVV7aOaUn26y6JeSWy3hhOWMJ23ipfek/wCZ/p12Oy0+ysrK3WVoBbmceVdFV26gUi/doY1/hiKIpiXtHt64p+zf3en+ZX1v2Pu9Fp93/bsu5T8RX1rZtAlpFcSsbc7bS3/1Iclwvm/7DEAP/s10VZqaf9dH5GdKg49Ov6rz/r1OQ8Q3F3qwaPCwaen+ts2TzFmnLqVBTvsdVb2Iz2rmnHlk59r7+enfz7HTF+5y69Pwt/X9at8L/DebVZHkuYxZW5UnZbweU8qF1yWbp5fPI7ttPatKNR3+5dO/oL+v6udto3wzhieGy0yGJoZTh2H+tfA3FWx/CSoJ9wKvEYV5jCFG3wTVX7oTh/ND/n53fp1Tgve9F19UdF/wg/8AZYRTafZSiugbzvJ82WQAR/72wj8N3vVywvsKMo9eV/n/AIn37l+0UP6f+X5Lc5nxRqdt4ffy4fsn2lElNz9ok81/NIYNhscLtVcL2O496xhRnKlUitbzl1S1cV5ryB42MVa/3p/rH/M8X+Inxe0Dw3pd1ql7cW6ixMMK2ltN5rCaeJJE1IWv8PlGQQ/7RTd3qsFgatOd7fiv5ZL+fz/4Y562Oj3/AD8v7hf+EfwP0/x99h+K/jVNb8TS64kGu6H4e1pPs+g2NlYokNndWPh0f665WBoymrf8tyBN/HX02QZDKE4Ypr+Ly19/+fjoVP8An95fyryitjzM0xKkp67uXR9VU/urvr2Pb9O0eOwijsrO3NpFZIojs3tdzFCoZSzfxMwIYt3JJ716+OXJCMF9lJfd7P1PKjeU3b+Zv8/T+tzo/hxY7vif8NB1z4+8HD8/EWnCpl/Dl6S6+T/qxvQ/ix9V0/vRPlD/AIMY/wDnKL/3ZN/79xXjn0p+/wBQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQA2ToPc8e/BP8gT9Aayxn8F+v8A7bIFuhtcRQUAFABgU7LuF2HTrxSARpI0OGdFPXDMoOPXBNFn2CxS1G4RRmOaLcJEdsSKdsaqoKtg8bjyAcZyPaqqzSw8VfVc/wAr83np327G1Cm6ijFJ6NJru3J67Po0tEfzif8ABSiy8Y/EH/gpL+0bovgyz8VfEbxbJ8d/iRongvw/oOi6z4l1K51e21RFGj6Po9hb3tzfzaBbx+I9LvLO3t5hN/ZlhptnGLyJo18fHznOrOFOfsqkpyjCbk4ezqSSUJOcbyjySabklzK11do9rKaHLhnDf21Hki+j53K1tNb30av6M8otfCGoeGHWy8QeD/F+mTzXcVrqZ1Xwb4ksrjw7qFoZ5NXgSUaaHtbq11aO0ku/tixxaVDazx3fkvIqnjq5dnFT/mcQvd/8zDFdrf8APt6/13PVwOXyp0VeL+Ds0t5f3EW9V1L/AITTQH8N6B4du/E/ifw74QHibW57a2v/ABFrv9l2ttpNp4gieHTreQ2emrLYyyyX8kYgtOUlkjMh3GDw+ZZfWcq+N+te1lFxccRXrez5JJyvzxgo8/Mtr8zjZ2sY47D0HGpCulq5KF1HblkpfHHzjsv0L37J37R3xE/Zb+K/hD4wfBZ7CHxtYQx2Xh0+LPDUGv6Pq9hrUs3hW+8M30ct1bS2ultqOpmwh8QJFPHbi4l1QSqdHeSH2KNXF4mlCKlJtRXWo+67y/ryPAxmBwVKtUk1Fc05f8+U7KzevLH8H80f0rfCufxwfh/8Pv8Ahac+jR/FSbwX4dn+IVlo0sZ0NvGb6JYzeK00KbcRNpcGtm+WwmQsv2IQyZ2nNelgaNerSUXLlqQpxjq5q7s422cnr5J6rS5wVK9XDzlaMpUJTk6bUZO0ObmTTvGCtF+cXtax0oaXzFQvbpkkCInc/C5Khgc5UDJx/CCTxUujmlDFqrV58Rl8HP2lKCxNZSjKPJS9yajRajVlGXvNWt7vvJIfNl00qs40/bNX5p+wU4t73Tbe3novQeskTGL99G+6MSr5UgbdG4+WQYJzG+DsflWwcE4p4jF5VTi6lfKntzN1MDhtdru85L5O4RrUZXhRlBuS91QcHbezXK7pPXVLWz8yUDjIB29iR+fP1z/Ws6dbD4iCrYWkqNCTkoU1CFNR5JOE/cptwV5xlJ2erd3ZtoavtJrm9b+m+u1hcqBk4xjp6+w9z0q+gWbenfftfZi2YIEmTkFsqM52qc4H4Vrg9qnX4P8A24WI+z6P8ok1bmZxXxhlkgPhqZMYSXUg/wA+zKsdNBAIBJLDMYGP4ye1fx9+1XnWq5n9GrLKCvUx2ZeLFVLmjF2wWS8JTdnLlW1a1vaQvfafT6Tw+oRxMM6ouUouUcvlFxTb9yWLm1pKDSdrt8y0VrNNo/Hy78J6L8U/EP7ZsvjSTVPi9c+Grfx/r3gH433fjW08O+H/AAr4e+HUuteH7/xdrUF5ZajB4kt7XxDN4YtrfQNIgg8V6pNKLPwzqmmS3N1c15j42hlWVZHw81OdWrLMKPKuaM5vE4tYqhUUJYGq5xqU68ZR5aivzwTknKMT9Z8Q+P8AMOBuC/DvLsDThQliZZ+8woVFSqexp0s0y+ssPGfsMRSVSLxsoqrSq1KfuNeznzR9n86eBPhlceINV8P+FvC2tP4hn1G/bw/aazL4ssvCdnf3V2839qalc6JZaBcR2l1qNyJtRvLWTUNTuXnu2kub15ZGggwzXiajgHWzGtGthoxg6ypxp1MRKlCKlUw9Jzr81VUqdCNOlGXKvdhTj7KTs3+l+G3iLPO/CTHqu1eeT4tNtpJufDOB5n+6wFJXbrSeltb6rS3uH7OvxA+L/wCzLaWH7F8Pg8+LvFXxd1Oz8UfC3xxb+L9d8PaH4ZsfGtzayzLbeGzK2j+IdD/trUL8axo8Xh+2+3EeKbuUXM073EnxvGWC4Y43eL8WcbicPhMryjL6eHzTDVKONWJxlXD0auAo13UwsaNZv2dOhTXNTxNVeyw+DpSeGjCNH+TsVxhjP7fxnD1KLnhqE8NKlPmppRWJwdPFSiozwymv3yl/y8d9Ze6m1L2nwT418T/BK++Eng/4oazquoaD4V+Kngz7bef2vf8AhrxJe674Fu7HRDo1lcaHFp03iDSNI8YHxTb23w5Pga4OqQRJqH/CQXP/AB8P+k8H+EWT5j4D5n4tZvONPC57l2LxHBuGhTxlpf2jwXhOJOH7VKGbzqwc4SqqX9q4KKjJt4v2a9nh19XguHMFhsOq+Kqck501LmcK07OUIT1jSrWfK4y0tG9raaGZp+qf2j4U+L8ttNfJdaD4r8b6VqNxNpdxY6umoaPrPim4vkke8AvJCl3ayp5l0BcuFDTgSswr+eeI6NfLvErL8LU5Y/WsG8Wl7SnJa5NQptNR5+Rqo3ze/wBE7JXjH93wNelPw14eo0W3CHDuQ06b95Xp06OW8rtJcz91Ravdq7Td3r9CfDPxX8EvgF4h0Txc3hi70XVPFk9p8NfFniDw+NM8NeB7y2W3S90/4gaR4V0nX/FOhGw1UQabbXl7cahb6K0OnP4m0MK/2rzPrOMcI8nzyGXwoLG083wtDAVcK60cP7ejj5VaNShGrUnVVN1fY8sZRlTnTlL2lOdOpFVD+fswilmuYa8rVGE0+W+v1XCrvfVXT1SavGalCU4S9a+Anxf8S/FXxp8ZbTXPDS+H/DvgDxNaeFPDep20Nxc2+qypProv7J9dn/0TXW03Trfw5qy3OkELZN4sa0m3JPx41eGQ5W/qGOzB8MXioxwjw+Kz1yVKSp64mLqygqHsVR9yd2lCTXs6ycsqDn7P3ffatdSk46WtZN6Ozez06ppqN/VLqeztrdnLxQBRsN1PKYlyx3BV3HHmEJ8owM4PbIPpYivw1lPDuNxGUwjWxksPXozzNzzCnfDujjKk6X1TERq0o81SlQXOo86WGbTtWmQ4VOeHPJRWsUvd92/Kr3Wr2vrptroA1KIJlAWOYiTGwlEqGMgOEAOdpwC2Mj6Gub/XqtHI8rpUoNxWKw12pQkpKOWVU5+9hNL2X2rLms9WDw/LKdWzcddY2d+aSf8AOrb/AD187VNf1nTtPtb7WNUuhpek6XZ3V/qV/OGtY7TTbOxnvdRup7zC/ZILKytp9QlbILrZgBuNrXmtfHZ7n2LqKlUdPDvDyk4xo3UZ4JOVp2pWtChObSUk/ZrmS5bioV4ezlHX3UtZcyT5pPVKzvayTaenN5mf4f8AHPw/8b2+n2/hLx14V1y51bT7rU9Mj0vWrC8udS0+3vNU0u5urbTjL9pvNHtdQsL/AE1b+NWiS4sLmPfmCVT35lwZgs7y/wBhUnH2k6PK241JRvPC14SUqc8RRhKKeI5Izc4um4yqJe9GSiliYxqaPZ677c2zvF8yST0afbS9ny+kfHL4Ra1pes6zo/jbS7ez8Oat4j0PVtOuRajULbVvDerNZNa2mjQzSal4hGozf8TPSL3SRKNR0i80+7hfNyHPzGY+DeNjjeH6fDWNdalTlndTH5V9VwmHWHU7VcDTlisXmPNjJVZVcRW9tRlGoowaxEbyjBbU8xjWqzwCSc6Spvd8rc4RqbSpLeEU3GNRJNNtyb1+Gf2qf2gNI8U/HTxH4B+IPxX8TW1tq97aaV4l1HwhPrumeEvAukwXVzClz4Q+GfiwnWfEOkaDoSeCda8a3uqOYdP+Ik/xEm8MkQi3x99wNic5zHAZlxFgcvpZRk1fKsxx3DlqtTNYVKmDlRwkaeIVZ0cSpYnOMBnPs4TjhXLD4VSVG1SOIq8HEmCVehLDSbU5Qu5SdO6vSrU7rkklpeLbltJ2sopI8O+ENpHYX3iHVo/Fq+OL3wpqUXhDS/iNbf2jqGn6/wCFYvGniPR5p7FdXA1VL0aZZ2qTx6p/xMFOuL9tAufMNef4oYqpj55Th8xVSlQx2EljauXzl7KrCtDDUa6r1JUYUV7CdWvOpSi1HmhT0jD3T928Bsv+q+DeZ8zUnTq5DD2iSalbCZNBpJTlZ6K+9m93qe2fBjQ/h/4G8LfFnWPjR4E8K6tH8SPiN438R+CbXULbwfe6n4/8PXeoXnh+2m1DStaxd6RpfwiufFkH9p/ZP3/hrwbpOq6imZAlfuf0fPFjwt4c4N4k4bxMKdDM+LOGK3CWXqnT4i5Hj8dPM8DhZy9jl1fDKrXlXp1akq+Iw1KdWdSdXERTqyj+Y5/i6eHppXu3XUtVLd05zt8MtFzWXS1i94v1DVPGXjX9pGaz0XTv+Fa/srfsuWnwJ8N31hoxttDbxl461nwfputXOiXtk5sbiLVND0bxTpjzEBLTRbLRb5FEkINfEeKuYYPKpV4YZqTU6NCkowqJqX13ERfNGVOonKdOE3F1Guf3lGTlTZ9dwrxFTpZNw/ltGvJ1cXiYYvFQnUlOc6FLI5aU1WhenRw9eOBg44aShFuKdNRr1G+n/YF8SNrXxd+HFgNM07SYYPHXi6ztrPRdaOtXAsb74V/EG689r/JE7D+zfMaLrbgFhkxgV+S5FlU8Z4pZJUU8RWozwOKqzlVwsKEoYh4ahTlThT9oqjhGlRbVa6hJuUdOblPpPHSvKHAuMjLki5+yXvTTi+XM8rlFvom5SS0afw72PSP2AvDWl/tFfGb44ftjfFCG11zx7H8RNe+HPwx0S+k/tG0+EPhDwPc2YtdH8M2vS21W8e+fWbq8Cs6NqUy4PnPn9/4ewjw2Q/WHaLhCnSSi3d2wdOTtFznZwjCnGCTjBRja3Nq/yzjWSp8HcM5dRp8sZUsFmFWcYWtOeW1YQakpRhzVqlXE1KqlFznUcZKSvNP6+nJQqFC4TAAiGF2ZG1tp6McjcOgbf1r4niLEutjYVGko0ZRd4qykpUYJSlZLVW3dmtY9NfnKUnKpVT5teVvnd3eybTfWzuo/3N1qKzDzEZlUBsAE4ycFh1HTnt781zSq0qsqcnZKMUlr89vL9LpFpWvZ669/67duhYikCqoViBtyOvQd84/znp0r1cvzF0ElCVrJbPZ79GtVrtZ+ZlUjrqvw8v6/4J+Cvx8tUvf+DpX/AIKLpLGZYh+y/wDBKWQbdw2/8M+fsOrufggDc68kY3EDqRX9s+AtVS4T8P61SSip8A8OzlKTsrzyLLnq5N2u5W1b33Z8J4lU51MrxcKcJVJf2rG0YRcnZVK97KKb0W+h9O28Oy2t1jtreCHY6PNeyKiQ/MwdpfNKqFjBLOGOAqncAK+hzTMcNhU74rDxly3UXXppv3ZtWXtIvXl00ueJl1PE1pJVMPWV5WfNRqLTmivtJ9G/K1zgfih8ZT4eZrfwvNHdpaWzmW5tES4nnvImkzHbPBvZoYCEk82MlbYCSclPLLDxq2cVMZUeHUnKhNtTqRcpU1yNzjeftZwXM4xteLvdW3TXuYLK6CgqtbkppWvKooQS5oJauVOy1drNrXQm+E3i/wAT6b4Qu/HPxQ1x7h/EtxHLpelCU6nBptpa+d5aWu9pBcT6kswk1GaLc1u9laRTMpnjDZyxCw+sai0vtPsr9JR0/rzMsVl8Z1EqMfaq6v7Nc6V1HX3YWSvfV/ebGv8AxZhm0yOLwxbSNql86RLPdWxhgtrSRJDLuLKFjk3CNkBIOASOlcmY566dFKVZRvVjFN1LJtRm7K9ZXdot23smzXD5K7Rk6M07daeuqXel5mX4X0W/1q+a+1S5u9QuMt5s14ZZIraJI5tzQyS5CLl1WFlIBIwuTXj1q+Jqz9pClWmtHzRp1JLRJbptdH13R6eBwdKnKKquNNX15+WKS97fmiklr+R1GneFNJCQLHY2zyATxvJLEnJZeHmJXi4IYY3neUEXbbWVfBYvGyWI+uSwjpxVH2MsRVoSlyNz9oqfJPmT53FS5tXHlt7tzpr0cPCUVSnSnFwTlySpySk3K6bilqklfrb1NP8AsKzsYjARpUUMKI0d3dQx3UkKuiySqPtAeC0/eO6qVCZGGOWY5UIV6fu1HOuvWdTv3S7r/wAB8iPZ0+8brbWP+RVvtV0rR5UFzcQwQSQxbJIFhDurqDEWePCs0ikHKcMTlcgiuqMfcg7ct4p2a5baJ2t0t2/p80sTN1J0knaM5QW9rRbire9+i9OhGgmvv3qy3K2U/IRXiSTyOkMk0Z+dGkiCufMAOWyc0Wpq95RXq1p/kVHCxq+81q9ej39Yvqu+pc0fwfe6/PHbWEzGzk2yvqBiNm/mA8xrMAubMKFMjBvLAZ8kAGsaMa0mv3dT/wABn3Vjqq+w+zUpN+U4Pp5f16nYeG/g9ZySGa6s4oldSZri8tQ97PcxxyIjRzSp5hgO4kMrFWQnGRXZQwc6nKpU5qLTu3B20jfrFre3f5GDd5pRs079e19F39F+B0+keA9PhSI3QtysDHyxaBIA4B+7M0YG9MctGSQWAJGVFdFPBYenrOVKCVvjlTj1vreKSst/LyHyvqn6W/T9S5rfiDQvCtjNO7WqiBF22VosTTSFnRQQkY3EJnc528AFmNLF4jCYOip0a+GnOUo0+WFWlKVmnJtqLi7Jw1d9HZW1uVTV5O/upL06rr3fbt0PB/j5+0h9j0W8ttKu10lY/PabUrrUktUmjCBQlq8sqLK1nM0VxcJGxMISN3Cjaa4qFXEYuvFKnUnGTSbUJuOzvfWS+z56rY5sbWjBS96KaT6pfy+f9XPm+zk+Lvx515rbwVNf6Z4Tmm2ar421O+vrHSg8GGurSwiheIavPIXF4qxPKkovVKqSST9HkWRSrUPbTw9RU1W5XUlSfJFqFGTTm6Limotyabulq9DycXjuWp/EXw/z76y/vn0F4D+Bvwy0FNPgPgzT9V1OxtJr2HXvEVpZ+INatwZ3muLu2/teK5g02IXExBOnCE2+6OO4Iulkr162SYGnS5+ahFfzXo2XvJav2SXW25yVMXVn8PNL/DzS7bWk+35+Z3Aiit4fssVtKXYmLyoxBv8AMUsjII9u8Mro6FNu5WVlIDKQIo4xKEaWHaqxpRVNOj+8jy00orWnK1rWd7JWa0SaM8RLEThf2dWVo62hNqLSldPV2t1vtpcit45ZLfzLUxLEwClwybRBKPNMrOvybMsQzg+XkHBqozjiJNSlHnvrFyXMnro4tuSa5fXuTgZRqScOZOcbqUE1zxfv3TjdyvZO6etkzp/hhHdn4kfDs20sgePxn4JaVyWE8kg8RWJW4h/jdl42OucOvByKmVWmqck6kFpLRyit0/Pf+vI6cNCUqkeWMpe8vhi2vij/AF8+lz5H/wCDGP8A5yi/92Tf+/cV5B9Ifv8AUAFABQAUAFACOiyKUdQyt1B5/wAkHkHsaAEjiWJdqk498epPp2yfzNADqACgAoAKACgAoAKACgAoAKACgAoAZMCfLI/hkJP0MUi/zYf/AK+KzxX8F/8Ab3/pExxWvom9evTTz1ErhVuowodugBQAm4fSq9lLuvx/yHysbKUZCpZTu4ADKCT1AG4jPToOfQUKnJdV+On3oFe//Dkc4UEHEg4AwEUnjj+NlPTHIyvuTnA6cu6/H/IPuf8AXoQzwkozF5o2USpFK58ryo7iNEmMaqsitJGY/MjLgjezAkKeYrRa5It8vO3GM27RTa5W721av2fXsaYaoo1WnHmScG4uKlGbjKMoxd5RtGTsptapbLc/DrRP2H/j/wDC7/go78RfGnxq/Zp+N/xJ8GTfFX4y+Kvg98S9Fl1vw/4f17xdaeNk8XaB8SPFPi3QY9X8jQtWs7qTWZbWWbS9QuII9Shjs4XQmPweMMrxFDK8X7ScXDHYPGUYVaEp/uvaYSf7yc5U4qEYKSbmuflabs7H02U4jD4zF5fCi0pPE4WMqcnT5lz1oRUXGEp6tpq2t7aXP0h8AeEdI+IU3g34q3viDxH4fu/iHo1pfa54RstY1HTf7S8RabYpcQ6UkWvef4lisvDiT6gll4RksTp9xp2sS6xf6Y1zZ2D2nweXcN08TXnR/tSrzQT5orHJJtOyjB+wqScuZwSXI3yu572JxMcPCthIR5a1FRUqteCUdX71SUU6EXFxVabn7ShBShy6Xsue+NfwC8Cz/GzQvjde232DxbafD/xh8K4xaWlzbXviLSvHmoaLewQS3kUU818nh7R9N1s2Qtmaxezu9amFppotY4LnPHY/FcN5jQyzCf2lUqY+VSM8VP2lTBU1hqmGpwcsRSlQcIv69z8zpyUqdKrNcnJyzjLsJg8wq11WnSrSoukmoOk3F1FNtunUVScG3SUXDWUZNRk5JOS80+Kn/BJ79h/xh4K8O2yeDG+GN94RRLr/AITPwtqSwavqWnwapZ+KdVj8QXOttcaGsN/d6XdSy6reabaNpWhrfpf6npGg2dxqFe5w/wAT42jio4WWZ4SrXlGknTpY2tVlBynTfvxdeM4O9RK3K7O8deW8uHiLK8HRj/yL8XiFz1bPDYOjL7Puq1pc3uuNOUrxTqJyjFKooU+3/aH+H/gfwz+z18D/ABjpdzd+GviNrPgbw7q0lhaeL/E+kw3RHh7wzL4m1bSvC914mtLDRdY0rWdaNjbzWOk2d1o0usJYG5sL+7sbS58v6UHHPEHB/DXDeMyrF1MNicZRUp+zq46lzW4fwmJU5Sw+MwtVqVWp7SDk5KUW6ikm4uff4BcNYTibiHOcDmOHpVcJQm4whXjSdbD3zitRjQnQr4XEU4zhSXsqsYcrpVIxpRhUgqnscfwF8cfidoei2mmaB8VvGOo3Fjptg8kXiHW4vHVrbXCLErQo3jWDxTeWsXlhovKsrq1CAAKNqgV+McP/AErfEPLpUsPPM6tepGpTilVxedVqKpxqTdXnVTiGLShSlo1G0XHW0Ufo3EHgDwnisQ0stjh41ZVmp06ODwilU9nHklKrh8qhJxnJuduZ83NdpyPZ/wBnL9qnxj4g8b2nwt+Js2kavqniqLUp/AfizRtOk0aS91PSdL1LX9S8P+J9NS6m00awNFsru70zU9NjiGuQ6brM1/Y6StjapL+6/R/+kJjvE7D47D4ilT+t5HSpUsZLFwqxljZL+23JZXfOcdUxK/4SZte1jQd6lBy+J+y/K/EzwsfBdbF4jCQpvBwqzkox56toP6rCP7x4PDpPmxSulVcbRcaaTk+f6ItpGlGUuUkXklYig2gknaVjd4/MXpIEkceYG6HgfpscT9djHE+zdJ1Yxn7Nx5JR0Ss4uU2mrarnevXofF2nU/eOyu2t217vuta8zVmrO73utLWJRO6/IWVueOeQuRjcCByBjOM88Amn/Xp5O/8ASBUZbu1l66pdtPuv+BPZSeYJO+0gf+hf4Vvg9p/9u/8AtxOJhyOPmn59t/MnrYyPm/8A4Koxeb+x38XR/b2q+GQ3gnWIDq+jwG4ugtzqvhuF9LnQlYhpOvIzaN4glnkiS38PXurXayxS28ci/wA9fTP4VwfEvip9GieYOnRweWUfGmtUxVflhh8PUxGScGUqCnXq4bEUKM6tWMY0nVdLmcXGnKVXkg/svBKpShxXbEezVCVKTqVK0qcKNPlw2M5XUnVvGMnKS9kornlUUYpxg5yPmvxv4fFv+x38D7vx5op+EfiT/hD9V03Rfhx8MrHQ9HtrnVdQ8OPoWj+Jr+614Sabo2m2dhJaeJNT0i+03VL231TXxpu61vIts/8AOfFtfAQ8VuJKVfH4CjgcBW4beUKeLpU8PjHU4ewM8c8LNzVOtJV4xjiVhXTnCtJ+15ZSg36vHWf1JY7NqU4VswwtKrQeExE4yxKpKvLDYitTpS9oqEKFKtVqYen7OMZxhh4Rr+1ko1pfGHwe+GOq+CfjJpOiaxcJ4h1bT7/xXfauFRY7aS48SyeGNRvb/wA2xurm0Fsh1u5iikij0+B7WzWZLOOIiabTjzNo5hkWLjhVTjTrYfAYeMaFX20FSw2AzHDxUJ25pKUaVKUp3qNy+KbcuRfpvhZVWN8MsfFfur5Xjd0qXxcP5dulKaVvadtk9NNfq/QvDuh3tvoR17RfD93feG53tPDOua3o8F59guLg3l8XsLhZEu7JVezliaa4ZEZoZWUmJQR+M06+OweaYyFXNcZTyqpTX9pZVRxuIgsTCrRkqcPqVVLC4mCr1VXrLmjThGopSUqj5X+BxWHyjESnUpU5uPLbEThCaqe5ZWqy9k5On7Tl11i1ZaK7+W/24PHfwKW1174WxaFqrfHXU9QbxxPqXgnSorFvDT62h1HxHqXiDV76U6fqum6rc35uJo7bN9Ct1E7sGli3ftPgFlHiA8HPPeJcXmGF4KwFCtheHOHM5x2PpYanVwSwE8jnhOH8RTWHwmDp5VTxGHwaoqnUkqK9inhZwv4vFvFGMx9GpzYuphqceaUW61eguRQru3M8ROm3yz1cXypJpaRZc/Y28e7/AIJP4GtfDGq6Ta+GPC+ri51O01O3g0/VoxNe3xOladOf7R066SwlTS729viy3uou8qu32mPd5PjDkmFlx3PiOWNw0sVi8TUqypOUnUwzxFDDZfCFWq6Eqco1JxvQp0cTWmqcqcJpTvTf9QeGdariPBzgpPnqcnBPB05TTcuaNXLMvqU6t+aUuWrTaqQm7KpFqcG4tM+vv2uvjj4kuv2fPAvhX9mT9pHwr4F8WeH/AABoPibxv4Z0Cz1bxH8U9Z8H614SQ+G7Twdc+GhLfaNfTanaXz3EtusWq2Epivo3gKRO3ueFmVZrm2cV+KOPeHc9yrKeGJ/2hPF5rl2Ky2lfKP7GzGUaOMzilVwVStChUx1bD0ni8JFTo1atStChCu5fiea42hWxmaV8PiKFdKNalCVGcKilJUYezpwlCbi5yp+z5YKXO4yUoxtNcvgHin9sX9vb4afB34b+DPA/wq8R/B+bUR4ktvCF3cRWfxQ1/UtNe8jtbPwhpmq+JtCtbjwjp3gWHz5PP8SWviW8uks9U13VRbs1jej28yz7wy4v4prQyyPC2ZwowrSlPOaWS18dhaU8di6kMQlB11UozhTnGUOfCx+t1aU44iVp0l4VbNMVhZxlVU8NB3tOtz04y0dkpurFKz5dfe7W1iz6I8eftM/GlvhT8PtQ8f6RpNp4q0k+H9Xltfh54/8AHFvd+PZD4W1T/hIEntvDHhnwnBCNFs/7Q8dX2iX9le6TdXXhg3ltdx29tZBvgOMocK47OsVgOHsdhsVGnhJYfGrKKmVYjJsJQxNHLp0I1IYG8cLiMXiFFwq1UnU5cxfNV/eQqdn9sYWrRwShi8POeIzDDUIxhiYOVWpUnWjGlGKqydSUnH3KaUuaUUoq6VuOsv2pP2l/jb8QbvW/h58RbLwh4b8Ma5qct/4Js7fw54cnk0+2d7jwTa6FceKPC2sXtnB440iO28Y/8JLqkeqR+JtP8WXWg6ZaXthBI1t+/wDgH9H7hnjXgrJKvtcvxWOw8cPOthaMsvrYnCxjkGX+2VSgslxVaiqeIx0qdXna5a1Rwm/aTfP9xkGQUMwy5UnQjPEVqdOv7FwU60oShhpOShKlUq8kW2otXjBQSjZRVuN+K/7b37RXhGT9n/xJdeE/hb4r/aDt9I+J99Y+MH02XSfiLo/w28XXuq6FZ+G/GHg/SGvZLKbTb61029h1a3H2DVH0K4vB4W8KtaznVuXxc4B4d4PzrEQyStgcXSm8PLHTyt5fivqcqWGy54OeLeDwmCVCdX65iFhZ13KU3GcKLioyb+L46pSyLFYWFBSVTEe35qa5lJeyp4NxvCKpNaVb/C39pW3fzXrX7Wnxf8DaJ480uTWNWvvihqlxo8Wla1dXk+v63oclzqNvG174Hd411qOe9gu7/V11bR7S7mTXNONgsX2q92SfF8M8KZZneLo4iWPwiy6VSSWIniaNOhKcK1Nyp15RVenSa9o1UUasZxwsVX5Lv3/llndelW5Ks5Up3+GpKUGrzSulKom76paO8k4nov8AwTV+Injm0/aF8YfEDUPEGufFfTNM8Otb+LFvLGS38Q+CdU+JUtrqv23Uo/GEWnX5+IOneIvD2s+H9Q8Kadbp4jjjvbS1utNiu5/s1fW8cfR6x/GfhnxJlPBGfYSWc1qfD0sLgsrz3G4h1lDOMHia/sMJlmV5hVqRWFw2LxVSdCjJtxnXnU9l7WS+w8MqWAx2Y1sXjsfhqLrKi19axNGlH91h8dDT2nva8kFK02rSScWnynEf8FiPHE3j39r7wpB4M+HHiLRl0rwPp3hK+8a6x4e13w94f8VvrGvHxDqmpImuWNlcXN3oxv4PC32uQutverLp9q4gW3Q/JfRx4I4o4F8KMVhPEPIv+IbZ7mHEmccUYPhjGYKvwvmmT4ChlmGynBZdUwWLk3hqWPxOUY7iOnhcJUnQrRzBY1uOIq4unDzfEjF4zB8R/wCyUcVPAKhgUsXClWdC7jJ1b1oeyo80OWSfup8kFKfvczNf9hnR7rX/AA5eeB9W1aK08Q6T450vUNW8LpMjHToLbxmY9Skjy5mgt/PDuXcBBE8UjMFlUn4/x3xCwXEOTZv+9zLKsTluJg8w0xVOpKrTdGPtq/P7CVWvGUarfPJVXPn53zRP33wZzKnLwWxlGFanPGVv9Xq31eE1Ou74XJakpeyjU9o0uSpd2duSWrUWec/CT4VfGDU/ipqb3HxB13wVonjfxZqfh/xFqzSN4i0a38IeLItc1vwWyadI40+/0XxHrem6dpV1o0UivaGyCak6JPCK+8q5jwNXyjLcJSyems0wFDB1owWVYPD1ssx9CGGpvFYq1sXgng1XhiJ46SjRp0J+3w9Tmq4aM/wLifF5rUzXB4WGExrn/aeFWIjGjXlKlQqRg/a1YqbcKVpxvKcbJNXTR+hth+zh8QfhJ+xB8b/E3jzUNDOveKfhr4Wu18PaToSeFtLj1Q6/Y6xquo6vo9tIsVrcSXk9vpqTzYFvo1ik0iNBF5TfL8QZT9axNTHfWViKPM5RUcTHFzVOdery3appOSVaMlKXslUUlOCUXp9XwFiMRV4lybA/vJKNHFRdO1TSdLK8Vdcrk+Vx5Un7umq6M4j/AIJuaTcQ/Eb4a3H9oafq15ZfEPxpqeotZQ2qCDUB8K/ilbf2FafZPD/hyO5is5iX+3ytqiJLAQ0o2lh87gOIK8fEHJsvw+WV6MHhqmIw9anh6zlOFHAUqqrVUsZjHTqVaXtZSox9jThTSqpQw0Gqn7D9Iqlh/wDUuq8PVpV4KUYV3RlCcaftc0yWMVKdKMVFSbcYOWspJxV5Xt2XwGg+Ilh/wVo/abt/gKNI0z4PJY+Gtc/aV0DxhebrUeIvEEd/fT678MtLtWSdNY1HUrW6uxeyo9sL/UfGWpXRbTvEHh5j+5cH4ulj8seHdWgpfV4wqUpVaMp88cLhYVOWMpVOaUalScYyim483LGyai/zbi6FGHhhw4sbVg8ZGvgnSklKNWFCeUYpUI1fZpShScFh41o1mqdSrTvU56kLr7klFwCJTuDTRhsOVJQgDbkr8uCMFSMjGOh5r5LxGwFTLoT9hFc2JUHzNJtOFOn/ACxivLRJa9be98PRivrWJdNxlRfIqcoX5ZKNOKbju3rfmd7p/IaS0ajeC7gggAE4LZ5/PH9TkmvkVjMfh8PCrWTq9ktNFa3pe9l6vytuk7dH57X8vm18nrtYtWrs4XIIKjDErx25zx+Pr7cV9Bw1VnmFL2kqbo8kU7Ss+rT877vyManu3/r+m/8Ahrn4M/H2/s9L/wCDo3/gpFfXk2xLb9lb4JyxIFkYXU8fwC/YYdLbbGrkiVVc4YbMLljxX9s+E+L/ALP8PuAKvM1bgbhaldX65Hl3aM/5b7W8z5HijD/WY4mnZP8A2+crO3SdXzj37/I9U1/xRrviKc31zOLDR7OC5eSzS8ik06zjVniebVhazPDd3odXczr50SjBkkCgkGIx1fMK0XVlKV+VPmkntp/LHpJ9vvOdYKFGzikn6een2n2/zPNGkvfHuuw6p4bY2ngnRdQ+yf2tJAsNz4iv43AubWO6QLN9htp5oHSFgPMxICrRyGu9Ro4XJcTWikq0fqzi7O/vVKMZWfvLaT6ajftKkXQbbjK11p9n3vL+Vdeq9D0azsNa1l5X1z7RdJEsVrpFje3U6W1tbxFfMksbUMII4n/d+dtRS5WHrXmVMbVqK3M/vXpb4TbC4f2cr2tt0X817b/18jr/AAn4C+0XSrbw/aJZJI5PNQXhEaqpRoFDxgD53Q7h8gCH5sVlLCvHNQqrmjB+1SlZrms4ae9HpUl1e/zXZCooxWtrJd328v69D0m38J2uh2UX9owhLiNS372SOaCO3IBmaSVS0UQ3CEFZXVmOAASrY19n7Gm6cNNHotOrtu/73fqY1quj1/rTy9EYGv8AinTNJjkYR2+97eSa3ERiW3m8vzQGG35ZWxGAzLuyoC5+UgYywtepPmd7ese9/wCdWuTSq+6/8T79l5Hn2o/FS4vL1UjvHUXMEiQ2lqzXNspWQxlbeztxJLdb2UtM0EUqwzNJHKUdHVdqOGivjivz/m7SL9r/AF/wy/roaWj6Dqusm0up44XkuZNtxDgNLbJwYi0bn5ZFGAY1UyRkFSqkEVyupU+s1aab5I1pxik1ZRjU5V8raJN32FKnTS50lzS9577y179H6Ho3hjwza2trHaTW0FzO2RPLeQtcMRuOGCKsjqCv3U25QYUqpBA7MPgadaEZSindJu6vvf8AveSMKmOqUW4xk0k2kk/T+75nUr4k8N+DbSCJ7JBfy2v2y4AFun2eFiyhQ2dpJETEQRZkJP3SWApzjTo3cUr99dN3tr23Nk0l8Ku9m9bXt07nN6z8YbnWrqO302a4sLBZHhaO0MyaheSMP3P2eSNQYVjkCvM0jRq8HmJk5IqKePqKtGHM3H3tL6K0XbRR8kKc5Ri5J6xtbpa7t59GTn4oy6FpUo1y5k8qNHISd1lubl9p22inc+6RwTJkE4EZ55qcViPaJq+9+/8ALbqkR9aq939//wBrfTqfPfx1+O+vQ2uqjTrm+a8unRNH0xIpzPGk0nlsWFuGfbHCzyKH2q8qxRpuneGN+ejh4Yity1EnFJySeuqdlpddJP8AEHiqlt3fTdrd28v6+Rg/Cv8AZ08Z/EW507xt8eNT1G78P5gn0HwLAZrezu1dmd59bjL4u4rny7Xfp06tDNGk8WqxxxyQ7/osiyvDc1N8sfiXR96n9/8Aqx5uZYqpyy95/C+q6KPke86b4U0jR7S30/RdP0/TNJ0xUaxtNO06GwtNp+QRJZ2kMdrDhk2stuDBkbtxcvj6SEqeCy6eHp2iqlWVWyTSvKgqd/tdI236dNzzKk3UhKpLVxbj9y5vLa/b/gZnjW+1PR/C3iC/0/WzpWpyWrWOl3jLLbw6ZrOtX+n+HdH1JYY1EGpX2kajqUmqRzXhKpDYRW0DMYoVPJm1Z0stcvTVdP39Pyv5aXeq6XZtlEPrNS3rv6VfONvh6/8AD+f+C/jx4c+D/wAG/DOt+MfFfi7xvDrXiPVNQ0+a2/tDxD4ol8M+KvGtm+k6lf3F1dy3MeiaAfFfh7R7YXYge4e8t7S0heQtCngUc6/s+jhXzNfWaNCWl9fbQXalPfk/u/Lr6VPL+ZYyFvgliFbT7On8/n3+/c9lt760li0++tZ1msNV02G5geKEQx3NvdIs9rOtrDuSBZ4JElEK5WIP5eflr28DB1MNSzC38eEanN1fNda7P7X8kfRdPGw9L6rmuJTVrVp6aaWjV7OX81+p0Pwu1N0+JHw6JAVj4z8MIfZI9dsTCQe+WJwOSpHIGeVi8L7OLdktP0l/e/L8jtyut70d/i/9uh5f1ofJf/BjH/zlF/7sm/8AfuK8w+hP3+oAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAZNnCYIAMi7yeoADEAc9S4Re+QSMZIIzxf8GXne/wD4DL83p8yqdry6tQlZd3s/uTcvkJXCAhJzgAn37UAl5ijOOcd+n1oBja2KAnPT5fcAZ/XP54z70WC3q/mNMMTNuMal/wC+clvzzRb+rh/VhJS4DsquzHHTBHC44GPz6/hWeaJ18HhaNN3qRqzuo/ElLmtflvLXmVtF8xxtton8uvfX/L1OC+O/xT0f4N/DrX/G+rWt1rtzp0cSeHfC1ld/YdR8ReIryRJbXRba+kWaGFLq+hJuZrm1urPTrdBcTRLawzRTedxTxXlvBHDGLznOlCeGyjK8dmeIpVfYP2lHLsFWx2Ihy4vEYWnLmpUnFqpVpxd0pzhFua7sjyPHZ9m2V5Pgp+xxGb5hgsso126qhRq47E0sJQqzlSp1akVGVeM7whOXIpcsW0onx1Y/FHTtduvG2s3/AIz0S58U3vi3V9fm8CeLLnS9H1LRrDxRqWsaq2m+CtVF54dufHWg6VZS2dhL4Jv9XR4f7FsLix1ex8m403V/yjh7xA4d8Zc/xNThyVDAQqVKdZKn9TwrVPE16WEhK+BxmaQ5Y1ISdlJ2fvLmd4r9A4u8Ms88LMmwWZ5s8RmNOtTqN4j2tfF0XPD0J4uVP/acHl9VzlTSak+am4pxc4tXO31Pwj8QPjRbeAvHPgfx78O/CngbwvZtHpnhrxNeXOm6p45vYItItX8RLoPh4a6nhDRpLO2v4LDw/OJNcaLVJ4tRnR7WJp/os68EMyrvC4pZ9SeHnGTxKjmeIkqcZRpOPPbKPZQcoRrNqcm2o31Smzy+HvGLKcpwM6CyStUr4yb5qs8rw0rOFStBKNX+1IzUKft1bn5uXl9yMF+7HeJtdT4Maz4f8V+PfDcnxba01Ga50Xwvo3gH4n6H4K8M3iaWlzZeM/EvxK1fw3qWiaqugaFJc2Gg6bb+GbKws7zU9X1y8v21bRNIvNLwxWB4f8HMDDPlRhneNqxcKyo08Hj5RnhYSzDmlL2eWVHzTpKmr1pN2cW4NKZ0WzfxCqSeWYhZTB/v1KtVnQc4Vn7Dkp0cJUxbjytKblOUFByjaFRSkofO3xU/aG0z41+PfFni2bXNM8QajcXEsU+saX4m0fXdA0fQdH1TW7Xw74J0S60t0tJ9N8Nx39zrIvDDDLqWtX+r6lKJbb+y7HSv52+kV4ncU8a5x7SvQxtDLa2Z4zEYSnUp5jShSwmIw2GhSpxhPH4uhBU8NKCUKTdOEYuMHKmkj9w+j74V5Nw9haWJg8NiMwq5dgfrPs/qtZvFKvPEVJSksBQr8ssQpx5qjdRznDnalzSeV8KfFEMvizSpbm8d/tz3lpdRRTwn7NeRW10YnCqpK2twURIN+5meRMSMTivzyj7OOFqOpJLGYnA4vC0480VUeJxuErYSmop/vef2teHKo8072UYzlaMvvuOcslSweLo4eknGHsuWXI7clOrhZWbjGOjipJ7X8tTt7Px7rPws+Ifh34jRQ383/CM+PNH1OWzt4hNc6hoJuP7P16zQBDKv23QdR1qzUwmMmSWAMWRZI5fvfo88R4vg/wAR/DKNSrUo4ejnmEjnCdSpCMqdb2qtiFKthqbi/rVZP60lF3ejvJS+H8ReH8uzvw24gTpUZ4ihkGKnGSpUZyhVp+zcZRlKjWmpw9jTnT+1FxUr6Rt+i+iaxp2uabpWvaNe2eq6NqWn2epaTe2d3DPpt9p19bR3Fjf6fdxvJDNa3ttLHdQOksqGOVQrnFf29DF0Mwp0sfhZRnhsbRo4yhKPLyzpYmlGvCcXCU4WlGakuWco66NrU/k+eHq4aeKw9aMqValjcdTqxfvShOOMrqSbSSbT0vFcv8nu2LNzmYNcFJty5eNdoMQIyy/vAcFBx844K/MBjim9buz1/L/h/wDhghaPLG60SW+re23m/Mu6Sy7bhFOSjlW+dWIKyzoM7QMcJ36nPTGBtg9p/wDbvy+PqYYzV0335ujVrqG936suVuYnkH7bnh3xd4w+Anjvwh4G8PaR4p8T+LPCfiDw1YaDrstrBpl9Dro0/S9SLz381vp8V1Z6Xd3uoac95cQxpf2lvKjedHHX8/8A03s3jk2ceDeIk+X2kPEWje0n8WH4RbVlSq6q102lZrmTUkj6Lw7qU6WYYmpWlOEKf1efPTcouMksRyqUoe/yTb5JxjdVISdOpGVGdRHiml/s3+LviJ+zp+z54O+MGsnTPiJ4M8O6T4d8eLfReFvFC67oI0y20nxP4cuY9YtfFXg3W9TbR9Msp7G91jT9e01rrT7t7qCezvbyVf5czbNcknxfWx2NjTq4mFfATwVWarxq0J0MFhYOdGrCjeE48tGULcsoxpOcfdg5L2M2dPEQx1OMFKnNUpWVlFSlUjWqzlB8qSqSc3VnZ805Q5tW2/ib4keFNJ+H/wC17c6Zc+HfFXhy51CTwwsHhfxhHoGqPpWp67oHhRvLk1fS9TudIuF0sQXAOn6Ms9kkIt1t4YiwtIds9xFDG5HVWXQp0qdKkkowc4ThD2OI5FKk6cHyzni6fJVqJJOLgpJKSX7N4O4GhV8Nse4xjJ/2bjIvS6U45FlsZxu5Kzg4yjJbpqzV0dP8cvH9x+zh8GNe8brY+EL2zt/BWm3vw7s9U1GLX312fxFp1tbeEdP8U29tbLFNrr3dyY7CwnmGppZ6YY7m3ikulWX5/wAP/CfFcdcWZfVx1TEPC4jEOePlH6qlSpqljnWlgowx1OVKMaWH9ryqi4+2jdUZRpwU/wCf+NcvdDBP2MVzpNR6XaqYS1+adndtrfWL31PiL4s+CdA8c+EvDF1Y+Ddf+EfxG1rQtPufE/ijQvFVza+G9U8V3kfgm+8V3WvfDvx1HL4pF/oFh4nv7efTfByE382hamfDNvfQaLdG1/urLPBrhDJ+BstpZhgMK62HwOFdKVWhXqzpShlMWnzU8bWi2qsKs3ytRlOUpcvvXfBkvBmGzzBcuPo06inFKSnHmTvRopr3cRB7VZLXo3rtb3b9jDRF0z4R+LNdMlrc6n4X8NWmn6ilvGJ7YnTfDNxaXM1xBevJqNtBqUlwNSD6uiXU32eKW6L3Jyf47+kDBLxGzDh+lFwwlXPc4p4OdOFWkpUMLnLUPZ3inFUY4eEYck/cqKUFKdSEon9L8A4OGS8AZdg3ZYbCcK8E4LD09OSNHCZPg6NGnGPPUaUacYWi25KEVdtJs4r4NfGXxj8J/hh4tvPAeoPpFlrE2lWPi7W7bW/FmkaBJqN54DTSfC+l6g/hnV/Dlja6tozaRe+KLK41e8u7pPEAXW4bSbTXtZ5/1Wrm9GrwhjMkxtKVb+0q+YwqYZ0atZ4ilWw2Jy+UPZRoT9p7WEHH2d7yT5GnvL+csPxZw3hspzb2mHo/WFiasqdRwxHNGo8qwrpyUlg3FOLSs29N20fW/wAMPHvhj9pH4fQ+GPh/4rN9a+DkdfinJ4htdYi8Y6C//CPzR6YdQk1WxhTUdQmuNY0m1ub6+1O4NxoVhr+vC5lazjlb8JzzhPHcGZ3muc4PBzWPzHFYnHcLKjThiKFXK6mYYyhKnRpUMRiFWo4fCYjEKCUFKhNT56NPllyYTxmWZ/lcaj09mqa0nKm17T2FTXnp0m7Wuvdeju7XsZfxL8Xa7+zz4O+Dvhe013w/p/ibxZq1l8PLXx/bzWl14AXRPEUeu3Ou2PinVNQGsafFDqmhaFqmjfatB+walpd/FJfR3sC6dfVfh5w7hc5z7i2rUoVsLWq5Dj87xVDEVpRr0MdhcVg8NldSMFRi1Rp0MwxDqRqUlCanQlL2jtKfJThkeU4PL8XWblPA5pg8VBqvCynhXi6yck61NNWWqckn5LVeN+OzF4ztX1v4S+DtV8O6n4yNn8GfD/j9LyXxHHNrkukJc+E/CFpca8un/DzUvDmjX9ust74ssmu9Xv8Aw18QdQtU/tHxJoWj3Fh+oeCHi14geF+f4jLaPGOX4LBOlmc6uV1MHw3WqU8BGeEw9GtWr4rAvF4au54KhSqUa8KfJHC08QpVY4uUZ978YOK8Ln+UUuG8ZgcNh8VhZYelUxOCw9eLSw2PxXKpyeIjL9zhaTUoSm3aWiV5mf8AA/RPjv8ADz4h6l4jv/GVpaftBr4YitvGuuvD4X1PSLK+1GzXQtJ8GX+hN4T0DTklXT9F1DUl1rQ7ae2u9BvNLaK+l1XTtaupTxV8T8Via1Wtlka+NjnOKpUsfPCYOjPE1sNl0MA6FajODxuBoVqNNKM6ahNVKjalHlTqx589fFuIz3NKfFWZ5fjq2DjgvqEcLTp0fq0sRg6LxSrRp4HAzmqqjQdNyU+VU5uPLd8/gnjLxNq/jrSb3xZomkf8IPaaFrSzeGHsrmLxPrb6/YancyJpnhnSWnfVZo0aO31nTtT/ANP1+31XS4ILQmCaYj18q4dy/hLH5PlNatUx+OznL8DVzDFe1qUKVHD4m2Eq4qtVpLD08NeVOtTnheSNNU6koSxanOkz5DF42ti87pYWS5IfWKcbqN98ZKnZa807JqStaTaurWaP0Q/Z9f4c/Ff4ZW3xM8P6L8P5viLNomj+G/ix4vsvD1l4O8R3/ji3srFtejubjXfDUPiqG4j1iaO1sNWRrW2N3ZXCxakLuWQH8f414r8Z/A/jTMcdwb4rcYYjh95pm2Jo4aONq0FhMPj5qrhMPGlj8zxca1PDSzuth4uWDsoUY1aVKhenGn91k1COC+r1Kdo/7Ph5WirKTlhXzPVzad6kn5+m3I/tf/Bnxf8AGjwRY+NbXxP4Cnm+HOnX5bSdI07VtB1zXNVktdIheO08Ytq7w+Ftc8Tf2TbSm4dZftfiCz0+81ZdHksdRmtvqsx+lzDxQ4wyZcU5NUWBhTy6GOnUrUK0a0KOY4mnVeIw8OFcDWxFCtgsbGg5UpSTwsZyprESdOnHn40zKvjafJSm2uWKd5LrTr3s3GNmvabau9lpqeL/ALGFhqmgXulWmveHpdF17Sfi8LPXNWn1JJ/E2tW+sTazcto3iFpTey3F9ax32j3l5bfbb+CO7XaLieaCRk87x8zPJsZSU8rhTeWVcgWNwVCFKrHDYfD4avha9KeHjyU4QgqFOeGoVvZRqSoqLqUoyqumv37wNy2NHwwwVeUVGdbLuG5yb3cquW4G/N77b1nzNaa7NH6L/spfsueANH8KeCPGGt+HbLxJqdz4a8P6xBqus6lrPiS819ITD4g8PQeONJ8S3GpaRd3Pg3W9QvbjwDLo/wDZtp4QFjocljamS1C22b4siuOON8NT5rPh79xBTm6UK9bLsphOo6cqHKqlTkoxlJOCkqVL2nMo6fk+f4eC4ixtWKgn7PDe+m4z5Y0MM2k2pe+mk46JezjJRtUkpLt/21xbzfsr/Ge3vDLJbLodnKY2nS3DBdf0QxRJM0ckccRdfI8lkAkVzHlA/mjbBZli54Cup1Jy92nZtx1XNheXaOiS0S+SWljt8MZOXHmWx5ndf2pe97u+W4x7vs/O7+bPlD/gnZpZuPiV4NnuQuqWl58S/iB9mt/JhD2VhB8NvHloZ2SWTUIQJ5YUZxI1ncH+0J5IIZZwYz4WSYii/Efh+F501DKsZ7VRd5YyvUyetiGm506SioxqRiny4jlWGjy86SlD9a8b6coeHubVVo6eJyirGa5fcdLiLJXF/HfePM+Vxla7i1O1/smz/Zw8FWPx+074+6Lo2n6R47n8L+JfBvjTU7PTNPVfF/h/WNW0rW7JdRyxkl1XRbrQrKx0/VGWCa4tLy8+3RHZbCL9g4KxEKOIjr71pc8krKb9ph3eEeW/wQtzSjCUmryjGWs/xfOOIsVjMi/s2pXnOjTVCGHpc8pVKNOngp4dwc5U4JwlVlKpGl7ScaMZuhGdSioRp+lagikryyKdowSCwUKODzg42kcHAGB0ArPxAxNPE1KNJyslzWc3svZxWtkr632VtO2r8rAyappNSaivtPXWTava6Xyd+xXOWYBCOCu4nso5APqfp6da+WnSwmJwqjSlGo4S5Xyrronb03v59DoTet2rbrr92trX6363v0c9sSoYk8MWG09sD+Hp6j8PWvXyh08DgZPRe7Kz02V3q7pdO617Iyq3cl3v/n/l/wAOfgN+1Hbi6/4OgP8AgopEWOD+zJ8EMIhIaYt+zp+xLGkaMOUO91kLAghEbGc7T/X3BU6lTwo8OqlGUVKpwZwfO8tVyz4ewUuinrqrb+p87joRli8UpapYmvtpr7SaPYZPB0mrW923iO4mGkXBaLTdEidPss++6eXdeTaclrf3gk3ESW8iOkm5oeYyCfVqY7LqithqOLjLZOqoWTs0r2qy0u102T6nBQpVpNc7ptX1tdbNf3e1zqfB3wnudQFo+naYdN04WqW1haZVJNschaWVYzAsEa8s4/0T7UVQ77tyVVMbY6tVUXVw8cJK7nB3jVe7p2ag0rNQv7yvZ/Pthh6MIe1ldyVrWk2vesno/X5Hpfhj4NafosVub+SM2pkkub+5nYklsp5cUEcss0knymXf5BhIYIBBKrF4dqWFpwevvLrySbtr6Lpst/uIqVaUeklvq7afj/wTU8UeMvh78NtIkurfZpgLLCNTuCY9zPG8hVILyRXXd5J/fPCsIAKiTeyB9lS5rQw1GvKpLS/JKa5IpybtG7SbSSfLu0uplPFwV1q7Pey8+7/r5nzV8Wf23YGXWNN8Kx3Elyky2/2yWK2msY181A97hriW3vNqglLVwVkYgFOBXoYHg/M58uIrPDqlF80ot4mE7Jyi0k8Mk3eN1760epy18dTje6m9OkYPt/eXc4nQ9U+NPxT+zzf2lPYeHZboQ6tqmoQRaFeXWkTiISyaBpVvp9zHfoVlmSKyMuk2plWQpqPmPIIpzTEZXk044TFUMZUryoqspYfllTUW6lOz9pWpS5uelJtcjVnHW90qwVZYmL9mpL944++krO0N7OWnvL/Lv6v8PPhfoeiSW94sMcd5HbyQRz3t3qN9fu3nSYlha6EUWneYP3jQ2yFFLFd8x/ev4OMzCFdv6tTqwX/T6Eeih/LOf8svwOmrhq1KKlJ03/hcr9F1j5rr300O9k8U+GfDVnHazzw3Gop5aTRIftksMuAqtcQWhW4iWduUlkzGc5eYDLV0/UKVHC4fESr4arVq0KNWdOhWc6qnUp+0lCVO0eWUZLlcNbScY9dMPZ4uT5uekqcruKaaai9Un7lr8u+r12Oc8ZftIaf4MV5pr9dCELpbu0VtHe3QnVR5kaRxNexfI+UIafcCuGJPJ2wGBx+N/wB2pThGy5XVpVUmnzdY06ifwPZdVp2mc6NPStzSa35GrX0va8l1a7HOaZ8TNR+K3nahDeG1soLo2l3OQGjyFSSO2LhXkOpbZh5aWyyWu5ot1yDu28GMoYrAS5cTWw9XRN/VpOWju7e/CGtoyT87dHp20KEq8eaMox/xtra3aMu+mp09jd2Ol4uoZxctbiGF5HlZCJJPlBQoSytydxdUPGBntkqlKtSk4Kcal0lKpZRvpzXs5bq6Wm7XqRViqE1ConO99KV23ZtdXHqjm/FOuapqFwWuLkSRw3kj2kGY5DIPLclTLceSkTgfclaQBRuG4buZtJbyi/KLu/yX9fglKg/+XdZeqS/9u+88p8feLrHwjqcHiq1he91+OdE0aC1Q65qa6tcSC1is7e0uHOmzXckUs7W0WbyMyKpSPzVjdKp0sRXmoYZxhUV5ydVS5eRLlaXLGb5ryi1olZPXRJk5YaEeZqerS0ab17rm/rroem/A3wT8X/Ed1b+N/jZ4i1jS7BLux1Twv8PVvWsrtrtnldLvxPeWcFvKBuWyZ9DtXnhij82K5tws0Yf3clwuZ05U71cNpJbKfep/06R5mY1cK4ytGrs19l9I/wB9/I9mVmjCQqxWKKcWqsYpFWeSX50jiEkYIZHZi4G1NhRg7uzqPZpxxderDCSlB1JRjU50pKkoOSpWcuTmUlJt/DZR1veyPMxlalTwdWpGM+XnmraOTfspSv8AFa1l33/Dxz9oXxhqNn4G1h9KJvJ7S1utZaNBArLqGh2d4fDcMQk8wM0/xB1rwZFJG8SJJF56HzcRW91jxbW+qYN4Od3WdrSgk4aVcNV1cnGXwTS+He/TV9PB0eeXt5Jun2Saltiobbb63vt56Hzp8W/DcWpfA34NfDbw3Je3914417wdp2hXTT3Fh5ujeCfCaeN4LGXVNMuhqz6P4i+NPx18OfabiJZXmPgS20xbOGzSyt7D4zMMPjM5/snC5fUoUqmBpYHD4l4rmjCVTDe0p1nS9nTrycJSqwdPnjB2Um1F2v8AQOthsG8XWqwqOniJ16tNQs5KFX348/NKK5koNSScldqzd2fbaDTNHsdI0iy866TQrCy0qzinmEMn2PTraK0td05MP2h/Ihj3TsFaY5kIBY1+hZJgqs+GsuwDlT+t0MHQp1KnNP2MpxmpycHyc3L7skr009Vokz5XNMVSeZYivSjNQnWqSSaXMk0ktOdrq+rNj4PXN1e/Ez4exXQ8sJ448LwxZG0mRdd087m2j/V5YDOSeGynreacnLKyl8P/ALZPz+4vKpuU426y6r+/D9D5d/4MaZwl1/wU8gDSeZPH+xY6xiJ2iZIZP2rxK8kixMI2jWYeUGmiDlmwk23938+fUn77pPF/aCxHXBJMbaJl0tf7PG/Mcxa52iE3jLIF84Kk6xp5WeY2IoAniMoPz3Ec+ZMfJGI9i7HODiSUMSQp6ocA8HpQAiSuWufnLiN2AQqqMmACqoRuDhjkbpCjAjJUqQaAIIbzUXOPssTErZFlN3gRGWcpeo5+wxktbW/763MQnW7lV4JGslCTy44mVSM6Ps60KablzRk6SdT4bJe0afu635E91e2g0r30v87W9S00knIWPJ8tmDMSsZkGNqFtjMAxyS4jYKoyFY/LTnKsqaanCLt8bnSte3m7efyHy+j8rr/O/wCAsLtJGGdHjYlgUkMZYbXZQT5MkseGADLhyQrDcFfcorDOcqMHOpGrJ816keS0vfla3s24aKy917rXW5L3elvLsIzEtMqTBXEeVDIGSJiDh2xsLjOGKGRcgHBAOVsDyT9s/wCNvjj4Afs0fFv4p+BLS01rxb4M+FvxB8R6GLrRJrvS5/Emg+E7m+0IXbrqcUdnDc6ssM8UC2uty38S/Y4bCSIXF9CE1XKK93TTtfp/XzPy5/Y5/wCCmP8AwWd+MXjjwj4ti07xX8XPhprl/qly0Opfs/eBNH+EeoaNo+pwaR4mEfxF8I+DfCE+iQaLq+jeJtPs9V1L4kmfSIxNP4n0a+OmmRx1KcYTg/4tRL2Mk9Y8rTm0nKz91r4oTS3styKSxVWXtIz/AHdK3tIuKtLnuoptU217y6Th294+xfiv/wAFjNR+FX7dPw9/Yv1H9mqzubf4ix+D9U0n4n3PxvTTJE8NeIk1BdU1n/hBV+FGoSSto19pd7p9tA3iqCx1OaFpLrVtFgWWSOMHLEY2tXp0qC5aNadJSdW0qijzWmounGCukm06ul9HLS++MjRwVGlUq1vfq0oVXBQuoc3KnFyU3N2bauqWtrtK7t5h/wAFM/20v+Cp/g/4iQWH7IfgXxn4d+F32a2tNB8RfDz4O+HfjBquu6/LoHn6hF4x1bXfDHxE0fQY7DVr6EW+jLoXhKeGKxs7zUPENxpWrwzSWpKnKvRrw5azqyhRu/hVKclJrWF/aU4xm7xqcvNaM3FKTxqKtOEMRQqfuYwhKdop3dVRsm3CduSbcfipt21jzXivSv8Agi3+3j+0F+2X8BfEvij493mmeIdf8M/ErX/Dtn4ui8MaN4a/tbwnB4W8L65pd/4hfwv/AGZ4b0e/tLrUtTsrm40rw1c6RqlxD5MN7p8qwW8wFGVSXxO+/wBm35L9O59i3fjDwpby2GqXWuadaJqUtxpWmyXniO1s9PvbmwttTvblLVRdtYXssFvb3ktzOn2hYY4o8Sebbzx2450IL97WjSb+DmcEpW+LWU4/DdbKW+ttL3Uq0KHKq9R05VHalFKnebTSlb2lWlrHmjouZ662ur+G/tAf8FNP2dP2e55bS512b4k6nDNfWs2keB7htXurHU9OvbjT7uy1DVBpdv4SsEVzYlIn8Tz63NNqOm26aF/xMtLmv854rDR2r0ZelWHn/ea6HTRy3F4nDTxWHpucIQc1eM0ppU/aWUqcKttHFXtb3k1fY8N+D3/Bwl+yb8QNc1Tw/wCNfDPif4R6hFeLaxalrV9L428K3Et3qN7Y6ck2p/D7w9ruuaNIy2YnvoNX8MWzRPcLb6fJqj21/JbXTkqlONSMoOEr2akmtJOLtJKzs1bR6bOzMsLTo1cDSxWKxmEwdep7TnwUq8HWpctWVOPMqrw8/wB5BRqx5qcfckmrq0n9ffCf43aR8WfC2h+N/BosNf8ACPim3S/0Xxb4WnTxD4Zu7HT9UvtJ1o/boby3vZdRt9UsrjRJdLstMu5dGv8Ayby+lurKaRbWamHqV5U3TrTp8jd1CbSmmk/fUd+VL3b92c8sXJSaw+HrYlX+OEHJWXNdr2Sq9Epf4Xfa1+50+/bU7C1vYbZrX7TCxkiuBA89lcqu2W0uktbmaM3VndCSyvYIrhlju4J4kuGCJJKTpVHHk9tOLWnMuZO6Vr/F8/U1hUlKMZSjKDlGLcJN3g2k3GSaTTi9GtNicTSCWOEQSkOsjNKSmyML9zeQSd0pyFUAkAEnoQHSg6dOMHUnVcb3nUfNOV5N6t72TsvJIG7u5IuCCwOdxycHcMgBeD6fL2x69SaoDg/2h/jHP8E/CGg+JLbwXq/j2fW/GmleFo/D3h24VPEUhvdN1rVftehafJbTR69qNr/Y29dCNzYz39ubj+zpNQ1WKx0LV8Mc+WFG75YyxFOMney5Wp83N0astVL3e44uzXnpu1vo9u6un6k2ifGHwFqXgfQviLfeMNM8OeFfE1vpep2V/wCMdQs/DlnFBqZnvIrT7Ze3VnFDcKsN1pyyy3clndz6astks9pfwzXGDwlHBc2LxOLXsbOXLVrw5FyJSaSnGEVdU5fbs/e2vK1NabL7tVur7bX/AK0Z4b8W/H/i3x78QtWfw58ZNai8C6Fqdlpvh3w78M/Flro9vrbW+l6fLrus674i0No/EOoRNrtzq1rHFY3J0G2srG0gto47yK+WvzTxM8Xv7A4mwuWZbOcqFbKsLiZSwsuamqtXGY2hK7oZnRhflpQbTpuXK43k01GOdZyjUilJpOK2b195r5v+mza+G/xj8Y/CmSXTvElxq/xC+Ew1G5jGvS3XiHxH8RPAk11aRXrzX8d3c614k+IfgSS5uLnUbrXrEHXvBsNwmnpoN94csLbULf2uCeP8PmVCNTG1rt1Kq/2ipBu0atKK0rY2o7Wbtd6a8vVPSmrrX8dXul1vc+iUIdQw7/0/nX195W3enm/UHuKelOm25O7b0e7v1QLcSrGRXCt+72sV3v8AMVJGVGBg47ex45qKjXtsN7NKFSNROpOCUZzXPCylKOrSVklJpKysOhywlXnNJrljy8yTs1F7X2el9GfL37fl3Yz6/wDD2xS+hn1Lw9oPjK8utHEvnTW1x4wOjaPoms/YyzMjf2JoPjW3tLhI1ImOpxwsPOvA34p9NbjGeXcN4LLsNGpWlV/tbD4qhCLqrGU6mRU1Uw1elTxUHiKNX2koSo1IOM4twabev6b9GHhmGccS5hmWOp0sVh8FVy/G4enjOSrRpSo5q5xlSjXoVIU5ctOMLwqQkrr3lC0l4n+y7c6Tqfif4xeJbPxFoieILe98HeFdM02e8ZNQ0Lwuul6h4ml8Vy6VaTQ30nhjWdY1S+sLGPdb6N471nw9pkF/Lf2mhyQx/GeDGCwnCnB2R57h8BhcRjeNMDhebCxwlKtVyb22IxNdKnQpww9bL1TliYRUXWxXK6UFaUqacvsPGXNMVnGaPhpe2wWW5VXrRp1oSq4bDVrYPCUJWm69bDVJNTqTjJYeCglUs4xlKL970PxP8RdVsrmDwhoOi6How+w2tn4z+Jk95HZJDJbeda6ZoHhjS4hLr62No1vFP4gtNV0vw/fXMJvdDt7rTtShuU/UstwFXGZNiKdVyw8sTGhWlzSlTnWVejjJKFRypydb2CrKnFOLVNTcU3z3f5tjsdHCzWW0pOo8tvSniKKtDEzlGL9q5wq3m1rHVRajaMudQGa94S+LXhSWbxfL8ZvCF7NrNjDodn4N8Q6H/wAIt4UvtVkL36TaPrOj6nqetC+vTb3jQ2WpWHie4uollYW0aW8dtb3ishlheH/ZYXGzw1eUKik8PXdGcr08S1eVKipt88lJXXxWlutayzEKtWXPRVTRNSlGLcZOXLe05XXuys5J6X5bWbt8mfG74XX+vWer6FrmneEND+K8F7qfjfw741l8SM+m+N9A17xbfyHwRdeI7jSdM1fStK0+G402Oz0rVvCmhz6LqUel6tp11aWfibxTa3Hf/wAQOwXjzwA8FluX4GGdcC5dWzDOcwo4SlHMcwSwuYYTnx+Lw+U5xjMXzywCnzYqGDUm1LnTfLDLKPpBZ74IcdYRZ1LFrIs1zDD4fCKrLF/VY4ZY/L8clH61nWU4NRhhMU4tUXVpximkvZe/LyHwV4t0H4d3dtd+ONRuNFTTrlZHgurC5muNZtftmn2aXPh+0QJc6rtuv7PNtd2c97oAg1FtQi8iKdpU/m/HfRw8QaPipV8Psh4T/tfO+JeJfqXDeIxmQ55mEMLDKK6x+OxGDr4HI44vD1aWDqTqwr4LBYhQlhaEq0aVHD8z/pDMvpAeG+YeEr8S63FVNulkGFxNfIcNn/D8ZyxOZypZXBf2VVzis60aNR+3cHjoVaEr1lOpKXJC14Vf4x3fijxz8SY9b8S6N4I8cXl5L4fPiGax1a/8P+FIJtTvrG6tNHfR9Xi8O6pDHabrq6tHtxFFcT/2qlyoTy/7J8MPoO8EYXw74czTxDyfh7LuMeH8kwVfid0sBlGEzHF5nHnu8d/bnCSzSvWp+xp8jzCpQxEPaT1vONv4948+lrxBi+N89wvC2f55/YVfNcXTpZXVzXG/2XPCSty4epgsu4klg5Yd/vr0oxdN30TvM/Tr9jnxxoniH9nb4WLpXieLxZqPhPwrpXgnxjqE+p2N3qln4z8ONLaa4dahjjtWt31KW2nu9OY2VpFc6XPZXNlCLKW3Nb5vw5hODJRyTLKlerleBcXl9SvKlUlHAYp0cbg6EJ0MPhcMsLhMPiqeEwdKjShRoYSlRoUuaEIykZRn9fi+DzjFQw9DE49TnWoYOFSnR9pT9vh3UjTnWxNSNWtKisRiJyqzlUrSqVXZSaj6t58nleTuWU5A3kgyyKDjLMuSWcdSpJJbjPFOqoVMLhZ04xUmqTqOKS5v3lLmu1du65k7vW7vuwwyqU8ZWhVnUcVKXIpSk1BclRxspWSSfK7W0suxNoZfzr/fGUyto3JlO5n+0M5/efxFjliOWJy3OKrC/HiF2cP/AG7b+mVjPsW6c1vLSGho1sYnI/FeVooNGIAYb7/K73Dk5sEGFVSCgDtvYsNp2AK24lf5K/arZti8jyPwZzXDJyWFzDjlVowpqrVar0eEMPDkpytCVpVby5pxtG7jdqz97gZxVfMOa9nTw60Sk781Wzs2lbu91pbqfOf7Y/jbxT4Q8AabD8O/Hel+CfiHe+KdEvNBs7280U6l4ks7KZbWex0rSddEq6hY2niXV/CN14qeOK3tv+Eca+0XUdRtLfxAILz+XODVR4hz7GU85wONrVqWKyijha1Gl7HDUamMpYhS9tPlaXN7CjKDdOdvY1YunUpurCfqY/2jhiFSlBSqvDfFG8W4VaduZcvwpXTVmndN62PjP46+OdH+Lf7aGneJPDN2dV8NJNpFqk9gXeS4Gj6Do0WtX1s01zBc2kq6gZ4LcHUpojHB5jJG8kin7XiLK6PCOS1HVnSlHEYfL61F0atWtVtVcqNGjUjUhTg5N05NxUVyy19q4rkj+2eDWIlgfDnFUa16kp4HHWdOEXFe1yTL5xu37NpRs03yttJN8zbZqftgfs+X/iH9lfwDp3hTwBrHhOLwX45/Z0+J93rkcng/whBqsV/4S1TVL+8+GvinSP8AhH7i6l8ORQ+Mb/VLLxbLZyeItf1zTfD99by6LYaJfW/1ngPnWbZDx5QyzMatOtHFLExVf2M5xjH+xs5xaWJq4qNK1Sq5RnSlCdZpr3ZRnSTl+M5hSpZjjK2Dmrqk4r3ZckW+SMpcjj7z5J03CScY2knHVN2+WP2m/BXxj+HXw80PULj4f+MdW0r9ozwv4Htfh/4vtfHd5rHxHvPh/wCD77V7zQI7+30vxAup+D/hv4j1LWZdV0aG58P6f4wsoJnudU1W/wD7SvfCOn/0Pxj4s5XxFUx2RZdXrUK2T08VDFVMTSyyVCosulisHW+r8mNxE63POtB0YVqdFVIKTqezulLz85z6hgKLwGV0MXDERi4c9alTqUXJRq0b8yrTml7SFN35L8t3a75T1v8AZa8N67pv7NGsWeu2epWIfwlGtrZajBaSXAhg8IW01zPdavZw2uo3dzAskYvLfxLJNd/anNvZ2swTYv8AInjLiFDxIyXMZ8qjis94rpqpJyoTrV/bU6UeSlXcYSUsRVgoSwbjSlSVGcU3Wl7T+geDcRU/4hpw9XzWUVHGcIcITapKNN3oZZl8anMp+zUU5OMopOWl1Jx0Ts/tCXv7O3wY/Z1l8GePtR1Lw5e/EvxFb/E7wbZ+B/Dmi3z3PifQ/B2haD4agaa91LT/ACU3Wk881tc2ep2dpJO9us9xa3lwIvY8Oq3FfGOc5dleCqUsVhuHprDcTY7EuTw1TC47HVsbjPq2OpxnWlL+yM6p03UnHCzp4qjiLcqVCpX/AJZ4yy/hDhnDZ3l2Y4HPMZmjo1MZhqmUuliMEpSyunHDKXtauHqPkq0k60VRa5ZKzk20vm74d2niPUPBnjrwjrHjpfBK/EPVdB8ReK/FV2NXsrYeGtF8LeOrbwhb+Jde0nw/47Sz8P6pf6z4a0g+Gv7Lu9T8X6hc/wBl298l94euI7H944W8PPD7jCplM8zxNSlnfCkKuCyunDCU8ZgMbQxGFw0Y1cJiIqccJi8teX4ivzTp0KVWlisP7OnKrCH1fq8PuH3xLw3KrluGx9GUJYaFSli/q9GdRTwmGmk1Wq8rSjz81pX5k4vZc2L8TP2g47T4V6V8C9E1N9a+HyRaZ8SdR+HvxH8N3snxe+A/ifTcaa2g22uXWi+CfD0k+oHUL7+24LPwHEmm/wBpWUFrqpn1Uw3WfHngvwHwlxXPPeD86x2YZxmmGq4LNpTy6WX4enT9ngK1GGMxSw9GriK+YNQcfZV406dDL5uthcRWc6x4PElH6nVeQVq03i8U1To4RpNqdShShB05x58NGzxtPWUlaVZXlFRml7F8LG174gfC34WeJPib8UfGkOkfs/6do2veBLjwlPoGh+FdNvfF66F/Ztuk+peFLhH1TS11Q2OoG68+6Npo9xFb3lsk6PL+X53isn4ezjN8Hh+BJYh506mHxeOWZYKGKmqWMr4iPPQo5RisRWliMRgvrko1sZXXtHzVKSVJqX7/AOGn0KsD4icHeHOcriLM8rzmtSy/FTp4bCZLUcaNTgmpiMTJVqmJw9SUI18yjQk/aa81JvmlURzfjX9qL9oB/iXr1xY2ngiz8bfFjQdK1KXxLYwSjT4tM0aC28OSa14Xsr261L+zNRvDFPa3DQSM19eg3UVolt9nY+pkHCHD2Mw0sVjajjhZVo0oSq4OhWq4ap/tL5HUjh4VpxrvD2kowg4q8OdK0o/m30k/Dyfgv4v53lVHi3MuJsJnCy5r+0KFbDRy7+z+GMhxDdCnHGYunJ4urm37zkhSt7CEpc7k2rnx18D+B/2QfiZ8Ovj18HfFVx8QPhJ4mun+IXw3k1C+tdXh0O/S5kl1y112xVvtplsbc2d8Ll9L0wSNFFYx7biXyrjxvD7NeI/GfJuK+DOJcnxGB4syuGZ5FmH1WNavXjkcbYbLc2rTpYbGQoUo4jGVYzo1Kleca8JYqvQlh61OpH4+GT4GtiqeOwdeNSc2pwlOLhCLc41Je+4Ob9+cW01ycr/mTT+wv2ZPGPxw1/4Jap8R/i/f+EvC/h7xhox+J3gUeAdPvW0/wt8OtUj0+80PUvHNzb2P9tXOsG1S0sZ9K1dNUudP1S4Se0lur1p2T4LjDwjybCcbY3gDgPOJU8+4Xw+WQ4qp8VZhRlDGZtnGS4bPZSy2GAwWIx0KVF1sdKeHrYbA/VqP1OlClOlCpUf02WUK08FQhKth5VFFpuMvdtGUoxStTTdlG12rt63epf8AAHwq8O6h+y78fPjp4y+ImtW2u+HvDWtXdnqviSTS9J8I22q+HNPfUrOK5vHhtrq7e/tZ4/BxguboeILnV5tSmktYblYUh+t4N4G4c4lrUcjo8McQZHgqUpSzTG5zTxuBw83PG04YmGFxTr4rD3+oY2lKkvZRhzUK82/Z0257Sy6lHXFxdTv7KUruKjvG/Jqtne2vU+Xf2W9T1zxlrDeNdT0yHRrPXvFnj/4ialpFrbXklnZyy6M97YadBd6hL/bVuYL54zPcTKbrTxi0ge5SIZ8rxxy3IMmpRyTLHiJwwWWYTJMFUdeFRSw2GzH6spRmm6eJhUoYZ03OrGMayqRrSgpvlX794fWwXhZRxcV/stLBZDBQ+KsksJlMIXUmldKtC7U7rlnvpf8AYL4R6NFa+A/BKRRRQqPBHhgogRoUjMWmWTFQquwAz2ywx14r1cPwJltPxE4nqy/5e5RgVF/WKiUZRwuV+9P3UuXS7dtlsfiGaYipHHYvGSlGUK0lSUVFOqnClKNpc1o8vKkkl70WlFOy5nyf7cMVtB+yd8cZ7jaIY/B7SSMQjYI1TTvKYeZgArMY28wbpIsGWFJZkSNvXx+Q5fgcrrSjUotpUIPkxLk/4tHulpaPTXY7/DXELCca5VjaycqUo5j7tOK9perluL5bqThHS/ve/p5nyt/wT8tdRfx18Ib/APs6bS9Hl8ceNdS0iC8u3vNUu9Pu/hj8SoRcmWOOBxFJdxxXkS6khia3lt/LfzmEa/muTYjC0PEvBU+b2lRYHMU3TVGKpV4ZRSbiryTn7OK5JSpRjebly81NTqVP2Xx4xVCjwBmWEcavtsZ9U9m1rSUaOcZXUk5tyXLzRbS5Yzb057JRZ9/abJmWVcuWXOd3QbjuAHYYBGeue+ORX6nwjmEHiJx9/nu5N+rh/k7r8z+fqtKak3NpwTvb77fdt6ddESX37xwp4BXlvTBzj8e/51XFlCtjMXhlHmtOpyW7c0LX6bX6P53Kwzi4ztfS19tV5+l/+AVFIQsFXA5yd3vgdevBx6n1xjPyrjUyhYqnG8rVuuv27vXprf8AyNdHqtPLs3/wHsSBnZX2/fUHoeBleuD6Y4zjjg813QzGpi8LmdChJwqUMrr1qasm41fq05Rk1L3Wua11JOL63TYnBNptX1XW19bbr8WreWh+Evxl0b+2v+DpD/go3AxKyW37KfwKukZYzIUl/wCFD/sIWgbaCOn2o9xn7uRnNf2h4ZOo/BbwpdV81V+HvAjqOyXNUfC2Xc7tH3VeV3aOi6aHzeOVsdjFa1sViFbtatPQ+vPCfwUso2+1ahPNFZK0kEN1bvbSzh43K7NzQFGJIO24iihKHGEJG6vX+pqnrr90dXv3+/8AQyVFU/z6L02f3nUT32geELX7Jb2wmUvMhhDLPqAigtWlWYsURnWaWMRukRtxEm6QmYKY2mvOVOlPk+JcttbbSitHddPPv6Cq17QcfTq+lu297eXdXPG/i7+0FNolg1/cGxsIbU3A02zia489JVX/AF1yUmlcgICA0cClGYLzv46cnjLETtV208/+Xlurl0OWtW0/4L7P+meEXV78dP2htWEPhfQtY1TQbpJJLjxj4itrtfDWklWWExxNcXNtLeMiTNPFbPGY5VgcnDKHX6XJsLgsLUdarThUXsXFKdODSlJ0nf8Ahzd7Jrbq9ehx4vEunG/edvtLpJ9v7p6J8Pv2Qvhn4BfTPFvinV9c+I/iK1MjyyasLCy8CRXn2a4M0WkeGtPsmuTOjFVEuoalqMfmx20qRRBJVm6sz4lhQoVIYfD0eX2bUUlUhJSbTbuoRTT5tFyppqT5nzJR53W9r8/X9fNXv6DPiZ8Q/BOg+IEhlmWbxBaWMC6H4bsXVo7S23zvZ3utyW8Cx6PpMN01wsjAAhbeVvKjLeY3zGMVTPcZ7erBU5RiqKUWppxjVnNO83e7dZq2yS9T0MocKWHnOW6ryeqvtCm+idtU+pyt1+0PqmsTnRvBw0/WL6JEXXdVgjvDpGgZjVvLmMpAgZ4irxyLqd354PniK3En2WExHDMaMea717xo94ro/M7JY+lWtHT7p+vWHkVNF8SfEPxleT+F/hd4bu/EfiKa4mGseKp7S40zwhYW7SMJYtT8WSyoNQntvmEenWcyTwldhtCRsqsi4PxFTEPE4vF154ac/bUqUlTnCFKU6NSMIxdapaKpuUUvZx0duVXs8MbjqVGmoxteMeXaXSM10guqVzorv9m7wVodraa58YvGuu+JvFkqC6Hg/wAOarDp3h+O4P8AqrfyHsBqt558Plzm9murOWZpDI9nCzGNe/OOKMv4VisPQwlCvKkvZylOM6bbj7JNv2WG3ftpX1a031Zx0qdXHycottS1VmvP+aS/k8vyvYOoxxzQaf4f0/S9ACSTILayU2dnoX2cBnu7hLiWfa0YIljmuZpywjAwQoFfMYKlis5jz1W95J+9z/C1H/l5O+0/61PSWI+re76236+np/VihN8QLO6uE0/w839pWqzahPrWttHJDZ3FxpKRHyo7vfJHM5mk+VYbeMBgq5PmDbWLy6eHg8PTv7SdnH4F8ElzaqSXwp/aXZXKpVYVasatVJwXNe6v8SdtGm3q10fnbo0w/ETx1bWMfg3RRNcapeNFDc6pZyR6baQ8rLczhpP9OEbGNVtlkszJvMv2hVhMUrweVV5ytUvbTdwl9rzqPoRjMRh4K9JK+uii19n/AALqd74H/Zi8J+CvEGkeP/EV/d+LfHekpLMkd+9rbeHtF1C6tpbRp9I0azgEC3NpHcyyWN1eTX0trMBNG3nLHInqZdk0VUctbum/s0+rh5+R5uKx0kttOay1l5/oejQzxtNNLIPObEBVpFWSQXDeb5l28zJhrmQiMzTKiPN5Ue9j5a49jB4NUnHya6RXfs/M4q1b2t13uuvl39DF8Q6/NZmW03yXkkSz6msweT9zLHDN9mtlUTja0r20g80khMDEb9K9nJcDTq4hYia1ppQtyxekZ0p7tN9emnzuefmtTkoOh/O3Lt8UKkO1tbfifNHx/wDE9vp3hjxXYaTdT3+vxeKLTwjp7SF7eC713QdIt/iDpsTWvm3LvDqXiO2+C13dlbr93FrF1o4LzXUN/b/M+IOYUo4tx0/8mW9LBP8Al/r1PouD8vUcDzbb9If8/sSujHeF/At1q/7Q/wAEPh3pl7a6h4b+AWgWOnw3cMfkrc2NnYap8V/D2qzoZrlLm51Gbxf8KbS5EUiCO30SyIdjIEg+d4amsRmlRLb61NLf/oIoWvzeT/H5HZn0fYYGEu9CL17ujWfT0Po9kQX88txieEPGyIMSOEniSZESWQSIqRK4RAIfuqOFHA/RcD/s2Dodf3UPy/u/4tf+HPk7fWa9T/HLz79/8Pex1/wdjEnxG8DTpIoS38Y+HdxkQyMzP4isbfzFYPGEKcSAYfJGMjrXPmfwy/w/+2T7m+T/ABx/x/8At9M+V/8AgxnGW/4KgA5IZv2JhwcAMv8Aw1vKpI7/AOqI9s+5rwD6s/f5kCKxhjTeVROFC5RCQqHA5VFZ9i9Bk4xk0AMWNYVDJDDCS+5vLQKWJV1BKRqDKxLBQrFOGL7sqFIB88ftWf8ABSf4BfssXOpeG7yW9+JHxLt57e0uPA3gq4sFbRby9jllij8VeIbhhZaNmGB5Vhax1LVEkYL9gaMTSQAHzXpP/BfnwfqXiBtKt/2bfE+o2FtJaRXeoaF8Y7m/ulW1ulFg00Gt/DPw3paT6hqUi2FxNBr66MYDKniPVbK3GmxXfHneY5TlOCrY/NMQ6Kw1KpWoxVGtV9rycntVzUaFd07Xp68t5c2ilZ2adr7/ACdvv0/VHtXhv/grh8E9V8Q6TovijwZ8RPBGmah4lm8Jazr+rw+GNXtPCF9F4K8T+LJptX074beLviH4hvtI+0eGrXw/beLtJsn0R9W8TWFoHS50vU0PzGA8Y+DsxzH+zFWnD966Kly5jKz9tDDxfK8ohF6zTfvK6TjdXuF+tv8AP77/AI/PyPq3RL+31XSNN1S0uHu7PU7ODULS4khe3aa0vYxdWzmCW2sposwSx4jntYJ0ACzxiUPX1+Fnh50ISwknPDvm9nKUHTbXPJSvBxjy+/zLZXtfW92Pfr039PRfkiyyI4ZWVWV1KOGUMHUggqwIwykEgg5GCRjk1oI5b4rfC7wz8Xfh54s+GPi/TNLvfCfjHwr4l8Hazps1m9x5vh7xBpdxoOo21msN3ZJbfaNGv7zTp4issE9vdta3CS2MlzZ3R+H9LUJWs9L6fpbt1Pyw0LxB+0F/wQs+KWq/Bzx/our/AB1/YD8f+M/DfjrwJ8aNW0LX7nXvCGrtG0d/p76zo/iQWnhXxrpbRQ6Vd+Hmu9TsviTHpWi+LfCOieHbvxr8QrHSiOHdbE4X3rWqOFrJ8zrWpp35rLlvdb3vutGufEYz6lhcVUVO/LRdVycmrxoqVSUbRWvNyrXVqyaTV1LjP2q/2gPgl8Tv+CtX7Gfx/wDDnxC8L6L8EdK+DHgLxFrfjDwvaS3tp4fk8NeMPi7qVrYzXgh0/TfD/iFxplja2ejPbX89trd9YTrb6pJPHp1xvg6NPAY6VJttuVSWqSV+WtBuSjF817Weuvcxnj5Zrlyr8sU1GlH4qktH7Gol+8ask5yt7r38tPV/iJ+378Xv+CgnjXWf2O/+Ce3gSc+CvH+knwl8Xv2m/GaeKT4t8KfDzXfESX+van4bsp59EXw6viC1vfE1vp8l/DoXi68WOW8jTwZeafZ+MtFjMqH+20qicUoxm2oQ5Yu9OlFJR5m463l11XS5WU4329GphZRvaKmnzSduWq2r6craUlFa7P4Xpy/XH7BP7E/h79ir4A2XwU8CeJbbx34k/tbTPiB45+JOoqlrf+MfF3iGSyk1q6trOx1vURpuhajonhbw9aaNotxPc3V14FttF0zW764lsrVYs1/X/A/rud1KnFWve2qvbbbr0V9L3WvzPmr9vr4keNdd+LXiXwLqfwvk/aIg+HsFn4I0Hwxq17f2f9k3dzoFlrGo+IPDmg3H9taFrep+ONL1x9Ms/F1xpreL/EC6R4u8H2l3BZ6aXu/A45r42i8qWEqShzvHKpyznC/L9T5b8tSne3NK29vK59f4d0OE4YHiXF8T5FhM3WGp5XVwdTFUMJWlgU3j/rDp/WMrzKcHV5aHMqHsX+5jzKpaPJ8f/EPxT+xTqGnWXwe+KXwbm+GDW+t+DvDPjLxlr3w6m8L+ONL0bRFn8Vaxd+NviRqGmW3irxI3xDurGx8M6pp8S6lruhaFr03imfWrO3sbPUdI8WlVzipa9erb/r9Ufa71xJ9dkGYeCudYepgMTXqZFdTpP6jl058jcaNGy9jwso+77WVuV2fsYa2at5jY/sr/ALJHxh1X4qePfBPx3vPDnhrwtc3WjeFNF1vVvD174s8OWlvpOjWvh+1e58c+K9R8U+PrLU/E895oHhW10y20IeI4JLObUPHdzrZ0jUx6MOJMRlmBo4aradSl7TmlKdbmfPWdRXcXNfDUS+J7dNjkh4CcB5/mVaGQcT5vjcHL2f1fEVcFh6UqlsPzVr08TgsJKPJVo1oLmpw5lBSSacXL68/4Jra18Qv2CtQ1fwJ431KD4rfDjV/DOg+PviGf7G1bR9X+DXxP8HvZWt3rtjba3q+ijx1o8ulTyTatc6Z4p1N9a0jSdDuNHjm8P2VhaJ2ZHxVPFS5JwitbfHWe7oq/vRttJ29V3PG468CeJODaE62Ty+u0nGTi8Qsup3io4xpNUs1ovVYSndOKacpJpONo/rRpK6bcWqNYXFg817p6Ww1S1mmnvNR0zSNmnySy6pDPpk8lzBOZoXnilcwTXNrIHZYwT7nP7T39Pf8Af0fMve10lZXXnZX3sfCzjXjOccVHkxMZSjiIWa5K6bVaNpOUly1OZWcpNW1bepelsluZpQt1NDtRTiCcRsJ2IuLa4nZCtxKYPKwkV27QSIzKYzHvUgi5Gu1FGdxAGXIQFz3YhAFyfYCgCvq8RmsZYcy+VKk0VwtuwjuWhmtp4iLaVnjjimWR45BLIwRFRmyrBWXmzWhPFYVYeF+atU9krOzvUp1ILV+ck9nbfoONuaK11lGKS6ttJL7++290fFXjXW/ET/Gq98OfFU6Xc6v8L/DngDwroXhnRrDW9Y06KS40KfVZPGnhi3Swu47CbxDDeW9hq1lpVpbtBJolhDPcIkdqs35F9IbMs2yHJ62MoV60MswdFTxmIhiKqVKNPL82xeIfsqdalWmoUIxqNU6E3L4Yqc/dOvC5XjsbNQwtD2spNRS9rRhd80Y2vUqQXxSit/wubOqQaRrE9tqM3h3xLLf2b2K69qWnaDrE0139gu7qJFtdO0OLU9Uu7GKFIojfSwFWukuoA2224/IJ+O/hnlmIyjLq2ffW8Tj8B9ejOWR57WahPOMdl8Y+1qZdS5Up4V+61JK/NzWfLHrxnAPFlG1arlUY01Gzl/aGVu0k5ytyxxrlfli2la7VrKzRueG9X0TxDDaa/oVxd+J9IgvLvT49YEd+NQ8P3dnpzrq+jC11K1h1O2FwYZorpLiCGK4h2vGZbaSCR/tsLmmV5hlH9t4TGOnlydePt40sRSS+re0dX9z7D22ihJ6Qd+X3buyfn/VMRQl7OrT5Zqza54S0lZ7xm07+vr2PZ/2Y7DXNM/Z/+Ddr4jN7/bUXgLw8lxHf3ZvbtILixt7ywtrq93zGeXTNLaGyBaV1PkGNGKlCf32nUhVX7uTk7NfDKN9uskujVvTsZtP5fr/wWd6zqQBk5bheCM9fbj8cVcYypu81ZPRddbp9LvZMEmtxMYTBLg88ISf0X+eKfNFdf6Vv67BfXp939f1sVp7y3t1lSS4eN8N5WCWkmZYjM6RIu55ZBGGcRxhpCqOVUiNyo3Cl7OpJ8ssRJQo9eeUWo2VleOtld2XW+jKcY1ISs7+yTlWaT/dpqTi2+XVNJ/DfoviaR+Yf7Zt948+KnxT+NnjXw7488Y6boOm6vqvgN9F8J+IEXw9Novhm+v8AQbO+0yeyuxcm/vfsV94vX+yrmOxl1XXby4vHW5nZq9bJvBPhfjHHZRmfGEMJCFbH4LEZfHEUMLjVisRUxFOCpcjyXNvZupSp003WnQg1K0qqs1Hw8z8ZeIeEamLy7g94nFYihGtRxlOhVxGE9nCnFzV5yzjJ6dRe2nKNoOor3lypPneH+xP4Oj0fxb4F1n9ojx5B4X8KzaPdaLBpMOr6hdad8VdR8LzDw/o9/wDGDVNFu9Ls18L6LrUmv65baff6PqeleILu2EGqeI49O1e1HiH5vibwJyvw1z3j/i/g+nhs7yetXx7zijD6nRp8OUcPDF4+co4PF5Vw47UZYTMIcmVyzVv6q1Tg/aYepX+qy/6QGN8TeFuHeAc4p4jA8SUaFGPLKliHVxdfExeXqmsfDOM3oSnJ4/BtSrSpRTqRlKbVOpCHUf8ABTH9oSN9Jh+Dvw11m50rSdA8Hat4o1LUfD8d5pHh3RP7E0S30jwb4Vi0zSHs0vZLabUJNautLiljstHMXh/UobaOa4hkX8v4iznNMTmPDderSlhcnzrFZrSyDEKpFRzCVHMstwuLpqhRxdethvquJqKgvruHwkJc7lQdalzVD9O8MeEssxWU5rlGNdKWZcNZfgq+ZOcFUlGniaeNxHtniJYSrDEN0IUX+6ftLcsZKTilT+cv2MvjF4k0FvDeqeNLzxNq9v4v+HXh7T/H2vaze+I/F15dx3+u6Bret68Z5pdUvL3WJdM0W/0HTLYXV4tpea5p2v3c9he+Ho0tfD4h4lw+T5rClmWYTw1GU8Uk+XG1k/qFTCUcZ7tCFW3sZ1eXWCVS96SqRVz3co8N8TnlXMHw9hIY6GXPCvFtVcFhfYxxsK1XCO2LhhHP2sMNXlakpunyWqKDnHm9C+PP7RPhL4v6lpyeHtYn0/U7LwJrcniDQNSvbzTk0vxjrXxFufGeo6foVi9wLCT7Vp8unTahcRNPbX/nWUFvNNqcOpE/1X9DLhBPgf8A1yw9WMcr45wVPB/WlNQ+s0XnOeUIueHWGjioqdKlWnbFQq6aSpxclB/zB9K/EZnlvH+J4YzOs8Ticgx9adfLpV6+JeAwUMtyadH97WmsDPlwdfDR5MHWqtX9mopRaj2WswfD7xN4M0W28eHw1qcupafojz2mvWWn+ILjTH0+3e8Elg10ly1kCbiUO0JjUx74w/zc/e5xwtKvmmYYChlsMJVybERxWT59h3gKGKbjy5jJ0cVTlLH0HjFh4YKp/smDdSFd068qdJzr0vgv9YY4DAYPMcuxM8LVVGVKnGusRHC3qcuDrxnTwj9tpGpVjDlaj7RqUuanzGZoXhSGea+0fw5Y3eo6TdWmv+Gtf8Pf20umWdjp82l3r+HfHWnrct9nFtK94ZJHnYarpK6fbLpEStctu86pisZgcxw2XwwVSvLMq8KGd5pjJ4atHDun7O1erUhjFjcQn7Wvd0sJjqvuL92r+/04TN8kxmXYjE5xGOKxVejOclg8I5yqVJe1vyzx8Fq/3dnVqLZ80tEdp/wT78XeKvhn+1Z8O/h42rRT+G/iv8OP7E8a6XdLqJtbjxJoHga+vvDuvRm53297q2oa9ps8cutXEYvdTh8R3Wo3T+bfXbVzeLHDcK3C7zupLD4mr9UVOOIoc8ac6OBnl2XUbRxWGpYn91haUIONS0VOH7mCpqnE9Pwp4ijTz+OX4OlicJlscW1Ro1vZxqQhV/tGtNuOExNTDxVSrKU4qnG/LOPtEqnPb9I4JEkV1ESvG5VQ7qu90JA+fIGWIIye59ua/MMOuag1Bc0KabfS0YSk29ba2i3ovRbI/TZRUp+0TSlZSdk0ruF7K6vyq1ku2ha0xUVrry12pmIADgZXzAQB2x+R7Grwus68lqpODXTT3/n/AF5GWLvanfe0v/bPzLdbGJy3xMjV10cnaWA1AAMDyrNpxb5uQMFUbbtJbHBUKwb+WP2n2Dw2N4Z8LqeJhCcVi+L3FVI8yv7Xg3zVnoujur7WPc4Kk41sc1/Lh9V0/j/pp6tHzj+374S+Gmp/s6+OPEnjnwTF4613wvoOoQeALFNR1HTp7fxv4kksNO8N3EH2DU9Liv54fEEWi3kGl3CXsl5cWMJs7G5mhaJ/wzhrKMky3H5riMPQoU8S5ZbCnOnTrQnH2lKvSl79N7ezqThKEpWqRnyyjUp88H6tSTqSpQafJKtTspeVanpZu695qad7Ky2uj4V+HV98OfGXxy+J/iX4VaNfWfwqJ0+XwvpmpQeJ/wDhJtHuI9O0/TNdtb2XxET4gS6bxDpOqi9jvZJy00khtzBa+RaQed4zVK1FcPYec5qc8bl9GpGNajVw9TDJ1alFR5XUhO8Ks5qdOfSCV2kz908McGo+HeJqJJpZZWkm0oyTeR4N2eq0WkdVey1vq3+l/gfQtE1b4U/Dqy1nSbLVdPs/CfhBUsNW02G6sLe4g0G1jgmW2v4pTE1u7II5J4ZhD5SqiBJJGl+hzTM6XD3EeNzTA3pV8r+qwVSClT9m8bllPD+5Pkm78teTadOpF6ppRbT/ABCr7T+0cVaUk3UlJcrjeyjzS5VFptzjL3lzQmnJ2cZ3kuI+KP7HPww+Lknwr1fxhbyXHib4Wt4ftdN1aS813UbaTw5puoXF7faO3hyw1rw94PuL/WJLkMms3vhi4i0iSPdo+iWNt9nsrXnynj3iX+0pY2vj8VJZ5Wi6k1XhUbjmGJVX4lTk5Kr7W8oxVGEuWLlFNRtyywuDxGNlOdGnVmnKXLNyilaq5WlLWK5+Z3dny69GfA3wy0O7i0P9oCx0V76OXXbTXZNIuptVvtQlOp6HoXiuwRtR0e8um06TX9I1/wAORahFfQQ2du8lw1lqum6nHF5kvi8W4mliuMeDf7ZwazhQxHFleWHxXJR5PrEViIShXp0YVnGVGthpWlUnOf1ZShUhTqU6VD93zSjUwfhrwrDBPliuGOH4RUGocqjgsk9205Pb3tkl3Ter9b+BH7NNx8Vfh/4i8cft7eBNG+LOo/D/AMN3umeHV8ZaXo2h2up3t54r1rSI728s9BhtbbTdZg0/w5PpwiSK18PxQ3ulX1zpkv22V2/VuD+EcuoeJVfAZLbhHC5tmGTYOpgMtjVnTrTxMchw0pSqYfEYfllVi3aadOVKUU/aRvK/4O8gwOd557PN6FDEuvVw1Cr9YputejKOHhytRmlKMlLllG6bg5Wadmcjo/8AwT4+HNvpepTeA/DGoaBrXg99I+Jfiiyg+Itx4e+H/hPwMutap4s+H7+Or3VodeGsX32qbVPETeHzqniXR7Hwto0Ora1BrXiC08NWUv6tQzfJPBzH1o4yf1mda1WNar7sn7H2+Xe99Zzak5WU4tWr1LX1UW06vs18PlvCNKWEyehh8LSqNP2dKlyRlKlJUVaMqj+GCs7PRRt0u/Kv2tv2BfC2lftAeJL2y+JuuSeFvi0/g3xIPEuq6P4Ws9O1zw/4g8K/2heXOmXXhvTHsm0fxD4tutE0XSdT1ZdPWwiEv9oX+sapPpjWX5x4heKtfOM/hmuFw0J060qNChJU3FU69ahltOnXlGljq1OShTw2InB+0k+eNFpKl9ZhP4LiLhivnmPo5jRU1XwtaGKfKptOnRp0V8MaFZWboUr3cU1f3rtW8b0j4pa/oPhPR/gp4n+HOp6zpHwn0yz8FCf4fjQNG8Iw+FtN0XxPqfhXxFrPiLN5qOi+MGvdP+2Mbm48Q3/i7w2mo6gbLw5/Z0tpNzZvlGF4joyz6rWccViHDGThiJuU6uIxTnVrwjGlhXSqXeKqVJSq0qFGN5UIyqunCdb9U8HvpOZ74fYPBZRUnh5UMgw6wtnl+Dl7NYbL8Dk1PmnWzHCy05IxafJKU3zuKnJwKkj6T8RfHfhi/wDiB8P9f0jwpB4X8W+C/BdhpPj7TLPxHb65eWd5rui6h498R3lx4cudU0WK70hftWgT6ffJpsN2zafpPiO+mFin2ngdwfl2cZjXwmKrqVDCPDVZRrSjhnVqVsFnLcMK50Kte1CpGXPiKVXD1KlOSpypxoyqQrfIeOPH1Lxw4hwPFfs17SH1pSnRhCjTnz4LKMui+XDYzMKTtHKEmlUVneT5ptqn6X411r4ZXHgLwnqfhXSfAWqazdfCTSItE8Lax4auPEPi3wfcfCnRta0uXT/FWjW/g3RIr+51Dwlq9xqniDxH4tTxX4M1adPD3iW48PeHNd0Twe+of0HwNwXw9js0zLCYXhOnQcsLjKFbF4uOPxNN0niMJTqTpRzPMcTh41XzqrCph6dHEqMZKjUpwlUjL4vGRxGBoONJyhyxbTWj0hNbyiv5Fp3Xqe//ALFfhLxd8Qvgv8X9V0jSfh4/7OHws8JQ+Gfh9oetazrEHhLw98T/AIeeP3Enh++8Sajpfifxt4m0XQPhodL8U6VM+nXFhNrGpaDa6rFrF9PfXNr+D/SK8IfCbgDjjiTjHLcPh1xznGPVTMuWjnsLTwmHyzLsMk6uOxmUJLKcdVh/s2ForlSjNOuoSh6XDGLxNTBYec5yblLEJtyTb5a+JjHprZJJdtNT161+EHg/41aZqngDxt8CvjBe/D7wdrfiu61Dwp4g17xp4Ia38X+JfE+l3fh3xBYeJ9W1zwZYxeM9VuPEM2q+LfCWiar4j8L3t/vhi8PxSSS2kHx0MHn2KyF0aGDoZXisTPExVbD0sqhVblCvh4qcqMKDlacYPlqVFrRheyjGUfova05Ulz6t3d3eXu663S0VtL36rW7R4L4I+Hvh/wCFXx3/AGhvhzo7akfD3hnVvilaeGpddv8AztSsNE03VoLCW2vnW0ZWvh5U0N00kCuJmkYKoIRfxTxzo4/DYqnh61SrUr4OdDAVlU5Z1qmIpZhi4udSSnaU5SpVIzUZ8s5vmc7pN/tvCNb/AI06+WSUfYZJLTWLh7DIVaLtoruMlKzdly2s2fpl8NZTP4F8DyeTJC1x4I8MSGNmIaDfolrLIjHC7jEwWMkhc7g2Byp/QFSq1uN+J4801J5Nh+WV0uX/AGPL7te8r2smtV6qx+H5vL90m9VLFzvZ6/BOSb01vFSVtLO+uhxH7cFm15+yV8dLFGAe/wDAtxYLJJtdImvb2wtVmKuj7jCZBKoXbKWUeTLDLsmjePyzELLqkqlepOKqUXyyldO1Sm9V7Vpp7aq2uzR6XA75s/ylaJKGJtZa2/s3Fa39Pv8AmfLf/BPC5v7jxR8GI/JS2Fjr3ifRtkE89+j6dofw++KWlwW9zdXsdvewNcTaZp1z5sraiFeAwBR57XCfmWXZdTfihhMQ5OvXxFLMqtOUlHDuFetksK1WUadN1KUrU3XpRpw9jBQl7SKg4+wl+xfSC04O7KOj3eizLJ4rd36pt6t2S8z760mAlTJLxI4G8bsbflHB+vU5/P1/VuA8tviOarFX51zN9Ir2e/ayv32ufg+Lla62v/X9dR948TyBICrMFO4g55x0yfTuDXfxBmeU1syhg8urU8RicNUtVjSakoz5Vo7PSS2tp0abV2pwsJRUnJNKVrfKz203IUibJ3heccgcnhenHt9OM+9fPYvK5uOIljKbhKdZyjddOd/53/pm0ZWS8lZrfXf5dPy6DkiAkZsjG3HT0HStcqyuisdnNamrUVks09NOaOGndtbPVK6d/O60CT91aPWV7PS3n39e7v3PxG1y2iu/+Dq//gpdbyNIrN+x58EmhWIqrPJF8G/+CfsvlgsNoBiSUknpjv0P9k+HdNT8JvDWCfKo8C8GWstLLhzAJWStZW2tttY+bx3++4z/ALCq/wD6dmfWviXxro/hiewbyn8yK3keDT1vFj01S+XEy3vlyLeygnd5C26NIx8reCc16uMxlOMuWlD2l7L40tWpfyqe2hlVxSa+D7padelv1PEviZ8Yd15PqJvI4o9rWcdwJDboZJZjG0cZ2t/q0nw7cfJknGKnD4avjZJxpNX2japK/uuW8YX/AAf3O5yV66V5PTrrJae9bt/kcT8MPBafHPxLqWu3D3Nn4R8LXkFnp2oPBI8vi3U7h5H1VrHzXVYbDQBbW0Fy8kVyt7NrFo0Pli2kD+xluTVaSc5ydOy0Tpz6SfWTj0Xbt2OOviopaJPf7Svor9n1Pc7fRbbRFksYLy+lgtdPcWlvtFvbw7DGAUhg8uB7nGUWd0bEbyrsO7K92Hbp1JU5LnShb+XVSjG+i8tr9e6OLF1vbwULclp87d1K+kk1ay3vffS22pxHxJ8HfEf4g6fL4Z8Ma9N4B0uaCT7d4yt8Xuu263QwLTQtGiNus9xciGWC4vTdwrZRypK0b78DVKi3eWH5tU2va1I/lsRSqezt9qz9O/r38/8ALmdP/Yy8MJaWNjN401r7PLLbt4sFy32vxL4vZBEl3Fqmr/ad1hZ30EccLafHHOsAM0u9zcELFWhRniKeIp03RUIRi6XNOpzyjN1HPnk01dNR5eVpct77o3WYtU5U407Jtvm572bjy7cnz3V/xPS9O+GngzQtN/4RrTvDehQ6MghRtMFpH5Lqigq1y0Yjnu5W++zSznDuQAFAUXjMXGtD2fseTs/ac32oPblXbv8AkZ0cTOlPm+Jdvdj0a35X1fzt5m7Z2tppdmNNsY7PSLVg621vYm2tLNPKysZbT1tJrOS4wF3TeTHfl8tJfSSlpGwUKzoRhPE/VqcacYxl7KnP3VCyf7x091d25n8O71azxdariZN0bylKbbppJ8t3K8bxjJ3Tko35U9drux4x8c4fDek3Fxql34tiuNcWN7mXTrzTppbfTkYktq+r+JZNRhh0XSLJibRvNtr24jaAoFmAEj+HnGVQrVZyU/r7cpO6jKlf+H/z4nV6rbb3fN29nhnG08DSgsZS5WorV1PZ3f77pONP+eP9PXkPh38GvE3x+06LxNrPiTVvCnwwt9Yu7BdPk0S6sfEHxG+yxW1xDrK6ub6CTS/DG24FnZXc2n3Z12eC7hSO08vLetluWYPJcLKLxKxFRe0ahyew+O0or/eKretO2kX8S06PHMMxc8Ry4ej7WnaH71VNr3UtIU6kfdv/AD621seq6P8AAfQ9LvbPUtUuLd9GsEubDw/4b0u2aK2tYHiQyz6gRKx1S9uZYLYpIYrdjIpUBi1ZfUYYjGxzbET+rYPCupGpHlc+f26nCm/aTnQhG06sF8XvdHdpOcRmlKlhJUKnNTdVU26kPZ1JQcZU9qU5U1PmacXeULJ81m1Y7GTVdG8I6F9p1m8sNA0azgcG8uptM0bSbdN0e1FvtSv7CI3kagtdQpuuLZR/q5Vdmj4uJuL+F+E8J9ezTMMLTwqdT+FjcH9ak6VGVecadDFYzDU5TdOEuSH1hc0nBNxUnKNZRkueZ5WVPLMFXxK91ucsPiUkp1FST/2bC4rafMndpe7vzXivOtb/AGv/AIJW9xPp2ga7q/j25sJo4rkfD7wvq/iiw+0OCPIPiiSLTPCBmjjZp3jm8QwsyxOIRKwxXxeP+ll4UcPYiccbguNVbngpywHB+HhVjGbi8Rh6WJ47pY7FYbmhHlr4fBVaco1abbi+aMfosJ4JcY5zSUMPGhTrqKrShUw2bOKhaMZRc6eWztNSq/DKEbqLu1ojU0r9pH4aXOt+E/Cd1qmoabrvjVr7+wNH1fw3qek3V0NOsvt9802qNFP4SS3sIDEL+6TxPNFZSXVoJsC5Qj6bgjx68O/ECtRw/DmYqpXqVoUFQxOOyRYlVqjxUYU3QwOcZhPnn9TryhFJylCKkl8ah52e+E3GvDVGpiMxwmGjQpQlUnUSzaCUIqnzSvXyelCy9rFXc4ru1dGzq+njzLy9S2Zo79bexRZUSRkneS5gaZXhuGjljt5JmCiMsk6MsizJv2r9/gcXWwlNylhZexnB1fauUo2UoxeidJwceSPMpe0Sl2SXM/kswwlOti40J4qnTrRUY8tJRrJ8tWpDVynRknztrl9npZattxXx/wCN5Y9d+K3g23065W9+0XGufFKfTNrLul8ReJ9Q8QeDNOeDdKxurvRvg78J9ES5bBC6xBstmjl8qb8441zLA4/M3CnjbT093lw0/wDmHwr6Yq+0G/h/DU+v4djLC4VUZ0/d/wCfjco/8vK8/hce8uX4vzsesfspeGdV0b4r/HSTXJo7m4+FOtW3wehv/IkU6hrXhWOz0G61uPczmW1uvCHgPwXcQ2rOxhGoC3N1ILYTXXT4f5LOrmFWbrtKGIm0/Y351Gvgne/tElzc3Ry8m73OfjjFww2X0acV7Xmw9NKXMob0MWr8tpP7N7edumvtYngti9xFuIuLmOLyijFYkhsbd96uf9YoLbANicLuzyVr72SbUcLH/l3GMOfe9lHXl1t8L05nb5HyuEqezh9Ya5vaNy5b25buatzdfivt0Ol+ENw0/j3wtBDmBbbxpoUckr7iJGh8S2MiCMbRuM2dg+YbTg5ass2ocsJe/f3f5bfYn5/cdOT/ABx/x/8At9P+vkfMv/BjJ0/4Ki/92T/+/cV84t16o+rW69Ufv4670KkBg2FZSMhkYgOpB4IKFh+ND6+oPd/M8G/bv/aaufgP8L5NC8LwanD8T/iZofibRfAPiu1tPD9x4c+GWsJL4b8Lf8LF8Zt4hlmt7zRfAut/ETwpq8nhzTvDnjTUPFcUF7o8/hefRpNYvbD57xB484b8PMlo55xTg80x2XVsfDL4UMpp4WeJeKngsbjKftFiswy2nHDypYKtRqVI15VIOpGUaM1dxcVqulrP7ntd7aX231WqufjlpfwSvPiB4t8Ua98Y/i7eeJvHnijStOlsPFjeMNN0zTtG8d6l4isfFnj7UvE3jT4ihfD15YaHpFp4p0keIdUn8OaqNV+KGoeK9f0C107RX1/S/wAyz36TPEOeVXlfBvDdWdGeHji6c8TmGGeL/wBVaeJ5cBgHg6HD+bL67TxkstxGJl9bbp06VZPMsVFezxOk8Y40/ZxV37qVnF9k9WtNt7rfWyRkQfH/AOF/hCy1vSdP+H73mjeEPBth8LvFGmeArHw14d8KQz+GZL2z0aK7+I066hY6/NqPjW90Pxl4r8VeG9P8b3vjXQ9TudWsfE154ag3Q8y8NfFvxGzjKMbx9iqlDLcmrVpZmsdkOIy6niMJjoQhNYHFYXKMpjWlTp4CgsS6k8J7CcoRjUblOcuKlhsVjsRGkqc0pyjGUuSbSTVrvlh/d7+jPoD4M/s1/tXeJdC8D638Vvhn8Pfg5Y/E2f4O+Dj4b1QT6X8TtY8L+PfEmgeFrP4h6T4StZLbxTovivRtM199X8e+D2tYbs3HhvTNO8SXm8alD4h9zLfATw8y7iHAZhkVaCzzD4jC1HUlUzCcFiaeOhXb5J8RYyHL9cp0Za4OyWjp2fsp+iskWWUvrDnGUknNxUais4xU2m5NxUrwsk0m77WUkfsV4asH0Hw14e0ifUNb1ufTdLsrCfW9TEF1rGtT2kCQT6xrMun2On2TajqsyPf30lrp2m2zXNxKYdPsY9tpD+tt4qTbxs6VTFf8vZUYxhSutIxhGFKjBKEOWFoUowTj7l42k+eWIeKft2mnNJWfKrKCVNL3UlZKNlona3Mr3NWgQ3zouB5seT5mPnXnyW2TY5/5ZN8sn/PNuGweKAPiX/grx+174R+A3wCuvg/4k8E2vxQ8ZftHaYvhv4feCPEPhCfxh4dvJLO8tbEXHiXSZtG0uPQdb/tR9M1/wcbyDxhb2HjGwvdQu9JurXQ9NsdWU1zQku8ZL71YLX076H5YT/8ABMH466P+1F4P/YrHxJ+Hfh7xx4++D2p/Gu30zRbPxF4i+GupajY65458OaJ4aurvW5n8VxXXjjTfDNlpt5rNlaanfeFW1fxAJrLxLfRW/iTWNcBNUIuMu6fbaNuupx4/L/bzUotWSdtJPeV+j8/+CfoX/wAEN4rbw/of7S/7Kfj34afDXwT8Xf2e/Gng2z8W/EDQ/DouNR+LFv4r/wCEvtLDWtT1DXNN059QW0vNCuP7EvhaaOk+ma39hsPCfh+aO+S6eIV7T6N2/Bf5P7isBQVCUldNuDVlfbmTe7810+Z+h2m276ZpNrFa2lpOYonX7FpVlb6VbbHZyDZWsv2eKETMqF0nuIYpAXnidtiQy5HUeS/tOfs7eDfiBoXiP4qjSdPX4seD/Dlo3hfxfeWc9nq+jeH/AAveW3iG70uLWdM/srU7me7gOrtb3V9fXi6Le6zqKacIMXzS8meUHiMozClH4pYaolu+l9lr06HdwviqeA4kyXG1LcuGxim4txXMnFxt73u6tpe9prroeD/F/wD4Jp/Db9oX4Px2Xxb8K+GU+Jl7BDHo3xS8PpqmieKNBtLm7XU7SbxTq2q67qSfEWLxJd3dpY3vhPxHdaM1tcahdX3ha70PXYjrsP5tLC18qzeVeVKUmsQpcyUoKzxbqJynUvC8+W2vJy8sXf47/VcTcU0OJcVQwXtZ0sLDkoTjUjSqxTj7bDSVKnhqNKvGFFOVSHLOt7b2tdW92g4fmX8RP+CY3xg+GHgPSPHNn4PtPFXje08RW2keItN+EXhPxvJPp2ry3Dw6Ovga8ufiBaWusompz2vhy81/w14L0F9E1hfDeqa9qOrXGmS6hpXqR4+y/Ms0xOWVk6dSm6Sk5VsLy+9h/br4ZwnooJbdV039DiDwz+q5PhcPgMTRrY7BxqSlGFPFSbji8TQqwapupWmk6Epv3qOtm46LmXNfsz/F747ar+0n4T+Fnij4tXuleGL/AOJ3w60vxh8OfHHhDx9q3iXxLptt4w0iz8QfDy907wt8PvGWuWnibWLO3vtD8QDxfb+CtBsNYgEF22mpIYofZ4O4eyyjmaxEcRSfNUU7Kcn8WIws/wDoKa6djx+JPGHPc94f/wBSeIsuxeEw1Gj9S+sV44ajR5aeCr5RzK2XYCtb2davU1rX5Yv3uaPND+iHw5ZWqQWdxa2qxxvYwWlvti02BLWzltYbyU2q6HcTWsCatdST6hO6tGLiV4ZHO2y0xLn6mokqlRRtZTklyu6spNKz6q2z7Hx0acKUY0qTjKnTSp03B80XCC5YOMru8XFJp3d1Z3Zr206TJlfNI+VgZ0MZ2v8AcZQwyQxyFYcMQQDxUjJaAOT+NHxAi+HfgXUNWQK+sagw0Xw7A8crxPrOoxSxW8900UUpgsbCPzdQvrh1EcdrbSbjlgp+U8avEjLfC3w44u4sx9XEU62V8L8T5pgY4WhWr4iWIyfIsdmSdL2VXDeznF0KahJ4rDvnnHlq0/eqQ7Miy+WY5pg6CScHisLGd2lpOvTgkm1LV3fTZSPGvB/gy20yOOeaTUdb1kpaS6l4o1lzd+INVmhEbyarrGqQve3Gu3M9zHI8VvJeiGysTBZ2CyRxqtf5c+KviRmnHvFeJwWN4q46jiJ0suocY4aOdYtYWhSnh/ZVZ4dVMZjqeLc+H8Xlk3GpPFOVSdalyVKcHh6f38cDgssoKNONKM4qo9KUHOUmrxppqnSlT5bRt7tR83uy9koJzyfgz8WNO+JureNdPtoI7Cx0i8jvPDEV1BJaXviTwRMkVrpfjG2GpsjSafqmp2ereUL/AE7TtTjigiSez3IuefP/AKPGG4T+pY/Jsbm+eYvAxhg+JMVjcxy2o8Dn88RjM2w+Bwcq2VZXXq4aHDk8gx/taccTThicZiqEMVGpTeGwvDhs3xGIrSpYjRLlVJ/vJNwcacbNqtKTvKVVyu+Zt6O1kN+J/wAN9altr3xj8NLhtH8a2KSXGp6V58iaV8QoWso45NP8R2V/dW2m32q2enobfQ9QuZzLYiKJUnit44VT9E+jj4v8Z8AeJ+UcHcT5tUwuR4nE5bNU6uKzzMKb/tPPMhhVcqWDx9bCpypRxvu/VJNxTUlP2qhUy4jyiniaTqYeFNVZJpcqowjaEa8FaUYXaclCV5WavytLludN8D/2rvh3pvwL+Fd/8QdW1PwmLbwb4O0PUvEHiHw9qdrp0mvW2hWWnzT30hjl1TStLnuHi+zeJ9Z07T/DlyqLJDq7pPB53+ia464eqTUKFSom7Jf7HVjvpq7K2rS/4Y+Ltr/nse6adqtlrFnbappd5Z6lo+qWtrqGlapp9zDeaff2F1bpPBdWd7bPJbzQ3EMsU9vMkhjuYJFlgeSMMy+oq8MTho16esJVOVO1vhUrqz1X4PyE9HbW6Wvzt9/X+mS4Z4pMOVK52yKylsAZ2kgn+Z6io/Cz79/6v8/UH+f9XPnj9un4qeIvAeieCvDWneJp/C1l4xuteu9eu9Eubm28STaHoEGjRjS9C1AR266O+r3Gs3CazqFnqEN/badaottHcrf3MSenwnlUs/zNYKKjN4N0azU5RikquIgrpzjNN3vdKMXpueXxVmbyPL54xylGGLdaguVSk3Knh5TaahOD87ttX21vb4rXTrr4mTXJsfEmqaZ4ctpI5bmLQZ9Q07SfCHhqG5FvJp9jF9usNO1bVdW5sdQmtorw2/kwYeTeUr9ArZZiMJl+Gw+HjH6zl1JTopSjFe3pU+amlNezS/ecvvRlTtvzR3PhaeZYaVfH5pVu1WVWq7wcm1zSm04u8tVB7yd+/bmvjlr9hr158OPE3w5tNPttB8N+IvEPw9EMT2sWjsI9atrSHQ7yzkE0D2E1jY6haXq63pwtJLbMqRTXnkhfteDMlynOckpZNmuGpSxGb5cpZtGeHw9WMqmI56NXmqVKOIjWvHMaibqLEXvK7leSn8/nmb415zgM7yitUoLC4un70KlXDSiqcsJKNlSqwnpPBNq01qk9G4tYPxgGk+I/Dmv6lbWlzoekW2nXVtqT/bX1W8vPFOr6Lb3Gp/annYx21hFBpul6VZ6bYXd5ZabBpkEEcdtbC2En8WfTMzrJ+H/HjhjgbIo+xw/C3FOc4V06eG+r0o/XsZwVirQ9isNQknUnWbdPDUkm22pOXNL+wPoL8H8R1uD/ABQ41z+t9Yw3FvCWQ4vK51MdLFTUcvw/FGHxPNTrKtVwzfNQspVZOoo72grcN+z34ct/+Ec0m4LXMd0fA/h3bFGtmbeMTXV1ZRvbR3MQjMzf2dJHfeXI6iOQtE025o1/FfF3Nakcbg6t5WlLi96Of/Qblz1/eX/rzR+3eDNKjDEcd0tLw/1Xjt/1B52v5bfgQeKvDUdvrMWuWGnwWt/DMNK1FrO6Szt0tXmaAXMkdxeW1q1tZP8A2fsUwwhrS3ZY7YKkcDfsX7OP6SD4G46zfw942x+OfD/HuU5LkHDCjTzPM6WBx+J4ioYKdRUVmNShltlxFOTr0suqP3JPkk4uFb8x/aHeAEfEHw84e4/4JwOD/wBYOAsdmef8Tuc8uyyrjsBhuGamLjTdaWAhXzK74djBUKuZU/jSUoJqdCzf3V1balpcFtqV3qE8FjaWE9692beeRI0QzXMMsLXF3FBbRK8rT/Zt8kEbrbxzuyRP/oNkayGWV4hYWp9c+oUIV/rE8O1KtSzV1sTRblWw1CpJwpz5eWUKbp8qh7ySb/gLPKec08yoYjH0FhqeNrVKMsNGtCcaNTLI0cLVSp0sRXpxU60ea8Z1VO/PeLul7bpiazYfDO58VeFL21m8U3zWZsbvUb6+ubCa1hQ2t1bahbW9pczxh/s1+J9SmgY2FzYR3GqW+nRSRSv8xmdfL/7ZqWox/wB6f/Lin/c8j18F/wAi6H/Xlfrr/X4B+zHN4s1P9qz9l+BY5rnxPbXHg3VPFPkm9neyj/t2S615L5nhDTtp2hR38MxtRPE6xLD8jOYE8/xXxOBqcCToRXLL6likoKko2csVgpWTUeXXffrrY9LwxpYqXGdOUNKTxeGt79rpYbGJvl5tNU+nn5n6wAAjnDBZMCVAoRiHHIwcAE+g2jPBwM1+HzSpU6qitJe0S2W7ktbWt8R+0YfmjBKXxOmk09W/dfrrb5+pbstu19uMnbuIIOT83oT79cUsHtP/ALd/9uM8Ve8b/wB6109vd7pfqT1sZHL/ABLUNFpAw5O+9wEx0/0PLcg8gcD6njpj+Xf2meA/tLIvCnDOVWMZYvjJylR5ee0f9UaitzUqq1cEvh2v6r2uDZuFTHtW+DD77b1uxyV9pej6sI11LS7XU0tri1v7eLUbO3vbe31HTplu9O1CK3u4pbdNR0+6gjudPvTEbiyuF822kiYtu/m/LHicNio41KbnWrYbnp1oQlRvSk6MWoqlFqUVJtNzbjL3k0exCUKs7v3XTlTau5J3ck0/dlf3WlrFqS0s09T81fFNl4etP23/AI8+FF0TTNPhv/GHjXXJ7zUHin1W9ubrxdql5cC1mlSQR2TT3l7PDaqvlxS5CAKCr9Picq+JynIsS5V6cFjcDRlCk6ioQXsa85yn77p81WUqVOfupTVOkntFH7x4dYmovDOteNJt5NOXM1K7b4fwTury23a7Xfc/SP4e6ObHwP4OsZjtubXwn4bt7gLEkH7+30azik3wQpHEHDJtbCAEgkAZr0MwyinmOb50qtSsv7QWW+29n7OLh9UwlN0/ZXoyS5uRe09oqnNq0ots/B69d+0qVFG0pzldtynezcVZybaVvhjFpRVo7RSNyC0dtijy0ZAdsm35dySIIWcZBJ28tggZAwAMA+xkWR0swllOXV6UqFHKpYD6vXpSnGrVeAqUaFF4iVRVKTc1PmqezpUk5JOCpxvF8kVClOdZqUnV5+eC5Empyc/dtHmVmvd952T111X5W/Bc+K4U+I174ttdIgjXxV4+hsbyxiKm9j1DWtdhi1KfZOw3avLfXkcshCx6deiWe4jaBxAPj/E2thsq41wUsnxeIp4vASx9Odap7GrONapgqFCtSlGvCpSlTp0/do2orljJLSVNH9EZXP614a8NyrxjH2XD2RKHI3FSXsMvjzSvJ6vkTfLy+827WaR+ifhjRLO08Wa34WSy0may8Q+AvDGv3F1qds899quppYXvgu/cQ3M01hcafYweHPDuoajb/Y/NudW8Q295NcsJjFX6Tj81xuOlR4wxSo188qToVqVedL2VHD18upzp4WrRw1F0qEpQlgqVW2JjiKdSq588HCShH+fMfOp/bmLkqj5qVX2sJKXtGkqkZ04Xkpe5TjOMIx3pxpwipe63JPhj8HNZ8GeJrnx14p8XReIvEOpfD7wv4U8UanHpsdpf6tqnhu5ku21e8Fuf7AgksbWU6Pa/2Z4f0+a50vT9Gjnf7Vp32i61/wBZ8bn9Jw4iqQrVKcYwVbDxpYaorSjUrQqxlQqUvaJxj7OVOnCNOSXLztxcCvWq1003HWUpq0IQV5tzbUYcnM6lVucpSu25zcnZml4l+EHhHxCfEXhm/wDCqTeG/Hkl/wCI/FOrQ67dRXVp4n02z8PaHo72FhL57Wurapphv71/Euky6fd2X9jLZTrcvqQuI+avTyaFHD4f29NcuNw1XWdNy5qMaqTadN2c5Vudy0sr04cqvZYWf1eU5KMZ+0pSpcsoPlSqWvKykublScEn7qk1Us7JHG+GP2SPDfwnsvBnhX4W6PpEuiP4z8dXuuap4j0+zvk0jwp4s0nVdUHh690jT5dCj8caTb63p2jaDp8njOXxF4g0yPWZ9VsdZtFsWtpvpMvoU6+WUYYfExkoRg7Rhzcy9jQUY6Tjblvu01roonDhsqy+j/bU8TS+sSzOrXnFRjRpSwirZhgsZpKpRxHtlCGFnSSj7F/vpTTVnCZ4U/Yp8Cada3Gj+MIdI8T+GrbT/Emk+D/D2meHx4UufBOjeLdX8O+Kta0/TPE2j6qNRh1FPGPhbR/EOkap4dHhWLSZVv7ZNMuF1A3ELwvF/EfDma5diMkw9XCOj9b+twjisTThjfa4edKhFywlTCKEsM685xdR4hS5pQiqTlJsy7LMty3JsuyvC0WquC+tvEY6X1fmxaxGLniKX7mGGhOj7CNR0rzxGI5170PZX5DyO/8A+CS/w+8WaVD4B17Wb23+HfgSLxBp/wALLezhRb94/E9hFY6xrvim78Nar4Pv9Tv/ALLNf2Q0qe5tNAnukTxBq+meItdv729H3mB+kv4g4KhNYWllEK9SpKTnVoY7Gc9KUIc1KdHFZhUUW3BSdaPLUXK4q0ZzbyxOT4bEt+1c4wlFpqnywau5aqXJJOybVuXfW/R/Rvwv/Z68CfDH4WH4XwG78Vade29wPFeo+I4dLhvPGurXFslrd6rrkGg6dolhbyXU0Zu1h0e006K3kkxG0gSNx8ZxlxpDjLM6+e55hsDPM8TXnXxMsO8Rh6dWs6dHDQcqUcfanGFGlHkhT5NZN1JVZJSNMDl1PA0Y4eg6ns4uTTm1KXvzqVJXahFO0qsktLWS0um3f8O/DPT5/h1ovgD4kqnxFtdGv/tiP4xMXidrl9N8SXuueGZpptWjuJJL3QoZLC1tL4kXyrYQebcyuhkfixPGWYZhjsJiKmIhRWD9h7LDUKWG9hP2VeWIjzyrrEYhc86soz9liKbcHyrlaubToqV2m4uTbk4pJ6pLrF32T2bvfWx8A+Jfttz+1r+1hrf9jJoUGm+L/G+hCYXFte21/wD2nr96sl4bSKGN4/7SitoL24jmllnW7nuSZfLaOOL8t8dKeFxvFWS4KtVqx/t/D4rNcZCKhGdOarY/ExlQqOMoRg60nBU5xqSUE3z3cZL9u4PnJeD9SFk1To5HBS6u1LIt7PtFN7dT9GdKt7e00ywhgQxxW1haWNtH5yForaJIYl3bUUEiKBB90A/MAACMfbUMfRlmWaZtJxWKzDAPD1IKaVGnCnDDUVKlTlNzUuWjBy56k480pvls0l+KZpHmhGFm19ZhLmS5felzPR+8pJKck1ZdHfv57+2Odv7L/wAX367NC07btZEK/wDFR6IpkZ5A6L5YJkLMpRduWBUHOaqxzXL8yp1a0orDyTpuj7BN+zxeEprm541U/dqyvZRd1HZXT9Pg+bo5/lDirtQxCfNdr/kXYpX0t2PmD9gXUdRk8ZfDOC+MWsXo8Y+NLee9tzCYbeP/AIRT4lXUGo6fNEFjkstQS6kW1U+Y4jt5t8smMj8p4XlOXingcdQ57YajNUsLOLVvrvD2Iw+Ip4u0VUdenOEppQnSpqqlL2bhywX7D49Vp1ODpc6irX96Pwy/4VMoWiu3ZRS16p6Nu9vvCycKDIRxIF+UnBDYwQM8fhg56YBBz+z8K4+NNTq1FCMp2hZa7pXbXTp66ep+F4iLbS7PTT9f+G+RWUlLktgrHvYkEfw8r1+oyP0GcCvEjh6OWcV4yvBctD+0K0m2rRac273trdWd77Wd0ipuUqPaUYrbtpf/AC2toy2AkiqYyDyec9R/iPX/APVX0mKo0M4oqVFx+G7eis9GtLL+tdDOnU1fxWilf1/P7/L1GGOQZCnk5z+ZyP8A6/0rynl2Jo1qypSqqnUg6dRwU7SpyjZxfLZ2cb6J+lty1OD1bttbXq9r/wBfkfhD8ZNcm8Of8HSv/BSPUoftDTp+yh8EIFS3iebzDN8Cf2EI3WVI3jkMQTc4KSIRKkWSVyrf2H4ew5PCzw6hr7nBHCEdb393h/ArW7bvprdt931Pnsb/AL7i/PFYj8as/uPUPip8UrDQtQvJtYvhHq0k8d02mwypf3NmscaOqPbvPaWVrbsiq7ohSTYxInjY7x7eV8NYvEtSqKL9571YPacF1jLz/wAjzqtZWau/lfs/M830nwj4l/aH1ufV01Sx8N/D3R7iWI263TSajd3ylLq4sxFbw39rdXn9nO0t6qT2q20ckDq7mNkk+hybIKeFxVBVoQ5bTv8Aw5f8uJxV7U/5rfmcOZ4r2WFrVLv3eTZPrVhHo/PyPo3wH4WsvDuiaVpWmLKun2dqPsrFordvIJQR7kiijALFZCzY3SYBkMhVdvXmCw9FKFOKV21pBL7Ka1UY9zzY472l1eT7aS9OsmbWoxSRhWSNQHZYjJ5rux3ZJDZYrtIGTgBshecZFclPDPndTS0k0tV1al2HUqe7F93+FmyGCOaC3GZrcLvuY9y+cJhG3lh18wMCobgExFCQDzjFX7F+RHtdv6+/UlsYSQJEfKI+zEaAnAwxUu+Xc/Nyzsz8438ACKseV2fVX0+fki6cuaLfnb8F+V/6sSTtAJHYxFDEyYKDErZVT+83MwOCflxjK44zXNV/rp2/AtnKfF/4jyeCNP0yLTIYL3XNZnFtpNpbwvezJLOcf6TbWyNfQ3TFv3LwW97aGTH2uayUsV4sdmkcVF4PDOSrUf3EtJQXPTU6Uve5rP3pR12620R3Zdlc8Jy4zFRi6NZKvDWNR8lTkqx93lunyxlp8uxzfhr9na78Z6rF4y+Mz3GsBby31+y8D3Lwx6LHfLbxRwt4zNv5b6r4ihhRIv7CsGufC+nIqWV23iK7gn1zULymj9XXNjUpXs9bVf8An535v5odenkTm1f6w3HBNxs7WX7rb2fZx/ln/TPUbqa3hVYUSC3Ig+yRsW+zW8Ns24NBsiU2Vrajcxwlk0dmC81tFG+SbqYLF4rM/Zwd6UY0pNOrbZ01L3W2n8fbXr555fWhh8meKxes+bEK9vaP3YzlHV3kvgf2tPU8q/aW/aGX4J6T4VtdJ8L6nr3ifxdFqk2ktPai28P6NH4dg8P32o3/AIjMeoRahFeSjxPolnpWhWUu99RttbN9rVnZ6etxN+feP3i7/qHlOI4dy2rSp55jKWFeF+sU6/sOehm1OFb2k8Nj8HXlF4fA4v36EKvLL2ald1aVKr9h4J+G9LxIzujXx6TyWjXxFLFyc6PMubK8VisPy0a+Dx0ZXr+wWtJ8t21yuPtI+KeD/iWPiR441K++Iuua18QvEsWmayuoaRqGlWKeDfDhs7Kw1OGTQdHa4afQysAnik1W5n1zUJBfWVpHqU4a9ev5W8VOP/EniLDQxeNzavhsmxGLwcsJg/7ezurLEUq8sRl9enOFTETw9dzhyp0qUMEpqjiq2JpNOjB/t2X+G/DfCEGssoYWrU9yLm8Lg4yg4VJYi6tluGjK8pwhThP3byu5q1312j6J8GPEXhIQ6PLqmm/bb9NW+2aVFb2WtvcRRKy29neag0uoTxRLLNb3MQiS2ZHieNY3jDV4+YcQ8N4DJKGCx+W8R1OKaFehDFVKuFyfE5LHDvCqliF7eOKlXVKeK9pWoU6nJzWo1alJ1IyS1w9fM1j28Jg8Fh6MqUqVKfM6PP8AvOeXPChVlJS5KcXG8ZqPvRUoc1nwXiPxZp76H4t+E3iGL+0fCup6lBZzWerya+3ia80031pdeTFqD6otsDMsQt5bLTre3hvLOe4iu3XEDr6Phtnuc8JcR8Mca5disZCGCr4TH5hgstxNOjktT6q6yrweBwdTAVZudKtiHzYzGJe29nqoyql8b+Gua8YcP5lQo4vDRq4nBVaNNvFVKUk3KHLKNWWDruzdJ21kuXWKi5Sb9r8JfHXRfD3w+0L+2dG1/VJPA/g6a+1/XIr7w5qOl3T6T4cudfuGa50y5trnTYoTokmnaeJPDsjStEbOVmuZftx/pjgr6cfBXEkMv4azOlmuXZzVpYfLoUq3DuOpQqyhHA5dKtHERzTGxkqmJxSbqTnzcrjVcIRcVL8Mzn6NvFHD+YV8ZiquGxVKM62J9p/alOtJU44itUcVGrgKFRxSoSa5Yum+Zcs5OWnivwfu/Beq/G7xt8TXjbUfBfwpm1TxTfanY2x/tK++HH7ONlbPpYtVu2jsnvfEWofCDSoZkkhtrS8h8WmKEWEl9HLafR4/IbYtZrWqt4aV96nM/dpww7XI6Lkrzslr5nKoU6X+yxX7xdEv5n7T4kkrKLbfZK3meyfsoprb/BxfGfiGJW8U+OvEus+MPFBWJUf/AISF7/TdGubIpNcGc20NvoUMB82WacyT3zG52ywpB9zwFgKbpxxlFL2WJprEU37sW6daODqwfLyJxbjZuL1Wz8vmONsU21hZNuVCSoSXvNKVJ4qm0nezV9FZJPy2O2uNZluIEUQSxJbSSJcmIRfu1Ea282xcyZZDGQjZZeMncDX0WGo+0xlRdpta/wCGfl5HjVP3WCpPvBO685Q9O9l+Zs/B/XZ4PHvgFgWnD+NvConjlIKlP+EisJ3dQixkSclcsxXAAK5BNYZz8Ev8P/tlQ7Mm+KPlL8p0/wCv0Pnn/gxqlWH/AIehM4kKs37EkeI4ZJv3ksv7WaRlhEkjoAzcuVESLueV0Vdw+YvbV7LU+rW69Ufv1qF0ttZSz/Z57vZsUWtvB509wxmSIQxIzxRiSRzsjlnlhtoiRPPNHbpJIrSc37ut9d0tFrfVq1km/IU5xh8Ttfyb39Ez4S/4LzTXnhb9nzwR8R7bwUfE7aFeeKfh6vjDULDXLnRvhbL8Q9KsL2f4ja3PoPiXwybe0t7DwJeeDrSDXNRs9F1fxh498GabHNPfSJAnzviJ4eZb4iZXleUZxVxlLB4LPsDm/Jgq2FpyxdTD4fHYVYPELFYTHUamHxFLGVlVo1KdJTahzV4R5lPLEYyjQhGU6nKpzVOPuTd5NN20jfpu7JfM/KPwP4A/af8A2u/G2n/A3wprFh40uNc8bWnxK1m8i0fQ/D3gjwz428E3Q0K88e3Vza+HNJ1i+8G6FeeM0ur9/Dlhe6P478U3raPoWn+NtbEg0BZV4e8G+HmV0pT4S4bxlVYiM4Zji8iyjGZnLK6+Ejh6GUPFQweFnzU8RQp4+rhnbLlKNatSrzxMqNJ9uR5fVzWtFU4KpBxm7uUIrSEJLSprtNfZ6rsz9Q/hB/wR++AOmy/CrxLrXw7j8Q/E74ewQr4zvB4/8Q6h4X1j4hxrc6VfeP8AVfCjahomiSw6pfPNqsktt4asrvxFfRar4h1a2v766/tG75MVV4nwNOmp4zF4rCY11IV/rGZzr0VChOMJ/VqLxUJUk5VJKr9YpJVJwUqSlBKUvoqeCyPJsNXqY+boYjEUKdbLW8HVlHEySk5Qp1YYKUVUgqtB1HUqUIw9rCEpKcKnJ7h8evBnwg8O/tCfCLUY7bxPqXxt+Jfjb4b39j4O8MaP451nwvqegeA/i98O7rxL461vTvD0l9ovhe58GCfwd4k8QeI/EF3pNpq2j+ELa2tkutLsvFN5pno5BgsnqzWJivZ5i/fv7KFpVL0al3OFKrNJ1tdKuyve6U34mLlmFehKXJUlgado+2qVqS5Y8jtHWdKVS0JbqjKUpOz99+zX0vbTwLbxHcsauCyr5TwYDMWx5T5eNhnDI2CGyCq/dHuU4YuUf9oUJV1f2jpNyho2o2cpSb9xRu+Zq97O1jz6EqNWK+rNyp7xupRerlfScKbXvKWnKrW9LymaMBiW4UFm+VuAvXt29BzT5ZcyjbV2srrW7stdtx0pxrTdOm+aadmrNappbySW7XUoC2il1S3mDlFthfS28drBOiyf2kV+0yXUrgwlww8wDcrljuVAfkocJK91azs9VvdrvrqnsXOlOCvJJJNr4ot3VuibfVdNemzPzK/4OCPh78R/DnjL9nL9rPS4JtZ8B/CXWvBlvdwaaBc3Hh3xn4P8X6p4stJdTsyDDHB4p03XJDaXLs1iJfCX9n6lLZ3mqaDb6vE61KlOEasuVycbJxk7823wxe6/AiUZyoV6lNcyp0qk27pW5Yyd9XF9Omp5HH+2T+z18YP+Cm37NP7Ueh/ETRdA+FsH7InivTvE+r+LBPps3gq8uLf9oXxNrmkeI7PSv7Vh0/xEumxaFFp9vd3Rj1mCK6urKOTSdS0nUNTqup08PPHpf7HTkozqq3uylKnGK9ndVXd1afwwaXNq0oytwf2vh6f7vEVXCq9o8lWV0t9YqcdGmvi6aaI90/4Id+P9W/aG/aO/4KQftTWek67o3gL4q+PfhZJ4fuNduA/24R33jbVtM03UrGG/vrSw8aaD4Hk8Mav4njaR7gQ+NvD9wtxcJco6VRxeHx2Fh9Um6z5+bSE4e7F1IP8AiRi37y2t07G+BpYupWdZ037CVKajPmhrNSpp+77RzVuSpq4rbfVX/SazkdLS1+1YFz5Fsk2xWYeYVXcBsDAgMWLMpMaqCzMEXIXJLXTbfbTW2vzOidSEJck3yy7Wfn1Stpyu/axl+IdJ0nxb4a1jw5qcr6joXivStY02/j03UbqxlutG1awltLoW+qaXPbajp5kt7kiHVdOvtPurCcwz2upWVz5UozbhXhUpL3k0oz0259ErSi03LX0s7tDg61PF4SrFNU4TnKrU5uVRVkoqyfNJt30jGTSTumvdl883N74z/ZP1D4r6P4y0r4ifEn4GW9mfHHgjxbbaz8Pry80Sw8RatLceNfDvxK8YfEu88H3keoaFcsLH/hKPF3xBvLJ/hpq2haeNU0/WtLghPzvFfCtSeHq4qhh4zg+dKXPQhdyWJns4wm1Pl5XNNJ2cea8Xbpw+MxkM2w2JoyqcqqUZ88akb0pxxUaznCFSdnKEYRnFcstUm1Jpozv2RBpPx6lv/jdbaffWPgW90jStB8D6braJb63e2zxWnimXW9Xg82+jGsQx6xb6XqdzEG8q5uL4yuk+nCKvzmOV4bAcQ42WKxSo5ovq3tMJKVacoP6mnTk6tDCypT58NLnlKOJnyOd5qE17M++4n44U8BhqmVYurWxWI9r9dp06FelToQptUaNCCxFSjTjGUG61GlDE1uaNCnhXKLnKJwPjf4efBD4Qftk2fxUvvgX4G+LvxH+I2r6FBY6VF4a8Oa58Z/DOraPqtnP4f+I/h+wvPsl3pHh2Kz1TSoviDrFxFbyaNPa+DNQgivNTsdYsIvu+AsLmzx0K2NUqeG9pGcZSrxmuV1cHOKdOFWtJL2bk3HkVrcu+j8HjmWRZtw3QrYeNKjnkcLD2lKGG9k514YLGe0X1qOHrRnzY2aj7WWLkpcqq80opVZfRHwl+Ivh/4hXnjm88LafNL4i+F3xF1/wj4l0N/EPhXWPEOk+JH1m+nv18S2WjeI/iL4Y8JReLNOg0LxBaLoE2nazPa6rpWr60Ph9Z3viTw94S+trYvDU606bq3alOzUKlmk73uqaS0d9VGy6KzS+SoKVDC4eFdtThQoxqN2b5404KTbheN76tp23a0TPU9I1drzUtT0y6EEGo2D2l1c21tqZvVjtr6OQWc6xtbQ3ULXZt51msruCH7OI1liL+ers51qdOUIzlyyqSjGCtJ3cm4xWidtU072S62NIe/HnjrHVX21W6s7PT08jxL/gq/cRSf8Etf+CmUcZZnt/2B/2x7eYCOQBJW/Zt+IN0AWKhSv2eaJ/MVjHubyt3nAxigPym/wCDYq8jb/gn54Qtn/1lj8dPixcweddNdQL51iUufI013kjtbm4gxAbmCFLhlWN43DgNX8vftEKGc1sgzKGX4ypgaFXharTrYqliq+GqYaE8p4wjVxNN4dyqqpQi41YSp0qtRSgnGnOUYxPpuA4UHicv5pTVaWYUVBJLl5vrWH5Ltxeje+p+gfxv0fx/8PLXUvGngnxBr3irT/FFzp3hq18Daz4+8W2WrWvizXVOh+Hbv4ca0/iS3tIbufXrqyvbnQNTSS0kL3ctrdaJZ2rPD/HvhfxZjM34nyrJuJsZn9PNMu+qvD5rh8ZCpHNIQzLC1qC4yrRxGLxOa8qxk6GKqYTDuUshwOXYVuti6NRP2c7y2csV9YVWrGMVTvSVVQUHHmfL7Nx5kuj3TurPXXA+Ifjv4d6XZaX8R/gZa694t1HwAyp430HQtQ+IWiaVbeAZZn0qXTPGt5rJ0my8KtoF27+ItM8O6vAfEkOjw66LXwvq0i2t3cfYey45owznKOL85xOF4LpZnTx+HzKhm2YYzizNuI1kuW04YLG1U8bg69Ktl7xtLC1auEwyp4fC5dg8Rj6cKM41sMTNYr2fKlCUabg3CKpPWdSS2veSU1eXM02lZRUVf3LwJ4PbwZ4et9Hv/EGt+LteklnvdW8Sa3dXDXl7qc8LSTLa20t3dRaLpWlBjpOmaVbzs1vY2sK6jcajqTXmoXPwPi5x/g+OeLY4jBZHgaOJwGXYLD5E8TltLD45Z3ReIr4Onn9WGOxMJZdHFY+X1j+z6yxCwiw8IcuIpVkuvLcNOjDmlOU482vtJKsnGU4KyTjduWysmtXZtWb8o+DsLWPgHSReeZqD6eHu9M8uDUvt02l6Zf8A9qaLPo0dumqawSYorAWVtc/2ncyzSrBFZzrZaPa2H9qcK18Fic6w9DC43N6kHWoK+IrK95YjCxd3ZKyc102bPgXyfZb7u+35f1t5H0R+ztpdz4H+FXw98I654q8Nah4q1LTrzXBbWl1pU1vaW/ijXNf8Uw6X4Xskvba6l8KaPYzP4d8PQWJurW3sNAjWzWO006WN/wCgMshi8HllCi1TlQ9pUlGcpOVZ1JTno2pRThy3slG90tQSTbve1ntpr5uzsrddPN7HfpNLJalpSywSDJmt2CJIWAZWhMiBpITGUxIYl3MHAwF46YTcldpat7L0Wl35/Mfs43630bvbT1st/n5vRo+VP+CrHhPVdR+CHh7xxptncX0nhHxJqaXtxCgf7Dpet+HXtklWZJI5rVrvV9J0uznZvNh8kySSQR5iuF+q8GqtTD8XY5tUXSr0svh76lKSj9bwqk4qL91r3t018Ltrr4fiThKGZcOQw1V1ofU/rVaE6DhGcpSw2LfLUlOM4uC51ZRjCW95NJW+O9Y1fWPiZ8ItO8L/AA2e38Mid/DMkkHh2OPTYSNGulvdTt21P7TBJeSE7bm91Wxma1lXy55UuJBub9grYPDZTmWU59h+XEVIY3B46tQxcfaYSSw86GJcHRjSpTnSm6fLODqtyptxUk3dfkuBxkq+LxuUV1KOHwcp0qM6f8aa9rKn++k5yhK8ZNvlpQV+ltDitY0eTwvp9/b6yms2ralqWo3v/CP2VzZ3Om69r8MLTRTWKTQ3VnaFtQRb271K9Z5mV5oluo5LzJ8Hxb8bOHvDPLM34tpunDOc0oZhGWDqZZi62VYepSy+rjoxwlHCVcNXoxU6FFLmxc7Qckmpcso/R+EPhVmvjdxbjOAsijOFHBYjC1Mbifr2Ey7FQpYrM4ZY3QxFeniaUpReOrSinhHyyp0ptSjGUZ9Z4n0Kez+F0+iTWto15FLbeLfEF6tstudRfxp4fv5NQgQW8qRfY9LvrL7NZl433CKN4nmVHZv86PFfxJr+J3j7i+LHHDe1xPHFKvJUaGLw9FU8Zj8pjHlpYvFYmrbky+DSlVk43d7qUVH+/PBXgeh4Q+F+A8OFicZia+U8K18lzGeMr4fHVFVlLF1Krp4vC4XB06lSE8bVhGfsfZ8sIKUJOLlLkf2aBFcah4QtYVtHs7j4WeEI2E0NxdqbxLuT5rhZZtmwrd3B326QuZhGTIxMgk+f8a84q4f6o4woudLOsVl1pQm17DN6csVipStUX72FTBUo0JJqEYSqKpCpJxlD0/DXBvDVOOsVhZ1HKs8JJ+0nFKLy2WbYbDcqjGD9+LvWu3zS1hyRvF9f428KBP7WSG2wkUOo6baq8nnCV7otseKGdg1pAjRLm3TIeMmOZbknJ+LwOfYn2P1OFaeHlTrQrUcZhpVqOPwtSEq6i8LiYVb0LTrqqnTSlGpQw01JOkr/AHGS16c5UMXi8PhsRzYGlRxOBrUfbZdioyjhlUjisPJv28ZRoOk+abTpYjEw1VV8vmOv/CnWA95qWnPrM7ll32MOrRw2TWtqVuGOJEa7LTCJopLOK6jW5jZrO1Fo80csX9RfRe/aGcaeFlPgLw/4nwfDmY8AZZSeTZlneIyriXN+NK+HqwzJZfUqYl8V0MvxNeGY43DUJTllap0sDBKFKMqfO/wP6TX0HeB/FGtx1x/kWI4gwHGma1f7ZwOR4DHcOZTwhQxFKeXfXadDBy4ZrYvC4eWBwdev7NZlzzxcm3UcanIeofDL9m39tLx38N7afwF8Kb/xXodzNPeeDPG95rfhjwlp2LiG9ga0Gk+KPEOmazf311OLxvFEC2UunJdy20eorci0ujN/ZOUeP/hBxdwlguLssqcRyzTH5dSzKNCrlFChgPrFXaCpynLEKivZz914p1FZJ1D+Os78GOOuFOKsfwxmeGy2OXYDMKuAlWpZjSrY32FH7ftIqNGVX34arDxg/etBWPtP9h/9hGf4Mnwr8XvilrE2s/Gmfw+VvtC05dOsdF8IeIdf037P4i83WdG+16n4n1GysbnUfD9vfpdr4cubS4nvbGyuTLZ6uPguN/EvG8WYnF0KFHC0spm4wwyWHr0sQ4U6eHjP2kXjK9JSVbD88XThB6KT3af2HB3AGWcO08LjoVcbPGpSqVY1quEq0VPmxEYqHJhKTa5az+KrK1orZs+pAksakBSIgT8vl4UEHsuEwB7xrjA+UdB806s3H2birO6btLq97t29NND6O8ZNO+rS05rt6JWbu2/lJ33uyzpbFkcn+JIXOABy3mZxgDjjjOT71rhYqKlbry/g5GOM3j5Oa6/3O5brUxMHxwm6PTcbCQ91jP38EW+dpwcL03DudnXFfgn07cHLF5H4dKNv3eb5+9Wk1zYLLldNxfZp7b/d6vDEuWpjN9YUfT4qn49vnsYLpGkmJot4O0qdu5RhSrA4H8Yk2gEEEbvavwOGBy7A1pSzClGdSdXCSw1qcKqvCSjVv+6vG/tKavdX22uelGc5Sk4y5bciTTad27Jp305dXfp3sfmWuu6V8R/2i/2gfHFr4Wk0QX3jzxCF1+eLTI5HtJ9Zg8OtFCzF78XCaroUVwHiYRYvmdWEzSrXxHjbVr1auRQy+s0pYvL3ChCdWjyTjUzFRqzjHkpKE4TtFwlKadGSnGnBQlL944AUafhpXgto5VVhGT1b5eHsJpp1tG8naKd9LvQ/SrwvZTWXh7QrKaeW5ks9H021a5uGkee4NvZQQ/aJ3lLSvNPs82WSQl5JHZySWzX6Dhssxjn7XGtSxDt7T977S9ouMHzSUm/3fJq5Py6H4NXqfvJxTvZ/i7N2afRu3ltYvXEghgnzsjBtpMsw4OHUDPB3cHvnk9K9/LcasJC0vd/d22b5rSpdmusfwQ8NT550rKUmq0NIuz+F9X/nsj8wP2X75tM8b/DnyZ4nfXfil4ajnWygjQLp7/ELSUkkk+0+UryOFCSlNyuF4JXaK/LstrTxn0g41UpqnDM88g5SfxOeR5rLlhG8uVKPvNTaV+Zr4j+g+K8PyeAnDLio83+qnD8knor+0yG13GPNvp7q5rba6H6bQJvgjx2JJ98Ox/w617OW5VUq5PSxF1ywwmLm05rX2eJxLeji77WtfXY/nty9yhb7VeFv/ApfqhJy32VwrOu4+W7o21443wkkwbIwYEZpgeo2ZUFgBVQk4YaEE2lJK9k5WjanzS5U1flim1ty2vdWua1IOclGNk2mtXb+bv1b0XnY+Vf+Cunxp1D4Y/s6eFvCnh7VJtP8R/FT4reHtGFvp8ME2s3GieDzP40vLvR47m4hhC2OvaF4V0rVFR43dtYOwMhlJ+r4brU8oyuWNr00o1Jww9TlpQm1avXtZKEHT5ZUnGpJTTqTdnz3R+hfRu8E5eMnFPGOUwjQl/q94e51xWlVxNDDQjPC43J8BTU1XwWMp1ZVI5lz0qapRsnGr7alOED2L9hL4raV8Wv2YfhHrdo8cl9oPgvQvAOvtDDFAB4i8B6ZZ+H9UnMEDtDa2erNbx61o1soQx6ffDdFBIZI6+pybOcnxdKFRpt8iTX1fa0Iavmi173PeNm9faN26/FeI3COJ4I4yznh+tyf7Jj8fQpqE6dSPs8PmGOwvKpU6dKLUJ4SpFfuoLlinGKi4o9hDI0kmztszxjtx/Wu2dfBYqrhlg1b2ftvaXpqnfniuTZe98M99r+Z89RjKNbEX/6dW1v9hjZzllHfAP4ZavI4kpr63BWTvKNtv+ftfyOik9H819yQwIckbj29fTPX2rDD0f38v+vdDz/5cdmv68gb069fz9epHho5HdmbYH38LuwiQgsOeTllJ+uB71z4Wi/7V1WnNRadk17vsm+nya26vYbvy2vfX06M/OrXrm11b4pftUao6y24ufih4vMEO3Zem51OX7Haamzq3yrm3LWzCQywxkhNvSvxzxem34uZQt1HD5zFb2bWIznb0W66XXc/beGm14OqKWjoZJzPooqhkWnq5WtpqlLY/QjTYmisLCLcdy2tpu81izMSRuyTkljkgk+3Wv0enS/e0pdoOVnbW1Wntp2+/Y/GMQ9FZ/8AL6K+7luvW9/xPBf+CnnnS/sa/Ey1gkjhefWfAaTCVN8M2nxfEHQJb+1lXDBknsIriJQVKo7o/GzIyqYmFPDZzdPSc1ZK1n/aGE5dddE+mmitdbr1+B1/xlmU2/594p+f/IsxTfzv+N9zyT9ibD+PfgmILH7EiWmp/LflZZZ5T8N/GlpJqNveAySXt1PPYztI85SXZcySsxYsD+ReHWKjLxQq0uak1Uq5lG0KfJC8MhzNytTslTjdvkjGLhCS5YO8dP1v6RjX+r1K7cnHm5uV6xTx2R1Iwkr2TjTnC7dpTg1KS1jf7WhVE2jJ2KG6nkttB47c8D0z25Ffq2TypQrSqqWnNJp/ZfwWtd2el7d13S1/EKut9Ov6/wBegl7JHkZycqBkkjJIwCffuenesc8xyxFVqnbnUuadlaTuk9dn7zbbvu+t0xUbWd9Xpv0tfq/60T8yxpsUgt1BAG7nk84PTt/Svf4MwdfE4Z3crNaaX00t121v3+Zjina9tH/wf6/UnKMuVwSwB5AJ7fl1r03gcRF4nDRjzWg3otXzxei216dHojPncacX1b8nt9+79T8A/wBp7VjoP/Bzt/wUv1MsUjsf2Tvg1PMyyvDIkdv+z1+w7Pui2svmSpJEjRwufLkYAOCOD/U/AVLl8OOAqU07w4O4Wg47NOGRYJNPXpZrc8DNa1SFTEVIytKWKqXdk/iqTb0aa/Ap6/4V8U+Otcl8Ra3JFpfh2a5e/a11Utb+ItWjtwvlrqjQbrW1VxCYxb210LZ4CnnRtucV9t/asFgJVsqToT/e2leFezjGb2n7WL95Qez2tazafl4ao3F/WXzt37QXTouXpf8AE9t/Zv1rTdb8OSJ4W0GK08PW97qmnDXFtFtYdZ1d7a3/ALW+y2UTeWsqQpbwPqISFpIw0MT/AHlaclzPMcVKtUx2I9q6VTlg3So07RlGWn7ulBPXvd9jlzj2VTD1acF7suW65r3ca0ZdHfotn99z1bTtLvLUILlJNk6wRIm+SP7PDbLMI03GY5J85j3d8ZZjtFdlRYerLmqR5pJ3T52rWt0Uktkvu1PLhQ5PgVu/xP8AO5YaKNTJGZLkiNg6ksGjDKcBQQxJbnPzAjAOfSpqzhGmo09LSWz5tOVrq2+i+7uaR55aT1ilta1mtN0l521/zFjlZonDD91GHZt6hWLPjBTHLHK/MCQBxgc1n7Sff8F/l5D9nHt+Lf6/15hbmJIgQs3mO+5ZMzKqg7QBsicRnBBO5lLHOCSAMKVajtVi5T6NS5bR1tomr63vvv1HF8qajpd3766d232/4cfLPFbSoZpGlMwBZEG5yVG1chyCOAO/I5qJYVVf4at68z7ffsVzy7/ekv0K+keFtGs9ZufFv2Wa51u8Z1j1C9I+0adbyOX+zaaqSkWKhW2SParBLcAf6Q8hLE+dDKsFhcVWr06CjiJ16lSpP2laXNVlUU5y5Z1HFXqRUuVRSWySV0dVTNswr4elhquI5qFKlTo04eyoK1KFN04R5o04zdoya5pScne7beq0ri4itLsyOZZXeMBFKAwRxsAyCNmOYHVcDdEEZMbQ2BW1WKrpRqrmS0Wrjbb+Vxf2V9xjSqVKDcqUuVttt2jLV311Tt8T7em1qsMiNsWG3tZB5ZeZbp5W3gZyCs3moQwGCGUockMpBIO6xGJjmDWEqOl7SNODtGM3aUqadm4yaekbOLTVtGVmDpvLJUpLmor2j5ebvTrX95Pm2b+1112PKv2hPDfgrW9U+GXiL4la5bWfw18M3XiHw/4sGtXtnbaRO/jHRIbTTfEGr3jLDc7rfXPCNtZJbm6VblvEsZMbzMPL/OPH7wr4UzfDVeLc+y/2mYYKjh4wzKGOzfBVKEcTnVGT5FhMfg8PDnr4ubeifvqMdI04r63wN4zznLqtbhzI8Y8NTzKu5zofV8DiPazwOWV6kEvrNGtVi1Chy3hKMXo6jaTbk8ReBvAnjj4d65qXwqbw7Y6frTzW7+IfDNlBZwsYoLh/s6S21jq14YLTcbN1k8iELqEQA8uKIR/znn3AeVvKMyzzI8ThcJlinHFZdluJ9viJL6hhMesdhp4meLxNWpHFY6jOTtUqSoxmqcVFRVNfrXDXF2Lo5lSo5hjKtes4U6NOblRjrKrQjGcoSnQpSqJOjLmqU6smoVGpKVWTl4j4N1afwv4g8b6WbRbHVfBt09jczXl19rNlb3l29hDPbwyyyX15LqM8OnWVlDp1vZWCXdxCbuaBWmL/AJ1xTlEsRQypV6yr0swnVg6WHpeyjWxWATniKU6kYQoUaeFX1yvXqYqdbEyoUp+ypzfIo/oFfGrMMlwjrVliaKxNDlpKMVJVPqd1NzpWWtKq17OUo83vOMW1Jx6XxmdL8XaDZ3mqXGnMTCrWLG5gv2uNRvYoJjFqSzXFrFbzWEYtv7QhitZv7NW4QwXlybiQp4+RxxuS5hWp4Sji1B1Zwrv2NXDQp4fDSlCTwk4Uq0qsaznN0JyrQ+s8v72hRUKfNz5fg8XUrKKpyp4SLTdGVJxhGkpSgp80YNRU6im4Pmi6ns6iUoqHKvPJ51MWleEL640bUNM8Q+L9D8PTaNDcfZrN9On1BNR1u+1K10/9ymnWmk2Wq3VwiyfJp8GoSLCg3mX7zw8yijm/HOQYypl+OrUcHWw2Z5nVqUa9WUsBRxFDD1qKxP8AvFKMoV6ar4t+zVDmp1JYiPJFwjj+WXZbwZmNOHs45pJYutTqKtr9WlluLcYewnVcW1iKXNzexanpC+ji2eFrfTfC/wCy74z1HUdWuIdU+Kt/8Of2d9I1cXbAXFnqGo+F/FXxC1Wdr2aVrjRv+Fd/DKO+hv4hdXst14mNswtBM8o/rXOp4lwp4dz5spzXmWT4VQV8N9RlSqZg3XUPaYj2uJXOl7ar7H4PcjeJ/ONHk5Z4qrrik4t1NFzL3qXLyXjGPuShqoPSDvZybf078J9Rs9S+Fnw+1i3sLi0j1vwXoGvtbXNmkDxTeJNOtNfvoLhI5ggujf30rTMBuSUskRSJVQff8N4HF5Zk+VUcHUVGlSyzA0ow9m6jjCGFoRjG9aM5O0YRV5Nv3bt3bZ8ZntWeMxWIq4h+0qSxFacpWULzdStJvlpqMVeUpO1rK9krJI04UtvtrWtlFcRS3cKwyAFTJZpKolM2LuSS0aOEsYg0m+Vgm6UtIXJ9CjmU8HNzq1L1W7yklSjd2lf3ZWWvP2VvuOalQniaapVFzU4qyVmrK7a1ilJ6xi9X09Rnhr4qaFoPxG8BeFrbTb3WNevvFHhqeRNMhsIoLW1m1u1g2Xl9c3AS2m+R2LQQyNEhWRcsAK8rOOIue6hUsmkrXoPeM12b6+p62XZfSpyTVO3vfzVHrzQf2n5HjH/BjVEHk/4KfyKkbSxL+xUYzJsyoZv2s9+0mGVwDtUnyyhJCgnkMvAt1fa6Pcbsm+yb+5XP3zhWCZjdQm6hkE5uF+0C5ijLxwNp2JLO5a3kxKpZ4yyqkkipKsjgfMq03SfJHW6bdrPZ2tfX89d+w6UVVSm9rpa36q99Fdre9lfbyPKv2yfDvwP+KnwM8efCT4+eMtX+HXwz8b2lvo2teJdOvE8K3sd951lfWN3pGv6tpGsaR9v0jW5tBvrOG80+9srnXLaLTrm21U2WpaQ94XKquczVKWCxON9i4YinSoUsRUmqsJctOTjhWqm05RimnGUpJNO6kprZllOVWq5jicPRpzk6cHVnV5fafGopUnGbbhGTV7x25rXTj8N/8EpP2WfhR8Gf2qP2oPHtz8UY/FGi+Kdcufhl8EF8ReINA8SeNviJ4F0fUtO8Qan4415bfR4L/TrW71HT9O1LTree20O5v5Irj7QdU0WbTdLtvJ8QPDfi/OMvcZ8H8SUMkpzw7lmEsnzOVCKhVqqjeXsaetRVKPL++s3ON+dNqXTgOMMjrTVLLsfhYz5ZOKVdydow+H95FWv7qbu2le1pe9H65+PPjnxJ8D/iD4B+IvgfRrDxdB8To4Pht4o8I2E/g3Rk1HWbCQ2/hu+0zxd4kS0i0nURLql1pEd3rDJ4burHS7RPEMlnZ2WkpZfE5Vk2R5VmWFwfC2aQzmvWqU48QUaODxFCWXx995a6yxVau4xxNKripUfZ+xjy0Hze0jyxh9DluGwWaZDxDiMbifZzyylQxOB5q03zyr1cROqkoV4RxDcsPT9rFwqSg6jVNwrudWWv8DPgNqtv8ZPi3+0f48+HNl4U8beLl8J+Dfh54d1LUtC1a98FfDrSPDnhd/FAkj8N3WoeFdL8Q+OfF9m174tvvDeoz2mp6f4Y8Gb9I+3eGCuvfoGV5dTwuFhUcbVXShKzTVm6dN2spyje8Hf3FZ20R4Mswco1cJCo3TjKrH3dVNfCtXF1FHa0fatOL9nJ2fNH2/yE2FWjEhRgyY25yzFmkOAg3uSXfC43E4yPmO8Z4ipSjWg3GpO94tQb92XIviUV8Kv8K3trozkwdL2NWpFe7CPLyye2sZOXTV8zd3ruVtX1/QfD9hf6vrmtaXo+l6dbNc6tqeqX1tp9hp9uHeOSe9u7qWK3toBLHJD5sskcfnRyQhvNRkGeKx+CybCyxmcY3D4KlBe0nWxVSnRhFezlVu3zW+CnUmnbWC5l7trzDC4qtjYxwNGpXnOXLGNKPtJSl7S7il715W5bpapa7XOAb9rr4APLeQ6X8RLbxHHp091DdXHhLw94w8YWQFpJcx3C22peFPDus2N9IhtZjHFZ3Nw9wiCS2Esbxs3mf6+8J4mTeC4y4Zqau8FnOVKcN/dnCpiIyhNOE1JSSknGSlFNHQ8l4iU5PFZXi6UHN29rh5U7wu3FpuMFquTW7vzR3u78v4z+If7Kf7Ruia/8KfH/AIo8O634T8WaPrMl14P1e08V+FL7xNp50mOK+um0zVbPQPErarpN0l7f6ZqGjJbXrpJocmk3kl7Cwh2o8f8ACUK+HwtfjLhetjK9WjRoZe89yeFfGVKrVPD4SioYr2iliJ2pU40ouTlO8YuW5LJs5gnUjgcVLC00516iotwVKKvVcmlJxUIpyk1smlpZH4Gftk/Dn4FeDP2qviz8OvgPbeM/E3wg+Gfi+9b4iPqGtR6jqGk6/p3izw14Q8b6B4Mt/wCxtD3T2XizXbrSLnWNH8N6hHb2t5PqWkeCpNLS71vxF7+Ewed43Ncowf8AqtKeV5xgfrtPEwzagqFaLw+IxNOpTnz8/JNUqEof7QvdnG/NdqXJWhgFP96lGo02oylVTtd30TWzve66M/f34Hal+yp+zP8ABbwT8LvCepeBfhP4C0DwfpGo6Loeu6rH4Znv7TW4LW//ALXvdW8UJpN94x8R69JeQXuu+K7u5u9a8WavPJrWpganqU4bzXm+CxOdZrkmXrDueTYSnjcdHL8W81qYTD1MPh60q+Io0VXnhsJ+/wDaOvWqzp0VKMKteV4tbxniqVKM6eEr+xcuSElCq4ucnUXIr0XFzf7y1pNvldkrNLrYv2mf2f76CGHT/i/8PRc3dnJPo1le+ILa1OqrDNPZR/YIndbnVoDf288J/slL03Asr5YRKtrdGLx8V4n+HOW5jLK8w8RuCcLmUXUjLKcVxPkWGzRSpSrQrReX1MdHHKVGdCvGqvYXpSoVlV5HSqKGkMtzLEr20cvxck7NNUKvVX1fIrX5k9uqXVI4r9pX9qr4Zfs+/AvVvit458U6bquiWflWPhGxHhbxHCfFPxCMs2o+B9G0KfS3sbe00+01TSre6udXLy/YLDT9Qln1DS5YZDXu4XMstzSrh8PhJTpTxar/AFV16WKoU8a6FOVSr9UqYqlRhiZ0ORxrrD1KipS9mqvI5JSJ0MUoTU8NWpuC+3CceZyTf2oq9ly35f5k30Pi7V/+CgWr/tEaIfF88+lQfEX+1viF8J9I0fV4TZ+Ffgt4a0seG9I1D9pK5+FWvX/jGwvPiNHB4wutI+HkHjiPXvFdrb6rrdxpcFn4Yv8AxD4P8f8ABQwOZZ9m+NyikpVVg3iVJQhSfLHD4pYZuVnSasqy19o7XWrfvLKhOrTqq8ZLXXRdJL+75fce+fBCTx38LfDHh/4N/DXxf8GPh94D8FxXt5dPolt8Q/G/iTVvDml6rd2XieWPwx4k8G+FLLRvEtzLp9lbabb3fiK30+zs7+6vb+LV7vSPEFzF5MeCMDi8bUxs6sHWq8vPac/sUlRvyxx0YK8IJe7TjolzXd5HZUxWKptVfYydK6cZ8kWrx00fs3flm7b2UvkZfjj4C63+0pofxQ8NfDz4keM9N8N+JPDGo6RP8U/CPjjwtb+Mvjfr2sSWPiyXxn8QNf0ifSfFGlfBnWU1uHw94Q+FOmXPhfw8mkaRrieFtI1PwT4o0jV7XbMZvI4Wp6KKers7tRnr7yqvairK77K7veIYupmH7tK6VoRjGOkYx92K5VGK09rrJWvotoq3yR+wt+yv/wAFDPhJ8X9D+O2u6R4ksfhp8OPCviPwromqeN/HvhIQOug/EPR9VtfBvjOFPEOva7N4a1u5sb3T/P0jwpqfh601maTxd4d1jTI7bT5LXsfEGXqll1SpOCqTwWFnO8qitOWDoOV0qXKvek9klrZLoZ18HNtRSalHS1tbxsn9rpyvufrF8F/jD4Z+MXg6LxBoMl7aajpl7L4e8W+HNeSG38R+FPGGnQ2D33h3xBb2xe2W6MGo6dqOnahZXV1petaTqema7ot3qGj39ndz+pLF4PERjOnOMoyqfuox57J8zStfXSTs1KKjs9DPSjH2ctJWtq7P3nZPrvovNaXR5X/wVgVIP+CX/wDwUnIAijuf2Af20xIu6R/Puv8Ahnjx8IHPDKrJb25AZioG9Y0yRimI/F//AIIA+MLrwZ/wTz0nWtC8RJ/bel/F/wCIWqtoc9s0UOnCxvLSbT9Se6uPJsZ4L67T7FfRvcBJLNpbW7Iti4r8a+k7lGScT4TOMi4gV8nxWR1MBm0lRpVpwyzGZZmtLHSp062GxlOpOOExlZxhLC14yfuyoVU5U5vDZ9LJsfha/NNRwmJw+JfKpvSlUhWdlCrBt+5ok4t6arc/Uqx1jRf2ll+G/i/wZ8RxpHgvRF1O78ReH7GwmfxXba63FvdWVlqQuJdJ1rQUa70u01aWxkt5NN1G81DTrgSvZTx/wTxH4f8AG30aa+J4P8QqeGxuV59DD1+Gs3wmaPO6+bLOKNfCThi6dsHJTlj8pzbAU6mMwWWrD0cspqcMRh8XQxdT9JyDNo8S5c8TSi6rqSrwSqJUveg4Ul783UajeTvf2knKd0kkorvde+EHgfU/Dus23h2S48IX2vG7k1bV/CBt7m413U2t4rODVfE2iX8F94Y+I06RRR282oeNNI13U00+3truO6i1R7jUZfCy3jilDB0nmmb4vP6nCNWpnOIhVnjMbSnQy+tUzhZvbMpYWNSrhZYz6jB0XRxkKNGnTo4edKP1irnHLZUMQ703BS9nUXMlCyfs/dkuTm5oxil7yvKaknK+3lHxy/bQ+HXwvvNB/Zy0nxna+Jf2hNT8P2UM3hLwZb3N3qVlYR2EAv8AWbrWyt9oOg299CWntrzxfqdneSpKLiJ7u7ZpG++8F/o9Z74t5llfjLxG8HQ4F4ezOnn+IxUMwgsXneF4MxuC/tLBVsulgc0xONVTD0MwwyoY+OCw+MeAoUp1qeFqReK8/iTiCnkycU5r3Y1NI1JayhVqf8/IuKTg7RVuVNJWtFLkvDvxo8Tad4w8N+J/id4T8Ma98OtEu7aS5+HPw+n8V6JFoWkvZ+H9PbUNQuJ2Wx8dad4faKe/s/C+oaNoWnzywm3+32cd1JcR/wBXeHfHHB2cZ3h1gKU1KValGN8ujQ95YrBQWvK9FOcH0v3TVz4DC4nnerfXutdEt29E3d99dVe56pcfD348ePtJ8YfETVtY8G6Jq3hvTPBniqGBPh1pmqeMvDuu2UVtq2h/Bj4TeLPDutQ6vpngabwtbeFb69vNJuIrPVNU8Y6lLZaDAmq67LN+5VHVkoP/AJccvurm151Ke0b9r6pHoU0rJ97rr+Lto/X/ADR9OfDvx74U+KNhrGp+E7jWL6w0LW/+EZ1GPV9B8T+Gr/TdUtdD0TVH0+fTfF9jpmsl/wCz9Y0+9a5ks0inN6TueVZmOtG7tv8AL1Q9Fu7Xd9Wuv3fLfb1NTxBoOj6lZTaVrOmWmqaNfoY7rTdVihvbG6YgDNxY3KyW8zKBtUyxthQoBxjG2EeY5Zi55phqkoU6qp8vJXnBr2HK3eMJ02vept/E9r6Nl0nhMbGvgK0KdSpGPv8APQhNclWLTUZzjNN2mr6eVmk0fK2sf8E6LjSfEXjPXvhh8QdJ0Twrq3iLXdf0b4f614C0+fStGl1e7aW/8O6Fqvhu+t9Y0Pwzp935Vho9jplkUsbGZY5rJLGOFH9aPiLnPsHGpiK8oYak3Je1xcnanFqSSeNfM7aJJa3WiW3i1PD7KMTic29jQoQrYynXp0nKGEpKFWsp8spVJYNKnGHxuUpXSi+VuVk/Cv27PgTp/wAEbj9n7UbWRri78XQ+KbfxNqtq9/caX/wlukP4X13T9JsNH1F71tG0LVrBPEtnFA9lb3d/BpNn/wAJL5WtQ3Nufw36buZ5vm/A+T43CYqtGOJxOZSkvrNejpPIKsUmvbN2tC7UnJ3vfsv2b6INHJMkzbGcPZLhaFPivDYTLsPja8MNQpe0f9qx5ZPMaFLDSrNYzE07S9pJcsIz3hzHIfEG/tNWttRTS2l8rVPANjqdtaSGFYbm30fUNb0m3s5bdoLZlkhln1IzRhHBMUJIXbDu/nLg/LsTkmK4OzDGyc6udZxl9VT9p7acnhczhBuUrRmre2ilzSm2lvpr+7Zpg8TSr5hDFKMcbGhinjFGbknVqUqFdNTfO53jVUm3OVnJrS1l5F8Io5IYPAF0FlhsJPglp8l49rcTWVzZXPhcaNd3dw07GK4KfZrmznYqSHe+bZuBeu3xXw8szrxS1X+tODlZtLT6tjltJTWiXn5dg8K6sKFDjLndko1I3a5k3LGZtFLvq5JLaz30ue4Wdrappwk8SzgX+t6dJ/Z9sZPPlklt00xxdW1zl1j8kM/79pEwJS24Bmr4uWAlQxOJi7e7Uqwir31jV0taKS2eun4nsRxdRVsOqMuWMasJVndqLpyhUTg0payUnB8tmk7N2tc5/RpbD/hKJdJvjBcaRLN4hjS3khtZ57uEaNqjpeyzASM1ilyLv7GjZ2T2Nq0arsiYepwrKVLP8lc6cK8I5hhr0qijOMvfSTtNxTcG1OOukop2bSO/PI4qXCuZ4jBTnDGrApUZRqTpLmnVjGUHKM4NRqQvTm+aP7ucouXJKSf6CfsMTzL+yj8Gbe9gEd7FoWp2kyQxqira23inxFBpzPInEsktkFMjAscs2/Bdq/uHwhxma1PDrhuOBy/DJLJMJCndU6aabr/FbFxSs02krW07n8c+KVLNZeIHEk8byOf9sYmdX9+6tm4YdaKVSba5VC+93fe2nsdpHD5JhjRmhTKyR4/dogJVFCH5cIm1FUDCqAowBiveti7y+vQjTxN3KrTpyUoJPWnaSnUWtJ05P35atr3dYnz1V+9f3IydlGytrZXXza17kgVVjEUeViUDy41+VRGPuqqjAVQuFCgADpgCkt0ul1/nfcS6SaV9m7dev4/gWrBVXzgqlQPLAB44AfAAHAA5rpw/2v8At39TDFNvku0/j2/7dLFaGRi+L1yNOOMlXuuMgHBWDJ59MD8xX4t9MajKtgvDzli5cuY8RXt05sFl1uq7eZ6PD/x4r/BS/wDSp/18zFlHJPAUA7htD4AAJcc8sgBZVGWY/dBIFfi2FptZzJWStTq82ibt9RqNvV3ure6lrK9kenF7Ld80Uk3y3blZRbeiUm0rtpLvY/LmzGseE/j3+0V4OTSpbzQ9N+J3xI2eIJ1SK287Qdd8RwQ2f2fd5zTRrC1wziMoYnBztQkflPiHh4x4myaU6vJUp+J+Uw9mlPmlJ53UpLmk48ijUjWqLl5udSptNLmgn/QfAuIjU8LatRL3amVVJq7V0pcN4WSWnVabXWujdj9P9NRlsYIyZZJIo1gkZmQu0sBMMpJDEHMkb9D09OlfpmRUF9Rw0W5KUfbRknJO0o1qya0eyatHysfz25L6xWfupe5a+3wdO3ntqOvYA1vcDDoJQqSzIVV1jwqkksRkgHacZ5yBW+My6U1K0ZauClJPaOq/nV9d/NFYGfLiudRhKUZuUE03GcopcsLata63slo7n5b/ALKmj2vh/wCJXh28sbq8uLa4+NXgew/euksiXEGv6JA0drHGzPZ3jNG/2lbpYWaYSFdy818Bw3i2vHrhGhKPJLBVuL4xcYuEpQWTZvHnqc0f3nvVuWE6fPFRVNOV4yP3ri63/EE8hXutS4fyVPm96N/rGSaPy0120ufp+khWKNjGGwS25iFxhiejY6dT9K9qji5U8npVlBy9nnUKi6fw8LGV0uV66aaO/Zn4LTUVhaLm/d9p76looR5p3qNu2sV031vYra9rel+HtC1XxHrN5Y6To+j2N5req6nfXcdtY2Wl6dAL7Ub65unIS3ggso3maU8Rrhxk4z0YXJq/ENenjPZz5IR5nLlkrQlCdfTlnSkrxk7TUGldSukrE1sTjZxpUMvw88bjsRNQy7C0F7WpjaNOcG1RVOlV5nUoupyxcZSeyu2rfjh+29+1qf2uv2kbjxFoMTt8IPAOh3fg74bTTpNatqry6sZNT8UtZXsFnd2D+MVsWntoLu2huf7LTTInVrK2066u+ziCp7DKKOAjUXtIYqFepTgrJ0IU8TUU5yU6qVRyxKlUpKfLSklCP7yFSlR/vL6EvgRmPhLwZi85zLD1cHmXFWAq/wBsYatG08I8pz3N6VCKjLMcS/Y/VsRGrCpDCYPmhL2k1Pmi4+2/8En/ANpf/hV/xMf4QeJtQhj8J/FvULaDT5b6aK00zR/HEdldppOo3k9wY0kufHem2+i+Elsome4sdfh0lNRggVsVHCten/aFOh7SleSqK0nzRlJUElBKLle8m4Rne3Nyy5oq7X5v9PbwbxeLy3E+KPDWDxGZ4jLcXhcNj6OEp1qjo08Xm2eVsY6sljakqcaNXHYVuUMCqa54SlOFJ3p/p/p0SCNlDEEBco7IZCoeWKOaYcSec6xeQ5cDJtcKBtIH6Dhcs9rRTpydRK7uut6lSMZNe0sptQVOVrWdKzu0fyZHEe3iq1Sm6darzVKlOUXCcYuTjTcqfJBQ5oRU1aEfi5LyUEyYp8xB6Y/DOfX+lTVwDpvVNevk3/f8ilLboNJ28Yxyf51zVaqw14vZPR9NbPe0lvKw0m9v0/zQxpQWwOTmMYHX7znp16cn0AzWFTMKdVpRknJOCstXdupZW5U02mrLrddGHI9H5rp2d+5+dnh+2uT40/aNn1HTrRHm+OfxEbR5bm0fTRNp2panpltbM1xpO2edjqUVzeNNcH7S9tdWt5PiC6hkk/APFjHKr4uZVTi01Tw+dU3Z3fNDEZwtlFbJ2u7pcztLQ/bslTw/g3hruS9rhshk7KPLyvDZG05N3cVJr3XHVyjbZM/QUuWkUxcZwJWxxsLLkhjxkLnp6V+nU6zVanB3XOpJv1nSXbs+6/y/GubnpJxaklOLST6LnUrr1SX5XufPf/BTgoP2QvHokgF+LnXPCFv9hd3hF1jxFFKIi6qW+cbcDpJlUYhZAahL/Zc41u+Z6PfXMMI/ys/Ro+h8KF/xmeH6NYXMVy9VenN2+6z9JI8i/YnudbvvH/wRGsaLDoIWfxfa2VnZ3FnHCumw+APiDcRPOlncTrOzjyXxMY5F81JtuSM/kfBGWUMw8QMwwOGxUsbCrl2aVZYhxnCU6lDhfOMVV5va+wk2nSk3Juzs2nJaP9M8aW1wVmkpR5fey/3b3SX9rZRFWte1ktUrJO8mr3Z9sxPtWMKJAC8ZO8Z5kUhlxyQyMrK4P3W+U4IxX3lHGVcswOAwj53KWYYWlJty5v3lNc1+WM27VISXxtLaV5av8WtzOTV/h9duny2uPeMecVc7g20qD8uCMdjjjP8APP09atgKdDO8x+szlFP6qqUWt74elKWmybcnbbRLfVji04aOz10tppe2q7bL/gGhYy4jGVJI4OBxken9frX2fBtXC0aCgpR5nGyXpa39abHLiYtttP06X119OpOroWJJweeP0/Xj+dexQ9k6uJqSS96K6LpFr+r+ZlK6irqyv39eq8v0P58v2uobef8A4Oef+Ckf2uL7TYx/sxfBiW8tCQFu7Zf2cv2KAbdt3y7S7Rud+V+QZ5r+lODLPgTgxrZ8L8ONen9j4Wx4GcfFiP8AsKqf+l1Ct8S9b1bx541t/hn4TsdW8TeJHFld6f4O8LborjVJJVhbUI9R1dntrOy0fS5JHiaS5ukg1G2QtGJkfn67hHJp4nI51arjaLxjcpzjpGNtW5QlZJX1b7s8nMpfVW4xutIvTzjJ9LdvusfT/wCzV8OPEvgb4aWmj+MrXTLXXGv5tQuNG0W5tb7SfDtu8VqsOiwy2byWUsgeJry9vbZmjN9ILaSQzLik4LAVa1FK3NN7f3ZTj0Ue2l1f0OF1vrEJJtvVK7vpqnpqzvLyOLBleG4LTEC33MTEZEVhsUZIU7WZgeOFI7ij615v8f8A5In2S/pr/IrHy7eB1jDu7MrSh3KiN8gFFJOPuFjgehxVUq3tJOOrsr9e6Xfz8iZwUFfzS+9O+1uw+aSDzUWIRyRCEndJcjG8gbgI2P7zaQOx28HvWn9f1/XUn+tf0/r8yRtQhjgVSVDGMBGjNwgUliBiGFdrkdd+CzcL0UUnhZ1mqsWrR93WVtU+bs+6D7v6/p+ZWee1/tmCKeT94jtceY0citJEunwsEYSKJNgckhX4z8yjBBqo11Q+K+nk3381/MH3/wBf1r+uhoW8tqJoQWGZoI5vu/xyIGLZxwxJyW4NclWanVqz/nqTn2+KTf6miasvRfl/XYZe3Fqs0aTmWYF2DBCxBwx+8DwT6/jU/wBf5B/W39W/SwyVY0X73mTmGBY2QlV3O7AK7cfIx+/ngqTmtMPJU8yhzLrS8/t0n9+gqTePyubV/wDl/o9NozXXm/m+482+MkXhfVrBPD3jLUIdC8NeKdV0QXF02qDTJDYW8smtaobC+SeB7K5i0fRNSjt2t5YryQ3DWmnrLd3UUEvj+NmPyWHBmYLOZTpZd7LLlialKgqtSK/tnLlScYezrczdf2Sf7uVk2/dtzL2PCClUyvi7A412cKVTMfdcm4uVTKMwpQvGKTa5qkb2u0ruztZ9D8PPh18N/h54FsPhr4X1WSTWNF0sT3llrGrav4j8XXtpqw1C0n8U61deJbi41nWbi7vIr22Et2Z5ttlazRP5dpCR+Dwy7gfM+EeIsooYypHG8O4PG43GQo5bh8DQ5czw+bY+n7CnhcnoYRQXNyrD4XD4eFJLljDlVz9KhVxDzejiKUaioQ9lUjVdV6ypzo/upLmlUWlFzVScuWTly3U3GL848dfCeBPEFpqu3SbG78U6bqPhdJdQFzc6pNo1gs2ph9NQlUu7q71OzsNcv7pGlkhtNNuY5kaSXev4zxD4aZpk2Bq4ynmTq4TOeI6ub5JhnX56bljvbY2jPGOOVQnhIwymlmGGg41oqnKqsNepKsoy+/4b4zwaw9PBYp1qs8NBVYpqTi6qo0qUqT/ezjeNFzcFOlZ81OfOpLnj4t8Qfh58SNF8aWHhvw3pOs69q2s6bq994Js9PntrHSvFUGkX0NurXl4HsLLQdAs9PvdLi1e68QXVtolrY3/9oahLBDpWU9vw98JOMOM8dgcgo5HgqePx+MpUMVUrY3A1PqNOeGlXxGNp162Kq+2m6lHE4mjUpU4YyLoKmoxeKnbsz3xZyvIMsrYiuqlOlQw8qtSMMNUqShJShOVJ+yrwTcPaqDsnB7ptJX0fFHwjs/hL4MvP+Fi67FqHjfw/8OPi58QPHXiDT5Z9G03wuPFXg5/hL4P0O306yYz6k1vdfEjxA9jrTRy3F7LpsWpROLBtOuJP2HJPAReHecYXG4z2NR55llPgmNCGNWPo4XPc2xOHq1PZPEZfRq0Up5a28VTqTw0HK9Oi+b3PzfiPxpwnHFapQy2piPq1OlLAVOfD18PzVacq8ZPkli5wa5MXBczi7q99mnyPxO0e2sfA/wCxl+zkoa/11fhrf+M7TSod9qh1P4o3uk/BP4PahqcUoit31G/8OL4l8VG8nY3Ns3hy8uLmW3mng879LweDWbPB4DlTnwq8SsS5JJSeeKVekozlGarNRgubljT9ndKXPe6+FzSt9VqOkm1zWva/RU5dHFbt7rv3PsGytILGzTSLQpDpGiW6WVq5gE5FpCggs2ZArEOsKRkYXKkdsV9nludUuSnhbO9CnCh8Dt+6jTp6e/bTySVtklofI5g08ViY9sRWj8/aTX69duvc5L4q+Lv+EL0J3t9Zs4r28fTLBV1COQ/ao5fmzbqUYRNMhV5lOzLlvMBbNcWf5hKE5OEmk2/5lv7LtLzfffzOrK8Kpwi7J3Xl/f8ALy2/IwfgJDoE3xe8Fi6lmmu7fxhoN+0t1G4vHf8AtexNrNd2+qKt2NOhkj3SKqsAol8td2RXz1StVrVFeT1aWspend99/P7/AGqWGUNbLfyfVeS/r8Od/wCDG5roS/8ABT5I4LeS0kj/AGLxeSSyussQx+1mIRDCsbidZGZxMGkiVAqZbDEr7CfK09dGnpo9NdPPsdLjzpxW8ly67a6a216n764f+0UAl+S5s/OMcdjcrMbu38jdN/aP2l7eO3aCeKGOxeDYJPNmaeQu0bKajKpCTso2dk7XV0+6s2rpvb5dHrRi6Td59XHVPlfK0101jdO19tkfmx+3Z8U/FPxa/aW+Kfw+vL228PeB/gloz+DvDErQi+jnOuaFoGseL1vLO3s559evby707wpdaVYX10unxXS+F4by1eNb+9uP1LwXyXC0ViM2xNPJq/tMsnCjSzRUXThi62PpunUcK8Yxh7FYao6nsqqq+yVT2NJznyr4vir61muMllkJTi6SliYybqqn+6oUaaV17R3bxKa9zveel5eB6q3inTdbg1iy8ZW3jOz1jWLi5heVr3StesW1GS00+91C3vxqVveaWmiarfXV2LjxQNIa1sL7XYrmO815r9779FwOeU69Krk+fZbwLjMlq2/c5Xg44nHP6vKnLCp08ZWngo8rpRlXlClz6LlnypJfOVcBxPlOIdfC4qkoRckl7bMFK05Sj/y7hTTslHrbfTY9m0D48+K/EHhuX4b/ABc8Kz/EPwCs19Ld6D4h0C7j8SeBLh5hFe2BnvL3RykMGj6lPc3s11qCTabNJY6wgMUdu91+d8T/AEZuD6tetnnhvltDKa+KlQWczzfB5XgKVeUKeHwuUywUsiyBzqKlGOOliniq0nCMoSwrSlWivo+GvEPPMJgM4wuZ18Q4VqeFjFU6mMacYzxMqiksRjYp6ThootXvzW0b9k/YX/a4k8FfE/UP2e/HniPXte8DeMdd0+f4N674k1DT7vVvDHibWrxEl+Hmsarda5Kk2k65Hc6VqfhDUobm+h1HxD4gvPCVrtuW0Aa58xxv4O8W8AZPRzvM8Rk+PwGIjD2cMmrZlisRCM8PjMSo1Y4nK8FQg6dPA1oVFGq1GrKmk3FylD2eHOLcvx8vq6p4xYirJx56kMOqd6nsIJuX1mU0vaTUr2b5ddXofcUUwkg8xMN/AWKsCHjcxSKQQGDI6sjAgEMpBAxXyNT2tScqeFdOKhvzuUdJWlFR9n6S5rpeV9We3yVYR9lJp1opXlGTlTle0k1JXlL3GraaPTY+W/2nPBHi3w7+0H4a+J+tXWga14Q8ZLZeDPh/4o8QtqN1qP7P/wARp9Mm0LT08MWN34e8UaRptr8VJ9QbRJPEGiXfhTxZN4j1HStEuptY8PvHp9l+V/SswnHmYeFfFPEPB2aZdl1DhvK83xeLo4rGZxhMbVhlnD3E2PrywlLKqdWFWc6aw8KXtMRhnKtb2k6S5G/oPCmpldLN4PO6FTGU1W550qUKFSVWn7bARVJSxdelTg5S9o37V1Kbh7rpxlUcqXnfwSsvFXjXxr4Zh8ReK/irA9hr1ytzPfeMr+Q2c90bJDp8RbxrZSQ61aT2MUE8k/hS3ls5P+EjtYrY+XYLf/yZ4R8b4nM8RgKec8UcarMMyr41YulTzicaGBxOEqZn7fnjjMfOvh8PiZQjLLnUjKVTD8kpaR5j9b8TMiyDB8MUs4y7LMLShUyjL8XSjPD4enWrRxdLKmpVqeHy/wBnCKnVrN2xdVVVKLjUviVbpP2hfFw0T4oeNdMvtX8WarbapY6VfXXhTWr7QfF/grXbLUvCWl6FpPh6w8G+J7DU9Os9V1TWjqWnW2mWNrY2viPUdbC6nDPcXkCzbVp8Z+IP0gMo4E4E4s4yw2aYDOOEMRXxuPz/ADCllcKOJxGRN4uFTJY42rChhKuf4KGIxFTBUo0eTEJRjOlQdf5zKsoyXBeENbjTNsNRngcc84ynCYbB4SMcypY2lRx+J9rWqYicKX1Wph8FBulDFVX7V8k1iISrQwn5Z/tl/sseJPgd+2hpfwS1HxR4N+Hek/tOx+FPHeieH73xlfa0vwj8M/E/4yNcTeFNS1bXrPTrGC58H+IvA2gNr9lrNvpujG0mTSPDgv8AUtTjY/3jwtwzxF/qzwhkdbjziahxNwvw7lGWZnjsRxTjaeBx+LpZXhcDiq2W4qWH/tHFYeWIy/H1FUxFHDVXSxGGnUpxnWrQh+V51Qy6vVo5phlKGD5ailSqU6NKu5TkpR5aUVOkopYinf8AfSS5ZqMpcqb/AFG/Zi1qGPXre1+HGl+APhb4Zi03xD5/w58MeAT4QuJPE+hXvh9PEP8AwlOoWOoXN5aeJ9MufEcFjeWWsm11zS2v72y1vS9X/tEXFz/nd4g+KH0ieEOPuNMFkXHfHGTZ9jcbwjhObiji/jnK8rzHKJcPwxGNw9GGEqYfFYmpSxs8pliKE6tfCThUpzrKNShQo1v0bDZVwnW4Bo5tRwGLq1P7VoKvKFLLalWjSUeIY/u8OmpvnWD5k+elBzg1UrU3OnKnD8b9N+NHhbx3bNp/je5XV/FGgJDocd9r/j29sXvLy01izvFvbjS/+EY8OMos86pHHr3hrxBr1xf2oeG/m0/TbUWFZ1mfilwZhsi4s8QHlHEuccQYfB4nB47J5cSZxnU/7ay7FZj7WvWzx4PFRc/Y5nVxbp4vEPnxDfNiFWxFdfS+H+X8E8SZBmmMo5fOFPJcY8Fi/rOXZNgpL2ccrUJUaHPjatSCnj6FJVZOg5yVV+xp2hGfnPxB+B2n/H5vEPgw6N4f8M+DtdtNQ1H9pn4sfCvTvCWjeB/BXhqJtb1vVbjW4dbitdIh8YeIWubTxT4j1PQ9L8Q+PNeg8DeH7bxb4otNLTQLC/8A6Y8AqnjvQxnDXGfG3E/9rcKqtjXgcolnHF2NzHLacJZrlmYWy7NFDLcJLG414bE/ucS3i6VNVq7deNOmfDcePhbDZjiMoyXD4qnXy+8sXLErCyhiZY7C4PE4eOFqwq1a9WNKPtVVjUhTp0LpUo8ilI4W5vvgGvjX4T/s7fsiv8JfifZNr/jbxfqOgfCTxpo4udR8aeKdKi8F6Pc+NfGkUmkanomleZdarqmuf8JZF4il1RtD0W70bwvqcWmr4H8V/unBmf18kx+ecUZhTr4nB43D5nKhh8LGdXHRliK2FzCjz0sRXo0otU6U4T5cRLlrSjFXi5TXyMJYetjvqyhOi3OzqVYRjSivbKnduCnJpN8zUYSbim0pPR+r/G74Ga94l+AXx78D2mh3Pxy+IWnfDVNH8HeE9T8YW1jdeJp77xhZ6pe+JZfhh4dHgfw6114f09IfFehy/wDCEXHiG/8ALvdA07xsLnTrmxuvk+H+Mcw+qYPH4mjmU6eLeJ5YRp1va0/q9WtRcq1Orik4Ko3GVFXbnBuT5XFxPbz7D4TJMswuBxVH2+MpxnPEywdOliaf72tTqwpU6r9kpVIRqxjWknVjCVKUIqVOpTrL5q/YL8I/tAfsiN+0L4u8e/CT4j2d1efDzwYIbfRNQk8U+JNa1DWbOY3nhCy0nTry9t3uLzUo57qDxPe6f4ah8BWukXfhnTrGWNNHi1DrzTjHK83zehkFHDZjPF4iVKmsU6OHlgKUq2JqYJOrXhiqtWEY1KiqT/cyaotzs5e48sJwlj8qwCzrExpSwk4KvGlSVaWI9n7GGL+CphqdLmVODi/3vKqjUb8r5l2n7F37Xvxi+L37Qvxw8G+KdJ+Kvhvw14iGl6L4C0O38H6ppVt8O/FE9tqA1DSPi/4i1GC40bww0Vl4ZmVbfxivh+8fxT4t1xrTTm8Nw+Gtf1v1M34fhhMLgq9SvhZRo4XDwmqdVN8yoYWi+XmowVud3vJr3bt66HCsXSrVa0lhsUozqzlFSoxuoynOUU7Savaysr67N7n1J/wT08XfG7QviX8ffhv8d9X8J6xL4w8TaZ8V/g+nhO1dLoeGIIJPAvjvT9amvdK0W6N14Hg0n4Zw3cly99LcWni7Tb/R447XVF0jRPT4bzLK8zwfLhY1Y1KHt5P6xHDxvKM6bXJ7KdVt2rWV1HW75o8q5uDMKVV4iM4wqQgnTb5oSWive9lbVbXezemt12v/AAVkvraH/glv/wAFLIDvDx/sBfte5URsQv274AfEuxgYuwAAa4jkQ7SSAA+CjKT6BJ+F3/BC/wAL+PPF37FPgPRfDfxGu/CVjefHL4gWU0cmk6Jq+l6fHqkujae91JBf6Pc3UzzyPJjS0v47e9I23IjimLD8g8e1WlxplccPRoYjESyPLlQw+KjzYavWeZZqqVHER5o81CpPlp1lzRvTlJcyWq4sxry9p9WW1RRp9f8Al4pR7269vkz9HviL+xP4NtfhRceDvhd8RPil8NfiF4Wh1bW9M+JXgf4m6r4O8Y61rlnBq9zpk3jCXSnm06fwjDdOLPV9BHhySN9Nt7a5WCcWglk8LhfOcBWnPKuKPDvgfHqpzQnfhvLcanCu6EFG+MxtSLtSq1Y2cGlzWs05J7ZbiXl9tWrNvS7+1GXRx6x/rc+bf2Pv+Gqf2mfhnpfxK+KH7ZHx4tvBmsyaqmi+DPB3xDvvDnil00/UbjT7i58VeP8AR7GHWrqG+v7e9uNN0uK0ml06zltorp4rv7Rt+d434V8LeFsRJZJ4T8BYKpWhRzBqHBPC1C9eNKrh41G8FToa2wVBczbqWgve5YwUe3F8Wudo3nb2dvhqdXL/AKf+Z0MP7LHw7+DHxX1L9oDT9T8ezeI7jwhrHhXXbrX/ABJq3i2/1Ozv5PC1nFeX2q+IJdV1y+kttkEdwTfPNuVjawi0SNU1zHi7jfinhL+xeGeGeCsJTvi4xpzwVfARUqtPG05v9xmkqSvUxlN35LvVyvy6+TjMV9bk5PyWt9LJrq33Ot1DxvqmrWcsl2bew+xpLBMWS4M05EKBrOBhGlz5jXc63yyQkCOSYfvUulZE87JuHsDT4mqYfP1HnymnQx9GUYwxK5qVTBYilyylh67uvb1X7saTT2nFtuXFUxjx1eL1afKtbrZ20vKXf/hjrPhr4v1n4NeFbDTfiD8b/i7Bq/jay0zxZJpLfFDxdpvjeebV9C0qzt7DQdC8K319bzRaNoekaFoukvexXUl/4e0fSfD11qM2i34nf4fxB+kh4855x3lX+pOYYvBZZSzTh/A1K0c7zrLm8NKUa+OpVKVDi+hKdKpWxUVKKpOMrKq6OIlTUKv1WUQjDCKNotuU73XTnTVnbdSScfNdHZn3l+yT4/sPiJ8FND8cxaX4P0zxd4gcXvxatvCUaR+V8UrfS9MsfEsfiACzs3/4S2O1stLj1WFxcsixW0dnd3unLZXMn9gYHPeEcxybCYrhXmzLCTlWjlsqmAWEbzWNbExpqUcXTwLh+/SXtlGi0pLlnaLmTUw7hVTe7S0um2r6uyWkdEruyvu9T020X7QgmZ3AliDLDIkqMocZXcrqNpZdpKth1J2uFcFR6LngKr58tpU6GCf8ClSoRw8I8ulTlowjGEOaqqknaK5nJyd3Jiqtc8uVPl03sui1tf16EF1FsCB2kVVWSPEcUoQ5woWQlFV1OOWBZCMnJUgmK7caNaS3jSqSXqoNr8fP5oKP8Wl1/eQ+fvRf4+fnseH/ALcnwEm+M3wE8TWumWNhceMvCXk+PPBVyyxwTx67oMMVzLb/AGhULhL/AE+LUNLuEX5ZIrx/MzAJGXxPFTKHxJ4dqlBRlXw2ExtTllKEVzPLMbTtzVI1E9t077dLs+j8L+Kf9W+OfebjQxOJwlFuMasnyfX8NVTSp1IK95RXvq3K5faspfCXw4msfFM2mDTrq4V5fA3iHSrFNQlP24Xms6p4d8d6NfXSPvktkjsrzUdNt2leGWGO0kgdEWI7P5DqYjF5P4kRyqtHl+r8XZfQgoyc17uY0m3eNRRs1VSVox22SR/TOJVPMuCKGa0G5LMcFSxMnOKilfL8ZTUUpe+mpQ53zOa9/wB1tt28v+HP2ZdC8H2sb2kyXXwe8W28MwPyvJBb6TFHM24s0ZE0TR4lKSBh9xVxjs8TZOVSnVmtJcUYF996GNe13+bF4Ux9lWxd/wCWC/8AL2s+n9fge56T4ftdV0D4Z6hqE8c81rpElnBPBFCVU6joUOt3MeHxcpLNLbWa3ztCPtEMsiDzn3xr8Jm+JbxbjzPkjia8I2Wmj51pzp9UpPls09LtNHuVMdKhmGZ+yp/vHiFUnzOopOP1l4bmTXuW9nTlKnHnVpRvNU4TUjh/ElxbaB4g1m4Forrp3hu/s1uopvs15NLd6VNoAZ7uBI50FneanbSKiyiaUJtgjlJ2H2uEYzzDE5LhbX5sxyuq03ZcuGx1PEyerknZUW0uV3asrN3O3HY72eW1a8m1HDewxbaTdo4XEU8VZLmu240raWd3o4uzPvr/AIJ7/E/4b/Eb9mb4aWXhHxFY6pqng7RZND8UaaQE1yy1XRry5jv9SbSU868t9D1B4VvtK1S6jg/tCK8haZILydYD/aHhnHLcRwDwth4TviMNlGDpzXs7NVIqzV3Sd42paS0Td1d6H8f+L2Dx+H8W+Ps+nTtg+Js4q4qhV5nepBYdYaMZLm92UZVouVObnUjGTnJKHK37/DmbasUucBjGGmcEhc5IK7kAznGG5GK+kceTlgnpCnSj/wCA04rTRLp2+XR/NzXs3ZrV8rdtdZpPt1v2e/zc6Dy1wTy672xlvnYZPOMnk9TjPWk7L+v68xW2stnbp3Sb/ruWbU/K34fzatsHtL/t3/28yrrVfP8AKJLW5mZHioLtsWYgYa4HJxwRDk/mAPxFfkH0tHQWB4GderSpRhjc+nerOEEo/Vstg5Xm7cqnUpwb25qkI3vKN/QyK/NibJt8tLZX6zf6P7mYm3fMIgoYOGG7cMq2FACjqxKs7DH9wA53V+LYXDurn1WlSh7SbiqfLBc0lOtgpQpx5Y6uVRy5YRteb+FM9GUpRip2ejUpPWy5Zrd9NPyPzB0lv+Ej+Pn7TlxdajdCXUfiR4zuGgLxwLBb6x4o8RQ6lcxxyYb/AERruZLqcDZB5RWVkKMB+QeJsoUeL+H6NaUIVZeK+Vwq06r5akHQzXGTqc0XaUZU60acJcyXLUnGEknJJ/v/AAX/ALN4VVZVF7Gi8hniqMp/u6csJPhzC+zxEJStGWGlCLcK0W6bUW1JpO36a29zGdwZ9pZsBd6k8qtwv3Tjc0EsU+OvlSpJ91gx/RMPVxGW+zp42nXwjTqP/aoVKF3JOq/4rp3fLWpzdltUhLacW/wKnCbnWk4SsuVtuLskuaGrtZe8nB7e8nHdWHT30D27tFcW8haOJ4v30bI6OUeN/vEFXjIdWGQyEMMjmvQ/tPD1K0MLHEUZYur7FUsMqsHXqudWMIKFHndScpzahFRi3KTUVdsrB0Z1KsanJUdKbk41KcZOnKFpJShNLllfo4t7n5j/AAZ1vyfHPgS6sFnsifjToNncTQJHLY3jSfEDQkur61lAMU08Fzd3luuxmZPszRthomVfzfhpYej9IHL5Yuth6M6OacVTq+2rRpVcJ7XIs3hTjWjUcXSjWtePtElK9Llu2j984wpzj4L5BCcJRcMhyaFSEotNNYrJbxlGSvGSenK0no01pp+mDKqw4l3KoRy+GVHVctuKtIVRG28qzlVGMsQoJr7HBZNJ5VhKOJpVKPt8+o0/3sHSahUoKnzXqUmkvi97llFcr0dmj8CUHXwlKipOPt6nsVKF+ZOo5wvHlUpOSvdcsZSvtFvQ+B/+Cs37TT/ELwVpf7Nn7NvjbRPGcev6prs37Q0/w31u08U6j4ds9Ev9AtdO8Ca7J4ZuNRbR9T8R391qt7rGjzPb6jpS+GtEs762gt/EloLv6fB8N51hsE3lOT5jmMZ8k5zyzLsTjKUm4w5JSqYbDKm3K3POnZLkUOVP3uT9i+iDwbwXn/G+Kz7xOzvI+GMDwpV/s3L48Y5llGSUc0o43Js9w1WthKWd4OeFx2Go11gJrEUalB06taPtIuUqUT4t8PfAH4lJpel2Nl8OfHa29psitgPCeuCS7+zRsYI4Im07zrmZLaNiWjBKxxvnAwR8/jODPETMMZjKseCuL6/tKU6kpQ4ZzucX7lJSl7mElCN5Nra17pWSaP7DzH6Q3ghw9Vw+WYLxV8MquGzKawPLheOuEqlLLaVbkjVrVvY51QpYWjKdeVadRQqJqHtJwb+K/B4D+IHhe3vL/UPCXjnwxbaTHDqNzqd/oGtaM9jb3Kypp93PcXFnA9vp2qzI1jHdo8byrJK1k5uIVI86PCvHWU4yNevwnxTh0oTUnPh/OaVOLkpQUZylhqUYVLqzUpLblT5mkednvH/gjn2V43JI+KPhlxDQzatSxlTDUON+Ec15KkMTSxbl7FYyvCKorDR+KjUnD2kbyXNzQ/S3/gnB+23pfxz8CWfw8+I/iuxk+MvhWKz0+HUtZnitpvH+n3kFzcadqVm0syJdeIbWKyutK8QadZh5vP0qPX1iFh4gsGl/RvDzGYzM8PmVJ0a862D+p+0g6U5exVd4t0ueN5ypyqqneLmlz6SXNeUj+HPHfw2wnA3E8a2STo4vJc2U54epgKkcTRjUweDy2WMtVw2Cw2HVL2+McYxpSmoThWpv2Sgov6nLsN42uAGwhd1cuoVfmUqWI+fcu1juypONpArpzWvOnOUVGpF62jK7ktai1s1bVbW023ufCr5X8lZdNvPtcgkJYtlHypHOWAOcds/0968LNKtSUZ2jOU76xjzc29O3up31jqu6V/M1pL3Y6rW+j3Wr3e+v9dCAyv5gAiD7RvUM4Ql1SYhQScEkqoH90MWxxXlZbiatTEOnKMr3UvZzc1P3UktHLmbd9Fa8tIrc0lFW9dLpd3/Vvv6H51fCrW77Vdf8czzRG7uL346atYTadDbTxXIkuPizceZBulX/AEp49HFpamWIMki2jFflU1+NcfYT6x404KnClUlNQzrnS/etObzio1yxjLlfPGcuV+9GMlCXvQkz9vdJUvA/K53UH/Z3D1Wz91yTocPw0vZtWqXvqtG72P0UWNY1wx25DbuxHI7HnpyPWv17G5VPD1qLdGpC/O9aTTdvYt2vTV/+CfhuDk1RjzXV5Wjzac0uaeiu9dtUmfNf/BVO6nsP2Q/GGoNOY7W08TeDoiVjIIlvtZstLtmmJ4jVLu7Q7mxtcAE7uK4vY4h4XOG6VXlTsn7OSWmMwF1ey1VrWet01ufTeFM1LjfDLmi39UzDljGUW/8Ad1e1rt2aab1+F7WPNv2JYLuLxP8AAZr3TpIdQY+LIHQO8rSx/wDCtfGG29uOpt4ZTG8Ucj7UkmHlKxdsV+T+GdRR8UcxeETre0wvEUMPThG9Soq/CefU4xp0ovmm7VUoqN+a10nG6P0zxsvHgvM6c7wmo5feMlbX+1cpdtUru1m0tYpxb0kj7XWIcB0VP3hflwCT5sxIwee+T/dYkHkcfo1TKqNSjgJ4xU8PWjmWGqzp15Qo1IRj7RylKNSDkowm5Qk20k4tN3ufivMves7rlklu99rWfbbvfYLlU81DtBAAAIbIHK9GBwTnp6cj0r08/wDqlfOMTUw9WjWo3oOFahUhVpzthqKly1KbcXyyUoS5dpKS0kmgp/Dd79bq3XS6dv8Ag+hYhcIAA3UnqQTk84/z79O3ZlWO+qqHI+n9d+y1/MzqxUndr9P0+S7WSJVl5JPze4wM/Tr9K9LC521iJzlJ6qOnp5cr362T9GQ4aKztv5/1/Wp/Ob/wUd1fXdL/AODkX/gpAPD15YaZe6t+zz8AtJk1DUZo4YbG1u/2dv2K5HnjaRlD3CywwpDEpLyFyqKTX9feEtT23BXBFX/n7wTw5U/8DyfL5dl37L0R8zn+jxPW2NqfhUqH1r+zj8KvDfwq8DaLFb266n4g1GyOo+KvF11E174h8RapdW7+VbCYjdDp2kr5VizEDYluR1GK+qp4n21l3dvyX8se589V238/zPQC0cMpezu1VWgVPKSQDK7y7NvXkKGypOcbhszk4rd4a1N1/wCXl/8AJrL+bpfs/lYwl8S+fr1IZTdyukiFE2vkzST+YrAAgxgdiSQ2e2wggZrPT+v19f6vqA2T/SZgxEIZU+aWLlioxkEDnaTgk9AQO9TV2+f+f9f0kFrj91rB5bI8j7twdoofOVSMBQx6KWLYUdWwfSo9hGru9/67q2wfWJUtYq9uy3/8lfmUr/VbeKbYsV1LIHCMREY/LYnOx0HRgCGO7B2sOMYz25dgqKoypupFSlVbS5rNpwpxX2zHFYupP3uWTSjba23N/c+e3z6FcaxcJqexFjWBFQ+XJ8zXG6NWZmI4/dsxQZxwgroeRQiuZtW9fl/z/wD89TPA5jKEtU/u8pf3H3LsWroWc3EtmCm44ZlRyq/xlWIIGBk8fWsMW6VSP1dTi3S/c2T2cOan380t36vc65VZ1JOdn77clpupO9/hVt+wy31601BfMtLkXELtc2byWs0csEc8dzLCIC8bMqSboyoiYiTII25BFThcqp/FKcVfWzdrX5v+nq/T0Dnn2f3f/aiprlu0ptYbq3F3cQSOIfNiaaSEBleWKEtvlVQGyVVl4IJrlVRUsasFBpt8jsnf+JKC7PrJfaXy6TjYOnNRaado6PTo7f1cwPHHiT4a+HfB8LfFC98HR6TqNxLa2+l+LVt4v+EhvQsuoWukaRaSN9q1LXLoaZcT6Pa6XDPqTXdl9pso/NtC8fheInFXC3BWGeY8T4yjRwtHDuvXoOWKdZ0niYUZVI0sDSxOLcKFWoqlWVOjKNOEJzrclGNSce7hnJ6mYY/DQUXyzdRcz0V/q1SaV/aU1q0ktVdtW10fjXwK+NnwA+Dvwu8SWNr410l9esviB8QbGPSP7R1D/hZXiXToNb1jWNInm0jxBG3jeOy0jwx9m02Ce9iXS4rZJ3V1EYK/zrx5xrgcNleOxvAtGeJnm1GjQpYiEMbLBKGKy+dLB1amNzDAYjCU6U8ZOlS5pcr9rONB3q2pn614Y4enx1Xq8PUJU6tTLaSxVSMasVOEK2JqQ1pc+FnOTdaKilUl1bcItyO98Df8JD8WZdA+JHiSzstK8OteQP4I8HzQf6ZpdpfWd1HBrt/cgZNxeQXEi2qvtE8V5JJFuCivhqOQce8UZNDMcbGticrp8SVcPKrRp5fHD1cU8pqYlRpKi8JialFfWYuMqmHUKk4Kpyr93y+7nWJzPhmlm/DOTxazGjhKNd3WGdSdLC5ph8HOMniIV6UXThQlPTEScIqUVH4pPn/2yfh1Z+NfgJ8Sri7updP1DwL4X8W+KfCuv22prolxouu6Bo0+pWt9Y63kGwnN7Z2um3ALAzadqF8gwyrXu1c6xGS51w7gpYedZ1M0w9KvR+rrEOVGpisF7RKhGlN1ZexrzlGMJwm2k4ThNRlH0OF6lHMeI+G8EmsXmGKx8cNiMNh5TlXp08XVdJ+0hh0+Tmwc5VVdQk4RlKLTvKPyV8PfHHxD+IH7G2n3vxf8Vaz491/4jfGLw14G0S/vIWvfEfijwD8GdC1rxTq3hqLVQ0kmtW+sfEzxtaeCNOu4DKZC1rYLuuECH9ay1SzzAz4VwOGr06MeIaddUXzS9jTqYLD4TDJOpCjWTlgsVha1SNbFSqQrVakbqKi4fNeOfD3CvC/F0MLwxjMNinjspjmfEioVMXN4TizEZpm9LOsDiY4zE4l0sThp4ajGpSofV8PBODhhqMpTUvULfxp8PvFH/BQDxv431fWNO07wl8KfF83gC2v9W1dz4WTSPgf8NLXwpoeqMbcSNFc/8LJ1q9lfXgD9iaX7PjZGpP3fGfEnCXB+Fy3i7MczwlCvx5WxkY0Z1KzrTrZDVw+XRpxjSjiJynONdTp0/qeFfJeUVXSnWX5rmFP6y3a2iXVJJJQV94rS2+mttj6SvvH8Go6TYa58I9M034pW3iiGY+HfEHh3WbfXPh6US4a0fU5/Fdq80UhhulaG8ZXMsN0skM6R3CvGN6PFGBzyniMPl2Jo1kvawp04T/ecvKoQjKlUpUqsJpVoRcKiVSMnyzSle3l0sO8NWm5J2VSeuya507pqUrpqOltNLnFah+zF4y8d3v8AwlHxS8f+Vr13fm5udL8ISJJo/hy1tv8ARbTS9CvNat/Ekc0l5aww3lx4nhs7WGC4nlt4ba3jiWFHw5DMsvzCtN0KqjKrJqXLFJpxxNmnyz0XtF8rfIxdRVNE02rbO/8AKtvl/nsZfhD4YaD8GvjT8Ok8N+Jbmw8HR+OvBeo3mgR6nHffbb17mK41a/8AG+ua4RdXGoBILCRrKAif+3o/NiH71WJiqMq8+aKb21Svsnfqu/Y6clrRoJKTS95vV23lB9vK5S/4MgnmtbH/AIKl6pHqAsYtKtv2Mb66WWPzLae1t4v2uJ5/N2xTTRPHFDJ5FxHDdC3dzM9hfbFt26j0vTfofv0Ybhr9TKiy28djLCt09xF9taW7eJGC29rZII7Ux2ilLsXCyl5pFNrGkIY4467jS5e0u3Vw77X118/kRRUpYibkr79YK38TVWs7K2m19tNb/kz8a/iV4L8E/tZXWi+NvDHibVNP+Kfxl8b2msaHoF0knie+tfB+kXfhbTDp2oXNtbILOHxL/wAINHr8kV1pt9Lo8F3aWhlmuFhf67B/Xf8AU9ezlySWMg0+WlK9lnOlnpvbX79HY8+rhKP9v1G1vgqy+11eXf3tNvP7z6N8SeEPgh4/0q61HT/Avw/8b/DHUNWuI/Ccn7Po8N+Efid8LfCM11bi58R6naaha2kF34i099TntPH+i+P73WNPF5aaxqGphDdWelHwMDxVnuQZx7f2seVLERTnTw84KU1Vpq8Y0pTcVyKyi4d9Nb6Vsow2IunHd95p6Nu9/arvbW/6nz5rwvPhf8UfFXhCPXdIu007Xp5dFuppBp9zrWgeMpr6202/nn0251WTRtSWwuZNE8QeG9Nv4ovDl+Zb7TLHQrW7jF/+9eEHiTlnG+CzjJsZzxx7/syOEhD6xUjObrZni5KKjluFo+0p1cLh61OVSajP2XJKLbUV87xpkMsJSwn1ZJKtHFqbbV/c+qpfHWlbSc1pbf0Kr3l3ajTNb0rWbjw3r8iQapEYLXRbaCw8YacbK20e/iu7XR0t4ND0zX7cXNl4f1iK+tNHitYdWE0kF5a2tj9vnfDsM84azPJMXh4V5U8FWpYWrTrYynGnT/s/FUnCdCWL5a9eEKqqTxlOoli6s/q8qcFhXVn5GS1Xl2IjObcXGabVou7jOjbWMZWi3BpRd+VK+vNY/R/9kr9oNP2jPg34e8Xtbwaf4n0+N/Dnj7TzJEstj4w0oRJc3Frp9uZoI9C8Q2xi8Q6DJHevHHp17HZfPLaStX8o8R5FiOGc/jlmJg7u8pv3LNPB0q8IqUKteKlFVtVGo2o8rlrPlX6BkeZ08xw8K/xN8ysuZaqdWP8Az7hpan2V9fVyftf+FNV8Wfs1/F200TT9O1TxRpHhPUPGHhRNUtLy7hh8V+B5Lfxh4eu4LPTI5rx549T0GK5skidZnvI7e0H+vLR/N8VZLTz3gjjnJKmscyyfiTBxi3ZN4vKMVhIpNV6LbvWUUvaRfLOUpTgoOR3ZXiquBzGnOLfu1FPRx29rT39yd4+5fVbpbnzz+zreafqfinT9QtrC3uNPuvFS+J7NfDNtdawi6Rr13c+NNEmhl07Tr69mvP8AhEJdMvhoCwT+IoPsrWerWWn3V3KbX+BvCzg6pi/pecWcF42M6WWYjifO8ojJWqqEOGOGeIox5XSrqvJ1K2X35VjG6cm4uVaKm6n7TxXmE8b4NZLj+dOdfh7Ko8tSpGj+7y/HYDAO1GXs5OCrUta86VGjVhWpyp1qnsVOWjr0Fl4o/a70DTLy1vL6x8a/GLw1oqLLprCzvrD4W+CdV+JkcNpZ3B1P7Zo81/4KsrOfV3m07SLmUy3Hl6dDPqMOp/sv0YOEcJkX0rfFDiGgnicDh+GaXCuDcZVaUYYivS8K88lUjTliq0rQcpQSnQdOcIQf1mEeXDx+e45xVbAeCvC2R1PcqVcVisTUo+5KcXmC4lUVU5qTlSqckoOVF1YqDnblSUZv4O/4L0poB/bc8GaLqOk/2hd6h+z14tW1uIdI338ev+JNS+I/hzwC1td31hoervDovj3wP4q8U3N94WjnttPU29xYXeoTWuyf+sauVvOeFswzqlLkxuSY2OFpxUeb2lPE1cvpXUpVKVKNlUr6So1ZPbmj7jX5HjoYj2FPCrZR0+C2ns1pov8An21v0e+7+5PHWl2nwT+IXwy8R/2heW/iPx34I02f4heG47y6vtA8TXHgpfDHhnxB4q1GzsNJ8QeLNW1S41Txl4Q0MrfKfsr+E7/T73VPI0FtZ1n+WP2mnCFHijgrgnxfyDD0oYnh7inMcPm/NiKqp/UMXkX1+i6k8wx2GpR9lR4GdOq8Pl2JlJynUaoyUIV/0bwfx6zD2vDOKcl7bC8+GlTVOVWGJq4yph6dSjJ0oxjWSzOrGPPiI01zctSSXM4bn7WfxK0nwfbeE/iJezuLTQvhP8QfGk1qJILZ71/DPw98RG0uYUuPHXgjXItNTV7iezgU6XeR3lwLO/043UxhEHzHC+X4XjDif6KWDxcefC514c8O4qspSmlOtHwo45x69m6bw1eFqlLpLDw5KbXNLmlQfbk2IxuR8PeJWDoKahhMzqVJyqSpufN/rHw3gmpfuq1G8YwpK1KtVTctVBKnUqfC/wCxn+0H46+OP7UPiPTPiR8QtI+G3wS0HwtbaNefCbxdPoVy+pxePtS0qxt9Z11draZdeNdc8c+J/DV14m0HUJvCuqXfjzxje6ZoGiSvqOtw+GP6rrYXC5dhsXl+Gp2o06f+zLnqPWadar/ElOX8Scv4lRp68rSsl8C8wr4/MMpzKTusyq11Uvy6rCKGGW1ODXw/Zpwf+K/M/ev2R/8AgjL4Q8B/HT4gfGf4j+LI9RSz+I9prnwt0H4f61eCw/4R600qzvfDd/rXky3WvaBqiwXum6tBp0B02zENr4d1G4hnk126sdP8OPFVTLsXLAVo2pynyJKSk2p1VQWkMNUqJOMHZtpaq7i2pHTmXI506lDmVSKi7OMm1OMp80XfmhpLRyTlT5ly829vj6+/aK/aSvf25PG3i/8AZh1HxT4F8Y/FvxxZfDn4faT4mf8AtuCPTtRez0Q6ldeJ59c1PQ7OYXlroC312dFsrX7FrX9kaRpqarqVxZ6Z9Hl9XJ4ZXi3Ncrm6HsNcU/hxM/a6xT7/AG7f3TKri8fVxso4qCnSile7oWd6Se0IJ6SUe+3qfbmlePLv4djWPGeteKvD+heP7bX/ABP/AG5rkdrr8sV54iv7GLTtN0TwH8PdO0tvGa6Bo/h0Xn9j/EDxOunfD7w/4U8TeHNW8FaV8VPEXh7U/CVeL4fcHVcNlWZ5njKb+tynjqlGXNDl5J4XBV6VlSxEqaaqRq354dYqUYRtzfS574gYfE5LHK4KM4Ro0KcYfvozjUpYevTlUnVlhkpxb9jyQVnzxl7SpUhVvS6vwLoXwz8CfE74hWllqvxl8EeM/HEnw4u/Hkmm3Hww1w+Ltb8UfD6Xxe9v4m0qHwPaW+pLp1nf/DvRL7TNH1q31aGTUZr3T/GjXtxd6lqX0n+rcsxyulzyfM6FHn20k5U3qlWgmr0+j6eaPmKGeyU2uWF4zbV07pe8tH7N2lyOS5kvtLTRpz/sRWHjf4g/tBW/xM1ywiOl/DTw58bPh/e+PdJmh0/w94lvvFfxC+FOp+E0sNP1BNY1e3udRtfCniJ7/wALDULjWfD3habw/wCIfEniO40Xxr8OZvEvPwzwz/ZarNXbj7Wei0SSoTk5P6xUsuWm+mrtFLUWNzr279lypKpyw11+K6Vl7KOqck076Wvpueof8FWGml/4JZ/8FJ7m6ezWJ/8Agn5+1+YoIleTyJT+z58UVjkN6zILgyxzQW6QtAnl3CSTIxMwij9U5z8rv+DZH4c6L4q/4Jp3t3qEulqLn41+P4pJ5ole70u60650mW3vDOEWezVEminjmt50lVYXkUoyIT+RePuG9rxNg8TNKeHhlWBwNWmuX205OvmmJkqamvZOMqVRRTqTiufSSUPeMa8acqsLxfPzQs2o2vd8rvv1R2X/AAVD/bIh8eeKNI/Yj/ZW8deMtH+O2rePdA8LfELxj4c1S58N+C20DXfDEtxqvhjVPGketSakt9dNrulafqlpDpTrBJ9ttZrlZoTBNhwHwTg8qoRzmphMrdJ1KrjHEYenWrfuqtCbbVLCctn9Wly2qt2aTs3op+zhfni36KOv3+h5T8EvjtpX7AOleGv2Wf2h4b/QvFfhrSo9ZPj/AMI6Le+LPhXe6N42vZPFmm3Nz4hMdhrNhqltda/L4d1Owt/DdxZWd/phkOoSCeZ4/I8U+Fcw43z6hm2X4fhqeCw2TUcBPCKhicNip1KOLx+KqTjCvhZYRqVPFxpQlLERk5tKUI04ymQ4YetFzjFxafLyyjFSdlzJrlUo63trJO/SyufTPxF16LWPDtxAb2GUXdleapo91azQXOm38DaUJXghntppxLNJdDTZo4gjJvhkaR43jjDfnWE4TyDD5u8JjcPicLiF7FvD0YZe1acqHI1KnRq0ffUl/wAvLp25rJHFiI8sml7ist35doKX5dO7PJ9Rudd8TeM7/wAN6dpviHX9MuZtJuNShsobm4n1RZrq3sl8O6de6dLLZw6lretW8sWqrY6gLqHRru2uYGnvGWzX16eFr4vhTDYjNK9KPENXEYiniFCVao1QTxcaDliZU67kuVUPdWKqcqslCPJaMZPg62LSdDDzbu0uaWHjZqUF/wA/NNWrf8OenfCTwj4m8GZ8RfFvwJf6Xq+tWs2mXniHW/DPihtuizxIINM1bxrrUfnatqCX1rHqGoanr9mtjd5is203ZpumT2/wXiTlmdRlmuV8PSw1Sjg8gxGbQxWHrVcHHD4uFHFU/bVHV+p1XCjz0pzeHwssQ1b2Mpyg4r6LJsszehiZvFYadKgqMnGTr4eac/aUnyqNPEVJXspu7go6W5tVf6Z/ZJ8e6f4B+MkWj6j4iNt4S+IXhy50byLrU7mLwufHNhqy6h4b1BrLULt7Gw1fXtJl8Q6Q2p2++ab+zdE0sF7SC2lT7T9ntxZmWByXMOHqVDH4jA08RndTKsZmdbD18JHMa+J4ZdH21OnmUcTTp069av7SpSy6nUUfauFScp3qehi6lLktyVI1I6xkuVWvd7wk5NXs3GzvyrRtRPszMqjMoQnuEJZt3G7llQsuc7GPLLhiASRX9Pw+tKK+uxpQxOvtY0G3TTv7nLzSnJ3hyt3k9b2tol5ys9k1ovTb16bWtpsMlaUo37lniYbSZicoHGN6L8y7VBzywwAOlaUlGVWlGabg504yurrlckpK2t9Omz7MmpNU6c5xvz04SnaHKm3BOVr3WundWfVbrLuVS5860mVHgZhDP5hhEDWk6NFPbyvI6lFvIpDYxeWrPJc3MEBCxyPImU6H1nEZlg0ksM4VYJTfucjvTd4R5rXU5K3s1o2ra2fRUq/V8Hl2YKMlWl7GpGUVF1VUUFVi7yai2pQja9VrmS1tqvxa8dfF+L4L/tpfG34JeMrK08Lt4e+OHxBm8J6fpkuNBs/h5d+JNVbwTpJ1tfs9z9psvh34ispV0ae1T+zTLBanyzDJ5X4D4qeE2YYvxFwWc5NRy/FUcDxBUzHM40qtPD1oUqWJyqvCKWJwmFjWqzhRxHIo1akVKDVSdPni5fv/AIWeI2XUvDang84WYUpVcuwFPAynShXhNwoZxTrteyxeJdNKVWhe8afMnopcr5c34A3llLbeC01l1Flrfg3xXpVu0Udt9ntEEumG2n8ySWNIbNZHRJXJF1O26VbaQMWP574xYWLxEMDUnTy6vSzylipPFKUocmHwlWM4KWAhi26l8VTktPZ8qm1PmSUvuvCyf9oRxGLwC9tTqQpVUnenL2bxta/uzUXz8qlyxW87J2Tue4+I9WvfDeifCrde2drbzarqVjfDTS8k1zZ2umPpD6lapDEBIkcd5p1zatlJRCU3xRyqIa/PswpYSpXoU6GOwuKqPEVKcvq9PFx/eRnClUfNisHh7pTaipXd/iT5Wpn0mWYKtmOMz+bwdajLAezq1qeNeHjB03PFTocnsKuJdq7w9WtyTUJxjJRr06dXmpR8p+KGrXtpbj4QaZqa6t8YfiKIo7C2tZo7648M6XqNrbNJrHimaSSNtMuLFIZtbtoIxdzLcW1uZFhlz5f2PBHDmPy+hSz3EUIU8Dgsux2KnUVWlOpZYDHqko0oNz55VuSMbqKi5KU5wipTj5/FHEeU18uzbh3CVKlTNMXhq+X0H7GUKCr1FGHtJVpKNqNOM5VJyinPkg/ZU6k3GEvSP2QfGr/syfEvQNWsraSC28BRt4L8X2WkXc1r/bmkaVHqug32pSWcf2WPXr46RbajqWnaNqM5tr/xN4c8HxGSIKL23+68GfErEw4lwUatfGwy9ZrSw8KTnXk5QWIx9CChSjjZ0kufkfLJRSjZ2TvGHxnjb4eUc08I8lrYWjgZZnkeT1sVmteUKdF1ZvGZNWqKhX+qe3ry9jhMTGNSrOjJyqKnflvUl+rmgarput6Lp+t6NJFeabqumadqul3sYQR3el6jZwXlncxmMupiurSaOaIoSHjkQnBJA/pnB4iGLwWCxUObkxODwmIhzpKXJWw9OpHmSckpOMldc0uqufzJiIyhia9OpaM6OIr0akVJyXPRqzpStJ6uPNB8rdvdtotjRXZsVguA8YIBxxuUcD0647fhitHb8Ovz/pfiZXeqvtLpfo+v62v1JrbGGAB425/8e6YOP1/pW+D2n393/wBuIr3vFt3ve34EtbGZjeLuUsh/e+0jqByDbEAZPJIBOBzgE4wDX4v9MWhKvlnBsYq//JRfe8RwxZatXbs7JO7tpsejw+7TxHa1J37aVf8APqYsaNHKjLubYdzrjbICY22j5yPLJJx8+3HBOACa/J8PhK2G4tlUpp2WLyyVRK14KNCCje7lZt30smlq9LHoVpxeHr3bvKm+Wz812301urpb7H5X/DS9F78Uvi/LD/b8d8/xM+I0F9aXMdnaWdyb3xbrIs20rWN7373sLZfUoBA+mwWht284XLXMSfjviXg4YnxeymnN0JvEeKOXK1OblVhzcQautTUlCEXKpVjT0hVnUVSbl7P2LP6Ey+k14H4KdmkvCvDSu1o2uE09NeyTvdpaaXun6z8VP28tZ/Z/1f4z/DG98M67/bevLc6Xpto3xV1W+/4Vpqt3oF3o0nijw9q851jUNY0q/mt7LxlptvoqeE9PivL99H0u2m1iyvPEV/8Asni68LwrxMqdag6vN7tKMataOrwOVOcr0vrFkvrEeaU3yqN5OyXND4bwu+jJn3jRw9mWb8OYySxdWWBlUw6w+DvaGLzLBwi6uOz7KoK9PLKtVuFOElyezk7Ne1+lP2Xvjfofxf8Ag7B4p0WWQnwvd6npDWd1d3eoaomi6P8AZ5PDL+KLvUrvVdQ/tfU/DcumX11eTalqZup21GUahqElreTR/OcUZpguJc4yzEZLBwlJYCnB3nKDlUxlaUIzeMjhmtK8WkormVOTTShVcfjOJuDc64VznLOEc1pzweNw9TAYepyywOKi5UcZXyus1HC4yvCPPWoVqnJTxEpc0Hy1XGUZP4d/Zb/s6fWvhhPbSPZww/HW0u1trcSXumwS3fxct7mRUNyokmj3yN5TRh1KEFGI5P5liIYmj424utWUXWpezhOpy01Jyjw9iaEr8snFqMouKXK00na6akfs/GOCrZb4MZTllSXtZ5fkmUYGUly0vaTwuLyahKSUZzVNzlTvZVJqDatN25j9KdT8VeGtKks4dc17RNEbVGFvp51TVrGwN7NIkzrHaC4urV7mQxxSELbsZNyeWrCVkFfoeSV8xzujg69OKlSw2dYerNqeGVoUYUpza1oydlV15VKV7xS5lZfg9FKGGw1SK5712qcV7y51KTiua04cze0JKV9U4vlkl8R/BX4O+DfgD8W/jv8ADf4WTa6PAGm/E3wT4qj0XxDr2seKbTS9d8YaH4k1zxFoNprAWdbu50PULK+S4srm71HUbefUZIdagsLvR7AH+oPo85Rg8bwtVqYyFpRqZfFa1NnlVBv+DUgm77u127t7s8XjLivN8txNPD0ZpqUajdo4ZJ8tfl058PVdrR0999tdz6K1X9n3W/HP7OHxd0zwfqt9pPxC8U/Dz4keH/AGvzaldWcukeJta0S+m8Ma1Yv5QktbjSde/s57SV/JkspI11BVlFoLaf6jMJUconWqYCkqknCVKcHVnD3JUlUdnWVVN80UrKz1vzWi08MBCtm1OMsfOUPa/BKMKc1GSqui5TVKpRajGCck+WSk0oNXlzLyb/gmn+wD8Q/2bvgh48sv2kfiB4x+I3xB8a6/b+IF03xr4lu/G8Xhz+yNP8QGHTob3yHaJtSmiXXZ9c0jUI59QkvLW0u7bS3iurGXLKs5wFdVv7Sy6695y/2usru9Npv6vST0kpbaa6tJIbyHH4XFqeXZjZ++ov6pR0TnyNfv6zWqlHe0t7Ju56r8L/gL4Gsf2lvid4r07SdGsV+Fa+GfD/hmysNIsILzU9Y8QeFP+Ej1TxD4h1B45NR1Sa2Ot29r4Ze+vHOmgauFEZumz+WeM2a5dhMXla4eoPCVJrH/AFuPtK2IjWlTpZW8Mm8bCXs3DmrNeyXLPmftdoX9rBYrOvqs6ebYr63SrKmqElSwmHdKHPJ4hWw0W5+0ThF87Tha9O95W90RJXzhRHiWb5UxtwZ5GRuQPmkjZZGA4DOw7V+d18PmWLqOpzXTcn/y5S1nOStdx+zJPbTyeixc4uSs3fZ79G1e/fuJImSysXyMZ2tjqufXHpXn1pVcPja9Crze0h7Hm/h296ipx+FPpJX1fyehtD4I2s99733sNiQLJD8pYLICdzAlVKOpY5PIGTxySPpU8P0adTNYzkvinQ66uKqUYvSLVtV2Q5t8rS0fK9fPp/XmfnJ4d1G88N+MfihfaVbzR6hpvx91pNJiQK8Vw9r8SrxQwZS0SExXNtgyum4uUGXjkVPyHjFLD+OkUmrfWuI2t72dbiFWe+nRfPufuWP/AOTH5J/2IuG/wpcNH6NXG5HZwA2zDAZXk4JCk5wMnjJwB1OBX7VnH7yVKf8AJGs91/059N/nY/ClZ08NFu18TGLaTdk5SV1bfdbf5nzt/wAFRNLfVf2NPijElvbXbWeq+DdYSC8jmltpH03xrpF0PNjt0eZ0iKCYlEITy/MkKxJIw8m7WAzndJ1JNNab4/CJrfazt2e2x7/hBdeIWCi0+V4PNZp+fsK+mvZ/j6Hln7FNxNqPiz9nvXpbiC4l1GTxYZH02SU2RF18NviK9jarCwDMQHhkIC/uCC03l7HK/jnhAqOXeNkKdWM408NLN6DjWX72MocM5vRSl7JSSnz2TcU42e+tz9U8epOfCePa0d8BJ6qzj/aeTSbWt7LVe9ZtxejVj7akeLe4DA7WIIHVSzNIcjr914z+I71+sZ9j8BPEz0TcZNNXqtq9WvJu3JfaS17u3Sy/EoKVuysn32jFfmmQXPlqmSx2n5sDgnBH8+f/ANQrys6xlKhRo1aCfLeV+VSfXb3knuvWy7WZpC7vpa33ar8Ol3br3sPtZRIFGACGJx0yGzg8Drzz/Qnjfh3GRzOypxqXSd3Nb2s7ei/4Za3Iq9+/fp/w36ExGJAORweFyRyR+vXtz74FelyS+tTpRb0UW1HVpO/q/wCkTpyr8LX/AK9T8Bv2lPhl4S+Jn/B1B+3fF4xtpr6x8E/Ab9n/AMc6bYhpFtrrXNO/Z2/Yp0XTV1REx52nW7a/Je3EMoMbNaxlx8oI/tHwajL/AFB8P4pSbXAXC10k29Mjy2+39XPlOI6lOl9anVnCnFY6a5qkowjd1KlruTS19fQ+vrS2hQSxSToWkJkzEgiitWHISFRgGMcEgcE59a+vhhlS1jrZ30s+z/lXbufP1ZwadpRd+zTvv5/kST2lvbwyJHc+cRiJXCDywhxISZB8o+bK5JwWIXqQK0dao4Olyy5XbXllb3de9unb0sYPWS6+a879SOG2cW0ALycSF9sLKruo4P3vvJyM9ecY4qWmtWnFd3ddNdem3l5j230FdIpZA0KXYWHLzbsOu0KwbdsGQASOW+UeoJFKKjWbhBqc0nLki1KVk0r8sbtLXV266kybdlTTnK+qj7zSSerS1STsr97FLWPE2keHNLudU1aezs7OIKVlba12SZo08izUkBprhmVQCC7Bcopwa83Mc1hg+aKqwjNL4faJS2g/h9pF7S09dzvwGWOu4urTlFN6ucLK15X1lTa6fl8vM/EPx1tvtd/ONLgsbGOQ3LXWoancR3UulqihZhDaq0aTs6T/ALlyJwApZQjRk8eG4hzSeLg8PQxdaguVSq0qWIqUoy9pHmi506zhdQ5ZNOzUZJ7NHTiMkwMKTUqtCMnFvlc6SlrGS2dJPdNbbrfQ0fCXxJ03WdFuvF2uS2EPh1btLe1uLW51iO/uxGvknyJmgEU4SaN4WMJYI6mN8OjAe3iuJ6tGh+8k6b/vylH7Uf5sQns19/3+fRyOlKo/ZR5/+vajL7L/AJaNns/uZwnxf+KXiTVlew0o2em2d3PDb6Vs806w8NwwEMt1Gdty5MTK00rRjc5ZmwTXmUc6nOpKtKppUm6kZOTs+eSkmm6tmtbp3fXU7VlcYRUZQ5XFJNONmnFWd707ppqzW6d7os6J4pj+G3gyHQBs1XXy00uveItcvvL062vrvVb29cWK71UQactwtmzM2YxBtlKupFTjeKcVRdqLnO2n7v2ktuX+TEJdX/SY/wCzqfZfcv8A5D7uxqfBG91LxtNqfjtjF4gjlvUsNH8T3q3FpqOqySJEdVTwnbDbbjwuYplW1nCyCS8e7CSEpgejkcKlbO6lbMYTwqhTpyvi4yoJKFTCNP8Af3W3O732Un0kcGc8n1yNOEoym1StCLTlrzJe6tdW7LvdLU86/bU8QaFr3xe+H3haG8sbzV/Bmgaz4oureS4cDTY/iNNb2NpdwtbCUedbaR4Lvf7MumUeXYeK572FjBOJD/Of0yuJcbieJY5VQq1amTwwdZKth5qpRrYvCZ5mCeDqweJdLRfUMTUpulFy9nSg+ZyhGn9BwfJYKvg5Tjy1JKclCStJxeDtzxT5XL7Sum0tXfTX5V/ah8G/2ZD4Z+JGlyGHUfB95/ba6g88kxS00e4SXU7e8sb4WiXn2jw5LrMQuA0stwJV2K0au6fB+EmefWp5rwvi4KeFzuh/Z7w0acaalWxtOUMJUoYjD+2lR9lmkMDN07QhT5HzNScU/pvBrOf9WOLKmPdRYZ5ksvweBdefsvreIWYYdfV8Kp1sN9ZrzTnCNOjKrUk3yqF2z7R+AX7S/guz/Z5tPH2teItIv/C3g7wpc+I76fRNUivNRsbeJ7eKzS/02ORrWwu4YbmTS7K2mkWeOZmkVClrPs5OG834t4YxeM4QxeFx7wtPiGtTweErxxzcsfUo4fBYZUvb4mhhZRrRhKGFqwpqU6M4OM/Zudv1XirgvOs4zbLs6+q43Lque0VX9tjKOJwdHGZfiMNj8ZGVF/VZVMTh5ThSrv8Ae1aM/ZScZyqqlf5D/ay/4KO+NPj/AOF9W8FeGfDsXgL4d3lrN/bbS6gt34x8UaNZ2GsStZa5JDN5CWlyxtZbrSV/0qW3mLOJII3J+1y/guNTPcLm+bV6eLx+HxNF5fh8PTrvBYXGSrYCjSxE8XWUZ4mpTUKk6NWNGnhaOKhFc9SrCjOP6n4ZeBWXeFvEcePOI50c0pYLAZvXxNK1CvCgqOQZvgoT+pY7LMLDCc0sThq1Oc8weIhGm61KpSnFQn6d4a0Fbbx/+xf8AYUmOpeE/hn8M73x/ZT3dkLjS9T+KesS/Hn4jatvjdoPtnhnwz4e0axa4Y79Otr2yivZEZ1Z/wBI4Iy2eTUcHjMNl+I58ZjcNjYx+qVFUdKvTwdSNXkVOjUUP3UI80m2mlFybWn8xeL2b0c48RfEnM8LJywVXjzjH2Er0vY0qU88zPEUqNN0Kk6FOEKVWLjTpS9nCPwpQszx34Pf2nd6BHJ4mM2paj4kkn8TeJdSupoLq8k8U+JLjVvEPiQXFzDmG409tTOnq5DFIhBFDNiRMV8F9KjMMbhOO6vCVPG8+B4N5JZXRhWqTpL/AFhynhrMMXOkudYeFd1alfkWHwuFnJqcpqvJe1fyNCDrK7TjTXxVHpBX5rXk+ZWcoxTu7XfLvdHZfCL9obV/2XfGF82kWd34p+FfjLV7zU/F3gKFHll8OpqlxLNf+Ivh7bOi2lrqenac8N5deBJnXR/Fl0bjW53j1Jgi83hb4gZtllbLoZhi3ClgKeCy9YitXqclajSr4P2jxsY4ik69WrOjXp0MzqPkoRVDLMRT9hGni6Xn5lWhGviFG3LUrVpUZK3LVhKU1SnQnzcs4TjaUVDSom6kHe8X96+C/F2g/EHwnpXi/wAM6lHr2heI9BtdY0vVNLv0msry0vbX7dHNAWYzIBBukkhuAtzbiORLlElilVf37Jc9q4nB4PFSwlS9ehTnd4eXvNwfNZutK7Tupe82ne7OCDnOUrp2bunZ2ad3db3VrW8ir8PvgT4G1P4v+C/FHi3+0/Gmo/8ACV6CYk1i6MOiaeI9Ys5IdQh06Ahxc28hMyfaV2OUVWygNb4KnGcLzsneXxW7ruv67mqrqnXjSjKPPeDUFL3/AHnG3uqSer201drdDxr/AIMebjy2/wCCn1rJHcG2v4P2MLWaW1i1QywGZ/2rYEkF1p1rOtiFSaVzc3E9mIdnnrOkcE8sUy+GXo/yPeUuRqaSbi1JJ7O2tnqtNNdV6n74yatHGk0gg8+d9KbUWYSW0cT6VFcNlFncvHL5UM8l20kAu4TK8QnvPs93psuoVGCcIyeullez15Y/fuurtZ69FSdqft0o86cdNotqz0V/7zslLRbJ9Pwy/ar8e+GtU+P/AIE12bUbKzuPGuu/FXxV4PN7YaXZ6do9x4/1/UNe0pvMe2iiEsttaXdv/aF79vhs719GnEKyoJj9djY4jE8EUKWHik6ObUMQ3SjUjJwp08+UlJwu/Zt1FzJpJ6e8mlf5mhmGJzDiWVKtGnCCwk2pUlUi7ueWRteU5q1m9Er3V+6PYPgxp0Ov6umq6R4d8LeKk0PwGuua34b86wvfFbWttqOlabf2tppF/eR6xc+MdMS50G9sJrLWY7zxxb+HF0fRnsL+/e7bwaGKo1vaYXFU6DqQuruEedunKEdfaSct1K/u6u/me7UoRwVKnVjOb5lC/PJOPvxd7WUeytrffc+h/Gv7MPhr4p/BOX4tfAbxMltN4Zgl11PDnijxFNqmh2Ogx3Ol32nXvhrXdYhs/E/hvTrfw5b6r4e1warPf+GmI8U2+kadpN6l1qkvNwjnWYcJ+IPDXEWHjThLKswdSlh6irRy/FRxGF+q1Vj6MKuGdaNKNeUqKjWpqFR3k5JuMtc1w+W1csq1q1SpLEQoVZ4anF0XBzU+WSm5JuSajT92m4yWt7pxt872fjzT9bs47jT7dZLGbRZNHimtNNtHubGbQIUsodssFrDew3Mo063NzaT6nqkY1d9Rb7S8EsVnZ/1T4cZrT4ywmHz6eMp/2jUkq+IwlPFxhgZRxk8JjsTFUpVsTVjCFbMalOMfackMLThBp1IupL82z+vOGNqqrS9lQUpxUqdOUZKMalVRfNJ8t+SN29r6rTQ9d/4J7fFI/C39o7TNIurq5vPDPxW8L3XhHUZI/OhFj4g05LTWPDb63/a2rWWm6S1kW1m1tCh1CSefxTeOohjube0svzb6UfANWOIfGVCEvrznL/Z6XK8vcY/6v5VCUKNDBqqoOipNOeKUvaxlKX2ov0eAM/owzJ4KjU58NDl5JVJwdV81DF1pc0o11Tdql1pGyja/vJs/QHXviP4D8P6Vc69rvjDwnaaHp8VvqF1f3Gt6U1vFYxXVrbxzhndT+6vpI5LcR+Y0t15L20sjutkfxH61gMuwVbMsbiY0Z1MPUq14TrU6cI1KlB1a1Okqs4c0ZKE4ctSbkoOcKkeZ+1X36w9atVTo0nOUmo/BKWjkmvhUmldq2u9tbn5+aDbibS4dZ8NfDrU/Gvhnwn4h8MXGuyDXI/AngC58K6L4QitvCHhiYahL4BsBceHdXfc+na3FbeMNS0W1s4fFWnWGoC70+3/kvifwT424t8cPELijgvEcOYGlxJxRmGPo4zE183w1fD4anhsVSwrwtXKspxMaFbFUaeIeYTjicRDE1MRP2bhCck/1qlxfkX+oPDnBub1sVTwmGyPAU6kcOsvji6OOq16Wb5hOOKxOKV6dTFSoUKWHqYKDw9DDKM3Vr1J13xHj3WNQu/iF4B8SW48Zw6xpXjDxVcazPpPxV1GQr4SvZ/FkXmJqfw11y8tNIvjdWHw88HarpTeLr3xJDqelwXGmaIdBTWtY0r6X6OvAPiN9H/M+JsLi58LZ/ReU5jXxWOzOpn2bY+s8RDhyrKtDEVcFksXi6WHyyNGhKakocqjzOD/dPjDHcM8Zf2VRxFbMKVPDYjCU8FDBrLqNKnGFTGy5MRKVXFqsvrOOxM5VIQoNUZUaSp81KVSt7N8L9Bn+NHiPwzrOifE1vFXir4MSjVvDOtePte8NfGPQ9Fv9Dt7J2XxNovxF8NeDfiRaaTolndW88etfDHUTcy3l5fW7alJqEs9zF+pZB4yZnmOeYfEY2jl+Dp4LDVMO8Jg44jC4PFR9hjIOtjKFXN+etXp+0U41qb5ozp03GN43XzXFXAWRZdQo43BVMwrVq9T2fs6ksPUpynVmuRReGy5wUqsqnLBYjEYeKvGc6icVCpu/tefFPWPF2ofCfwR8fvCs3wUvPDU/jTxLa634c1+Hxhpvjv4g+H9D8PafoHhjwBfx2WnXulQXFl4zu/Geox67ZaZq/wBi0a3020n1S1sdcmtvlPpdca5h/wAQjzPhzgrJ8nznFce5n/qjnuCzfLq+ZUsuyDOOFuKMtxuaZLhsoxSnhM7wzxdFYPHY6ji8DQeJre2w9aVWnRqcfhrk7o8UYPN8VjKGGoYBUcZQrzxkMFg5VcPmODxEKeIqV6SValP6rVg6FGSrVJRkuelThVq0fDvFX7QfhL4raX4a+H/jzxZpXiDxfe2mreBJNMkn0ayufD/hbxUtxa69pnhTUYta064js9A0qUNND4yudd0OPWdGgstXW00W5vry1/D+Dc98YsgzDwr9nwpw26XhtkmDyfI6+IyPin2lbDYDg/OeFsNLM6ka+HhVrTwGbYirWeG+pUZYxUqlOlCkp0J/pCyngmeT8Up8T5dCtxNWWIzGlTznJ3adTNMszatDDwlQqVKcY4rAYdU5P2ld0YypVJTsm/J/2kP2WfjZqPgP9h/Sf2Z/D9lpvhzx54h0Dw7CuieHbFvCmt+LbJ9KvfC/xJ8R+L9Onu59d0yKXxHcpofiXx1Pe6B/Z2dLiuxEJdJt/wCv8h4gqVuGcrzHPKGBo5lD6+6FLD03TpVpfX61KSr08bXdecY0lQ5OWatJy1cXFL8ZxWVLL8RgsmyzE4bMMsyf28/rVKpLGYqnHGxWLm8RXw1GOHUvaurGjGNOD9nTtJSmuZ+3fEb/AIKc+Kf2VP2ibT4SfHtvC/jn4deEPhV4G8FePfDPgWfwdrM8/wATNTs4oRBqNlp914h1m28T2muQanqN9o66dCzwatFc3rRXNxFY6Ty5tk/D/ENCpmeLnicPiaUZVI0sHLA0qMpU4VcRFONajiKivUrzV4zUklGz5uaUsqUHDN6NKVS0KtSkvaSXtILmxKipuMnGMlFar3o3V1zRVz1zxz+1dpH7NXii68RftN23ia58OfEnxPcaL4e+yeHtVl8V2Fv4fvm0ltei0pIv3aac/iy50PSZNB/svxvc3usSWn9k+IfDq6VeeHPlsHRzXP8AMqeFxSr0cDQ9r7KeFWIo1ZurRlOq60pwrUZOnWoOFJUlT5eaoqvM+W33PF1Dh3BZBgcRlFWiquFjUjB82DqUqkKlfD2pS9hOnKrGcKtCvOVZVk406UqDhOVWbr/B79mzwz8TPDng7xPqXgax8M3vxBew0GDQFnjvdK8PWzXl7q/xs1OxBu72GO70q6mu/DWk6rPqy2niUahbapo9x4htLu0kuf17McdOpgsFH6vhqDwuGw0VGhSdKnUVGlUUfbJz9+VT3lU5eW6ir8ml/wAxwtCMcRPHRcpzlUnNQqNSoq9SNa3Kkm1fT4/gbV7vmPQP2mdN8Q+BtGtvHMUgtvHXh/RPjj48li0++eF7nxz4p8SfDTwf8M20Vb68e4iXVdRtdEsdNa6R/JAMAhgdPKh4cPzUozlGpU/fydWUXN8sXUnOq4QWloRdRqKlzNRSTbd2+2liXTtJUMPdpNqVK9m7t/avvJ7u+iuz2f8AZ7+EPhH4A/C/4f8Awn8M281ivhvw9CLoz3Ud/f6xqkCW48Q6tfTxERS3Fxq+oTxS+RbxqVFnBYxw2Gn21vCqdL2blJVKsubdSnddOlkvsoVWr7WTlKnSi7WXJBR5dtVre/m292ttDyz/AIK06lY23/BLX/gpJb2N5pMhtv2Ef2t7e8tHuZpp4kvPgF8Q9PHyWqTvaXovr+1MIuoGhlIaGV7JCb20sg/LP/g1yj8Wab/wT01/UUuNN1HwnqPxh+IcMGnvdzpf6Z4jt7HT4baO4sxazW0+n6uJI0iINxc/bSn/ABLr2JRbz/lHjvKpHNqMqS5qsY4CVJXsnUVLHOCb5o7ytd80bd1uYV3asvWH5L+t/uPprw//AME0vCuseOte+K3gT4UfAPUdQ1/x34v8TQ+NviPeapqXi7/hKI/Emo2PiPUNDEPww8fPommWHirRtXfR4B4jgdbOXQp7yze9jLwfO4riTF08qhh8XOdK7ndQlUkrVFiNVy16kdm2+u2hpGn7VdN7W6u/ya09eqt5cd+1BqFr8BfjHoulfF7wn4M1mTU/Dlvc6ZrdrnWNHfT7q1FjLY2Osapo/hrV49RhNos+raTpQF3dPJZXHzLMYzySzjF8N4OlxBlcpYhQxHsakZTmrypqeKkuT22Cb0w1JX9rZ81rfahyZhQqYXF0q21GNKDnaX2o1Kkn7qtf3I/ofOHwE8J/E0ftx/Gb9lr4c/8ACTQfDqz0C813wt4X8TROum/DC4uNO8L+LL3U57W4060/sTw/b3HiLU9J1CHSYb641Vbez+wDTgsvmbeOefcD5D4aT8RsVKWHz1UsdenSy5ylbLsBxDXw3v0sL7TV5VRa/wCFK+qS9k+V0vTyvhqrxlBLLowk5N07znToaxlGlvUhN74iH4vo7/qt8FPgh4A+Fuhw6d4f8Pxm+kLpf65fW9uuv+IJJ4o4Li81y8tUt4r69uY1CzMIIbc7F226fNu/z7478dcy8Us6y7E4XijiHNcLmNfLsv8A9SJY/N6VPLJKriMFUxscJmWN/wBW6cq/teZVMJm+LrS/tVurQjz46GH/AEerkeUZHf6lSpOMYuXNGjh21U+JRXLh6K/5drdLTrexa+E/jpvijoniHV9S8KrYaPca5qVr4dtbmWG5TxB4HmkS48MeI7uJHIhHiHT2jnMMZjUT2VwMeWfLG/HPD+X+FXFNPL8NiM+4lz3MctwsZZxVxeDxdB4XG4mvCnk9bF46OQ5pKkquBo4iph/q88Ao1nKNeVdyp0c4455mlhasGoQvV53CFnNcsPtVa7t+9nyJqTilJOesebifjR8DPAttfWfjS7g1Xwl8KtLitB8RvDfw30XwxbSWlo95LHJ4v0fRb7R73Skjs3nsLzxnY6fZ2M954d0afW45pZ9CmsdU/Z/ofcb8O8R8YZVkHijlOL4fzTCZnhq2VUMjwOXVcFia0884dWWwryWNz2KVarj8dCt/u3LChD36S96t5PEeRqNGU6Cg1yNR96Ku40qsm21TvpZXk762vq1f6+0Kxt/D+k6bodjJqE+n6TZRWNpPrGp6rreqzQWiiGOTUNX1q7vdU1K6dVDzXt9dXFzcOTK8r7ga/wBBsRisfja9TE5nhKGBxtVuVbC4eOHhSpRilCkoRwlbEUI81CNOb5a05Xk/a8tbnivmYUGopP4k7O0r7vTV3d+XfXR6aWsSyyyyf8tnzKVVY45GVB0CghiwAwQGHK9eMVjWbjRqtNpqnNrW1mou3prsVGjGLTlFWi7yuk7q95aJK9+uquebftBfF23+Dfw11rxVdTRS6nqX2Twz4StVgh8yfxp4pt5bTw9Eklw4jcabes2paqMD/iVWd38sq+ZBN5XiDxThuEuBpZlVlKNfEYTGJSp0pzl7SGW42uruEqclaUYv3pu9rdmvV4TySfFPEmDy2il7Ghi8G5KUowXspY7C0J/FzK8qcpxi4xTg5Kdnax+TPxL8JaR421/xX4t8Y6Rp/ia81rU9b8YPquqWNo+uaneeKILqa61kzC3S4OvMLqZmuZrh2udchv8AUL77ZJNuP8ovxZ4sx3iVmn9kY+vHCYzNJPExqYrMqCnCOPwdKl+7hmKjL3aldNVFKylZJKUk/wCr8s4G4Wyvwnyihj8tw9XEYfKKcKUoYLLqvsZrA5hOdqlTCRcbv2TXslryK+sYnA+G/D3ivVfCfhXTvDetT+GptJ0TVddtHj0yyvoGtzrttpH9nahpmp2F1plzYNp9lLe28yr/AGtb3McBt9TgtDJZ163iBxpkOAoYLFcVYJ4zE19ZyjgaWOcq31SjUqScsVVlJ3ppLmnJt7Sa6eV4ecE5hnGNx9LIMd/Z9GMlyQ+t1cElTnja1OEVHC4aUFyzu+WKst1u0benfD39oTxtr+m6NN8clS3Mv2bTxH4feztPCt1d2bC0n0fUNGfT9Wsbq/mSePUXN9cyHULPRpIbiN7aSWbhy7xi8HMNgaKwXDcoY94emp1XwxlMebEOnzOftaVeNRuVe03OTU21f4o3W3Eng94r4B47FYriSEsur4jGTpqPEmayqPBU5V6kFKjPDRTjTw9SyiouEea0VySu+z8M+ArP4aeKNGFxYaRrvjhx9h8R+Lp7a91LWNX1loXgv9YOqXzy6pb3eph50vmfUcTWtxcQNGfMIPzHF/ijmHEEcwyzKKbw+U1/aT9mo1cLy4XC+zxfL7KnmMqKssPU/d+xkneyiua59BwL4c5Zl3D1bNswqrEZzRy+s41b0q7niMTDH4dy9vVy9V3zKtB8/t4y096Wljtte0O5j8a+K30pZmv7i00HxNcTKHle4uBpxnUiCAW8KQw6zo9lqEx2G583UdYliuQ90nkzlGZVo4PhvMcHOcHl+MwVbGOLnTb9lmWGc3pUhKo70a20m5JvX33fGiqK4f4ryjHxjNY7C4/DYOM17SK9o8xhFK8ZwppRr00rw5U1HS0W4/pZ+yl4v0jxH+zz8Hr7TntBDYeB9I8KvDY+WLddR8F2L+HL22MMRAt492l20ttAQsiQy7Ww201/ZfhTndPiLw54Mzam5yVbIcFhpSnFxbq5dTeW17qcpys62EnaTlLmXvJ2kj+RvEvJqmRce8VZW1CPs82r4mCg01GlmSp5lRScUopqji1dKMVCVo8qSaPSUlDRliYWHIAViBnkfKmMqufuruyBgZOM19A9m9NL6dtPxX5L1PDS1SXMttV8r3ffzs9721LFseGGAAAnA981vg9p/wDbv/t5lXXw6t35t/KxLWxBxnxn8RTeD9I0jxVdXWn23hjStVtbXxQ11Z6peXa2mu6hpuhWVzpw0iC7u4pbS+1CKa5dbO7zaCVfKQE3EH5z9IPgnNOM8Lw1Sy2rl9NYN5wq/wBfqYikn9ZqZLKHs5YfB4uScY4StdtRtN0mozV+TtyevChLEOSm+aNO3Ik3dOf80orr879DjfCGofHPxt4Ut/F2k2Hwy8MprtkJ9LtPFFr40utYtd9xJbWcniKwhTQluHubN7S4dIp7Y2yuxQ3AmAh+WyrwhzmOLzbMsRiMkdOby+VG1XF+2XsY1KVZ1PaZZyqT5o8vJNpxs5NSudFfM8N7OUVCsuZxS92nyxvJaX9o3FW7em2h+cXwpu7608YeOJ9abR59TuPFPivXtRu9KS7t7WHVb681XV9YtdNttUutSlGn6jfvfwfZy0sojW3LqDJJs/k3xYp1sv8AHzDUZtyqYfxawdJ+yvKnOGG41qYBJctOg4xhenNOUVenFKTlNSU/6XwVWnW8BcvVOMry8KcGkpKK1nwfF8z1ekW+Z21STaT0Pob9uD9mj9mz4peBdD0v4WXHgTwr8Sfhz4d8faH8PfC/gbStT1jTLu81Cwvm02HxIngLTdXfTdK0Lx+jao0s+mpdCe71mX7HLOUFz/Y3F/hvw3xrgMshmVKMsww/16OKqqngW5xrVcN7JU6mIwOKrSXsMLCFRVEvdbjFOCjy/iPBXjL4heEtPNn4f5n9TzfHU8Dz/XcbnWGy6Loyxa5WskzPLcX72CzTHRkpSnbEcqX7upW5sn9hrw/8Of2efFXxIvvGV5pPh3UdS+G/w+stI1y+1DXtN0O71ie68Xa14+0BYNZ03TvNabxRZW2oRXF7Akthps9vZRyLHeXMS/C+PPhjlmTZfhMTwBlGKwdfB0cO3UxOBoYZOWGoZzUfJLJMthN806WBcHzQ+GbfK1SlHjxniTxd4qZngMZxxXw1bOqMsKsVistqZlVhKrDEurWnSrZxmOOxUl9azHGVY+0nGc4OnKTVV1HV8R/ZpSK21T4f3NvdtqemWnx5+H+q3t3qr2l7B/ZetfELRCt7atp9xeW01q8s/mx/ZZpkFuUKbjha/nbh7DYrGeOWXcPY+lCWeZtQr0v3dKtOjLF5Xw5mmOx/t/aU54tVPZRla9GdSXJ+9cWm1+7cd4rDVfBTJ1ShiL1MhyeUZzVJVbvFZI+aU+aynJ2967XtG27LU+6PB3i7TfH/AMefH118IPEvgvxbZaH4B+AsfjLU9LudN8Q6fbeH38cfHW81zQNJv/C891p15r1naPp10bGeE28sF7aR6reRQOK/qz6OvDnD+A4SzSjnmTYqviZ4rOI0/YZZl1RJ1KOW+xV8ThqTk4pTXNGn72nLGzaP5tzDEV45dRlRmo8uK5oWbilKMK2zouMUk0vehy81ub3ZM1rr4H+CPBvi3TrbwZ4Q8PeEdG/sLQbO7bSons7WLSNCvNRg0W0a9W6hs4rbSbNXgMeoWqvMs1tEJmk0u2kn/YuGMoyankFaWDdHh+NOeHUKGdPC5XXxi9lQXtsFRo074mlTguWc4q8eZK1mjxsXOvi60ZYlwnOzs7ymrSbe83Nr3ru11ur6nsogtdKsIbGGBkSMeSsXyiWaIw5uGhQlHk8iPddSJCWuHgglNvDPJsjfzsHmWY4bD43FYPh/O4Vqfs6FWWOyrERhOjWhVqSqUfZVIykqU6FKnUk3yxlKMVGblFror4KGMw8KWKnP2NOanH6s43jUUqqSlzwmmnGdV2iruVrS6SjmQwWuo28CSxJIthbnyY7i5uI5ceYQ0QVrkKsBhlkAiYtFOkcKyXJeBdK+PzHD4bDVcdDAU/7TlS9jR5MTGvSlUoVcWliadaUfZcscPVpz5XNqs4w1u2owtDAYdxhSjmTtzc81CmouC92Lg4xcr2TlNzSVtFZtI85+FMsGr+P/AI2eOdOjH9ha54n0LwnpkshUX93efDLRT4T8R3dxBG0iQ2v/AAkMWoWOnvJMLm8isH1AWsem3WmXd/8AiXjJnuDocSwypOhicTlLaxcsA6dak3jsvynFUOV+1U3anP3vaU6bTjPl542k/VwdOok+Z105v3VXcrJRctrxW6dna92lolY7HWfFvh7wzp7an4l1nS/DumCYW7aprl/Z6Vpsc8gHlRS3t7PDbxvKQViDuPMk2xLmSSNH8HB5/DFwVOjgMfTbfKqlfDRhTuowXxRrSk17yekX52coqWkqEqKlOrOnyp875ZSuou715opXSi9L9rXSk1xXhH9pT4ReP/if44+EHh3xMtz4/wDAZgfWdInga0+1W8jQRXFzpE0zKt9Fplxc21pqMZENzBcTxrHbzRkyDLi3g7NsoybDccY6nTqZXnTq/VFhqeKlipLAYvD5VXbjXwlKg+StVp6U8VVkoKSlGNRRpPPB5zgMTjquXUqvLXw7ipRnKkk+elOsuVRqyn8MH8UI/Et43kuwS6XzFlH2iIyxD5GjTO1VeXkF+HKtnGeMAHHNfGZLmknmdKpLCZjgKlVU1TwuOw/1bETXtKLj7Okqrc/atOFNLV1FOD5ZRaOzFN0Zcnsqld62dCDnG8VLS9lq3HlWmrcV9o/O3wF/xJ/FfxLaVVjUftS+Mbx5zBCWeKx+LX9qKJPtc1uolt47i4vbsKWi+xpm3knlHk1+XeI9WEfGrK6kqsHKtQzmpUtJf7PZ53D2eJd06VWErU5wk21KUIttvT9ur1MRX8E8op08Dj3KGQ8MtU/q03VfNDh983JG75GoPkl9pwqr7Lv+gfhfxl4d8Xal4y0fStf0TUdY8CeJf+EZ8W6Pp96Li+0HVbvQdK8TabY6nGECRTX/AIZ1nSddtsSMr2GpW6sY7wT2kP73XyBvBVMWs54frcuHxs/q1DMXPFTcFU92FH2Orl7Cah72rsrqV0vw6dLFU6OCnXwOOwntKrqUqmJw1ShTqxpzneVGU1+8V61JtxTXK1J2TTfkH/BRGEN+yb8TXZdyrJoc+x+pH/CQWbxLFg4Eu8x4ckLFzLltmG+XxtWGAynOK1ZVHF1VZQUW0qmYYTltzSjtbXXTzPovB+jL/iIWEXM21hM23fu60a/w9evVL5Hjn7EmnT2fiH4D2l/CjavY3erNcywsxEdrL8KPHKRCW/jjH9oEm5hAjmSDyjllLNEiyfjPhbLD4vxWxePpvmwtPEZm/ZqnCNecZ5Lm9OHs6cnKNNKUHJrnTjBct3zSUf1Dx4qf8YxjqbTTdPBW968U4Y/KZSuraXTSUrvme6ioJy+0F2u7BAT5i+Zzt4JWNFyQSf4WOcEHjB4IP6dVhg8bi5U6NKunzNv2lOitfaKLTcVNrWV7fN66H4s7wve3bTb8bdLf1YSdSFVQuZBhcYyMHvzxgZOc+n4G8wweHnhZUoQqRlTk1KM4xinzJy93l6WfZa300uynJvm7Wu22l+Xy/pD7UsHJwMDapHoSDznuBz9R25Bro4aw1PB0pTas0tHbvGL18tUvVMmu2+39fLux8W0SSZBDZO0k5BOM8dh/np0ruwjhKticW2veiorS9+W609GtlfXoiHdJL+u39emh+D3xtknX/g6P/wCCkzQhGd/2UfgaGD8Kyn4G/sGkjJ+VMsFO5iFHTOTiv7Q8FJKXA3AMukuAeGJL55Llb8u/kfGcdf7ljf8AsY/+5qh9Rx3MdvIyITJngfI/JbHqvvX2J4P9P+vz9QmmkeORonEcgG1RJG5Tnhsjb6E4x0bFXh1H20Obb3r7/wAsu2u4pN8rtuvlu7enX/IggjvYTbzm5SKOKXfc3C+XEscbEJsla6aJUjeRkJcnAZVycGssfi8PTajzau62n/KtPhffyFGFSp0v849dBviPxTouk2VzfTSG5km8yzsVAtpY7rUMFo44XhZ1zuUnzgRGACPM5rzMyzSGXYZ4qk7Sq1I0HvtJSq/apzW9JfZXrun15ZgJyxDutPZy6rvG20/P+tzhpfDXinxRcHxZ4mW6s4rRTLteRttnEiSQobfzGEDCaOdoJFtmlJMkTMAFBr5fFYueMxCk+rj2/liukYfydj6ChhnTpO/Z+f2pf3uxxk/wuuvF/iaz1CS1um0zR9Rtk0DSZZ1bTbQpci4g1B9PSQrquqSXc8hkS4RrIwR2qO67ZAu9PNZZdBUoPSaVV6LdpRe9Of8AJ0e3Ra3iWCWJu2tU+X9f54/zefqdxJ8NLjSp7fXfE0aS3QnigsbeIXL6rdtgW8X2S2tkksNPhUoI3854YvlLhtjBjy4/OKuLi479vhXWP/TqP8v/AAdToweWRwzTfnrr/fX/AD8ff+unGeJLvQfBs2pXeoiNtVvbq5gl02CKzl8qR7ye2jg1XV5m+zQRxzxtFPbWtyz24UsVWLax1wU686VCL2VOmvsbcsV0Xn32sRiqVNVKsu85tfF1ba6/oeb+H/CWtfEbxl/wlWn+EH8WzQXU1vFqU0gtPhz4Ls7aRrcW+mzzSW8d/d2/leVftAbiZ71LhnXeWr1MNgnUgpSW6T39f75xVqtOEmuz/veXl/kfQrX+n/Dzwbfa/wCKtb0yC00HS9R8QeIr6aeS1MP9k20l3c2UMDIskF4sFqf9GMQnjd0LxruXPZmGNqZRwhxTn2Pk1OjlGdSw6jDnlKph8qlXpRUcPCs23LD1ElKhJPZqV4qXm4bB/Xs3p1LbOhrdL4atJdZw/mv/AJnwzq3i+PWfiC3jzxHcTWer/FzV9a1h47qYSyQPNawL4bsLeeJp4Eg0vRLKPR1USJGfOMqgxuHP8f8AGuZYzi/NOLMxoQ+sUsDmlbFq0UuXD4rMcTXxaqw9nQlKXtcTTqxapXUMNCm0px5T6HK1Tw/EOV0sS3GmqWKgnr9nC4iMGuS8lrBLd/E3s2XPFfh6DxdpFzZXTRm4i1OG+03zJghjlsoXtZZp5VfMUFstxJcOqnzZvJWKJJDIAfByfMqmS42liKKl7KeFnh8VywcuaNepGtCEIONp1KrpxpxbShT9o5zlHlucHD2Pr8tfEVNKvD2JwWb4bWGk8LLE4q94wcbKUYNqca99lTkrwfzrc23jf4PW/jjxF8OvHF94W0vxDocXh34o+FJ9JgmeHSb/AFWKG2jgv7uwvNC1mzm1e9k3ImqWmoRtqVvc29w0tk1ncfqODx+U8WyyjKc/yeGY4nD4mpiuG82w+PrUYYupQw6xNanisNQxVDMMJKGHwVCaU8JXwsngpQqUlGtHEUv6B+jl4rU/EDiDhfL80qwdLKMNXwdSlUo35JZbw/KlRlTnRyzBRclUxs1GUatSd5q06luVR/Df4VaL431TwHA93p2t65d+OPCHhe38Jx3V59k8F6j4q1eCDQrvVJZtQdfEGspdzxS6fDbWEHh+ymu7yLUZdRCXCaf3RzzNIZ7HKcLQxGBw2Y8045xOhhZVc+p4apSo4yhhaTwyhl2AnCThipYnEVMfiKdGhKhDDKVN4nz/ABu+k3/rzmeIyTg6S+o4WpgcLUoP3/YQzLD5Q4tzzbIcLWnKLo4z2fs6v7tuynBRpW+nfCvjZfG/x3/4KG/HeO4S88MfD34Z/FHwV4Z1WzlkbUE8WfEnXrD4S+GLOCW4S3lkWHRvhxM9neW1pBd2seo+XNDb2M2mXF7+t+HyeMyyc6vx5blz/wDAMJhsDJP3eRfb7VHr9rY/H80xFWrisXg561sXiq+Lr/Cv3+IqVKVV6RUF77ekJRh/LFLU5b4H6BDafDTwtPeySu19v1GOeW28l5GlhlktbXy4gQEa3aIiZwA4IkuCk7SKP5h8Y+LcXxR4hcQZpJR9tOngMJWpxqUpcn1PCYPBVanNClh4ScJ4aUbQpRbt7qqK1SW1ClCnh3QltNxkt1ez9p520d9ZL9DkfisdStLiaWzS3la1nGpRTfuxBHdXBdDpoupGW3knigfymiimZgVKgbuK7ODvqlanCFaVWKrU3hZw951JUqXK/rToxTqxpzqLnU5wSad27anzOaynCdejZc1GrUjSd0klTc4RV9r905Sfds+k/wDgm58WNNm8DzfATVZv7M1fw9e+IvEPg+O5W2juNTttd8Unx54i0W2WF3uAdJ1/WdcuraK78me6sr6K1tIppY3hT9n8JvEeGJjS4MxsoKbw+Ho5ViKftqka1HBwzPEzcuXL40/a/VsJSlUdTGzUqk5ypO1qbjLozrU0lrODamnypptzfkrafo9T7A+Gu638aeCj5sJSHxPoD/uI5I0laPVrNzE3mKvLD5cHqCOtfpGD+F/P81/XzMX/AMjql5PD/wDpymfN3/BjvYxajH/wVCtbgXAt2H7FDySW99f2LI8Mn7WUsILafc2szhnTPMoACMpysjAxL4Zf4X+TPp99O5++PiWVbHwxrd9eW9nqT2Gi6rdiG5jDwTfY7Oa7EDxyEy4kW3QSbG3ZXzcFl31VP4ILyj0eui3fr8+gq75aLiuyvfrZx21d/Lsz+dT9tzwzrt/pHwI13VvsllcRaT44k1a+a5khj0zS9U0fwg2t2Gnz3CXDWt3rPh2C+0fTLTTBazfbdkds0UdzfLP+jcJwhU4bxkZ6p4eso7/E5Zgl8LT6vfTufL4ytHLcxoYt6e1rUsP3+P2M+0/+fL+yv8Svr9cfs7eMdLuLnwklzZeLpNG8K+DE1nwT4v0K8uP7Z8P/AAr1K4XWtIvdR0ltG1WCHU/AV5rMuk6zpzaXLp17pviWTTtQt7mOa2iT4rG5PVXEGJrRX7v2mL6x+1Xrtb1b/aX2f1Per4j65llGcXvHDv8A8pxfWMf5u34ntHhrwZ4PvPHuleNvgh4o+IOua54lguLLxFo3xatk8ZfCvxLr0um3Mus+JNSi8NxeE/G/iDVLPRYJ/EdvbxHUr+01bR9KXV0OjrNaXPRjMHRxmW5lK69vg6cZUXFVFb2suZJ80+Ru1NJuV0+kYM1wdClNUHibqEG/5tpSlzfw2n0XfsupmeFfg54N+Pl5ceCPh/8ACL4a+B/Fd1pNhe6h4x+Gus33hbQdE1KCxs4dV8ZePPCGuaZodvqOp6ho+it9qY22pPFpMuk6fZ6iLrToY7LXgnjbiPhXmlh52o0p8sbRwMm7SwcYJKeExM237GCWjd+7vfPiDIMpzbDSpU9ZyhJf8xKtenXW8q1OO9RX1/Ak8Xf8E2fiN4iuLnwX4f8AiV4E8Y2uleF9K8R65rOk+Br/AFbS9A1C2PiCXwtp1vo1t4isrTxJr2p6ra3o/s6C5TWLaJLDVtThk0+azhHv8V+MObcVZBRy/HKSqxlWUr/VfeTxeExClH2GW0IqKjQhF+9H307q8vf+W4b8P6uV57XnTadKKpPTlSXNg8Qmpc+Mm+ZSm3pdWej7dn8FP2XPF8Hxt1jwh4r8f6F4li+DPw9t/BcmseBdD0rT9bS31qbwx4k8XeFvAniDxDf3Oo6eulaVe6Lptxq92tnq4tLy6tdDm0qGKO1g/HeOsNQxOBq0K0rRalzJJ35XRxkZWalHW0nbXe3c/R8lzSGDrKn7qqRh+79oqnIqilSjDnVOEpcvNH3lGXNa+t7M+sNQuPh58KvAUFp4g17TPAfgvw7oUcC+KLnV7fw5ptgthFBYW1tcXKvZaa2pXK6iZT+8vYLueN5mgZ0jEXxuY5bwfS4eeNxVVYGrh4xo1K0YZnX9pUpYmOBlJwoz5FOentIxjUSdazcuTmNY5njc0zerGjhliFGtOEb11OOzdlLEU4ThTpxw6dOkuT2CUYc17qfg37NvwR+EX7Qnin41ePdeudK+I3gO31DQvg14UtvE/hhb7V5YvDE+keNNU8Tx33jy08QeKVt9dvv+FeQG4u9TUx+Lvhk17oQs/DieHrGx97wsy3g+rkH1jCpY95lWxmB9tJZphbRqVaNF2p1Kukk6MVdcnM58vMoyu+vi3jPMMkp0creGjRr1Y3c3iY1Ip42GLpKKVPDxhUjDmape25oOcaUpwjVUZrsj/wAE4vhZ4V8TWfiv4PeOPiP8Jxp9g507SbTxTq/jey0nWis8Nzr9hrXxEvfE/iKxu5dNTSNO/sqXV/8AhHNOttFim0XS9K1C61HUJvcqeG+QTxvtqdOdK8nopY2crzc2nH/hQTestLXvZOOrUV59DjHMXl0qeIcakJRjeLjh7OEo0k4zSwrUou1nve9mrXb8m/al0H9or4CJot78UPHtr8WvgP4n8W+BfDMniWwis/hpceCtUutdtbDwx4f8fRXfi6+vE0nxt4h8QQ23/CZeCru8laTSJ9Ma28LX15okep+XxVwJl2AhQxsFzxhX1gpYmMUqdN1N5YtvelJ8rppq+q1XN7nA3EtfGVcdRp4JYmu8vrVLKrRoSSdWnSdX2jw6Umk6VO0m+ZcmjjT93uvB2oeAvEPw8W/sI7C4g1HUtF1K7s9Uvfidr8erL9jitL19WuPHWrXsevvM95FBYxWes2mq6bpTape+VLNHOG+ZzfNcuhBYWlQh7ShOF4+2xKUo05zpNSU42k3flXs6nPGKnLVe+vbyPL88xOZVZ1MuxPsa1LGU4VViMtqToTlCNb2lOpSox9ioxpuc/rdCeHq1nh6afO1RqeLfGLQvGXwZg8Ga58MPG66T8NvC1uzXNlr1j4o8WeNPBv2+60DRvO8PeJ9O1sX3iTRdK8b3dhf2Nx4y8aaD4k8J6CY9D0/XLvw5a2enaB18GZlLiTNKGArtxhha2HjTV4yvLFKvUq2nRhh3ZVKF0pTlJRtqtb7Z/hP7LybOcRj8BDC1HRrOP72rUjVpJr2KnSnKo4tYatQVSTp+xrVJVXTSS5YxeLP2c9G/aN+O/inwT4t+DfwL8KfFfQ/DMP7Suh674b+G/wASbe5+KfiHVLRbrTW8Wa9ofxotnn1J7jVZZbiw1CfVbHz5B5rTkLDB95WyfA4SFKi/+XijFpe2erUoS19tN/Yf2um63PzaeIji69WtB39lOaTajHRVOaOnJRiv4isow7JLoe5fCv4EfEbXdU8S+Ff2j7zUPE/xH0Jrz4meGviNa+KPE17Pp+oFLPS7HTrHwxrGr654As9HTRL7UtAk07SdJa2nttT1ea6gXVr+/vD1YPJMFgOWdJXSbUZN1tb86l8Vab05pWv8ntbLNMxxOKy6jSTUYKNTlgoUVFWrQm7KNKDV3FJ3dlZaL3r+tfs/eJ/BnhT4S+EfB2t6rovg7xB4ZsbLw14l8O614j06GbSPFLJYtrHh7RnfUUnOjaBrmpP4Y8MKojWy0/TrLTrGKCC3gjHRXn7fmSldOyUdXypRs7JpPVu7tZX7tJk08PKhg4OUZJezjO6+G/sr6u76LVXTS6HJ+PtT0r4iftI+APhl4S1Rrv7R4u8M/Gb4ja7aahLdRQ+FvgrbaNfeFfCen/YphZwafN8SPE3hC+1KRlZNRuNT1Gxiku7jTtQOjwlypR/lSX3aExfNGL7pP70e6yWemalHOyy3L+fFbrJPZahfWtw0cUtzNaqlzb3MVxGEkurgqElQFJPLcGJURQZ8/wD/AAVc0iNf+CWH/BSX7dPLqU8X7A/7ZE5ublLaETzj9n3x7PbPNaWcVvaTTWf2S3NrPLbvNbyRJPFIs2ZFAPw+/wCCE0vi+z/4J7NceEvHfjDwxfXPxq8X2NvZ+H/FGs6RpwvrifRYbDVdT0qwvLa01IafdtHc+XPHKzJFtXk4r8p8cqrpcVYCSk4xp5LgsVZN29tTx2aKNZJNfvVCCjGp8ajFRTskjz8xdR4qNOnUnBzdKK5ZuKTkuVbPTV72+8/Zn4UeB9N+CnwsksfAGn+LPEKaprOpeIH0vXNaOqzQaxKxutTuY7zWruXVLH+2JbO41CWCEC0ur/V5JLgtLOZT+a08wrZrj50sViK+KppQSp4mpUrQ/wCXS+GrOcVpUmttpS7u/oYf/ZsI/a+9UXO+Z++1u171k9LdNuh4Vqw+I37Rf7T1v/wkng/wz4k0X4btp8ukeHNd0+18SaPoM+owrbSzRwXZubSXWLS9tLt7+9TSmuLTUPP0+K7nisIivXiXXwmSZlh8NWq0FB4nFqnQqSpQVsByucY0+WKm5LdLmdk7nnwrVMcqkZznUjzOPLUlKUf4cE1abkted+XvO+5t/Bq1j1v4+/Hfxrf6LFp/i2+svDUM+p6pbJDrs2jFraEW8Vy1nBdy2d5pvhwI1tL5UMkDxxMskXzn8J+nTnmNpcJ8KY6hWxEcuqVsDTxtCFWcKWJinx59YhiMMq8I4iFTD040pxqKUatOMaUrxSt9r4K4KtQx/LCbp0/aSapwqOML/Wssd+WKSTbje9rppNam98WfEvxk+EfhG3u9W+MXijXNV1zVP+Ed8GXeh+BvAtvbabdX1pFBplx42sv7NS+X+y7qdLzWtW0Ztdtbi2H9qXegaLpsRguPivDjijA4nPczzTKciyHE4jh3B1MRjMBisriuIJ/UXlWZyliMVKrRynEYadLFYWnQp0s2lW5J4enU9n7KtKj7uY+253apO7s9JyV9Jed279f8tbEtgfBfxS8EfDnQPiL8Rdf03xR4Ns/DmlQeGtR8EaNpuiXPh8arceEodR1q00CzstN0q70i51UxyWdhrWr3Xk24h0hxbR3FpjlVDN+P8pxWZcScHcFYbD080lnOMz/A5Zho5zLIsuwGGy/HZVVxeJxeY4mrgX7GvjJZd7KWHrVI4Wom6kZ0iG8TOilGvWbi5Sv7WelubSOret01one+l0mek/Dz4dav4U8OavY+PPGOq+P9T8RS3t1rn9uak+rafptteaXJp8Xh/QLW7aTy9Mjs/wC1TeJdrHd33nzteQhZTBH4uJnl1Hxc4NxmQ5BlGRUaua8K0s3yzJcuwWWYHLMDLOqP1rMcFhcHVVKGOVCFKs5QqYmrKpOV8PObcIatTllVdVpSnJUsU4TnzyknCE/aWlNL3UpUuRxurt66Ht3gq+uJPB3gVtY1KJ9cvvBnhy7vBeXIEt3dSaNYPfzwiQPJdGS6Z5Mz7XUOoJHb/UrkxFH93iLQrQXvRjK8Vf3kk1KSfutby8ntY+HhOXLvKV5O8k29W3q9ne+7V3dtsvfaUm82CGZEm+fy3aIblZt2wtHH6NglEyMgqp6GjlnVfs1J3qv2cddLz91X3W77NeXQuNRJxdS8oJp1I3cuaEWnKO65rq66X/E+ZP8AgoHdWutD4a+FFJMk+oatcz2cJvGsrGbUbi2jsNauYwBHb6zp/hPSviBbNcJE8scl3bQxzmF5TF+SfTBzV4TgzL8LRxVeg6WJx2YVYUZ1YReD4dyKvg8zoS5JRjOniK+Nozq0NsW4qpKUHDX9A+jXl8pcX5jmFTDUsTQhQwVWlTmqclKUM1oT/d05pqDkqcoX92zdtNT48+NGg2en2dnqn7qzfU7+8kgtdONotxp0Euk3l3DaeUoiMEllIxldVbaJbjehLb2r+Z+B69LHcTZdX5ISlWxDxt3BOXsswzbBYvDxbbb/AHVGpCnGDb9lFKmm0rn9N5ZipT4f4vwinXdLCcN4qNFTvCEKlDLsVSVWlT5nGEpNynCcEnq3dXOE+D+iXWrzeF0LTyxaL8PvIvIPJjS3uYNUutVmsjeQRkwXB8nTZWbzFbMlxK/LTSk/VeNc6cMoy1OK0jUslG9rZXT6bWt+R8h4U1Kiznj2depOao1+HVh/aTlP2H1ijm1St7Hmf7v29WFOdTkt7SpGEpXlGLXV6HZjT/FniKxheLT77TtFg12VYFkgiATU9GutJmiCqkCTyHVZZyzBY0nhVy+Bvr4/KqntsmXtW6ns8JD2Sq3nyRVOpGCp81+RKCgopW5YxilayR9tmk4yymlO7qKqqkea9/ejQrufNd30cJRlu3PdWu113xR0aC08SfbhH9nS6udPuLa9hHlr9q1C1u4YkcxBbbM15LAuWJHmtG4zIsZHPCv7L6zrJQcnB2vyulWlUpTptJ25Jwm6c4fDKDcWnG6MOGcQp5VXg5Nyp0qsHBt6ToyxPvLm97mg1Gab1Umm2nZmrqr2XhzxbpNxDLLcPJ4K8Oz3YnjQT3EN74t0/QJ4i6ErPCGmmSaWVjdW0DbbFH+03EY9PAVoUsIqVBunRnSjKdKCdKE7znKScINRl+8c3e17yct22eLB1cbjcwpVbJxxeIpUlzOrGneNStTqRjUilFuKhOUUrc6WrVj1/wDYM+Ly+D/jh4k+B97Dcy+G/G2pT614PtbKdY7HQ/Evhax1lNdgW1bVrVLfTdb8O6DqN5FJHZfadR1bwxf32qwi8na4k/on6LnHVOlk/D/C+IxWKqLDV8dShhZfWKmFpqvmWe4u0YzqexUHGSm17Ne/GPNGUkfh/wBIXgrEzzTNeKoU6EKWKp4ByrudGOJnGGX5NgKcXClSnPnVb2VKKU5QhSclCSp2R9uRIm1JI3YvsQKrRho5SVADKd8nDnkOXckHO9jyf2/EThWqqdFKEJLmUYxUI2cIv4Vda2ei01v1PyapGdJU4N6xnGMpcz5v4keZSuou9r3u+tmk7l2yLlGLgBvl4HPr/KtcHtP/ALd/9v2IxFrxt5/oT1uZlDWklMmnyxyrEsM0ztuUtvbyjtQYkjK7l8zcQTlNybfmyPJ4pipQwTfSde2+7jT00a3SZvgrP20X1UO212m9dNLp/JFW9tZI7K6t4544oT5dnbK/mN5cPkWsaJJI7yM7+YJC87YOx41ZSYd8nn1YxhQdOP8Ay8ag9XraStvd+uq6WFV96nUurv3JXtt76vf1vZb9+p+Ufg8XOlfGb9ojw3Mlvb2nh74keNoUuXFz5EkE/jDXrbyC8VzbDYIUVIwi+ZGXL+cQRGv8KePGXRj9IXLa1nKVbxojTlFSh7qjxxj6tOdmpNLmlLm195QtF02m5f05ltbk8CMAukfCbBvVdVwdD72rXXZ9z9SPC32pbLTre9lujLa6bFaXAuktQ8r2tsjLFcBbZJC9vK0nlyxyxvIgSSXdKXdv7bjlzhUWKb0nFq1l9iPs0vjb3S15U/PqfzfXtKrWlHRupCW7b5pv3nd93KTtblV2rNKxmfFeS6/4Vp4yu4pyHHhTxNudWuYmfd4b1WOXHl3KzMrK9kqM0zzKdOVzKzzlosfEDiejhsmlGVHmaoyjf2s43thMbGS92g/Xd9N0VwhGMs2p86v/ALTBxuk7Thi8JODV0+W1rXWqu7NN6flp+x6LaXSfgjDHaTafPcfGX4b6ssqrK++UfEvRrmK4tpXeeY/aYkR7hJmlkeZ5JZXLswr+TPCKrDNPp25PKpJVaNXPvEWcLTlzUoS4J4pqewnyqnJ+xqU4QjLRuEY9L3/ofj2sqXghkF42vkGSaNXUr4vIV2krNS1T3ufpB8T7drDxd4X8R3NzGP8AhHl0+b7Y6SpewafcXbjVd1whundZbYTm98iz8+6jdoohE+Cf6zwOJw+WU5YejiP7OhPHwUsf7KeL+oqrQoc2M+rTVR4n6vy+29gpL23J7NWctf50pT+sZPQlvfFzu+7XtVd6R/ruefft+fEf9pTw/wCGfCejfsmeHvDetePviBpXiq+1mfxFrdroF5oHgjwla6Zb65N4O1NLhbLSfGkt3410q2stYaa+h0a7uBqnk3Nzpcek6j8l9JnjTgXw9yPhzMs9zn6vxHm+WVsTkXE8MtzerKWHjisnjiqkMow+Dx+BgqkMdVk4Yunh68Y421Jwnh6VSlzzouN5xSi+l4qTjrZckpPmju7Tiottcy2R8e/sxf8ABSDw58Sv2zPhbpVzafG7T/F3jDw7qH7ONhJ4zv8Awb4xuvAepfEDW9fvVvv+E4tfsWteJfD8Xjzw1oF7rOna3DrGsWXiTSbWW2uLTRrbUIV+Z8EOPPGRcY4ifGfFGF4vWacJZ1g8mzCGTZHkOIo1cRm/DNOfNhMJlNGnKlV5KHsqk+SXs6cnKo6eLajyxzSVKfs4xetl7zhyq+kndQnK65uV76KyW9/P/wBoL44/tPa7+0d4rj+Lvxk8Q/E7Sf2dJrvxInw90fUV+F2jDXL+10P4ZXeqeD/EHhW1u9L1KTwD4ks7L4iWN9HDqVxo+tNqunzWWpXbCx1T38v4+zvC+KP1Ti3/AJF1Chm9WC5sI3GUa+NwtDTLMJPEJNzkryk4tpqV+W67cBmahL2sqaWjbs0ruSW/LT11bv8Apc+7f+CZfxwf4u/BPxFba74i8DeI/iH4O+JfjRfHt14Ek8R3OmmbxhrGp+NtNu7m91nS7OK61vULLVbq6k0vRYLbT7S3t/8ARdM0Cxaz0m3+O41hl/FHGWOzrIKf7nEPCPFytiU5Rp5XhMHQaeNWH5vewmKUVTjFN06vtJJqDn6CzWnmDXK2pUFyuN5OP7y8tL0oJSdtfiuor4bLm8s/4LK+NvEHhex+GreKviB42+EPwViuojF4m+H0GrXd14+8Y6mniGx8TfCzx3deH78X2k+HtV8Hro2r6NapFbWmrB9ZutS1CRtItbfT+3N8dTynL6dOnScq86VqcXOUXKaw1WSWsKtNSboxaTbupQ5bqUebizyrVhg6ji9oyTdlbSnW2vG7SejbWj5lbTX5C/Yk8DeNfFHjbWvEV9qK+HfAGgeB/Dk/ga1XRrm+8eah8FbzxH4ag8R3vw8uLPWZoI/FPwf8Lab4Y1O68+V5JvDNkEW8ku7WWS4+Xxue5X4m5VT4Wx8nGrwri8ww+JpJVnOm8yx8cbGVqNPL+ZP6hyxbr1byhNXpx/ieXwlwlXxuZ187cl/tMrxuopN0qWLwkU5LERa+CN7UE9VpJ3b/AGL0/R4YdLs7UXuoXgsLe2sI77UCb2/uIbS0+zpeXl0hhF3PcLEt1Nd+VE9y0xlaKN3ZB8rV4I4a42xX+t1G9N8PypKMVHMJqossisyU4yqYrBe7UWKjyXwtVSjafvqXs4/WyzT6hVhQnC/MoNJNq7qTk7Plp1eVp05KUXJ8rur2im/y++I/iXxf4O8XftB/HDQ9b0nQdB8P698VbmNL6OS9iuPFukfFq41DwVK+jbWEjWV1DHc3t4so/tOKdtOaC0WE3EnyeHz3Lq3iDHKI5TUxWNwmIrYbBuOKdCnPBzwmPkp89lN1XK8Y0KycYRpyqKu5VuRfu/CnDlLOOD+H8djM4+r4HH5RluLdNZfKt7H2+X4PEQhKVKvRqTjCXsoc8YxlOUk3TjHmtY/4JdftdaD8OvjXr2n+P/Elr4pX9pTWtDn17xq+s6fdzjx3qeseKdR8N6xdwII7tINe1fxJqXhqPSjGJbHUL7SrdJ7y007zH+7yrGcQYTOsyljcpcMHiMuqQrc2Nwc6mEmoYZVakowTlX5VOpO0ainZp8qnaBX0mvBrg6j4fcIZ1wznVKtjMmzfH4l4aWWZrhqUsLh8PiKns4VMTmFSnScYYRex5MNO1SEIyUablI+3v+CgVp/aX7JPxVsY4bSe7aw0I29vdOYYpHk17TUjV2AJIbzGXy8fveYty79w4uJ8TTnkGbqL5ZKrhpe6mpcrzDCSurpa6330017fknhC7eIuGi0ub6pmmy2g8PWkm31u2k1316njH7HcEeneOfgtZyi1gvo7zVxHDpqtZ2eyH4Z+NYJilm0lwCxigUu3mHIuDgAoGb8Q8MMfUp8fZnmFGWIlFVcTNSr1YVKzVTLc5i+ap7JK69o/+Xfn10/S/HaH/GPYqMlH4cMtFZf73kyvbydmuq010ufYsFwjuE3yyDEbAsRgbi23lUXkjOc57V+k5NnmIqY+aSk1z63dO1/bU7q3stbX01XXQ/GaqSW9ursvW6/q/wCBJO8inMY3biAdx6Zxj364+v511Z5meYUaMamHpRqQqYmjRquafuKcN04WV7fO9tdUTRjFc1nd2v26266el9NxY3PA5B2qeMEZAwec54zj2yR7DoweYqpOjgaT96thFXnZ6qairqKTvZctvPT5jjzK7vo+i6brfZv/AIL7CxXDrExbAxvJHBOOwxxzx/Ptioy3O6rybFynF+3wlLGV60Yx5m6dJVpJRUmlKTjHRNpN2Ta1aHS95JPS63dvvtrbXp9x+EXxrYN/wdE/8FJXPyMf2TvgSyzt/q7Rn+B37BY+0zgZPkxqzB9quw3AqjEV/dP0fZ/XfDbwxrpqHt/DLg6uva2g/wB5w7k8+VpcyUrS+FNpNbtI+K44pyqYbG01bmeZNX1t7taq29FfppofUnm+VbQuxSAeaEkechFAL4Zkl+aGXavO2GSRiRtVS3FfWVs2wtFXl7SVlf3fZvo31qLseFSw1WtZRVru3vKS2aXSLOe8VeNbGyjhW1aTUbybK2+l26NczXDRyEGRmtTLBbpHtaf/AEmeBysR+TJVW4cw4pwSoVadOGKjVfLyycaSirVY813HEcyvFNKy6q+lzqoZTiItVZ+zdNbxXO5O8bKylStu0279H6GJF4a8U6/Jcya891ajUvssljpnmxyWbsJd8ZuWgkk2BIxIpiddzMwKqyq7J85mNXMsXUVWjiIRhF81p1q6lZRitoOSveL+9d2j0cBgIOXvQte3xRX83nDQ634efD46ZqJv9WgvNW1i1luLOxhuPKh020S6eG4iMeHYvBH9lw7NCjgldqtk4iGJrVYfVsQ5T9n+8es5RvFKlde0k9bt/ZTs990ejDC0aEY1LR1tFqKjfWPX3V+f/A6zxBpEWsqdP1HUIlTUDHbS2NqsBsZJbaRJW3SxytN5cJ25aWCM7mARXG7ZPt6F1GMKik2rPlilrts7rTyNZ1qTpSgoyUmmk7Rtrrve/roYV/fWvhabU7C1is9OtLfTbiP+0Y5Va4jjMMi3jwiTYGBt1AtxEzXHnBgYVXy3dVVzyUJU6kpyV1KMLxUZXSTlupJu7SWid0Z0f3bc3OHLzNtN69HdLRbK2vU8S+Lnx8h0y2k0zw0z2M9/CtqqQwx3+v3sNsfMkjtbBZ21JpLw/OrLbrEBIMyrHh67cqyKUnzT9il2le+1VdaL7fcTjM3w6jyxVRPT+RLeL6Vb97mH8N/2bNQ8b3lh8RPjJfXk/wBum/tDSPAK+bEdP03Vo0VYNQgeOKEz2mk/ZYWKzTf6YkwL7QJn92Dy2io0XRnz04qnKUadDlc4e42no7XV02k+tuh4+KzNTUkvaX96/b7Sun7T5nuElrbW8kWjWVlbaXp2k2dvp+nrZWy262cSwx+QkU6MDIEiKh2kgDlgSd33jpGpR/5dwklpZOMFt/hdu55OLqYmpObhNK8m1edRae72v+Z82/t7eL4otR8HfBy+8QxaRpOu6bq/j3xrN9rttJt7PQvD19YWy6ebmZ2ii0iz8SXNxbTWkhFpqW28jmvEVRu/Kvpa8Z47AZdkPC+WYbNJ5nTp5XmEKeGo1pYPHVs1r8bZbDCcmHxca2IqvDQq1VCeDmqVWjh68XUlRpwX0Hh9luO4hxdajl+FruVLBYnMatSpQqumsNhcThKNSEZ0Kddqu6lSm4wkowdNvmnFuz+QP2lPG2nWsZ0mMTanq3wy0fRfGQ1NJ2SO/wBN8UTaibOGAjapvrL/AIRGN/s2IYzZ3Uc0M00TS+V+R+FeQYqrJYyXJhcHxXjsfkbwsqacsPispp4VV6lRO7+r1/7alH2vvy9tRlCcITUOevFPh7iShl2CxeEweJoVYVcVhZVquHzCj7OphquWznXqzp4ePJQrRxap4WftOerOFaMoQjFOfrXhvVH1Gymkhfzmv9O0uU2880ixpdXGmtJdHLR5aMGB+B8zEqSnB2/GZphI4avCM4+zWHxOLh7SnTi5So08Uo0dFKym/aR8kk9ej7I4/KsVm7xGEwuJpYLE4Krh8VRr0cPTqylWeXxg+SnKVJwjCjir88pW9pC0Wp1beK/tVzTWngnx9N9u0q+8O3DeBgdMHkWuox3q+LtFVJVJP721il+8rywnJjmJAiIr7zwehTrZ/wAOU/q+MoZnSjxA/rb9pWw06DyXHuUGre5WnDZxhPRSgr86PU8DqSyXxs4cxUvYYjh+eb5tjMXgFUdOtUpYnLcyo4NRpwjTwsq2Hxzy/EOnVl7NewbjNzhSt6P8MdYMnifxFq+n6naazH8KvD3j34y/YLTSzbt4X1H4MfDTxB4+t0vbtr668/z9R8O6Olq0axQnV79Iml8idrqHr8KsojPj/g+WLwFbC/Wljaf1rE4n6xSzKnUw+OxGHrwpLCQjQVGrSnzSrNtUKEH7lWMac/CyHB0MvwfGua5G3COWYvg7FYtYuMKdZ0YY5+1p4d4RR9pVlQWIgo1KkI884Rk/ZyqNdD8A9Hh8B/sVfs1aJ4jtpdRb9o79pvXPidravbv9q174W/s/aPOdGF61uJGEDeJvAem6npcmZIb9tdP26eyDrX7hhsVR4O4f484kxanPK8Dk3E+G9jhFF4utXw2Bjj/a4enWlhcPOjKhhZU6dT28JSq8sUlTvUXp0vZYrO8tzWcb0sVlmCxVWNouoqlfFRxUlOL5oqfJK75qspaq7kvea6rdW5P2WyvfLjhumllYWMa6jBbLDaQwahcPbySRLBcCeN2jheWaP97HHA6xo0n8kYOjUX76vh+ac6SjBfWJPC1KrqVp1MNTjUjCbqU3TlFSqRhCfuSlUi5SUeDNsap42lLDufLF1HOKj79nRpRjK0JtWvdvW66LQ8h/aL+MmhfCnT9E1XxZoGpeJJNdvbeG3W187SvsVpHbw3MaPfyGF7m8lgcxQae1uPNmgnxKYAs7/beGHA+YcYYnH4PJsywuVxy+hVnVdbkxnt60qs6UpLDxVSNGjCpFTqYlVPchUp3h7RunG8t4Zq8VzzOWGxGXYTF4HEYuLwua16uExWIWHqYaEZ4SjRwuLq4iGIr42lQwz5Y+1rRqU/dcVzYvxF+Kdh8Kf7J8SW2mXOreDfG3izwzFpvibR72Wyk8NR+I421W11q21pVWyj06O5ke1kvZbuJnCxeXFIW+X0uD+Gsy4jr4jC0Mzlk/E3DWU5rWqYOpF+1x9XK2sFVwf1anOOLWMlRiqsaNKm+XmqKU4rfLB5NjMNic4wccDXnjsozT+y8VQVCsq1TEvE47D0pYWl7FV6lPFTw0lhXVjRqV418Ny071XGP6f/sC/Fu/+OPgr4R+KdQv59T8aWXi5/BPjAvbqbmHWvDfiKGO+N/bWb3S2yXOnXFhrenzuweTRtZ0q5uI7WeSe2tv6A4Nz3BcWZPVzjLI14YSlGcn9ahTp1ZcmFwuLlGMaNSvByjHFQpO9RL28KkU3BRnLwp4apHMqeJlywhekuSfNGp7lVK/K4215G4+9qmr26ee/wDBjVI6D/gqMEUkmL9ixw+xpQrRj9rbYPKRkaUszcRq6s+CoYE5HWlfR7PR38z6M/dzXru4l0fV2tZbbVLm70jWF0bTLy1Dma706wns9Wsri+S1uIfOnVomttFbT4tWEsOqC6WS3a+stDqhb6xCMr8nPFcqS5dW7Jxva1+W610v8QVJR5HzKLVuvr0u+t9fl2Tf4Xftm2nh+P4FeENWv11EXOleKvDcNve61Ff2mnJZwXIfU7drPT38JW17LdQRJElzqeswKLaOe2CXTXItZv1DhqnCGU1owoU5J0qnuKnGS/iYr3uVJWau9f73dnzPEcMPiqcIP2cXSrxrRdqaanClJJxbTtJc900k1unpr67/AME3L3XfGnwP8RWfhfxJ/a3xl8BzFRp8cdzrM/iP4NeJfC2oadqGiadDp2rx+LvD0ujanolx4p1rXrOx07ULLT9J0IaXofjTUxo2n3Px/F88ZQxtSVCNWhF1ZL91GrST5q+IVvcaWvuq3XRdj0uCYUqydGvifawjCahTq1oVIR5YYZLljNNKyuo2Wl/U7Sfxf4z+GV083hWH4t+ANZ8JeOp9V0vwrpnhC41ORPE11cT/AGzWfD/xJtLiP/hJ/DWveHNcm1vSNE1mK41VPBep2Gl6t4Y8PXFxqdnoXDh8bRw7j9cwOaYhV3aSy/DQrKUYNprFqrOKatKKop8y0qLRJHZ/Z7xGJr2xU/ZUPZNQ9veCU4Xfu8koq7jd7XZufEf43L4r8SXEvxL+L/gbQLa9g8PaRpM3gf4DePPAviCLT59V1SDU4PGp8EWXj7/hK4RDPc2raDo19HpsxV/9Js57m6t7b28kxGWVKao4XJ+K0pu9vqcajbkqUbXlVqS5fej7q08u/PmGMy/KoSlKpQhKKfvKWHg7xU3e/NSd70276PTftjR/GLwDo1mvhrTPjx8S7VdI1bVPG2jsfhp40tfh2mr6BoN20GtjUdCW51OHxzqem3s0F23ijQpdYh8NeHLPSrGcLcQwVlxTwRj8Dh3xLGnmOEwOMivY4fGxrUK0Pq9WjgKiqYdYOFGCdWaqwccTPnU1KUYStGeXD/H+X4vEywNOrTnXha9XnoyqS5qdasr1I42c5NQi4r3FaKUVdar6h+GXwn+OPj7UPFGsxan44+E/gnxP420TxD4q8X31v8QPh/8AFHxeNP1fRNU1qw0vwzp+mxeKrHQfEF5Bqvg7UNZ8T634I8U+DrTTptQTQvF/g2+02R/iq/1fN4PnynB1Hdw5quAhNzbUurVW7ftG7dW3ZNXv3UFUoZg603KUXNu0ueS5XXU+VXSXKlFqzdrvs215h8R/Ct14o0j4xavqp8T6zdeHPi9Z+APAdx8TtRvda17RbDw9rnh34VjU/DniT4heJ9a8R+FtM8RR/Da68U67J4juZ9WuNd8Ty3l6Zr6eSST+PfpGeIuIj9JbB5AuI8bLg3gXGZpg+I+E/wC15/6sV6md8FZVVyulmWRPHxyqpHAZvQli8JTzCjhPquYQjXw8amJi5R/aPCnA0llGQJYVLE4vBZlmFSvTot1PZRxGIqU4N06E69WfssZCNCnZt0oVFTckkpepf8E7dQTRfF3xt+Hiajqq3Elx8LfiDptu9xobXU0dzY6t8O/FOlQJLCkMemaKPAWiaxq9uol8QR2PijRpIbiORtNRv039m9xfic++ja1j8RWx+OwviFxRk861fEYjEV6axWEyXNqMva4jEzrx9hTzKnFcyhCm3KFOhOlJVKnifSgoX4+pVqFGhTwUsmy32dPCwVLCRqOrmUqU1TS5PrDw7h7SpG0pSjK0YRcUvrWSKVnjkimWDCvFNuQSSSHy5BARITnbHNKJAv3fvgY3NX75UnSw0VBxhKvOKtUetR23fNeMnf37uzvd7an53Rf7rklFys1JJttL4ebdpaqKW13ZLojwz9vtIrj9mfxb4YvLfSLzWPHeseFvhtoWoXGly3lxaar428TaTp58QaLY2v78eIPBSRL8QNC1OE+ZoXiPwfovieyeDV9C02+tPjvpAcYUvDvwX8Q+KMZXSxGE4N4seX1pzgq+Gx+G4XzzH4Wtha1avhPY4qnLL1OhOFX2qcOanG0G4+pwJln13inLqc6UamEo4nCYnEUJw5qNShDHYONaFajySp1IVIVKkJqaUZRnOM5KMpHx9+0bD4w8EaloMXg/x94++Husan8PD480a28JazZxka//AMJBqNro/iTXLDULK/0vxbcaisAkutM8WWuq6dco7tcW91qFtaQN/F30Z/HrO54yvmHHOdZrn1PM/EzizO8EuJMwxOZOHDOP4Tmsry2Mc2zqcYZXhMylLEYLCU5vA08RGGKoTliZO/7dkPD2UcSYDO8LkWVZdgMRl1ONKVXL8Dh8LVk6OLyinX9/C4apUfOsYqVT3UpxjaTto+p/aN+EnjP4U+LvD+o+JPG3xA+KHw38T+A7u68Eafq/hDVPiZZePPiH4osfFnhjW/Bni3WPBfh7R59D8OeFvAFzpfxX0eNvAGl6l428VWTQ2niSJvDRmi/uDgTgrK8jVGGczpZfiqU4Sp4yTw+DxGJbrYucm6+LwtKrXeGhOjTTUYexjLk1i4Sl+K53x57fAxyB0VWrqGIo4qc3GvWrQxDhVw7xEo4uUm6fvU6cKtOXLThHkb1hHidQ/ao8afDjVPFnx+8Yz3/wxeSy8LeA5dV8Q/C74teGNcm8O6Zc+HLrVrv4faf4S8I6TFrllLKY9UhsLfSfF3hvRrO51TwzYTyTaTqFpa/YYvAcITw6lUzqlOrGCtOeZZXKaapzd4ycG01Jtq1rNtnz+GyzFOrKsq1bDUJyc3ShUqUaTUpxqWlD2fI/dstXtBK7Ubj/ABN+3d+0xctZ+IPEln8Yfh34Cfxv4bvtK8RR678PNB0/VPDXieWaPSNLtNd8cfEzwro76xq+pOb6TSNShl1LSfD2rzytoUGr+D9Ls7Xz6FfDUXy0MZLG4ZfBXniIYn2l0+a9WDjTnyVG4e6rx5FF+9EzxlapPH1sDhKUp0qXs+SdOEpRlz0YVpWlTfK7SUou0FZqzu02eLTftD/G74j+NfjtZ3DeNfAdh8NtUTUfFPjP4ganc64Nb1zw6ZPFP2bRte17UPhxolnrvjTV9D8PX3h3TLDR/iVpUGr69p8egaYllrGp+ZONzjDUl+6jTg9f4apxe0/5aid7pfh2OmUcfgqS+tKvVp2X7usq04WUXooVOSNuWMo27NrZu36lfBX4feEfhH4a0/UtGs18QeJ7jR20/wAV/Eu41yz1/X/Ef9ma5quvltS129v7LRINCgGva9qkej6rceA4PDyapqMHh3RHu9TutNtNqNT2tGlVvf2lOFS/fnipX111v1CMlOMZJKKklJRiuWMVJXSUfspLRLolY9eJ+zMwEeInayjg2L9yWaV4mQquB5VuNkoThVUsBjrVDPA/+CsUkC/8Esv+ClBMiBT+wL+2OiszbGeZ/wBnf4iqEjGVyCxG4DIYcEMAaAPw3/4IO6NcXP8AwT21e8sL9/tlx8XvG9idMBfZdLb2djPaQPHG3mXCXd/cQ2zQwRSy4mLeWwzX5P4+ctHPaGNrvkwlLIaFGrVtz8k1iM2ryXs481SVqPv3UHF/Cnz+6cWLpVJY6lOEbqFShLeKXutPq0+h+unj3xD4j8S+CNF1rQPE2qaT4EuorefSNS8B2N2nij4j3mvzkWNgL6BrOTw1oQXUxba9ex3CRz2EKpPPHHcTR1+W+xqZTU/tLEL2eCnZQr3UruDTl+7pOVZW+rVd6avyO1+aPN01aOMnFynS5adndqpB6Wd9Odt6c19NbaK50nwJ8BeH/hB8M1ni/sbW/EGsS3Gv694htIk0rUbr7ReXc9ra6teXdrFqI0zQ7W7tLKae9+yWZtYFnC+W5uprwmNxOZZli6FOPPhsbktejh5c7XtMVUrww8YclSS5bvmjz1IwjprNR1d5NgqdalVr4b95ShVlCpNxjDlqKFGo42koydqcoS5lFx1te6aX5S69/wAFObf4T/8ABTT41fHex8Qa94v/AGePiB4i0jwRquh3WsahZWiaDouk6P4UsvFOgJepNZ2Z0jVdL1DxRo7paKW0m/jtYpVuXct6/iv4AYPxW+j/AILhTAQWJ4+pYrOXHK50crpxhCpguLqGAnLNcdCODXtMRm+AglTxspUnXU5RpwpV50vV4X4ihw/mHPiJKnRTi3pWldOphpyXLRUrrlpSbVtbd2k/1MfwRP8AFzX4/GNj4+trPwRNY6PYaLe+Ary3utfOlTXmq6tqV1oHiqK6kt/Bk2sxanY+F59R8ONc6jrui6DDHLdaM+r3a238RZJxVg8ojhOAMb4XZd/r/mFejLPcxlmGR1cuyjC5piI4PB4rDZcsprOvWwWFq5djKfJxViJVqjqUFQws6s5YH7bE0JYi8qb9p7rcW3GN+SL5lZxhK1rTnaMuVylZuEfdn8a/s9xXljPF8Ldc0n4a3jWKT2+k6N4StrnwofF2kXKX/hXxpDpNneeHNU03xLpVytla3niiwZLm70rT7qHUoGt5lZPXnnuI4W4ixOLzaeJzrC4XKvqGY8V5niquKxuJyCdWlmeYZPLCuGJzNYGnF4iu6E6mKwlSpSnL6lOpWijGrTrUaCXspKU5+zim4OPNNStD2kJSpqTaWjns79GWfjp4/wBN0zRbXwJLfavo2q+MtNsLPXdS0LT9W1zXvDfgvUA+nT6hp1tpltBc3+uanewX2laM86aSNPH27WZIIND8OavqFr+t/Qk8EMH4q8eYvipVK2acDcNOOYQ4lq0MAqmc18ix3BmMxmU4jK83m82p4eVHG4ynKvUwVShOOGiqFKpCrThLz84zeOXYCthK81SrTp1uWlarUvOtTrRj79JSpxTcbNcys23Pu7/xz+PFn4r+EHgD4l/B/wAD694uHi3xTqHgfRvGfh7xhpHgLxf8HPGGsa/4e8H2yLYta3l94m0439vNP4l0C1nudL1Pw5oE9rqIurS80OGz/tupnGEo5hUynGYtvNqUqca1GVPEScZYmFGpQTrKNShO9KvQs41pKMZqM+SScYfKYChialCCqUnGtq5xlKnJWVWbilNTeylHl99apNRVpRfuTSXCtaQybJpkENvItpZiCE3CBI2ktklufMsomkBMISNmt0KgAlAK6cVKeXxw9auuR4iUfqv2vaVGlOEf3fM4XvHWfJa+rTuXioShSnTfuzqwnTprmT5pyhaC503FXco+85Ja6s+Cf2hfHl7q3xB+KvxGu9SnuNatdY8VeHvD1nqAJuNB8M+FfFbeELOS0/tNY2aPZpOv61BH5UKND4jmeAyOVe5/lP6UfF+Nzni7PcppSdTA5Nm+KwONn7XE/wCy5dmuCwzz6sqFWSjWlhK2GlThQoQqfWv4ip1kot/0H9GThek+HcvruH+0V8DhvrMPZ0HzJVszqcsqqtJRdWnScpucua3s2nz3Xi3xBnupfCMKytPOdO+Ini1TqDvbv9rNzNqS2lt5ySIzpawJG0d5Is8twt1++W3MAEn59wT/AGdSz3h+WEre0hisU8DhqnspQVZYbNcuwmGVnTi4OcYczc+WEOa3uxR+uUMNLDZdxZe8Y1eGMdP2UoxjKnGGFxHvSSd7yjUjHkcU4Om922o89+ztqNk2ueH23GMzfCXwHAki3byyNJdLrxaMMDAyRGaYB0aKMM4MgLpG01e747YXGSynLZ0qV4yWYuLVWnG8cFgaOGxW9RNeyrSVN3S5781PnhdnyPhvD2uO4/VFKco1uGJSTSVlHB5xJtc1uZ3Xu2u1JJrWzW/oLI3ir4nXCmAQ6V4Y1i3kJtBbTMZdZ8PQsXeUqXMSxOLbzzglVDMvJr4vh+up5P7C/wC/WDprk1+O1SLjzP3Ptb81vM+4zuMqOS8O0JxtWzaNWhhIXT9rUw2GeDrrm1jDkxuJw9G9WUFJ1faxcqUKk49/4i0SXV/D/hC+vr1pDfeCNKFzHOkTOt3bWtjPDM6NKYvOka7ljlRirwJumchFJHLjfa06dXDvTEVqtGNKne/NJYmMkudS5I6TWspK19b6o8fI8S8HPNMFVp+zrQr4mk4O9pTSxEMRaSi4v2VnK6bp1WuWlOW6yPiRqE9kmoX41BbVrXw54GhiXeRD9mu/Hnhy5uLkXCMbZFjfbAAsh8wXO5CVR67eHsQ8TXllUHz4+hTSrULySgo06uJf7yVqMrUqcp+7Ule3Kk5NRZl1BVMfUrSVqbxVVxbtq1Sxiej95vlUtWtbeaH/AAnsb/xf8bfBV5oniXXfCUunfFjw5pN3rvhmK5fW9LsPiZ4k0jQjfW1xb3VhPbaTdnVdFjv9atrvZoTaQZ59K1eCe9bSf0/6N+LlV8QcBTp1JKFLOKOHmk5qNOrQWbUMRFq9rU8RTnBSinCbXNBzTUn8v9IrDYfLvC3FZjXjFUK2X5pCnWlCDdaVDMMvw84qKTqcykuVqXS8tKacz9ToJSiLjhNuDlgGUbRkMMKdwHUBFyc/KOg/regpLD4drVOjTu+ZdYR+fXt8kfytFqup1r3pzlKdOVpJSXtJKLUZXlFNpaSs1fV6GnZEMJCCCCIzwc9m/KuzB7T/AO3f/bzDEppxumtZf+2k9bGRR1iWFJNPjm58+eWNUONufIdi/rvXAVTnGJHBBJUjyOK4xdPBXcl79fZpX92n36rp21N8EpfveWyajHXru9F5Ozv521RFdputLwsAUkikOAzqSdsa4yrAgEKOmCOcEAmuKFCLwlbE3k5UJ4blV/cftsVCnLmVr6Ru46xs7brQmo/31KjpyVI1XJte8nSgpQ5W9F15lbVJbWPyottFe6/aD/aTF1c3yHWfiF41toI44pp7K30+fxj4hga4iMhlT7XYXIjvUDb3EMdzDgy3ltJb/wAIfSPz2rl/jFjM0hDCvEZT4xYuphlVTVGUsFxTnOIpfWIRqxrVY1J0Y0nGnVo/G5RlBRmf0rwpJ5r4MZPhcR7lOvw1l/DspULxmsDU4Uw9N1YOo6kVilGrJqo4uldRvQex+mXgTxJYeItE03W7GcXNvq8ema5bTXAkSSSz1/SrXUFLxzyPKgEd0NiO52jHUACv7ixUkqiVOTdNPROV07qLd+X3fivt89T+c6V5e0he1ktVdO6Ta126WWnZb6k3xBsbW/8AB/iG2jlaSNNJ16xADJ5WLvTRbSrIuza5iSd/J6BSF3CQZDZcXzpQyht4XCVbUn/FoRnf/ZsStdtd/nqXwzVlSzWny6uWIV7p/Zr4epbRreUEn/dutHZr8tv2AtN+1+I/gTpszyXsSftB6dplnHDPJGFn0XxTq3ii8SQRuoghhTQZYIfNDIY1IUYZSn8veEFp/TloT+qYenLB53xniIxhSjTi443g7iujrreUXGFN01TcXBzkm5cr5f3jxUx1SHgbw7FOnBS4YyOTnySk4Ny4bquXLzNS5XKT5WndK2t9f0W+PUVnbXOg3l15skcX2WK5iEkMcd1FHeSSXkMpmjeHD27bYjOGhV2JmWRMpX9SfUYY3D4nBpUozxOAxNdVaiUY08T7+Cg3NQk4UIxhGUrRlUT5pKVrRX4BhZVMPlWCpU1GTq5jGkudOT991Iu3K1tNPl0fu20bPMP2zvgD8SvjH8Nfg3qfwQ1W48O+JPBtodSlI+IHiPwF4ku4Ljw5cLpOiaD4q0SGbXJZ9W14SWerm21eB9XstQMWuR6zbJYQW3wvjt4M4PxM4dyVYjIuH1mPDmXSyqhmuZZNg6tbFUsVisphVeAxWNybNXiKUvqs6qqRp0XCWJhWhGNWUZ0qxGIjh5Onila81/CfLNSXKo8rnOLi2+RcunMnqvf9745+Afwm8GD4k+BvGNx8IvFmk+OPB+uWeuW3jz4nX8/irSfG3xr8N/EK+1G30DwnrWv3kkunz/Em5vx4a8QX9vrNrrfw712SyXxJFPN4lme7+N8OuBOJKWb5Zn2e47iLB0MhxuBxeCeIrYvBVcbmEMwp4yhhKsauAo0K2WVI5fVWY0MPUw9eo1g2pN89SNZFhuGsRi8TWw2IxtXGQwNeXJXq5fVoxpqpQvKMYxnU51KNHWT5LOa6wS9++MPwR/Zu8QQa/rF94C8Pf8Ir49+H0Xjzw/40vvCkb+JfD+vab4w1LR/iHd+KJZdQTXNNv/Dnjbxrp3jjxlc2WrQXFppnhvxLp+rxnQ7fV7xP1DHZNl3EmOp5lm0GqzwccLzUY0FGcI1Z4pVJPE08RJ1ZVK0+aXtLNbRveT64VYYidTDuhh4Qi5e9Tgub3JJL3tn5vkjfsr2O2/ZP/Y/+AXgDwhLq1n8DvC2jeIzr3iC0+2eLo4fibcxyR22i/bfEHhW81ewe1/sHxna6PaSaPqekzXsk2natM+g68+jahbaTo/r5RwzkGQZdSwmCy7BqjPn9piKuEwX1mpy16tSHPWpUKMJ8kq0oRvF8tO0U73vw0afs62IlTVow9jzWVvjg0uZJJatu1/krk3xS/Zq8IfEbwdP8KPiN8YfC3ij4Xw+INUs9K0L4kfD/AOH2ual4Q1rUbvVbuw0nQ/GuoeI7LVvDPjHwnotxrmm+E7mS0tNSt9Hm1LRTp2p6dJbWcPy/GHhfwVxH7X/hUz3D15c3u4HGZTS5Jt4p2gnl9eaanWtG3ve7FLVPmdXPMJiVPDSdFvWDXNSb2cNpVZWk22rJXfTflPA/hj+zt42/Z/v9Jnk8OXcmqaR8Qf2kdN8jxDpWk6F4o1/9mrwF8MPFfhnwfqOltpsdv4d8R3fjbR9X0zxdp+jz6D4dt9P8ReH30648Mve2aRocM+FWD4ZyKOEyXEZtCFSti6sqlavB4ip7XMsXi17WtRwFGVXkeLqxpSqc8vZqKc5yc5z6MqrU8FGM6NaolLXkdSPIuaVT4YU3Cy99yk9ru70TPrHwn8fvGcfhWyvPFngu2l1jXPB3w48QeErPwXr2oanP4oHxClls0jlGqeH9F0bRLvQEVdS1s/29qcMdnOjmaN9+Pkcf4Y53k2Pr18pxueqnWhD2mFeJxawc26UIS56GGy+nGXOqNONTmb5480Zbq3XGth6k41ZRpOSlF+8oyVoSb5bSlezu1bmSSd1po/hv4aQ6f41k1/wRrVjdW76j+0xrXh/xd4c1CSPUZppZ/GOoa5qOgX19ZyzabqjR3EV5bajc2RksL2VFlsisDIW/GuDOEFxB9LjLchzfMM5wkK9XipYyOAxccPKFXDZXxvVtCFfDVopqpgaal7ehKbU6nNaq1KH67x/m1XCeBGQYjDYLLaXtMkyCiqkMNKFXmw74TlOo6lOrF89SOJ5Zy5nzJWsl8X1L4r+DXwa+HvwT1f4mt4B8EaHr2iax8MdXm8V3OieHtOurbwp4T+JWhXsM93rsmnrcW9nodhHql9d65dXDanBaX+pWs+pHRJpNOr+p+MvY5jwNn1HF04UKK4W4pqVquDhCniHCODrRlapVVSPuwlLluklKMeaXLdP8ay7Js2rYzJMoynF53nGYZlj6GHyzLq1fEZjPFZlUxlKhgcLhsJhqUq9api8Rio0fY4anPEYiU406Kcp8s/O/jZ+07pfx5/ZL+KVxo+u6Ve6toX7T9l4CtoNK1XTdYl1TwInxR01/BXiee0sb64vhpHiTwrcWVypW3eG01aHUdJlVP7Lmdv5l4mweR4bIsZ9SxWY1amIzRYWf1utg5qNKKWK9104wanzYSKpq8k06kVDmcJL73gvhbifgHjXLMTxjwvxLlFavhsfGSxWSZhgIRnWwuIXLTWaYbB1FTjWw9WnBOT5GlBqc3Lkd+yLAbv4z/BZ5fIkudH034i3V6rLPE4kh8LHQLdoY3ijUxeRqk7yeZlhLIZI3C7om/JfB3CxocXcU4itSjLB5T/Yzg5RUuf8AtjA5vRqqq5e6/Z1ZL2N3Ra92/tnv959IiMo5VJYKSeArJOrKu74pSpYjJfZqn7G1JXq39pzrWk1yPn5rfalskK7XAYZUIEwmxdh+U4CbgSD64wBgA1+uZDHI6dRYhQ96cuZpxwfJfmoz0Vk9Hf7T0b9T8Wrc7bV1bfS6eqd+ttO3/BE1HaUABQFmyOx+UEjp+Xt2x1G/GDyutk3+z04KpPHYdN2pK3LTrWt7LTTR78y1vZct5op3fxaLrr+l/wAe/Yit4CJFIII2nPJ5OT06dsY6D0rweH8oq/6zYSUnel9Qq72tZ83/AAdrdTSUlyP1W39aCohMsykZUqOQNw5HPJP19entU5Tl8q2Z8T4blth45ZX5UtUuajNz0ejvd6XS6MbdoxfXm6rt+q20PwO/aZu59P8A+Dn3/go1NapeSzL+zD8BkjgtCyidh8BP2FysV2FDBrNmQGWN1ZHZY1I5Br+2vCnF1Mm8J/DKVCcqbp+H3BeGUo+6+RcN5crWUZJfAtErLvofKZ9hli62MptJ/wC3Vp29KtTb3o9+57pofgrxt4ovBDqetasbaOaKVmm1K4jsYFRlLRywmT7IkmAcxW8FuzZOJkc7x2/2viMRdOrN36c3y/kj3MKWWYem01Th/wCA+a/v+WqO3srDwZ8M7CJLixg1jUbq0aS7nv5Io3i86UwKY4Y5BmLcMwtLNcTXEhEMULStGrTOliMVFxi5c8tvejfR873lG39ehvyYelTvKEeVWfwu2rS6X2b6fhucj4w+Ong/wbdQQoRc3+sSRpZ2MNq8t7bG33sztbJaxS2NuTIsfnajBb3DMUFoLiL7U0XRh8vrQpv2l2rPrF/zdqj6f1sQ8Th4/wAOKi/JSXpvHuPt/i/4r8UvEum20mj21w8aI7yF5HuFVjHmVVt3i3jcGLIyouQwbiop4WPt6nuq/I7vTpUj3f3C+syl7t247/1ppoXNU8a3Hhvw+2pXOrTzXdzGXZ5ylvax3aORPbJJGjtHEkQZ2viJDO/lRiBCS1Zxwa9vHT7S7dl/e9R+2ff/AIP4f8Oee6foHxN+O+u2839vXvgv4bRXSG91QXkkOreIrXzcXlt4c8xraWG5lhPkreQl5AMOq/KBXt5TlWErYSVWtRpyqRrSipOLbUY06cktJbczb9e5w5nmFWjWjThOUVKjGdk+rlUWvuvpFf1v6tovwm+HnhCexutC8I6KmoWoeKLxFdWVrqPit0eEQyM3ii+gn1pHkcNK4guokUMIVXZGpq6vJh3+6Sil2ur3tfv/ADP7zgq4qvNv35P5+nkuxpX4kt1RYU3LbmKMvKTNcydFZVuW/eRouOI/n44zmohLmkpO95Pmfq3f89/+ARJtwu9+VN37tO5T1EzGW7hMTbJpbZoZVA5H2eLdv7xqrZVWLHcBu+XOB00tvu/U5qm79X+nr/Xmfnb/AMFi9dj/AOFrfC7wZBaQ30zfDLxNfXKIqXMuoaBc+OI7fStH1guA1/o0eqaFqdxbadcrNay3s95dyKXlaN/zbxPxf9p8b/2jVUcO8qyfIMLQxrly1KderiOKK9SeFqxpU3RxGGoYuLVeE/aU4YqShKDqScf6O+gtwHlHFPDmd5xmuRYfNq0J8S5ZCjPDU6/PTwy4RxipVZe2pqFGUsY42lRmm5vWesI/GnxCttfvvC1zcy6vqtrfzWOm295FaXuoQrfafp92j2NlfRHUcTwabBd30VnFO7pbxTSwwpFDLJHJ43DVbLcPm9KlDBYOthoYjFVaE62Hw03h8TiaEo4ivh5rC3p1MVUo4ededOMXUnCE5ynOEZx/bvFz6P3B+K8MamIXDuU4bNIUsPjpU8Jl0b1adXH5PUqxl7XHOVJxw9GpzThiFObg0lCnKVKf2T8M7gar4U8N62VmaC8sLS4u3tz5Ek8KG7tQsMhMwhMMzAmVUdpYEj+VEuv3f4bxXSeDzjNcAnBVKGJrUqMai9pGnUkqNVucbQc+eC+ByShUctZSo+9/GWPwNLB5vxLhqMFFZXl+GxCUFy8vtMthifd1kovnlzXUqjfbWxw37Qnw08U/EDw38RPC/hbQ9I1K48SaFaXGmay629lq39taFqVnq2lafDchQbW31C4slsLpmmaNmnWV4mZVFfQ+GvFWT8NZpwxm+b5hjcLTyvMK1LFYFOpXwf1HMcLXwWMxM6TbVaphqdeWJpJQUkqbhGSTbDw0x2KpcR0c1g7zp1c3wtGrKpOlJVv7JxNShH2tKnUq04OpKKlKFKdk29djsvhXqetfDz9k39qTX/FFmLX4l+JPh/8ACH4Jw3MgbWls/GH7QHjW18I61pCXJUS39pJ4e029F5bRIv2mytrmKV1jkyP0XwcyvIc2zHjfP8rjTxGF4fsuGcR7COGr08LiaOfUqeJp0lNrDVcQ4zvKUKqslpFRlzTk+HqQ4azmMZySzqtk8a3tFFSxEMLj8Rh1ColUnFOLq05uLmknHljKo+Wa7H9pI2fgf4keNfBeiS2i+Dv2Lv2bPBf7PWgJYRwWFha+Odf0WGHxVrOk2ptbxbKfVLnX/CUl5LExuby6S7M8++R5K+18WswjlXA+RZQk3PibJ8vjj4RUpLEVc3ybNaWMlWUac1U9pCjJ1X7SlFpP95H43pHERoZbXrr3ZZdCpgoy2cfqeHTjH4W/dcVbSdrJcztY+SLf4y+L/AugeG/E2m6vq974Q0X4xHwx44FxIzW8PhrW/DzzJcpAQZkXRry7gvILyIyPcXrLFHBB9lLT/mdXgbJeIcyzTKsVgsFQzrHcD/2tw+6UUqlTNcBmcYOlKpf2beOoUalCpQmoxp0E5yqVPbWhy+FWXS4qzeEcRz1sNDFU6NXnlTlThHEYbHJVKinWwyhTpPD+0nN1Icij7Vvlhy1c3xF4u1Hxn4F1X4YeIpofF0MHi3UtU0Txt4rvL7WNTm0EazNqOkX1la3322e11W3tZX0bTL46tE1joV3/AGUlqlrHtHZluTYTI+IcFxZllKWSVJ5JhsHmGQ5NQoYLCxzGWCjh8ZQxNag6NKrhalWMMZisPDBOOIx+HWNlVliJylL+nuFfog8/G2S5rF0sswCyjAPHwag6WYJcQUM3lmMqC4ijCVb2HsMJGSw1eUqeFhPnqVJKguN1jWPE9xoFn8O9ZuftPgDQryQW2n3Nnps6O0VxdRafZDUxaf27FomnTCGaw0O71K906yuYBNYJbQi3itvbwWBymlmVfibA0vY8R5jQj7XE0q+Kpyip0qU8TXeFdb+z54/Ewc4YjMKOFoYrEUqnJiJVZurKr6UPAHhfh3j3iPNcdwxlSyPEZnGE4Rwcnl9WthYY/KsMnS+u1/q1JY2f1xUvYRjCtSi6VRU0qp+pH/BETUfDesfBj4d6z4Y8ReIZfFF/8StH0v4iQaxqs2tXEHxI0G08N6R4i1O0vdSW8vZv+El0O00TWvtqX1v9gje003yrltOW8m+58PqlDKMJnuV06VDDUa2ZZxiMHh8LhoYTD0cBj3hquAo0sPQw9KhTVHCVKNGapxhF1Kc27ycpP+VPFXhmXDHEWX4Sj7JRnh8sVf6vK9FYvmxNDHRg5YivKcIYvDV4KbkueMYyS5ZRv0f/AAY1H/lKAm1iJX/YnQsu0+WDH+14fMIYMjbcZCujrnBKkgV7CGfvPqdxNc/2jo2nzwrPdR30Iuob9vtWltPFFMbwKuJopAuqAw+Q6tF+5KMVINVh+VYhc6Tik211vFVGlZ93p563ObH1pwpuMXrLRO+3vwV9E+jd/vR+Dv7RyXGrfs26hZPNc/arHxT4A1DStU08TXU5mj1dWv8AGmxuo1JLyw06/wBKktGzb7tWa8vIp7aC4il/UMgzCjluUyrV4xnCopUbO9ryqYqaelOrraD+ytHbm6P5LHLE5jWq0KVWcZQpTrXTS0hClG2sqfWour/wvdYv7C2s/tBeEV8Q/FP4efFTxL8J9f02DVfhnoy6BpXhzWTqni7XpvDEmpaddHxLpGrw2GkaI0PhjUIru3SLUdd0Hxdo62V1b2lrdwzfOcX59lc5VJSwtFp1I3Tg3d+1rPrhjs4LwGaLHVKf1mtblr6c8eio/wDT57WPrjwv48/b3174l+MPBln4/wDgb8X7Xw94hg0TWdU8aeBtU+Ei63Hb2flp/Ylt8PPCdxoMMmi3tnc6Ppk11ZwLqUKtp66XrtrLc29p4mX5zl2LhXX16GW/Vo0VFywE8fKtz8+rlKgpQdPkV23N1HUu3eOvvPAZjh54u1ep+/UFfmgvhi1/z9la3Np8P3beK3um/E7T/jTrXhz4paZ8P7C8Xwx5U+peCtS1vxBDd61ZeKbXT9WW8v8AxNo2h3s2j6VfX99qFow0axj8m7eYI0008j/eeFCynMcwoUq2f0aidWkuWWQN3vWy2NtYQWvO1ut9Wuny3GGS5viYVOXF143U9VUj2xVtPrMf5l06HfeEfDEFv4z8N2Mscd7CvivwrZTteyyLaLGutJLcxzW0bLbzWlxatpd/BDLG8aNdNMiiSWRn++8bMgwi4RwuHowoSpxjUfNChCglKeY5TUlH2cZx5XTm5U202pSi5LSR8/wZkuNy3NalatiKtSXupuUvithsVFPTEVek10289v1E+PvxQv8A4f8AgG9Pgp9EvviZ4pW58IfDPSdQvk8m68XXm+zj1K9iKPJc+HfBQS98T+MEEcklvomi6ioaOQxq/wDG3j741ZV4H8JYjOK9OPtY0Z1KEU6lFQ5ctznFQqSdPKs1pqzyr4pQSaX7yL2l+wcM5es8xFGm0mlKPtHye0lKEZ0IyjFXpzbk6tko3lq3Bs+f/ib4cu4NG+HHgGPU9b1XW9Q1O4+IPim/vV8zU/GGreF7e0tNR1PUWiSKCO+1PxFqUPim8gto47ZY9Fm1iGOPUVjux/nhxBxLxD4k5l43eLjxuMqLjPi+nmeVXkvbYXCYTijNsppU6M19SqwpU8DChh4ReW5fy4XDUE6DcW1+t+GuLweX5tVo4mrQpwyfLsFllOc5/wCzQoYrB1uSKjJVKbr1KlKEYpupz16soKahUlAr+ATqvw7+MPw58cpq4tdE8O+MU8C+L4raeO/0I+FfjLZ6f4fsbDyLCaSOfXX8f2vw5L+I1hQ+Voa29w+m2i3EHiP97/ZyeIsOGvEji3wKemXTynMPEHDUIz5sPTx+Kxnhzw4q0acMFXSqxp1GnVWZxUuea+qwd6x5Xjc6Oa5Zl+bTi/rVXF06XPUpVqVaVHCUMwdRKNVRdOm6lWLjSmozUZRUOePM4fYsdxb3dqk9vLvt5IkKSR5BKHIYqUwyOyZAZcOjHcpyBX9kUoxxePrTlaaw96aTel3LERvry2SfK9U7pWbR+YLSooWtzN+iau7ea8r/AIHiP7SWnXHjf4q/BTRn0+a40X4fp4r+ImqXxbyRo/jHUNKTwt8PWWXrIbiz1Hx/vtRmKT7LFJKrC1jMf8y/tO/ETHZH4fcHcDYLE16NLjnxRybgnGwoVFTjiMFxHwrn+CrUq3+yz9pRdPHuU4/WaDnrH29G/PD6fgBRwuYV8TOMJwqYaVFKUea9P61Qc7uOt6ipcsdY2nZp3lyy8G/aT0jRfEnxQurHTre4ul8JfDfwV4dn0XTUh0yEPr+seIdRtBbuGt7VIv7FuFhe1VPLdbl5NhZSy/ylxh9X4Bp8P4XLl9UdHhTJ1OeHlOj7TH80sNicTLl+st1atCEYTqNz5+a7nJqUn+seD+aYjKZ5pXqTjbExxrqxqqVZyX1rLaTjOUoVZ88cThebmbTVOCpcyjZHfadZXvxB/Yf8RfD3+35NB8f/AAK1uDwj4o8QR38Oq6/4Wj8C+JNM1f8A4SJ5LH7Tc/234g+BN/b+JkuEgke4g1+8ivw9s9ybr/SHw44vy7xZ8POHOMcVVlGeLecSi4yxMZJ4XOsfljc/YYfLXU93LYqLnhouKuo8yUpz/DcdlWGyrNcZmGKowqU8w+r1KaqU5yjF4TDKg505KVWKmpWjUjyxajKEnGSmpL5M/Yt8YTz/AA4+Jvwz/a2m8NfHDwl4V8RWFn4M0vxYuk/HzU9WtZNeu7VfEXxB0z4e6f4i8fHQdLna00mLxFrd9peg6RcavLDrGo3Xhy30e1se3F4DKVeH1vEWV1b2mZf3l/0EL56nRlmB/wBY6kcJgl7NTkqceS0bKUqdJfFLDdK8ftJ6LXS8fNv2uLHwbPqvj/4z/E3UfiP498D2XibTLW1/Z90XVdG1rT/DWr6ZJbXHga38bfEPwh/YNt4d1TVU1fSm8QeHNB0q4+INh4bmtdbhu/ibpEGriwxWJjgaEcNhatSVGlzezk5VW3zzdSV3V56nxzklzSei0tGyX0NXgLL+FMvpyzDC0a+Opc/tq9SHNUnz10qfM44nFR92jiKcFaUvdSVo2tHivB/7W8n7N+kar42H7Ps3iDTk/wCEa8Q/CGy1XW73wp/Zfg74kW93c2OuRve2HizTxfWOibbvVfEms2uueLtb0rVLiyn+JmsRXEmoXO2Aw9THv35yld9Xffk/vR/n/rp8njeJcszCrLD/AFelaMpQtyS2Upw/6Baf8/f/AIH6A/8ABLb4leIfiT8KfBfg/wCLPgDW/Ani9vB9x4t8DaFFf6xqGn+IPhhD4u1nwwp0XWtTNvq48L+AtRt00iWYX9/C/g7UvAUcfiPxV4i8YLo+i+7Qp+xoUaX/AD6pU6f/AIBBR7vt3fqckuXmlyJRhd8iWyjd8qXklZI+3LW2htovKgedkLlt8s91eS7jgMTPeTXMhzgZ3NjrkHJqxHz3/wAFalsZ/wDglv8A8FHln+zrN/wwX+2Q9gLmGKSZriD9nb4jTzm2EobypDFHIC8W115cEMq0Afh1/wAG+etaXqH7Geq+DJrhrfWo/iv4tvrEFbXyxb6vp8a2t00lwsixf6foVxaK7wzJE7ecUk8vyZfyzxrwuMr8SZdLCwVWUa+UOlSnKCp1Ki+t8tOfPVppQnNqMruKcW7tbnPiG+edt0otevLt3PqOx/Zy/bX/AGvPjnPeeFP2h/G/wd/Zn+F9jB8O/BPi7QtV1fw/4efxdpfhjQdC8c614K8A6N4p0a41afS9ci1bw7qfim/1uLWL/XtIutWt9QsbTW5NGg+B8RfG/wAH/o8ZTiMy4whRzXiF0Ktall2MwGYTwqc8LjcXgbVsFwvnkVz/ANj8sn9ai4rEVG/ZNJS9nh3hbMM0UKsnNUXOUZWlRatGpTUtJ4i+qct4O/S6PTfEP/BIr4m+JbSKy8af8FHv2pdev9Q0ltIuLHXdTu5fB8VrJKLqbTdJ8B6d4ssdKsdPureO8a5gjuiDKqvei+uNTmuF/nzDftZc6yPNKtCh4LcGZxhcbUwuLwmZV82zShUwlCp9XwFWhGNXLJ14xo4zCVsTTUadKFSpiKloxlF1q30VTwxweNj7ehjcRh6dOHJUhQoUORyU5Pnly8keaXtaUOrcIykm1Rkl5R40/wCCbfgb9jjwVpWpeKfAHhv4i+GdOtVs5/ijq3huPWU1q6v8s0V1peq6h4n/AOEZe3uJhZabpYN5Z2qRxWltcpBAlfTZN9KjxL8bswWMyDHx4Mp13GhSw2V47iOtCk8PVoYVz545zkkJyqPGU5z5adK1SEbvfl+f4j4Uq5HOcaU5V+RLmdSNKm+bkqSasqt0r01yvVSg1KLkpJvhPCWoftvfC74gaPpv7NXxXtfhH8KV0xJ1+FXiu+b4ieFvAHki5tp7zwvoGuSi80vwpJFbwPa6BoOo6HpGkXMV5dWtnJdXE8kv1We5l4M8X8A4un4k8J5JnnG2WwzHEPF4jJ8DjOJK+Hw2Cx08to/60ZlwtnsKcYxxsaeGvVqLBz9jVcEqU4T4Mp48zPlvf7Uv+X+K/mh/08+XXy0PRfHX/BRX9rPwF8aPhd8NPif4z03xD4F8Y22neJ38U/DX4cXmhanNpljrN39v0HWtNY+J5NDW1j0ZtXvNSs9U+0mz8u1S1eOeS3vvI8J/CH6OviXwdmvH2A4W/sPiPIFm1HPcgxlDhjOsdl3D2T0aWPxOe4XiOnwFktOvUp1KmGhh8Ng8Ni6+HcqdRUq0moQ7P9dsbiKtONR3jzxqL97iXqpJXfNLRtPeyfyR6faftgp8Q7DRPjHod34n8I+HvEPxH1DQ/BWlQ6vcaRq+l6ZrdpcaOl7bpr+r2tz4m1fQ7XVtX8OeJtV1+5vbq9vX8UWloLLSLyCyj+84p4m8WuBvGfjbhDhGGUYTIeAPD5caZRwlgKmNyvJ+IaeGhlObYmnn+DwvEmEyn2uZZpmOMyjFV6eFdWWT0sGqtOtKNWU+LOs4xGY5hRptylphoOTm7ztePM0+WKcnN3XLGN72SifUfgT48fDDwdYeDtKvf2U/BPw28NaRNPcRal8Ol8Dr4b8MaheajK2r674T8MN4f8O3ltZz6nqFne3d34XuE1F728uYJ5r2XSYry9+j4R+m54c8f5thuAcnzrPMkrYKph/9nwmZcSzhTWbYyFOEVH/VDLsGk6uYe25adWOtSTqOPPOa7KuDxWEqzkpScfdteUVtGLv7s+ut3bXfc+lCI7vT4pmaN5LmAH7VZxSRLcNLEjGS0+2QyymCTzN0E0kF1BECFu5Vwd37GsTTwWUZHmlKvUzyhjFQrxr5lKpVqwhKmsQqsJV4+3VSz5eaVNTtCF1ohcn1rlp1JON7Qckrune0OZXdrxTTSTu7e6mfBH7evwqtPhD4nm8a6v4lsfFdl4zfxvqnhyymtD4Zn0TS9X8XnUNf0O/1CbVdVg8TDw9aeJPDWn6RbQwaFbjT4ZZxpv7iMW/88fSw8LcZw7XreI+TReOq8c5hj8RWwNf6lh8Nh4zy2njLwqKvTr1Y80XBqrTjJqXNa+j/AHL6KfiFgc1xlfw5zWUcup5NgMDh4Y6jHGV8TiJTzOeEalCOHlRpuP11VFJSkm4ctldyh4R4gZ4vhZLe3djHHDZfECW2eS1lceZdWui6ZaztLiCATCV3aYzqskTymYo828y1+OcDPEVOJeHf7Qw0MLXpZxgG6NOUJwpyq5phJyinCdWDulCV4y6u7ve37TbC4Z8bZdhMXUxVDDcOY6FKpWhKFSpCrhKlTmakkouMpuEox0laLeyb4z4F69FZX2iQyWIkN74F+Hvhy1njl2mB7nSNUuLW7QLCHWdVv7wbvNBjeVPmJhG76rxppTxOVZZCnqlDjJdOtfCx6uK6/fY+Z8M6fscdx9UTkr1eGJaaP3cHnM7XXSVrSXWN0egwW0cWs/G431jM15Pplqn2BP3qGxm8+aVTdBV864k1SKzijbyUJZgcMQBX51gaE8PQhFXU/YwjK7Sd+XW7T1ab3b31uz7DNav1jC+GKTVo4rOleOkWv7ZymKai3otNEttOh6j4ISy8YaBoN1aJFIljp1laXcN3Esnl3U3hyK4ad0YhS5a2+wyqVxIk7vkbRG0U8PWp4+rjpx54UsJmsowlJOMq08sxNPDt+/JprEeycXyrlaUuaFuePzWf46WCzjMUruTzLMYppyi1F4ycLXitoqtddbXXmY+t+BNQuPHOn6frOkW2r+FPE3hy50i7E7vBp2knRt728F3ax2t1AYLLVDphtLlFW7a8e1e1sZBBJJCsmnmFfko4TDx/tPMcS8NFqoqcv3uMqUI/vfaU9YUanMlOuo6KDsm4jhxNhcBk2NxUpRjWwip4ptRnUdlKpVqKNoN2xFCpUoykpKXJOo48zTT+hP2Kf2VIbbXbH4zeILWbwzaafpF94T8LeHyY7s+O7fSprvR9D+IXidjIkZuNKtLWR9A0iWykEdzcRa1dXCamscNr/Wv0ZfCDDZVwxwrxBmEeXNK+H/tDFL2GXz/f1a+azu61OVapP+Om5urObb9535j8C8bvF3MOKs3znhei3/ZFGv7Oko4jHNctaGXYuvBYfEKFGKniMPUjb2NrNy96SjJ/VsEeJXkdDyhlCMN2WGfkLEnknGWI6kkjrX6zVUpYz2NK/s6E1fpeMUnqrxW0JaJNPs7q/wCf1eVYenRp2SjKEdLLSMoyvZJLo9L/ADNPTFUeeVTZu8piM5GcP04GMelduC2qafyfP4zjxd/3d3e3Or2te3IWq3MTA8ZalDZah4dhlU/v31SaNwrviSzgt28vC85mjlkQZyM8j5gCPF4wnyQy/wA54n8qJ0YH/l96Q/OQtnqouo5Ldo3ZmRZkVkaPMchOYEDcs6hcH+IFwSckVx4et/wnYyPWVXL0m76f7YvK3b+ts6rX13CLvHFd9OXD9LPXpvsj8t/CuraxP+1R8arKa8vz4dj8ZfEv7Np95DY2tlY63/wsHU7sXbXKW6X1w7Q6bbLHHc3E1spgDRxLIZS/8EfSfwUq/iVnsacIRrf8RmzdutzTdSdOpxBnVONHldVUYxXNVlzqMaj55RlPlVOJ/SvAP/Jo8iu9Pq+Vq2n/AETOE179tOnzbP0h+Fui2tt4I8BPJCY5L7wN4PNzE+Cwmj8N6ZG/KHagBTKLHsVU2qAoAUf3ZjcPLC4j2E/ip2vs/jjCfSUl9vu7dbH850G1Kq+qUbf+Ay3+Xp10NfxnZG08NalFZxh2a2uyVlJSNmeG93M23Gdwtbcc5yqA9ZJC3PxmrZR3/c/L/d8X/kXw6l/akX1dS/p/tNFfl/XQ/Mz9gO3ubTxf8DWt7GyW91748ajcXTNPHEqrYjxP9rvlRcAtFBFrtrHGVxJDIGdGeKJ4/wCW/Bqr7b6cVaHPKX1fPOLqVpbU78IcYVeWLf2bVVK+yba8j918Vfd8EuGXZ2fC/D7tFe8/+SZTsl10sra/effP7U9ssngK6vfM8o2NrDchv3eGKXk29ZXlinRI5I18uR5IZU2ZZo3A2n+r8NOEU5zTdOOT4qU0pSjJwWLrc1pw9+La2lF8y3TvY/n/ANrKGU4SrBvmp5nGcNrqUIVJLV3V+ZN3d9dz56/4KZ/E7XfDn7BPw10/TPFN34L1nx38R/hzpkPjFBqFn/whsGgf2x8RV1W9srC8BlsIJfBdvaNKfNS5jnFtFYK8kQj+d8XOIs54e4VwlbE+2eExdGnVyhUsRSw8oYWOKytKE54aFStXfsK2H/eY5e2u5NfvJ1mdGX4OnnVVrGK/NL3uZOV2qbkn7kqe3Iu2/wB/yh44+Of7W9va6BrF98X/AB74p0HxxN4X0LR/F3xT0DRPDfwf8R3Nh4n0+S7j8OWXjHwx401myl1DUfDvh3U7XUNA0vwtqN1Np1zeNqUkU2pRX/5XwRx/x5jsywuVcWYic8NXxWFqYCLllS5ZU8ZTpVlOOWYKmpuSxsFGdaacOSpGnGMasz6LGcEZTkmVf2nl0YwxdWp9UnKEa0G6FSGKqTi/aYqpHl5sNSlyuF+a0k007/W37SR1X4La74x8U62PClt4C8e+BvHHxF8IaJot/rGtL4S8Xax4Sl8BfEbXNXu7vS7HS77whrh+IfhnxNqot0a3sNT8FJqlra2+qarrd7ffs9TL5f2NlmIprklXo4OV42TaqYR1Hrz9X5J3XRqx4Kn9VderJu8Zyi3qpJupDe3M1ffa0k09U7vN+Fn7R+nfAH4U+OfhbdXt9r8fgz4C+KvGHwD8P6hNrSa1rNx4L8MTTan4CFxI8l1qjJstPFNrfzXV74rt4rbWtO017vRfDtlpNj9fn/C0sBw9ktdQUZ455laS5bt4XHUYO7WIlpyztqo6aLmPDyjiRYrFZxQc5Pl/s9RTvb3qdScmr0FZ2hb4knd3TsrfIPwT/wCCeuufE34P+IviBrHjLSfElt400qD4y/CSCPx5drqGl+M/CXjDVdL8T+PPilP4qmvZNWtdN8Kza5qeinxFc63qA8Qa2+iw+IZLLwnJrWp/neEyjMMPmbniKtSdL2zbjKpFq31iL2VeenLGStbr12eVDhvMVifrcqtT2bm5pe0hazqKpe31lt+7dfCn+T+zPgPpnxAi/Zr+Gvxn+JvxC8Q/EO9+NXgrwbrXw2g1jQ9OW/8ACnhO1Om+I/g3rutxmxiubmOXQNY+3fFXxBra3Ws6lqMluurX13BM0I+vwuCxE8Fh6lGC9g6a5UvZpXjaMnaUlLWopPbddVqeknWpWgpyXJGEdH1UI3ejd7u+l2fRnwOttW034M/CWHWIja6pH8N/CVqsct3evNa2U+gokSSLcTu1rdS6bFYvcQxBEsLnfDZrbxxIi8uKjSpSft8NRk+VXcoU27OL0+CXS69OxtSnWsrzk1e+63TTT9b/ADPgr9m83+ofHy8tof7MOlQftleMzcvb3MVxcRpaah4hntEkFz5r/aZGtoJ5Bkvy8TZillR/5e4FpU39OqLjHljLN/ECUIqKSjzYPxLdrJ6QSuo6LTldldpfs/iCv+OeeFpNvmeTZLzat3tS4Ie+1227tPtfS1/rL9rfwzeeLf2Tfjb4X0HR9SvdX1f4V+N/Cvh3RbaS3ju9Qv8AV9BS2tbKw+3E6eLm4vrmGK1kv1a0huJUaUrEHr+mMLlOHzfCUcpxUYyw2aYHMsuxEZJtSw+Mr0cNWjKMZ05NOnVkmozg2npKLs1+XUc9zjhfMsg4l4dko8Q8O4xZ9kcnHCT5M5ynG4TH5XJwx9HEYGaWNw1H3cdh6+ElZrEUatH2lOX57+PfgLqHwB8Pz+I/DOo+LPCWqavP450S80rXF8THTJNM8H+K/B+m+Fb/AOz3mkWA1K9vpJz4lttR0HVtREMM2nTEG01HVnm/E/pF+G/DPBuRV6mX4ejSceI6MP3VLEU3yTlmVKSTnicSleFFJNxe3lr+l8G+J/i/4wcR5PLxEr4erGeHxFaV8u4Pi/a08vxWJp+9keV5ZL+PjsQ9LRf2k48ih9D/ALFCu/xh/Z/muJru6vP7L+IemNeG91IpeGXwlqN9dpdwaldTTz5exinjaQtJDJCuxkTep/nDwapxzDjDjrBNJUsdiOGZSptUnyRoYfNqlON6CpJ+9R5bQlGK5XyrkaifW/SejRy7A0sFS05lU1TlGK5KnD9W6h7+/O/ile7vvofecNmuOVAABwdzHOcE8bsZ449Og64r9tyfgbArBqbpxVoJ7VHvSpS/6Cn18r6fI/CquIfSTd3qrLT8LkVzbREgEZ+Yhc5JGUJ4yTXLjOGcDUoV4VVzRpVKdWPvSilOMJOL1nJvr1VulteZ0qsm5avZNa3t0/W3lfXVEe0oSVxwSMYHY4P69MdOwFeLOOIweYKphsRGEqUJUYO0Xanqmrtbteev3Gt1JJXaW/l/XrcjEzpL5ezlkbPYE9FHXAzjnnH54rkoZjHKs4xWBqRi45nl041MQ37ydWTpNQSjbmak2nyvvZ7Da5o3TvyvRWu7rXe/+W/fU/B7473Wn2n/AAdE/wDBSWbVGKw/8Mo/A7YnmBFluE+BH7CMyQyOCriNhG+7yZIpDt+WRQTn+xuDlio+EPhssLTVSquDOC1KM4zqWiuG8GpO1LVtO2vw/No+exDSx+Lc7L/acRfW2vtZea8+p6b8Rf2rNE8P65beDPBun3UutTfZo4obTSHvLuZ57GG4lsLLTJLu+f7fLLMYbOPUYtZV5GiWXV1RiyfV5ZwdQdnVljFZvZwWnNDvhvX7jz8Rj6cE3CUXp1cXsnvaezstv8h+leBvi74/0efWfFWrjwVdXgUaTodnY6frd5p2lNLFNNreqyzWkxbVJIWulttGQxw6XcwW96sLsCr+tgciy3B4mi6s8R7OPPzOdWmv+XU4LV04Le3Xf5I4MRmU8TzYZyhGFT7UFHnXs5e0VrymtXBJ3g3a+z1WB8QPBnw5+B2laZq+pa9PqOrX/wBun8QeO/GXiWZJtRSMQPpdhFFaRWlhaXksjXAi0+LSHnyiRGVBJlsM2df2saOFo05Ydu0qjVec1GUIKTUozcLpyna6aVle9pEUl7FpxnKW3xcne/2YROU8G/EvxP4nuo9euluvh34GtXeKe31LRwnibW1JBtrk2V601xpul30IkdLppBNMhjlheAZU89XKsNToU8Rh51p42rUjTrUpzpypQpSpyqzlCnCmqsZRrxjBOcnFQbi05tSNljpQ3ULbJv5f37X0exip8Y/Gfxf8c2vw6+EGmWfiO8gZ4G/tWaSfQtFhs5JbxdU8Saiiw2en6akdlcNEk0l3c39wi2CQXTyq0HXhOGsBUSq1q2KjJa2jUoxjo5LaVBvaK6rd90RUzWcNvZd7NXvt2qH074A8AanYaXY6r498TDxb4tjgC+fZ6XHoHh3QYzEkcth4Y0GyitY4LT5ZCt9qUM2pStPJLHLCgtisY6nDL6iw+FlOdKVNVG6rhOXO3ODV4RirKMI2Vr3bd7WS5q+Kli5qrLlvGPJ7l0rJuX80v5u66aaM6K5ukXywJGeNAEt1QAOAgChHyp3BCNoYjeyqGkd5CztyTi6nxN69tP08hKfkvx/+SGPLJJGyyxoGTzJRkMGYyZbD/Ng7ScDaF6DOauFGpGMWouyStdS20teyX+XYzlWi5SjJ2s2mrrdNq2rbMS6neJLqacxOk6mCaJrp1mZUyiFACFi2qAqbADsA3l3yzaRrSho1H7n+GpPsac9bz17Ndfk/6Z+cf/BVLU1k/aW8K3arK0cHwQ8K2FurRNamOFfFXjmdVLRtHMQupzSTNK0pd3wrs4RFH5V4lYitmHF2c0qkaNGOHq5bCnCnGbTi8ny+rUbjXlW55yjWqxu9FGyST5pP+4f2e0cFhfBDG5nRpfv834u4ko4qPtKnsVH6pkWEhGk1VVSDTwWHrJSqTTqqXtFKhJ0T5p13T7ebSTPNJJI8tiRAWdvLeQeUGLsiiZlAmwP3nEhjLfL5it4WX4mrTxvs4RhGMMQnUSiuaMPftyqTcE37PpH4eZKz5Wv3fi3KMBiMglKpUnUqTyLDvDU51JRoN1XKjJylQUazhTc0or2r/exhzOUOaMvoX9lPUpde8AaHo4ktUfQra80eS0e7upI4TZjSra0k2mY3SmXTba2MvnzyLLcBrhFQzSBvzTxhwsMu4kzDGuNWUcwq0MbCtGjRhKft3jKtaPNyKk1DFVaqh7OnFwp2pyclTjb/AD28beCK/AHjJ4icO5esTVynE0OE8soYjMpSrYiUMVwZk1fMp08Rh8JgcPOpRxWLnCi1SqQpU+SFeE6ilOfo97ZQxWF5cwRPavYxiK3kd3BubxrmGO3EIRC8pmuXS1t41jkzNPE0hWNXnj+Yw1arVxWHw8pe3+tVLzpwgpOFJU5uakr+64006k3zR9yElBSlKNOfgZPks8LlssPgJp1YZxXxV60nOabwSoSSjTo25Vpa9K6k9ZdDT8cfD7xl8PPFH7E3wq8S+B/E3h7UdV/a/wBO/aA+NkPiawi0621zwb8GPCdrr+g6boV5pl5rFlqdvpsL/EHUrDQbq4tr3VLtbePULhkt9sX9O+EvCVLw84epxzmniadfOZUsPWhRcmprB4/G4ehyrGUMFKMpQx9J1HTj70pycYwXsk8qlapl+EwuAfLPDYOtGtCaXNOcoYynjrTn+7g17Z+zfLGNqcVG6m3UfmfiPxJrPjr4FeM/i3r7vc6p+038fvHvxD1qe7FtY3Fz4S8OzW114TtDbWbMItOTTpPDcYaMxXUkmi2kMkxljvptQ4vpC5rRhmHCmApyq0q6ynKMxwMKsaft1hq64gy6nVUOe817OtOHtJU6lBy5mpOai1z4vD1cTkWc1sFVw0aNevj8XWhiptVVip4R1JwpRpQlH6so8ipxnJ1ubmUptWv8j+L9a1VJtM8Dpd7/AAzqPjaC/wBZtbeO0aK5u9O0nxI0UU015BPfmJori1gaO0u7eExG3mkRrm1kuH5slwODdPF5+6Fs1w2Q1MPgatWVbnpUcTjMrUpQhQqU8OpqVOtUUq1KrPnVWEWqVWFOPu/Q7nzeOeUcE4uoo5VjcfGpinTw8a+JxdGhw3xHjnhHVrRnh4UsXOtUo1ZLCxqQoUX7OrTqyVR9PLpUVxcT6hcT3iwTbVt44mht4TGsrTIzRxW6upl3jzVWQIANsaxgc+THGTpUoYalToOpBt1JTU6k1NwVOSUp1XFqHK+RuLk95OVz/SGXDGFxGJr5pisZm1PAVaVHDZfRpVqGHw8sNQryxFCdaNPCLE+0xKnF4pfWraWpKk02+b1TTrq11CfT4r7zba8DTsLpY51dlZMCUhIiwjeRmVWJwwAJKjafUwmKpVsNTxM8PyVaDVJexcqbimnfkvKSTlGCTa3TbVm7nwnEORZhl2eYzJMPm/1jAZopYyccyhRxdOrUjUpqKxLjSw8pxoVsRVqU4Tk+WcYRk5Qi4P7O/wCCG/xd8R+FP2h9Y+AV1JFb+GPGOqaV478P2bLbpPp/jLw9PoFvrT2948Qu3TU/C1uZDZGV45JtJik2kPcpcfQ8I4t4nOMqjHEQlh61CpTxDcIqtOpUzLAxws6U3JwioU3i6daLhLml9WdN01TqRq/zX9MTwxp5bhXxfUw2LweY4fibh/h/D5fCsp4CjhoZHxFmmLlOm8L9Z9rLE08JOjUeLUXSrYhThUqSjUp/Rv8AwY8QPMv/AAU/MEscF2v/AAxSkVw0VtLLBBK37Wa3csK3IwHjiAk4DISiiVHUhT9tH4o6X1WnfXb5n4rzcnvfy+9/4Dr+h+42oWeox+F/F2qyeKotdlsYYL60uNLvY7v7PJpes3PiLT7O9bToPtYu3e/MSG0e3sWsjDbXMJtEkkmz53Sx8XBaPne17fxUrp6rRvt2Zji6CxtF368trNLXmhLpGXTqnto7o/EP4/xRap+z74itNNutT017HxJ8PLDUXurSJvu251G5njmttMutLEEzXUBaSCGOQK0JnuVLoJf0bCZjOHDVqllF1Wk3FJXf9o6Xclra+m/kfL4jLaeGx0ZRbcm4xa5m7J+xk38K7LX5a7n0T+wl+z9p+i/D/wDY90i4s/skviX4x/DOXXYTNGt5LdS+E5vip40WS0muHaDUG1i51G7toW0qOeOO2Ctu2Seb8LxM/bY6c9/3knp51cQ+l+9/uPo8mpf7NHf4Y/8ApFHy/rY+z/hV+zRe+G73UZ9V0y1t9a8UeP8AUPst4EhFrJeR3/xg17VHeQLvRtLa2SGxEcgP2W7tnm8zzY5DzSnaeDl/z7nUfybW+uyt5GuHg1VktfecFt05X5fo+h8a/FrwdfXn7UnjE/2adTtz8Ldd1G/mL3ra2b5/G3w9gvtKgW2sH1OKC2tPEt3J5NrcIY/t8l+fLvNPskvvvPCHNoriHL4c0f8AecKre7/0G5av+fnfY4OKMrhiMNUcubWEtpNb08Rt7j7lm2tra3kjv7LVL6GfWZ9GudJtNLGrS6Rfa6dSfSdCbWILTVb8i6muVeC3srW11nWTZavcDSLq3sVs1h/VPpAU55twXVyz3nicJKNKnzODmlVzPIMbNQdLDUqlWioe7Gp7GnGU6dSUqUcR9arVPByPLqVJ0aUHdwVRtKcnrL27187Xdt1dWbXKfo349+CXhDxz4r8KeKbvU9Z0nxd4GOqaZ4f1+z11bi/Nvr8sV9rPg/VoNaj162n0vxFBi2uHt4NN8U6fpKWlx4a1m1v7e21TQv5C8UfCXhjx04QxvB3HdLF/UK0K9KcctxdTKq8+bKcflEqkatOnWceahmuMftPZpupy1PeqRtL7/L8wq5fCCpuKSUPj0UVFQ96LbTckobOUk2t42tPzlPCP7TE2oa7MPhj4O8VXg1NdD8OeKovHjeD/AAdq3gaGYmLWLfRY5PF/irTbrU7ny9Tm0nV5tbGjwu66LqWvAG6l/AM5/ZyZRGvPL8Pi8TVyDAyngcnwzz7MJYuhlGFcKOXUMTVp8NfvK9PDUcLGtN16vNUp1Jqc78z9zLuPJUYQjUdOPLKNSfLhqE1OsoTiqinOo38N05RjFzUlGTtJxlHD+yf8YPiJp02nfE34jeGNF8F6xZy2ms/DvQIvE3xA1K6+1A3U0sXxT8Q6v4auLO4SaaaOIzeC7ldMdETSJx9ntZJPtvCL6DHgvwLmuQcTVcJnU+JuG89wGf5VWlxLjquHp5llGZYLMcrqVsLPD4ZV6dPEYWm6tKVJqv70ZcylJrPPOOZY+hicHh6NGFPEYerhpKGHo0VGNanUotxVOrP4k7ppbKN9kl9CaTp1xpeh6Zpp1DUtUm0jTrOzk1PWJRc6prhsrdYF1DUbqOFTJfXxja8vPJhi/wBJmdRAkTeUf3TDNUsVXhXaj7WS5JXioxXPWu1zOEHa6vrZaNSWjXztPlg1zJrdN/J23ffW3Tpqec/ET4K+K7jxD4t+JHw31zS7fx14jTwTYXOiePtOk1DwXqOjeDbLxNbW+jWF1oE+n+I9Bu7+bxJLd/27JLqsNpdWcBm8PahbSzGL8k+kl9EHgTx5wmExWPjiXj8sx084UKeb4vB03Vw2TyyqhGMKeAx0nU9koVIxjUUfbRjLnUuWK78qzatl+IlUoOD9x8zcITfLzxnJ6tOGutk7OSS6RR5FZfAT43/FXx14y8RX3wu0H4P22uXHhaxvdY+IXiZvG9/pN94M0C1sPtngjwt4MudJ0rWNNk1Sed9P8Qanrnhu7uG0rRtWOnznT2tLj53ib6CXAPFWG8NMsxqx/wBX4U4M4YyqcqWfYylUpvI8izXKqdPnp5TOPN/tsHNVIUZylGMmoOPLP6fLvGnOcmy2llmHnD2FOeLl7KWDo1KVSWMxNLEValZ1cZKrOpCVOcadmoKFatH2ajKMaXWeMv2efD3wk+HH7RnijRvGPjK71P4p/Cux+H2p6Rq2saFpvhK11ee01bwlpni/w6miaJp2raH4uv7fxuNPm1V9Y1G9ktbDQvtCSXENtNc/ofhh4aZH4E+F2VcMZBQxUsRhYZhToV8RiauN9jXx2f5jiafOq0MLJxlUzqUlJ4eScbUoqcqU1V+czPPMXxVmODxWO5ebCVJOjyUlSS9tTpc7lyupF3WEiknKMlrZWcuX5L+JfjTxJ8Tfi98Wf2bPB/gv4keNPF/wX+EHh/x94PsNS+NXx71n+3PE82lC+1nwcfDFh430qO+0S7trbTbqx0SbQJ1mW0tbKPUbiY3EUeGLxnG2Y5rRyjNsbhq+W41Qrxw1PDKnX9hicQ8LywksFTmr0JTgnGTXNytVJON12RzP+zsO1ShSjOUPelGjTTnaMuXnfMpSktdW9ZTnKycrKX9h/wALeMf2nvhPaXP7UHw++EsfwJ+KDaHYfDj4X+HNHaxt9DNun2TTbu98MXWr36aDZaN4n1m+a1Gq41yW78PWBspmtpESXz6uS8NU+N+Gc0wsKuHp4N5zFQq4rWn9aymOGvNTq1NJSk5LnqK6a5W/hXp4PHcR5hwzhauJgnkdOniqtLlwdWEnGOOq+1gsQqSpOdTF0OSFsRJwbipR1VOTPiT8QPgNZfs++PdS8f8AhCx8f/Bb4Lavq/ws0LSdVit3a0vfBerReGtQ8MeGtA1dlvrJPC/ie2W8ne9Fwk2gX15d6UsVt5FxH59DAZvPC5LgsvpSmsNk+XZokqFWrJQo01S5ny0Ztx1he8VG71nd69WZQ4awGWc+SVlPFezvJfXKWJ/eLDzb9yFabX7yFFWaVlpa8kj03R/2hvhZ4D1T9lr4y2WteC9B03xH4r8M/C34em/aLTbXUPhd8V7220Tx/omgWt5bx6lbWt1qHhbwp8UNLnPiedZNW0S6ea0lsDJYQfZ8F5xiUqNDEJRq0YQpVl7NRaqUqeIjUVpSTT54PRxi1s4rZeBxZkP9mZfg81Sm6mY4XD4+rrNrnxlPAV58sfZwjFJ4yaUeaXRcz5by+6VuASgDLuMgQrkZHIB4zkYLKD6Fh6jP2XKnzPtFvfqun/APnsJL6zRlVlrKLmu1uRJ2sr6rX9TwX/grF/yiy/4KWf8AZgH7ZH/rOvxGqSj+Zv8A4JL6l8U73wR8O/hT8KfGV34E1f45/EU/Du+8SW1tHdXmi2Z8WxX0mt6O3nWU1nPp1nLqH2uWG+t7hrKS6S1vdOnkW8i+B8dc5wXCnB3GfG2LpVKseCeEM94qdKlUlRlWjw5kmZ5x7P29PC4yvRc1QlBVaFCtVp3UqdGpOKhLXLsvp5jmmXYWcqkVjMfg8LJ03CMkq9enRfLzxlHmtK6ck43tdWP6QvA/gzwj4T0DQNG0qQ6fpuj2dvpot59WWXffJJKLu4v7nU72W9fUdV1WO6ub+4dXlvbyZbi5lmlUyv8A5Q+KXGtTxQzrL+NMyxbzvNcwxWW5bi8lgsZhsHhqWEpYmjSlRxGdzxl5VaVOhKV5zpw+v1Zxi/Z1Kcv0/CYulw/lyyuiqS5JVZqrVg/bXrylJq9KEacko2UW5XjaSsuZtcR4/wBQvrP4hWfxotvFFu2j+FvGen/DGLw3HOq6dfeCNcvbXwz4117VbaDUbiJNZ0vx1LFc298p3nRPCeZC0WpQnTv0Pg3KoYLF5n4Y0svw+LnV4UzTiL6xGOGwuOwfE2MxlHKMBlUK0/bYOWWPATwmYz9nKDli8bJSx+FlQrUjxJxr1cwWKjjcZRi/Yr2FDEThRfI4803Gyu2oxi9E2rrZK/Y+LvHPwgfRtX0vxh4x8BPo12r2Oo6f4lutLt9LuZryUxw2GqQTQrBFLI0qzWcdy7XFzOYri1Xe4r47hrwk8Qcn4dlxtClmsM1/tKuqODhnWWvL6mWYTD06zqPD4fH/AFqWMnj8vnTusUr0Pcp4NzlGvP0q+Jw0qXLXpqr/AHqqc7Rip2V6kZaataJb66av4L1v4Z3Pwn+IHxD8OX2oLrmqfD/xPcaFBq99pJifxf4ak1Gw1ewvr25tr+CGbT7Wx1W1t9X0u2l+zGS31K0WHGqRvp/9GcUcTYPijhXJsl4fmuGcrznD4nE0o8MQq5PUrQq47PsjxKrR9hSoVFUrRqOSq4WnKUqGGk1KFKNWp+YZjlcckxiwtBOdO1J3r+zlP95rL3qXs46cunu+T5jX8A+ONG0v422usRvFd2nhvRtX0jV7SwnuLee71C/htLnV0lvsMYhbWWmSTLepJIbtJbe+0q20TU1tLy09/wCj7whntLhbIs3WNxeWRyPiaXEOIw2W14YbCZhkGUYvD1MbRzClSxs5YmliMTSr0K9FNzqYWjQpRwVX2ar1ePG42f1/DYSlTpe/Xw6b5ZKVqs+V2fNGN9Va99d7nvnhn9m6H4s6tpXjjx9a3HhPSLG4N3oHwx8P/Z9K0vSkuYYZrbUZdf0JdBmbVC0z3EZttPs3hQwQTPcQRxRRfnfHf0zsPk+f57U4MpYXG5nVjhqFatndXP8AFrHYeplGDlLDY72WCyOpiMNOtTwdGdCrilCeHhyWtyVKX3uW+GOCk8PmWKr4+L503GFbBqNqNa/wujVm9Kb5vXS2ifeePNB+DXw91/4b+DvFFlrMur/FzXNR8JaPcPdX2pve6poWg3muQXmsS3t1dzoYPKttO06S1urRRqWs2z48m2t7IfKcIeIXH+SYjj7iPI81pV3wfklDOMLSqTzTDRw1XC4Ormkf7Taz6hUzTD1q+C5/YZdHL61PDxq0/ayrSp1l6+YZXgcTRVGnzpJN3/dyk4zpzT/efV4K6leUU4KySpvV+0XfaV408c/Arw7ez6nq+pfFzwTokVpFbadeSLbeM/C3hfTY5JdWt7fUo7W9/wCE7OmaYpnsNF8Spba2GhSDSvEl1NfTLb/0X9GT9oRX4hp8P8EeKOT5DKOZ4XhTIcjzvAriV1sTxBndanhatCeExVLiWdH2NTEOnSrVsXhsP/st6mLlTrQdPwMx4Wp0oYmpQqYiPLGrPm5qUWrRcnKHKoOE/is9Wr6qVrPzL/gozaaF48g/Z8sY9L0rxb4W1qH4jeJtPmv9Ls9Xsru2k8I6Fp9nPp+jaxa3dn50y+IVvhcBI591hZQxGB7KeW7/ALL8JsnyjifOIYzEYajmtKnk+GzTD4DM8PQxuW08HOtl9XmhhMZQiqdR0ZYenJxlGTpzqwdBczVP4jxNxWOwOU5d9Sx2MyrE4XETqLGZXiamCx1eVLBpxhicVh3GpXpc8I1UnySVW87puKj8s/E7wXr+leF7nTvC00Wq6LNeDxXpvh3XNRv7aeCO/bVRq32HXr1tRtLbTdOntdKNh4Yu7cnRtMtrvT7K8mE5ubL4bx3+hfwnxLxfV8VuHcXn2XY3GZnmeZ5hlWCqcOYbh/C4vKfqFPD0cBgf7OwOLoYWVXK8S61N4rFTk5ydOtTvGVT7j6PX0veJ+GMvfBWf4fJcwy/EZNRyfD5ljI8QYjO69F4uWHxFbE41Y7HUa2J9njo8k5YSjBOEP3dSMXFeR/BnSfGHirX/AAp4f8A+CvGPjLxbd+EPCfiuLRPCvh7WtbvY9N8N6L4aVHu73TrNdL07Tr2TxhpriQyztcW09myPDJK6j8V4p8EeL87hlmEwXsakFm3GmXTc6OAlP6vT4hWAjNOpnlBe15KKcpWcOa8vZxg0l+2cFeO/BmBj4gzxSnCr/ZXCePw1quPUJ4mvw/mOKVOdsiqXpOriIxjHnpzcWo+0crtfQXiD4JfH3Qtb8e+Jde+D/wAQPDvg3UvCt9canrN3olxNbaLqSarpl1ZebZW142rX0ejagEsrzUtPtZ7Sxt55dTvzpsVrJayfN4n6LXFmCw+OxdSdVV6VXFKEeXKfYfuqmI5VKMc6m+VOnTi7VI/E0mm0o+nlP0kuEs0lw7hqrof8ITnWw/LUzFVatXH1sPjq0ayllDU/ew0p0lRhTaw6qX57e0jzngD44eCvhjqWtaYbzUfE2mXGm2UUn9nQXt5cQ+ILOO+so4Z7Wa1snsxqtjHa30cL+ZLYyvJaT3NxvE0fs8AfQ98T+OPq1HDQwdGE6+Fq0qn1bJKvu4XE1sRJVYVuMMM6kKscC4TinSdpy+KyUvm/E36TXhxkdfHYurWrfXljK+Iq0284VGTxOIw1T2UVT4ZquHIsSo87rVFK1+WN7R6Gz+OHiT4mST6ZaeHF8EaTHHdandXUfiO4uPFN3YLDchoJBptvpreGzeajPCTDHd6i91axvZXLssMzXX9D+Dv7NzKshxeV+I3F2dZz/bWUwoZpPLcNheGIZFPE0KGMw84VMHGtnGJdBqOHm4wx8puq5yVR35af4b4k/TRxeazxnDnDWByX6hmDqYCFbEU8/ljI0KiwkYyjV/4S6XtEnWfNPDqPw+4rWn+g/wCy69vL+z78J5Fhighh8JQ2kcKojhILDUbqxhjV0WPZEEt1ZIo1jSIbY1BVK+i4my3DZHn+ZZZgVBYfCPD4WmqdGFCChTwdGHu0afLGm7uTly+7KbckrOx53DmY4jMsnwuY4nleJx7xOIrSXtJWlXxWIk1FzqTnyxUuSHtJTaioq+h6MTHK/DEhG8tsEfcEmVxxkE4weSME4AzXn0LYeVaUUpOvGSk5q9lONSLcWrO9qjs3fVRunZp9VJOlKck3J1NbTd4xdpr3bW/m0+XaxZsdp84rwMqv4LuA7d/y9OK3wn2/+3P/AG8jEtvkT6c348tyxWxkcV8X7t7SXwpJFK8c6XOpTwhGVSxh/s0SMxKlmRIpX3R52NuDOrbFx4PHEnGllzWnv4nt2odzqyxJ+3ur/wAPy6zKieJppUgmtj9psVy890N3mWFx5Lt52C26SPfHvkRSI0EIVkxJivJw9XESUacZ2pzqUZVI8sfe9nWU6evI2uWavo0n9rmWgYlUqVOtiFFe3owaoTbfue2j7KraLlyS54S5byjLlvePK9T81dButA1T9qb43WF2uqNez+OPGs4mSSN4r+ytPHWsrcR2QCLY6e8MWrX93Jc3ttcyTBEiEgS3VK/ij6QlDEVfGynhE4TwOM8ZlTxVJKKqSniuMczo1ZSqKKr8tSlLkhGnPlpS558sHJSf9H8L1aeD8F8qq048koeH2CzlScm1HMYcJUZxxKjOTjJqcIr2Ev8AZ2tfZuzi/wBPPAWntaeHtGtGZzHpulafaWzSqgkaKC1ijRmVVwN6qCox8qlVzxX9vZG8TnOIxlbOJvFYiCw3vuEaG9OrH4cPChC3JTpJLk+zdayk5fz1mCw1HF4mnhYKNNzgopTnLli6adrzqTk2m3duT1vZ2F+JN6mneD/EupsJS+maHquohCoNuy22n6iVEhLBv9a4fAdflKrwuFHPxZGEuDsxxlSN8Rh8Ni3SnquX2eW4icHyqSg7VHzrmi735WuSyFwvHnzfDxaVqmIjBKTa0WIoyaja7bkoy36SurWVvzB/YRmuLLxR+z3ql7bwSXB+OelTCWFo59Pjg8UW+qWdxJIqSebFMv8AwmDRS2zzeRFcLnyRLGCP5N8HsyjQ+mnldaFRQqZnnHiNDFymqbdepgeGs6jS0+GHIp13H2Xs3Km17VycEl+7+J1Dn8DsjcouU6PDuURp8rcXGMKuRwppW6pU4JOSl7yu7ttv9E/2i5ha+CNQ/wBVEl5pNzb3HnpM7K8aXEltukhlia1W5lba8tv5E0YBaGWJgrL/AGDjHHLs6l/Z0PZww2EpypU1etZ+0jXa/eSqSlz1ZN2c+vKrKyP55oc88pwvPtHHc+yjqva7WSfffTXTbTyL476V+z5qf7COpeKf2mvCN942+HvguxsfGF54b8NzarpviG58W3Et34d0O18GvoV/pV8fEesXeq2umaYt1fGx+1XUcl8UtFupBjxFj447KpxxlHl9s6cqt1Ki5v22Hq6Xqe778W/dSSulazsdmQQqYrHyoxe6m43gpRXJTqu8uW02k+XRSi2m9Ve58X/G/wCNH/Cc/AT4PWGoeEJofAPxR/bU+D/wTtp/FUWnaF4++FenW3jDU7m6bxP4tuPEk3ivXvEmkeE7SGR9L0jwDp3hQalqoVfGN3bMdC1P4fL+CuHMPPAVHhlUwsc5yzESo/XcU7Tw1TEclRyVaFRKEJ1006ypv2l5xbjB0/pcVhcyUnQUqioKjVkoKn7rny09b+wbduepZOTspNdD6M/a4+Munax+07ffsr6DY+H9esta/wCCfPxg12MXiRXWtILXXNPuLDTLTSYo7aC0/tzTfC91NrS20djPcr9kK+TDCkI+3yzGYTFcS5Nky5ZZBSwVRSwikkufDYTHQoN4mNT6ypRUaF19Zjz2vOMnOXN8zxFg8ZhstxFefPCo6lKVT3br2k60VJa07OK+GOskko22R5f4Z+JNzceKtRuZk0TxE/hrXIZdIk8R6TBrOnz3ev2uma1a2viPQDbair+G9Tlvdaubu1j02a3sRsutIvvDOrafoOpWv7fmHDOXZvk1OFfCOthst5v7Kgq2KisP9cxUHjrTpVFKu6tSmm/bzr+ztal7NNo/FMFxXmmA4pqU6eNVOhW5PrEHQwb5vZ5bKVK8qlPmhyzm37so3vZ8y0Pob4c/sg6TbeFfCvwM8B6PqLfsonWNP8X+BfF1rrfhfU57j4E+IrWLxB4x/Zs8Uale3MnihrPxH8Rp7qze00W3Swvfh1qcmjzeLhrA1WRPxXM8tzGlnNWhVdR4RYia5JUuX3Fi6kOXndCE78kZRX7y71ldN3X7ZHPfrOAw/wBVqRgpUaSmo+zqRa9k1dNyqWc4yjdx2+G75bvf/aCsX1D45fDP4QaFrVzo2m+MNZ/4Ribw7on2aGw0n4KeF/h1qvin4l21tEI5v7G0/U7rR9D8I20ulx2M2najqFnBYTW8oQn045lVwGHp4HCVFRw9OEHGlyUpOM6ijWqtzqqdRuVWcpWlN8t+SPLGMYrlg3Uqyc3zXavfe9nfbz16d3Y92eKObQoJrVAzJY262YjaLybW0WKeG2WSSWIlpbe18uCYPwJkf5QRmvOxs3iZOVWXO2l0Udk0vhS6dvx3Na96S9z3Vr5vrrrfTT8vO/5sfs76fpuk/tBeJktYp7o6P+17deIJrlI4IrHz7zWJtBvbeeeIRm5xNrEOWZ/nO1+rNu/mPg2WCwf04sO60Y+0qZlx44OdSV+VYPxKvZSqw03SstNUmtj9r4hw317wF4dpYpOpSjkHDs6cVeHLKrR4U55JwUG2/ZU93Je6rLV833Z4yeW2+HupXkMQuFtr5Yds7NKDDeXVtEIy0hdhkW0YEnMibcq24tn+nOFKVHE/VXXjzx+rYz2XvShabxtCOnJKPM9Nm5bbH4lOvLE4Cg8XJVeeo6FTSMObD1ZVvbQ/dqnbmUILmVpR+zON238mf8FFLG4s/hNZ/EmxaW5XwtDD4Wnk0+ythcJc6z4q8Eajp0q380ct0dMn0zw7qujv5JClZ/DplLRwN5v5f9LXgyOK8N8zznBUJRrYfjHB4edVSxNSMIVXj6fNKnyzpNU6uMpVLOUJS5VG9moT+m+jxQwOZ+ImXYStSU6MMw4hwsIe0qRth8NkWLqUqXNTqOb5ZRj77bm7e9N3OH+G3xv0L9m2f4K/F74uS+JL2TSNL8YX82mWVhp194j1HxL4r8D6xBoPh/TINM03T9PJkutTh0zebRDa29s97qM0wiu5Zf5R8GoZPR8QeIMLhFHCYRyyn65iMPOpy+zw+WZm8HWlLH18W8PGtWmuZVOW86/so2fslD9w8TeGeIvEHB5VkWWR+vZzmUMyqUaToVpupDLZYHMcVFUsswdavKVPA4CvOPssO0uSM6rhTVWrH7K/Yt/aTH7SvwP0bxpqereF7zx7pl5qWhfEDTPCxNrYaTrNnfXE+l40i51PV9Q04ax4YutD1VIrjUbpftE95BEyG2Za/daGMo0srvl03jZRp8svehXbk6LcbrDOFuaMYWate0ratH4nxlwXxHwXmc8uzvL54Sr+8lT9ph8woKrCnWq0KsaTxmFw05TpToPnTiuX2kL35koepSPK77ypXg7VyRyQQCFOckH3we/KivlcVic9n9ZeLw31KN4ez/dV8Op3pWbtXk5PW6urRdrLWMjz6HsJRbp3b+1dqVrNvu9du1r3tqRoZMLkncGAPGOvP4g9eeefQivClSx9XE3dWW7vqtOjVr7306dF3tsrWX9bBcggxtycuoz9SfQeg7/lkE1z8U4arhpZNiEnKvUr4ajKS1vCWJndaXejXRfJhBpqSeyTdtrNK/53/wCGen8+n7aHhvxl4q/4Ocv+CgukeB9LtdU1CT9nv4BzagL24uLe1sNFi/Zy/Yr+16hK9vNBKwhma0hCFwGa4GVyBj+6/CXB0q3AHAWGrpOFPgXhdWcVL3qeSZdHacZdL7q6PkuIsVLCVMXVjv8AX6sd2t6lV/Z16H0x8Jf2ffCXw0uB4jeFNe8b3/nz3nijVHgN+Y9Qi+ytYaa0SxT6bZQ22yK2trOWNUdQ7bycV9xgq2HqQ92MV8W0fOP9xdz5qeLr1FrJ6/3pea/mt1PQbi42q0YjVbmJYXt3iVo545ElVo5A0LxrI8DL5waZJDIU2TmaEmM4ZvQnOlN0W4y0s1ZNXqxvrzR+zpuv0FQ9oq8Kkm7Lmbu39qMlrq3pc5C/+D/hXU/GVn4+8USTeLdV0xpbnRoPEtvpl94f8P6hdbPtepWeinT0s7nUrsQwKz6mt9DCLdWtILdzIz5Up0KeHnCvFSqOMkpNXab53uoSadmrPmVrLVPbp9s/89/17/d6GZ49/Z18E/E6zlsfEOqeKrCC9vhf38OgXenWd1rbLFPCjXd7d6fctHZRRXLxR2VkLeOPdH5aKI68+NT6vjKter72HdOcYRd3FTlWTi1Fc1rQuvgjppdfCxylV92P+K6fbTq1pd/M6PwN8OfA3wu8Pad4U+H/AIf03w7pmm2scZhtbOEXt9NbibbfazfSI8+qXpFzcGOSeRo7R3eWzitpXMhf+sClJUqaS5nyqzqrdX/liur7GFahV7vz19P7x0WnJDFZyOJZI9iPkPI85ckbmeaa4M13cyEtjzJ7mWQIqRKwijjRXKTxNqktdFHq7fa+07/a8h0IShCSlu5N/Jpeb/MrvJD9oRVCyIAG88jaSSAxxztAUkr07Cj2K/pL8f6Zdvnb5/1/W5TudTYTySM1usWWXcVl5UEgEndjcQASRxnoMVtXnTo4aD5VeNKKem9qb7R8t9TGnhZ1K0nd2dST3XWStvLaz0/Q5jxf4mtLOJXjkt57kySBreF4Hk8pXYQsCQPLZ4tjMkisyElTyM14GY5/GhWqRSXuya3q9OXtG3U9PCZNKdOLu9UtlDrfvLy/rp+ef/BSPUY/EXx+0EXlosUifDbw9pctyy3Dn7MfFHirWoprWBJllt5dl4yNJcJLD5SrmP5WY/mHHOY1MTxhxHiKUrLD1sBKNODUFOp/YGWQftZVqfvwftYctODhU5lfm1SP7a+gRkVTC/R9oKblK/G3ET95Q6Ry+e0Kjs1ybu6X4P598XPHNp17NaRWtqlpbq8VjHKEjELtHFi2hlaWdjJIiFvnfYcMcKrV5eSxlDFUKdadatKtUcZ4iUOaXPFSnerOChTXLGUraR5lorto/deMa8qOQpUacXUo8N5bKNNuEfaRc6znTSUOVc0lGzd5c8Yyk5yvzdP+z14w8QeFX8eyeG/sl1cnSLXWoNPeeGOS4nnms9FHkRTXETzrHcPpTvDbZuGW9JXiCRh5PiZkmW5xHhyOae2pUVja2AqYmNOpKNKnTp18e3UnCnNU3KmsYo1Kv7tOgk9akU/49+m/kEMv8QODM6wcaLlxnDOsZiPZRw8W3keE4Eyqg1KM/bVFKGNdRRxHvU1NQpNw5m/uzxp4E+C3h7wl8PvGHgW+/aM+JPhi6utN1rUPFCeF72+0aJ9L1iQSiLTNG+GNneXWkz+I/D+oaXeJB4hgkXSDN/xMJAS8/wBb4U/Rb8NuOMiwvEuC4ozfCZ/Clh6uKy+GWQeC5auV4BYqHLi6FGUZUsTmbcJTxVbSlFKk6i9tD8HzbOczyHEVoYWkpr6/XhepW5Xa1a7XsZw60Ukr7PXY2/D3x08P/tVL+0X4o+L3iPxV+z1onhX4deIfB3wvnPgaf4Y3+pzeMfhn8U/CXjTXtM/4T+fxTDrV7p+jXFteeGLvR7TRrrTdYuYhqL6la6hBYr+n5xg45ZgIrH04YutlkamIwlOcaajWq+0hifZycliowUp+xg5Jx0vJu6vHTB4uGPipY9cnM7TabqNQlKcZayjVulGMdOsW0k7JHj/h39njX/2gfCvgzwX8IvG/wuuNN+Enwv0m5vtE8Qa5p/h7xEbfXfHPjDUtLXWY7K0bRm8zwlYafPf6rCLab7Db21nLp6SRpfXX5b4n5fxL4jZ9DiKOTUsvjw/wxDh/C4bC47BOlPC5TiM1xNPH2r4rDOOLqxzJL2cYqMXQpPlfvQW2K4Vw+bYTFVMtz3H4LDxw9ahPCYfDV5U6uJUHJ1Kns54eEFKFSnSnUnScYxiuarZqMfz4+Jtzouka5put20UuqXFprupXmnRyMIxrVvJp2oWkM1jb28CmKwk0+e4uLe5uWZp1uLadVTdHGvZwnSx+Ny7FYCtOGEp1svwtDFSinJ4CrHFYatOniKtSo+fExxNOnTq0qSSpulVptytKTX0aM7zngX6TGCxlPK4Z3DBUcxr1MO5J1sVF8B51yUoRVWo3KrPE0+WVPmUY0YTly3nbs7LUYL7TtMuHVUe4srS6ltxlzFNPAkrxOwVVYxuxRmVVBIO0AYFeHXw1TD4rF0otyVKvWowq6RU4U6koRnFNuSUlG6TbavZ6n+nuU55hM2yHh/G1oU6dXHZTluY4rBx5qjw+KxeCpYith6s4wUJSo1ZypycIxi3FuNla1TV7exvJJZJreNzIr2sJUSIUeVkkV0Kspyjgod+4MueAxDDbBVcRQjCMKskouNapdxkpKClFxaaekotSXLZp9Wrp+VxVluWZtXq1q2HpuVVzwNBwpyhZ1nSqR5ZJwlG1SMoyldt8vS+vtv8AwS6sPEEv7eHwNm0MWTT6T8RLKPXpbtJJbu78P3nhnU5Liext4JbQxSxxQXUdxeTSXNtFFGN9k7MhPv8ABdZf6wZLGPtEsRTValCCfsqEqGcYKnXpzqOTTclWozpQtGVpVJc8lBxP5++m0oUfDytg8XGFTF4LxGyOnVxU4pV8dRq8DcQVcLi3CNLlgm5YjDSfM1KWFUlGNz7O/wCDHeFJJP8Agpw5+zCUSfsVRQtNZ3NxIPOH7WpkFvPbzwmylKRki4bdtYIwK7Tu/SFuvVH8oVL+znbfklbprZ9eh+6Pxc0mX/hAfiPq0OiaDf38PhPxDNZm5jtVuJJG0R7ddWudRn03NtLpOnvdMlmLfVDcQWcKJdRXEgRDD06dTHwVaXIlPlT5ebf2llZfzaRe6V3JprQKfNHDvlXM5NPe1tIt76aJ3ez2s3dn4P8A7Ruoalqn7Nfi+bw9a2sEB8W/DzRdX+y3PiCwgtYBLpXhWa/MVr4chN6W1az0+CSIx29tEbyVri/txbPv/RM/o4TB8EYSthajlVlm9GlKPs3D926OeSk+ZRje0oQ0vrdO2mnyMq2KqZ5KnXpqNGNHnjJVFL308EkuXml0lN3tpbR9/wBRP2VPhvp9lof7LcVqmlS3Xhr9oz4q2a6jb2mpRG5tvA3gDxV4atQbaSS6hEk+l2y3KX7XSxxMUthveVgvwOZVI1Krberk+jevPO+vdX/qx9VlEqX1Tlvr7PTR30p0tL26d2fRPx58c2vwlsPhj4ih0176O7+L0OmPp0eoG0W8l8X+EvHNpNI86RXBWG21G/ju2VLWdi1tHFiFJzOnNNTkoxgr1Gpcibtd2u1dtJL1a+42pwjCVSpO8Yxs2+W9tktLSevo72dtj4N/aa8MWej/ALZLTapDd6zFf2XiDwnf/Zbu/soGvb7Vi8uqFokvLnT7iwh0HTWiFtDqJ1G50LS1tLZ837Qe34V4zEYbizAU6r5HLGYXlTlKad8yy6MdITta8WmnKO1m1ozg4jWMrYSrPCUlVhGE237SNPanXe05QezjsnvbdaY1vFewWtpPNdpZaTY+NPBuq2zpCHs/ElqnjSLSFl+xNBINKsdTsdH8Z3OuxTtNMkCQ/wBoWE9/a6LpifuPjbiamF4crY3BQniMzjHD08RgK04x+r15YvKJvDzxSqRp1oUcHiKM6U4uV27RlUjJyPlOH8dVlmPsaitUu+aPNJq3sazjJPWPvJOTSfk7OyP1IlsvtUZimDQx7iyvp93fWLrIieShaSzubeQokAWNkVij4GCFAUfzjGMsfh3Kc6uDxkl+89jV5rTcFKSdSCg6jVWerU0pcikns195iPZxoaycWoPePu/BJ6ctpWvd2k1bqrosWlqtrbW9vD5nlQQRQxmWaSeYxxRhEMtxPJLPPIVA8yaaWSWVsvJI7szFwo14WjUxbq8to80oVOeVtOaU5VpuUno5SaTk7uyvpnCNNwi1KVnGL6vdJ9kx/lYGBGo/3cD19hz+FOUIU3zUsNTnJap2pwd1qtXHRppWd9PkNQhzKTnK8Wn2TtsmrO6+a7ClDtA5GB1yOOnGfbH86VWj9ZjGU3KhUS+xJNq9m05Ja2d0rNbt9Rzk3dpXfba+u5C7qZfJEivLE8LvF5ib4xIH8p2UkkK+x9pwN2xsH5Th0qU6CsqtSu6i9nP2knaNOTfNNJt3kkkkru6vo+mcauIpybjRjLmi4Nc6jaLs2/i6W28xs6vtIlS3KLLHJ/CyqY3EitOJQFj8sqJEmUny5liZVlI8txylhlUrUZzq1uV0oU23CPsZtKUeZTulyOcXHROLceXWxrFU5pSqJRqbtNc/2ej5dWpN2vZP+ZXPB/26r9tJ+AEXhDQ7ibwhr/jz4jfDnQNAup7axuZYbqy17RfGM13Z2tjcS29+vhPRPDd0f7PvriHTLux8PTaTeSXulXEf9oeFx5ndHKcoVKdJYqOPzDJ6McRUnUi8tpwzzKvrGJo0lGcqrlQq1G4Q5buEfiqOKfXlWGxmInWlgsL7SNGWGhUnz06ah9ZrKhSV3Omn7WvUjFK0no5+7CEmvkv4Sz+BfB3jef8AYy+K/wAbda8b/FW++BvxNfxn8WdN0LStN8XJ4D8eX0UNhbQX17N4i1pfEXh67fV4tP02xurWLTPD019Lp2jWNta2b3nz+d5RxDhuJuHuLsnxFbN+HsNw/lOLx8atZYWjSnRzCtmeJpfVq+Op16sYYKNJc0MHPnhVcIKc4ukenhcveIzbCZBXSWcY+OGlhcE5RcayxWLhgaN8So1cNT58TKVL95UjaylNRpvnOfg+JPw9/wCCfY+A3wev/EniDxlrviLXdA+GHh+/0caPo914SD694LtY/E2r6bZw6ldz3EHiLWNCs7S4tbOSa705b4LaTG11G4g8Dwxq1PFvh6HE2XU/q2f13JSyXDTUaGDdDH4/L4+yx2LWFpt1sJllTFy5Jq05TotuXIn7nGvFWI4J4Vyng7NsrwuCyylHGyweZ8/t8RjaeJxuGzTEKthsDGsoQp1MdTw6VRRVSnNTXNyzt5p+2Dpl18FvgP8AtN+DLX4hQeK/Cf7V/wC2XrvizwXqdlo1pft4J+HOr31/8YB4uk1ww67LrWjXeivBqV5FaXPh7+14odB0nTrmS/n1S0svqOHKtPL86q06mFo1sLg/D6eUe0qKF1n+HxWHthHTUZtfuo831qMXhvecViW1Y87FcE5xw7lGHzbGVMTUpY2lTr0o1a+HqwftqNaqoJ08RUnZSwlWDUowaSvKK5oc3X2X7Jvxb1j9kDwBpNyfDPi34j/BDU/DfimXwjqtzrfh/wAUeMNFgsvHmmaBpvwuutEvF1nw1qOnaLqHgSw8PxXWj6/p80FrJqcXiDV7Iy6u/RwpDB4/H42pQmvbrF4n29CNNwVGs6uPjVpRlKEIzVOpCrBShKSko80bxaZtxBj6WY5PlOExcfZuOW4GmuWMqkY+yw2XWTupKN40U09IaNcylyRf6Z/s0/EyT4ufA74ZeOdQsW07X9S0C2sPF2lzzLc3Wi+M9Bc6F4t0e+mWOPbe2PiDTr2GYMikmPMbTRFJn+vSmrRhqor3ne1ordWutbP7uh8biKby2rHDpfu6jglJ2jf2i5dIw92+jjd6aW0bSPP/APgrGQv/AASx/wCClhJwP+GAf2xx+Lfs7/EVVH4kgD60DP51v+CR2ix/Bj9nD9lP9s7WbS2m8O+Gf21vFXwqv9Qk1y5FtpVrqvhRdQubjXNEudDs9I022tra9vr3QfEEXi2e+1XVFu9Ln0J4NHtxcfl30lcDUzzw68U+HadGviZZ34c8W5PHD4arCjicRLNOFM1wao4erWp1qFKtVddQpVK1GtShUlGVSlUipRfZw9WWHz/I8Q7WoZxltZ3vZqljaE3drW1l0vb1P3L+MXwu+HFxour/ABDhtItK+JEN5pq6PcLYx+INH8R+JdUNnpuh2ev+EbhdV0vxDBqGpSx3969pBZ6xNH9qxqkcE+opd/5n8Ecc8WZhh8DVxOX4zNctx2c0qlLAUc/jhKuGlh+WjUqU8Vjo4qnUlKOHxjcHg8PGpPFQUptUIzqfoOaZG81msZGU4x5X7sXTUYqipLltJxfKnKEY2XMo2Wtm3yFh/wAKm0/wefhzefATwvqXw9tbBvBL/HvWdO0Z/h5dzkT6Nreo3njR/CviTUbfV4dTl1a+vNT15JtLvPEz3+njxkNWstStdN+yzzCcU8R8Q1vFbNuPM+yHMsdnOULAcA0qubY+hicpyvLcvw9Kq85o5rTwz/tXM8rxVKWEeWxqQpVpV5U61Fe2q8MFCnSlB25oSmruybSiptq2ijFzSb6OyurpL0b4Q/CT4a658PLHxZ4o0Lwx41u/HMVjrkv9oeF9GtvCelyxuZ7W18MeC2hv/DugXmmXC+XPqFsr6nc3UUt8t47XCyHx+KeMs44Dr8QcLY3N8y4Fo5ZllbJI46njsdm9SpUzfLaGeRruhw7VwlqsY5lJwjGo48mAppzhVqwUNMFl31z4pSsr3jFKTsmlfVtq7bs+V699T54+MWiar8U/FPjL4iWEemx+G5PGM2m6XqV7KPEGqx/2bb2mnS6pYaAUtxqOm3U+lTTW0KXVvObtrmOOUSP5p/VvDTwRzTK8dwRw5WzHF1ocP4FYKcqiwUpVXiuNcyz3mmljqlNNQzt07UpTjKEYuTVRyjH4niqqsRmy0s3DDrTrpJdUu5gWv7OngrWfE3wo1HwXreqaXpV5410681q/XVXnj8TaXevN/aU90l3BdW968LQwWy6XaQoohZw1woV45P0GrxNmHCPht4kQwqVuH/DHjvJk/aVqTdTE5diuJvbP2FRKNSKzCMF7LmjywjJz9rzRWPDfDdPMeKoRnKVqGGo4lJRpPWljMIknzvTST2Teulz658XeKvEfw8jtdYsfCGneIPAwhvbnXNffV9Rt7vQhbXk8aDUPC1p4P1K+i0eCzWyuf7TsdUikSSSeO4s2traN5v484L4Q4erZRw/KpOdfNc8zB026uGw84qnPNMTl1NPEThCtBpYOFSNP2tpVJuKnFOCh+m55msqNJYf2bpSUIxSi5rkVanUc7ezTp1YupJ03Kok4uN4KDvUnw2v3Pi744eFvHHxEt9A8LQ6f4Tu7bTvhlqqeLdXF+mpfDbxO+p+KfFmhasPAcd1FZeJ9Ti0jSle1MJaDwddyeZNBqMUFp+lY7KuFPDXPeA+GcyxdfG5zn+e08ozrmw8KcMvhi8xy54KriIU8FjaOcQqYXM6VR0aePpuhQp1afMqk1Tp+Mq1SkneSfIrvmlK7vJOy1ld2d2uqT1STO00H42+JfHOo+GtP8KeCNN8TW+p2en6l4lu9I8dXj2Hg/wAPa7BaXVsdV1G88GeHbeDWZ9PlnubPRYrzUb2e4tZIbVYpFQSaz8K83zPiLN+P8gmqGWcH5lnOfQzCnTwlLD43B8K5tP2eEpYD6/gsywFS2U1Y/WEsUoSo1J0cFJVqMESzFTjPDuEbV4ujdKXN+8XI3qnFt83Zeb7ec/HvXNS8V6v8Ore6RbA/DS//AGhfCGnWenr9n0/+yND8W+Er7w9NpdvD5cSw23hy40zR1iVFVPskjIVjl8lP9JPoGcVV858Mch4qxKU6uJ8OMqyOSlUr1Fz+0+qOo51eas5/8IfNquTmnL32lTcvy7x1/wBlw1GEeuJxCdtL2wEf5bL/AIY8x+K2p2dt4N8R6hcfaNP+zaRrlvKkCLbtbs9l4hkQxwRFUtfto1QG48vH2g2cJl3GKPZ+xcX5jisD4XZ1RwyTqRlnuKlPmmpWzOjxLmMEnGcPg9slF3btFOSjJWPguGZYeXEPCCxDf+0Y+hQjZX0q5plkZ7059o6Oy7pna/8ABGjwdey6n8RvF4tfI0fwx8LPhf4ItTLEtqNX1Dxx4W8NaveTxPF/ro7SDwd4dingmDrNPdSMzr5KLJ+L8B4rM6GR4HNa0Y1HUz3jd+9Nuz/12zSSal7ec7/ul00XoftfGuU5dlGe4CnRlNUs24f4BliLQpw0qcF8PyekKSU2/rtT+Inu77zPvZ4EkiQ28USN5bSRgRxxqUkKymMDARI5HVGdGBjJVWdW2ivXzHE4rMMtrVlCFlOvUvdtyusTbnc6icm7atp3bbaOXC0sHlleVPmkpTk4Wt8DUrPkdOmrW59LNNLZpps/PD9vP4RRfDr45ar4htVtJNN+JenX3iXSLqO1fztJ1SEGHWjNHA4gvd0ptbhCfJP2m6ebHm/Mf1P6PfEUY5NQyXEUKNKM8NKLxMOd1oPDvOcQmuWM43k4qDs/hbPy/wAauHsHUx2L4gxGJrSoU8TCdSiowdJvE1MrwsdJU6k7KpJSj+7k092l7xxfgyCLTXgtbXTbWG4Y79QumsUtLySOOCK4a31BQrGYtLLLM5eRg8krO4Lcn7XPauWY7K80wtXMcVCE6Fem+RVXZPm2ToSj9leWp8VgKOUwzLLquHjeXt6Mo3hFa+5bbDwffsff/wCxvq1v4j/Z98IxW8gMug3vivQbxYvkihey8S64kBCLhdnyRv5fRXcnOeT+E8VYTDYHiHNcNhK1Svh4YlShVq6Tk6tOnWnzLkh8NScoxfKrqK3vd/tvCFSMuG8oaslLDystvgr1Y9UtVZduvRHqkmT5zKuz7OWWby4FRJWGQWJGDjPIJyR161578/w/rTy+Wp6Ube7q/e1XM238tWy3YgbXIAAYRnA47E54+tbYPaf/AG5/7eZ4jePrL9CetzM8m/ae1SPSrr4eTvevZFpPFKI4k2RtmHQ93mbgUYgcKCu7DvtIUuG8Hjn+Dl3+PE/lQOrLP+X/AKU/zmc34Z8Z2r2MthJNKRcadqJiurecKFhMS2+oSIIlQIyWl1JOhx/roIX58vB8SGI+rw5rLeL1v9me2ne5dah7ejXjrZezva3WS727HwR8L7Uap8Z/j140g8h4dZ8b+MtFsrP7NCbL7AnjHxlaSSXClcyLcRwR3E0Zby5LlnmZCzmv4n8dMz9t9IHJ8LKEU6fjXCu5c03eOK4zxEIx5XpeKg22km1LXbT+ksDlqpeBGBnzNf8AGp8FtyrWHCEZrZ3d2kvvXU/VfRrZLSzitIs7IILeKNi5kLql28YlLnktKgBY+h2/dAFf3hw5Rj7bMGtL/VErJfy112X6bn811qspYutzX09m931pfPbT7kcp+0zLdW/wC+NFxYqy3kPwy8eSW0iMyOssXhHVpoXR0KsjRzqssbKwKSqJFKuM14/Gc3DgnO0losPj0lfSyynEPS221/U7OD4xlnuEUny/7XS5VZfFKpQVl2UnJprS93fdn5l/sbaZaaJ4c+FZt5bKw1fU/i38PLzfAk1pYaXql54+0Xekskkj/PcReWbwQGKOSQsFVIwqL/G3h9mOJq/TO4Vq+0qOGFznxKotVZXm6ceDs9oQUeSME6cJu1LmTlGk4RnKTvJ/0B4iUYx8F8jjbV5LlFrLr9eyNtvzt573sfo1+0FqEUnhDUNM1BruSC80eV5bOxUyavfR2kNyztaMxYySyLuSGFlZXlwMfMa/trD4iE83rYrEJSp0cNGrUjK8lKnRlQlKLvGTacU01yS7cr2f84why5LTkndxxNR626Rqtdemnnby0PjT/gr98ePC3wM/YU+EfgeW61CfxF49+MPw8j0200u4S0N9pngq2ufGlxqryXaXDNpUusWnhy3mgnMttb3uqWCFPs8bRN5HiFn+Er4elQy+lCi3Fu8FOFnHEUn0o0U3yq3y9Eet4cYT63m/NJ+7H2sWtHeUsPWnF2lp7qhLfVOWnU/P/wDaDt/iL4R+AkXxRsfidrHiKyuPit4S+KHgzRjYx2/h3Q/FH9m6VdHWJHvjdahq3it4PD/hrVNZ1iwvLHTr6/1fVryOxhurlZIvDp5fmGA4bxOc1605U6bfs4yndRqwp5lVjJWxE5JpYWWsYRtd2mnbm/UMXwzh7c9t4VF/Do9VHTa/2Ud5/wAE3vjZ8Xf2r/8Agq9oXxR+POuWM3ijxf8AAr4v+FpLvw3po0Tw6NI0/wCE3iCJLWHTIZ5zapBate63LIZ3iuNbtLeeSIySsScB57XxtepmU/4uGq4mjH3qr910aK3fvq31mWkfd8mr3+N8SMioYPh3Fzpr4auEivdhe31pLVp3bS1u27210uesWmsTeD/iTHdapa3WneHPFvh7wLYX72/kWstquseHPD95puuw2lnHDaJ9hu9PvZbBLuC5WTSLDULIjYzk/wBh8JZfDMOCcoxlRXnjP7Q5/dg/93zfE0o6z956QXxN26aWP4+zzMamFz3Mq0dJUfqfL70/+XmCoxesbNaSe2/U+4f+CdPx91HxFZ3fwa8VfY7caXbarqPhtpNZS6uZbiC/F1rGk6XGQDeeGptMli8SaG9x5lxYWTavowlksbe0ht/zLxE4VwuXVa2IgrP2lSTfsqCs3LHSWsFdpyhFeV76an614VcR4jPMqg6+qhSi1+8rT+HDZc/+Xj/6evv5byv30GnaHq37WfinxKum6XNrdn8ArO006d9PtzqmkpYfF7xNb+I00m/eNrzTl1+003RLfxBHazJHqw0XSlukki06ySD85xmLnHGV6fSMlDeX2UkrJadPRJ2PrsJLnbb/AJ6kf/AZ1IpfO23yPTtkdzpa2Fo7SmSEidbg/umV7+z87dtwXdWmnRmcnO6UHh3zVKXtEm73u/NPVd/xN8Xez9NO+qle/lt9x+YHwx8/wz4x+NE8AnYx/tSeJJLe1mneO3EVl8UtCt1v7f7UZkFlGbZYzFEqQu8PmKi8Y/kbM80r5X9PDIIUlanXreIMpy5qkVzrC+Jlov2el7Qbu912tr+95vh4/wDEAuGJdZ8L8KS2X2qHC3q3ufoT8RJVHw+1izsYpIlOo2omjBNtLFbi+T7DPtufOklkMu/dsZWYKFBUkEf13wjJ/VuGmt8VicRQl6SzWEPV6bKWnQ/n6UU8BhY7OWLhTut/eeIv5duvQ+ZP2+PDa3n7IdxLJqOoaQrSeAXmul1A6YxsZNZ8NaZeRwXsa+ZbM1nL+7VTtleCCFgyALXg+P8AUoVPBnj6lWpwm8JxvhVByjzfw84yygvihJLSpL4X1svdbv8AUfRqhLD+J2Ale9s44pWr78P43s/xPHPDfweg/aQsf2cvAnifWrq0tbq48R6ve6gjw/btPg0Xw3rlvbaol/fw3ljJdHTzcSSTXtrN50kkgEkJmaQfx59DXgjB+IfjNx9k+Z4zE4PLISyuliKmFp0KjfseHeKcyhRjRxEasYQjjsqwqcVTkoqMXeLhGS/YvEPxM4h8N8qyvjThXLsJj+IcthmFPBYbGYjE0KFdZtUweQ4t1K2HxGCqwdHLsyxVSny4mmp1IxhNThKVKf0D+wh+zn4a/Z6+L/j3TfC/jbxtrkev/CTwb4l1bRPFMnhkSvqd94t8S2X23VovC+j2NpNdaNZ6HaaPo0s100yW95rbvFI140kP7px1wJg+BfrNLIcRXxqpKqlHEwoUVJUvrsYXVFYdbYWkuy9pO1klb8l4p8UePvErERzDizJsswLnVc4zwmKrYiUJVp1a84wnic0xs4qX1us3ouZ0abbv8X1Jc3LOSGi2kAFQmAOoz1Lds9B/XP5XxFxHmeLwzWc4SjgnTf8As31epeNS8fecn7eprdtW5tkvdV7y4MNChqqD5rW53y284/YV+l2k+19PdSByQxVQdxJO7Gcggdv6/XpXBk2MwdWnUbcpTae8lK3w7Xeltfv16oqomtl2+etn/XzFBLbdyfdOcjnoxP8AFwevr+QrXFr6zDA1qlN1MPhK9NwUeWVSSp1XUb9+Si5a2Sk0u8knooXUezaattbZW/C3p+P4XfFKNZv+Dp//AIKSI0s0Kt+yd8E23xkLnHwK/YOYLOCdphJHzo2VJCggiv7f8JsVSnwHwFilGUKVfgfhirTjPkjOMa2R5fOMZ8spQUoxdpKMpRvflbVmfHcXwc4YmK/6GU77vadfyvvbU+oZoh58EaxQuJEj2t5BBSFSuApHKlRnDqRJ33ZGa+rw2HeSq2LxVLFtNy/dqNPdqS05lraDXq0eBKm8PrUTbWuzj0v1t2/pEDLKs8gUI2dq/MsoIUtgkvv3fKMtww3YwTgmrxWe0VSlUpYOtNQSVozve8ktLKSWjv8A8ORGpUxM1h6FaOFlUvatUjGcKfIud3Ulb3lFwV3vJMfCix/aBK/nxx7FMXlZSdZA+WDSFypjcIMrhvnPODg+bWxbxklKOGq0Wtbz5n0Uf5UtOW/ovU0WFxNC7q4+jiV2p06cb9fs917q833GTvJsRBCQ8J2FGCHar5ZGUuhK7QCoCYzuzng1z5g69TDxp+3UkqsZcnLG8eWE0ndJyW6WppRxChJpU5QfK05t6NXWmt1dtJkSRvuaTzWR+ByrsAjff/1jMu7GNgUAHnd0GOGnQpUpqpJJSi7p80tbertpfsbRbq6NN3+X5Ly/AnHkQo0Zlt2ldDtjnn8mRllHlwsYwcbxKHwuMNgKcjIrqoZlyVYQdROl7t4/u/5kn71r/D5r79SK+HrOpFUlypxX2HJOTbvq4y8tNlYytb1u30qA/bWaIlSg2CMzO4+XESBdjKT1O3IP510ZhneCw9O9KNp91Vpv7UFtKb1s2turfpVPK8wqWanb/uDJ9+0NdmcRresXl5G7m/g0jT4BcX8095JKudEslYanfO11qOlwImnzq0MmyWPBUmGO8+UN4ePzzM69K9LE2hKN4x9jh5NRlGfKrqi7tJ2vd9dz1sLl2DpUaPPSviFTpqrPnqrmrKMVOXK5pRvNXsopLayRzGn654W8VaXNL4S1jRdXje3huLzUdQuJrMwC+iS7ttSsPtcdjPqOn3tvNHdWN05jjurWWG4RFWQKPKcZYmcp4y9SUm2217O7f/XtQWto+X3nTTdSmkqT5YpJRVlL5XkpN9d7+p8Q/t06xpF98fr23026hmm0XwTpOjS38OpXEl3fyXGnXtzYXDJdicweXZ6vDDc2j+bM4hDrOsspdPz/AInr4fHcS5/isBRmsur5jlM6KkliKEvq+UZMsTNVlUk5N1KHs4yjVcKdSE1OL5ZQf9vfQIw2Jz3wCwuYSzGhkFHM884rlgMjx1Kk8wpYmliaWXUa/PWVGtiI1q1CvKFFc8XGolGMpxSPnzxA0axW0DlLd4rcrNdOA5YMHWFmLxl9qToX2KVEgPlg/OxGmWqTnVqRUqsZ1E4UY+7Zpp1Iq0uW8qclHmabjbm+yj9Q4xpSo4fLsJWxtLCV8NgVRxmY1qCqQqU/gws1Tmm6cYYmjiJ8sHH23t4UZSlGnGMaXwg1rWbf4kai9n5GsQ6f4F1aJoYrq2tbm0SbXPCr/wBoxQpFJLO5kCwww7UlgeZJluEWLy3341wOBqcLYWNb2mCnieIcFNTnRq1qVaUMvziP1ac5TjGnHlvOdS8oVIwcHSk580f5G+mlmGZVaGQ5pQzfA4rE8J0M4wuU1af1N4vCwx+CwuZYmp9UpqVOVLG4nKcDNRxmHrVaDwcKVOrGjUq0qn2P+zn+0h+0Hq/ir4E/s6+BvGb/AA58Pyx65aTT+KfA/hfxXaWOiaJoHijxzfabJrM1jDrE9zqx0y7SKZ9QMMEd3eGWGW6a2li5fDjiXPcpx+Po1M7wmYZLSxNbG4bAYKhgMPOOKqUKeDeIjGWDeJ9hTpWoyoyxTj7SVKrTUYQqRn/PeX8R4jiTDU8NiI1Z5vHETr4jFTjSjGdKnQUZxVHDwpwi54ivKpzKjFJe5e3Kl7v8FP2nv2i/ib+wP+0V+0L4p8VfDTUvDnwm8cfFfRtJ8JXHw01m3uPFHhr4W6Pp1zIL/wAQWPjho7BLrXpL0QvY+FJHtNPsm8yDUre9ubNv0ytxbjamZwniI1KkcPBV6NNLDRtUeEWIpyU4UYRvzqjJxqSlZpxkuVyguz+ycTiIOnWkpRkmpR5JxfKv8MYvpvp1s9Xf5hP/AAUw0zSIrTxH46/ZE+Hup+Il07RNUPhm28VW9/fXVs2iw6rDp02qXngjXLmG21FAbKxun0wmyv45dNSO/gku7ebysZ4n8SZ5mlfC0M05stjLEZJDMa+Cy/Dww+X0cbVwdTDqEsDCNephedVpt4n6y8NJVqtWnc810Fl3EuAyXDYHEe2zCnhp1a0FVqUqGHxOPjhamIqqXtJKFKSpzqO0KcVJL2kW9fFPi/4Pgf45/Erx/P8ADvTfg/8A8JJrl/rWm/CDQ7bUdG0H4YafqtwJH8O2dpNpmgi8mKCC6vbi18M6FCdQluzZabZ20xt6+Hp8TLHZThsrwk6tahQr1acsdiZQxeMx7pynUwzqValbFVaFPC05vDUadXGVovDwpPlpRjSpUv7s+jF9HPwn4Qr0fEzLuKMi4+4zpqcnicjzXEUXlanDO8gkpYLLOJcfgK31zLK1eKlXy6haOFr1YRdW+Ihw/iG6CJFquk3JlkguYZJbCAeaJrRiwkMjoWdHztJHl5Bb74xg9uWUbyng8ZS9nGpSnGGJqe44Vkk4qMZcsZR3t71tPhZ+gcbZjUpxw3EfDeNWKlhMZhsRisowkniJ4nAVKtRVY1/q8arpyjHk9pNfvFN25teZ2Z7XW/EEmlaN4U0rV9W8WawIrmy8O+HrKbXNeuo4VguJp4NEhaa/mhfzTGzRW0Ai804YmNTTyrBSrYupTdP6xQpyq4eNRwqRp1KrjWtQhVo0mpVqdOjKs4p1ZOFGU5RUXK3F4k+IXD+QcO4HHYjiPK+G80xk8FiKuHr5vlMcRQ5FgsVVq1sLnGZ0FThiKmI+rOk4YCdCWLgoyk4UpT/QH/gkZ+xT4/8AAHj3T/2jfjZ4T1H4e+KNR1aCx8B/DjXrRY9Z0nRXttKhu/GmqTjVLuyguNYSS403SPDD6Xb31pY2l34hGqq94umD7Lg3IKeV47C18XGtiVhISgq1WhiMFzS+u4fEwcI1qdCtJJKpzVK6TqStFU/Z0I1Kn8e/Sj+kzhPEzNP9X8lwFTAZNiMxybOXgKeOyvMKNPMqeU4zJ5V1Wws8XUocuHxFOl9Tw2MlglyyxPsoYnE1Leh/8GOep2On/wDDz0XlzFbG4b9ipYPN+VXZE/a43jzSPLi2hwTJIyIB947dxH1i3Xqv601Pzd7P0Z+5vx1uZofhT8SLuDULlPI+Gvji4to4IpJrK/mn0DU2htJNRW2a2t3mmVLG0VmaWTzYlijeeZI3MP8A7/T05rX0atZ2q67Ozi/et5brQjETdPBzcd/d21fxQslo/S/S7Pwz/aahtrP9nzxVNpGnzX4sfE3w9a908Q3MH2q88Q+O/CwvLK+jbTtVmtrZr/U5tYSS60i2lMllqCREWVi91c/oPEv/ACQ2D/7HND/0xnv9f0r/ABeUSrYzimvRnGSjHLqlRNx0uqmVJL3Yxf231a02Z+qf7GM+tatq3h3SPLih0fwJ8WfiVqNpbxQ6dbm3i13wn4jtUZktdKtLi5jupNTinFxLdRwXMcDS26XLRho/gMf/ABX6/d702fZYCh7Kim9uRLqvsw7317d3Y9M/ay8OS+J9R+AmnxypCq/F/wAPXI87zVsipvNPsSj+VHLtumivrr7LCI3M7bxvUBisQf76g+3tH/5L6q1/l6rc3k70K/8Ahjru9W99Nf0t8j49/bq02fTf2h7PxGuoG3kXxZ45kSSKANeWNtF4e8b3FzczW8l7ajZIs8FvCssckirctc25t5oohP63h/8A8lrli/6jcF1vb/hWwWifU58Z/wAiyv8A9equvf8A2ef4v9X1OKv7jX9F+FHxH1O1Efjjw74e0m41+28OyalDb2Ws2VpoMN1oEDaiun/aNH0+LVNQg11bkTSXN7HoWp2LWsh8RSahZfvPjRTo1sjqVFQdCvVjF1edW9pUjmWCpzpx5ZyVSdKWGfO43SpyornkoJR+HySm4ZvOre8Xy29FhakVurJe9pt3snv+qlmt08Ae4gtraeQZaG3uZ7uBUOPuzTWljKWxnhrZMYAIyTt/m6glGpUumrVZ9ezWup99Vl7Wikne8OqXWD003Wvk/IsqMKo9AB+QxVvd+rFBcsIx7RivuSQMcAnBbAJ2ryTgZwMkDJ6DJHPcUDGPIDI0BhkYGHeZCFEJDFk8otu3bzt5GzAVl+YnIABXhilknNwY1srhzHFNL5Me+6hgW6NvBkzPlLczytu272L5CRKDkXUCDUtWn0jR3vb2Ke4uQZUjjsbe6mZ5BvdAwisJRbL5KSE3N7DFp0LhPtV1BG4mSK2z/rq/LYFvv3Ph7/go7+1fpfg743/s9eB4tCPiI+HLTxN4x8fts1GS+8PWa6Nr+n6t4k057axudHjm8KeE9E8cWerwSiD7Be+MtAi1uTSri0vLe28riXJqWc5Li6UpRVelVy50FL2l5zeY4WcuWMJxcmvYx05anotb9eW5lUwUMRRpxk1XqYOtO3K7LAVpYnXmhJ7J2tZK15XSdvLvs/wN+LHx58Jf8FF9H8caxpNjqXhnxP8ACHUE8ZWOi+CNB07SdK0PVbhfEXirUbW81bS7fxNd6kJNHu9AYXkMUA07Umur2ZNHl0/4niXiLHZTmWB4WdOo/rGW4bCJqFNRtVxFfLou1Sg6zuqbbs3JrZud2fS8I0447PsBxTUahSyxYWlJty0lgsbh8yn78JU6MUoz05nGS1cnGCTM39q/9izwx+0/4t8FeOW+Ok3wt1/4eQ+FPFuh+KIvD/8AwnFhrH9uajp2gy32m22h6x4feDXvDuow+Ctc0S4tBqllbSXVyn9hpHcoYfkvBbEZj4fZ1m/D9SMrZfDL5O9P2af1vD5pi2orE0J1U4vHxlyyl8LfKlFQifXeJ/DGE48yDLKuAp+1nSr4+gnR9rWac6uBrU5TjQxCSjUjl2Io+1lfmrKnzNudWpDL+IHiP9mq++O/gX9iPVvCXhz4nfDmDRvD3hXxHrOmeJU0vxX4I8Z+FofEPg/VfBJM9vqHiPTL7T9ftk0nUrOxvrPVtMtdMnt38K2xjjs6/ROE8NPFYHM8zqJqM5YypaUZL4qOGxD1SUNOZ9tk7JaHxWd8cVs6y2hlkoSistpU8K3zUJRawdGth1JclGElzRqptSbcXeLlJpSfF/8ABQTxt+0D8FP2s/Eknw00fxnoX/CpdMOj+HfEkcPiDxB4M1O/8bf2D4ws21nW9TsIDLfR23i5rPS3sLHxZqdzc+EdSXUR4XfxKum6H2cJV8Dl+Ix1Sc4c9TF16j/ewVvaYnHS+3V7Vb7K21k9Dx+IquOxGGy6WCjOpH6pQjeNJz1p4bBQmvdoz+GcKie60etkz9LP2LLprbwdrum694j0bVPHfibxN/wtXxL4b0a0udOfwtP8QNL0VtdnvdJv1tb5E13x7oHivxBGTaW8+mr4lt7e5sY7aMXtx9Nl+Po46NSpSadudW54O/LCCesW1o5J7pu3Lu0cVfDV1TpyxkXCqmpJTi6b92U3BJNU3d2dvc1tu9il/wAFZCq/8Esf+ClZYgD/AIYC/bGHPTc37PHxFVB9S5UL/tEVqZn4rf8ABDHTPC/jb/gj94g+D3jTTvD914N+JP7RfxLPj3VvE2gp4kPhnwpoWgeHLi01PwTpD2dw9x8Qn8Q/ZY/CN1aR3k+ma2bO/kgt7a2luovzTxfzuWScRZdjqdChiqmBr5TjIYbFRnPDYiWH+tV40MTTjy89Cs6Xs60FOPNTlJcyvciviFhKFbFNXWFo1MQ072/cxdSzsm7Pl6Jvsm0fRvgL/go18Pvhz8ULf4F/tq+FPiH4M8LaBqWpt8DfiT43OrajoPjXwhe3Vxp2jal8V7Xw5Eum+JvEum2Fv/Yc2t2Wnpa29vDMb+z06fWNThm/nHx1+hTjM7yjOOKfC7PKuUYzO8G6eOwGTZRkeS0o/Usqx+Cn7LESzXKaidZ5flcq3vSjVbSqKrToxjS+x4c48wGIyqhTrU4JurXWn1mXxVJR1X1Zp6Se97eWp9o6B+1t+yPrPhmO/sPjX8Fn8IXFmltEb7xT4Pt9LaxMRQW0lrezW1nLb25ga0NpLZTJayQx23kIjWvnfy5hfAjx44M4hoYzhfw5p8T4rA4aGAxOZcS8R8KwxtDMK2YLN0sH9YzvAYrD4jDUpYGph8W516dOpUrOM3VvSw/r18xyNxpOc4SnOmmpQo10koVakYpNUnOCi03+7qprmbteU2/HNF/ag8S/GlrL4ffsSaFa2HwBhudbstc/aAurG/1bQLKSPUrpvEGg/DXSrHXNN8Tahr41yfUbX+3p5f8AhG9MKXFhaS2q2yRw/ez+jdT8JMXlXib9ISpmeWeI2LqYWWReEkcZlGeYbjKOBrSlw5gc241ynD8UZJhaXEeM4Zx2Q4pZlg+TA0HDFY+pUwfLSxXLjs1xeIUv7P0VvdTlKLb1bScp0uVc/LZaJb2u2za8W6Xr3wZ8NyaVe6fYv4d/4lOn6freiaZbWWnwCeK9uH8GXOli+18rBqsFjd2+keI5b2yg1Syuf+EUuRZX9uiS/qeQ59lnFOdUamLjGDdShHSNSp8FfDwX8bDPpVfa3RbnxecZPHCwk4tu0L/DTV/cm7aPyR5n8LbDX7TU7O20C6ntNRsV0fxpo/hnU5vO0j+29TuHn+y6ZbrG50VJrpdLl1YXF3bW17cavqNz5mfOeD7XjPIsq4m4bz/geEE6vF2RZrwvl9VUqLqUMw4iwOKyvDV6SrUYUFVo1MTzU5VauGpp29piaULzPL4Rzapl/EVN2Vp06VJ3lPRTxeEl9m97cr0fz1Ppb4wfGq28B/Cu28R+GhPqN94v1bw94e+HhsLLVb0XOp+JZoLXQ1tIdPki1SGyje7t2kaxa3aw0sXVlfG0vra2VP414S4axWc8f1ckxNWWEwHBWMy3j/F8LVVTxmW0cuyWOT1MXg6UVXpZbTp5gsfOvV+q4bE1m8bioyweJq1Kkj9gzWhhsRhYVaUk3yTi7x96VS9RxmkowScrT9o5q/M1KFoynbH8I/Avx1F4Bn0fw88HwS046fb2On/DLw3qV00F1p8V4z3l5471bTLia107xZrdvCJNR1HwBFpi31/e3t34kh16WeKLSff4h8XuCMt8QckySNV+IdfKszwdTG8fZ/QxsM7wCzDEZJjqeYYSnmGSTxtKrl0KjoYeODxNSpGGTYH2MKUVh6cPKll2Pq0vdnKELqMI86fNdvmvfERVk1fVXcmtHq12HwN8UaXofwo1R9T8Kp8Pbf4can4l0LX9HeyNpLaP4Y8pNPv7/UngFjrsmq+HW0a7uPFMN5dWerxxMw1Ezw3SwerjcBjOKfEHCewznF53knic8t4UyLG15Vo4rCYriGGR5dQoJZhiHOdKhOVbDRhXwmWYd08BQjUrUaSpt1ThiMDRq+1d/Z0nKV7u8afPOT92pK7s2rrmcbxdu/k37TKWnhxvgJq/hdXvotf07xt8UPEE9/Hd6ZeyW/xW8aeD/FFna3EAt7a6+z6Lbad9kitpQ8tr/Y0EFyv2hrVX/wBNfoT8CZz4beCfDXCmIq1KtPCcOZfgW6ksPGVqeMzmcny4XGYihe2Kasm46Kzd5H4/43ZssVjKiVtcXies+uEpLqvu6nlXxs1hfEPgLx7bpLBB5uh+IEC2puY5tSEmkXFo9u00sBTaly8aBrkqrHWp5FLIl00X7BxThaGC8OeJ50v4uJ4U4hnX92MbSjleOcVeMU5fxJbylbo1d3+H4M1404QltzcU5E//ADL4Q99/4JM3ATw78SPsNnMmi3vhz4KXMsN9Gbjy7qz8Ma5oF3dW6xIgJu49PivZGSJyHunSQiRXVf5+8Kqq/s/iXZ/8ZDmS6v8A5qDig/obxGv/AGnw7a9/9XcstZ21WRcL9fw1/LU+zTDBcKXLDIjx8o3ASkBRCBggyliAkHMj9FRhX1kdUn3Sfpp/XnbzPm6jUZS1uud677P4tOi6vpdapnz3/wAFCfhro3iD4G6x4turVn1X4b3ljrun3cNrBLNHpd34i0vStTtEVLae4aOwsb668Tt9nB+zz6eJZcNGY69zw4zBZVxrkeNlZqnUxlJ351/vWXYzCL4FKW9dbK217Ru14viDhJY7g7OcND4nTwlVW5V/u2PwmJb96UVtSa3v/Ld2R8WeC7BNa16TRIZby2FrHptm0huI4maV9Ngkui0Rt1eSSIwWunmQIUmis4pIi8O2Q/tGY5jN5E61NJrGYXmWsl/E5Ntn/wAvLe8l59T8eoUfaZpKjU0eExDi7Wb/AHfNe+6/5dfZb+6x9h/8E7vF6NY/F/4UarNPBdeDPHQ8V6MnmXBW/wBH8RWFhaXyEqptPJs9b01pWhHkyi51iWdo3WRpK/IPEPKp0sdXzKpf/aKvtHrCycaeGcVpKU2pRT1drW87H6n4a5pGeX4bA01FypwqUk7VL+9Vxib1SjeLV1bdpb20+mI5YlRG80TJtSESYZ13hgeQAWxj5ixwMdSDXzmImq2Hw3Xk5NbN6qpSeqev2H/Vj6flcq9aycW5c3Kmk0lGV0raLdW/yLViAA+D82yINj7o/wBZwB26+vp6Vrg7Wn6Qv/5OZ4pu8e3NO1938Or/AK6FitjI+U/+CinxH1bwR8Vv2U9Ht7hTofinTv2hX1fS5LaJodbu9A8PfD+702xl1WeRI/DwjtbvWbxdXEV04e2FgLcpfSTQ/GeK2ef2JjuEKvJKbrVc9jaLgn7mDwv/AD8jJfb0stPuN8FWjS9qn9tQtqls5d/U8Y/Za/aQ1/8AaK1+58N6B8LvGPhWLTpb2YeJtQntvFug2+n6akkO2LWNN06yezttbt7G0mtVv2S11KExGKVooXc/PZNnc+Is/wA5qOlUprLstxcvf5HzLEcP4/b2dOCVvq+8r7q1tb60mo1Yr/n7OCV32dtvmvQ+efgldf2HefHnxPqlpqS297/wkcmqpHb2mntfXlhFrV7apb319eWFxbWVw9pZQRfY3m0OO4n33N4rTTIv8lccTeJ+knwthOeEnDx1wEoRhNTtGt4gVFaUKacYVPac6bm/byjFRmowhh1L+jcyouHgll1S2j8KcDe6a24SqttNp393VL4X31lb9P8AQfjxpdhDqEnxM8F/ED4O2mlW8An1Xx14ZUeE5bi7VJ5orrxX4fuvEfhCB7a5kktjcXGvWNszxSC3cwbVH9xcI06mAw2KwsotOiqK+Bq7nUxVW1ppu9pq99rWVkfzjUqqVabSveVPVz5Hbks2pRteztffpe71NT4vXujeMfgj40bTdV03UdE8TeAfFptNVsr62vbW506Xwfq0y31ndW081veW26WBBPDcSRF5ox5rb1LedxHiH/qTm6s2nh8er6brJq80tu+m71OrhGqv7YoSi5SdPE0Eku1XF4KlPm1fwRqSb7KLu9Gz80f2Mrewt/8AhSoiQySav8efANwUaBttrc6frdt4gvpbl84RpNK0vUVcOE8sxXEhytvLt/krwW+sYz6bNJcjksPmXF2rblak+GeNUlZLS1SbSSu7STsktP33xSxUaPgzw+ruLlw9kPvJxVpSlw3te2ys7+Z9x/tB/FDwOb6PTLrWzb3+qaW+maZYWMdxcarqt1PNdzXVnpelWC3N0+oQWQa8YLDcyRQAXUsBhXJ/rPAznhKc5yjK9PJ8bPRW2xdaenNGy2tbZX6n87VZxxuByqMXpWzahDWztedem/hfRO/l3vq/z8/4LGfEHw1441v9njR77SLnRPhx4Cn1Sy0rx1rvhvV9Mt9R8WfEOx0y+8daNd6Tf+HI7i7i0uDQfBPhu41SzuJk0/VIbx7+G2+zSRL8n4r46eL/ANW3yySWBxG9t5PCO/ux7JI/TPo+ZfTwc+JmpRc55hhE37yvGFDH8q96T2cpPbW7vsfP3xDtfC/i79nnWlnngn0fwdbN4g8KW2keIY7vQLy+1m4HhzwbollrELLbJZ6ZqfiiJJFl08JM3geRTJBKskUPr51i1Q4dnG13Uy7OKVlZP34S1t222113Po8nqPB4jMMQ0+W2Fj2+xVnvJNW9x9e3mx3/AASRXxr4M/bX0LxBc+C/F1j4M+HXhX9o3S/G3iyew1E6FpuveFPgf40n1iLXtVjhtdAsXfXLc6NFp9zqDaj9u1KzT7I5D7fP8KMtm62Lx8tIOvjm7xmrOcMG0uaXLB3Uk/O9opuyfyXjfxNSx3DeJy+KftHiMC/jov8AhYqq37sfe+w138m1Y+hfH/hO7Mjxat5LXGl/Czw5qaiaG/0q5tNR8JHSZNRiuLKVNM2z3Sa/rFmY5m1JoIZ7ibbCI3W4/srw2z7AY7hfLMF7WEZw+u6OtRb97McdV+GNTm2h+T2P4z434ex+W4+WO9lOUKvLqqNdW5KOEo7yp8u9T8LbnW/CLxt4t+3ab8QNAnsNL8TeBLy21Sx+xyW2o2kcWma61x4kh06CxtbFtWsbrSNX02S6s4Y5bnxJ4e8UwWtnOBc2ckseJfDrlllehCUXKtRqpWjVf8Shj4JJJt7tbfLUfh1xEo5nRrzjJRpVqbleVJaU8RgZvVxSWl9+2p9g/D34qWXin4k/DH4m2culaYvxV8N+M/hn4g8MQ6jbzXnhzxVZNpHxQsri9GY5ja+H7m08eeHbu4mtbVZrjWtLumaA3cNrJ/PfG+SYvKMRisLOnJqGIq1LqlVirYmrQxKt7SF9FXSvdp9NGj954SzXC55Qw+KpzinUw9Kny89ObTw1Kth3pSlb/mHdklfXW7TPfhaxiFNtsFNxnZGDk5uL6yuioGMkoPNLAdPJlOAEbbw4ObnlvLJNO9Vq/mpPy11aZ3KksLmLmpXXurmV1qpQT+Jtbw5k9Lqz6n5c+ELa+tPH3x8t4bGdHt/2h/EWt2q2+po8cltofxCs9bKypZQzSW817JGsiwzfvkjuISyvuXd/IHGFF1vpo8LpNe5jfEiNtdf9l42d9Oi5beV0fvmaS5/BDJZJaTyTh2fpzU+GnutOp+hnxB0oSeE9asjPFHFdPZWUsqLbq4C/aF0+SNllJ3W03nyMVyy+WxHKGv7G4WpPD/2dfZ5Tnq6r/mZ5c+p+AY5/8JuG/wCwqL/DEf18j5a/4KTaze6J+yXb2CrJqsuq+KPBGmxWc9yFecy6jrGtytHDO8Cym2OhW7uvnKU86J8ljHHJ8p9K2rSq/R/4yoVK31eM814d5qt37ijxBlMtoQqStLk5HaDtzXlZJs+r+j9SlLj3h2aV7Zvn+ne/CmaWtsuvdbd9+Z/Zm0i5h8e/BO2S3uoJ9J8N64YAGZrKW1j8KafpN1nyb+5gIlt9ZnhgbEo+07EXDkEfzL+z/i8R45cWYnm5lKrk1eT1dm+F+NpO8uWF78t9rJP7L5ox/SvpZ4iP9iZDQTV3/aF/h5rwx3DkndJXtZaNyfolZv6T0PVLPwN8dfC1xKk1lpnxO8LeJPhtAZ7hEhh174e3Vh4u8H2sm9VH2jXNI1nxxDY2+5Zpv7Hv2tluBbXIg/pbx0y+vm2VVqeHi5ShRqJWjOesMPm6+GlFverHfv10PxfLMVBQhDqrdYq94RhbXXTfbpbqes3Fo8qsyuAilfK29o9qsSO/DFjz1wDgcV/NGecOVc2wMZ05v2NFylSlTTfNTqJVL2klKKSnZuSWifc9ShL2dSSfu81kl6W0frL8fwW0sPLVizODlupBPXIwP645655qeHOBXTpS9rWnFtN3snfSNno+2v3eqdSrd+7fV+a0u/l/XzbmJjBH3gp7/if5dDU5nQxGSTqYdxlVpUqkFF8rT56kPapXSava7tq2veSaerguZJveze/Z28/zPwd+OGqwaT/wdF/8FKLyeOSVT+yb8Eo47eKQxmeR/gP+wiyxM2DlSqMxBUglRxxmv7J8OMVKj4VeHGIStKfA3Bzabatz8PZfJp25XptstenQ+Wz2kqtbFxl0x1Z7LdVKq63tuz6V8J+N9d8UarMljoTxaJpEv2SLxM92XttYnTDXel6LaG1db9rSQvaape3JlbT5klMNvKIlRvpcijmeb4SeNxtabUPatp1JTVqLh/z8xFSWzl0t+T8bMsHGdVQV1fk2UVumtVp31KXj34zeEfAGr6Bod7b+KfEPifxNeXB8P+EfC1hbX2q3um28E01xq+oahrsmh6XpHh+SW1vLGLVtavjE95by2dksc5gNfJ+JHjhlnhvTxFHE4LC4lUYqc/bzxkG+TMKeA0jQwOI526klK0VJpJyt7OMpr0uHvDmvxNy4LBV6tHF4lr2VSlHDKUfZ0XialpTr4dLmp05xd6sLqVvebUZHgL4ow+NX1nRtQ8Ma74G8T6BbJfXnhLxHf6Vd3lxp17dzR6ff6FqmgT3+k61bjynTU3t9U1H7BNJp0MrW5ukWXTgLxoyzj5SpYTA4ahJQi70njH/ExNTCx/j4HD7SjdWe/Ze8POvDPNOF6arY3GYivF30q+w+xT9s7qGMrtPl0aautt/dN+6nlS0mur51AW2e682f/R54vKGFgeFSVlfDErMWDKFKgYc19NjcPWw1BY6cnKlWlGEYt3ipVIuqmrTk01FNfCtN2noeNhnQxeKngYxUalKE6rkkruNOaou7cEtXJN+835NanP8A/CczaxA0Om2EkEiiKGHULgvOhkZnBltLQKkEjqIyHkmYtFvjaM7t2fn83zyeHjNxS0i38VRbKm+nqezl2RxqSjdvV2+Gm/57deljLuotWTXtMN0TfTArM17d30TI80bu6JLbmJwsGmkLezwF3EkcpT5Mljw4PiGtXjOVtqrivfq9FFrf18uh31OH6VO0r391P4KXm/0LF/p6ws+q+Ir+bXUk+ewWyie4hgJGHNt9nlU2kbyBnAkDIN2QNmK7IyrY9JSnJejb6/3pb+4vv9DnnKlhNFCLS7xS3tbSMf739anH+KbxPFthe+HLYQ2EFtf6Hfap9ruoZ0ubfQL/APttdK1u38lE1Cx1hzo9sbW58y3jju5FaKVfkbWjQV/YSbfsv3V9PsWhfW637O3YwhiHUqyaVlKbaSb0Tlf8nbpp0PlDT/2qdbj/AOChXxP+BXxB0u98MeIvH3hTRfGHhPxBNraS6fqh1TwH4c1i20XTrW10+2ZrOz8MQT3a6jLetcWetaL4kjjt0Nw0rTjsDKjhni6bUoRq+yqxUZJ0rqDg5NJK0ua19Ypypq7nNxj3YaMKjjGWknFSW3vb3t5q3XVq7tZXN34X/saaT+0V4T+OPjj4sWV9p/xL1H41a4PDmreHNVluY7fwtpvhPwOmhRRyFbeCK6sjqN9bXlhfB5b240GRnlVbwCL8P4vq8ScPZ7hKGXZlVnhsv4fhHHYHGYfB1qFbG1cZjMXWlVqSrTrVozw9WgqcqdSlKjSaowaq0qlWp+9cF+NGacL4jJMHwPGOA4S4ezfC4qphMNjczy6jXccdTzfMY1MJgqmU0F7ZYnkqcmW1ZVYxTl7eTdNeJeBP2EE+NXxR+NXw6m+MUnhHRPg7Lo+m/wDCc2HhSLUZNZvp9Q1pbVDpl94h021860u/DWsaZqCrfzLcTQtKXQN5bfZ+FFDFcX4rJ6UcBSw08xq5p9cw9epTxCwqpYHGTpOlFVsHNU8dSo0MXh37ROhSqqC53FVD7H6QX0osbHgzIsTlMaeGzjNspwC+tYTEZnQqRr5bjclzCUuarheSdSEMxr0alSc17VRUpOpNuJrfFL9nn4ZfAfX/AA18IvhlZJqfijw3pit8QviZrc0V94u8V+IPE0Qv7SGW4aOWHQ7HRNH0C21D+wdMvrq2H/CX22+XzLIy3PzHiDm+OoZ1meDzTE16mGwcqVXC4Cg3h8uo0nhcDW5Fl9CXsJOdTM3Tw+Kn7Wuo4OvCtWrVJycP5e8QvFzPuPowy/MYxd5SqV8RPGZji8VialXCrCyqV6uNxFXnkoSm7aRj7TlhGFK0B3wM1y98L/FXQ9Ws59Ma/wBG8LeOJfDFnf38ljdeKvE2qaFfeDbfwj4dvLa90lLHWZYPEt74jgN7qunaVexeHbnTtS1DS7e9bWNP28NsHhMdn0qtapOFSnTqSeFjBpVKdTDT5atVz5lU9ndRiuXmTkpKaUZRfgcFYWjRzvEU1FO+X4io24x0f1rCRaXu2V9db38mfYP7L3wC8CeEYoPgvp3w++GXjX4b+DLzXrn4j+IPFE+sfEaw8YfGvxdphvNZTw7r/iEaR4V1vVr+eEHxjp3hbwjp/hPwNcz2fhs6l4kWFrPQfs6vFmErcSyyl0qf76l7BSSqJqMsr91cscOoXirJXavpKTlds+vo0Kelo/ai2uSC+029JRe63XxW0jyzsekeI/2cv2V/h7rzfFC9+DPwX0rxZolvq+oQ69pvgzwlptzYQWG+SS+svsNvJbqbeJRaJJa2Ub5tTH5mESNfmOKc1yvhTDZvjcdXxmLpSzLG1KOUzqVZ4Cc4zxGPoTjhqOCxUZ1lXw9RU3GKqXm5RSm7y68hyjJcfnVZqjFZusllUdWWEjOpSyuGKgvbKc8NGdGrRxFR8sp4q9Pnl/s6bc3+bf8AwUk/ay+BXxn+I+lr8HLm/wBc8R+F9HutS8X+M9Q0260az1SLWj52iaUlrqrm+1SW2sJAv9piGa0iMFraWMMVxDdXC4cB8D5xSli8/wAzwk8twPENelhaeVqrRryjicuaw9TF0/q0bYXkhRhTrQrVKFWuqjc4PD0qLxH7P9DXxCyPJ+GuKqnC3FOZ57VwOEwmN9pnFTGfVsNSpYjiWMaFRZhgcH7Stja2NxEaUcLg8bCHsMPKcqGKq0TyP/gn98LPA/7QHxb134afEfxl4v8ACmteIdDufEPgIeHtU0u1s9S0kw6kdR0W+Gt6ZfXUmt/2bd6XrentA0awmCRXjacxT2/6JLKOGsbicuw2cVJYLL4VqOCxGPo4dVa0c2w+JwakoU6VDFQdCqoY2nBqkozjha9OcnGtCJ+dV/pi+IGQcRcYUeFKEcbQp55m9DCwxuZZzhpUsDQxOLp0aUpRxODrtt1KVSfta8qkqkKc1Gk4Tiv0+/Zy/Y9+DH7PMFzqPhGwudY8bz6VPp17488RXj3mranA05ec212YhZ6NFezItzcaTbKLa1m/c7WMIYe7k3Cvh5w3jfruCzTG8RNvno0M0wOHp4bCqVKtS5MNSjkdDkSo4l0pVJOVetHC4d4irVqKU5/nfiJ49cS+KuOxNPjbPMz4cnKtNzhk2aZ7iIqTeFm1+9r5iuVPLsNZJ2/f1bfDHk9g8Iakmna9okRW3D3Ov6S9zbwfZ4xcsNTgmBYRxfPKZmaRHOXEzmQEOc19BUwOFzG9TD04UbLanThFe6nFv4Ke7kvu8tPkMBjMvxElmFS9WtGStKonNr2UoOPvTw7n0010v7tjwz/gxqRJB/wVEDRxuQv7FLLvRW2jH7W6tt3AhWO4DOCCM5B6Vgt16o+lm7Qk+0W/wZ+5X7RN0NO+APxq1KRyqWHwj+Il3O5meIQW1t4R1eaeaJYkMbz28CSTWyNEplnSOL7Rb5FxEYdN46m02rT5et9XNdGtHf3rt2V73Ssz3ZYaXOrpqOlov+V9V03XmfiR8cLJrbwn8Y/D/wDbWk2tvYeIvgneMjW13PpMMF54s+GM0C2ltr2jlnuJbnRbq5MqLqhS6ukls9Q0t5IrmT9D4loT/wBRcNK8bRzalJq7u1Ghnrsrx3stNfmfKZDXwcuLsVSpUqiqRyqtNylCkouKq5PdJxfM5XnHSyWj1Vlf9Uf2DPDbrq3xJ1GfUtNmOl+NNPllSPS7Cw1CbVfEHw68P6xMFntrZHmglt9Ue4uhJL9subm2WbUpdSe2tbuD88xNRVq9SEbpwlK90ktJyTtZt7tdFoz6ylWpum6cYyTaVrpW0Svs77L+tT1n422kk/iP4IztIq2tr8TtD+1Quk0kTTPc2yWDqqxGMTrd7RAzSpNEskk8cUkEN3LbZqpFV6cNbx577W96ndeenW6Q/wDl3VTteagl5WbvftvvZnx/+3uLZvilaeJ9BvYdTg1XXfs1j9g1LTr2O9EXgq81KJ1k09NUt7y21u42FblbhZjpzJa3FrBexi1f1uAJx/11yzR6Y3B9Erf8K2C6X09He3yZlmkHhsnxFadpRVCtK0OZy0wtWT0moK7UX1s201pqeSeFI5rnSfFEP2C4uNA1nwrHpWpLqUnyWWmaXZHWdCuNd0u2RluLXWNJ0i20zQ3gEt5e2+oFIbORYLqSH+kPFHLY5vw7DC0K+FpV6NWriIRqTap4ipUx+Fji40HGnVlKVGqq8sTFpOjKVNTa9tGK/Pspzeh7ZYhUcU4TTj8NFSSjGcY8y9ut7Ll11V+x+qmlanDqWnabqESSpFqFjZ3sSSDEiRXcEc6JJuO4OquA4IzkHPNfyxQmqrxlSKajQxGIoyUkk3Om1KTiotqzT0bafSyR+i4dc+Fo1dFGdGnNJttpSpqST31Sdnq/VlwcgEdDVxfMk+6T+/UApgNCsP4iRkn5jk5OeDx90cEAd6AGyB12HeGPmdGQcgq42BgQY8kgmQBiACAh3HB0k+kYuT9Fr835aeo0m726K+vkU7zNrayMWc2sUN1LPG6TX8i3MY+0Q3InkuIZ/Lt2iZ1SN4ZjMIfIkhfBrOg/rkqkKXuOE3H95aKlKMox93l5m7uaa0Wik3aw6ceepGnzKLfV83Kt1q4xk/wPyo+J37Ldx+1z8XfEH7VSfE8Wuq/F/wDZ++K1t4W0LXLxRFZ+JvjL4W134S/D3wPLrOiailnpdv4V0i58PaB49sb/AMNaXF/b/h+18VzyFfEp03SPkcy8ScowecYXA18PmlNYbF4SpiqXscNP67T5sLio08NyY6VJzhC6ksb9XhzyXJKUeaS9fBcN16dHFYqrWwlSEcLioJQddzjOthcRRpyftcLCLiqs4OUoSbSUnrJWOS8e/CfxR8B/2W0/4J+/F3xp4V8VftI3Fn4r8a+DvBnhG81KbU/FeiSaXqeq6RZwa/qPh20tdf1vWNeY2Ol2A0htZ1F3+xQefa29tK3lcRxwXFfGeTcR4HBYjBZbgoZcsSswjgoV5rD5rWx9WVKjgquNjOM8PiYcnPODc4zjJRSg59eQZpSwPDua5ClU/tXGYnHSwmJgl9UpRxGAo4OgqtXnp4qm4YmHPUVOjJRp2lDmqe6d7+z7oXjz4QfBrw1eftIfErw+l7pXh34hWniW9uI9cvtK8JaRf3Pw8k07wQf7STTtB0Xx/a6pewwQalc6fZ6ZZ3NtbxtqEjRXVwnnZl/Yf/ESs9+pU5So5l/ZkaFeGFoQppYXIKarc0J06NaEr80YNU3ea5rqNpP7rgnM8Twzw5VxfEntMyw9eVGrgqOXV6tSpCWGx+Mp1Pb/AF2pQhGnUrV6N4R9oqtOnWVSC/d83C6L8Bof+CgHiH4SftPfB2HTfgb4n1/9pD4neI/iZHdXni6xtvEGsa7qeia3oeu+Gxdx6pZx6zoFl4VvbfTtWtdL07w74zOq63rU7aOt7awS/UYnOMu4Mw3+qONhWxGa5p+7oYnL6VOWXwnjYSyyl7WriZ4LFRjDE4WVSo4YWpy0HTlHmqc1OP5nlmVVsfWzh4eMqdKc8wq0pYmcZTjSlKm4OoqCrTdSMZxc1TjNtqXJzNpP2HR/+ChHwl+K/wAfvEHwmttH+JngX4peLNY1n4d+LZfEsPga10XTfiF4a03S9NF3eS6B45n1S2nt7fQdDn0iy1Dwzos1lLp9zFeX81pY+I9ZsvMwfC3E0pVcTSx2Xqhi5yxFBPFY9TVKrKpVpqcVhoxjJQqRTjFyUXdc0rcz9rBZhkWTqGXZxhMTia+XOeDxE8Lh8LVpSr0HOjVdN4utzyg6kU4zkoOaXMqVJctKH1P+yZFc/ED4peOfjvDqvhfVtIuvh/4C+Ef9p+GdVv8AUFvfGPgzxJ48ufGZvZG0a20y/sI9Em+Hcej3Fhqt7/wjWvyeNfA+r3T+JdG1nSNK+q4TwmOyyjKlmFSlWnU54xdCpVqxTk6Khf20KTSXs3sm43VnN3PE4uxuBzPGUZ5LTrYbCQqwq1IYqlSoVJL2mIq1Uo4WtXhJt1opXlFNpylGEUqcrH/BWQbv+CWP/BSsAgf8YBftinJUMPl/Z4+IjEYPcgEBuqkhhkivZPOPyO/4Nl/htpPxL/4J1Xtj4p095PD2k/tDeKr2O7RreR5NRZvC6iFTPDIbOCG3WV5WhIleSSO4WSFrceZ+U+NMOTjfI6jdCUKEclzadLFYeWJwtWOFxuPpSwuJw6q0/bUKqpXrRUk505SpcuvMTWpxrUatKor06lOdOcdPehODjJe8pLVNrWLXdNE//BejUfDY+MP7JWieJbbT7jw1FoXiTUb7TfC7wR3f/CJ3Hi3wtb6tpkOnSGYWV3fmHW7+z02WV7TUbzdciONrobPG8O6eOXh9xXmWFnHCZp7DP/quKy6+X4ejKlk+DlQcaHt54hOFenCrNxx1LmlHmj7KVpqIUcNOEMPRpSoKMtJKVOW7f2YUaVvjT3+z3d19IWvwH/ZT+GH7K1l4k+Jfwy8OajoHia6vrTTfhrB4R8JqurLqd3NFc6boEVjpV3JbQ3t/Nbfb7u2ke5064EF1ESbUx3H4BleZ8aVsxw+e5nxHmsM9p4zC5fgM3y/MMdg82xVejOnjcvyeeZTzTH4ulgHXqVK6pzrQw1PEWxCnSne/qYhQoYaLlSlXqwhUSq+0hTai3VnyWlTnKyl7ztUSbeyau+/+B3wdtv8AhXMnhTw/n4c6/wCBotP0zQ/hp8O7y38OafDcnQbHxNfNoOiQW1s2naRJPqUcMmpPcahd6xc3UjX08motcXVz08XZDw/mFDFcR5pkuV5zic2X9lPPM3y/B5hnizD6pOlhcFlmZYnDzxmXVqWGwtKtgcdXhisLgcS51bS5lQhz5Tisxq1LUsb9WjzNWccRV+1TTf7vF0Fre+3Tq9tb4u/FjSZPDPh/4O+PdS8AeHfiT8QJrXVtC8BwXstjrniLSPDPxEneHWE0y8kvZZFsYNP1C8SMSWqW2o38raSGe1eO78LgrhjF8W4mfEnA9CWacK4KpfFZuquGy1U5ZfLCVswvl2Pnl+YT+rUqinenhp+2+Gj7SWi9TMVDFZTUx1St7OSVb/ZuSVTmdGlXcX7VNRTnql+7fLzPfU+Rvif+3P4a+FXiLx5o3wb0KT9pD9o7xjLqWleF/AXw4sr/AMS+HPAFwljHpmjnxFq2lSKfN0LU4o5L7S9P1HSZYLxYre+vtLjubGTUv3Xh/wAO8PmWFy3ifOa1fAcM5FiY8QrN6VLD1q2aV8kxMq9TJKeFXtsfgJYnCwxNSnmtXB4zDUXRi1hMS6tOEvmcjy3FZlV+u0cJyWlypKtQdnSnSfNzN0nvbS11Z6kH7IOkf8FpP2VPA7aS3wE/4Wh8Npr/AFG6sfAnxJ8XtqvinwzbvBbzwWPgafSfGltdaMt5fk3gsdV0/WNDttVudVv7PToZtTnih/OfpF5V9BP6S/GODyXGeJOYw8R6uAyrB4biPgjgDOeE6VKclj8tyvMs2wvEHh7m+NznL8uxOe4VY3JKHFuW4nMqWFwdOhmOWQoyrQ+xy+eeYGVPE4iDxVOLdsPLESppuM1PSf1qrFStF705RTmnKMleMuz8Uf8ABwB4U+Hq3mi+Mf2VPjR4b8d6aLmK+8OeIn0nRR9uhgttts8d49pqMcUk06DTlOnrBfW2f7MluGhaIfGYD9l/ic6xmDy/I/GXL1l+X1qU86+qeF0cFUy/D4yvCUZ4ynPxEo083pVaUMdXjh8LCjUoQp+xlCq8VGovQr+IVapUxEVw+sHSowi6fNmkcU4+5zNNxwdNuUm3KVTlvP7T57ydj9mL/goF4p/b91nUvDfxI8O23w50ePxRYJpngbw5a+JNN1W38K2mg+KtZ1678YeINW1hZLvWLqTT/Cml6Te2uheH5dKsZdTtdO06S8lhuLT9v8JPon8IfRmyrPMXltOrx7xVieHakcPm2ZYLIMny3DVsD7XNcPneUZUsJmGYZXjKNfEYFQ5uIq2JhapOnWjOd8N8vmPGGMzjMa9L2n1LDUa0pYiSniqy9g3GFV8kZ0b2SnKyjNyu0ou+vqnizVtS8WfFHx5ZavfavN4d8N6X4X8K26X2o3uqNDJp1hLrc/ki5mJkKDxLYxTzApcXVxJNeX01009vDYf1L9HTMOIqnh3lOfZphI11i6eFwn1FYtL2T+vZzB1PrFXE4pTvHA/AqEP4vxtQtP8ANPETEZfmPEuMyqOZu2HoVcesR9UxT9pzYTLZKl7KTg4f75y+0dSX8O/J7/u8V8XNi/D3xM1gzIth4d1ie6RLdAPMtbJ7n7KdoEheQ2ixTTeYxVnVzGxUK333iCqcOAeJatV/VXiOEM5rxpfxrOtkOIrSgp0lFfu3NRu4rnvzKMbNHjeHNGWZcf8ADGDou8cLxRli9u7fvPq3EGCwyfs5ODj7XWfxS5Lcr5r8x67/AME3PjZo3w0+F2tz65baxe3muaB8Phomm6FpWqXU11b6fpviwOsuotAmlaTA06ES/aLyZXlAlzGXMUX8+eFWXe0yTiPE4ev7aUuIMzl7L2bp2tn3FTS551EtXGz91WvdqyP6A46rTxHEWFwdaj7COUZBl8fbOoq31j2eScORv7OKTo3VK9uapa9umvtZ/aN8e+L9RvI7nxd4L+HumWv2fVdB8M6VHbeJPFTqrxxRyeNdQ8QXd7ok9pLHJ5WqeH/Dlho89vJIyxa9dRQlp/t8Pkkp4XDVJV+WdShRqSp+yT5JSpxk483trSs248ySUrXseDSpLEVKzUuVc0nF2vePPJR0XJZaXW7V9yeD9p2z16x1/wCH/wAYvAc+p6bqWlXukXHiXwai6/4c8Q6XqUUtndpc+ENRnbXNJNxZSyCSHSLjxNa27tuhs4raPfGSy6tgp0sXTrNvC4nC4jSPK5qhiKVSUE1WvH2ii4c/vcik5ck+XklliaCnDGYWUVVhLAZjdNqOsMDXqJ6qadmtE0+ZqzklLmXw9ZahL4fvLq40fUAZNK1i9hi1WWNRf3ek21glzb6hcyqiM9/F9thtn0iYpfWaNDbXn2eVMS/unDEqGa+HeQZtWfs5UMtwntKDi6vO44mGGles4q1/Yc/8OfxcutuaX4ZnsquB4p4kpQw94yzDGxpv2sI8t/rFmopdOdaLl2W3T1v9hnW/EnhT9p7wNeav4laeXxjL4/0PxjPPePDaKJ/BGseLLazvIyQlybPWfDWipYXEtxtihM6rAslwDF8r4xYOnXyqvPD4eMKSy/CVKdf902nLC5U6klBQpzTg3OLejkm9bPX3/B7Marzmjga17/Xal3zyleNapmdZRtdp2i4x1lbrZbL761DxZ4a0nSptb1LX9F07R7VH1C61K/1bTbXToLeKIzSTz3kt5DGlukSmWW4uNqJGGeUgAkfk9GVGEalGpWs6fOk3TlK7i5vpe2qS3636M/WnGMKkrTXNJWikmm24WtfltF692lffqcVfftb/AA/g8V6H4U8DWOt/FW41zxd4I8L6nrfgnT5Ljwh4Pj8W+KdI8NHVvEHiyQNo11aWX9sfaYk8OXOtvdzwx2sp0+3uX1C16cJGnyOUKnPzKOnI42tzX3fr93mc+IVWSj+6aUOa7dSL0dtbaPRK9rX6Hr1amR8Rf8Fc/gdrnx18e/sseHtH0rxXryWHhL9p2e40fwheaZZalLPfWHwastN1SaXV7/TLNrPQrp/7UliN/bzXUkEVjaC7vbu3069+P8UMllnWa8GUVFSVOpn7d5Qj8WCwrXxxmn8DvZaW8yZylCUJL4Vzc2vdLl0um9b2te3kbHwM/Y+0H4N6XJ8UPFuu6nq3jfwp4B26dcWlja+HdWFuvhQza5YeNtP0W8u9D1G/fxDCLhLa3uZra0tdTNvFqRQXT23LheEYcN1eJsY4QhCeSZjWqyi6UnGng+H8xcpNU6NOb5Y1G7RU27+7Z+6+rCVqeMx+WYfDSdStXx+FwcYWcFKvjcRSw+FhzVOWK9pWqRhzSajBycpyhBOR8MfA3XrjWvBfxJnuNfN/Z6jrR0qCxs1to7zQv7eNraXNvLaXLokRmV7pYoZ7krM+3+zpLy4uFhP8bZxg3jPpS8KVaODnRorxgyzNq2Jqyk6eJwkfESdZ4ilFub/h1IR9lCCqqdWMatKCi5v+muIIrC+BVGNZqM8F4ZUcBiIq0nRxWH4PrKtSbinzuEoy/eU3OnJJuE5H7NP5Vy0ttJHviuPPtbhJY9s32f5o2kKSRvFdWLLlPOnjEZVxufzXaOv7yy/B0ZVcbiqVnhsV9X9hPlUXNUIzp1fccIzSjUTinUpx5mm48ytI/l9VbTlBuPPFxbXLfVx5leSvfTazVm3F7cp5B43/AGdLbSLPxF4h+DniB/hffTw65rOq6J5d3rnw08U3N/aahFq82u+CJJkWye7s8zxan4VvfD0y30kdxcp4gBYHwOKMHRpcLZll05KGLrUsYqdKUW3Nzy7EUY/vIU5UoqdSLSc5xS6vl999XCOLhhs1hKSk4yrwjbS6vicNyzSvqm4p20aTbXMo3f5y/ssazBcax8AWa6mTRn+LGr6pHDr+oW0U8tz4f8F+PYbXSobm3SCC9u7oQGaAQqhlhkimaKASBB/L/wBH7KHh/pk8SZpiqEaeXZHmue4XM8XF0p/V55jw/wAWxwjnRXNXr8+JTwt8LRrKnKClU5aX74/cfGrM6GH8G+EKcqzjUxPDeRzox5aj51CPCspaxjaNoTU7TcW72Wt0fR/xZ8B+Dvif4a02e/bV7y5t9Djh0/VdJ1C3sfEWj6zqNv4cc3JaC6uXhvrhC/h+FIo7m8tdW1hLa5s0NvfLb/1VHA4bHUaksE41qcsmxcebl9ntia8ZaVKVN6cyXwu/mkfgWDhiqFHAZfWg45hg8VDMKuH54y5MNCtUtV9rGcqMtZwXJCq6mvwqzt4B/wAFh/gpokfwI+DvijTtV8XT67aeH/FcN5qviPXNb8UXUd7Ya98M4bC+0qXxFqZstDQ32q69eGHQbfw3q19ZJbxSywiCR7H5LxE4fni6eTRwVONaphcJVp4iPNSp+zm5YWKjerGmp3cJq8HJWW+qP0bwMzqVHH53hsS3SqYnG0p0I2nPnUMPmEpu8JzjBJRTtOSb1stFf5vFpr1nLp3irx18PvDujab4j1DQ9Rn13wn4rnn0bx74/Ph3xNbeGBb+ELv7M9r4Za0+1a5LHdaVcXg1GxkN5r8122m2t/lmydbBwpN/u/q2Oors61fk9lCzv8aVT3uVQXL70lzLm+5lgKuFw+Iw2Ih7PG42rQp4WlzQn7WapYmFvaQ56cPerUFedSEffTvaMuX6w/4Iv36zfAT4SeF9ZuLDV9Tn+P8A+0nrniOzjTTrkQHXfhd4hefQfEM00wfVLvVIdMsb+aNZZreaz1q/tWnVlaS19rgTLVR4fxVDDwjLHzrKpCmvZxlKHJlntH7XlpwVlCekqqemzvr+TeKcMRhc7WU5gpUq+Jl7SjRdT2sZ06eIzSUZJ051aEHbD1vi5ZPkSf2Ee+/Hn9hjwroV3rPxb+G/msvh3QPiFf8AiOw8T6jqk962m2Wl+Hrvw/ofguJdJ1HSJINLudCvrqGPWmtAX167ia/jWJWb77gXxExvDlGniMyrVsNl+U8/9qVb4musN9fni6eC/dYbF1Klb21avTj+4pVfZ8zlV9nFOR8DxzwNleY5dUwdKnRnmUHBRpclCLtOthKrbqzwXs1ajTb92t1itW3CPyN8L/FM81oNK02+jtvE2h3Vtp+r6XqNs/2G18U6Uyjw1d3bSFLjVNM8TQeI7vQfEFxBJeXyXOn+Elgs7m0sLufT/wBxzLOsNxLh8qxeBqfWcHjMPgsRCq6dWlz0cRCdWEvZ4lRqLmpV4S5ZU+Zc3LKN1JH4fh8jxPCmIxWEzKksHjJ1K8aFJVKVZzm6kadJe0wrnTjerhqkbyqRs43bjFpv1f4P/E/xV4K8Vad4r0u/0y6Tw98UdLvJPCM15atqWhXOqtdfD7xr4WltZ5oL4zWmieI00TwxqvhibUZrt9N0jUL/AE5bc3OpL8H4s8G4bGUMTmeFpUp0lHDQqVEqEOWtSeWYOtHlnh4VHy4inVp8y5oytzxlKEoyf3ng9xRi6ONjk+KlUjiaEq03Scqs0qOKhmuOw0ueOIlSftMLOnUUYvmhfknGFRSjH9HpPLdYHRiyWd09xcGUNDOIFN+Iodg37pVjVUcuwmdw0k6RzPIi/kdOnGeXYjF4ROphMO6/tatlT5HSo+1qJ05KnUk402m3GEnJ7c0ro/VMRPnrwg2va2ptRjzNNP8AllayTm/dV0oJqMfdij8s/h1eLrfxR+KRs21vy739qLxFpVrYtbw/aPN1n4maBpxWVIbmWWbTvsbFreQK8nlIVlijlPl1/ImLcM3+mlkUcJy13QzPxFjV15HTk8Dx1JR/e8q1Tbdr2cUnZpn7rj8RS/4l9y3MnN/U8BlfDuAxddxn+6xlKHCUKlHk5faVHGeJoLnpQnTtUTU2lJr9CviR4q0KKNfC/wDwkOkDxNqFzqN3Y+GtV1rTrDxBqUOkPrhll07RZZV1DUoIzFcSSy2cEsSW1vPdu6WkM06f2DluMwdPE5ThY1f38sszuKpqE955jlSj73s1BXc42u+u+jt+E5jhq9PKcFVlTkqdbGclKbatOUfrCkk79G1zdFfXc+X/APgpDaW3iv4K/Die1s5Bpmq/E34fXUjQmW5hTT5vDvi6VmiaxS6JZvK+0SwqDNCIvKnjjnlhik/Pvpe4yeD8AeN5c/spxx+SRhKTTXPLPMvpwXvS5fenaKv1tZNtH2H0cXSrcf5Jhk+avhcfnuMrw5X7mG/1dxmE9pzOPLL/AGitTp8sJSn73M4+zjKSy/2Y7zd468C6dZgNcW3hLx1bR3Amikjtn03XPA0DeZl/PQG0mZkbyiG+YA7lcL/P/wCzvw1afixxlXUL2jkKT5oL36nDHG9KCSumrztG+iV021HVfb/Szq89PJKUHd4RZjHFKzXs3iJ8Ozw++lT2jf8Ay7U+S3vuG59L+MPCkniDwwhhmsLfxHo11b+JPCGvTW76pZaL4z0XXdH1DwzrlzDZ3dlJc2VtqCxR6jZLf2bajp0t9psjtDcXETf17nWTUp0cQ84jGhCpGr7KUuSvfnhWdNpU6eJcXb2r1Styu9rrm/FsHh8ZzRqKn+6um5e0h8N4S+H2nNbl6W8vI09P+MF9aWthYfETwte+F9RbTLN73X9OuLTxD4Jv9TFhptzeJo11Z3CeLra2klurr7G3iLwbpEKJY3EN1epO2n/2j+EcZ/R98Qs1wOb4bgyrl31X6vLG4XB5ri6NHEYtYOFKusuy3H0pNU8fWx0Fh8Es2w+DwMqDnPGZxhnRjXxPs4XMMM6kUnKrUvaSpwcPZqTfvz9pyxlBRacvZSdRO3LSmm1Dr9D13R9Y0yPU9L1rRtbs5nkRb/QtV0/XNOYh8Isd9pM11aSnyzGWMU8ihi6MwkjkSP5CrwxxB4cZZhv+Ii5diMtx83iqeIqL6nj8GqtGWEqKjg8bljxGX4/2OCx2WVK9bK8RjsPRqYqWExFeGY4bMMJhdFWpYmryUG31UXGcJ2fO7yVTllTvyT5VUjCUlHmjFxcZSk+0JK5VmALL83pySFIUDrgYDYPQg5Jr5fD5vhs/r2hXjOveM6+FamqdNxqexVSlTnHlfu8msZVJU41FGrNylrryTpuzTS5dHe99r9td+i7pWPwL/afg1W4/4Od/+Cktrokente3H7K/wQtxc6pdpa2Nhazfs/fsNx3l7MpDSXjLatLDDZW0clxPPPHsTarsv9ncBK3hX4dJ2VuCuD1ppFW4fwO3Zdvkj53Gu+Mxb74mu/8AyrI+jvAniDSdL0iXwDa2viRLzwppsFszvpMNvpd/Nf6g+qSGCKW5W2imh8iJZksJLm6R3QrE8siofosLxFgaf1inmeDrZriXRqKNLDVVTnPmjBUoRjRlTld6wVqcm3NaN2PGXDs+J/ZYvGSVGMakU/aRqqyoycd6boR1jUlba1tfLyL4l/ELxjD8ffEfikaXoITTvC2laJ4b07UL640u6lhtbqHVZLqK7itp3bTJ7nxJqHhueaGKW3eOz1SK5eKC3unj/mT6RNHOMR4m4DOct4E4zy+nl88w5atDKM2zLC43C4rF8Q0ZVY1JYelRnONKtTqSox9pC1TDqk5V8Th3H9o8HKfD2V8LYnh91oyrYqtgqnNSxFOLU8JgKKtKlWxNadlOl7WElZxqU4ud4QqRl5x4t/as8FeAvHHgH4heP/GWi+HtB8J61Z6Z4k1rw3cyaveS4XUk1jR9H0m3tL+51PxPrWn3Eml2Wg6Tp+q3V1Z3uraleJYW+kPeQ/OfR84R414L4ywudZTknEdD/hRweJxH1/JqOEmstw+YZVi69N1syp08DRpRp5fJ1cXjquCjRqww9KFWTxVRr0/EPDLiDKXlOWzu6s68bWniPfxWFqYenCEcPGtWf7yty04R55NXSfuxS9N+Hn7ff7OPx+1aw8OaF8QodFvra4gsG0zxLp154c3a/wDarho9H/t26i/sPVvOW+t5rC2ttd1gOLlRcPpNwILC5/ofMOPeH83x2VYnN8tz3Lc1xGXe1lis0p5NhsFPDwdZVfewXEFaVGrVxlaTw9LEZfhXWpwrTpzSpOkvzip4I5/ktLG5xWtOnUmsK4RwWaQlGpiKtHExTdahGm7U43ai3L3oy2aZ7pJ4IOiwjWNd1XT7OI+cp0uNXuLh2LmCQbZEitIXt5UKziC4mIZXWcRtGqt6+NwntadLF5W1W5ZOUeS9W7jOEbJwdeO8Z6a7d07eJltaWBqVcLWTjKSS1tH4qdSW01GWqqL+rX4rxn8VdC8J2V3PHdReRagPHdQm1kzIhka3tE8m4dDdTyRlYLfd50jsFVDkZ1wmV47OcRhvr0HRnClSw8faU6kb04zjZ+7Toac1WevK3o/e6IxGZxw0K9G1/aVKlW6cLLnTjbXquXo0jze3+M2pfEb+0LTwpp/iC40+3ib+39fnVtM0Wyhn/wBINneXNobwyXbiUNHa3yWrSRlTFuhZJG9/EcOQyWh7WNWE3taCqX1nGP25yX/L1vboeQ6SxdRu9r97v7KXR/3fy8zFl+OHh7wfNe2drbaz4n13S9PbU4vDnh7TLu61TXZ7MXU1jo2jadCpnvpdREd7qYhtUfGlWV7eoWt7WV18ni2hiM74VxPEfF+bYDK8Fw9SrQyeljJ0sLUrYPKcuxOPy/knOGV05+0pVsTGMpzxnNKnJyq4hK9P0MkyaWN4gyylTkrwWCjpGctY42jH7Lb+2eKfFy5/ZF8FeOfgf+1F+1NqHxYn8dR6v/wjfw88ffAjWtA1n4J+DY/CcUtzpdhdeJNRudG1fxLZ6XavaaF4kvTJDbQ+LLXXPBfgZdf0bw5Hqc3zucPxLzrw9w2Z8KyWKyzDUPZYOCwkJ1JU6Ga0MDyqcMmxtJ8s8NWSbxNSUopvmU+ZR9ijCGRccVZYiUIRjV5W5yVOPL/Zsoc3NOTXvKtGUFu3JKXK27fVGjfEzwVL8F/D9t8FbCXQbLxtqcOhfDy6vfsB1vUrzxrFPq2pfEfVrCyurqN4ba2vfEXivUNY1GW31CWDTZBrVlp+mWwvj+VcJVa/iNxZOpisLXwWJy/HRy/GUcQlOVDE5bjcFhsTQnLB+zpc9KpXnCThKUG4NxnODhI+q4i9hwJhZQlVo1uel7VLD1bwSrUq9SLjLFPnfNGhFtShGzbS0vfQ034beBfhXo/iC/8ADvhPRfDNra2k3iPX7fRbSC1utdh0i1u57m11t4ZHtmvQsdwt3Cs5NheMY7ho85H7Ng8rwPBmEwOdyrU5vLcPTUoxk4O+JoU8BvXrzpqzr688XfZWlY/PMxzyPEOd0qtNOPI8THWVOXxe3qf8ulbb/NaHwZ8SvHbeOPi54j1TUormwsGtfEVxcQXEQWe78Qatq9jJeOYHim3xaNpdhoHh4rhX2aUJCFQrv/n7A4SvHI1jVUpYjH5hmWDrRlTqc9PC5Xh8LiVhMPGrB0UniK+Ix2NhK1msSo6yvy+HnWKi8S6dnGMbLWycpyhDmdrPZKMWvL0MG+LaBD4V8QXug+GPiLpdndy3Mnw58U2t1H4E8U3Em+1tH1GXQNR0nUbprIXBnFtcrc6eZY91zbF0hnt+zJ8XTnmOPoQnisqxKjBRzuhUlVzTAU6aVWrTjRxEZwjSrypqLlh8ThsRJWhGrKlOtQrdfDfED4XxMM0lTdeNXCTwnsU6UYSdaVGqm5VIyjePsduV/hc9Y8N/8FMPG+hf2fb6/wCAtG8JahoMtmNNt/Bes2lzoWm6bocenDQtE8M+FfEGlx6J4a0hD9rt9e1vTNT1DxPe2wgs9Nv9AhXUr1ujOuHczzWnhq2U5ysXGM+bmxuWfVIQi580eSWEljMQsVCWHpVIU6lCjTmpu9RvkoYn6mPjlgJUZ4etgqvLJTU4LF4CSqc8ZQlGrF04xnTdObi4yc4q0bRThFw88/ap/bv+Kn7RmnTeDtUjm8A/D2TUPO1PQ9CL2uo+NLgHzEPiBI57m5svD67ozp3h0wpYW12l5qMVxNFqIu5uzh/g7DYPG4TPMVUwucZ9h8BToUarpxWXZZyVJy9phL06NLE42E5VH9YVSSo06kaVPD0sTCvE8LinxSoZslRpUq1KksNGilKvhqlWcY+3S55Lmm01OKblec2m5zknE8St/g94f8f6jDqOuQ2kllYS20kkbqRPOyzRxxTvcSGJJb+3vZUE1qHK/Z5YWjaSGWJn9ipxvmXDeFnhcvqVo18TCrGM4u9OmnTlKdONKKlKGHqUIS9nWaTVSFRTUKkJqPzeArfWK8qt5QTi4TtPkc4ShKMoyceVSi2rSg24yTWjRa8N69ffAz40+EfiFpgi1S6+G/i/w142ihiE9m2o6JJ/wkFldaRDPEkqSwa6JNZ0y8u1ItobhIIml3S4Ho8LZ17anlWOdOrTccVRbpe1ptPHZPmGS5pF1XPWi6VPD4SUKcqc6k8PXrT9lKMLSzlTnHMq9Rax9tN35X/DnVns+VrX3tU7O29mfrb4Q8R2HjDQfDvinTNQh1TRvEHh3RvEei3twftfmaZrOnQ6hY3s81wYofLuoJPOSdJXhlXc8cjoN1frmW51jOIsNk+cRo1KcY5fhozhOMXOnJYKlg5xm6dFQjKNTDyjKLs4tcrSkmjt0it+2vRre676P8jrfB0Sprmh3N3bWkEMOr27JMIokMDC5gZZC5kAQofmB5IxkA121aq1/wCB2/r5mc1/wtUvJ4b/ANOUzxL/AIMZR83/AAVD/wBz9iofmf2tfXFciPp2rprumvvP3C/ag1K20r9nH46Xd7aS3lovwn8d295bQuglksb3w5qNldtHvDJLIlvcSyrapunuSgt7cGeWIGsFHmx9NdObm2v8CqTXVbuKS182mk088VNUcLLy5V2+1CPZ91+jufid+0tpSRfCr4px6ZLbSa1YXfw01yWNL/UbieSx8O+LvBjwLdf2yGubZIIPDl7o1uRHbR372tzqkNrIjLBF+j8Tf8kDR/7GcO//AEDZ8fI8Mq/F2MqW3yiur+tbJ+3+Hsfq3+xut0PHHxF0k30Cx2fiiy8TXsXlKZNRuLT4b+DvBW2Eo6/ZorC6lun84tOJ/kjWJFlW4X80X++Yhaq7rdN/3j0t96ufW0N16foe2/EN5Eh8I2ameZ7nxt4fCxQ+fJc3I0kXWuyOYot8Vytsumfb2S6t7iGM2fmpF9q+zz22cdccvVL/AMpLt69O3ma1JctKcv5Un+KPzt/aI8S+Jr7wx+ztrd20cOsaj/Ydib7Vra+uLyO20rRPsWjPcXE1tBc3q3zR6X51+TfHSLW2lttRngjv9Ft7j1+AH/xm2W/9h+D1/wC6tg/66GGaVVXyfEU1Z/uKy088LUT2Ud3Lp1d76mD4FvkstXsE1GSSQJqWg+B7WOGNBBHpF/byeHLeW7u411XS72S48KeH9P0+5mdL/RNc0RUu0vzDZWb1/UHElKlLI69PDUoQjVjLMKycXKrOosxw1b2fsK0IYmMY43MK1eWtHEYbEx9l7KKxNTl/P8BUwuFjSw9acVVp80HFzacVPnlFuzlH+GoW1alFp30R+mHwuvUv/hz4BuEuILt28D+GnkntnjeKSePR7JJtoTaU/ebiY2jjaPOxo0cbB/JsqToQzXS3+3Y7TXs+vvLXl2vf5an6Ph5J5ZSnB8y+r01G19f9njJa2tfy32drM6ZPuJ/ur/IUqf8ADp/4I/khR+GP+FfkhaoYUANcbtvs4b8s019pfzRcfvHF2v5xaXq7EVxai4VVLOgEm8mN2jcgqysqyxsk8LbXJWS3likDABmeFpYZVh3HC+0u4r2kp/G1Z83K0+WfNCWsL8sotWV4qM1Gcc5qoqinFNtXWiWzv/n/AEtDwP43/sqalaeKvFXxh+B129lr3jGXTbn4rfCGDR/Bw0H4vw2NxGt9d2esa1deHf8AhFvHlzYTXMo8Q6tr13od7PZaet5ptpOs+pyfO8QeG2X55mmDzl1HCvl1SVanRVOvP20pww9NR5/r1KMP93W9KafNbl0970Mvzerh8NiKFVWhUpwjGT5Fbk9ppZ0+aS97VptppX0d18r/ABw/ZHufjF+3h4N+JUHwz+J/hf4hfDD4efDfWtP+ELeIvAGoQjQo/G/jFPD2v3Xje6+LCWdkMeEde2TaHdapc6Xc2MkSXl39utNMsOPPYRwuDll1alLDUo03SVaq5qnyqlWo83NP3eXlhKaftmuWLfM1eQYLFf7R7Ryuubmb6v8AeQk3ZR19El2S1sZZ/Zj/AGmf2jP2oPiP4Y+NnwV8caT+x9cahNp0FnDr2j6Fqt7c3MEDzeJNGvrrxBp/iWC8ur+AX8GnfYbfRntZLCbVzqGoLPf3vxtKtw3kuIbq5tgp1MG6anUVa13iqbVNJRrVYczjVtFLmva+ju19LiuLqyymlllGPtFRVXlaScb1MTGu9sM20pb/AL17bx2On/Zb/Y/8Z/syeK/jJ8CPh34f1/xFN4u1vVviroNtean4B8JeH/CPw08SaifD1jZnWPCl/wCINcsviA9nflNS1PXtN1hvEGo2et6nZ6PDpga/H02T5bgPEGnTz/C4ujiIUHFRqUpqcXKlTpY9RvGvhUm4Y2MknSfxRVm5KEfOyXiRZRXc61J02pc3v8381GabX1eet6Xa6a6NWPWfB/8AwTn0P4j/ALQnjn9pD4yWWr6ZpPjk6VEnwW8S3nhPxTfaZcWOk+H9J8UWS+KPDdxqmkaB4V8WX2gXMeueG9B1fVLvxd4Zax0zVrrwlpt34g8DXH1eEwDpUaMLP3KVOGlre7BR0tLl6dNO2h5ONxcK1evVpy5o1a1WpGT5nzRnOUoy/eOVV3TTvNuT3cpO59ZWthY6Naww2uywsrKLbHbQFo7OC2hijiitobd2mhtLO3t7eKKGC3REt449lqIIzLHJ10sNZJ2tyu/fbX+Z+XexySqJytfey+/5f1c8J/4Kyjzv+CV//BSoZIU/sCfthSK6OPnEf7PHxEnGOOVYoFcfxRliDWgH5b/8GrnwyuPFf/BNrVNZTxp450I2/wC0r8QzBpXhz+xZ9FvzZaD4NPla3p1/ps93qMErTuGtrfUtMklH7uO5gJ80flXje6a4ty51naksiwTqtK9qazDNed2UZN2jfTllf+V7FUY89SnDpKpCH/gUkvTqYvwq/Yw8e/ti/wDBUL4/fDn9ta913xdf/C3wrpWq33jL4Ha43hvwDoviTWPD/hu78G6L4e03xVpHiKaey8PDWNOuRoaaxGbvxB4W1TxBNNLp1zp9sNs8zzJ+CeGlkGWQp1J5nSxV3OlOjK+YRx2GemHwsKT1w9NJzkr/AGrKKa0nh1SrK3919PLt6I+0M/BnTJ/hL8If2gfiT8OvDXxP8I+LPGHh3wj8PNS11fD8+qRnxJqekeF5tL0K8t7++0zUdUtx4X1tYYkENy2swar5jRXKwRfzhxPwJxwoZ9mmW039RwtCp/aF8ThYKhl9DKqWJxuKw0Vm9CcMbSjb2NaFHEuP2cNXeh6VKdOWHdOaTk5S1td2lG3WLXV9ey0R1Xw5+Eb6143+K2s+LJ/Fen+KLS0+HTQ+JJ70Wl5pera1pDeJ9Q8O6cYkEtvoOizapo9vHaZaXdp9sJrh4FEI4ci4mnGhXwed06X9owy/GVcXQfta+HpZK6n7zGUIf7VCOYQnKcKdZYqtKFP3fqE17xjDK3Tk5U21fygtrdmtdEfmx/wVe13x34p/bDj8HaBo+p6t4x+D6fDvQfAHxM0LX7Xw94z0/UPFXhrQdbi8H6z4rtLy91/U2sPFl/f3+hWWlXMTadq2oapPY61aXdwstp+5+DFTGcLeFmG8U8+y7LcsxOHrZ5PiThbLaFKjkKwmUYnE42pOUMNiccsQ8ZlOU4RYlc2L541503BuCw8OXFYLFY/N6WX0pzVGbwyaUl/y8nCnK8ZVIw19rb4Xfre7P0u/Y8/Y9+D37J/wr8PeA/h/4ftUu7e3W58Q+L5LBH8UeLvFKWthY3GrateQaclxdwrLHDb2L3EkkNjZNHY2awW6RJH/AJ6+Of0gcz+kN4qZpmOaurlWSVsNkWCyzhPA5jmeK4Zy2eGwGGwyzWjlWOprDRzCeMxeZVKtWlSwlSdPEVI8r9pPE1f0nA4HB8NZbTwdKjSlVjUlOTnh6CfJUnOUn7WirqXIoqMbPlcYy5t4HU69quoaX8YvCmtQa5O/hC3ux8Lr3wvaSpax6l408aabe6wt1rVwtk0U1voA03wvYaRCzQpb3mvajO0MxnUJ7Xh/nvh/jfDnNuHMXw7wVhs8zSeeeKeDr0uDrZjTyHLMBDgh8OU8b9XlTpZbic4yjE5r71WkoY3Eyq/2XVgvrtflxebzqyVGGHpRcZQhf3r860nH31rfmcJu7aT3V0T/ABm/Z4+Evxhht9V8U+C/Cd74y8OvHqXhTx/P4V0mfxR4S1i1QCwutD1fXdE1KSxgb7Iba5NtGqiNp8Jva3kh5fDHxx4m8BOIcsybheWMxOSZrjMDk/EmClnOZZbhY4LG5jRx8a9PC5f7LDVKlOjiczp8k8PjlOWJrScY+0qUq+GYZfTzTLa9DkVPEKjXleEKXvJ0a8Y+9JRbfvRT/eOK5Y2UbSPEfhVZaz4W8V/GrxBqElvrWrvY6BrOoaXpFtazae/2TWtdtdUsdMi8uG41SDT9UuvEmk6aNQubm4h0/wAL6Rbeem+Vpv7O4TzLAcZ5F4f47C53nFKvxDQyfiCrP61iakcLPGLC1quURVbC4apWwXtcz9i26kITp5dR5oWnCVP82lg55NnebUK0fb+3q1KEadRw5ajlUvyOzqQSmpqL51y2et1c4nwx4+jTT/FHibxVdeH/AA7rPiDxHL4mEOp3Q0z+0NP8Q+H9NvtBuAut3sLTwzWmnTWsk9hcXCQSaQsC2EitHJbf1T4EZjlGU8B4bLs24hxcYYTHUoa0MdUs6eZ8ROXu06eJgvcn9m/ZXvY+W8SMhzejnUMdlXD+FnPFZQ73r5fS0eW5JKPve0oSd5q3vW76bnPeOvFuk+LdG8WeF/Cs97qVzfaJ4uluNR0+0voNItHhs9QuLy5k1XUtKsLLW4pPsCx+Vo8kzsrPIHWN4y/ocf8AjH4fwlxFwpTzWrmFXEcJ5jQXtsJm8XRlHJ8vwq5FVyZ0P3kswV7VIr92rtpycezwt8JvEHH1+FOKv7KpZfSwef0a8/YYzKpKvGrxBPFfvHDOYV/3ccsly3pSf7yVleyl3H7D+h+E/FPw3nt7/TtO1WHTfDHw2gvJJtP0q5dd+l6xJKzSajZ3LSG8t79LloLUR3EDy+RN+8ikWvhvA6lh1hc5q4B+0w2LzzFVIKUeRKFTiHiGa91xpf8APyS96nF90rs/YOJMJOvjM0hmcVTxOF4foU5tctR+0p5Nl9OXvXrdKcdY1JLzdke/6n4I+D3hzw//AMJBq3gPwTFaaJ4YfxBd28egeHNT26Xa6TPqeozQ6Beaepa+itLOa1trWTULOZpZobd7qCV2nH3ldrDTqSkkvfnp0Vm5W92+2yPl3Sjh6dPku4uMeVtWuuVOLsrPZ9V18jyzw1480XxpqWqm+8CfDfwT4DsfFk+g66nhr+2/h54l8K6dqt9rVl4R1rXNS8I+K9R8O3UV3e2+haD4gjsprG80jX77ULZEY2aRScuL4iwGDw2NqYqEPZUMHjJzfLUlrDDVZQ0jQqP4+XaLa3Vt1SwNbG0Zxw6/f1aVWELcidqlOcJ2cp07fu3LeST2d72PGbyC1fx94gm0eCDWdA/t7VdM8O3iSTXq6lpehWkaeFNQN9dbH1SLV/C97pGuf2hcWiXV3qELT3s958kcP6j4O8UZRxL4ZSo03y+xwahHlhWeizTNLfxcLBL/AHbpou/w3/E/F3JM04fz/F1uS7r4ytKV50l8X1HrSxMm/wDedeb/ADOi0221m61fSZ/DtvfQavNDNd6Pc6ZdJaTQ3trpeoxam032qK6tYb3UNKt7ixsJZIJRc6jqFvbvFIJtp8vxr4ko5FwZRXJCeH+q1abqS9qpOMcVlVOTcadOTfK6rSXJslo1dm/g1leKx/FmCnNuE69fBOSi4NJywuNtZyqdVvd9dTvx4h+C+mw+F9Z1T4y/Ec67qlraeILLwjYa9oviTX21GQR38ml614SsNFSPQJtNuGNrfR+W0lnJDKttZOY0tz+UY7jfgXBZPl2Ox04xq1/q86q+q4mSvLE4aEleOUVpSTVVXu3e9nfU/c6fh7jazjiKdSo5RjGrGN8NZuMOZK7xC0bhbp8jd8IfEPwZc/EL4Rw6f8Y/HmpLdfGT4KQ6T4Y1XTdRhSG81b4seDrGXTL9rvwxpsMcEq3clq/2a6gRNx+adB5MmeF8QuEszr0sFlDg54mpGhS/cYun71V8kLc+WYaK+1vKK7uN9VmXDOZ4LAYivVi+SlQqTm3KhpCKfNpHETez2Sd+z2Pv2vRPnj4x/wCCx/7XH7RP7MHgf4QaV+yj4H8BeJfjj8UL7x1DoniL4kXOnw+HvCXhzwaPBeo+Iks7e713w/JqXiTxBNq2j2ekWN1fQeHxb2upX2q3EOoWWgxXHgcY8VZJw3mfDVHNsRRoVsznm6wPtatWnzvB4SjUxPKoUqkZWhWhfncOW65eZt2mdalTcY1ZKCnzWu7XcbP9e58s/wDBP3/gsP8AEL9rDxd8af2R/wBr34deHPh9+0VoXwx8c6v4Y8XeD4buHTPFFr4b0J9Y8VWOu+HpdZ1XTdK1Sbw9NFqGlXmnX8lpfRWN/vmMtvapJ87xLPGzy/jnEUqsKkMRwpnzw/IqDbdLhfMKdRaXbtNX96K3sm1t6fDmFpVs84fnQany8T8MubhJu189wHLe83o+WVtL6PsjzPwhovib/hQXxag+FOp6X4b+IureHtJTwTrtrpljcWul+OrXRtA/srxbqcInuIL++0TWJYr1oJX+zstmhwfNy/8AFmTYzFVfpKcH0swnXccPx7hVWdeuo+yoy8RcLyUMOpU/Y0aDpwdTmjGo1OVRO/LZf0d4hSeF8Es5btFPhTG20S1XCGOu3u2/ds1dLTrc5C2/4KU/8FT/APgmz8efAepftWfFi8/ah/Zl8c6raeHdYtfEGneG9V1HUtPu59tzf6G+kLY654X8XeHIt+tJbXOr3Wha3CIVt5pLy5Glx/3XmM44HDUsZQzHC/U6qqezftcM4NU6kKc0nKrOelWcr+6rN6aar+ZsJUw1fmqSqw558unPquVzitLpbK/w273P1Xvv20P2dPGHgW7mb4l6zpUPiLT7+HSdPvNG8U6d4lv3a0azjtDY3elPeyRtcanZQXlsrXMtk0si30qi2upYufinG4TDZH9fr1qco+w5+dS91r6niKy1hzK1ou3u7apbJvh239rfu7S/epLW+ixNBeettvktD4n/AGBfAngv4jfEL4GeE/FVjfapo97ffFvUxbXesXVimi6lpXgqeHTLzQDa2rhbu0h1f7JDeh2s0jj+a4yshH86/R5oPNPpJ+MGJqfVqOGq8RwrYecXBOpRr4fjurTlVk60ZylJSjOPNGD5KkWoKMop/sfjureEvh3e+vCuVN36P6pwdtpt8vme7+MvBOt/CPxrceBdX1ttehaxl8ReDtanRbPWfEfhK51OwurOLUmhCWN7rGi6jf3cer3OnM90mrRaZe+SlteadLcf0jh6FTCYzBQoVY1MP9S/eSj7NpU5ZhVdS755tWiteWV1fS2l/wAaxU2s+x07csoZHUfLv70K0dnbVNq8W4q6abim2lZ/bl+EmteOP2LPCUHhbwnd+LPFPh7xr4MTw7oUUttLJ4ofWIdU8K6to9xdarPawJLfjXjcWjTzxxR6ppVhJM8Z8lnx4iwsMQual79k9Y3aV6qf8276dux7fhzm/wDZmYvF15wpU5OUm6nu3k8LXjFp8kly/vWmuRNuUdrH5U/ETxb4+0Lwr8P9Fubi88VfDr4f/E2x0TwPrcb2Fjqt3FcyBrPwpewX9xa30Ws6TNYXlli8toTbwXN35rRpuNfIZvTxSeEoQpTbqY7Dw5VBN++pLs+srbrfofs2FzbA5rhKma/WKMqWX0a2NnNT92McO5ycm0oJJLDyveE0rP3Xaz/Qz/gjT+zR8WvgJplnpHxo8PHwp4x8V/H3xn4wXw3d3/h3W5tD8Ly/AfxR4Zt2ub3w/q2r6c82oajpxmZrW8kaLdmdY1urdpfsuGsBisoy2jisTSnRjUpU/eqR5V+8oYeS/n35HbTp01PxzxLzfB8RcWPHYSrCvHASr0JSpT51FwxWaxabUaVmvrkbpxn8SV9fd+8fiFpsp8B+KLWWCFhqHhjX4rovPIFEt5YajDHEythVefzbRVReSWAYfIdu2ZU5LKcxdrYfG/U/bT+yvq2Kh7O8r3V56LlcNf5ldHiZlBV8vzfGJN1n9Q+rKKb9o1iKVKta1l7kE23KDStbSTTf5x/AL4VeJr1/j14p03R/7S1jR/ihbTal4aNx/Z+r32kR6TJLDFpg1CKNLW/8PX+ktr8kc0sM10LFbK1imvHht5f1/inizDcP4ngPLsDXpzw9TAcL06koTU4xU54ihO7lRxDVoUYX/eLRrVNuUvyjC8K4nPMNj8wx1CpTxFL61OnGcXCTlCnGvC0Y1sOnedaSV6crtWs7JJ+p6B8PPFM+neO/B+r22k+K7TXbHUbGfUdViS91zVtL8Rql+lx9pNqkmuzXmgvJbXUiJa/Zzb7ZmDIz/R5tRhn/AA1XWEft41MPl1Zul7y561fDVqq0dPVVYVE1ok4tWjblPG4PqVMk4wx9TFJ0ZQxE6S9olB8lDCY7D0na01Z05wadndSi3KTfMfpT4R8XaB8RPB3h7x74Svf7S8LeMtOsPFfh7URb3Np/aeh6rBc31le/ZbyC2u7dbq3uI5xHc28En7zmMCvwOhRlhMpzrL5pxm/rcnF6N+2y6jbS735v5u1rH7dg2sXh6eYRd4e+uZO8bUqkk9fdTs46+595+W2ifFbwP8Mvit428f8AxF8Rz+FvA/w7/ao17WPH2rXNjdyf2Zodr8Rb6+svscGjWt9qGqxRwaUFih020vr8lEikgE8kUb/yLh8XgMh+l1gcRLlU3nfiLUq+9VclN0OLMNK8Uq1v3uKp042ik51Ixim3p+75zl2Ixv0acvy3A05162Y4fJcX7KnHnm70uBK7dub+ShUd1KHuwk3HRFnRvhxrvx3/AGoPGf7c/irxFZ+IvC9pq+k6x8D9G8J64NC8V+EfAtlJrNjqugXst/pFhZWvjLVdE0ODUbJ4nFksWs+IIr6eG4mhjf8AVI+PmT0fELhTLljsMli6tTCtur0r5pwxFtt5W7W9q7+/HT7Ud1+U5lkOMoZXRy7G0KtGvgMNmGMVOpBwmnFqqrx519nEQavKa96Pu9F7h+2x8TtI8ZfAz9n3xD4KuRqOj6r8VPB9xaW+nLBeyQWdh8LPHk9zaSuxtr2z+zXelz22sXc9kts1+y2fmCW6hV19LfjLK848BuNKFDHYSo55nkLilV5leHEOWzT0ox1u48u/vcuju0ev9F/B28VafOmv9hz7dNW/cQ395en5Hi+mftCfDf4Dz6VeeL/Gml+DfEHiz4Z/G7Sfh1JdSa3YSa34w07QNF1PQoBqGmWpfTbm8luIJ4ri7udNg+020VtLeW8zjH5F9BTGTyviLxRzSK97DYHIYQkrNKvXyPjfCUbPlqRd69WEUpU5Rb+K0byX6R9JrIYZtjaWX4dqeIxNWkqcItyk3D/V2q+WLrQTtCDfxJq3dWPWP2Y/2vPhL401BNJ8GfFnxZ4ql8E3Gp6D8VNS1+D4lXeoeNNKXTL+70DWIvh5440+6+I2oaxD4jdLGw1XwHpms+E7XTdOvl125sr2/wBDW5/ofwy4zzalxXjK3EtGpPKpYjETpT5KUYKi8xwE6bc8Bg3VX+zKu2p2mk7ySlyH49xTwli+HMBSlXjKipwhZ1Iwj8VHEP7WIqrX2Evufz9x+Ff7Q/wM/aJufEEPgrxTY67ceDLy30rWNOvdJ1zQ7+3Op6cLzRNSXTvEelaRfTadrFgJJ7S8t7eS3Say1PT5ZorzTb2JPt8szPKuK8ZnmIyvMKUKeULL06MK041Kix9HEVY8satKE5wg8JVjUk1eLdKVpKbZ5WLyvGZXhMHiOSXLmH1jkqpJxSw1SFOV3GclF89SKje17tJo3tX8EeHpr61/sONPD1zK/m3+qeFbm48L67dTCGG2kWbWdBl0/VHaaDdDMzXTGS1eS3l8yGUoxmGR0s3jjOHpUcHm+GrUFDGYLMaFDMMFiKdVRrShicDiqWIwuJp+7G9DEUatKfK4ThKMpQlnRr4ihCdarOpyVItQ96aXNFq0oyUo8sly+7KDjJW917W0W1vx74UluhbLZfEKGKWbUL688Xapp/g2+hSSKJLfTNPvPBfgaXSIrKN7W4uoIpfCc135t9f+bqn2a10vTV/MuJvoq+HOMzHEZrk2Ar5DmMs5x2aZhgssxdXB5bi4ZhjMHXrZVgoyo4/B8PYLLVRxP9jxy/J8RDDyxTw9ejicLTwccBvh87xEYxhiFzRcI0qc7c1SMoRko1ZxlOMq86knH2t61O/LePK2+f8AEr4heMPBviz/AIOd/wDgoZ4k1ie88PaHqP7MnwehsUvLc6pcx3mk/Br9iK08i7/sUX0Gxo9LvJ5J0kNuI0CFxK6of13LstwmRcK5DkeClXeCyXL8uyXBSxdSFXFVMLlWDWBw869WnSoU6ledDDRqVZ06NKEpuUo04R91cdXD4ivi68EoVK0nKtL2UkofvLVHyuo46L2iVm2152ufXd3YeEpPDU3iTw5r+ka7pFtbXt62rx6lZXekWVhYWsl7eahqWoadLMJ7ezto5J7hYpGkdYnt4d1wPLrhz7FYaEMxz/L8xp4GlluDq4mt9YhjoKEcBhpYmpJ0sBhas5q0IStTnzyScUlNRQYdTw1KGBqQ+r1ZzaSTj/y9bUXzUXOKve/dWu09EeB2+meEP2n9Ni8UX2vz638MJ9bt7jwXpEOnaFcTNpeiXtnfaY+t6/qcWt+IodcnvVuZb3T7DV/DI/sGSxtrvTpluLmG5/lH6Rv0mePYcU4/hvK6uX044DD4vCfX40eIsLjoRq4/Gezr0KeY4qjaLwlPCTpYyng69L29WrTj7CvRksP9z4f8M13gJZlQx0pVFWptRhiaicFLDR5nJRoxny+/KD5ZuzcVK8ZXl5r/AMFM/B3w4sP2WfF89l4S0eDUdMWTVNFvI9H0mzn0DUtF1TRbi1n0ZokE6w3VxHBa6qZhJLOksJiJRZc/PfRh458Qs98WeH8HnXGHEOZ5bOr7CtgMwz7OMywmJoZlg8dRxEa9HGYitRp1oUZTqYaVHkS5Jqq3Jwt9x4e4OVVZlmOOr0atGlhcPPCKXtqiq4uGNcqVNQqUJuKnLCTjKUuWNlaUoqUGfnJ4R8SL4d1260l7aKOC9tLbVNRubiVop9K1/Sda1WGy1DT/ACGMj3cS2e6VrdZEkgEUe8yIEH9LZxls8xwFDH0q1T22FxFTDYOFFXjisBisDg6tahiJSSUKTlWSp87hKFXnmklLmf3WcZZgcx+sZBiMBGhRlluFzTD4ipTwvLVqU8zeDo8ns1XqKVShRxVX95h6PuUop1FKcKU/1i+BuvfEf9qv4S/BnxhqOoQWfgbVfBemv481ux1aJNS8W+MvC8M+h3elWNjJLHdaZZzaro6Xd1eTRRRzjV5HLsI2I+18OM0pVstWFqyniMZQqV4To1qc3NOGMzF8spVWqbfJTv7tVxfKuWTtG/8ALfHuHoZVxRWwFBxVdeyl7OKaVnl+CxD9+MKcP4dRyS5l1VlLQ6mH9mfWvHepWUXjC+tPCvw+0i5vUHgvQpBqms+JIp4oEFrf63A00EaJCGaOOOVrnzZpDFudwK97E57gsPUu7UMTSXIqUaElf2cpWlzUnKnrUjy39rF6J8qVpPwZ4zD4xVuSrzToVamGqx5akeWrSvzxvKFnZyXvRk49n1Oh+Inwat9Q8Gw+EvAWh6d4bTTZoxoyyQSx2OjaeuN7NbW6i8vrmctJdXc96GRLyadVZY1QCY8TVcwtTxjlCn3aqT297b21d/FCH2et9ldZUJ1KUk7O3r5PpzJ7s4u++Blh8H9M0LxJ8PvDCeMvHMM3im/vdfNg0upXHiS+8Da/pmhW1tdaULs2NjdeJfEa2cN1qaW1rYRObnUprO1huJ4/jfpC5HnvF/CuFyPJc/qZTgZ4ehTqyoY7MsC5U5ZdneEm/Z0KE4VJSo4mk+WVOKl7OKbioJHvcH5jhcrz3CZjnM1hsCvq9R1ZU6mIXs1jMNXbdLDwxNW3sadSXL7Jv3XHlcpKMvAv20f2evEfxw/Ynuf2evBfh7xl4n+MvhTxFo97pfhux0ltWvmv55v+Ev1i20sWdpn+yR4913xR4al1qaSG2+w6Xb3slx9nlgml9/wSjmHDnhll/Cmd4zD0sBQw/LSx18XiaUlPNsxxycadFVq8YKdXD0YweBjJR5Y/DB1ovjHMFnfFtbMsgbx+XSqcyxEXLDc0Y4DDUoycMb9Tqxk6tGqryoK0ouVnFxlLZ/Y+sfif8Fvgr8KtF+M/wztPhf8AEjw54QvPBk+ueN/Gula98N/AfgvTvFQuJfFGo6PpOs3EXhnxHr0iwS6vfTazape6F4W0PS7y507XHW3lw4T8LMh4ZfEnFmOxsV9ezfOM0nXqUlUrReI+rZj7OdPD5VVqXorDSh7tecX7NezcVKnGOfF3E+ZcSYenKpz+yhQp0nL2lRK1KjXg9KmKqydlUlf3bNp25t32HxK+L/2PwF8ab2w8ep8R/DKW3hfSfCfi/SfD+rW+h3+m3Wq3w12y1C4fTNJGpLqeNJisil54pFvOtzczXNrCRdSeZ4rZ1gaPAmZ1sLjpSqY54BZVHkxNN4iNLNsqqVtZUqUaHJhsRSnatOhzc3JBSmpQXj5FSp4StLHV5Ww2HnJV61nPkdSnKnT9xQdWXNOcV7sJb3lZJtfCd5qzanrXiHxPFG9vBZ2fiDWb/wAgyQxO2ueIbW7tzHBchLgtDZXFsGjSNiBM3H7iYR/lNDBLCYDLcpnKNSpXr5bgcP7TlqTisBllajVUqlJyp2qV6dW0pSSvBa/vIc3iZlV+sYp1qTbpufPfWKd+SL92dpK17Wcbvps2aPj7xqU0HwF4fu5JLKA3UbTrJCB5iB5gwE8asAPOjJDqxVhGcEhg1cvDmQ82Y8R5lRjGvUVKSpyjN+7Jxg03Tm1d8k/haTTl0asb42vg5Zbh6NesqbhOkn7k378YcrinCjNP7Tvs7fFqk6eseEo9UEMsc8EgsT9khRGhKxNfxzCbzpWI8/BW1Zdm/aN3Q7hW+CzqWE56cqdSH1j99OUlNOaw8oOHJBJ+zunWTvy308jx1h1XrJUqnMk0l70kryi9+aK6q9/vMzUfDx0XV9M0zUZRdz3NjFLJNF5JSWYiWKMAsOGH2cJ8xGAoJ+UqzdWGzNY/BYvF4WHsadKvOEYT51KEFyTk7LdfvObS+7S1TSWIwsqOMo4epP3p0YVLc1006koJ3Scd1az106JjvhxLPq4ltZUMcUsjzSyEoZY3I2RK0cZL8nyLhdqkbbYA/OyAriiFPBOFaD5pwjGEI+8oTSfNNqUvd0XtKbvJa1X0UmvQy+VFS9lGf7xtu3LJdJS35Ir4Xzb7LvoYnxd0TTv+EytbiUNaadd3XjbwfcM7NiM3d+uveE2kRVZkEETXDqSmIzqG1irpMqd/BePxP9h1aUGq2Ko0chzunGMV73scO8uzlQk2lJ1JqlF+9eaw3Mk04OXVjFSw951koSvWpz0vZ2c4awUtmnrrrbU+4P8AgnF8aPD2vfDrR/gvda/53j74W6V4jOseHZg95ezeFrnxJqtn4H1KzuIElsptG0uC+0bw59mjumvImiSZrRbO4triX9W8OuNcJLhzC5VSdarmOKhbBwqYbFx9vWp1a+YY6MMRXdKhD2FCupuEqlNQTWHjepHkJw8/rkP9nXO4e7K3uWs3FK82k3aD2b6PRSV/rvwo0V1qukW05hkjuZop3jt3SbMETJLLNFJEXieJoQfInRzFPIpjgeSRSg+mr4iEMM8XKTWHXM3UtJ/ApOXupc+ijJ/C720u7XcKc6+aU8RSXNRUqCc7qOsKlNy92TU3ZL+V3tpc8G/4MaZ4oj/wVBSSSNGlb9iZYw8ixs7b/wBrVdqBiC7ZcfKuSSQOrCkfTXtr2118j9q/2w7yez/ZX+PN7Fc3em3Np8LvG0qxRyqpmEuk3duvnTCGR4438zEDq0SiYp5hkjDRnTLUpZhG91rU2/wVndmWPj7bCSlJtfD8NknedN7NPb8D8hfi1YrL4S+KDx6Il8bix0a8jsdKs2udR+yWnipo57W+ezZI/ESWxmFxZQrCl/b+dqES3o+2rHX6pmuW0MZwMoVZ1oqGM9qvZygm5Ro51FJ81OWnvPs33TPjcjxU8LxTVjFQaqYGVJud72nWytuzUoq/Zu/o9T9Hf+CeuuHXtb1/Xpp7W7n8ZeHYfFFq9jvmFlbX2h/C3VJNOnmMzR27N9tQwwu0zTAf2gk5tby3SvyvGUIYXNMTTpuUoqeIjebTf8arHXlitrXdl3PtIQUcPSrRu3ONNtO3L70FJ7K/lu+nc9++KetW9lp3hXWmkaa1ttS8S6jDNpxDS3UMPwm+I10JdPnSSVC09vA81qUMoZntzk4y3PiKboxr4ql71WjSqVVGWsLxouyajaVrpKXvLfdFYrSEaabtVp4hz1vKPsqTqRcbWsrq0rp3963L0+Dfj54PGn/C79j3VNOt59St9RXwl9qttT1G4MmpajDqd54dgsJphHcyWSXejQzSzlEt7e+1ECVt32G2htfR4Frez454RjOUYLM8bw68TOSb9l9fzTAyrSpR5o2ULvkjPnataTkc2KiocK5rmCfNXw08fShTetJxo5fOtDnVudyclq1OKs7KKepxGuxxxalc2Nnf7rbxy6yaRq8WnaffhrzRoltNG0kRxf2UIreW8uvFWgX9vBa2zwLPpF7plxbWYFjN/UOWVVxDktTF1fZUY4JU6OIVKrXpReFr4vnxVRzr/WnVr03g8JiFUq1Kyrf7XCbjXlGtS/NMZC+ZVZudROpyvlg48qlGhGMUo2Vk05XStZ2a00f6Hfsf6jPrf7L3wI1O6n8+7uvhj4YjvJQkMZmuYdPtrS6eVYBtWcyxO0ux8eaW5KgAfytmceXHZ1hWv3cMfmdNS1U7U61WnG70i5Sju+Xf4eVH6dlL58ow8XrfC0U9X/0CrTfr33XRo9PQBUQDoFUDnPAAA57/AFrCkkqdNLZQglfsopI2ikoxS2SSXoloKTgE9cAnA6nHpTnLkjKbUpKMXLliryfKm7RWl5O1krq7GNDkjOCPYjn+dKlVhVgpWnTv9molGS0T1V33t6p9iby8vxDOTtwemc447d/Xn9D6U1Vj7R01Gbai5c9k6enJpzJ/F7+it9mXYau7X0trpdar9Bdg9W49/wD61TWpKskpSnGzveDUXomtbp6a/kVzeS2tsRyQqXVi0nJxgMV6sv8AEuHHToGAOSGBGMFVydfC2qTjGPtpOEZWp1WoKUfax1U1Fr3U9FzS3uD/AHis9FFO3Lp2e+/TpbRu54V+0PaQeHf2oP2YPGj2dqlt4ps/iR8Kb/UF1F7LU7zxBe2+ieKvAtjEA6qYNO0jR/ihdAQiOe4a7aKeWS3jeJvn/EulCrwTneP1p4nBrHQpTor2cuWjlGZVot1bSm5OortRlHlspLdW2wMf3kdX9nr/AHoeW72PSFjQDeryHCwlWyDhQHZfKJ3FYm81vLQNtiiZY4fLjAWv5rzHEf7NxH9ZzTNliMKsk+rN41KVT2s4SrObnackotOn7Pl9nDkirU4wS9mmo8sUoU226l21u23q9d1bRfDdvTU88+GL3GtftdfGkJb291pfhL4N/CLw8Ls6gNlnLrviX4paj9neyAmL6nPeW2pvdXJkt7r7M2nQRmGJnFx+3/Rfw9Oj4dZtRjisbVqYfiPG5Vhvb11OVTL6OScPeyr1WlGVTETqQvOrFfV25P2dKFoKHl51Vk20qVFN3atBx/5+p6J7K6WltEnu2e3RiLeFxIXdAzMzSEMHG4q4Jw4G4hVfPlqSkWxAqj9Hpx5IRWrajFPntzaL7Wi17+d+mhxxk3CN9LxT2tulf0/rqRmJtQ85bhPLtmRoTAQWmfdJJE5kKsUEciA4AXK5JLlRzam4xcUlZprW99dNNSXBNp3d009+3fQ8J/4KwKsf/BLH/gpUAdqL/wAE/wD9sVEU4Crj9nX4jqoXvltwXqc4AHvJR+aH/BqZq7aN/wAErPGF3EtwfJ/aM+J1xcSxeQsUEUegeCyZZ5bmKeKGGJULyyeWVVATIGUYr8Z+kJjaVPjL6ri5zjgFwCsTiFTtGpFf2nnNOrUpz9jWamqHMor2dWCklJ0ZtOL1puFGl9ZcbugpVldys3SvJJpPb3Vsvk3v+kHwzs9T/sfT9U1mxs9G8W+KWl1rxXa6Va2VhBfm9uNR1DSI9Ua4tp7jUDY6JJBptqROt1o2m2Vhoc888VtB5fwUuJ8Fn9fCVp4vH47EYSVP6rOrLCUfZypV5Vad40cjwcJctavOX7xSvzuMm4xiounjHjWqnsor0lK2jS2lbufIP/BVb9n1v2np9F074KeAtF8M/tI/CLx14c1PTf2hfEWrjwncaJbXmiaHrk3h3T9chuV1HXZ59Hl8NtaQ6jFeRacfKGlPaO1wG6630mfDnw3z/C8AeLfFNLAUOIaFHPMJlNbIeIsyn7TH4pZDQzj63wdk9StTjGjl2Y4VYbEYujQ/dTrVKUZyoVjsp0a1WjKrB8k4TcU1ytaRUl8btfme2uy7sxf2Xf2i/wBpP4rfD3RPCv7Rfwq8eeAfiRD4utPDXijxrdW82j6Z8WEjtbfR/EOq2selR6VJY6n4cXStP1K8fTY7CGdWf7NDDBNg/kf0rch4P8LclxedcM8U1+NMPjnHH5XTrZVjOHqeXVv7MzqhScJYyGKrYlYbGZMor64pRrPGSlKLo0Ic3XlE8S0ljKjrK70cadNy1h1opWuubp19DU+J37OHwB8d/Eb4I/GmPwpHH42+Fni7wLoljqnhnUptO0q88IReJr+507SfEGhWPlQ6/HHqXiS6eCWYrqt5CYNOvL+5s4LeCL4Twq+lP4pUeB/Grw7z7NaVfhvOfCfxHxWCyutk+VYaVPiPMcny3JKeOjjMLk0Me5QwjxFD6tXxkcvTn7SdOFSMKp6WR0sulnVKssPFVVOhaaq4h2tWwzi+Xn5Xql0107n0x468H2cfh+98Zv408V6FH4V0m+1O9s18a+Mo/CN3Hp1jKIl1fS9E8SaBePCFdXE/hjVdDu2vobJJI9TkaSzu/wAi8JM/o47E5dw5xBT9hleH4kwWDeYYaUamIyPJcVWyvE43FU6EMNinj/qtbMMwxnseWpjqrrewoVYU40KUff4rdSlUji4yknUnTotezjFOMoVZyco293mmr+9aT1ldpNHn9vofgxPBGpeDrbSvidd/tD6vq8Os6x4S1j4j+JpdZ0jx3DaaNLL8UL4t4n/4RCw8GaFJBp2p6XfWsUWn+IrHSZNHjm1DUYNVUfrWPz/K8HmuW+IOa5/VwfhXVwFHgfLGsCqtGnSr5tiM4zVYejTwdTi2eJjilxBXUsXSxNOMJVpUpfV6eBp0vM53Tip04cs/efMnKTvFcyuneKSULttJd272PU/hh4WtdX0jwr8QdQ8a+MfEV34g0bRNetLO48U+I4PDllLf6Ubm5stG0V9XnuFhhWSM39v4ru9akt7tZlFtYS+fbp83n3Fy4Wz3HZRkGXRrZ9SeEw+NWYYupXqYShi8HQxVGpSnSo4LL6026uGqOzrckYwhOCbrc3RldWtOGKxLjepWo2nU5aaguSTjG8LKN3aMbQjdvVu7bfy78QH1BPEnxk8V+GbnUG0zwz4x1zR7DTGuFEHii38YeIL7U/EGmXd/YLaeRoMWu6d4raLVYwl7pFrfO1tcLGnln+ofAHPsRmXhTwfl9KMcbmeInl+Lz3DVbUaWDdbHZ06tXDThDCQk4SxtSMIRxOKi01+7lypr8+4txmJo8VVcRCXJXw+aKvRqqMG6VWjOhOnUUJRlTnySjGXLUjKEnG0oyTaen43h8WeDPDWmatDfaJ4j8NadpSaf4Wg17wh4V1O70PSyBe6XZW92umxSTfZtP1SKOyucJIYpbgqER0RMuMOOs+yHN8zyfDypQyjDZhX9phXToT5qkL1Jt15UqmJV/rWLdoVXFe2dv4dJQ/ozwm4Z4e4x4Z4OxubUqmIzevk2WyxuKVXE0PbQr1KWHf7nD1KGGp3jhIQfsqUGnT5l8cpS4jXvE2ueNh4ts76Pw1p+s6D8N/Ffi/Xr+w0TUbWRpI/D13DpdjdW6an9h0681Aajf6idQt7ZLKx0jRtfLWbzSWcts/DLhqlxNxFnHFtfLYOWNwmGhKcMTVhGpRnWpRqRcFi6cldYCGvsYzVnytX97fxh42l4Z4HLeFskxTp0Z5nKngadem67wajg/aVo05VsLiFUVXEZhTqS9vUlyulFRlyyqnM/A+P4gaZ8ObU/C74gy6ZceILr4Zi3/sPwl/wkukS3GpeD/DlrCr6tdaHrVtok7azqOp3Z1LUJEsNQiQXQtVS4QD9D4Z4/404BhkmD4ZxlPLsvxOc8R0MRQeFy7GKpSy7imrTwsfaY/D4uvD2VPE4mN6c4yn7S9SU5QpuP5xx3nGTLH1MfnODp47EZxlHC9XFynWx2H9rLNOFcuxmOfLguSFP29Spe1ONNUtqKprQ+ivEdr4oe1vbT4oeJvild+CLbVRpevapp+k/D7XtGuJlvvJng1PT/AAPo2k+OZPCGpXsE1jbXgIh1BHihn81btYn7cw+kD4pZljsZg4VcHRVLFYiksRDCZTKdVKtOgqkoVMJyRlK3tHFRik3y2UTwq8+DpUcPKOAUKfJCUKSxObNU4eyg401KTc5KEbR5pNydrttu5hTfC/4I65qui6744+JEmq/EC1tvtUHw88W+MtO06z0u4uIbiHTL7RPDuqWVy3hbT1jtn1OOyfUtJvH1GSW41RtTvJ7m3vOHHcS+KOf4avSxXEk/quNjbEYaGU8NKM6M2nUpe1WDhWipQi488Kkaiv7sk7FUeJuC8koTxcMHGjWoU5Qp11XzecqVSqpUITUJ0sRSk+astJ0pw72+JYGleEPCui+NviH4f8c/udS8Pa/I2h6z4U1G5udRj+Hmp6VZXfgy2ur3ydR8N6iumadPHp8V/HpiXf2K12vcyvK8jrLPpF+KHg1QpZZlGMws8moyjHGYTEYHKJrE0adWVapGdd4DE4ulz1cxxMm8PVjNcyUXyxgo+xU8KfCHxs4Vo1cZWzGhxTjaUXTzHD4jNYyp4iti42qRw1Shh8sk40Mvp01GpSdNrmk17RuT05LLwR4T0OfxBpnizxB46uNIv9N1XSdJN3oxkfW7bV7SXRLML4b0HwrdSXVtrFhbapc6ffatcWM2mWcsF3bTRT3cU/bxL9KfjfxVyrA5fjsfhcNk2MprDwyjC5fgvZ4eftsJDG8uMqZVSx8pYnHYB4uftMU4U5TlSw7hhlCm98l+i/wd4a4KvnlChj8yxmVYSOKp5njcZWpVK8qGFqypVJYbCZhHCqNOOIVGKhg02qcXVhOp7So/Q/B2teG9A+GPh/xHe+ELp7Wx8D6Zr+q6rHqunC91PUZPC1trOovbRPBPNcXOp6ncMtjb3F7cbGkhhEzHdK2Nbw8ocY5VllPMZVKtKusPy8ko0vZ+0r4aSknTr0XJxlRpySno3GzVpNP5Cr4y5jled55gaUqCw2U1MaqVB0brkweHxVSMHUeDlUkn7JJy55St1bPPPAXxK8ceJPjl8Ho7jwf4L0jQL745fA6U2kx8Uaj4ptLO5+MXgw2cv9pTXMvh37VAjw3UkNpDaeQ6ON0yr5Enq+H3hJhuGuKsvrYfFYn2WAzHD14UpqjKLWH9vVUXN1qlSzbet3LtfYjE+NOL4myvE5fUw2FisbhqmGcoe25ksRFwbV8PBXSjdXa13sfppX64fPn56/8ABdnQdf13WP2NovD2iaxrdxHrfxjW8TRLc3l5YaaZfg9dX2qta74ojb6bBZPeXNxPcQxQwQSRszeftr8y+kJlssfmPANWlVhRq5fHivFKdSbpw9nUpZFgpxUo05y53PF0nFXhFwjUbk2owl5ud08RicZlOAwtWnRrYt45xqVpzp0Y/V6FOrL2k6alNNxTULQleVk+Vanw58APgJH4F/b++JPxw1Px74SmXw1+zV8ZNE03TrGe3srY+JZvhnrHhq00s39+llNq9rLZ3eteRKobWJ9R1GxtbfS5lbzIvmIcYYjDYXxBwubZpl6/sTh3MZTg8zqSqYyGZ8MZlONLA0MTWh7SVJ8rrJzSftFo9Ob3fD32uB464c4Yx9ejiMfnHFPCtDBVsPUlVwdGdDNcNiqrxFWtyVoRnTr04wdHD1G5wkpJRUZPqfBcX/CK/Av4y3Wj3EFpZLZ3cX2m1mvS+lz6fbaXc3GoR/brWzuQcQNbzrFG3lx2obHJI/kziHPKr8buGsww/tozXEtPF4eryqLnRlxBWx2DoqeFrv3ozoU6lPnnBz9rKMXzKEn/AEn4z0KuXeDue4R8tWpT4VzDmeHcpwfJwzmlGbTkqctXH+Tbl72Xi+vavF+0B4Rs/DPjDVX13TPOj0+CSfWrKa1gklgSTULPTolzfNfC4ktZEktGuJ0i+0K4hZFgP9B/6z+J3EGHwWU5fm2Cwrwcq0va5njM+p4Wbq1Vi4qPJWxMKkYuhKFSM6PK5yhBqSlJr+O6HETo1ac5LFUqWK51ShK8Jw9jFxnzr28YxvJ3g4t3TTdmz2rxP8WNB+GXg2TUNXSXTZdCtJrVvEFnex3Onvpvh6ITavPf6LqM8eo6+8a2lot/cQXfhy7s7yWCO5iv57yyW7+9zziSpR4QoZFmtPGYvMnhqdD2+Dg6+FqVnllbB+5VxFeOImp11UnD9zzypyjK3PKUT6LhzMqOAz7DYPEe0r1cROi4ywyjVhH22MoUo88pzhJWlBuVoytFxerbSb8PPjh48+DXw3+CXxc+Gd7o+ieIJNY+InhRZ9UsJZG09fE+j63o1vYwi8ih06wu7W/skBtdVvrC5mt7Zo7BL29iktE/B/CjN8yyDxo8WM1wrrujTzHJZqhh/byxVT2+Az6lSap0q1GDh7DEKq5Kd7KTS5d/2Lx8zzDLww4FwvscXz4XhfKFUvTp8rVTCcITjy/vb6WtJNRs9rnrOi/8FALD4gfAHRfDGu+CNW1v45eEviY158Mh4bkd4NK08QaLqGtaZrEEkt9rD6FrOhXWueHLy0tLe9lur+5stVu7fTLjS7SR/wBm4X8dsH9Sw9bHYHiLE1quDxdCnhsPhqVbFqo8fWjTXsa2b8zU+RqnySbk6lPlTUmfieB4sy3Pc1xOMwtLGUqNXL5YHkxVOhCp7Rzou7jTxNWKhacfe5pS0a5NmfS/gL9pzwj8eP2ZviV/wjGl6xo/ij4Ia34S8XeIfD17aXsWpR6fYa3D43W40vTir3tzBqukeEPFFnZTNDbtb3FpObwWUcbzL+hcD5vheOMDOvTlLJnCdKLocSSp5diZe1w8cReNJVcW3GCvCo+ZctW8dbcx6sMVT9jGjhaipVVGEW5yjTheKjeXNTlzO6Ulqu3d2+Xf27v+CZXiKx/aj8C+LvhdjUP2c/jt8UPCvxA8exwedHp/w68WRzvqPibxPZS6fp2q2Wk+GPGPg641jU31Oea2tYr3wxfWUTAXcEtxdXhytPO8JRWGliaeHrUMbPEUKMq2GlToywjlTp1VQalVarOMYSjFOVKsnJKDv9jlfHuGybg3OsvxVXEVcbmWAzDKsLPDzhOnSxWJp5pGlUryqYulVhQTq0pSnShUqKOsYSfKn9tfC298LeAfDMeq6pJf2mr+FvEy6LPDO3laVaxXfxLsfh14rvY7a4ht73Tp7TQ9cs76QXoiEumaxBrIVLEyTxfVcQ0oYnh3C4PAZfjKFajDBKpOtho0o3pU4U5KLoqU3GSk9ZKL0V42bt+f5PRzCjXzWtmGLwtd4/HYuvQ9nXr1HTo161CtTVR1kuWcVCopRg5Q9/3ZSu2e3alq/h7X/wC0NKi1PRL/AMpoxqUMOoW1wUS6tYjcRmONy4kj0W/hvIZXCiK5uNOdVeKZ3i8XF4ujj+G8xyaCeDzGUsH7KtjowoYdp45Yuq6VVSnXcoYeHs2o0lapUSlKMdX6eHj7SlGjKdLl5asay5k4tOoqlGK0a/iXlLnVuWEWrtK3zJ4X/Z30z9mr45XWleBP+Ekm0T4p/Diy8XXV34s1u/1ubVPiV4U8b6xN4lguLq9s4AYfE3hjxjp321YQ91at4S01IrV4L27nh9r+145xDI/rWMozxOV4TLKLqTrpxdTBL3pUp1KtWo4upVlKEn7OTT1jCV+bxc4ymnh6zWX/AFelhp/xKb5acpQcqqn7tCnGnJunGC95WbXK/dSPAf2of2TNd/4SLXvFng+wvma6kutWtrjw94Z1HX9E0+xnaZdHsNa0/RoLnUfDOseFrA2umSywabdWuopaW10t7Lq93dWFv+g8CeJvD+TZRVyTOXisTjU4/vcK8FWw/s3i8Zi6EefFZhSqpxwtXD05L2XLGrCUIfu4wk/i888Oc4zLiDE5plVbLqGFrqg4xr1MVSq+0hgaVCvJxw2BqU7SxEK04tVW5QlGU7Tc4r7w+APj7wr47+CPww8XeD7GPRNA1bwP4f0ux0eO3+xr4UutHt4tD1LQNQ02do7nRj4Y1KCTw/d2F7DDe2VzYS21zaxSxla/Lc8xGEw+aZlD6xh3DFU6XslCrTfLzYShQ99cyS96nJvl5tGnq24r9GySFXD5Hh8uqxbxFN4rnlTUvYydVvkcZyUajd2nO8Fbpfr+TH7WbaTN4C+Puqak7XthYftKaTda2tiyWtzpUR+LuhnUrxr4r5FrPpehTXMWohmm00STwCS8+0SXkVt/FvFsMNU+lrSpUMdhYyr5n4kUK8Y16MpOMKvE9dQlTs2lKvSpyjPWcfYTkotwZ/UPhvhsHW8MuFMvzNU6qeSZHXhD91OKjPJcoSTVeL9+LwzclyNax1b+H1T4KaVqHhX4S6d8PvBkuhnWfFjeF/DfhGKXUbj+yY/GEKppGr3l3qtgx1FbaPQh4R8QSNo0d3qlrpWu61rE9rZ2p0651DfgbhTMfFXxFy+XDr/saeS1MGqmM4m9vl2DVbM8wyVYWtDEYHDZi1Sw08vrVMZUfspUafLKnzvn5Pzjxlo4fD5/WxeXYDFLL6+DxWEtTwsL0nVy/KX7WsqCjQhRjLD4lznzSsmnyybnaz8XPg3rPwlt9B8Wa2vhm3sNT+J89rJHYXl9eyQ3mqeB/E08N1bX2vF5PDGjQWMkSahp+mT3P27UrzUrm6eOx08zXP1v0jfCji/h/wAEOJMRnHFHB+YYfFcX5Tw/CGV5zmeOqyxtLGYTMlW9ni8vw1OWFdLL6yhUU3V9rOjahyylOHifRsxtKt4uwwNCNSlWWC4htUqqNOilTo2kueEpTXMovl9zXS9kzlvHXwm8E/GvTY/Cd94StfHFzd+CfiNeeC5fNu7Z9O8T3c2k23hWDw/4p0Z2miv7vXrbQrADTZzdTtewWdoJ7m6jt3+e+gvkE8ZPxtw/1rL41sqw3Bsa0qmI911sRgOM6uGcLUpz5VVUac3UjSbqQnCjzyjdfd+P2fvK/EPh3CVpTm8RjoUoVKbbw8XVwfDyUqkqlWlKMV7eLk+RtWl7rsr+D/sK6f8AEHwD8PfGnxxsYdX8HazY/E/wf4C8K3Gu22pHxJc3Hg/Q/Et58Rb/AEi/vWi1/VNb8OXvizTLHxLOjaydAngutP1y1tLqSyEv9T/Re4Tyji3i7M+HeJoYatLnx0cPWhHCzw3/ACM+H8DR9/H4bE6f7TXn+7oJKm7wS9+EvyD6VfHD4S4fyrFTdbGwxNPAuMMpbxFWKrYLiKqlUjLGYZRcVhmp+9JKUqer5rx+4f8AgkxY6Bonw5+Iem3mh69N4+u9eaL4geMtUXU7281zxFF4/wDiBcR6fdwXFhAPCiWNs9p4rh8IxyXlnp1749e80q+vDrgtrbyOCcPlmF8SvF3h2dHG4GXD0/DxYKpi6P1fDYuGcZHicZjZZfUpypU6v1aE2sW3hoezqShFc0pe0fPia+JzHg3g3MnicPOni/8AWJqlGvzYmh9XzSNBrE05zk4e1cOajyTnz0rym4rRfVU+l29x4jgv/Nnt4lt3SOPLR25F1L+9mOD5bt/o37kbjFId0zpK0cMifW5bgsTVxWNqZRXWHVCTvXUPerUqUZUly1JPVOM73jr20coz4qnNClTVaTqvelD2l4x52nK8U3vbrbrq3FctLWW1DSdJ8Q3dxewS6bHYvabrgO0hlRHczySKSEiVZ1XdiViqnYgaJluOaCrNVEpSqfWcxjVlWqO7lZtThTSdt3d6+73SaRXtYVKlGFWjGElT5Iqn7qUuk6jae630+XV/z0fEzVNR8J/8F2f28ZdX1u1sNaf4GeALaDXme1ksbX7R4M/ZQuvOluLkmOONtAS5tE8mYPJcSRWccksczRy/SUMBHMI0KFJX5f3kI/alKNOcZKK0ba55tpOLUVJvROLwrY2WX1K1es0mkqc5L4UpOHK27NJNKMU+WSbkkt1Jes/Gb4weDdV8Far4Y+FPiTVLzxj4rls7PW9R8Ba/fxo+goFuNTt9dubDX5X1fR7+GWTRJV1u9vdJ1XD6WoulY2p/M/H/AIjwfCOR0uH3XwtLG41RjmOHxNb2c/qWOwub0JrknSxLm5ReEcqdCcK0aNT296dOM6j6K9WjiMv/ALVoyU4xdRKUHzLmoRqy30S/h7um1dJat2fUfsUy22hfDnxboMgiSK2+IiXVrZI0VqsU9x4J8HRXHlWgcPEYpLSSO4eRRCZWcI5kV6/j3x4hVzDifJcxi5ynV4ZlSq15KdaU6dLPs7nT5q7XLNTjXjOkov2igouUVFo+/wDBTFPMsnzBUWr08VTpznGKklGWX0KkoNRgpK7p3SW8lp9pPhv+CuHiJ5P2YNZkj8iCK5uLGxt2V2R5JNR8S+F4mjDoNsgaMAsMleSzMAjY+g+hhlcYeLOBhL2lSdKniMRVTimoxw2VZvNTs2nFqTsvtaWSvJH2nDWGeG4cx+vJUqzwcI88uVKpPF4ulSV+a0FKdSPvN2u7tpK6/MyS9uT8TvD1vJulk1O20qdY4ZnC3Vm+qy3t+uQr7yqvKs1rkXIlLJ5Xmo0df1bHD0lwnmVSNoRwlXGU3KpTi3SrrBww+Hdm1y3cYOFX+FyWfPySUj6fO85dPxDyPL4T5auN4Uy6FGKqOEalDC5jjK+Om5Sh7GcqEJ3nQ9pGvJTi4JpO/wCiX7Bf7UHi74bfCDw58N7Ow8D6Hp9qup6jZX2s2d1C0Eeou2sXgjv49asbK+vYotQspZNOaSTUIPtkSLarJI6H1vDHBZ5iMBnWZ4DiKMMNhKk48tbB5dUnTnHGZvhanNUxM6VWUZV6dV05OlKLg4+zlOnyVJfgPi/l+HwXiFCWInCHtnTjdvlT/wCETKoq1qsraVIp7Wb11vb6R8NfGnxh4tu4VHxgijhEUcrQ+GdE0S3s4xcyNFBPq8OvDVr7VLe1lBkl0ae60y3u4QEsDLeTTg/SYdZphKMnmHEuHVavOWKp82Dy6N6NWEXGS9nVceVyjOz0b1ukkj46tktOeJxdShUj7Opi69TSSabnUbfxV72tbolbW2512l/FnxTpl9b6R8QfBbXsept9n0vxV4AstW+IukatKizeRbeIdD0OwGs+EZb6G3+0vPZaTJpNhPNHaXd6LyRVl4sXxBjMO2o8T4Z7bYTAf3NNYtfafUX9hy19+P30/wD5fbtscZ4x+MGvXvjnxB4P8U/Ebw78JbK01K10rQtCsL+DTvG3i7wl4p8LzapoesWev+IIYCyyzzalA2i6L4UfWNOvNGubCfX5Lu3859uGcZw9UxsqXEebYGdbHXxFCM66o1MQ8VVoRpShTwdWL/eyddRjZa+7yq0EZYfLs1+sTjicLXhhYVZRpVZU1GnOjGaVOcZK3NGVPmknzyvFX5mtTltY/by8U/CPR/iJ4Q/Zm+Bk3inVvA/h8a/428aePtM8TXmparpl3qN1Z3fiew0C0W58XeI7nR7pRFd2niKXRbISi3llu54r6Ca7WTYGpxdx/mHCWUQtgqOLq0cNJpSjOmsDicbTlGWKnhptT+qPkcsVPm5lZydoy7pVaOCgo05xckkpKMnzJq17/G18Ur/PsL4A0LwHefFa28VftGeLtI8TeM9Y+HPhXxF4Ek+Lr+BvB+n6fZ/8JP4ys74+HfhNY3l14c8PwG3j8EDw2PE8/iTxZeRW0uvWWpm5a3jhwxWKxFXA5nkM4TVWTq2puKU/9py+nTjooJ6+3Vv3i/7d3UyVH+zX70f+Xul31hU87fj9xh/8FEPiB4Ln+E2g6T4O8V+E7u5aXVJ5tH8I6zpmq22nrptolvAt3Y+HR5Oni4urmBLQPD/pM5VYN21ivwXjjQrZTR8N8hq0J8uZ4XE4qupKEOWlRlw+1J+0542/c1JW9tTfJSqz5JRpza4qlSjS4fzhxnFTdXDciu7t+3o3SWv5dj4v1bw42m6F8U7iVRczWOgaZBZQJLMoknvLO/WY5IC7be1tWnYkhRLCsJIuCkR+DweaLF5jwhSg/ZQxGY4qpXqShB8tOhXw7grau9WtWVNWTbhN1EvZKU140MJKdB1FFvlTate1+Zp395LRQf4dd8r4u2c9pH8NTPBvUeFXTefOYTm2u7oCUbh/rGNzG7H76ojsQESRl7OC69OtLin2dTlbziMuX3F7P2tGi3G6fwpUpRX2XKSV3KUU+fM4NwVK13GcpPd/DNxv5avzehfg1B9IbS41kRrOXV9Ma73pL8vnPDhQSv70Ebxui3qDgEgsueephljVi5OMlXhgsWqPK4a8kZ3bSdoNOztPlbV2r2duLCP2Nen29pTve/VPbR+nUv8AjO+huPHXhi1eGOGznazI8uOR5XilWSVJUKIxIeOVP3WDIrZDIrcVzZHh50uHs2qxnKdemq696cYwU4OMJQlzSWqlCXvfC1a0mrHbVofWcxw9VJ8saNOF0m1pV576Na2mtLN/ecx8Mr2fQ9Sn0m5lZG8+RpJ5kcXQRLua3QMhTedrJ5YAU4jVJD+7YMfW4roU8wwlPGUoKS9nFRpwlF0eZ0YVZNSvy6p83xL3m4r3k0clGv8AV8wUG7PXV7/wra6Pv/SNj48aRFPbavdNFn7bb+H/ABXZ4liJmuNCLeHtVaNxJtR5YoUvJY2KyNDItwEaFg54fDvGzpVcFSU/4FXMsnr3hO0KWYpZng1KLjeUYTm6EJJOKqRdJyU04nr5zD2lCc7fxIwrR21tGcW1tuten3Mi+CPi/wCIHws1XwZ8YvAmora+MfBw1HQNZ0+Syge1v/DtzBLZP4b8StbyG8vtI16yS2mvbwRynTLq00i7sJFu4rvyfZxGdrLM4xuCw1V4Wni3DH5djOb20ViqsHHFYjC4bFU3hOeiq2Jw0cNJ05YiliMZrRqQwddc2Sznh3ztXs3GcXp7q9typySk9eZSvra0dHeSX6Mfs2ftafDb43aF4V8ZRajofgnxFpmoW2n+M/Cmv63ZadqmhaskVqwXRrHz0bWvC10s8SeHbzR11Cw1DUheWlrczTxyxJ+kcF8e5djqMMkzbGYOhi8RLEuhB4j+PTnXoYeEoRWFw04tvEpSoVlSxNFyUcRRpVHyx9fLsJe0oJtKVno1Z80Xb4nfyaunumzJ/wCDG4TGT/gp4UjtmiVv2KzM86lpI9sf7XDxmBQMljIoLYIb5Vx6j609Z7P0Z+0v7Y9jqEP7Kf7Q3naxdX5Pwn8Zx/ZpItPtrdJUtXvYpFubG1guYQlsDb+TdXDRzK2GV2dS+uV/8jGP/b//AKbrf5/1cjF/7pNduT/0qC/pn5S/EDTJ7zwd8U7W0EqyXHhrxJClwkqq1nrKt4i1DRLe2MG15vNfSppxBMZLaSWzhlmiklihZf1rFf8AJEy/6/y/9NZz/XmfAUqns+J6b/mjTh99TLvJ9v8Agn1r/wAE9LzWYvh/f2Fvcu58J/AKLTHaWaOyvRd23we8NaVdtC0QjCR3WueGIGUJt+yRyW6Wf2eG1t0i/J80/wCRzidL/va9uv8AzEVvy/Q/QqPvZRh59eTD/jRh6d7bdD32e81LU/2YPhTe69HLbXNhqd9b2u66+0vNBD4Q8faVY2xmRzKRDM/9mhZGL3NvaxGdp/OYthiKqhhsxvezwk0lrb4G+ifn91rrrNOp7ScO6wuZPbvgcR1stFyaL1fU+Wv2g7/RD4B/YsvvCypNdS6F4iin1SPVNNETQ/B7xWdWhsvsmo2GpXTDTT40uLzUpo2gM1tq9rJs1P7DJax9XB1F1uPvD5Ne5Vx3CC0drxeaYGDStJOOrtfRrddGYY6UXwPn0U/ejXzNtWtbmyqrbfR3s+9ra9DzvwXp2rS+LrG5gI020/4SHWLTShqNzd3mm+H4NKaXXoNPubp9PvfD89vb6bqF/wCJLbxJZ6db6dPq6pI8Md0zRp/SvB9alR4ezfD16VSsuTCwlRoJ+3q+2xOLjGNONOpRqVJVJTpUXCGIhKpGap8/vcr/ADbFJ/2i0tGmnd7K1GL10aVrN7efQ/QP/gn9qDXv7Jvwkt9l5C+i6fq2jlb3Dyi1tfEuoHTo2leC3kmaLR3soDcSwQzzFTcTp9okdq/m3iCkqeb53e2uY5o97P8Aj4jVq7srpb72fmfpmS2/sjD3t/ApeumFhr5LVLzs/M9tT7i/7q/yFcNP+HD/AAR/JG0fhXovyCQZjkAJBKMMrt3DIPI3ArkdtwK56gjilVqujSqVow9rKlCdWNJy5PaOnFyUOb7PO0o83S9+hS3XqjA8Q+PvC3ha+0rTNf1mwsL7VyqWFk7SGWXfKYhcFgCqWaldsssgQK6tiboDw1M0yTEqDzSSw1eMZONN/XKys1FyjGphaHK5c6lBOSUbxu7J3LSbv7yX/bt7769PyXzNq3l819wO6No90bgqyuCVO5SmV8tgU8okhziQkEYNdGGzHD4mq6GEjz0I05VfbqU1dp00oezqwjP3nUq3mm4/unZJSi3M00t76r8m/wAL/iTV0EjX6p/vD/0IVE/49D0rf+mhx+16P8meQ/tXW8kuqfsx3RQfYtO/aY8PXOo3ReCNdPgm+GHxbsLW4lkmVpPKuNWu9N03ZavDcSSXqRh2D7a+e8Rv+SE4kWt3Szd7uztk+P6bXV+t99Le9ffA/wASPrH/ANKgdrMkccUKncpcuMtsHCMNqgRjywoGFQBVbYF3ZfNfzpxbgMFhcuyLE1LwnnTzH2knzt/8JtXDU7WhOUEk5aWhSaWkud3PVoylzz2duVfNxk+uuy+/U+Wfgz8RW+E37UXjv4n+I7iW0+GX7R/xJ8Z/B6/1aSe5utO8J/Ev4Q/FPxv4J8Eabr5tzJZ+G9S8d2M0c3hyzvhFaatpk0V9Deya7qFzokH654GcU5TltLKsl57f2pw9gs3Vo4h2q42OU4ROSeGqW5uTT97Ti1flpxcZM58xw7mm7e9FprVWkrTvbV6K7Wqi7rWyfM/syIny4gDGGKLtxtEUgKjHlsvIUA/KFzhcdRzX6m5xn78G5Qn78W73cZaxbvZ3as3dJnlzVpySukpNaqz3e66PuiQKB0GMnPGRzuLfqxJI75IPFAjwD/grHj/h1j/wUszgD/hgH9sfrjr/AMM7fEbHXuTgDvnGOaAPyg/4Norpov8Agldd2U9uNbXVv2nfHtlp3hCSN10vxDcw23ge8STxbPp0f9q3nhXRbhF1I6HDdWhv9UELSfa7NZrVv5y+mP4g5f4acT1eJsyq0oew8P4wyihWo4ytSzDOqWJ4jzDA5dVeAo161ClipYCpCeIn7GjSim5VoSlC/rcO8OZhnzp08Nh3VwsqqpYuoq+HpOnRdSnGvJKtWpyk4U60WlBOTv7t2nb9Pbnw/rD2N9qfifx14pi0+z0q/wBWubXQJtK8P2NtJptq11eT2moWml2niCKK1MuoXS2moeJNRJkt45kdIoYYU/l+n9LbxK4pw9HN+H8Lw9lmWYqv9Tw2Ihl9bGt4qlzRqL2WYYijXVpKc250lSXsLKTU9fqYcHZDllGNOVSvz8/vuc6nLGNTmlFpU1Uu/dhbo/aLtK2N4Q+HHgL4heF9L8c6FffEnw1L4rS+1e8s9Q8Uaj4j1ex1m7uDa6hY61B46tvE9vBc6dqdnc6XdIvl+UbISecEl3HxOPuNX4mcS4HgfxQlw/mvEVPCYLF4fOaOU8R5dmOBy+pjMTgsFg6EMkz/AA3D9SjTr5risfCtXwlfHSr13RxNSWDpww8IhkWEjQqRpc8qLm25Sna79lFTUY8ym7Q8mnf3W7WXnWo2mpaT4r1rwd4rs5bnV9Muk1m0vYoRFbajpc/2eCzuNBe31KbUra/065vbZNasrjWrBCssN3DYta3UEVfHcT4TC8O4zDYvhXMvbZBltWhBVcRhpvkxFO+ZYhVKeKhSxcqbVSTThKTuqlpR/dp8GPwE8HF16cX7FK7m5Qe0Zyl7vNz3XJ/Lrb3b3KNvo/h/xbY6r4a8QJHFqN7FHpuoCO4sopZr7TJj4hsbmy/suO0thdx6hcjUtKnninvbe7VIXWVVjtq8/A4jOsrxHD+b0KEVw9mmKoZVjMXJ0qn+yY/M50cwh9WlOpiouOGwapzfsJU6nseWnKarR5ynhp0c0pYjDR56PNQUpylFW5KkJStGTjNtct1ZX7XaOltT4g+KunweAPiHrk/hK80W/tdYurHwpDFo9r45gtpdP1HwdqthqPiPS/ER0XwteXemDULmyPhW81C91fS4rcXdtpGnQ20XoLFZfwlTxvE2W5H/AKy8PcX4HE5bgJvOKuX0ouq3lWYV6tGcPrzlRxXDmJw8qEfqcqkY3jiY81OpH6DMa9PM4043STnSakoSTlKHtlC7ajNx/fS0k7JtyileTn3tr8K/h5o+pvq3hm71fRfEl9HcJqHi6DWrvWfEOoRySxj7Pe3ni2PxHpusK0Y+1jSdRsdVs9L/AHZ0i30uSV2b53jDiqpjf7OwHscJjuE8ZVw9XMOFXR+p4Xh+vGeLwVfG4HNKXsc6xWInl9KONq0p5hjqcqmcYmmqcpUacaOkchrOlzewnaMo7yjPdNzlKMpN+x5m6cZVoQhKcJJJqOvkHxm/aYP7IXwuvdAj1TRPFniS61XxPc/Cbw9ptnrEtzbeFbHUbJtNjvpNV1K9nmsfD7ajcWf2+fUSiQWkOnXV5LeR/P8Arfh1wpU+kdxlkvH+Cy/E8N43MsVluK4rw9HF4fMKdLCZbmGW5HQpUp42WCVqmFymtWhVwdL21TmTqUoS0Hw/k+JrZhj8uhRcp0KEPcVWmvdr2+KUpxjJS9ona8uV6bo+I9S/aa/ar1rxJYeB7Txz4QvR4z8VPrRh0nwfoEq2V94u1zxB4ga10yO2sZ7TxEz61fW1vcHW7HxKbG91/TZZ9WsbFbiVv7V8LOBOBuEckiqeNxeX1OG+HKGMx+MqLGY7+1K+XU4YqtQnh4wqLCRqVY126mG9pypJU+Zct/Fz/wANZYrOsSsTRrU5YjEuKccRh3Z1PZxulGu1omnrZXPtjxXZnwt8PPDHhPU5prqW00Cz0oXups1rc317oFro8djd6gqjSbAyO4FrPD9jWzj8mH7LaxW6TOfybxSxvts34vx0cPF0M7zPGvh+aqTSxsKtLE/V5ShJqdD2iqYbTGQouPO3JK03H9d8I8no5VluW4TD4qrKGR5bhvrLqUoN0vZVKntYpqnNz5HTcr0ptzvZSatCXzxp/wAJvF/xC8K+L9QR57LX9d+IF18N9A0i4vbnSbHWft2saf4b0DTNX1a1vV02Dw5r2n39gXm0Sxs737OZVbVrK2i1EH9o8FsvyvJ/Bzgh1KMo8SZ3k2LniMJKtWnT56eOxaw/JVpueESlHGYbmtVVvae9blqcn4n468TYriXxdzPLcNiIYmjkXEMeWMaCoSjTlHLKdVzlVp0nO06KiuWUnu0mmmetfBj4I634G8BfEb4QeMfI8H674b1vwz4e+yWHiKy1vTrldH8C+FD539qaDq8lt/ZF/G9po18Pt8Os2F5Z+fKbJVuXrfMsongsmymrmeB+r18NmvFOLrJYpVYwo4/PsTmOEqXoVasZqtglTr8sHKVO/s6sYVU4LweP88/tTiLL8NKqlgKOW8IYWVVUZxmquXcMZHluOhKE6cat6GIhXp35eWo4c9J1KbjKWp4V8H+ILbxT4km+HvhoeJL+/wBU1Jtd8UeE9OurfTtZ1qTxDDrDyT/EX4g69qVjc2sUhluL6y0aBbuS+S+uLfVQjQl/iuLfH/w54IxUsu4ixNHLK9OUqcZ/VeJMY6sadGlXVRrAZdiqcHKhWo1nG6tzuHxQlFZ5f4f8S5v7fEYWjOpgJKVfC1FWyyDnhalSXsJ8lXEwrXnS5GoTgql3yyipXQ7xJ4UOm6TDL8TPg/qunFbvxHqo1TW28Paxpula34wXTZNcvLjXrLUry0t7y+l1NbRbu9t301JbX7PILcmaRObgf6SfhVx3mlXBcNcRU8fWw069GvR/sXijB+zrKlj4xpueY5PhYy/eYHER5oSlH93e9p03LDOPDbiDKabx+IwE8dh8PWoVK2HeOy2jCpRVehGrP21DFSqL2NOUq6VO8qjpqnFPnsed/tE6HNbeH9H8QXOsXOtatC2neDotV0+fWtHu9T8OnTBsg1i20y++y67piwaarajFvjis4Gzoq6Nb31zZap9DxfQp4/g/OM6jlccTReXYnEYaqsZUoqonJRg3Tc41IpuEFadNNbtK7PX+jzxdCr4x5Pw3WyqGHyyOc4XBzaxlWpVhbAZlKUeZUnOTWIXLzJtNO/Ny2Z1XwP8Agt8P9R8H6B4zm0W1h8U6toyyi7EyKtouqaNJoZuG8hooZp0g1LUkRkhjC7I5mtYFaNK/KOGYZnUzLC4yrgoYSh/auJcKca9GsoUqeYYilCXN7SVWTnCMKjTXNFycWly2X9K8Z1p1cPneQU6Co5bLL/Z0Zc0qlZ0sRl0cW3zu3LzSe9RJ8krRtJXNPQ9UvdP8GXVh4pl16Twp4XudI8H6bp0c0MH9u6v4bs/D+jWAhsNOSystfv8AX/E2nLarFemfUrjS45bQbY1luV/dsgzHHQ4eyqOEpQnJYXCqLcor3lKNn77S3vvpp2P5N444cwuA424njTnVft8fmEHGTWvtKNSLSld2/jOzuu5d+GHiT4beK/it8MItG0nxHo+u6T8b/gimpz3+hJY6PpviWD4t+Do9Q8MS6skslvcavHb2MMDNYT3UE00n2Uvl5Avt8I1MwlnNGpmCjS9piIWUVSlzSca0Uv3bla8nTTbsveveybOPJ8BKhNQo0W1S/iN1F7kYqo5Ss5K9o8zsrt27tI/SCvuD0jwb9tX9i/VP2tdQ+EuoaT8Wo/hbd/DBPiEsbSeBH8bLrX/Cd2PhqxkLonjXwcbGLTrbQbiN4ma/W/bU42JtDZL9q8Hjbgmnxg8u9pjHg/qdPHYfmWGniLrG1MvxDm+XFYbl5XlcafK+bmdfmUo+zcanPjMBHF1cLW5+SeFdbkfI5/x4KErrnjFe7H7SlvpZny/4g/4IHa74q17VPEGvftjx3F1qmtXuoFLP9nt7CO00y506Ozh0q18v44uVkguI/tjX77xO22I2ce0yP8DxT9FLBcR5rjM1pcXrL6uKw86KhLh6pjo05ywFLAxqS5+IqEasYqn7SVLkhz8zg5pK704eoLIuL+H+LJyeNqZFm+AzX6mk8N9a+pVaNT2H1hSrKg6nsVH2v1atyX5vZzas+x1P/gi5NdfCPxr8K9P/AGmTYf8ACX6drOmDXp/g2b9tOi1rTJNPuJ207/ha1o17dB5PP83+0bTcqpCFQjzj8Tl/7PWlhOJcm4gxHiz9bhlGZZdmH1GPAf1ZYj+zsZTxUKCxEONJ+xjUVNUXJUKnInzqLaSX6xxP9JiPEvD2YZBV4I+rwx2V4vLPrH+srreyWKwWIwbreyjkNB1HBYiU+T20Oa3L7SN+ZUvij/wQ48PeNLX4d2Pgj40+D/hlp/gPUNUvrnStP/Z8TVNL8TteWkVnYvq0Vr8X/D99JeadHBG7XdzqN+l1NuYW1rGViT9RzbwNxWMowoZVxl/Y1Gnz+zh/q7TzHl55Upy97E5vGbvKFR6ydva2VlCKf43n3D2EzmVJ0n9RVL2llarib+0VG+sq9K1vZPv8XTlV+0+CX/BJ7T/hf8P/AIqeCfF3xb8M/E27+J3gvWvA0viC9+CVvosmi6T4h0m40vVjBp8/xI8RRzSXDTRXga2utMkjmsNNAlP2TdJvmnhBnGaZJHKKnHPJONFUfrf+rOFle2EqYXm9hHM6a3qOrb2vTkva0l2cOYWhkWe4TOqsPr6wsqEvqvNPC+09hjKGKt7eMq3JzKi6f8KXLz89nyqL/PLWrvwt8E/G2qfs/wDin4a2Pxn+H3wB+K3xh8I3drFr3ib4bR+P/Elr4t8ZeBIdaurfR/Bfj2PQzpF3HdeIvD1v/bniWWC636de30UzvqC/zTlCw/hD41eImbY/HVuK5S4gxGUV8C6KyZSnw5hM3yPD1YYlVsfOn/aM8T9cVCNNUcLCgsNCrX5+Y/fOIMiyfxX4L4ZVTMVw97XJMij7JYPF5t7HmwWUOUOeFXLlU9m8stzac7q309m/aefeHvE0OmeMtV1zRtJ0jw4mmTX+k6dYRapcWGr6TrNmNCMmo3WqWubiw1O1udcEGoB7e2kktNMgvIrqIXai19vJPFHB4TiTB5zU4IrVZYzCTo0stp5/JeyqYXEe3VahjauDpU8SpRwTlKFeGGjFVqkYurUw/s6nw+G+iBgctx+FjhfESOKpYqdaUZ/6p16EovD06E5XhU4jqX5pwcdZqyXNrex6b491P4peHfB/hj4x+EPidqOia3rcHgweIdN0i2vbzTtfvvFQTUHk1ic6/p1tqulie71ZbG01KC/hfS76+U3elvJDLcfPZh9IuHGHFlfDUODf7H+pSzKDjLiKeNqT9jiKmk41Miw0KU3z8nJGtVSqJJTknzLqxn0W4wtKPHkY26Phmo9763/t6Wi/Fa9j6j8Xf8FFIbnwh4a+D3ij4NGLSfA1p4e0yXxHq3xLGlT+KbeT4car4VuLzTtI0TwN4o1Tw+kd1rA1F7TWI5bw6ZJbmC2ubfW4dS0z7jJvpv0+FcLLJpeHNDMalCS56r4zxWFrQ/fYqpGNSkuCcRQSlGv7nsMXiYpRfPKE24LKp9Gp4mn7CfHtNKlODUnw1Vd7QlFLTOE1FXdl0u99GuU17/goZp0Pgb44pb/ArV7jT5vDXjTVdGjfxfcSaR4f1W48CWfgbUNVsLq88F2t9q1lqVqdP1WdlgEtjrWn2l8yRmXdF1S+nlLNK2By5eGWHoLMMVhaEKkePHXdP21aFLmlS/1KpWkua6hVqUXKyvKKfMSvoxQpRk/9faUuSMnb/Vmutl0f9sPstVfZbnknw1/bY/aY+B1jpfjzw/420rVrPxXoOlahrfhfXotFsdF8QXbadZTNNqV5rF5eXSCyiWaC2hCaNLNDdMsBvysSxcOU/TLpPOcwyup4dRqzjWdHmhxfiPaRWFnXpuUqceEVQtUcLcscXNxqLlXNFxnLfCfRl9rNU4cdRSnT5248Nyfw2fLapndNvdO+nSyb0Xp8f/BVbx18V9F0Dxlrvwf8EW+qfDDxB430q/ax8UX8NhrdzfW0cMF3bSTw79Ls4ZJbUiGyXX7eZbVZZLq1guPNh7cf9NuhkGZ4PBS8MYVXisPh8SnLjavTqJ1+eXsoU6HCGNhKcfYuN5VqMW1L4bRdSX9GmnOcoPjWDca7oO3DtWLup8rk086jFPX4YScdrSauyPSv+CuPjSK91G9k+E3w0s9N1bUtbuh4cu/jO9mtpqUlndDWL3RNYsvDt7YN/a0k0S6laXG6K0tYreG3LSXP2uP1f+J1IYatUxb8LcVOM40NKXFcqq0pxo/8u+GJVFdzvHmox5+nu3kt6v0aI4HkhHjRSXvW5uHnC2qb1/t2pe7n30t93SaZ/wAFVNY+HvgTTbXTvgx8NPEmpan458RpaaP4W8c6s+nvao0XiS9sjcDw9Nc3ZsGk3aqdL0/V10fT5NLutQuJLrWdPtbvzY/TIjm2O+srwrrQpx9i63teMZ03CC5ffhfhiHOpJS9nF+zc3daKM5Q9V/Rjw+CwtPEYjxFhTdZN04R4VlUk3yRqyso5852hzRUpezcU5R5rOcYy+RfHNj+1n+1T4D+Mvwk/Za/Y/tv2iPiP8U9cn+Kuu+ENM+PfhX4MweDdE1DxRb6/rPiqHWvjP4e8J+Hdf0PQfHE2h+Hk8JW2vw+I9cg8UjU4re107w/qLv8AJ+Hvhx/xHb6R8eOsFxY+F3kGW8Y8QYfKJZDSzxVcJm+NrZY8JHHvM8rdOdGXFNGTxVTCVudZVUpQoWzB4jB+vx3xnQ8O+BuFaeXw/tergKGUcN1feqYD6xLC5bXi8x/f4TGxpKf9ltfU4ufL9bv7eX1f971Wi/DH/gvhZfC+x+Hmq/8ABF7Tby6tJdGn/t7Rv+Chf7Ifh1Ibzw5ZSWPh7WNKs4vE2oatp2u6HAunrp1/L4lvoCmm28N/Y30WET9Ty/6Iua5VxJlef5d4ryw8MuzzKc3qYOXA2EryxdDKsTTrrBSxVTiNxoyrqnyPFQwzdNtzVCSXIfn+M8b8TjsDjsFiMh51jcHiMI5/2pCPs/rFGdGU+SGUxclFTvyc8b2sppvmNv4oaX/wcB/F/wCFumfDjxl/wRX0c3thfx3E/i7R/wDgob+yRp+papaQaRrOiRW+oWs3ii+ikujY6uUn1BZ0aYwEiCPzv3X2nij4SZp4l+HD8PqnGccqUuIss4ieaz4coZjGVbLqfs/YSwEM0y52rb+0WOUae3sZnj+H3HtLgPi7/Wulkv8AaM/YZhR+p/2lLCaY+Li5fWJYPGL93fb6v73RwepW+Gfgj/gux8KtY8B6l4b/AOCH9hPaeC/Duv6C+map/wAFIf2TJU1F9Tm8LX2kara3dj4g0+60i/0DV/DMeqQSRteG7muRGzQRwOLnwPo+fRqzHwOpeJGHx3iIuNMP4jYjhuviqK4RpcOLL/8AV3F59i6cFOHEGc1cUsRUzuKvCeDdL6p7yrqu40u7xQ8WV4k5jh8xfD/9j1cM+amv7V/tC0/Y5bRUtMtwENP7OUrOm0/aWfwNz0v2h9E/4LjftA2lnBc/8EEfBXg2XTdd8R6xpX9i/wDBRv8AZdudN0s+NGup/GdxZ6LN4xg08a/4nv7iO81TXJ450lNrbwnTGRc1+pcH4anwbmcc1y5XrxkpPWSvbEYXEW/fyxUF7+Fh/wAu3911L4jiHBw4moRw+Zy9tTpqMYKzhy8sK0I64eWHlKyr1N3rfW7UXHY/Zf1v/gvT+zxdfEq71X/ghrZePJPiN/wik88Wn/8ABSn9j/wRZ6bqfhy21SyvNTFktz4ntrifXLS50mK7+zx6ayto0cksl2Z0W024ihl3EGOqZlLALDYyvOi8RV9vLEe1hRp0KChyzpwjSf1ei6cZUYwXPKFWrGs6ai4yrA1ctoywzxTr4dW9hTVGNH2LcqlSp73PUlV9pUnzPnfupOMbKWnqk37VX/Bdaa8e4b/g37n8iTYr2n/D2D9jvy/LRmkCo48Mq0bmSR2LKAv3CIxJGJK8yXDyc6vLj8TRpTbVOlhlGly0ua8adSTc/aJL4nGNJTmlPlj8J2wr8kbRgnK6lzzfM07WbirJK++t7edzG8VftA/8F3/EfhvxPoFt/wAEE7nSm1/TZ7C3uB/wVR/Y1u7bTHks47eK6+xnw/bTXUqT+dPIq39ossUkVunkPALmScNw59W+qxjjW6OFrOtGl9Xs6jnJOqqlR1pPWKSpuMY+zleTVS7iVPG1KjlKcISnKKjz6pxt8Lgk0l0vzc1+lj8ldJ8P/GSf/gtZ+1von7W3wf0/9mv4uD4B+FIPiJ8KdY+JngT4wt4JW5+Hv7N0Hh24sfH/AIKmHhLxTf6/4VudA8WWtroTzXGkQa3Jod6Gv9H1GQfR8NVsPhsxlOrTm6X1aqlGChN8zlTd/fcVbR+avbXU8nip1Z5ZKcZJSjiKTk25K8bThbTVvWO7tpfex6H4m8K6fovxF8U3eh6RfTaRCsOgaUt3cW1lrt+bOHQvDdz9rl+yaRDPp9pdWN9r8bS+U7Je2rtDmSUR/wAx/S1zyhmHjLxRltHGyp0MuXDcY+1puvhMLTp8KYLNJSpRpSrqNfG18XLDJ06ML2quXvrmqejw1lWZV8gxmR1K2HnjMHQzDE1Kvtq/1erGcY8saU5QdScoxxcLqVKK5ozSk0lzdH8Dfihc+HvGniLwBpnhDV/FV7c2WneIbeXShBBFb3ctx4usbu2lvr2e2RJL6fwpJ/Z80sZtbq1Mf+kxSyiJfxvxA4SpZnkOWcR4vO8Fk9CliMVllSGMdSpOrRjSyXEUasMPQp1XKOHp5xH6zCEvbUqyn+6nCDm/0r6M+Gf9n8X4LEShTqYPNMLB158qoR/2XFUajU60YyUJuhL2cv3as4N7uB5X/wAFf/G/i5/gX8LvBes+B9a8JXnib4q2Vy76hrWjapFd2fhHRNTvb22sodIvby4CTahc6K+65it93yIY9zZT6/6E+QZKvEHi7PsDxBgc5oZTwfXpRjhsDjsJOjXzrH4ShQq1542hQpc0MNSx8bUp1Le81Kys/sMdUq/UsuyfCwjVqYzPMorTr4eop01h8sq4jOpcvs06s5VqmEo4NQdKEX9YmpWS5j460XQ7m5/aA8IuscUkNn4Su729jLNEIrOLwxF/x8GKOb7IZoY0lvJJljeG+e6WNZAsU037hj8fSpeG+dJznGdfOaFChKym5155tP8Ahc8oe2UKknCjGDlGeHVFycW5wh72Jy/E5n4pcK4jDVcMo4bhrO6VaeJrVFGjzRwnLCfsqc406VX2blCUpKTxEakYxtqfbn7AXw1/4Wd4E8d6ZHp39o2mjeK9A0mPV9P1iA3Ph0v4YtJLzS45Lu2+yXcVnBYw6jqrwz/Zzpl5ZefcfbI5bO3+w8G+KKWXcKcS5ZiskwmJrYxYWrQxmJyqP7z2+a53iJ1a8qmIhUhzOrZRVL3UuW0ocspfhP0ncLjcN4h4ChhcXgK1RVkpSwWJrVaUbZTw5JXlTinZRlLW28Zroz6J1f8AZ5voUs9Dsvhr411CKwsZp38V6ZdeG9Q0HWY4kllOmSabf2MEl5ba3Eq2VvDbailpFNK8kUsc7ztX2tfOMilhMseNyLJpVHluDpupTyzBypRbpO6nOrVclJNzcr/ZabV7n57jK+fYVVZ06qnCMp8/s542T9olNyS5ZRV7RWj1u10ZzPxC0nSvh74Qh8eeIbvX/hDoektBpl3Z31vo41CPUbm8jOladCqWWpXFy91PpscUUNjcCaGFpE/1aB24eIKvBGU4L67jI8FSTUnHCUo5RLGTUKlGnNxoVfZcypqpGrNqb5aKlUdkknWSPivP6ns8HJUn1liZZlCHw1nq6Xtn/wAuJLbVuK6tr4l+J/7Rvizwx+0H4ltNV0HxjYePNP8AEdrqPwpjvrw21x408A3niFtX8I+Cb601W+srG403xPplzq1jpel2NprdrcyeKdefVLKfULC0vr78qyfDy4h4pyrjXh/N551wlW4naxeUUHUrVspw0M0liY4bL6OXrMKdKnhKVfAxr4adahg+XDYSGEnUwmYYmlT/AEbiOlhcv4byfBVsFOnm+FyPLaGNxFOhBUsTjqWX14YutTqSjTr1adWvSqTpzqR+sSheVeEakYs+q/il4H8XfBX4ZX/xWbw14g1XUdL0PWtA8Y+FvGXivxN4Ye00PxD4i8PKmpxWXhS81ax1P+xodD/0mz1vU5gYpRcQ26+c9vD+ucP5fCHiJkOI4SrYXKMfmOX0q+IjnNRYCrSrLhGNSosSssgq8Jv2mMSU5Tm5VIcz9+q3+c1MynHHYmNeniJRVaaioxk2kuaytOol/Lou3krWvhro+kfFz4TfDDx9ql1Y3y6/o3xI0698C6dGmh+EofiZ8PPE2ifbPEF0NNjPiHW9Xvfht43vryBPFfiXxOsVxewQwLJaaRbvJwZllUKfinmGRuMKMoZVgM3dSrywwrw6llmGnBS9mm67m2+V0VTcFJurzXidNXEVYZPCv704VZVorkcpOLiq0Xze8lG3I3u9HHu7eZfFLwpbaLb3ljdINtnpdhqWpm4061trlrZtW0d7GzspLa6uRLax3+g6iryytBcMJbdHh2zTmD80+mJjMNg+NPDHKMHUVTGU+EKuIjLD1abwkFj5Zhl/73kal7eCw1VqMqSjGHvqcppU1zYelXx2RZriIVaUaOFrYdVadSc1Wqe1r4bk9jBKUZKMo3nzSjyq1rnBeL/siab8S1tVlR7jS7mOzVV8x7gmHUbhYwpON/8Ap8Uadtyuu4KFL/lOSe2eL4VdZwcaWLpSr3fKqaVTDUnJu3w/7POT8nF2vdRqKhhMDP2q53y1ElSSk/iqz2ly9Gktd18zI+NQmfwr8KtbkuJY7NLKaxaREG55Llm3QOFDBleynN0oyAQImJB4ru4EcFnHGGAjThOvLEU8QoSlpGNJK1SLbVnGvT9k3Z7zVmedmHu01i5NqjOUoxjtUvOoppSi1y/B2k7Py1GxWNvq/hfWEWKJg2lX11pVyLbbOZ9LawurUAluZVjjulcKWw8kIUsHdo3PEVMFm+CbnNNYzD0cZS9q3TVPGLEUaremkHKdJxbtdRm3ZxipcNGi60KtaHLyQg5pWfO+RX93lVm/cl1V7ru7V9P1iHWfD/hnWY5IpbrQr2G3v7l440ETwxwRRhyGeQbyBGhKAbgwO0cnTE4GpgcyzXAyjOFLMaE6uGpKUpc8ZyqTk46Ri+X4pJNuzW+x0ZXmdCS5ZU63PTrSpyk4Q5U4+yju6l+W+2n/AAeR8ZLrOgeNbi5tI5rXStTmknVnjZrhcRRwTxwFQ0bmDUUuZbgecNkR3R72+Qe1kTwOY5DTpV5Qq4zCwjTaUkqTvOdSnKonaa9phZUoUnyayVpcq944s3wtfC4x4rmj7KTvyxcnU+ClTenKo6Tbb974bvdWO58SX1jq3hnwnPqCvdQxwWGn308MTP5iappUVpqLjeEHkmaONkL7D5zNuVTyfn8rw+IwWa5zTwzjRqSqYjE4enOai4yweMnWwsXy3fOoSkpct17NK0nsvXpY6lnGCwsMPRxEJQoUoTdakoxk3RjGTi6c6jcW6kWnpez02vh6dqmq/DSXSNc1CyF34b8Syz6L4kWyDiSG90md9L1PYjoiYh1C2uIzcTPCvyHzfKk3Rr6GKwmD4qhjcvw2I9jmmVQp47K3XcXGdDGU44vCczTlK9TD1ac1Tgqj95cnPG0nj7d5VUSxGFxNRSbhVlQo80XKF1Jpz5NLvRu2z7I9P+GnwrlvviH4E8XeC9f0a1Sz8VaOLaZJLfTtQS0mvTJZ6lp8lz5VjdXdvd2lzbT6Sbkx6ndwJa+ZFBK1wvk5Xx1ispzPAYDG4TOI495hl04PCQqYx/W6eNwkamEnRp1YVlGtSrUalGvP2UaNKo5Tba5D38ti44lQSbXW8eVKM5QtNttfC/iSTv0vufXP/Bjhc29uf+CnpmmERMn7EnlqZI08x5pv2sbBEKuMurT38KAJg+a8S8s6K39OLdeqO9atJ7No/av9tecL+yD+0RNBHcsR8L/FqEeRqNxO2bFvO/dafPFetC0YO4xyiJEBe4V7ZZYz0YG0cfT0hdc9+VJf8u6qeyWr6epjml/q01F8t+T4bpfxIW2+d/uR+YD293d2vjNbdkuTNNFpxHl3Vy2nR3l94pvFnkliItrS3jXTZYTb3Mb3bGcGKVI0ulk/VOSpieDqtOMpNqVWpo29qebR1spfzdvmrpHwdKjJ8QOUk21RvFyTdmpYCzTa3Vt1sz3/AP4J9yW0mt+MvCJFnd2d98MvifFdW1kWsJbmPw7Y3HhG6Czrs2RuLn7P5gOLdniuOPs4I/I84w2Jhn+JXtaySq4rTnqW/wB4xCX2ej2fR27H3vD7lPB04VpOpBRp+5VlzQ0hh0laemmqStqm4rc+gvBF/pUP7NXwJeNLmOC7+Lnwi0a+ghmaOezl1b+xdIZoGQh4zfafeJr80UePJTU7xHGTJuwxNOX7+NSUpQeBzOUlJtq9PLa8oOzVnKEkpxerjKKcbOx1RoRlj8J7ClSspyi6aio06ilBxdOpGK5ZQqRk4TjJq8HJO6bPmX4n+GJIvhh+zdZ6RNeT3cfxW+L3wsF3FdeVaW5trfRIL3T7OIuBp82uf2HZTatdwrGdSlhtRdtM1lEU9nw4xdGlxBwVWrQhOdHOeHYwqzjGVSnGnjcBJRhNyU4qDXMlFpKTukntzZ5KhhuGePaap00qFLiaVOKhBKm6eX4hUXBe6ounaag42cLtRtc8+0q+lvdPfSrFbWfVLrxzotpHNd6ho1rqcV4k9vcw6fpirbLq9lKt5pGpXd1qa3YkkknsLgSKFh2f0nwvisJPM8/m6Dp4XC4XDzcKeHnLBOnPC1vbTxFKnKWFqunaUqdOrTnJ3qypxbjVPhc3eDWZ1XTw2FjGcqXKo0aMbNUKS923w3e7Vru13do++f8AgnFcLe/speC4xDJANJ1vxroRimtxHcbdD8U6jpVtHcyOrS3Etta2sNoZpXaYxQpGz7Y1A/mPPq9WXEWfRqU5cqzPNEouElG316qlFJyta17Rta3TRH3GXVITyugqaik8PTj7tklbDQv7sXbW8dWuiS2PeE4Xkv0HBPI9h247+lcdOtHEKcYQnS5HyN8qhrGTi+Vpy0Tg100a7mtOE+WF237sb3bf2eum/wCpW1LVLDTbG4vtQuktbKG3mnlnlZNnlRRtJIVi3GaZgitiGFHlkI2xqzMBU16+Gy2E6uJxcaapRlVca9eEZ2gnN8vO4J6Qly+8uuq6VGnJ1IuLfuyi/dbWzTtezS9XZdXY/Ov/AIKPfEvWPEfxz8BeIvAPhLxv4/0Fvhfp9vpWo+DtQ8SPoNjrttrvjOYvf6FHoVjqUeu3DumntaWN5MJdFit9S1eTSJ7JdLP4H9K7Lf8AW+WWYzKMXKnXw+DxFH6xhMQ4Vkp5rhaqSq4aGJnG9N1FbnScZ1NLSkLG1JU5JRlJX5n8VvtW1cWk3vd762u9zE/Zm/aa8Zfs/wDwx+JNtALTwTrfxJ13S7zwl4z8Wabq4tre7TTfGWoXmk6bF4vuj4d8SeP9cGl6f4f8A+Etb8b+HbLxN4w1rSdKupdNtbi413RvsfotLO3wxjsqxueVcbicJgpY2EM8zTE4iEYQzjNfaexjiHzqo/rlCUlGEeelCSvKSpxneDw2Kx7/AHMoSpYPlx+OVWdRN5fh5pYrk5U4+1jConH2rhTS5rzT5b9R4r/b1/bt+EHiPwj4J+Pdr4B8J+JbfUfDHj+80nw74I1BdZ+J/wAMBHc33iKLTdT1bxDqGg+BrKbyT4Qv9IbSvEfjTwz4vs73UtZ13QPATWniq99/inxKzHhLMJU8wy6GJwsJzh7XAYKrWUk6uJpU5KdbG4alKMnR5uZxu1KDjq7L7rhLwhy3xZyupQ4PzSeXZ1gowqYuOMzClQoz+qrAwxkqccFl2bYpxdTMqfs1JUoNU37WMZwhz+66x/wUR+E3jDSfE+mfCvxLp+rX7+H7i/0TWpPEltaIdIiKWMuv2aySLaJK86ald6Nbz+IobrUbOLTtUjnlgv4YLb5bxK+l1wXwXkmGq4TJc9zLPMd7eGXYWhluU4vmq08TgaNSNShS4lwmLlzUcYpQjQ5m+RtpRUvafBrE4eOcZvw2lJ4/h76h/aFW0JU6n9r4X69hPZVXP29Rxoe5V9thsPGMlalGonOpLK+Hfxtuv2s/hD8Wvh/YHUvFUVx4W8aP4T1iZp7bxGfFXhya11PwpqdtPClhbJb6Z4m/subQ7yK5vbpdWsx5GpuLeKO3y8HfG3I/F/McVgc/y/P8u+sYGvVlkuOwmDwmErxq18rpTUcvxubZl7StUjmNfCxThNTp05UHfllzddKmoxUtI2a1trrZbpe6lvdWs1d6XZ9DTKPJjZxIC5aRfNDht0jBi2yYvJErjBSIt+6jKRDaqKo/LeMMBVxOXYR4v65Qlh/bvD4TMeanXwXtq2G9pKnhqsZSwn1qMY1nGnyqdOVNu65bejhpW5muXe7td81nK3W+l9nrDWOljyrSDoWmfH34u/Dq/nkurb4keEfDHxnXS7j9+815Y6Y/wb8e2mnzWBiubK0Phzwf8MgLYylpJfEGvK6E39yj+bleZVcrp0MTTzDEUK+FwlLC0a8MXOFelhKFOlWhhKGIpSpVqFCNSip0qUJQp0Za6NSmbupTcbSpwk9bc0YztKzSlKFSUoPlU5tpxfM1FpxUUoxfDD4p+GP2d/Hyfs1+MdS0rwh4Av10/Vf2bdTv9d1y6t7rRdR1Kw0Pxh8LNT1jxFdX01n4g8FeOdUiuPBGn289v4dtvhz478BeB9Egsbjw6kY/ojwL4/wniDwNg8PUzD2eYZLg8PleIqyxlOnjcRWy/GZlllStOpUxmMr16tRZLOdWpJUZT9t7Tkg5unS8zG4GUp4qtSoJRlXqyVocqjGVabgork92NmoNRa1UeWThzSl7/PMlvC8lxcrbxRBpJZpJhEscSIXd2kcgKqICxYkBQpYnAzX2OaTwVKhQWMzVZZFV4S9u8dSwTqaVbUpVarSlCSUpOGl/Z3vaDPNwilONWDjKc7ySck3ypwhZp7xs3e/S9z54/wCCr16l/wD8Eqv+CkV1p0sOqWZ/YN/bBWRradJleIfs+fENFmWVWKbrSRkvJgDl44GQZLKK3wlfBVcNfCYunmEVGlFV6WIo4tc0vZ8zlVoylF3p++rt/E5pa3KdOUPieu7u76baXWmt/uWtz8of+DZDwHr/AIq/4JteKL7wh4oPhLxrZfHfx+nhnxBd6dbeILDSWOneFZb3Gg6jc2mmyzX8cAtRe3MjfYC32pEkKGJv4S/ak8bTyfxq4V4dxtF47JYeF+TcVYrLlXp4L6xyZ74hZVOX16OCr4iikoRcuSs7qLUaEZS9svtfDaTpZRj6tN2qcuNUJWUrT/2Pl0leL2t7ya11uj7r+Kmu/ECz1fQvgd47+Mfi3wTq/wAQdYl0O+1g6B8I38Faz4AvLW51HXb3w/q978NLTU2udUt4I/ClxbaummXGj65rBdf7Z0+yk+2flvC/BPDGbYPHZrw54d/2jluDy/HYzLqK4tzHBOOaYGVKcZKvjcVRxKkqqcU6sJUEqqdpRhY2xeLxE6z9rJ6qKlzKD6cttFZaXWm++t7u9F4g8b+AvivJ8JPDPxU8cfEW48Y20uqaXpekeH/g7oOieDdeuLnUvEXihfFfi1PAUWmW1n4n095ta0uxtINW8QrqAngTTUi1K1mXxOH8nyHjThXP+JOL+FocCcTcPYHNZPGLOsfxJ9eyjLcvp5lR/wBly/E4fA0efE4qrCc6dGrWpvL7SUo4uMCMVicWoxw9CacJz1SVN3k3OndSq04uPNHlau17rTlZqSjU/bZ8NfErwp+y9r/ijwR43l1v9oXwx4Z1u68MfFO58K+Eku7jXJIfLfTf+Efl0BfCtrp15A40yUzeHZblrdbS9DRapYWN5a+j4JZl4X8Q8dVuD8wy2FHwtwuS1s8zXh+eL4hqxzGrLNcpwWbVHm1FYXP8H7fK8bjMJGNDFOlQcViKNGVV0+UzrnhlE51m1L97fRXf7vEybXJfRr3XZacrtZnz+/h79ra10t49R/assZPHWpeF73SbCRPgV4Gbw9HefYrmR9ba0fU59VuZgssenK15qd3pLC2WWXwpqI8+0vPey/iD6LMeK8rweL+i3/q3lmHzbJ61eo/GjxCzZRdTNKPs6joUKM3CpOnL27p4arUVJ0uVScp8y+VqVq8ORU8RyyjrFKnGVnq3rJaq/wDNv2Sdj4LX40eONG8X3/xo+PHjL9onVf2oPEfxL8a+CJP+Fd+ORoVl4Y0v4fp4bTUm1LQYNH1fQtcgfxJrFy0PhjTLbTNBtorGMRSpNOYV/rPMuE8nx+cf8Q14Qy+hw74ZcNcP0a9PLfbYvNak8bmOY4vG4+nDF5lWjnUFWjmeMqVMQ8wnKEq8oUueNTlw2FXNs4oTi/rjtfmX+z4Wyktdf3bbbvomnHTpZI+0v+Cc37RXxh8e6d8Z/EP7Sf7R/wDwsz/hDPiR4i+F/hTwbH4U8K+DfDGoW3hCHRtQuPHs+qeC/Dvg3xZqtvcw66tq2jNq39kx3Wnzq8l6xmZ/AxP0VPouwxKx+U8CfVOKbQcM0XFHiHiLTp/7pL6jieIv7PvRqUsHLlcLVFQSqXhVq36p8acS+x9lSzC0feVvqmAesub+bC33fffqH7TX7MXw+8feNPDnxH+Htx448WeIPEfi208JS+EL7x34p8TTX95r9ozWcvhi+8Sz6pc6R4f0iTQpD4j0qJ7PRLVtZ0i9hU29rb6Mn2XCfDeZcN5NDLsFm/1eWSUsRiK2J+oUKv1iFbE4jMFH2FWvXVHk52uaE6spWu4rm5D3fCXN8zxOeYyeOxnNOVLCe0k6GHirLFwin+6pxikqaV2ktrvU9h+F37Knwn+C9zpnjY+G4Lr4lpcv4k1fxbK6XJOrarpsKQ6T4e04LaaDBo/h+C3udM0W7mtWlsLW/up7d7KSVXi+G8RfFnG51is14Xp8ROnisr+u4WtD+yKM3j5vDRwyw6csuo08N7ab5XWjiZqlz35rRcj9hyfhzAZnWhiqlNV69qNaLlLE0YU5xqJTqzlTrJS05XGmqLUuRrS5F8R/jN4Ca8vLH4ufEzw/4Wimg1SXTLafXbBNevNM0+AzXthb6Np9u+o3VxdSR2sj3FuNlsE4uy3kw3XyWVcPZzxZiMDQxcnVWGq0Ki0wsLOVWnTt+6r4dttRtrKSXa+p7mZTwPCWVYyvg6SpvEYatRkourK1qFafNF1vbqMYJz0jBSkmopxSaK/7E2j6p8UPjnH8Q73TNQ0r9nbwV8QdYufA2uapFcaLJ4kg8L+IdXtfA162kyzC413TYdPm0+8g8TavGJpfsMTS2d02q3D2v9D+GGA/1fynhipjqftKOUZdTyqnSc+Tllj8VhsXzc9CdacrRyxrlftL82lSDSjU/mrjOmq/GnFeew1r4rM5VPaK6TlyyndQk+Va0Y2XsltbXXm9JsvBnirxB+1B+0Ro/wASbYf8K2tvEviHxD4a8q5utLsfEek+LPEWn+I/CeujV9INjNPoOleD5bGwvwNVtmm1iYwTxzW9sY5P5z/aFePPF/hXnGEyDhjMlhv9ec0x2FpJ4PLKqoU8RkOV1Iv/AIUcozGVVRq8QKfL7fCzcU+acYX9j6XAfCeBzqtVzPOKLxF6UKlHlq1KU3NV5WUfq+IprmdPDq3PScFa7i23f0PxV428KeF/Alj4b+HnirwVp2qalqmh+DPDYTWNDnh0ZtRY22oX81tPq8Dw22iaHFd6qIZ1RrqOwWzht7qe5Sv5H4YwfFvHnFGdcQ8d4OWa4PgzKs+8QYzhVy/CTzPEZRmWX4vD040skeExGH+s4H21KLjh8XGDupYGtiFGB9HmVSOWUoUMtX1d0ZKl7KT9pGnTpR/dpzxKqRbpygnKTqTlf3uZRaLPw7+KPgTxT4c8QaJr/jTw7qR8I6/r3gHWn8RaroU0OtDRdW1LSbfV72O4eG2uptcsvsmpyKEULO0ckRmF1GkfpZnlUOHOIsu4n4Xy2eSYPjvB4DiOhOVermUsHmqybB5xSjKhmUq2IqtZ/m9aM3Vw2Bw9PmlOtQWCgqdHJ42DwFStjoqrFUlOuov2fNCMlzWnRilGPsoWUacJOV/cUZL3vGv2sPh14M0j4XeMda8P6gmo+CLPwv4jura20u4s9SttE1rQbSWfTW0rVvt91ePqDSPdWepaOs17okcEkRt7S1jsTBdf0p9ETxu494zwWaeGfivmn9p8PYPK62XZFS+pZNg7YWll3FmNw0XU4bynC4xtPAZHN/W8fKp7qU6rU8XCXmVuFstwWccLcb8O4d4LE1M5y7FYus6tbEOoquY5dg5VI0cbiqlONN+1xlOPs8Le/MnHmpwmYX7O3ja7l8O6F4cE9tPZ6dpsEFvo/wBjggkhjiRllk/taCaRrlbiBFkt8QQRqHRoobYMII98VnOKy7iLMMFgp+zwGC4ozzD4SHJTly4TD55i6VBc1anUru1GMNasp1HvNuVz+gMz4e+tcN5Zm8qznPNOFeHqtWryyXNVq5FlsZ/u41IQiva1ZRdqVKKWl5QSk63xc+Dniu51TSPEei6zqmveBp/Flz4i8ReELi3SE+Htb1LWb3V28S6YdH0661rVrfSbq/maxsLWH+0LFWufJur9ntreH9V4T43xMMpyalUrayp4SH8OGjdWK6YR911Xrqfg3il4P4mOPzXO6Hx1Z4nFqV6esnGhyu08zcdXJ70l3cdiH4Sarq1h8Xfhne6Jp+gat4M8RftPfs5W+v63YSac0WoeKPEPxG8Ga5b63pqi2aeSR7KSzv8AzU+wPqVnNNrGm21zpNvLqlfpHA2YSzDG5fUlLmviMPLZLedXpyQ/l7K35/mGGwuZZXnNXC15e57adOS5cPt7KomrwlUf/LxbS+fb9Sa/QT1BrY8yI/NkiRBggLyFfkZyTiP5SM4+bPWhzUUotxXtJpRvZNyjGcrRvv7im2ld2V7Wi2i9tNdfz3/K46gAoAKACgD8fP2g/hF8MvEn7Q37Qut6t4j/ALF1DUPj98XjeWNrqnhOwSKXTPiz4vmurwWV5pFzqKXV2Ast8JnkvdbhuGbToni3zD+CvGvjjjfDeL3ill9PDU5YPDcecb5bhpPLKsnLK8ZnuMTbqx5VNwp0MPKNdbSb5nOMrH9K+H+KX+o/Bquvd4a4dp/Z3WV4dd7393X8k9S78FP22fDv7IejeJPhZ4c+FGieMrG78VeK9eh17/hPofCZgfXPC/gPwnJbPbWXgrXba5ubW409ddutfaW0t9R+1ySDT4S7XFet4Z8S1MmyZ5Vi8sxObYnMK/EsI4l46EK0I5pkEcsjCksVQ5WsDTpKvThPE4eEqS9jRadNJ8PGXBE+JOIcuxMM6WXRjRoYWOHWBliPey2vPM3VcliqEX9a+tqhOLScFSc+aTmox9U8X/8ABQjRtD8E+HviynwNk1G/1OHwvCdKsfihvt93jCbT9Vie91CfwB9mv0tJLVTZTCyt4LuK2S8m/st47dLjfL/pB4TNM/xWWUuC6uEq4XFY2cq1Tid1ZzjhK9vZVMPLh2lThOclZqOJqKNS0VzxvM4Z+GeIw2HlQlxJSlTljFirQyirRaUqcqU6SlDMptwlG3vNuyT918ytd13/AIKQ2FhqviXR9S+Bv2HzdN8MaPHreufFFbT7egsLa4utSt9K0X4f+I9UtkNwMy2WqQafe/Y7jTNRt4rm0vg8KxnjjhcP/aeAqcN08RXxOWZJl1arUz/HKvTq5TDAQliq8Xw/OjVljnl7qqFDF1VS9vKNStOdJqfF/wAQyq1KzkuJqNOFPE4ityLKKjUo13WlTpxf1y8FRVVRbcZe05LqME9MvWv+CpFjb+HvFWsxfs86zcL4JsvFniGzaHx5NDpsiWum2NpZx293c/D63nktI7iU3b6jb6fcSxMY1uLGMSGdZl44RzTEYHArh2GHnjcfiKeFxEOJa1aeCWbYDK8op+zpxySjySwtbBzx0Y1KlB1p4iUG6Ti8RPR+GsoThW/1koP2VHDxqQeUV7VpYerVq1ZNvFPl9vGoqailL2KimnUVoqhr3/BVy2t/Cr+JIP2dbYx+NtMGrGzvPjfp2lxW51GHSdQSIX978O03nTEtrmEfbLPTpL/7b5lnExjMMmsfGvD5jnnEOWLhr2Kx2JzNSpwz3FV5Up1s4wGNp1alNZJSoVHQjldbCw5cSnKWMnJcsYJVzB+Flat9Wof6zU5OEKVX2kcmd5eyoV6M4pVMwpuKqOtSqO7ly+xUffc26cfh3/grNb+LvDGs68v7O8On/wDCMeKfEunWsA+MltPawGPTbSztJRdv8NrMzRx3Tm6SaxtruJ8q8ssMLm5D4k8Z4YPGYTLZcPyjUxMMTjMNXefYj22F/tXKcFl9OhhqWGyfEQc8LWyypjFOVegq1XEVIP2UoRrYgj4a1PrEH/rFRfspYbC1Yf2RP97LD4ipKtUnzY3lj7aNRU1TjKapcqtOpHSNCX/grhb37T6lH8APCujahc6zrt1FFqH7SOmPEGjsUiT7NNb/AAouNPvJ7XbJmb7XayWi3W2PzEumNd2N8U6b/tavS4cx1B5jiMxxNOeGzGdf6vLM4unG3JgPbSnhZVealU5KDrNJxVJe/G14W18vlQjU4jjiIRpRpzi8q9gqjpqN3JxzOonCTcX7OSnyuPxO7a5v9oT46+Bv2vdT8Av4h8K+HvBUei6n8U5/tekeN4/HcEMt/F8OJI/sviG/8DeHLGy1TTE0y4+3WtpY6tJNY6pZ23n251eEN8j4j8b1+MPZ5hl2VYrJJ4XMs4zKVGWNrYlYqOaLDYiGGqQWFwzq0aE8FHllOCjXnKMvZ0Z0Vf6ThDgSpwVRqOrnUM4WZYXCyXLl31L6tPLYycp8zxmK9p7f6+vdtD2Sou8p+19z1/8A4JI/DLwN4J/aM8Y6j4Z8QSavqEvwK1rRri3l1nwvqRht7bx38Ppppwmi6fZ3Mk0sq2jXuoRySafPK8cMiRXsJjT9F+gnxdxTn/i7xNhc7oU6WFqeHucZlJwwFTC/7bT4j4MwNGnzzbSjHBp2pfFJt1JOWjXyf0j66q8D5RFNP/jKcFL7PTKs+j0fffpfsfohX9YH4oFABQAUAFABQAUAfzl/tlafqOof8HR//BRtNN8Y2nguS2+APwSvJ7u9tLG7g1i2h/Z9/YqDaCy39/pyQm9leG48+Cc3MYsiEieNpdvVlH+9P/r1P/0qB5/Ev/Iqqf8AX6j/AOlnZfEH4IeJvHHxT1XxJ4fuPC6z6nH4XiguL/VNJE+rnQ9Fh0dvEOjxaRqUaW6zC206V4ZdKvY/O0w+Yt59oYD8M8ZvBStxFxbTzyVaawuaYPALMIJQ5Z+xdTL6rlbNKNS31DAwpqNClS5XLnpv2rqyrerwvm0aMKVZ/FjKrw6euqnWhC2lNrel2jt8S3eV8JvD9r8MvHmuaPearpXiDXLaeUa9qdvFLJpNnp3hHTrbw8dOs5Y7mN5LnTp0i0MXyssV3La3erCxt/Pksov5q8aMBVjjs4yShCtQwWRZ3meS4OnCaVbE5hWzfGVq2Il7WlU5qFZ062NVNuUo0qlDDLE1VGGIn+zeHnD08v4VzTEYduNbPXleOi04WcVSp1HF89apFNU6/VUleN/Z70y1+2T4J+EnxT8A6SvjTwXYeOZ9POsar4Yj1GW+VbCddPmaBo57W5tpUjSO4hWZg5Nx9jj3BQ3yeN4HZ/xnwhxHjHkWe4jh+nifqWEzaWFhh28TTeJgqilTrUqsHKUqc3BNWp+3nZya976Lg3LpPGV446FOspU6SpR9nBKVZ16V6r5JNRacVNJO156tuKkflH8E/CfiHxB+14fCXg7wbceNrODxxH4RudM09bs2dt4Rn1ubSdX1j7ZJNff2QmhaPLNqtlqF79thsb+2sZnFx5Ygm/tbG4elnPh3klDF46WCx+cZdTzGk+alDF1szjgoY6GHUY06Ea3t6tOUMVGEaMHhfrLqRjS53H5/M8+xmR8Uce5rDD1JUcpwmS5LCtfnw9OniM0pVarV5VY05U25Lk+rYiUqlWPv0rOZ+8Xwv+HHwj8EeH/A/h7wpY+DZLLwtYnQPhprNi2nzajMlpFqWjX8t7qNrbypB4n1W1F8/ibVJoAmpXF1DJ9kVoGQfUcL5NheHOH62TQ0xFWnXe9SV5vE4zF3blWrwTbxDdnWW+tlaK/B8tzTHcSZ1juIM1alCnCjOnL9ytVgquD+HDU8O172Gp6So9nrFucrHxD0bS9amlMXh3QfEuu2FkpNpNr9hbXds8LSpkXd7Fcm6aJEUxi3tLG2WTLJAshlZ4oRxGJwWLVWVqdDMK+G+GDvGlSS3jZ/DJ/zPb3mx1sXHDU8ZFxvGvjMRXg7tfu6qaj9mTWkeri+8U9/z8/4Kh6npC/tdf8ABP3w3q2nWPhPV7G/8Sapd6LJqdtqNoJNZvRp2h6/ZJaLDYatcW0mhiCRLhtHu7XU9Q0+O0TUla+ntvlPFXDYSHh94hPLY1pTjw3UWYVaOHryawssRgZTw7rzm6lCFbDxrVasaFOcKuHw1ZVp05QpOX2XhTUy2pmmTRxNKnJ1MZVlT5sVVpzg4YPOU60KKS+s2bp0ZRi1Km68KtnGM7fQfj/xXdaJ43s/AV5qC6Jbax8LNL8dfCnUpfPkk8O+KPhjrNhq7Wd7bSXAj1BEM/hm8U6e0UmomW/0+3VQDdN/P3AuX4jgDivwd4/yepUxlTET8Oa/EFGUKdKlHLeIczwWbUZQqYmnjpzlTqZBmCrOlh8OpfWKHsKUZt0p/aceywaoYuhKEElHFxlUpuaVXEUVjqdWajGXNGLUoQpqo5VYwpr2r5kzvW+H+geIPB99DrXhbRTqPifR2guND8JLfnS/BN9480C11KW+8b2mri2nt7y1a/jeO+aIzukaLPZ2UxeKP+qqeOxWZ4yfiBRlyVMwoYLFUIWpy5Y1cFDL5rmnCmn7kt54KHlFP94fj+YYTD1MwxbgtHXqNfxO77yTPM/gv8JNL0f9jrxv4ekv5LiTwp8e/D/xog08Mto9hofxA8MaP8LfGGiyKpmkjsdKu28e/wClAAW7RQM1qhtEL+9nmZQzzjLLc6i+V5lwrToKWrvy8Q4zB/C6dK1nhY/8u6fq17758tw6WRcSYat8eAo5nOCttKOT4bGrWMraxryermtLWu1BfN/xV1nTvhn8Z7P4ZeLNQ0qW98d+F459C1KfTl0GDSx4ev8AXNHk0VvtWo3sM02p6lb3moy6u13aSG3Z7WDS7uZ42k/F/pR8LZrjeIMHn2CniMRQ4eyHBRxWEw9OUpzpYvOM3Xt3Clz1KiwyoNRpqm4zqVoTnWoQoynL3+CfC7HZxwJX4hpwj9Xr4ylT5pTw8bueGyitCKVTMaM7tZhF3VDZO63UOduvDNte313pkN2ZLuW01W5w8cr295CZEcP5+5I7bybuGKC3SV2nuoXa4EEaKVH5pRzWrQw9HFVKPLRhWwdK8ZQjUo1OSScfZ2cqvPRnOpVlBKnRqRVJ1JyaZ808qrUczr5fU3hBSt7lnzKjO94zklZ1FvN3Wtlay5Xx1ocx+CXha/gWxF14X1y3s7mMozPHatYWmiP83n/vDEbC0bcEGTLt+XZl/Y4ezCn/AK+5vh6jxHsc3y+rXpSUkoyqrE1sfHT2fu86xFZW5nbkvrzWXj8Rwl7OWFglzYdqo12jGs8O3q9bcq+099upS+F97E9u9nHCj3dpdwXqkTFQJBK0cLiJkf5HmlVGQPhgRluAK6OLsPONSNeU5Ro1qNSg04J3jyKU486ktYwhKSk46NbHJw404VKclrZafKv29UtPTqUNbsW8M+KbvXdOslm0jUDNa6pbhNkTTSyyR3BEf7wZgf5lOBls8qea6MvxCzbKKGXYmu6eNwyhWwlTm5pqEIQlSXN7rtUjpLV2XdGkqNPD4irUgtJVJ82+7n5trp+uwzxHYQa/pSaOn7jXNNVLrRzcxWuEvIUSKK9HnW7vKtzp6QJJbGXl2aTzjnYtZXiKmW4x42X7zL8U5Ucb7KdbWhNucsP7lWKg6WJlUcaqh8KUeTTmc4yn9agobSjrFu2jVtem6itL/wCRV8A6o2pW83hfXZLS1tDLPFcmZWSOS9hf95bZjEaQJ9tDSLKiMigbVhC4I24kwkcLUhm+XRrVa3JTnSUGpSjQqJuNW0nKVSXsGouEpJt6ud7mWW5zUwdRYXlShRmqT95WbpzhF70pWV4d5eV9zpz468HWwbQfiJC8629jDpergaxa2UNxJbxLFp3ijQBcwR211q0VgLSGCaS8jCwxotxDJOskjeQuHs8qtZjwzUVN1MRUxeCbwNXEVKcak3PFZRmPsqkqtHBzxDrVKlONCTc5SdKpGm4RXvQzmhi6FNV6bcuSKn+85btWSqQ/dQi5KMNHdaLW739p/ZyvLG1+L3wSjtPDFx8TfBWk219r95p0Hh+5mkGjX2jeLfCWhaxrFrdWz2smnT3etrLo+uR3kFrrEWjXWoadK1wr29v9D9HHhihxB4oY3GZ7hHh62XYinUxFJYtVqUcZh804brYqlSlhMTRrU6mF9pCWMwVenKpgquLpYepCUoU51PWxFWNCcpR1jKmlB2d7cq5W7p6S5Xyy2kot9bL6D/4MZwdv/BUQgElP+GKGAGMk7P2ulAGWQZJbHLr7so5H7yt1/X6P8n6Gh+0X7Ykt9Z/softOSXMkLNN8LvHFtp8kluLwCyu9AurWzgMC6VpgfyXuLiQK02qG1Ym4N45GyF4Sb/tCHpP/ANIreWvXq/1IxK5sNP1j3/mh5/ovR9PzWutP0601vxNaaV/pc0Fr4bacA+ckupwwSyTWUN9/zDZpARKkX8SwO3/LKv17I534Zxd9vq+I+++YeR8jDDpZy3/067+eE/veR7V+wNZSat+0H8XfB+o2kUt7beD/AI12D6W17/aWq3Nt4sudCum0xb88LDdNaIjQnHIRs/JX5XxRXUM+xVv+f2K87/7TivJ/16n1uUL2eFi7L4Yfc40fXbc9q8O30R+CfwyS31S81SW3+Kmk6lEY7OxvW1S+htPC+pWOt6jDdncfOlgaaDYACfNJJKgDya2J9rLEK+2XZt075XiP7qWv6dLl4bGezzXL46/vMTFb2aS5Nb8rte9tGrWujx34k6XHoOm/DfRZIbFv7K/bG+KtvZSW2ltod/JHNqnxA1S3Zja/8Skwi5i0QG4uf3xIdZf3McVe14eYKNTOOEZya5YZxkEpNxlJJLFYJu8YyUpaN+7FXe0Vc5c/TxHDXiB/ep8V6euX1rfy739F1PB/FP2gapcWQu1sdFtB/b8ccFxa3X2m31VdPithf3Fn/o0mjeSyC68v7lx5qSYkV6/qzw8jh8Lic8w7gpVacstgnJ1ISjelmE3KlGSac0rOm+bldlU5uS7PzriqpLC5nXp3fu+y2/vUMNLXSWj59dfL0+pf2H/2wPhF8MPgRf8Aw98fjxnp11b+I/GWuG88O+BvF2rWFhoXiZ/7anB1a20KW1gEFxdSIJIZJoj+7kileNEY/wAk+I/FGDwXEvEMuX4MxzayvVteOPx7T/3eWq5WtbrXa6977/hCs8RlFFPVqlS/9RsMn0j3/U9b8ef8FCfhJpvhK11j4Y2HiP4j6xe2WoXtuur6P4n8AeGdOs9DT/SNT1vxP4t8NwWl1FDNmOQeDbPxP4guColtrLyTGV8HMeOcHl+XYfEQXNOth8PVs/axa9rHDznFy+qSUotVmnCyhZX5eZ3XRmmOWGiox1tpu3s6e94Pfmb0d1/N38B+N0Xi79tzQtG1L4oa54d8I+GfD914ng8I6j4Mttb8O+LLf7fJYzXkKWN5qvizVrm4F14auPC2q6rp+l+HbuCSKWWxvLSUR3K/k3GfEmbcT5vB0avLSqSwlJxUcO9OWUJ/HRoyv+8S6OyWrautMpx7xFF301qJJXa1lHXWPS6Xpa7b1J/AvhvwJ+yp4b1qbw3Y6dothruraPrevX+rWlhdXF1cQafo9zCE17Xf+JhaaX4gmv7fVnbUf+KFOqPIng7/AImkslfN5rh8ZHE/VKs72591RXwzkvsu+9O/xGeY1P3nyf8A6U/L8DgPi78S/iT+0PpTaJ4U8A6tq2tWV1BpOleL3htYUGo6ZqIihuvCVxpFvNc61He315qxvL3Qp7DVID4jtdKF/FpmtalHNx4rKcViPqtB4/6hSwmLpZhOf1WnivaRwznzUeX2kZR5lXlL2icuXksoSclyqhShiVGM63sZwkqtBezdT29eDapUNHFUvaOVvazvCNveTT04zXvgD8fNRttOHiTQPG97p0Gk+JY54tN8ceFrxoV8R6hpOu6jO+seOtL8a2EGqX/i7/hGdWWTQ9VsYNUt7+5u9QKX/iKBH+84L8ZeHOFMBTyeqv7TxlOlCm3/ALfgrujRwtGpL3crxNJa4SpK3tX8dk3yxcuxri2NFRqVP7Hy2PKoYrkyzH+1SSVH9yv39P2seSWrvTcLT1kzz2b9kTxh4O8Y+Ibzwf4q1xdL8TXE2vWmi+N/CeoeHZLDxBrF1qj2trpniuxsLnwXPqepX+qS2NvHDJodtqZbzZ3mjtVNr53HebZHxp9Rlmv/AAhZtSrOPCz/ANrzP61iKtbAQx+mGp4TDUPYfVcP/wAjG8Kvtv3NvZ1HLnqZpU5ownTs4PTE88X9a5rS/gqn+49jpT/6efGeg/sv6d+0P8M/Gej+JfHnwk8Sw6TrGvWei6xN4e1DQ/iS9v5FjrUWkWGgx/DzxVLq9zF9osLi2a+uRDJDcpcWjwqtqjN5vhnkeU0fEeGHzHij2eZTwSjhP+EXEytUlnuAhh1fD1nQ/jqp/Fly6e/7jRdLM2rdtP0/6d/8Ofo78GPGSfEX4RfDLxzDKXbxj4C8L648D3M14tvqeqaLaX99Yyz3Fxd3BuNLu5J9Ou45biSS3ntJrdyGiKj5LjjKc6w2bYnKszxbx+OoxoQq4hUMLhlWnVw2Dr0pexoVZ0YOnRnThaNSSco8z5XJwXtZXiY1sNSm4pXjNdbNxlNN3a1ukpNaJNtRSR4H+018XPFehfFnw/8AEL4J/ZPEln8EfA/xl0/41ai0lzHo08Et/wDDHxA3w4s9Su9esotY8Tzf8Irr08kvhnym8GatD4d0DXdY0gxyeFPFm9Pw2xGMyyjUjK0nQhzW5Vq8Ouv9opu6ldtKKV1FRikre5luSVMWpyneKbXs725rNRblbnhy2c+VKXNeUHK7jJGh8V/BNn+0FbW178SlWDw3a6X4vsvBnw8u9P06PWfBmra5oGi6BP421vxFp+r6xFZ+PP7F/t+T4fP4YbTfD3hPT/EmrSarol/8SR4YvtF9DhLI8w4ZpRxGW1acIUauLhiKap0G1XVfE0akk61StZSr1a7hCmpUYpyjBK8GvTw3DS9jVjKjXSi6MpV06fsqqnOvBQUY4iU1GjJQU5NU6zm6Tcp4aE2vB/2uP20vid4S8JeCHvvGug3Wm6bJ42+FF14U8OSSXMOueK/hT491/wADN45u9NXxENZi1rWLW50fxTb+D9VDWunf2PbyzEpeua+u+kNw3xD4p8JZBLh+q6VRYyhTrWp4CTlKiuJ6MrPHVsBCLaxmHs+WSTS3i5qHxOZ5csBisW02/ZUfaq/S1ONRLSb0VrLd2Wrb31fFvxg+Kvxn/wCCQf8AwVV8VeMPAuq+CvDGsfsE/tbavp1xrEgEupa0/wCzp8SLXVfsFh/bN6dOhu7iznuLkeQyuvloWVtpr6b6M3Cmd8B8I4nKOIavt8TiK2Xeyk6eEppeyymhhZvlwWIxdO7qxuuaqrNK14LmfAsQ6662V/Lf5Lezuldu3Y+T/wDg1mutW8OfsEQS6nZn/hHfGHxw+Jo8N6g28aXca1okHhmPXvD+qXnkNDZ6lNpbw6po1nJIHv7a21TJIWNU/nL9qz4OZnxDjct8UsFenPJuDMHkOY4xKhN0+DMDPj7P85wCw9TNKDn7TF8+I+s4fL6ubR5nRwdaUFGkfbeGeKw7y/EYFtwxFeWIpQko1JtVKk8J7NqChytpyX2o325o3uv0DvPhJ40+JXxb8V+I/Ek2kWHw6/s+38OeFZdR0zSdf8Vaj4bl0yw1DxHp1omo2V3ZeG7DXtYlvp59emih8VWU1pY2el6vZafO9q/8ycPeIPBPA/BOGwfAmK/tXNFi8fUjR9jmuCtiatTFzjL2ucYPGYeb9vRwSbc3TlKteWkK3N6WY5ZXoVrYqar8qg5qMYRjFrmTjzU57x5JK1lK2ritEXfiJ8DfEmhadIfhXdWcVhp97Z+KLLw34ijN7dxeNrK8urnSvFeieN9Sk1LWtU1q1nW9u9QsvGk/iKxmhFvDPbyaNNb2kdx8S81yrHPPuOeGq1fO+J8qxHCOY5xRzTAJU+DMdVrSllssDl1GGFcKmOy/FVamNwtCjnNJVKcadSVGKZz+x9pVpxwXKqUVD2lNttzmqi9pV55x5otU6kVyJRpyUPdm6t0c9+0/4+kubOHwJYXMM995drqWpw23+miKN7OG9e2muLhZbaeztZUjtzdBfOuBbl5HJldT6/gPwRlvCeY+ILo8SSXD+dcL55lGWYFZTiE86q5hguGlWwscXLF4jH5W8Xi8LjsCsRXdJYZ0Xi4VoUqlA8/i7MHHDywteSdPlfuKNrxlTxEbuUINvmTb3VlJJpSjc+Pv7U+Leqrf+I4fFOuaJpkl/cG81q7sPBraxdy6XLe/2fDoem65out2Yt724W3kt7yMQXDywvD9oEQcH9a4i4R8J48Q5XkOL4S/t7F4jEYGFbOVn3EuUt0sdWeHlTeBo4nkcaFJ04+7WXtbPSDnUb/OpV8wpTXNW/lv+7obJ3/lfrff7iD4dfCH4cfE34eS/Ezxr4Xt4vGA17xJPpniGz1E293pCprfmDxAVguINEvZTqU9rqWqz61ZX39pHyLe8+0ILVE7vE7xR8ReHvpCZbwvw/xK4cOZjh+FcXj8P/YuSS9rPHY/BZfi4Ovjcvr42m6uFw6inQr01G7lTUai5ztjXhPD3xFL61bnap+0dG0o3tU54JXsm4uOzvrqjTsfD2l6vdQ2WoaZJ4n0nRNO0DXW0fw5daH4U1PV08aaXY/arjTdR0aDS9S/tGC4gmnubDWLu5tlSWEXNu0jOT+84vG82e0sui7YJ0sPKVHvKpWjCb9o4+2V4Ta92ppe6SaOHD5so4lQWCtC8fd+s7XcLu7p31v3O9gvvBnwu8QjU/hP8EvjV4h8eR6Dc2ov9d8SeMJdK0TS9X1C3uBaanZahr1x4dN3eXdlCft1vpy3MENsxtZ4YrmVZe2pg8BWpPCwof7PaUVD2lbaomp+85KernPeWl9LWR7WTZ+sNmGLjl8P7LxsKdFzxnN9d578s6a+r16MqUfZtwlo3z8tpbtFP4zfEH4v+I/BenL4+uvDnwq1KwN/fv4Q8PeNJLbVdW0mGO1s2ttZuNFht/E/g+e2i+0TeGPEeh6xbQvey3Nzq0N7HYwJH5dTww4WxOJ+v/2PzYv2qxMav9oZirVlJThP2f8AaEaWk4RfK4OLtZxauj7Hw88S+JsFnuHw2Kxf9s4WpjMFQkvYZfl3JRljoe0d6eAnUlenJwspKa5eZPmd1lfs1fDz9lG20vX9X+K1/P401/WbvUry90xJPFl1ZeFl02/u7J7K48Waah1Lxj4n1KWdP+Ehvr5p7e4tXln0W6sZHuluvsOB+D8my2H1r6lyVnSpNz+s4qWsK8qifK8VUho4raKWnbQ+u4zxfH3GE/q+UYz+z8r9rUkqP1fJcXahUpRocvtMVHDYjT98+bm53zW0tFncax+0F8bfFHiBvDH7KHgnRNR8LfCzSLH+yvC7+HrC60+70e0jNt/amuT6t4q0i/0nw5rUcDWvhjRr3VLDxVPNpE01zFfTi8li9TiDP4YGWXZVgKn1fG5jmFGFGryuty0qH+zzjyVqM6LvVx2GledWnJcnKm4yqSh87jeE8p4YwEv9bF/auY5x72FnfE4H6vWwtOssS+XLcTiKFX2s8bhHap7KMPZe4pKpV5e+/ZMutZ+Kvhnx8fjvp+max4m8S+K9WHifQDokem6dpuk2F3Y6Jpfh2OEyT6haQ6Lpq2enzWX9p3McN7bzNHcTbI5z/Dv7Suvm2G8YvDCjRxFSGLqcRxWKxtL2dGpOVfJeAVLljCyp88K9SDVKpFcradk1y92S4XDLJlDD0fZ4OdFqhTdSc0oN12tasnUm4+805rm31Re+IXhTwr4Z1iLU/Bng/wACXvgn4V3tn4F0nwPrNjaXk3jnxV4l0+RdWsNJ1ya2uNette8JJe6bo3hHTp55tFW/1kzXc0E9jBPD8lLOa3E3BuA4fozr4WvDEYnDcZZ3Cp9Zr5dg8J/auWYXM3h6rwk8XJ4OpWxk6eU4uWNh7Nwcq2KdOT4pUZUalZUbRi6k42dmuRzk7e9zbJ2tZX2fL0peELDwp4j+N8FxbeC9A8M+GvE934p8O+Kvh1b2lr/wlmgeNtM8PX17oWo+MjLBDceH5dd0bw/JImnaHJJJaXunWZbWJo57xbry86jWyDws4qoxzGtxDT4Xr5JW4Kz2dP8As2UsNU4kw9fN4vATdevJwhD6tOWdVcVKrCCnhaceaSqOnSVWqoV0p0K8Z4atBJR56GKpyw1eF4NSiqlKpKHNT5ZwvzwlGdnHR/bP8C6vafsz634B+DPh+wPiC8l0Sx0TRbRv7NszocvjLQrbxYy3sTpNDJLo93PFe3wmW7a1mvL24uGWCZ6y+hFxJxBxV9IrLKuMX1rBU87w9PGUb4KhbDvIuJKVvaUqGGqv2lLD2UqSdSKitb2bOKsTQyXhiWXZfH6rhY0o1KNHmnXcJUsXhsZF+0rqtO31mpOtyOpyXnKPK4PlPiHwF8Svi1ofj0fCKx1DXtO+M+lXFolloGk6NpXjPT/EV1YafqjXejQ22k+Dpb7UrOW2jjuoNe0nWDDMNMgvHlW3vLu3l/tziLwz4Ix9LG5nQyP2GPrV8bX5v7Tzery4v6y/aVLTx8KL56sZ1OT2apx5uRLkijn4T8ePEDLFlWEzziL63whl6oYbD5X/AGRklH2eAwydKVD69hMnqZnP34UG6k5Tre5ZOUZTb91+Hv7WXi2KO4tvHGheIEv7KK6tdRW38NS3V9ANMj1jTdWa40vwla6zqOmXr6vaKZNL1seFru3kU2pRJA6H47GcNcWUMXTpZVi/ZYbC4iCwtN0MuqKnCnOnKnFzxGI9pLllFO9STk7Wldb/AKLgvFDw+4qyyjB4WVJuhGWK5MRnEnOSanOScssoxi2sLUiuVSilO6TcYp+ifCrx94A8TePvhDqvwjh1HWE1n9oP4X33ieyu/C3iLT9Luv8AhK/jX4I1fxP4tt9Q1fSbKHw5fWertp+uPpFvcizurndpNtBh4Yq/S/BHG8QUc6y7A51i/btYnDUuX2GBp+8lj+uEg1q3SdufS1r6yPzbxO/1JrYnHYjKcB7PGTqYidOssVm8rSksL7P93irUnyR54XlGKl8Ukm0fpBX7afDkcv8ArrXDEHfISu3IZfJcH5v4cMV75OemM4yxMXKrgGtoYyU3puvqGOp2301qJ312tazbRyzcbx+GMoupqtnGaSs9ficXeN7W10bJK1AKACgAoA/GL9qjwv4Buf2kP2jJ4vhZY+JNUl+MXx3lub3UPEb6FJf+LNU+JWs2Wi6Y8aXsv2fT9Sli1S8bX1Pmwi1t9NubbQ7C7TUH/hTxW4gxcfFrxOw2Ko06XsvFDirARnQlOcXgKvEuc8mNalOD+sYWlRw8p0ErTrV60qM7QXN/Qnh/Ks+DOE37JP8A4R8hirzjdxWCjGPV2U4pPulaMkrWXXfs2/tc+Ev2V/hNq2jeD/hd8PNUtPFHjb4heJ4p18bP8LdMuVvPAngnw0h0O2/4Rvx5pU97af8ACOQ3GoxN4klex8+yilN2bxL1+nhnxJnkWX1MszHJsbnGJrf25Qninj5zqYVZ5liyuFNp4LFzl9WjUWNp+zqKOIqVZULUJKdVdfGPhvPiTFf6wQz6OWLA0cJQeA/s76wqs8BiXjXV9vHG0FH6xHEwoTi6E3CNJSU3z8sN2+/4Kt6Y2rWGqw/s++G7u+N1qGmTTad+0bYT2hWO7sdR8y++3fCuzh1G9jeyjf7BZpIyKtlNC8lwY429+t4uYTkljafCmOpODeMfts4sqiuq3seR5T7Wz6VfY2k7R5FL3TyMH4aYmphatJ8RU1TWMli7U8pcbJUXCdLmWaJ8s4ySu+ZxSfuy5tNPx7/wVqtPCqaTBN+zjFqV7460N9PF1c/Gy00u3sx4a062vZbxrlvhre22zVmHFve3Gm3Fo3lLIk0kipXBkXjJQz7C59SfDfNNZZw9l1TEQz3EV5zqZdPBYapipQxOUYKpOeJlls6sqUOZ03VnFVa3s4Tr8sPC+tWxOGjHialCNTE4yt7KOTzk1Gp7edOnFvHRglSjUScpSXOo3UYt8sX6/wD8FZYdO+H1/wCN5f2dYX/sG6urqzsLT4z2d3bwyanHZaRb2cd9Y/Dm5adtOmk/tH7db2MljeORbLcRylphEvGinmudQyCGQOhWliczdDFLPcS62DWLyfB4Gn7OjPJcPQUaNXK6mNjKGNvUeJmmqc4RnXut4aVMPXcpcRUX9Xp4SlUjPKZ2ryo1Z1Ks5cuNq8nto1VTUVzKkoxalUXux6DVP+CmOlx6lqmmzfAPVdLi8TJcXM19q3ju7i06yW8s9B1W1a6utM+HWrOGt1W5gitvs4u5ku0uJILX/UNzVfHqhi5Z1WXC1GlRzWrjZSof6z15exqYzNMrzGlN0/7BhPEPDRy+rhozjThFrFzm3T5HTqxDwvqQp0Kb4ooSdJ0Xz/2NWTl7PD4ilNL/AGtqKqSrU6lm5cvseX3ufmgqf8FKoNSh1SSD4CyXNr4e0HxP4usdQ0j4oWdzY20yWUNjYaJcW194I0jWYXjkjbUJ9Yj0ibTbR7vS7a/ltrjUQYtqfjZSzqpLCQyFUK8Z5jXw7p59jKuIw0MblOX5dF0VPIsJhoQw1bL5YtP63GvWq4qcVQj7OWIqP/iG844ii/8AWKg1Ghho1E8pq2rSoVqs6snfFtx9vCoqaWqoqK1mrRTtS/4KOWEvwwg+Ltt8E00681f7N4hh0bU/il9mgs/7e1S08NxrLqT/AA7aJxYGWd7W+aztriS6a4sFtbeC6jv5YfjxDG8W5hw5h+E6uHrZvmeaqnisLxC61bDzzDDVJ0506FXJ8PSqvDOfNGo8fhU4rncqTXKt8u8KK0fYOfE0asI0qUJ0/wCx5w9o46Nyf9pJcsmov2clOzilzO9zwD9pz9qHwf8AthXHhnVdT+B/hXR77wZf+MbbQ7LX/Gq+LRrOq/EbSvBF/YaNY382j/DxvDGoLfeFrWyXW1mv3tmvBqUNnONOl06+jj3jGpneLSwuExeSxnnee4rGU6ePniL4avVw8a8aqpwoQrSwCXLOMZThX9vOFGTjGcz1+BOEanDdLOFPMqeaymqeDj/sP1N05ZdGrz1W5YivdYl4mFqab9j7G7qVedOHu3/BHnRPBWn/ALTXxHu/Dvga08LXM/wX1+bT9QttXfVJNT0DUPF3wnkuUuIpJA2nta67ZXdlCfJjuNXt7CLVb6x0mWaGK9+1+g7nVbMfFbOqM6Ps1U8NM4xVT37+xqUuLeGMLTw8fekpxlQUcQ5JKNOVWVKN7Sb+R+kA6n+pmUc8VFf6w4R3TTu/qGe/8N52+R+kVf1SfkAUAFABQAUAFABQB/OZ+2XqFtpf/B0P/wAFKLy7uYLW2T9nf4KJNO6xPeIkvwD/AGJYydIWeG4gOqruDQedbzxiFbgtE2ON8vddYh/V4RnP2crqUZyXLeN3aFndO2u34HBxGr5c49JV6SffTmlo+msV3+89pHxPsvBvgbxBq+h3/g+4OmeC9TuPDxOlXul6/d+JbqSDSdCtY9ciitYtVlm8QXbLDZ29rZ+bDCluHWRXmb5LxczPDcP8J8V4rG4n6tTp8PZvSwFavUhBLOHkuOxOEoylUq0E6ThCVWVGhJYufvSopL3lt4eYDCcRZ1leUe0xX1LC47C1oVcPOmsRKX9oYXmU58lai4r67PT2UX7tO70fP5v4GsLO38MeL/sSy3Uvh4WvhpZJpo7iZb6y0Wwn1KR5FhR2uJdR8TarLdt8qvubMaMGLfwpxZmOKzHiHL8XjJ8ss9xOMz6q7VI89PHZni3h0+erUvFYfLMJGnzSnO6T9pO6t/T2RVMNkmWZBgqz5cJllDBwUqqhz1aNHA4WFN16knQpSlOph0pNRhFznLlS5uQZ4ru0k03X57TzLn/hEfCF3LdOVhuFia30mKe8MUTTQqm2zvQ2WLfvfI4ZBIpnJ6Mo4vLaVblo/wBtZ3QhRSdSm5qrjZ06HPNQqNp16DTSS9z2mvM4s9H6vi8pxOFzbFLD08LPERVNQU4ytTr80pSVVU6XI1h6vJao9ItO3LJR+GP+CWvxJvPBn7U3gPxHb2Nzqw8Z+L9c8KX1oLW33XsvjPw9daVprJLHKq281jqV8up3Ukplgjs7Sf5ULeaP7DzapVyfOMkq4ahQrV8pwLhhqE5VqsFGdLFYKu50vdlOkqdWn7NwlTmqijOTlCMqb8bxCwGUZ54XZli8wxlbCUcdxRg6lOph6mCw9Wc3QpVqcJuSqwnSUfaNrn9pKVKD05eY/WTQNc+L1vp8Wq22lePbC48WanLo7aJ49v8AS/P0C8t4b2+/tC90972yiS3a3WEXOpaPaQwy24g8+DekUlfbZnKlHH4HPnPERxXtW5YZTisFZKhg9aLftP4Xv61v4l5fC+U/nSOJwmMwOMyNRpUcLCknCvh1Sp4yV3PGtOtzSpte1h7Oyo/wXKPxPmM3V/EXxnt9ajstV/4RXUNEnuV/ta98M+EvEp+w6RcpHbajd2l/FcXdhqF1DFHNIkyyovmBd9sY1DSRilw/XzOr9fxOeUJVshnmOFpZdXwVPC1c4qYiXsMPVhW5nUp1G5xnSp3xUqahGNR2d8MDbEYTFUqsKXLl0a+HoScV7SpTwlKEaU6spcynOak3OUFTjKWsYx2PiP8A4LS+G/C2s+Nf2NtF8O2+tQfEeHWvHTafq2iXEmn6r/whrpoNzrkd9avZiX7dayXGj6p4fuor8S2Mmoa+CrQ6iLez8LiXinLf7EzyvHBYCnltDKsQsfLHYXDqlWxlSphVldDEezq1JVKM3DFRnTnF03BK651TlH7PwAngM+rUsRmCnRrYGvSlCGEdKFOpQxEc7pYn2lLESrQnOKhQlRqp06tKpdKr7GrWo1vov4NfD0WPiL4fW/jfxE3jKxl+CuqaJpl34q1jV7OOTR/DmreDL/R9N1q00zUrHTpvFOnrYazFc30NtFJLJNemRZGKyJ+c/RZz6Mv7ewNTIuHMThs+zHM8wmsZhKuZPLKmaQ4dw9TD5HWxlebwOAwvv1csocs1hJVJKDdKXsjp8VKiprF4mFbFOOMrV8TyzklGnHEf2hV5KcYNKMIRtGK5p2V05S3PffE2n3U2nw3OiXnht9V8M6PaR30OvnUZYtNEFvHFFDp+oTX2JrO5iVLhp7k3FzO8rTG4BfA/YKv1qnjKWGw8KUcNhOeFGhCNVUeSdJaSpQtC0GrwUYxSkr2dz4CjTwHK69SvifaTblJOpQ5U3J3VmubZ9W35nkfwNFzD+0N448F+NxYx2fxr8PfEbw9YT6XJby6PdTNENdubWA299qiRz3Z8VeIZtsty+5oLQoqmO4Nz6ea5Xg8LwZlmdYeviY5hkXEkeFcLB1KToVMprYTHcUTxOKjTpxrzxqzPM62HjXp1aOFWDhQpyw7xEJ4ioq+K9tn+Oy52hgOJ8rjiMxnSTVahKpUw+S1Y4CScqVJPCZbRnH29PEWxNStObdGUaUPzm/bvtrb4g/HTxnb3tnd2F/YaT4U8N6xuaRZxqukeF9Is/EAtxdLcvBE2sLqtu4UiQSyXUgcSMrp+Wy4rzWpnmY5hjKlCpLDZtmmGwtOKruEMPhMxxdPD+3VXEzlKq7RxDSlGhJOly0lFzVT+0for+FeR8V+AuP4UrRxLwsM2wNBYqnLDxx/LR4d4YfMq6wc4xqShhVTnVpUqdSPt686cqc3SnS8p8D/Hj4ifCO6stE162n8f+E9Cjs4nn1SG6uPFC6BaSWdw+mW+swPZ2xFvbiZLOfVLLUZVKw28khjIMePEHh3wzxpRr4/LqtPhvOcwlXmoYSpRpZQ8xrwr01i6mBqRr1U6lR05VqeExGFg+adWMFLSX5h4lfRbpcLZxxBiqC4pzOOWZVWxOGrTWHrxSw2XYOtRjjKlDIKTlRpypqE6kpqtOEWpVJ1587+hIPB0ni/4U6z4j0fTvFL+GfGVkfE/hTUIfDd6bufT7+bR7y9SyskNzJex2175YhmjihWOxuop383yZDN8NTynizL+JMshPh/GYitlM3l+ZVaVDGVsslPCRxWHpV5ZjDCww0Izo1Ye1/fVE8SlSTh7amo/z7nPC0lWz3HVva/WaWd4/JoUKUJcqwdLEvEqrKhOh7Z4h4iDpupzRp+zdlRUlzHC/DnSdSudNs9XtHttSi0XV5rHXPssk66lb2ayxj98jWYaLUrVoHkFo9tILiRPLVoTGS/fxRjcLTxVfBVlWwssfgoYjL/axpvC1K7hL4JKu1PC1o1IxdaNWDpxlzNVOZJeFhsmp4aaVP6zz8/JP2lotJrR6UYtSSk3Zptu3qdTPqPhxE1SG8u7qeG3t0uNXiubS3iTT5r68S0F1NFbXV9e21m0fJNzaqRcrLI0wjYQp5NLB5tNYarh8PTi5VfZYWrRq1ant4UaMqyoxqVaGHw9Su5rlSp1nzUuWCg5Rc30YTInic1p4B0cyrxxFGnV5sLRdS1SviYUFByVKbWkubl5JSu4y5nflOW0fU/Cdzaf2evi7w1q8sZP2Z7LxFoWo/2YrSSvHCzWWo3VwZQhXzla3UrOZEEaBQg9bG4TOaVb6zLJc1wUJJe1jiMszDC/W3GMVKaWIw1GmoXv7Nqq06fK3KTbk98d4dcf4LFKlR4bzKrhZXUas8nzmc1y04NrnhglTbVWTi7R00jZSRJqPgnRfFf2cWywWGqbLK0TxBbXbTWv9ri4kaS5kuow0MdsbTyUm0uW0jv4r+RllulUeSJw2fY/JvaOq6mJwfNXryy2rRUKv1J0oqFKNGVpyq+255QxcK0sPPDRThSbfOXl3BfEGBy3iDMOMMmWVrBYvNIZZOnl+OwjrYXDUYV8FVxbzTDQjUrVIwxP1h4eUKcpQXsnFQqM9d/ZZ+EPxR+Jum61c60fFuieFvhmZfDVvLpHhXVbfVPFXjme/j1a60q58YaTpWoahbWGheHbnTvtVvaSWckcviPRvIuY7bTrqC6+o4E8K+E+MI53xFio4+X1p5ZicongsVzZdUo1adfDYp0cPXw+Iwk6sauGqqs4U5VoSarVZRdeFs8lxWKpZdVzKpQw8cNGpONCUqDjzU1jcRh4ucpWjL3XSadOryOTaSslE+kvDfhnxf8AB3Vfh3ar4J8J2Y1XXp7SV9BPxP1vU9Xv7+xez1fxBqtrqJa1XWtZWxstH1PxB4uk1W/XS7K3iS+soofMX9g4byLhThjhuWX5Lho0YJ4xrEqjltPGWrKUpR9thKOHXJFwpuEeT3XThe7igxmZ1MVmcMPPkUH7BXjzcz5pRTd3Uktpvo3or31PA/8Ag1c/am8Tfs0f8N3f8IxfaBp9z40H7MBvLjXtAfX4Y7Hw0/7QbTyCOLxX4bns7eNNdY3d1DDq7xoY2W1VkSO58bxF4nlwzl2GrQk4zxDxfJaTi3OhQUo2tXoNu9To5PXTlvr7KtfXZ6P06n6qfGb9sK4+I3wt8b6X408T+JfFPjjV9GvdD/szSUl8EeBYINTtbjSrW4svB+qapqemKmmXnizXJprua8tPHeqatptzoF74w8UeFNE8MC++PoeIeZZrnOQJzm74XEX96vq/qVSV3/ttS7srX7aGlZQ+rS5Xf4dmtfeh28vz8zya8Nnb6lqOoP8AajcnwTprWv2I22hSSazoEl1fNPqMsc803kai83iG/sJb3UL17TVL7TksZLaTXdt7/WGRYnEVMHltSs24uhj1q5/F9dppfG2r2i7a37Lc+MzNTnmEU07KUOjt8NDunv8A11PaP+Ce10lh+0T4y1PUtVu4bfXPDnxcuNQu4vN+36Ra2Oh+D9T025huJY7qC51WLSjrzX90bPUJlvI7eGWEtLuT8m44ftMfxdbW/EOafhmsm9bS6f11Po8gptYWP+FeW9Oit7a6Poe0fC7UYPFXg/4EG9try5trbx54STUkuLiwurTWLy71/wAKJBfzGztLfzb2OxktLAW9/c6tdXel6fHGmoS2tn9ksObHU+TOcyTTtL6ndf8AcrG7tbs9dH09DswtG9dvRODUk5NKN3CWuqskkknft2PL/i5Fc2/jH4o+HEhklhtv2udQ1CwsTBCI9PjuppdU+xaFdyOZdCsdWju0l1JLKBIHeOO6k8xpa9zwz04owfljKC8v+RhgPwFxJhoSy1S70L62u74fEPX3N9dfM8ehsbK+1DVLx4bOe+g8O+Qlu+l3d/qoF9qPhO3u9S0SD7ZbQy+KJ20W01DTGg0pn1zVLjxHNqkGqR6f/Z+v/wBA5PUlHjzP6UKs6UaM8srOo6l4RX9jYnEShWdSNVRwslz05vli6NLldKVJwhVp/AZlgIywNCXKnze0Wy/5/U1paGslvvrrdPYb8KY/g74A1Dxz/wALBsPDF1qrHRPEPhy312CXXbXXdFdbm1u9FTw40cvhyK3s9UtZLNtS1Oa9vbjZ4hNnEZYbwL/HX0xq08BxxmMpXjbG4t3aa/5m/E7vq4fyP5/h9XwnQhDLad2l+7h239hh/wC71Otsv2nvg54NtriXwt8PtGv9c1Ftaiur2yn1SCxsklbX7O1n0nSfF1lq9tp1tpeua1oOqlvDtp4eubUQatPeLDPr90ZvxOrmNTFxilzNcqs9XpZW+3P+X5HXismp4i89Pfblpy/a5X/z6l+p1PgX4k+P/Fdxo+u3uk2XhLw9aac8fhy81BtG0opFb6pqDWFrbTtJrfjctfSXWoPdmO703R7c2+itZT2dre38sm2GhyU25aP3nZ6dV5eTDDYKGEi1B2qxvKGybk7OFrQjLdK1lftqek6LJ4b1vQdK0TxtpPh3xdbaY2l6pb3L+ELO20y5Fl4UhtbVR4ruRqGq2fjLUJILy6vntLKSXxVqGh6fpyTQ6DcX08GVfBSxMrxV1e/w3e7fxckmk7ttJqLsm72jaMVPMJxcUpNNp3carlpLSz+JJ3d0mlLRyTcVbrrW78HavcMi6VYeEZj86pdxWljqEX9hGG+g1G8vPDr3U3hS70yHSdYsby23CK7jup5df0vWbLTbnw1q9qhLBRoy5bc1anS1jKy5nOXNpGMtLX0e+lpLR8M8Jiasn9YXubpzVXljLRKXvQbvFOT933n1vHmjLq9I1AQtrNtaa9oF7rd1eW0moaZd3sesW2iWenOlnbST6LHrGk6LFHoodRfWenappd3bqwlv9S8R62lnJO8zcqtGjGXK4ylRlKEo3U+WFXl5k9Go88vtRlzO7akoyjeGUaUlSvTcZTi505JNT5IuK5laEbRTl9qMuaXNdNKUKYTTJrfU9O1m/s9W8LXHh/U769EiQbL5rGfTJ9S1rQovM8SaydIvrZZvFmqtqVxe3h1nUkvLW4nurmec6Y7DVMOsplT5pKTxl2lLXlq0ndvluuZuVRpyS53dWtZ6VcAvrWFxHM26DqSj3k+aDbblCUlzSi6koqcFzu91axyTeDvAEMF9J4d8KR+A557SPWbHXNN0TWYdDuvEmiLctrVpqTDStMNpdX+h6ZC+oS3OgveGe01JLnUpxYS29nrleazwuZYZNSi41KSd3L4vrMLf8vIcq5Y+d2m9E7R7Mur/AF3McNhZqSXtKVNuWsW3iY01u2orkls1K7Td0pcseV+Aum6foHgvwbqGheJ/iTqXh6w0i+t/CuieLvGMr6N4b8Nav4mvfEuoeGrrwR8O9Y0H4c+IbfRjJ9n0zWPFug6v4h0u2+zeF9T1K20ywj0q36OOaMsbxFmObPWGIWDi2ktVRwWEotS0lzpShFtynJNqMXZJRP1rKeCcBh8BTxEeX2s/ayTVRK37yeHjy1Fg4uhOSlUjGNGo5pKdWHLNyRV/aJvPCnwX+B+paPe+Ib6XVvGHg/U/Cfw08Na3c6RYjxJfeKNA1uz0Y6DoPhaLTdE8K2d5fXel+G4v7B02xg0LTdL0++vY4opVYzkmAw+LdODkveSlFN09VJ0U5JJVOW90ra7J6aIxq42niJV6bdK9Go8JVlByfJPD88fYyqVVGVXk9pKfM4xjF1XCKk1Uk8L9oz9qKx8GeArb4V+HrvSv+F2+I/C0txc6RFp895rnw+0HWtYvvsWq+I9YsbOXS/DmoDTZrNNO06xNi0+pXfiTxbbK8sV5eV56zanleeYvDxcLYfG46juuZclXExt/EpqKSeiiox96TcVKUjGOFlVw+MrRlWalUpKMItKi403CkpclO6qSlytSq1k6lqVKlDlo0aUTqf2cPh78Dfi3+z58Lpdd+HfhzX5vD3hrxF4R8X6n4h0i3ufFfiPxRpHiK803xn4g8Tard2154g1C78Q67a6h42tL+TXXifxBJd6vdtIrRXCdXGPGmJqUY06Lc5SpNKMfbSlf2eK95eyxD73j8Si4SlJRi9fy3O8U8LnboNpOSpXpv2inaVKm+bRRduW7SfMounOdRKD97x//AIKheCIfh3+wD+2honhXxZ4r0DT9E/ZK/auh1Hw34Mn1Pwn4LvpPFHwN8ZRyxeL9H8Gak0es/b7S31W10nwt4x0W+0yJJdV8earqkE9zZX8fqcAcf5zDPeAMnqe3VLH5jlmFqp/WkvZ1PqNCXNzY3l2vdSpSWibi07F0K/PJK+raTV192km73WqaWydnc/P/AP4If+OdZ0D/AIJkeArTTU1u6k0f9pn4g+I9PsrPxB4lbTDqUb6FBZ3E3hLRvEmlafqNy8zGzkfU9K1VprKeS1WGWCd4JO7x7xWZ51xXjeGK7+s5NSyzBWwdqFLmhiMLWjXp/WIRo4qPtfr+IXN9Ybh7S8OXlhyerkGLxuAxGIxeDq+zq4e+Ioy5KU+WrSjhZwlarGcXadOLtOLg9pRkm0/pXxH/AMFl/iJ+zz+0/wDE/wCAfiX4bap8ZfDHhrx8NK8OeIdA021tPGHiaz1PUjcCDV7DTtP0/R3e3Nzb6Pp81tZx2t9b6StxHbr5kpP5Txl+zo4TzPB/648D8V/6n5tioulXX9h5lxAo/UoYqKm/7X44p4aopVMFl9b2ccLFL2PJeSqVnL6LD8Z42dFTzWr7ZxUop8lGm4RScVyPD4T3Jezc488bTalq20kaX7UH/BYb9pr4Y+FtW1/wt+x54p+DbwXEHhuDxj8ZtrG08R3ml21/HbXWi2ET6zqEcdqPtNkiFbO4+ayffEk8TY8Afs6uE8NVwuN4u8Vnxkszx8MtqpcD5nw48Via9XC06WQKWV8cN4f61gqEpf2pGNOnR+uOMpxqYf3ufE+IGHqqUcHHlotWnCTlOLqrmnzWrYFWsp07NLeEZNuaTW58EPjdL8SPgD4I+KnjnWb3xJ418X+EdMn1ya8h0jSbzX/FlrpkUfiW3Wz8O2un6DpFrNeJOkGlaRYWMFjCUgnt/t0dzK/474meA3EuV+M3EGA4Z4YjlHC/htgcqzqvD+2sBmUcrwmAwOTcSY/ERnmWbzzLG/8AI3q5ioReNrf7QsJRot0Vh6Xi5njsRndTnqzunGCUeWmrSipRu3GFK9lO1tvXdULzwu7yr4XeK1sfC88mnprekxXUtpp5R0uJbLQJdeidbq3t9E069nvtVuNLms9Ruorwme6d4bVobpce5hhKmZT8Nqkv9WFSrYrmmqc2pRp0auaV3LiHCSzKbnXvCMLzhFU5+wgouB5ddU601FRtFKK3e+qtbR7NPpe6Oa+K1xYaXoq/B/wQE8FXPiTRDNdecFnsNI8KObeDU9RkgvPtEMkus3ujC3tkkVli+zG8hEd6guK+k+jVwDLxGzylx3nFSONmswpZa5RUaCjiMrx2TVqGuFxmA5vZ061ROP1PkcpvnnUlBJfS8BeHub8Y4zE4HIG44yhl2JxlRtYZ/wCy08RhaE1bG47C0l+9xNF3jJ1NNIuLm40fB2vfGPwzd6bcx/CPwXPrDrBZweMdWu7y6tf7HvLiwtUTUNL09U0u6v7exm82PzbVr6WU2tpHMl1qdrPF/UGXcJ0MRxRinOF/ZYWk4+9JW5ZYKS2xMes3vf1tY9Wh9HfxFWL/AIvWH2Mi709P+R39+53up/EX4u6nPZaf/wAJXceHrGwubp7668MSLqs2srPO0dsup2fiOHUfssNvDGFs7WNI1hR22gkBq68BkdONCnNxu/f6tbVJdqztt+HU+u4P+jJXzPG4mnx7R+sZbTpUpx9+FK8pVEq3/Imz+Fdf7NzrVtdYL2ljmvivqljoVrceJvE2tLJ4z1S2sPDOkX+vzRrcapFZ3djZ6LbwaZZ6VpelW3ljW7qWd2urdrqaWJ73U28mO5j61ClhaU3y6wpy1vJ/CnL+9+vmfY5PwLwR4dwzHK+Ccq5cficJUy+Fb69m75K7554efs82xmOoz5cXXcuV1IwdrTqeyatqMl/ZaTaeH9V0y21vUNPt7WQ3ejaelslxZtONKtby0t9R1a5t7e9vpLyOyt9Ttza6RZSXMt7d6hC3kSPnj+J8PlGT4jHYnERwuFwuGr161Wac+WlQoVq1RxgqM6lWap05yjTpQnVnblhCUmk/XxXEOD4U4SWI40q4bCqrRlhqNTE4qlQ+sY2WHxtZYfDwwcant8TUpU26WHoqdWryNUoTkmj6q/Y88NeN/A3gHUH8V+G9GsofEniGbxQ/iCy8QXVr4i+zLa6c2n20ttL4bW7Sxih01L5ItU8Qi9N9e3Mc+nxh3jX+bvGn6aPCvD3EmX5ZltF5pmMM6qZdleLlPMMBJZhUjg2sM8PW4YxOG97HqnS9rXrSoJ4bn9oqNeSPx3iTLcDx9jqecUPb5NSU6uMwlDEU1jK8o42WHlCnVVHFqnRnT9lF1ZRqYimlLRtQ9+pdfCf4qfDn4g/Eb4ufD3U9N8ZeDfHeq+IPF0nw50+1gOsxTeJ7nSNb1bUNI15pLo61Nc+Iote8Qhza20c0V3IiRPB9mtE/O+JfHfw6+k3XeQcX5BS4W4z4TzKpgMLxLVzfiHOaVbNMRRxuT4D2mVZNkOT4GhTljMkynnny4+nCCcpwnD6xKv2Rx1TIcljgo055isFSjGNvZ4ObSjODahP2kFP2eJlanOu1zKzmm1KPZfCKPwJrJHjnQtE+zeItchm1W/TWbrVrnWNPn8WFda1azW01maSDSJoZ5za6nZ6ZZabDM9rHbSW0UFvDbx/hXiTxFxlkOP4q4L4qzRPK8nljqfDmWRwuUThgaNXC154LOKeY5XQr1sbHGYHE4fH/AFLG43Eex+ufVpyVXDzUbpUaWJoU8W04xxNGniEve/dqrGNTllrGa5lPVuEXG20HZGn4w8MfD5dV0bx5r+i2X/CT+FpZU0XXkv7nTtStJdTB0uIXt1Fe2seoadam5wLTVfttlZWn2gWVtHv2P4XC3E3EtTLMr4cyXFVMvocSfXMLjIezweMp8TVFVqU6WI/2vDTWQywEqkqjhRrYX6/GpChOry0KcqbqYKjb3U024Sje9pcs4zdveT2va97X21sfHV7+2ne/HP8AbW8B/AubTJLv4L6trt54D1S7t4tb0CXVtUm0jxLeQQwaxp1xYX1vo2uarpw8C6BqemX0cmuHVb+5uppJLazeL+6voq/Rkz/wy8Fsr8Y8NhXRzzN8kw2dyxTq4KT+sVsfnWDcnh6ufY7CJ+zzeUXFZXRjd39kpJSpfF+ImIr+1WF570+dws1HVN4J725rdrSvZJJ2Prtvh18C/CHiTRfjP4i8NeB/CmteBNGPhnQ/G8EEfh5/C+kqVsdRsUn00WtvIZbBEgjkngmuLSOeSyhljty8Z+xq5rxVVqKeZYu+JxHs8RWToZcr/WYxrx/gU1TV4VIfCo26xi7o8WGDp4TCU8Xma9rlbp8/sbyp+6tKy9ph5SxC5q0oy+G6taK5bnzZ4m1v4RePPEHxDtPg7pVlonivQ/H3jHxX4c8TS+LNU8QaD8UrvTNZutX8W+CE0rxDqVtZLaeOpr6/mt9T8LatpUfhX7TDb3T2irmL3MixtejSp4rEPn9go1525IXjS9rOatCDs2orWMXZJ2jJuxxYrCxzBVcRwxJ4OjRUq042+sJ0qUeecb5g4Tu40cQlKKclzO0ZNUzB+G3xg8/4+/Azw18QTqHhLxVP8f8A9nnw4nw9svM0nT9J1K3+N3w/jszcWUl9q0d/DJdwTlb/AMMaj/wjF+skIW5vYo7aGvoOAcVSzXjDA4qlHlTzKhU3k9Eq/wDNGm/+Xb+yvTQww2FxznCria/tLSUn+7owva7/AOXcutlbT5H6x1+unWIyKzIxGShJU+hZSpP5Ej059QKTim4t/Zba9WnG/wBzauu9tmwu0mls7X+X/BFpgFABQAUAfjZ+0u3iSy/ad/aEu7LQ7KSzH7RPxa19Jzp+p3sbw+DfEfiG5t7tpIraWN0l1fVJ7XV7WNmCHZI6CKNZK/gXxknRXjD4qe/LnXiXxQ+XlVvbLijNocl9+R0Pf5v5/c21P6H8PW/9TOEu39k8Orrt9QX66HW/Ab4qftHfBP4ajR/hN8JotbvtX17xp4l1JF+EHxG+JFvp2t+IPCvhW5vtBjT4XeJ7GXwumjEQ3FjY6xpU1xPa6nbSIw8i4hT0uEeIuLsspYjDcPcOzzehXxWaf7VRwuPq4ijUx2SYPAY72M8NiaFH2mEwUYYum2m8JP8A2nE+0w/LCXZxnw5whmuJnmOecQyyzM8NSw1LD5f/AGjlWGhXoUK0cRQqSw+MoVMVUVevWr0JSp1IwqRpclJRqQqN68H7Y37f0N5aNpH7OOm31xNe+I4JZZP2av2mNPMdpPGI7v8As+0j8S3r7raaOaaO9mjs9NN/PMtwokS6kHv1uLfECfPW/wBUp08dLA5vGhSp5fm8sUpY3AVaGLlRo0cUuWWFpVKlWnarKWGqwVSsqlKEr+FT4R4HqXqYnimpTlGpSqRp1M4yeEZezlTqUoctbCTqShUdqfKprmhaMJRk+Ys+Ov2w/wBvrRtP8O2vhz9l3Tb/AEvW5PFs2uXn/Cjvj1rFho072FvPbR3J0vxFHcafcx3IaCK3EN/seQx/arhVlccuQca+ImYYTN1juEZ4TC0K2Pt7Xh/iHL4V62YVcDTx6k6+ZY2lOpgaOBw86LVSjKhHFVJYjmhi6caOdDhbgl1YwnxPVvWjTVWbzLJYqjGj7WUGqnsbU1WlNxnz0pqbjGMOSUVN2dY/bD/4KBWXg668R2H7LtlqPjSy0oWukaNZfA74+Ge8t7mPT9OuLmz0O68Q2erT2VvYrJqEF0bmGWO6knuJ7D7GuypwvG3iTiOJcNgavCGJoYWrgcRhaGKfDvEdKNHAy4c/s361g8d/alandYLD08xjUWF9lDFV5V2pUa0YUlW4V4HpOShxPUnChXjKDjmWSVlWmsU67jUaoUlNOpL2DUeV+zioaTi5S2b39qf9s6ALYSfsxi38NXL6lPe6tYfDP4j6/FZXGo6Zp9zcWwtl8WaSZLyxu2mjiSOdYrLLW1xd3csUzHkpeIXinLBYj/jCpwwzr5p9YguE+LOR1ccst+tuUnmsqEJYKODoez56kKtCOKre0jUjXgoOPC3A6dRf6z4iUpxo3k8fkl4RpSqOLVoJJVXOSnzRlGXLHk5ZRuWLP9qX9te5l8Q3Nv8As4ae/wBl+HrTxef8KvjFoerPqemz28ujxNo1zrOr21/YXUEdvDfvBrUGoXo1ALo2nXEWmXty3Xl3H3iZi8cqc+C6+HqrJ8poRceF+JMNTeXYHE5fXw1eWJqZziG3jKmEwtCqvqjw+IoYmrGFWlKtRSiHC3BFOtT5eJ69SCqV5pSzDJWnVqKtGULwpxf7v2k5RSl7SMoRd2otOhY/tHftX2vwwHivT/gNbxfErVdN0K+1LQV+Fnxa1m40xrq407SJ7eLQNO8TDWraCLw80d7Hp5802totlrTXB0tnsoeaPH/ilX4inkmI4Hiskr/WsLiM1qcP8S4OFPA1cBU9piZ5pVx9bBYeNKnKUvazwNSEVHkcJtcz74cK8FzjgFiOJq0PYSr+wVXNMmi6tSpVvWvKeHlKpOE7R9xrkdudN3PJ/j38Yf2lvjI2heJ/jF8E9O8Bar8NfEGr+IvDemzfDbxx4Oj1WbXbHwfbeLp7zTPHWu63eazbeEokt7mGfQUM2j3k8Daoh+02rjDxIznOszx3tM5yqjldSGO4qkoUcLisNGeIxGIyx4qkvrUpSqU6Do0o05ONOpapKdWnBSpxPR8PsmyHJ45xHJM3rZrGpGnh6jq4zA4tQw+DVRYPEReDp01zYr6xX56jSpVfYR9jCHJUv7D/AMEf7PXrf9prxhFqOkpZWmkfA/4g6Ak4sr+1k2QfFH4X6tpYuHu4IUlur211i8uZUBaa3ihtopEjAC19h9AyVGXi5n3JOUpLwvzNxTiknzcV8LOvdrb2dblhD+eLct0fI/SDv/qXkt/+ihwvfpgs/tv3R+kVf1qfjwUAFABQAUAFABQB/Nh/wUKhtJv+Dmr/AIKSLfX2safap8BvgbPLLoC6qdZlS3/Z8/Yuna1019Lim8q8ukjaGCS/ifTxIyrIPtD2xr0+FHSjmU3WjGUPqlXSSbV/aUbPRPW1+nU4OIv+Rev+win/AOk1DZuvGUh0LwpZ6Xc+O/HK2Hjfw9Nr+j+IBNrOo2uk2ltrLaXrGgXGqJ4WuJotF1TVtP1bxCl1p13HcX9pu0m2dIbSKvhPpe8E4vjDgTijJeGIOGKwVeefSVKvDB06mBwvB2Y4XEYfESr1aHPhq9XERhOnTqSqKpOFZYerClNP0vBnMsmyLi3CUcVGDlLEYbV068n+8zDKXG3LSrJNcl/iWl07XubXhzUb7T/htc2+lxi81jxV468OxTtFC6SRDxPHZ+IbtrsTxXcb6gulyAaj5sg8iJooU8pYoIx/Ded5dFcX8mZJ4TD5DkebQdOpVpzj7XJKlfK406UqNSlahHGwaw6pp89RTnLnc6kn/S1LE5Lm9Th2NVU3l08tUMTGNOvHmqRwaxUZVeWNGo7Lka+zHVymkuV0NLS41bwv8VJ5JbRftVh4oeCZP7PtredXSPRbaKdru1SwSCaPRra0czRSRMscrCM3Vy8zbYp08JnHB9KEKr9licojUhJ4ipUptSljqs4eyrOu5054+rWTjUhKLlC81RpKC1xWcfXcPWoY+PNgsL71KVSrKUVCFPGVHanTpKfOp1q1ndylKd5c0IJLyD9m74Pn4Q/EzxD4z+HWj2djo1/qnibw3aaxezaZp2h+HZtZ1S31Czl8Mw3sGm+KIb+40ax0+M6ouuyKmn32paXYwpp17PHX9w+BXh3gOLuAeHeLOLqksdxRictyqt7LGwxFeay3FZBleJWJlOjmCy6Nf65j8TRqKnhqeKqczqVPcdz8G8bvG3FxzCt4f5NjMRQyrCYyWNjSo1alOk6uCxuaYBWp1cthUb9lSpSu8VNaL3ZyvM+k2+KHjnxB4l0jSdU+Ivw08UeIbZ73Zp+taLNfalDi1le8/srWtQ8R/YLGSS0aZ7guC00dna21sY0jVK/QsRwXk+NpqnGhRfs7yS9nUVm5Rn1rws7wv11/H82wmYYjDVXUlWneraLfNuuWcNfdl0lbpvbzNjWvi5omkrok3iTxhZG6t4Z00xY9Se3ht4Ig6ySDQdO1C7triKaRZ7VWS5hjkMR8u2imD3E/nZzw3lGW0cvqRyjCYuvg8zwmJrVpxhGf9n4eFWVTDN1HVbo88Obli53cnalLW9PN8ZRx1SlSqTjh62Xzr1EpJJzqVnGTacHJtwSTfppc+HP2wfFHi/XP+CnPw38V6tq1zrHwX8PfCnTZfA8FmIrHw9oqaz4c1a38WQ22n+JdXtLA+IbnxDaXOpX7Ws9/eXNsujTvGTBDFbfk3jxk/wDZvh1xfkkcJh8Bm2ZY/K3gqUFWqSq4bCrJ60bzyvD4ydOksRWrwqczpJKtapUUKkE/036L2MyiGbUsVi482BhlmLoYmnyVXSeKq47GVMPVnFcrlUhQw9aFKSp1FCNSqrwcrT+2Nb+J/gi4t/hW/hefTdY1OPxL4e1SXR/Clvo99rFhoHiXw/d6j4gk1wTWsei6PA2lapq1zf2uqrNfyXenRS2U0d7smHw/0XOCc+wNDA8ylGdPB4aM0qtB++ocPua5pYmM3aUWrzpqbSXMd3i3muRxoVowcJxdSoqb9liIr2cYZjTpuMZQq8kZxgqiipQS9o704SvFemN8Y/C0p0SK4t/Fmu6XrtuLS+c+GprTwZ50WYl1W812LWI7loJ1QSpp9/bXNvZBxaKGWEE/tuFyfNnmVWM3J2lZ3nQf/Lmf/T7yX9XPzh4vLJ0E4WV9fhrfz/4Eed/EvVIfDXiC28QaNZ+FdEu/hqPBvxWs4/BmnQ6FaNpUnjfUPDvi+KzS3uLx2nHg95bO8t/NEbrPZ3TIt7bWl3F3Y+hVr8P55lzbcMPPF55GLeka1DJ6eGjVV5L30tFLnbtoqbSuY5PiFLEZTmNVKbWV1Lynr7tLO8XKzum2vc25H8+vyF/wVn8Et4K/bD8Zajp0MS6J8QtB8L/EnRLqGNVgnj8QWEml6oYJApys2t+H9Tv5UUrH9pv5pQivM4P5VxPkuHynNaXK0pZtgKOb1acW1zSxVfES9vKCqzip1ZxlFztBv2VuRKKP7r+gNn9bMvCLP/ZNKrgOKqNCnOa95Uv9XsppRcZzpcyTpQjNxdSXM5Lmuz5a1KzhurfUfPgViYDlkiV5pQIuVhPmReXOFXdGwPVMYycrzYWvUpVMN7Oo0lU2lNxpwvLeouWfNTbdpK3W9+j/AE/xEy+jjOEOOqtbB4WVZcM5tNValCnUlXdLKMRJKnJzpqjVh7OM4ztJctOSdOTat+pnwU+MXwx8XeA/hvB4KsLzwz4Yl+HXg2w0/UofBet+FZFs7/wpZ3VtbWmuS6RpWnrc6OIxpiXuja55+oGGBbyO+SITW/3fCmUYahwdl/8AbOX4Gni6mPoYLG4iWHw2KqVcRTyeliasJVKUJTqKWIoSqupe0pR5nJ8yT/za4zznF4PjzjijVlOOAXFXEnsKV4qEZrO8TGnanGnKUeWjFxV0uVLleuhzfjHwd8FLaWOVfBHg/XPEFpql9e6rf63qOl+EPEHibT0aKWc6vJ4aMGn6rNbrveC68W6drFxdG4l/esr3gl6Mx8EODcbLC4nA8O4XMalGo5YfBqvisDQ53OinGNOpmMMLBVHTk5t0eWUotzUnK78RZ/hp105QpyfNG7lTu3okrt4d7JK3/AOK8UeFPhT4r8FeMPA8mgX/AIi0f4leEPFnhK1jn8KeENb8JeCdb1iGytdF8QahqPha20m4RrTUZbQ6VqEtt9tt59PkYTiOVkPXX8FcThsjrZlk3CeV8LYnKqVfH4Z4SOTYrESxOGy+pKOYxxkcVTq0qtWMo0pRbnJKlzS5vaNHXgvEvL+Gs+4fWIyjB4+hjM2ynDVXiIUXGVGvjYOeHlCplWMc6bjh23Gyi+dq2/N+eNhq+j+FtDspJPB2k31hqdsxuEnE8n2VpHVo28iMx2ssojkU/wCkwTBc7Su7cT8BiMFjc3x9eMc8xuHxGErJUpU3Tj7ZRTUl7SXNVhByi/4VSF972sl/fWLwnh9lvCXD2ZYvwv4cxmDx9LFfWcXLA0a+MwNWGNjSVOoqmCtUtGNrKMJctlKU2rvt/hbqWiaF8Q/hLq1/b37fDu28eaVd+OPCWmarrPhzT7nwxq9oujald3MXh7UNJF5FZNcR661tNvgWfR0YRKLu7FxjlWW4DPM2lk3ENPC4meZywWUU80xtCGOxFCcs0pSk6NeaeMoVqeHlVo0p4bE0K1X6wqMq3LCl7P5b6VfgrwbmXhdjeIuGcgwGUR/svG5hKjhMEsE26nDXE9Vc9OnjMNTnGVR05+9SlBOjTlGC5Uo/e3wb1Hxh8M/BUuk/Dz4iHQPCdvrXiHWFsNf0LxTfeMNX1vxBe+dPqWu+JrLVDBc6dFYRWej6LNqdhd3v/CL2OmWF5c3IWZpf2bJPDzKeFcv4VwOAwuEp5dg8DWq42WHwkMJTxMcxw0MZgpTw8K9SS5amLcoRi6ji5NzVK7Uf4ZzPOqWFyLH8OUfcxGW4uvg5Nc/MnRziUvidJp+7Tlr9YqLWyk+u5cfEz4w+CG8Maz4e1d9U0/WNfQzw3Nhqvii902O880anNea3rd/NdF5ls7yZLnU/ty2S6ojQoIYoIo/cwfBWAhklWc4RdvrL+Gb2hN/9BL/Jnn0swnPO6S5m/ew63/6eUr/ZPDf+DWC/+G+lJ+3RqPxG0vwnqFot5+yxaWEviqCKeK2kuR+0ZJMtpG97YSO1zNa2SzQx3EYlEcSySxLh6/FPpF5hh8Fl/CtKrWdOrjMfmNDDQUaj9tUdHCxUHKEJQinKpBXqOMfeu3ZSPrsdiIUKM4ubjWq0qscOkpXlVULQXMk4xfNKNnNqN3duydv12+K2gfs0fEK0vfDvw60T4S6Pda7C39ha3pulaVf6yfGy6ppniGDUbPRbjTkuQtvcJdC+MWoeHbqPT4LqWz8UC6Fm6/A5NmGNlnWTfU4c7w1CvTr2nThyTeCrQS/eQXNqpWcOZab2szPLsTVdBrGSa1ju1U+zH+RP7Vup4Raa1e+NPCWj+NtSk0XUFvvAYu9T1LRtMk0XQrTULjSLDUbXT0Se/iFpepZ6kNSt/C13Z3evqLzULqZLUWt3da1/YvA+f4vM8BhKtRy+pYfDY5yquUWlVnj/AN2vZqlCq+aFLEO6UorktKznC/k53PLVVoypTj7V4ikpWpVYtwcFfVqz1UfP7mepfsjm80DTfGN+Yr1NVm8J/tBtbXsw02Uai7eF7bQIfMhuZBNb6fHqitZzTxpEyALIG+zSeafh+LsLiVj+I5Tp+7jc6x+Jwzc6b9rQrZhKpTnpJuHNCE3y1OWatZxUmr+1kNSg8JB3VuWNnyyW1Ohbon+p9H/sw+D9S1j4d/AfUra1lu7ddZ8K6jdSW6iKDTLTw94Z8N65FHJFK0e5LkzySWuEe7RoZIrhvNMcYxzFwr5nisVh/fo1fYck0nHm9nh6cJe7UUZaTUo6xW19YtM2VeLrP2L91aVNHG3NC0b3V3fX4duu6PE/2tNRtPAvxh+PV9rJeLRtC+KPw18d29jd2as9xqPicaf4W025tZrhLsNbN4km0u4lZLNYI7WzuJLq+isDO8Po8DY/CZPnuGxmZVvq2GhiaNSdTkq1uWEcZhKsnyUIVajtTpTlZRb92yTbinOeVMRi8EqOGTqTVLl5eaMFf2VaFr1OSO8ore2vZM8W0eL+2VOsaVG2qRwaJbX9rqkiRTXbaw9/baT4kurOKSy8RrPEv9s2OlaVZWBtxban4r0j7JBDeRqtv/QPAWfZBnvFObcRYLGRxOUZnPA/UcT7LG4d4n6hleYYSt+6ryy3F040cThpPEQqxhGrh6NdRhiKM+afwefY2OUYSng8ym8Pi8Op+2puLr8ntatCrT9+hTrU5c1OrTacZNpySlyyi0oPDup+DfEXiHxP/wAJvptjeeHW8JW2pW8mpKNDu45tPu/G0McNvfC6kvJl1HW9QErqikq86vNHHEcj+Tvp6YGlHifMMZhox9i8Ri5+0iuXfMOMKt+WTjPWPK/gT2XKneJ7nCeZPGZdTWEqSq3hDl3hvQw6/wCXsYr7cfv3009RtfDnwQ0Gz1DTtL8B6O+ow6Fb6noc+q+IvDk2kwRS6TBpGtXWu3uqeG9d1eHQo7y4n1NtVZY9Kgm1Gzt/tiy6ZJFa/i2SZHTq5fgK8qMJe3wWFrKTteXtaEZ838S6upX1UX3Vz16GYV23SlJudJuDi2tJRclJX5eXRxezadtLmVP8cvC0+oSQ6fd6do8FvpkLT6ZpGjXeiWLCOCZtWfSYtS0v7FHpdsLhGsxf2Vz4kP2fWTBpV/Pc6Xb3OuMyTMVd4bC/uopSk1Ww8VZJuekqvM7b6LXpcxxeF4lnUWJwuGnOhS5Kk5LF4OHu0k5VPdnUUnZbrld+iY/Q/jd4gurjxE8Nzd3NjpNnB4huxqum6a5Wz8PPqOm3Wp6drsUOu6RqmjaFeXFjC3hm40vU9XkjfUtY0nxNOlu+gadvlGV1HFqvRjzXju4Sfwa7Tez8x0nxLWV44ByXd4vAK91frZ/h6mnrvxg8Szx3cWlwWWqajosepppFhpEM3iG2F3FJpnmG51fUoNJ064tvD3irUZbTXrbQZdQ8S3+oXNhpujWl8ZJLWTXNckmqVGcqEVTWIpu/NT3jCp9lVL7KT26eaM8TXzCjBrH4f2EXeMGqlCpeq4twjahFtXjd3l7qtZ62GWvxZ1eGef8At64uvD8mnwahHouq3OjMtgNPs9N0yymmj1RbnhNOaGGC2u5bg2OvaxG3h7SdTltraC+t/OzLLa+IjTpYGiqlRcq5VOnTtyqpza1Zxjpdddb6dTgjHMJ4j2tOEnS9/wB72tJfFzW91tS2lHS3XyZs2HxUi8WQ6FqdvqWh6XNqIu7+3e48Vabqdvqv9l6ZqIvrjw7aXOleHL+3bRtbvNOht3eG9WW20cRTafprXV1o0Pq4HKnGjRWdUY0nDn+rc7jXbcpzdWzw85ctv3V+b4rq3wyPSWIlUrYL/nxCdT623b3ISt7NtNKU7pS0p8zXWx2Xh74s67pVnqnh/RpDZ+H4omgvJtY0Cyj0+SaddRXU4tO1OdNWimvTptx5rzR6TL4Za/tn1FtcdH8RRWXBmeX4LDY6OJShGhCopSmoS0jGrUm3yqUpaQjdWjdWWl7I6HOhSxVLEZdLnrRlB3jGVN8yqc71qq11JQs7PWzXws8Jvvib8fvDms6t8FvC3xFWzvfBh8Nx+HvEGmeB/Dl94y8Z6FfeCfDwguNSaPTfF2g3moaffQ6h4ftrq40DRrM2+jxyn7XuXULpcY5lgJZXhcZhK3PTx/tnhaqpVoOt9VxGFpV9KlNTpum+aP72MOa3ucysz73gzjfN8ZVpZbisRWl7JTThKpCSiprF4lJWw6WrSk7Teu9mrPz34seJPEAaDxbruuap4r1o28epiS9vW1HVJ7yy8RO17cNa6HALq1voJ51l07QdL0TTLeRWVLbTFtE8uP47gjifMcRj8XSw9erUeBqV/rMfaKKpRw1bCRrfxKSU+Tmil7Nz5k/cUrNnqcey/srDOvTfspODk3C6bbp4yfTn1vTVnbovnueE7Wbxemt6heapdan4gvY7zxRq11rk1i99LPoy61qLX0mJ3vX1zT476KHT9O0xbe1SxW2gsNQ06CFdMs8cXPMqvEGNxNdTVLEY3GVoTdWnLmhVlVnGXLFqS5ueLs4xavqk00d3BWJyzMMkw/taqqYirhsNUmp0a7ftJOtUn73LGDb5W7rdrToj1j9nL43+Kvhb8O/EekS6xp1rpEfxH8RLYTz2U0R0IXml6LcX9wkdraOQkU93JrCTaq6ae8+oPE0wEMyQ/SY+OQvBRrV60frNOFSUE6GKk3OCr8keaC5Ve7V5JpJtNNXPyDxVy3EZdxVCpTpujB/2Y1KnUgr3pTUtFUbV+SSfe3W+vC/t3/HW11j/AIJ4ftwaRb3NtqGi6/8AsjftOaW8D30Vv9r1O6+D3ivVLS8m+0zaxDDf2t0LLV7XRoUS+vI4D5UmmYN3b+1wZjOGv9aPDqnz0o4+eaZVGhFYXFczqupgVFKp7L2cX7TS8mkmr3S1OHKsT++pwnNqU6kY21d730dla17b21V7n5wf8EI77UW/ZdXxjYzXt/efDD9ojX9J0zwnDrGmTx3M66H4I8Yx+I5PDetPpOn3dnHc6+NMkt49TvbqW5t45GtGtriUW/l/TL8ROI+GuOMj4fy1ZD9Rq8K5ZnUKuaYDMq+Ip4+ea8T4FQjXweZ4Wi8OqeHjUVKrh+fnlUlLEqmoQX7F4O+CnDfiHwjmXEmb5jneFxmBz/F5ZSoZdiMvpYWdDC5XleOhOrHFYHEVnUnVxtSE5QrQi6cYKMIzUpv76vv26vHVpqF3rUvwV0db/UbrRma5ex8QeIPEC6gkVk8WsWEOp/E3xNex31iVk8n+02ms4hdrZ2dmbANZRfmGC8UON50dMTwfVT5mvZ5FnlaCSlUVp11xFh4R5lGPI7K8ueL5X8PtYL6OnAmJqSeKxGf1GuXbHYanf4tLU8G7r3UtGnZvW9muA/aa+OHjL4sfCbR/C3j+fUtb8J+NPEnhbw54h8MNpHhTTY73ToNWi1O0j0nU4PDH9ppqkZ0y1sZ30DVNLaNI7ewElu8LStfCfjzx5VqZlk0sDwX7OnRxmOVahl2b4tVJU8Ph6ajUwtDimOIpxlq5p1oTULRUYzqQmXDwJ4FpzjT+r4udN4pUm6maVY1eRz5dEq0eaSjty03eV9NLFDwl4z8QeEfA+v3fgHVfHXw80Pw74Ygm0bwe2ieA5tM01dF0ZVtrZ9R8S+CfE3iHTbB0t82Ut54gnu9Smle6a7mbzA3zfFnEWD4oz+lguJuBeAM2ji54bDPEYfFcfZdiYc3JQhL6pQ8RoyrKFLE1tKdODqN0ouoqjSeuM8COA6NWUKOFxijGkp/v8zrxbbvdOTrUklorabXd2lpe0/4p+O9b8KeC5tV8d/ab7xvpGk3V9c+Tovh3VFg1lLsXul6ZrVn4Msra6EpjB1K4NxbafC8zJAtuS2ycrznhjhDMMwo5B4VcF4GWWYvE06dalm3iLiW5UMVFKrXhmXiRjFh+eeHpVLSVVRlH2bi1KfN05b4UcI5f7OphstoJvlmufNcfPVuM7a5qr6xXYTQfBOgyeMPDkupabAs9tZeI7HTZba2bxdov295LWW81rxRq1jc67ao9xaGPRrfU9WMFo99cWVraAodRmh+yyr6UviZRq4PAYHAcE4TA+3bxNN0MViK8qUnecMHTqZ+sTUrzm1JyjHFwo01OU6HLZx9zD4FZZKmsBRwOG51UhOSqV603GTjNxvXzOtTjFySbfs3JtRUZRXMpaHw1n8VXvwv1PxpaeJGtLfwzJ4yj07w3p2lRWkECeHzqE6Q20F3d29r9qvDOscX2yy1Cfw/d21rcrcwLelpzOPpd+JeU5/gssw2XcKOliJYFVa2KwONdSMcVV5ZShRpZlTm+SHK4pRqSk7rk5n7OPoYWGIq61K8d2v3ao30avvKer1/DWxzei/FT4jaj4q8PaIt5babb3Wumxtr6DTUe6tYpX8UzWbeMNYvPEN86aXpiaMtlqT2KaYjwT/a5FkNpPdT/AE+YfSS4yp1ce5YHJJ0sJHDyipZVm0cXW9tGjGSeHjX9pSlF1bwhKhF1KVOdWN4uMn15XDG4rMsTlzxcYYag6Ps/cwyrfvcPVrz5pSkr/vI6WpxtGVnd+8eZ/tQftH/En4QfGDXPAVnceFvGWnatp/hrxzat4v0/xQsHh6S5vJdOfR9DsrbxBpUlpYC0EG3yLtor5rcJLBNbKlnH3eGfi1xPx9ktXOsxoZVg5U8ZVoKlgsDiqfMo4TAYmnJLF46tUp1IvFTjUpVKL2p6wblF/K8R8e5hkOZ4vD0MNTrTwar1qNWWHryk6mGxFeEG+SPsZXdGMtbQu3e8Xd/V/wDwSn+Knir4meEvix+0L8VZBeXHhbX9U8DLd+FvD2oTwLC+meCPFmoSabDZWuq6hd6neJe2dvavb6l9msLO01OCO1tBeXCTfg/09+OuJMywvhVkWErQo0+Isz4hpY2lUjl2FjDCyhluXtVK2Opw9lKpCriUuTE4eqpQhGCvUp1n4md51jM7zLD5zm1ScqX9mTq0cPVw9GMMNiK2PxNLFThHDUoVq1CpRyvA3p1o11GUZcs4qc4n0542+Nmh+NvBvh/RNJ8K/FRdI8d6zp1vc39j4R1AmTwhpaz6x4q+xSWerwXC3NxpNlc6VqEc8Fnc6P8AbZNQu7KQ2gWvxjgTwszrg2fFHG2cZhQo4bL+Fs8xfC85RwM8NQ4lxdajnuSKWJwWYYxSpJZZiZyxONwlbK/ZxVTFL3oUJ+Bm2KjmSlTwzdT2dWc5VVFxnNWlB2p1Y02tUuWMpuStyuySY/4X/H7StKg8aeGNZ8CeO7A+DfF+vadoNpB4ZS3eLwWdQm1Hw6reZfWkVta6d4d1mytvMMqHy2kilM32WKNe7irKcbndLhDjaWKoYunxRk2Fw2eum6FOjUzOOTZRw9VqUsRGVJy5M2niatOGDwWEoV5xjRvHDzhWjksVWwWBrezTdbDYWtiFCSj8GEhPF1bpqdNONOle752uV+yUpNxl4f8A8FLvil4z8DfBnwH+0n8DdB8S6VqMfj620PxTJqek+J7VV8B6lYajONW8S6VpmrxWFp4abxFofhbS9AvPEAkjtZtZS1065tb3V4ml+6+jTl3C9fE8T8BcVvCZ9GM8JmWRZbjsRm+VLL8ZiK+Y1sdRwDyzNMDHHV8bg8ZhFXUq9fEyo5RCpCCpUayp/Z+D+V5NxpXpVM4y7+0IYrI8fioQw2NxOBxixWWVqcZQpyp80cR7PB4fM8ZjKMsIn7GjTxUcVhaNLEvEfCuv/t4fGr4h6Z5GvXOnXjie5UWlzq/jqTTUSW4+0SCTQX8aPo1/DDIoa2stV03UNPt3VJY7NZoInT924dwmT8BYrDYzh/hjKcHVwUJRw1f6xxLiZ0VWo1qNS8cdxBiaM+ania0G50m0pJxakozX6Xw94EeGGaWzzC4bOMHmeGlin7L+23iIwfJKhO9KWHd+alJpKXM76xcZWjHL13xf4rudNludd07wh/Zunw6ZqKXGiHxLo+o29y72unW07XGj6pphMlobOC3uYnkNmpngM8c1y1m0Xr5f49cQ4vF0MDl2T5TWxFWrVpw+s4TGKD9hQ+sTbdLOotKVOT5HbWUZe6km39Nxd9EvgvCcO4vOuI8xxUMnw2HoPMHhM2r/AFtQx+Iw+Foewg8mUHL21Skq3NNKMG3Byeh+o/7NngD49/Eb9nn4feMtW+Ldp8XPh54x8D6DdWnhTx2lqLHw/ex2s+nXosdT8MeBNC8btNY3ou7aBfEPjzxNJatbQ3ZuJNV+1X8+Hib405fwjhaub8RcLYXM3LCUsTWxWRU80qVkvqVWv7L2eM4py/DRr4aGBnhqkPZqCrxUXKonKqv4y4z4O4mpcdcTZHw//qlRyahnWa08jqY6vn8sTPJ6eZVqGWVMbUUKkZ4+rhI0q+LdGmsNKs68sNGFD2UElp+xn4g0s6mtvqWiI2pa5qGvz58VeMnt477UX3zxxWJsP7Oe0Q/Kltc2dwpTMcxmUkH8f/4qa+FeVOrg48HeIVOny+yq0P7B4cnCVKrTfNS55+IHt1GVOtJOUasai5m4zTUZLno+G/iZ7N8mN4FdOcZRcHXz/WL5oyjdZfzK6b1UlLXRpnpHws+GHxSsPGHgq38R6z4O8Qabb+N/h3dC4vftg1rS7Dwx4v0HWYYNDmsdB0mCRnTTEtVGrC+UwyOElt5SlzF6fgl+0D8HeJPGvw54eyTgnjrC51x34h8IcLYbE43KspWAwuL4ozzCZBRr15U/EDGVqOHoyzR1KlSGFxk6cY88cNiHH2M4reHXHuBo1sbi6vBX1PB06mKxaweI4gliXhsPCVXELDqvhlSeIdKE1RVWUabqOPtJKN2vsCv74PPCgAoAKACgAoA/Ez9sHwV4Z/4aq/aSum+IHxD024n+NfxX1ibSdO8Uz6Rp9rf6j441e0k060tfLeK3ttUWSSU3m/7O3liKcxyzKlfwX4qZ5iX4s+KVGjkeUV6VPxV41wKxeLyzDVsRUceLM89tiZ1vaOU/qk6ThGo0p06MoRlSnd8v9C8A0pLgzhOTWK1yXh+raKny8scvp/DolaSkmnez35ldX7X9kv4vfHb4O/Bq+0/4FeDNZ+KMPivxd428VXviLxT8Lvil8YNTfVdY+Hnw/wBMexk1P4deJdNuNGe10zSdJ1eO31TSLkSTa662ssiWdwo9PIeJ+L8DDEZbknC+BzjDOrnGFqVsuy3F1VTlmWU0sLmNOlPD16NOVXBYKt7VSkufCTj7bGe2oxUZdPFfDfB2c15ZxnPEeIyrM6VPCRwmXyzPKsKqtDCV41qFWeFxdGriJ/WcROvSlKnVUKlOnGFJQqwqSfaJ+2f+3+JrWPSv2atGvri5uvEttdXcn7NH7TdjcyW9zbJZ3k9tF/wlOoSyXFqtuFh1C4jtNNW4AgljU29y49nEcXce1oVpS4NhHFVsvzmnHDrK81rYmf1/LquGxsoUlinJSw9CpUnFRrN4epH2leNSlGV/FpcGcDSlKtX4qrUJxrUa8Kf9s5LRp81KpCvSiqc8G5SjWnaEk5XnC0YTjK0iz48/bP8A2/tHtvDa+Hf2WtIvtO1lvGkmvXi/Az4+atpuly3en2s8UV7/AGV4kjuLK4S5j8qG18m/EUr7Rcz+W8icuQ8b+IeY4fNZ4/g2OFo4armUac6vDWe5cqs80rZbHMqbdXMMZRqSwdLLcHUpJzp+xVd1MQpxxNJUM8PwjwR7SNKXFWKtXjh1WnLNcmXs1hnWnTmqrov2TrupKnUbpSU17lNU3ebn1r9sr/goFa+CtR16x/ZY0zUfGMOltbaVotl8C/j4bi6gvLTStGurmw0S68RWerTWUGmwHUILprmKWO8ee5nsBZjy6jD8beI2K4jhl1bgp0cFjMBicJ9YfC2fU4PA1OF45O8Vh8b/AGlWpyf9mYSjjVUWF9lGvVdVqVGrGFJVuEuB6Lfs+K8TOGGr050XHNclqqc446eLcZNUaSmnWqOg7Wk6UYw92pFzlt3/AO1n+2lFNHBJ+zBDbeHrg6xLf6rp3wx+JGvQW0+s6Xptxe2r2ieLtIM11ZXfmpDFHcLBYvmCe6u5oJGrlp+IfilPC1qj4GhGlGrm8KrXBvE6SnmSyp45SmszdBfVFl+ElCNWanR9tOVWNVVKfI4cJcDxVWC4qxknUhheeUsyyVyisPOrKEk+S8XWdScKrtacVyw5Gm3PD+1d+21fnxBLD+zbpWLL4fefbs3wo+MmgaydT0q8trvRIhpNxrer297Y3KRW8V9JBrUGpXo1Hbounzx6Ze3R7MD4geJePxio1+B3RnHKMmpxS4R4gwtP6hlmMyzF4LFfWpZvXmp4mvgcFTly4X6vWpV6nsqtGdWjyxR4S4Io16bhxViqsVWxFWKqZlk04upWhXpzo2jSinCEatSSjf2inFOUpJSTp2/7T37V6fClfEen/s86Ra/EPVtN0bUtZ8O2/wAJPi1q91a3d9dWOmXMsmj6f4pPiOGSPQ5m1EWfnP5cEltrtzLNpztZwYQ8RvFCtn88hr+H2EWR1vreGxGb1eHOKMGoYKtgantcVPNquZVsHQjRhKU1UngalOHLySpzaud1Lg7gtrAe24rxdFUHWjh4SzXI6cJyqVW66tLCS55Rk1B8lnC0b2ldv5+/a6+LHx6+Oz+C9W/aM8F+Ivgrd+ENa8WW/hgeF/CXjr4TXmvyeP1+G0Xiuyv38Y6vqqarZ6ReaToGkoLERf2dBrNxNqrSStbtIuPuI+Ic2xlWnnGTZTgKqx/FGLVPF4HFRhUxKnhFi6GH+vTqzmqF6c4KMKU5xi516cKfLCXdwLkvDmQxzaeR5ric0jWVLAzSxmCxfs8PhvaPAV08JGldYj2uJU60m41fZw9lFOMz2r/giz4a0PSv2pfiDead448aeJbj/hQfiUCz8R+ILjV7KSHV/H/wpv7nVUt5IkW3vYrm1TT455CJLm3Es0amCQNX1v0F80xOM8Ws8pVsmyvLoy8NM4re1wWX0cJVhUocWcK4f6rKpTqSkoSi/rE6VpJzcKkpqSUF8r9ICm4cGZO37f3eIcJB+15uVuWAz2el1vZ26O19GtX+ndf1cfkAUAFABQAUAFABQB/OR+2j8BrL9oj/AIOif+Cjvgq++IPiz4cxaT8BvgN4uXVfCA077dqraR8DP2ILN9BvjqiSWS6XdW+qT3s7SI2LnTrQgda4eIM0zTKMDHFZRiHhsXLEU6LqKhQr3pTjUlOPJXpVoJNwi+ZQ5ly2TSbvVLA4XMZOhjKSrUUnU5XUqU7Si0oyUqUoSbXM1bmtZ3d2ketD/glbqOpbo/8AhqT41W2mtFNabLFvCl1LJE8kEl3BO0kKvdQGS2Ty7ScSW8Ma/ZoIUgd42jLM24u9nmOLjnbji8yy3GZRjKqweWN1cvxCpqpQVN5U6cObkp/vaUKddcvu1Fd80R4U4bwmaU8yp5cljKTw84VZYzHqKdKdOpTvCWJ9lZSpQb/dy0Wqeqfl3x9/Yy+Iv7Ifh7wp468MfHfx74s8M2/iKa21qzvNEh0iy0/xBrttBYaN4vuW0orpDxahqGj6f4bFjcW7w2lrcWFzbRxPNJLJ+G+N/hhg/YZ1m+MyPL8y+s16+MzDFV6VeWI9ljM1m8aqE/q9Ohh/rFTEzxU/q8sPUrVaVKEpVKXsaMf1/wADM6yfN+KsjyPO1GeW8mMg6LxX1aM3RyLF1YRdSji8PiP3U8PhLtzcLydK8mqnNxPxY8NQ6M914f1DxP4hk0fV9A07QfC2nRW8mvyaBrNzqT/2rrp0dvIh8Vrar400HWZ18Q/2pbWFtpupPD9mPlbfy7wcrZjxBxPwziMkyzA4bOsNxZgswzDMo4VNVsLDEYOngKelLErAxp1cmx1BUsHHCLH1K+FoV/bKpKE/0XjqHDlTgLN4v2VOrHC5gsIvrlTn9s8vzOPtVGeKaqXmqUuWdOvanGnKLSk4y+h7f/gmdrGqWOmvJ8cNeu3t5VvLOTULbxIFkKssHnS6NF4n0/TbOSP7NG9gkJkFtYTpbW0aWkhWv61w3GHH8sLlsq2fupjsvyfBZCn/AGblMZQwOBjGcaDpRyiEXyYiPM6tSmq7bUZSteK/mLHcHcLYjMswzHH5bLEY+WYYxRxDx2LglRqVJ1eRUqGMo023Uq1XzqlJXcoqpZQSsR/8E0/HyLPv+OVtcRy3T3ULXHhPUJrhfLO2YTPceMpFVSXhCLFt+UOsgKuBWuG4o47pXdPOJR5tH/wnZY72TXXK3bST1638jOvkPDctHgF7mq/2rGq2z0/2vXVba7dL2KOq/wDBL/4mXZuHb44+GjFPa+Q5vvh9f3awjMrp9mgtvGCQRBd5by4kUsdzMG35roXGnF+ChVWO4rzDD0c0jPKqeFw+W8MKhLF41WhiJTxeRPFKrKMJ03GliJ0uSMXDCSqc8ysNkPDcnKVTAqS9lKi4LFYy7pe65JtYpWvtzcyfmtzivij+w/8AGD4DeDbLxRqHxF8B+OYLJvGOkFLf4fW+hyRDxL4O1WHT76G48U+KfE1tPJYTJCky2WiWMkGxDCkjteXM/wAL9J3j/wAT4YHLONsXnyx+W5Li6dJ155VlalhqWcZlw1k9dKhgOH6dGvUxDbo05VcZRhh2lUSqTvBer4ecO5Hh8wngsjwf1ONanKcqbxGMrqfsKGMqRbqV8TinDlnUnKyalPnejjH3LHgf9mL4pfGy08UfFPw/428G+BPDfiDW5PDsXhu+8Dq7x6D8M7Hw/wCBdL1jVItO1PTLPVNQ1uTQ9QvrSKbTom+z6lMbmBnYqvP4G8ZZzjcjybG0s/owzvG5Rl2JzapTp5RJVMzxOEymrjaiw/1WvSoqeLmpKlSpxhC3LCMYvlenHnB2DeMrYCvh5Sw+Hr1KFGl7bFK1CnVx1KMFNclZqnTTi5Td/ejeTltsN+wv+0tDdXkv/C8PANzJcme11jyvhbq8MR07zX+x2Wn+V4ojtLYWlr5NsLnTIbVpBFvDfNX2dbi7jfA5hVqTzaVdym3zrLstafuNXXJltGO01t1Xlr5X+pHC2GwFL/hLtPkjdvHZjq+aN98YrfE+i+WhneDP2Tfi98DfiHpeofE34geCPGnw2+Iep678MNU0HQ/Cl9oeo6fZ/EOxuLSylubtfETQW8Sa/wCHtMghktgzQNqEhjiYuUfTLs+x8uI8Zh8xxaeUZ5Clwfh6E6eFpRlm2bwy+dOUK0aVKq6sqFSrCNOGJrz1coYKo0pxyzfhzD4d4ShkuHnRwuHxmGozhGeIr2yyrGeLxdKUqv1icY1K9edR1XKNSnz8kK9KCjFeV/8ABTXRk8XfDD9lnxheSfaPHOhWnxh+EHiS8KGKXU5vhn4t8I6fommi2UpYWr26654o11Z/sgkvLXU1WV5RFYi2+A8T6rwHEVF4tSqV6WMz7hqOIcnGGHyThWtCpgafsowpxq+xr5vOk8TGEcVWeJp/WalSFGnGP9KfQO8QaPDP+uXDX1mhRyyWJ4exuHwc1hJSjmk8szzC5pVVbE4iGIn7WhleWJ0ZVKlOj9XcoUcPKvUdX4g168tLAa0twnlyWtndGezkeMCaWGFRHbhS0pLTOwjCIgJVy2cLXn5dQrYh4CVKXNGtXoqnXhGX7uE6j5qt0oWUIrmbk3ZpLqf03x3nuUVMi4sjSqxhDEZBm1OtT9tRlGq3l0qVKEEq9RxnOVRwjGlySlKVleSR9t/s8/st/tOePfgv8Krjwd4/+DV14P03wpYaS2j6tpvjR9a0W/0BjpOraM93p1peW0lxp2v6fNN9n+zIr291EWYRwQxV95wT4q8X4DCrEcL59LCZfXpL2dOWXZNip8tSnhJwc54nAYuan7CGHUv3trx5uW8pSl/nl4o8K5dU434ojisNGpRnxDnVaUKdfFU6f1qWb49OpBxqKcYcrko0/ayiotPlbXMehwfsQftV2MzamL34HXN9dFUmvLnQfFOm3csCK6bDf2+laVcsAk8gALzDDfMFON/oYvxK48x1WNbFZ26tSMlKMv7MyinZpQSfLTy6EdFTho1Z283f5tcEcLqSkss1Wqf17MN13X1u2i8ipp/7Fv7YGhNPYeFND/ZlsZ7u2vUtfs194+NxPNKrTWmo6lcRSrd3Bs7iKaZ7a+lmskIgaCKOR5mfPE+IvGeNp4/C47M5YnDvJMVRcf7Ny6C9k4ypum50MHRl8E5q/Nze9fmuk1eK4PySGHymtHBNUMPxHgKqj9ZxjUa9KEpqfM6zbtBW5XU5Xu4/aPzg022h1Hw/oltqJa7kGm2M7EzofneFWdXktBCpkQp5csLqZbWVHtbgtcQzMfz3FVamFzLH1cLajH61iKaSpte7GbScY1ud8slLnhOLUK0ZRrU0qU4Jf6M+HUMu4q8OuG8Lmqnj5UoYycn7WVFTnHNsdGc5ywdSmpymqEW1Ne67pRjdlq+gmXS7+ythJHJqAvdLZkmnQtb39rJFIhkWUPErMFxJB5ckYz5TJlgcsPUg8Zhq9VxlHDPD4yKcKcrVMPWhOMlGUHGcoq/u1OeMtOdSsrdPihw9gMx8OeKsuxmXzxClheIadNLE46NvbZBmNO7dLFRaipSbgoQUIXapwipOJ9m/A/8AZo/4KK+LfAXhP4ieCfGXggTfEXwD4VufO1C+0lryVdR0+C30y7kePwVKunwmCGNpbeCUrayF7ZZCkSiv0nKfEbifMMHhsDQx0pZE8JgsHHDPL8Df6plmHjQy+nKvHDuupUPqtJSl7eNSpKDVZzcpI/zs438KuEMv4p4sX1COGzCrnuYzqSeZZirzlj61SbVKviJqKcKrsvZtKM07v3ZHd6R+yH/wUdTUJpvEGjfCjxItxcRTSRr4s1aF1mEdpb3VnEZvDccUDaPbWdvOs8Mlst6zuplDyTSN6VLjTjiNP6nVzmUsNJyUqTy7K1dVNKi51lsaivGUldTTV7pppW8epwbwzRrRxNLLlGtHklGf13Hytyvmg+V4uUH70Fa6ala2t7HA/wDBp98HLP4wWf8AwUAstQ+HLfEOz0eT9lSea3X4x+JPhU1gLyD9pgYSx8O+AvHcnjGS+W0dY7O6t7JLA22yMXv9qSJD4Hi3jOGMLhMkhxNQq16VfFYtYanRxCoVZctKksRGnfF4T2k5wnBQinO0rfDe77styapm1ZSpVKdGeEqUZwr1pShQozqVPcqVpqnVUacJU05uUJJRT92Wqf7AWf7I/gbSo1u0/Zx0mzu7Gd5ba8P7XHim0l0u/wBPu4YnuEu0+AUFxbXdnvgvbUmCW11SLY1n/aNibtk+Uy/NvBvBXxMcozhVFJpc2ZUHZqLhJODz9dKkrX3s2r8p7tHhPiedqcc2y13VKSfs8Y041YycJKSyWzsqb9p/z6fLGr7NzgpeW/H3wIvwO0ezubrT7XwN4J1vw74ntrDTL/4gad8aIbQQXtlpmi6Robah8GfAt94fhstV1fxHBqlmdQ8X61r1xJp0h1TStN8OW9jJ9t4Y+MuT5pnWLyDIMDi8L7PJMVj3UxVHDVIToU8dgqMoxqQzfGS53Xxz910o6Ql+8VlGfk8Y8CZrhsvpYzMcdg8XQpZvh8HOnhZYiNSnipYGriqbkqmW4VOH1a0rxqTTdSOjfM4dZ8DPA2q39r4Z8JSW0dv4r8T/AAY+P/iDTtDudH/sG9fTfFdvpOt29vf/AGO1nca1pq67ZWU9tFfzabBqcFzmaayto9Rr6PHZhXzGu51LNNylpBR+1Ul9m/8AO+tvkcmXYKjh6MYaqyjFXnr8NOPVJ9PV6pK9kfU/7CWsaRrPwVksdEuftSaLr7m1hnjNrc6dC2iaKNPtNQi8+WVPMe3ufLCIdtnH5NwIbuOa3R6WSXn59RYjDww8lyLSd76t/Cl5ef8Awx4t+3N8Pr7xl+0jZ+DW06+u9F+MmhfBqxjuJJ9Ljtpbuz+KOgeFb6CwjcS3BgGha/fXrzXclvLFqVmkiwJZxJc3QZnzfqv7M/i34X+Pp7fwFceIdHvtP16PQriz1NL7xHoUiaj8bPEvw3udJh8P62uq+FrKUeG7jT2eDw+tlfXou9V1KRJdSngkj9TJPEXOuEIOOEq04YajbkUsNSqP946zl7850271MTL7Wl0tkk/Oz/g3A53SjiasZyq1r8/LWqR/hyo042jGEre7SV++r6ndfBn9jD4nDRdP8R/GH4deBvGC+KPCGiy2OleEviJrPgbSbfU9TuG17UrXXtQb4TfEiyXXH1O0t9Pg07TtY2nU76TTIozdXFrFJ+e8b+M2Q8Z5pWo8RwhVi6tSE3SnhcEnJ4jFwkuaGbKzf1qv7tk7tLRxSXvcPcCYPLMvp06U1TrKnCTp1KlepU5fYUPedFwpT5P3fN7T4FBObfJeS9BuP2YYbzw7FpGofAnRdM0jTrqHUms7/wDati0kQ3MMFipvb67n/ZnhH7v+yrgXXm3T6S88E2663yHyfmv9ffB3DVZ4eWS5vKdCpKhKpHHYd0pypSlTc4TlxHDmpycJOMnGN10i9Dt/4h05SliI1eZ1b4iUaVLGVnFT5akoctKhV/eJV6bUE5T5XzKMo6mTF+y54RubV7NPghotrJIr6mkUv7Vk0d/iKaFJTHDf/s1SXLXMyTLe2ekMq6pe2RSeGzMc8Hm70vETwalZSyTOOV35r43Dr3b2lr/rKnfyupW121NZcBY6pF4LnpqGJm8JJ16eMjh19Zjy3r16WF5qWHip/vsRH3aSUvejONlZt/2dH1DStXkk+F8+p+H9VlgtLgaV+0TbR28ombTrz7Jf6npX7ItvG6XviXTNN+yhfsVvaWZNnp0VjpUep2eo6Lj/AMFaavDJ82bTtKSxlCUeqWi4qfLdP3W5a2bWl7KHhBLDNUvr/CMZTXNGE84zmM5KOk+SM8PFz5FrNQUnG8U0pSgpTaD+zxLpst7IPhpd6jqsceqC18/9pTxTf6horprNzputXKW1n+zrHAYFAs9QupxZQpq3ibR5FuLHTrwLeaFnivEbwbqUownkubuKqbLF0U1KKkr/APJTNpe87bp9NYu2dXwYVdxlUxXCcoXpTjL+2s4jCbqxbhGE/ZRUp2g7wveN4uSSlBuvN8Ao7Gazex+CHga0urG61GK3vb/4xyz63O0+l2umy2OpyH9ljTtVvlmtrme2eDz7TRlmFvdT6XLfWDXOqxQ438FoS9t/Y2b6OSs8dST1UXaz4kT+1bm+G6etkm+rDeClLlUOfhh3hCfMs4zl0+V80XL2qTg7KCnyJ+0UZwajJyajTg/Z0v8AQmumT4b+E7nWLyWze6ttT+MDazD5CR38UElm95+zmr2EunW95Hp8cUHlW0sWnq13FdRRWFlba4zxE8GsR7FQybN5ew5nLkxlGVlV5WtYcTTX2WtWtna6Il4I+0hUlQqcMJLmUufN89i1yu0W4ypcyU0m4Pls4vyklsXvwS8YNpP9oWvwv8B6dpV1OpsI9L+Kl+keoTtd6pcvMsn/AAzHeW6XEa6Xi6nvbHT7ONms/wDRrqzS9tdSxqcX+CmLp/vclziztFL67TTlfnjdW4kbVnzaS5Xs7M5cP4PzjjPq6qcLuceaVR/2vnKhRcfYSUZuUYuTnGtHldJVY3hUUpRcbPx74meFPFPhr44aZq2r6Haf2Xb+BfDOpwNY+O08S2WmS6N4x8SXNv5mv2/wy+HOleEjfT6/G1wt5BDba1C1smlyz6i81ovz/iZmPCP9jcOw4dw1fD4D/hX+rUMRiI1q0P8AasA63O44/E35q/t5R/eytCUfhtyx+l4T4QhkmZuhN4aUqW88DXxNbCy9ph8TNeyniacasrKslPn2qc8V7qjfk7fSJL/4o+BfA9/o0P2iHxQLfV4tc1yTT7ueTRNN8Ua9qKfZtV0jxR5NjBdeFVvdb0W40SK2v7WO71WLT767MMjfH+Bs8nlnfFLzCm4xcs83q+x0eMyl/axEOjqfjrpp9Bx7llHH4NQs5fu7e7Nr/l1jF9lSb+P8j0H9lv4IeGdW8DNPejXbs6fqmuDw3rCeIdBvtP1vw/Lquo+G/Chkn+w6dfa1far4bh8O6prWoEaHa319qsl7ZafZQPLYWBxXgIUcyzPMMEnPDPMMbKjZuqlRqYpwpLmimpe7Pf2kk7N80rO/Hwbgo4CjTpNSUYwhGN+Z6RjiLauMej30vor3aRQ8F+BH1H4za98Ata0y38RCLStQ8ReGdC1L4oal4EgCaFqVxF44i1Cw0/wn4msru4vfD/jXwPf2ZjGg6gml6DqWpaNLfQ6RcTJ9L4f8X8G43hbOamf4adb6jl+dYitTo4iFCpOjQo0qjjCCzWhecqVWoo3cE5Ne+kuY8fxA4Vwmb5jCs4zlJLCpclWau4QrRWkYT/m26/n0X7Vf7GviL4v/ALPPx4+BXgvQfBGieIvHf7P/AMXfhH4K1N/2gPE0/gbRPEfjL4b6r4esfFGvWln+zLdavcaLY6pqUUM0UF7KB4Ytx4X0q1tbiz0/Vrf2st4i8GpVOFs8wPD3EccTlDwuOoVqeJjUgq1GGDr0akYSz6rTqRjWpawqWi7ezaerXn4XwkxFXLlmNGVChKpCMsP9ar4mDjUnWqUo06kFQlecPZuVRRclGLjVs1JUj5V/4Jzf8EQ/2rv2VP2dfHvwL+JnxT+AWp63efG3WfiXay+CtU8Q+NfBk0Go+EfAXgzSY5G8dfBXw/eWOuXGpaBeQW2rWF1BYPpWr6ddRS3dhcXl7pnwP0icu/4i/wAY5bxZw5jXl+EwPC2AyGrl+d4eeHrOths1z/MKuLpYrK8djaUqVWGaYbDqjWpyi505VHONNNT/AEDwj4mXhxwbi8jzPL45nLNc6xmcUcRgcROLpwxOV5ZhFh6uFxuBw9ZVaUMBiMTNRlzcidFQeIcKcvWrn/glJ8S77TNR0mw8UfDFNVtbjT/Purm71jTtLlkt1fTbYx22n/CzQ9Y8+8v7ix/sqfWtfht7cXKXEtlPp015e23wn/ELONHKNRZzkP1amqknTVfNIVqntLNKVStgcRh1TcuaEl9UjOUasX7WE4yqr2KXiDgcJCnXlgsby4hK1Kn9WnUpuMJSnGUYyipThD2lVqlVqRao1Iwc6jpU6tzxR/wSY/aI8QeHvDWgaZ8RPg7fxWHinSdX1BtQ8UeJIGt9L05GjmSGGD4XWwaUw3EvlQLZaTP5yf6fJK0jmPfC+C+c4KvLFxxfCGCxGPyWpGMsPmeZyqSr4qH7uvWVXLMPOF6kYqrGUsRKEaaS9pUUZwl+KHDcKVS2T5vUrKs5RrSw+DSo1/8An1zUsZWg505pScotJ86aunqtr/wSj/aA0Tw7r/h3T/HvwonuNW03U9Ns7S01rxaNKT+07ZoVu1DfDi/1GO1tY5fLdtRl111eNxaxW4lDREPA/PsXiMLia+N4NrYmhiqFdY6ebZjPFSpUuWThKFLJKFPmlODqJ0ZYeLcYLljJSqin4rcPRnKrislz2tKVOVJw+qYPki+ZcrVR4675V7rTg95e90etpP8AwTW/aMsPDngbQW1Hwe+t+EfD+naZqc+n+K/EV34F1SbRnYaYJLfxT4L0nUZI5YJrlr7TdPt7Gyf7TD5F0s63UUUZh4B8R1cxxtel/q1Wp4nE1sTSrVcZmVNVo16jqOcWsnqQmo1JTpTlGco+1p1IfFF21w3ivwdOlF1MpzGg17vsqmHw7qWjpzWp4ifu+baas21a172if8E7f2gbfXbDXrzxn8HrXUrbUJ9etLXTNR8X+FbLT7K8NpHfaK9l4f8ACMtvqaT6dFf6QsevHVTa2es6lLYva6g0F9DWG+j9xaqiqU6nCuFlBfHCvi8TVld3XJWq5RSq4WScVrQa9qny1fdXLOa/i1wNHll/Z2ZylGVlGGEo/aSvJ8+LhHlW3WV/hi9xfAn/AAT3+PnhvwJq3w/1jxb+z7fWXiHUfFzwCDxr8R9TmXRPFd5eiKFJ3+E7PJLb6Rf2emuVgElxfW0TX8mowKsdcGe+BmZY3GUczw+dcO0cTh6OB5K9Seee0jiMJh4upVio5XJJPFxqVotNSd0+WF3GJDxg4YpXhHJ85esrezpZfezm0o/vMwgr8lnq+WyS5m9Hx2k/8Evv2gdO8UW2u2/ij4GyT+Edeh1bw3axaj46tjMlpd6jNbz6rLffDeGGWaxstX1DTS0NjHZXFozyPZJKVVHjuCeJsVh1ldHiDBSzXF4Z0sXicPWzGVbE16CUnVp1MVgMLTjCi8PGvCNaqpKnTjh1Koo2rehkvipw/hsXWx7yjH11XlRs68cLQceSjUhGM/ZV8TeU1V9muRfElf4rx+Af+Cjeo+JfCv7Yfi7R/GOn3GhDw3Do/gWOKT+1pIr22trZbu08TaY+v21tcN4c1ieG+8ReGbyG6v5NQ0BtHvmt7eDVjHZ/Z+D3DEuFeFpZLVxdbH5hh6062OxVWjSpyryp0sHhKiTpYmvJqcY4aXtp06EZ1J1VD+H7/wADx3mdbE5xUzKnXn9Uxs53wLcoxVLEYnF150Z1IuN7RvRkoe9bVSTWn3t/wQT1y0l+A/xPFpJDfeZ8aNc1aPWIsBdTt4vCPwl08z2QjCwLZLK0tsrW6JDJPbzygzPI9xN+BfTz4dzOfEHgW6mE+q4bLc4zV46h7ajVeH5sxyGtaVT28q1Zqgvafu6lZ2lGmnCUY0afTl+OwWc5VTxOWKLo4elVy7EU4quowxKqY7Hygni+WpJSwuIoVHKClTTm4qftIzjH6Z8YLd/Ev4geJdX8CXesp8TvC2sDwZ4In0N7WGDwboOlS/YvG+qeJbiQjSbjRPFHiCUSar4eus+I9bg8NPbaSDO5FfL4zMp4fgnIKfF0o4fhbKcZmFXC0ZwlXXE+EdbMqkMvVTKeXMsknSy9Tw0MbVlVlKVVYirTqVKbpy8uvhZOrVdrfvajdnH+dtr4rW6bbbW0M/TH8TaV+0N4E1j4k/al8b6pc+L/AAiNZlgjl8AeJNBudB1u+0u88BNZDZpd/wCGr6K10e8i8SD/AIS17fWriG8YpJK1eVXzLIcz8LvEyhwJKnhsDj6mR4yOTr6zXqZRPLM8+vzjPH5vCGKx8MZPD161OU3TpYeSq0aUKjUoNUaTo16NZp+7VpXvql+8UdLN6pt7J9L6cp5f/wAFn/ixp/gz9m3TPhdEYDqfxb1yNby0ktL2bUIfCvh+7gvptTtbhJYNOtDH4qu/B63X26eWefTJr/8As7TrqWOW4sJ+hRwhnGY+JPEHFOYOVGnk9bCV8DV9tgo0sTjZvOsFKjXpUVVxPJDA0cy9koUqEZYuGGnUxUKKcMR+0fRO4Zef8c8R8YYuhmNfJuAeCc5hiKuAWEnTlnfHGBfBmU5ZjKFdqvPD1sozHibM3VwrTozyRe2qrnhh8V+dCxRJ4S8KjYVkutP0NoMqFRoL3R4r2B9shV5RIFl2S26zRwogjuJIZZFik/o6tCrVxud4z3UsPmWPo1uWSTUqWJ9m/dTbUm5xk78vNfmUeXlb/qPg3JMFh+HOGI1nJ4fN8RRnh6VX33DBVuH8RmWHpSSoJU5U5UFTcHzKNOPs3d+8a2sadZ3HhbxQk9whguNJ8x/MY26/abO2u9RSOIhw7GS9gs5IVBeOeaMQyZV1R8cgrfVs8yiNKoo14ZtKiny8zlhZfV6FWUm4SjFzpyxFJLm5kkmuVuMg45y/CYvgfirCY2HtMO8lxM6VJynBe1wOEhj8HUvBwv7LFwo1FFNQqezVOUJRclL9iv8AgmY8mof8E8/2f9Q3p5Q8LeI4mkAVmjXTfHXi20IZGBWYssAZDIN0Yb5eoA9vx24cxGN8Psfi6OLwdOEcux03Crk2X4yp7mXZ5Vkli8R++i5c6UbfwW+aF2j/ADw46nHD+K+d4aNGpaOMcItYirSg+fEJJezi7fbXM9LpOL0cj0O7k8zz2AkJMhIRmO9geQd+AygjBAHQYFf5ycQRnHOMWpQkrOg23VvvhqL1inZ7/Pqeth1ywpq10k7tNxW7+z+v+Za8KnPi3wqCCCviHRB8xL9NSthxn7vTp2r7D6KWn0o/o23dr+Pfg6krJ6/8RD4d0vb7n0Ms/X/CBnrunfKMzekUt8FXdvXzPda/2zPywKACgAoAKACgD8PP22/hz8R9d/aw/aZ1Eat4Kh0q9+KnxMgt1vLvxEbyPwtZfEvUdQJuBazy263MOqC2hnhiAQx/uxbQlC6fwt4mcSZFgfFDxPwEqeYVsRS8T+PqFSdCeBnT+vZhxjnlenGPMue9OPtaapyi5wnGXuVpRlJf0VwDjsW+CuEY82HUI5Bw/QjdSUvYLLaMJSfv25o8kPe0jq+ZapHY/slfG/8AbD+C/wAOLvwj8K/gp4b+Jeh6n4g8a+IZPEfhr4VfFnx9DZX+saH4LsNdtW1Dwj4j06xtjo9hbT6ylkbIzxWzxXywjTJ7VW9LgjMM3wuHq5ZkOR4jHYWb4kji62Z4fE1MTRpT4YjTzGtUxOCpOOEo4DJKVLHe2rYfEOjKNWvjJyoSjWMuLOHuFsbnuBxGc8RVMvnN4anCEcxyvCUHChWhVwUl9aoybljMwq1sG3aUa7hGhh1CupM+l9e+L37dGl/C3TfF3h34A/DnUPG03hXSvEuvaJf2upabq1jpnivw3BqWvyyeFLr4pR+LbfxDaabH5+meEZ7M+LbSf7FpZ8Pa7qV6sCe/hMl+kjjZYrNMx8M8gw2QVslznMMPXpYzLqmZ1MsznKqqoyjl64zxObzx1XL63tMPgo5RSx31mVOM8A6rWEn83iV4SUse8NHjPN1iIZnTwrSpP6jDF4XHck08Z/YkMEsL7ePs6uLlifqvsk5rEwgnVWHr/wC1N+2Tp2sa3pkn7Otja6FbPJdwf2Z8I/i74nvZLLxNY2Z1O41dE8R+HtLsZLG6WKfSVtNR1G0EV99ku7/+09Nu7dvnsd4geJWHrYzDU+CJOnh1j6uJk+D8/dKlTz55X+8eJjnEY1aUll+CeEnWw2G5Z15q2JVajOHbS4U4IXtovirFNVPq1NTeZZM5t4SVab5X7Ne/PnqQrct7wVoqm1Jmdq37X/7dcWi+KdXsf2UYJNQ0/wAO+JYfCvnfDD4oxTa3cx6PpOlWUWnaNB4qur28uWiga6bSUvobuW5kmls5pY42txNLjrxNq4/A08VwTGjRzOH9lVZvhDiah7HC18kwXDuLqQq1swcIV8PlkKWMdWmq9GjiKn1irTlQlHDo/wBUuCIKPLxVjXLDzjXhF5jkrvKOMqY2ClFQTlCdSbpO9nKjCMYyU06jzta/bE/b4h8H2N9Z/sxaLb6lPp97e69ptx8DP2gLyPS9Q16ytJNTs9U0zSteub/THtLlRHpMEk128UjGPUZY3UNWuG488R55nmWAxHBPssBg8VnlKtif9V89w9GksyxGX4esq2NrZp7ByhUyzBU6EamEp8k8RKVTndanTo3hOEeBpvknxZiFDEUcNepUzfJacufDOpUjySeHqJSqxqzVVK/PBWh7PlcpHh39tD/goBrPhzW9W1r9ljS9D1iO/fwzpEcfwM+POnvq2k6DPY3em6hpun3fie6vdRlu3Ui8lEtkGsyy21otzGUrXPuPvEnB5nl1DDcEQrUMVlWS4L2tDhbP8RHnyfEYDMOSOKjmWEhSqxnl2DWLfsqqhQxDl7Kn9ZpToxQ4Q4Io19OKcVP2eMrzUa2aZM4eyxKrUXrGj79HlrTlTnyxvKKk21FxljWP7X/7eltFdwSfszaFpmpahqOoW901r+zF+0/fme6t9LMFtulPie01OwujDC0uyayePUN7vDCq20iJ2V+MOOXhcVhI8D4eu3TxGCruGXZxHGU5VqboYmFSFXHRjCtRhUqOMG5Ohy3rwfK4S6MRwrwZH6n9X4srVKeEjWlTUM3yWrT5a1SM5Tl7PBpe858ql7vuqNnzXb84/bm+In7RHx40f4c/8LN8HeF/A8+heKPic5u/EHw0+IfwuW7n8QWvgGzuLTTtI8W+IdX1m/8A7LsLaaU6mbG2tWkvbC1tz/asTyj5/i3ibP8AiLE+34u4dxuTYnD4zOMfQo5bhMRhJTrVqmCxGZ08RDMZ4ySp4bE4fLo+wpzhUw0alWGMnXjVp05+5wrwrwjw9CdbhniKea/WMFQhjFWzLK8bDDywsebBJfUqFN0pV1XxibrSlKsqC9m06NSR6l/wRD8EeOfC37VHxLu/EN94YutPn/Z5vNLuI9GuNalu473TvGHwrTQGkGoyGAxPoPnNcyIrS+e9uqi3QSRN+hfQl4iyjN/FXPaGAo4ynWl4eZtjYPEPC+zeHhxNwthayiqDcm/rPw/HCCU486l7kfkPpC4rE1uCsojWdFxfEuDqSVNS5lUWW57TitZO0fZ2bT967Tvax+o9f1GfjgUAFABQAUAFABQB+C/iMqP+Dsn/AIKfsVV8fsjfCTCuoZTu+Dv7AiMCCDkFGZSO6sQeCQeXN6EcRhY05be3hLZPaFRddOptgY81WSu1em7tOzVpwd0+julZn2u6yW8bmN1EgV3R5S3liRlJDSGMo+zODIVZWK5wwPNefThjsGuTmk03d3k18Wr0jW8vmaS/fdEtEtEtoppJJ9r6dFbY4T4/fC2w+MvwQ+Ivw9mjabUta8OanHoskLJbPaeJ47Inwzf6c9/IbMT2Oqw2Bglu22LGhhMscbZXjz/hfC8UZZicFmzl9VxHsfbcsKNSX7vE0cTTUY11Wi261OCadOTafu2laS2y7iDH8JY2jnmBb+s4NVI0/wB7VpXWKpzws06lCcKqvHES5VCXvSaTTUrP4k8b+B7a/wDB/hPxzY/8JhJqc3hrx34W1u/8eeBtL07wl4c0uWTSvDvjS58GabBrNz4u0vXLTxVYReFIdY8U+NNWn1OwXxDBZ2UujrZppv514X+DeTeEtThLOKtSrmGI4wz7CYCUsZRwq/fYHPKn1es4YWWIoKtRhX9nGVLD4Gm1KdRQjOrUb+m428ReIcTQyXK1WUaWY42vhJwp4vGycY1HSotSvXhGTnTxan7OrFqF7c9SErn394ZsG0a2SwE6GzsU/s62jitYLf7INNWG3gLGW7vnaS4thFtOwbYraJN6JHGjfqGY4GWV5xVqS/gYqlVxFOm+RRg6+Km6ajGE5bU6ejdODtpZaRPl8Rhq/wBYVR1ZTjWw9OtK/O4udSTk2m2nLlvOD0fW7TfKbVuglRXMry53ht5ibIbHB8uNMg7Rw+R8ox3rSjiaenuR31v/APsX/EwrU3GTg5NKyt06a+Tt5dxbgESAoiYWIPknHzqx42jByBjDZ6cCufOZY3E06SwmTYXGUstrU85eJrVsPF+1wcav+z+zq8lRR5ZRqe1i3rJxjFtO00Z8tR4fmXvLnej5+WUlB67W07p3tfTU8m/awvPCsvw4lsPHPj7QPh7Zajq9haeG9Rv7O/1aXXNY1HT9Z08+G4NB0/WNI1DW7y7KJNFaQXDQyxIhktp2tmK/MeK3CVbxF4aXh9ic2rZRXzmvhqsJYegsW4SyXNMt4h92lVxEMK3JZdBc860JUZVVVpXrQhF+hw9mc+G8zjik3KPLKHLKU6Xx4erDm/dc83yqs+jWtm4qbOJ/ZV+GXjTw/Nda1B8ZfCHjX4XeINb1W6tvCWkeDNZtYbbxDZX02havJC+teJNT1fwrqeg6zbXNt4ngjS2tZdfF/dTafZzyPCvz3hZ4R8Q8GSw/s8yxtbAYOhRp044ivhJOoqDwMnVthcbTlTi40JKFKVKUqVJwo89aNKB63FmewzKpHHPDyhWxHNVVWzu6dedWtaLm5qcat1KLkueNp+0VCpKUX7Vc6LYzNFBfRtKFiitrmOKW6vPJZ41YOklnJaBpcMMz+WhkJL7VzgfoOHxtCpX+r4yEJVKVoTk05tyjCV224VFryq9pS9X08jF15VMFCWqi0nG6aes6aas3dK6fK/5bdD5p/wCClHiDWvB3hP4OWGg3Gq6fp9l44v8A4lT6zcWtxB4Zj8TfDnTote8H+D9TuJp20+z/AOEn1GePU4bK7trhb278O3Nzoh0q8nlnb5Xxh4rxPA9DhKvgcE8diqXHvDHEzgqlenL2VD6zl9TTCpVK9OlDA+3nGM+elZ4mVOpQoOnU+k8OMhocU1eKJ4mUY/UuG80zGnpTqy58FDCxhzRr+7TUnUajUgvaNpwTTStxfx3+HOj/ABe+FnjLxS9jZXXhPSdf+Fv7Q3h6w1C4iu3m0r456PqXgPxJpcV5ELZbS1t9d8N+GfElnDAIm+3W8k073EpjMfneP+GxGJ8P8t8QMLiK+XZhPh/LOL+ajTi6lOpx/mWRRxOHbqx+sOnfCqlP2lN1qkJTWKhFqLXV9H/H4vK/EWpltCcvZ5pxfxjl87ValNOnkGSYrEYfSlVjCVnjajSn7kL3pauSfy5f/sy/BHQ7nUPFk2h388GlPLrOofaby51WJYrHZd3Mjwahe3ltPBbpE8zQpZPOdo2ZjEgb8cw/ivx9mFLDZPDMMPTnjIwwOGdGhSwdRyxHNRpwjPDUMPVp1KkpqmpyxEKer5rScWv6hzniGSw2eUq9GFVxyfHVpyqVMTU9+GFp1Kc7VJz96k3Fwb96Eopppo/Sj9k34V2Pwt+BfgOwFpqKX+vx3XxE1aM2UVskGveO1h8Varp/2Oa3tHNtp4voNMgmNi0i/YpVe+Yzssn7x4Z8L18q4G4exVWtWq08ZleU1qareylOKxGT5fUipONaq21Gm78yu22211/kTjnO5ZnxxxRRlGKcM6zqcrSqO/Jm+Mhf3ktW6r2le1tLps9Mu5YDbTyLBcvJMsZkihtwZP325Yfnj2tCY9rmNgcqWJGDXu/Vo/j/ACxt9/8AwDzdnbRqztq76fPXfV308zHutLRrqxEUptTcMbdVu5pN0t2ZraRUeO5tb37aPsq3LGC3ktrgNHG3nBNtOdTB4PBZpOtTjOp/ZmOlFyhd2VG6WlGp9qLsou+r01Tc4/FcmX4TDNfFneEqc14pq9CtT069NeeSjtaz52fiXH8FvFXjXw7c+KdIu9KuvEeo3ura3q+kO1v4dsrLVdQ1O8vNa03Srh5Y7V7O31Oa9jtrNbO3a0Ci0nmubiOa5n/G6vH2UZLm0crx1DFUMto0sJgsHjadOWPqV8LQw1GjgcVisPSp89KrUwsKEqlSNWVOpf2tGlQoyp0af93eGWdyyLw/yyU1KpOrPGuKUsTDln/bOZOpF1aEKkYQcq0v4iUZKKi3KTOfT4afES7uLjQ38EeI7W+Mn2f7QkCrYyMXaB5YtRIMbeQSX+02xKSoAyOFYivSlxVwxRpU8wjn+V1sOo+19k6jeIiuVVIwnhvjj7RWj7Kqk4NtON1c9biXxOwWYZVPJ44Dlq5ngEq874lwlPF4bE4aTjGWE5JSpqryucpRVRptrkaa/VL/AIJ4/FTwV4C/ZX8CeD/iP8SPD+k+Lvh8upeD5LfVdTtbbV73RNI8m/sjFpEOyTWbazj1GbT9NuLbTXuGMUE88t9qPm3119r4ccaZbj+EMRmroU43r16lFONR8lCvneYwoJ/uazT9hyJ04TXJNKNoRXs4/wAOeN2Q5niPGXiXA5dOr7Krm+LnTpwqU6avPLsNiHpKvRp2i3Ud3CMtXL4vi9qf9pj4QXUzRaR4t1bWZbi1d4G8N+CvHfiCLzQHEcZ1Ow8Nx2ViS20+dc6jZRW4YTzXVrH++X6Ojm8a9aKUY6tLRz01S1vGPf8A4L6fMVk1CzjytdLRjfR6tRlNd93rbpofFf8AwZbWkNzf/wDBSJ/MuorqDTf2Umiaztpbq6ktJIP2oYb+2tEhnhkW8uI3iS0kiYzrMB5BVzmvk/pQ1HRwHBVeF3Up5pmbhHRwl/s2Ely1IaOcZciTSnDd+8nZrs4Sq06eHzlVKDqqcMClJV/q8qMo1a8oVYz9nUd4VFCTVknFPmbjdH7tW0ay22m388Md5dQLcJJN4ck0nTdG1e5utYs5bK3sjNqts11f3N3NYPvXUotNW8ttU0eO9WO6udMuPzLAYvG4mVKUlgaTm3zRjhXKLcl7SPJ7PHLW84XTUVGUJpSv7sPRdWo/aP65jHRSi40q1fEVJRSoyUnXcqPIoqnCcI8lOc3CpTk4KHvT+d/FPwjf9tTxX4F8QTadZ3fhv4H/ABw8Ore6/qsGjL/wkUV2PGHhLxpc6Domj397LNoFn4x8kLf6xfm61jXtIv418O6RpenxeIrr9g8H+EsNl1SpxGsThK+JxWFnlcqVDKlg6kKeKzF1ZVXi3ia8qkYyy6PNQcI88qyk5x9ilPHiXOsPi8upZRTw+Kw8KWJpYyFStj/rVKcsNg6uGjTWHWDoKm1RrU6cKrqtU6dBw5JKovZ8fod9rWhfEL9oz4ra5eeIvA3jPR/hj8RPCHwh0SWLVdP2+Gll0nwiNb8N3+5G1RdWi0zT/HFzrekWS22jhbYvf6ZqRia3/RcVhKODwsMR7TmlNU/c9nbl543fvK97Wtor310PnpVlTnyqd9eikr2vbZ/3V/wxofsya38S/gzPoOkaJqHhPT/gx40vtSWz8a6t8Q/D665baTaLPcDR/Efg21+0+J5Ne0DTFttFX+z7F7aC40e8sIRp2nmG2tMqEKlZwVCPted2kuZQ9nq0vja5+bV6WtbW90a1KNbFUp1KK9pKhFycbqF+d6Lmm0vsPVKVrapXV+u/aV/aB/Z/8QfEDR/ix4L+Kulah8SfhDpOt6j4b+GjWc99qPxHvtCtYNe/s7wvHZXU9/puu3Y0+2t9JttU0S1trLUUgv8AXJtIsL6zv7ycznWyyi61aheMYuTvVgtoVZv4PaPanp7vXVK2sZdlWd5niFQw+WXvLlU3jMGk7zhBPlnVg9eeLSdt7Pls2vF/EX/BRPRfiR45Hj7TfgJd+FNW0iXQ7zUNB0vxTe69rum+MPBHxAfxfa3ut6Hpfwg1y3k8RahrP2DSNaguNU086fZXUQt9V1LU4pdEi+JzrxVpRxWJy/8AsTmpU/Y8uK/tFxc3KnSrv9y8uk1yy/d6yd7c3kfV5f4W4qrCnTzDOv7PxEfae1wf9nrGex5udx/f0MzjSn7SChV91e66nK3zRZ9Q/Cqb+3PAHhqG48PanZXV5pnh2/1PQ9W03S7rXrNtW063e7t9UvV06w0XSnsrePXdLktdc0O2/tiaKfRTLqNmniHQI/yPi+eHpYuvmGGlVqOWIdR0Yv2btKriq/Kq8qTjGzhyK9JSlf7UVVgvWzXL6OWKlgfrSr8uCqqnUSlh6ftIQlQV8JFutWm1KjOUqeJlTpqznDD1lg61Td1fS9Ttm8QRW1jaeRDcb4LiyivY7uC3l07xJf299dzWmvaesF5LJc3Nss0639sd8VxNb3MisW4MNjHKnzvLcDJShCbnUoKpVvOFScZ1akasVOo1J802mp6y5eks6NadT6k/ripylBqFJpOEo054OlVoR9rTk5QjUjB3pqjP2mzgpXozxTadNdGy0m1hkfUPL0bXJ3Go2Os3WpajeanYmxXQdNubJ7Gz0+xtL7xJMmq289tehLLbeLqWr3fiey66mLoQwmJnHBZcprDVVpg5Ko5pVLLkhWgopKn7SXNdtqKcoyk5qMRLGwoyr1K0X9WdbHYeEqUMRhFToYenXi1iMRGpVq1KuIxCwdJUq2HtGpWlCMqFJYd6cVppM0OmXWr2cVpNb+Ibjyb1ZPtF5ZT6PeC0ma2kksP7Wdb6LSL+4vYb/Ub5IIrd57i81QQwC348vzCVfllVwWWxXtYtuOEbcUotuzlWlN3s/jckuVyfM3FR4qOIzHFU51I1MNKosLGHsZ0aqpVo1uZ1IuKxdHC0Jx9rQhSnh6MeVyhH2UKcqnNiasmlXdxdCeHTLpdXt7FvDt5Hd+TZR6ZLe2tpDZ3KpozGO/stL1ySdbws7rpGlPbzwy3Vlf6tqHozo08RTV8PlNKTcHGawDlFRU5x5GlXi1JRlF8zcrRpNSUpNyPSy6OYU8LTrVHTxMaeJn7ahLLb1HNUa9V1lKWPmqlKrVwkoxp040outjbw9nQ5Kcc3VtN0u3v/ABDL9guftiIjQXVpqekyWby6vJZTGaz1i8s9Fcyajt1Gz0iLddNeh5bg2q/YcinSpxhWp+wyzRLlmsAnBXcHeMvbxfvRjLkj72jukuW56GCxteVPLl7PArmu6sZ5dWjiZwo050/Z1qEcRXS5K0qP1mq50lCrBRnUlGt7J5t9a29zbxK9nLo9jBfrb3N4b6yupJGkk0u2liMEUkV5cyWcccE2qfYkvktW8y6ma3S5jjKweGxFKGJVHLcsx0azoxlN4Wjh5YdxTjdKviZzrc6blNUrOny+9pUid2Dr0sM8V7SlgsVXq0FOjQ+oT9nyr61OLnJOrQouo5+yoPEToRqKmop1XQk4c54l+L/wy8ELc2+p+OIpvEdvZxtqulaLPq+seLdO1G6s77V/KvfDWiaZqd5b6XFpEWoLdXT6W1jafZmuLy6iF1IltpSwOYcyl/ZGWxb952pUXZuXNy2WJjCyXu2UWtLp62XHjcwr4erUlSybLsRTjOShRdHDUVKnFPll7WUp1uZygpqcpwknLlcfd5pePar40D/E62+K3jYeHNOtbv4e2mk6VocGqN4rj8MaDe6xq93dRWfiPw3bXF+9zqllJqV/Pr0Wi2ulrY6Npui2OlmeUeKJPO4rzqhTqYTCYuhClUyt4lywlFyjRax6w9WKhalXpU+WLjUfLKpzyvfkk7R0yflx0oY3F+zyyvVhGNTC0aXtoU3Rpzw6kqlFqMnWjTjWlbaVWSd3Fnz54813wzJY6D/bUVl4gtvD3i+GS702S3uLu1vta1Q/2LDFrtzfxHUtYltlaa3sNO8SL4h0OOW/ubmPQ1vJFnXwuHcwxGDxWa1suyyUXmbxyTWOo0vY/XatGSd4UaLqez5Yf8++fvBpWy4uzlYKnJUqf1+yenPLD393E/8APynUt8C/8D/us93+DnxH/aI8YaQsHw0+Dui3ek2Fs7zeNvGl5rHhrS7y8JSVtQkutY1eyudUzq2oa1aNceENO8VT211dvplzZx65ZLpUf0eU1nWwU8JmMPb1J+9OUpJulJVqteUG6v1hVGny0+aMoqbgpRXvRjHkyrPKlShQl/Z7oOpTor3cTGq+acXpanQjJpauUvhjG85tQjJnVeDvhfrngf4h6Z+0J8dPF3gzw1c6Dqs+srZeGJdW1jQNP1PUvM8G2Wsy+N9d0Twje3KSC91y1k8ONpllZ3t7qOl6hB4ht4oItOjwwGVZfw5gczjOcKlDH4avhHUxDpYahSljvYYODqR9nUjVg6tOKcHKl7RVOVzg1d9eJyXFZnKdRVKUnCKc6EuZqahho4hwckqnKpUqlpfuqjT5nGlUXKp+jTfGr4dXE8Wpn4ueA7mLY2mSXcniHRIb3UreTw9ZaJNfSafLe3VyiXctnHcJFdx3b2+oJut4YYLy51ZOzA5tkeGwOGw0quXRqYfD+w5cLiaFOhJQpKjCS/eQcVUpwhOa9m+So5yim25y7cBga0cBSw1TB4jkc4VnCDnKjSlDG18ZBU3bDyXLUxFRScKUeek1RqSr06VOMlX4lfDe5u7tb74nfD7TJLmK3vLm4vvG/hq1iu5LOU3ds1tvRHN9dyzuhlvPs1xcyac1xqGpAXGKwhjstSt/aGBpWj8VfMcLCDa2jF1a6jzNaRjfWzk2knaMRVo5dGEZYTGqmqlOlTsqk40oTho5KWJm/ZU1GTtCndQ5YU6UnCPNbsvjD8GlOoXOo/Ef4YiK6v8AzkWLx14A/cvBbWsdn5zJqoa6kMyPd3MkKPN9tZ3jiuXc3k+uGx+VSqqVXM8oVOTjCqp51lSvSbjzKNsbenPlT/fU0qsW7wd2cOMx8OWHsKmN5qE41LKlmSjXs5ylSi0qnLTb5VGnUSpxhKEF7kOWO1B8e/gFAnmXPxH8FzQELGBF4o0OCYFpArlYYZPtjsHYyRSvCwY4IkCMXr1MLnfB+Fk6f16hy7v6vn+JnTcnGPvKeHrTpzlsm05OLi02mmlhHCcQ4zDxxGXZfUUKs5z53ePPJTlTm3TxFWnKN3BxlaMOZJS25WXT+0d8FILlbG38d+GLBEgQ22pax4y8KxrtmyBJK8/iK2nUIN0qKsDyyFNrxshcV2y4x4VhQnHC5vDCVnCVOFapneIk4e0vCUqaxtT6rKrCE5SpqcW4yipxSlC6462V55Skv7RwUqNOdWm6jgqMqbUP3kqfsoSrVOavTpyoKo5NU5TVS14oG+PHwFv4t+qfHP4fW4V2Blt/GPhYwjY2/wCzoi6ubgmV2LxmLfIrtIwZS/zcsM04Oxk/bZjxRQxNa0Y+1xGO4erT5YqTUVKspT5U3dLmaUm+7JrOth3bCZZX5XvJTxNOpKTUYc05UYcsnyRjB3jd04wjdJFK5/aY/ZR0OaM6t8bvh/oyz+eiR3vxBstNupyRHGbr7HLqtg1+kTywzySwztLbwLJulTzkY6Vs58OsNUoKrnmTyhUlJc2JzvLsEoW5U2nluLwKkm5q/tva8rS9nyc01OKeX8SZnCf9m4LEVJ0UniXXoY2fLzpujGl/G1n7OpGbmoJ+47Jc0opZ/tT/ALN15ZRQaN8fPhxJKZBHbpbfEgtqio1h9rEcTv4omF1fTxRWmpR2MQhAS6ilO5pVYznPF3BscG6mH42y2i/Zyd6fHmYRetOrLT2efcju1F6O17dtN8FwnxbPEP6xlMcRCU480ZYGcqLu4LX22G9u1GFSdL3k5KEZWvzN1PPtT/bF+Aeq6i3m/tDfDy3eyV7S70zUNajuLaQOSyi51A66sd1I6sJWRiRbSOYDueIsfkcZxvgZ0kqGZzxtleGKjmuIzCNRTnGq3DF1c0rVayvKSblNqLTgvdgkvocLw/Xwb9licLRpSUrypUoU6MYuUfdtRrYalyfu3Dve1/tM+Xf23fhj+yr+2X4VvvDurfGT4d2fj7wtpF/pvgb4nrq+oXOueHm+3X95BoFxOj3MV38PJBOJddizLZMf7NvrR7SS1ikPiQ8Qswy3FKpSprEUFXjVrUZ021iFCU95+1k41ORyUKzjKUHNySleSffW4TyjMKdq0uWTj9nExg4uSs1aCt9t3SevLbpE+D/2Xv2gPip+xX+0bp3g++v/ABPpfwnutR/sXxL4i0/RbrxlodpbmPU7aOTwkls9rosfhm71GbRIvEE2m+HtU1h/CHhV10CxvL6w03TJvb4nw+T+J/h3jaGY43CrF4qnicRTws8X9WrUsVUwOJy+VTEYVYmOtXDudOcYYqEXiJYdupCMKqfymaRzHhjHYjLchwtSWXOrVjUpqFXEyqSp04QhOjWqQrKLlOcpVG4JShFJKKjHk/YP4Jftg/CLxrYWukaj8SvB6+K7OCC21CHStbs9S0m91WGKzTxBJ4curJTp+vaPcapdGXS9U8PSX+lXunSpe6XdTWCmYfxb4r+APiDwVxPxpXyzIlm+V8RVMZRwmbRzPI8CsTgcVhXXpZbLCVs4xVen9To4mGXQxtV0quJWDWLclLESjDuwOLoYrC0ak1NYqWHozxdCrSrUatPEckfaU5xqU6fJUo1eeE4OnC0k04xtY3PH/wC1j8EfBmnhLj4leHLjUbuVrO10qzuk1TVLzN0tlqdvYaLalr+51C0tXuJhaxwtLbmE3E0fkQSkefwP9G/xk40qcK5fHheniMLQp5q6U6uf8JYSHDuXOFevjpyqV87wscwhXwOEqTnUr1oVcKsPzUZxrzjdzxmBqVpYVTvXcKtV04Uq7ko4Sk8XW95QSm40qU5csXJztywjKTUH+V/7evjb4nfHH4meKfGVtP4z8W/DO30azk8NXel6dq1xoPgu2sdCmu/HkGsWkga2tbmHXl1a91rXEN+mqXHhSK+jnh0qLQLXS/7B4H8KMr8Kch4N4IpZzw1mOc5Jw3g8XnOHy7GYHM8TSzjMcFkuZZnhKmKweYZrR5MsxmPxOU062FzLEYKvKWIxWXxo08XWg/1r6NXiJwxw3kPFPC/1DHZfnvGeOyT+0MwnmFTL6eIw+UYvifAYCSoVsROviatKjn2BxFDLo5fRo1KlOc6zqVlRqVfOtSsre30P4WCJ0WPbaIs0rJE00X9h28asI3ct+8MbYALfMpXJIrihUr8/FNCVOc5yzTMpRhCEpuS+uYezhaD5oOSdpR0Z/UOAwNWeR+Gnsq14KllnLKr7KNScP9TM35ZSUqrfNKNnJXlZ3XM93oarDdf8IprFtemUl7nRpI5m3yCOzubkDyYvNGUiCQyJs8tVQH5Blq4suh/wuZdi6cYQhTr16dSHwTeJjShJymoLWX7ylPmcrtpJ3sXx3UdTg3O4x5uaGClSqOVm/wDaJ0KcYxd583LTnGL2ilZRlpp+v/8AwSd1i21D/gnn8GrWK5SSPTb/AMfaNcYH7nZF4+8RTvEoBB83yrtXzkgbwCpAOf0HirCwzTw7x8Kyk1/Z+Oi0pOOjyjGXvZN/8vX/AElf/PnxawP1bxUzWrTupzqSqK23PHMq8Iva1/3UVv36tnser2bDUHZGgCAgGPB37di+Uch8ZaMqfujrkCv88fEnJMJgeK82w1OLXs/qFk6k21zZdgamt0nrz6abeg8vxDlh4Xbv715Wvf35Xs/W/wDn0F8KW0kfi3wz5hGRr2in3Df2jbHnt1zWv0X6EqX0qfo22T5f+I/+D3d6f8RG4f8ALstx57VU+H86t/0KMyX/AJZ1tvI9wr/a8/MAoAKACgAoAKAPyx/an/Z10HxPF+1f+0FpF343TULf4q+K5NMvte13S/hN4HR/EPjHVf7JudIXXfCPjS28X63ZapLZsun3XjbwBqXjjS9Si8MaF4a0zxfqXhyXW/568ZvopZBw1k3iT4o1c2qcR5pjeI+I+OJ4b+1cDwjhMspcSZli8ywuFX9oYLPIcQY7KMdmiw8cNSzPIq2eUOXD5VTwucVMPgMX+qeHfinjMdmnC3BiyvLcrwGCyrLMqr1qmW5lnmZY/G5dRpxrV74bGZVDKcNjMJSqNV54LN1lddLE41V8DOvUweJ+wh8Y/wBoL4ar8K/hr4H+G1t46+DHjPx/pGoeNPGyfDz4jeJH8O+HfGtp8NdB8S6fP4r8N3VjpWgN4Q+HbWuoXdxdaLfXllqVpda1cpfabLFFc/m3g1nuNjmuV4HM8qo4nh7H8UZnhOJsXilj+SlllbLsJlHEtZ4zBYuEcHRoZRh62NwzUn9VjKMatShTUKkPoPEHKcmzOnjszebV8JneEyfFrKcHSxOAgp4rLsLVzPJFHD4qi6tWpi82xEsM4JOOM5I4enapzs++/BXhXw5qvw6tPGSaJJq/iPU9At9dkvdR1XWproavfxHVLqOCa0S3vNOl029uVj0+8sYLbV9HWzsp7SW11fSI7iL9axvFucYriTESxLrNYTHyhaVauqWJowqJSaoKOBlVp4yjCliKLmqXO2ptw9pKUfzGhhKMJYPLZTpU8NiFBTSp0ISg2v3MvrE51ZQlCalB2clzx5JRq0Zwg/mTx/8AtUftdab408fadZfs8aG3hWY6LBpN9oXw5+JXxGvW8Mi3hlhub/V9A1XwL4UW+j8y2aWXSbWHS5TdNYSWHh7VtKv9Gg/KeNuNvEnKOI+Lcpo8EYKeFUctw9WrgOHMXmeX0MrovA1slxGDzbJMZlmU4iOKwlPL/azo5FkeHhWrVMPRyXLG4YLDffZRwtwVisFga9birM4VIqc5wxGKwOCqzxclVhioVcLj5YrGU/ZVvbKnCpjcXV5IxlPG43/eKvP61+15+3X/AMI94qv7X9lOKa80+y8Wal4T8/4Y/FCObWdSk02xsLK10vRYPFN1d3RjiLzR6NHeQ37y5e1u7hYXhPnS458TcbiMDg8bwUqGGzPH4hVaq4R4moTowx+AyvKsdyVsRmE6cFhcDhMPiYSpxxEMPOrKtW9pSnCjHsfCvBMJwqR4pxftKFHDwjH+0cltUWHq1a0JVIqKcpV5znGq/dVSKtTUJJt0Ne/bH/b4HhV9Wtv2YNEg1fWdMF34lsLj4GftAXiaPqGoQ6TdX1rfadpWv3OoaVLb3NjHb6fBPPfsguLmG/kgkZJE1jx54j4vPOIaWM4IjRwlXE5nSxmIXC2eYfDYZYnOMBip2xtfM5UozjistwdCmq2GXLTxM+a869P2Jg+DeBZfVqU+LcSqUYUqkZVM4yWk5VKNCvSinL6vUXv068pyjGzlKnBx5Ywlzx+Hf2y/2/8AXPDGs6j4g/Zb0/S9Ut/FPiW10KBvgb8eLE31nPptpp9tdaPp114luby/hWPdcw/vbR4zl1huHja1p8Sca+I1LGYTA0uCnWwuYwxNeVahwxn+KaxOPynBZdjcPSxbzDDUqMcLhcBg6sF7GtPD1K/taqqUsRSp0SPCvBSxEJLinEqVCWGoJPM8mjGdHD4ipUhWm1RftHXdSSqVeWEKkVeEKbi+ahL+2h/wUAvWna+/Zs0TS9YudZ11WfT/ANmP9qC8AnnsUH2RN3ii2vbIslokiRXenXDXa7ntyn2eda7sbxbx5iP7WtwbCdTHYjMXi6eGy3M6NXD18fF08bR9jUxMVTlRU5uFOrUq1MPyt13LlcJWuDeB8HKhPC8VVsTGjSilz5xk2IhywUYwqt0sHC0pOerTjCTUeVK1n59+2l8Sfjb8aPDPhK++KfhS2+G+q+HPFfi2axcfDfx78L01m913U/hlp1vYWulePta8SazePoOtxaBrcmqFNJ099Pa+sPMkuBOlfNcZcTcVZ1mGEqcQcOxySvWzDPLUaWFxeAUqmOjhsZm9GtDFYmo3GjTwEaFPDqVTEYOtiIVK3tZKk17fD+RcJ8Nxpx4ez+rnkMdhqCx8auYZdj1hng3TjhJKOX4am6MsR9exXO6rcaqoKNJR5KvN6L/wRAub2f8Aai+IDXepW+oRXP7MlvqNksQulaCG58afDyCe5InbCjVr6zubwxSKbmIqN620TxxP+nfQsy/A4TxU4gnh6CpVKfAmeYWLTk701xJwjWrQV9IqFeaVtm7ypqMXK/y/0iZ4SXBOVqhThCS4owOsYyi+T+yc801ilZy96x+o9f08fjIUAFABQAUAFABQB+CHjbVtO0H/AIOt/wDgqfrmr3SWWmaR+x18K9RvbmV/Liigtfg1+wLIzSSEhUGQApchS5VM7mUHhz//AHGO6tXht39nVt+NkXh/jfnFr11V/wAL/wDBPdPD/wC2B4T1ZTr974Y17Rvh6fEOm+Fr7xpe3uh3d14H1DVmtdO0CX4p+Cobm28R/C/TvFGpjTU0S58UWkp1Kz1CwvbiLQI7+OOPlp4PiGjlbjj6M6baxD5ZUKkW4xg7yjGeDo3Sive6K61VyaGdxxL92Mkr66wespSupNa6urLlacWrv4rJHc/FD4x+FPhLHo6albXmo694ruDYaHY2f2fTrW8NvCt5ci+1zWdQ0nw74fWO28yX7TqmrW7JmHyIbu6ntbK54aNSjSwuOjNp4h1abjHmUXbnTl7vMmmvefwO1ltY6eWVaPtb2hFJ/wAzcpPT1STu27X89beIro+peIPFnhHw7qUPgeSL4h+JPjn4nOnzXdr420rTLPxNqMPiG80+6uNItNNtvFN61hrNzNcQabqUvm2du14L6GGzkM/m14OrVja+sr66/wAq1aWvrbU68PpSf+HpotObZX0Xb7rncfs5/CTwx8KNV8TRaT410LxVrmqW9tbN4M8MXA0LRPCGj+H3Fp9js/CFz4m8ST20tnJfQR6hdubabT5bmG0lgT7aK7cDSlh/3vLzXhy2V1uou+qd9vu8jJO1WpafI5RavZu/7yNlulq113enY9lTZEqSKjl1hkCIRLNGjTvFhYXKhTu28hBzwcYArro5jdxhZ3lolp19Vrfy7HPOnerzyez16PTRtpN8vzsZ9z4v8OLf3Olf8JHobatbbnudIXVLFb63WOFpZDc2ZuDcwmOJJJHMkShIkLthUJq8TjcNCHLiHyzlHmScoxvBppaOcHq09bNO1k9LLSjSjUkuV2UbLV3d732Xr/mjxH9rjS/hd8ZfDXh6IfEnwRb+N/ht4kfxl4Q0E+PtJ0qbWNQfSZ9Ii0uLUrW7mufDurm8uotT0fxAbG9uNG1DT7a+exm0pdQkj5sPWwM53Uld9PaRfRrZVXrdarfVO1lcMXh0o2crra/K027qWuuqs1ytaJpptSsjnPgX8WJPEmparqfgDVNE/wCFw3vgfTbz4gfCfUdZ0HTYPjR4lXRrK3ufiHpT2ds2leBvilYtZ6lH4p0GTRdY0XxLMTHDqGp+G4tM+IFwLDYmpiKkqHE+XVoyqzccvUMHKtRi5vlw03CU6rq0oyjQlzpzlUd5Xb5WQqwpUaUZXlaEXzKfvJrkkkndySbi3dP3LJqzSa6TWv2tfHOjeD7L4lah+zt4ws/h9M90LvUrz4n/AArtPEFhcadeWul3mh3vhxvF13q2p+J7G/i1zT7zwla3E2ofbtFvoVmlcEr2YXA5vOSp0+GMxzmpye05sGsxvVgrL2qhh8HVbpvmjs+Xdpu7FLNaNFJexTSvG79i0rt3dOFlGnVbaamoXtHZpNrzv9s79pPQfF/7MPxEsLLR/Aa6P4v8G6P9im1b40/DC7169s/Eut6ZDp0uieF/CGv+INU8QloJftmn2SSIuruy2sMiiTefk/E7hzHUeDsswc5KlHJK08zVSXtKadei89xMIQqTpw9nV5MQmpVW4xSdSUHBJrt8PJYLNM0yDBwk06uLoWi3z2583VJRfJO8leafNFQTlaGs78/OfByVfin+z/q/7N9tJc6brWu/Dv4w/B3SdctriUXUGv8Aw1g8MfEX4N2Mf2eSzlufsvhrUtXj02WK8QNbeG7n5Z7eeZLfzeEM8xfi34S5JhsdTVOlWp5dwtXrYmnSr0a3+pGE4czylia9GjTpNUMVjsbVw31etONZSo1YYmeJpNRf0vGc6Xht4jZVxDTbrVcLl1WUaCl7OahiZZvl1aNN1pVI3jSxUqsXKElzveCcXD5/+GHw81nxtqvhzS/+Ev8AH2saDeeGX+Id74Y0zwppPxC8Qa74UsNS8O2U/hSWXUdc0COz0XUtZ8QaPY654ji1fOj6bJcrJbmOeSWD898E+FcBxnx9j4zyzK8txfBU6WafWqFPE0MNic1y3NsJCjCGBpYjDxhicRh5Yh4dVoVacaijiPYV1R9nL9Q+kbxhheEvDzhWjQc8TPiLNszyySjiMO5RTwdflk1VdefLCOLStTjTdRpw5m3zR+srj9p7476zqF1b+GPDul6RpxSK1s5PEWieBfC+oIsmk215eKunXXxi8V6hp/2a8EdmytFcm8mWeRLOM2zrH+3YLhvDYHCY+tSrU518XnWKxGKhHnbhiMRThOtFxdWfK4zgk0oUkm/4cNn+BVcU4YiDam/rGHWNV5ar283pL+Z93s27pJ6lrRPiF8ftdieTxp42i0PSooQUbwZ418NSaoygSG4SfT4/g1rWoiYKsQsYtH1OS4kd5xveQQEZ18ubT1Wi7T027PQf1u12ob725db99N/PUdcxat4iZILPWvj94na7t7hbuSdfjU0dtFDFLiO3nWD4S6Sr3X2iSPyrU3jzrtjupfs3kJDKyn2uFxFNzSco1opPn3dNK9ua99eiv+I44uOOVPK1TUZUK0M39paGsaP+zqn7qVS96l1eXs1d+62z4f8AGXwl+Jv7F/jPQ/DPjXwhrcHgnxXF4v1D4ca/BplvejVtEtbuC+l0C9sNJ1/V5PCmqaHZ6pa6Xd2U+o6k7212+rx7bSWFK/GPEfgqrj5YmeIr0qWOjLLFXeLrRwUa9WOGoU62PoyrUnHHN15Uq9am40J0K31fDuVVVqdep/U/gN42YDxQ4ajw06dXDVcsnPldargpJvF47NsxtGGHhSqSVOlgk4u1SDqWd4ezqRXW6P8AHf4ZPAXuPE0VtcDzSbG9EsOrx+ZgpF/Y0tm9/NMD8hXfI7OpG+QncfzbG+HnFkanLSyqdWk3D/aKHJPBS5dJT+vRrxw0IW95PljFRafLFaH02Y5Z/ZsoYmcklWw8Kzg4VYzcajnVaSumnem1to1fls0erfBnQZ/Dv7LvxM/aivPEHijV/BWo+M/G3ivwZ4S0jxP428LNcT+Fo/8AhWOp6LcaP4a1C01iTUNU8T+GdS1aHTYvJu9IvNIn1CezMF7tt/33wjWccE+GOFjXw7dSeDwDtTq0atO1XNMXUpOOKdGeGqU/ZY6nKFaE3TlTUZuc2/aP+YvFhQz3xkzqlF+zVPMcXFKfM5cscpoR1S5Z/wDMPZ82t/NM7H4QfDbxN8U9c8Sx+JfhrL4On8P6Kusre+LPDnjXx8mpQXDTrBZWN18WvF2i6/b39vrEEs4ul8F6itr5kcq+IIZA62v2+DzL99G0ZaOLdnDbnh5ef9WPklJRp6v4m0t97N27Xsnb7t2jzr/gyt1KWwu/+Ckoi06W88+3/ZBJuEaCNLXyJf2npJA8lwGiUvbfabgK4KPHZShwVBI+Z+lA7YHge65k86xy1tZL2OEbb5vdtZO99LXvpc14QoLEPHwdT2a5sHracruTxNOEbU3GbbnUjy8j5+ayj71j91PDOr2/i22tv7Qj1N7uzFtqENtqOmWKb9V0yxt9G1CawjaWaNrS31C7tJ7e9Z47y2vPtbJqwsnSC2/L8RWp06FNxc/4cbK8VzTUadCPxycElzRTk7OMVN3Ttb0cywlXLq3I3R96dWK5eZONP2rrxUpOHOpSXM3TTcPeppKaT5vK/in8CdD1rxB4s1/wL8Xviv8AC/WvF3neO/Fll4f0XwT4z8F6hrN3p9jt8Ua14U+IvgDWr6LytN0TQNDt4NB8RaTpeoXtnqMc3h6x8SxJrlt9nwf4kSyXLacuWtVcqtJvklhbLnxGNq39+heyb5b9aikrJNMmlw/WxlJ1KroUqMajw8FUlVhN1YxnFRvGpK81GjOpKm0mqHJVhOpaaXP+Ff2TvFfiW28RaJ8SvjU/j7wx4n0vw9b+JJNC8HWmg6p4ktZoNWj17TvEHinX/G3i+3gs7g3Wr2+taJoWgadLFc3cOo6JLpdo8On23fxL44YyeDp0qWGrXbwzv7TLuVaVebmcsNdOPLqrN6Nq63wq8L4OFRyqVElzYmPKqeKnUnKlJRpqnClUmpqupxlCblGELqNSUZqUY8/8Sf2DfhD4s8Oahp3gHx18S/hZqXiC0utL08ynSvGNlLZWut3FwdBn1bVtJ0zx/qugeJJJNft7fR9K+IemW13rms6NFfBrZ7XTr/zMT415zHKp5QsfLK8JxDRxGGxdKrRymrPF0qFRwhGh7fB0ZzlF1akbYWtRk51YRqSTcGu/D8EYTCZzlOd1KEMXV4bxlLE0q1KriIexliI06ladWnHFVYUVQhGlVrfXIygsPCvXouoqU4Pmvh5/wTM8RfCbUk8Z/Dz4sarda5a32ly2sWu/DKy8N2+p20MMMsMcts3iTxVe3c8MV3JZRTCTw7bpPNb2V3OLUa1eW/z1PJsknjVnlLiGvgsZUquv7bG5Zg6NF1JVI4zmUnnlSk4+1kpN+wUeSLko8ilBfef8R5qUMpXDmOwWGxFCjhVQcMBm2DxElCnh3gZRallmEqqSprRKrKScrTcZOnOft/w8+GF98KfE3i7UUeKWT4gzaVrEXhH4caLa+HfDsGsXNrqWjeL9btbCXWPEWl6mPENmngzUdQ0bTbDT7Xw9Pod94lvrHw/qXjHSLa89HOuIauIwn1j+0cPnOMrx5Z5hl8sE8Lil+6g+SGGVWgnSgo0pwpwSU6c2405OLXxdfG0a9eX1TD1sFgaFRVqdHM41Hi8JOjWgqTlWcoTSbjiIRqVK05zuoTq4l08XGXdaHpsel6lq8xutGs7vTtRhmu7LTNR8qTTrfUvstzDb6fZaSyNdfbrayWKJL6w0LU/EVzoclldWWs6OuhajY/MZfHF4nEN4uThH2kpNKPJy89SKcYqEaUW3BNpXpynZ3jKChMwxWIr4tQg6VWqp0VBSq0ud1PY3aq1akoyqxjCpXfPJqvToe0g+ejVdWmRajd6XeWl1PbaaIdJt0Fjqt3qEEeipe2dnDr+ixRSWutTeF7Bv7O86wm+zLdWz7rw2T21hJazCPvqugv3UOX937kpc1uZU+akmlOcLyirPlupd7Wkb4SVXD04XnOU1CDowjFTcJVPYYicZyoU8VOnSrVKdWm5uE4RUXJOXPTvDpNvifRrqPU7DVtP04aPfW2pRtBNEumeGLT/hH9Y+zSs8OmR3EOrDWbNbq3itBFYane6pb3d+TdRaTzVaVWpZRkpU/Zx52tV7OMfZy6ctoyc/eVmoydTmleThtPEU6mGxtP2bo1K31yhFtSv7bFt4mDlOEJVYuth3h5VKU5ShKdKnhHGglTjiIdUvJzc6rDd6fqJ1WX7VoulJqWpOf7ekitdctbm6gSwsWRNHksdeu9ZN3HOGs5PMW5ke0h+1msJRhRU7zXM7JJ1HJuXJKM32s1NzT5tLby1Y8LhKSweHtXw/LzRnVUYKnOKUsJKjBqpVdR1lUw0MPOn7LmkpSdqMqcYFLVNIisbXV4ItMWa70uE6VPaW9hqFvZ6TIJtN1c3l5KNSu4/7MuVuL+GLU02Nc2NzJbQW7WxuLm17ajiqEoqUfaRkouNtY2fNzOSk1ytS5Yy0utIpp80e3L8TCpSw0I4mlClVrRxEJyxNKLrwdLHUfYRo1KVOqqtOfsa1bDxTVKVnVqxko0q1HyXim0+y063vNJhuZI01yXRr68i8qQ3t5ObB5WvFgFp4VtrhblLK48uSwjjimWB4HdreF7T3FGXIpP8Aeckpa+9zWd3b93Hldm009W+p1KNGMK1bETo4mVGm5YNYiNBO0sPGlzU2qUZv67U9ouekpQqRl7OlFWcHznxX8P8AirxV8IfE3h3wN4jh0vX9S1ea6tNQ8WCZNFvdJt7vSovGGmag+i22pIl54j8LajeaTp2v3FpJqmmS6j/aOl3WlC3uxfXCGaSoT+oY/DYROpKc/rSj+8lGK5VBOhXTlHm1bSXvL3oq/MYrCSqY2jUhCiqtLB0qTVHll+6r1qrg06yg1QpywlZOFC0k+X2lPEydL6t8q+Kfh1+1SLhPD1l8BJZtGS8tpvM0vxD8DLHQ4ryeyNtLr9to1z8RPD2p6Mt5aaxeaPeLoVv4S1DUNlu2owzyIXvOetQ4rl8Gc5Z840fO3/Muemq0Mq+JzXCX9hgcTikrpexpTle3Nrphp/yLvuvnV0P9m79qjx7b3djfeD7LwdqempZJpVx8UfiX4T0vwxfWNmbia7Xw/P8ADbxn8QbbTNNupNRjuX0LxF4cgV3llWC5e1voZxy1eAsdmsv7Rx2YYStjMQ17V04VOV+ytQhZ0/q9PSlTpp2pQ1WvM/elxY2lnePpPHfVcThqlWzlQnhK1StT5JRox5oRwjk+ZU3NWpr3XfVLmO30H9gpkudE1DxH8SbbUodM8afDzxhrWhWvh6xtxcXvgPUdI1uXwz4f1P8A4SCG2uNMvbjT7jR49Wk02KZLVkv30N2zp9d2U4HF5I0oZfi8SoW1pUqyuo+zWjlCe/sbrd+8tGbZNkuJk1/adWEOZ2vOlWilJ+zs5qMaD5V+8u7wWluZO1vpWWZrext4Lf7MLaK/FzFp6poF4sdxJNKInv7cJBALWS0ljs7mxuojcXpEq3E8dpcy6VHVTDYv2tTFqhVh9Yr1MR7N0/aODq1J1bVE4cqcY1FCUZR1lFt2T5F7GHy7B89Wlo1GlKi6kI47DS5ORU5U6NZVZ1JT9qp1YVqFSHLCUY01OpFYiWd8UvBnhDx34O1vwLd/8I7bW2tw6PBqu21/tPS7NWvheXEMlhKt7bXN6bjQLGC5vdDvc30t1eS3Ol+H4I5L1OXN8ohnOW43K6tXFYH626MXisHNU6+HlRxUK8a1KrKFRc8alGEpOny+1pudOPsXJTjhgMRmmGq15KjVrUlUxXsHWoTour7X2tOm5w5sK1hoUsRUksPiIyq06lKnL21eXIzy25/YI8AXd1e3wv8Aw3d6vF9isiNH8LWkcs+22tZbGBdONrNHO1vbyxNLA0zqdkjTKJ7d1j8JeFCdWnShxnxTOVSrSpR5a82k6slHmlJLljCHNz1G3eMISfK2lF7R4mzWhFKWCwdOnFTbqV8NVjGKpucW5y+uW5W17sknGV6ck+WSbsp/wTt8CxBodfin1yG6eJvI1jw/YMsS7CVhtLy28NJcWUCq7oYWaeUFv3F5BIPMr0afgrhoNRxfGXElRxalGDxcHSlON5JT9rCT5WrRbUW7NpJ6HLX4oq4uUJ+zyGt7Oop8nspVKcnBpWnH627xeqkrq6cldXL0X/BNX4H2trZu+gwSXNrObmF3hu4pYhIV5ina3E6bGWNgbZ4GkMaRsyqSy9tLwLy2WHxOKxfGec4OhhqFfETeEo0Mwqqlh488pThVxOVQjFxUk5utywaje6m3Ao8YSc3GWR8K1Em1eGXxSulorrF1Wna71jrtpoUdc/4J/fDnU9UvLyPWtKtpL6G0t/tU2k2zarNaxWsDRRfatUttYkEttKgWGaW4um8iONH3KMV52J8EqlLF1KWH404ixFBOPs61KosFCadNTfLhp4itKk4ybhK9SSnOMqitGSR0/wCt2YQX7nKsrwtN3tQpYaXsqTi7PljTxdNfvJXnLlhvJ3u7t2JP+Cc3wzvdOgtNcm0/XYEiRFubiGyhv4djZQzvp2jWQunVWkVGH2WARuyvA8vlyL1/8QM9hg54qfE3EuKUI1Jzp1cdhpQpwpxlN1OWXM3OKjyrlvJqTSvscj4qx0q85Ty3K69lyqnjMDVq0NLP2kIvGJKaty8zd+WU7KzbUmt/8E8/2a/CVja+JvEFx4N8OaVp5hSDWfEk32Gxs9Ql/wBUkMV/NoonurvyhtVtRRCYAVd8sB0Q8B8jlw9iOIsd4i5vlGHw9WlSlTllWIx93Vlg46PDV6NRuMsZCGlFxdubmjHm5VDjv2U3TrcM8Pymm1plsFFJWXPKUcViIxjdr3X+9XSm91zvin9gT4RfFXSdW8XeD/HOg+PI9KtPtmn6dokGoaiZdU8PvHq0Gi3N7o3iy4ENrrFxY2+lXMenW5ZNPury3nuTNdWl5Y+ZkfhBwjxDisFUy/xAzDiKMZzjVhPIcTgvqkavPTSazOVRVlifYzu6CiqLop1HedKSK/HeIxEJRy7LsvyeULKpLA054aGLlUt7NTnTr4ZOVHlqezjV9+SqVfYwk+dOP4dfsRafrfhGbQG1231CDTbPR9P0/wAT614NbTvEOqR6z4ctLye3igvtRM+kSeGJ9ZfwtFcR6hey3CaNDetdRtO1rb+1m3gLk9KlTw6xkqlKUYR5pZfgI1HzRqQdm5NX5Vo3DfdbxOfC8ZZ9Gs/b4mUFGcubkxGMbUY1Erq2Jlq4LmtZ2bsuayb6PT/2C/hZoekpo15aaVKs8EEYSfwPa3c0dysYzJ9rPi2JJ2cgm6Z4kL3TTMrRqQo8/MfBvJuGcHSryx+c1cEuf2aVTAUv+XtOErKGGqtWrV9f3KvZ73c131s/zfFSqVaEsLXjp+8r1MTOs0ko3qSlVg+j5N17Pls2rN5V3+yFDpvi25mtLdbLwve+H7rR4tBk+EPgvZZwanJ51zLJrq+O7m+a31C0Edlq8F7pJD+WDZ3On9K8vF8OcNYjDuWUrMpYhR1+u1sPXhf2bd7LKcA0ueVK96u3Or+9zQMDmebV/eWJwqi5OK9nKbvKLjzRivr9273SSTbtondHFfH79l7UPB/w91Xxl8OvhV4f+K/iPwvGmraT8Pbo6J4Lm8RwWWnNeXdj4U12C58ZaZYajpDy3SzadqfhqdNRjvLlLS6ssxPG8o4Yy6pRlha+ZZth+eS9t9Vr04KnNVKlWpGhH6vOChCV4whzytC0edt8xGY5pXw9T2ksLg61aF1P29KUm5PlpucouamudqUrtyu18Ukrv4E8M/8ABRL4X6Dp2p6gv7H2naZqA1HUYbePVviW3iC9j1dLbVL+6srUaz8Mxremzy6c9vb6osFrBBZohWa0j1k3tvL15f4VYXL67pYXiDP6uBxD+r4x4rF4XERjhqkqUMVJ08PSoRrJRp6Jqr7WPMlzwnTtyYnjudRKpXy3K5VMPatTwksPWlgsTOnzThh8XQlKSrYavdwxNL2lP2lNuPND3maUv/BWX4VeLfGXw70LSP2WLrT/ABj4x8WW3hrxvL4p+IPhjUfDng59f8T6fYade+FNfk8L6snjOfVYtSfVNP07V9H8EXvh1LB9K83Xp7i1kX1cR4BZLisv9hheKc0r0KlSrmkPb4KlWq4arj44Z16GEcpUlh8FTpYGioU+SU43mp1Jxu6Xi5l4t5Zlv13E4jh3LsPj8LRwk6NDL28Dlk3iMVXw9d1sFTy7EOTilL2Chi6PslGmn7SMEp9h+3t4yv8A4CeMPip+z94d02C8vNY/tjSNZ+IJvtJsNR1+PxZpeg6newjw/F4RMGjvZaTcf2G1vp+rWB1Syvb6WCKOdHurf53M+EcNwd4l8eYF8QZhnKy5cNU6NTH0JfXKdHEZHg8wq82NdWcKlCvXrRpV6MKFP3cPguepN04RP3Pwt8NMXx7wbwJ4iyeFymdXOa2OqYfh7A4fLp1q2TcQ5jgcPhcRi62OxGIr5ZXp5VUnjMF9W58RWdGdLEUY4dRxHgiQufD/AIImnleGezt9LWDzD5zsj6VK7RrHgZKvGqvKqgBlK8FtteLh66ea5ty2cZYzGu60S/2qLUt72eyV/tLqj+tcrw0qOReGVKa9+lh8rpyuvtQ4KzeMundO/obmo38dx4S1qeRTsiltbbaxW4eWRyqQSxFo08lfPMcqRAsInRH3kqpXhytyp8Q4KnKbnTqLMcVyWcYRlLB1Xdw55RlOPJH95ZS92FknCJz8eQvwlj4xcoLEPBwlFSerWNy6g7bfEo3ta0ea2urf6s/8EUJxP/wT70qK8tZt2hfFD4l20KuQUk+0tpWqhnbaNoV9TZQAOGQvn5ti/p2bYVT8MczxOHvKrDL8ylGM3H2cnHI681fWDacuVNKa0vtvH+BPHanUw3i1jqNNxSmoRbaXNG+c5jG8VdLVLR2e3lc+g/IN7cXJdZYncqyS+fG+4IqoAuUQ4UKFwV4C4ycZP+fPGuDhm3E2Z18zhWwuPq/UvbTw9el9T9zL8JCl7PDOlXqw/c06anfGVOarKVRckf3S4KMVhqEIpykotpt3b96Upa200vfba2vefwyUHi/w2WaWSR/EGj5VWXZHnUrb5iAp+XJ4+bp35zU/R1oUMD9Kr6N1KliFiebx+8Hld0ZUXG/iNkcU7yc1JrkW3Lfm0a5R52prIM4sly/2TmC7afUqveS1Xpv0ep7bX+0B+aBQAUAFAHCftC/G+1+AngH/AIS9/C+reMdSv9UtvD3h/wAPaRc6faS3+uajBcvYrcT39xHO1hC9ubjVItBsfEPiWDSIdR1fTfDWrW2k6j9n78g4exPEeLqYLDYzCYF06UatXE4tTnClSdalSnUjRptSqzpxqOcIVKmGw9WqqWFqYzDVMTRlLXCYV4qU486pqEOZu0ZNu6SSg5wk1d+9JXUdL6yin4B8Rf2yvifolhNceK/Gvwy8GrLO93B4E+G+iax41+JtpavbteW3h/xJqGqarH4d0q8ktL2G3h1aO0tk1PV9MGo2el3XhhPFFrpP0FPgbKqEqdCNXG42vRpU5YnGVPY4fC1KrUVOWFw1OUsRR5pxqVKGHr1K86VG0a2JlUVOdbqhhaOFipuCq1Y7OeqUuWzap35LJ6x5lOUW01zNJrl/jD+xJ8bP2nvA/h+x8EaZ4V+GPw2udS8C+Ko9G+LXib4o+GvilJ4i0bWNUfxveeJPBfhfQ5vAmlxXMckbeDYb618T+JrV59Z1K28ZaHpPjDVNAr8B+k94ReKPi3m2DyPhnF+HOXcIZBjZZhl+LxOe8XU82zDH18rxGEq1MdluByfFcM08PReMlQwq+rZnmmFhQrYnB51gaecZjk1P6/wu468OuC3i80z3DcYY7P8AHxlhcTRy/LOHv7Mw+DpYmnUoRoYzF5jRzmriJqj7XEzjWwGCrutTo18tr1MuwePcvwV/ZC/bV/ZQ+Dlp4Z8KfEr9kjTri11rXdZ1nxD8Qr/4sXtgmp+KNL8OeE9JttM1+ztfCE2j21o+kaXDZGSzuLuXUbiFbaSI7Laf4nhD6M3jtwfTp4bI848MXNYnM8TSxbzfjOnmOFr5lhFgJVcFVwXDuG9niMPhqVKtg6kFCeGxqdVOrCMaZ6XEniR4QcTYvE47FYDxEp1XDC0MPhaWF4algZ4fCxhWisXTxGZ4ipKVTESxUa0Y1JU6mFVGDin7RP1b9n3xdL4Y8D2/w88Uaz8MfEHijQLOSXUbn4P6zdap4DnTxDqXiDXIr3RW1PRdNmstMuDdPZ2ljLNq8lvqFhqcT6hfPa3M0k8T5BxVwbnuJy7iOjlOCzKvln1ikspr46pkdLNKM8TQxdDDSx2FwGPo4H6zR56uHq0Y4jKsWq2FjTxkKccXX8aplFHN5f2hlM8fHC0sS7PNsNTo5lGmlhaeHjiIYXF4ilOvFU63tK9GVONeiqU2qVSp7Kl5x8ctb/aF8D6xpnh34Gar+zra+GvFX9vLqkfx20T4k29n4V07ZL4h0f8A4RzWfh5rNza6dpOoeI5vENrqGl+INKgXSJDb6jYanP4fvpU8L58EcLcceMLxGE4TxfB+HxuJy15fmGXcVyzzC1MNjMmzbDY+vh8mrYSjmEq0q2ExLzSplkcvSwOHw2Pr1MZjK9eu8L6FCrw7ltKrjOIqXEijhsRCX/GPyy+tKu6mHlh5SxUcdRw6X1eMaKji415+25/Y1KOGlhkq3PTfEj9sDUvD2q/Y/Gf7Cj+I7KKfU7WefSf2orfSYbzVFstHvtPt9Jn8NxeJZRpttNZtAIrRpoNRvT50UsGjeIk0j25fRX+khmOKrUas/CKWW/WswWKeHr8YxxVCWOyzDZROMMbVy2pgoqFPKqUqV4KEMSq0PaVfb4eEapcUeHdeqqmGjx+pUKeFp0ozpcNNzWHrOresvr1NSqVZVqntpRcYzhTlyKE1H2vpul/Dz9uXxdaJrWlXX7Fw8N+MbEaqNRtbv446lLNp+uWeiahbXlrp8+kaI2ZJbIvbQ3d5A9rZ3TxT+dc5ZPPr/R6+kRVr5jWr4/wRhPM3jHXjCXHMYQeNzDLcyq+wjPLZW5K2W0IUnUdXlo1Kyk5ynCpT5lxj4X0oUqTfiPy0pUnHmwvDd5OhRr0E21mCT5o4hynycqcoUnHlSkpzT/CP/goG817C7fsX3lqdM8QXml3wv/jhpl1ZeKNRtItO061k006PrEMnh6C1gM8txHqkeow3dx+6tp4bQC8qp9Hjx5xdOtDG5n4OONWrjZuGGqcaU5x+v5XgsqrOOJrZdX5FToZfh5UKKwz5a061SVaUHCjBrjnwyVajVj/xEH9zSw9NXwvDl5vDVqlZSmlmFpOs6klXd1zKyhGDvJuv/g3+3nfeFjcRzfsb2PxEuZGuru4ik+Ns3heK8vprOLVhZk20GrmxbTIZI7K3uFeZL+OC7munt5JLOOK/0fvpDYnM8wlXxvgl/ZGZYnMq2Jp4fGcdYbMlTzKjOnWVCq8mxGFpyjKblSVWhiFCPuylUd5OsJxx4U4Z0ZOPiRUdGFOCjOhwxKLcE1zv/bE+dp6uLjG6T5Vax5Z8ff2AP23v2ml8Mf8ACzPEn7J+hN4X8WnWrYfDvVfjRpEd/pWunw9J4qs9TGt+H9cknuLefw1YS+HPs8tnGpa4N9KrvFJBy8ZfRV8YOL6sMRVzTwxwdWGYZtmEY4bMeJ4QVTNPZzdOXtOGcQ6kKFShRUJWhJxdWWknCK9HhHxY8L+F6+Jk8Hx9jaFegqCjXw+QznCOHqU3hZr2WbYVe1qQniVinf2blHDeypxXtDrv+Ce//BPn4sfsk/FjWvH3jzxD8NtX0zWPgho/w4e38G69401TUI/EWmeItK1B7kQeI/DGiWa6LJp2mLi4S4F+b5thsEhZ5j9F9HT6OnHfhJxzmnEvE+bcKY/L8Zw3nWTYejkeMzTEYyOJzLPOHs0pVKsMbkGVUVRjSyrFQqShiJShUnh406Eoyq1KfB4ueKfBfG/DWAynhzLuI8JjsNnOFx9arm9DL6eGlhaOBzTD1IU5YTNMdUdZ1cZh3BSpRg6carlUUlGM/r+v2k/OgoAKACgAoAKACgD8A/iz4Th8cf8AB07/AMFXvC817Ppo1f8AY0+FltFqdqQbrTZ3+Df7AggvraBysF3LBLtYWtzJFBKu7fKhVa488pyq4NRgry9vB7pWSjUu9Wl8rovD39pp/K/037K9rtakX7VesfGH9kj4man8WNC+DXw2+KGj/Evwxp/g/wAbX+q6bBoHhL4oS3PiHWP7Y0O+uLhdYvPDfjJobfR/+Eeg8Tazquj67a6jZac+qeIZoLy2TpxvFmY5tltTD/2PhaE37aK9jiI6rkrU1vaLUvarRvTRqzSlHnpZZHATtW5ocrT1jFuztOLtG7Wi9VZxfvJoX9ln/goD4B8d/DPxf4z0Pwhr3wU8D/DuXWbDxn8EPjxcxv8ACDwXr9r9kudM1O3/AGidbhsl8EaK908Esfhibw14wmhWCc2Hw+0nVtX0i/vvmKmX4mNfEc/8arUU6VGnLmhNzblNKTcGpUnKULSvFyg+R1I8s5dixOHhh3PntGPLGbtUuleKiuVQle75W2uVrTXVo4PX/wBujwp8Wvibo2jfsR/sr+HPiD4y1vw5r+n6L4ltdD8SfDn4ceJtSuP7Eg1+78Pxt4H8P+M/jF4K0j+0IX1PV5F+CemaANRZ9eutdm8S2Nnoyo5VjJVo3oWd1aKqUW9JqDUk6rlGScfhklJp82zjfrwdelVpTcKnMlC7bTikrz1u4xT83srerPdP2Uv2Lv2yfDnxr8M/tK/tRftVafq+r6L4P8U+FdJ/Zz+FnhC18PfBvwtbeKH0AyJpP2a/trEPat4fS4vHfw1q2pXd5eCQ+LHFrOl96zy2VLDJVKKoqUocknKnUqcy5moupF2vyOSm4whCXs4NxUk74Tleo7pyTi1J2cVZ2a93eN3rHmfOt1dNM+lfHOi+LJfAHiyz8LXDxeLbvwzrlrodxZJp8brq1xp919muBdXEJggnD5trKQZSGe5Es8TxgtHxU8vnhayr4hclGDTlNck1GCiudtR5pO19opy123CricPVbp0227PWSqKLlb3Ixt7t76yc7Rsu9j4z+KGhfEXxxoj+E/hz+yZoviDxZ4M13w74ufxp478NNP4tuLnSvEWkeIPEGg67f3+laYvjTw3r1to994b8Q6ZoeqabZ+JNK1iC2jkSPTrpL3TF4TJs1catPH1EqVKOHmoYaokpw5pyXv0o6r2lrpNP+Z62zh9cozf7tcsnzJ+0jdptW0U/LbTfbobieKf2+0sdO0n4Pfsi/BzwCsFlp11cTeIfBmlQ/Z9ZRZ/P22Mvj7wpDNboZRLBdyao0hR0lh0+z3Gwt6wOSZFSadbM6sUtf9zlLpO97UpPdrrb5LQxNTGVF7lPmd+tWNt46Wc1HSzT01tq2zyPXf8AgnR/wUA+IX7R1j+2h8QviV4F0vx14Y0DQ9Ltfh54ZsRoEbeF9DSa91/S/DR8LXc3hh9YvbyXUtb0698X3Wy58Q6zDpl3JfaTpcetya0K/BsK9bDZd7TEYuGMqVKkpUoUvaYqnNUpSvLJ6UowdVRag687KbftZv8AeLKNPF8sXVpqHuwi0qkHa8VfRTd3vtppa2h3fxJ/Zg8H/tVeLvFXxE0/UdX1n40WGg6Fq/xA+H2vTanp3hb4xzeG7Hw74Isvib4c8Lw+O9O8OaR4j8M6Vo2meEPH3ga7bTvDVrrECWfiCw8PNr+ha/Xr4bi7i/KqMKeU4DL/AKtFfunWlUcnTbbi37HMcIrr2kk/3cXona/Nd/VKM2nUk4t7+6nZ9ne71srPXXTTQ5v4h/s8+GvhX+yjFL4O+Ikeo2Hj74s/DC3Gn6P8OrfwH9m1q+1vwquveFfE2l+Jrn4gePNGuYbjw3qV7f8Ah++8ewwWMq/YIoIbS7h1C8/MvHjjLFVfCermtHDUnGvxnj8lxk6VepCpSy+l4b8QZs5RXtaNaTeNpYel7N89G1X2zoV/ZyhL7DwV4GhHjzIaEq1ZxwGJy2ri4uOGfs6S4jyurVmlzctRLD4iM0oKUnzKFlPmS7L9mm50/TNc1/xcLhLWPwj4n+CPi+CzkdbdrSD7V43+GnjC5kmAZ5ml0Px7pQvfLhcXU1npNu26Lz5rX4v6J2a163h34kZFWq82LyTPsjzbJpJ1JSnPP6sqGZOlKTdHC0lh8jpcqjOjUqvnjUdSCpQj9H9KXhnBYDj3hajicTLD4fHZJjJRqRowqU6k8LjcXVjJQpwm+VTnS/i0+ZJvlu4tnS/s2fs++G/DP7RP7U2j+KfDn9rad8PvFWmeHPAlxqfh8vZT6B8RL3XfjFdQ6eZJ5reEabH4s0DwysEUKw3Fp4btprWQolxa2f1/CXAWV8C5rxNmeT4+dV5hh8LisBQ+pU8K44rKsuwODw+VKrRlT5cLmM8JCrVm4UadGrCUqkp88JQ+V4t40zLxDwuT4DPv3eFyLEyx+CmsTiMSq+Ir61eanXVeNOzvGU6dOnKSSR9DaZ4Q8C6LKG0/wzoemSqXf7NH4W0y0nWFYneWYXQggmKoo5RnkDHGI3cKV+opYuMaeG9nXlUqY3BUMyzOk1UUcFm+IS+uYGDaUa0MO7QjiIOpConeNaaPJxGFpTrU5prkp4aGGjJK94wk3HRwT212SW1r6LU8zw9Y7YQYY4r+JZoAgs0dhHnPlRqtuyNmQYVjIxJXAUjDlSvKWyT+b/W1upH1enbdP1VrfPkd/uJDqSQeS8WiX90CGjhuLmWCF8EHYkaFpCYyfmDEr8zNwMZrCWLxVCrStSTpVakKV+dq85t+7yqX8qbu1y9Gx0MCvrDxFCdq3sfZVVaKUcKqkas6nNJQc2pqP7tXk91Fny7/AMFa/h3a+L/2ddG+K6x3Og+IP2fPFmn+MpXRUltb7wn4oex+H3iyyuruOcCFbKLxFpfieX9xcyvB4aMSWxWRLiPwfEzIcLj8NiJ4GhCvUlhKmExX+z0lUjUxGIyirgKdJv2U5Va+LwdGinTc404TbqqEWpx+v8Fs8rcBcX4L+zcR7TL8ZKv7apz4mhb6rlmcezk6FBwbg3jatpOm17SD5bNST+VvBHw80zVIYtR1U3l1LcQpNaRRLCHjbaGicSxTl2RsjYkkUMoGPMiRsqP53z/iXFYSc8LhFQpQpzlCtObm4yV2pxcJU7KStrKMpwbvyzkrN/1nxViaFarXjFU3hsHOrhXKopRcaeHqV4v3IwleapyulCPLeyjf4ST426Ffv+ynp2gT+E73SPK0b40Q2ninx7ceJ9f+FHiG01f9pbxTrxHhnwhY+DPGlhp/jyyk1uZNWukm0ma+itb6TDSzPj998M82p5l4U5M4qpF4TJ8igsTGf76MqGM9m3Qm4QUY0p4Z08O4P3acIe82rn8m+KMJ0fF/iPMMuVPEYR5xjuaacaXK55bQpqM6bcK3NKdRt81OLcWnbkkpP6T+HmlWvhzWNRtryD4g+GhN4dvraTxP8EvgveeE7HUJdOt5ln0PWLGy/ZI8DavaaCCRqGrzW+u2VvBaXLjykmjaQ/R4J4b20V7V/EtoS196K/l2fXS6Vz5KVGrGi5ShGKvG/O4NfEn9mT9/+Wzfv28jy3/gzH1GOy1P/gobFcR3dzBK37JcosbVrZUvblbH9qqwjjuRdFI3jFrqd7sRpoIvOKNNJ5SsK8j6SuGp4jL+Efac79jmGZ1oRg4pSnDDYVpT5oyvC17pcrfSS69fAWBrYtZ3VoTjTng6GCxHtHfmXLWqyiqbj7ynKcItNNWaT+JRa/dfR2tILWfT9LvEuIJG1ix8Jm8k0bEqWdpZxXOv6Ff6bZ68up6RqVze2F1qssthqdlYXCX019pkEukXGiah+WLL6VeEaFapUlShKUaUoSg2+Xkbm+anWUotxi5Llcb+0fL7jpy9LHVpZhVli6tL2GJcKTxipJwt7aVWcKEqdWVNU61JJwoylUpznTeGp80niY4mhDZ2o03+0PEt5r9rfz6odRjsLcxX5uvItdUW4/tLRD4i1qS0UaVcwWF9fCbTr21n0/SbYAXl3Nd3Nz00MLDC4OUcNP201U9rFYjnk/3dStNTUm4Rbc6q51KErwirS5ueRrXr/WqeHymjRrUaNGVKtWrKWEi4N4epTdGssPhk+WVKrWhRdOrTtVrtypqjHDxNCKaZIrG6sLxPsF+q6jcDw9pUTw38uqPqdnqE77dNEEUdnp6W0mmRztf3Ei+GxZSWusard25uOLH1cdWlCFahhIUo3d6UZLmblUg1Z8yXup2jZxTpvlV3Z8cqLVaom6tWVOSpxeIqQdWCoQjVou8ayckqlSHtJp021itZwgmzlrfSTYHQjfX+m20Vul7rev6hZtpVutpeWMt7olgNMvLjQdMS3vZLi3vJk0+9kQLqkWrz3EWn6rpelWw9DB1MNXwFfDYrJ8jxTVPmo4zFZdSrY7ASlUr3q5Ziay/2WtUsuZwvKTow5lz00l7FDHYivHEyjKvOUHHCxw3tazw1aliKdOtXjj8PSxNT6xh4y5I1KipKEadamrzoVJTdrR/7JSJNIEgubeGG0vbP+yNQ0jxWkesX8utyRvq8SaMl8t0tjYpokd5L4euLaO1sbuG51S9a5ey1Ty6+XUKVXnnjcwq001JYOpiKdfBO9WpV9nLDyoK9OMV9V5Emo0W48zjJxq8lZUFia1X+ysqpVqlarKdangKuDq01ThTw/PQq0q0lGUpyq4+FSVaM51pq6jUpRrYM0y6ubS/vIjLplvLa32gkXkzWWp3ulnTLm50XRr7U7rQ49Uhsn1GSS107XLO41mN3j1LxfqGly2UmsSXDbSzDL6NNeyoUsKlJSWGwlCnSwNHlqcqnTo0eaNNTfLUrfvJ81WdWcXzVR1Y4KphadSrUx08VKniKc4TU2pxr2qVMPB4x03WapzqzozVKnFTpYWFVKGDcHdvbLTdPjli8RavcWkmp3/iB9Eg1a50a4ur0Mk1691Jo11pWn3un2d9c2cN3eaRa3C2V5bz6BoupwXgvLmCCKGZ4NuSqqVO03KPJSpqTvy8s/Zy96ne3O/517KLjKLuYUcdUnOkqOHppclOlOUPrEbUlOEZQ+s06zjiHCFR04SlHnoy+sYmnUpTtFt1fUNKgsZbiK+1OxuIbfQrO9tbK+isdfksoL26e51fQ9TtL2EpBG15rf2+4ewW3uxIHhntFhi2twlzOvRlNQlNSgpyUajpzcpKcGpJ3fM+b3eVNrrZLoWDxterJSo0KscRHE1uaznhk5exdGji6Eo8sHCHsZU1Gr7T901r785vdNDtL+3tL7VVv9f06TSptW06O90bU5zBLaXEVxGLqOxsL6W6e3sIVglv4JtUg0NrHTLS6sY9fubdHTx+Cr0vZ3mqtSHs4xpKny3cVFRdRa2ckrK94UlCMZ2k0ZYbE4mvKpChRp0VVVVU5ShXoxjXqqChN0ZVZ00o+2lKc4pU61eU8ROhOVCEpR3Wrw2V9YtpWoXUkt0viKdIk1dNGt9O1a6u5Z7iDxeYpNXtbmTTnuda1XTz9jiazMEIkt41tkvbdQjXotckuZzi/imouM3J/xLTa9xtyTfK1pJ8qStay/E1IVPaYehyUKtJJzjLEQqUVRpNrBNqnU/2hclCpCLqwlyyglUcpc1T7Fods1xPOx1hxe6hJo73OoWOs6e0GuabftrGs6kdPgN/c+G7rxne3ltM97ZzfYfEMUs+mX2mJqN5osO8JYizdSnQnyqUoyb5t7pttTcpUnUlq+Ve+rxlGTnEulHF1asadJQwiiqblSpQnRk6lCVKVOgoVVClRxawdNzjFVXN4RxjUo1cPTw1eNPR9Bb+yjpN9ChhdL/UbOe6n1NNEvptU0xo2aDU9Ut5NLsr7S9Pnu737Rfx3rapsiMYs4LW8lEUa+MlL2fsqSjednJzjBylB21c1Ti0k5cz3sldJXOrF4+tUxClJYZOnGjRl9XpKpi40aNe7vGnOpia0KlTkoOlTjywdSpLlc5cqoHT72e4u1kFi9/F4fSSG3la4nhvP7auNMFjZWy6d5Ph/UpruO98PadqyxwzafC95b3cK3FyLiO/6lOvSqKjKFHmdKNT3VKUpc84xgo8k+S8rxTVrWu/ene/dTzCkvqvtnUVGpiatNymo01Tp0ZYhYidSrXi8RCFH2OKq03rU9oowUoYeUeRh03UG1S4luL+wa+tr62nRBeSw2MymS2OlS4sbmK3SGeS40azsdM07Tjc30s11Z20c9zCLu50qznD30qTmnCTXLaLXuNP3ZL3ffioxgru7jHWN5ddTF4GjgIKEMXClWo1Ic1ZSnUjWblTnRaq0r+0Xs8VOtWxNX2cOWlUqyca0o0q2q6bFp4isPtcF09tNcIt5PBKBLG+laZeXNo0lxBLqGlTXN0oeTSL131ElZNOlk0m6t3jtyjCpUpKr9dxdK/tH7OhiJU8MuS9uSHLKUHPkUpRb5pTlNP2cro1yjEzzGEsV7KS56dJ+z5eaVN/WalGTdOVT2VWnFSletBzpKKjXhLF0XCSZPp6ppsd4bu9heaRLeGKV42klvZJ3dI1+YOkc1pHPAssxEq3sDNIWSVUB9axlFWhia8ui9rXqSd22ktJwtot7N8yd9zenipTx8sNLB5dOlFVJuXsJcyp046zcueUJz5nGUopRj7Od4xvFpz6Npi6i0YltmnhvI/ItLu6e9ihtYza6/Gw026is726uJGvrGwlEF5PD5unx36LDLPdWYj2xGKlhYy9mvrCkvd+supKC6acsoyerulJ6qHLytu65s0x9TCTpvBvDxnh25VaU6FOpUqpfVp/vU50qUI+zqzhNwg+SdSjUVaMKU41DVYmtr+6ubCO+utItLmJrYXa3n2i4tiT5Syp9tgklg1SS3nuIJrbTJIBJqUDQWBub0WT4qrHESlPkktYylFWjBSl7zUYuTkqcpNuFlfWOilJRbwU54vCUnVqYbD4vEQqTqKmrUoVYciqRhKMasU8PCcIezq1ZSVOhPmq1IUKlZTeXcI0U8dhqZtby8155ILizju7u5v7aYErBq8TxP/aax2N1o0EUOmR3MejySzyrd2U1tb6hNStTV4cldObqJe7CXwWk1zqSanpytqKcYu7jKMrS5ataFKo4+1oVauHo0pKVKTpU4+1ovlqfV2nKWHUKqq01KtOE69PkjUo1aHtaexoaQ2emWl482oyxag00Vr5N39m0y41G9uSqAz/2GLy9kTRHs5m1qWwktntbG5szfvJawW73l3Ec8uhWwS+uzoY2UYPDvESp4ONSUp0Kk5UkpQcqtKcI16jg3UpUoU3pTUTzcTiObGVIezh7T2ycqrwqxNVUuROjyxljKDglWhVhGnGo3T541OVqcpvF8afHn4afCu/tLbxl4rGl6hd2GlatZ6FqeqaXaa++kapcz2MGs2mk3dtb6jNpX2uA2uXt4tVtbiO4/tjStJg+wz3/ADZr4m8O8J1KbzWlhqVSbp1VTnicqwiWHkqsp1lWzXG5dRqzSw8vZYShKpi60VVmqMIUm5a4TLMXmcMRaOGo0YSlTVf2NaVOrWVnKg4UKjnGrC/7yUXWw60jSr1pc8YYM37Vnwo8T2cH9j3njyY3yRXVrceHdDuftTQMxkS4iElm0bxtGGaSN4UxhnOHXB8POPpPeFLxVNVMdhMNVw/1mjiYxzLhuE6lZzoKHNbO4OHsI06kXCftXJ1FOMqUYuNTqjwZm9SjF0fZOHuyjOOHxj5ouOiXPRk7app3l7umyI7n9p34L6PcW9z4p+IvxC8PRxW9xDAvivTZrGwna1tLq8lF0lroKIFdLeTy5mmidZY1QTBWKP15V9I3wwz+hjslwWcU1iMzy/FZfSq/2lkFeNOrjuXC0ZVIUs6nPkVWtC/KnJ7RTdkc0+EM5wbhUnGk1OpCDjGhVhfmeslKdCKcowTk9LtKUYptnn/hi3sPiDr/AI4Gp3ulfGTxBpOsXt3pXjXWPEMnjLS/C/grX11a88G3/hLS0tfsXhe/vEtRaa3BBeLcSS6NZt9oUo+fwbx5x3FmNz5cEZJhcdnuDzuGOzGjictwEsTTjQjmNWvSg/qeDr15e0w+VwnzLEShOEo6On7Vz9fJMhwFNU5ZpV9jFOCWHXLS55yjzTU3KrFtxlHajy8t6snObdN06WkaJqfjbwr4e8V6HocHhX4i65qlp4a8G+NfBWqXPhu707WbW7vNO1a78WR2Nxqth4g0e0sLW61HWNJvNNh1PVLH7RHZ6pYXVrDe2/g+DeJzTI+N8l4Ty/L8fw1isHmuApZtVzXCV4fX1jYVsZgfY0szpVqlOOFw9epGq6McM5OtSk5Tpxp26+IMDkWGpzWT4mpO9KrLGUJqNSkqe+HdCrGvUl7RydRSbrVoqEOWVNVKiqQ+jdOt2s9GiTXPHWu6pdJBcWtw0cb6NE9zDJHb3RsrRnnnjtzPYqLeYTuJgGuICkdy6t/YOT5VQhkeBxWa8QYVv6rhpzvChT1eEpVJpXxNCNrqpZ8sb2TcY2tH5D6pUqYuUoYenDmqOUXzXfK6j5JTSjdTUZ2lH3lFtqNSSd3zHxK8VWM3hjxPFp0et6xqa6JqMlrawatpdrd3TboDetFN5v2+xvbCGWS80xPssaXlw4gdZLQRVni8/wAsnyYKpXWJyanzfV8TGrh1Tqc/LWrWqU61ny4v3NMXU96Nnyu9M7amEzHCUEqUYKn/ANO6UlHeMUlejNO11H4rKzSXRfNem/tq23gDxbrnhK7+Gnif4k/DlvE1/o0/iS08XzJ448GaJNchl0Xxn5uk2sl3d6Bd3NtHq+qTtYWc0G/RtFHiO4ifX7z2MZwJkWbZUqvDFSEqs6KfLGrXxEryw05LWljMcm1Ophr/ALvW/wAK5lz+WuJ8xwnLGUU6sJRfO6VN0+aLUZuNNwU1zKM+Re1bjdXlNKSl6dqXxd8KavqHijwoviHwr4W8W+GtY1/w54j8LCK70rUNK8VeGri40a+82G/W0XXNDt7i3ntX1bwwGW8jjVrvUUb92nwfGHh7xJww/rdRw/efvGo4TFQf7z6to/a4bluvraWkVdp6NtHu5BxDk2dUo05yqOryR9p7TE0aiVRKq6nK4VoVOVzoysp/AkoxjCMXE/Or/gpz+whD4lPxQ/ar+C3jLwpqsWu6vpHiTxH8KNGsrLSNaspbLwtZ2Pi3xdoV5c+LtXm8Q6drOp2epeIfFGn2dj4Y0+K+vL0XNrrk4e7udeDM6x2JoUsLXpTk5Sq0LU6UXUmqtSFlGNHCqtUqP2rjGSVSsnyxpawpRjy8SZVluCdXHc3NTw1L61KPPK8oUKdSpKKk6/JHSHKm7LS8m/eZ8X/s/wDj74YaZ8S08Z/H/wCHnjDxZYaNdaFqHhPxf4c8TvoXiL4d67pGr2dxpHi2CwXRdS07WtAgutPSKbwLq8mnWl/Y6zNYWF6Nbhnurv77A18Hk2Cp4Wrw5mNeUsJhIuNOeLhGKhThG96ypRrKdRuKqU1KMXR9pKUIKnJ/J53jamZZZnOIwWRYyvhI4fKebExeInBOWYVpQvKjQrU480XBpOqm1UXKpX1+v/8AgoPeXPxQ+OP/AAtKWOW40zX20DXp7uzs76fS4NW8TfDjwFra6eqTT6m+gRJ9tvoLFLzUZZ7m10pp7oxyTRCL878T6LqeKvifXw2UY7LKU6HCSnUxNHE04ykuF8I/YyqzjatNrDupBOT5Y3UbKE0f1T9FrjDg7A+GHBOEoZph8RnVSHENKplUMXgJYijhanGOZOeKdJZlVxXs4Sq4JSvgoxvi6V6qcqSrec3kdrHB4RgEL3Upk06GGMkLBxpeoCXzNxUBYpTGSzYViMqWGa+Gy6f+3ZjeSXJVxHPe97PEUkktLt3d+vup3Z/T2Fr0cZhPD9YduUpzws1GzjZf6oZ0/iaUXZNbPXoUFbUby6/4RSJoTBcYupZUjnjdpY9RkKhdzqkkKCzjjBMTcNMsbBWXa6EKFG2bNSlVpc+HhFyhKChWwapSk0oqcZtYiU0ueKUo03OMveUvF4xnjcdmOC4cpulTwc8DDMcTNRn9YdWGPrVqdPnU5UvYuWX0YyXsXNxqVkqicoSp/rl/wRcsL6x/Y01zRrtmkitfix4pa0Q/ZmIi1LQvDSxTmC3aO5S1l1KK4g8y7kaVporjysWyxIn7D4e4JcQ+H2Y0GrRlhsdBc3PLWeU4eGqpyjKz9r38lrY/hn6UWGhlPi7iU1apKjOd0+V8tLOcxulKSceZJyaSXbmatc+l9W8MyG6VZI4lfzJTDJCWaRY5mMkcb24EcZWKN1iV/OdpAgkdg7sK/lrxe8C8bmmKx2XQoRweGgsK6eYTpZpUozU4ZbiGkrqCcJw9g/383zSTdpe6fHZfnydKMnzSbV7TlTvfVXbXNpK3NZKyvoUvDekTaf4x0Aeek2zVdGSQ7Nu0R39upUJvk2nAP8TEd3brX5R4B+EeL4E+lH9H6TzXC5xCn46+Fal9Vw1ej7Ff8REyaU6k26tf+GsHaSk0l7WLbjbXszTG08Rw9m14yi5ZZj2vevr9TqWelnZ3vqvU9lr/AF+PzwKACgAoA+WP2nvjprdn441GCRIZfB/hG6h0+2tNF1G3jvNWt7nSLufW9TttdOjT6zpWpXUGp2VrHp8elalpMX9laf4gsrvUoM3MP0fA+QVMbUeLeIeBSjUhSxNSKlGDqRqUZSVKNWnUk4RVXlk507yvCPLJqrH2skymFSk6lWcqUpxdnUUVySfuq8FNSaj7zXPKKd3HkUtvM/C/xM8SanKV+FHwkb4Oadql81jefF34+a5aXcmkW81tr9gy+CPDcUfh3w7c3dpf2Vhqi6nq+k+Jja+Irm/0HxXaal4Vvre6tPaw+DpYSVWhmObVa3snKLwuBpxoQq04unOMpup7fGJ16XO1JYjDe0hOMsNQp4qEasoppwxdWhWmnKEpU+SMOWHKndTXOud88L8s26cJ03pTV+Y6L4UfF/4peCPi98Rpp734mfGnxRF4WtEtdMNtc3Wn+O/FniuyPiKw1DTrq08N6P4N8I+EvDGn6ffpLok+raZd21xDe6B4e1LxFa6TpVhH52e8L5RSVJUKkMJSlNuHL7OrNUKcocrlNVoKMqinJ0p1IVJ1adSE605VKagqrZFhnKlFVYUIVJRfOkpuNNWlJqKcedpKUYpP3nODnVtF8tbxhptnrvirUPHH7Q/xP0/UL/VNU1K8sfCWs6np+q+GvBmk6iugaPfaP4X8KJqF7p9pZaVbppfm6ndQRT61HLp+ta/bahqtpfarD1ZNlWT5bisLjMqqc+NjgKlLEU8bCFTmqQ9lCrLDzUIeyjWdVe9hpTnShNRxDmq3sjqo1MrymLw0XRrVuWM6OKkouTi4Om3RUItQjN1X7SnSlOcuecKlecYwYrweENW8Z+F9b+G9v4/HizRNbaCbVLbQvF8Xh7WfDF7Pp0Xiax1gaHo0ccfhYeVqxsmu5T/wj/ijwxd3up6q2heHtVjuPz76QOX5LxtwRxLL2NKPEeX4XE4/Ka1GVSk44vA06c4UK8qeFxlWu61KjSwVZYWEayw861FYnA054mc+3hPiTDYbMo0MRUpwwuJnHD1faqlOPLVbp06kVVdOg54epUhVjGrUqRTbk4TlSi4+mfGz4MWHxp+HML291rOianpOreHfEEGpeG9QutC1t20TVE1CTT49Qi0291Kws9R093ttRXRJbGa5spJGj1KNJDNN/OnghxZX4Q4uyjxAwdb6rhv7Qo5Vn2HxEsZQwtGvRrJYPEZgni8DR+qexq08NmjlW9lQyXMMyw0Z1MRiqjOvMa0ozxGSYqrz05+3lQ5vYVIxbpwjUjGrFvmlUqUXGl7Sm6v1hUaLhC0oU/mn4s/sseNfhrYP4msvC/xBi8MS6TDrDeLtP1IeLdPsdDn0iy1K0vNX8Q/YNQuLa1sIoF0u4TX4IYtOOii1mWbQf+Ef1jxD/dXCPG/B2YrKMyzSdLBQxsYU83yt14yxWCrPDxqSVP8AhVK2Eo1ZRjUxuEh7SvhnVeHpRxcZ0qPx88XUw1fExwc0+SdSFKcoyWim4qahKTXNb4Pacy1ammm0Zvhb4oePfC9vp08EMuq6d9hOraXDZ3d94D1K8m0/WdI1eyOm6/Hb6rp3iK/XVNP0TxDpVprd4sUZ0yxfTkuP7KN/D2ZzwNgcTUxeGkqcp4fEVpc1OnSj9ajW9q1WXK5OhHG069V4nlqc8ateEqk51JVIvHCe0r05RrylOtTb5qk2pTqxbdpt/FzWfLJtuV7Sc5Skz6k/Zk/au1fxzoy/2nqlvr0ehf2bZeLbfXXFv41s55Bp1lcahaCxl+zalaaJYWerXuqWkGgQXus31uBp093qN7PJP8FxLwcsujUq4eMo8kZOMUkoVOWTk5NN8sFUhzVIfvHyuFSkqcY04RiqtBw1Xr2/4butXs1bt9I184ZhQAUAFABQAUAFABQAUAFAH8+/xv8Aix4H+C3/AAdOf8FS/HPxB1f+xPDtr+yX8HbKS+MRmCXN38Hv2BjGGQciOOKKe4mfqkMEjAMQEbDMf4Ef+vq/GE0XQT59O19b7KUX09PQ8/8A2jv+CzGj/GnxV4t/Zx/ZX+GPi34mXOrwTeF7w3/geODwv4gk1PTY7ZYNa1W+eTxdaw2U135Flp+jeDTq09vC7x3lt5bXMUYPI6mSScMXiKdRU3zT5YTp2b9nUUXOoqfvOmtFtZ36EVp1cZrGLs1sle71u/cXeV33d31ueU6h+w/8fNQ+FaeP/wBrX4ZXd/4kv7u4uPgn8N/DtpdT/s+fBPV7S0vpNLuPHfge0tdZufEXxE8e397Fpkj+LfCnia21z+09E0q7urJUhksPQyriThnAY2lWzWh9Yp0nPmpwxFKEVaFSFOXNPFQbqe1cJuV4pOMeSEZJuWGNpYiGDqwoqpGb9nZpSUn78FKyjFtLlura6N3bT09o+CP7TnjT4l6n4J1H9qrX/j18N/iJ8DPEb2/w8n+Hvw3tfBvgL4c3s2l3+iazoHx0+GOgzWuv+Jbg6AbVLu1h0LUtH0TTkv7vwmumWdz4iW5y4i4Er8XQeacOY7DYSlRU6zo1YTxVWShCEOWMovEqMnWwlRpqUbKajzcqlAnLcfVw/wC7rxlbl5VeMIrWbdpc0Itppvvbsz7e8OfF7yPBWgeNPEt54L1fwtrWYYfiZ8MdYn8SfDmHT4Un+y3uqS3SW83hCKUwtZziMalpVtqMiwatqem3LWsEvzmMwWd5PCOAxCdWdKaUp06DUfcjOg1b2Gj5qbejcbSVtdT1MFiMPWqPnnyx5HKN6kLSneGkpcy5tGrXvJJdtDvrWe0ubNGtpzPY3MEF1E8c7tC9tKkV4t7HJCpkMMiNAI2TcGV3kAaFXkV0q1StF0a14qWjUtNHq20owdlptZvfZXFVpwTVRdG/hd07PlSvzyV7JvfolvJIUSwTPHIUZ/tUqrFJB5tysYCptf8AtBXijNofvFbd5o1lMvzeYZESvYQo+7Brlm+fS7ScrR1k5P8Al6N27JihJuLaXwrldmo3tq7RUXr0u7X03tpZkEYXmSaPGQv+ku6MR3ALSBhnsxyM4OCMU29LXa3+1dfJO+/qEU7p8sZa6+4oyV+/wq/yeivaxl3AgjlmMxnuTK2buG2nUNGqkmGWeITIbeBRzK5CxYByxAFZV8Xjs4X9n0cDPARw8Xh3ja86jo1Y0U6H1hJ4XljCaqqqlzuKjCVpNXZ0Qrqso0IU7OLjShN+9714xklyu/NJvRWvbpLc+ZP2tvgx8YNK1qb4wfAD4yfBn4a6gmvaZ4pn8QfF3WdS0fQvhzqf+ip4o1vwnd+HtH8QRXsPi/Q4JNJ8QeFfEsdr4Y8Q3HiHVdclktphdW/iLzMVmXCXCteNLiLi/J3iqlRU44eli8rp1XXm4KNGEK+a4OrKo5Yqgox9mpSeij70eceTZrXc/q2DxE5RvJwWGxLnGHMoOck6D0TUlKzfK/dnyzvFfO+i/Ef4x/Emyhs/i54t+HXivTo/i5r3xI1nxX8M/C174W0HxH4lk8L6P4f0R9O+3eFPh5f3UFhpY1HUfEHiXUvDUN54w1+7W1n0/T9P0+Gc/jn0nvHnK+Pv7X4b4TyfGZZlOIxeVZthcHmWIwmKr0auGyqWT4mc4wWNxCqVpKrSpUamNgqOHqRxMKcakKVGf6/9H7wU4myDB0uIM6xeHWaKvWnLBPC4mhinThiMBVoxcJUqdFxU8NKLqU6NSm5xlGM6q5r9P8O7P+1PienhHIfTfix4S+JHwylEmyS30++8S6NYeJPCGuSKJly2keJ/BunmzZGMwmuv3auSyHx/os8RYjBcW1eG7RVHiDCUHipTkoe/kOCzvEKMYyoSqVKsqmKptxhWw8YwhOUnUtCm/oPpD8N08y4FzHiXG6Y/hvD5Xg8InGonOGNzzAYSu1adKnypVqjbnRq1E7JThdn1L8MtevvEmveFvGFy5toPit8HtMvvGMJgijeP4g/CvV9P8Ja5Hc3EM8728tyPFv2KNIzJKB4dn81oPKhjm/oN0aTt7y2XXe2n83b9dD8DoKz6aN2fW0nzNbKy5tLa7Lzt6RZwaZaZHlpYwtLJbNDPLdXzSO8UmHRzHNMokjDsm4pGVDbgG2gv2cI6xavqt2/n1/4Ft9TSq5KnFNSm3JO8VFWST35pLbZ9dfWwsFo7mCzco6vAreVFcorkM/2ZHmaylMAJ3jcNvBJy2PlLa9+nW1/zJvpdq3W2l/zt+JFdQXkk5F9NqMbxyMqJDP8AakEaqrLsZxFJyS2E8ofXJNVVhF4bDTm9Y5nR3eqUabl3Wl/6sZ0qFWpisRKhUp06cstqx1j8VSVRa/A7txa0vfTY8+/ai8PaP4j/AGY/2idA19L3U9N1j4O/EGLWLG9ikVDozeD9UmuntjIqrDqIWKNre4J3wyWfmRRsIlaTx+I5Yl4XOq2DlKGIw9XJsRRmo8zp1KOJwtWFRLllFuMqakrp3cdU0dmVrE4PHZE51abX/CjTlNKHvOVOtD2cv3bkmnVi1eyXtLq93b4Z+HFvKfCXhF5LpryRdE0o3BQbGCmxt33u8SjaZc7gWYsd2WOa/lniipD+2c6UaKoRePxip8zTV/rFWNoxm3fktZpK2mi2P7FeK9rSxdKuvfxEqs1UailL2ul1pD4veacVd3913WnbWWl2PxP+CfxU+FfiOTxRqGtfDTxLZfEL4eeC7DVfGFvpuq+FPFWs+Fodaf7B4Y1XRLvWp9E1b/hJtR1i0uovFFjZW3ibTb6P7PDM9nY/r/0c+JsuxuUUOHMbmNGiqtOFGMsRWwFGDrYWWbYyvGnSjXpYh04040LVJxpzlUc6coONGVWt/PHj/wAMY3AZ/jc0wNKNWOOxdaXPRoYictsFJKdSVOtGSTqVeWOig+d35pqMfqux/Zf+H2laH4uuLnw9pJuon1y88P8A/CKxeI/CJs9NgsI20bQNQ1ew8U6rqF8LW5We8MmpWdlLfQ3KxanbG3TY/wCv5bhsNiakZU5Rb57Llba0lBJXVRve2jSbW71R+bVcTVpx5Zp6wjfnUU9dZO3JBSvF6yjNxUvhjpJP4/8A+DNSzsbpv+Ckk9wLl7vSNM/ZO1qySCTy0K2kv7SsF0058yLdHHFeK7RiSN5FV0ikjmaOVPlfpM5hVwr4HwsadOdHEy4mr1XNT54ywdHJlDklGpGKg44qr7RSjOUkoqDg9X6vhrja+HrZnhaMqUY5nPL8FWnUg5tRksdOCppbVJVo04xk01CTU53pxnGX7saPpiXGiIupX8d0LWwj06xJvJbzSNI1q9jvNG1DQL7RLnULuOS43ahYWQsL2PUbm7tNRn0XRIoLW4sdOj/L8XmVSgqShGElJRS5pVWqb5asZKUebfmUVKLhOU4t06cfehFdmYV3Tx1WEKGHpwlVc60pU4wqYqFacK1KtSrKcV7OEYupRqQq0VCpF18TUlUjUrNml32uawdVazubXV7Kz1zS10e51+wm0eA/2pZeTLbTzWv9iWbTanZma3SYWN8dY1PxRY6il5FbSaZpej9+ArVKlDD4iFNydbmhLnfJTXNh8PW5VdQipSu4uTbc4zUm1JRavE4fCZbSwtavWnCti6NZ1KeHq0q3s1hqlGMJwg6eIrKMK1WdWEZvlw8sFUoQpzj7dVJ70ac/hzW7i4ubbQLq/wBGur+Oy0bxBDZS2tmb9b+K5j1hJZIoEvNQ1W7u7Oezl0wS6Lr8Vn5ZVY/s2OaYitGrGlToUU6zSs5vmipSp2tacIxblUm7JK9OaivdemWFqQqYvC0lOpWpLE04Vq9WEqnP+7cZO0Zxk+WEKUZVKkaqWKwyqyjGSftMRfEkot9MtZ5LRbe3g1G+kvYpydUt9esIbSG51Hy9H8Qvqj39/qcWoaXbx2uqaWNVh1bVGGLDR722uKq4TiPBYaGYUMpjVySpToxxWZrH4Kk8PmMoJ+wWDliKmOnzKpT5a9OPs2sRJScVSlE9V5ZhpqtDD1KtbGzjTgsFKleniMDUq1uWnHEVsFTwEIUaclXq0qtOvKnPC0YRnOrXVWGil74cs9LhurWe/torizW8WS2vE099NtLa2uLnRjAU8QXSySXa3C61H8/iBr++uWu76wF9c6DYJwrNcrxtSFDAUcTmuOml7PC0cZDLJOcourRUa+MwM6UOeF6l5SfLJaxbnRR5kqOeVq03jcslgsPCvOFXEV6uHx8Vy1Hh8Uq1LBwh7RRqSeHTgqd4050/aQp0MXVdq2urqfXopm1ZtO0XT9T1fTY3uLrThIlxpelWr3miX0djdQ27JJb6TruoWWp3dr9ljtZL+QaFbx2fh7xRrPQ8NSUIRp4SdCvDnjXoYrFxxUsNWim6mGnXwv1ShWVOVN01WpxjTn704xUZQqBUm1SnTlQoVpzhh60JQo4ukqyrTaWJpwr1XVdWnVxlDmppqUvZ0oSquTxGFpZun6pYx2Zl065aOWeeOS2ujf2MyQadHP8Aa7Z9V0iC18LzWaQ3BR5bS0ls9NKR6DpVrr/iG7kj0ETh8PTppSrUKS6y9nOrFpRu/ej9Zno5KMoqNor3Ic9SV4rrnDE1p+ylRoQSio04+yxdSNSdVOlJ06s8TiYqUaXNTqSqqpVdN4qu8Ph4JYloNCt44bCx1y8vZZE1O10RLYPc2mk22s6uLfU9Rv7eCPSfEL3uuSQapc2S3uptpmkw7dTKnSns4dQt3QxUZxjS5UopRhBOU+WEtG9HGV6jUuRSnypWls0pRcs0rqpLEYalQU7urU5aPPUrYaEXTor2rxFGawdOVONV06Eq1Wpei3zqtVp1YrW7W50s2F1qEFxp91/aEE/kaja3dwNO1IRzS3l+0H/CPWqXdrfwwR20kelr4fTRY9H0PTr3Xtav3haaWHpxgnZKLjJxnzXaeko1XT546ycYyjBrkScKblOfMgoqsqzqRUnWU6M8NWcPdqRSqU6dOF6WJUYQp1KkqnPN13OeKryp0MNGEy9e6dpc2pW93q1vOL241ez0G5jlur9rUyXtkJIrC2nOk6/cRyabaawWtXg/4RfS21qxvby8ls7W0SOF0sTKtP35uV/dV7Kzf2LulOzSnaPwRU03oo2WccwxlKioYWpGKpqVZqnQpr2sFNNYhqFXDqdN1KK9q08ViKmHqQjdyrTlLMkj0hdR1HSdI8q7tG1nS57ZIrK61NNP1wtHY+HtVsrLUdZthL4fjEth4dutd1X7Rp154h0O4sW03S7BPD1hH0RcmmqVpQbg7W51GekYtKpy3pu6hKUotOUdYRj7NGkcVi4xp18bJ0q3s6tOUr0cNPE4OX7yvTnPCUqvLioOFTFUKdCcalOhUl7PEVasMZMr2Nxf3iapELaWPVItes7e5tJ9Ma4srr7WiWcVo+lkxaXdx+GdQWG60y71LU3huPLeW2WDzFanSVuZ8rVT2iTTTlGXMuXlcGnT/dy+HmaTb0Ssd2LoQjDC4lWVGeEqzjWVXlr050W5zrLEOpHEJYyjpXWGoN0+V802pxbpQXUk2nPaWoWA65/as5k0uwguo4bjUNPf7Ze3h0hBZWAs1iWG/toIQ7HW4ftV1bW8dmZ9FT+sP2s4uU1dKcfdXK7ykrU2oR5Hq4qHNyzfM1FQT61ChN4eo0pclOhRlCvVl7RShUU8PJOtKNSvKtKrJKvOpKLqYVez9pVnXca1zPdLqYvIpJYNQvks7q6GmXce62v5JYb+4sYtR0zT7i0gmvJoI31BFuVjEM8Ml9azCGFaqdJyfvK692XuzSs9G1zR2b3t9nZ6nRRw2Fr4Z0Z0b06UZ0oKvCsl7OKcIt06lSFScIpcvM2vbKEnCXJNScWt3mqiRIri7+2tHJftPLZpHqEPm6jpYtRdNPawRwB4LGziRLBo5L3Tn1NJbS101bSGR+nBrB0qCpVoqLhKolaVSopxqR+L3LqLUXyqLfPB+8lCRpgqeFhGTwlOrQ54UoyjP28KkXh8TLERi1VldxnXlKVSUL0sTGHLUnXoyiiW11TVbKO5V7o20enakl1d2t3dQKguVlkuFdreXTBG0UN7p72s9wHmtbxvLeKKa4sYWXHF18sw+YYeV7KCUqkW8RvKdWM5pOMvh5OaUVfmajG195eDwuMqRnOkqkq2GcKNWHtI8tGUeW0p06sNXDEt0rRjOnH2svaJS0oRS3gicTtM8VnJ9jup5IjAkkjXGqytcXLGK6mT7bDJe35kubgSWVqqW1zPFAtoidKrZPOlKrJ81Klfmly4pNcvPNuSUVNuzm9VKTTS2SS6K8akZRi2oyrU/bQhzQlFU4Qw+GfsrOVOMIqnRhy0+WDnFz5XOpUlKx5r2Et3DJJbBybRH81LS8gJtvI+wm+haxu7fOdNjVZpYpbm9CSF7hxcXBliWMyGaXsKkW7pSXs8W00rcrbnDlVvZ27zu7tqUr508LicZTp0nGpUpwVSVFKs6NWKrc8qqi1Up13Fe2k1d2w8lBQVOVKnySaZ4lvbG1a3jKH7NJLfwRkXVtDa3Ut3aTXl0slhP50MN0LWCJ/tlw1vNavfWFzALW9+zvjXp4e0ZYduNpKUWlUdpaJ35725ko3vZcqcb+8Ffh2hW5Z16M6Tqyp0pyp1YN11SjXlSpSVR1YuNOVWrUjyQVRVVCanFQ1mtNZ1PSba12FXtZPseoWsl3POyG7slRPPieDTxbDy5LWwnSKB54xFCLPyotNm1Czvz6riXhuecHGmuWcZuUGnpFJrTeLjC1uaydtI86lGJyfB4x1VKpUbor6tW9lKhTqeyqylJU6kI3q8s/bVYylKNKM6knVS9rTw9Sj4p4R/Zx0+/wDDzXXjSHU/F/jzUtMu9Wa91SfT/CcV94t1y+vNSub7xTcafYx+fb/a7+2kKeHbCa50mOazt7bTrWKBZH/jPxE8TeFaec59iuKeN+Lc4hjs8xlSjl+SRhPBZLWk6tKOGeCzJ1qWFxWEjQxUsRRpLDU742UJZbThUqQe868MLSwCpzXs1VoU66lz1f8AZ3CpJxhBStGpdRhGpL34xi0ruxo+B/H3hP4d6LL4J8T/AAvh8MeKoNVudIuNB8LaJafFfWINbhFtqlrbRRSXE/jFtM1KzeG802S48EWvhZNMnju49eF0L6xj+ZxmaZjm9OljOHaHDOZ5XWh7TAYzN8A8pzSrgYz9n7XNsVjcdQy3F5hQnS+r494OvCrWxiqxo5bT1pR48wzfFLF2w+Ox8MOqbUKeFxmLhSUJynGCVKi4e97K04y97lvH94lGk4wa5aaX8bvEXhe10z4Q2JsbDTV1TxZf6xrkXgnxB4X0KXU7y3Vb7QfDS6xpUXiPWZ9Pv4tFs746XKbNbhr1YLWIszwPG2X8OpYni7G4PL8Ph8w9nl2I8PcpxEMyx2PwqoYmUpZnmko4apl+FWISn9TwyqQxksBVpY6k4KNXow2ZT9hWWIxeKqc1Go6McVWrV6lGtyctJw5m56qM5tyrSmrTtZOVvQP2cfhl4Y+HnxO+KcWgWGq2Vt438JaFNZWt+1neLcN4HbxFZy2UUFsBoM91BP4utJNTk0VpYri6+zy30pu0jav6F+iNxXwnxJjcXnv1jG8V1MjrRrYBcdYKGb13h89yzMorLXOdFylhsDGVSvTpPE06dCpKHsamIhCNGn4XiHiMRDh6jiaFerSxkKeDcq+Gq1qVShVqVKLlWpSU1UpObh7Lmb5lTrVEnJzkped+FNb02PS/gdo2ofEr/hWmqabP8X/GVm0ngq58Zan4h1u71m+8I/YE0WLUbSdDZafdazM11p8Go3MC3KyRxxYcST9FDKeGPEbiXOcb4h5hToYzh7F8NVstzXJcPiK2Z5jLMKedLF/2rjcxyrM69f6lDLsDQy9w+rSoUHVpS9slT9l6vilQzfLMz4ljkWEw9o08oXsozhh6VCFLDYSvahCFbDKPt51q3tkpWnzOWkm1U6/SvFHhzW7O9vdN+IX7SfiPTka1mtIfC/wk8O+F7NNLS3SKzNnqmvfD6Z7WBrWCEhtU1P7TAmFkYWyQsf6hr8PeDNLB4bCV+KuKpUo06FPkdCMo8saTpW04atblTjrHVPZ3sfGZrxPxfPLsDhso4ay+WZRnhY4iuqlOlUqyVGpCs5Vquf01J1MQ6U27K8nzJWTSz9X8SRWRthD4J/aL8XW99bxwSW+sfGz4f+C7eKGRUka9uY/BXha0voZ0f/lpdSmQ7RIrBWApx4d8AMLRjSq8ScQzowvy4eWWxnSjzS5ny0/9WFTXNKSm+VL3kpO7SZricR4hZhnGL9tlsMHL/Z/9ioY6jDDULYVfwqUM4rU4e0Ufaz5aj5qk5SdpNpcL4z8HQ3muxeJvh38FtI8E/EUJZ48XX/x41LxtqGqWdnH5UWn6hNf6jBp8F9aw7oNKvNPRbmzyPskdooEa9GF4/wDAbh2KpYXO+JqcYLl5aOVci91RirKnlVBbUYpJJaJbWXL5kco45eYyVXLqc4Oo/dnjsNONvrCXwyzFra667tbM5D4pfDb4beHbLwl8RNW0j4i+FfFun3serXvhfxZ4O8IfF/4Z3fjCwYyXU/ibxHFqd34gsvD+uTFpdQufEPhu5mundlv/ABO8is7ehk/iT4W57OUKmL4Z4oo80lh8Hm3CueYzHUqC9q6VLGTzTJaOXyxdKnRprEvDV6mGdXCt4erUgsO58+JyLiHA4ivXpY7F4CrUr1alSlg8xnQjTnUnJygvYSatCVWcUozmkm7Tkm2+t0j9oXw5deH/AA9qFt4I0Lw/d+I/HEHhTxB8aNB+C3hnWPA9nA9zrlvpXhDQPEcM876nr1xZx6HrmjWuveE/B+iaml9BZ2ur2Vvi9Gme8S8JcMYfFcS4PwSy+WTZBhaueZhmGWcN+H1DDUMHlNGrjsdXnhKvE+X5lXjh6WHcqtLD4SeIr8ijhoVp8p1ZXhOIs8xGFyWpm+OxOIzbE0cspfXMzxNWk6mYVYYWnGtKo6tqXNWtP3J2g5e5LZ+e/tV/Frwf8B/AOs+PPB37MH/C9vB2g3txrH9neHbj4exjw15Ylu9a8V6h9r+E2ta94W1VbrU9S1p7/TdUvLWES3Fn9qWG7v5W+Syj6W3hTxdxbkdCHCdLB4adXNqMqU+FMuw+GqKODlWw9OpBZxiaXJQbc4e1UaVFRk1KL5b+lDwh8RMoqYvL6mc4f6pXxddTwkM6x8sPOnhGvYQnQWFhTlGjJJ0YOElTlaUFG1zgvjx+1F8CNE8J+KfDV18Hbyy1j4qfDnwZ4x+H6WHxBOtWtzq/jj4OeF72af4lOdG8NJ4gn8LaPZ6fa2LaXpOuXOnaxppA8qzBnri8QfFzw34g4p8TKWXcP/7XVy3LJwr4nh3B04QrUuGKNClU9vTr1JUq9OWJpKhUlKDipVHTneEon6l9H76MHinHh/wU4op5/DD4Krnub5dmP1DibEUq+LpVOOaM3hMVSlgYPEYWdLLpupTqyrU5xUabp/vFKn8q62kH2LwuRbqZmn8uJICMBzp16UKZbd5a7cA5JAx1NfiGDqxr5nm1al7tKticZWjFrlfs54unKEeXVppSjpd2tb1/t7KMBWyhcA5diJKWIy90cDXkp+05q2F4SznD1Jc9oc9505PnUVzfFZJ2K09q+n6hJe2SQi70/wAMm6ZZdzqZo31SYkbHidy0uxcb1wAwGCdwWGqRr0cPg5t/7TncaEpxirxpYinlWHhZtSXuudaXLZ2fLuvdZmmHjOnnmPUYe3/1f+r4WtvVo1aH9qYhyhuo3dWkrt6rmtyStI/Rj/ggTr5dP2nvCN/eTT3Emn/CHxpFaXFxLc21uL9/iNolwbGCWWVLIXB8MwfaYYkjEs9uJpN0hBH7l9HjEQxXhxxVKcKcpYfHZ9hcLVlSXtFRo5Nkzp++7zTVWVRp3W6kklZn8Q/tBOFf9UfG/h3CUMRXr0sX4cZJjMY6lSFqmbY7iXi+NStyU4U4yksPSoU/ayUp2gqam6cacY/oK9tGhMUqyMz+ZsBOVQM7FQgJ+X5SOFArxOMeD8NmFWtJ0MOqdT2dqXLSVNcscKtIPDziryhzbu713PxjCVoypxnRUYQbdoqPIvdclLSOiu0799+pl6Togttf0hmAlMeoaW2EEPnh0u4SZppOJHQldzZJc85BavzrJvBLDYLxl8Is8wmXZXh/7O8U+AMzqVMPTwNGtbCcU0sZJ3p4CE5O8Yy5VUUpOMbSUkpHo4vHc2UZhGL5ebBYynzSVTklF4apHljuudrq/dvs7Hotf2wfIhQAUAFAHkOs/s56/rvi/WtZu9a0GPT9Wvv7TkmS2mnv3vfOuJTIbG4s2tEjKLaWkVrc3mpWMEQEt1a6q9vJHfd8eIswwuGVDASVFxgowlKTbUuRq7lq4Ri7Si6MI1nNXjVpKcuXtp5tUpUowhzRcY8qS6WVtHfS26aSm3F6xui/47/Zg8OeMPh14t8DWmsy6ZqPj5tJg8Y+ML/Tf7Z1fVNLsrvTZtQsbS3g1HRrfTpry0046dp14hn/ALCs7mSC0t5beOG3TlWNxntadaeIm503LlUEqcYKSfu0lHWCjPknGUpVKv7uCnVnyprn+t1HiI4hqN4392Pu3Vny3a3cW4tOSldQinolalB8CvB/gzwfBpvxJ+IuqmxuXsdKs/7KvJvBmlWGsX0sDi60dLe81HWvtaX76nfPe6jrV/HbWLDX9bM2raG/ilNMx4xeEhCpj8XgsFCUoRvXnGCqOUlSi5SqSU+WnOrS1jKNKjGMHPlpqR04jM8bmdqVKhLmgnN+y5pyfLGbk9rW+Fwhr70IxjzN2LXwc/Y/+DfwXu5dW0mx1jxh4idL21g8S/EC8sNf1ex0u9s7KxfSbMWul6VpkdtBbWs8NtdyabLrEVrq2sad/abaXfyWQnEZhicRONSU/Zzg7qVJzhJN3TfNzOWqsrX5UkrJanFOpUqSUqk3KS2btdbdd9EkopWUYpRikkej69pNvr2h6xol3HHLa6vpd/plxHNBZ3MTQ31rLbSCS31Cz1GwnXbKcxXun31pJ924s7mIvC/DmmBo5nl2NwFdP2WLw1ahJxUXUpucGoVqTlTqqNejPlq0J+yqOnWhCcYSlFIrD1fY16NW7j7OpCTaV3ZSXMrc9PmvG6cfaQ5k7OUU7rzH4R3sUfgTTNN1MtcXel28ug6wJY5ftEupafcSaZqcU8GpRQXkdzJqMUzXcOqb7qIvI163mFnf+X8DkmCwvFWd8N4j6jh8RUeIqYjCYGdCVKHNCnVVDB0ZTurRqQxuGozpyeFoVqkJ4ajLDVeX67PaEq2Lo4nB16lalVo0KuHxNac3Oao0lF16tWMpupJKlKLqUVGNWrG1LmWi7H4fazsu9Y8I3EE8LaYw1jQ7uYWEVtrWh6vPJcytp0dvMblpdBvpxp2spdwm5ha60nULi4dNdtIo/wBs8DeLlmOT1ODcbV5sz4Tw2HoYWpOWDpyzDI3KVPAV6GHoyhWX9n0PquCxilRqul7TA1sTjauJzD2VLweIsE4zp5jFaYqUqWLivaS9jjqStPnk4KCWKUZ16HJJRly16UIJYaUpfDv7evw30n9m/wCNkXjGyuLRvB/7Q954r1FvDVnZ+JIr238QRR6fN4zhmvoE1mK/u/EGr+Im1rTbmEx3Ub63renLpGm6dp0Grz/0P4XcWTzjI1kWLco5jw/SwuAoYicqKjmGV4idWllsaUIKFR1ctp0aeX4mNSNT3KWFx9bEzrY6pCjy4KrTdSnT54xrzahCm5QU6qlOEHyxdm4qVSCnJLlg5xcpK6th/CvxbL4w0+5tXtLfRfHPwt1e8u4r+3sNN0e98VeFNW+z3WlX2pbL65lu7lVsNVhuiUisrEag+lCK9vGvZh3ZpgsZhc8lg8ywa9hWpOEJzVSrTlJynLD4qPNCMZUqyXKqdVQqU63tI1Y0qtCpShvOVHncJKLkpSi1dSV7pX926laVl7rlFXvzWsz7h/Zx+LVh8UPBtrdCSZdUW0jvrq3uHtDsLXV1p13b2/2e5kMps7qxW4uitrZolvq+k3Ettaz6ibK3/NeJcgWQZvi6GHpzpYGvUdfC05TnU9i5xTrUVUcIpxU37WK56tRqr7SrWqyn7SXLi6MaclOHwzvtqlLqtuurV229b2sz0WvPMQoAKACgAoAKACgAoAKAP5pf+C2PwE/4KN+Hv+C2n/BRD40fs6/8E5/j3+098L/jx8J/g38HofF9t+y1+0l8Tvhlqnh+7/Zv/Zmj8Sax4G8Y/CKLQbO48T+HfFXw+n8ONqFr4j1Ox0m+tvEOkahpj6lAfsMVqMa8FCbkkpKV4tJ3V11T017DhNwd1bZrXZp/cePfsw+Pf+C3/wCyN4Xt/Dfwf/4IieNrO5jhuoLrxfq3/BOn9tGfxrqS3d1cXUwvdf0vXNHkSJ2n2yWlhBZWFxJEt/dWk+qz3l/dPGU5Y66rV8Qk1rGFVpXfPeVpKfvSc5OTd7yd3rcdKo6KSiouzveSu3qnZ62a0XTa6vZu/p4/b/8A+DjsJMn/AA58+JbLPuEgk/4J+/t2yrJG67Xhmjl8ZvFcxsu5SbqOeTaxQSBAqrxf6vYHmcpTxFS7baqSozi730adDVddb6pFzxcpu8qVFqzTSg0nfTW0r/c0vI5/xd+1p/wcL+M7/T9V1L/gj58WLbUrPzIry80/9gH9uRJNfsJo3WbSvEUd34ovLfVNNMphubS2khQ6PPbgaE+lwXepw3/o4Kvi8vg6eFx+OpU2rOnDFVYQabk2nGm4Jpuc7pqz5pae878+IoU8Q1KS5He/7pRjfRLVuLbskramH4N+PH/BwF8OfHl54/8Ah/8A8EiPjd4MutYhig8T+G9C/YL/AG3YPBvi4QLthuPEnh+4125hv9UhA22+uRzW2uWsDXFla6lBYX1/a3RWqLEtyr0qVab3qVYe0qPVybc5uTd25N93KTe7JjhVDl5a1ePL2qJX0tZ+7qutu6R0Xh39sT/g4g8Iaq174S/4I/fFjw3o8v2ua48FaT+wJ+3TD4Lk1G9kaWbVrbRZfFkx0S+LsD5fh260fTnYF5bCSSSZpeKrkuEqy5uatSd0/wB1KnBXSSv/AAnZ6dO77nRGvUjFx0ldWvK7lZu7V77Nvbb7kdEP+CiH/ByCu4L/AMEd/iIocYZB/wAE+/28fL9ysZ8bmNN3VgiqGYliNzMSlkuGWntcS/8AFOm//cQKtJbRhvzXs739ea4h/wCChv8AwcgE5/4c8fEQDso/4J8/t2hF/wB1R41wMnk+pJPeh5LhX/y8xHT7VLp/3CGsTUX2YPzak2/VuWvb0M3xL+3f/wAHJPiHSLrS7f8A4JPfGXwzPcJKketeHv8Agn5+2t/bFl5u4brKXXNc1yxheMNiIvYSbQq5DY55c44To5vhJYSOdcQZQpwlTeIyXH0sDikpU6tPmjWeFrcs17XmUlHSdOlL7Nn05fnMsvxEcR/Z+W4zlcH7HGUcRPDzcJRk/aUqOJoKqp8tpxqucZJvROzXifiCP/gvV41ul1D4i/8ABMf9sH4mah5l1LLc+P8A9jT9tPxHCxu2JdLXR7iRPD+ixRqRHDF4e0nSI0jRQVZss3yWb/Rw4XzrEzxeM4x8RFXbTp1qec5LPFUm+TnazDE8OYjMq/tXTg6kcZjMTG0YQioU6dOEfo8L4yZrg8PDDUuEeAvZQVuWWRYrlfW7hDNYUlJvVuFOLb1d2WpLv/gu1IkUX/Dpz9pBIoYkhSJf2Ef2xPLWNHZgFjdmRCQxjJQKdmACGAavGj9DHwvjKcv7f4/c5zc5Tea8Pczk4pXco8LKTtbmSk2ua/R2PpKH0u/EfDJxoZDwJSg7/u6eV57Cmr2ulCHEsVZvVppq7fys+H/Ef/Bezw14i0DxNpv/AASm/aT/ALQ8Oa1o+u2CT/sIftgyWsl1otz9ptoLpF8uWS0mOYbqOKeGV4WZYpoXw49Tg/6Lvh9wTxDgOJcpzXi+tmGXLGqhDHZhk9XCy+v4Srg63tYYfIcLVk1SrSlT5K0LVFFy54pxfmcbfSQ43474ezDhrNcn4SweAzP6r9Zq5XgM3oYu+Dx+GzGk4VMVnuNpK9fC04z56E/3UqijyTkpx9F8L/tcf8HDnhHTpNL0z/gkB8WZbRvFPjLxVCt5/wAE/wD9t+R7Obx1rN34g1zSLR4PEluY9EGr3jXlnbP5l3C8Nukl9PHFsb7X/VXAWS+sY/T/AKe0P/mY+GjmNaDbUKV2ktYz6Nv+fzd/+Aa8f7eH/Bx3D5hh/wCCRHxWjeVII3lX/gn9+3KZCsCuq4L+KmCs4bLsqgkquNo3BnHhfAR/5f45371aL/8AdcqWa4iSSdOhZdoz/Wo/6Qi/t2f8HGx3ef8A8EgvipdFlK7rj9gD9uolcgjcBF4viUsM5UsGCkcDk5f+rOA/5/Yz/wAGUf8A5QT/AGlX/ko/+Az/APlg4ft2/wDBxcI1j/4c5/EUlQB5v/Dvj9ukTEDPWRfGCsc9z16YIqa3CuArQhTliMfGNOtGuuStRV5wTSvfDtNNN30TfcdPNcVSqyqwcE50ZUJRXtFBxlJSbsqifPdKzv02MvxT+2F/wcS+L/Cvifwbq3/BIj4wDQ/FnhzWPDOpw2/7Av7coljs9asNT0y6urOW48UXIjvo7PVbmO3edLi1XbCZbSbYd0T4NyupSxlGdbHShjfq/teaph5OP1aXND2d8K0rv4+ZTulpyhPNsXOrha14RnhHWdNw9pHn9vGMZe1/eXlyKKdOzi4u921ZLyPw5bf8F2fDGnQ6ZYf8Eqv2n57eK2tLV2vP2Ff2vHluI7SCOCNpmggtkDukSmQwJCpYttVFIUfn2afQ98MM2xM8XiM342p1Z1a1ZKhmeRxhTlWqSqSUFU4bqtxi5tRVSU2klzOTu3+lVvpdeJFaOHjLI+BovDU6VONSGWZ7GpU9lFx9pVk+JXzVKl71JJR5nslsacniT/gvrDqGja5oH/BLX9qPwj4o8O3aXeheKvDX7Df7Y1rrmmjzGkurOJ746hp9xpupgW8GqaffafdWl9bWNlBNEY4NrVw79EXw+4Xx7zDK+KPEWFSSlzU/7ayOhCU3TdKFZVcDwzg8ZTrUYTrxp1KOKptLF4uM+eFecX43Enj/AMW8VUXRzXJOEJQldS9nlmZPmUvY88ZRxGc4iElN0IOalB8zu97cvrrft3f8HGj6fPpzf8EffiZ5c9jNYrMn/BPn9uWCW2FzZSWFxcWqW/iyG1huJreTD4tjAHRGSBSDu/Qct4TwGV2dHFZjVs+ZfWK9GSu3BvSnhqS15Enps33PjMTj6uJ+OFKKtb3FNu15NXnUqVJvkc3y3k7aLVJI+gP+DS/9lP8AbJ/ZYv8A9vGb49fsp/tL/A6PxjF+y/deFrX4wfA34l/C2HxxJ4Rb9oaXV9P0W68d+DbBNSisTr+k22ty6XBey6VFrdjJOsEt3ZO/x3j7kmdZw+Ev7IyjNM2WG/tyWJjluAxeOVL2k8jdGOI+q0K3slWVKt7P2nL7T2dTl5uSVvb4Kjlcst4jjj8dgcDiZPKoYKeLxVLD1PfWZKvVw9OpVpyrex/ce05L+z54czjzJv8AZy10XxAEh0l9D1vV1m0mC+u72XSdb0WO7ubnVjNFYaqsWleG7ORbKwubJ76WIyXV/Y6Zr+n3Phaxn16XSNS/PqPBPGND3Y8J8SyvG7vkGccrk3ezf1On8MWtb/ZnHlTqyg+uWZYP+NPH4SE6eIapOGOwFSdOmoxTqUouviFFzrUpe7y2hKth6yxFSng6OIgtz4O1qytLLTNG8GWsN2dOUX91b6dLZxX04ntVvdC1C6bTrzOlzyXsWpxXaarLLNLYTRiVEtZI11nwLxbiqKoz4S4hg6air/2JmdNzcpLng5vDNTV4RnzczSXVbRqnneCrV62JxWbQlCMpewpTxNKUKalTly4mlR5k4VVCEqDpQoJp1I81Obm6lVdQ0jULy1kvJ/D+v2MWoi2sbu1PhnxJqV/I2t+HdOsrmCSbTZZNUttPFvPJaajc2X9mpaX2h6dJeX8f2WSzvvPqeG3F9Kp7SnwnxNL4E/8AhEzibX7uGithbuPxKXRckY3TfK86eNy+NRL+0cFzKVSSlHF4KEZKnipTi3zRVGM06VKdPm53P6xVlGPLF1YZ134Y8Tad9n1i38M6+Lq58N2ei2kMB8SXFzpEFlYwG6tJprPStTujqGoyxzW+n3i2NjaWqafbXZv9C1DVLi3u+3DcFcYQwsm+E+Jo1G1CKeRZspxjCnTWsfqkm3N8yjJRhGKhFtwbcDsoZvlM6MsLWzDAShTxs604/WcDGjiFXqJxqRlKvh7QwvuzrRlOvUrOrWpRpYiFNVVPpej+MVnu45dI8RaVb396S9lLY6z4klSS10fRBBJa63faHE1u8UqTaV5+u3HiDSp0SMWqyacuuQycmK4N45bahwdxU4t81v8AV7N6nwwhaKbwMnpZ04ufNFKTVnD2jlzyx2Vxa5cxwEpqmoKpDE4eilz1J+0qSjSxUIP2nP8AWKkKMadR1KSqc0K6wsaTdH8CeINIuo4hoNxcC02TxWtzB4g1WO7sLSG1VC1/JaaDoralaatpuiNpelXNrp4bTbFgNSELz3C5VOD/ABGnCEFwhxM4whCMYz4bzmV4xjyWb+pRV4uMbRfKpJJOXKve0xfEOHr4enS/tHAU006fPSrYOjOjLlqcsnGM8RU/eUsRWVWvCVScas5yjTjWlaFh9N8WpbxadY6Br82kxWwW6vddTXJ9cutS8yLWTeWlr/Ymox2m37NcTLKuoxqNZ1a2s0SJ9Gt7WFYbhDxIoxcY8IcT2T0dThzN3KS96ei+oPk15nyqXxzScpOKZlRrZfCvCVTNsqk3/wA+sXhoU4JyeH5aspVaarWhUjyycHy4ehUtGKqWqUtSs/Hd5LpZg8N+I49RkaO8u9YsdFvNM1I6ZqEKWkmjajcDTrG3t57NtTvJrUWmrahPaNC1xLc6WyPcRdEvD7jF8luEuJufVuayLNYySml7sv8AYoptXevPKyum4KNjspz4bX1hVM1y6OGSjTp4apmeGrUpzw8q0/bU7V61VQqKMPdlh6SnJQcFWdSLlfuLbxhdIIrXwvq8WmzRNPetqUGunUv7Vnmj1530vTzouppp9vbmG5a3K6moi1TVLSxRY30W3tosMPwd4j4ZOlT4Q4m5KbcYylw7m8nKMeZpwtl0VFN3klGyc5xvflVuSFTLKOJX/CvldSMZOMJU8Zh1BQU3ho+2qSqw+sP2c4tTcZWw9Go1GKq/vKGpWfju8l0sweG/EceoyNHeXesWOi3mmakdM1CFLSTRtRuBp1jb289m2p3k1qLTVtQntGha4ludLZHuIt5eH3GL5LcJcTc+rc1kWaxklNL3Zf7FFNq7155WV03BRsddOfDa+sKpmuXRwyUadPDVMzw1alOeHlWn7anavWqqFRRh7ssPSU5KDgqzqRco44/Gkdvf3GneEPG2m3VlpunQW8M1jq2rP9nsNSedE0xr/S7S4vb/AFl547PxBv1TTnttGXTLqKfV5NNvNO0OqXh/xavejwlxTBxWieR5q31WjeBi5OTaUkpR5YarnScYJzySOIoxq5xk2JpVJ1OeazHDxpvnpvmVWmsVVhSjSgpVMPUnSrRrYm9OTwdSca+JZZeBta0m6YL4W12EEvJc6bb6RrN/Z3V5JNeQ28mna0NQb+z9btbCRhp2tTwrY2KyPaz6pZC4ju4s4+HfGCr3fCfE6tKLssizZwvzW0qLCtJqLfLJ3Se8luOvmeTVOSdPM8tnGSSVaeYYaFaEOWEnKrhpxpzlSlVhGOIw8OWrUgvcpVNIKr/wgHiR9XeSTwRrgS2S8klj1qO81eO61HUIr0WF3Bqmmx+Td6fplumkadqFjPp8LzW8mqmWHVJEVLzorcCcW0XhlT4Q4nlaNT2i/sTNKyjNwXs25U8Io8qvHmVtWprllZo6o59lscLBwz/KZSqVFZ0cVQws40KUcPGtB0sTWlWoVq0li1Qm5pJOjOFam17QqxfD7WYNRtoLTwL4jlt5dOsXF3rGiXtzCksVoJoTdK9jdG1W5uItJh1m0jW4u7eYarHBbzwXF7qDaz4M4tVNRjwjxM3yLV5BmcmpWk1p9UlbmfJzxV3H95FX5m33T4vwFbBT9pn+Ve09tiEqFHMsNTvTnenJKbxdJzdKM8V9UqyUI1ebCV5xhKlThTY3gPWLK6QW3gPxdPbDSbW4Nzc6Tqj3AktrI3EQSWHTNSudPubqeHSoNRhtLa/1GzvP7SFpY3kc93euVOC+LVT5VwjxO/c3WQ5nzXtJ6f7JLlcvc5kruD9pFX5m5D4wwNTCNyz/ACb2yr1+Wj9ew3suSTdNqpH63SlXhSU8T9Xk1COIhLC1ZxhKnThT0v8AhX94Zp7JvB3iN7S30/T30+PS9M1jR7K71OG8u3tnuLjULHVbrSpj9utmvr+2N/qHnSXmpy3FhBDc6VZ4T4W49wdGP1PgriKrzYiTqQnw/neyjT5KkOTDc0E7Pmbk3d3UormprijxVSw1D29DOcilialfFQl9cxWHxE6eHrUoS5PZ4WvRp1UpqcE5UoUGo0oexxFRLE1GWvw21OygaC88Kapd3Kafdk3MVn4jlt7TZPZ6derpV1D4djuLe/vI0upNMk/sPVLhtNdF86FA15LGH4P48q1XUxPB3EMJUnTnDl4fzyMW4Td0ubCSd3ZfYlaDvo/eSnxfRxvLXq5llFGoq0LUaWMwUIzcsNKUZYiNbHXlSo3gqip4zDOVeE4pzUo05VF8F6/FINUufA3jrz7i+kvEk0/T5Rd28bwWV0jyac+nXlvdakHMVvmebSRdXVvF/aGpQrFevpHRLhXjmdvacHcRq8m1KnkOcXXwu7j9Xkm9I/yNyT5pt3cOqrxZgZ0HhaOccNypwowpOnWxdOKqKNSpaEa/1mPsoOSneyxUadKcZUcPGMoKu+9+Husfaby9l8Oa9p2maTp8Ny1wumSPBbxTQX2oIlvNf2Olz6wtswDXjXmm6Mmji+lsbiPzrRLqufNMk4j4Zy3NeIc1yPMsoybJ8rxuZZzm+b5ZjsFlWU5TgaE8dj8yzDHYulhcNhMDgcHQqYnG43GTo4fBYenVq4idOFJzSy/jDDxoU8JRzDKKuLxVadOnRjiv3lWfNToOHLSxOIjRnObtQpUq9VYvkhVoTmq06cVtYDpuk3sGmpcanNNEkUup3GoJYLHHFZ6Xaw6fFoGo3N7DdzCPRNK0+8ksXk8PT2dtFcW8sgnvYLT87z76SX0f8mynH53m/jJ4e18Pgo0VVpZDxTlnEubN4jE4bC044Xhvh+vnWeZi41q9P26wOX4mnhcHTqYvFKng8Nia1KYqriMwpVsVThgpQq1KvsaGFqz56kqleUq6xlKMfq8UsRXrQVT2WLWJq1Je7Jw9r4zf/BH4n6ZpltHH4n1t7Fr++lbRNH8Ta54a1IWKww6ZZQT67o97a32qq2nWFpBIb+81DzoIYWuImuTcF/5Qz7i7waxnHfEWOwMKuByPMHjKuDzPPMor1MvzOnmWMrY36zgsFmmHlUoQrPETqVaEsPQq0KrqUK9KjKj7I7MRiHiXGFKfPGjXp1VKFTklaKeuji7xjpaT01Vm7SMy3+D/AI50G31DVfh/4O+LHgDxckN3s1bRvGHwr1Ox8Tq7yzfZ/Eena14rS81SIzXE406XUNQF5a+TYX88ZvYXSThxXGPhxiJTwuM42yXiDAe7Qwftsqx+SRy3Bwq0nToUKdD2eJTth6Uq1WNpVIONKVFwp0qcM8bNVKtGUOeTp0lG6Um1Je0XK+aNpWU7Ju+71u2PX4PeOdSu4NZvfCPxWn8Zy2kR1DxzrvxX8JeFtTF7cJarNZRax4F1rxBrNlpemNFG+lx2mkavbJHNqKSwLceQ6a4XjPwxvyZn4h5H/ZGHlDEUslfCWPzWk8XQnzKvCvVhja8p14OpaUqcnSlyShyVOZVNKleEcDOipS5uSs4xhzRSXJNJXpxUV2Ubq99mrHT/AA40fxV8L/i/8MIvG/iibxTL4s+H/wAYPCkdpG17d2OiXNvaaFrljLdeItYuX1PXL/UFjnW61S/tdJST7HAIdOt2aQyfq30PvFvw04S4szPNaE6dfI8uz3MM2zbF42WY8PZdTw+fZBmGU5NNVsTlGHo4OhiMVhHLDwjz1Z1pRoVpSnOnKfDxBGrmXDWNwtClLEVaNLLIRjQjOvWc1i8O6lN0oc0lKEYSTkm3yuUuWPLZ4X7KHh3wz8VvFNj4d8X6Ra6/b+Dvh9c3seNR1iye3n8WfFHx3fl7i20rUbA3MM0em2j20lyJozGjSWrqjylvpvo5ZhjnmuQYTKeHamGoYvMKVHF4xY/61RrqGJzH2XPKpSlTw31erUxFC8a9P2s4tzd1FL1/HLM8VgOJ5YjKcTSeBx8K08ViqU8JXoSeGynKKNFRq1IV4W5/aRk6co2kpKV3FJcT/wAFkfh1pPwi/Z/+GPij4WvrPw7165+JCaZfXnhDxH4u0ttYs5/BXiONbG+8nX1SZIWl89IZJXu5mZIoomdwH/ojxByPMso4Wy/OamHo0KeKhQoUa1TGYSnTr46tl2LxVLBUZVsTKnVxdSNKU6VGlFzqxUnClywd+76Iyx3GPibUyfGL61TVKji6dGDowao/6w5FhJYmMqDw9SrSmsTGLqRk6MWo8jcp3j+Zn/DQHxqsodXnsfjb8XH/ALO8QeFLC3ubfx54xSaKC6Es5K+X4iaRoZGmLKQhVFKq+11Kj84o4rN8T9VrzqQhXxGHxlRqeJwtOrOthlOFOFOm6dKq3TcYKThGULrWSjJc39XR8NuCp8RZtRx+Bwzp03go4mEq2LeHjGtgHKPtVTxzw6VW8bJ255PW82zXtvi18bp/FNlpMXxY+K+o293ompanqNjcePfGbOIo77SZobtZ5PEaLdMiRO8skW77krMFCsRzrPZQwlfE1qVKpOOLoYWny46jONapVhXlUhzUqUl7S9Ok4RfvTc0rbHpYrwm4MwuNip5ZKjClSddKc83pRo4eNWUVVSlj0oUYR5o86tCMbq9tD9gv2XPhZ4G1/wDZj/Y18TeIvCWl+I/E3xE8I/De/wDFetazqWqale6y974Uj1J9Wv5prqSS71jyJVnileSZlhy8lxIhDj+jvDrgjJqvCPCWZuMKeJx/DmSY2upV8Rf2mMyyjXnFqWMhFOMq80+WlT6P2cPhX8FeNecLA+LHinlmBfNgcD4g8YYHL4whzwp4fCcQ4/D03Go6dWdWLjShJSq1JPR3nNXm/RPGn7Ln7OGhf2LM/wAL7Ky07xZ4y8B6Rq+h2Op69ofh3VJtLu9Qn8K3HiXRdJ1mPSNcuPC0kl0mgnUI2XT5jZ20EcqiC3k+ixXDGGrUamHfJUw9anOlVp+25FUpVYzhUpuosXzw54txc4zi4b3T1PkqOc4mnONaCqqpTcakGqDnNVIcsoyhSVCTm7xuqfJNybUUtUnLrfwI+BEb+PtO1b4b+GLbwnpHgbw1r3iBpY9TnszZXF74zn8SrcxATC6tRp+kQ/bLaJZJLi286JU3MAOPA+G2U4PMspxdLKqNGNKtj5zqTzepywjicFCjTnJ1MxcYQqSm4xnNKD5Z2fuycdMVmyxtJVZ4+t7f63jLp5bONSKaw8k3S9lTk3UcpaKm3CUJRkopNx/IT/gp8nhyP9qfR4/Ao0ux8G/Y9Cfw3Z6DaG10CDwyfh9pSaBHpNtgf2bbrpLabC+nti4FwSt7FBNFHG/8/wDjHQnQ8V/FDBV6FHDSoZbw/KEfr2HrT9pLhjJ60abhCpKUZ1VK1NSkpT5v3cJq/L/av0GK6reDng3D2tepW/tfPHyVcDicI+V+JOdpyvWpU4vlbp3itfeTdlc8n8Q28Ux8ItCIVSC8jLs7mE3DGxvZGiDhJCpZQ/z7WyBnA6V+f5HNqtjKcoSUnGpCX91xr4dty7Wa5eusrH9GYqM8XxHktPl9l7HPcxTkrTcvZ5Dn8dI+7Ztybtra1ru5FdxPaxaiEaKWzuIXt2SKTzZ7dJ0uTMsLEKX8ovG0kph2Luj3KM8uklP6s4PlqLGxsrpSk6bwc6crJqSU5XpRdk5TpyUW2nblk5wVbmV02qVrRd26cJWt/e9sopa36Nt2X3P/AMEIbycfHj9qPw/bw2z+f8LfB17EQCbiR7PW7O3vII0ySltpl1qU01tuDM5ulXM0qSyV+3fRpcJcAZ7gqck69TF55UlSUlKtKM8FlNJVFBLn5NYx57Jc6cU1dJfx3+0cpQqeI2QZpUmnOhguFcDJN6+wjU4mxkrp1XyxUpt83s1259Wn+miwXMkjOGlE0gEzq0bKw8w5JZSuYyGJV0YK0cgMbBXQgehxJkmOxFadSlSqycuV8safNLagndc/MndSeqW3ZH84ZdVjHC04znDnTqOcXKPMnKpUl7yu7NrWz/QbAtva61pElzdRwSX+oWdjaC4uYIWvb9IZNSazs4pJFkupjY2d3feTAskn2K3uLrb5EMki4ZLwrmtLivgnF18DjadOhxXw1XnUqYWrTglTzGjVbcm0uVRTk3typuzSZrXzDDyweJoKtQcnRrqMIzjJrmhJRTS2n7ydnrd7anXV+7njBQAUAFABQAUAcb8a/C8ninQvDkDWl7eadpfjDT9Y1hLBY5poNPt9L1m3W8azlvLWO9js7+7srjyZI9Qt4pUivL/S9S021vbKb5fxYyfNM14ZnPLI1q08tnWzKvhcNTr1sRiqOHwWKU8Ph6FKsvbYmspuGHp/VcRKpWdOm5UaM60z0OHMTSw2Pk6jpRlVo+xoTrzjToxrOrRnF1ZuEuWmuR8zU6b5bqM4zcWZukfFLV/B40DQPG3hzxFq2kXGjabHpHxK8M2154x0zW7kXn2F/wC2rbSE1DW9JePRltvEuoeKdRt08MXkU9xDBqcerPZaVefLcFeOOLybIlS8W8CshxFPHRy3Kczwk8wzGlnGC+uUsBTxlTEzw/JOrhMM5ZlmeYRxtsVhozxmFwlGtVhl8OvNMgwGKqSxGQ4mpKcqqWIy3F0aWFqYOrUoTrezpyVVRnGeIhUwtDDRoqdFqnCrUkn7V9Dc/F/4WWd5/Z198QfB9jfBrhHtb3xFpVpLG9mkMl0sonuowpt1nVpeSqBJ2JAtbgxfXUPFfw/xUcrb4hwdFZvVdHCrFN4dfWIzo05UasqqjTbhXrQozq051cNGopN1vZwdRcMuHc8hFyeWYxxUXO8aFSXu3nrZR5ot+zk1GSjNxcHy2qQ5vDfir8SdH8P/ABX0Hxh4K8UaXq/w9+IVnp2n+I4LKC4H9keKLdI/7M1i81O6v4bez07VNJjttCEV5BYQ6dr0GlWVgJLq/wBfbT/55+k7jOFcj4zybi/gHPsueMwvs69SOAzGUMonl8J3zPA0nDGKhiadGvjsNXrVcuq4TB4XCZjjstxVTmwOGoUP0Lw/4ax+YcO43B51gZ4fF4L6xXwNSt7N1ZqVOajJezoTlyzlQqUq1F1K1eu40ansW69F1u/0Gz8d2ml2PjfRNKbVdQ02DWrvSPDV1fWehNr1lcW180GhT6yHura3t7kJaiKS7hNqNUsNA1e+do7W5jtvb8D8XxPyZF4qU41/qOZ4bN44HLqUauGwuOwLji/b0cwxcnSovC4Z4TF4mjSqU8QoVstyvNMVVlVo1sBR8XinEcPTq4/JalT97y4ZVMZh/aYiNLHUlRhOqqNajCfNKrKUp+ynGUaNbHYOko81GpW8f/aN+Gerft32/wAKoX0a2+H/AId0CW+8RweJxZaf4y8QahYa1B5FzotrZ3elaFe6Zb3ekWE9y1zaazeQf2g9pbap4Z1MpbXOmfpOWfTCx/DvEsso4P4MxuZ1XFqeZzniK8MTXovGxzDLMrwH1alNShRw8ZYjO61DGRw1akoxyLF4WFPG1uV+H2RZVhqmb47PKdfHqmqeHw0aP1aaw+IWDqUfb1uetThTqVa9Obp1J06lOlKrOOIpSdSjLzf4qfsQ/En4Badd/GKw+IbeOootPktvGOmNYWPhlraO2utPt/C17HHcXuoW+p22lPc6haz6gslhqdlb/wDCPxWmmnSG19Y/2Hwm+kNnvG3FdLIPE3KMqyLGZ3VjR4N+oxrxxuOlh55jLM8FmdSWJxH1nGKlSy6tQr4LLcpy6FKvjsV7LC06uHw0/n83p0ZVVicvlUqQi0sTzuKsp8vsZQjy9Lyo1OarUacaSjeMJTO3/wCCdHi/UL2x+HWuXOo3U0fjhviV4Ku7SS9s7BLu70W+1HxfpWp3ukWupahDd3Fqmk+J7fS0W3gNrZ6nqE2myaXZpqb+NvX8ZMkjl+bUMVhqntMPWpUqkVK0W6E41Iymp1KdF1qlDEqGGnCisTNYeWD9tWpzw1em8at3Si3r1T/CSWuj25lbs7JWPsevjDIyP+Ehjj17VLKSdxHY3Xh/T7qC7jj0+1sU1mC8bTtUtL65jjGryaxqslvoH2O2uZWhu7eJYoIp/P8AtuSxH76vCTVqU6EOW3LZVorkqc7aU+eo3T5VqnDRX+IneMaclFyUm1Jpq8dbXavoo6OXXllzbRsa9agFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAZvjM48H+Kyeg8N64T+Gl3Rr4H6Vf/KL30kbb/wDEBPGG3/ivOIjt4cXNxDkMf5s6ytffjqCPE1kV7ezCZyVQ4/4CM9Ce/r/Sv8ReVxqYhvZcyv5uWnrp26n6W4tVq7drKdT8G4/fqiy3KfNztXA3c7eMcdcfhWcq1WpyqdWpNRSjBSnKSjGKUYxim3aMYxjFJWSUUlZJGS0ldaXettL63d/+CLkdMjPpmps+whHJG05AAJL5BOVCtwMd84OfQEYOcU4q7sk3J2UbPXmclb17W7tdgvBKXPty6NtJJ3Tbd91yqV18+h5L8ftRmtPHXwrkSx1yaHwo+o+Ir27sNNvdQa5uPGuk614Q0DRYZbCKT7LLd3S310ltNse8TTHa3WQWVy0f7J4X5PjsJ4d8U1XCpGHEFHhSjRc5zpwqPKqzx7jTlUhTptqGYwaiqleUm0owhJxdX2+BKGX4itjlPEYSnUdRTpxrOikqVKnVeIrS5rylFKcFKUYqEG6bnNqSthf8E69b1HQfip498Ka14R1vR7TWPCen6T4b1jV7aeKS41f4X6nrB8Z6VL58SNbzxjxfo18lo5E3kyGbYI8tX9XfREyp47AZlj6s6dapleLyrFJ0or2VJ43H57i3TjJQqJVaSj7GvTXsXTnF80pSfuef9IGll2FwGSf2fWoTf1XNsRVjSqUKknQlHAU8NUkqKi1SrNVnRqSThV9nUVO/LIy/+C510kv7P/wg0qSVFaT4katqCuXVY0Oi+DLmdpJCeF8prkLIxICD7xGa/ZvHnPKv/EOOCsFf3aPH/DcJXvayyPNsO7fvWrp1FvBadtD3foA0G/HLDaO8uDqTaad7/wCuPB6utPhaXNHpr9/5HPap/ZXimAOIJH8TeDIw3l/JD9li+znc+MAuYt+Cf4vxr8wwdT97w6273jnNS7ev7xqSW+650lboj+wsXl6/tzjG61/4x6+i6YKK/k8t/wDM63T9LiXXrLW4I55HXwjqMIUFhLLcXJDlFjHzGFixKAAgoQRxivEnXnHLadJ2SfEmDTWm1KMHGzT+LS192209WfVcUYCLxOOe9uFsUtPOeI/ufJrZNaH63/sq/FXPwG/ZG0u2tv8AiX/Cz4YeE7jXLaxk+13z6rZ/sz6Z4ogsfs0JeWO4kMwlt7ZkErxMkkaFCCf698N4X8P+BWm5J8HcMu+uqeSYJ3em/le5/mD4ztQ8YvFiFvg8S+O4W/w8UZqrbrtpoj2b4peO7rW/hz8BvESXNrcxeIdT0bxbq2oW8Ltb2Uel/DXW/Gy3ZdS0UYikhaaJ5GWNmGAfkYD36kXHD1p9YUqktF/LBtdF+FttH1PnKFRe3o2/5+0+vXnj5/h5baHCfEn47/Dfwp8DPGmj6z8RtE03xl41+AekGxl8T+INL0W5mtpfB1/qtpqLQ6leW0z29/rvie9sI5wjRXC2l3HHI7WsoW6c5VqEbp3+p4NXaf8A08k9G5dbf0zOVVLHyS1bxmOV+2l31721/K9j8lP22b6S/wDjz4fe1v7eYP4N8JyZt5I7i1WaL4Z/C+KdbV42aNoC6zzwvGSrI0zKSAxr+Z/pFYeGH8bPFSfLdynwOm07NJcE5ddvRKzdo9r8uzP7m+gt7/hZ4NpdMfxA/wDzpeYr9fI871u+1AWmixvfbBBqEHlMkcEhuEWxvkQRMI/N27QUMkb7TyGJZhXwmUYbCyxGKk6Lcp+1537SqmpOrRm20ppayW1lq+lj+js7rYjA55klTDSjTnLiDHJt06dROM8h4h5lapTmtbK7tfTz1vWOrSGD/SXkdb2/a1iaKC3EUkY8tRHPjyh5YDsskv7yY5wwfAxyVKHsqznhVCEcMqOIkqk6k2pxk5wlGM1VjJp04yUJWg2lde9JmLiqsKTq3dWtVU1JQgov2M6cpKaSja8KcYrlg7u/Nbc+2/8AghdPcp+138exbsqR2/wM83UB5jlZLiTxf4bit13SM2fJRLV3wf8AloJHy8jM37N9F6cpZHjKsU+apgM7nUla3NP6zl1O9lZK0YQikla0U3q2fxl+0RvW4xwPPJN+z4bitFpFYTP5Wsl5yv8A0j9Af2h/jrd/CW88A+B9AsNO1Tx18T9W1PTbbUH1/RbJvBOmWunebP40u9K1i5sI9SEFzcR2kFnHdRNeHy0eW9UJpMn3uc5hgMtwNKtVnTjirz57yoKUb1KUI/FUhJNwnGV21p1cbRX888M5Ks0x8qT5vYxafKoN879lWns6VRNXpOLioOT5laSlGLXEaZr/AI98ffFr4UaN41h8Oaje+Fte8ESeFNe0qUwSa7cSa0/ivxz401HwFHfXNr4e8R6dovge+8M6hJFcTy6GfiXdRXMSNaHdrw/xBg84zDIYOcJVIZplbpq9F2kq1Bx2rVXzXq62SknvaSd3xHw1QyipXqUn7rVa3Np/y8xCfLzYei3GUqN4yV41E1OLlGSkfU1fox4QUAFABQAUAFACOqurI6q6OpVlYBlZWGGVlIIZSCQQQQQcEEUpRUoyi1dSTi00mmmrNNNNPTo00+qaBNpprRp3TWjTXZ9Di9MurrRWm8D6kViuNLvoX0aOSC6v11fwbcXcVnpsunTWEFlDYanBJM+nS2XA0y40+S7g0+18O3GmTw/m/E2UZhWdTh/NMshisrWLw7wWE9msRz4WniHh4UssWHo0KyzClz+1wVWnTwawlP6r9WoUm4Voejh6lObjiXKXtHRmp1oyUX9ZjFyVbFqs6sZwnaP1mz/fOU5uTqc1OTPE/gfT9TgkurjwIb+JYJZvIC6DeX/mWn2KG2iFhLOLOX7RDp6EOlzPdJYra2yFpZWsbPyeIPAGOMxGX43KMJOhgKdOM8VhMVOOKrYheylT+rSp0VDlhzYaEo1F7WXsswlVeKxE8LRwcuzB8VYnAKMVj6ld+1cpqnGtCClJ1ZyrRq1ZwqupF4mUoJKnF4mE5yprlhiK3mfxlsfhRpXhTxpYaxP4Y0HWdH8PvqEHh3WL1rDW7ObSY7PUtOkj0+HzE1AQz29pK0vh+C5jmtbVv+Edvri4tFv4fzLxG8EsHkOX8T4uvlM24utVn9eq4zM8bhaDrxnWwGGrYuWaVKWVUJQVephKFTD5TLLZYjE4Ci6br4k+q4K4rzfEZtllKliquLpTxkYYuap0K2EnCvQkpzkueOMpxhRqpUKtWfNRxsoQxlOnKX1OXqXwUvlm+GvhVvs/kN/Y1jtt0hkt/I2RrEYUgubDTrmLaI8lZdPgIKsF3bQ1fpP0Y85ynAeG9PLcDhXz4V05UsHhIp16NSNWFGtHDqpSk1SxNKh9ehOhhvYU4wxOGoV3PA/ufmfESg1xdnEubSWMrSk5y5n+8/ermkq1ZNr2nJZ1udLl9pSpSbprjvh74quPDPxM8bfCi80zWGn0i71DxtZa1d20y6dL4R8RavcQ6RpOm3V1qd7d6nd2F5ZX9nfS6Xay2NtZ2Wn3Ot3I8Q3t7j5bF51m2TccYuWB4YxWDyPKc3x2Bx+YywbwuDxmHweLeGxOBy/N8TPG47Mnh8Xh5ZXj62HdbLqOLwOHlahXqUMUu3McupZjkeEzeli41PaUMFhpw54qUcwnSq1KssRF06FOnyxTdKMuXn9o/ZWp1KcavpWvaPp/ifQ9U0XU4POsdb0y+0e+iSe6tZJLDU7aWzvI0urG4s721eW1mlUXNndWt5DuEttMk0aMP06Xs82jl+eUaOGo5xg3TnlmIlFV62Fmqrr06qU6fskqtODlVU405VKcklTxCpzpnzkP3cpU5OTpNv2kU+XnSVnG9pNO+idpJPdxvc8A/YO+HZ0fwh4a0270y5jvfhv4i8e3L6pfXkrSP/b/AIg8Z6Xp6aLG914m0+TRZtKaRZLOzvtHaC+N1rOk3uq6Jq8epeKP1DNONafG2X4fOY06uFq47leLwNaUK1XC4vD80K1GdaMaPPCDa+qzdKDq4F4SrPDYR1I0KRmtFYStPCpqUYNOnNRaVSDV4z1b115Z2dRKcZR5pNcz+mK805DnvHegQ6g+ia4sNuL3Rriexk1Gddz6XoOuSWS61eWcryeXpl9ZXGnaRq1rrqQS3OkyaX5gI0+bU4p8MdSco06sYxdSlKyb05adSynKMtfZSg4wqxrKMpU3Tv8AA5ptNJSUtU1/5Mr8rflq012be6RqeHdUbWdFsNQlXy7iWJor2PyXt/K1C0lks9Qh+zSzTzWvlXsFxGbW5la7tSv2e8CXUc0aaYeq61KM5RcJ6xnFrl5akW4zS1eiknbW62laSaSTul+vlprfX7y7VgFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBl+N/wDkS/F+Ov8Awi+v/wDpqu6+D+lQr/Rh+kcu/gN4vr7/AA+4hO7hj/kpeHv+x5lP/qfhzw2ynXyrDJPzIFPsQvIx3Geh4+g5Ff4kYmlKMsTorczafe0n6dL3Wvqfp9el7+Mkne1apbppOpZLd7fl02L8jfI4APyjknp1Ga5or3o+fTrscqW3n+oR8gMcZKjHI/TH0omrNrXRvSzCWmn3iyDevljO9yFTAyVY87wO/lgGQ/7KnPFbZfgsfi8XTo4HC4jE4lOM1SoUalaooqpCKk404TlGLqShDn5bJzim9TOsqcqcoVJcqmuVO0naTT5fh13trdL+ZpXPMp9Xm+IHxt8a+H7KGa48OeAvCPg3RL7VFC3Fi/jVtU8UeLNf8PQSQT7DrPg/R4/Clpdz2puZ9Nudbns4nW8TUoLf9xq5dxZh+E/CvgfBZcq3FOd0M44hp5PQxmXVsQsir8NcJVssxWIk5TpZfKtLI8/pLB4yeDx9OeXV6eIw8ZuhTqdvDahlUMRi5Xj7erD6vGV4qUazq4aE1KTlDkj7aM48/LCcFGSajKM1L8EmstH/AGiPCEjaDLONe8M/EPw42owQ36W2ha1dXUHjA3eqLEJoIJtUsvCl7psmsam1oLo2cdvLOZJLSCX9r/Z38bLGZtxdwpmGLoUc0zbE8JUMnwmIqUKNXHyoLi/HY9UZewpQ/wBloTpzr+1qqNCnJc001JmHjPgsXWynL8RQi61CNHMoqUZUVF+0jldGnCKum1UqNKPsk7z+F2bgeW/8FzojJ4H/AGdNOYO6P4l+Il4PuhXSHRfDNiZmIO143juXYZJZ0YyKDGwY/wBK/STw1LKuCuDMrq1Kccwr8XcO47k5lVoPBPK84pOs8bTqVsBCf1inBOlKvGvGN6kqcaScj6/9nZQ+tePFXDUFKrXy/gipisTB81OVPD4HjLgiGIm/bOCbpzrwj7ODnKfN+7jNRk1+U16q+T4ovI7U2/neJfB8wlVnmDuqWomJTmBcS3cQ27skycjKShfyjAT5P7CjKpzrDYXN/aSatyU+ebp9OaXu0JtWTfu7WlBy/sHM1VfEHHNalC9GjLhn2kvdTi6uBpxj7svfd5u2idt3Zarr7C4mfxD4ajVpbOS5sryG6bCxku0QeIhchDvALjyi0S5wCOK8dQjDA1qUlGTo5rQxUd2o0uehH2idt4pVEk/ffL8PvJH0PFeIcJSxU5WoY7LpZDhZ2v7TNsRHE1KOE5EnOHPFc3t5xjhobSrRaPr34LReOvGfwa8EeJNZ1zxjrXwX8C6tpifEW2+Eln411a48H2Vj8MfD3gSTxP8AEPxL4IuNSg0CztPB/h101vT7xrSfwvpV62v67Z6ToatfL/YvhVUpYjw44BdKXPycFcKqfuyjZrJMHFr3kr2lGS0XTR9/8vfG+lXh40eL1OcOWcPFDj+E1zR0nHivNlJXTs7STV02n0bTTHWXiK41TxvrF0njvxBP4c8NywaN4Rt5/wBovxDcWWp/DW70aw0vwxefCfx5oOvFNTbxJp040jVdDltIZ4ry+1C10u8ENpLcw/RwlSq0ayi7qNKo5vlmrRUU5OzSbspJ2i23fS58zSbhWpc2jVSHZ6c67f5mtet4l8HXvimTSfAfwk8XaVrHgfU7Ww8Gz63rXjHxVpV9q8VxpVh4317xAdVvNZ1PWfsOoNodh4Z1LRdV0nT5dJtdage0u5lvINJSwtOjBQqWbweD3jUWzmt5X6XMoxqVMdJwi5L65juqX2U9nb/gHyN+1Xqf/CTfGzQ7ufTdWguNE8K2egahDrumWtldWOvaZ4U8D2WoxW89s6G6thtgXy3g3wCKEu0fmIJf5f8ApLVpU/GXxQTqcqrVuCXywqKUZxjwTlySlCMWoypzjeMnNXU9ItNuP93fQHpVJeGXhAnHSnieI5y20UfE3HO+ju1Zq6jfbqzj9XS1STw3D5L3crXlpFFGcJBxp+pCbzAxXCRSmMlmwCQNpbmvz/Jal6uKfMvdjNyvfaVSha2l27tP/Cnc/pDiCpTxGeZHRpNyqLiHHc0bONuTIeIubWSUdO19elyhfMPDnh2TxLeu0+n6P4gt7a+8x1t7dpNW1K006xitGuTDBGIrmbM8k89vG8f+peaRRE1YWhPNcdUy/DunCviMBz0Uo1Ks5LDYXEYmrKcaMJ1JOVGjU5YxhKUX8UYRfMvH4u4vyfgbKqOc56sV9Rw8p+3qYaFKfslWxWEwsZT9tXoQUfaYuk2+d+6puzlyxl9o/wDBCTxr4b0n9q/48a/4n1vSvDug6n+zZdarPrXiO8tdBsodP03xp4Sa7u5r2+e2sI0ht7HVL2Y+eWt7C0nvJxFBbzGL9x+jRln9gcL5niM3h9QwuHhnOGeIrNunOU/7Mx0HRjze3nB4ZtqbpRvOnVirpRcv4j+nHxfl/GXFOVYzI8SsdHEUMhnCFOm1UiqMM/w0lOMVOHN7RxajGpK8KkG0m2o/bcWn6X8aviN4o8f3U4sLzWfGbXXgzxvqSWkyeFfhp8KbOw1Dwnqng1Lgvp9w/iDWdY1TxPa3F4PJ1vR/EQupln0iw0mebo4ljhuIuJsbQwFWdSlF4aSn7CvSiv8AYaFV8sqyoKTUqM0kp/ElG8U0j8vyKlWybKI18Xh4utUjUpSw6q0p8znXxFBKpKE6sY03TrxlUn7O8ablJRqSSiehfs/+Brj+3G+K/irw/f8AhzWL6G38GfD3wxrVi2k3nhP4cwXVleq99p12sV/B4r8Xa1cal4h1s3sMWoQ+d/ZV5HaTxvat6GT4fJclz/hXByxkYY+fEGR0KeHlRxWs5Y2lTUVPmqUuadam4puSjpOV2pJvx84zCrmNTG1PipyWIrSnHk/eSXtOWUrQg3FU3GMU+bljGnFO0dPb6/XTxAoAKACgAoAKACgAoAKLbeWq8umnybXzA4X9pVtOtfgd8S9W1CPRBHpPhTULxrvXzHDp1pBBJa3VxLc3zWV49hAotYpnu1fTBbyQQXL6/wCGxbr4h0v5rxeymWceHHFmEoYeliMW8qr1cLSnSlUlXq01Hmw0I0sszfESnjaKngvZ4bA1MRiI13hqdXD+1+sUvW4FxP1XizJKspVVSWNj7ZU6ns7U+Sd6kn9bwUHGjrVkqmI9k4xl7WjiYOWHq0fgXrti/hLQ7W2htIUbRtLltrWzZ1hC/Y4kYotxDaTqrtE7pClrOkILRGcp5Ir8c+jbnksoyXGY2plTSnjMJgY5ZSrRp1sPiaksbzzxknXxGIjgJywkf7Nryo4qjiauNqYXD1sVKpKphva8ScuqyzbGYtTqzpSxeJ/fVaaT9nKq6lGMVSlUppQp1KcXKc8POaUZPDxn7VLG+PkqeE/iB8K/iPGWt4NRuLj4a65cW+nXdzh/EN/pl74Re9fTtOlwlrr1pPp1ndatcS2drLrT21pYwnVr3VtP7vpHYrETxPC3EuHxdeWC5PqOPwUPavB5bUlKnWwmI9hSwcaDr4epVxGXYjHYmUZ4qjSyynhqKg5SWnh2qGOyfibIsQl7WNKlmuBUqlOLq/V6eIpY6klWxEJRjOhUhW/2WEZQ5a08RVmoUqFTvPDOuW+oWMAjlBfyl3Rb/uEKQ0TMVVg0ZCtuKINrK25hIHPZ4dcUXyuGHWJfs4qEfYuqoUVGNOXNha05Rbozw9ZUa1OsqdKHK3KtNxxPto+LneV1cJiqrlT932kuWfL8SbTU0rtOM05R5VOTTjJWTg4rM+F3gqHQvFvxY8QzlLi61nx1cJpE4it1ks/D974c8K65caeyQQwpbs3ii81+7lnWC1n1SOWwudTfVLpINUuP1fgrEUMVlderh5Jwhjq9KUOeTnCUY0pclSM1GXtEqseWThGVXD+wqWlT9nI8zHTnKdGM1rCjCMZW3ik9pJtct09L2hPmjaMnJPuK9cwIr21jvrO7spuIry2ntZSEhlxHcRPC/wC7uYp7eT5XPyTwTQv92WKRCyFTipwlB3tOMou29pJp2vdXs9NGDV0130OT0Dxv4M8M6do9jqk8Gg654g1S9sr63u1ms11LxJo8ukaH4g1SS+1GUW5SW4uNNuDd6heR3+pyXtvC8Vx4juZ7BuSnmWDw8YU6snTqzqOlU5oyipV4OjTrSlKfKoKEatGtUnU5FOFRSjz1FUhGlh5xvaN7pTunfmumlJWbvzckrct9Vd73fY/rXXzXScfeTatyuL0bS5rtpNJPmdndpPlUnZOQpgFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFAGX43/5Evxf/wBivr//AKabuvg/pT/8oxfSN/7MP4vf+u+4hO7hj/kpeHv+x5lP/qfhzwl1SE6WVYgNFGzezMgLdAOMn+WckZP+Jj56rx0XtCvUjFf9v2XfbT73bTb9R1nHH3W1adv/AAN+e/W3kaTYaJ1BGWXgngZI4HfoevYc9q5YQnTmpzpycY33V+/pv/Vjka5ZJvRKX5O/42+4S3R0UiVhhcKnPckADrjnJUf7WAOK6faYVYZVZU1KpLVRcYyv7yu7SttC701W70uOpJaWSV7N7vp59W7WOf8Ai38Ql+F3w68WeN44Ptmp6Ppcq6DpZR5DqniXUsab4e0wpEGdku9WurVZxDvlS382REcqFb6XwXyfNM141wGKw9Gh9UoVMNUx1TE0MRPCywOHzPLJ42EeWDo1KsaDdRUa1SNOooyhK10LDYR42vTocjkpSjKaW6gpRv8ADdrmbVO8dV7RPZM5/wCAXgnVPD3gSzsrrVD4g17w5pV0usaiqPLLqvibVtJjfUL/AFGa2imae/n1I3fmyTkSNBHDtVpFkjj/AHfw14A4y8evFTG59wfQXDGH8M8ly3hfnxn9sZVSqe3XHNCjHC1cuwWcKrClQi4OpOtl85Rq0V9XlCaR253GGAll9CpKNP2/seVzlCmmqFai6snGfs+aNuVJ01OzlqoJxv554i+JGs+GvHOi2/hjfa682o3Gr6NHJBqFnqmr+JfCF3P43Phr7PdWltDd2Pid9LtPCMzWk9w6Q+IJkuEggnSV5+iph8y4X8W/DXMcbDF5PLh3N69HPMRKEsLQzH+28BmWW5fPH1Z1qFWcsH9dhKi8zp0OWfM8Oqy+P0OKcrrZpwvKNWEp06NGsrpVVFQr4qil7OXs5e7y01ZxlBx0s3pbG/4LS6zp3i74WfsteJ9CuUuNP8Qf8J9rul3siPBHPpWreGPDd1p+UKGZJPJurDdE8eYvKlRjvRVf+zPpXTw8+APDerQqTr183xXCOPoYqNSFZqjmGV53KChXpy51TS96Kg6kbuMlObd1737N/CVMF9JPiinUV50fDPiClNq75pQ468P1LdRfvON4uSi3BwbSe35canFCNI8XQK7hR4z0W3hbY+0CF9Kum+YKcLstpFXAP7woCApLL+WSxNCrisNWw1JQo1cuxMqdKMacLKVPGU03GM3TV5e9o22nzb6H9eV17bGeIlRaqU+EVfzVKmntdbp9fuOqZFTU/C2xC/2PViVlYYeWOSN/LiP/AEy27VOSGAH3SeK8SdZezxS70r+T5a9KWuu6Sdv8T1PZ40o2y3JNdP8AXPKXy9F/s2PTe32rpPyivl+3X7A/w78H/Dz9kf4Eab4Q0DTfDlj4w8D+HfHHimzsYGltdX8V/EXRovEPi3V7kCWzimvtW1y4luZbvULTUWisyNMWJ7ZVK/2B4FVPb+HHBUb3S4R4aj/4DlUV3av7m1na1vI/zO+kDQ9j43eMktm/FTxBk+/v8WZnK/wrT94v+DdHW33wx8AaP4luta8PeAvBmg67YyR6o2q6V4f0LS9XvNVb7LLFC+p2mkNf6hEyNdrbzX1wVsJTaLBp8sEQRPrsPR5PrMGkuanONrL7cad+mv46d7HxVP35qVvhkn005Wr66trs29hfG/wv+H3xbt7jSPiF4I8N+M4tUsfstrPrmlJeXWkpGZLuaHTNWu7m61nSLtWDslzpN/awFyjnTgTP9oxziM6MIKCbbwOF7varPZqz2v8A5BgJKWKk5aRWLxSvvZcsbLW9r7O2lm7Wep+I/wC2p4I034b/ALS/jXwroOo63qOjaV4s8TRaOniW6iv76x02ay8KQ/2f/aEaQPPDYy6aUtDPDNK0EgLTxsrRyfyv9InFyxXjV4l0501BUVwZCUk5udWouD8BU9pOM3NNuniY0lKE6aUcPBSpzlJzX97/AECsI4+F/hTL3rN8UdNl/wARJxi920VreLa9dHbQ898QLCbbw23kb53u3SMRld3mGwvmVuoO0Ecnr6Amvicl5vbYpJ2SjUcl3Sq0Fb72n8vv/fc0Xs+J8lffiDMrdHrkXEO609Wd58Dvg/4N+NGs3/wy8aXM+maBP4P8S+MtUurWI3VxLB8OtJuviDqenJA8sMM8esWnhqTSJU3JdBr2J7ea2RJ7iP2/BjLqec+MvBOW4uV8Jjs1rYatf2SgoLJsdVipqpCqmrwny3pVIRkveS91r8n+mxm2Myj6OPiHnOX3eKyvK8NWhKHtfbQ9pnmTxU6UqNSnOE1NU+ZqtSvT51FyqOMX+kGo/AvwHN4X0rwxoHgLwHoPw3+GfjL4VaR4Tg8NWdtb/wDCIXOrfGHwJqPhzU9I1zVYLW5P/CT+HddnV7pb+/1G7d7ixktGs7SGWT+jvErhynwjwfPC5BCMKVevONT6rGEF++yzH05c31OhhYt8uHo35lL3VFu8Ix5P4K4e4uxPF2KwOIz+depWpUcM6f1iWIrPmoexqRUVi8RjZQV61ayg4RlUk1Fe2qS9r7xoPh3TvilM8q6Vb2Pwl0OWG10+L+zxBH8S/EYunWeW7SK3tRd/DrwtL9phj05PIt/G2pm8/tKa58IFrbxJ51TLcHkmFjmWIVOnXq83PKXs4TbjNYeN3OnSm1CnUsr1PtL7L5HzYzOsRVnKnTqzdNcqjFSbhGK/eNw5ajtKpKyqaO6j7vLJcz9As9RV9TsZCkYF5qliskYVndpxdRrHOu+QhIyT5pyzsnG3cRk/H4riL23iP4eKnPmhiuPOEaDaalf22fSejVeVk7pOzldPWMkTDCS+oYyo01y4TETu9Fb2F7W5ddNlovNWOwr+hjxQoAKACgAoAKACgAoAKAPln/gojp/iX4sSeGPghocGo22nRWUnjrU9Unh05dAXXrO/srTwgjatby3Gq6VeSiTxBpUZvF02J9W1bw7b2VvfTanFr/hX2+DstyLN55hlnEGV4fMsBmOCxGBxEMSpz/2avCMa31d06lOthcXSfsqlLGYZrF0abrTw1WlWhGR3ZK62HxNDHYebo4nDVVVoVkuZxnBpr3Jp03Zq0rxnGpCc6c7x5ovnP2J/i14gsrVPhn4wgXQPF3glH0KS2u7rQ8arapLqUNjPpsFgbYyzaYmmzWd5FaWGqw3Fpa2+oxXt2Lu4Nj/MXi/4McdfRw8YqHGfD1fFZx4U8c43G5ZmuDwuBzvGPhrOqlSOMWaZg5YjHZRGnm+c4qrndHG4zEOphKOb8T8O5blEMPlVCvX+8zrEZbxVktOtKD+uxp0Kjgpyb5KUeSpQXuQv7FUqlJVG8NBRp067q3rRjP6A+N+l2Xjr4ReN7C0ltG1WDw5quoaJdl9PnGk+IbLS7m40++D315pljHNY3OHnjvr2x0+7sjcWeqmTSrq/s5ezxGxmV8XcI5jHC1YwxeEwGJx1fB1MTRhSVJ4ObxtKpXxH1eGGSbqU/rdOphqdKCdVzUZPDy+c4QhjMp4qydtYihGtmGGw7kqFaU50auKpwg44eFOvPEwnLk5KUadaU6qjGm4VVSrR8/8AgT8cdF8deH9H8RaZqMX/ABMEQrCphufNfyovNjuPIEb213FNvIafT9Pm+zrbtd2NtK09pX5b4WeI88NmU+G51qE8fCdJUpVJ+zn9XfLRw+IpYaDqVKknXvgMRiFhadGnP6jKpWq8tVVfs/ELw8zDJ8RXwuLwFSEY01U5nKUVSjKU3CVCpJzhiMNOFo8scTXtWdaEajcIzj7R4GM8l34uuRbpBp+o61Y3+nzL5DNcs3hvRLO8eV43ScSRzWaxCG5tNyRpHKuoXInNhpH9MeDmZxzHh3GunhPqS/tPE+ztVo17zhSw9PERrOFeVWWJw9a37zEYbDe3wVXASpzxPLUdH8vzehUw+LVKrzuUKahLmi4x92UknTb0dNx0vByiqsa3vWtfoa+wOUwPHfifUtFsJtP8OaVea14mv7C8k062srjTLc2flpgXlzNqTPBAz/vl0n7RaT2N9qcEdhdy2sMslxH814ieIWD4OwiwVCnXzDiLH4edTLsswcVPEOkq1KjPETvdUnJTrRwDnCccXjKEsNThUlCrGPblOUvGv6ziKsMLl9GtClWxFVVHGVSSclSpKCvVlFcsq8YSU6NGaqtWtf5b+J3hH4l3XjYeG9Zm8IaNrOu+MNA+J/hPwjfeNfEUmqeLdZ8PJq2neNfFN1rXhY6a2i2Nlpc+s+JL3ww39g+FrnwwjXegWK+JofG0em/JZJjuLON8jq4rOMLHKM4y/GVaeKweBxWIr0MfR950cTVxGHpOm4VY/WYYzAU62JTwzji6s8O61ChT9HOaeT4eEaWVYqrjMLKjGP1irhpYV0puMUqHLVqSlP2fNTTqKNnNySTUYVJ/YFvGkMEMMbSOkUSRo8s0lxKyIoVTJcTSSzTuVA3TTSySytl5ZHdmY/puCgqeEoU1UnVjCmoQqTmqk5QjpBSqKpWdRxilD2k6tWpU5eepUqVJSnLwpbvS3l/X/A8kkPrUQUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAZnjbH/CGeLc9P8AhGNez9P7Ku8/pXwX0qbr6MH0j2tGvAXxgt6/8Q94isd3DN/9ZOH7b/25lNvX6/h7HgtuRPJZIz+YgU7XIAIwDhOO0eNgbqwXcSSxJ/xQqy5KWIlHSek5Lducmm385XdtleySVkv1Od4wxr6qo7rtLnafTr/Wpp/6q3bbukbk5PYAHH3h0xx+HXpWdatz06VBxUZTUbva666+v366HHK7nG/fvu9xtrI7ruxgdSARkk9QRjoOefoOvNZYx01GlQjGzpcycm9HezVvTv8Amh1kr2v2+VvXv/nZ3Rw/xk+GfjTxRqnh7xb4Lv8AStQ1Lw/p+q6dD4M8Q6rq2gWF5cai73UXiDQNe0hLr+yfGOkLGbbT59R0650+bTbjU4pprWd7dx+t+BvFPCFXh+pwhn+LfB88ujmOf5fxUqeZ56sbmccXhaeEyaWR4LDJUVOGJq4tY+ti3h4zwEadWm3XjEWDzD+zMQ8Q8N9ajKDhOmqkaa5bwm+dyhVvCfsvZtRpyf7y9lFSkuJT4SabeeGpdF+KPwV8fas2nXdmdBktPDF545jNpZm4KxPq/hDUtekLWrzBXvNRg06XVSxnS0HlzRQfr+Q+CHiBx3wjjuJvDTxQqZlRp4jDUp4L/UzJ8C6rxNPL68LYvOc1y+rSisNiqtdRVJt+zdCrNynyR6cX4jOWIo03lVOnCnCcHCeP5/aO65Zq2EjKLgo7JyT51dXSbyvDvwF0Cw8UWGr+E/Bnxn8P3FnqlvfxxeFPAXxB0a4knuLm2tl06+eXT9Lthpd1A9x/aEFzqlhaXFtDIs+o2WxDL6fD/wBHLxux2GwuXcU1p5A8+xFHL8pxkqXCeeOjOeNeFxGL+r4DOk6jy+VXDVoUcVUpKs+WFKajCpbtzvxaw3+r+Iwcsmox58NXnGX9pVFKpLD82JVOEXg7c9arGnGLjfkTa5ZuScfNP+CmHgrxH8LvgV+z9a+KLY6Fd6v8XvjXq+jeD3v4taPhLSPE+gaNq6aDdarbyy28ssl/o9/rbmOS4jtj4m+zCeU6efP/AKH8TfDrN/DH6O/h3kOeZ6+K8zwz4ScM2/srD5E8NTp8GYrLadBZfhMbj8PiHQxWCrYrndeTqOu8PK8aMZS+l/Z5Z3DMfpM8QP6rKjHMPC3OXf2rqOlUxXH3A0vZJeyhKo4e0knNqkpTg1ywurfnrKfteh6oxWIC++IKknYXRPKk8n5ZQ6CXPl5zsTbkqdxG4/neLhDBY5YSlJ1KeEyyooTjeLko0qjUeWSm4pe0tZym3yqV/esv68ppQqZ8t/7enlXksL/Zqu77+39tt/y59lfaoddqKpHqmloJArxatCqIE+RwYyV2vu4XnA4ORXi05e2VaPLy80JJtO6gpTp67K9n0ur73R7fFvNVyrAVVG7weaYPN7cyftfqmGxjeHvZcntObWraXJb+FLp+4n7IFxH/AMMq/s0QyFvMk+Dfw2aNI18wu1h4V0iJ1z8m3zDcBicHZsI+fdkf2L9HuHJ4fcHRlK/LwvkCvbtltTXfS972uz/M76QNb674z+Ltf2fsnW8SONajg5+05HU4mxz5VLljz8rp2vaN+Z7cq5vTPssUus3kLxxtFcaeGDGHDRukhtcB8nBJQurgApkDBIzX2rknXqRStzRUb9rqKvtrZ/efD4ePs04p6O+q0tfl6Xd9u61e5mW9isGnxs+/fpmvSyRKhwdrtbxSIzZGVkjkdGb+BSzbWAxWWMqLEYjA4Zwt7eFTD8/M2o/UYe3cuW0b+15uXl5lyW5uaewsJOWFq1Zxj7VyxWLW6hZzpON9pKy5uZLroro/GT/gqzpdpZ/tu/Em3S2ZUW8mlhZ0WONF1G00O8d0RXfzNweFopMr5iB2AXpX8n/SKxPtfGfxDxMIOksTPhKTpc7lZ0ODsrpR95pXW7bsknJK0rKR/oP9AunOXgr4T5i0uZYjiWg4JrTm8R85bm5J+674ZNQ5XpNe97tpeBeIrWKRvCIhEKpa3ke9nY25uG+w3rNFkLKULKrHdh+nTpXxWR1eatjFyy9+NRPW6j+/w8uaX/pPrI/bsdz43ifKIuPsvZ5/mbbTVRy5Mj4gWi9y93Jv5eenb/s5+PNJ+Fnxm8K+Ktes4Na8J6dd3sfiDSkSS7dvD/iCzuPD3iS3cr5bTRJ4e1XV75VVEb7XYWs+Qtu8M/o8A5vhsj464YzfEc1GOHzSNGWIalKEY4jB4nDU6qpQo1pVJwrV6VFLk/5eSvZS5o/B+PPCdfjrwr4+4SozVOrjsjlUhK0Jc/1Gvhc2nTtLE4OMeeGCcE3iYtOSlFTklSn+vcFt4I0z4A+FvAEV/D4xsPi5/wAIn8NfhN4r0q++2eJdc8Fa5Ja6ho2qz3enXttdalcfB7RYta17UboLZ+RpnhW3Di08y4B/qzKMTUzPhLmzGgv7HxaVbBZyqyaxEMRl1OdCX9n0FTxC5sLUniH7TlUNKM4qpys/zc4kw9TB8ZY3h+nTngs1ySVWlmGDqSdV0Z5VmlbL8ZCFSp+55aeIpRUowr1pKc1OzjLT2mS3t7XTra0SeVUs7KCygneXdeXMEEcaRy3LLBChuZ1UTTlIowJXY7ExivhvFXOsPns8RhMPW+oOkqSSUZ4m6nHL6mvNSpbqi73l9u2nKk1l1KdGMKcoqo05XbtHrPW0Xpp63d2rXMe0vr1vEGlJ5bGOTVdPDoYgoVHvYv3qyljlQuWCbASBjINfj2V8eYih4u+EnD7yd1VW8UuAcJLHLHQgoRqcTU8G631VYOV1G3tfZqut/Z86tzHr16FH+ycdPZxwGKs3K7clh5+61ovJ+fTQ76v7MPlgoAKACgAoAKACgAoAKAPE/wBtSPQ/BngKX4zat4SvPGWieF4o9H+JXhzTjqDX+r/Dq8i1ZBdacLOyngtNQ8LeINStNVl1TU9Q0TR9P8LXXi65urm91aLw/ZH1eEsVKlmccN7aND61CcKVaUI1FSxCSdNuEqtNTU+V03FKdSal7OmoqpORvg8W8NJp/BLXTdS0s91dNK1tellq7+PeDfBsvxW0WPxV8Jtd+GPxf0LVdNt72x02bSbvw18Z/CJ1a7HhbTtP8UR6hcXtvrvhXRbHTb3RLbxO1v4f1C1vpb28kdbCLW9QHu5vh8vr42WVce8O4fHcNVKsMdhambYX63gFjMDRnjsFjMJVqO+ExsqSqzwbwtOWNVaVCnh1ON5T66fEOMy+vRxWX1Z06lGfvRjU5fawkvZ1aMnBytbmfu1oexfI5Tp1HCMRr/ELxv8ACnSVuvAWtXmi28Wp22h6npfxJ1i8m8P6drGjwm41jTNOj8QXCi0l0y8u7fQLw2d9d2JtbiK+gsr77TpGt23ztH6N3hjxRiatHLXhsur18Tjc0rV6tKOZYtY7Gc7p4meFouGKqYfD4+lgZ4fJ8NjMvyugq2Lp1aNejj6uGq+nn+d08yhhcwXJV5qVNulF+zfspRTnCUnBVIy5U7VJ3qWTkuVKjGPg9p8bdX8JXjy32inwjZzavqV5p9rrmrX2mPeQIo1a+fSZrqz1vSdUs7eDVU0+PU59fFvpivYw69exiWDUL78K+kJ+zKrcP8T1OKvDHOsYqeBwdTOMFh69PCYmlXg4YjB57luKxVDLcPDBexoVI4nKaGFr8SZpm1H+1aTp4bGY1Y/C/dcE+OVPHQwuX8YYbDYmhWpPLZ5g1ONfD8t6uCqpSxDjUp1K79lilL+z6GF5qE4VIUMN7Cf1z+x9+1RonxS8WzeB7y7l/wCEruPCVtLqOm2F3aatoul+IfDmqeILfWLRpPDuoeJNIsr6e2EkE9/eano8t3/wj0VjPo9jfR2+mWnq/Rzyvj3helm/DfGGX4uLqU3m7rSw2Mh9RxlOphcHXpY2nGOIy/CPF4TE5ViaToYqlTj7ajGcW8Zg8Ph/hfEb+w6mO9rk80oQxM6ShPEUcQ3TqQdRRw1eMaFSvQp16WL5HKlU5k5VIVqkY1a1X6O/lX6enLmacUopJqXNe7d7rltpa292mmra3S+aOH0OyurXS/GF/odpp8viK/1DxhqJa2u01CCXxI19fWf2Z5jHE5Nlc6Xa6dNbPLA0UtuLe6t7ORGhtfyPI5wzzjHPK8cIljXjsYsVCdOKxNPG1cbVpYinGjSUHGphMZQnRpU6+NhKnKGHo46M5S9nD3MyxCnDLaVaq1h6GEy+jThOFSlH6tSw1OdOU71JX9rDESnOrGm04OcsPOcFF1E+IHg3wd4a0Ky8TRaJplpF4e1oahr961pC632jeJYYvC/jfUfEpkhaPWFn0G8l1TV7/XblLNbjTINb8RXV5pdjqNjf/rGVcPYGU6OAwuHoUa1SisLSqxpxhKXJRjCFL3Kc7Qq+yjH2EKcqdSpJr2TlUkzwsdjcWqcainOdOnWjOpQ5pODpzk4z5aeqlOEZ3ptuDjywftOSDpz6fwlqJ1LQrOR2hee0Emm3TQXV5fRPcae5tWlW71H/AE+b7QsaXDG9eW8jeVobyaW6imkacBifrNB80ZwrYerUwuJp1I1Yzp16D5Zxmq0KdRSa5ZyjKKlBycJ+/GVqa5ba3TSad07p7PRta/juaVbiCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgDL8bf8iZ4uzwP+EY1/J64/4lV3XwX0qf+UYPpH/9mF8YP/Xe8RHdwx/yUnD3/Y8yn/1Pw54LtEMVlIDtZuVOOx6D2+UAY7AAAV/ifBuc60X8P2uvwvzvre/re/mfqcm28Yn0qPm3f2npfrrrfqaEf7y2kO4k7eQQBjt8p568+mO1c9etKVendJKLSjbyb3t6/M5J61Nr+957/h/W60H2MIjiB5DYG7n72fX6cdMdPrnLEzcqkuqvp5f18xVmubS3y01/rcu2tsbshf3mIyXdRGZA6D5SrhSHVMupLqwOVC8gkH6vwzyunnuNqYOeU1c4ksHXq08NDALMoUqn1vCUoYitR9nUlTowdbkqV4pSgqqgpL2mvPXrKim2o++uRc0oxs5Ju65k4ydk1ySVne/Q0dAtlt751hjs8SMAA73AdPlkGFiV1jUH5c7lYnDc4Bz+w+CeGznKuL/9X1w34aYOjipzrKWLyjG4bPbUMvzblb5fYx5l9VjGt+5mlN4lJrS3nZqoexU4+0hKMbv2ap8jcqkOZysuzdmmrt6qx2elafDHcoxjEs0v3pZczeXDlfPjj81nCpLG3lv8rZXuCAR/d3hHSeVZjkuAWGx1eUsbSqVYYql7XC0I0cXiMRfAxtS9m6kajeJ5oSU6iTVrc58vmlatWpToc1oypVYuKlJL3lCKuk2r8zTj5rZ2af58f8Fwfjb4ZuvHnwg/Z4NpM2ueHfCXif4rXFyqW7WMdnrFvqnhfTNJVCjSi4mt9J1K5OwxkE2TK5jV4m0+ltxPhsxybK8ihD2M8LWwmIlrThy1IYXiDCRah7eo4cjnypumnd2tFpqX77+zx4YxmD4lzHjq8vZ/2l/qhS9yreCpY7hHOZ/vnBKSqwqUf3Ua0HF0XOVOopwnR/OJbCa08O6bDcRGB9R8fwPEA4ZEtpdWtrVz5eMB1S5kKnpvVSwYBg34jia9OvmGKqUpKUI5Vi2pXWrp4KVSNpRbuudRTad+W8U1o1/ZGc5bLLMU6UlblnS6NaVKdGXWFPpU0duq3W/S3c0c19p12VW6aLU4pDFtGCEg3BY0GCvTAUk4HHGDXk4RyTkm2m423aulUp7+Wlvu3O/Mszw39kRjJw0p63dPf6tVu9am7bfTd9D9yf2LEGq/smfsxXrxtZrL8EPAM4AHlzWz3HhrQGijiYY28jad25mxyc1/ZvghS9h4c8FT0XNwnw5K62fNldJ3vZXvzd3uf5j+O9ZT8Z/F5w2n4mcc8ttrLinNWtpNfD/LptbuesbVSUygkuw25O37plaXGQAcbmIxnG0D+LmvpsNVdSVed/hpze/8sab7v8z5OELx1S05n+fl5lHWR9l067eC2ScK0c8luY1dJYzPF9oMiHG9RArs3IO1Tg5AxFOXPmWT67181vbrbB0Wu4YaMYOcpNpOtUk78u8opfaVtHZ/de+x+Jf/AAVJ1C41P9s/x7Ibhbl1Xwws3mWn2drSRPAXgtvsVudwdraBp5mRXMjB5C0kjkrj+VvpDU1Hxb43bUtf9XErWtb/AFVylu91orpbW1v3P9A/oAZlhsT4HeF+Fi4XjU4oryUeTmbj4j55C7tOTvapFXcdFbXRJ+F61HI1haeYAzWuo2LpLuKShXsrpXVGBAyUcgAL0znIFfBZfU9liK9rq/tVK3lWg3fa1+RP1tsnY/eaPsnxHlLSjf8AtrNGk1GSu8hzy11u0r6q+q3Zs3GgXsRtNX8O+Tb6tZGyuIbaacxpqVtcyGymtZQuN00guVW3yWWTUXsLeSCa3uJonwyurDMsXPJqlCviquZV8NgsDChRdetSxleC9jKkoydRy9q6c2qUJ1FCNWUOWpGDj8Z4nZjHIsNLiapiaGGy/IaWKxeZzrVVQoSw0YYZTjVcp0aDTpwrKKxGIpU23rNxcz9FP+CZP7Jfxys9W8BfHL41N4g8I+BPBeheJT8H/hf4l1DW5L/RNX8YaZJpep6taeHPt0Om+ErebS3umuU062gfV7S/uLe6SSwnkjg/efBrhfjrwwyelnHHmaYrHcN4/DKeXZTisZm+InQhjMNl2KwkVl2b0sDgqXsMDgMXhv3VSUYqUqMHOlOtKP8AFH0tPEzww8QsfVw/h7lGCwXFSxFs4zvB5dw/hYYqpSr56sdKea5RjMZi8VPEY7G4LE3rTdWbp069VRrwot/cJuyZht2z28sYm+2F4mQ+YodXOUXaZg3m7ORHu2ZO3J5ONcRl1DHY3Nq9enTdf6s3GdWhG3JSwmHTcakk05c0Za1G7yu0r8p+TYXCTpUowqczqwc4ON5czanNOOiTfLtdaaaNp3fPW2rXM/inQFkhniD6/pSbo5mBZG1GEKJl3lCpB+dVVVxuCgLgV/NOH8UKmY/Si8BMtwU5So4nx38LcHVdKpJp0a3iHHDzU3Rx9SDjyVIXTpuDTV4tNRParYGFPIs1acZcuV46dnGLs1hJtuL5U073s3KT01bd2eo1/pKfEBQAUAFABQAUAFABQAUAQ39hZ6pZz6fqFvHd2dymyaCUZVwGDqwIIaOSORUlhmjZJYZkSaJ0lRHB31aumnZ20kmmtOjTafdOwJ2aa3TTXXVO6fyZ8bfEX9mzw38NPGvia1+DfiT4j/BrVtMfXWj8S/CXxRFcSW+j+KYNW8UB/HegX0Ov+JLjTbO8vDo2geTqsuX0yfURp3ho3+l6vD6mUePuRZvjanBfFVLB18TlNSngqEsz+opYuWFpJYepRjThTw9PknhcRhVhKWHxeOrV8fl8ZKMsdWoUPbyXhuONy761TmveX72k0pWk6rUGoSfNPmXLKUmo01GE1Grek09fw58R/HOg3MN1+0Pqep+JNPs9Ls7LSPEXgfR7K+8L391evZ6JrN98ZfB2k6Zd6D/aXiTU9Zjm04WkNjHLevb6DJqcLTW2rQ+3isqybNsJg8dwdmbp4mGKqYTG5dPFT9rXhiaLq4GWGTnKrToqnQqUqeHxHsKuHhTnKnQdWhUdbieFrUva0OVJ0a8qdWnpP2UoSknFcspRl714Kd1F+87ye/nnxa+EPgnx7B4j8RfBnw74K8X3um+HJF0rTPAV/qXhSTT203V7T7Lb+JvBHjGK802az8ctpFobbVdV1SGPW4bq717Qb2HWVv8AxJrXv5Tm+c5a8LQz365NzrxrV1XxFGVatDGynXrvCVYe3oOcWqvtI/V1VpVVUgqcafJy61Z0YUVh6eHlOpLSVS3s40+VwUbRs5zbi17tqUVNKSjVUtfiuy8W6f8As3fE34b/ABF8G6D46+F37QXgf4jx6v8A8IvfeCLX/hAPiR4W0z4f2OmfbNH1TXZ9T+x67rmhapqPhrxN4nl0zVLJoLHTb2wmsNbMmo6l8jxrgsPS4j4ho8OVZ4FY7K6lbJHXrYmph6ioU4VsRklepGWWxeDk6NbD0quKqSpYTA0MFKo8XNfvVjoYDFQy3CVaFPDVlFLnp01D2tfDuU1i5ytWqVsZOlKc8biKylOc3F29pKN/1J/Zc/4KB+AP2mf2evE3xP0bTzB8Q/hj4V0y6+LXw9uTDpkOh+JLtNbsdsF4t/r622g6zrHhbxJLo9hc3F944t9DtLW4vfC0t7qeiWms/DceZxi+DeA8z4h4hwuWYXkyueIhSzt1MLlGPpYlQWGo10o4zFyoZhTr0sM6WFwuZYr6xWnhqGBx2IpSwc4w+SVa+c4XLaE51Via0VSq4ePtaiglzzmoJxipUoJzk51KdCCTlVxFKnGdWHa+Clu9Z+HHh0wXj6rewar4O1aHUkYahDcTab4i0eTVLy6gsbi2sDYWwzeSW6tZWdkFFwsVhf2Zv7b8k+jBi80zDhuGcYnCzxeJr5nWVTE06FP6zRr/AF1VsxoYuCxKlhIqEsJjMPWlUwGW0ac8JQlhXOdbFP2OP8OqWcYuK5MO3CVPlhB0af7yjKpg5JVKUq1eNaMZc1RqrWrU/fo4j2csOl6H4m8Pad4t8O654Y1iMyaZr+l32kXwRYHkW3v7eS3eWAXUFzbi5gDia2ea3mSK4jjkMb7MH92pVatCpGrQqVKNWD5oVaU5U6kJd4Tg1KL800z5drmjKL2knF27O66rt5feeffs6674j/4R3RrXxrPP/bviKxvgBq15/wATu51jwNqF34R1+PUYdRsdP1W91XT9O03w5bajdkMWRLaO6trnW7PxN4i1jjw1SpHEy9pGTWJu1Ny1jUoXjNTVRqU24uKbgmlyrRv2rp04WUWtVb37WtF292S1u4zirW3i46/Emen11CCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgDM8a/8ib4tx1/4RnXsf+Cu6r4L6VX/ACi/9JC+3/EBfGD/ANd7xEdvDX/JR8P32/tvKr/+F+HPBAxuPsit2wvPPIXH9Dzn/wCt/ial7OVZrq7/ACb/AODt6n6o9Fi7dKjXy5pfle/5djV2KluwwPlX+YU/rXG5N1Vr9r8m/wAjjcr1U/P8tBbZ/MiDewA/DPH4UVU1N33bv+QVVaenXUuWTiOaM73Tc235XZd+edhIP3TjJHTgZr6zwwzSWT53QrYfEYrCzrQWGi8LisThZ1nUx2CqLDzqUJJulUlTXNGo/YtxjKavGJzYymp02mr2fNHfSSi9dGr2Tej09WkbenRyNeQzLabyzokcnmD5SQxIKk4OTt5YDH0r+i/CnhribNM9y3iTAcD/AFjERptRzvEcS5fXnKGIy3GTk3gsdiNXWhjKsnzUpOLxLek6UeXycxqKNPk9taP248l7pzjzO9tLJLZ7rTXfs7PESh3wGYPCGCjcHcqkYA6c7iWI5VU3Z9P7q8HskxOHzHIMXnKp18TjamYOcJ0cPaj9V+uxhyewnOl79P2cpezhTbcUp88k2fK57UrU8JiquGl7OpTo+0pztGTUk4u7U04yScdpJp3tbY/IH/gqtcW3iv8Abn+JWr3Jd7zwRpHgPwdBcyO0bW1hp/h2HWL9YlhaOKSK8PiW4hKyxyESwyuhDndX5L9KfNsVPj/MstVX/ZISq0o0lTpRSUMzzqnCzjTi1ySimrSTavBtxdj+xvoF5FHDeFvDVaVKDr5vxXhs3x1VqKliMbisBw5SdZtS/dKeGo0IOjQVLDRcPaQpKbcpfNGvWyn+yIraKBkj8U6IVBkctO099JNNMpDZUTS20M2I9qpjaoVGZT+dZXUdSjOVZyc3gsXF91zU50+SXdRg/ZOT95tKTfP7x/R/HNaosDhcXGT9tVcozqWi7xoVMHRppLl5VyU0ldK8t5OTd2vh2MywtcNPvuU8ZanEq5ypjiknVEVuqoMAAAjjGarEwp050VCCj/seEStfrRpzb825Xbbu313PNhCOLwHFSruc1lvEme5fg/3lSn7HCYOlbD0fclH2ns1J/vKvtKsr+/OVkfun+wvcT337Hn7Nst4P3yfB7wNDwAgVbLRrZLdQECqRGttCNxBaQJmRnLOW/sXwXbl4acDX1/4w7hn8Mqou2ny83bU/zd8cIRj4xeK6Wy8SONna7bT/ANZcxV222387nrDAH619FgUlHE+dKonrfTkpny8G/wAH+ZU1iFZtN1GJsgS2F1ESN+QXhlVSPLIfIJBG0g5HWlVXscZk06Xuy58yle/N70sHQTdpXWq6WsuiQsOvbOcZax+sSjZPl91OD3VnovO77n4Q/wDBS7Ubu5/bU8cyR3D3BtvMjkZEYM01tofw9tHVg+UP7iO3UDaSnlkqAZJi/wDLfjpU+seJXHTryjKUsVwnHmkoxtfhKhreCi1ZRS0aTveWtmv7k/Z/Tq4Twz8MYwnONCOE4tnODfOnGPiXiJP43N7Tnqry1dr7HAT+HLzX7LQI1gu3gtfEWmarrc0LxRXNtosVhf2rm3ikBiuZkvryw/0YozzR7woJAz+dPMcJlM8a675amLwNSOE5oSnCWIq4inPlnJaUlKhRr8tWTjGFTk5rJs/fuKcRnGF4jynGZPivquCoSqYmrBU8PV5sXWwmcYac1LFKpWTlTxFKLhCnKnGKc4QjLma+tP8AgmP+zlqXxb/aE8P+L9Y8Kw618MfhTHe6/wCM5dUjjl0aXxfc6bqWl+A/D0Pm/wCj6pPBrufEl7p8W9tKutEsVv4zb3SQv+ifRv8AC54/Pa3GWd5fQxOE4axOWY3CPEKhXowlN5vTlOeHWNnGrUWIwtDkdbBV3H2cXThFe0nP+afp0eO+KhkVHgPhbPa+XYXibD5tgeJqGHo1IV8fg6b4Yx2Ep08bXyynjcB9XwtXHqdbKsdhp1oVXTxM3zU6Uv1KubqOS2V7iWULkwbo9ygpBKzRQsMkbU3YTaNohYRD92Ntfp3ilxRz4em/byqZfgoQ/wBjkpPBU4YeGYPlp4SVB0KajRfsoqnQahSbpwXJeB/IdHBqpiPY0FKMOe0qsKlSGJm+eML1MYpxxknKPLKTlWk5TXtZXqtyMLUdVhu7h4GllU7keeFAsaPEkaoq4jVMLtCj5cFegIxX81eNXjXTxea5rSwOMr0MBfAexoUnXjCCWGyqVSzeW05+9WhObulZyaV47/QYbLXTppqMXo+WTlOUueblzN80ne8nrvdpGRouoPN4z0CMwqqDxFpIVjLI8nzanBgsGbaDggkY4445r+fPBzjOlmP0s/o94enL21Sr4/8AhLTqKbdaVNVfEjKVzOVeheE7VYy92UaiU+aKSlc9DMcLVhw/m8m0o/2RmDvywV+XBVLpcuutnZ7edz2Wv9gD87CgAoAKAI7xrhLS5e0UPdLbzNbIyrIrTrExhUxvc2aOGkCqUa7tVYHDXMAJlUTipQ59KXOvaz5uX2dNJuU78strW+F2vzWdrMXz+X6GD4M8UazrEdiuqWtpPBdababdVsBdwXNvr8EEg17Qtf0G5tlutCudPngYxXc8qwzzSSadeWmj6hFZ22pcsM2oYnN8dgsO6EsPRq1KdGUK05VoSpqKdOtSnTUnTquNavhsVFvD1aCpwp1K1RTmU4+6pK+9rP8Az7rS8d1vs030VdRIUAFABQB598a/Dmr2sml/EPwtZwz6jpS/2V4uja4FrJc+CZJBeXOoRbbd2vtR8LzQS3emWlzP9nGl6p4rsrKzn1PXIs/mPj9wNjK9CHGHD/tqeYRUsNm8Yzq1IYmisNClh4VIfu44fCYilQ+qYqcsZh8LHFxyus8NiJvEwxHvcEZjQhjf7Mx07YXFWVGLUnF4qXNGjFqDd5OrUhKMvZuceW6q0oxUlDZ/Dr4feKk0vX20lrXV4r608Qf2jp1/eafdtrMC3M9re3Udq9vb3kUc99Lcpp95ZyaVM9vZ28+nXGnWNnbxePwj4gYrMsFgJzzTEKrg5UsXKm6lJUv7Qw0Y1aGZfUo044VK08RWw8PqXJQxGIzGnSwscPWryrXmc8dlmYYyElTlJzhQ5p0r81HCydOFL2vPKpNxpxVGpOdapVnT5XUre3hCUeL+JH7N/iXxFfya54Xm8G23ihtCezsPHa6dL4T8Y6T4hg0VNI0bUtUh8Pxf8Ih4x0K0ilvYtU0/UtDhlOlalfadYQz2tvaacf07hfxozhqjPOfeo06kZVYydSDcpUKU8ZXhUruvHlpuMcVFyqVFXr/XI0YYGjWUI4xxOWOVT2lOvT0nye+8Spxi3yLnfJXjUqv3FCaVOEY0nKpuzxX47eEvGHgbSbdf2i/CWieOPDM2oeGtE1T4l+GtOuYpG1p7/VdTbxLLotqbmLUp7K2WGK0isNK0q7bWLGz1C1vdE1C3gaL7fgviXhDxOzPMOHI1MNhc4eVYvMMJhadaNXDTpZbSnQxVCnjqc6NDlioV5TzHEOlhaWHqYeNFVsVHlwbrwwGL+qSlJuj7ajNvWFbD1HeMakqCp1ZOVOM/gVGpzNXpNt05vyXwp8DvB/wh+JPiD46fshXdv4n0T4haBeeEvi58PF1Dwpo0zeEvEup/bp9I006xDaf8ItfaR4k8OWniCbwqunC98Q2eg3No+q3Oh6o1tdfO+O3hr4jZpwZjuD8oy7D5jDOchVLLKfEWExOa5RPB1q2Fx2XU8zp0MTHEYzI8yyqWOyKtRwcHRy2WIxdTF4HHVMPSyiV8P/2Zg+OcNWxWZ1nl+Ar16dSeGjy1FONOvQo1sPiqsOSnPD150paUlRlUc6kMTGk1Xpfa/wAEvEerax8MdVk0OeUXemaNrccdwFhuryz1nTVdrfTpbeLUblpZoHZdPvLFdatpoSk1pBqljd2huT/MP0Ro5jllbMso+q43LMXw1CWW4vBZjRxGExeV4jJMXTwk8BjqOMozx0ZYBYmlg8TRrYvBOGHr1o1ZQrYHEUp+34p4XAf2tDEQlGosdKhOlTw8lVhVp1qcoVasZUo04+0denKrBqjOc6koSqUpxrqNP2dWDqrqQVZQwIIIIYAggqSpGDwQSD2JFf1BCXPCE7OPPGMuVuEmuZJ2bpynBtXs3CcoPeMpKzfwrVm12bXXp6pP70n5GPa+EfsnjXU/F0OtanHbanptrBP4ajaMaRLrEaR2l34huWkWW5kvrjSNP0DSoLa3ls7G2h0l7iSC7u755oF7Ne09pqnbbo7pJ333UYaKyvBN3Ya93bt00vq/PXQ2aoAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAzPG2f+EM8XY4P/CMa9g+h/sq7r4L6VP8AyjB9I/8A7ML4wf8ArveIju4Y/wCSk4evt/bmU3/8L8OeA20jRrCzKQQx+bqGxn5h7NyR2Ga/xQr07p2VlKKfbfb5/lY/VJb4tWsnVnbptJtK191a39a6zPuspG6ZjJ/DA/z9a4YxtiILpzrX5nFNWqK3Vp/fqN04j7NEwkypzkY69R+Hr+HYGrxlPlm+rv8Ad16/j/wB19ZWS2S1v3s/1/HyLtrJGJow5IG4bMAEs56Lk8LkZ+Y46AZ5r2vDzMcFg89oSzD/AHeUadPlUoxnKcsdg2o0nOtRTquCmoRcpJy+y91zYhtwaja/nfaz7f8AA9TpdHliDJmG+LMAVEUcciD5GyWY8/NkYAAA98iv6k8IMw4Vby6WDyTxBnjHTov2uGy/LcTlvM8rm21V9pWqWknU9lreUZUXJO9zxc09ol8dK2qad03apDddPXmva70aOz0yMSqJJFcFS0iK42lZTHLGGwvBIDEYOVBwcZAI/unwZr47F0Mqni1KNPCwzKeEhVoqjXpyqLNvaurFRipXlGMoLbkcW9Wz5nNn+4rQjy+9RlFtO+jUXy636/Ppc/EH/got4jLfto/tIHzruYT/ABQ1WBXUJJHGPDei2elR2xL/AMMMlhKzIflcP+8DcY/DfHyNTG+KWec0qco0cZjKbjJ+++biXOKScd9eWTUX380f3L9EOVHLvCDgGpTjyv2vDFS97pyfDPDdWUneUbuUouUm9W223qeNaLJ9o0jwnfTPdvd/29YOiGGHYlvbW5mgXcwKyYkkaXe+5iZCjMURVX4zGRWFxeOowjCKjh6t9ZWftJUajaXST9o4qNlHl5Xa7u/1/OsbPMOGMoxUmmqixbTSSfNHMlRleMZSSSVGFrSd3zX1Rb8OrDDLqOktG8Kw+JdWvFkyS4fdcHYHOTx04b3rHH1Jt4ebat9Tw0WkldclNQs/uXz9BYGSll/G0k783FvEsk9k1KjGV1fW2ulz91f2GUjT9jf9l1YlKxzfAj4WXDKWZiZLzwXo91cMWYlsyTXEznnCl8KFUKB/ZXgwreGvBEX9nhHhqOmi0ymitLH+bnjj/wAnl8V31l4jcbN/+JNmf+S+49V9PqK+hwXw4n/r3U/9Ipny0dvkyC5fZHOxGQqtkdPl5BOfYZJ+lKv/AL1kt++Y/wDqJQDL05ymr2bxc7evuNL5vQ/B7/goEkUn7cPxE+zhbqGfxT4gRglzLIpgjtvCtuQQJMqY/Is0G3H3CWyzuW/lbx1oVK3iH4iOmv8Ad48NYqT5ebljQ4UwkpN+7Ky9nzpt8qd1qrJr+6/oOUo4fwi8P6iTUv7K43hHW+r8Qsa1vo9Yr110abND9nr4ReKvjL8TvCHw18JWpn1fxTfw6fNPIjSW2jWgkjkuvEF2fLfyrTQbaNtQkK7S/kKikSyI1fEeH3CNbxL4ww3D9pythcZXtRlVpTdPC0ZxScqNDEyt7TELm/dqLSs5LaX6D9J7xT/4hN4PY/i+9NV6OYcP4KhOrSo1Yqpj8ZSpVIqjWxeDpzlKEaiinUlJNpwpyavH9lPhT8L/AAD8CfAGjfDn4c6Pb6LoWjw3ctxCsn2q6vdRvbhLu91bVbqUu+oand3kbB72533B+zKEdIdiL/SPEMqnBHCEeFskgqdfG4XMaeKVSMsVLnhiI4ulrVvOLj9bqxbVF83Kmk0lJ/515rxBnHHmbf6yZjVjWljpwpqVOnTo04/UqccE6cYUYzpxcFRSlyzmpSk25ym5csWq6oriaG3ErkPtBEmY0RY1hAwWKghUXJ25Y5YksWNfz94meMdXhdY3Jc1qUfaYh4mj71HC03essfhNPa4vCSvfD1f+XctejacY+tlOTxwihVm7XUW1KUrvSDdrqC5bx0/PWxzurTQ2hDZDTyIUVjcSn90SS7Msbqcb9yKSVOQdpIjZa/lzxr43wmQRVPAywuLzjMJ0JUsLXqTn7DB04UvbY2vTw8oydOVSj9Uw8ZYjDurVnUq0pVlg8RRPcy6msXeeqpR3cYwSclpGMXqrpe9JpSt1tzJj/Dcap4p8IusySGfWtAuGwoVgZL+1ZgcFsncSpZipYhjtGMDwfo4ZNg8t+k/9FzESzatjcZmnjZ4H5nUovBQhKnUzDjrhvFVIVa/9oVpVFSqz9l7edOFSu+aqqMHGdOKzqpOWR5/H2XLCnlma003OWqjhK6i4xdO2sbSSTaWi5tme3V/tEfmQUAFABQAUAcj4t8F6fY6tB420nwxa6lLZ21+uu6VpFjDa+INR+06lp+qrruialDNbXEOv6XLaX0rWtq0Vz4nF8tpdXnm2WnBeKvk+VU6mIx8Mtvjq0YU54rC1J0cVGnCpKtzwUJWnVU+RRek2qdGlKToUacINStf0fS9/Jrz/AD83c6q3uoLlY2gniuFe3t7pJYDvhlguQ5gnhlUtHJFMI3aMo75QBs7WUt00K0akYRc4Tq+woVpunGSpyjWU1GdPmcvcnKlU5YucpRilzPVNq6ezutGuujvZ3Wjv5EdxqunWlxBaXV7b29xckC3imkWMzMTgKhchS5bChc7izxqBukjDZ180y7C1lQxOMoUKj5dKs1TgnNpQjKrK1KE5txUISmpyc4KMX7SHNpTwmJrU5VqVGdSnC/NKC5rWs2+Ve80k7tpNJKTbtGVp45ElRJYnSSORFkjkjYOkiOAyOjqSrIykMrKSGBBBINbwnCpCNSnKM4TjGcJwkpQnCSTjKMk2pRkmnGSbTTTTsQ04txknGUW1KLTTTTs009U09GnqmLTXXbR/onr2/wAhCEBgVIyGBBHqCMEfiKmtRp4ijVw9aCqUa9OpRqwbaU6dWLhODaaaUoyabTT10aYJtNNaNNNPs1seM/GJNc+B1wnjLwxe3cfgbXNVtodbtbhNQ1eHwprF3Pa+TNaj7Pc2+jeF9aNrJYTNdi8Fn4h1m3WyijhubSGx/BPpB8FY3wyxOE4y4P8ArVHI8yxDp5tScsRjYZZms8UsXTrc1XDVqWHwOOl+7TxuIxMni6k6FClGk6FKn994f18q48VTIeIYU55zhcNKWW14ewwlTMMLRw8qKo1HCtRqYrGYFOGIpxoqhz4XDVZ4mrJLESq+i+GtXXVNL0+4mcq1zChkLqQyliwyVG3htu4HZCXR45PJgVvLTt8NuMsBxFlGWzxeKp0cJjMXWynEYqTljJYHFxlL2mHr+wqTnCdPRqlVjhqk6FbB1lToQVd0/mc7y+WBx2LpU43VGo+RRknFqKTsm76q/K1zVOWUZw9pVceeVLxz4Vt/EGm3lhMXmtJYrkY85xGDNbTW8kssazWgmTyHYMVmjnUNKbeeBnEg5uKsgz7hHjHA8WcF5vOUMgzGOeZXUnLD4unHMaFOtSlja2ExOEpYLGQqZfaVWr7OvW9qscsPyQr0px1yLM40J8tanBxrxjh8RTcXGdWhKpBujTrQjVqUJOS91xi4pqm6kKnJynxd8a/2PPEXivxMH+AXh/TfCvxh03VRPPq2ktLpujSaPdXBtJ7q8jvJ7DTdOhtJNZEk+oWunz6oumP5NnaXVvaWUY+5+jB9NHizNuMs78OfFCg8Vj+G6FStlXEGIw+bV5ZplTrKvh62P9rln1KM8qxtahgsHKhjcmway/iHCYidOu+Hsdm+K9vjXhXKsPgsHxXk0vq+X5g1Cthqs8HTeHxkaErxoQpYh1KrxdOjXq1IQp4iUMRh6sXVjUxNPD0fWvgJB8aPgLe28H7Qej6Dp/hrx29no0l7pOo6VcaCPEd1ptosmsau082p3emQrZ20lr4jh1LVI9MedtZv7SK/a0tp9d9rjTwz4PxHiZj/ABQ8L8uhhaPFFGpiOMchyXATqUsPxPLEY2qs8cMHH2OIq5zCtjcvzjCZZgPqlGtl0sdmVfEZnnNOeP8AExOb1c2y6nhMXXcsRlVRewrudSUqmHUYxdOm5OHNNOnGrQk5805WjB06blKn9M+G7xNR8O6BqEXnCO+0XS7yMXD3ElwEubGCZRPJeSz3ckwDgSvdTzXDPuM8skpZz72VV1icsy7EKftPbYLC1XUblJzc6EHJyc25uXM3zc7c+a/N71zxKlnUqOLjKLnJxlCPJGUW21KMHGDjFrWMeSFlZcsdi7XQSFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBmeNf+RN8W/8AYs69/wCmq6r4L6VX/KL/ANJD/swvjB/673iI7uGf+Sk4f/7HeVf+p+HPAJWzFaiNM4wGUHq2Oe+eufSv8UafPOpOM3zJaR8o3/RW9fN6n6o7Wxd3qqste/vP87f111lQGzwUxmLB+bOM9c//AK+OlclRqGIi0laM727726a/qcc3ervaz7dtbfP7x1kAIFUYKjpxwc+3TrUYqq6lWTacbva/pv8AcKv8e1tF+Bbs4YWZY3Cne33iAW7YCnIOfQZHtX0XA+Fy/F5hhaOKp4aLjVhVp1amHoVqk6kcVh1ClTjUnTvNqT5LTb05VHW658S2oyktdNumz1629bN/I6XQIWeWOO3DAKCDtYqcgAHdlsHlhjk4JPJBr+p/o7ZJmWc4nB5fk8at6XsqUKVGvRwqk1g6OCg5KpXp0Yv22LwdKyqTjFVb8zp0qk4+Dm9eKlrK9ubmXvWXv3fSzsoT9de6Ov01mjeJGV2M3mDO/P8AqwX6EEHgEZPTkjrX9s+EmMq4KnhsHUcqlXE0MwhTqVJSlUpuNLNZ3pyTkoyfOk22uivo7fO42j7WnVqudRLDqLVNSfLUU3TbjJO6d+RLbVSfe5+An/BQHxo95+25+0Xp01rc6VMvxF+Ld75N2SY5AupXsCaiYhhHDNFLGjEFg0T/ADc4r8Y49yurW4h41zHEVqmLxH/ES87wkJ1pe0r08JHOa9Wlgadao5VIUISlKpTowfsYOrJqKm5I/tD6NXFVXCeG3DeCoZfhKlOhwBlGKpKd4xhjaXD+RUYY2EUlGGKiopRrxtVjspJWOT0KQy6Z4M0yYiG2m1bTo4WA/ekTPeGRt3I2uMKq4wsCxRcqgFfFY+nKrjczrpe88NUhJLWKcFh6PNrrzR5bvX4trJI/eoRhjOGMtlUwuHw93ibYelTh7GmlmEnanHWMVPl9pJRt785N6tm3BqFhY282qpBFM9xf6fcmBo1O0anf6czy5wD5Tx3EibM4MTtGSVYg8NLC161VU6tSV6NKpT1d7rDxk9U5WcpcnK3bV66dOLMqjwWXV3TlKCxVWpicQotx+sYivRn7avW5P4tWpyr2lSfNOdvelLQ/bP8AYj8c+F9J/Yt/ZZuNY8QabYIPgP8ADYSSXlyiYa18NaJbOijGVWPAiVOSisq8qhx/ZPg9m1Ch4ecHUZQhelwtw/TlzKcpXp5dSh7zUHr7vo31e5/nJ42YLEVfF3xTrJT5Z+InGVSErxSlGpxFmNTRykr8rkoWWqT1SZ61pPjHwx4hhZ9D8QaVqgOQwsL+3mZByrMgVTKXXnaCFyRwRxX0OFzrCSjifdpxfsqm0Zq3uU7f8ulfzV/LzPlfqVaVOUOaqueM4KpBrmi5Jq6cXeDjdNSd0n6E94JJ7Y+UVwsbxYkbAmdlVYTN8yiQvIQGjfKyElJFKOynuhhlVxOUYr4qU8Fzxg1HkUquHk5NRlqpVIzppvlvJRgm3bTLEz/szBV4UpSniacMLUjUlKUZ88qypyl7SKT558j95Su5b6PX8Nf2xtJtn/bO+OZsrCzFjY+M9d0/7dF5k13Z372ngm/VVG4CDZLaapJq1tEscHlQ29uixrPOZf498es+5OMeJ3SdSNbG/wBk0q9pzpwxWGlw7hqM1Vqe7OrUhL2NHDqXNBKpWUoWij++voQZRVqeDHBmNxtR4bDZbh+JMb+7qQtV9jx3nc5YKaU5ydDFuK9rTUf3ko03q0j6s/4Iw/C/Vbr4qfEf4hywE6N4e8Cv4ZnvL23VtQtfFXivVvD99Z2NtcTMZI4YtE03UppxHhnTUbOOR9kYVvqfoecKS/1jxHE+Lo04wWXZnhKFSNLDyUqeKo5NOjJtTnWUpQrTk1yQu05SUZOSf5l+0b8YcNxXkNPwxymaoLD55l2JxUKFXG0favJ8TxNgas3hquHwuDklUjg3UlGdSXMoOLldNfoHqqrFBfTu8cAZdrFxiOPybhoBhQQPnVQDnHJAFe34059iMsy/iTFSx2KVf+zXLBVvb4mNTCyhhcJTqSws6fNOhKd4qbg4OSit0tP5qyNeww2DwyhCCoVK1o04xjFKrUnUWkdEk56KL3bb1ZyOuzwQrIYAFjZyZ2t4ixdCDkq6siozKAOSeoJAHJ/ijxp45k8Rm2Ox9XEZlLDPHVnPEVcRiayVGWZ1f3U8S9KnM6jgpThFTk25x52z6bLKdTE8sZT5rqKiqkrpX5NHvoubWyfWyep5V8a/G2q+EPDEeo6VdCxurvVrTTVvDZ29zDZteY8iAw3amO4nl6mGOOWdeWkC5JP4twfllTj/AIjxua55KWLxNedKpVkp1YOSp4bFUKdOE1XU/Z0qGEo0acqk5zdKnFyqzqNup616OCpxjRiocqtdLS93eShayu5N6JJtvpZncfD+9N54g8HDzIpZW1PQp5jAyNCHTUbWG4VGhzHIUnR0cxF1UgvIwBLH3vo008XL6Vv0cKuImp8nj34L0IO0IS9hhePuGsNhYuMIQi3HD0KcHJJyny+0nKUpSm88/j/xjmcV2rKplWYxv3nUwNeo5avRNy6tO7UYx2S95r/ak/LwoAKACgAoAKOv3/p/X/DAeRfFXxjrPgzxBqWkaLeaf4bjn0o3+iX2pahFZRtq2+5ln0xkWMyR6NrsNhp/2O5SW0bTrvwa2htA1p4stJ9Q+W4h4onluMxvDcn9UzejhHmuRThiHOONyTE1p0qmGjUo0aDwn1LMMNRhyVuWUYV44OGLeCpRrz9HIcsw9VTxNedOGGoybqqrFOMeaVOCdnenp7RxgpOT/eQ5aSdKxzHwg8Oz6r4u8WS+NtHvfHHxEutRE+p6VqDyR+F/h+k/hmPS30HUL7Xby/v/ABFPMbq6iudSu11R7zw+LWbw3oVrpWlfY5vh8Jk3Fee55CWLWIqYl1KywUZ45wlRnCMYKo6UIYeNGvTjTlLF0KDpYWdbCuVbGV6ftKdXvzbOMPRpwweW2oYJUl7WVKjCDquVRzbpzU51PYbOlf2NVqpUU6fK4W7if4eeEotUvIvDlxqXgbxJL5cdzaeHNeuvDd+zwWsNxEsdnYXs+j3ttBHrVtfX62tve2U8qaPb6tBqBs7G1tOHPeFuM+C8wrYrh7Pcfk+d1sTk2JxHs8biJU8zWFrUXhYZhh1isVhMzoRpTx2EWCrQnSlPkwyqVfrbjDSlntfFZfh8JjqVDMMsoe1lh1WwlOrSw0pc/t5x5adGvTrNyjBSqSjzSnUqwq0/fqVFk1L42eDUitbV9G8XaMLW5S2n12KdtdsZY7W3isbc3lpdWFvqlralvtNzNr15b61ftHNaSarePM+uW2WbeN3jb4c8KYP+0eB8DxhXr5vjaeGz2rnMfa4TIllNWjleHzLAOjlf/Cjg80/smvmOLzHPpYrNVicxw+Gn7VwxeB6KOV8BZ223XxmS4qLj7VUJc+FrSqYuc51nSqUsRVp81F1KFKlgKE6FFU8NWqQhOpPCtnhr9oK4j1i40f4heFrnw1bR3MenWPiLTp5dd0+5vMyB11W3gsLS/wBNllkMNjB9jstRtDeQXst5PptvLYo/o8HfTL4BzvOsDw5xPlPEHCec4ieTYarz4SWa5Xgsbn+Dnisuy/MK9Chhc1pZk6tOOErwwuS4nLsLVxWGliMfBSxccsM08L8ZKlTxPDmLw+bKrRqYx4WVWnhK9LDxjQklT+sVfZVIKNWVWnKriYVqtGMlGjzUefE974j0TTfGPhzXvDWpJHc6T4g0jUdFvkEswElpqtlLaTr5tlc2tyizWt0f+Pe6tpmjf93PHvV6/Uc3yzJOM8qzXI8fHA5xkuPwOKyzH0qVap7WlPHYJ06sFicHiKOKwVapluPjVw+JwdbDYylRr08VhsTTVahVPm8sx+KybMsFmVOM6GKy/HUMVQ51T96WGrxnBpVadWmn7Wla1SlUUKkdYSlGx4D8BPEPxR8Ow6l8N9b8NeIdRu/BniK80Rb7UktbJYtDtGC2c5nuZ7tXhvE8g6MljC2mTaHHcXei6hNpFpDfXX8kYerxt4TY7iDwzyXKMRj6WX51SnjaLlUw8sxw+EqUcwjXovE4ivhKCxuWxpSq4+pTx1KOWUvaYLEyp5fQxM/0/jXCcDcR4HA8ZZbmmCy2jnWAqVamEU3i69TNaVedKvH2WEjRsor2lWvVruGIeKqYRYvBwr42nRj7hoV9PfWgN1bzW1ygKTxTKFbK4w6/vJcqQQNwcqxDbCyrk/rnAOfTz/CeyxdOvSxNPCqeIw+LlTeJow5KfIq06eIxcXVpcyoz5a/sZOEvYzrQp3Pz7NMLSwmIaoVadajK0qdSlJyTUr3i/cp2kmm2uXmSa5km2h2n6DpllqF7qcGn2kV9ehBPdRxhZZDCHWMnAA+VJHTI2swCiTeFXHZw1wVlOCz/AB2e1cmyupmFSE44LHcsZVsHUanSnUwqhRjGnCWGr18P7tWFR06dGliIV6dOCU4vNcdicHhsFVxdeeGwrn7KhOTcIKo4ykld31lCMrO6Tu4ct3fhP2tNdTSfgf4mjgv9D0/UWl0uewj16K7uNH1C706+XXIrDVYrBZrtbDUItHuba5l8jy4bcTzpdaY8C6rpvocV+L2D8J8HwljZ4alQp0uJ8JDE0cJCnPE5rhJyqPMfqyePwlapmU8v9vg8PhsRWw+XOrXpOtiI4Ok8NR6uFMhr55mNenGlUrU44LETlNckVQUXRpe0TqUakXGlUxFGdT2TVaEJc+qvGrN+x98QdK8efBLwsunajdai3h6ws9NMuotcHVv7Ont1vdG/tVJpbiGG/gsJl027hsbqXTkudOmNhbaVZtBo2n/qHNlkpt5RXw+Iy6rGGNwVbBVaOIwGIweYJ4vCYrLsRh5Tw1fLMXQqwxWW1cPL2E8DVw8sO5Yd0pz8fH4WeCxmJwlWMoVcPVnTqQlFwcJRk1ZRlGElCyvTUoRfs3HTq/UqZiFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQBmeNs/8ACGeLsdf+EY17H1/sq7x+tfBfSp/5Rg+khfb/AIgL4wX/APFe8RHdwzb/AFk4evt/bmU39Pr+Hv8AgeAW7rthMgYEMcgjAypOcY7Zzt56Cv8AFGonBuVN6uO++jStf5WaP1STX+1pX/izs9dUpO3rpv6/drlh9idhwBGSP0P+fyrg1liI82rc1f7/AMv66HFO/tfVp9hNPJ+zxnchU5zzz36fj+mepqsXT5Zvq09Leeuvy+7Qde3NondJemuv6v8ADuXrEobq3DMq7ZkZdxOWbcAFTBHzYJx14B4r6LwurYd8UZdHEr3YVsLOlfdYhZlgPZtPkmotJu0r07b+0j15cW/3NSyu+WXb+SWtv+H7WO38OmbbwzgAkAbVJHzR8A7ecY4PU9TX99/Rwlmn1rCV3Wl7JvDu3sIWUVUySaXOqVrcnW/nex8pm8vj11U5dI2/5feu1lfT8zftY0ZklYYMZ3YAORH95ixwT5YKoxQDMsixICCRX9H+H+UpY6piqklSpZVQxNapOpGpGChUwOYTk5SclCEE4JylUutFqknfysTLmhOEZJ+0srXTvyuPTW7tJq6tZOV2kz+er9qvSJvjB+37qegeBZILq++M/wAfPH/gjwnqUgW10nxFqfij44JoGhaqsZsr3/Rlk14yrHBdTCa0sjMhCuXX8kzjB4rifP8Aj7Ksow9bMcTDxI4hxEqeXUp4+tDDVMRi40MR7LBT9rChXm4UFXalBSqpWc7Rf9heEufUPDXwn4dznPMBisJhv+IT5Tm1Ovik8BSrZeuGssxUcdSqYxRp1cJOlgqtSniKfNRnGLlGbjFs0/E/wa1b4W+Pb7wDrGppPqnw68W3Hh/UriOLbZXF3pkzWCy20pEK+TeGLfa/u/3iMoUyn52/OOKIVspzrNcpdF18RFUoyVNT5lKvRw+McowftJtWqNrVpxjzJuOp+9cAca5fx/4bcN8aYf8A2TL83jmkqP1itR0WBzzF5XJTqQVOkpOrhGnGynCUvZVIqopJVdSu4rTwTZzJODLp39gi2hhhaVJ20q5eezUyKxBe7iuRJCAGMiDfHvU5rzsHiJ1czqUWuWdWeJcudqPIpcyqSlfVKlLmU27WlFxk4u9lxpCrSyb29KlUnT9h7RVIQlKEoLD4mXOp2cXBx5ZcydrST21P1b/YW+F2lah+zF8ET4/i0nxNj4e6TZ+C9N1SJNTs9D0Kx0fQ4Bqlnb3ssFvFcjU7Z9RMNi8sq2is8rgq7r/TXh/xFllDgbhb2maZdDFVuG8jnLDTxuFjiIzeAoTqRdOc1Nyp8751y3ioylJJI/z88U6det4leIjlh68YrjjiiXO6c1CSq57jp0ouSi+VVoqKpyaSn7Wn7NyckdX8QLz4CaRcXCeKNC8NeHL6Ge0sZNe0Wzj05kaSWKzsUbWE09Lu1uZriSC2tZLnymF0yLAWbZnw+I/E2hkn9oUK+Jo0MTPCVI4OjUr4KnVxVerh39XoYejWpOrWrVqlOUKVOnTnOpOLjGEmnEnK+DMRjcHKpGFqdSnVjOVZVIexvo6kqqqQw8adNSUpynU5Ek25qOonwm/a9+C/wb+F+uzfHn42eE9B0TSPEOuR+FPEXjG8tfDeoeKvCltp9lcRXmjaNfXM+reIEsbu4utGXVNPhu7e9u4jbIVkV40/TvDjjzB5vwdkmMzHGYfBVKGW5bTlHF4jC0ZRnUyrBOpGa5aKpyjOXI41Ipxm1FqLsl81xBwPXy/MMXCjXw2Op1qFGUlh58zhKONxUXTvGrP2slzxnNUJTahH2ivHWXxV8Jv2afGn/BRL9o740fFvwTL4i8AfBTxr4zuPGMHxI8U+AfEOn3E2i6jK2n6dB4Z0XUbnQ5NW1jU49PkuLfU0WOy0mCMajN56iK3ufwxeE+ZeI3idmuKxuBxmDySk8pxkc2xOBzH+zKtSnTy3Dzo0sZQ+rUZ1IxWJ5oqtLkeFxEpcvspOn/QmSfSoy7wm+jtwfwjk0fr2f1I8R5Ti8DhMwyl4zCYXF5hxDiaeIxuCr0MwxWFoVZYzByjzUYzqU60ZU5TpN3/S74OfBvwT+z58NtA+HHgDThYaTo9pALud0jbUta1fZGmoaxrE6vuvNUvpEM93eBTHcM/7tlEWG/UM7y3LfCngqjHI8RQzHEw/s2hUo5fXWJrrnp0aE3OlWrY2UfZ/VIxneEWuaN1F35v574g4izPjbijHcQ5pLlqY7E4zFSpyp04RpvE4jE4rkj7GlSgkp4qo7LmvKTasuVFjxJrSHdCGWSRlGYW2leCufMba2zgbl3DkjoccfzL9IbxT+s5XQoUpqpicVh80p1MMqmCnUjyxyuMFUpxp89Pmg+amlGLnG71tc6slwClWrSco8sHR6u8XartHmvK73snZbnHa1PFJFMwjjhLzRQ+VGVOWUvM0wwq7lACoTtwDtye1fyT4x5ssRl1aFeMYVsfjkvYOrCniI0aNTEYyriYUXHmqwhUjSw8+VRhCeIg5TT5YS+kyii6dVWu4wpyk5JO3wxgo32Td+bvZPQ8p+O/h7w9qmiQajresatp11bK0ugadbpJf2Wo69wdOhm0y3tbi6Gow4H2i/Yx+X0jgk7eX4QRxlfF18Jliw1OcpqNSriFNzdP2eOny050oTj7NqjPkTg0k1ZJSub4jLsVjGvYzpRSdv3rnBXS3t7Od0+VpcjlvFO1pcvZfBPT7Syvfh5bW95DPLo+oaHp941tci68nVjdWY1+1nZlTczaqbnGAfLjwc7+K+o8EaOIy76X/AICZfisLiqNbC/SO8J8FVnPDzp0JTw3iXk+HtRlUjBqDVJezThCbpJuUOZNLDOcXOnwpmNCvl+OhKpleMjerhp0owf1Cpy1JOU7qMHzOb5XeSjtG9vpOv9kj80CgAoAKACgAoAjubW1vYmgvLeC6gb70NxDHPEeCMmOVWQnBI5B4J9azxOFw+MpOjiaNOvSlryVYRqRvZpSUZqUeaN24u14uzVmhqTi7ptPunYwp4rfwrqGl/YZ4ZLibSdSS/wBPe0EuueLoNGVr8XNndRGP7R4js7i/vLqWB4/+J5LrOoTyCFoRcWXPThSy+rGMacVKsuWdVRh7bHezjKaq1ZJJzxcZz5JubTxNSvKpFK/LTdSpKcdbyUNYxbb5Fs401/K0laNtOVJNat691Y6Pr9nbm6trDVrJ/KvbKV0hu4gzRlre+sZ8OI5RHJvtry1dZFDiSGUZDVpjsty7NqPs8dhcPjKUqc4wlUpwnKEK0UpSoVre0oyaUZRq0JwmpRhOM04pihUnB3hKUb22bSdmmrrZq62d0ZC+FNa0qW2tdA1DST4YtoLGyt/D+q2Woy3djbRXEX2hrTxF/alxK6R2nmCysbzSrhUkSGAXsFuFMXzubeG6xeJrywWKw9PB16bpUcHXw84/2dF1aWIbw9enOU66df6xKNCcKMI060qftFKNOrHeGP5YU/caqwa5qsZW9oknGzhZKL5eVOSbcmnKV3JnCeLkktdfk0jXNAu9AtLyDdbX8kFrc+HtXuL2bUFXS7bU7dmB1ae1tZ7+bTNltewpPfOILiwVL65/CfGTw1znLc6yLD55gqVTLq9Wvg6eY0MDRlReLqVVVdHG4ylCpSp/2hTrVsXlkKsquOU5ZxVq4FQjWq1PsOGs1p4jCqWGxf1rGYZ0Jcsq06WJpU1GFqtKnVcXUjhZxhRqzcJ0lyYSUKrqS5KXDalF8afg5c/2t8PdSuJ/DuoyW99deG9Ru01bSLeOXV9G1C6ngs9ZlgtbG5vLT7TpM8Gm67ZXM2mz3t3a+VqiW9zYeLl/i14kfRlxlPL6OCqcW8EZwp4nLMJhaWMwuHymnlVCniMPlWOxOMpY/C4fErK44jLZ1sHTp5lm+X5Zhc3zDFYSpgMZKH0OKwnBXiLg44LMJQy/iHB1K+Gp5rTwUfa13XhioSqVvq06eMxsMHXpwxlBYiEMHQdSpheSUZ0lU7/9mHxX4c1z4fafaJJBbeI4bvWX8TaTc3tvf6pBq1/rOq6rLfSz299ftqdnqMl3PPZa1dNFJqikT3FppepG80q2/VPCfjHw64txuLznDY7KMbS4iw8IynLnqYp1MNRxKyjEYjD4eHsJVlRlXwVTAZnQWIw2JwuHw8alLG4atDH/AA/FvCHEPCzw+Fx2CxOGoU6cJ0ajp1vqz9pKLxVCnWrpXqwrycp+ynJunUVZR9jUpyh6DLAiTPMiqcsOR12n8Bgc4HAOAuegx2ZrkGCwWc4zOcDhsPKU8RTi60Le1+rSk48tpQpunTvNQgo0I1Pq8MN7Zy9jFUvNp1ZSpxpyb0Tdntf73d/O13K2+syj5Qccn9P8k84r28NSf1WnVULSkov3be65JtN2b3k+WfLflleTbSZk37zV9v6/4a55z8f9M0nXvB+u6LrNubq01DRdQiMUk6CN5oonntcQ3EN1avLDcRRPGJ7aKNZXSYXcE8VvKv4z9IbFSzDIMzyavLG+2oOrmeVYini54WrhM3wdLEU8JiZSpUKlR0afu4fF0Vh6dP6viK1aGIp16dDF0vrPDVVo5phZUvZuDxeHp1oyw6q/7PXlGjXvJSpzUZUqknzRqVZLkcXhqtOdWD8o/wCCf2r2mi29vpa+FjZ6X4m8T/E3w34Q8S2N9YJp2r6X4L1S41G1vdMtY47UXnhqS1ub/QUh08yp4c1TwzY6csFzazNpPw3/AH7wq4oy7jHwz8Ls8q/2plnENfg3LYZtkuLp5hQoYDGV8PUq4zLcueY5hnFaWSZfiVOeR0qma4vHUMDisJg8csLisurZVlXm+KFLL/8AWSVTAN1JUadSjiKlLmdKU1iK1nV96EVVtFSlKjQVGtKq6rnOTpzl9WV9OfNhQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAZfjf8A5Evxf/2K+v8A/ppu6+D+lP8A8oxfSN/7MP4vf+u+4hO7hj/kpeHv+x5lP/qww58/Ix+zwsxc5mdSOrBVwAozzwOMYPAAGAOf8VK8U8ROKikrc2isruT1fRevnfVn6tNL2V9m8PQnJ/zSlHmnJ95Sb1b1b1bbZr4H2Bm+bHktkHtxn/I/GuNUorFQTVouW79bLf8A4a9kcaXPiIxel5JK2++m/wCYacriGIFUELKG4zuAPPy9PmPucYzx0rWX1Sq68cQmnTko+0jJRkm3a65moNrbVNa7N7LFRjGc0m7xk4rs7aK+nbtd7a2ua2jW0UheXEks21xA0b4EZkj2KSMgNlZMA9AGzknAT7vwN4ayPM6+Kxf1DOc04oq4bH5fwzg8odNrD5tjqcMvwc8fCeMpyn7eWO+rOkqPLRp1YVk6tatReG8/MqvJH4owpJqdRuLfuxTk+W19kr6XbatZJNvuvDcPk2UTO+8lVYOxJJDLG4JJDHhBk89Aa/vv6OGSwjwtl2YP2cZVMPlslKXLd+2w2QNu/s+ZcqqSrN3d1B3a1kvls2l+9lG9lzSV21b4ql7Xa7v8el2ayy3O1o7W3Ek0kMyxqzqimVYy8ceWZBl9rHJKqFRsuG2hv2vgnNcXiqeZ5XhsudXG55luYYai1iVGNCtRy7M/ZQbq06cZfWL8qc62HjTtKXNNLlfnSoUvb0KtXEexoUJpVUqcpupCq4JyTjLR0mr29nVcuZWUUpSX46f8E+f2S/Fvxv8A2mPC37T+uOPD/wAOPgrq0l3Yvdwzw3vi/wCKXxIu7efSYvCJvbWPSb+z8If2tHq9/fpqUJttWjNrbrcXmm38Vp8P4EZLmOG8R+M8wxNCPsc0zXMcRCv7anJwpU87wdSnD2alKTdWGJcpc9vZ/V4r33UfL+8/SL8XcFl3hrwLwTga1ZzoeBfDnB9WCoYmEFXhkOdZTUiqixNGk4RdKC9pGg6TUk/Zcq5Vzn7W0cdp+1H8XPDl9ZJbavqHxN8UJdSO8hha+sblb29u47holEluuoXMkUG3LbNpiR4QJD+T+OeXVuHPEvi6cG2sG8kjKMZqShKrkGVRtCMI0bOftZyk1aHuvmkm0p/0L9FviLAYTwH4Ep46KxmUVaXENXCUHh5V7Qq8W5/Xm6lDEOFGLnWq0ppRp3vFSmueKZzHwx/Z78e/tBQ6p8OvhraWmlumm61rfibVdbk1Ow8O+B/C+i21n4k1ibxZq2h6T4h1TTrK7sdS03U4LXTtK1LXb+TUdP02z0+Nb63Zjwq8Ms741z6hjZQpVaEY03TxE8VSjCqqc8vgsTThVo1tKNPEzpQlGL5qlFtucpTVTh8f/H7KOAcqq4l5hWeXS/dLL6eEzGUpOdLN/ZYb6vHEYXCvmo4WNDk9ryQg+Xmjh4upT+9P+CbnhfUPEmi+PvDej+L/AIi6z4D+E15pXwr12+8V3iXWi6/4/wBJ8JaLq2v6h8KdEsIdDg8C/CzX7XX9M1Xwlomv6he+Jo9F1LT7TxUmk+I7fVtOsv23AeG6wNPCYdxgo5dhqOCk4zoytLDYdYTRrCwVnKnZP3E072tofx7xTx9DiLPs6zzDR9zOs4zLNcPRqQqYdxoY/HVcZTi6ar4pwlSpVY80Iyq2lFpS1TIP20vhhpfij4Q/FL4g/B/QNQj8e/B23vdc1XRLKTxH4etfijpXgj+zNUfSYRqlpqWrwa9b+C4NPt9C8T6Ss0N/4lkW80y4uYwsyfO8ZcBYPO+KuHcVUpQWEwGbZHXx0nKlLmwuGxdSpXkqVTDVryVGs/3a5lUvZLpL0Mq4ixmGybNac8TOs8Rg8csNTdNQlh6jwrTh7WlUo+1pzqRcozlThOnonzJ3p9F/wT6+MH7Lv7a/w08XfC/Xv2Yn8C+J9Ft/CWvfELwN8QY9W+I1nqqXmnaJrmhakPHXifTY9U1DyruZLqW11NdNhfW1u9V0o6tcajr0tr+sZVw9wpLhOOEyuEeaCwqd8NTpXcaeAXxLBUl/DpytZpX091Oz+Hxmd5u8yqudeuruol+8bjBOrVaSiqsk7NNKUoylytpyk0mvrjTbbSvB2k2Wj6PZafo3h7SLSKy03TNOt47Gx02zgVVhtbeztljt0ijUNgqBtx8oJkcn5jH8Y4bgDKcZ/aU5U8M4+zoeypTrNVlQxWIinCjUpq7jKTctWnfVNyYlh8TjsY5z/ec8J+85Nzc17FK6npbljLlenJFKKSWhn6h4rhupHitJQ0inJxkHHzEAEv8ATsBhTk8gH8P8VfpF1MZ9dwOU1cTriE481LG0E40sZXv/AMzKmr8sY2vFX2VrK3o4LJnBKU0rWd9Yu10ltyO+v4M5nU9TmVpJZ1jlgGRtQOZi3yqP9ZsjODjP7zpnk8A/zN4jce422KxucVZNqjUlhFH6zVleNDDRrczliKnLqqVuWa5rO+yt7GAy+UHJJQTlytNcidk5N81oq+j926duyOf1a+kuZkLRiNFBEcYxn5zksxXI3EbRjJAAGDktX4jxZxNU4nzOrXlKbw+Do4uhSjOHLacq8p1Zx5qlWb54qjF80lFOn7tNayn7eWUFTpzTd5Ss2276RSSj0SV23pfdXvay81/aN1rxH4a8AaprOg+J4NEltFltbqKPQJb7Uru+1MAW2o2Go2aXUkN5p46WsNtm4H/LeAYr6vwBr4V5tONRJTbpxXPtb6rnCV5Tp3UdvelJJJ6vSTFicasGlJX5WtLuaslypJRSTV+a97XfV2sib9kXRfE2i2/wzs/EemtZSteeHdSt9T/tE3UnigapNYXs2t31mEP9l3Vz5hleya7vjE7mP7S4Xn7Pw64rybiH6YfgRWyyFCrVqfSa8MZ4ySwrw8sJVfillcI4SEp+9iKdD20YQq2orloQaoxvaO/GvEWAzDhzOFRwWHwyq5biqVGnShZQf1DEt1E1hKKUqjl7yevvL30kfYFf69H5GFABQAUAFABQAUAUfEOkyaxp/k2tx9i1KzurXU9IvgCfsmp2Eong80pic2F6gl0vWYLaW3nvtDv9S05biEXjSCaseaDiopyd+RyV1CooycJt7x5ZJWkveTatqNOzvo9HvqnfTbrbf5HF2nxNPhT4g23gDXfDmpWcc/hOPxR4h1rQbC51TwZ4aup9Vu9Mtb6+1L7U1z4d0fVodMvLyRLzTY9K0mG3W8n1LEXiK4sebD1/Y1p0Z0lRUnzShBqShNpSc2+a0Yezs5JNqCinFRV0JnoVdYEGo6ZYavaT2OpWkN5a3EM8EsUq5zFc281pOEdSJImltbieBnidJPKmkQMA7Z5s0yfK86oLDZrgcPjqUZSnTVamnUoVJ0K+FlWw1aPLWwtd4bE4nD+3w9SlWVHEV6SmoVakZXQxNfCzVTD1Z0p3i24vSXJUhWjGcXeFSKq0qdTknGUHOEJNNxRxGreGpfh60dzp4hb4domdZF3fX0moeFoLezaGG6tBKl2b7RlS1sba5VpP7UtZppdTmubi189rL8n8RfBWnlVXMc5y7G4ytleYU3hsTlrxHs8Hg6Cx9DEZc40KilPEYvDcqy/+0KmNq4h4eVFvC8sK1Q93B56865o4ttZvGEfq1WNOEaeLlTTlV9tJOPLXqPnqxXLTw+lRNOc4wlmar8GmPipPFnhnVn0G9xYzXZtbeGSTVDpsqNFaXLSW5jb/AEY3VnBfXP2uS0hm2/Z50zHX57mHgtm9TMsDjeHs5ngaEI0cRKtSp4itiHUw08PXnCjGGEjR9vCUcby161WF6VOhSqUop1aa9jA+IkFkdTIs4y6GY0putTpzqylBYSGJUlOrT5avPZ1PZ1qmFo/V41JpyhWo1LTO5jiZEhjkc+ZsUsO4bALEgO4BzzgSOPR3+8f0DCZVVwNDLssxOOlVxNOjRcmpValW8acJ1Kri69ZxqNxdTkeIqRcrSWJqyTqy+YnNSlUnBWhzSt2tdpauMG158kX3hHZTX10dOspbgW094YkysFqEeSRijOAoZ1yDwCE8yT5l2RyV9HnOY/6q5I8VUwOIzRwdHDUKWCdGVF4jE4SeKhKtVrVrU8F8FOtLDLH16SrUpUcNiovmeeFoLGYmnRdelh1Ul71Wu5RhBc/LduMXZre8uSPuvmnA8U/ad+Pfhz4YeAdQ8SanpdxFqcjvoejzTyQyRaXq+sabqcMN7qenTabq8F1HpBWOea0m0u9hnvJrWGQwIslxD8R4VZRiPHnjDiLKcFwnKlmvDGHr5tjstxyliHDAfWI5TmNLE4bE4WjhYZhgvb0VVwUvrWY4zF4hywGWVvqWOeG+ky3Kcfl+HlKhmVBU6zik4wqJVvZVaNWE6OKoyhXpU67hNQq05RtCm4TTp17nC/sM2WueItT8M+M9Mgs7/wAM6f58ekrpoZrLw34Y1rw+14L+O1lvILHTZ/Gbaxoup30KX+o+Iby404zXVhrGn6Va6lF0+HfiXxfxn47ZxkOS5dPM+EuDFRoZtnEIOtGvLMacsBicY511lGXZTPLcxoYjL8Ng6OMxuMzzCYLO85wGWZrRw9F4I8QJYWphMPWxLp08dVoRTdKcvZVcRBRdVUoy9rWnScadNK9GFOk3QU8TGdeSf1vX7cfHBQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAZnjY48GeLSeg8Ma8T/wCCq7r4L6VP/KMH0j7aP/iAvjBqun/GveIju4ZV+JOH1tfPMpX34/DnzzHOXWB1YgMwkZcfdZ8Fs9uSc9MAnHGBX+LdaEViMbG2kalaEV2hGpNQV3q7Ky31trfVn6wotxop6qVKkv8At3k0X3XtbVpb6G0ybbSZRITmHoSSMkc84PX/ABrhhiH7P34X/fcsZW10ei/r8jig/wB/TfLf96vu5vLqM06aSRETAyi4PzYOxe68Hcf9nI9cjHM4t06dKvFxbnXlGSl0jaUZWa80rdle+th4tJTm2rXk3bXq+tlp6u2/ob+mJbxxmeQqCIzvcZIXYo3scEZYAMSNmSBx2r9O8MaeT5Tk88ZXq0acP7Mk8wxFLCXjRisJgauKlOph51cRWrUo0XUdL2SqTSTsp8sH5ONc5T5Y6+9pqk5bpLsl0vfysd5pLRXFhbTxODHNDC6ybTgq0akYBG4ZDc5APZsZr/QvwVzTLsz4B4czHAYj6xlmZ5PlOY5finRrUvrGGxeS5XiMHW+r1qcMTSVWjOnV5K1OFWmny1KaqRcT5LMqc6eKrKceWUZTjNXi0pe0mnqm72b0tdPo92VPiH4h8T+D/AfiDXfBuhxeI/GEdrFY+FNKuYriTT5/EetXlvoeiz64bWWC8j8N6fqepWup+JZNOkk1aLw/ZalPptpdXMKxV+u8GZPXyqnXziCwjqwUXgY1qdVuLaxeFrpxTpvWM20qdSTlopOCbOGdaNaXJKE1FtOajJRbS5ZWi+WSUrResotRb1Uj5+/Zr+Fsnwj+H3wI+EfhubVta8M/A3Wvhst3rMtjKbTxc3ijwndJqeuzPKiQrHZ6p4q1PXr5rl0uLa4tN1stwggc+vk2UZPleV1alChiY42VOpzVZwqKhzSw9KUm5VMbUTj7aClf2C/d9Er0ysyzvEcQY7lzFTnWhUjHDKmqck6VOpKnQi/ZU8O1P97JNezqd3Ko3p8LfHz4d+J/ip+3p8WvDnw90f8A4SHxXqfx0+IB03QtMkGo32rwwJdjUYriaeT+z9IsIJNPuZrm4uby2a1jgk8yJW8pZf5j4/4MzrxB8fOMsiwTw85cuQxxFev9ahg6WIfCmExtOUKuDwlSrWcqWBnSvUpwjGdaMITm4VI0/wCuPCTxKybwf+jFwJxBmntsdmFahn06uCwM8DCdGlDjfH4WgpTxeIpa/Vc0o1Z3wdPkdGqr1FyV5fbvxv8A2etQ/Zm/Yg0/wf8ABXRfAli/h+bwFc/GQyW+p6fdfEZ49W0ODXLu+1vTJbKXUbHxNqKrpOvweI9N1Et4Tv7jyAL7SbOK4/obh/gHLeA+EIToKjVxOBwkfbzw08VUUqlDLaMp8jxGIkmpVMLFwU6UW04KaSXKfyxxPxnmnGvF2ZcT4mtVWExGY4vGUsDiaOHpVI0Z42eOjRjUoRdNSjRxMqcnCCvUlUre7ztHzL/wT7/aA+NXwR/Yj8D+FPhN8GdJ+I3xU1T4h/EPU/Emn6r8RbXwtp2gxy+IJoIdS1C20rw7quoXd14W8L6TbxLZXVi8/wDYtppi6XHqL7oYfIjmWJr0sTKOHxPNiK069OXs9Ep4idWLfLCykoStdKS5r9Pee+Chg8VL21SdGmq0XP2cpxk4xrKcpUZSlJXjbljKyhJuF30S9l+K37S/xz8NeNotK1D4Q+D/ABH8GfiTpvhv+1/iHceMPGemXemard2uheHdZtG0Txx4V8E6NrX2uyt4pPC+qW2tm6S78pdT0i2EbF/nYUcfSxNehmdGtOGLUaHtaVOrONNVYUqSqVHKGFXLBQnKTbaSUf8At33aWFwFLAzqUa+Fg6NLESjCnOgpyVpzdKKtKyk21am4uTbu25NvF/4IU6NbWegftBX0WsnX210fDPV7TUrjT521G38Owap8VPC/h3Rr3W1kuNPe502x8MbbjS4Lua4gMkVzLi3mt5J/tOEcnp5blFXEKrzUXLDuKjBp60aUNXKq1HSpHRTd9eyZ8hnVSp/aTqRUfZyVV8rlq/3tV6/u3ayktn36K59u+KbaFrOSOVgYWb5sOysdqsRgdMnpjd2HHPH4j9KDF1quSUa0cbg6OGWcUYRp1K1NVnVnk2KS910WuXlp13f2t1zU9LP3O7J6k6lV2jp7OW1nrzxXbbRu+/k7HKOtnb75raCSF2CgNK2AQDjszdRgjr0PTv8Ayl4hcVUckhialPEUqld1oKMlVw3J7+JrKd+aM/8An3Jr931jt09rCU5yajy3Vn37J22dvMzL6eaUlZGQq33QDkA8bsnavXC469D04r8F454szrNsTQjjcRQq0H7WMI4d0KnJGVPCRqc0oYHDNc7guXWV7OzjZ83p4SEabbtvZLS3811u+6/4G5kXs0cVu13culvBClxPcO7jbb21sGeW4lJ24jSNS7HHygHNeHh4zlJ0aMJV6uIfJGME+b2lZxhGCjFTu22rN8t+y0v3Uf3LqLdXer91a223vbl/E8v+OHijRtX0zTNIPh+61NY9XtdY0rX5b+707wzdfYtOvtUudUsNQ050TXTHHY+SmjoLaWaaQqJ49m1/0Hwq4ZxmWYmvmFbG+w9tGVCeFlgnKUY0frlJU3LESjOk1KUaiq8sZNxdJWfNfy86arWXNy2s1s7XVPT4rNpKz1ad79UehfDBZLTxR8O7ZFjs2W48Hi9tbdNkNvKr6dBJZxxs0hhSOUNAYgx8sLjccZr1fo9VKOP+lj4EZlDDewjX+kx4XulQdSdX2ftvE3I8Un7Wcabm4qTS5oK7jdWWi9TiHDUcTwdnGKVH2L/s7Mq1ODqTm4wWX4qcY3bXMoQlC03G80ryjeTZ9KV/s0fkoUAFABQAUAFABQAUAYPjHwND4puNL1O3vl07WdHN3Fby3dkusaReadqmn32k6rpmq6LLcWsd7a3NhqVzNCsd1bKNVttKudSj1bTbGXRr3KvhlWftE3GrGEoRd3ytSvpJLVpc0rWdtffjUiuRhraTY/2ZpWmab5gm/s7T7Ox85UMSy/ZLaO38wRNJMYw/l7ghllKA7TI5G46U4uFOnB6uMIxbWzcYpO23bsgOf+KvxZ8MfCfQk1HWpvtmtap9qt/CfhOzZpNe8WanbRJLJZ6TYW8N3fzw2aSx3Or3lrY3g0rT993JBK3k28906c601Tprmm02ldJe6rv3m1FPsm03rbZ20w2GqYqoqdOy3bbaVkk3om05SaT5YrfduMVKS+eP2gP23/G3gGGSz1W+8CfCSQSQlLOfX9M8Q+N2lWaa11C1m0i8tLhLa0sodV8Pat9tn0FVETW+pXUcvhy5v0i9DC8MSzHD1ac1UftKTi4r3VJSXvQT5qbh7SCqQjVqSiveUo05OKZvDA+xrWqe+ls2rJ3urpX0a3XvXWmnNtwXgL/gprq3g4ahqHiuPRfir4MSSwudR1WLVNQ8G+PNO1PWBdMthomi63oVl4c1vQ9H0vTopmhik0KSCCLWL3UNRvdX03WoU8KfhZmlPOaVHLMJUzGrWpt2Tlh7VqNByo4h1p01SpxnFVfayxMq8ZzoulhsNzQpzj2zwOHxMVOpiIYGKtGVSUYukm5r4leDbd5e8pqTSilFt2e14i/4Km+HLXVrvWLD4Xvc+HLGy8QK9pefETTbPxn9utZoG8PSnw5pmhavpy6fqUeo+HLPW5D4jjutL1ebxLBpw1yx8MWmpeKPj8m8FuIuK/EXM8bWy/NcNg8urVsNl8cVlWMjRr11UlT9tgqUqFCrjsVhKeX4pZtl+Hw1CWBzLDSqYnOaFWKo1VUxuTYHAU8N9bniMVVqQlOVKhScYxVOp7WKhUquSoyqSpvDYrEOlN0ql5ZbL3/Y9D8AP+CjWsftMeME0nwP8B/FuheCNE0S51Hxf4w8Ta5p0NjYXd3q/iDTdBjtr2whvrSSG/GjxzWpuvs02o3sWu2enCYaJEde5fpF5jivBqplHDdXG/60ZtTw+MljuHMixqxGY4WtXwWBzvK8xz/EUq0p4CGJljaSoJYfFezqYSu8rr5xQxFWNP0Mp4UyvF4J4yvmroV67jLCQjQp1o1Y0+WFalGhCp7Stu3zU61KMKVWlXrShSp1JDv2v9F8efEHTY/AMWh+HdAn8USyRW2o+Lbm1/4RE3F/balp4n1F5LXV7QCyuZlubdb/AErU7fVNSsEW10u9mu7ObUP528ReMPGrLfGPJ+IsJk+E4NwM8up8QT4W4NdWOU4+tSzfGYupmub1cNmKWaVsbDB5hkOa4R1Mty7OsVhq+Ly7L8RXz2WLzP7jw+yjhGpkGZ4+tm2JzVZfQcI4HBUHLM5TiqKo0aNOtRk6kqkK14woqMsLCpSjicRh6dDExwPqX7OHxIsLbwH4I8D+IdWsrrXYbO2g/t+1i0DR9J1K61O+u7uzsYrWw1O6i8/fPBo1ncQ3+uX3iG58nUdR1G61jU7ppP1v6LX0iKPiJgMN4f8AFGW0eEuOlned1OH6WExWUqjxlwvleIxPECxmBwmDp4HEYSpl2U+2wOOy6p/aOaTwGBfEGPx2OeLzN0fh/EXhTOsszvEY+eT4+GGx1fGqdJ0qlSWXSwOGjLEVMTSnVqYnC4ZqFSrBTowoYGKjhJKhCFDm9dr9zPmAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAMzxt/yJni3r/yLGvdOv/IKu+nv6V8F9Kn/AJRf+kh/2YXxg3/7N7xEd3DP/JScP7f8jzKd9v8Af8Pv5HzySsKxgFSpkKh1QAEqQMqBwB0444Hav8W6q5sZmW/u1K7S6a1ZJX/GzV7XP1iKf7p3t+6o2W9v3aSvr13W6V7GpA5ktJcuxIhOMAYPHGfTp17+1cFapyzhSUU4Kab2vf7l1fTv3OTbEUv+vi7/AM17+ev/AAB2jQBYllcZKnKZOdpyRkfhkfSoxNblrw1uk07bXad1f0lZ6W1+ZOPklUktrt3/AF+6/wAvvOl0LSm1URWsTLm5kbBB2Lja5lPmMGGYgH3lY5CGUgRuwCH9s8CfDGp4rPhrg/LKtTC4niSvSw9fn5cLRq4NZUqubYqnjK+GdODw+Gw2NnUr0cPmVak8LKFPCY7ESpYWr42a46OBjUxMlf6veaV7++pJU04x19+Tjo3G99XBNyXd6Hp0tpp1nY7BI1nBa2jlCFRmhjSCSVfN8ttgKNLllDvEN6I5ZVP+gHgd4WZ1wnwJwXwfjauX4rF8M8LcO5Fj8RgMRVlga2NyjIMJlmIqYWWLwuGxM6NStgpVaMq2GpVJUHCU4Rm3CPyubYyniMTiMRG/LiatStBSXvRjUquooy5W43jGSTSbSl7t7pnlnxw+IaXnxC8GWPga/stf1f4Q38eveKdAupb+w0a017xzqPhXwF4YTUL9BDFqeov4T8Y+OlTRLEajJpb6jZ6nrqaRImkm8/aXgvq+By6jRSUaUsS8Wk1FcssQpUtEoKppKWlpcvZO55y0rU4/C58y+6Nvwv8APW2hX+HGs+PvhINX0PW/A9rqWgeE/hSNV1+00GWHUPFerfEbS3f+w/CXh+2m1IW+pXOqeHLnw3omlpA5E2r3lpFLJGkk8kXo16eFWR1vZJe2WHm7OCV5LCP7XIr+/a/vd35mGlPMYPm5VOUPeWr1xGkla2qWyX4LVcR+wj+x94l8DeK/GX7VHx90ePQ/jr8T9d8a6xb+EINStb2HwF4f8ca7JrGoWupXOmR/Yb7xPq37oSCCaZNE0uKy003H25tQitvhuDeDeHstzTOeNM0pU/7azD+z/b1fq9CrVthqGKyyk3WjgpV5N4WooWli5qMZNR5UnSj9bxN4l5tmXD2X8D4WtV/sTK/bRo0lUxHsZqvjKeZTpxp1MZLDxp08TShVU6eGg6lSC5rxvUq+4/GX4eWvxk+EnxG+GVx5kaeL/C2qaNaTQXRt5IdSht7a70VGuHAZFi1S0ikaXZjyV3Fg7kLXDHGtDizL83y+lOpOKqY+klOFaKShQw1GMP3tWpHavZe7az0WjieC8OsNh1BJJqEV7NWt71KpRlPmUF8K9nvq0nskmfJ2meMPjj8H/C/hL4QfDf4m+B/g3B4Kksl8Wa/428I+Bn0SLQ9bmt/D7395qN8v2TXNd8F/Faw8UfC3V9Ti8RpZ2Wo6UJvFEunadeaTquodNGpgsFCnRqUYp04xp39jSd5U/dbvyq/vdXa12tNRLCY3kUoVE48myqSbUZxjPlcUr6xcfd1urW0aPHfir+378ZPCxvvCXxO/aH8Mnx/aQ65Fpmla1+z/ABeO/C2py6ZD5+uWrW3w90Lw9b6jJawWimaCfxS2iiK/tGGt29rJd3VlGNhlePw2I9lSi8TKhWhQboUoNVnCSpWn7O8LTlH3lJcttLWRVCeZYSStPko80ZVowrVEpU07zTgqiUvdurWd7tdWe2/8ESfA3jXTPgP8TfjB8Q/C8vhzVvjh8RbXxvpLMJvsWo6Zc+HLXULtvC9teefLaeDNK8Wa/wCMtH8LLaTm1lSDWpbG81TRJtJ1XU9KuMp5DwlOOM5o1WsLy8sXU2eBpy1jbW6l1Wl9Vs1iZfXK0ZLWymuz1u+remq/y6r6u8SX4SPkKMv/AMtum0IcthGY5yRjAPXpk1/JP0lePcZTyym6X1OdJ5vQtHNaWNq4dP8AsbEu8KWGrVJqsnzqMnTUVTdVOV5JS9jIsPGNRxlzxvTnJJON3aqlbsviXVetjmNRu/PUMrRbPu52TouPmPyh0DE5AwcAYz34r+VPFLjrFVYVXOnwpb28E28tznkb+sYp2TcH72jdrfO2p7+Aow6RnLffkb2V+trd9TP8zzPlKqCCApPCkgjIJG4gkA7OOcEHHf8ANa+PWc/xqWVU3QvyPLsLicOn7RK6q/WINy/hRVPl+FufNpJHZyqOzvr7yX2bdlZK+rv+Zh65plrrOk6ppUzbYtW0rUdJupoiUeK11K3kt5zlg6+dEkpKPsZVcAmNx8pyyTG/2fmWFxU9sPisNXgpRVRe0oV6U4ySVny2g3a92dbj7tTmulJSttqvK19Hbrrr0Pmrxd8Q9M+Heq3Hwx8RW+p+KbbQPiVpnjO6uILO8hs7Sw003WtalFolhdXKrb287XsmnS2sapC2mKkOY7gNdN+2cLYN5tgqOZ4SNCnTr0VQhH2lNTm8Mp4RuqlFONaUacq85TSbqRnO0bqK+czrGxpzdNOeju7KSS5vZS012Wyt0sj3v4J3d3eeIPhlez3ttfz6hf8Ah7Ury6ikdYL+TW9SsdWe5s0C3DLbxy3JFlFNPvjtljjmmlkBlbz/AKPuGjD6T3gJJ0p0FT+kx4S4enSai6lNYfj7h2hGNa6pe/KNF+3nGMb1pzcaME+WP1Ocx/41/m1rtvJcZLmSVklk9dySd7pS51pZ+6t20k/qmv8AY4/HgoAKACgAoAKACgAoAKACgD5Y/bn8TeOtI+L3w58M/CfwuuofEb4i+A/EXg+08T29/rF1rPhfRL28le+1bQ/C1rFZWVzrmnyKuoaJrqanqUumtY6ra6xpekaXf2t9rXo8N0sNPFynXnGl7FKq6lSUIxjTi06k7ym2/ZxXvKNNNRlK9WMZHblrgoOUpKPJJu7aSilZu7fbV7PR/EtUvBP2lfgV8Nv2Y7HT/B3hXw3D8W/jT48ns4fEXiTxLNq13BZT3thZ2TWcehWjfYIbua5WHUNE05dautDj0STXtCu9EtLKUXkfv5TmtLNMLn2KyuVPDVshwkK8sHXo1JVa1Ov7SdLG0a9SWHoypKGHxUqlKFLEVKdak4Tqz9soG86detTliqMeeknJqo1bmtrdxk70k4XqR9ryuai1TpuMozfni2X7WXh/QZbD4d+CPFE3g3Voba8hnk0fTIPDWoWdvJrOj+I4NN03VbeObUk03UPNRGaS91fXpLXT7O5ub/Um0+9l5+LvFzwYyXiTw9xPE/iHlHh1l+Gr0sRmGBr08TnfFWd82MwGAzbA5NgcNgKuMzrCYqvjspwtXN+HctzKPC9TN6maZxgcvw81Rpd2B4azHimMKGHUoqguWMKapc0W26sqblVnTp0JWg6kauIalP8AdpU6ymrdx4W/Zf8AHXjmw17XbLRfC3xS8dJcabA+g3+n2Wj+Fx45uI9K1DUNKbQtNvdMuvEEfw+nvZ9R1TVdQ8W/2B4j0q5t7PUdElj1PVteh/C+If2kfFPiPxhnvg79HjhulkWSZhjs1xFXPqdKWc8d59wtlWNzfCZfm2KzvB08RkuGp1sNicrrPI+DKU8zyTMqdfMsNxph8HVx06v0GI8OeEOG8LSXEGL9ljFh4YrEwlGqqUXTnh6S5+ZKcvb1b1cJUxEPqtZurSjl3PPkqfQP7PWi+GtP0D4r/BfxJrvg/wCHvxNsviDpNrY6/wCH9dGhw+KL7ws2iWGnf2bqemJ4T1rxNocGtXn9k3WhGeLXtCufEax3N8PFGqWPjfXfleAM6xk6PGPBvjFguGsjzCeewwss3hj8Tl2XYehHFzeX1HVnLmqL21BVsqzKeLwtLMMuzDAYnMMLQrVcypT8/i7LcNhsNw/m+WRx1TLswy+qqkZQhXxEPaQoVIvkdR0KOKpynH2lKHLFVaEsPzVKK9lHsPitfeEm+GWu/CSw8S3mua74L8GzS65qOvHxDqdoFtvD0TS6jq3iiXw/daZeSHzEuNQSxmuLiyhaSx+wwRBYrT5Xx2yPhrO+EMyyzIs4ocSVcmzKpnWIwrzepTliq2b5dh4YmnldGnhaNTOsHhKuU5XDD0MveIzbKFHC4LC4jD0Y18VR6vC6ni8Bn+DzGUZ06EauCwNKs44PDYmo54mUKa9hXxqj7Sr7ObnGr7Si6j9vVbS5cRwa+HPE1lp8sMyQeDfH/iLx74E0fwlpeua7p+oBxosuippvibVdU0eOWO41LTdOM+sa1/YPiGwxLrEVvZ302tXth4f1jg8AuL84nmnFOD4S4bpcI43hyOXYPHZpNYmOb5ysdHNcxyv+3swy2jh28rqYTFYhTwH16pLLJRrU8Kq+DzSFKhpxrDCYnFPMMFntfFOvgsc4xX1jCRirww88DQwmKnRxDoYqtGrT5I0ZSnQqKlVp1PYTrr6t0HUZNW0bTNRmgurWe7tIZbm1vLKbTrm3utu26glsp3lkg8q4WRFAnuYnRVkgu7uB47mX+qcuxtPMcDhMdSVSNPFUKVeKqU5UppVIqS9yevK73pzi506tNxq0alWlOFSXwEqVWhJ0q0qcqsLKpKjLnpOTSbdOW7hr7vNaaVlUSmpJW62EFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFAGZ41/wCRN8W/9izr3/pruq+C+lV/yi/9JD/swvjB/wCu94iO7hn/AJKPh/8A7HeVf+p+HPnlRvhgVyAUx1Geyjgf1/kK/wAW6itjM0a19+vf5V5fLc/WFvC3/PuF9bauNzZhiWOwccfNGSSMDgAn8P8APavMUnLFpPZqzv3tp87nDKTeKprqqkXtfXmTt66W/wCHHaUY5IEXdjYw3DOMr169efqDj6cWoYZ4ml9Zs4uo+bmlyQVNL+dOLTu19pbCx6bqTdr32e/4Hf8Aw702cwfbSjgPCtrC29As/wC+YzKIiPN3w+RD8xIBR5XwVSRk/vj9m94LZ7DI818QKuVY5YXE5LHhzhzM/wC0spWVZrQpZ9i/7aoPBxc8xo4vJamSZHSo4jEYqnh8VTx+M9nSxNWhWq4b5DjDH0vaxwsaik6dWTrwUJqVOpKhSnRfM2oSU4Vqknyp8tkm1ezu2HxQ8A6lovibXND16z1628H2V1qXiCLRHe91K202Cwu7+21G3tA8L3Fnq0elT3fhrWYfO0fX7S0kOiX15vjY/wBrcL4LC5Hl8FiIR9vUp4edeLxEnyVYYeFOolKN4Nc7suTmgkvdlK6Pn6k3NrlTavs0kndtJaX0cW7r4ru9kk7fNHgW28a+N/E/gp9f8M2+heOfif8AFXVfjJd2l3ZT2qaZ4f8AEMFhrek6ZeSi4dLttF8N/D2PTrfUyfsmu6rY29xYw2sV/A8vRhMbQk8fhlOFWnj1h4TxKnaOXckZ8s5U0n7f27lpFzp8vJZc1yJKarUKjpuCpSla+0rqKettOW1no9XbQ9q+J9vPf/GHwR4d8F6jM+sanqfhjxT8SbW3sze2uj+BvAXiC28Sadf6lcrOn9mXfiLxDY6f4f0y0kWGfVrSHW7m2mmj8N3FlNy5nisXkdOpiKeHqZjgHzTrYmLWHpUaXLKc5yahWclTo0vaS1i+Wa10u5qYX21SlV53DlcFy8t+ZxlzWXvR3draPZO3Q7ibUnvL+5tbUoygjG2QNghFYIeHIfOQ3zZ3Z4B4H43mPiV/rJ4ncUcM5J7Otl//AAifVsdh68MVC/8AYMcfWUaUsHGU2q9CrRlfEu0uaSsoqmerhcPTp4Sliat1NualCW8eWpKDb95JJ6OyguW6Tba5n558UP2t/wBnL4B65p/hn4g/FXR4vGGp6m9tD4L0Cx1XxR4pEyRlYor/AEfw3ZarcaI1wyqLSXxB/ZNpfE7bO5nOM/beFvhrR4Mq1qOZcUU6k8XUnVdStlTwUYuq8vp2fLjsR8LwtSTktWm7R91c3Di8TKtUcoUn77ScVK+iclF6wSuk7NX8+p5td6p+wj+0Dc67o0XiDR/hZ4k1bVn8U+IPAvxY8Kaf4X0LxR4i1PUYvENzrmofCT4tWJ8I6/4gudcB8Q6prOi6Smo6x4kkm1bX7nWZ5Zkk+wrZJk+ZSqUoZvQjKnUlD2sKU6kayhJxdWKliKXuzVH2iV1pO26Qo4qtBLXlS+zaPurXTWL+Fu1rtL5Hilr/AMEqf+Cc/wAG/iPYXPxn/aHTxjpDzXGqeDv2eda8UeF9Dh1zU9Qv7e98QXJ8C+A4x4y8dt4h1a2bWrvTNE0+B5NT1Ca2e1e2mWzGEeGcBleJw9T+1qeIjTq0KsorDTpppTjOUHJYmrb4GnLpe9tCpY6pOnOnyXc4ygtVvKLS2gm9XtfX7j6l8Rftc/s5+ALbQtM8QR/E74b+CbWysdI0jxJr/wCz78avh98L/DumRfY9PsS/ivxT4D8OeGtC02FIbezhU3v2GG1azW38vzpDPx8Z8K0uNKH1LC5r9RjCLhenhI427+s0K6naeIoNNLDOLV3dSvfmjrOEqzoX5qV3frLl2i1b4Zb30vt13PQLWPSde0rTtZ0XU9M8QaJqdsl/pGvaZe2+q6Rqdhcp5tvd6dqcEr2t7DPA0Esc1tJLDJvdYpZBCXb8F8UPAzGZRQ9jWzKVeEqyaxWKwNPAUXKOBnL2cXVzZQnNxq6RUlJ+yqS5bKVvSwWZR9ouSLUmnFr2jclHnjd6QeifRb3WqMPxLazQEGN4RGrgBX2Lk5fAEZYdg3zb+BldpJyP5V+kjw5W4VoV6iq4LGReMw8FH+0MvwqvPGZjG6Tx2J+FUW9tbtXVtfeymt7ZrVxbi224uV9Ifa5Vrd7b9TDnimmdgqRqu1SXVgCrDcVPGRJk9tybf9rPH4Li8vx+d1qLhQhRjBy5nh8RhsclzKCTkqNVOn/CfLzW57y5b8jPTpyUG1Jt3as2mu99Hr23Od17VbfRdE13WXM8kek6ZqOozparG9wUsNNnu5zbwyRMLiYtEWWELJubCBGGVPkZVg3jsyy7BTjH/bMXhcNHnm6UP9oxVOjBTqqX7uFp2c/dtG8m7q56FVuNOTqaxjGTWn2Um7ab+7dLXV29D5z+NOqjxjr2h3mnz6NrsF1pGsW1h4mllvdH1meG+i/syVPFNm2nWNrbX2m3HzPDDbpKdL/4mBDR/vq/eeDMmw+UZdB5VQeHknP4atTERv7fFRvH21WtCV41KlpRupKSabtFr5jPq+WKb9pGLbte9StHpR7fL/hz134Fapp+neKfgn4YCx6ZfSv4Se00exvI9WtF03S5tNsYVTVLBpopbLyIku4LuW6f7TcH7M8kozFXJ4D5fj4fSX8D8Tib10vpNeFNaviqtKGHnOtifEXIZOoqMpa1XVlUoyjShyxhz1YJciqP6/OZYWr4fZrLD4ii4rJMcowhUU37uR15Sim3e0l7Pu1ZWd20vsKv9fT8bCgAoAKACgAoAKACgA9eMYPHvwOfbnI/D3pRcm5qUOVRklB8yftI8kJOdlrG05Shyy19zm2kgCmB4d+1z4a8DXd34M+KUXj/AE7wh8UPgxqLa9o+m28nh26vfG2nQT6Xq0ngLXNIu9PvtYvrLVrgafDpk8E0EfhGbXZvGqWeozafDaT+jw3iMRRxVWhChKccfT+qVFHnhKdCcnGvH2lNOaoVKXtHU5FNe1p4dylSnDmh04GlVlJPkm6cmrS95QUldt3V/swkrxjdT5IuUFLmOCl1/wCHXiPXPib4j8WXtm+vXeq+GPEujm/lvLiDS7C5aDVotEmhnuoXt7q0uL1JAHjltrvT1FncWdsbrTdD0v3cDw5jYSjk+DdKth80lToSo16lTn+trkjhq1GEW3TdWtGg2qUpTlUnRhXmsJCdN+lRxUsFReFhKLpVFGPLLmc1OKjCnOC54QTWjqc0fe5Kbb5YOMvOIP2nr7xz8S7HTv8AhArPxD4A0CLwtH4n+KWmaLqGhwaFavfxXt3qfiaz0p721vpfEn9matpkcREz2Swahe2dvqd6Tc2n86/Tc8CvAXhXhDjLxd4nWGzHxExlfA8MZRjf7fy6hi4rE0cnyuWC4YpZdWWLxeIyqhQr8S4XNaGX8TuOEw+dZXXxFPK8zxkqft8BZrmlOpVwWAWLjiFDGyvBU506Kr4arTjUnUxUakKDTlJQUJ4N1KioRjVdNSpy+kv2e/Alzo9l4S8Z+GL+91zQvEV/4yl1T/hJZtLi1XQNC8RTXer2cOinRbCy0+fTYtT0nQ4rW1EVzKltqkrWt7DYWbpdeF9Efwny3hHKOHeN+CKWKweSca5DTy7jHLcRicM8RDGZVhcfUyTiGp9ZhisVQznDVKlfI88ynJ8VgcnWbZtmmLp5Zh6mUynj/M8T81rZnnmGo1qGE9tlSVKOLpxrSnXoYjDxnXjCc8TKDovEqm6cqtKti3SoUUsVCnUr06nC22lx/s5fFTx94o1X4bjxfZXWu61r2k6npdxpFo/gLwhrd3ffZV8M+HZNL0RLuy0uwuk0i4uNKtpNQ0yxOs6eNd1G3ni0yX5nOcXivA/i7xJz3iPgirnuR1I5vmHDOU4XCOlh8Hg4YtYzNsLk1P8AsfCUMFgKMMRSx39t0cBTw/D2RZb9aUKvt8XhH79OtDjjhjKMvWfSwOJwUKKxv1iDrfXcVShHD0PrOJ+szdOVRe0qtValSeJxEuZ0HJUWXvEk+teNH16w+FHwu0rT/DOpHT7/AFS4ngttBj8Tappl5cX9pYW9xJp062KNdrI1hexNo97b+J7mPXNFkgbWB4sb4HjTjfE+O08j4d8G+HswynDZpj8qx2H4lyjF1ssllGKw2IxWMpYemsVm+R5PRzbLMdGlgsNhs5zzLqOY8S0ng8tw9PNP7NzSn6OU5TkXCeX4bFcS8QPFZzhY4xZbhMJXVT6nSrqhUeJ5KMpKaqyqVp4mpUpYyn/Z8a1HFRqTw7y+Gz4f+HPjD4h/EDQtX15vEFp4X8J+HptEs73TNStdO09fEN9fatN4g8XaJqOk3Gl6hFqs5gXRk0+yt7jStORobHWNLkNks9fu3Bnhv4kYnKeCMiy7NciyLIaeHoZv4lcR5rwZHFcTcW4+vnOb4fNeFOFcBh83yfJPD7IZ4HB5dn2X5thckzbiHL8zq5dl1XO+IuHa3EmS4v4GtneRY+GJzeGW5nDH4nG42jgsDjsXVSwWWUK8JZdXzF1YVZYvE1FTi6mFp15UbOtH2tKEMI5+0+G9A07wp4e0Lwxo6SR6V4d0fTdE01Jn82ZbHS7OGytfOlwpmnMMCGaYqGllLyMMsa/Z06zjH2+Iq4uvyxVXFV1RjWxFRRSlWqxw9Khh4zqNOUo4ehQoRbcaVGnTUYR8p2u+WMYRbbUI8zjFN6Ri5ylNpbJylKT+1KTu3doAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAMvxsM+DPFwzjPhjXhn0/4lV3zXwX0qf+UYPpH/8AZhfGD/13vER3cMacScPPe2eZT/6n4c+d4N6pAOeNvcHjYMDHqO/86/xcxEf9ozK8bP2tdNvR6V3fR+f5H6zePuNW/hUX6vl1afoune/mbcUqy6fK2MMkbj68HIHf9PU15vNGFRQsk20k97ty/DTX+rnDyP63Sd73qpfitfuItEIaOTEm1gQD8uf89PbH5UY+mklJ63W2ve2umn39B43Scla/vPrrps/ufn8j0fxHNFonwS8X6rJLLaJpvwz13WHu4HME1sIfDF5fNdJMAGi8lP3u8DcViOfNjfy3/wBfPoX5BLIPoyeBWDp0HBZh4VcDcQVKipuLnV4g4cyrNFeUaNG96OMpS96M5SjFS9vWpyjOX5vn1X2ub5utuTNcXD4k1L2ahHRXbTTTi1da30jseB/tEQ+MtH/Yd8S2U3gV/DFl4P8A2bf2eZfERsL9tR0PxHo2nf2uPHXwzu3002Wvv4c8Gadpu7xIkurGPVPDniu+s7WeATXU8n6Vn1Stg8Gqico+7DrJXvUprdOPdaa+qtYyy2Cr4hUrX+J667QflLW2+n5md8GNFv8A4L/AnTPGPiDU9d1nxZZ/AC08Q6pf/wBrnXfE1p4p8R3Olaf4i1zSWOnyhdQT/hKNKv8ATtOdWt0u4rhjC8t5eyy+HwbndTMIcR4Z1HKuo5T7D35OUXN4pz5f3s5JtRTahHbe+h6Gf5YsHRwc+Rx9pLFRT5OVSdJUpXT9nC8VdrmV/eTWlrv3b4K+HPGeg+HPEnjr4qJpkHxR+Isukah4ksNEe5m07QdK0HQ4NN8OeGory7Alvp7Qf2nr2rzQiO1XxH4j1y2tENpBCa28UOPsu4W8OM4o4ytTjj3lWYKnzVKCqKo8jx0af8XGYes5KvhpcrSupXt7/Mo8OX0JV8RTjZWU0rtO61gn5appbPfQ6DwjPE1y+50UvJuxxncI5gxbcxLF2G5j6t16V/M30TeLsvzfi14vOcZT+vV/4v1mrSnWbo5bn9KlzyxWJq1daVKk0pydly8vLDlivSzfCzw9GVKnB+zi1yxXMmub2LbuopXbvJWVrt6dD45034i/C/8AY3/bs+PPiD9pPwzqOla78X76+1v4VfG2bR5PFUmmeFbrUL+STQPDtpH/AGn4g+y/YLiH+1rTwTb6jNZLE1vq2l2KF0i/rnP8twWPrU3llWHM4U+V0J0rqXPWaf8As8Ju95wXzTV3y38eFSmpXkktXpJKN12d726vZ3t2dzT/AGqf22f2U/2hvB0nwa+D3wt1D9rv4h+LNKfT/B+n6L4F8Yadofhu9eNtl+fGLaN4f1/T7e3ypmTwvcG7jaMxTCArJHRgsshg4xVWr76jGMnKcVJTXMpLWjTb1ltJJ36JkTfNJ7NX+dr7aN/nL1e75/8AYx8HeM/+Cfek3F7+0T+yFe6eNdt4b7V/2lPhuPC/xA1vw/ZLaNbf8It4t8P+Hdb1fxJ4X0bRLFF+0/8ACvNKbw1cQWrXup3t/O8z1ri44StTqRhVjKtOnOFK1Sm5uo4yjCMeX323JpJQ953snd2FDScXdbrfbRre+lu9013Vj1r45/t+/sl+MvhN42+H/hTxDJ8dPF3jzw1q3hnRPhd4c8K+J5tc1rUNesZ9Nt1u7e/8O2lvpsenvcfarm5vpomtYLKSeMtcRKK5cjVTB4ycMVKTTk/jUo2ap1o6+0Ubu9lu/lojWpyy1haPlFqWjadk03p1+GL6bHf/ALGXww8YfCD9mH4V+A/H4VPEmiafrEt5okd1/aX/AAjlrrmu6r4k0Pw9JdEgrJ4d0bVrTTHiO7cNgU4gy/g+Njymtk9KX9nvHzjjr+xw+Ew2KnTX9m4j97KHvOMI+7Fz71Ix05rDy+NRYhtzaXI0ubmSvzw1u1o1aVt73ex0vivmVR5BdPmMhEedsgdggVQwwCpcnOT7jNfwl9MKvl376l/qzjZf7bhtsmoOzWYZ12kukUtU7fI+pyG/Kk5xTtpeXTlje7abfy9Gc3qUyw20xWGUO8ZQlwsSRknYrRqQS+d53DLcqAdoOa/nPPsyy/LclxNOnk9bBV8fhcXhYxxOEo4H2iqpYZzp8t51Xho4mVWSUZWvGPNTVRzXsYKMqteK9p7sZRfWfNypyacrpL4dGujfYwrtx9guPNha6SK3vmktQvmfarbypA9vbxkEPNNFmLYoLNu2YwcH5DCe7jsG02uavhVfm5eWTrR1k+kb69uu6O+qlKM1Ze9FLRatpNatXb6PXqfCv7TetWWoeKtH0gfCbXvgzJeRw3OuJf6uDqD2viG7i0w+LtJ8Il4rCO+m03TLzTntre28+WxkntGzbuyH+nuA8JGnllKTx2Hx0FeMJU4YmdGtOhXrVXhpVatKhXjSpzqRcfZ/up1KUais1Tmvks/yqpXm2oyj89VdUot2jTmr+673d9bPql7d+wbqPiXVPEvgfU/GOnSJpun3vgjwj8NtblggsHvfCOm+IrM28EduwR9Shinube3bxFCJI9ZkjW5E8zSBqng/L8HhfpKfR1/s2bc630kvCTE5jRUoVIU8Y+OMA8TJVKMIxvPkVaVCSTwknOhJpxcI+plFDN5+HebTxEqrpwyjHtuTxLvSjklNu6mmrJOSTbtJWb01P0Ir/VE/PQoAKACgAoAKACgAoAKGrpp3s01o2nrpo000+zTTW6aYHkvxC8F/GK+8TstjrHi3W/Cl7rF2f7M0bxJbeGbebRLmK71KTRrmezu9P1GwihSe90KDU5L+Se4aa2m8y3NroVrp3LThmOFzfC46FaOJw9OdSSwtT2ipKLjO0alJctGpOm582Hq1ZVIxqRg6lKpCmqM+vBzwMIKVbk542bUoyk1JSSTTs3JuyfLFWjdtp2cl5J448Ha54f1aWx8W+E9QOp6+pbRLfULS91a71W9lvoorqJ9c0vW/EN/44vdY1zU7S1n8P+bFE4mhutZ0++Grf2jcfUrPsgo1qn1CjOm7ypwq1KXJKatRlJ04zvL2EZS5eWfsqEakHKEJQenXRxOHqUpyoPljT0lzJR5Uop81m7xha9nLlV4TsmkeheEv2KfCg0SWTxzfXt/rmszS3mt6VZ3NpP4cVj9jitNJjCaVpN1LodtbWr276XE1rDHaXC6XBcSW1kt1e+fmHEma1PrDwdZU6k7xoVJU1WdLnc4uahVqQhLljUbUZfuvcUvq83+6fBXxftKjtrBNpNtpyWvk2k7qy7XbScvd7Xwh+z54E0HwpP4T1Hw34X/sya6mkOn+FtN1Dw3p06G2srJb7UAmrXep6rrl5BYq1/rGqale6nPbz/2df6hq7wXGq6l8znHCGX8WZJmWQ8bc3FOX5lnlHPZYbMatedLDV8HicLjcvw+GUakFDBYHG4SnisNg1BYaDk8PUp1qPP7W8HnOZ5fVrVsHi6tGrX9rGVW0JVFSrQjCdGLceWFO0Vy8kYyjvGSep2ehaDpHhnSbDQtBsYdM0nTLWCzsbK3DCK3t7aGO3hjUuzuxWKJAzuzSSMDJIzSMzHryPIsq4by6jlOS4SOBy/DqMaGFpzqSo0YwpU6MYUKc5yhh6ShShajQjToqXPONNTqTcsMRia+LqyrYipKtVk25TnrJtylJ3fX3pN6337INW0LRNftZrHXdH0rWrGeGa3ns9W0+01G1nt7hVW4gmt7yGaGSCdUjWaJ1aOVUQSKwVQHmmR5PnmGr4HOsoyzNsDiIVaVfCZjg8PjsNiaWIofV8TRxOGxNGpRrUa9D9xWpVVUp16H7urFwSiOhi8VhZc+FxNfDz933qFWpRl7r5ovmpyi7xfvRe8XqrMxI/g98Obd7OWz8NW+nSWM1tNG+mXeo6a05tmVjHqH2G7gGqW96Ui/te21EXVvrX2ezOrx3rWNkbf5nIPAHwj4WrUa/DvBeWZTKjLDzhTwsZrDRq4WOChRxFPB1JVMJh8ZGGAoRePwtGhjpN1aksS6tR1DpxfEOdY+nKli8xxNanJzcoyqNXVROMqbceVyotSaVGTdKN3ywjd36O3t4LSGO2toY4IIV2RxRKERF64VRgckkk9WYliSSTX12Hw9HC0aeHw9ONKjSjy06cdkt223dylJtynOTc5zbnOUpNt8Q+rAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgDM8a/8AIm+Lf+xZ17/013VfBfSq/wCUX/pIf9mF8YP/AF3vER3cM/8AJR8P/wDY7yr/ANT8OfOzZ8q3wMMMZx/ur7Y9fT2r/F2q5SxeZqXvL2teV/WvK/4s/WFZci1aVKHdr4Vpprtbr+pr2IJ06YshU7G6nOeOuM9/1/CvNxSUK9O2j5o+uvTb8PU5JP8A2mkk9PaK2m+u/wDX5kmkKqREKQSc54+p5x1/z0xUY+s5uKScUklo7dVtboLG/G9NpPX+u56B442XvwI8dQhGiRvhD4ihuOWEv7rwTf20hQoV8rzLf7O8U0brLtmCnDRrt/2a+ifi6uI+jf8ARsow/d4ev9H/AMJMbUjZScqmW8GZHkNWblKEZr2kMvjJKLUUpWiqjj7af5nnE6Mc3z5JNz/tXMr/ABx5qvt73aat7seWKfwzUYyWjlzeXftPeJrL/hSXwp+DNnfw2Xi/43af8PvD1lbSSz2V+fBnhSTRPEXjW4n1NLO6VrOLTo4dGuLW/njjnHiCVMP581fQ+KWfUcLQwmCwVbkqzwz9tenOd5wxVG/8ajKK/hu3LPls9r8ptwdgsTWxtbFYqPPhqVRunHmhHl56VWMV+7lzyVp3vKN1p0ci94/8BeHPE/i34GfCq6OsS6a2pa/rpm0eFb63TRvA+j2trrMviNmE1o3hvxbpuoa34OnKW6D+1dd0ZIk8xbcw+X4e5dQweY0sdUhzU+eM8RLnqWlHD08XCMrRqSev/TuCbVk76Nb57mzxdXk3m1J+9FRklVVOcKUv3UWvZRtFvnleXNJWbfN6f401GO182NJt5keQ7VMe1CpngeNWZN7ASRnhixiJNuhWOKKNPwL6ffidhcmWJw2CrOjy06sJRUJzTcXxhD4q+AqvalFOzsuW0dE768NYTnnGVnd2avKN3eWHd2udd+zbS6ttrjtO1+50y4klCMxeTldynYuCoxhNp+U7sYzzgnrX8Y8G/SSxvBfGeJzGhC8Zex/2hyp+/wAuV4qhpSeR4lx5ZYlwvya/H2lH6PHZZSxFJ+7KT2k02tnC11zWWkVqrbd2dhpPjq0eVC0UqShQglkAbzlGG4l8lpChPzqpI2jGFUZA/tDwo+n7wxicJg3iqDli1Rw8XUdTHwvJUsu1ahwfCnZzbateK2TcUj5nHcM2nLli7tytJ8q0fNZXlidY7We3Y2B4htp41/1nzKDlXcMNwU8SELJ2GeQT361+pUvpKcMZ5hqGNji+SWNo0sXyKjmEuR4mEazhGf8AYdLmUbtXUYKVr8sW7HK8nq024W+B8nxRv7un/P12enfr3In1az8xSJkyrKygkkxMCMMm5SYmB5BTaQeVwcVxz8bcrw+OwuIwuYcsqNehVp/7JXmozp1FJNKplUl8UU9Ytd0H9lTas4uzvG11pft+8/Faj5tdt1HmGdFYFWLgGPcVfcN7RojOpY8oxKPkhwQxz15l9IzL6dN4jEZipV9+f6rVho5x5ly0skcWnKTdnHd7WsOnk0l7qpO2mqd3t5z38+l9NTI1bxMqxqsIZiGYLJu3KFYFiil1ZgMhcJwgVQgAVQo/HvGj6VGHllnJh8zSrPFKnFvCVWkp5bW0SqZByfGoPdbX0V2ehgMlk6j5oaW5t0ryUo78tRN3uzldZupb2SWQuG8yRXkQ7gCEVgCgjxtYcDjAYZyGODX8jeOHH+Zcb4vEVK+NWKoSxMavI8NRor3cbmNWDvTwmDneKxPlo3dbqPu5Zg4YdRUotLltpLVe7BfzS6rW/wB5i6jKzou3g+YFI2lSoQHcO5yGI++cgjAAGa/KM4x1HFVKGHgk1g41lKXvK1SrUSnT5ZRV+T2MZOXNOMueyty6+nh6cYczgtWleV27q/u3vton8O/V3scN8ePEl34Q+C3xY1/SbmGy1jTPh94w1DQ7+dSbDT9bstB1CXT7q8DBgyx6xNBLL0QqrY54b3fCbJst4g4z4Ry7McHPEUP9a8glmlT22IjJZDWzfLcJi6UaWGqUas06VZ2+rTljfe5aUeZxa9bgrJ8dnHHPD2GvF0sTjsqwzp1FQmqkXj6EnGSnUg2nhoy92TUeSDTd2j8vvEfi/wAd6rqM15Ktn4pTUrIC6ubKx1jX9QTUhgDWBrShQoHQAAA+lf39wj4d+HtHhHhVLBqpm0v7dfEnLWzqntmeJeUPljjfqt3h5Nt4DVu8sW/atn9g5PkWOyDMMNSpzhQoU4yhTpxo4alTpwWGmowjBVZqEV7VJQslZ8traH6EfsZeJ08ZeEP2YNT+0w3F5ZQ/DHSNaEcAs5bXV9Ik0W2NrqkOFxqkVsixzKc/vt2MggV/MXhxkNThb6bvhll3JWhGp9JTgKtSjVvN+wxPitl8G6d6lVKjUdNVo8rjyxmleUoTqT/mXxbyX/V//iLeDtb9xxuoSVpe2puGPpTaXtazh7KrR5J802170k1GUUfdtf61H83BQAUAFABQAUAFABQAUAFADQvz7yqEjKq2PnVGClhuxk7nRcj5QQqk5KgVMKbjOpOUoy5n7lqShOEbJckp879orrmUuWLWkWnZSDmnblslFyTa55WaUHaXLy2clOUopXSUG5c124N1UAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFAGZ42z/AMIZ4uxwf+EY17B9D/ZV3XwX0qf+UYPpH/8AZhfGD/13vER3cMf8lJw9fb+3Mpv/AOF+HPnaIuUgD/N93JI6jYDnOScnHPOf5n/F2t7uIzNxum6ldPtrXd/nf8D9ZtG8Gv8An1Sbs+vLr+TNqB1NhMUAAER3c+g5/H+ea8ms5zxNPnd/fVv0/A42n9Zpa/8ALxL53/y1GaIWaN2VkyMDDE8dv6ds9/Sqx9O1m3pa+ltdemvn2FjElOSafxdNNv8AO/l8yf463mo+PNI+GvwK0mfxRY6X4s0SbxP8Vn8KTa9petN8OPD8AsLTR21fQLvSdf0rTvGfiptOttQu9GvYLjUPDtlq2kyPc6Rq1ytx/rv9H7i3Dw+iF9HSllkcfRxj8EvD+EY4/K8zybGqhlvC0Mlx0qWEzOhluZVMur53l2LxOV5ph8NUybPctq4LPMlx+Y5XmOCx2I+D+rYNcT5jDFOjaWbVqyXtKE4v2uL5pObvKPMozjBwk3KlOE6dSMKkJRjR8BfDPxPqeqadpuq+LvE1tonhTRNes4S+rtqFxc2zX3h6ysrCy1HxPJql9Y6baNpV/HHFeXMM0ssFrb3s8tpMYWjh/h7iDjbPcVWq1sVUp0K1aMU5YyouWo8XUsueliox0hf4o/DFWd019Fnue5Jw3lNClg8Ngo1sRToyrythaNqkKVKXtKjpOlKtepUpxbfP/GnLmU4cs+r+EdxbatqPj/4tx74vDFwYfh18NXxC63/hHwfquptq/i238qNJ418Y+KdR1CWE5ZdR8P6D4W1GQvI6uv0PiVxdl3gf4b8XZ9xHiZ4PCwyyUqVf2GJr1YyhXp4e8KFFYbFS5quaYeL+r06jgpKdRwpxc5fJ+yhnGMwMsKourUlJ1IwcIwfwpR57zjJRVGp8Uru10o3UU/xNrcerTXJgWF4o5TtcxurgO8jsy7xwzSPIxIJO75zyc1/nH9JXx2y/xhzjPVw/iK+Y0MNiq8KkqmExeCdP2+J4g9jb+0cTCT51jYyfJFqLnLnUXzX+syXKpZfCk68OWXLGSSlCV7Kk3flWluVaNq9kZYB8uNEGAMk8gbskkbsHn8egr8WwlTNZ4PDZRhMtw1StT5/fqewVSftsSqkb1Xi4RdnUUFdRtFpPROR6DUZOU5N+9bptZJdn2JEkuYxuxIIwQCytwMkAdH9xjv0r2crp+IXDGCq53Wy2FPKcLLDRrYh5hh6vsXicRg6FBLD0M2VeUZVJUYWpUZOHNeVoRbjnN4dyVO15yTaXLe6V+trdHo2vxLVpJKXUBQ7vnaHkZQThiSzSSJGCfQtyxwuSQK+v4L4yz3H4zDYajkPCmMxmMqunS+tYb2NXEVpLFNOricfmOHoSr15pRipVvaV8RUhTpxnVqRi8K1KnFSk3OKveyXPa7WijCEmlr0TSSveyuWbi+uIQZHtreIDqUWFz6ZDBy+fQqTjgg17uecb8XZbVq0/9S+GcJVozdKWIwuEwaxWGrRlUg6lCtTz3mhWo1EpUq0E1CpGM4uSV3lSwuHm7qrUlJr7TqJvTZrkS8rS32aKVxqV5IwLStEFZtgSUsrqB1YByD1JAPQgccV8XxL4rcVzap4jGYyg5KSjH65ine06dTRUs1qLROO6W/k7dFHBULO0FLbVxSb9PcurlZ7iWd8mcsFH3ctjPHzZJPQZHHr7V8bmWZ5/nUpTrY7Eyp0P9ok54jGckFTgoSm+adSKtG/vNrlV7tJ2OhUqdJL92o30V1HW7vbZO5HPcvHGVEhUkgbsnvwApz1PXPbtzyOb+2sZCg8LTrzm7csqyqVG4qKjFunKU9XLlfvpaKV4PmacXGlFtScVZa2stfW35deumjpTyxpsicAmEvuYtnkgO2cnjaq5PPA64xXPTp1JqUoxbur+7FvRbbdNG/v7m9OLs5WbUrW06JPr1ve2vrsfIfxv/AGldb+FnxJ+P8Oo6nF4k+G6aLp15pcMC2viXQbDV59e8K6Drmk2cMRuY7TxRDpdz4ge7tLgg2xhu5poEit5Cv9J+EXh9is+4Q4Bqw+rZRicLPJ8dmU68MTgq+YYGng6NbC0qVeWEqrE0sSq2BhiaHu0aio15RnzxgqnyPE2e5/w9xVl+Y5VxRh4UqVfBVHTpZ1jIvBKlmVavVw9enh6lBYarh/q8VKm6i9muVOXK015N8ffAHwxvfiTLpnwpOoeJL74p3ltq3g/R/CcdvNrWjXniLT31230fQr2+W3tbDwbZHVNVluLC5Vb2P7dqLyKo0K4MH6DwFj+PeF8LkeGxXEWVYvGZRQxFHNK+AzbN6+BxtGUMRSwdTEOf1aricTGNfCOrisR7GX1v6w2q08S6h7kvG/xNx+d0nh+KMwxlCKkniYZzn1aM5PBr3vaUc1dHWdOpFxjCMIyXLCMVCy+hf2cT8VvAvx++Cfwu0Xwfp7fCvQ9T8O6Zf3Z1G01bUIpNM16a1u/FviCW8ki1O08Sanqe6WT9zGkwnhEUTCSJW+d8GcNl/E3jL4IcZ5ti69DiHFfSI8KavsK+HeGq1MZV45yDHVMHyznXq/VqeHrYlw9rUhBVaSpRj7SEHL0+JuPc04ql4i4nMKeIo0cXQ4wlh69d4inHEU6/1itRdGpXxmIVaNd15OKpymqseaScrSk/0Sr/AFDPyYKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKAMzxpz4O8WD18Na7/AOmu6r4L6VX/ACi/9JD/ALMJ4wf+u94iO3hrTiPIH2zrKv8A1OoHzvIrxpCVyOR69QFB79s49s96/wAXatRVMVmaf/P7ESuu0q82frEGmoJ2sqUO2ygl+j19eprWOG06Y4cfI3DDg8c9uef6etebiYqFem1vePyT8m/x9exyydsTTWmlRO/nfp5aDtFRUhY7Rlsljjk459PpSzCqpcsY9Ek72f2vO/XcWN1m3rfm39bf19xc/aU8J61YfDLS/i94D1Sw0bxv4Q8C6TpM9vrdlNqHhXxj4Y12fR7e40DxRptrqOk/bBpF7s1nw7e3011Ho+oXWpRW1uP7bupE/wBifA3guXEf0YPox142w1Kj9HXwZoyr0ko1atR8AZVVnh5VKeLw2IVGf1qVadK/1WdV+1lCWIk6i+ChmOGy3PM9qYrD0sSqmb5koTqwjKphJQxHtIOnP2FWcYTlS0hFq0nVldRnNSTwr8KrfWfiv4x8FaxNp0HgH4daB4TE/hvS9IazT4mat4stNb1Pzfi8/wDatyvizwx4ena+g8NeBrgDTbmXW7y5uYrlLVdn3fBXA/8Aq5TxFShOSk6sHzrmjUm/ZSg3UlLG4ictKnV9dNW2+HOs3hm1V+0gqikmvZVW6tKjC8bU6EJ4elCnH3IzfLBJzV3tG3oHjt7TTvD6aVZwpa2dpb29nbWFuEit7K2hltEtbWKOEmGFYowBHBCI4re28iCONYkXP80/tROO8blngxi8B7Wq4Y3D1aNSLnGStHiHgXl5ovDVbyvWd/eioXXvJrT0eCsKnmVOaio8kuaKSUVrQxV7LmiraX2d+hwQYruXBCHp349Dge/+e3+ZmIxtatWxNVTssTVdScbQd/ebj9lNWu9lH0PsFJ399NWsouzeys7tJpbLd66ibiW+XPHPAzz7DGT9OaeHwbcoP20I1OZOMabp15XT00p1Jdm7NdNdGrqrOUVeKUlbWzTfXorvt066ali1VZfluJJ4V3KN6wMzALhlIQhAwLYBOc7SSpJAFfR8NZdhsTiqGHz/ADDNcty6vOnCtmeCyHE5lLCUoxcqdf6vQilUjCrySrJSnWhRcqkKGJmqdCrjKc6kJShD34yVo1J+x5uWUZNe/G9mrrmUbPaM4tXjYnjt0AZL6Ryudi+UIycjkEBiB1IySeo78V9DmmD4eyv2lHK/EupjKKp+5KvkOGpOv7sZSj7KrRjVglKpOFpKXMkpr3JJCpyqzfv4RK+7VSTX42vb0XX1KklwzOWJJ2oV2jABOQeB07Y54xjnivj8VxRi63NTnU0jaPLyUlrB26UOjvopNebNoUXGzUenR6Nvtd3/AKRG7bjnaAF6MOOvHoMccds5NedisR7VxnGbvrzcqlC3wqN3ZJ3S/PvrrGKSXV9nrb03GMVCnkYzk4xjvyf8fes1VqT911JyiteWU5NXWl7NtX1evm+5UVd/LqV5bza5VI8pszvIHJPQIOoxggkgH0AGC1xpKVFz53z+0UEtbRjyttttbvS1mrK+7fu6Qopq8t09Erapb3/pbdbkLyySKrBSgAIXejKGdpAjAswUcJJnJIBzgHKmt4YWpSw06zv7OS1atryzcLJXbb17f5lpKPMt5b2v8KSuu76frsjwv9qf9nWfxjo3ibxb8OfDPh3Wtc1Tw9Pouv8AhuewS0fxPcf2jDeaTew61vl/seW1vJYV167n+yiW38ycNlyo/UvAHxVxeUY7DZLnuIxH9n0quDWHrqnTqfVMDCpgMPiKEMPRwUfbyqKlSnTqOsqjXMqmIlOV189xVwpRxFOvjI01GpVVWvKLdSPNKpCvVjO7xEbJvntyxlB2bSj8C+RLHxl4ht5Ncj+J+k6d4S1Ky8UXeieKdDv2lPi/QdaurZNMuZtCtp/sF3B4dsLXS4jFFErCZNRQ2xlWVTX7Xn9KnnVWFXIq7xVKvRo4vCYmMKaw1bDuEHKjWjU5nHFKpQnRq0J1IvCVYyo4hqbhyfH4PGVMsm4JKDi3GS0bUrSd1zRnp+8un9pao9Y/Yav9LP7TPgi18ReK5kvn8d+BPEfgu6tINRvrzxToPiXUoEtItTvr3So9kE9xLp5uDPJBcAXEkm1djOnueHGSUqXiV4E1qWHVOVPx+8LKGJU4RgoVsNxRluJlUoQp4hKHN7GnF81Ntc1WLg7pnfR4iqYjLMbQlK6q4bExVrO6q4ZU7P8AcL+d68y6Wkun6u1/ooeKFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFABQAUAFAGd4vG7wn4oX18O60Pz025r4H6Vib+i79JJLd+AfjClfu/DziJHZw87Z/kb7Zxlj+7G0DwC7g2pGmCCJCCPfah7Yzxj86/xWo1r1sfUeqqRlKDfWM6spReuqunfWz72d0v1WnUb9nbbkjb0XN/w3r9xoWqH7DIMEZjIGenQ/Qc/yrhxNX2mIg+iktF5L53/AM9jnqNe3p+U76dr/wBWJbCNUgHygEgE8dcjn8z1rOvJzqNX62Xy11/QnFSbqtX0u7ffp9ytbyOq+PM8dv8Asz+Ipp2jhtU8CeHlu7md4o7e3sLi40e31G5nlkIFvDZ2Ly3M88jxwxQK80jqsRZf9rvoy4WrW+ip9Gqo8VSo4al4AeDjlGpKELVYeHPD8nU55UZOzptq3tbWUm4JpSf5pnUI189zfCuS555tj5Qjze/KX1ytCPLHVtty5I2i25SUYtNknhLxDY2fxS/aBuDJG66fqXw5s/MjPnn7PH8O9N1dZGjiJZ4gmpTyLIEYMu4ruAFd3in4oUPCrgjiHi7MK0YZBw9lmKzjNczp4KrmNHBZflcaFXGYiVPCJ167pYONSvHD4elWxFdJRoUqlSUKcssBgaE8wo4D21KnjsRKMaeEqV4U8TN2qwSjSm1NNujVV2rL2VW7iqc+WnrfiK+8QTSGZwliwEcdusKxllDxS75fL3nzTJFHgrJhVQKPvymT/Mn6RP0peOfpJZ1mWCqYyjgvDKphMuw+XcN4jIsuy/MsROjHKcxx2MzTF4WpmuLjiqueYHDKjDA51SwP9mZdgYvCU8TWzOWN+3yrJ8PlNOEoxk8VFzbqe1lOKup00oqXKrezlK/NTupSlZ2UeXLSNnf9yyMp7SN5ZQ5YY5DEjA3A+h59T+a5FkmZVMfX/wBXOMuEcJhHJSjhc2zOjQqUHNYibhSqrLcwWIoK8/ZznUVeGlKtGTUa9btlW5UlOjUb/mjG6fm1dNPvpZ9Oyv20FxAqyfabCNuo+Ykgqe4WA45GfQg1+gZFR8QMoowq4nxJ8OEv7ub4G948t/4nDlO6vRT9J3a0tLlqSoyvCOHxDWz5Y2TTXRyqrv8AJoLm+u41Je7ikGCdsb5BGeCEMY4HB5x+BFedxbx7xthsPj1X4u4ezDBUIzlUpYKtlsniI0G5xeGlTySE6qlOjGdFxqRdVOKdk2m6OGw8mkqFSD/mlHVesud9N2rr1My4u3kAlmdQwDkksqjau5sKDjcdgJCrliAcA4NfmHE3EuP4jr4erWlCq8LRxE0qlbDYe0G8OpKLlSw3taknGPLSgqlWX/LuD9466NONKDtF23fKpSsr2Tduayu0ruyu0t2inc6nZ2lpcald3EFpp9rBcXV1fXcv2e3t4LaNppp55XTZBAsaOxmmaOPIC7gXQNxYHhzMs1zhZPg4QrY+oqNTko+1xNNfWXQSgp4alWc506mJp0Z+zhODqKUac6nuuWteaw0b1U42WqVnaybs7uKvaL6/MzPDvjfw94zsLjUvDGqQanp9pcRWt1eW7OlvHcS2lvfrEss6QrOVs7uzuWe1M8QivICJCWcJtnfBme8NzVPOsHLB1KinLC068K9OpjYU6zo1ZYSlUpQnU9m1GpVjKMKlKjOnUqQgqkbvCYjD13HlfNKfMowaTleMFOXupu/uyWqur3u1y3LTXDzM6YlRlXzfKdZNwgQHzLklA8YjAIIXcJ5Bnyon2tt44YRulKvD2c+SUU6dNSdRqUajlNJQS9lSlS5K1SUowpzqU+Z8snKO1epSwc8PDkliJ4iThH6sqcuWzjz8/PKm0oOST5VNuTUYKU2kRi6j/eJ5is6I7OoYSSJEiI7TJBGXuCQJFyPJDoTtkVGBFehi+GsyyvBZfmuKhTeEzCnhqtBU/aufLjcPOvRdSVWlTw6ShH3pxrTjzNKMpJ8xs6U+SnV9nUjTmotSdOpFOUnNRptuKXO+WXu6qXLeLlon50/xQ8PaL8YdS+H8XjXVtI8S6nqugtdaf49drnwxqml3fgq8uoLHwB5AtV0fV3um069vI9TvTHcy2uo3EJeV7exk+5hwnPNvDWOf4XL6dai8rzipTo4OjOpmilg83rUpzzKhSweJjecIVYYFwrJTprDylVptKnLzaPEWS1XV+t5rl2WVKc6Eo4PM8fgsBjpRqQlJfVsPWxUamI0hCVaFKCqRjiaK9lUjUlOFP9rfxH4u8NfC3UNd+HSW+teIvCd8viDXfBF7cae7eOfh+Rc6f4w0C8s5472SS0u9Ge4eK5trOfdPplvOojaNWQ+j9leVYjiuOE4jwuKw2DqVK9CjiJYaftMuxntct+o1KimoeynTxMYxxMZ05RoU6lVypN01OK4ixnsMo+t+1o16FWhCrTWGmpKtQnh61VSp3cYzhOnKcovnd6krKVmz44uvHmoeNfFlx4w+JZ8JXt9dW+g6dqFheWuk2dj4iHhrT7PQdfh1jTEXUNDg8SWbX1tbas2qWNvEdV0uyK308S/aU/e5ZVUyWFNZJy0KVN1ZU/a0505J1Y3pwisLDDv2M5Sq1IttOMa06sacpuoqn5xi84wOKqycKGKT91XlTopaRir+7VlquVp73dte3R/sceHdT1f9rT4XeIbDTdXm8F+Gvi34X0vwtfS6Fc3dnHos/jPw9qGm6ReXkoj0u9/sDS9StYtO8QR31xLF9hnvLG3kEduJvpvDrPcvwvil4JZFiJwweZ4rxt8NcZKhiMXh3Nv/AFpwWXuMYSrLEwxOIxGFdRYaVJuMK3JzqT9lEoU6041408FjvZ0qdWbxH1WawzhCKu1ViuVpRkpXtGLhHmuktf1/r/QYyCgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgAoAKACgDO8YDPhLxSPXw5rY/PTLmvgfpWO30XfpJPe3gH4wv7vDziJnZw67cQZE+2c5Y/uxtBng/l740DMWPmE7ieSdo5J/ADt0r/FBP2c8XFaqnH2V9r8lRxulrZNa2u7bXdrn6lB8rppfYpwXa9k7t+trv1epfHFo+OyN/KuODvXjfW0lv6pfkzn/5iFf+ZC2/+pj91B496dZWqzT/AJmFb+LPyk191zq/jh4Yfxh+zjr+hIbNg/gPRNUurPVFnm0jWrHQf7P1298M6vBbukr6N4ptdNm8Oa2Yy7f2Pqt6PIuh/os3+0P0cMfUj9GL6N+X046y+jZ4O4qU6k5TockuAMhoSjHCrkSru2mJdZ2g3B0pLU/NM8otcQ43GQm41KXEddO10pU6eYTquDs0/ebt5bu6918B8E/FkvxFj+MXxc8M6Ppmi+BfiN4x0jw5ZWd+1wPFcWq+DfCUPhLVb/VbOE3ukmS6sdM0u30zUrTWHuBYafBZajp88SWa2Pxn0/syz3Jfo81cgyCeTYaHHPElXw54pxObYDGZoqGT55wrxHisbWyDD4PMsleHzX2mR4eeDzLMcRjsLgY+2o1clzJ4qFfA+hkeBwuNz+hj8RD/AGmhl1LFYatSp4eNaUo1HzOvVlQm1aeNrqMKSjenJKVRtVHV6yXTvLjB+1ynZhsCNVw646EP8wBxgnGecqK/z0z3woxXC8qeHwnGePq82GVa9TJssUVzOrDkUeaUtPYRbnz630imrv6mOLUpWlQhrs1UnrHzut+61/xMpi5UyNvUgxfu/kCruwoIZunzEEbvfPtXwuP4hwNDMoYbF4P2U8s9vgXXyzC4XDyx86EpYSWMxcVOnH205Yd1FCnywh7aovevFQ3pwlUVTlfwzt78nK3NCFW0dNFy1IrXqrbK7X7RuXADI/OWDFgeu3qQemM+9VmXFuExlCNLBPM6UoubbrOnFNSjJL+FiZbN9ttd9AjQkm7uLXTS9vvWv4FeeQt5hLMG8p4w4wWXOfmCsdpYYyoPBPB4rycPmOJzbMcJldbEVvZY3G4bL5OU6skoYivDDuTh7eKlaM23FON9lJbrT2XLFy00g3daO9r30Ss+uj0Z5x8K/i1f+O/E3xC8M6paCO68GeJdQhguYCEt73RrzUW/siKSNSHgvNOs7oaZcFPMS9FuupvKJpTZR/R8YcFZDwrlGXY+lhHjFi8BSr1I1K+Jo1Pb0auHw+Il7T21ZclapKWIpQUY+yU1h5Op7JV6jw+LvQxKnTUpwmoKemsZ1JtLlatdNU7t811DS3O1Hgf2wPiB4xsNF1jwp4ei0a58O6/8P9SudWttXe5s7554PEbWtqYLyC31WDyIY9Euo5bO4sZre7juIvNAcbovc8COFspzfN8ixmNqY7C5tW4iy3L6OLwtetiKM6OLqUly4uhPEYRycKlfBSpzhO9B4eVaEZ1Y0XHz+LMwqrAr2CdLf2jUuVuUYV5ScXFbS1k1K95O11EpfsuftAaFL4d8NfD2z0LW7PxZ4kgsLldSvbuz1XQTrmo+ENTvYLpre0/sD+zdKtbbwY2lRaPp+lyIkQtb77RJLPNa2v3X0svB/LuE1wvnsMzxGOoUODsNmmKwk3mFOtKWKzjCYHEVMNiq+a410cRU+u0pTcadONaGHjCq3FQUOfgmvXxzxPtqs5OlUoKmpSdl7WnX5trWXLSX2W3teN7q9+0L8T/i94H0fxfqP9raJpsui+DvCMWm6VocKX+l3vjTxv8A259p13V7rxJpF9qkcHgm98LWreE4tGn0221Qazqd14g0otZadaVw+Fvhb4cZ3jeCa2I4ejiso4zzHGYmnl+JxOYUK+W5Zw3xHl3D1fL4Y7CZlHFVocRwzatjs1p161aFCpQweHw05Qw062J/RPC7hjAcRcZZVgszpwxOAnisGp4eoqlk6ma4HDzivZVKLadOdWMZ80Jwi27SqTjUo/Bvg79on4/aXf6v47sfiBf2firTRPqAvRdTagJtX8W615sM1xBqUE+j3Fp9lS+N9aroNvCk0dlDYwxwO7239BZh9HvwuzPL6mRVeF8phgY5RluNwVOOFrXwlDDZhhaGGwkpRxkKmLlRw8qtL63ialSrWU068KklzH9Q5x4T+HjwGVcNVuEsmr4bE8J5VnFau8PKjXU6slgZU6dWlP63F6KpzQxlNKUpSjCM0pP0b4kfFfxR4w8Z+CPihdaxcXmq2vhGC+1S9m0zS9IurnxRpnhnWtSTVrax01Z7NUtJ9NurKATzvLPaXMcqHTvKjs4/keLPDrh/w/zribhPJcHgoZXh8fw3TwmDjg3HA08Lm9DKKmYYKWFr4jGR9hicTiquLm7yj7ZyvRnGb5f4D8Zq/D0fGfK8HguG4YDK8qx+Bq1Muo5lifZ46nPJ8ixUqNepGnCcoucasf331jSvOyS5oz6b4hftF6h8Zj438Y6BHqfhnUrf4Z+UbmWaBri1gsPD2sx3EVkWOoNjVbu01eS4dp4pbaO5tmWS5kLiH5zJeAsBlOeV5ulg4UMVnuMzFYTDUqkKMK9bE5fVnaMZUYR5acqVKHs6cIwSmqcKcXaUcRcR1cXSq0sPSnhMHGM6WGwqrKpHDYZfWY0sPGbpRlONKnLkUpJOSjzSV2eU+CLFtR+I39leKrO01HQPEmsz+dodpfahDCL/AF2x0/VLhr2+IS81MXMGnTLqF5csslxqJh1BLKMs8Mf2GYxpulB03VhUoqny1HLW0Jq0otNOm4/ulTjFtQUWubROXz+Bw9Ocm5QhLmvuu6kvmewfsIfF3xN8P/2v2+CCta6p4Nvf2iB4bsoTaJY3OkR6P48vdI0KO2vI5Z7qfTfD2leHotJsrO5ke41C3mS71O9lnt3ivPs8H4Z5HnHG/wBGrxGoQo5bmj8YvBnHYilQoVpPEutnMM2q06lSljcLQ/eYjEpybwU481KE/ZtKNOH9HZX4S8J1/o48QcUwy/B0s6wfCuZ4+OOWG5q83h+CMPmcoOdStUhH2ldOftI01UhUfNCcbyT/AF0r+5D+cz//2Q==

/***
|''Name''|TiddlySpaceFollowingPlugin|
|''Version''|0.7.1|
|''Description''|Provides a following macro|
|''Author''|Jon Robson|
|''Requires''|TiddlySpaceConfig TiddlySpaceTiddlerIconsPlugin ErrorHandler|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
!Usage
Tag a tiddler with "follow" to express a list of followers.
Using the {{{<<followTiddlers X>>}}}
will reveal the number of tiddlers with name X in the set of spaces the *current* user viewing your space follows.
{{{<<following jon>>}}} will list all the users following Jon.
{{{<<followers jon>>}}} will list all the followers of jon.
{{{<linkedTiddlers>>}}} will list all tiddlers across TiddlySpace linked to the current tiddler
{{{<linkedTiddlers follow:yes>>}}} will list all tiddlers across TiddlySpace that come from your list of followers
adds spaceLink view type {{{<<view server.bag spaceLink>>}}} creates a link to the space described in server.bag
{{{<<view server.bag spaceLink title>>}}} makes a link to the tiddler with title expressed in the field title in space server.bag
If no name is given eg. {{{<<following>>}}} or {{{<<follow>>}}} it will default the current user.
!StyleSheet
.followTiddlersList li {
	list-style:none;
}

.followButton {
	width: 2em;
}

.followTiddlersList li .siteIcon {
	height:48px;
	width: 48px;
}

#sidebarTabs .followers li a,
.followers .siteIcon,
.followers .siteIcon div {
	display: inline;
}

.followTiddlersList li .externalImage, .followTiddlersList li .image {
	display: inline;
}

.scanResults li {
	list-style: none;
}
!Code
***/
//{{{
(function($) {
var LIMIT_FOLLOWING = 100;

var tweb = config.extensions.tiddlyweb;
var tiddlyspace = config.extensions.tiddlyspace;
var currentSpace = tiddlyspace.currentSpace.name;

var shadows = config.shadowTiddlers;
config.annotations.ScanTemplate = "This tiddler is the default template used in the display of tiddlers founding using the tsScan macro. To access attributes use the view macro e.g. {{{<<view title text>>}}}";
shadows.ScanTemplate = "<<view modifier SiteIcon width:24 height:24 spaceLink:yes label:no>> <<view title link>>";
shadows.FollowersTemplate = "<<view server.bag SiteIcon width:24 height:24 spaceLink:yes label:no>> <<view server.bag spaceLink>>";
shadows.FollowingTemplate = "<<view title SiteIcon width:24 height:24 spaceLink:yes label:no>> <<view title spaceLink>>";
shadows.FollowTiddlersBlackList = "";
shadows.FollowTiddlersHeading = "There are tiddlers in spaces you follow using the follow tag which use the title <<view title text>>";
shadows.FollowTiddlersTemplate = ["* <<view server.space SiteIcon width:24 height:24 spaceLink:yes label:no>> ",
	"<<view server.space spaceLink title external:no>> modified by <<view modifier spaceLink>> ",
	"in the <<view server.space spaceLink>> space (<<view modified date>> @ <<view modified date 0hh:0mm>>).\n"].join("");

var name = "StyleSheetFollowing";
shadows[name] = "/*{{{*/\n%0\n/*}}}*/".
	format(store.getTiddlerText(tiddler.title + "##StyleSheet"));
store.addNotification(name, refreshStyles);

// provide support for sucking in tiddlers from the server
tiddlyspace.displayServerTiddler = function(src, title, workspace, callback) {
	var adaptor = store.getTiddlers()[0].getAdaptor();
	var localTitle = tiddlyspace.getLocalTitle(title, workspace);
	var tiddler = new Tiddler(localTitle);
	tiddler.text = "Please wait while this tiddler is retrieved...";
	tiddler.fields.doNotSave = "true";
	store.addTiddler(tiddler);
	src = story.displayTiddler(src || null, tiddler.title);
	tweb.getStatus(function(status) {
		var context = {
			host: tweb.host, // TODO: inherit from source tiddler?
			workspace: workspace,
			headers: { "X-ControlView": "false" }
		};
		var getCallback = function(context, userParams) {
			var tiddler = context.tiddler;
			tiddler.title = localTitle;
			store.addTiddler(tiddler);
			story.refreshTiddler(localTitle, null, true); // overriding existing allows updating
			if(callback) {
				callback(src, tiddler);
			}
		};
		adaptor.getTiddler(title, context, null, getCallback);
	});
};

tiddlyspace.scroller = {
	runHandler: function(title, top, bottom, height) {
		var i;
		var handlers = tiddlyspace.scroller.handlers;
		var tidEl = story.getTiddler(title);
		if(tidEl) {
			var topEl = $(tidEl).offset().top + 20;
			if(top === false || (topEl > top && topEl < bottom)) {
				var h = handlers[title];
				for(i = 0; i < h.length; i++) {
					h[i]();
				}
				tiddlyspace.scroller.clearHandlers(title);
			}
		} else {
			tiddlyspace.scroller.clearHandlers(title);
		}
	},
	clearHandlers: function(title) {
		tiddlyspace.scroller.handlers[title] = [];
	},
	registerIsVisibleEvent: function(title, handler) {
		tiddlyspace.scroller.handlers[title] = tiddlyspace.scroller.handlers[title] || [];
		tiddlyspace.scroller.handlers[title].push(handler);
	},
	init: function() {
		this.handlers = {};
		this.interval = window.setInterval(function() {
			var top = $(window).scrollTop();
			var height = $(window).height();
			var bottom = top + height;
			var title;
			for(title in tiddlyspace.scroller.handlers) {
				if(title) {
					tiddlyspace.scroller.runHandler(title, top, bottom, height);
				}
			}
		}, 2000); // every 2 seconds check scroll position
	}
};
tiddlyspace.scroller.init();

var followMacro = config.macros.followTiddlers = {
	locale: {
		followListHeader: "Here are tiddlers from spaces you follow using the follow tag which use this title.",
		noTiddlersFromFollowers: "None of the spaces you follow contain a tiddler with this name.",
		errorMessage: "There was a problem retrieving tiddlers from the server. Please try again later."
	},
	init: function() {
		followMacro.lookup = {};
	},
	followTag: "follow",
	getHosts: function(callback) {
		tweb.getStatus(function(status) {
			callback(tweb.host, tiddlyspace.getHost(status.server_host, "%0"));
		});
	},
	getBlacklist: function() {
		return store.getTiddlerText("FollowTiddlersBlackList").split("\n");
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var args = paramString.parseParams("anon")[0];
		var containingTiddler = story.findContainingTiddler(place).getAttribute('tiddler');
		var title = (args.anon && args.anon[0]) || tiddler.fields["server.title"] || tiddler.title;
		var tid = store.getTiddler(title);
		var user = params[1] || false;
		if(tid) {
			followMacro.makeButton(place, {
				url: "/search?q=title:%22" + encodeURIComponent(title) + "%22",
				containingTiddler: containingTiddler,
				blacklisted: followMacro.getBlacklist(), title: title, user: user,
				consultFollowRelationship: (args.follow &&
					args.follow[0] === 'false') ? false : true });
		}
	},
	makeButton: function(place, options) { // this is essentially the same code in TiddlySpaceFollowingPlugin
		var title = options.title;
		var blacklisted = options.blacklisted;
		var tiddler = store.getTiddler(title);
		var btn = $('<div class="followButton" />').addClass("notLoaded").appendTo(place)[0];
		if(blacklisted.contains(title)) {
			$(btn).remove();
			return;
		} else {
			var user = options.user;
			window.setTimeout(function() { // prevent multiple calls due to refresh
				tiddlyspace.scroller.registerIsVisibleEvent(options.containingTiddler, function() {
					var mkButton = function(followers, ignore) {
						if(!followers && !ignore) {
							$(btn).remove();
						} else {
							$("<a />").appendTo(btn);
							var scanOptions = { url: options.url,
								spaceField: options.spaceField || "bag", template: null, sort: "-modified",
								callback: function(tiddlers) {
									$(btn).removeClass("notLoaded");
									followMacro.constructInterface(btn, tiddlers);
								}
							};
							if(!ignore) {
								scanOptions.showBags = followMacro._getFollowerBags(followers);
							}
							scanOptions.hideBags = [tiddler.fields["server.bag"]];
							scanMacro.scan(null, scanOptions, user);
						}
					};
					if(options.consultFollowRelationship) {
						followMacro.getFollowers(mkButton);
					} else {
						mkButton([], true);
					}
				});
			}, 1000);
		}
	},
	constructInterface: function(container, tiddlers) {
		var txt = tiddlers.length;
		var className = txt > 0 ? "hasReplies" : "noReplies";
		var el = $(story.findContainingTiddler(container));
		$(container).empty().addClass(className);
		var btn = $("<a />").addClass("followedTiddlers").text(txt).
			click(function(ev) {
				followMacro.followingOnClick(ev);
			}).appendTo('<div class="followedTiddlers" />').appendTo(container)[0];
		$.data(btn, "tiddlers", tiddlers);
	},
	followingOnClick: function(ev) {
		var target = ev.target;
		var locale = followMacro.locale;
		var el = $('<div class="followTiddlersList" />')[0];
		var popup = Popup.create(target,"div");
		$(popup).addClass("taggedTiddlerList followList").click(function(ev) { // make it so only clicking on the document outside the popup removes the popup
			if(ev.target.parentNode != document) {
				ev.stopPropagation();
			}
		}).append(el);
		var tiddlers = $.data(target, "tiddlers") || [];
		scanMacro.template(el, tiddlers.slice(0,1), "FollowTiddlersHeading");
		scanMacro.template(el, tiddlers, "FollowTiddlersTemplate");
		if(tiddlers.length === 0) {
			$("<li />").text(locale.noTiddlersFromFollowers).appendTo(el);
		}
		Popup.show();
		ev.stopPropagation();
		return popup;
	},
	_getFollowerBags: function(followers) { // XXX: private or not?
		return $.map(followers, function(name, i) {
			return name != currentSpace ? "%0_public".format(name) : null;
		});
	},
	getFollowers: function(callback, username) {
		// returns a list of spaces being followed by the existing space
		var followersCallback = function(user) {
			if(!user.anon) {
				scanMacro.scan(null, { 
					url: "/search?q=bag:%0_public tag:%1 _limit:%2".format(user.name, followMacro.followTag, LIMIT_FOLLOWING),
					spaceField: "title", template: null, cache: true,
					callback: function(tiddlers) {
						var followers = [];
						for(var i = 0; i < tiddlers.length; i++) {
							followers.push(tiddlyspace.resolveSpaceName(tiddlers[i].title));
						}
						callback(followers);
					}
				});
			} else {
				callback(false);
			}
		};
		return !username ? tweb.getUserInfo(followersCallback) : followersCallback({ name: username });
	}
};

var scanMacro = config.macros.tsScan = {
	init: function () {
		this.scanned = {};
	},
	_tiddlerfy: function(jsontiddlers, options) {
		var tiddlers = [];
		var spaceField = options.spaceField || "bag"; // TODO: phase out use view types instead
		$.each(jsontiddlers, function(i, t) {
			var use = false;
			if(!options.showBags || (options.showBags && options.showBags.contains(t.bag))) {
				use = true;
			}
			if(options.hideBags && options.hideBags.contains(t.bag)) {
				use = false;
			}
			if(use) {
				var spaceName = t[spaceField];
				var tiddler = config.adaptors.tiddlyweb.toTiddler(t, tweb.host);
				tiddler.fields["server.space"] = tiddlyspace.resolveSpaceName(spaceName);
				tiddlers.push(tiddler);
			}
		});
		return tiddlers;
	},
	_scanCallback: function(place, jsontiddlers, options) {
		var locale = followersMacro.locale;
		var tiddlers = scanMacro._tiddlerfy(jsontiddlers, options);
		
		if(options.sort) {
			tiddlers = store.sortTiddlers(tiddlers, options.sort);
		}
		if(options.filter) {
			var _store = new TiddlyWiki();
			config.lastStore = _store;
			for(var i = 0; i < tiddlers.length; i++) {
				var clone = tiddlers[i];
				clone.title = tiddlyspace.getLocalTitle(clone.title, clone.fields['server.workspace']);
				_store.addTiddler(clone);
			}
			tiddlers = _store.filterTiddlers(options.filter);
		}
		if(place) {
			$(place).empty();
			var list = $("<ul />").appendTo(place)[0];
			scanMacro.template(list, tiddlers, options.template);
			if(tiddlers.length === 0) {
				$("<li />").text(options.emptyMessage || locale.noone).appendTo(list);
				$(list).addClass("emptyList");
			}
		}
		if(options.callback) {
			options.callback(tiddlers);
		}
	},
	constructSearchUrl: function(host, options) {
		if(options.url) {
			return options.url;
		}
		var inputs = options.searchValues;
		var tag = options.tag;
		var searchField = options.searchField || "title";
		var searchQuery = [];
		for(var i = 0; i < inputs.length; i++) {
			searchQuery.push('%0:"%1"'.format(searchField, inputs[i]));
		}
		var query = searchQuery.join(" OR ");
		query = tag ? "(%0) AND tag:%1".format(query, tag) : query;
		query = options.query ? "%0;%1;".format(query, options.query) : query;
		query = options.fat ? "%0&fat=1".format(query) : query;
		return '%0/search?q=%1'.format(host, query);
	},
	scan: function(place, options) { // TODO: make use of list macro with url filter
		var locale = followersMacro.locale;
		options.template = options.template ? options.template : "ScanTemplate";
		followMacro.getHosts(function(host, tsHost) {
			$(place).text(followersMacro.locale.pleaseWait);
			options = options ? options: {};
			var url = scanMacro.constructSearchUrl(host, options);
			if(options.cache && scanMacro.scanned[url]) {
				var tiddlers = scanMacro.scanned[url].tiddlers;
				var run = function(tiddlers) {
					scanMacro._scanCallback(place, tiddlers, options);
				};
				if(tiddlers) {
					run(tiddlers);
				} else {
					scanMacro.scanned[url].callbacks.push(run);
				}
			} else {
				var callback = function(tiddlers) {
					scanMacro._scanCallback(place, tiddlers, options);
				};
				if(scanMacro.scanned[url] && scanMacro.scanned[url].callbacks) {
					scanMacro.scanned[url].callbacks.push(callback);
				} else {
					scanMacro.scanned[url] = {
						callbacks: [callback]
					};
				}
				ajaxReq({
					url: url,
					dataType: "json",
					success: function(tiddlers) {
						scanMacro.scanned[url].tiddlers = tiddlers;
						var callbacks = scanMacro.scanned[url].callbacks;
						while(callbacks.length > 0) {
							callbacks.pop()(tiddlers);
						}
					},
					error: function(xhr) {
						$(place).empty();
						$("<span />").addClass("annotation error").text(locale.error.format(xhr.status)).appendTo(place);
					}
				});
			}
		});
	},
	template: function(place, tiddlers, template) { // TODO: make use of list macro.
		for(var i = 0; i < tiddlers.length; i++) {
			var tiddler = tiddlers[i];
			var item = $('<li class="spaceName" />').appendTo(place)[0];
			var spaceName = tiddler.fields["server.space"] || "";
			var templateText = store.getTiddlerText(template).replace(/\$1/mg, spaceName);
			wikify(templateText, item, null, tiddler);
		}
	},
	getOptions: function(paramString, tiddler) {
		var args = paramString.parseParams("name", null, true, false, true)[0];
		var options = { query: false, sort: false, tag: false, template: false, showBags: args.show || false,
			hideBags: args.hide || false, filter: false, spaceField: "bag", searchField: "title", fat: false,
			emptyMessage: false };
		for(var name in args) {
			if(name != "name") {
				if(name == "fat") {
					options[name] = true;
				} else {
					options[name] = args[name][0];
				}
			}
		}
		// if user has set searchField to modifier, then use the modifiers value if available otherwise use searchValues.
		var searchField = options.searchField;
		var searchValues = args[searchField] ? args[searchField] : args.searchValues;
		// if neither of those were used use the first parameter
		var defaultValues = tiddler ? [ tiddler.title ] : [];
		options.searchValues = searchValues ? searchValues : ( args.name ? [args.name[0]] : defaultValues);
		return options;
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var container = $("<div />").addClass("scanResults resultsArea").appendTo(place)[0];
		var options = scanMacro.getOptions(paramString, tiddler);
		scanMacro.scan(container, options);
	}
};

var followersMacro = config.macros.followers = {
	locale: {
		loggedOut: "Please login to see the list of followers",
		noSupport: "We were unable to retrieve followers as your browser does not support following.",
		pleaseWait: "Please wait while we look this up...",
		error: "Error %0 occurred whilst retrieving data from server",
		noone: "None."
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var locale = followersMacro.locale;
		var args = paramString.parseParams("name", null, true, false, true)[0];
		var username = args.name ? args.name[0] : false;
		var container = $('<div class="followers" />').text(locale.pleaseWait).
			appendTo(place)[0];
		var followersCallback = function(user) {
			if(user.anon) {
				$("<span />").text(locale.loggedOut).appendTo(container);
			} else {
				var options = scanMacro.getOptions(paramString);
				$.extend(options, {
					url: "/search?q=title:@%0 OR title:%0 tag:%1 _limit:%2".
						format(user.name, followMacro.followTag, LIMIT_FOLLOWING),
					spaceField: "bag",
					template: options.template ? options.template : "FollowersTemplate"
				});
				scanMacro.scan(container, options);
			}
		};
		return !username ? followersCallback({ name: currentSpace }) : followersCallback({ name: username });
	}
};

var followingMacro = config.macros.following = {
	locale: {
		pleaseWait: followersMacro.locale.pleaseWait,
		loggedOut: "Please login to see who you are following",
		noSupport: followersMacro.locale.noSupport,
		error: followersMacro.locale.error,
		noone: followersMacro.locale.noone
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var locale = followingMacro.locale;
		var args = paramString.parseParams("name", null, true, false, true)[0];
		var fat = args.fat ? true : false;
		var username = args.name ? args.name[0] : false;
		var container = $('<div class="following" />').text(locale.pleaseWait).
			appendTo(place)[0];
		var followingCallback = function(user) {
			if(user.anon) {
				$("<span />").text(locale.loggedOut).appendTo(container);
			} else {
				var options = scanMacro.getOptions(paramString);
				$.extend(options, {
					url: "/search?q=bag:%0_public tag:%1 _limit:%2".format(user.name, followMacro.followTag, LIMIT_FOLLOWING),
					spaceField: "title",
					template: options.template ? options.template : "FollowingTemplate"
				});
				scanMacro.scan(container, options);
			}
		};
		return !username ? followingCallback({ name: currentSpace }) : followingCallback({ name: username });
	}
};

var linkedMacro = config.macros.linkedTiddlers = {
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var args = paramString.parseParams("anon")[0];
		var title = params[0] || tiddler.fields["server.title"] || tiddler.title;
		var tid = store.getTiddler(title);
		var containingTiddler = story.findContainingTiddler(place).getAttribute('tiddler');
		if(tid) {
			followMacro.makeButton(place, {
				spaceField: "recipe",
				url: "/bags/%0/tiddlers/%1/backlinks".format(tid.fields['server.bag'],
					encodeURIComponent(tid.title)),
				blacklisted: followMacro.getBlacklist(),
				title: title,
				containingTiddler: containingTiddler,
				user: params[1] || false,
				consultFollowRelationship: args.follow ? true : false });
		}
	}
};

if(config.options.chkFollowTiddlersIsLinkedTiddlers) {
	merge(config.macros.followTiddlers, config.macros.linkedTiddlers);
	config.shadowTiddlers.FollowTiddlersHeading = "These are the other tiddlers that link to this tiddler.";
}

})(jQuery);
//}}}

!HONESTY IS THE DEVIL'S TORCH
from //[[RAW|scream]]: real and woven//

i am a notorious liar. i will tell lies even when i don't need to - and quite reliably i won't tell lies when i should. honesty is the devil's torch they say (well, no, "they" don't - nobody does - in fact i just googled that whole phrase in quotes and no one has ever said that exactly...)

//<part precis>when you are honest with yourself about the reality of the life you are living, it sets the world ablaze.</part>//

it is no small coincidence that the tree of which adam and eve ate in the garden of eden in genesis is the tree of knowledge. most religions believe that knowledge is dangerous. it is not surprising that the incidence of atheism increases with the level of education. it isn't that the more educated don't have time for god with their busy careers and lives, it is that they know there can be no god given the circumstances - and that everything about our lives is random and accidental - we are here because of a strong trait that won out in evolution - that is all - and ultimately, no matter what we do, what records we keep, what words we write on a page, what thoughts we commit to solid form, there will be a time, which in the time of our planet is a very small time, when none of it will matter - when none of it or us will survive - man has been on this planet in this form for only a very short time compared to the history of the cosmos - we can quite easily and quickly fade out just as we sparked in.

so knowledge is what must be kept from those who are to be believers - because in order to believe you must have faith, and faith is easily countered by strong evidence - there is always some sort of answer for something - and those answers that we don't have are usually in response to the bigger questions...
----

//From earlier in RAW://
we know, because it is written in the bible (and for some that is all that matters) that there are two creation stories - both quite different from each other. so let us suppose then there were two gardens - one in which there was a boy, a girl, a tree, an apple, and a snake, and another in which there was a girl, a boy, a tree, an orange, and a snake.  in one the boy was tempted to knowledge by the girl and her apple.  in the other the girl was tempted to knowledge by the boy and his orange. the snake represents reason in both stories.

<<<
Clerk, artist, centaur:
He is no camouflagist,
but paints every cry.

 – a HapaxHaiku
<<<
(10/1/2016: My cynical mind misled me first, and spoke: //paints every lie.// Then I watched a beautiful film tonight, //The Book Thief//.  I also remembered the call of the world's hurt, all those years ago.  And I knew what the humble poet is to paint.)

//True is neither and both…// ("[[Intervisible]]")

----

He asked me to contemplate the image of a centaur, in relation to myself.  A centaur can be seen as NEITHER/NOR, which is a place of limbo, a trap I sometimes fall in.  Or, a centaur can be seen as BOTH/AND … both boy and man, masculine and feminine, old and young, clerk and artist …

8/26/2006

 
I am no rootless thing in the world;
I am earth of its earth, and breath.

Its breath beyond joy and sorrow;
behind thy ceaseless flux: unity.

----

From a poetic exercise I called //[[SavedBy22]]//.

<<tiddler [[SavedBy22/haiku]]>>

 
[[anti-etymological|https://twitter.com/museical/status/747423242982301697]]
YOU only occur
ONCE: anti-etymological,
           the wind WRIT.

//This word was my entry-point to the Hapax Hegemon, called to my attention by the lexicographer Erin ~McKean.  See further// +++[elaboration:]
:Written on the [[gravestone|http://www.findagrave.com/cgi-bin/fg.cgi?page=pv&GRid=566&PIpi=8281991]] of John Keats: //"Here lies One Whose Name was writ in Water".//
:An old friend of mine, adopted at birth and with no children of his own, took this as his inspiration when writing //"I am more than content to be a man whose name was written in the wind."//
:The three forces here are ''YOU'' (human identity), ''ONCE'' (temporality), and ''WRIT'' (capitalized thusly, it reminds me of 'the great, megalithic death' that is [[HISTORY|HistoryGBG]].)
A //[[hapax legomenon|https://en.wikipedia.org/wiki/Hapax_legomenon]]// is a word or word form that occurs only once within a context, either in the written record of an entire language, in the works of an author, or in a single text.

According to the OED, a ''hegemon'' is a leading or paramount power.  Hegemons are [[elsewhere described|https://www.vocabulary.com/dictionary/hegemon]] as "powerful entities.  In America, big business is a hegemon. In computers, Apple is a hegemon. For a long time in the NBA, Michael Jordan was a hegemon. Only the powerful can claim to be hegemons. This word suggests dominance and often a little more power than others would prefer."
===
 

[[man-in-community|https://twitter.com/museical/status/747406165110251521]]
Rail against the bot;
a man-in-community
dispersed, half-real, tries.

[[two-times-six|https://twitter.com/museical/status/795624263164329984]]
two-times-six, half-true;
crumbling sums of numbers
vanished by the sun.

[[worth-and|https://twitter.com/hapaxhegemon/status/747203042924126208]]
Seeking his worth-and
et cetera, hardly won,
(still unsure of why)
and with no claim-nor
credential, he states the case,
sung to open sky.
<<tiddler Großmutter>>

[[upper-fifth|https://twitter.com/museical/status/771714113718190081]]
His upper-Fifth tastes
are out of place, [[petaled blue|Blue Flower]]
fabrics he can't have.

[[11/28/1912|https://twitter.com/museical/status/779121418529222656]]
Emptyish, unhinged
Thursday morning, feet grow wet
[[Flee|Sherwood Anderson]] the machines now

"[[The Life of Business|https://twitter.com/museical/status/799423863352238080]]"
Dreams change, grow needy;
&emsp; founder's zeal overtaken
by hours ledger-filled.

[[overflee|https://twitter.com/museical/status/772089793639395328]]
Wasp circling near
Scent of the boy's brow;
When you're seen, don't overflee.

[[nesting-song|https://twitter.com/museical/status/764560370732195840]]
summer nesting-song:
life burgeons and kicks my ribs
August labor nigh.

[[flowingin|https://twitter.com/museical/status/764567816657735680]]
kisses flowingin
you vivify my tissues
breath and need drunk in
: //Second line inspired by John Cage's [[poem|John Cage Love Poem]] to Merce Cunningham.//
[[fast-silvering|https://twitter.com/museical/status/747240055249346560]]
Fast-silvering glare
Of the moon by night on glass
Drivers passing by

Deft-quivering stitch
Loops in/out, then turns again;
Sew the last corner.

//In the first poem, I was likely led by the influence of Madeline [[L'Engle]] quoting from Psalm 121: "The sun shall not strike you by day, nor the moon by night."//

''Background:''

[[Leonard Richardson|https://www.crummy.com]] created a Twitter bot called ''Hapax Hegemon'' which posts words that only occur once in the [[Project Gutenberg|https://www.gutenberg.org/]] corpus.

I discovered [[HapaxHegemon|https://twitter.com/hapaxhegemon]] on June 26, 2016.  First I thought an actual person was posting the words, which looked to be coinages or novel compound words.  I tweeted back my own words that seemed a fitting response, thinking that the author would understand my intent.

All from 6/26/2016:
: fast-silvering / deft-quivering
: disapppointed / dysannointed
: worth-and / claim-nor&nbsp;&nbsp; //[I thought of Paul Ricoeur's [[triple quest|Triple quest for self]] of having/power/worth]//
When I saw that over 21,000 tweets had been posted, and they appeared every hour, I realized that a software "bot" was behind it.

I then took to writing haiku which drew from these //hapax hegemona//.   Back in 2014, Leonard Richardson wrote that his bot "won't stop until we're all dead", and filed [[his remarks|https://www.crummy.com/2014/01/07/0]] under the category "art".  Now I will follow the prompts of machine code to create my own art.

<<<
If Dublin has not recaptured its soul… it is easy to understand how ''men of dramatic genius dribble off into mediocrity for want of a wall to sun their frescoes with.''
&nbsp; -- Peter ~McBrien, //Studies: An Irish Quarterly Review// - [[Vol. 7, No. 26|http://www.jstor.org/stable/30092686]] (June 1918)

Follow [[the great man|Method of Nature]], and you shall see what the world has at heart. There is no omen like that. But what strikes us in the fine genius is that which belongs of right to everyone.
&nbsp; -- Ralph Waldo [[Emerson]], //The Method of Nature//

Genius is nothing more nor less than childhood recovered at will, childhood equipped now with man's physical means to express itself, and with the analytical mind that enables it to bring order into the sum of experience… 
&nbsp; -- Charles Baudelaire, //The Painter of Modern Life//

A man of genius makes no mistakes. His errors are volitional and are the portals of discovery.
&nbsp; -- [[James Joyce]], //Ulysses//
<<<

//''genius which belongs to everyone''// -- Way of the [[Layman Monk]]

variegated human intelligence (I.Q.)
+ bodies of knowledge and skills
+ insight / outlook
= [[Genius]]

(IQ, knowledge, outlook pattern borrowed from Alan [[Kay]])

!Correspondances
Charles Baudelaire

Nature is a temple where living pillars
Let escape sometimes confused words;
Man traverses it through forests of symbols
That observe him with familiar glances.

Like long echoes that intermingle from afar
In a dark and profound unity,
Vast like the night and like the light,
The perfumes, the colors and the sounds respond.

There are perfumes fresh like the skin of infants
Sweet like oboes, green like prairies,
—And others corrupted, rich and triumphant

That have the expanse of infinite things,
Like ambergris, musk, balsam and incense,
Which sing the ecstasies of the mind and senses.

|~ViewToolbar|+editTiddler permalink references jump closeTiddler|

''cycle'' //noun// – recurrent period of time, before 1387. @@color(grey):{ Old French //''cycle''// or directly from Late Latin //__cyclus__// < Greek //__kyklos__ 'circle, ring, wheel, any circular body, circular motion, cycle of events'.// }

<<allTags excludeLists>>

!Let This Darkness Be A Bell Tower
Rainer Maria [[Rilke]]

Quiet friend who has come so far,
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,

what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.

In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.

And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.

//Sonnets to Orpheus II, 29//

/***
|''Name:''|ToggleSideBarTB|
|''Description''|allows to toggle left and right sidebar|
|''Version:''|1.1|
|''Type''|macro|
|''Author:''|[[TobiasBeer]]|
|''Info:''|http://tbgtd.tiddlyspot.com/#ToggleSideBarTB|
|''Source:''|http://tbgtd.tiddlyspot.com/#ToggleSideBarTB|
|''License''|[[Creative Commons Attribution-Share Alike 3.0|http://creativecommons.org/licenses/by-sa/3.0/]]|
|''~CoreVersion''|2.xx|
!Code
***/
//{{{
config.macros.toggleSideBarTB={
  settings:{
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"All relationships begin, and end, in separation.

"Through the bloodwebs of our mothers, we start out connected to the pulse and rhythm of the cosmos. And then we are torn from the Mother, separated from the cosmos, separated from the gods, separated forever. And we close all the relationships of our lives through that separation we call death. That grinning ghastly guest is even a part of the marital ceremony, reminding the couple who are just now swearing eternal devotion that, inevitably, they are also committing themselves to loss.

"Perhaps even more significantly, they will have spent their lives in the context of a deeper, more subtly lost relationship. They will have spent the bulk of their journey suffering the loss of relationship with their own best selves. We live our lives estranged - from others, from gods, and worst of all from ourselves. Intuitively, we all know this. We know that we are our own worst enemies. We never stop trying to reconnect, to find home again, and in the end we simply leave it in a different way. Perhaps there is no home to which we can return. We can't return to the womb, though we try, and few of us are confident of a future celestial home. So we live, always homeless, whether we know it or not."

//The Eden Project: In Search of the Magical Other//
by James Hollis

 
My general feeling is that I'm on the edge of a [[crater]] … one which has been opening and closing periodically, long before I met you.  One day I'm hanging on, then starting to fall, climbing back up its walls.  To belabor this awful metaphor, it feels more dangerous than it has in a long time.

I love you, my wonderful wife.

 
I am a [[speck|Pale Blue Dot]] in the cosmos.
I am a daughter of the [[biome|Time-Binder]].
I am a son of the wild.
I [[belong|Home is]] in the family of mankind.
I walk this path and [[grow|nascimento]] to wisdom.
I am training to defend the [[jewels|Seed of Perfection]].
I am a [[tao-child|Sevenfold Self]].

''Improving my self''
#gain confidence and clarity in walking my path
#learn to control and process my anger
#consider my speech more carefully
#stop "turning off my mind" with old habits and cravings
#improve my attitude toward my working life — start with my present employer
#live comfortably in my body (my height, appearance, health)
#be more at ease socially; stop worrying, measuring, comparing, judging
#make and maintain good friendships, including with men
''Life practice''
#practice loving-kindness, deeper listening, and genuine dialogue (~I-Thou)
#participate in a community, and cherish it as I do my family 
#meditate
#minimize my possessions; free myself of stuff
#spend more time in Nature and out of doors
#study [[Buddhism]]
''Parenthood''
#provision for my children's happiness
#raise my son to manhood without the violent and unfeeling tendencies of historic masculinity
#raise my children to live in a better culture; offer them an enlightened practice of living as I know it
#encourage them to create their own way
#homeschool my children
''The "business" of living''
#grow a garden, and consider farming as a vocation
#feed my family with less reliance on the industrial supply-chain
#all I do, do in awareness of my connection to other life and ecological dynamics
#practice right livelihood, and harmonize my work/income with my ethics
#understand and improve the economics of my life (personal, business, social, global)
#live with no financial debt (including no home mortgage)
''Personal enrichment''
#write a story, poem, or essay
#organize/downsize my library, carefully acquire further books for a "core collection"
#learn as many [[languages→|Language Appreciation]] as I can (spoken, natural, formal or programming)
#speak Spanish fluently
#learn more about music
#enjoy children's literature again, with child's and adult's eyes
#look at the universe through a telescope
#thrive in a personal education (possibly as an educator), and dream of the [[Village University]]
#become a [[Dynabook]] author, publisher, or [[librarian→|Dynabook Library]]
#research, develop, possibly play an instantiation of The [[Glass Bead Game]]
''Experiences to "take in"''
#see a Frank Lloyd [[Wright]] home //(done!)// and incorporate some of his philosophy
#visit the [[Cathedral of Learning]]
#own a piece of art by Robert [[Vickrey]]

 
John Chris [[Jones]]' synopsis (in two parts) of //[[The Internet and Everyone|i+e]]// was used for the hardbound book's dust jacket.  Below is a rendition in wikitext; portions shown as @@color:grey; {{dialog{grey italic text}}}@@ were cropped from the dust jacket.  The text is set in paragraphs as it appeared inside the book.
Boxed or @@color:red; {{serif{red text}}}@@ – the color printed on the jacket – indicate the title, author, and publisher's imprint on the cover and spine, jacket summary and a bio of John Chris.  Blue text indicates wiki hyperlinks; bold emphasis added by [[re: muse]].
<html><a name="Top"/></html>
//starting from page 29://{{serif{
----
{{grem{What}}} I will be writing is my long-held view that, as computation expands, all of the specialised departments of modern life, everything from government and education to medicine and show business, will have to undergo {{grem{gradual but total change or transformation as the}}} computernet and its possibilities, threatening and benign, provoke organisations and ordinary people to develop in extraordinary ways, many of them contradictory.

The central point of this view of things is that spec{{grem{ialisation is no longer the right form for living in}}} industrial culture.  I believe that the logic of the change from mechanical to post-mechanical, @@color:red;the@@ via electronic media and computing, implies that people cease to organise themselves in specialised roles, as experts highly {{grem{skilled in narrowband jobs.  With the aid of a}}} computerised internet, everyone should be able to take back (from what remains of the specialised @@color:red;internet@@ professions) the creativeness and initiative that was long ago lost to them.

| in 1995 @@color:red;ellipsis@@ asked @@color:red;john chris jones@@ to write a book about the internet.  jones, whose earlier writing had foreseen the revolutionary importance of automation, computers and networks, accepted the invitation.  this book is the result of an extended period in which he became a @@color:red;net person@@, exploring the implications of the technology for society in many aspects: economic, political, technological, artistic.  on a [[backbone|WikiStructure/jcj-spine]] of 25 'letters', texts of various sorts – essays, dramas, meditations – explore the possibilities of synthesis and progress that the internet allows: the sharing of knowledge and professional expertise; the breakdown of hierarchies and dualism; the collapse of geographic @@color:red;space@@ and @@color:red;time@@.  for anyone who wants to start to understand the implications of @@color:red;the internet for everyone@@, this book will be thought-provoking, stimulating, and a source of many insights into the new virtual worlds. |

As I see {{grem{it, the presence of accessible computing power}}} embedded in everything will turn the technical knowhow of experts into accessible software and their manual skills @@color:red;and@@ and intuitions into the normal abilities of everyone else.  Thus users could become designers {{grem{and designers could become facilitators (the designers}}} of contexts and software in which these changes can happen).

The obvious precedent for this is in the early @@color:red;everyone@@ days of writing and printing.  Where once there were expert scribes and readers, able to {{grem{write and to print what most people could only speak,}}} there is now widespread literacy and the recent coming of self-publishing, by computer desk-top.

My purpose in writing the book is to show in some detail exactly how it is that the old path (of expert central{{grem{ism) is no longer right and that the new path (of what}}} has been called creative democracy made possible by computernet) is the right way to go.  Just because it's more human, in a way that crude industrialism never was.

In this vision of universal change from central{{grem{ism to its reverse, one or two things are essential: for}}} example, how to let go and how to keep the centre empty.

This is the most difficult part for it involves changing the mental pictures of ourselves, and others, and of what is possible and what is not.  If this is {{grem{to happen there have first to be changes in the culture,}}} in how we see the world.  And also in how we defend the empty centre, or center, even scenter, against our formerly more destructive selves.  To relinquish our secret wishes to control and to be controlled, that is {{grem{the challenge.

The words about the internet are from}}} the synopsis I wrote for ellipsis in October 1995.  (The rest of the synopsis appears as letter 25, attachment 3.)  The other words are the opening sentences of 'Lines written on a few miles above Tintern Abbey on revisiting {{grem{@@font-variant:small-caps;the banks of the wye during a tour@@, July 13, 1798' by}}} William Wordsworth.  I now see the writings of Wordsworth and others of the romantic tradition, protesting against the mechanical, as forerunners of that which only post-mechanical technology can permit.{{grem{  I combine my words with his (and I hope with a sense}}} of all the world and all the mind) to go beyond myself in specialisation towards ''the unnamed something else'' which is now becoming possible, I think.}}}
//starting from page 502://{{serif{
----
In this vision of universal change from centralism to its rev{{grem{erse, one or two things are essential: for example,}}} how to let go and how to keep the centre empty.

This is the most difficult part for it involves changing the mental pictures of ourselves, and others, and of what is possible and what is not.  If this is to happen {{grem{there have first to be changes in the culture, in how}}} we see the world.  And also in how we defend the empty centre, or center, even scenter, against our formerly more destructive selves.  To relinquish our secret wishes to control and to be controlled, that is the ch{{grem{allenge.

In dealing with this question I will be quo}}}ting some examples of post- industrial and post-mechanical thinking, and doing, which are to be found in the history of the nineteenth-century reactions against the inhumanities of coal and iron techno{{grem{logy, e.g. the writings of William Blake, William}}} Morris, John Ruskin, William Wordsworth, Walt [[Whitman]] (prophets of ''enhancement of the ordinary person'').

I will also speak of the twentieth-century [[pioneer]]s of decentral perception and relativism and uncertain{{grem{ty in the arts and the sciences:}}} <<tiddler Jones/pioneers>>.
:{{grem{See the passage on +++[page 420]
<<<
Isn't the book, already rethought, becoming the main medium, or meta-medium, for liberation, as it once was for control? After Moses. And after modernism – thanks to those [[pioneering minds|Jones/pioneers]] of the early twentieth century…
<<<
===
}}}
And I will allude to the often-negative {{grem{visions of such writers as Karl Marx, Aldous}}} Huxley, George Orwell, William Burroughs, Allen Ginsberg and William Gibson.  And the glamour of evil.

| @@color:red;john chris jones@@, author of @@color:red;design methods@@ and @@color:red;designing designing@@, was the first professor of design at the open university. after resigning his chair, he has pursued his interests in the nature of design through writings in many genres, performance, and teaching in the uk, the us and europe. |

I will also be describing the skills of speaking [[colloquial|i+e:poem/poetic-colloquial]] language, or of doing any kind {{grem{of physical action through the nervous system,}}} as the ''real depositories of our power'' beyond that of computers, which as people we all share.  But the difficulty is that, having adapted our immense but unconscious skills to the doing {{grem{and living of specialised work, we may have lost}}} confidence in the general powers that we have and the possibility of using them without rules and expert guidance and control.  I call this the 'tragic adaptation' of the time.

I will of course {{grem{give many practical details and examples, drawn from}}} my everyday experience of many forms of modern living as we know it, plus a lifelong familiarity with the design and evolution of new industrial forms from the early days of compu{{grem{ting in the fifties to the present, which I hope will fill}}} out and justify the abstract certainties that I've outlined above…

But I've not got time at the moment to say more than that.

outline of the form:
I hope to make the form of [[the book]] an example {{grem{of what I am saying.

One part of it will be a brief}}} description of twenty to thirty specialised aspects of life which I believe can be despecialised @@color:red;john@@ by the creative uses of the internet or information highway.  I will write this part in the tra{{grem{ditional manner of specialised writing, i.e. as}}} supposedly factual statements supported by evidence.

Another part of the book, my vision of @@color:red;chris@@ how things could change, I will write as what I called virtual fiction in the 'imagin{{grem{ary preludes' to the second edition of //Design methods//.}}}  The virtual fiction could have two parts: 1 @@font-variant:small-caps;life on earth@@, an over-centralised hell that @@color:red;jones@@ could shortly prevail if present @@color:red;john chris jones@@ trends are maintained.  In this the charac{{grem{ters of Utopia and Numeroso, seen as visitors from}}} somewhere else, are escorted by a travel guide called Unesco who rather sadly shows them what became of the hopes of all those idealists and pioneers with good intentions who thought they were doing good. 2 life {{grem{@@font-variant:small-caps;on J-921@@, a synthetic or virtual version of the planet}}} earth, initially identical to life as we @@color:red;●●●ellipsis@@ know it, and including clones and @@color:red;●●●@@ simulations of all of us and our artefacts @@color:red;●●●@@ and of nature as well, but gradually departing in form as things assu{{grem{me decentral forms.

The first of these visions is pervaded}}} by dualism and conflict, by the separation of mind from body, of male from female, of good from bad, of the so-called real world from so-called unreal.  But the second is to be my attempt at playing out some of the astonishing con{{grem{sequences of ''the integration of opposites''.  For instance}}} the idea of there being a benign creator, separate from the cosmos and separate from a force of evil or malevolence, is replaced by the union of good and evil (goodevil) in a form of continuous creativeness that is shared by every being {{grem{and every thing that transcends morality as we knew it.}}}
}}}
----
<html><div align="right"><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></div></a></html>
+++[Alternate forms of the synopsis]
&nbsp;
''The 'missing words' from the cover'' (in grey text above)

//what ''gradual'' but total change
or transformation as the computernet
''specialisation'' is no longer the right form for living
''highly skilled'' in narrowband jobs
with the aid of a computerised internet – [[it|mitocos/itocosm]]{{lg{(o)}}}
''the presence'' of accessible computing power embedded
''designers'' could become facilitators
(the designers) are ''to write'' and to print what
most people could only speak,
''centralism'' is no longer right and the new path
(of what) ''centralism'' to its reverse

one or two things are essential
''to happen'' there have first to be changes
in the culture – ''the challenge'',
the words about the internet are from
''revisiting'' the banks of the wye during a tour
July 13, 1798.
''I combine'' my words with his (and I hope with a sense)
''reverse'' in how, in dealing with this question,
I will be quoting ''technology'', e.g. the writings of
William Blake, William Morris
''uncertainty'' in the arts and the sciences

''negative'' visions of such writers as
Karl Marx, Aldous Huxley,
''any kind'' of physical action
through the nervous system,
''and living'' of specialised work,
we may have lost –
''give'' many practical details and examples,
drawn from ''computing'' in the fifties to the present,
which I hope will fill out
''example'' of what I am saying
one part of it will be:

a brief ''traditional'' manner of specialised writing
i.e. as supposedly '''imaginary'' preludes'
to the second edition of __Design methods__.
''characters'' of Utopia and Numeroso,
seen as visitors from somewhere
''on J-921'', a synthetic or virtual version of the planet
''assume'' decentral forms.
the first of these visions is pervaded
''consequences'' of the integration of opposites.
for instance ''and every thing''
– transcends morality as we knew it.//

See another vision -- the //[[Synopticon]]//
----
===
&nbsp;

//continuing from page 505, outside the dust jacket synopsis://
You could say that this is my reaction to William Gibson's //Neuromancer// …

And now, hoping to make the book an example of what I am saying, I am writing it via the internet and as an extension of it.  And also, please note, as my actual thoughts as they appear while writing.  Not as the resaying or editing of earlier thoughts, or texts, or of the above synopsis, but as something written 'in real time', which seems appropriate, does it not, when writing on the internet as well as of it?

Yes, what I intend to write here is a modest but real improvement in the form of industrial life and culture, ''intolerable as it is to some of us''.  Not a theory or a proposal, not even a dream but a reality, a design of what was impossible before the net existed, in the age of mechanics.

So here it is and anyone can do it -- the architecture of post-mechanical living.  Is it truth or is it fiction?  [ … yes, of course … ]


<<tiddler [[i+e:poem/GertrudeStein]]>>
----
//See {{emph{[[rhizome]]-book}}}//

//From the Homily of Pope Francis in his Inaugural Mass on the 19 March, 2013://

[All emphasis below is mine, which tends toward elements of Francis' message I see as ecumenical.]

"How does Joseph respond to his calling to be the protector of Mary, Jesus and the Church? By being //constantly attentive// to God, //open to the signs of God’s presence// and receptive to God’s plans, and not simply to his own ... Joseph is a “protector” because he is able to hear God’s voice and be guided by his will; and for this reason he is all the more sensitive to the persons entrusted to his safekeeping. //He can look at things realistically, he is in touch with his surroundings, he can make truly wise decisions.//  In him, dear friends, we learn how to respond to God’s call, readily and willingly, but we also see the core of the Christian vocation, which is Christ! Let us protect Christ in our lives, so that we can protect others, so that we can protect creation!

The vocation of being a “protector”, however, is not just something involving us Christians alone; it also has //a prior dimension which is simply human, involving everyone.//  It means protecting all creation, the beauty of the created world, as the Book of Genesis tells us and as Saint Francis of Assisi showed us. It means respecting each of God’s creatures and respecting the environment in which we live. It means protecting people, showing loving concern for each and every person, especially children, the elderly, those in need, who are often the last we think about. It means caring for one another in our families: husbands and wives first protect one another, and then, as parents, they care for their children, and children themselves, in time, protect their parents. It means building sincere friendships in which we protect one another in trust, respect, and goodness.  //In the end, everything has been entrusted to our protection, and all of us are responsible for it.//  Be protectors of God’s gifts!

Whenever human beings fail to live up to this responsibility, whenever we fail to care for creation and for our brothers and sisters, the way is opened to destruction and hearts are hardened. Tragically, in every period of history there are “Herods” who plot death, wreak havoc, and mar the countenance of men and women.

Please, I would like to ask all those who have positions of responsibility in economic, political and social life, and all men and women of goodwill: let us be “protectors” of creation, protectors of God’s plan inscribed in nature, protectors of one another and of the environment.  //Let us not allow omens of destruction and death to accompany the advance of this world!//  But to be “protectors”, we also have to keep watch over ourselves!  Let us not forget that hatred, envy and pride defile our lives!  Being protectors, then, also means //keeping watch over our emotions, over our hearts, because they are the seat of good and evil intentions: intentions that build up and tear down!//  We must not be afraid of goodness or even tenderness!

Here I would add one more thing: caring, protecting, demands goodness, it calls for a certain tenderness. In the Gospels, Saint Joseph appears as a strong and courageous man, a working man, yet in his heart we see //great tenderness, which is not the virtue of the weak but rather a sign of strength of spirit// and a capacity for concern, for compassion, for genuine openness to others, for love. We must not be afraid of goodness, of tenderness!

Today, together with the feast of Saint Joseph, we are celebrating the beginning of the ministry of the new Bishop of Rome, the Successor of Peter ... He must be inspired by the //lowly, concrete and faithful service// which marked Saint Joseph and, like him, he must open his arms to //protect all of God’s people and embrace with tender affection the whole of humanity, especially the poorest, the weakest, the least important//, those whom Matthew lists in the final judgment on love: //the hungry, the thirsty, the stranger, the naked, the sick and those in prison// (cf. Mt 25:31-46). Only those who serve with love are able to protect!

... Today too, amid so much darkness, we need to see the light of hope and to be men and women who bring hope to others. To protect creation, to protect every man and every woman, to look upon them with tenderness and love, is to open up a horizon of hope; it is to let a shaft of light break through the heavy clouds; it is to bring the warmth of hope!

... To protect Jesus with Mary, to protect the whole of creation, to protect each person, especially the poorest, to protect ourselves: this is a service that the Bishop of Rome is called to carry out, yet one to which all of us are called, so that the star of hope will shine brightly. Let us protect with love all that God has given us!"

 
In a diary entry penned shortly before his thirty-fourth birthday, Tolstoy contemplates his life’s purpose with growing anxiety:
<<<
For some time past I have been tormented with regret at having wasted the best years of my life. It dates from the time when I began to feel myself capable of doing something good. Interesting it would be to describe the course of my moral growth; but neither words nor thoughts would be sufficient for the purpose.

To great thoughts there are no boundaries: yet long ago writers reached the impassable boundary of the expression of such thoughts. Played a game of chess, had supper, and now am going to bed. The pettiness of the life worries me. True, I feel this because I myself am petty; but in me I have the capacity to despise myself and my life. There is something in me which forces me to believe that I was not born to be what other men are… I am grown to maturity, and the season of development is going, or gone, and I am tortured with a hunger … not for fame — I have no desire for fame; I despise it — but for acquiring great influence in the direction of the happiness and benefit of humanity.

Shall I die with the wish a hopeless one?

… I fear vanity so much, and so much despise it, that I do not expect the satisfaction of it to afford me pleasure. Yet this is all that I have to look to, since, otherwise, what would remain as a starting-point?
<<<

See Tolstoy's //[[Confession]]// and definition of [[art]].

 
Carl [[Jung]] wrote in his foreword to Richard Wilhelm's translation:
<<<
I have no answer to the multitude of problems that arise when we seek to harmonize the oracle of the //I Ching// with our accepted scientific canons.  But needless to say, nothing "occult" is to be inferred.  My position in these matters is pragmatic… In the exploration of the unconscious we come upon very strange things, from which a rationalist turns away with horror, claiming afterward that he did not see anything.  The irrational fullness of life has taught me never to discard anything, even when it goes against all our theories (so short-lived at best) or otherwise admits of no immediate explanation.  It is of course disquieting, and one is not certain whether the compass is pointing true or not; but security, certitude, and peace do not lead to discoveries.  It is the same with this Chinese mode of divination. Clearly the method aims at self-knowledge…
<<<
Jung went on to say in his 1956 work //Mysterium Coniunctionis//:
<<<
Here the dominant factor is not logic but the play of archetypal motifs, and although this is "illogical" in the formal sense, it nevertheless obeys natural laws which we are far from having explained… The //I Ching// is a formidable psychological system that endeavors to organize the play of archetypes, the "wondrous operations of nature," into a certain pattern, so that a "reading" {{grem{[of these]}}} becomes possible…

The runic stalks or coins fall into the pattern of the moment.  The only question is: Did King Wen and the Duke of Chou {{grem{[Zhou]}}}, who lived a thousand years before the birth of Christ, interpret these chance patterns correctly?  Experience alone can decide…

However, I am not concerned with establishing objectively the validity of the //I Ching//'s statements, but take it simply as a premise {{grem{[starting point? an undertaking subject to change?]}}}, just as Wilhelm did.  I am concerned only with the astonishing fact that ''the hidden qualities of the moment become legible in the hexagram''.  The interconnection of events made evident by the //I Ching// is essentially analogous to what we find in [[astrology]].
<<<
----
<part Sept1>

''In response to my query September 1, 2016:''

{{{ 35 - 20 - 22 - 11 - 2 - 23 - 48 - 39 }}}
counter pairs:
{{{ 36 - 19 - 21 - 12 - 1 - 24 - 47 - 40 }}}

Prospering - Contemplation - Adorning - Peace - The Receptive - Splitting Apart - The Well - Obstruction

Darkening of the Light - Approach - Biting Through - Standstill - The Creative - Return - Oppression - Deliverance

35. PROSPERING
<<<
A content feudatory [entrusted with governing a province; in charge of executive tasks]
is honored with horses [bestowed on him] in large numbers to enhance the multitudes.
In a single day he is granted audience three times (the sun thrice reflected).
//The progress emanates from a man who is in a dependent position and whom the others regard as their equal and are therefore willing to follow.  This leader has enough clarity of vision not to abuse his influence but to use it rather for the benefit of his ruler.  His ruler in turn is not jealous, threatened or perturbed, but showers presents on [[the great man|the great man sees]], and invites him to his court.
Natural law: __the sun rises over the earth__.//
: Fourth line changing: Thieving people; timid, skulking, mournful, brooding; rodents who destroy stored grain.  Position not appropriate.  In times of progress it is easy for strong men in the wrong places to amass great possessions.  Dubious procedures are inevitably brought to light, so persevering on this course brings danger.
: Fifth line changing: Remorse disappears.  Take not gain and loss to heart.  Everything serves to further destiny being found.  A man might reproach himself for lack of energy in "making the most" of opportunity and obtaining all possible advantage.  Beneficent influence matters much more.
<<<
20. CONTEMPLATION / VIEW / OVERSEEING
<<<
A double meaning: both contemplative and being seen, in the sense of being an example.  (A watchtower -- or "sentry's castle tower" -- and a landmark.)  This hexagram is linked with the eighth month of September-[[October|October dancer Telemachus]].
//Thus the kings of old visited the regions of the world; making certain that none of the existing usages of the people escaped notice, and to exert influence through which the unsuitable could be changed.//

Hand-washing first; keep accord between inner and outer; strive to be sincere and truthful.  Inspect on all sides -- maybe by associating //with// as comrades, maybe by seeking out the correct aims and imploring others toward these -- all to establish and set something in order; thus overseeing the mass (those who actually support a society.)  Guiding the undeveloped or fragmented potential.
<<<
//By [[this Heart|Intervisible]] which sheltered words and plans kept right --

Aim to be a man who 'put his heart into it'.

I cannot accept being '[[a false steward|Friar's Journeybook/SpringToSummer]] who renders nothing back' -- and so I recover myself:
accord between inner and outer; radical honesty, and my remorse disappears.//

''Second hexagram cast on September 3rd:''

22. GRACE / ADORNING
<<<
Grace (adorning) brings success. However, it is not the essential or fundamental thing; it  is only the ornament and therefore be used sparingly and only in little things… Adorning implies embellishing…
It is not advised to use ''unconsidered'' //[impromptu, improvised, careless]// ''uniting'' //[join, match, correspond, unison, harmony]// and-also ''climaxing'' //[come to a high point and stop; bring to an end, complete, desist].//

//This electronic book is another way for my ego to adorn itself -- like the proverbial sage's beard.//
: Second line changing: Adorning: one's hair-growing.  Associating above, rising indeed. Benjamin [[Friedlander quoted|http://wings.buffalo.edu/epc/rift/rift02/frie0201.html]] the I Ching thus, in 1994:
> //'Lends grace to the beard on his chin.'//   The hexagram 'Grace' ('Pi')—from which I have taken the above line—is said to address the world of art, the world of tranquil beauty in which forms arise 'removed from the struggle for existence' (as Richard Wilhelm puts it in his commentary).  //'The beard is a superfluous ornament,'// writes Wilhelm, //'To devote care to it for its own sake, without regard for the inner content of which it is an ornament, would bespeak a certain vanity.'//
: Sixth line changing: White adorning, without fault.  Above acquiring purpose.  //"Here at the highest stage of development all ornament is discarded. Form no longer conceals content but brings out its value to the full. Perfect grace consists not in exterior ornamentation of the substance, but in the simple fitness of its form."//
Richard Wilhelm: "This is the world of [[art]].  However, contemplation alone will not put the will to rest absolutely.  It will awaken again, and then all the beauty of form will appear to have been only a brief moment of exaltation.  Hence this is still not the true way of redemption."
<<<
11. PEACE / COMPENETRATION
Heaven and earth are in contact and combine their influences, producing a  time of universal flowering and prosperity. This stream of energy must be regulated by the ruler of men. It is done by a process of division. Thus men divide the uniform flow of time into the seasons, according to the succession of natural phenomena, and mark off infinite space by the points of the compass. In this way nature in its overwhelming profusion of phenomena is bounded and controlled.

''Third hexagram cast on September 15th:''

2. SPACE / THE RECEPTIVE
<<<
This hexagram is made up of broken lines only. The broken lines represents  the dark, yielding, receptive primal power of yin. The attribute of the hexagram is devotion; its image is the earth.  It is the perfect complement of  THE CREATIVE —the complement, not the opposite, for the Receptive does not combat the Creative but completes it . It represents nature in contrast to spirit, earth in contrast to heaven, space as against time, the female-maternal  as against the male-paternal.
: //The earth's condition is receptive devotion.
Thus the superior man who has breadth of character
Carries the outer world.//
The doubling [of the Earth trigram or //bagua//] connotes the solidity and extension in space by virtue of which the earth is able to carry and preserve all things that live and move upon it.  The earth in its devotion carries all things, good and evil, without exception.  In the same way the superior man gives to his character breadth, purity, and sustaining power, so that he is able both to support and to bear with people and things.
//Earth's potency: space.  A jun zi uses munificent actualizing-dao to carry the beings.//
: Sixth line changing: "Dragons fight in the meadow.  Their blood is indigo //[deep blue-black, color of the sky's depths; profound, deep]// and yellow //[color of the soil in central China]// … A struggle ensues in which  it is overthrown, with injury, however, to both sides… //Their dao exhausted indeed."//  
<<<
23. STRIPPING / SPLITTING APART
<<<
Involved in embellishing, therefore afterwards
Growing, by consequence used-up actually.

//Tripping: rotten indeed.
Return: reversing// [turn or lead back; recover; return to an earlier time or place… Step and retrace a path.  Turn around or upside down; change to the opposite position.]

Above -- using munificence,
Below -- pacifying the situation.

The lines of the hexagram present the image of a house, the top line being the roof, and because the roof is being shattered the house collapses. The hexagram belongs to the ninth month ([[October|October dancer Telemachus]]-November). The yin power pushes up ever more powerfully and is about to supplant the yang power altogether.

The lower trigram stands for the earth, whose attributes are docility and  devotion. The upper trigram stands for the mountain, whose attribute is stillness. This suggests that one should submit to the bad time and remain quiet… It is impossible to counteract these conditions of the  time.  Hence it is not cowardice but wisdom to submit and avoid action.
<<<
''Fourth and final hexagram of September query'' (on the 17th):

48. THE WELL

39. OBSTRUCTION
</part>

!Aspiration
by Octavio [[Paz]], translated by Eliot Weinberger
from Homage and Desecrations (1960)

1

Shadows of white day
against my eyes. I see
nothing but white:
white hour, soul unchained
from desire, from the hour.

Whiteness of still waters,
white hour, blindness of open eyes.
Strike your flint, burn, memory,
against the hour and its undertow.
Memory, swimming flame.

2

Unchained from the body, unchained
from desire, I return to desire, I return
to the memory of your body. I return.
And your body burns in my memory,
my memory burns in your body.

Body of a God that was a burning body,
God that was a body, a body made God,
and now, alone, is only the memory
of a body unchained from another body:
your body is the memory of my bones.

3

Shadow of the sun sickle Sunshadow
casts over my downcast well
unknots [[the knot|Maithuna]] mows down desire
unflames this heartsick heart

Yet dismembered memory swims
from the birthsprings of nothing
from the wellsprings of birth
swims against the current and commands
{{grem{[los manantiales de su [[nacimiento|nascimento]]
nada contra corriente y mandamiento]}}}

swims against nothing

The flaming of water
the tongue of fire phosphorescing the water
the speechless words of Pentecost
{{grem{[Pentecostés palabra sin palabras]}}}

Aware without unthought awareness
thought recasting memory itself
The rest is a handful of sparks

----

Latin [[ad-|Latin ad- prefix]] + //spirare// "to breathe", sharing the same root as "spirit"

I love you, Lily, to the depth of my hidden, sacred self, and across the breadth of every hope and dream I conjured in childhood. Terming this as lucky, honored or even blessed fails to express my feelings for you.

You are my wife in every sense but the legal and customary. You are my [[Anam Cara]] by a unique definition that transcends the legacy B.S. of our yesterday selves.

I've been singing in my head to my children since I was fifteen years old.  Elton John's song //Blessed// was chosen early for the soundtrack of my life.
----
!Blessed
written by Elton John, Bernie Taupin

Hey you, you're a child in my head
You haven't walked yet
Your first words have yet to be said
But I swear you'll be blessed

I know you're still just a dream
your eyes might be green
Or the bluest that I've ever seen
Anyway you'll be blessed

And you, you'll be blessed
You'll have the best
I promise you that
I'll pick a star from the sky
Pull your name from a hat
I promise you that, promise you that, promise you that
You'll be blessed

I need you before I'm too old
To have and to hold
To walk with you and watch you grow
And know that you're blessed

This luminous View of the Natural Great Perfection transcends the dualism of perfect and imperfect.  It implies that everything is primordially complete as is, and uninhibitedly, inexhaustibly, spontaneously manifesting.  We don’t have to inhibit, alter, or adulterate anything in our experience; we can simply appreciate it as it as, and make more wise and informed decisions about how skillfully to work with things according to conditions and circumstances.   We don’t have to try to become perfect or stop thinking and feeling–not to mention try to make others change according to our own notions of how they could or should be!  The nature of the mind is primordially perfect as it is, and all its myriad manifestations are as well–thoughts, feelings, perceptions, memories, or whatever arises in the body-mind complex.

<<newTiddler label:+>><<permaview>><<closeAll>><<saveChanges>>

//A system for dialogic and network thinking//

Spawned as fiction, sustained by the practice of a vagabond ''monk'', [[Sembl|http://sembl.net]] is a fledgling life-form fit for the network age. Find out about the first instantiation.

Read the [[blog|http://sembl.net/blog]], meet the [[people|http://sembl.net/people]], see our [[plans and progress|http://sembl.net/about/products-services]]. And join in :)

 
//''See my own list of [[Influences]]…''//


In 2011, Lily K. ~McCulloch shared these --
<<<
//I do have a list of people that are inspiring living examples/influences://

* Leo Babauta [creator of [[Zen Habits|https://web.archive.org/web/20160909075925/http://zenhabits.net/about/]] and [[mnmlist|https://web.archive.org/web/20151215194200/http://mnmlist.com/]] websites]
* [[Pema]] Chödrön
* the Radical Simplicity guy [James Merkel]

//People who are living examples of what I treasure.//
<<<

Maria Popova created Brain Pickings -- which <part BrainPickings>seems much more than a 'blog' -- and introduced me to several thinkers and artists in the past four years.  Further, she continually unearths lovely gems from the lives of people whom I already read or admire.
: [[Here|https://www.brainpickings.org/about/]] she describes her labor of love in +++[detail:]
<<<
Brain Pickings is … a subjective lens on what matters in the world and why. Mostly, it’s a record of my own becoming as a person — intellectually, creatively, spiritually — and an inquiry into how to live and what it means to lead a good life.

Founded in 2006 as a weekly email that went out to seven friends and eventually brought online, the site was included in the Library of Congress permanent web archive in 2012.

… The core ethos behind Brain Pickings is that creativity is a combinatorial force: it’s our ability to tap into our mental pool of resources — knowledge, insight, information, inspiration, and all the fragments populating our minds — that we’ve accumulated over the years just by being present and alive and awake to the world, and to combine them in extraordinary new ways. In order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a wealth of disciplines, to combine and recombine these pieces and build new ideas.

I think of it as ~LEGOs — if the bricks we have are of only one shape, size, and color, we can build things, but there’s a limit to how imaginative and interesting they will be. The richer and more diverse that pool of resources, that mental library of building blocks, the more visionary and compelling our combinatorial ideas can be.

Brain Pickings… is a cross-disciplinary LEGO treasure chest, full of pieces spanning art, science, psychology, design, philosophy, history, politics, anthropology, and more; pieces that enrich our mental pool of resources and empower combinatorial ideas that are stronger, smarter, richer, deeper and more impactful. Above all, it’s about how these different disciplines illuminate one another to glean some insight, directly or indirectly, into that grand question of how to live, and how to live well.
<<<
===

</part>
&nbsp;
Another human story is spun through my 'playing' of [[History in the GBG|HistoryGBG]]:
# Alexander the Great (356-323 BCE), Julius Caesar (100-44 BCE) &nbsp; {{grem{[these two and Christ suggested by Hesse]}}}
# Abraham, [[Buddha|Buddhism]] (5th century BCE), Jesus of Nazareth, Francis (1182-1226)
# Leonardo [[da Vinci]] (1452-1519), Thomas [[Jefferson]] (1743-1826)
# Sally Hemings (1773-1835), Harriet Tubman (1822-1913)
# [[Emerson]] (1803-1882), [[Whitman]] (1819-1892), [[Eiseley]] (1907-1977)
# [[Rilke]] (1875-1926), [[Jung]] (1875-1961), [[Hesse]] (1877-1962)
# Martin [[Buber]] (1878-1965), Viktor [[Frankl|Man's Search For Meaning]] (1905-1997)
# Oskar Schindler (1908-1974), Anne Frank (1929-1945)
# Octavio [[Paz]] (1914-1998), John Cage (1912-1992)
# John [[Rawls]] (1921-2002) and Barack Obama (1961- )

My own journey has woven through three strands of female influence (not a definitive list!)

* Maria [[Montessori]] (1870-1952), Marie (two lines of 1876), Madeline [[L'Engle]] (1918-2007), Marian, Merleta, Maria Popova, Maya Tillman
** 48 years apart (Madeline was 33 at Maria's death); then 17, 27, 21, and 26.
* Eleanor Butler Cameron (1912-1996), Ellen Raskin (1928-1984), Enya Brennan (1961), Eve, Edith Mae, and Aron Tillman
** 16 years apart, then 33 (Enya was 23 at Ellen's death); then 21, and 28.
* Hildegard Sibyl (1098-1179), Harriet Ross Tubman (1822-1913), Helen Keller (1880-1968), Hillary Rodham (1947), [[Lilith|https://en.wikipedia.org/wiki/Lilith]]-Lily
** Hildegard of Bingen (also known as Sibyl of the Rhine) predated Francis of Assisi's birth by 3 years.
** 58 years apart, then 67 (Hillary was 20 at Helen's death); then 24.

 
Be a provenance
of something gathered,
a summation of previous intuitions,
let your vulnerabilities
be this time, not a weakness,
but a faculty for understanding
what's about to happen.

Stand above the Seven Streams
letting the deep down current surface
around you, then branch and branch
as they do, back into the mountain --
and as if you were able for that flow,
say the few necessary words
and walk on…

-- David Whyte

!sharing ourselves in music
FOR DAD - 2002

//songs to open
and reach out
and speak up//

''part 1 • songs from before''
(some places we’ve been)
|Candle In The Wind | Elton John|
|>| the young man in the 22nd row |
|Half A World Away | R.E.M.|
|>| sworn to go it alone and hold it alone |
|Roll Me Away | Bob Seger|
|>| sick of what's wrong and what's right |
|You Don't Know How It Feels | Tom Petty|
|>| My old man was born to rock |
|Forever In Blue Jeans | Neil Diamond|
|>| it don't sing and dance and it don't walk |
|Where The Streets Have No Name | U2|
|>| I wanna reach out…feel sunlight on my face |
|Stuck in A Moment | U2|
|>| a song that I can sing in my own company |
|The Color Green | Rich Mullins|
|>| I awoke in the house of God |
|Into The Heart | U2|
|>| I can smile, I can go there |

''interlude''
//I Still Haven’t Found What
I’m Looking For//
Phil Coulter instrumental rendition

''part 2 • me here and now''
(some things you might not know)
|Wild Child | Enya|
|>| you don't need a reason |
|Left Of Center | Suzanne Vega|
|>| I must be out of touch |
|Wonderful | Everclear|
|>| when the bell rings I just don't wanna go |
|I Want Love | Elton John|
|>| I just feel cold |
|Across The Universe | The Beatles / Rufus Wainwright|
|>| jai guru deva |
|Closer To Fine | Indigo Girls|
|>| trying to tell you something about my life |
|Utopia | Alanis Morissette|
|>| inquire and accept, reach out and speak up |
|Colorblind | Counting Crows|
|>| I am fine |
|Angel | Sarah ~McLachlan|
|>| some reason to feel not good enough |
|Only Time | Enya|
|>| where ''the road'' goes |

********

Born In The U.S.A.
(fragment)  Bruce Springsteen

Ten years burning down ''the road''
Nowhere to run, nowhere to go 

Born in the USA
I was born in the USA 
I was born in the USA 
I'm a long gone daddy in the USA
I'm a cool rockin' daddy in the USA
 
********

Candle In The Wind
Elton John

Goodbye Norma Jean
Though I never knew you at all
You had the grace to hold yourself
While those around you crawled
They crawled out of the woodwork
And they whispered into your brain
They set you on the treadmill
And they made you change your name

Chorus:
It seems to me you lived your life
Like a candle in the wind
Never knowing who to cling to
When the rain set in
I would have liked to have known you
But I was just a kid
Your candle burned out long before
Your legend ever did

Loneliness was tough
The toughest role you ever played
Hollywood created a superstar
And pain was the price you paid
Even when you died
Oh the press still hounded you
All the papers had to say
Was that Marilyn was found in the nude

(Chorus)

Goodbye Norma Jean
Though I never knew you at all
You had the grace to hold yourself
While those around you crawled
Goodbye Norma Jean
From the young man in the 22nd row
Who sees you as something as more than sexual
More than just our Marilyn Monroe

(Chorus)

******** 

Half A World Away
R.E.M.

This could be the saddest dusk
I've ever seen
Turn to a miracle
High alive
My mind is racing
As it always will
My hand's tired, my heart aches
I'm half a world away here
My head sworn
To go it alone
And hold it alone
Haul it along
And hold it
Go it alone
Hold it alone and hold.

Oh the lonely deep sit hollow
I'm half a world
Half the world away
My shoes are gone
My life spent
I had too much to drink
I didn't think
And I didn't think of you
I guess that's all I needed
To go it alone
And hold it alone
Haul it along
And hold it
Blackbirds backwards forwards and fall and hold.

Oh this lonely world is wasted
Pathetic eyes high alive
Blind to the tide that turns the sea
The storm, it came up strong
It shook the trees
And blew away our fear
I couldn't even hear

To go it alone
And hold it alone
Haul it along
And hold it
Go it alone
And hold it alone
And hold
Go it alone
And hold it alone
Haul it along
And hold it
Blackbirds backwards forwards and fall and hold.

Oh and this could be the saddest dusk
I've ever seen
And turn to a miracle
High alive
My mind is racing
As it always will
My hand's tired, my heart aches
I'm half a world away
And go.

********

Roll Me Away
Bob Seger

Took a look down ''a westbound road'',
Right away I made my choice.
Headed out to my big two-wheeler,
I was tired of my own voice.
Took a beat on the northern plains
And just rolled that power on.

Twelve hours out of Mackinaw City,
Stopped in a bar to have a brew.
Met a girl, and we had a few drinks,
And I told her what I'd decided to do.
She looked out the window a long, long moment,
Then she looked into my eyes.
She didn't have to say a thing,
I knew what she was thinkin'.

Roll, roll me away,
Won't you roll me away tonight?
I too am lost, I feel double-crossed,
And I'm sick of what's wrong and what's right.
We never even said a word,
We just walked out and got on that bike,
And we rolled,
And we rolled clean out of sight.

We rolled across the high plains,
Deep into the mountains.
Felt so good to me
Finally feelin' free.

Somewhere along ''a high road'',
The air began to turn cold.
She said she missed her home.
I headed on alone. Oh!

Stood alone on a mountain top,
Starin' out at the Great Divide.
I could go east, I could go west,
It was all up to me to decide.
Just then I saw a young hawk flyin',
And my soul began to rise,
And pretty soon, my heart was singin'

Roll, roll me away,
I'm gonna roll me away tonight.
Gotta keep rollin', gotta keep ridin',
Keep searchin' till I find what's right.
And as the sunset faded
I spoke to the faintest first starlight,
And I said, "Next time,
Next time we'll get it right."
Roll me away. Roll me away. Roll me away.

********

You Don't Know How It Feels
Tom Petty

Let me run with you tonight 
I'll take you on a moonlight ride 
There's someone I used to see 
But she don't give a damn for me 

But let me get to the point, let's roll another joint 
And turn the radio loud, I'm too alone to be proud 
You don't know how it feels 
You don't know how it feels to be me 

People come, people go 
Some grow young, some grow cold 
I woke up in between 
A memory and a dream 

So let's get to the point, let's roll another joint 
Let's head on down ''the road''
There's somewhere I gotta go 
And you don't know how it feels 
You don't know how it feels to be me 

My old man was born to rock 
He's still tryin' to beat the clock 
Think of me what you will 
I got a little space to fill 

So let's get to the point, let's roll another joint 
Let's head on down the road 
There's somewhere I gotta go 
And you don't know how it feels 
No, you don't know how it feels to be me

********

Stuck in A Moment
(acoustic version)  U2

I'm not afraid
Of anything in this world
There's nothing you can throw at me
That I haven't already heard

I'm just trying to find
A decent melody
A song that I can sing
In my own company

I never thought you were a fool
But darling look at you
You gotta stand up straight
Carry your own weight
These tears are going nowhere baby

Chorus:
You've got to get yourself together
You've got stuck in a moment
And now you can't get out of it
Don't say that later will be better
Now you're stuck in a moment
And you can't get out of it

I will not forsake
The colors that you bring
The nights you filled with fireworks
They left you with nothing

I am still enchanted
By the light you brought to me
I listen through your ears
Through your eyes I can see

And you are such a fool
To worry like you do
I know it's tough
And you can never get enough
Of what you don't really need now

My, oh my

You've got to get yourself together
You've got stuck in a moment
And you can't get out of it
Oh love, look at you now
You've got yourself stuck in a moment
And you can't get out of it

I was unconscious, half asleep
The water is warm 'til you discover how deep

I wasn't jumping, for me it was a fall
It's a long way down to nothing at all

(Chorus)

And if the night runs over
And if the day won't last
And if our way should falter
Along the stony pass

And if the night runs over
And if the day won't last
And if your way should falter
Along this stony pass

It's just a moment
This time will pass

********

The Color Green
Rich Mullins

And the moon is a sliver of silver 
Like a shaving that fell on the floor of a carpenter's shop 
Every house must have its builder 
And I awoke in the house of God 
Where the windows are mornings and evenings 
Stretched from the sun 
Across the sky north to south 
And on my way to early meeting 
I heard the rocks crying out 
I heard the rocks crying out 

Be praised for all your tenderness by these works of your hands 
Suns that rise and rains that fall to bless and bring to life your land 
Look down upon this winter wheat and be glad that you have made 
Blue for the sky and the color green that fills these fields with praise 

And the wrens have returned and they're nesting 
In the hollow of that oak where his heart once had been 
He lifts up his arms in a blessing for being born again 
And the streams are all swollen with winter 
Winter unfrozen and free to run away now 
And I'm amazed when I remember 
Who it was that built this house 
And with the rocks I cry out 

Be praised for all your tenderness by these works of your hands 
Suns that rise and rains that fall to bless and bring to life your land 
Look down upon this winter wheat and be glad that you have made 
Blue for the sky and the color green 

Be praised for all your tenderness by these works of your hands 
Suns that rise and rains that fall to bless and bring to life your land 
Look down upon this winter wheat and be glad that you have made 
Blue for the sky and the color green that fills these fields with praise

********

Into The Heart
U2

Into the heart of a child
I stay awhile, I can go back
Into the heart of a child
I can smile
I can go there
Into the heart of a child
Into the heart of a child
I can go back
I can stay awhile

Into the heart

******** 

I Still Haven't Found What I'm Looking For
(instrumental version)  Phil Coulter


Wild Child
Enya

Ever close your eyes
Ever stop and listen
Ever feel alive
And you've nothing missing
You don't need a reason
Let the day go on and on

Let the rain fall down
Everywhere around you
Give into it now
Let the day surround you
You don't need a reason
Let the rain go on and on

Chorus:
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child

Only take the time
From the helter skelter
Every day you find
Everything's in kilter
You don't need a reason
Let the day go on and on

Every summer sun
Every winter evening
Every spring to come
Every autumn leaving
You don't need a reason
Let it all go on and on

(Chorus)

What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to
Da-da-da
Da-da-da-da-da-da
What a way, what a way to make it through
Da-da-da
Da-da-da-da-da-da
Da-da-da
Da-da-da-da-da-da
What a way, what a way to make it through
What a day, what a day to take to a wild child
What a day, what a day to take to a wild child

********

Left Of Center
Suzanne Vega

If you want me
You can find me
Left of center
Off of the strip
In the outskirts
And in the fringes
In the corner
Out of the grip

Chorus:
When they ask me
"What are you looking at?"
I always answer
"Nothing much" (not much)
I think they know that
I'm looking at them
I think they think
I must be out of touch

But I'm only
In the outskirts
And in the fringes
On the edge
And off the avenue
And if you want me
You can find me
Left of center
Wondering about you

I think that somehow
Somewhere inside of us
We must be similar
If not the same
So I continue
To be wanting you
Left of center
Against the grain

If you want me
You can find me
Left of center
Off of the strip
In the outskirts
And in the fringes
In the corner
Out of the grip

(Chorus)
Wondering about you
Wondering about you

********

Wonderful
Everclear

I close my eyes when I get too sad 
I think thoughts that I know are bad 
Close my eyes and I count to ten 
Hope it's over when I open them 
I want the things that I had before 
Like a Star Wars poster on my bedroom door 
I wish I could count to ten 
Make everything be wonderful again 

Hope my mom and I hope my dad 
Will figure out why they get so mad 
I hear them scream, I hear them fight 
They say bad words that make me wanna cry 

Close my eyes when I go to bed 
And I dream of angels who make me smile 
I feel better when I hear them say 
Everything will be wonderful someday 

Chorus:
Promises mean everything when you're little 
And the world's so big 
I just don't understand how 
You can smile with all those tears in your eyes 
Tell me everything is wonderful now 

Na na na na na na na 

Please don't tell me everything is wonderful now 

I go to school and I run and play 
I tell the kids that it's all okay 
I like to laugh so my friends won't know 
When the bell rings I just don't wanna go home 

Go to my room and I close my eyes 
I make believe that I have a new life 
I don't believe you when you say 
Everything will be wonderful someday 

(Chorus)

I don't wanna hear you tell me everything is wonderful now 

I don't wanna hear you say 
That I will understand someday 
No, no, no, no 
I don't wanna hear you say 
You both have grown in a different way 
No, no, no, no 
I don't wanna meet your friends 
And I don't wanna start over again 
I just want my life to be the same 
Just like it used to be 
Somedays I hate everything 
I hate everything 
Everyone and everything 
Please don't tell me everything is wonderful now 

I don't wanna hear you tell me everything is wonderful now

********

I Want Love
Elton John

I want love, but it's impossible
A man like me, so irresponsible
A man like me is dead in places
Other men feel liberated

I can't love, shot full of holes
Don't feel nothing, I just feel cold
Don't feel nothing, just old scars
Toughening up around my heart

Chorus:
But I want love, just a different kind
I want love, won't break me down
Won't brick me up, won't fence me in
I want a love, that don't mean a thing
That's the love I want, I want love

I want love on my own terms
After everything I've ever learned
Me, I carry too much baggage
Oh man I've seen so much traffic

(Chorus)

So bring it on, I've been bruised
Don't give me love that's clean and smooth
I'm ready for the rougher stuff
No sweet romance, I've had enough

A man like me is dead in places
Other men feel liberated
(Chorus)

********

Utopia
Alanis Morissette

we'd gather around all in a room fasten our belts engage in dialogue
we'd all slow down rest without guilt not lie without fear disagree sans judgement

we would stay and respond and expand and include and allow and forgive and
enjoy and evolve and discern and inquire and accept and admit and divulge and
open and reach out and speak up

Chorus:
This is utopia this is my utopia
This is my ideal my end in sight
Utopia this is my utopia
This is my nirvana
My ultimate

we'd open our arms we'd all jump in we'd all coast down into safety nets

we would share and listen and support and welcome be propelled by passion not
invest in outcomes we would breathe and be charmed and amused by difference 
be gentle and make room for every emotion

(Chorus)

we'd provide forums we'd all speak out we'd all be heard we'd all feel seen

we'd rise post-obstacle more defined more grateful we would heal be humbled 
and be unstoppable we'd hold close and let go and know when to do which
we'd release and disarm and stand up and feel safe 

(Chorus)

********

Closer To Fine
Indigo Girls

I'm trying to tell you something about my life
Maybe give me insight between black and white
The best thing you've ever done for me
Is to help me take my life less seriously, it's only life after all
Well darkness has a hunger that's insatiable
And lightness has a call that's hard to hear
I wrap my fear around me like a blanket
I sailed my ship of safety till I sank it, I'm crawling on your shores

Chorus:
I went to the doctor, I went to the mountains
I looked to the children, I drank from the fountains
There's more than one answer to these questions
Pointing me in a crooked line
The less I seek my source for some definitive
The closer I am to fine.
The closer I am to fine.

I went to see the doctor of philosophy
With a poster of Rasputin and a beard down to his knee
He never did marry or see a B-grade movie
He graded my performance, he said he could see through me
I spent four years prostrate to the higher mind, got my paper
And I was free.

(Chorus)

I stopped by the bar at 3 a.m.
To seek solace in a bottle or possibly a friend
I woke up with a headache like my head against a board
Twice as cloudy as I'd been the night before
I went in seeking clarity.

I went to the doctor, I went to the mountains
I looked to the children, I drank from the fountains
We go to the doctor, we go to the mountains
We look to the children, we drink from the fountains
We go to the bible, we go through the workout
We read up on revival and we stand up for the lookout
There's more than one answer to these questions
Pointing me in a crooked line
The less I seek my source for some definitive
The closer I am to fine
The closer I am to fine
The closer I am to fine

********

Colorblind
Counting Crows

I am colorblind
Coffee black and egg white
Pull me out from inside
I am ready 
I am ready 
I am ready 
I am
Taffy stuck, tongue tied 
Stuttered shook and uptight
Pull me out from inside
I am ready
I am ready
I am ready
I am … fine

I am covered in skin
No one gets to come in
Pull me out from inside
I am folded, and unfolded, and unfolding
I am
colorblind
Coffee black and egg white
Pull me out from inside
I am ready 
I am ready
I am ready
I am … fine
I am … fine

********

Across The Universe
(Beatles remake)  Rufus Wainwright

Words are flying out like
Endless rain into a paper cup
They slither while they pass
They slip away across the universe
Pools of sorrow waves of joy
Are drifting thorough my open mind
Possessing and caressing me

Chorus:

Jai guru deva
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Images of broken light
Which dance before me like a million eyes
They call me on and on across the universe
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way across the universe

(Chorus)

Sounds of laughter, shades of earth
Are ringing through my open views
Inciting and inviting me
Limitless undying love 
Which shines around me like a million suns
It calls me on and on across the universe

(Chorus)

Jai guru deva
Jai guru deva

********

Only Time
Enya

Who can say
where ''the road'' goes
where the day flows
only time
And who can say
if your love grows
as your heart chose
only time

Who can say
why your heart sighs
as your love flies
only time
And who can say
why your heart cries
when your love lies
only time

Who can say
when the roads meet
that love might be
in your heart
And who can say
when the day sleeps
if the night keeps
all your heart

Night keeps all your heart

Who can say
if your love grows
as your heart chose
only time
And who can say
where the road goes
where the day flows
only time

Who knows … only time
Who knows … only time

From the Wikipedia article:

Kevin Kelly:  "Everything the Whole Earth Catalogs did, the web does better."

Looking back and discussing attitudes evident in the early editions of the catalog, Brand wrote, “At a time when the New Left was calling for grassroots political (i.e., referred) power, Whole Earth eschewed politics and pushed grass-roots direct power—tools and skills.”

The broad interpretation of "tool" coincided with that given by the designer, philosopher, and engineer Buckminster Fuller, though another thinker admired by Brand and some of his cohorts was Lewis Mumford, who had written about words as tools. Early editions reflected the considerable influence of Fuller, particularly his teachings about "whole systems," "synergetics," and efficiency or reducing waste.

By 1971, Brand and his co-workers were already questioning whether Fuller’s sense of direction might be too anthropocentric. New information arising in fields like ecology and biospherics was persuasive.  By the mid-1970s, much of the Buddhist economics viewpoint of E. F. Schumacher, as well as the activist interests of the biological species preservationists, had tempered the overall enthusiasm for Fuller's ideas in the catalog.  Still later, the amiable-architecture ideas of people like Christopher Alexander and similar community-planning ideas...

An important shift in philosophy in the Catalogs occurred in the early 1970s, when Brand decided that the early stance of emphasizing individualism should be replaced with one favoring community. He had originally written that "a realm of intimate, personal power is developing"; regarding this as important in some respects (to wit, the soon-emerging potentials of personal computing), Brand felt that the over-arching project of humankind had more to do with living within natural systems, and this is something we do in common, interactively.

{{{
... imaginary rock
   It began life as a piece of edible seaside rock 
   with ABERYSTWYTH written right through it 

But now it is this

   In its tangible form
   it is any piece of card
   say 150 mm by 100 mm 
   carrying the name
   the imaginary rock foundation 
   in any language you like
   y sylfaen graig ddychmygol
   la fondation roche imaginaire
   though in english it has allusions 
   to both change and to stasis 
   that do not translate into other languages.



the invisible basis for everyone to see everything as art
and her or himself as artist
a title to replace titles 
a role to supersede roles. 

   This is the homepage for everything and everyone
   taken as significant.
}}}

Written by John Chris [[Jones]], 1995

Interact with the hypertext at
http://www.ellipsis.net/softopia/imaginary/010.000.html

Also see the [[foundation of the imaginary rock foundation|http://www.publicwriting.net/2.2/irf_history.html]]

''Is that what they used to call magic?''
At which he decides that he is overstepping a responsibility which is ''not to present his perceptions as laws'' but to care for the collective mind we all share and inhabit and to try to keep it open to everything. The foundation and the rock can bear everyone and everything and the caretaker is not going to give up his difficult but invisible role which is to let go of control but to

   keep the centre empty.

//And as the caretaker describes the idea of the imaginary rock he wonders what he is doing; for he danced when he first thought of changing centres as unthreatening, and fixed ones as not, but now as he repeats the idea ''[[he is not dancing|http://www.ellipsis.net/softopia/imaginary/060.000.html]]''.//

----

Also see [[The Internet and Everyone|i+e]]

 
Date: Mon, Aug 20, 2012 at 2:18 PM

My [[Mandelbrot|Fractal]] isn't scaling well today

----

August 21, 2012
  #1 proof I have found the right partner in life, when I described how I was feeling off yesterday, he offered the perfect explanation
"Your Mandelbrot isn't scaling well today" -- this is why you are my forever friend

//I replied:// Didn't know that would be publicly shared - exposing a true geek - these images are fractals, of which the Mandelbrot set is one famous one. Fractals can be zoomed (scaled) thousands of times and the level of detail never ends. My theory goes that each person, [[each life|fractal consciousness]], and the marvels of nature, all resemble one small corner of a fractal … peel back a layer, and you always find more

''Kenneth E. Iverson''  (17 December 1920 – 19 October 2004)  Canadian computer scientist most notable for developing the APL programming language in 1957, and later the J programming language.  He receiving the Turing award in 1979 for his contributions to mathematical notation and programming language theory.

From "Remembering Ken Iverson" ^^[[[9]|http://keiapl.info/rhui/remember.htm]]^^ by Roger Hui, November 2004
– which includes the last known picture of Ken [[here|http://keiapl.info/rhui/remember.htm#photo]].
<<<
As others have recounted, Ken was deeply interested in words, their use and their etymology. He indeed did read the dictionary, and kept a copy of the American Heritage Dictionary (along with other dictionaries) by his easy chair for ready reference. He especially encouraged me to consult the section on ~Indo-European roots in the back of the AHD, which makes deep and uncommon connections between words.

Many of Ken’s relatives and friends received from him the AHD as a present. I myself did not because I’d already owned one years before I met Ken. In fact, I gave him the third edition of the AHD as a present.

I think nothing I had ever done impressed Ken quite as much as when I found the word “rhematic” (meaning, pertaining to the formation of words), a word he had been searching for for some time. Thus the phrase “rhematic rules of J” made its way into the J [programming language] dictionary.
<<<

[[The Times Obituary: Kenneth Iverson, Charismatic mathematician who invented the APL computer programming language|http://www.timesonline.co.uk/tol/comment/obituaries/article1076611.ece]]

|! hierarchical classification: | written [[communication]] ⊃ [[paragraph]] |
|! purpose:        | condensation of a written passage |
|! by means of: | expressing a [[summary sentence]] in one's own words |

reproduce in it the relative emphasis the author gives to his thoughts

//See [[WikiStructure/precis]]//

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UfjtjMaEsg+OdaodFyf1fOFxOXNt6OCMlPorVtaCpxnIFjbKnvoqlLntsJy4kP1K/20yGeGw2xDKgwa9EL751hFB0dSWlpZdJ/I6U8MMb80PBV9QFeVnfQPhxJVrGlzXXrPGunJFDS9JCl9V6ebMJhN4fkYX3aZhLAYbjThPe5rZxFHtBT9Fq5Ut7hyxUuUOjQl5CfW9I6eSopg8dP+DwRdzumQe89AwEoqsPPzhRxcTKhUeysNYRSMb+bgDvFRgmCjTcHFRj/mM1QI/TNZLAc6Tbq7QrCMuKjj+v3PK9LvpuBdS+XE/rcO+8wiwxmwSyWQafho9RkI+fxBTkSGm8qlQiGi0yGXSm0um36ufJIRsXVmRqSIr3KkzXToJFvfvts8e99l987YS2S/3PNP6E6qeezZf1QQrjWBoZAIXuoaw8fYfwlnxaSq1HD0DKy3QGlrAuWtg2t5oZz+EtAzx9munmzLfH57qhBbrhlc8j1AoqrBJpQr9ZwrnwxmlT35w4CzgID/Q8vhzrGlOAkzh+badmsViwlUbAjNIbLjtHriq6pkKOEFE2YFjcPicKA/UgqPVny2Tw2OY6BlBcst6KDUV2a8gywra/3MQlkgHOPnS9mVFIyUDjsvsZVRiJIopLjQypqXTspXs/+6nDwZ/xAxl6sAMqzkP9csqceJkl06ChROTk2/uw/rbvg939XIKoTKkNl8BHD+HdDwJh98LM9UBWa8DMVBRgbSqbgZ4For9He9ACPfCLEtobKyhMK1Hjb9cL1ySJFt7+4fVs+f6xsOjEw5KHv+iney+zq7wG3v37s1kggURWEb5nAkj8YWNK/U1wZ5P/fslrLv1e/D4G6E0+CF6nFA/+hjp3lGKARUsrah0YJG2boTi9yE+HiLQ7yIR6UEqmUR9XRU2b9mAumVV+kZPpT59/SNga2FkdFykFNyuSPLvZT71120PPF1wb7YgAgzsNImPTnVh7eqGDInTB/6AK7/yHXhrV0Jz2ZG8YRPbC1NYJaHZLBAmI+g/+TbE97oh0rnAX12O9ZtXYzkRZjWAXSoMhyI409mDgcEwjEYeyaQEUZLr6Rg6xnzPJQsmwIxcIqGRsz7dZmWFG4EVfpw5+ArW3nQ3fHVNersQi2DwTDvEcBcSQgI+rwsb1wUQoDCxWi9tZ8KRKE6f7UJf3wgtIsBO+wh/tYsIGNDTG8FCwDNnRRFgHZbVVuifKcrn4UiMRi1CrRpOH3xZXw9cOqqDttusWN1UBzo2UqUtY10xFU/g+PsdBHCYjpkK7bHMqKh0wEwzsVhZdE+nowzsE2j0EzCR4rYHsZHeDI40Vdxjx8/qn+lGtjW22y3weMrAMlspZNEEsp0zImzHarUo8Pns2a8+898FK/FiveZtZhZrqIh+JSUws3wVgWIJqiUlQNnksk9CaQmU4qa4yNkoKYHLPvxEtqQEihy8kqgvhECMndBK4u0zMDIvgZgw1UiXXGO9/aMF/6T4DDAVZXJeAq2tz0XTSmpLb9+o0N0zMu/mqijvJVCelwDzQdcZA2lVvK5vMDxxsXt4vAR+S2ZiQQSYt5aWp0JKXLhucGgsdOHiUP4FzxIh0c0HorGENDAwEaNjdv7Jfxb7CybA+j/U2hYRpfT1w6Hx/s4LA9Glpn0GeiJKoAfHo0PD0SgR2JdMyXfcv+3xBW+o5j0TFyIeDDa7PA7v23QeaFpzRZ2bXV510M2bLMtquc8x56DQURFx+utSiKcSiqqw0vEaddsfT+463NpK9+JFyqIIMB9tbS12E2c74PM5169b0+A8Sdvp2QikCbSQAa0qdAx7TVbU/dse3tVOs7ik+rdoAoxEMHiP1etseMPrdn5RherIJkC3B/TXUkqKCymRBlom0K/SPzT7H3p41/tLBc18T8uSCDAjweBdZq/jytcNBu5Gi9XE07cSjyeTBJrddL2iqOr+B7c/8cG0w1J/L5kAAxQM3mR022+gwy18dNO0W1O0Vx/Y/sTRUoMtZK8kBAoZvlxtc2aMywViKX7+D10+ywDx0s0HAAAAAElFTkSuQmCC

 
"But that woman, that woman: bent forward with her head in her hands, she'd completely [[fallen into herself|https://books.google.com/books?id=rqyNCwAAQBAJ&lpg=PR55&dq=malte%20laurids%20brigge&pg=PA5]]."

… Will he stay and tell lies about ''the approximate life'' that they ascribe to him and become just like them all, with his whole face?  Will he divide himself between the delicate truthfulness of his will and the clumsy deception that spoils it even for him?  Will he forsake becoming what might harm those in his family? …

No, he'll go away.

… For he has loved and loved again in his loneliness, each time squandering his whole nature and living in the inexpressible fear for the freedom of the other person.  Slowly he has learned to shine the rays of his emotion through the object of his love rather than consume it within her.  And he was spoiled by the joy of recognizing, through the ever more transparent figure of his beloved, the expanses she opened up to his endless desire for possession.

Sometimes he would spend whole nights in tears, longing to be himself illuminated like that.  But a beloved who yields is a long way from being a woman who loves [and desires].  O nights of no consolation, in which the gifts that had surged [or flooded] from him were sent back in pieces, heavy with transience…  He had given up any hope of experiencing the woman whose love would penetrate to his core.

— Rainer Maria [[Rilke]]

… the power that lives in the tree
is devoured by the haze and struck down by the wind.
Suddenly, out of the summits, into uttermost time,
the hand that it cradled has toppled.
All that spidery finger-play, the gimcrack
device of the fibers, the meshes' entanglements --
you have put them behind.
All that you were, falls away: habitudes, tatterdemalion
syllables, the blinding personae of light.

We come upon permanence: the rock that abides and the word:
the city upraised like a cup in our fingers,
all hands together, the quick and the dead and the quietened;
death's plenitude holding us here, a bastion, the fullness
of life like a blow falling, petals of flint
and the perduring rose, abodes for the sojourner:
a glacier for multitudes, breakwater in Andes.

Now when the clay-colored hand is made
one with the clay, diminutive eyelids close over,
crammed with the bruise of the walls, peopled with castles,
as if our humanity tangled itself in a bog --
a leafy exactitude stays:
the high places, holding our human beginnings:
that steepest alembic encircling our silence:
life like an adamant, after the fleeting of lives.

(Pablo Neruda)

 
With the soul's equivalent of a wry smile, I calmly confront the prospect that my life will consist of nothing more than being shut up forever in Gilders' Street [Rua dos Douradores], in this office, surrounded by these people.  I have enough money to buy food and drink, I have somewhere to live and enough free time in which to dream, write, and sleep -- what more can I ask of the gods or hope for from Fate?

I had great ambitions and extravagant dreams, but so did the errand boy and the seamstress, for everyone has dreams; the only difference is whether or not we have the strength to fulfill them or a destiny that will fulfill them through us…

Perhaps it's my destiny to remain a bookkeeper forever and for poetry and literature to remain simply butterflies that alight on my head and merely underline my own ridiculousness by their very beauty.

-- From //[[The Book of Disquiet|https://books.google.com/books?id=9cAWkvW3vacC&lpg=PP1&pg=PA3]]// by Fernando Pessoa, who created a host of [[heteronyms|https://en.wikipedia.org/wiki/Heteronym_(literature)]]:
: "Enduring personalities, lived by the author within himself … [each] given an expressive nature and made the author of one or more books whose ideas, emotions, and literary art have no relationship to the 'real' [[author|https://books.google.com/books?id=fP55le-Vr_wC&lpg=PT27&ots=DAeBaXDT2P&pg=PT27]] (or perhaps only //apparent// author, since we don't know what reality is) except … when he wrote them, as the medium of the characters he created." {{grem{[emphasis added by remuse]}}}
** Each heteronym with their own "facial features, personality traits, life stories, ancestries, and in some cases even death…"

: I am learning to trust my own two steady feet and feelable heart, even as [[this bridge|2016-03-29]] pitches dangerously over another chasm.
As once the [[winged energy of delight]]
carried you over those many first abysses,
now build the unimagined bridge's
sternly calculable arc.

----

//Journeys across swung stairweys.
Across daurk rivers on bridges
felt wi stretchin fingers;
open weys wi missin steps
and sweyin haunrails shadows
saft and grey agin the nicht.
 ...
Time steady
in my pulse
racin to [[a time|2014-02-15]]
I turn frae.//

----

As long as you catch [[self-thrown things]]
it's all dexterity and venial gain—;
only when you've suddenly caught that ball
which she, one of the eternal players,
has tossed toward you, your center, with
a throw precisely judged, one of those arches
that exist in God's great bridge-system:
only then is catching a proficiency,—
not yours, a world's.

----

A link was wanting between two craving parts of [[Nature|Method of Nature]], and he was hurled into being as the bridge over that yawning need, the mediator betwixt two else unmarriageable facts.

//Not [[people|People]] die but worlds die in them …
Yes, books and bridges remain,
and painted canvas and machinery,
yes, much is sentenced to remain,
but something really departs all the same!
… We remember [[people]] {{bluem{[collected]}}}, sinful and earthly.
But what did we know, in essence, about them?//
----

My wish is that the dialogue between us should help to build bridges connecting all people, in such a way that everyone can see in the other not an enemy, not a rival, but a brother or sister to be welcomed and embraced! ([[Pope Francis|pontifex]])

//You are [[my bridge|kiss13]] to happiness when everything turns bleak within.//

 
"Simple can be harder than complex:
You have to work hard to get your thinking clean to make it simple.
But it's worth it in the end because once you get there, you can move mountains."
—Steve [[Jobs]], May 1998

Contrast simple with //complex, complicated, multiplexed//

system : ecstasy ''::'' simple : explicate
!!one plait
| freedom • necessity | |
| liberate • reconcile | |
| art • nature | //natus mori mundi// |
| human • environment | // ecology// |
| self • whole | //adequacy// |
| ideal • actual | |
| fixity • change | |
| simplicity • complexity | |
| unity • duality | |
| knowledge • passion | |
| life • death | |
| information • naïf actual | |

"… ideas I play with are the fold (//plia/ply// -- in words like sim//pli//city, mutli//pli//city, etc.), extended metaphors, mixed metaphors, asides addressed to the reader, structured writing (both meta and micro), embodiment (physicality and aspects of time and space), de-construction of W/word(s), slipping between languages, holding the reader in an idea, and returning to words, concepts, and phrases."
-- from //[[A Beautiful Bricolage|https://books.google.com/books?id=_jjkDAAAQBAJ&lpg=PP1&pg=PA7]]// by Silas C. Krabbe
!!Naïf ~Living-Actual
sun : sky
lake : rain
fire : metal
tree : thunder
wind : angiosperm
water : moon
mountain : dwelling
earth : soil

[correspond to the //bagua// – literally "[[eight symbols|I Ching]]" in Chinese]

time
life/death ("[[procreant urge|origin of all poems]] of the world"  – Whitman)

''I live free, and
I reconcile to the whole.''

[[Art|art]] . . . and [[Ecology]]
art defined by the American Heritage Dictionary:
//'human effort to imitate, supplement, alter, or counteract the work of nature'//

Human Art and Effort . . . and the 'External' Ambience called '''Nature''' or '''World'''
//humanus ex fortis . . . natus mori mundi//

Simplicity is non-dual: not self and whole in tension, but harmonized.
Simplicity is the weaving and the woven, not the contrasting 'strands.'
<<<
Everything is interwoven, and [[the web is holy]];
none of its parts are unconnected.
They are composed harmoniously, and together they compose the world.
One world, made up of all things . . . @@color(grey):[Marcus Aurelius]@@
There's no presumption in joining in
on the indescribable relation;
the [[interweaving|self-thrown things]] grows more and more intimate.
Mere being-borne is not enough . . . @@color(grey):[Rainer Maria Rilke]@@
An [[adequate life]] . . . has grasped intuitively the nature of all things,
and has seen and refocused itself to this whole.
<<<
Octavio [[Paz]] treats liberation and reconciliation in //The Monkey Grammarian//.
He also refers to reconciliation in [[The beginning of the Beginning]].)

<part ZenPython>
From "[[The Zen of Python|http://legacy.python.org/dev/peps/pep-0020]]" by Tim Peters:
<<<
    Simple is better than complex.
    Complex is better than complicated.
    Flat is better than nested.
    Sparse is better than dense.
    Readability counts.
    Special cases aren't special enough to break the rules.
    Although practicality beats purity.
    Errors should never pass silently.
    Unless explicitly silenced.
    If the implementation is hard to explain, it's a bad idea.
<<<
</part>

 
{{dialog{
Cara -- one year ago we took a test that told us our little Maya was on the way -- could that really have been a year ago?
 I love you and I love our family of three -- we are all three of the same elemental clay
 Now begins our next journey -- are you packed?  ☺}}}

 
The authentic human being is one of us who instinctively knows what he should not do, and, in addition, he will balk at doing it. He will refuse to do it, even if this brings down dread consequences to him and to those whom he loves. This, to me, is the ultimately heroic trait of ordinary people; they say //no// to the tyrant and they calmly take the consequences of this resistance. Their deeds may be small, and almost always unnoticed, unmarked by history. Their names are not remembered, nor did these authentic humans expect their names to be remembered. I see their authenticity in an odd way: not in their willingness to perform great [[heroic|hero]] deeds but in their quiet refusals. In essence, they cannot be compelled to be what they are not.
-- Philip K. Dick
from "[[How to Build a Universe That Doesn't Fall Apart Two Days Later|http://deoxy.org/pkd_how2build.htm]]" (1978)

In his //[[Exegesis]]//, Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.”

!Histoire
{{grem{(excerpts from a longer [[poem|https://books.google.com/books?id=UGE1IsUfkl4C&lpg=PA467&pg=PA470]] by Robert Creeley)}}}

You’re there
still behind
the mirror,
brother face.

Only yesterday
you were younger,
now you
look old.

Come out
while there’s still time
left
to play
…
//Your two eyes will me
suddenly slay . . .//
Such echoes
of heaven on earth

in mind as if
such //[[a glass|in a glass darkly]]// through which
seen //darkly//
such reflected truth.

What words, then,
//if you love me,//
what //beauty//
//not// to be //sustained//

will separate
finally
//''dancer''//
from //[[dance]]//.
…
There is nothing to wait for
that isn’t here, and it will happen.
Happiness is thus lucky.
//Not I but the wind that blows through me.//

-- from "Histoire de Florida" (1994)

!The Hero
By Robert Creeley in //For Love// (1962)

Each voice which was asked
spoke its words, and heard
more than that, the fair question,
the onerous burden of the asking.

And so the hero, the
hero! stepped that gracefully
into his redemption, losing
or gaining life thereby.

Now we, now I
ask also, and burdened,
tied down, return
and seek the forest also.

Go forth, go forth,
saith the grandmother, the fire
of that old form, and turns
away from the form.

And the forest is dark,
mist hides it, trees
are dim, but I turn
to my father in the dark.

A spark, that spark of hope
which was burned out long ago,
the tedious echo
of the father image

—which only women bear,
also wear, old men, old cares,
and turn, and again find
the disorder in the mind.

Night is dark like the mind,
my mind is dark like the night.
//O light the light!//  Old
foibles of the right.

Into that pit, now pit of
anywhere, the tears upon your hands,
how can you stand
it, I also turn.

I wear the face, I face
the right, the night, the way,
I go along the path
into the last and only dark,

hearing //hero! hero!//
a voice faint enough, a spark,
a glimmer grown dimmer through years
of old, old fears.

!The Hero
By John Ashbery in //Some Trees// (1956)

Whose face is this
So stiff against the blue trees,

Lifted to the future
Because there is no end?

But that has faded
Like flowers, like the first days

Of good conduct. Visit
The strong man. Pinch him --

There is no end to his
Dislike, the accurate one.

 
''Cesare Pavese'' (9 September 1908 – 27 August 1950) was an Italian poet, novelist, literary critic and translator.

In [[Arts of the Hidden]], Alan Kay quoted his diaries: “To //know// the world, one must //construct// it.”

//Additional words by Pavese [from Wikiquote], I will follow to the original context://
----

What world lies beyond that stormy sea I do not know, but every ocean has a distant shore, and I shall reach it.

   Strange, the moment when (at thirteen or twelve {{grem{—or again, at eighteen—}}}) you left your country home… You did not know when [[you were starting a long journey|2001-03-11]] that, through those cities, adventures, names, delights and unknown worlds, would lead you to discover ''how rich'' in all that future ''was your moment of departure'', the moment when, with more of the country in you than the world, you gave your backward glance.
   The world, the future, is now within you as your past, as experience, skill in technique, and ''//the rich, everlasting mystery is found to be the childish you//'' that, at the time, you made no effort to possess.

What doesn't slumber under the shells of us all? One just needs courage to uncover it and be oneself.

The only joy in the world is to begin. It is good to be alive because living is beginning, always, every moment. When this sensation is lacking—as when one is in prison, or ill, or stupid, or when living has become a habit—one might as well be dead.

A consoling thought: what matters is not what we do, but the spirit in which we do it.  Others suffer too; so much so that there is nothing in the world but [[suffering|Four Noble Truths]]; the problem is simply to keep a clear conscience.

No matter how much a young man likes to think for himself, he is always trying to model himself on some abstract pattern largely derived from the example of the world around him.  And a man, no matter how conservative, shows his own worth by his personal deviation from that pattern.

!!//The Internet and Everyone//
by John Chris [[Jones]]
First published 2000 by ellipsis, london

[[i+e keywords|http://warnell.com/syntac/keywords.htm]] gathered by Ted Warnell

One electronic form published by [[●●●ellipsis|http://www.ellipsis.net/i+e]]

{{{jcj}}} wrote:
<<<
to the memory of [[walt whitman|Whitman]]

and to the great project of democracy, as andrew king
described it to me, an enduring outcome of romanticism
<<<

John Chris Jones' [[synopsis|i+e:synopsis]] (in two parts) of //The Internet and Everyone// was used for the hardbound book's dust jacket.

I believe //The Internet and Everyone// would translate well to [[TiddlyWiki|What Is A Wiki]] publication, which I have attempted to start here.

[[i+e:poem]]

//See {{emph{[[rhizome]]-book}}}//

It takes courage to be afraid. —Montaigne, //Essays//, III, 6, (1588)

An endeavor which human beings have never attempted…

[[Boy Meets Painting. Painting Grabs Boy. Boy Mystified|http://www.npr.org/blogs/krulwich/2014/03/07/285967872/boy-meets-painting-painting-grabs-boy-boy-mystified]]
by ROBERT KRULWICH, March 07, 2014, from [[NPR|http://www.npr.org]]
<<<
''How Did Cezanne Do This To Me? I was 8.''

To this day I cannot explain what happened to me. The fact that it kept happening — keeps happening, all these (almost) 60 years since — is one of the mysteries of my life. Cezanne produced precarious little worlds that almost, almost, almost lose their balance, but somehow hold themselves together, creating tension, beauty and danger all at once. But why would these crazy dares thrill an 8-year-old? What was it about me that was ready for Cezanne? Because I was so ready. Even in the second grade.

Here's all I can think: that when we are born, we are born with a sort of mood in us, a mood that comes to us through our genes, that will be seasoned by experience, but deep down, it's already there, looking for company, for someone to share itself with, and when we happen on the right piece of music, the right person, or, in this case the right artist, then, with a muscle that is as deep as ourselves, with the force of someone grabbing for a life preserver, we attach. And that's what happened to me that day.

I saw something on a wall that knew what I knew, felt what I felt and wanted me just as badly as I wanted it. When I left the museum I was a different boy. I had been addressed, personally addressed, by an artist whom I could never meet, who didn't speak my language, who had already been dead for 50 years. But I didn't care. His painting pulled me into a conversation I'd apparently been longing to have. It came at me with a force I will never forget and it began very simply. I looked at it. It looked at me, and all it said was, "Me too!" — and Cezanne and I have been talking ever since.
<<<
Comment on the piece by Mark Muesse:
//This is a wonderful description of what Martin [[Buber]] called the ~I-You (~Ich-Du)//

Robert [[Vickrey]] and M.C. [[Escher]] are two artists who speak to the "mood of my inmost self."  So does <<tag poetry>>

!The Space Within Us
by Rainer Maria [[Rilke]]

The space within us reaches out, translates each thing.
For the essence of a Tree to be real for you,
cast inner space around it, out of the space
that exists in you. Encircle it with restraint.
It has no borders. Only in the realm
of your renouncing can it, as tree, be known.

//Uncollected Poems//

/***
https://raw.github.com/tiddlyweb/chrjs/master/main.js
***/
//{{{
// TiddlyWeb adaptor
// v0.14.3

/*jslint vars: true, unparam: true, nomen: true, white: true */
/*global jQuery */

var tiddlyweb = (function($) {

"use strict";

var tw = {
	routes: {
		// host is the TiddlyWeb instance's URI (including server_prefix)
		// placeholders "_type" & "name" refer to the respective bag/recipe
		root     : "{host}/",
		bags     : "{host}/bags",
		bag      : "{host}/bags/{name}",
		recipes  : "{host}/recipes",
		recipe   : "{host}/recipes/{name}",
		tiddlers : "{host}/{_type}s/{name}/tiddlers",
		tiddler  : "{host}/{_type}s/{name}/tiddlers/{title}",
		revisions: "{host}/{_type}s/{name}/tiddlers/{title}/revisions",
		revision : "{host}/{_type}s/{name}/tiddlers/{title}/revisions/{revision}",
		search   : "{host}/search?q={query}"
	}
};

var convertTimestamp, supplant;

// host (optional) is the URI of the originating TiddlyWeb instance
tw.Resource = function(type, host) {
	if(arguments.length) { // initialization
		this._type = type;
		if(host !== false) {
			this.host = host !== undefined ? host.replace(/\/$/, "") : null;
		}
	}
};
$.extend(tw.Resource.prototype, {
	// retrieves resource from server
	// callback is passed resource, status, XHR (cf. jQuery.ajax success)
	// errback is passed XHR, error, exception, resource (cf. jQuery.ajax error)
	// filters is an optional filter string (e.g. "select=tag:foo;limit=5")
	get: function(callback, errback, filters) {
		var uri = this.route();
		if(filters) {
			var separator = uri.indexOf("?") === -1 ? "?" : ";";
			uri += separator + filters;
		}
		var self = this;
		return $.ajax({
			url: uri,
			type: "GET",
			dataType: "json",
			success: function(data, status, xhr) {
				var resource = self.parse(data);
				resource.etag = xhr.getResponseHeader("Etag");
				callback(resource, status, xhr);
			},
			error: function(xhr, error, exc) {
				errback(xhr, error, exc, self);
			}
		});
	},
	// sends resource to server
	// callback is passed data, status, XHR (cf. jQuery.ajax success)
	// errback is passed XHR, error, exception, resource (cf. jQuery.ajax error)
	put: function(callback, errback) {
		var self = this;
		var options = {
			url: this.route(),
			type: "PUT",
			contentType: "application/json",
			data: JSON.stringify(this.baseData()),
			success: function(data, status, xhr) {
				callback(self, status, xhr);
			},
			error: function(xhr, error, exc) {
				errback(xhr, error, exc, self);
			}
		};
		if(this.ajaxSetup) {
			this.ajaxSetup(options);
		}
		return $.ajax(options);
	},
	// deletes resource on server
	// callback is passed data, status, XHR (cf. jQuery.ajax success)
	// errback is passed XHR, error, exception, resource (cf. jQuery.ajax error)
	"delete": function(callback, errback) {
		var self = this;
		var options = {
			url: this.route(),
			type: "DELETE",
			success: function(data, status, xhr) {
				callback(self, status, xhr);
			},
			error: function(xhr, error, exc) {
				errback(xhr, error, exc, self);
			}
		};
		if(this.ajaxSetup) {
			this.ajaxSetup(options);
		}
		return $.ajax(options);
	},
	// returns an object carrying only the essential information of the resource
	baseData: function() {
		var data = {},
			self = this;
		$.each(this.data, function(i, item) {
			var value = self[item];
			if(value !== undefined) {
				data[item] = value;
			}
		});
		return data;
	},
	// returns corresponding instance from a raw object (if applicable)
	parse: function(data) {
		return data;
	},
	// list of accepted keys in serialization
	data: [],
	// returns resource's URI
	route: function() {
		return supplant(tw.routes[this._type], this);
	}
});

var Container = function(type, name, host) {
	if(arguments.length) { // initialization
		tw.Resource.apply(this, [type, host]);
		this.name = name;
		this.desc = "";
		this.policy = new tw.Policy({});
	}
};
Container.prototype = new tw.Resource();
$.extend(Container.prototype, {
	tiddlers: function() {
		return new tw.TiddlerCollection(this);
	},
	parse: function(data) {
		var type = tw._capitalize(this._type),
			container = new tw[type](this.name, this.host);
		data.policy = new tw.Policy(data.policy);
		return $.extend(container, data);
	},
	data: ["desc", "policy"]
});

// attribs is an object whose members are merged into the instance (e.g. query)
tw.Collection = function(type, host, attribs) {
	if(arguments.length) { // initialization
		tw.Resource.apply(this, [type, host]);
		$.extend(this, attribs);
	}
};
tw.Collection.prototype = new tw.Resource();

tw.TiddlerCollection = function(container, tiddler) {
	if(arguments.length) { // initialization
		tw.Collection.apply(this, [tiddler ? "revisions" : "tiddlers"]);
		this.container = container || null;
		this.tiddler = tiddler || null;
	}
};
tw.TiddlerCollection.prototype = new tw.Collection();
$.extend(tw.TiddlerCollection.prototype, {
	parse: function(data) {
		var container = this.container;
		return $.map(data, function(item, i) {
			var tiddler = new tw.Tiddler(item.title, container),
				bag = item.bag;
			tiddler = tw.Tiddler.prototype.parse.apply(tiddler, [item]);
			if(!tiddler.bag && bag) { // XXX: bag always present!?
				tiddler.bag = new tw.Bag(bag, container.host);
			}
			if(!tiddler.recipe && item.recipe) {
				tiddler.recipe = new tw.Recipe(item.recipe, container.host);
			}
			delete item.recipe;
			return $.extend(tiddler, item);
		});
	},
	route: function() {
		var params = this.container;
		if(this.tiddler) {
			var container = this.tiddler.bag || this.tiddler.recipe;
			params = {
				_type: container._type,
				host: container.host,
				name: container.name,
				title: this.tiddler.title
			};
		}
		return supplant(tw.routes[this._type], params);
	}
});

tw.Search = function(query, host) {
	tw.Collection.apply(this, ["search", host]);
	this.query = query;
};
tw.Search.prototype = new tw.Collection();
$.extend(tw.Search.prototype, {
	parse: function(data) {
		this.container = { // XXX: hacky
			_type: "bag",
			host: this.host
		};
		var tiddlers = tw.TiddlerCollection.prototype.parse.apply(this, arguments);
		delete this.container;
		return tiddlers;
	}
});

// title is the name of the tiddler
// container (optional) is an instance of either Bag or Recipe
// optionally accepts a single object representing tiddler attributes
tw.Tiddler = function(title, container) {
	tw.Resource.apply(this, ["tiddler", false]);
	this.title = title;
	this.bag = container && container._type === "bag" ? container : null;
	this.recipe = container && container._type === "recipe" ? container : null;
	var self = this;
	$.each(this.data, function(i, item) {
		self[item] = undefined; // exposes list of standard attributes for inspectability
	});
	if(title && title.title) { // title is an object of tiddler attributes
		$.extend(this, title);
	}
};
tw.Tiddler.prototype = new tw.Resource();
$.extend(tw.Tiddler.prototype, {
	revisions: function() {
		return new tw.TiddlerCollection(this.bag || this.recipe, this);
	},
	route: function() {
		var container = this.bag || this.recipe;
		var params = $.extend({}, this, {
			host: container ? container.host : null,
			_type: this.bag ? "bag" : (this.recipe ? "recipe" : null),
			name: container ? container.name : null
		});
		return supplant(tw.routes[this._type], params);
	},
	parse: function(data) {
		var tiddler = new tw.Tiddler(this.title),
			container = this.bag || this.recipe;
		if(data.bag) {
			tiddler.bag = new tw.Bag(data.bag, container.host);
			delete data.bag;
		}
		delete data.recipe;
		tiddler.created = data.created ? convertTimestamp(data.created) : new Date();
		delete data.created;
		tiddler.modified = data.modified ? convertTimestamp(data.modified) : new Date();
		delete data.modified;
		if(this.recipe) {
			tiddler.recipe = this.recipe;
		}
		return $.extend(tiddler, data);
	},
	data: ["created", "creator", "modifier", "modified", "tags", "type", "text",
			"fields"],
	ajaxSetup: function(options) {
		var self = this;
		if(this.etag && (options.type === "PUT" || options.type === "DELETE")) {
			options.beforeSend = function(xhr) {
				xhr.setRequestHeader("If-Match", self.etag);
			};
		}
		if(options.type === "PUT") {
			var callback = options.success;
			options.success = function(data, status, xhr) {
				var loc = xhr.getResponseHeader("Location"),
					etag = xhr.getResponseHeader("Etag");
				if(loc && etag) {
					self.etag = etag;
					if(!self.bag) {
						var bag = loc.split("/bags/").pop().split("/")[0];
						self.bag = new tw.Bag(bag, self.recipe.host);
					}
					callback(self, status, xhr);
				} else { // IE
					self.get(callback, options.error);
				}
			};
		}
	}
});

tw.Revision = function(id, tiddler) {
	var container = tiddler.bag || tiddler.recipe;
	tw.Tiddler.apply(this, [tiddler.title, container]);
	this._type = "revision";
	this.revision = id;
};
tw.Revision.prototype = new tw.Tiddler();
$.extend(tw.Revision.prototype, {
	revisions: false,
	data: false,
	put: false,
	"delete": false
});

tw.Bag = function(name, host) {
	Container.apply(this, ["bag", name, host]);
};
tw.Bag.prototype = new Container();

tw.Recipe = function(name, host) {
	Container.apply(this, ["recipe", name, host]);
	this.recipe = [];
};
tw.Recipe.prototype = new Container();
$.extend(tw.Recipe.prototype, {
	data: ["recipe"].concat(Container.prototype.data)
});

tw.Policy = function(constraints) { // TODO: validation?
	var self = this;
	$.each(this.constraints, function(i, item) {
		self[item] = constraints[item];
	});
};
tw.Policy.prototype.constraints = ["read", "write", "create", "delete",
	"manage", "accept", "owner"];

/*
 * utilities
 */

tw._capitalize = function(str) {
	return str.charAt(0).toUpperCase() + str.slice(1);
};

// convert YYYYMMDDhhmmss timestamp to Date instance
convertTimestamp = function(t) {
	if (t.match(/^\d{12,17}$/)) {
		return new Date(Date.UTC(
			parseInt(t.substr(0, 4), 10),
			parseInt(t.substr(4, 2), 10) - 1,
			parseInt(t.substr(6, 2), 10),
			parseInt(t.substr(8, 2), 10),
			parseInt(t.substr(10, 2), 10),
			parseInt(t.substr(12, 2) || "0", 10),
			parseInt(t.substr(14, 3) || "0", 10)
		));
	} else {
		return new Date(Date.parse(t));
	}
};

// adapted from Crockford (http://javascript.crockford.com/remedial.html)
supplant = function(str, obj) {
	return str.replace(/{([^{}]*)}/g, function (a, b) {
		var r = obj[b];
		r = typeof r === "string" || typeof r === "number" ? r : a;
		return $.inArray(b, ["host", "query"]) !== -1 ? r : encodeURIComponent(r); // XXX: special-casing
	});
};

return tw;

}(jQuery));
//}}}

As long as you catch self-[[thrown|iacere]] things
it's all dexterity and venial gain—;
only when you've suddenly caught that ball
which she, one of the eternal players,
has tossed toward you, your center, with
a throw precisely judged, one of those arches
that exist in God's great bridge-system:
only then is catching a proficiency,—
not yours, a world's.

And if you then had
strength and courage to return the throw,
no, more wonderful: forget strength and courage
and had //already// thrown . . . . . (as the year
throws the birds, those migrating bird swarms,
which an older to a younger warmth sends
catapulting across oceans—) only
in that venture would you truly join in.
No longer making the throw easy; no longer making
it hard. Out of your hands the meteor
would launch itself and flame into its spaces . . .

–Rainer Marie [[Rilke]], January 31, 1922

[[winged energy of delight]]

/***
|''Name''|BinaryUploadPlugin|
|''Version''|0.3.16|
|''Author''|Ben Gillies and Jon Robson|
|''Type''|plugin|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/BinaryUploadPlugin.js|
|''Description''|Upload a binary file to TiddlyWeb|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlySpaceConfig TiddlyWebConfig|
!Usage
{{{
<<binaryUpload bag:<name> edit:tags edit:title tags:<default tags> title:<title> >>
}}}
* {{{bag:<name>}}}: optional; if left out, the file will be saved to the current workspace
* {{{edit:tags}}}: specifies that you want to tag the file being uploaded
* {{{edit:title}}}: specifies that you want to set the title to something other than the filename
* {{{tags:<default tags>}}}: specifies a default set of tags to apply to the file (requires {{{edit:tags}}} to be set)
* {{{title:<title>}}}: predefines the title of the binary tiddler
!Requires
TiddlyWeb
tiddlywebplugins.form
!Code
***/
//{{{
(function($) {

var tiddlyspace = config.extensions.tiddlyspace;

var macro = config.macros.binaryUpload = {
	locale: {
		titleDefaultValue: "Please enter a title...",
		tagsDefaultValue: "Please enter some tags...",
		titlePrefix: "title: ",
		tagsPrefix: "tags: ",
		loadSuccess: 'Tiddler %0 successfully uploaded',
		loadError: "An error occurred when uploading the tiddler %0",
		uploadInProgress: "Please wait while the file is uploaded...",
		membersOnly: "Only members can upload."
	},
	renderInputFields: function(container, options) {
		var locale = macro.locale;
		var editableFields = options.edit;
		var includeFields = {
			tags:  editableFields && editableFields.contains("tags") ? true : false,
			title: editableFields && editableFields.contains("title") ? true : false
		};
		var fields = ["title", "tags"];
		for(var i = 0; i < fields.length; i++) {
			var fieldName = fields[i];
			var userDefault = options[fieldName];
			var defaultValue = userDefault ? userDefault[0] : false;
			if(includeFields[fieldName] || defaultValue) {
				var localeDefault = locale["%0DefaultValue".format(fieldName)];
				var className = defaultValue ? "userInput" : "userInput notEdited";
				var inputEl;
				var val = defaultValue || localeDefault || "";
				var iContainer = $("<div />").addClass("binaryUpload%0".format(fieldName)).
					appendTo(container);
				if(defaultValue && !includeFields[fieldName]) {
					var label = locale["%0Prefix".format(fieldName)];
					$("<span />").text(label).appendTo(iContainer);
					$("<span />").addClass("disabledInput").text(val).appendTo(iContainer);
					inputEl = $("<input />").attr("type", "hidden");
				} else {
					inputEl = $("<input />").attr("type", "text");
				}
				inputEl.attr("name", fieldName).
					addClass("%0Edit".format(fieldName)).
					val(val).addClass(className).appendTo(iContainer);
			}
		}
	},
	getTiddlerName: function(fileName) {
		var fStart = fileName.lastIndexOf("\\");
		var fStart2 = fileName.lastIndexOf("/");
		fStart = fStart < fStart2 ? fStart2 : fStart;
		fileName = fileName.substr(fStart+1);
		return fileName;
	},
	errorHandler: function(fileName) {
		displayMessage("upload of file %0 failed".format(fileName));
	},
	uploadFile: function(place, baseURL, workspace, options) {
		var pleaseWait = $(".uploadProgress", place);
		var iframeName = options.target;
		var form = $("form", place);
		var existingVal = $("input[name=title]", form).val();
		var fileName = existingVal || $('input:file', form).val();
		if(!fileName) {
			return false; // the user hasn't selected a file yet
		}
		fileName = macro.getTiddlerName(fileName);
		$("input[name=title]", place).val(fileName);
		// we need to go somewhere afterwards to ensure the onload event triggers
		var redirectTo = "/%0/tiddlers.txt?select=title:%1".
			format(workspace, fileName);
		var token = tiddlyspace ? tiddlyspace.getCSRFToken() : "";
		var action = "%0?csrf_token=%1&redirect=%2"
			.format(baseURL, token, redirectTo);
		form[0].action = action; // dont use jquery to work with ie
		form[0].target = iframeName;
		// do not refactor following line... won't work in IE6 otherwise
		$(place).append($('<iframe name="' + iframeName + '" id="' + iframeName + '"/>').css('display','none'));
		macro.iFrameLoader(iframeName, function() {
			var content = document.getElementById(iframeName).contentWindow.document.documentElement;
			if($(content).text().indexOf(fileName) > -1) {
				options.callback(place, fileName, workspace, baseURL);
			} else {
				macro.errorHandler(fileName);
			}
			form.show(1000);
			pleaseWait.hide(1000);
		});
		form.hide(1000);
		pleaseWait.show(1000);
		return true;
	},
	createUploadForm: function(place, options) {
		var locale = macro.locale;
		if(readOnly) {
			$('<div class="annotation" />').text(locale.membersOnly).
				appendTo(place);
			return;
		}
		var bag = options.bag;
		options.callback = options.callback ? options.callback :
			function(place, fileName, workspace, baseurl) {
				macro.displayFile(place, fileName, workspace);
				displayMessage(locale.loadSuccess.format(fileName));
				$("input[type=text]", place).val("");
			};
		var defaults = config.defaultCustomFields;
		place = $("<div />").addClass("container").appendTo(place)[0];
		var workspace = bag ? "bags/%0".format(bag) : config.defaultCustomFields["server.workspace"];
		var baseURL = defaults["server.host"];
		baseURL += (baseURL[baseURL.length - 1] !== "/") ? "/" : "";
		baseURL = "%0%1/tiddlers".format(baseURL, workspace);
		//create the upload form, complete with invisible iframe
		var iframeName = "binaryUploadiframe%0".format(Math.random());
		// do not refactor following line of code to work in IE6.
		var form = $('<form action="%0" method="POST" enctype="multipart/form-data" />'.
					format(baseURL)).addClass("binaryUploadForm").
			appendTo(place)[0];
		macro.renderInputFields(form, options);
		$(form).
			append('<div class="binaryUploadFile"><input type="file" name="file" /></div>').
			append('<div class="binaryUploadSubmit"><input type="submit" value="Upload" disabled /></div>').
			submit(function(ev) {
				this.target = iframeName;
				options.target = iframeName;
				macro.uploadFile(place, baseURL, workspace, options);
			})
			.find('[type="file"]').bind('change', function() {
				$(form).find('[type="submit"]').prop('disabled', false);
			}).end();
		$('<div />').addClass("uploadProgress").text(locale.uploadInProgress).hide().appendTo(place);
		$("input[name=file]", place).change(function(ev) {
			var target = $(ev.target);
			var fileName = target.val();
			var title = $("input[type=text][name=title]", place);
			if(!title.val()) {
				title.val(fileName);
			}
		});
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		params = paramString.parseParams(null, null, true);
		macro.createUploadForm(place, params[0]);
	},
	iFrameLoader: function(iframeName, callback) {
		var iframe = document.getElementById(iframeName); //jQuery doesn't seem to want to do this!?
		var locale = macro.locale;
		$(".userInput").addClass("notEdited"); // reset editing
		var finishedLoading = function() {
			callback();
		};
		var iFrameLoadHandler = function() {
			finishedLoading.apply();
			return;
		};

		iframe.onload = iFrameLoadHandler;
		//IE
		completeReadyStateChanges = 0;
		iframe.onreadystatechange = function() {
			if (++(completeReadyStateChanges) == 3) {
				iFrameLoadHandler();
			}
		};
	},
	displayFile: function(place, title, workspace) {
		var adaptor = store.getTiddlers()[0].getAdaptor();
		var context = {
			workspace: workspace,
			host: config.defaultCustomFields['server.host']
		};
		adaptor.getTiddler(title, context, null, function(context) {
			if(context.status) {
				store.addTiddler(context.tiddler);
				story.displayTiddler(place, title);
				var image = config.macros.image;
				if(image && image.refreshImage) {
					image.refreshImage("/%0/tiddlers/%1".format(workspace, title));
					image.refreshImage(title);
					image.refreshImage("/%0".format(title));
					image.refreshImage("%0/%1/tiddlers/%2".format(config.extensions.tiddlyweb.host, workspace, title));
				}
			} else {
				displayMessage(macro.locale.loadError.format(title));
			}
		});
	}
};

if(tiddlyspace) {
	config.macros.binaryUploadPublic = {
		handler: function(place, macroName, params, wikifier, paramString, tiddler) {
			var options = paramString.parseParams(null, null, true)[0];
			var bag = tiddlyspace.getCurrentBag("public");
			options.bag = bag;
			macro.createUploadForm(place, options);
		}
	};
	config.messages.privacySetting = config.options.chkPrivateMode ?
		"private" : "public";
	config.macros.binaryUpload.defaultWorkspace = tiddlyspace.
		getCurrentWorkspace(config.messages.privacySetting);
}

})(jQuery);
//}}}

;//''Fractal Mundiosa''//
:[[Fractal]] World that is Divine [[Feminine|Muse]]; ~Ground-Divine
;//material [[mítica|mitocos]] diosa//
:material mythic goddess
;//Una Trenza//
:One Plait … see the [[simple]] 'thread'
//See [[Axis Mundi]]//

----
;//Enfoca tu atención primaria en el mensaje en lugar de la forma.//
:Focus your primary attention [care] on the message in place of the form.
//Tentatively I list these elements of what I call//
;//El ~Ingenuo-Ser / Ser La Realidad ~Vida-y-Ingenuo//
:The ~Unaware-Is / The Naïf ~Living-Actual
;sol
:sun
;suelo
:soil
;lluvia
:rain
;viento
:wind
;humo
:smoke
;montaña
:mountain
;lago
:lake
;árbol
:tree
;vida
:life
;muerte
:death
;tiempo
:time
----

''Yo hago el siguiente precaución para mí''
*No intente la reinvención de cada patrón y un conjunto de reglas que me encuentro.
**//Do not try to reinvent each pattern and set of rules that I meet.//
*No se sienta desprecio por lo que ha sido eficaz para los demás.
**//Do not feel contempt for what has been effective for others.//
*No deje de apreciar las lenguas y las tradiciones heredadas de mi civilización.
**//Do not fail to appreciate the languages ​​and traditions inherited from my civilization.//

/***
|Name:|ToggleTagPlugin|
|Description:|Makes a checkbox which toggles a tag in a tiddler|
|Version:|3.1.0a|
|Date:|27-Jun-2011|
|Source:|http://mptw.tiddlyspot.com/#ToggleTagPlugin|
|Author:|Simon Baird <simon.baird@gmail.com>|
|License:|http://mptw.tiddlyspot.com/#TheBSDLicense|
!!Usage
{{{<<toggleTag }}}//{{{TagName TiddlerName LabelText}}}//{{{>>}}}
* TagName - the tag to be toggled, default value "checked"
* TiddlerName - the tiddler to toggle the tag in, default value the current tiddler
* LabelText - the text (gets wikified) to put next to the check box, default value is '{{{[[TagName]]}}}' or '{{{[[TagName]] [[TiddlerName]]}}}'
(If a parameter is '.' then the default will be used)
* TouchMod flag - if non empty then touch the tiddlers mod date. Note, can set config.toggleTagAlwaysTouchModDate to always touch mod date
!!Examples
|Code|Description|Example|h
|{{{<<toggleTag>>}}}|Toggles the default tag (checked) in this tiddler|<<toggleTag>>|
|{{{<<toggleTag TagName>>}}}|Toggles the TagName tag in this tiddler|<<toggleTag TagName>>|
|{{{<<toggleTag TagName TiddlerName>>}}}|Toggles the TagName tag in the TiddlerName tiddler|<<toggleTag TagName TiddlerName>>|
|{{{<<toggleTag TagName TiddlerName 'click me'>>}}}|Same but with custom label|<<toggleTag TagName TiddlerName 'click me'>>|
|{{{<<toggleTag . . 'click me'>>}}}|dot means use default value|<<toggleTag . . 'click me'>>|
!!Notes
* If TiddlerName doesn't exist it will be silently created
* Set label to '-' to specify no label
* See also http://mgtd-alpha.tiddlyspot.com/#ToggleTag2
!!Known issues
* Doesn't smoothly handle the case where you toggle a tag in a tiddler that is current open for editing
* Should convert to use named params
***/
//{{{

if (config.toggleTagAlwaysTouchModDate == undefined) config.toggleTagAlwaysTouchModDate = false;

merge(config.macros,{

  toggleTag: {

    createIfRequired: true,
    shortLabel: "[[%0]]",
    longLabel: "[[%0]] [[%1]]",

    handler: function(place,macroName,params,wikifier,paramString,tiddler) {
      var tiddlerTitle = tiddler ? tiddler.title : '';
      var tag   = (params[0] && params[0] != '.') ? params[0] : "checked";
      var title = (params[1] && params[1] != '.') ? params[1] : tiddlerTitle;
      var defaultLabel = (title == tiddlerTitle ? this.shortLabel : this.longLabel);
      var label = (params[2] && params[2] != '.') ? params[2] : defaultLabel;
      var touchMod = (params[3] && params[3] != '.') ? params[3] : "";
      label = (label == '-' ? '' : label); // dash means no label
      var theTiddler = (title == tiddlerTitle ? tiddler : store.getTiddler(title));
      var cb = createTiddlyCheckbox(place, label.format([tag,title]), theTiddler && theTiddler.isTagged(tag), function(e) {
        if (!store.tiddlerExists(title)) {
          if (config.macros.toggleTag.createIfRequired) {
            var content = store.getTiddlerText(title); // just in case it's a shadow
            store.saveTiddler(title,title,content?content:"",config.options.txtUserName,new Date(),null);
          }
          else
            return false;
        }
        if ((touchMod != "" || config.toggleTagAlwaysTouchModDate) && theTiddler)
            theTiddler.modified = new Date();
        store.setTiddlerTag(title,this.checked,tag);
        return true;
      });
    }
  }
});

//}}}

The way [Will] Wright sees games, players occupy and explore what he calls “possibility spaces.” Simply put, possibility spaces are all the potential arrangements [[a system (or game)|Glass Bead Game]] might find itself in. The whole tree of possible movements of pieces on a chessboard, or the countless ways you might reach a destination [in a video game], each are a kind of possibility space.

From "[[SimCity That I Used to Know|https://medium.com/re-form/simcity-that-i-used-to-know-d5d8c49e3e1d]]" by Doug Bierend

Also see //[[Symbolic Systems]]// … though //not// every possibility space builds with symbols.

Type the text for 'cecilyMap'

I'm not what you think I am. I am a loose aggregate, a sort of old fashioned cabinet of curiosities, interesting in pieces but much better as a composite. It's the lines of traffic between the pieces that are worth attention, but this has been, until now, a shapeless sort of beauty, a beauty without a body, and therefore with few lovers. But hypertext provides a body, a vaporous sort of insufficiently tactile body but a body, for our experience of the beauty of relationships.
…
Works of words are self-portraits too, substitute bodies we put together, then look to for encouragement. Boundaries of texts are like boundaries of bodies, and both stand in for the confusing and invisible boundary of the self. The wholeness of an artwork helps firm us up; in its presence we believe a little more in the unity we uneasily suspect we lack. As a result we have an almost visceral reaction to disorderly texts. Good writing is clear and orderly; bad writing inspires the same kind of distaste that bad grooming does, while experimental novels are not just hard to read, they're anti-social.
…
Books, of course, like other bodies, fall apart. Literally, and also in the invisible body of the text… The novel, over the course of time, has become, despite the most flagrant tendecies toward polymorphous perversity and transgender play, a very stalwart announcement of nothing much… I would like to introduce a different kind of novel, the patchwork girl, a creature who's entirely content to be the turn of a kaleidoscope, an exquisite corpse, a field on which copulas copulate, the chance encounter of an umbrella and a sewing machine on an operating table. The hypertext.

Hypertext is the banished body. Its compositional principle is desire… It has the stopped stories to tell, it mentions unmentionables, speaks unspeakables; it unspeaks. I don't mean to say it has different, better opinions than novels can muster up, that it's plugged with better content.  Hypertext won't make a bland sentence wild… Fill a disjunctive structure with pablum and you will only cement the world's parts more solidly together, clog the works with glue.  //It's not opinions I'm interested in, but relationships, juxtapositions, apparitions and interpolations.// Hypertext is the body languorously extending itself to its own limits, hemmed in only by its own lack of extent. And like the body, it no longer has just one story to tell.

CONSTRAINTS & THE BOOK
I have no desire to demolish linear thought, but to make it one option among many. Likewise, I'd like to point out that the book is not the Natural Form it has become disguised as by its publicists. It is an odd machine for installing text in the reader's mind and it too was once an object of wonder… The linear form of the novel is not a natural evolutionary end, but a formal device, an oulipian constraint, albeit one with lots of elbow-room. Like all constraints, it generates its own kinds of beauty, from graceful accession to linearity to the most prickly resistance. My favorite texts loiter, dawdle, tease, pass notes, they resist the linear, they pervert it… We can invent new constraints, multiple ones. I think we will: just because I advocate dispersal doesn't mean I'm as impressed by a pile of sawdust as I am by a tree, a ship, a book.  //But let us have books that squirm and change under our gaze, or tilt like a fun-house floor and spill us into other books//, whose tangents and asides follow strict rules of transformation, like a crystal forming in a solution, or which consist entirely of links, like spider-webs with no corpses hanging in them.  Language is the Great Unruly, and alphabetical order is a contradiction in terms.
…
Don Delillo said in a reading in San Francisco a week ago that the writer sets her pleasure (his pleasure, is what he actually said), her eros, against the great, megalithic death that is history's most enduring work. I take that death to be not just the literal extinction of life after life, but the extinguishing of the narrative pulse of all those lives under the granite gravity of history recorded. History is a cold, congealed thing, but //if it is not too far past, there are strands of DNA, molecules of story imbedded in it, which can be rejoined and reanimated// by a sufficiently irreverent Frankensteinbeck.
…
Writers can't make facts react backwards, redo what's done, but what we have left of what's done is stories, and writers tell those better than most people. The incredible thing is that desire suffices against history, against death, against the hup-two lock-step of binary logic and the clockwork of common sense. What we imagine is all that animates us, not just texts, but also people. A beaker of imaginal secretions makes us all desire's monsters, which is what we ought to be.

– Shelley Jackson
"Stitch Bitch: [[the patchwork girl|http://web.mit.edu/comm-forum/papers/jackson.html]]"

!!//The Wisdom of No Escape and the Path of ~Loving-Kindness//
by Pema Chödrön

''Excerpts:''
<<<
Being satisfied with what we already have is a…key to being alive in a full, unrestricted, and inspired way.  One of the major obstacles to what is traditionally called enlightenment is resentment, feeling cheated, holding a grudge about who you are, where you are, what you are. (Page 5)
<<<

''Five strengths to draw upon:''
#__Determination__ and __commitment__ to awakened meaningful existence, relate openly and "turn toward life."
#__Familiarity__ or familiarization with bodhichitta practices … All activities should be done with one intention: to realize Interbeing (connection with all beings.)
#__Seed of goodness__ found in all life, held in my daily awareness.
#__Reproach__ gentle, firm, yet far-sighted – asking //Have I done this before?// (in the life prior to determination.)
#__Aspiration__ that ignorance and fear will diminish; wisdom and compassion will increase.

this is what i want: a studio of my own.
a place to do my writing or my art or my crafting or my thinking or my dreaming - or do it all and nothing - a place to meditate, a place to hide, a place to collect and deconstruct my thoughts - a studio: a multi-purpose cross-functional all embracing place of love and honor - a shrine, a temple - a holy (wholly place).

i suppose that one could argue your mind is the best studio of all - and if you don't use the confines of your own personal space to create and do all of these amazing things in, you probably won't do it in a physical space that [merely] represents these things.

and then you really have to ask yourself - can a writer and an artist coexist in the same space? that is what i would be asking - for my multi-faceted created selves to exist in the same space and share physical union - paints and words and failures - because oh so many of those would thrive in the studio - but masterpieces too - priceless in their beauty and variety and //openness.//

stunning and beautiful masterpieces - dutiful bits of pottery and prose and painted canvas biding time until [[the end of my world|People]].

is there anything more tragic - for art to die at the very moment with its creator - though sometimes it lives on, if those entrusted with its legacy have even a semblance of caring and concern for the outcome - for the message [[made manifest|Manifest]].

/***
|''Name''|TiddlySpaceInitialization|
|''Version''|0.7.3|
|''Description''|Initializes new TiddlySpaces the first time they are created|
|''Status''|@@beta@@|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/blob/master/src/plugins/TiddlySpaceInit.js|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlySpaceConfig RandomColorPalettePlugin chrjs ImageMacroPlugin|
!TODO
* robust error notification and recovery
!MarkupPreHead
<!--{{{-->
<link href="/bags/%0_public/tiddlers.atom" rel="alternate"
	type="application/atom+xml" title="%0's public feed" />
<link rel="canonical" href="%1/" />
<!--}}}-->
!Code
***/
//{{{
(function($) {

var versionField = "tiddlyspaceinit_version";
var markupPreHead = store.getTiddlerText(tiddler.title + "##MarkupPreHead", "");
var tiddlyspace = config.extensions.tiddlyspace;
var currentSpace = tiddlyspace.currentSpace;
var tweb = config.extensions.tiddlyweb;

var plugin = config.extensions.TiddlySpaceInit = {
	version: "0.6",
	SiteTitle: "%0",
	SiteSubtitle: "a TiddlySpace",
	flagTitle: "%0SetupFlag",
	flagWarning: "Please do not modify this tiddler; it was created " +
		"automatically upon space creation.",

	dispatch: function(ev) {
		var title = plugin.flagTitle.format([currentSpace.name]);
		config.annotations[title] = plugin.flagWarning;
		if(currentSpace.type != "private") {
			return;
		}
		var tiddlers = [];
		var tid = store.getTiddler(title);
		if(tid) {
			curVersion = parseFloat(tid.fields[versionField]);
			reqVersion = parseFloat(plugin.version);
			if(curVersion < reqVersion) {
				plugin.update(curVersion, tid);
				tid.fields[versionField] = plugin.version;
				tid.incChangeCount();
				tid = store.saveTiddler(tid);
				tiddlers.push(tid);
			}
		} else { // first run
			tid = new Tiddler(title);
			tid.tags = ["excludeLists", "excludeSearch", "excludePublisher"];
			tid.fields = $.extend({}, config.defaultCustomFields);
			tid.fields[versionField] = plugin.version;
			tid.text = "@@%0@@".format([plugin.flagWarning]);
			tid = store.saveTiddler(tid);
			tiddlers = tiddlers.concat(plugin.firstRun(), tid);
		}
		autoSaveChanges(null, tiddlers);
	},
	update: function(curVersion, flagTiddler) {
		if(curVersion < 0.2) {
			this.createAvatar();
		}
		if(curVersion < 0.3) {
			flagTiddler.tags.pushUnique("excludePublisher"); // XXX: never persisted
		}
		if(curVersion < 0.5) { // v0.4 was faulty
			this.setupMarkupPreHead();
		}
		if(curVersion < 0.6) {
			this.purgeSystemSettings();
		}
	},
	pubTid: {
		tags: ["excludeLists", "excludeSearch"],
		fields: $.extend({}, config.defaultCustomFields, {
			"server.workspace": tiddlyspace.getCurrentWorkspace("public")
		})
	},
	makeTiddlerIfNot: function(tiddler) {
		if (!store.tiddlerExists(tiddler.title)) {
			$.extend(true, tiddler, plugin.pubTid);
			return [store.saveTiddler(tiddler)];
		} else {
			return [];
		}
	},
	firstRun: function() {
		var tiddlers = [];
		// generate Site*itle
		$.each(["SiteTitle", "SiteSubtitle"], function(i, item) {
			var tid = new Tiddler(item);
			tid.text = plugin[item].format([currentSpace.name]);
			tiddlers.push.apply(tiddlers,
				plugin.makeTiddlerIfNot(tid));
		});
		// generate public ColorPalette
		var tid = new Tiddler("ColorPalette");
		tid.text = config.macros.RandomColorPalette.generatePalette({
			saturation_pale: 0.67, saturation_light: 0.53,
			saturation_mid: 0.43, saturation_dark: 0.06,
			pale: 0.99, light: 0.85, mid: 0.5, dark: 0.31
		},
			false);
		tiddlers.push.apply(tiddlers, plugin.makeTiddlerIfNot(tid));
		this.createAvatar();
		this.setupMarkupPreHead();
		return tiddlers;
	},
	// remove _cookie slices (TiddlyWiki 2.6.2 beta 6 remnants)
	purgeSystemSettings: function() {
		var ss = store.getTiddler("SystemSettings");
		if(ss) {
			var lines = ss.text.split("\n");
			var persistentOptions = $.grep(lines, function(line, i) {
				return line.indexOf("_cookie:") == -1;
			});
			ss.text = persistentOptions.join("\n");
			ss = store.saveTiddler(ss);
			autoSaveChanges(null, [ss]);
		}
	},
	createAvatar: function() {
		var avatar = "SiteIcon";
		var host = tweb.host;
		var notify = function(xhr, error, exc) {
			displayMessage("ERROR: could not create avatar - " + // TODO: i18n
				"%0: %1".format([xhr.statusText, xhr.responseText]));
			// TODO: resolve!?
		};

		var pubBag = tiddlyspace.getCurrentBag("public");
		var tid = new tiddlyweb.Tiddler(avatar);
		tid.bag = new tiddlyweb.Bag(pubBag, host);

		var callback = function(data, status, xhr) {}; // avatar already exists; do nothing
		var errback = function(xhr, error, exc) {
			if(xhr.status != 404) {
				return;
			}
			// copy default avatar
			var _notify = function(tid, status, xhr) {
				displayMessage("created avatar"); // TODO: i18n
				var image = config.macros.image;
				if(image && image.refreshImage) {
					var uri = "/%0/tiddlers/SiteIcon".
						format(tiddlyspace.getCurrentWorkspace("public"));
					image.refreshImage(uri);
					image.refreshImage("SiteIcon");
				}
			};
			var _callback = function(tid, status, xhr) {
				tid.title = avatar;
				tid.bag.name = pubBag;
				delete tid.etag;
				tid.put(_notify, notify); // TODO: add to current session document (via adaptor?)
			};
			tweb.getUserInfo(function(user) {
				var avatarTitle = currentSpace.name == user.name ?
					"defaultUserIcon" : "defaultSiteIcon";
				var tid = new tiddlyweb.Tiddler(avatarTitle);
				tid.bag = new tiddlyweb.Bag("common", host);
				tid.get(_callback, notify);
			});
		};
		tid.get(callback, errback);
	},
	savePublicTiddlerText: function(title, text, pubWorkspace) {
		var tid = new Tiddler(title);
		tid.text = text;
		tid.tags = ["excludeLists"];
		tid.fields = $.extend({}, config.defaultCustomFields);
		tid.fields["server.workspace"] = pubWorkspace;
		tid.fields["server.page.revision"] = "false";
		tid = store.saveTiddler(tid);
		autoSaveChanges(null, [tid]);
	},
	setupMarkupPreHead: function() {
		var pubWorkspace = tiddlyspace.getCurrentWorkspace("public");
		var existing = store.getTiddler("MarkupPreHead");
		if(!existing || existing.fields["server.workspace"] != pubWorkspace) {
			var context = this;
			tweb.getStatus(function(status) {
				var text = markupPreHead.format(currentSpace.name,
					tiddlyspace.getHost(status.server_host, currentSpace.name));
				context.savePublicTiddlerText("MarkupPreHead", text,
					pubWorkspace);
			});
		}
		// also set up DefaultTiddlers
		var title = "DefaultTiddlers";
		existing = store.getTiddler(title) || new Tiddler(title);
		if(existing.fields["server.workspace"] != pubWorkspace) {
			var text = existing.text || store.getShadowTiddlerText(title);
			this.savePublicTiddlerText(title, text, pubWorkspace);
		}
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//}}}

 
My morning has been good spending a few minutes with you and the kids, followed by fruitful thoughts, and I feel fairly calm -- unharried by conditions at work -- only because I am choosing not to dwell upon them.

Savor the day.  I love you, as do Maya and Aron increasingly as their consciousness grows.
 
I see hope "out there" and believe there can be hope (favorable movement) in these next 50 years for you and I and our family.
 
Jim Merkel talked about lovable limits.  {{grem{[We had recently watched a documentary together featuring Jim, the author of a book __Radical Simplicity__.]}}}  The concept of //finity// is a powerful and organizing principle we can build our lives and practices upon.  I am reflecting on the image of a cup "drained to the dregs in our [[quenchless thirst|Quenchless thirst]] for infinity."  Loving limits is freedom from craving.
 
Finitely,
not forever, but fully
and deeply, your Cara.

I don't feel lovable right now
a quietish disaster

 
“I have dreamed of that [[song|Mythopoeia]], of the strange words to that simple rhyme-song, and on several occasions I have understood what she was saying, in my dreams. In those dreams I spoke that language too, the first language, and I had dominion over the nature of all that was real. In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie.  It is the most basic building brick of everything.  In my dreams I have used that language to heal the sick and to fly; once I dreamed I kept a perfect little bed-and-breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, “''Be whole'',” and they would become whole, not be broken people, not any longer, because I had spoken the language of shaping.”

— from //The Ocean at the End of the Lane// by Neil Gaiman

!Ergodic Literature
Wikipedia [[article|https://en.wikipedia.org/wiki/Ergodic_literature]] on the subject
# [[I Ching]]
** Richard Wilhelm (#284)
** Carol K. Anthony (#274)
# //[[Liber Novus|The Red Book]]// by Carl Jung (#20)
# Italo Calvino (#145) //The Castle of Crossed Destinies// (1973)
# Julio Cortázar (#462) //[[Hopscotch]]// (1963)
# Mark Z. Danielewski (#456) //[[House of Leaves]]// (2000)
# Shelley Jackson (#395) //[[Patchwork Girl|patchwork girl]]// (1995)
# John Chris Jones (#43) [[i+e]] (1996-2000)
# [[Glass Bead Game]] practitioners?
** Hermann Hesse (#30)
** Paul Pilkington (#32)
** Charles Cameron (#31)
** Cath Styles (#497)
# Oulipo
** Raymond Queneau
# Cybertext and Hypermedia Tools
** Ted Nelson's (#398) Xanadu
** [[What Is A Wiki]] -- an ergodic vehicle?
** Alan Kay's (#63) [[Dynabook]] and my own imagined [[Dynabook Library]]
# //Gamer Theory// by ~McKenzie Wark (#435) [[online→|http://www.futureofthebook.org/gamertheory/]]
# William S. Burroughs (#468)
** cut-up and aleatory techniques
# [[Moticos|moticos]]
** [[defunct]] [[Nervousness.org|https://web.archive.org/web/20040603164151/http://nervousness.org/index.php]]
** Ray Johnson (#458)
** Bill [[Wilson|1000 lifeline notes/BillWilson]] (#459)
# Experiments and Variations
** //[[Finnegans Wake]]// (1939) by James Joyce (#59)
** //Night of January 16th// (1933 play) by Ayn Rand (#483)
** Gonzo journalism (Hunter S. Thompson)
** Choose Your Own Adventure (Edward Packard and R. A. Montgomery, originated 1976)
** //S.// by Doug Dorst and J. J. Abrams
# [[ECCE]] (Elegy, Canticle, Concerto, Experiment)
** {{body { //generare// — bending [[genres]], genders, and the stories of untold generations
 (my antecedent model the [[Fourfold Fruit]] was imagined February 2014)
See this [[etymological chart|http://www.flickr.com/photos/39042429@N00/12894246743/]] of the //*gen// ~Proto-Indo-European Root }}}
** [[holistic tools for thought]] (November 2016)
** [[Oikos Philos Anthropos Logos]] (my holistic creed February 2014)
# [[polycinema]]

Extracted 14 July 2013
!Kythings
A collection by the Scottish poet Ronald Eadie Munro
(aka [[Duncan Munro Glen]]), published 1969

//we know, still there,
a land of sun and blue skies
our faither cut grey with pain
live with knowledge of days spent,
and sleep shut in [[the gairden|stream of dreams]]
though the paths are
open
the blossom calls

a spring held tight
vibratin as he walks
a challenge to his brothers
the hidden selves safe aneath
quick thrustin strides
the beat o haimmers
edgin to brittle pairts
that spairk quick and chip

a table is set across a field
strength ahint closed doors
the warmth is in us
breathless and strong in her blood
that knot made to untie

a young God challengin the storm
shout my strength to the shadows
turn to the fire with them in times unknown;
daurkness welcomed and warm

quick turn in warmth to her I [[kythe]]
across another field
turn and turn again
and lie warm in the coloured wall
that knows no time but the one movin a leaf//
{{rjustify{
+++[more]
{{ljustify{
Complete poem
From JOHN ATMAN
----
I.
This is daurk Lanarkshire
[the place of Duncan's birth in 1933]
sae I hae learnt.
But //we ken aye there
a land o sun and blue skies.//
A time o lang days and play
wi my brithers.
We desire ainly
the cool blue watter.
...
Water rinnin slow in thochts
toom ablow the sky. Days
at ease wi oor brithers
and aw o earth and kin
in their ways.

And the corn there. Fenced
by oor faither. Yellowin ears
on lang stalks that move us
toward the hairst for days
oor faither fears.

We desire ainly
the cool blue watter.
...
Oor faither cut grey wi pain
and cauld. His lang-boned body
live wi knowledge
o days spent,
and sleep shut in the gairden
//though the paths are
open//
and the auld trees
in blossom that hauds nae stain.

//The blossom calls.// The gairden
oor mither returns to
with the strength o his winter.
Days for which she nourishes
strange sons. Their ways forced
ootside trig lairs.
And soon
grow strong and broun
and faither wi them
nourished to their hairst.

II.
In my thochts daurk corners
and unkent steps.
Journeys across swung stairweys.
Across daurk rivers on bridges
felt wi stretchin fingers;
open weys wi missin steps
and sweyin haunrails shadows
saft and grey agin the nicht.

A time o closed roads and unkent
fields. Great daurk acres
shut oot by quick faain hills
and sma halls o endless dance.

A spring held ticht; and wound
to the grip o innocence. //A spring
vibratin as he walks
a challenge
to his brithers.// A time of unwindin
to ithers’ time.

A large stride across a street.
//The hidden selves safe aneath
quick thrustin strides.// Unheard
voices drouned in the blood
racin. A time of lookin
frea ahint an unshaved face.
...
Bricht-haired shadows rinnin
through oor nicht; shairp wi
unkent knives cutting across
the raw stane. And //the beat o haimmers
edgin to brittle pairts
that spairk quick, and chip//
against unseen heids. A time
o shairp corners and short cuts
taen blin.

The stane rises daurk against
the sky. And //a table is set
across a field//

... A time o bricht
daurkness and haurd gless tables
set wi hauf-filled bottles.

And the dance. Heids on a hidden
floor. A turnin licht movin
through the spectrum. The warm
wi the cool. A sad yellow
and a turnin green. Heild ticht
on sprung boards. Turn and turn
again. The great springs taut
in ithers' haunds.

Great gaitherings o dochters
turnin. The owre-lookin.
And the dance. Close and fast
turnin steps. Time and time again
roond movin limbs. Quick steps
and slaw movements. Gyrations
full and round wi the beat
time and time again.
...

III.
A time of hame-comin and visitin
hame. New faces in auld.
And //strength ahint closed doors//
and rung bells.

//The warmth is in us.// We lie
thegither;
the fields are sma
and licht frae oor gairden. The days
are lazy and fu wi the trees
growin ablow us. And she walks doun,
and full-skirtit, wi warmth
and fear by his side. Waitin
and growin
life.

A stranger. A time of confinement
and doors closin. Of waiting
and walking. A time of sleep.
Of climbing close stairs
—and cauld. He rises
across the sky. Heavy clouds
blowin through the park. And gates
are closin. We wait on time.
The tide in her strong and high
wi waves that rise
and fall ayont the swingin
wecht. A flood rode dry
ootside the ark braithless and
strong in her blood. //That knot
made to untie.// And turn
in time, frae him noo
cryin
in the licht.

And the flood in him.
//a young God challengin
the storm// rushin owre
wi him licht to me. A pillar
above the storm.
...
Heich up hill paths I staun
and glimpse faur blue hills
and lochs seen bricht
though ne'er reached. And he
smiles owre my shoulder
a rock above the storm
I face.

She turns me to see
his ways. To journeys I canna
make. And a stranger moves
across a field. And through
my storm. A young face.
A column broken and swept
in spate
to the sea.

The storm beats doun my airms
and the sky falls . . .

IV.
Shadows grow colours
aw roun. I lie warm
in days lang wi daurk nights
alane in their time

A time o warmth by the fire.
Aw nicht
cauld doun daurk corridors
live wi steps
I turn frae across my nicht
and shut oot
ahint quick-closed dwaums.

I sit in the movin licht
wi steerin stairs
turnin wi the spurkle
o smells frae daurk breakfasts
you rise to mak
and mak again.

I sit cauld. Time
steady
in my pulse
racin to a time
I turn frae. A time o shut
doors
I couldna open
for licht or daurk.

Swallin doors growin shut
afore that white waa.
I look
to her warm in the sun. A young face
sad in my een. But quick
turn to quicker feet
and shoutin voices. Hers and mine
I canna hear, but ken
and feel aye there
a pool to lie in warm
wi unturnt licht.

My time.
But they call
and it is Their time.

I staun against the door
and turn open-eened to cross
daurk corridors and //shout
my strength to the shadows//
that run wi me
aye a step ahint
across halls and up stairs
to daurk that waits
and waits. And I turn warm;
//turn to the fire wi them
in times unkent; daurkness
welcomed and warm//
coverin us in the hidden places
of the gairden.

The leaves are faain.
I auld in their gairden;
I turn
and turn again
to a gairden that shuts oot
tomorrow's licht and shadows.
I turn frae the cool watter
and desire anerly the saft gress
uncut since we walkt paths
seen anerly frae that heavy wey
across the hill

and licht lengthens her shadow
in my dreed;
a cauld haun in mine
across corridors I see
open oot
and warm carpeted.

I see her often there
an unseen face
kent across daurk gress
frae this fireside. Oor past
still in me wi the toom
rooms o childhood. And //quick
turn in warmth to her I ken
across anither field.// But then
in time
grow cauld and turn
to the waa.

Sma faces growin frae patterns.
Faces safe in my een
that blink to blin
and turn
away to ithers. Turn and turn
again. Sma movin figures
I canna ken. And lie
warm in the coloured wall
that kens nae time
but the wun movin
a leaf. A wun
aye in the gairden
and the mornin taen wi the sun . . .

and they call
and it is their time
and their place . . .

[last and forty-eighth page of the book]
}}}
===

 
I discovered both of these around 2002:

[[Nervousness.org|https://web.archive.org/web/20040603164151/http://nervousness.org/index.php]] site where land [[mail art object]]s were exchanged

+++[Tranquility game]
<<tiddler TQworld>>
===

 
I count Loren Eiseley among those who have most [[influenced|Influences]] my thought and self-conception.  [[Halley's Comet]] passed Earth on April 20, 1910 when Eiseley was 2½ years old.
<<tiddler [[Halley's Comet/Eiseley]]>>
!Eiseley in the City of Brotherly Love
from Wayne Luckmann's series of poems "Secular Saints"
in //[[Northwest Passage|https://books.google.com/books?id=mukREaEiw2MC&pg=PT199&lpg=PT199]], Collected Poems// (2013)


His life is advent.
As a child hardly uttering words
he is lifted on his father's shoulders
toward the heavens and the Great Comet
that will return only when he is old,
should he live that long, so his father
whispers in the dark against the vast
canopy of stars while they anticipate
its first coming.  Then it is gone,
fanning a trail of fire and ice.
The child is left haunted: Throughout
his years the bright crystal
ball hurls through empty night
in an endless arc.

Chance tests him for fitness:
Something in his genes allows him
to survive: He flees the isolation
of his deaf mother's embrace
that trembles on the edge of madness
threatening to suck him in, fights off
disease that would drown his lungs.

He sets out riding boxcars, escapes
being thrown from a speed train
by a brakeman who sees in his
transience an accusation that raises
self-righteous rage, wakes from sleep
as he clings to the underbelly
of a tanker just as he slips toward
rails that race beneath grinding wheels.

Seeking knowledge
he wanders the graveyard of the past,
digging up bones, studying them
as oracles, seeking signs of the chance
change affecting his destiny: perhaps
a massive boulder sent from the stars
raising tidal waves of spume, blocking
the sun, starving the giant reptiles
allowing the rodent that survives
to become the insomniac wandering
city streets, indifferent to any
earthly dangers, haunted by images
captured in light, carried
in the neural firings of his brain
from one life station to another:

Rats rustling over moldering books
in abandoned cellars; a wagon and driver
crossing a busy intersection or caught
in lightning glare against a knurled
tree a face twisted by some curse
or accidental heritage; a worker
in a city landfill beside a stalled
rail coach forking up steaming remnants
of a doll, recalling stillborns swaddled
in newsprint abandoned in refuse dumps;
the beach at sunrise on which he makes
his stand helping a stranger hurl
stranded starfish back to the sea beyond
the breaking surf.

His brief years are a primer:
Burdened with consciousness,
a singularity in the starry cosmos,
puzzled by the vagaries of the path
he follows in a blind search for a Deity
which always hides its face in mystery,
his flesh, his father's legacy, betrays
him, turns on him, devours him.

//While the great sweep of comet
rushes on through the vast void
gliding back finally toward the sun,
childless, underneath the steady knife
of a stranger's firm hand, he goes
into the dark alone.//

----

In his early sixties, Eiseley wrote of his father's "barren life" and "lonely heart", going on to say for himself: "I was utterly alone. No waiting son stirred in the room."  The poet writes about his saint: //"childless…he goes into the dark alone."//

{{grem{(I read in [[Fox at the Wood's Edge|https://books.google.com/books?id=GXQbaVNr_H0C&pg=PA222&lpg=PA222]] that his wife Mabel "denied that Loren's aversion to paternity was rooted in his self-proclaimed fear of the family madness," but nonetheless, his biographer does not dismiss the possibility.)}}}

Wayne Luckmann included these men in his series of poems:
<<<
//Descartes in Stockholm
Spinoza at the Hague
Kant in Konigsberg
John Stuart Mill in Avignon
William James in the Adirondacks
On Denoting
Wittgenstein in Wien
Camus in Sens
Oppenheimer at Trinity Test Site
Bronowski in East Hampton
Hawking in the Nebula on the Sword of Orion
Arnold at Liverpool
Sartre in Saint Germain des Pre's//
<<<
(Taken from his book's [[Table of Contents|https://books.google.com/books?id=mukREaEiw2MC&lpg=PT199&pg=PT6]].)

Madeleine [[L'Engle]] also named such "saints" in a similiar manner, hers including Einstein, Bach, Emerson, and Thoreau.

----

Luckmann's own short bio follows, woven together from what he published on Facebook and [[Amazon|https://www.amazon.com/Wayne-Luckmann/e/B00JAEMBMC]]:
<<<
Wayne Luckmann, a ''writer and student of ideas'', labored for nearly four decades as tenured faculty at Green River Community College in Auburn, Washington where he guided classes in philosophy; poetry; English, American, and world literature. 

After officially parting from Green River…he renewed his long neglected writing and eventually published his personal narrative, //[[A Stirring of the Air, A Shifting of the Light|https://www.amazon.com/Stirring-Air-Shifting-Light-Memoir/dp/1475958919]]// that traces his personal development while living in Milwaukee’s Southside during the 1930s and 40s; a collection of stories and prose, //[[The Buried Life|https://www.amazon.com/Buried-Life-Collected-Stories-Prose-ebook/dp/B00D8WFZEI]]//; and //[[Northwest Passage, Collected Poems|https://www.amazon.com/Northwest-Passage-Collected-Wayne-Luckmann-ebook/dp/B00B69KMV6]]//.  He then resurrected and finished //The Inhabited Garden//, a fictional narrative based on memoir, and //[[Sweet Journey Home|https://www.amazon.com/Sweet-Journey-Home-Wayne-Luckmann-ebook/dp/B015LK1P0C]]//, another fictional narrative. All are offered on Amazon.com, the last two as Kindle books.

Spending most of his time at Ocean Shores, Washington in a room he had especially built for work, he continues studying the classical guitar that he abandoned in the 1990’s and then revived in 2010 when he stopped managing online classes, and he continues working on stories both old and new with expectations of publishing them in the next few years.  In his spare time, he continues to read in several languages, in science, philosophy, and fiction while responding as best he can to the insistent demands of two rescued dogs he brought back from Arizona, numerous deer, flocks of crows, scores of birds, and an occasional pair of Mallard ducks that sometimes waddle through the yard.

Other than that, he experiences quiet days in a house close enough to the ocean to hear its unrelenting roar.
<<<

 
Advertising signs they con
You into thinking you’re the one
That can do what’s never been done
That can win what’s never been won
Meantime life outside goes on
All around you

You lose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
That somebody thinks they really found you

A question in your nerves is lit
Yet you know there is no answer fit
To satisfy, insure you not to quit
To keep it in your mind and not forget
That it is not he or she or them or it
That you belong to

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to

For them that must obey authority
That they do not respect in any degree
Who despise their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something they invest in

-- Bob Dylan, 1965

//''Mandelbrot Quakes''// is a play on //[[Finnegans Wake]]//, inspired by portions (the more intelligible ones, to this reader) of the style used by its author James Joyce.  The very opposite of a haiku.  This kind of non-linear 'disturbed' language has explanation in a theorized [[fractal consciousness]], occurring when 'The [[Fractal]]' quakes.
<<<
//maybe this quake
will put the world right…//
&nbsp;&nbsp;&nbsp;– [[Issa|this world of dew]] 1824 haiku ^^[[[22]|http://haikuguy.com/issa/haiku.php?code=023.24a]]^^
<<<
"Franklin's [[fractal-quaking|Awe and Trembling/Franklin]] shaking a multitude of digital newness each unique to its distinguishing moment.  My moments of waiting, positioning and repositioning launched me into supersedent infrastructures.  Memories totalized as they failed in adhering to a linear sequence…"

(Benoit Mandelbrot, the discoverer of fractals, took a purely scientific approach to them, so far as I know.  Here, I intend a proper-noun Fractal or 'Mind of the Universe' which admittedly has a New Age feel to it.)

//M.Q.// is also one of the '[[genres]]' described in the [[Fourfold Fruit]], among others including Poem, Novel, Thesis, and Scripture.  [[Mitocos|mitocos]] traverse and interweave all these expressions.

//See FractalPoiesis//

Ihab Hassan (17 October 1925 – 10 September 2015) was an Arab American literary theorist and writer born in Egypt.

Hassan's "schematic" distinguishing modernism from postmodernism appeared in his 1987 essay, "Toward a Concept of Postmodernism", and is reproduced here:

| Modernism | Postmodernism |
| Romanticism/Symbolism | Pataphysics/Dadaism |
| Form (Conjunctive, closed) | Antiform (Disjunctive, open) |
| Purpose | Play |
| Design | Chance |
| Hierarchy | Anarchy |
| Mastery/Logos | Exhaustion/Silence |
| Art Object / Finished Work | Process/Performance/Happening |
| Distance | Participation |
| Creation/Totalization | Decreation/Deconstruction |
| Synthesis | Antithesis |
| Presence | Absence |
| Centering | Dispersal |
| Genre/Boundary | Text/Intertext |
| Semantics | Rhetoric |
| Paradigm | Syntagm |
| Hypotaxis | Parataxis |
| Metaphor | Metonymy |
| Selection | Combination |
| Root/Depth | Rhizome/Surface |
| Interpretation/Reading | Against Interpretation / Misreading |
| Signified | Signifier |
| //Lisible// (Readerly) | //Scriptible// (Writerly) |
| Narrative / //Grande Histoire// | Anti-narrative / //Petite Histoire// |
| Master Code | Idiolect |
| Symptom | Desire |
| Type | Mutant |
| Genital/Phallic | Polymorphous/Androgynous |
| Paranoia | Schizophrenia |
| Origin / Cause | ~Difference-Différance / Trace |
| God the Father | The Holy Ghost |
| Metaphysics | Irony |
| Determinacy | Indeterminacy |
| Transcendence | Immanence |

Hassan's Table of Differences between Modernism and Postmodernism ends with the statement (//The Dismemberment of Orpheus//, p. 269): "Yet the dichotomies this table represents remain insecure, equivocal. For differences shift, defer, even collapse; concepts in any one vertical column are not all equivalent; and inversions and exceptions, in both modernism and postmodernism, abound."

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And suddenly, he realized that all his life he had done nothing but talk, write, lecture, ''concoct sentences, search for formulations and amend them'', so in the end no words were precise, their meanings were obliterated, their content lost, they turned into trash, chaff, dust, sand; prowling through his brain, tearing at his head, they were his insomnia, ''his illness''.

And what he yearned for at that moment, vaguely but with all his might, was ''unbounded music'', absolute sound, a pleasant and happy all-encompassing, overpowering, window-rattling din to engulf, once and for all, the pain, the futility, the vanity of words.
–Milan Kundera, //The Unbearable Lightness of Being//
quoted at http://eekim.com

I have laid my ear to the dust, and the thing it said
was Silence. Therefore I have made silence speak; I found
for the night a sound.
–Judith Wright, from //The Blind Man//

[[self-thrown things]]

project
object
subject

subjective
objective
subject/master

jet
jettison

+++[ictus]
<part ictus>
<<tiddler ictus>>
</part>
===


adjective
conjecture
projection
abject
deject
reject
inject
interject
conjectory
trajectory
eject
ejaculate
adjacent
circumjacent
interjacent

[[whole means project|project of humankind]]

 
The road seen, then not seen, the hillside
hiding then revealing the way you should take,
the road dropping away from you as if leaving you
to walk on thin air, then catching you, holding you up,
when you thought you would fall,
and the way forward always in the end
the way that you followed, the way that carried you
into your future, that brought you to this place,
no matter that it sometimes took your promise from you,
no matter that it had to break your heart along the way:
the sense of having walked from far inside yourself
out into the revelation, to have risked yourself
for something that seemed to stand both inside you
and far beyond you, that called you back
to the only road in the end you could follow …

one day you realized that what you wanted
had already happened long ago and in the dwelling place
you had lived in before you began,
and that every step along the way, you had carried
the heart and the mind and the promise
that first set you off and drew you on
and that you were more marvelous
in your simple wish to find a way …

turning the corner at what you thought was the end
of the road, you found just a simple reflection,
and a clear revelation beneath the face looking back
and beneath it another invitation, all in one glimpse:
like a person and a place you had sought forever,
like a broad field of freedom that beckoned you beyond;
like another life, and the road still stretching on.

Excerpt from ‘[[Santiago|http://www.davidwhyte.com/english_santiago.html]]’
From //Pilgrim:// Poems by David Whyte

matters of muses [[&|re: muse]] life recombined

!everintermutuomergent

//the slippery hypnotism of an ocean forever crashing, merging, constantly changing … each act ripples, compounds, and is knocked away again, an endless recurrence of thesis and antithesis…// @@color:grey;[two facets of [[dialectic]]]@@

"A similar interconnectedness is suggested throughout //[[Finnegans Wake]]//. The book is an enormous structure of intricate [[correspondences|correspondances]] in which the meaning of any one element can only be understood fully in its relationship to the whole. This interpenetration of "undivided reawlity" (292.31) is expressed in //Finnegans Wake// on two levels. On the one hand, the merging word formations stress the fluid, gradual connections between ideas. Freed from their traditional form, words merge into one another. Ceasing to exist in their traditional role as symbols or signs of discrete entities, they assume instead the role of a bond between apparently disconnected phenomena.

This linguistic level of interpenetration is accompanied by a persistent shifting of the recurrent motifs in //Finnegans Wake//. Characters and events in Joyce's book are '''everintermutuomergent''' (55.11-12). Their connections, correspondences and constant transformations create a sense of intrinsic unity in the fictional world of the book." –from [[The Joyce of Science: New Physics in Finnegans Wake|http://duszenko.northern.edu/joyce/intro.html]]
<<<
<part hce>
"On the bunk of our breadwinning lies the cropse {{grem{[corpse?]}}} of our seedfather, a phrase which the establisher of the world by law might pretinately write across the chestfront of all manorwombanborn. {{grem{[man or woman, womb-born]}}}

The ''scene'', refreshed, reroused, was never to be forgotten, the __h__en and __c__rusader ''__e__verintermutuomergent''."&nbsp;&nbsp;(page [[55|http://www.finwake.com/1024chapter3/1024fwtekst3.htm#55]])
:{{grem{alternately: everintermutuomurgent}}}
</part>
:Might suggest the +++[primal scene]
:N.B. @@color:grey;truly with a grain of salt, but Freud was a contemporary of Joyce's, and both dealt in the dreaming mind.  //Primal scene// is a term from Freud's work in 1914 (German: //urszene)// which signifies the first time a child witnesses (and may partly understand) its parents copulating -- another of Freud's over-worked theories with limited credibility.  (This scene //could// confuse or frighten a child, and leave a distorted memory that 'impedes translation'.)@@
;&nbsp;
://Follow this thread://  Ned Lukacher has proposed using the term in literary criticism to refer to a kind of ''intertextuality'' in which the ability to interpret one text depends on the meaning of another text. It is "the interpretive impasse that arises when a reader has good reason to believe that the meaning of one text is historically dependent on the meaning of another … even though there is no conclusive evidential or archival means of establishing the case beyond a reasonable doubt."
===

<<<
:"The characters…seem to flit around with the random uproar of an electron or a water droplet, yet they are intricately hitched to everything else in the universe. [[James Joyce]] had to invent a word for it, //everintermutuomergent//, trying to nail down the slippery hypnotism of an ocean forever crashing, merging, constantly changing. Each act ripples, compounds, and is knocked away again, an endless recurrence of thesis and antithesis that sounds very distant and abstract when you try to explain it, yet quite beautiful nonetheless." –Whiffer the [[cinehipster|http://www.cinehipster.com/2012/11/cloud-atlas.html]] reviewing the film //Cloud Atlas//.

 
Books I've read in the past few years which are memorable to me:

In my book club during 2016:
: //[[Hopscotch]]// — Julio Cortázar
: //The Ocean at the End of the Lane// — Neil Gaiman [[→|language of shaping]]
: //The Heart Is a Lonely Hunter// — Carson ~McCullers
//Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader// — Brent Schlender

//Listening for Madeleine: A Portrait of Madeleine [[L'Engle]] in Many Voices// — edited by Leonard S. Marcus

//Strange Bodies// — Marcel Theroux

//[[Reading Obama]]: Dreams, Hope, and the American Political Tradition// — James T. Kloppenberg

//The Last Lecture// — Randy Pausch

//A Short History of Nearly Everything// — Bill Bryson

//[[The End of Education]]: Redefining the Value of School// — Neil Postman

//Deep Ancestry: Inside the Genographic Project// – Spencer Wells

//Notes to Myself: My struggle to become a person// — Hugh Prather

//Cycling: For Health, Fitness, and ~Well-Being// – James C. ~McCullagh

!!//Man's Search For Meaning//
by Viktor E. Frankl
Published in German in 1946 under the title
//Ein Psycholog erlebt das Konzentrationslager//,
original English title was //From ~Death-Camp to Existentialism//.

''Excerpts:''
<<<
Some details of a particular man's inner greatness come to mind, like the story of the young woman whose death I witnessed in a concentration camp.  It is a simple story.  There is little to tell and it may sound as if I had invented it; but to me it seems like a poem.

This young woman knew that she would die in the next few days.  But when I talked to her she was cheerful in spite of this knowledge.  "I am grateful that fate has hit me so hard," she told me.  "In my former life I was spoiled and did not take spiritual accomplishments seriously."  Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness."  Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms.  "I often talk to this tree," she said to me.  I was startled and didn't quite know how to take her words.  Was she delirious?  Did she have occasional hallucinations?  Anxiously I asked her if the tree replied.  "Yes."  What did it say to her?  She answered, "It said to me, ''//'I am here—I am here—I am life, eternal life.'//'' "
<<<

I said to the almond tree: "Speak to me of God"
and the almond tree blossomed.
–Nikos [[Kazantzakis]]

Term appeared in John [[Rawls]]'s //Theory of Justice//.  It also fits with my recollection of Stephen Batchelor's philosophy put forth in //Confession of a Buddhist Atheist//.

Our self, or [[Ego]], is one of the earliest navigational markers young human beings need to acquire (I believe), but then 'shed' it, and come to regard this, too, as a provisional fixed point in existence.

August 2012
----

As I watched my daughter 
sleeping, three years old, 
her face and breath serene, 
this thought quivered inside me 
with privilege: 
//''sex that creates life is miraculous.''//
 
Gaze on a child you love: 
meditate on her features, 
listen to his voice, 
and remember the mysterious union 
that brings consciousness into being. 
Every person you know began with a sexual climax. 
Utterly commonplace, 
the act has been repeated billions of times; 
yet each time, 
sex leading to birth is a miracle.
 
Remember, too, 
//''sex is good and wholesome in itself''//
as a bond between two people, 
as love enacted. 
There is an intimacy which subsumes 
any sexual act. 
It may express comfort or closeness, 
increase the solidarity of a couple, 
and it may celebrate //we the living//
in these precious, impermanent bodies. 
It is simply good 
to touch, 
be close, 
and satiate together. 
 
A relationship which has experienced both 
the reproductive miracle 
and the joys of intimacy 
– playful, fierce, or tender – 
and has endured through changes; 
that is a relationship 
//''to cherish and defend.''//
 
Some do not procreate, but 
make a life together 
and a family of choice, if not biology; 
Together they draw from the same well of //qi//
as all other lovers. 
For me, perhaps the strongest sexual bond 
is that between a committed couple, 
as familiar with each other's bodies as their own, 
and trusting each other wholly. 
//''Love is a copula of truth.''//

At times, too, sex is 
a passionate explosion of urge, 
dissolving barriers: 
friction   and    softness 
yielding; 
filling   and    enveloping 
musk; 
[[grounding the senses|how much the body can do]], 
lifting us from the mundane, 
re-connecting and liberating our instincts. 
This can happen in or out of commitment, 
and it can bring both 
good and ill. 
 
For me, 
//''sex can also be "empty",''//
when we use a human being as an object 
(another person, or one's own body, 
as a blunt instrument of pleasure) 
This sex can be 
a narcissistic mirror, 
it can prop up one's self worth, 
it can be a drama which plays out 
all the earlier hurts, hungers, 
and unmet needs. 
It can become addiction or emotional anesthetic. 
The poet Rainer Maria Rilke said: 
"Most people [[misuse and squander this experience|Honor your physical being/Rilke]]
and apply it as a stimulant 
at the tired spots of their lives 
and as distraction … 
//''instead of a rallying toward exalted moments."''//
 
Each of us has a choice 
again and again 
of how we experience sexuality 
along this varied and 
//multi-dimensioned range 
of possibilities://
miracle 
wholesome 
bond 
impermanent 
cherish 
trusting 
copula 
urge 
instincts 
empty 
distraction 
rallying toward …
//''exalted moments''//

 
Gregory the Theologian faced stark choices throughout his life.  "Should he pursue studies as a rhetor [an orator], or philosopher? Would a monastic life be more appropriate than public ministry? Was it better to blaze his own path or follow the course mapped for him by his father and Basil of Caesarea? Gregory's writings illuminate the conflicts which both tormented and motivated him. Biographers suggest that it was this dialectic which defined him, forged his character and inspired his search for meaning and truth." (from [[Wikipedia article|https://en.wikipedia.org/wiki/Gregory_of_Nazianzus]])

He was a Patriarch of Constantinople (379–381), in the succession of Saint Andrew the Apostle.  This office is now held by Bartholomew I, the spiritual leader (first among equal bishops) of the Eastern Orthodox Church.  This Patriarch / Archbishop could be called a [[Hierophant]] of that Church.

From Gregory's poem //[[On Human Nature|https://books.google.com/books?id=7jervOqijlwC&pg=PA399#v=onepage&q&f=false]]//:

As before, a bitter grief still gnawed in me,
I could not appreciate all this beauty,
For when sorrows grip the mind,
It finds it hard to sing its song.
My mind was in a whirl of battling thoughts.
Who was I?  Who am I now?  What shall I be?
: {{grem{Gregory refers to the answers in verse 74: Water, Clay, and Dust -- conception, flesh, and death.}}}
I could see no clear answers to it all.
Nor could I find anyone who knew any better than me …

Already it was evening.
And so from that shady grove
I turned my steps homeward once again,
Sometimes chuckling at how depressed I'd been,
At other times feeling the embers of sadness
shift and smolder in my heart:
My mind still wrestling with itself.

----
The above poem quoted by John Anthony ~McGuckin, who also drew upon William Wordsworth's [[Prelude|Wordsworth Prelude Song]] in his [[study|https://books.google.com/books?id=7jervOqijlwC&pg=PA1&lpg=PA1#v=onepage&q&f=false]] of Gregory the Theologian.

 
//Aletheia// is a Greek word variously translated as "unclosedness", "unconcealment", "disclosure" or "truth".

Using the interpretation of Martin Heidegger, //aletheia// is distinct from conceptions of truth:
: understood as statements which accurately describe a state of affairs (''correspondence'') {{grem{-- as in veritas?}}} 
: or statements which fit properly into a system taken as a whole (''coherence'').
Instead, Heidegger focused on the elucidation of how an ontological "world" is disclosed, or opened up, in which things are made intelligible for human beings in the first place, as part of a holistically structured background of meaning.

Martin Heidegger began his discourse on the reappropriation of //aletheia// in his magnum opus, //Being and Time// (1926), and expanded on the concept in his //Introduction to Metaphysics//.  For more on his understanding of aletheia, see //Poetry, Language, and Thought//, in particular the essay entitled "The Origin of the Work of Art", which describes the value of the work of //''[[art]] as a means to open a "clearing" for the appearance of things in the world'',// or to disclose their meaning for human beings.

Heidegger revised his views on //aletheia// as truth, after nearly forty years, in the essay "The End of Philosophy and the Task of Thinking," within the work //On Time and Being// (1962).

 
I want to begin [[anew]] with you … yet again, asking for your faith in me and optimism in our marriage.

I am painfully aware in this moment, it often //is// "all about Randy" -- my thoughts, my feelings, my view of the world.  And here's a metaphor:  I see myself, feet planted on a rickety soap-box as it shakes unbalanced beneath my feet, clutching on to the podium and shouting into the microphone (even louder because I'm hard of hearing), demanding everyone's attention and unbroken gaze, while I chant my pronouncements and judgments … shout these out on the world, our lives, and on you.  ENOUGH of this!  It shows my insecurity, my hunger to be heard and validated -- it reveals me as an ''emotional adolescent'' {{grem{[or a "borderline personality", I wonder in 2016]}}} who is living in the past.

It is time to embrace you, listen to you, love you without judgment or condition.  The judgments are about Randy, not Lily!  It is my deficiency of [[unconditional]] love … no deficiency of yours.

It is time to show trust, respect, and honor for something and someone that originated outside my own thoughts.  You exist outside me.  Maya exists (and thrives!)  A small number of true friends and family exist.  Last (or first), my body and needs exists outside my own brain, not to be squelched by it.

All of you deserve to be heard.  I can tiredly step off the soap-box, setting my wobbly feet on the solid ground.  I can be unafraid of losing the height and volume I gained while standing up there.  I can stop screaming the thoughts silently inside my head and verbally to you -- my anam cara who has so patiently listened for eight years.

I want to begin [[anew]].  I want this to be the beginning of a happy chapter in our lives -- organically grown and naturally evolving -- happily imperfect and delightful. I can be a great husband and daddy, and a friend of our family -- not its chief judge.

I love you [[anam cara|Anam Cara]].

----

//2016 postscript://

In my last marriage, I remember two mean and casually tossed names I directed toward my wife -- one or two times each -- but that was too many!  One was "toadstool frump", and the second was "goomp": a made-up word that entered my mind through some unknown, forgotten path. {{grem{(Urban Dictionary defines Goomp as 'a person that says random stupid things.  They usually have a vulgar odor and aren't cultured.')}}}

The correspondence above followed a spate of meanness when my wife was 7 months pregnant.  I wrote her an email from work and also had this to say:
<<<
I broke a family rule, and I just keep on breaking all the "rules" of mutual respect and caring.  I must stop that!!!!!!!!!  Example:

//Goomp// -- or however that awful word is spelled -- is a small yet insidious form of mockery and belittlement, a lack of respect -- shoving you around verbally.
<<<
Tearing someone down and building them back up.  In my darker days, I've excelled at that.

Do not cause harm
by inattention, neglect, or breaches of trust.
When I //misplace my focus//,
relationships and self-regard suffer.

When I repudiate the claims of my fellowship
(my marriage, my family, the Company I work with),
I transgress,
I cause harm.

As you harm none, do as you will.

<<tiddler riverflowsforth with: "re: muse">>

 

500 lives chosen at the start of //[[One Thousand Conversations|http://conversings.blogspot.com/p/about.html]]://
~~([[see notes|1000 lifeline notes]])~~

# Carmen Avis Solsiete
# Lily K. ~McCulloch
# John O'Donohue
# Marie Hay
# John Douglass Simpson
# Andreas Jacobs
# L. Frank Baum
# C. S. Lewis
# Madeleine L'Engle
# Albert Einstein
# J. R. R. Tolkien
# Moleta J. Grutz
# Moleta G. Leiker
# Matheus J. Singer
# Elias Roberts
# Ryan Daily
# Rainer Maria Rilke
# Auguste Rodin
# Paul Cezanne
# Carl Jung
# Martin Buber
# Maurice S. Friedman
# Viktor Frankl
# Anne Frank
# Nikos Kazantzakis
# Ralph Waldo Emerson
# Henry David Thoreau
# Frank Lloyd Wright
# Maria Montessori
# Hermann Hesse
# Charles Cameron
# Paul Pilkington
# Gilles Deleuze
# Félix Guattari
# Loren Eiseley
# Ray Bradbury
# Susan Kennedy (SARK)
# Starhawk (née Miriam Simos)
# Cheryl Strayed (née Nyland)
# Eva Marie Cassidy
# Carl Rogers
# Gerard Manley Hopkins
# John Chris Jones (collective curriculum [[vitae|https://web.archive.org/web/20160331151430/http://publicwriting.net/2.2/collective_cv.html]])
# Ted Warnell
# Carl Sagan
# Leonardo da Vinci
# Thomas Jefferson
# Sally Hemings
# Harriet Ross Tubman
# Martin Luther King, Jr.
# M. C. Escher
# Robert Vickrey
# Wassily Kandinsky
# Gustav Klimt
# Edvard Munch
# Michelangelo di Lodovico Buonarroti Simoni
# Salvador Dali
# Vladimir Nabokov
# James Joyce
# Richard Feynman
# Benoit Mandelbrot
# Cyd Ropp
# Alan Kay
# Kimberly Rose
# Howard Rheingold
# Seymour Papert
# Leigh Grindal
# Steve Jobs
# Stewart Brand
# Buckminster Fuller
# E. F. Schumacher
# Christopher Alexander
# Nicholas Carr
# Colleen Cordes (The Nature Institute)
# Sam ~Graham-Felsen
# Nicholas Negroponte
# Stephen Wolfram
# Donald Knuth
# John Forbes Nash
# William Stein
# Alan Turing
# William A. Romanowski
# Philip K. Dick
# John Cage
# Merce Cunningham
# Jacques Brel
# Holly Herndon
# Nathan Corymb
# Douglas Hofstadter
# Steven Pinker
# Randy Pausch
# Robin Williams
# Walt Whitman
# Octavio Paz
# Pablo Neruda
# Luís Vaz de Camões
# T. S. Eliot
# E. E. Cummings
# David Whyte
# Michael Czarnecki
# Rainbow Eagle (née Rolland Williston)
# Krista Tippett
# Noah Grey
# Robert Frost
# Emily Dickinson
# Thomas Wentworth Higginson
# Henry Miller
# Theodore Roethke
# Mary Oliver
# Joyce Sutphen
# H.D. (née Hilda Doolittle)
# Wallace Stevens
# Fernando Pessoa
# Mark Twain (née Samuel L. Clemens)
# William Faulkner
# Ernest Hemingway
# Hart Crane
# Eleanor Cameron
# William Sleator
# Ellen Raskin
# Elaine Lobl Konigsburg
# Kahlil Gibran
# Frida Kahlo (née Magdalena Carmen Frieda Kahlo y Calderón)
# Diego Rivera
# Eric Victorino
# Sylvia Plath
# Ted Hughes
# Nicholas Hughes
# Meister Eckhart
# Paul Tillich
# Paul Fleischman
# Albert Schweitzer
# Reinhold Niebuhr
# Gary Snyder
# Kobayashi Issa
# D. T. Suzuki
# Shunryu Suzuki
# Stephen Batchelor
# Edward Espe Brown
# Thich Nhat Hanh
# Helen Cohn Schucman
# Paulo Coelho
# Jorge Luis Borges
# A. S. Byatt
# Italo Calvino
# William Blake
# D. H. Lawrence 
# Archibald ~MacLeish
# Conrad Aiken
# W. H. Auden
# Gregory Orr
# Carl Sandburg
# Lawrence Ferlinghetti
# Yevgeny Yevtushenko
# William Stafford
# Charles Baudelaire
# Paul Verlaine
# Arthur Rimbaud
# Northrop Frye
# Mark Strand ([[Dreams]])
# Enya Brennan
# Roma Ryan
# Elton John
# Joanna Newsom
# David Darling
# Paul Hewson
# Conor Oberst
# Leonard Bernstein
# Marcus Mumford
# Pete Seeger
# Dido (Florian Cloud de Bounevialle O'Malley Armstrong)
# Natalie Merchant
# Anna Nalick
# John Lennon
# Sarah ~McLachlan
# Alanis Morissette
# Rich Mullins
# Daniel Quinn
# Neil Postman
# Franz Xaver Kappus
# Lou ~Andreas-Salomé
# Peter S. Beagle
# Mira Fong
# Jane Hirshfield
# Joanne Diaz
# Minnie Bruce Pratt
# Paul Éluard (née Eugène Grindel)
# André Breton
# Evan S. Connell
# Cesare Pavese
# Duncan Munro Glen
# Hugh ~MacDiarmid
# Wayne Luckmann
# Sam Anderson
# Dorothy Bryant
# Helen Keller
# Karen Armstrong
# Max Ehrmann
# Annie Dillard
# Barbara Brown Taylor
# Silas C. Krabbe
# Amos Niven Wilder
# Rubem Alves
# Callid ~Keefe-Perry
# Dave Harrity
# Irene Lape
# Jeanne Lohmann
# John Greenleaf Whittier
# Spencer Wells
# Arlette Farge
# Laurence Overmire
# James Joseph Edward M—
# Marie Tillman
# Mark Anthony Tillman
# Bob Dylan
# Dan Harris (born 1971)
# Robert M. Pirsig
# Jack Kerouac
# Neal Cassady
# Robinson Jeffers
# Rabindranath Tagore
# Thom Rutledge
# Thomas Wolfe
# Novalis (née Georg Philipp Friedrich Freiherr von Hardenberg)
# Paul Klee
# Samuel Taylor Coleridge ([[Xanadu]])
# Robert Graves
# Ihab Hassan
# William Wordsworth
# William Morris
# John Ruskin
# Percy Bysshe Shelley
# Mary Shelley
# Robert Louis Stevenson
# H. G. Wells
# Isaac Asimov
# John Keats
# Dante Gabriel Rossetti
# Victor Hugo
# Sigmund Freud
# Charles Darwin
# Michel Foucault
# Paulo Freire
# Rudolf Kassner
# Sir Walter Scott
# Blaise Pascal
# Sergei Rachmaninoff
# Johann Sebastian Bach
# Brian Wren
# Caits Meissner
# Catherine ~Black-Ward
# George ~MacDonald
# Rumi
# Confucius
# Plato
# Homer
# Thomas Aquinas
# Hildegard of Bingen
# Francis of Assisi
# Gregory of Nazianzus
# Augustine of Hippo
# Andrew the Apostle
# Benedict XVI (Joseph Aloisius Ratzinger)
# Father Francis (Jorge Mario Bergoglio)
# Patriarch Bartholomew (Dimítrios Archontónis)
# Tenzin Gyatso, Dalai Lama of Tibet
# Pema Chödrön (Deirdre ~Blomfield-Brown)
# Ayya Khema (Ilse Kussel)
# Jan Chozen Bays
# Molly Traffas
# Lana Leonard
# Rachel Grace Pollack
# Paul Foster Case
# Carol K. Anthony
# Thomas Merton
# Ronald Sam Gilardi
# Justin Portal Welby (Browne)
# Regina Yarchever Heit
# Stephen Mark Veazey
# George Fox
# John Woolman
# Thomas R. Kelly
# Henry Ward Beecher
# Richard Wilhelm
# Benjamin Friedlander
# Elizabeth Spring (née Janet Fenn)
# Margaret Atwood
# Fred ~McFeely Rogers
# Leo Babauta
# Jim Merkel
# Dorothy Parker
# Maria Popova
# Sherwood Anderson
# Karl Stevenson
# Louis Kelso
# Adam Smith
# Lewis Mumford
# Michael Pollan
# Hugh [[Prather|Letter to Hugh Prather]]
# Terry S. Osborne
# Bill Bryson
# Joseph Campbell
# Harold Bloom
# Jacob Bronowski
# Paul Otlet ([[bibliographer]])
# Mortimer Adler
# Erin ~McKean
# James Augustus Henry Murray
# Douglas Harper, [[Etymologist|http://www.etymonline.com/bio.php]] and [[Historian|http://slavenorth.com/author.htm]]
# Samuel Johnson
# Marcel Theroux
# William Shakespeare
# Michel de Montaigne
# Leo Tolstoy
# Thomas Paine
# Hillary Rodham
# Howard Zinn
# John Rawls
# Abraham Lincoln
# Woodrow Wilson
# Barack Obama
# Jerome Bruner
# Jean Piaget
# Julius Thomas Fraser
# Alan Watts
# Jiddu Krishnamurti
# Paramahansa Yogananda (née Mukunda Lal Ghosh)
# Hannah Arendt
# Walter Benjamin
# Marcus Aurelius
# Martin Heidegger
# Johann Wolfgang von Goethe
# Friedrich Schiller
# Georg Hegel
# Friedrich Hölderlin
# Immanuel Kant
# Paul Ricoeur
# ~Jean-Luc Nancy
# Friedrich Nietzsche
# Søren Kierkegaard
# Dante Alighieri
# Geoffrey Chaucer
# Paul Valéry
# Thomas Mann
# Bertrand Russell
# Emmanuel Levinas
# William James
# John Dewey
# Vannevar Bush
# Franz Kafka
# Marcel Proust
# Gertrude Stein
# Samuel Beckett
# Pablo Picasso
# Georges Braque
# Marcel Duchamp
# Josef Beuys
# Werner Heisenberg
# Niels Bohr
# Jens Peter Jacobsen
# Henrik Ibsen
# Anton Chekhov
# Oscar Wilde
# John Donne
# Jonathan Swift
# Arthur Symons
# Jane Austen
# Nathaniel Hawthorne
# Herman Melville
# Brontë Family (Charlotte, Emily, Anne, Branwell)
# Virginia Woolf
# George Eliot
# Willa Cather
# Dorothy Sayers
# Edith Wharton
# F. Scott Fitzgerald 
# Jonathan Weidenbaum
# Brenda Wineapple
# Andrew Solomon
# Alfred Korzybski
# Daniel Chandler
# Noam Chomsky
# Edward Sapir
# Benjamin Lee Whorf
# Robert K. Merton
# George Steiner
# Ken Kesey
# William Carlos Williams
# Nassim N. Taleb
# Om Malik
# Marina Warner
# Karl Marx
# Jacques Derrida
# Jane Goodall
# Shelley Jackson
# Don Delillo
# Mikhail Bakhtin
# Theodor Holm Nelson
# Lynn Ann Conway
# Jeremy Ruston
# Ward Cunningham
# Chris Dent
# Eugene Kim
# Douglas Engelbart
# Marvin Minsky
# W. V. O. Quine
# Julian Jaynes
# Mihaly Csikszentmihalyi
# Stephen Mitchell
# Walter Kaufmann
# Ronald Gregor Smith
# William S. Merwin
# Philip Booth
# Clark Moore
# Sonu Shamdasani
# A. S. Kline
# Rachel Corbett
# Edward Snow
# Erik Bendix
# Stevie Smith (née Florence Margaret Smith)
# Franklin E. Morris
# Abraham Heschel
# Philip S. Rawson
# Anna Akhmatova
# Judith Wright
# B. H. Fairchild
# Frederick Turner (Hadean Eclogues)
# Antonio Gramsci
# Robert Creeley
# John Ashbery
# Sean Wiebe
# Pauline Sameshima
# Keith Ansell Pearson
# Émile Zola (Les ~Rougon-Macquart)
# ~McKenzie Wark
# René Girard
# Eugene Gendlin
# Morris Berman
# Roberto Unger
# Gregory Bateson
# Christopher Koch
# Mark Epstein
# Terence ~McKenna
# Victor M. Mansfield
# Isabel Briggs Myers
# Alice Miller (Englard)
# Dickon Bevington
# Peter ~McBrien
# Rabih Alameddine
# Jennifer Michael Hecht
# Cory Doctorow
# Elizabeth Hill Boone
# Ilya Dines
# Stephen King
# Lewis Carroll
# Mark Z. Danielewski
# Lana and Lilly Wachowski
# Ray Johnson
# William S. (Bill) Wilson
# Albert Camus
# Carson ~McCullers
# Julio Cortázar
# Miguel de Cervantes
# Ursula K. Le Guin
# Marion Zimmer Bradley
# Aldous Huxley
# George Orwell
# William S. Burroughs
# Allen Ginsberg
# William Gibson
# Henry James
# Robert Browning
# William Butler Yeats
# Charles Dickens
# Fyodor Dostoevsky
# Paul Celan
# Ralph Ellison
# Tennessee Williams
# Lewis Thomas
# Frank Herbert
# Sara Baume
# Milan Kundera
# Ayn Rand
# Alfred Kazin
# Christopher Morley
# Seamus Heaney
# Cormac ~McCarthy
# Truman Capote
# Leonard Richardson
# Andrew Barbin "Sparks for Dry Tinder"
# Susan Kornfeld "The Prowling Bee"
# Verbatim Found Poetry
# Read A Little Poetry
# Ruby "And Then She Recovered"
# Kenneth Leson Smith "Abide In Peace"
# George Amoss Jr. "The Postmodern Quaker"
# Cath Styles "Sembl"
# Christopher Alan
# Maya S. Tillman
# Aron E. Tillman

//To gaze deeply is to be broken
To be seized by obscured things
Inside your chest, a mute space expands// ^^[[[19]|The Sublime Wants To Reach You]]^^

''insights from my 'vision quest' follow:''

 
Auxochrome — Chromophore. Diego.

She who wears the color.
He who sees the color.
Since the year 1922.

Until always and forever. Now in 1944. After //all// the hours lived through. The vectors continue in their original direction. Nothing stops them. With no more knowledge than live emotion. With no other wish than to go on until they meet. Slowly. With great unease, but with the certainty that all is guided by the “golden section.”  ''There is cellular arrangement. There is movement. There is light. All centers are the same.''  Folly doesn’t exist. We are the same as we were and as we will be. Not counting on idiotic destiny.
----
My Diego:

Mirror of the night

Your eyes green swords inside my flesh. waves between our hands.

All of you in a space full of sounds — in the shade and in the light. You were called AUXOCHROME the one who captures color. I CHROMOPHORE — the one who gives color.

''You are all the combinations of numbers.''  life. My wish is to understand lines form shades movement. You fulfill and I receive. Your word travels the entirety of space and reaches my cells which are my stars then goes to yours which are my light.
----
Auxochrome — Chromophore

''It was the thirst of many years restrained in our body. Chained words which we could not say except on the lips of dreams. Everything was surrounded by the green miracle of the landscape of your body.''  Upon your form, the lashes of the flowers responded to my touch, the murmur of streams. There was all manner of fruits in the juice of your lips, the blood of the pomegranate, the horizon of the mammee and the purified pineapple. I pressed you against my breast and the prodigy of your form penetrated all my blood through the tips of my fingers. Smell of oak essence, memories of walnut, green breath of ash tree. Horizon and landscapes = I traced them with a kiss. Oblivion of words will form the exact language for understanding the glances of our closed eyes. = You are here, intangible and you are all the universe which I shape into the space of my room. Your absence springs trembling in the ticking of the clock, in the pulse of light; you breathe through the mirror. From you to my hands, I caress your entire body, and I am with you for a minute and I am with myself for a moment. And my blood is the miracle which runs in the vessels of the air from my heart to yours.

''The green miracle of the landscape of my body becomes in your the whole of nature. I fly through it to caress the rounded hills with my fingertips, my hands sink into the shadowy valleys in an urge to possess and I’m enveloped'' in the embrace of gentle branches, green and cool. I penetrate the [[sex|sexuality]] of the whole earth, her heat chars me and my entire body is rubbed by the freshness of the tender leaves. Their dew is the sweat of an ever-new lover.

''It’s not love, or tenderness, or affection, it’s life itself, my life, that I found what I saw it in your hands, in your mouth and in your breasts.''  I have the taste of almonds from your lips in my mouth. Our worlds have never gone outside. ''Only one mountain can know the core of another mountain.''

Your presence floats for a moment or two as if wrapping my whole being in an anxious wait for the morning. I notice that I’m with you. At that instant still full of sensations, my hands are sunk in oranges, and my body feels surrounded by your arms.
----
For my Diego

//the silent life giver of worlds,// what is most important is the nonillusion. morning breaks, the friendly reds, the big blues, hands full of leaves, noisy birds, fingers in the hair, pigeons’ nests a rare understanding of human struggle simplicity of the senseless song the folly of the wind in my heart = don’t let them rhyme girl = sweet //xocolatl// [chocolate] of ancient Mexico, storm in the blood that comes in through the mouth — convulsion, omen, laughter and sheer teeth needles of pearl, for some gift on a seventh of July, I ask for it, I get it, I sing, sang, I’ll sing from now on our magic — love.

<<<
@@font-size:144%;font-family: serif; //I turn to You, I turn to You,
and I am listening.//@@
<<<
Begin where you are.  Live this present moment, this present breath.  Listen outwardly to these words; closely and carefully listen.  At the same time, but within, behind the scenes, in the deeper levels of your lives, where you are all alone with the ~Many-Named ~I-Am, keep up a silent prayer:
<<<
@@font-size:144%;font-family: serif; //Today I keep myself healthy and whole;
without fear, [[awake my soul]].
Open Thou my life.  Guide my heart
through doors where I dared not go.//@@
<<<
The above introductory passage and prayer were inspired by Thomas R. Kelly in "[[Holy Obedience|http://www.quaker.org/pamphlets/wpl1939a.html]]", who also wrote in //A Testament of Devotion//:
<<<
It is a dynamic center, a creative Life that presses to ''birth'' within us.  It is a Light Within that illumines the many names and faces of {{grem{[the Loving Eternal [[Diosa|Friar's Journeybook]]]}}}, and casts new shadows and glories upon the human face.  It is a [[seed|Seed of Perfection]] stirring to life if we do not choke it.  It is the ''Shekinah'' of the soul, the Presence in the midst.  Here is the Slumbering Christ {{grem{[also named Bodhichitta]}}}, stirring to be awakened, to become the soul we clothe in earthly form and action.  And ''You'' are within us all …

Here is not [[ecstasy|Sevenfold Self/ecstasy]] but serenity, unshakableness, firmness of life-orientation.
<<<

[[Rachel Pollack]] wrote on her blog "[[Shining Tribe|https://rachelpollack.wordpress.com/2016/02/13/a-poem-and-a-blessing-about-art-part-two/]]":
<<<
@@font-size:144%;font-family: serif;//B’ruchah Ath Yah
Shekhinah Ruach ha-Olam//

Blessed are you, Ground-Divine
Presence, Breath of the World

Who has traveled through me,
And delivered me gifts.@@
<<<

I am still needing to //''pray''// -- and do not flee my warm, feeling body for a life of ideas.  Yes, I hear the challenge!  Do what is possible today.

I have long played from a false "[[godlike distance|countervailingGBG]]" where no action could touch the "distant objects" (or idle fantasies) of my Ego … this felt easier and safer than to risk myself in real life.  Yet it has been destroying me.

@@font-size:144%;font-family: serif; //[[Ich und Du]], I turn to You, and I am listening.//@@

Zora Neale Hurston:
> Prayer seems to me a cry of weakness, and an attempt to avoid, by trickery, the rules of the game as laid down. I do not choose to admit weakness. I accept the challenge of responsibility. Life, as it is, does not frighten me, since I have made my peace with the universe as I find it, and bow to its laws. The ever-sleepless sea in its bed, crying out “how long?” to Time; million-formed and never motionless flame; the contemplation of these two aspects alone, affords me sufficient food for ten spans of my expected lifetime. It seems to me that organized creeds are collections of words around a wish. I feel no need for such. However, I would not, by word or deed, attempt to deprive another of the consolation it affords. It is simply not for me. Somebody else may have my rapturous glance at the archangels. The springing of the yellow line of morning out of the misty deep of dawn, is glory enough for me. I know that nothing is destructible; things merely change forms. When the consciousness we know as life ceases, I know that I shall still be part and parcel of the world. I was a part before the sun rolled into shape and burst forth in the glory of change. I was, when the earth was hurled out from its fiery rim. I shall return with the earth to Father Sun, and still exist in substance when the sun has lost its fire, and disintegrated into infinity to perhaps become a part of the whirling rubble of space. Why fear? The stuff of my being is matter, ever changing, ever moving, but never lost; so what need of denominations and creeds to deny myself the comfort of all my fellow men? The wide belt of the universe has no need for finger-rings. I am one with the infinite and need no other assurance.

Type the text for 'excludePublisher'

Chapter 1 – Quantitas
Chapter 2 – Logos
Chapter 3 – Lingua
Chapter 4 – Bushido
Chapter 5 – Ars
Chapter 6 – Moksha
Chapter 7 – Physik
Chapter 8 – Vivitas
Chapter 9 – Psyche
Chapter 10 – [[Techne]]
Chapter 11 – Opus
Chapter 12 – Ethik

[[It’s Not About You|http://www.nytimes.com/2011/05/31/opinion/31brooks.html?_r=2&partner=rss&emc=rss&src=ig]]
By David Brooks
May 30, 2011
//The New York Times//

Final sentences:
//The purpose in life is not to find yourself. It’s to lose yourself.//
----

Over the past few weeks, America’s colleges have sent another class of graduates off into the world. These graduates possess something of inestimable value. Nearly every sensible middle-aged person would give away all their money to be able to go back to age 22 and begin adulthood anew.

But, especially this year, one is conscious of the many ways in which this year’s graduating class has been ill served by their elders. They enter a bad job market, the hangover from decades of excessive borrowing. They inherit a ruinous federal debt.

More important, their lives have been perversely structured. This year’s graduates are members of the most supervised generation in American history. Through their childhoods and teenage years, they have been monitored, tutored, coached and honed to an unprecedented degree.

Yet upon graduation they will enter a world that is unprecedentedly wide open and unstructured. Most of them will not quickly get married, buy a home and have kids, as previous generations did. Instead, they will confront amazingly diverse job markets, social landscapes and lifestyle niches. Most will spend a decade wandering from job to job and clique to clique, searching for a role.

No one would design a system of extreme supervision to prepare people for a decade of extreme openness. But this is exactly what has emerged in modern America. College students are raised in an environment that demands one set of navigational skills, and they are then cast out into a different environment requiring a different set of skills, which they have to figure out on their own.

Worst of all, they are sent off into this world with the whole baby-boomer theology ringing in their ears. If you sample some of the commencement addresses being broadcast on ~C-Span these days, you see that many graduates are told to: Follow your passion, chart your own course, march to the beat of your own drummer, follow your dreams and find yourself. This is the litany of expressive individualism, which is still the dominant note in American culture.

But, of course, this mantra misleads on nearly every front.

College grads are often sent out into the world amid rapturous talk of limitless possibilities. But this talk is of no help to the central business of adulthood, finding serious things to tie yourself down to. The successful young adult is beginning to make sacred commitments — to a spouse, a community and calling — yet mostly hears about freedom and autonomy.

Today’s graduates are also told to find their passion and then pursue their dreams. The implication is that they should find themselves first and then go off and live their quest. But, of course, very few people at age 22 or 24 can take an inward journey and come out having discovered a developed self.

Most successful young people don’t look inside and then plan a life. They look outside and find a problem, which summons their life. A relative suffers from Alzheimer’s and a young woman feels called to help cure that disease. A young man works under a miserable boss and must develop management skills so his department can function. Another young woman finds herself confronted by an opportunity she never thought of in a job category she never imagined. This wasn’t in her plans, but this is where she can make her contribution.

Most people don’t form a self and then lead a life. They are called by a problem, and the self is constructed gradually by their calling.

The graduates are also told to pursue happiness and joy. But, of course, when you read a biography of someone you admire, it’s rarely the things that made them happy that compel your admiration. It’s the things they did to court unhappiness — the things they did that were arduous and miserable, which sometimes cost them friends and aroused hatred. It’s excellence, not happiness, that we admire most.

Finally, graduates are told to be independent-minded and to express their inner spirit. But, of course, doing your job well often means suppressing yourself. As Atul Gawande mentioned during his countercultural address last week at Harvard Medical School, being a good doctor often means being part of a team, following the rules of an institution, going down a regimented checklist.

Today’s grads enter a cultural climate that preaches the self as the center of a life. But, of course, as they age, they’ll discover that the tasks of a life are at the center. Fulfillment is a byproduct of how people engage their tasks, and can’t be pursued directly. Most of us are egotistical and most are self-concerned most of the time, but it’s nonetheless true that life comes to a point only in those moments when the self dissolves into some task. The purpose in life is not to find yourself. It’s to lose yourself.

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Fire inspires me
Water lulls me
Water lulls what Fire inspires
Fire ignites what Water calms
Fire is my pyre and Water my balm
Fire ignites what Water divines
They spin together in the ether of rhyme
Fire is energy, Water is time

Fire leaps and Water … waits
Water spawns what Fire creates
Fire flickers and water streams
Fire spins and Water weaves
Fire manifests what Water dreams
Fire and Water at war make steam
Yet in heat and moisture all things are conceived

{{grem{-- by <<tag lily>>
09-08-02}}}

 
''I dream''
… to say the feeling, its present shape,
to let words lend it dimension:
to name the pain to confirm
how it may be borne:

through what in ourselves
we [[dream]] to give voice to,
to find some word for how we bear our lives.

… to relate ourselves, over and over;
in time beyond time
to speak some measure
of how we hear the music:

today, if ever, to say the joy
of trying to say the joy.

— from "[[Saying It]]" by Philip Booth

----

{{center{
I [[dream]] that I can be a [[humble poet]] chanting of //[[Les Minst]].//  [[Behold]] this life all around us.
[[Strong]] of mind and body, //[[Ecce Homo|ECCE]]:// begin my heartwork now.}}}
1. //[[Get my house in order]].//  I will repay my debts to society and live within my means.  Immediately begin a healthy self-discipline that will right my economic course. I [[dream]] of leaving my present employment, to gain more time with my family and to ''develop my talents''.

2. Resist self-destruction, going numb or giving up.  I will overcome the old habits and cravings that entrapped me.  //Keep myself healthy and whole//, as [[I have promised|2016-03-29]] this Spring. Practice daily meditation.  [[The next steps toward my dream]] are open today.

3.  //Strive for the ideals// of [[Desiderata]]. "Keep interested in your own work, however ''humble''… With all its sham, drudgery, and broken dreams, it is still a beautiful world."  I have named in principle [[what I see and desire]]; stay committed to this vision.

4.  I dream that I can be a humble [[poet|poetry]] chanting of //[[Les Minst]]//.

5.  [[ECCE]] Homo, Behold!  I am writing in the forms of elegy, canticle, concerto, and experiment -- these are my //generare// -- bending genre, gender, and the stories of untold generations before me.
[[Turning]], begin heartwork now.  //(Redemption of the journey from Child to [[Man]].)//

6.  I imagine myself as a [[Layman Monk]] -- a man with a family, a craft, and a devoted life practice.  A monk contributes his productive energies to society and keeps his integrity. He grows to strength and wisdom in community, not in isolation.  //I was born to be a father.//

7.  The [[Village University]] is a dreamed-of [[home|Home is]] for my body and mind, an en-viron-ment in which to rest, work, and play.  It is one of the [[places we can dream]] to reality.  The sense of hallowed home and intellectual community hearkens to my distant [[influence|Influences]] Thomas [[Jefferson]].

8.  The [[Dynabook Library]] and [[Glass Bead Game]] are for learning, teaching, and exploring; also to preserve what we find and create.  Through each we can share art and knowledge, summoning the library of human civilization from afar, brought to life in new forms -- yet we also still meet in the physical world.  This hearkens to a modern influence who I dream of meeting: Alan [[Kay]].

9.  My personal aspirations are to be self-taught and self-published -- a voice in social activism circles -- a builder of communities or experimental forms of writing, teaching, and post-industrial lifestyles -- and to surround myself with teachers, colleagues and students who become an extended family.
//These further reaching intentions were stated in my [[Obituary]], written in January 2014.//

"I dream of a missionary impulse capable of transforming everything…" -- Pope Francis, //[[Evangelii Gaudium]]//, speaking of //a revitalized return to the Church's mission//, which seems to be calling me now as both a Friend and [[Monk|Layman Monk]].

"Maturity is the fulfillment of childhood…not a diminishing; an affirmation of life, not a denial…it is entering fully into our essential selves." -- Madeleine [[L'Engle]] in //The Circle of Quiet//

 
You are my bridge to happiness when everything turns bleak within.

I love you.

I'll miss you at --
 
----

@@text-align:center; {{dialog{
Sometimes I try to fill a hole I anticipate in the future when I should just experience the whole of now

~ ★ ~
}}} {{grem{

~~(Lily sketched a [[Blue Flower]])~~ }}} @@
----

{{font85{I love you --

Those three words have governed much of my life. (And the lives of most people.)

I do love you --

At the moment, my mind is blank of anything else to say.

(other than the gnawing frustration that you surely must sense;
my desire to leave my job.)}}}
----

 
{{dialog{
I am a crisp
    morning, full of
    potential and
       promise

I am a soft
    pillow at the
    close of
       day.

----

| {{font85{My last hour before sleep was calmer because you were there. My weekends are always better with you than they would be alone.  My thrills & adventures are best when we share them together.  You are my mate.  My buddy, my girl, my cara.  Thank you.}}} |

''From //The Healing Spirit//
(1990) by Paul R. Fleischman, M.D.''
<<<
At the conclusion of life, I would hope to say:  I was seen and known, heart and soul, and in the same way knew those who circled me; I bowed to the one who opens in dawn, and I lived in harmony with the order, the principles, the laws of the day; I knew myself, saw myself, and held in one embrace human faults, limits and successes; I did my job, working in the common cause; and I stirred up dust with my feet, tramping along in the undivided march of human history; I laid down my burden and surrendered myself to the voice of the river, and out of me poured the fountain of life; and when I looked up I saw one hand spinning the divine wheel of the world; and I looked down, and knelt, lending my hand; and I continued on my way, shouldering my own pain as I followed the signs; and now that I feel the chill of death upon me, I can sing of how I was sent forth, and who calls me home.
<<<
''My adaptation'' (October 2011) adding {{bluem{two elements}}} and revising a few points:
|>| In the sum of my days and at their close, I hope to say: |
| //witnessed significance// | I was seen and known, heart and soul, and in the same way knew those who circled me; |
| {{bluem{numinous meeting}}} | I bowed to the one who opens in dawn, filled with awe and longing to join in its great essential mystery; |
| //lawful order// | I lived in harmony with the order, the principles, the laws of the day, and sought justice for all; |
| //affirming acceptance // | I knew myself, saw myself, and held in one embrace human faults, limits and successes; |
| {{bluem{diligent regard}}} | while I kept a diligent watch on the gifts of providence to my people, and took care in how we used them; |
| //meaningful work // | and I did my job, working in the common cause; |
| //membership// | I stirred up dust with my feet, tramping along in the undivided march of human history; |
| //release// | I laid down my burden and surrendered myself to the voice of the river, and out of me poured the fountain of life; |
| //worldview// | and when I looked up I saw meaning amid flux as the world spins ever on; |
| //human love// | then I looked down, and knelt, lending my hand, exchanging myself and another; |
| //sacrifice// | I continued on my way, shouldering my own pain as I followed the signs; |
| //answering death// | and now that I feel the chill of death upon me, I can sing of how I was sent forth, and return to the blossoming earth. |

+++[A response follows from Dr. Fleischman to a letter I wrote:]

{{dialog{

October 21, 2011

Thank you for your careful reading of the Healing Spirit. Please scroll down for my replies.}}}
Dear Dr. Fleischman,
 
I am reading your book The Healing Spirit, and I appreciate your approach in it, which provides an excellent analysis of the religious "dimensions" of life as they are uncovered in psychotherapy.  Your case histories were helpful bringing these into clarity. Thank you.
 
I am wondering if you have time to further explain one of the phrases used in this book.  It appears at the beginning of the chapter on Lawful Order, but I don't recall finding later clarification of the terminology.  When you said, "I bowed to the one who opens in dawn...", did you draw those words from a particular tradition or influence?  Is that "one" a figurative reference to some religious phenomenon or divinity, as well as the act of bowing?
 
{{dialog{Yes, a figurative reference. I see how it can be a little confusing, as if I were implying some kind of personality figure is inside...but I meant it only poetically.}}}
 
The book's concluding statement, knitting together all ten ideas, is powerful and succinct.  After reading it, I thought of your stated intent for the book (in the Introduction), to be sufficiently complete so that every major religious phenomenon is contained.  That leads to my other question: do these ten themes still encompass your thoughts on religious psychotherapy, and the core religious impulse present in all human life?  (Even among people and situations not appearing overtly religious.)  Or, are there any additional aspects that now seem distinct in your thinking from the ten in your book?

{{dialog{Very good question, which I have been asked a number of times. Since the ten "elements" have a conversational, dialogical, rather than a measurable, mathematical format, they are elastic enough to be used somewhat fluidly by me or by a reader or therapist. When I wrote "Cultivating Inner Peace" after I wrote the "Healing Spirit" I wondered whether "Peace" should have been included in my original list. Maybe it is in there already, in "Release".  Otherwise, I think the ten categories have weathered time pretty well. They still help me to understand newspaper headlines about some tragic human activities, and they still help me to understand some wise people.}}}
 
My last remark: I am an admirer of Martin Buber,
{{dialog{Me too, obviously.}}}
and I noticed that he appeared in your notes/sources frequently.  After I finish the latter chapters of The Healing Spirit, I will seek out  your other books, particularly those on Buddhism and meditation. 

{{dialog{Try "Cultivating Inner Peace." So far, my best, I think. In about a year I should have another book out on the sense of Wonder, and then (I think) that will be my best book. }}} {{bluem{ [Published July 2013: [[Wonder: When and Why the World Appears Radiant|http://www.amazon.com/Wonder-When-World-Appears-Radiant/dp/1937650235/]]]}}}

{{dialog{Thanks for your interested and alert reading.
 
Paul R. Fleischman}}}
===
----

See [[religion of the future]]

| {{font85{As I journey deeper, the words are thinning out as if they were trees that will not grow in an unfamiliar land. Many empty pages stretch before me -- the vacant land where words will not grow.  Perhaps I will discover new words and new ways of describing the mysteries ahead.  Please travel with me, [[anam cara|Anam Cara]]. }}} |

| {{dialog{ @@line-height:40px; I [[dreamed|dream]] that I had never been so happy. I woke up and found I wasn't dreaming. @@}}} |

From Wikipedia:
A syntagm, or syntagma, is an elementary constituent segment within a text. Such a segment can be a phoneme, a word, a grammatical phrase, a sentence, or an event within a larger narrative structure, depending on the level of analysis.
{{rjustify{
+++[more]
{{ljustify{
At the lexical level, syntagmatic structure in a language is the combination of words according to the rules of syntax for that language. For example English uses determiner + adjective + noun, e.g. //the big house//. Another language might use determiner + noun + adjective (Spanish //la casa grande//) and therefore have a different syntagmatic structure.

At a higher level, narrative structures feature a realistic temporal flow guided by tension and relaxation; thus, for example, events or rhetorical figures may be treated as syntagmas of epic structures.

Individual signs can be collected together to form more complex signs, i.e. building up from linguistics, groups of sounds (and the letters to represent them) form words, groups of words form sentences, sentences form narratives, etc.  The constructed signs are called syntagms, and each collection may be a paradigm.  Thus, in the English language, the alphabet is the paradigm from which the syntagms of English words are formed. The set of English words collected together in a lexicon become the paradigm from which sentences are formed, etc.
}}}
===
}}}
----

From "[[Semiotics for Beginners|http://www.aber.ac.uk/media/Documents/S4B/sem04.html]]" by Daniel Chandler:

One of the features which Anthony Easthope characterizes as stereotypically 'masculine' is a concern for seamless textual unity (Easthope 1990). Formal writing in general tends to have less obvious 'loose ends' than does casual discourse. Whilst, for the existentialist at least, there are always loose ends in the interpretation of experience… 

In any expository writing, literary seamlessness may mask weaknesses or 'gaps' in the argument; it also masks the authorial manipulation involved in constructing an apparently 'natural' flow of words and ideas. For instance, the orderliness of the scientific paper offers a misleadingly tidy picture of the process of scientific inquiry. Representation always seems tidier than reality.

Robert Merton argued for the reform of scientific writing, suggesting that 'if true art consists in concealing all signs of art [the Classical convention], true science consists in revealing its scaffolding as well as its finished structure' (Merton 1968, 70). Such 'visible architecture' has similarly been commended in the practice of historians (Megill & ~McCloskey 1987, 235). As the linguist Edward Sapir famously remarked, 'all grammars leak' (Sapir 1971, 38).

//Those who would learn from semiotics should search for structural leaks, seams and scaffolding as signs of the making of any representation, and also for what has been denied, hidden or excluded so that the text may seem to tell 'the whole truth'.//

Theorists often assert that, unlike verbal language, the visual image is not suited to exposition (e.g. Peirce 1931-58, 2.291; Gombrich 1982, 138, 175).  ''Syntagms'' are often logocentrically defined purely as sequential or temporal 'chains'. But spatial relations are also syntagmatic. Whilst most obviously associated with art and photography, they are no less structurally important alongside temporal syntagms in media such as television, cinema and the World Wide Web.

Unlike sequential syntagmatic relations, which are essentially about before and after, spatial syntagmatic relations include:
*above/below,
*in front/behind,
*close/distant,
*left/right (which can also have sequential significance),
*inside/outside (or centre/periphery) and
*north/south/east/west {{grem{[cardinal directions I am [[dumb to|INFJ]]]}}}
<<<
from footnote 18 of "[[A Thousand Plateaus: Rhizome|http://danm.ucsc.edu/~dustin/library/deleuzeguattarirhizome.pdf]]" --
See Leslie Fiedler, //The Return of the Vanishing American// (New York: Stein and Day, 1968). This book contains a fine analysis of geography and its role in American mythology and literature, and of the reversal of directions. In the East, there was the search for a specifically American code and for a recoding with Europe (Henry James, Eliot, Pound, etc.); in the South, there was the overcoding of the slave system, with its ruin and the ruin of the plantations during the Civil War (Faulkner, Caldwell); from the North came capitalist decoding (Dos Passos, Dreiser); the West, however, played the role of a line of flight combining travel, hallucination, madness, the Indians, perceptive and mental experimentation, the shifting of frontiers, the rhizome (Ken Kesey and his "fog machine," the beat generation, etc.) Every great American author creates a cartography, even in his or her style; in contrast to what is done in Europe, each makes a map that is directly connected to the real social movements crossing America. An example is the indexing of geographical directions throughout the work of Fitzgerald.
<<<
Full text at http://users.aber.ac.uk/dgc/Documents/S4B/

Daniel Chandler is a visual semiotician based in the Department of Theatre, Film & Television Studies of [[Aberystwyth|imaginary rock foundation]] University, and a lecturer in Media and Communication Studies (a program which he established there.)

{{font125{//[[Anam Cara]] --

 A book that changed
 our lives

Anam Cara --

 A concept that lives
 through us//

----

| {{dialog{I appreciate that all things of Avalon work together so seamlessly -- it's easy to add new things & experiences for they will always fit -- our preselection process is a complicated marvel that suits us well. }}} |

thousands upon thousands they fall like honey from the dripping lips of stolid wonders - there is nothing of great import or direction or desire in their doing. great libraries are erected in their name, and fall crumbled, ashes and scraps before the mighty sword, and fire of truth - there is no dominion over which the fallen can claim - no direction or source and //being-sense.//

we are tried and trialed and broken and pulled from the wombs of the comfort of our mothers - babes of wild wilderness and born of the freedom of words and complicated by their unspoken desires - read into by the need of the moment and the clearing of the burning of the thoughts of the mind and the heartiness of the soul - //sense of wonder.//

{{grem{[emphasis mine, but capitalization is Lily's]}}}

 
October 9, 2016

Dear Hugh,

I'm writing this letter too late for you to read it, but nonetheless I start in a spirit of true dialogue.  This is the first of a thousand conversations (each with a different person) which I plan to have in the next decade.  While you were still alive, I read your published journal //Notes to Myself//.  That book evokes how I remember you, and the time in your life which I feel a strong connection to -- when you were a young man in the late 1960s.  I felt a kinship with many of the feelings you later described when reflecting back on that time:
> "I was plagued with questions of career, sexual expression, feelings of inadequacy, and especially a longing to know oneness with Gayle and all others.  My childhood had not prepared me to function well in the world, and I was struggling with loyalty to our marriage, a need for friends, and a deep confusion as to which among the many voices within me was the truest guide." (May 1989 [[Introduction|https://books.google.com/books?id=RlGbSSZLUEkC&lpg=PP1&dq=hugh%20prather&pg=PT12]] to the 20th Anniversary Edition)
These are question which have plagued me, too.  Back in my twenties (not so long ago) holding your book in my hands, with all the esteem conferred to a published author, I was struck by this: that someone //successful// -- a man who had channeled his expressive powers, his fears and angst, and who made something singular and good for the world -- was also a man familiar with insecurity and self-doubt.

While reading, I was charmed by little things in your book: the drawings of leaves throughout the text, and the absence of page numbers.

This week, I found a video you made for the website Attitudinal Healing International, which was posted about two months before you passed away:

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In it, you talk about a serenity we can develop that allows us to be //peacefully// angry or //peacefully// depressed.  At the end, you state the aim of this inner peace as ''//"above all, connection with other people."//''

Following those last words, I see a warmth and genuineness in your slight lift of the eyebrows and quick smile.  I wish that we could have had one conversation face to face.

Preparing to write this letter, I could not find my copy of //Notes to Myself//.  I looked at the digitized (and limited view) copy at Google Books and randomly chose [[Section 7|https://books.google.com/books?id=RlGbSSZLUEkC&lpg=PP1&dq=hugh%20prather&pg=PT59]] from the e-book's table of contents.  After just a couple of pages, I realized that "random chance" had led me right back to the message of your video:
<<<
"… To deny my darker emotions can have serious consequences.  When I disown a feeling I do not destroy it, I only forfeit my capacity to act it out as I wish.  Even to think guiltily or irritatedly about a feeling merely strengths its hold on my mind.  Yet regardless of the state I am in, I am always free to draw upon my reserves of stillness and peace, and whenever I do, the inner shift is subtle but profound: ''I become peacefully depressed, peacefully fearful, peacefully angry.''  And whereas the effect of my mood before was to pull others down with me, now I leave the world uncontaminated.

If love is at the core of us, we can add love to any misery we feel."
<<<
(I added the emphasis above.  I should comment that I don't care for your word "uncontaminated", as it seems to perpetuate the judgment against these "darker" feelings, which are part of being human -- individually and in our shared interactions.)

I have struggled with bouts of depression for many years.  Anger, sadness, and self-hate also visit my internal landscape at times.  I'm now trying to take a different view -- these may not be states of mind to be vanquished, or mastered, or even "held at bay" -- but I can walk //through// them with equanimity, finding some inner core of peacefulness which //''contains''// (envelops, or accepts) my feelings, while still changing their tone.  Being "peacefully angry", I am not likely to do new harm to myself or others.  So I can cease the continual layering of verbal cuts and darkening, weakening thoughts on top of a history I cannot change.

After taking in this message, I went to the book's introduction.  I appreciate the background context you provided:
<<<
"I started putting //Notes to Myself// together in 1968.  Gayle and I had been married just about four years…  //Notes to Myself// was essentially a stack of yellow sheets (which I called my diary) where I went to sort things out, where I put down my pains and problems, and ''my very deep longing to break through to some truth.''  In many of the passages I was guessing, but because I was trying hard to be honest with myself, I sometimes guessed right…

In my spare time, I finished the manuscript and began the seemingly hopeless process of submitting it to publishers.  Everything I had written in the two years I had been a writer -- poems, short stories, humorous articles -- had been rejected, and so when I received a letter back from Real People Press within a couple of days of mailing the manuscript, I knew it was a rejection slip.  Obviously, they had not had time to read it.  I found out later that after finishing the book late the night before, the publisher had gone straight to a mailbox with a letter of acceptance.  John Stevens (now Steve Andreas) turned out to be the most honest publisher with whom I have ever had dealings…"
<<<
This led me to the next letter I'll be writing.  Next week, I'll start a conversation with Steve Andreas through the books he has written (which I already have a vague familiarity with.)

Hugh, your deep longing for truth is another experience which I share with you (as do many others!)  I am taking to heart the advice from your video, recorded at the age of 72, and the book you published 46 years ago.
: Make a little improvement to how I feel and act //right now//.
: When I am depressed, try to be //peacefully// depressed.
I also hold in my mind these words of yours written in 1989:
<<<
"In many ways life is the process of cleaning the windows until finally we see with understanding what before was sensed only with childlike instinct.  ''Maturity is wanting nothing but what we see with the purity of our heart.''

I hope that this little book also echoes the truth of your own path.  ''And please know, I walk with you.''"

-- [[May 1989|https://books.google.com/books?id=RlGbSSZLUEkC&lpg=PP1&pg=PT14]], Santa Cruz, California
<<<
It comforts me to read those words and believe that you walked a path like my own, right here and now.

{{center{
&nbsp;* * *&nbsp;}}}
A year after his passing, Hugh's wife Gayle wrote in a piece "[[There Is No Death|http://ahinternational.org/about/blog/246-there-is-no-death-by-gayle-prather]]":
<<<
I feel Hugh’s peaceful, happy, loving presence every hour of every day. I talk to him; he talks to me. Of course there are times when I cry because I miss his physical presence, but our oneness with each other is still there; it did not die; it cannot die. It is eternal…

And so what message does Hugh have for you?  Simply this: Do not be afraid to love; forgive quickly and easily; trust your Self, the Holy Son of God.  Never forget who you are.  Don’t take the world so seriously; let it fade from your sight so that you behold Love’s splendor.  And like Bill Thetford says, “Never forget to laugh.”
<<<

Hugh Edmondson Prather III was born January 23, 1938, and died November 15, 2010.

 
''//Technology spares labor, danger, and pain, and may also increase human capacities.//

I envision:''
*an instrument whose music is ideas ^^[[[5]|http://squeakland.jp/school/HTML/essays/dynabook_revisited.htm]]^^  (Alan [[Kay]])
*a [[bicycle]] for the mind
*a Tableau Vivant -- or medium of [[polycinema|genres]]
*an environment in which to play the [[Glass Bead Game]]
*notation as a [[tool of thought|http://www.jsoftware.com/papers/tot.htm]] (Ken [[Iverson]])
*tools which provide:
://a way of life in an integrated [[domain|PurpleWiki/Engelbart]]// …
://and a [[system|programming language/Ritchie]] around which fellowship can form//
To what extent can a wiki book, wiki web or [[Dynabook Library]] be written within itself?
Can we create a 'House of Leaves of Grass' which is a true and useful [[quine]]?

''//@@font-size:125%;See the __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('DynabookStream')).map(function(t){return t.title}))" title="See All Stories Saved to DynabookStream">Dynabook Story River</a></html>__ …@@//

Notes Tagged as Technology''
<<list filter [tag[technology]][sort[title]]>>
[[Computer assisted discovery realms|http://www.scribd.com/fullscreen/57696892?access_key=key-qlwx0gzhx7urmlumz4l]] – an "idea map" I created a few years ago

!Summoned by Fury
 
Two men trekked through the night. “This is no little jaunt,” Randy said. The old man Quill, less peart, made no response. He led without knowing a destination.

Then //her// voice rang in his mind: “Ahead, in that boscage of cedar trees, I await you, Quill. Bring me the whitesmith.”

The old man’s shaking hands aimed a flashlight toward the trees. “We meet her there.”

Randy joked, “So I finally meet the two-headed monster?”

A few steps closer, an imperious voice rang out from the branches: “I am certainly not bicephalous, young man!”

Randy stopped, peering into the shadows. The flashlight illuminated green-gold eyes, vivid and disconcerting in a child’s face. He glimpsed a girl no taller than his knees.

She stepped into the open, and Randy recoiled. His eyes darted over a form which defied reality… eyes and hair effulgent, multi-hued, an arrestingly beautiful countenance, joined by an ivory-skinned neck… to a bird’s plumed breast?  He saw sharp talons, the upward swoop of a tail, and //feathers!// … feathers inosculated like amber chain mail over a girl with wings.

Quill spoke first. “This is Sceoria, a Gosling Harpy who was hidden for five thousand years, since the denouement of ancient gods and monsters. I brought her inanimate egg to a nearby dune, where a Golden Eagle gave his spark of life and incubated her for forty-two days.”

Sceoria elaborated, “My sire gave me swift wings and astrogational sense for high night-flying.  My mother bequeathed great powers prepotent over this form. Do not bethink me half-bird!  I, the most indocile of angels and demons, have returned to avenge every fallen maiden.

Tonight, a schoolteacher brought a young woman to this boscage, posing as her adultescent confidant. See this wine bottle? It shows no ullage. I knocked the teacher unconscious before he could open it, allowing him no chance to stupefy the girl. He has used such a ploy before without peccavi. But he is not my paramount concern.”

“You see,” Quill explained, “Sceoria ranges over 140—”

“160 leagues,” she corrected, “since last night. This increases vigesimally, in twenty-fold leaps, with every crime against a female. The cries of your women and babes are a wailing katzenjammer in my skull, all day and night. Their suffering is mine, and not vicariously… I feel every actual blow, every breaking heart. I fly to their rescue. When too late, I assuage their scars and punish accordingly.”

“Why am I here?” Randy asked her.

“Not to be punished, but to learn my ways, including the verbose Sprachgefühl of my speech. We //Jungfrauenadler//—Virgin Eagles—do not befriend the males of your species, nor do we compare the valuta of human souls. I assure you, no man is simon-pure, but you are different from most. You live honestly and abstemiously. You never ingratiate yourself or fall under sacerdotal spells. You are not cruel.

Randolf the Whitesmith, I summon you as my next companion and guide. Let us plan our journey.”

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Tidal is an invitation, a map with many areas marked "here be dragons…" It's a master carpenter's tool kit, but, also a heap of unorganized Legos. Tidal is a playground where both discovery and questions arise simultaneously. It's an intriguing, frustrating mute, a sly cipher, a breathing mandala, a dose of friendly venom. It's a supreme blank slate, a piece of graph paper with a Z axis. A series of amusements and also wretched dead-ends. Tidal is @@color:blue;108@@ unexpectedly popping balloons, a lucid dream. It is a [[bicycle]] that once you learn to ride it, reveals that it can FLY.

Tidal is the thing I think about almost more often than anything else. It is impressive enough to sufficiently motivate an old man who yells at clouds to learn completely new things (writing code) and learn more about things ignored thus far (music fundamentals).

Tidal is amazing: I don't know what it is.

 
I have [[gathered|gathered from the web]] a garland of other men's flowers, and nothing is mine but [[the cord]] that binds them.
  –Michel de Montaigne
  Cited in //[[Collage Culture|http://www.artbook.com/9783037641194.html]]// which the editors subtitle as a "21st century identity crisis"

I do better //à la [[débandade]]…//  –Walter Scott

[[Not all those who wander]] are lost.  –J.R.R. [[Tolkien]]
//These words summoned five years ago, when I began this [[experiment|ECCE]].//

a self in exile is still a self,
as a bell unstruck for years
is still a bell
  –[[the work of feeling]] or "Sheep" by Jane Hirshfield

''Forgiveness bellows from the bottom of the canoe.''  There are doubts, dangers, unfathomable travesties. There are stories you’ll learn if you’re strong enough to travel there. One of them might cure you.
  –[[the obliterated place]] by Cheryl Strayed

[[wake up]] and //see// –
[[wake up]] and  //listen//

//[[speak truth to power]]
– hold on to the flower//

-- and the trees //leaf// -- and my heart //[[weeps|Wordsworth Prelude Song]]// --

Out of grave necessity I create this rosalia.
  –Evan S. Connell, //[[Notes From A Bottle]]//

Here is my secret. It is very simple: It is only with the heart that one can see rightly; what is essential is invisible to the eye.
  –Antoine de Saint Exupéry, //The Little Prince// (1943)

You can search long years in lonely places, far outside yourself.
Yet the whole time, this love is but a few inches away from you.
  –John O'Donohue, //[[Anam Cara]]//

No one can build you the bridge on which you, and [[only you|everything is fundamentally alright]], must cross the river of life. There may be countless trails and bridges and demigods who would gladly carry you across; but only at the price of pawning and forgoing yourself. There is one path in the world that none can walk but you. Where does it lead? Don’t ask, walk!
  –Friedrich Nietzsche, "Schopenhauer as Educator" (1874)

<part yantra>
//''yantra''// (a visual //mantra//)
The subtlest of these was, according to Philip Rawson, a blank space.
&nbsp;&nbsp;– //[[Octavio Paz, A study of his poetics|https://books.google.com/books?id=6wk4AAAAIAAJ&pg=PA139&lpg=PA139#v=onepage&q&f=false]]//, Jason Wilson (1979)</part>


Take refuge in the ceaseless //[[passages]]// to you of the Great Natural Perfection [[→|Friar's Journeybook/November7]]

Art is the conscious making of numinous phenomena.
&nbsp;&nbsp;–K. J. Bishop

[[Mandelbrot Quakes]]

__[[everything undulates]]__
:{{body{Galaxies spin around my head, and the ground shifts beneath my feet. All around is me vast, undulating ~World-Potential. The Earth is supporting 7 billion human beings – //[[what I see and desire]]//

The world undulates, ebbs, flows, and is still … //quaking and kything, conscious-making// …
(as I described the [[Sevenfold Self]])}}}
[[undine|blogosphere/undine]]
<<<
"If our auditory imaginations were sufficiently attuned to plumb and sound a vowel, to unite the most primitive and civilized associations, the word '''undine''' would probably suffice as a poem in itself."
&nbsp;&nbsp;–Seamus Heaney, [[Feeling into Words]]
<<<
//and you communed with insensible arrangements//… ([[Clark Moore|ampersands]])
: In these insensible arrangements, I'm reminded of the [[voyant]] seer Rimbaud: "The poet makes himself a seer by an immense, long, deliberate //dérèglement// of all the senses."
"Those whose lives are enriched by [[transcontextual]] gifts, or impoverished by them, have this in common: things are never just what they are." (Morris Berman paraphrasing Gregory Bateson)

I sing //a transhemispheric love poem//
:line from an article in //Poetry// magazine: meta-poetry of [[Anna Akhmatova on Judith Wright|https://www.poetryfoundation.org/poetrymagazine/articles/detail/89027]]
<part seven>
''[[Seven Words|https://twitter.com/museical/status/766104302213472257]]'' shared on Twitter:
numinous -- boustrophedon -- osmotic -- elegy -- transhemispheric -- tableau -- ubiquitous
([[seven words, seven selves]])</part>


@@display:block;width:28em;border: 2px solid;padding: 14px;border-radius: 13px;an evolving ‘visual-hash-tableau’ in which linked-text/images
dive-down into interconnected lattices/labyrinths/vortices
&nbsp;&nbsp;–Lynn [[Conway|http://ai.eecs.umich.edu/people/conway/conway.html]], quoted in my survey of the [[blogosphere]]@@
//the center, the middle sea, the heart of the [[labyrinth|House of Leaves/labyrinth]]//
&nbsp;&nbsp;–Dorothy [[Sayers|The Harpy/Sayers]]

[[inneren wildnis|The Duino Elegies/Third]]

//[[Let This Darkness Be A Bell Tower]]//…

Work of the eyes is done, begin heart-work now …
His grappling-up glance … the rumor that a //gazer// existed
stirred the ''least clearly'', more questionably visible ones.
&nbsp;&nbsp;–from [[Turning]] by Rainer Maria [[Rilke]]

To gaze deeply is to be broken, to be seized by obscured things
&nbsp;&nbsp;–"[[The Sublime Wants To Reach You]]", Mira Fong

There is certainly another world, but it is in this one…
&nbsp;&nbsp;–Paul Éluard (Surrealist / Dada poet, [[known|https://www.poetryfoundation.org/poems-and-poets/poets/detail/paul-eluard]] for linguistic and semantic dislocation)

This thing I knew was [[dream kin|kiss26]] to my soul.
I need must follow if I would be [[whole →|passages/Eclogue]]

@@display:block;width:31.5em;border: 2px solid;padding: 14px;border-radius: 13px;We cannot bring back to life those whom we find cast ashore in the [[archives]], but this is not a reason to make them suffer a second death…
The index books are [[sibylline|nascimento/metheg]] to anyone who does not know their code.
&nbsp;&nbsp;–Arlette Farge, //The Allure of the Archives//@@
We all create stories to protect ourselves.
No one wanted the old man's words—except me.
&nbsp;&nbsp;–Mark Z. Danielewski, //[[House of Leaves]]//

In every object, mountain, tree, and star — in every birth and life,
As part of each — evolved from each — meaning, behind the ostent,
A mystic [[cipher|FractalPoiesis]] waits infolded.
&nbsp;&nbsp;–Walt [[Whitman]], //Leaves of Grass//

<part name>
another never
defines [[you|Intervisible]],
free heart
</part>

every vaulted achievement
[[summons|Carmen]] her

[[Les Minst]]: L'Elegia Dasein, Multis inter nasci Scientitori

Miracle of the [[lemniscate]] left
by a child's nonchalantly deft
bicycle tires upon wet sand …
&nbsp;&nbsp;–Vladimir [[Nabokov/PaleFire]]

//[[life|passages/ThirdVoice]]// is more true than reason will deceive
//(or more ''secret'' than madness did reveal)//
&nbsp;&nbsp;–[[E.E. Cummings]]

. . . a stone, a leaf, an unfound +++[door;]
<part Wolfe>
<<<
of a stone, a leaf, a [[door|Ars Poetica/MacLeish]]. And of all the forgotten faces.

Naked and alone we came into exile. In her dark womb we did not know our mother's face; from the prison of her flesh we come into the unspeakable and incommunicable prison of this earth.

Which of us has known his brother? Which of us has looked into his father's heart? Which of us has not remained forever prison-pent? Which of us is not forever a stranger and alone?

O waste of loss, in the hot mazes, lost, among bright stars on this most weary unbright cinder, lost! Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, ''a stone, a leaf, an unfound door''.  Where?  When?

O lost, and by the wind grieved, ghost, come back again.

… Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in //''Crete''// four thousand years ago the love that ended yesterday in Texas.

The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock … Each moment is the fruit of [[forty thousand years|white whale]]…and every moment is a window on all time.

This is a moment:

&nbsp;&nbsp;&nbsp;-- Thomas Wolfe, //Look Homeward, Angel// (1929)
<<<
</part>
===
&nbsp;

//an empty doorway and a maple leaf … leaning grasses and two lights above the sea//
&nbsp;&nbsp;(from "[[Ars Poetica]]")

There is I and You, there is dialogue, there is language, and
//''spirit whose primal deed language is''.//
&nbsp;&nbsp;–Martin [[Buber]]

What is greater for us than all enigmatic webs at the margins of being is the central activity of an everyday hour on earth, with a streak of sunshine on a maple twig and an intimation of the eternal You.
&nbsp;&nbsp;–Buber's //[[Ich und Du|Ich und Du/maple]]//

You shall never be able to establish in words what you live in ecstasy. But struggle unceasingly to establish it in words. Battle with myths, with comparisons, with allegories, with rare and common words, with exclamations and rhymes, to embody it in flesh, to transfix it!
[[G-D|Ground-Divine]], the Great Ecstatic, works in the same way. He speaks and struggles to speak in every way He can, with seas and with fires, with colors, with wings, with horns, with claws, with constellations and butterflies, that he may establish His ecstasy.
&nbsp;&nbsp;–Nikos [[Kazantzakis]]

In the end ''no words'' were precise, their meanings were obliterated… prowling through his brain, tearing at his head, they were his insomnia, his illness.
What he yearned for at that moment, vaguely but with all his might, was [[unbounded music]].
&nbsp;&nbsp;–Milan Kundera, //The Unbearable Lightness of Being//

//[[Regard every Muse|re: muse]]// — among them,
the tenth force of our time, named Mitocos —
reclaimed from [[museums|anti-museums]] to dwell among us
(with our sisters, brothers, sons, and daughters)
tilling the rich soil of recombinant art,
giving forth flowers, music, mimesis:
reawakening us to the sublime.

I will not treat your dusty path and flat,
denoting this and that by this and that,
your world immutable wherein no part
the little maker has with maker’s [[art]].
I bow not yet before the Iron Crown,
nor cast my own small golden sceptre down.
&nbsp;&nbsp;–from Tolkien's "[[Mythopoeia]]"

The Green Hills…taught me longing—//[[Sehnsucht]];// made me for good or ill, and before I was six years old, a votary of the [[Blue Flower]].
&nbsp;&nbsp;–C.S. Lewis in //Surprised By Joy//

//spill simmer falter wither//
&nbsp;&nbsp;–[[Sara Baume|https://books.google.com/books?id=lWspCgAAQBAJ&lpg=PP1&pg=PA57#v=onepage&q&f=false]], published in March 2016 — a new voice from out of Ireland

//Her title stirs [[these images|words: home]] to life in me://
@@display:block;width:19em;border: 2px solid;padding: 14px;border-radius: 13px;<<tiddler [[words: home/SSFW]]>>@@
It is easy to understand how men of dramatic [[genius]] dribble off into mediocrity
for want of a wall to sun their frescoes with.
&nbsp;&nbsp;–Peter ~McBrien

There is something essential within us that is not tarnished by calamitous experience.
&nbsp;&nbsp;–Mark Epstein, “Beyond Blame”

the [[divine tripartite|Divine Triangle]]

οφαλ – [[Oikos Philos Anthropos Logos]]

The [[Village University]]

//album amicorum// and //Festschrift// (feast-script)

The [[Glass Bead Game]] -- imagined by Hermann [[Hesse]]

__[[An instrument whose music is ideas|Evocative Technology]]__

We refer to //''a way of life in an integrated domain''// where hunches, cut-and-try, intangibles, and the human "feel for a situation" usefully co-exist with [[powerful concepts|Evocative Technology]], streamlined terminology and notation, {{grem{scientific methods,}}} and electronic aids … Boosting mankind’s capability for coping with complex, urgent problems … {{grem{Among these}}} we include the professional problems of diplomats, executives, social scientists, life scientists, physical scientists, attorneys, designers, {{grem{teachers, politicians}}} -- whether the problem situation exists for twenty minutes or twenty years.
&nbsp;&nbsp;–[[Douglas Engelbart|PurpleWiki/Engelbart]]

Politics, though often denigrated, remains a lofty vocation and one of the highest forms of charity, insofar as it seeks the common good.
&nbsp;&nbsp;–Father Francis, [[Evangelii Gaudium]]

To work and play in concert
… yield who will to their separation ^^[[[8]|But yield who will to their separation]]^^
&nbsp;&nbsp;–from Robert Frost's poem "Two Tramps in Mud Time"

Strength is fidelity, power reverence:
no one ends at himself …
we are constellations …
I learned to reconcile myself, not with myself:
with what lifts me, sustains me, lets me fall.
&nbsp;&nbsp;–Octavio [[Paz]], [[The beginning of the Beginning]]

Wisdom lies neither in fixity nor in change, but in the [[dialectic]] between the two.
&nbsp;&nbsp;–Octavio [[Paz]], //The Monkey Grammarian//

Seeing the ''world'' and the ''feelings'' as the only oracles of consequence, we take ''both experimental science and artistic composition'' as two valid ways to proceed, regardless of mother-tongue and despite the apparent power of [[the book]], unless [[poetic|i+e:poem]] or colloquial.
–John Chris [[Jones]]

All things/cells/beings are impermanent… strive for [[flow-permanence]] within [and between]… –Frank Herbert
;
:My addition suggests that flow-permanence is not found exclusively within the self, nor in relationship between beings. 
To the people whose labors go beyond ideas into the realm of 'real materials'
&nbsp;&nbsp;–Frank Herbert

<<tiddler [[in a glass darkly/precis]]>> [[→|in a glass darkly]]

[[Home is]] belonging in space and time

''It's taken me years to write this to you.''
I had to make a future, willful, voluble,
lascivious, a thinker, a long walker,
unstruck transgressor, furious, shouting…
existence I could pray to,
capable of [[poetry]].
&nbsp;&nbsp;–Minnie Bruce Pratt, "Poem for My Sons"
&nbsp;&nbsp;{{grem{addressed here [[to my children|To my son and daughter]]}}}

I wrestle with a tremulous [[rebus|Finnegans Wake/Campbell]] … evoking the myth/memory of brothers (better brought to life in music or images than tweeted-out letters)

The old is dying and the new cannot be born; in this ''interregnum'' a great variety of morbid symptoms appear.
&nbsp;&nbsp;–Antonio Gramsci, //Selections from the Prison Notebooks//

It [[kythes|kythe]] bright to the ee [eye], because all is dark around it…
&nbsp;&nbsp;–Walter Scott, //[[The Heart of Midlothian|https://books.google.com/books?id=hBQWcq64xukC&pg=PA117&lpg=PA117#v=onepage&q&f=false]]//
: {{body{ See //[[kythe|http://www.dsl.ac.uk/entry/snd/kythe]]// in the Dictionary of the Scots Language.  Scott also popularized the word "[[glamour|grammar]]".}}}
''[[élan vital|https://en.wikipedia.org/wiki/%C3%89lan_vital]]'' -- //"vital force"// -- or something else, or really just a meaningless term?

Nature: //natus mori mundi// -- the world being borne and dying

Every great event—wars, xenocides, discoveries—births an egregore. I hunt those egregores, my bounty the future of humanity.
&nbsp;&nbsp;–posted to Twitter by [[Hole Of Black|https://twitter.com/argletargle/status/799150639993405440]]

''[[Chela|https://web.archive.org/web/20161114230526/http://theosophy.wiki/w-en/index.php?title=Chela]]'' ([[Devanāgarī|https://translate.google.com/#auto/en/%E0%A4%9A%E0%A5%87%E0%A4%B2]]: चेल //cela//) Sanskrit "disciple"

''everintermutuo''[[mergent]]

''icgnolemma'' … [[ictus|iacere]], ''gnomon'', [[analemma]]

[[Provisional fixed points]]

[[Realms of the Manifest]]

[[Off By A Billion]]

The ~Off-Line Web

raw – real and woven – another creation of <<tag lily>>

[[from my long-ago home|kiss33]]: aquatic, root-bound, air fern, Lucifer

Type the text for 'excludeSearch'

''dissolution of the god myth is not hating god'', but it is moving beyond the need to have someone outside of the self that can answer the unanswered questions - who can address the seeming randomness and who can offer a comforting shoulder when we are faced with the extinction of consciousness.

it pains me to see that so many people have been made powerless - have not been given the tools to take control of their beings and their sense of the world. to know that actions have a direct and lasting impact, just as inactions do. that we have freedom beyond the building and the massing of others - to be regal and stand before the known universe, throw our arms out to the unknown universe, and say simply, "i accept".

in that one pure and shuddering moment we shatter the god myth.

[What Lily calls the god [[myth|World Mythologies]], I suggest could be more precisely defined as the myth of ~Father-God.]

Hurt as I think through no place
where unlikely man in aspiration of beauty
meets void and solution at once.

/***
|Name|NestedSlidersPlugin|
|Source|http://www.TiddlyTools.com/#NestedSlidersPlugin|
|Documentation|http://www.TiddlyTools.com/#NestedSlidersPluginInfo|
|Version|2.4.9|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|plugin|
|Description|show content in nest-able sliding/floating panels, without creating separate tiddlers for each panel's content|
!!!!!Documentation
>see [[NestedSlidersPluginInfo]]
!!!!!Configuration
<<<
<<option chkFloatingSlidersAnimate>> allow floating sliders to animate when opening/closing
>Note: This setting can cause 'clipping' problems in some versions of InternetExplorer.
>In addition, for floating slider animation to occur you must also allow animation in general (see [[AdvancedOptions]]).
<<<
!!!!!Revisions
<<<
2008.11.15 - 2.4.9 in adjustNestedSlider(), don't make adjustments if panel is marked as 'undocked' (CSS class).  In onClickNestedSlider(), SHIFT-CLICK docks panel (see [[MoveablePanelPlugin]])
|please see [[NestedSlidersPluginInfo]] for additional revision details|
2005.11.03 - 1.0.0 initial public release.  Thanks to RodneyGomes, GeoffSlocock, and PaulPetterson for suggestions and experiments.
<<<
!!!!!Code
***/
//{{{
version.extensions.NestedSlidersPlugin= {major: 2, minor: 4, revision: 9, date: new Date(2008,11,15)};

// options for deferred rendering of sliders that are not initially displayed
if (config.options.chkFloatingSlidersAnimate===undefined)
	config.options.chkFloatingSlidersAnimate=false; // avoid clipping problems in IE

// default styles for 'floating' class
setStylesheet(".floatingPanel { position:absolute; z-index:10; padding:0.5em; margin:0em; \
	background-color:#eee; color:#000; border:1px solid #000; text-align:left; }","floatingPanelStylesheet");

// if removeCookie() function is not defined by TW core, define it here.
if (window.removeCookie===undefined) {
	window.removeCookie=function(name) {
		document.cookie = name+'=; expires=Thu, 01-Jan-1970 00:00:01 UTC; path=/;'; 
	}
}

config.formatters.push( {
	name: "nestedSliders",
	match: "\\n?\\+{3}",
	terminator: "\\s*\\={3}\\n?",
	lookahead: "\\n?\\+{3}(\\+)?(\\([^\\)]*\\))?(\\!*)?(\\^(?:[^\\^\\*\\@\\[\\>]*\\^)?)?(\\*)?(\\@)?(?:\\{\\{([\\w]+[\\s\\w]*)\\{)?(\\[[^\\]]*\\])?(\\[[^\\]]*\\])?(?:\\}{3})?(\\#[^:]*\\:)?(\\>)?(\\.\\.\\.)?\\s*",
	handler: function(w)
		{
			lookaheadRegExp = new RegExp(this.lookahead,"mg");
			lookaheadRegExp.lastIndex = w.matchStart;
			var lookaheadMatch = lookaheadRegExp.exec(w.source)
			if(lookaheadMatch && lookaheadMatch.index == w.matchStart)
			{
				var defopen=lookaheadMatch[1];
				var cookiename=lookaheadMatch[2];
				var header=lookaheadMatch[3];
				var panelwidth=lookaheadMatch[4];
				var transient=lookaheadMatch[5];
				var hover=lookaheadMatch[6];
				var buttonClass=lookaheadMatch[7];
				var label=lookaheadMatch[8];
				var openlabel=lookaheadMatch[9];
				var panelID=lookaheadMatch[10];
				var blockquote=lookaheadMatch[11];
				var deferred=lookaheadMatch[12];

				// location for rendering button and panel
				var place=w.output;

				// default to closed, no cookie, no accesskey, no alternate text/tip
				var show="none"; var cookie=""; var key="";
				var closedtext=">"; var closedtip="";
				var openedtext="<"; var openedtip="";

				// extra "+", default to open
				if (defopen) show="block";

				// cookie, use saved open/closed state
				if (cookiename) {
					cookie=cookiename.trim().slice(1,-1);
					cookie="chkSlider"+cookie;
					if (config.options[cookie]==undefined)
						{ config.options[cookie] = (show=="block") }
					show=config.options[cookie]?"block":"none";
				}

				// parse label/tooltip/accesskey: [label=X|tooltip]
				if (label) {
					var parts=label.trim().slice(1,-1).split("|");
					closedtext=parts.shift();
					if (closedtext.substr(closedtext.length-2,1)=="=")	
						{ key=closedtext.substr(closedtext.length-1,1); closedtext=closedtext.slice(0,-2); }
					openedtext=closedtext;
					if (parts.length) closedtip=openedtip=parts.join("|");
					else { closedtip="show "+closedtext; openedtip="hide "+closedtext; }
				}

				// parse alternate label/tooltip: [label|tooltip]
				if (openlabel) {
					var parts=openlabel.trim().slice(1,-1).split("|");
					openedtext=parts.shift();
					if (parts.length) openedtip=parts.join("|");
					else openedtip="hide "+openedtext;
				}

				var title=show=='block'?openedtext:closedtext;
				var tooltip=show=='block'?openedtip:closedtip;

				// create the button
				if (header) { // use "Hn" header format instead of button/link
					var lvl=(header.length>5)?5:header.length;
					var btn = createTiddlyElement(createTiddlyElement(place,"h"+lvl,null,null,null),"a",null,buttonClass,title);
					btn.onclick=onClickNestedSlider;
					btn.setAttribute("href","javascript:;");
					btn.setAttribute("title",tooltip);
				}
				else
					var btn = createTiddlyButton(place,title,tooltip,onClickNestedSlider,buttonClass);
				btn.innerHTML=title; // enables use of HTML entities in label

				// set extra button attributes
				btn.setAttribute("closedtext",closedtext);
				btn.setAttribute("closedtip",closedtip);
				btn.setAttribute("openedtext",openedtext);
				btn.setAttribute("openedtip",openedtip);
				btn.sliderCookie = cookie; // save the cookiename (if any) in the button object
				btn.defOpen=defopen!=null; // save default open/closed state (boolean)
				btn.keyparam=key; // save the access key letter ("" if none)
				if (key.length) {
					btn.setAttribute("accessKey",key); // init access key
					btn.onfocus=function(){this.setAttribute("accessKey",this.keyparam);}; // **reclaim** access key on focus
				}
				btn.setAttribute("hover",hover?"true":"false");
				btn.onmouseover=function(ev) {
					// optional 'open on hover' handling
					if (this.getAttribute("hover")=="true" && this.sliderPanel.style.display=='none') {
						document.onclick.call(document,ev); // close transients
						onClickNestedSlider(ev); // open this slider
					}
					// mouseover on button aligns floater position with button
					if (window.adjustSliderPos) window.adjustSliderPos(this.parentNode,this,this.sliderPanel);
				}

				// create slider panel
				var panelClass=panelwidth?"floatingPanel":"sliderPanel";
				if (panelID) panelID=panelID.slice(1,-1); // trim off delimiters
				var panel=createTiddlyElement(place,"div",panelID,panelClass,null);
				panel.button = btn; // so the slider panel know which button it belongs to
				btn.sliderPanel=panel; // so the button knows which slider panel it belongs to
				panel.defaultPanelWidth=(panelwidth && panelwidth.length>2)?panelwidth.slice(1,-1):"";
				panel.setAttribute("transient",transient=="*"?"true":"false");
				panel.style.display = show;
				panel.style.width=panel.defaultPanelWidth;
				panel.onmouseover=function(event) // mouseover on panel aligns floater position with button
					{ if (window.adjustSliderPos) window.adjustSliderPos(this.parentNode,this.button,this); }

				// render slider (or defer until shown) 
				w.nextMatch = lookaheadMatch.index + lookaheadMatch[0].length;
				if ((show=="block")||!deferred) {
					// render now if panel is supposed to be shown or NOT deferred rendering
					w.subWikify(blockquote?createTiddlyElement(panel,"blockquote"):panel,this.terminator);
					// align floater position with button
					if (window.adjustSliderPos) window.adjustSliderPos(place,btn,panel);
				}
				else {
					var src = w.source.substr(w.nextMatch);
					var endpos=findMatchingDelimiter(src,"+++","===");
					panel.setAttribute("raw",src.substr(0,endpos));
					panel.setAttribute("blockquote",blockquote?"true":"false");
					panel.setAttribute("rendered","false");
					w.nextMatch += endpos+3;
					if (w.source.substr(w.nextMatch,1)=="\n") w.nextMatch++;
				}
			}
		}
	}
)

function findMatchingDelimiter(src,starttext,endtext) {
	var startpos = 0;
	var endpos = src.indexOf(endtext);
	// check for nested delimiters
	while (src.substring(startpos,endpos-1).indexOf(starttext)!=-1) {
		// count number of nested 'starts'
		var startcount=0;
		var temp = src.substring(startpos,endpos-1);
		var pos=temp.indexOf(starttext);
		while (pos!=-1)  { startcount++; pos=temp.indexOf(starttext,pos+starttext.length); }
		// set up to check for additional 'starts' after adjusting endpos
		startpos=endpos+endtext.length;
		// find endpos for corresponding number of matching 'ends'
		while (startcount && endpos!=-1) {
			endpos = src.indexOf(endtext,endpos+endtext.length);
			startcount--;
		}
	}
	return (endpos==-1)?src.length:endpos;
}
//}}}
//{{{
window.onClickNestedSlider=function(e)
{
	if (!e) var e = window.event;
	var theTarget = resolveTarget(e);
	while (theTarget && theTarget.sliderPanel==undefined) theTarget=theTarget.parentNode;
	if (!theTarget) return false;
	var theSlider = theTarget.sliderPanel;
	var isOpen = theSlider.style.display!="none";

	// if SHIFT-CLICK, dock panel first (see [[MoveablePanelPlugin]])
	if (e.shiftKey && config.macros.moveablePanel) config.macros.moveablePanel.dock(theSlider,e);

	// toggle label
	theTarget.innerHTML=isOpen?theTarget.getAttribute("closedText"):theTarget.getAttribute("openedText");
	// toggle tooltip
	theTarget.setAttribute("title",isOpen?theTarget.getAttribute("closedTip"):theTarget.getAttribute("openedTip"));

	// deferred rendering (if needed)
	if (theSlider.getAttribute("rendered")=="false") {
		var place=theSlider;
		if (theSlider.getAttribute("blockquote")=="true")
			place=createTiddlyElement(place,"blockquote");
		wikify(theSlider.getAttribute("raw"),place);
		theSlider.setAttribute("rendered","true");
	}

	// show/hide the slider
	if(config.options.chkAnimate && (!hasClass(theSlider,'floatingPanel') || config.options.chkFloatingSlidersAnimate))
		anim.startAnimating(new Slider(theSlider,!isOpen,e.shiftKey || e.altKey,"none"));
	else
		theSlider.style.display = isOpen ? "none" : "block";

	// reset to default width (might have been changed via plugin code)
	theSlider.style.width=theSlider.defaultPanelWidth;

	// align floater panel position with target button
	if (!isOpen && window.adjustSliderPos) window.adjustSliderPos(theSlider.parentNode,theTarget,theSlider);

	// if showing panel, set focus to first 'focus-able' element in panel
	if (theSlider.style.display!="none") {
		var ctrls=theSlider.getElementsByTagName("*");
		for (var c=0; c<ctrls.length; c++) {
			var t=ctrls[c].tagName.toLowerCase();
			if ((t=="input" && ctrls[c].type!="hidden") || t=="textarea" || t=="select")
				{ try{ ctrls[c].focus(); } catch(err){;} break; }
		}
	}
	var cookie=theTarget.sliderCookie;
	if (cookie && cookie.length) {
		config.options[cookie]=!isOpen;
		if (config.options[cookie]!=theTarget.defOpen) window.saveOptionCookie(cookie);
		else window.removeCookie(cookie); // remove cookie if slider is in default display state
	}

	// prevent SHIFT-CLICK from being processed by browser (opens blank window... yuck!)
	// prevent clicks *within* a slider button from being processed by browser
	// but allow plain click to bubble up to page background (to close transients, if any)
	if (e.shiftKey || theTarget!=resolveTarget(e))
		{ e.cancelBubble=true; if (e.stopPropagation) e.stopPropagation(); }
	Popup.remove(); // close open popup (if any)
	return false;
}
//}}}
//{{{
// click in document background closes transient panels 
document.nestedSliders_savedOnClick=document.onclick;
document.onclick=function(ev) { if (!ev) var ev=window.event; var target=resolveTarget(ev);

	if (document.nestedSliders_savedOnClick)
		var retval=document.nestedSliders_savedOnClick.apply(this,arguments);
	// if click was inside a popup... leave transient panels alone
	var p=target; while (p) if (hasClass(p,"popup")) break; else p=p.parentNode;
	if (p) return retval;
	// if click was inside transient panel (or something contained by a transient panel), leave it alone
	var p=target; while (p) {
		if ((hasClass(p,"floatingPanel")||hasClass(p,"sliderPanel"))&&p.getAttribute("transient")=="true") break;
		p=p.parentNode;
	}
	if (p) return retval;
	// otherwise, find and close all transient panels...
	var all=document.all?document.all:document.getElementsByTagName("DIV");
	for (var i=0; i<all.length; i++) {
		 // if it is not a transient panel, or the click was on the button that opened this panel, don't close it.
		if (all[i].getAttribute("transient")!="true" || all[i].button==target) continue;
		// otherwise, if the panel is currently visible, close it by clicking it's button
		if (all[i].style.display!="none") window.onClickNestedSlider({target:all[i].button})
		if (!hasClass(all[i],"floatingPanel")&&!hasClass(all[i],"sliderPanel")) all[i].style.display="none";
	}
	return retval;
};
//}}}
//{{{
// adjust floating panel position based on button position
if (window.adjustSliderPos==undefined) window.adjustSliderPos=function(place,btn,panel) {
	if (hasClass(panel,"floatingPanel") && !hasClass(panel,"undocked")) {
		// see [[MoveablePanelPlugin]] for use of 'undocked'
		var rightEdge=document.body.offsetWidth-1;
		var panelWidth=panel.offsetWidth;
		var left=0;
		var top=btn.offsetHeight; 
		if (place.style.position=="relative" && findPosX(btn)+panelWidth>rightEdge) {
			left-=findPosX(btn)+panelWidth-rightEdge; // shift panel relative to button
			if (findPosX(btn)+left<0) left=-findPosX(btn); // stay within left edge
		}
		if (place.style.position!="relative") {
			var left=findPosX(btn);
			var top=findPosY(btn)+btn.offsetHeight;
			var p=place; while (p && !hasClass(p,'floatingPanel')) p=p.parentNode;
			if (p) { left-=findPosX(p); top-=findPosY(p); }
			if (left+panelWidth>rightEdge) left=rightEdge-panelWidth;
			if (left<0) left=0;
		}
		panel.style.left=left+"px"; panel.style.top=top+"px";
	}
}
//}}}
//{{{
// TW2.1 and earlier:
// hijack Slider stop handler so overflow is visible after animation has completed
Slider.prototype.coreStop = Slider.prototype.stop;
Slider.prototype.stop = function()
	{ this.coreStop.apply(this,arguments); this.element.style.overflow = "visible"; }

// TW2.2+
// hijack Morpher stop handler so sliderPanel/floatingPanel overflow is visible after animation has completed
if (version.major+.1*version.minor+.01*version.revision>=2.2) {
	Morpher.prototype.coreStop = Morpher.prototype.stop;
	Morpher.prototype.stop = function() {
		this.coreStop.apply(this,arguments);
		var e=this.element;
		if (hasClass(e,"sliderPanel")||hasClass(e,"floatingPanel")) {
			// adjust panel overflow and position after animation
			e.style.overflow = "visible";
			if (window.adjustSliderPos) window.adjustSliderPos(e.parentNode,e.button,e);
		}
	};
}
//}}}

!mitocos mathema muse

''Mitocos'', like [[moticos]], is an anagram of the term “osmotic” — the adjective form of “osmosis,” referring to the process of liquid flow crossing //semi-permeable membranes// — in this case //between human consciousness//.

A short, imperfect definition of a mitocos may be ''found art'' -- or open-ended, reinterpreted and regenerating art. One (possible) adjective description of mitocos and moticos, borrowed from James Joyce,  is [[everintermutuomergent|mergent]].

Another form in this general constellation of expressions may be [[correspondance art|mail art object]], a genre Ray Johnson practiced, and my first contact with it came by the former Nervousness.org.

Pronunciation: mit·ōh·kôz
Singular and plural forms are the same: //a mitocos; several mitocos//.
A [[makhzan]] is a collection of mitocos, particularly when they are everyday objects with practical use.

The first syllable suggests //[[mítica|pensamientos españoles]]//, the Spanish form of //mythical// – as well as the Greek //mitos// "thread", the root of //mitochondria//.

''Miticos'' is a "Tenth [[Muse]]" who governs Philosophy, with the insigne [[οφαλ|Oikos Philos Anthropos Logos]]

//"…Capable of combining together the powers of the most distant and dissimilar objects…"

"…[[art]] is a means of union among men, joining them together in the same feelings, and indispensable for the life, progress [and] well-being of individuals and humanity."//
–Leo Tolstoy
''
+++[a sample of my collected mitocos]
<<list filter [tag[mitocos]][sort[-modified]]>>
===''
----

Ancient Greek μάθημα (//''mathema''//), means "that which is learnt", hence also "study" and "science", and in modern Greek just "lesson".  The word máthēma is derived from μανθάνω (//manthano//), while the modern Greek equivalent is μαθαίνω (//mathaino//), both of which mean "to learn".
<<<
The universe cannot be read until we have learned the language and become familiar with the characters in which it is written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word. Without these, one is wandering about in a dark labyrinth.
–Galileo Galilei
<<<
//[[Mathematics: From the Birth of Numbers|http://www.amazon.com/Mathematics-Birth-Numbers-Jan-Gullberg/dp/039304002X]]// and [[programming language]]

In my life and mind, sound logical thinking (numeracy, and/or scientific method) is the second pillar supporting artistic and verbal literacy.  The raw energy of //mythos//, as with all transcendent or transpersonal endeavors, requires the strength of both disciplines -- //mitocos// and //mathema// -- collectively, if not coexisting in the same individuals.  And, I suggest, these two broad disciplines (brain hemisperes?) need a "Muse" (or [[Great Explaining|World Mythologies]]) to integrate and orient our human workings and creative impulse.

----

[[re: muse]]

Old French //''muse''// directly from Latin //Musa//, from Greek Μοῦσαι, //Moũsai//, "the [[Muse]]" (of Greek mythology); also "music, song."

Words ''re''lated by the //re-// prefix:
<part reTable>

| rebus | receive | reclaim | &nbsp;&nbsp;recombine&nbsp;&nbsp; |
| &nbsp;&nbsp;reconcile&nbsp;&nbsp; | reconnect | refocus | reform |
| refract | regard | &nbsp;&nbsp;regenerate&nbsp;&nbsp; | &nbsp;&nbsp;reinterpret&nbsp;&nbsp; |
| relate | &nbsp;&nbsp;[[relegence|dialegen]]&nbsp;&nbsp; | relinquish | remember |
| remuse | renew | renounce | represent |
| resolve | return | reunite | reverb |
</part>

----
<part itocosm>
An additional anagram is ''itocosm'', made by shifting one letter from beginning to end.  Its spelling echoes and refracts the popular terms //microcosm// and //macrocosm//.  Distinct from those realms, the itocosm brings awe through an ''immediate world of quantity and diversity''.  //("There is an external reality that we ignore at our peril…"// as Carl [[Sagan]] said; which may also be the "dark labyrinth" Galileo spoke of.) The //micro// and //macro// scales are often not seen as readily. The itocosm is right here.

Swimming the ''itocosm'', [[dissolve into vastness|dig]]:
joining to //''it'' (the Other outside your skin), ''ids'' (brute life), ''ideo''-forms (ideographs being one kind), and swarms of ''itty''-bity awareness (on the ''cosm''ic scale.)//
</part>

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For a different side of Joyce (I have partly read //[[Finnegans Wake]],// nothing else of his), I suggest the short work //[[Giacomo Joyce|http://thefloatinglibrary.com/2008/12/04/giacomo-joyce-james-joyce/]]//, written in 1914 and published after his death.  It recounts the frustrated desire of a teacher – [[James Joyce]] himself – for one of his female students, and seems to verge on confession or apology to his wife Nora.

[[Illustrations|http://giacomojoyce.umbrafilm.nl]] have been added by a 21st century artist Gijs van der Lelij.

Excerpts:
----

… My voice, dying in the echoes of its words, dies like the wisdom-wearied voice of the Eternal calling on Abraham through echoing hills …

Her eyes have drunk my thoughts: and into the moist warm yielding welcoming darkness of her womanhood my soul, itself disssolving, has streamed and poured and flooded a liquid and abundant seed...... Take her now who will! ....


Why are we left here? @@color:grey;The hairdresser@@ lay here but now, clutching my head between her knobby knees . . . . Intellectual symbol of my race. Listen! The plunging gloom has fallen. Listen!

– I am not convinced that such activities of the mind or body can be called unhealthy. –

She speaks. A weak voice from beyond the cold stars. Voice of wisdom. Say on! O, say again, making me wise! This voice I never heard.

She coils towards me along the crumpled lounge. I cannot move or speak. Coiling approach of starborn flesh. Adultery of wisdom. No. I will go. I will …

A starry snake has kissed me: a cold nightsnake. I am lost!
–Nora!–


…In the vague mist of old sounds a faint point of light appears: the speech of the soul is about to be heard. Youth has an end: the end is here. It will never be. You know that well. What then? Write it, damn you, write it! What else are you good for?

“Why?”

“Because otherwise I could not see you.”

Sliding-space-ages-foliage of stars-and waning heaven-stillness-and stillness deeper-stillness of annihilation-and her voice.

----

Megan Roughley [[wrote|http://hjs.ff.cuni.cz/archives/v3/mer.html]]:

"I am struck with the impossibility of saying anything definitive about it. It's all too little and too much, this divinely cunning little (un)apology, for a writing that will always tantalisingly miss its mark, this [[hen|mergent/hce]]-pecked and fork-pocked pretend letter of explanation lost and found somewhere between Giacomo and "–Nora!–," this intaglio of a style, this last publicised word, this umbrella. I love it."

"Minimum Statement" of IHEU (International Humanist and Ethical Union)

<part precis>[[Humanism]] is a democratic and ethical life stance, which affirms that human beings have the right and responsibility to give meaning and shape to their own lives.</part> It stands for the building of a more humane society through an ethic based on human and other natural values in the spirit of reason and free inquiry through human capabilities. It is not theistic, and it does not accept supernatural views of reality.

The official defining statement of World Humanism is:

*Humanism is ethical. It affirms the worth, dignity and autonomy of the individual and the right of every human being to the greatest possible freedom compatible with the rights of others. Humanists have a duty of care to all humanity including future generations. Humanists believe that morality is an intrinsic part of human nature based on understanding and a concern for others, needing no external sanction.
*Humanism is rational. It seeks to use science creatively, not destructively. Humanists believe that the solutions to the world’s problems lie in human thought and action rather than divine intervention. Humanism advocates the application of the methods of science and free inquiry to the problems of human welfare. But Humanists also believe that the application of science and technology must be tempered by human values. Science gives us the means but human values must propose the ends.
*Humanism supports democracy and human rights. Humanism aims at the fullest possible development of every human being. It holds that democracy and human development are matters of right. The principles of democracy and human rights can be applied to many human relationships and are not restricted to methods of government.
*Humanism insists that personal liberty must be combined with social responsibility.Humanism ventures to build a world on the idea of the free person responsible to society, and recognizes our dependence and responsibility for the natural world. Humanism is undogmatic, imposing no creed upon its adherents. It is thus committed to education free from indoctrination.
*Humanism is a response to the widespread demand for an alternative to dogmatic religion. The world’s major religions claim to be based on revelations fixed for all time, and many seek to impose their world-view on all of humanity. Humanism recognizes that reliable knowledge of the world and ourselves arises through a continuing process of observation, evaluation and revision.
*Humanism values artistic creativity and imagination and recognizes the transforming power of art. Humanism affirms the importance of literature, music, and the visual and performing arts for personal development and fulfillment.
*Humanism is a lifestance aiming at the maximum possible fulfilment through the cultivation of ethical and creative living and offers an ethical and rational means of addressing the challenges of our time. Humanism can be a way of life for everyone everywhere.

The Amsterdam Declaration explicitly states that  Humanism rejects dogma, and imposes no creed upon its adherents.
-----
Even more important is to recognize the damage done by qualifying adjectives. It is academic sectarianism to promote a half dozen or more separate varieties of attitudes, But this does not require a multiplicity of names. The similarities between the beliefs and values of the different groups - even ‘secular’ and ‘religious’ Humanists - is more fundamental and more important than the different groups is divisive. Viewed from outside, it does not help us to have all these specific names. How should ordinary people be able to see anything but irrelevance (at best!) in such a divided movement? The above points are particularly important at the international level. If the International Humanist and Ethical Union doesn't succeed in getting the groups in our movement to identify themselves as Humanists within very few years, the already weak world organisations, with their odd names, will die as well - some of them have already been dead for some years, even if they will not lie down. The battle will be lost.

It should be noted, however, that there is a problem in adopting the single word ‘Humanism’, without adjective; and the last of our three points above resolves this difficulty, as expressing our identity, and our value in the world. The difficulty is that our opponents have genuine grounds for pressing us to make clear that by Humanism we mean our distinctive position, as against ‘renaissance humanism,’ on the hand, and a generalized ‘concern for humanity’ on the other.

The difficulty is resolved by recognizing that Humanism is a life stance. As the name of a life stance, Humanism should carry an initial capital letter, for as such it is a proper name, not a common noun. We use initial capitals for the religious life stances, Hinduism, Christianity etc; why discriminate against Humanism? The use of the capital H both expresses the identity of Humanism as a life stance; and shows that it is neither ‘renaissance humanism’ nor mere generalized ‘concern for humanity’.
Humanism with initial capital does not need any distinguishing adjective. We should establish our identity by the word ‘Humanism’: 8 letters, no more; and the first is capital.  That is us - the distinctive naturalistic life stance.’

!To Whistler, American
excerpts from the poem by Ezra Pound

You also, our first great, 
Had tried all ways; 
Tested and pried and worked in many fashions, 
And this much gives me heart to play the game. 

You had your searches, your uncertainties, 
And this is good to know—for us, I mean, 
Who bear the brunt of our America 
And try to wrench her impulse into art. 

You were not always sure, not always set 
To hiding night or tuning "symphonies"; 
Had not one style from birth, but tried and pried 
And stretched and tampered with the media. 

You and Abe Lincoln from that mass of dolts 
Show us there's chance at least of winning through.

----

//See the [[full poem|http://www.bartleby.com/300/3.html]] at Bartleby.com//

 
My kiss is a poem
When I cannot find the words
To tell you it's okay
To whisper soft the memory
And wile away the day

My smile is an encouragement
When I cannot find the voice
To break the sky
The circling storm clouds
So near and yet so high

My hug is a countercurse
When the magic is holding fast
To free the myth held,
Life's mystery bound,
Wordless and yet spelled

My hand is an offering
When the altar bare is laid
For nothing comes
Of nothing got
Truth in measured sums

So leave me,
Oh false prophecy
When silent night has broke
I am alone, 
The happy child
Of which none have spoke

{{grem{-- by <<tag lily>>
04/04/04: April 4, 2004}}}

 
"Let me introduce the word 'hypertext' to mean a body of written or pictorial material interconnected in such a complex way that it could not conveniently be presented or represented on paper." –Theodor Holm Nelson (1965)

//The most important attribute of a wiki is that it elevates linking to be part of the punctuation of writing.// –[[Jeremy Ruston]]

*The original wiki C2 ^^[[[10]|http://c2.com/cgi/wiki]]^^ created by Ward Cunningham in 1995 describes itself as a "content creation wiki" … and "a composition system, a discussion medium, a repository…a tool for collaboration."
*Cunningham's first wiki software was called ~WikiWikiWeb, borrowing the Hawaiian word //wiki// ^^[[[11]|http://c2.com/doc/etymology.html]]^^ which means "fast" or "quick" and doubled for emphasis //wiki-wiki//, "very quick."  Part of his original description was "the simplest online database that could possibly work." ^^[[[12]|http://www.wiki.org/wiki.cgi?WhatIsWiki]]^^
*The [[Wikipedia article|http://en.wikipedia.org/wiki/Wiki]] states that "A wiki enables communities to write documents collaboratively, using a simple markup language and a web browser… A wiki allows non-linear, evolving, complex and networked text, argument and interaction.
*Wikis have little implicit structure, allowing structure to emerge according to the needs of the users.

{{hd1{__Duality of ~TiddlyWiki__}}}
''Tiddly'' === Everything is a tiddler

A tiddler is defined as the smallest semantic unit of information.

//It is a structure optimised for reuse through aggregation and composition.//

''Wiki'' === Everything is wikification

Wikification is the process of converting ~WikiText into HTML.

//It makes linking (and other hypertext operations) become part of the punctuation of writing.//

----

Links to external websites:
{{hd1{[[TiddlyWiki|http://tiddlywiki.com/]] and [[TiddlyWeb|http://tiddlyweb.com]]}}}
<part JeremyRuston>
*[[TiddlyWiki|http://tiddlywiki.com/]] was released by Jeremy Ruston in 2004, and created as "a non-linear personal web notebook" which he still actively maintains. ^^[[[13]|http://tiddlywiki.org/#JeremyRuston%20Introduction%20TiddlyWiki%20%5B%5BWhat%20is%20TiddlyWiki%3F%5D%5D]]^^ The technology is explained in more detail in the [[Wikipedia article|http://en.wikipedia.org/wiki/TiddlyWiki]]; Wikipedia itself being a "cousin technology" built on Wiki principles.
*According to its creator, ~TiddlyWiki provides "an algebra for tiddlers", a concise way of expressing and exploring the relationships between items of information … "The fundamental idea is that information is more useful and reusable if we cut it up into the smallest semantically meaningful chunks – tiddlers – and give them titles so that they can be structured with links, tags, lists and [[macro]]s."
> Other systems have analogous concepts with more prosaic names: like "items", "entries", "entities". Even though "tiddler" is a vaguely preposterous name it at least has the virtue of being confusingly distinctive rather than confusingly generic. ([[Jeremy Ruston]])
</part>
* This website is built upon ~TiddlyWiki and hosted by [[TiddlySpace|http://tiddlyspace.com/]] until December 2016.  That service was in turn built on [[TiddlyWeb|http://tiddlyweb.com]], a Python toolkit for hosting ~TiddlyWiki.

*[[Tank]] is a service and enhanced wiki (as described by its creator, [[Chris Dent]]) building upon his experience with ~TiddlyWeb.

*"Purple Numbers" and PurpleWiki -- allowing a reader/writer to address by each paragraph of hypertext -- seems worth exploring for use in this wiki.

*[[Wagn]] is another wiki software environment I've been reading about.

Don't do anything you don't feel passionate about.

Don't do stepping stones. You'll waste your whole life on stepping stones if you think that way.

It's just as risky to be too cautious as it is to be passionate.
One feels riskier but the risks of the other are hidden in long-term results, as you're seeing.

@@font-size:125%; 
~CarmenAvisSol⁞:.
@@
Carmen Avis Solsiete

June 3, 2014, I created this name for my then-future wife, to be her alias in wikiverse.

//I am my own person…//
* constantly on a self-improvement plan
* kind, calm, and intense
* honest to a fault, truly passionate, and stubborn
* a bit eccentric, and tend to choose the path less traveled
* I decide the paths I take in life; nobody has the right to decide for me.
* I tend to overthink things.

//What summons her…//
* rationalizing decisions, thinking outside the box,
* achieving goals,
* remaining strong in times of crisis,
* and music.

@@font-size:150%;⁞:.@@
Seven dots made up of three punctuation marks, including the obscure vertical four dots.  This sequence 4+2+1 is also binary representation of the number seven (111 in base-2.)

E. S. Les Minst

R. F. [[Tisztátlan|tiztatlan]]

[[Les Minst]] ~ the smallest ones, the least, the rarest

Another anagram:
Ts [[Lemnis|lemniscate]]
(vaguely corresponds to Tisztátlan, coded form of Randy's adoptive name)

----

//In our first years together, I have let myself take a defensive and adversarial position relating to Carmen.  In these times, I have felt or thought://
* Together and singly, we survive on a bankruptcy of inner security and confidence.  We are doubters perpetually bracing ourselves for loss.  We have each recognized this and are trying to correct the defense mechanism.
* Nothing is ever [[good enough for you|Hopscotch/1-2]].
* You want things "your way" -- like most humans, admittedly.
* You want to be fully heard.  I try to see, hear, and know you as completely as possible, and desire this in reciprocation.  Like any couple, our separate histories and vantage points result in some blockages.  But minor conflicts are painful and seem to stoke our doubts.  I believe we are both trying to find a realistic balance.
* You want my unconditional acceptance.  I want the same from you.
* //But,// I have done things and felt things unacceptable to you.  Beyond the reach of forgiveness and understanding.
* I will [[fail|blockage]] you -- fundamentally, I fear.
* I see you experience frustration, worry, and regret while trying to secure specific outcomes you desire.  I have my own, too.  We prioritize different "problems" to worry about, and try to calm the //other's// worries about their own.  We continue to enshrine our own worries.
* //Nobody has the right to decide for me.//  I suspect we both feel this, and furthermore: don't monitor me in the places where I struggle.
* You drew non-negotiable lines in your life before we met, and you disclosed these openly.  I acquiesced.  But I tend to create hazy and capricious boundaries (and expectations) of my own.  I struggle with immutable limits.
* I feel it is my job to keep you happy.  I committed myself to achieving this, with some internal warfare, for the past two years.  90% doesn't feel good enough.
* I'm making myself skinnier in part from the negative motivation that you want me to be a stockier build.  This is a way to rebel.
* You do not respect faith. //"Ah yes, cattle hour"// -- so you stated as we drove past a church on Sunday morning.  This was one day after I carried on about a 3,000 year old Chinese oracle.  I feel unclear and ambiguous about the spiritual wellsprings in my own life -- ~Judeo-Christian, Quaker, Buddhist, Eastern, oracular, symbolic -- some which I fear may be alien or contemptible to you.
* ''We love each other and make each other happy.''

 
From [[Sembl.net|http://sembl.net/about/people/charles-cameron/]]:

Born 1943 in Portsmouth, England, Scottish in name and heart, Charles Cameron is a vagabond monk traversing religious traditions.

He was nine when his father, a naval officer who’d fought in the Battle of the Barents Sea [against Nazi warships], died, and shortly thereafter decided that religion might offer a more reliable version of ‘family’ than biology had, and applied to an Anglican / Episcopalian monastery in Yorkshire to join the community.

Unsurprisingly, they weren’t quite ready for an eleven-year old monk, but his application landed on the desk of the remarkable Fr. Trevor Huddleston, CR, recently returned from South Africa, who took young Charles under his wing, mentored him in monastic values – and introduced him to the poetry of Gerard Manley Hopkins //[#[[42|lifelines]]]//.

Charles went up to Oxford with a love of the arts and liturgy and read theology under Reverend A.E. Harvey at Christ Church.  {{grem{[Anthony E. Harvey published a [[memoir|https://www.amazon.com/Drawn-Three-Ways-Ministry-Profession/dp/0802873324/]] this year.]}}}

While at Oxford, Charles met the young Tibetan lama, Trungpa Rimpoche {{grem{[who lived 1939–1987, and went on to found Naropa University in Boulder, Colorado]}}} and widened his interests to include the monastic and contemplative traditions of the East.

… Always interested in interactions with followers of other traditions, reading Sufi poets and Zen tales, he wound up at one point interviewing the Lakota shaman [[Wallace Black Elk|https://web.archive.org/web/20160405135958/http://www.greatleap.org/blackelk/]].

… Bringing his focus back to contemporary western spiritual thought, Charles spent some time studying and undergoing Jungian analysis, followed up with an extended study of the game Jung’s friend Hermann [[Hesse]] described in his Nobel-winning book, //Magister Ludi// -- The [[Glass Bead Game]].

Playing Hesse’s fictional game itself involves building a virtual architecture for the great thoughts of humankind, and the elite players in Hesse’s book were members of the ‘Castalian’ monastic order — albeit a non-religious one. Charles set out to make a version of the game that would be playable with a pencil on a paper napkin in a coffee house – the vagabond’s version of Castalia – as a means to the end that Hesse proposed for his game:
> {{font125{a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created}}}
And so the [[HipBone Games|https://web.archive.org/web/20161021033429/http://home.earthlink.net/~hipbone/]], antecedents of today’s Sembl games and Sembl thinking, were born…

{{grem{[The earliest snapshot of ~HipBone Games at the Internet Archive is from [[1998|https://web.archive.org/web/19981201043648/http://home.earthlink.net/~hipbone/]].  Some of Cameron's earlier online writings on the GBG date back to [[1996|https://web.archive.org/web/19991111125403/http://home.earthlink.net/~hipbone/Approach.html]].]}}}

----

The entirety of Hesse's words above can be read [[in context here|https://books.google.com/books?id=ckqY4FjsObMC&pg=PA119]], and in an another [[essay|https://web.archive.org/web/20161026224508/http://home.earthlink.net/~hipbone/IDTWeb/Relation.html]] by Charles Cameron:
> I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.

!The Old Mendicant
from //Call Me by My True Names: The Collected Poems of Thich Nhat Hanh//

Being rock, being gas, being mist, being mind,
being the mesons traveling among the galaxies
at the speed of light,
you have come here, my beloved.
And your blue eyes shine, so beautiful, so deep.
You have taken the path traced for you
from the non-beginning and the never-ending.
You say that on your way here
you have gone through
many millions of births and deaths.
Innumerable times you have been transformed
into firestorms in outer space.
You have used your own body
to measure the age of the mountains and rivers.
You have manifested yourself
as trees, grass, butterflies, single-celled beings,
and as chrysanthemums.
But the eyes with which you look at me this morning
tell me that you have never died.
Your smile invites me into the game
whose beginning no one knows,
the game of hide-and-seek.

O green caterpillar, you are solemnly using your body
to measure the length of the rose branch that grew up last Summer.
Everyone says that you, my beloved, were just born this Spring.
Tell me, how long have you been around?
Why wait until this moment to reveal yourself to me,
carrying with you that smile which is so silent and deep?
O caterpillar, suns, moons, and stars flow out
each time I exhale.
Who knows that the infinitely large must be found
in your tiny body?
Upon each point on your body,
thousands of [[Buddha fields|https://www.google.com/search?q="buddha+fields"]] have been established.
With each stretch of your body, you measure time
from the non-beginning to the never-ending.
The great mendicant of old is still there on [[Vulture Peak|http://en.wikipedia.org/wiki/Griddhraj_Parvat#In_Buddhist_Literature]],
contemplating the ever-splending sunset.

Gautama, how strange!
Who said the Udumbara flower blooms
only once every 3,000 years?

The sound of the rising tide—you cannot help hearing it if you have an attentive ear.

----
The "old mendicant" is Shakyamuni Buddha.

''macropedia'' or macropaedia
Term introduced in 1974 with the 15th edition of the //Encyclopaedia Britannica//.
Etymology from Greek //makro// "long, large," and //paideia// "education, child-rearing," from //pais// (genitive //paidos//) "child".

//See [[Synopticon]]//
----

A macro (short for "[[macroinstruction|http://english.stackexchange.com/questions/35984/how-macro-in-computer-programming-came-about]]") is used to make a sequence of computing instructions available to the programmer as a single program statement (or keystroke) making the programming task less tedious and less error-prone.  Thus, they are called "macros" because a //big// (macro) block of code can be expanded from a //small// sequence of characters.

Jeremy Ruston said: "we should be aware that TiddlyWiki5 uses the terms "macro" and "widget" for its own purposes. "Macros" in ~TW5 are very similar to classic C/C++ macros: they are just text expansions. "Widgets" in ~TW5 are bundles of ~JavaScript magic packaged as a reusable component. It's fine to overload the terms if they're the best words for you to use, but it is going to add to the cognitive load for some users."

A [[TiddlyWiki|this wiki web]] macro provides predefined functions or operations that are performed when inserted into text. It is invoked whenever the tiddler is rendered and typically performs one of the following actions:
*inserts computed content into the rendered text at the point where it is referenced
*manipulates or enhances any content that is so far rendered

----

macrocosm :: microcosm :: [[itocosm|mitocos/itocosm]]

----

From //Letters of Ted Hughes// quoted by [[Brain Pickings|http://www.brainpickings.org/index.php/2012/09/12/ted-hughes-inner-child-letter/]]

When I came to Lake Victoria, it was quite obvious to me that in some of the most important ways you are much more mature than I am. . . . But in many other ways obviously you are still childish — how could you not be, you alone among mankind? It’s something people don’t discuss, because it’s something most people are aware of only as a general crisis of sense of inadequacy, or helpless dependence, or pointless loneliness, or a sense of not having a strong enough ego to meet and master inner storms that come from an unexpected angle. But not many people realise that it is, in fact, the suffering of the child inside them. Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it. So everybody develops a whole armour of secondary self, the artificially constructed being that deals with the outer world, and the crush of circumstances. And when we meet people this is what we usually meet. And if this is the only part of them we meet we’re likely to get a rough time, and to end up making ‘no contact’. But when you develop a strong divining sense for the child behind that armour, and you make your dealings and negotiations only with that child, you find that everybody becomes, in a way, like your own child. It’s an intangible thing. But they too sense when that is what you are appealing to, and they respond with an impulse of real life, you get a little flash of the essential person, which is the child. Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced. Every single person is vulnerable to unexpected defeat in this inmost emotional self. At every moment, behind the most efficient seeming adult exterior, the whole world of the person’s childhood is being carefully held like a glass of water bulging above the brim. And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool — for that creature to use and turn to account and make meaningful. So there it is. And the sense of itself, in that little being, at its core, is what it always was. But since that artificial secondary self took over the control of life around the age of eight, and relegated the real, vulnerable, supersensitive, suffering self back into its nursery, it has lacked training, this inner prisoner. And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line — unprepared, with all its childhood terrors round its ears. And yet that’s the moment it wants. That’s where it comes alive — even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources — not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy. That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self — struggling to lift itself out of its inadequacy and incompetence — you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself. The only calibration that counts is how much heart people invest, how much they ignore their fears of being hurt or caught out or humiliated. And the only thing people regret is that they didn’t live boldly enough, that they didn’t invest enough heart, didn’t love enough. Nothing else really counts at all.

His work is based on the ethics of the Other or, in Lévinas' terms, on "ethics as first philosophy". For Lévinas, the Other is not knowable and cannot be made into an object of the self, as is done by traditional metaphysics (which Lévinas called "ontology").

Lévinas prefers to think of philosophy as the ''"wisdom of love"'' rather than the love of wisdom (the literal Greek meaning of the word "philosophy"). In his view, responsibility precedes any "objective searching after truth".

Lévinas derives the primacy of his ethics from the experience of the encounter with the Other. For Lévinas, the irreducible relation, the epiphany, of the face-to-face, the encounter with another, is a privileged phenomenon in which the other person's proximity and distance are both strongly felt. "The Other precisely reveals himself in his alterity not in a shock negating the I, but as the primordial phenomenon of gentleness."  At the same time, the revelation of the face makes a demand, this demand is before one can express, or know one's freedom, to affirm or deny.  One instantly recognizes the transcendence and heteronomy of the Other. Even murder fails as an attempt to take hold of this otherness.

 
A word introduced to me by a dear friend Elias.

http://en.wikipedia.org/wiki/Boustrophedon

1783 coinage, ancient form of writing with lines alternately written left-to-right and right-to-left, from Greek, literally "turning as an ox in plowing," from //bous// "ox" + //strephein// "to turn" <  Greek //strophe// "stanza," originally "a turning," in reference to the section of an ode sung by the chorus while turning in one direction, from //strephein// "to turn" (cognates: Greek //strophaligs// "whirl, whirlwind," //streblos// "twisted," //stremma// "that which is twisted").

Also see the Strophades Islands, meaning "Islands of Turning", identified as the dwelling-place of the [[Harpies|Harpyia]] by Virgil.

The Turning Point: a theme developed in the poem "Wendung" by Rainer Maria Rilke; see //[[Turning]]//

/***
|''Name''|TiddlySpaceCloneCommand|
|''Version''|0.5.8|
|''Description''|provides a toolbar command for cloning external tiddlers|
|''Status''|stable|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceCloneCommand.js|
|''Requires''|TiddlySpaceConfig TiddlySpaceFilters|
!Code
***/
//{{{
(function($) {

var cmd = config.commands;
var tiddlyspace = config.extensions.tiddlyspace;

var fieldsCache = {};

cmd.cloneTiddler = {
	text: cmd.editTiddler.text,
	tooltip: "Create a copy of this tiddler in the current space",
	errorMsg: "Error publishing %0: %1",

	isEnabled: function(tiddler) {
		return !config.filterHelpers.is.local(tiddler) && !readOnly;
	},
	handler: function(ev, src, title) {
		var tiddler = store.getTiddler(title);
		if(tiddler) {
			fieldsCache[title] = $.extend({}, tiddler.fields);
			tiddler.fields["server.workspace"] = tiddlyspace.getCurrentWorkspace(config.options.chkPrivateMode ?
		"private" : "public");
			tiddler.fields["server.permissions"] = "read, write, create"; // no delete
			delete tiddler.fields["server.page.revision"];
			delete tiddler.fields["server.title"];
			delete tiddler.fields["server.etag"];
			// special handling for pseudo-shadow tiddlers
			if(tiddlyspace.coreBags.contains(tiddler.fields["server.bag"])) {
				tiddler.tags.remove("excludeLists");
			}
		} else { // ensure workspace is the current space
			var el = story.findContainingTiddler(src);
			el = $(el);
			var fields = el.attr("tiddlyfields");
			if(fields) { // inherited via TiddlyLink
				fields = fields.decodeHashMap();
				fields["server.workspace"] = config.
					defaultCustomFields["server.workspace"];
			} else {
				fields = config.defaultCustomFields;
			}
			fields = String.encodeHashMap(fields);
			el.attr("tiddlyfields", fields);
		}
		cmd.editTiddler.handler.apply(this, arguments);
		if(tiddler) {
			tiddler.fields["server.permissions"] += ", delete";
		}
		return false;
	}
};

cmd.editTiddler.isEnabled = function(tiddler) {
	return !cmd.cloneTiddler.isEnabled.apply(this, arguments);
};

// hijack cancelTiddler to restore original fields
var _cancelHandler = cmd.cancelTiddler.handler;
cmd.cancelTiddler.handler = function(ev, src, title) {
	var tiddler = store.getTiddler(title);
	if(tiddler) {
		tiddler.fields = fieldsCache[title] || tiddler.fields;
		delete fieldsCache[title];
	}
	return _cancelHandler.apply(this, arguments);
};

// hijack saveTiddler to clear unused fields stash
var _saveHandler = cmd.saveTiddler.handler;
cmd.saveTiddler.handler =  function(ev, src, title) {
	delete fieldsCache[title];
	return _saveHandler.apply(this, arguments);
};

})(jQuery);
//}}}

!ihr Trunk
(abridged from translation by Stephen Mitchell)

{{font115{We cannot know her eyes. And yet her trunk
is still suffused with brilliance from inside,
like a lamp, in which her gaze now turned to low,
gleams in all its power. Otherwise
she could not dazzle you so, nor could
a smile run to that dark center where creation flared.
Otherwise this body would seem defaced,
a lump of rock with no vision, would not glisten:
and would not, from all the borders of itself,
burst like a star:
For there is no place she does not see you.
//You must change your life.//}}}

@@color(grey):This rendering is deliberately ambiguous – who is she?
What is "her trunk", human or tree?  Let the reader imagine.
From the poet's pen refracted through my reading, she is the [[Knidia]].

The abridged title renders 'torso' as 'trunk' in both German and English.
[[Rilke]] intended Apollo; I intend this poem for Aphrodite.
Complete poem appears at [[Poets.org|http://www.poets.org/viewmedia.php/prmMID/15814]].@@

 
01/08/2007

I'm looking for a synergy of several different fields, something that is both left-brain and right-brain, scientific and artistic… //[[just begin|2007-01-08]] to focus somewhere.//

01/08/2012

I ''begin''
    as we all began:
with myself
    and with what I inherit.

----

I was lost roaming mazes of words and ideas.
Return here from the [[outermost limit|Rilke/OutermostLimit]];
    Listen…Center…Respond…
    ''Temper'' myself, test myself, and see true:
"this downright //there you are// and //there it is//
    is only [[all in this eye|Finnegans Wake]]."

[[everything undulates]] …

Now I [[dig]]:
    for courage,
    for wisdom,
    for [[worth|Triple quest for self]].
I ''rest'', then dig more --
    ''trusting''; ''motions flowing'';
with gladness of ''water'', ''sunshine'', ''air'' --
    I remember my original boldness
and teach my children new ways to be brave.

I work to ''nourish'' the ''world''
and ''protect'' the transmission of ''life''.

In this I begin --
    but do not stay
-- with ''myself''.

[[NEWSTART]] taken 02/24/2014
:begin - myself
:''n''ourish - @@color:grey;''e''x- @@motions flowing
:''w''ater - ''s''unshine - ''t''emper@@color:grey;ance@@
:''a''ir - ''r''est - ''t''rusting
:inherit - enter
:outermost limit - all in this eye
:undulates - I am flux
:dig - worth - world - protect life

----

//From that February afternoon, two years ago://
<part WinterToSpring>
I enter here in the stream of living -- my son is chattering in the other room as he plays, my daughter is napping on the couch, sunshine is melting snow outside.  A dusty, cluttered bookstore on a Main Street corner asks for my attention; so does my wife, obliquely -- but [[we no longer speak|Read to Each Other]] as fond friends with open hearts, but wary partners.  I have begun my escape from a factory which churns metal parts day and night year after year, and which relied upon me -- but from that I have also turned away.

Two years later, at the Spring Equinox, 2016, I sit here in [[a factory|The Art of the Lathe]] still, watching //one more// snowstorm -- hopefully the last I see in this place.  "Every increased possession loads us with new weariness."

//[[Do not cause harm]].//
</part>

!Sawdust & Diamonds
Joanna Newsom

//(Emphasis added below in January 2007, after I received
the album "Ys" as a Christmas gift from my friend Elias.)//

from the top of the flight
of the wide, white stairs
through the rest of my life
do you wait for me there?

there's a bell in my ears
there's the wide white roar
drop a bell down the stairs
hear it fall forevermore
hear it fall forevermore

drop a bell off of the dock
blot it out in the sea
drowning mute as a rock;
and sounding mutiny

there's a light in the wings, ''//hits this system of strings//''
from the side where they swing;
//see the wires, the wires, the wires//

and the articulation
in our elbows and knees
makes us buckle, and we couple in endless increase
as the audience admires

and the little white dove
made with love, made with love:
made with glue, and a glove, and some pliers

swings a low sickle arc
from its perch in the dark:
''//settle down,
settle down my desire//''

//and the moment I slept I was swept up in a terrible tremor//
though no longer bereft, how I shook!
and I couldn't remember

and then the furthermost shake drove a murthering stake in
and cleft me right down through my center
and I shouldn't say so, //but I know that it was then, or never//

push me back into a tree
bind my buttons with salt
and fill my long ears with bees
praying: please, please, ''//please//''
oh, ''//you are not!
No you are not!//''
{{grem{[The correct lyrics are "ought not".]}}}

//then the system of strings tugs on the tip of my wings//
(cut from cardboard and old magazines)
makes me warble and rise like a sparrow
and in the place where I stood, there is a circle of wood
a cord or two, which you chop and you stack in your barrow

and //it is terribly good to carry water and chop wood//
streaked with soot, heavy booted and wild-eyed
as I crash through the rafters
and the ropes and the pulleys trail after
and the holiest belfry burns sky-high

and then the slow lip of fire moves across the prairie with precision
while, somewhere, with your pliers and glue you make your first incision
and //in a moment of almost-unbearable vision
doubled over with the hunger of lions//
"hold me close," cooed the dove
who was stuffed now with sawdust and diamonds

I wanted to say: why the long face?
sparrow, perch and play songs of long face
burro, buck and bray songs of long face
sing: //I will swallow your sadness and eat your cold clay//
just to lift your long face

and though it may be madness, I will take to the grave
your precious long face
and though our bones they may break, and our souls separate
-- why the long face?
and though our bodies recoil from the grip of the soil
-- why the long face?

in the trough of the waves
which are pawing like dogs
pitch we, pale-faced and grave
''//as I write in my log//''

then I hear a noise from the hull
seven days out to sea
and it is the damnable bell!

''//and it tolls -- well, I believe, that it tolls -- it tolls for me!
and it tolls for me!//''

and //though my wrists and my waist seemed so easy to break//
still, my dear, I'd have walked you to the edge of the water
and they will recognize all the lines of your face
//in the face of the daughter of the daughter of my little daughter//
and darling, we will be fine, but what was yours and mine
//appears to be a sandcastle that the gibbering wave takes//
but if it's all just the same, then will you //say my name:
say my name// in the morning, so that I know when the wave breaks?

I wasn't born of a whistle or milked from a thistle at twilight
''//no, I was all horns and thorns, sprung out fully formed,
knock-kneed and upright//''
so: enough of this terror
we deserve to know light
and grow evermore lighter and lighter
you would have seen me through
//''but I could not undo that desire''

oh oh, oh oh, oh ''desire'' …
oh oh, oh oh, oh ''desire'' …
oh oh, oh oh, oh ''desire'' …
oh
''desire
desire
desire
desire''//

from the top of the flight
of the wide, white stairs
through the rest of my life
do you wait for me there?

<<tabs
	txtMainTab
	Recent "Recently edited tiddlers" TabTimeline
	Tags "All tags" TabTags
	All "All tiddlers" TabAll
	More "Admin stuff" TabMore
>>
~~//invoke by name . . .//~~ <<gotoTiddler search>>

My father had a daily astrological calendar in 1993 for his  sign of Scorpio.  On May 6, 1993 he tore off that day's sheet and gave it to me.  My father was always fond of talismans, and this felt like one to me.

I have since destroyed it, but I remember a few fragments:
-- Rules are made to be broken becomes your motto
-- Radical ideas allow you to leapfrog over the competition
-- Dynamic action pays off in the long run

He wrote on the back:
{{{
        I love you Randy
                  Your Dad,
                  Paul
}}}
I've kept that message for 15 years.  Today, he was on my mind, along with the knowledge that I'm becoming a father.  I lit a match and burned this paper over the kitchen sink.  All day I've been thinking about its significance.  As always, I look to word roots to reflect on their deeper meaning.

Radical -- from the Latin //radix//, "root."  Originally meant a fundamentalist return to the roots, in the 1920s it came to mean unorthodox or unconventional action.  Either sense suggests extremism and change.
To be radical, yes, but also principled -- that is what my father lacked.  I hope to channel my radical tendencies in a more productive way.

Dynamic -- from the Greek //dunasthai//, "to be able, powerful" and suggesting great force and power such as dynamite.  Again, this should follow principled action, restraint, sound judgment -- qualities which my father lacked.  His anger seemed like dynamite in the eyes of small children.   He lacked restraint and self-control of his drives.  I hope to attain a balance he could not.

As far as "breaking rules," this requires discernment and again, self-restraint.
I ask, which rules may be broken, and by what means?  Paul generally ignored all rules, and the "motto" encouraged by this horoscope became a life philosophy.  He treated his divorce and custody battle like a competition.  He spoke of any progress my mother made in court as "a battle lost, but not the war."  He thrives on competition, even in situations that are non-competitive and ultimately harmed by this approach.

Much of Paul's personality and failure in life can be summarized by the precepts of this horoscope, taken to an extreme: breaking the rules, behaving radically, an insistence to win (however ridiculous the competition may be), and his dynamic, over-powering presence and behavior.
 
I find it noteworthy that he signed his first name "Paul" in a statement of love to his 10 year old son.  (And why on the back of his horoscope?)  My entire life, his persona and ego have been at the forefront of all interaction.  I may be reading too much into this, but I see the note as a reminder of his "Paul-hood" inescapable in all relationships, including fatherhood.

My mother-by-choice told me yesterday her appraisal of Paul at that time -- he was always looking how his next immediate need would be met.  Meeting those needs was his paramount concern.  She found that to be "abhorrent" when children are involved.  However, as we know this behavior is not uncommon when addiction is involved.
Not much has changed since she knew him.
 
He has "mellowed" with age as the common saying goes, but the basic patterns of dominance and egotism remain.  Delayed gratification or self-control is beyond Paul, unless he can play it as martyrdom which garners attention.

I had another relic of my father relationship which I thought of today.  When I was born, my Grandma Tillman gave him a Christian-themed book called "[[The Father's Manual|https://books.google.com/books?id=mBSBHAAACAAJ]]".
She wrote a message in the front which began:
             //"Paul, fatherhood looks good on you!"//
and expressed her confidence that he would be a good  father.  I was already aware of -- and hurting from -- the contrary reality when I found this book as a child.

I was about twelve years old.  I took the book, tore out the page she had written in, and re-wrote her words on the next blank page, word for word, except addressing it to "Randy" rather than "Paul" and signing "Grandma" rather than "Mom."  I insisted to myself that I would do better, and I would not fail anyone's expectation of my fatherhood -- especially not my own.  I kept the book for a number of years.  It has since been lost, discarded, or put in an unfound box with old "keepsakes" good and bad.

Looking back, I find my behavior a little odd at that young age, but it meshed with my drive to separate from Paul's legacy, surpass him in every conceivable way, and, in fact, obliterate the memory that he was my father as I symbolically tore out "his" page and wrote "mine."

I may have inherited a bit of Paul's resistance against  authority, especially when I see that authority as arbitrary or unjust.  However, my motto has been "you are the //exception// to the rule."  Exceptions are earned and granted.  Even if I can circumvent some some rules, I believe there must be a general acknowledgement of the boundaries and customs of human society, and respect for the gatekeepers of these rules.  An extreme disregard of  all rules leaves a person on the fringes of society, unable to cooperate or advance themselves peacefully and fairly.

My last thought today:
"A man cannot be comfortable without his own approval."  
   -- Mark Twain

This quote was posted on our Quality Assurance "pep talk" bulletin board at work today.

At times, I am aware of acute discomfort in my own life, because I do not approve of its entirety.  I usually feel that I'm on the right track, especially of late in my personal relationships, but NOT professionally.  "My work" versus the work I do for another man's company is a deep and ongoing frustration for me.  Since work constitutes a large portion of my waking hours, this casts a shadow over everything else -- a shadow which I escape in the evenings and weekends.
I plummet back every Sunday night -- even when I've had a wonderful weekend and life at home is happier than ever.

/***
|''Name''|RefreshTiddlerCommand|
|''Version''|0.3.0|
***/
//{{{
(function($) {

var cmd = config.commands.refreshTiddler = {
	text: "refresh",
	locale: {
		refreshing: "Refreshing tiddler..."
	},
	tooltip: "refresh this tiddler to be the one on the server",
	handler: function(ev, src, title) {
		var tiddler = store.getTiddler(title);
		if(!tiddler) {
			tiddler = new Tiddler(title);
			merge(tiddler.fields, config.defaultCustomFields);
		}
		$(story.getTiddler(title)).find(".viewer").
			empty().text(cmd.locale.refreshing);
		var dirtyStatus = store.isDirty();
		story.loadMissingTiddler(title, {
			"server.workspace": tiddler.fields["server.recipe"]  ? "recipes/" + tiddler.fields["server.recipe"] :
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//}}}

[[ever constant wonder]]
[[fire and water]]
[[your unique calling]]
[[2009-12-21]]
[[04-04-04]]
[[2002-03-20]]
[[2001-03-21]]
[[kiss of words]]
[[kiss26]]
[[kiss of words/TOC]]
[[in our remaining years together]]
[[2013-09-30]]
[[divorce]]
[[Art-ifacts]]
[[Fractal]]
[[scream]]
[[Sea Monsters]]
[[devil's torch]]
[[a studio of my own]]
[[god myth]]
[[sense of wonder]]
[[boundless creatures]]
[[inner ocean]]
[[distraction]]
[[untold stories]]
[[orchestra of one]]
[[Anam Cara]]
[[lily]]

a group of words expressing a complete thought or feeling
expressing a self-intelligible unit of thought, i.e. a [[unity]]@vikram-rao that can stand by itself without requiring anything else

A period signifies a stop -- a division between units of thought.  If you want to comprehend, judge, or evaluate, a period marks the moment to do it.

Many [[proposition]]s can be educed from a sentence.  If the sentence overwhelms working memory, then it might be necessary to deliberately write clauses that can be [[united|uniting propositions]] to grasp the [[grammatical relationships|grammar]] of the original sentence.

A sentence can be composed of several [[clauses|clause (grammar)]] connected by [[adjuncts|adjunct (grammar)]].

A sentence is part of a [[paragraph]].

 
Italian //magazzino// ("Magda seen" from Roland's world), derived from Arabic //makhāzin//, plural of //makhzan// storehouse, from //khazana// ''to store away''.

//See [[Dynabook Library]]//

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The following are twenty-two publicly known people who have influenced my thought and self-conception:

Thomas [[Jefferson]] (1743-1826)
Ralph Waldo [[Emerson]] (1803-1882)
Walt [[Whitman]] (1819-1892)
Frank Lloyd [[Wright]] (1867-1959)
Maria [[Montessori]] (1870-1952)
Carl [[Jung]] (1875-1961)
Rainer Maria [[Rilke]] (1875-1926)
Hermann [[Hesse]] (1877-1962)
Martin [[Buber]] (1878-1965)
Nikos [[Kazantzakis]] (1883-1957)
T.S. [[Eliot]] (1888-1965)
J.R.R. [[Tolkien]] (1892-1973)
M.C. [[Escher]] (1898-1972)
Loren [[Eiseley]] (1907-1977)
Octavio [[Paz]] (1914-1998)
Madeleine [[L'Engle]] (1918-2007)
Kenneth [[Iverson]] (1920-2004)
Robert [[Vickrey]] (1926-2011)
John Chris [[Jones]] (1927-)
Carl [[Sagan]] (1934-1996)
Alan [[Kay]] (1940-)
Steve [[Jobs]] (1955-2011)

//See other [[influence strands]]…//

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From //Sightlines// by Terry Osborne:

The river, the ridges, the footpaths, Route 5, the train tracks, the interstate: I didn't know whether all of those lines meant that there was a kind of geometry in the valley.  I thought probably not.  Fritjof Capra writes in his book //The Tao of Physics//, "Geometry is not inherent in nature, but is imposed upon it by the mind."  But still, I had the strong sense that the valley had something -- an identity, a character, a tendency -- something independent of me.  And it had to do with all of those ''lines''. (page 122)

I see it's true: //nothing// here stands still -- not water, not land, not air, not anything created from them.  Everything is moving //([[everything undulates]]).//  The core of this place is not really a single geologic feature like the Palisades' granite dome, or a specific geographic location like Thetford, or a particular person like Asa Burton, but a collective movement, a long-standing, ongoing transformation through which everything pulses.

This must be the quality Gary Snyder calls //fluidity//:
<<<
Even a 'place' has a kind of fluidity: it passes through space and time. . . . A place will have been grassland, then conifers, then beech and elm.  It will have been half riverbed, it will have been scratched and plowed by ice.  And then it will be cultivated, paved, sprayed, dammed, graded, built up.  But each is only for a while, and that will be just another set of ''lines'' on the palimpsest.  The whole earth is a great tablet holding the multiple overlaid new and ancient traces of the swirl of forces.
<<<
//The multiple overlaid new and ancient traces of the swirl of forces//: such an [[evocative phrase|Evocative Words]], so full of motion sounds.  It seems finally like the answer I've been searching for all of these years -- the [[key|Intervisible]] to the valley's character, and to my own.  //Multiple. Overlaid. Swirl of forces.// (page 175)

Beside that field I was overrun by a twin awe: first, that such intricate and abundant beauty should exist in a place that had always seemed so empty; and second, that it should be so damn hard to see, even though I knew exactly where to look.

The first awe was my awareness of fluidity, I think.  I had a dizzy sense of being surrounded by, and a part of, the unseen [[whorl|Rotations II]] of life.  There was a taste of the mystical in it too, something broader than myself -- "a more permanent self," as Louis Dupre writes, "in which space and time are transformed into vistas of an inner realm with its own rhythms and perspectives."

The second awe was the grip of mortality -- of an existence closely hemmed on all sides, of a mind easily fooled by the invisible and eager to distill the world into a manageable pattern of ''lines'' and angles, or semi-circles and radii, or a wagon wheel split in half, or any other interpretation it can rationalize enough to call "reality." This is the weakness in my psychological system … I may feel fluid sometimes, but at other times that fluidity seems like a hoax … (page 176)

… Perhaps there was hope for a man who had pulled himself from his home in the suburbs of Chicago and, chased by ''the enemy voice inside him'', suddenly felt like an insecure boy in that valley.  Perhaps he could discover home there and grow securely into it.  Perhaps he could learn from its contours the complex ways of the land, and then those ways could teach him how to soften and bend the ''lines'' of his own divided nature -- lines that made him feel split in two sometimes, bouncing back and forth between boy and man … Perhaps he could come to understand through his own experience what he had dared to believe for a moment one afternoon on a hilltop: that a living thing could find fertile ground where you might least expect it, in the invisible firmness of air. (pages 32-33)

----

Contrast //[[lines of sight]]// with the term //lines of flight// used by Deleuze and Guattari.

From the wiki of Dickon Bevington:

This is the imaginative activity involved in making sense of one's own behaviour, or of the behaviour of others, //and doing so by means of imputing intentional mental states - the contents of a mind that motivate action; be this hopes, beliefs, fears, wishes...//

Mentalizing is, if you like, the third and most sophisticated component of the human brain's functional apparatus for operating in complex social systems.  The three systems are (in order of complexity):
#Mentalizing system - which places a brake upon the excesses of the other two...
#Attachment system - the system that allows special caring relationships to develop
#Threat system - the system that identifes potential threats and activates safety-seeking behaviour ('fight or flight')
See the [[AMBIT manual|http://ambit.tiddlyspace.com/]] to explore this in more detail.

{{font115{''And where does this fit into TiddlySpace, or TiddlySpace into it?''}}}

If TiddlySpace can support a different kind of conversation, that more closely approximates effective communication (less narcissistic talking to oneself, or broadcasting into the blue, more engagement with the other(s) in a //collaborative co-construction of meaning//, which involves //checking// what the other means, etc.) ...then it will be modelling more accurately the 'rules of exchange' that successful communication appears to follow. In AMBIT we have tried to do this by formulating a vet simple set of ritualized steps that we call [[Thinking together]], and in a more technically challenging way, I think the programmers working on the architecture of TiddlySpace have been chipping away at the same kind of problems...

My thought about the kind of exchanges possible in TiddlySpace is that they might ultimately be quite good at fostering/sustaining mentalized communication, because of the explicit modelling of private mental space and public, and the explicit rejection of a single 'tablet' on which our conversation is recorded as though 'this is you and this is me' (psychic equivalence) - instead, we both curate our own thoughts, and share our modifications in the light of what we see others are making of what we publish...

This is closely linked to the way children learn to mentalize - by experiencing their minds //as represented in the mind of a trusted other//.

There are some clunkinesses in the system, still, but this is what most fascinates me about TiddlySpace.
!28.02.11 - Update for [[Mentalizing]] @alexhough
<part Hyper>

Recursion is quite a helpful term in relation to [[mentalizing|Mentalizing]], insofar as it implies the possibility of endlessness (''you can get lost in over-mentalizing'' -- 'excrementalizing' as described below!) but also of the values of the present inevitably //changing// the next values, or one's understanding of the past -- so there is a flexibility, and inherent changeability implicit in the concept, I suppose.

@@display:block;width:43em;border: 2px solid;padding: 14px;border-radius: 13px;
//The following [[citation|http://www.uh.edu/class/psychology/clinical-psych/research/dpl/_files/publications/Sharp-and-Venta,%20Mentalizing%20Chapter.pdf]] added (and condensed) by remuse://
<<<
Simon ~Baron-Cohen concluded that autistic children may lack the capacity to build theories on the content of others' minds -- a deficit famously coined //'[[mindblindness|https://en.wikipedia.org/wiki/Mind-blindness]]'//…

Beyond a complete lack of mentalizing, there are multiple ways in which mentalizing can go awry -- collectively (and in jest) referred to as //'excrementalizing'// by Allen et al. ("Mentalizing in Clinical Practice", 2008)

''Hyper-mentalization'' in people with borderline personality disorder ([[BPD|https://en.wikipedia.org/wiki/Borderline_personality_disorder]]) is not the result of //mindblindness//; rather, individuals with BPD tend to struggle with the integration and differentiation of mental states, especially under conditions of high emotional arousal… Indeed, the BPD 'paradox' of apparently impaired interpersonal functioning and enhanced emotional sensitivity was described even before the explosion of mentalizing research in this area (Krohn, 1974) …

Neither under-mentalizing nor the complete absence of mentalizing was linked to borderline traits in adolescents.  Rather, hyper-mentalizing (over-interpretive mental state reasoning) was strongly associated with BPD features in adolescents.  Those with BPD features showed a tendency to make overly complex inferences based on social cues, which resulted in errors.  Thus, they tended to over-interpret social signs. {{grem{[Or signs of __all__ kinds?]}}}

The tendency for borderline adolescents to hyper-mentalize may be attributable to the trauma histories … It is also possible that hyper-mentalization may develop not only in the presence of abuse, but in ''the absence of the protective factors'' that dampen the affects of stress -- most notably secure attachment.  In the developmental model of mentalization, attachment security provides the infant with the context to develop her own mentalizing capacity… {{grem{ [Remuse: As Dickon wrote [[above|Mentalizing]], children learn to mentalize by experiencing their minds as represented __in the mind of a trusted other__.] }}}

While exposure to chronic and episodic life stress and an invalidating, insecure attachment context are environmental contributors to the development of hyper-mentalizing, it is certainly possible that interpersonal hyper-sensitivity is ''inherited''. Gunderson noted that the interpersonal style of BPD has a familial incidence…

{{grem{[Randy Tillman, the author of [[re: muse]], writing third-person about himself, imagines an inherited [[curse]] of "family madness" -- which could be a fictional device he knowingly employs, or the harbinger of something else…] }}}

The fact that mentalizing has known neural correlates supports the notion of hyper-mentalizing as a neurocognitive endophenotype relating a genetic predisposition to the behavioural phenotype of disturbed interpersonal relationships.

-- By Carla Sharp and Amanda Venta,
excerpts from a chapter of //[[Minding the Child|https://books.google.com/books?id=cG-diTcuhMIC&pg=PA1972&lpg=PA1972]]//, 2012
<<<
@@
</part>
From my reading of [[Wabi Sabi|https://en.wikipedia.org/wiki/Wabi-sabi]] this is more about an //aesthetic//, but I like the connection with imperfection - the acceptance of the real implicit in the concept.  Anyone who quotes Leonard Cohen's wonderful song "Anthem" gets my vote, too! ([[Wabi Sabi|http://c2.com/cgi/wiki?WabiSabi]].)   When we work therapeutically in a "mentalization-based" way, I suppose we absolutely try to sustain our ''not-knowing'' the contents of the other's mind, as well as a respectful curiosity / inquisitiveness to understand better in a way that is transparent to that other person.  (The whole idea being that I meet myself in the most digestible and realistic way as I am represented //in the mind of a trusted other//.)

Now, this discussion leads me (in a recursive spasm!) to reflect on the continued [[crankiness of social exchange in Tiddlyspace]]...
!Update: [[November 21 2010]]
>Essentially Mentalizing is about what happens when I ''take in information'' from another human being (or from reflections of myself) and consider what this information tells me about them.  Hence the notion of Spaces (as in TiddlySpaces) is relevant here, and it is clearer if we think about [[How the human capacity for Mentalizing arises]], which is all about discovering the very existence of MyMind, in the way it is represented in the mind of a Trusted Other (prototypically, this is the mother.)

There is increasingly robust neuroimaging evidence to show that this can be localised, mainly to an area called the pre-frontal cortex.

Successful mentalizing, activated at the right times (rather than over-activated [welcome paranoia!], or suppressed by powerful emotional states [the red mist!]...) is a prerequisite of adaptive and successful human relationships.  We need to be relatively good at "reading" each other to get along, particularly in close 'attachment' relationships.
!re. Mentalizing [@alexhough]
>Dickon, would it be fair to say that mentalizing is something to do with reperceiving and Mental Models

Yes, I think reperceiving and mental models may capture something of the quality of mentalizing.  

In the literature there is frequent reference to the notion of //meta-cognition// - thinking about thinking, although in this context I would include 'feeling' in the definition of 'thinking' as it is about that awareness of 'mental contents', the existential experience of one's own (or someone else's) subjectivity... and an awareness of the //difference// between mental representations and the 'real world'.

''What happens when mentalizing gets overwhelmed'' (which as it happens in the most recently evolved parts of the brain [pre-frontal cortex] that have less capacity to create 'volume' than more primitive structures that do 'threat-response', etc, is very common) ''is that the system 'rolls back' to more 'primitive' or immature systems of thinking.''  One of these is called [[Psychic equivalence]] in which the contents of my mind (my mental representations of the world) are directly equated with reality ("the thoughts in my mind ARE the world")... Useful that a baby who burns himself thinks "Fire IS dangerous", but less useful when I find myself thinking (and believing) that "I am rubbish!" or "Mum just wants to spoil everything in my life!"

The other 'pre-mentalistic' modes of thinking that people tend to 'roll back' into when mentalizing is overwhelmed are [[Pretend mode]] and [[Teleological thinking]], both of which are described in the ambit manual.  

This rolling back and forth between mentalizing and non-mentalizing modes of thinking is a constant for humans - it would be very difficult to be in a constant state of mentalizing, and not particularly productive (John Allen, one of the mentalization-based theorists has a wonderful phrase reported to me by Efrain Bleiberg, which describes 'over-mentalizing; sometimes you have to just act (teleology) and sometimes by playing at roles (pretend) you oil the wheels and get further... he refers to mentalizing without cease as "excrementalizing").

May 31, 2011

This [[dream]] does not have to be all-encompassing. I can and need to choose a focus@@color:grey;font-size:60%;^^★^^@@ or locus of my attention. An 'interim imperfect' lifestyle is OK.

*In learning [[Buddhism]] and meditation, I don't have to be a monk.
*In working at a manufacturing plant a while longer, I can practice right livelihood and sustain my family; I don't have to be an entrepreneur //now.//
** {{grem{N.B. This was written exactly one year before I bought a bookstore.}}}
*Fear of not being 'well-rounded'
** {{grem{I have some worry about the time I spend on this wiki, reminiscent of a far greater [[writer|Finnegans Wake/SecretWorry]].}}}
** {{grem{I fear that I'm a pedantic thinker, not the type who inspires other people: "a person excessively concerned with minor details and rules or with displaying academic learning."}}}
*Lacking an ideal community to operate in cannot paralyze me.
** {{grem{Create a community where one does not exist, as I tried to do establishing a [[Quaker]] meeting in February 2013 -- and want to return to.}}}
*I don't have to be a Renaissance Man, agrarian, and community activist all at once.
*In purchasing my food, be aware, but I don't have to be Joel Salatin.
*I should start with what I like or value most.

@@color:grey;font-size:60%;^^★^^@@ I recently learned that the Latin word //focus// literally meant a domestic hearth. I seek the modern sense: a center of interest, activity, or energy. A center to which my many roaming dreams may cohere and be grounded.

The domestic hearth may not be too far from my energetic focus, as a [[Layman Monk]] who is a 'householder' with a family. But Buddhist monks subsisted by begging, and withdrew from commerce. The world of commerce is what entraps me.  {{grem{I began a major change of work direction Wednesday, February 19, 2014.}}}

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This is a prepared text of the Commencement address delivered by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, on June 12, 2005.

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I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I’ve ever gotten to a college graduation. Today I want to tell you three stories from my life. That’s it. No big deal. Just three stories.

The first story is about connecting the dots.
{{rjustify{
+++[more]
{{ljustify{
I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?

It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: “We have an unexpected baby boy; do you want him?” They said: “Of course.” My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.

And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents’ savings were being spent on my college tuition. After six months, I couldn’t see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting.

It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.

Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.

My second story is about love and loss.

I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.

I really didn’t know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.

I didn’t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.

During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple’s current renaissance. And Laurene and I have a wonderful family together.

I’m pretty sure none of this would have happened if I hadn’t been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don’t lose faith. I’m convinced that the only thing that kept me going was that I loved what I did. You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don’t settle.

My third story is about death.

When I was 17, I read a quote that went something like: “If you live each day as if it was your last, someday you’ll most certainly be right.” It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: “If today were the last day of my life, would I want to do what I am about to do today?” And whenever the answer has been “No” for too many days in a row, I know I need to change something.

Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn’t even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor’s code for prepare to die. It means to try to tell your kids everything you thought you’d have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.

I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I’m fine now.

This was the closest I’ve been to facing death, and I hope it’s the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:

No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.

Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

When I was young, there was an amazing publication called //The Whole Earth Catalog//, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960’s, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.

Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: “Stay Hungry. Stay Foolish.” It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.

Stay Hungry. Stay Foolish.

Thank you all very much.
}}}
===

![[The Saviors of God: Spiritual Exercises|Kazantzakis]]
by Nikos [[Kazantzakis]]
translated by Kimon Friar

{{serif{
@@font-variant:small-caps;Interleaving every 22nd verse (or line, or sentence) from the 1960 edition:@@
----
{{rjustify{
+++[more/hide]
{{ljustify{
<part precis>
Otherwise, from where did that superhuman strength come?

This is how, with clarity and austerity, you may determine the omnipotence of the mind amid appearances and the incapacity of the mind beyond appearances—before you set out for salvation. You may not otherwise be saved.

I am a weak, ephemeral creature made of mud and dream. But I feel all the powers of the universe whirling within me.

Innumerable powers, visible and invisible, are relieved and grow calm again when I descend and return to earth.

I set up various signs, I sniff the air.

I am not a suspended, rootless thing in the world. I am earth of its earth and breath of its breath.

You are not a miserable and momentary body; behind your fleeting mask of clay, a thousand-year-old face lies in ambush. Your passions and your thoughts are older than your heart or brain. Your invisible body is your dread ancestors and your unborn descendants. Your visible body is the living men, women, and children of your own race.

Walk tiptoe on the edge of the insatiable precipice and struggle to give order to your vision. Raise the multicolored trap door of the mystery—the stars, the sea, men and ideas; give form and meaning to the formless, the mindless infinitude.

It is our turn now. It molds us, pummels matter within us and turns it into spirit, tramples on our brains, mounts astride our sperm, kicks our bodies behind it, and struggles to escape.

His face is without laughter, dark and silent, beyond joy and sorrow, beyond hope.  I tremble. Are @@font-variant:small-caps;you@@ my God? Your body is steeped in memory.

I do not care what face other ages and other people have given to the enormous, faceless essence. They have crammed it with human virtues, with rewards and punishments, with certain ties. They have given a face to their hopes and fears, they have submitted their anarchy to a rhythm, they have found a higher justification by which to live and labor. They have fulfilled their duty.  But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.

At every moment of crisis an array of men risk their lives in the front ranks as standard-bearers of God to fight and take upon themselves the whole responsibility of the battle.  Once long ago it was the priests, the kings, the noblemen…

If you are a laborer, then till the earth, help it to bear fruit. The seeds in the earth cry out, and God cries out within the seeds. Set him free! A field awaits its deliverance at your hands, a machine awaits its soul. You may never be saved unless you save them.

I BELIEVE IN THE INNUMERABLE, THE EPHEMERAL MASKS WHICH GOD HAS ASSUMED THROUGHOUT THE CENTURIES, AND BEHIND HIS CEASELESS FLUX I DISCERN AN INDESTRUCTIBLE UNITY.</part>
----
}}}
===
}}}
@@font-variant:small-caps;Distilled into 22 syllables from the “Found Poem” that follows, lines numbered 22, 44, and 66 of "Saved By 22"@@

''I am earth of its earth
breath of its breath
beyond joy and sorrow
behind thy ceaseless flux''

@@font-variant:small-caps;Now in a haiku pair, beginning with lines 20 thru 23, 44, 66,
(and the last word of the last line)

__''I Am Flux: Unity''__@@

''I am no rootless thing in the world;
I am earth of its earth, and breath.

Its breath beyond joy and sorrow;
behind thy ceaseless flux: unity.''
}}}
<part haiku>
//I see this 'final' iteration as my strongest and most succinct.  It has the effect of gathering phrases in one-third steps through Kazantzakis' text, past the midpoint or near the end of each chapter division (verse 22 tends toward each chapter's end.)

The first haiku is drawn from the end of the chapter titled "First Step: The Ego" … with ''breath'' [of] ''its breath'' bridging to the second haiku.  In the second, ''beyond joy and sorrow'' is from the middle of "The Vision", and the last line is drawn from "The Silence", near its climactic end.

I offer this as one possible gloss of the book, distilling the intensity of Kazantzakis' language into a few ''breaths'', koan-like -- a pair of haikus with the lines in a 9-8, 8-9 syllable pattern.

The greatest change of meaning I took upon myself was "his ceaseless flux" becoming "thy ceaseless flux".  I prefer this poem to directly address the Divine -- in a sense fully compatible with Kazantzakis' message.

The longer poetic form follows.  Both this and the haiku were submitted to [[Verbatim Found Poetry|http://verbatimpoetry.blogspot.com]]://</part>
!Saved by 22
{{{
Otherwise, from where
   did that superhuman
strength come?

omnipotence of the mind
   amid appearances
and incapacity of the mind
   beyond appearances—
set out for salvation.

I am a weak, ephemeral creature
   made of mud and dream.
But I feel
   all the powers of the universe
whirling within me.

Innumerable powers,
visible and invisible,
   grow calm again
when I return to earth.

I set up various signs,
I sniff the air.

I am not a suspended,
rootless thing in the world.
   I am earth of its earth and
breath of its breath.

not a miserable
and momentary body;
   behind this fleeting mask of clay,
   a thousand-year-old face
lies in ambush.

Walk tiptoe on the edge
of the insatiable precipice
   and struggle;
Raise the multicolored trap door
   of the mystery—
stars, sea, men and ideas…infinitude.

It is our turn now.
It molds us,
   pummels matter and
   turns it into spirit,
tramples on our brains,
   mounts astride our sperm,
struggles to escape.

His face is without laughter,
dark and silent,
   beyond joy and sorrow,
   beyond hope.

I do not care what face
other ages and other people
   have given
the enormous, faceless essence.

At every moment of crisis
an array of men
   risk their lives in the front ranks
as standard-bearers of God.

If you are a laborer,
then till the earth,
   help it to bear fruit.
The seeds in the earth cry out,
   God cries out within the seeds.
Set him free!
A field awaits deliverance
   at your hands,
a machine awaits its soul.

I BELIEVE IN THE INNUMERABLE,
   EPHEMERAL MASKS
WHICH GOD HAS ASSUMED...
   BEHIND THY CEASELESS FLUX
I DISCERN
   INDESTRUCTIBLE UNITY.
}}}
http://www.angel.net/~nic/askitiki.html

 
<part Pittsburgh>
From the University of Pittsburgh's program goals for a Master of Library & Information Science:

*Promote intellectual freedom and equity of access to information;
*Draw upon the ethics, values and history of library and information science and other related disciplines;
*Apply the principles of information management;
*Advance the creative and ethical applications of information technologies; and
*Understand and apply [continuously developing] research in library and information science.

The [[Cathedral of Learning]] stands on the University of Pittsburgh campus, constructed from 1926 to 1937 (the same year which Frank Lloyd [[Wright]] completed his famous Fallingwater home, 65 miles southeast of Pittsburgh.)

The University's chancellor at the time of its construction, John G. Bowman, said this:
> The building was to be more than a schoolhouse; it was to be a symbol of the life that Pittsburgh through the years had wanted to live.  It was to make visible something of the spirit that was in the hearts of pioneers as, long ago, they sat in their log cabins and thought by candlelight of the great city that would sometime spread out beyond their three rivers and that even they were starting to build.
One of its spectacular interior views is [[pictured here|https://en.wikipedia.org/wiki/Cathedral_of_Learning#/media/File:CoLCommonsRoomUPitt.jpg]].
</part>

----

<part MacLeishKazantzakis>
In the June 5, 1972 issue of The American Scholar, Archibald [[MacLeish|Ars Poetica]] laid out in an essay his philosophy on libraries and librarianship, further shaping modern thought on the subject:
<<<
When he was seventy-four years old the Cretan novelist Nikos [[Kazantzakis]] began a book. He called it //Report to Greco// … "Report" is the operative word in this title: Kazantzakis thought of himself as a soldier reporting to his commanding officer on a mortal mission—his life.  "I collect my tools: sight, smell, touch, taste, hearing, intellect . . . I call upon my memory to remember, I assemble my life from the air."

Well, there is only one //Report to Greco//, but no true book—no book truly part of a true library—was ever anything else than a report. 

All [[poems|Ars Poetica]] worthy to be preserved as poems are written so—by God's spies beneath the burden of the mystery—and so are all other gathered writings of whatever kind however we may classify them, whether as fictions or as science, as history or philosophy or whatever.  A true book is a report upon the mystery of existence; it tells what has been seen in a man's life in the world—touched there, thought of, tasted.

But it does more, too, as Kazantzakis' //Report// does more: it interprets the signs, brings word back from the frontiers, from the distances.  Whether it offers its news in a live voice or is left, like Emily Dickinson's snippets of paper tied up with loops of thread, to be found by an astonished sister afterward in a little drawer, it speaks of the world, of our life in the world.  Everything we have in the books on which our libraries are founded—Euclid's figures, Leonardo's notes, Newton's explanations, Cervantes' myth, Sappho's broken songs, even the vast surge of Homer—everything is a report of one kind or another and the sum of all of them together is our little knowledge of our world and of ourselves. Call a book //Das Kapital// or //The Voyage of the Beagle// or //Theory of Relativity// or //Alice in Wonderland// or //~Moby-Dick//, it is still what Kazantzakis called his book—it is still a "report" upon the "mystery of things."

But if this is what a book is … then a library is an extraordinary thing … considered not as a collection of objects that happen to be books but as a number of books that have been chosen to constitute a library.

What is more important in a library than anything else—than everything else—is the fact that it exists.  For the existence of a library is, in itself, an assertion. It asserts that … when gathered together, into a kind of relationship, a kind of wholeness … all these different and dissimilar reports, these bits and pieces of experience, manuscripts in bottles, messages from long before, from deep within, from miles beyond, belonged together and might, if understood together, spell out the meaning which the mystery implies …

The poor devil of a poet lives by meanings if he lives at all.  ''Relationship is all he has to work with'': that //[[analogie universelle|hieroglyph]]// which Baudelaire discovered in the poems of two thousand years and which the poems not yet written still must seek.  For the poet, the novelist—the artist in letters—to assert the meaninglessness of the world is the ultimate act of human folly, the act that ridicules itself … It is man who, through his arts, through his thought, through his Reports to Greco, has constructed meanings over millennia of time, whether the universe has confirmed them or not.  Job's demand for justice was shouted down by the voice from the whirlwind but Job, because he was a man, took back his life and lived it notwithstanding.

No, it is not the library, I think, that has become ridiculous ''by standing there against the dark with its books in order on its shelves''.  On the contrary, the library, almost alone of the great monuments of civilization, stands taller now than it ever did before. The city—our American city at least—decays. The nation loses its grandeur, becomes what we call a "power", a Pentagon, a store of missiles.  The university is no longer always certain what it is.  But the library remains: a silent and enduring affirmation that the great Reports still speak, and not alone but somehow all together—that, whatever else is chance and accident, the human mind, that mystery, still seams to mean.
<<<
</part>

When //we// concentrate on a material object, whatever its situation, the very act of attention may lead to our involuntarily sinking into the history of that object.  Novices must learn to skim over matter if they want matter to stay at the exact level of the moment.  Transparent things, through which the past shines!
-- from //Transparent Things//

----

http://en.wikipedia.org/wiki/Postmodernist_literature#Poioumena

<part PaleFire>
Excerpts from the 999 line poem in Vladimir Nabokov's 1962 novel //Pale Fire//:

My God died young. Theolatry I found &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^99^^}}}
Degrading, and its premises, unsound.
No free man needs a God; but was I free?
How fully I felt nature glued to +++[me]
…My picture book was at an early age &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^105^^}}}
The painted parchment papering our cage:
Mauve rings around the moon; blood-orange sun;
Twinned Iris; and that rare phenomenon
The iridule—when, beautiful and strange,
In a bright sky above a mountain range
One opal cloudlet in an oval form
Reflects the rainbow of a thunderstorm
Which in a distant valley has been staged—
For we are most artistically caged.

And there's the wall of sound: the nightly wall
Raised by a trillion crickets in the fall.
Impenetrable!  Halfway up the hill
I'd pause in thrall of their delirious trill…
I had a brain, five senses (one unique), &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^133^^}}}
But otherwise I was a cloutish freak.
===

In sleeping dreams I played with other chaps
But really envied nothing—save perhaps
The miracle of a lemniscate left
Upon wet sand by nonchalantly deft
[[bicycle]] tires.
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A thread of subtle pain,
Tugged at by playful death, released again,
But always present, ran through me. One day,
When I'd just turned eleven, as I played,
There was a sudden sunburst in my +++[head.]

And then black night.  That blackness was sublime. &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^147^^}}}
I felt distributed through space and time:
One foot upon a mountaintop, one hand
Under the pebbles of a panting strand,
One ear in Italy, one eye in Spain,
In caves, my blood, and in the stars, my brain.
There were dull throbs in my Triassic; green
Optical spots in Upper Pleistocene,
An icy shiver down my Age of Stone,
And all tomorrows in my funnybone…

There was the day when I began to doubt &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^173^^}}}
Man's sanity: How could he live without
Knowing for sure what dawn, what death, what doom
Awaited consciousness beyond the tomb?
And finally there was the sleepless night
When I decided to explore and fight
The foul, the inadmissible abyss,
Devoted all my twisted life to this …
===

And blood-black nothingness began to spin&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^704^^}}}
A system of cells interlinked within
Cells interlinked within cells ''interlinked''
Within one stem. And dreadfully distinct
Against the dark, a tall white fountain played.
I realized, of course, that it was made
Not of our atoms; that the sense behind
The scene was not our +++[sense.]
The mind of man is quick to recognize
Natural shams, and then before his eyes
The reed becomes a bird, the knobby twig
An inchworm … But in the case
Of my white fountain what it replaced
Perceptually was something that, I felt,
Could be grasped only by whoever dwelt
In the strange world where I was a mere stray.
And presently I saw it melt away:

…My vision reeked with truth. It had the tone,&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^737^^}}}
The quiddity and quaintness of its own
Reality. It //was//. As time went on,
Its constant vertical in triumph shone.
Often when troubled by the outer glare
Of street and strife, inward I'd turn, and there,
There in the background of my soul it stood,
Old Faithful! And its presence always would
Console me wonderfully. Then, one day,
I came across what seemed a twin display…

A story about Mrs. Z. whose heart had been&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^748^^}}}
Rubbed back to life by a prompt surgeon's hand
…At the end she mentioned a remote &nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^755^^}}}
Landscape, a hazy orchard—and I quote:
"Beyond that orchard through a kind of smoke
I glimpsed a tall white fountain—and awoke."

The article was by Jim Coates …
He was afraid he had mislaid her notes.&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^798^^}}}
He took his article from a steel file:
"It's accurate. I have not changed her style.
There's one misprint—not that it matters much:
//Mountain//, not //fountain//.  The majestic touch."

Life Everlasting—based on a misprint!
I mused as I drove homeward: take the hint,
And stop investigating my abyss?
===

But all at once it dawned on me that //this//
Was the real point, the contrapuntal theme;
Just this: not text, but texture; not the [[dream]]
But topsy-turvical coincidence,
Not flimsy nonsense, but a ''web of sense''.
Yes! It sufficed that I in life could find
Some kind of link-and-bobolink, some kind
Of correlated pattern in the [[game|Glass Bead Game]],
Plexed artistry, and something of the same
Pleasure in it as they who played it +++[found.]

It did not matter who they were. No sound,
No furtive light came from their involute
Abode, but there they were, aloof and mute …
Now I shall spy on beauty as none has&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^835^^}}}
Spied on it yet.  Now I shall cry out as
None has cried out.  Now I shall try what none
Has tried. Now I shall do what none had done.
Speaking of this wonderful machine@@color:grey;-land (Oz)@@:

In penless work there is no pen-poised pause&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^862^^}}}
And one must use three hands at the same time,
Having to choose the necessary rhyme,
Hold the completed line before one's eyes,
And keep in mind all the preceding tries?
Or is the process deeper with no desk
To prop the false and hoist the poetesque?
For there are those mysterious moments when
Too weary to delete, I drop my pen;
I ambulate—and by some mute command
The right word flutes and perches on my hand …
A feeling of fantastically planned,&nbsp;&nbsp;&nbsp;&nbsp;{{grem{^^969^^}}}
Richly rhymed life.
===

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I feel I understand
Existence, or at least a minute part
Of my existence, only through my [[art]],
In terms of combinatorial delight;
And if my private universe scans right,
So does the verse of galaxies ''divine''
Which I suspect is an iambic line.

----
(But //this// transparent thingum does require
Some moondrop title. Help me, Will! //Pale Fire.//)

Brian Boyd writes in //Nabokov's Pale Fire//: "He appears to grasp for a stopgap title, and to sound not quite convinced. The line suggests he may have borrowed from Shakespeare, and if we reach for a concordance, we find our hunch is right:
<<<
I'll example you with thievery:
The sun's a thief, and with his great attraction
Robs the vast sea; the moon's an arrant thief,
And her pale fire she snatches from the sun;
The sea's a thief, whose liquid surge resolves
The moon into salt tears. (//Timon of Athens//, 4.3.435-40)
<<<
In the past Shade has followed the common academic habit of stealing his titles from other authors' phrases … With his usual modesty he reaches for a title that implies his poem can shed only a pallid glow compared to the heat and light Shakespeare radiates over the landscape of English literature.

    In fact the title Shade lifts from Shakespeare also puts a highly ironic twist on the whole practice of purloining another's phrase, since it wittily steals from Timon's denunciation against universal thievery. Even that self-deprecatory "some moondrop title" (a moondrop, Webster's Second notes, is "a liquid of magical potency, supposed to be shed by the moon") subtly echoes Timon's image, and like the whole passage from which the title comes, harks back to the images of reflection that open the poem."

See the March 2000 New York Times [[book review|http://www.nytimes.com/books/00/03/05/reviews/000305.05zalewst.html]]; within is linked their May 1962 review of //Pale Fire//.

From a 1971 New York Times interview of Nabokov:
"The working title of the novel I am composing now is //Transparent Things//, but a [[précis|WikiStructure/precis]] would be an opaque shadow."
Note the "transparent thingum" from //Pale Fire//.
</part>

/***
|<html><a name="Top"/></html>''Name:''|PartTiddlerPlugin|
|''Version:''|1.0.10 (2011-05-23)|
|''Source:''|http://tiddlywiki.abego-software.de/#PartTiddlerPlugin|
|''Author:''|UdoBorkowski (ub [at] abego-software [dot] de)|
|''Licence:''|[[BSD open source license]]|
|''CoreVersion:''|2.1.3|
|''Browser:''|Firefox 1.0.4+; InternetExplorer 6.0|

This is a tool which enables part of the re:muse [[WikiStructure]].
!Table of Content<html><a name="TOC"/></html>
* <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Description',null, event)">Description, Syntax</a></html>
* <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Applications',null, event)">Applications</a></html>
** <html><a href="javascript:;" onclick="window.scrollAnchorVisible('LongTiddler',null, event)">Refering to Paragraphs of a Longer Tiddler</a></html>
** <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Citation',null, event)">Citation Index</a></html>
** <html><a href="javascript:;" onclick="window.scrollAnchorVisible('TableCells',null, event)">Creating "multi-line" Table Cells</a></html>
** <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Tabs',null, event)">Creating Tabs</a></html>
** <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Sliders',null, event)">Using Sliders</a></html>
* <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Revisions',null, event)">Revision History</a></html>
* <html><a href="javascript:;" onclick="window.scrollAnchorVisible('Code',null, event)">Code</a></html>
!Description<html><a name="Description"/></html>
With the {{{<part aPartName> ... </part>}}} feature you can structure your tiddler text into separate (named) parts. 
Each part can be referenced as a "normal" tiddler, using the "//tiddlerName//''/''//partName//" syntax (e.g. "About/Features").  E.g. you may create links to the parts (e.g. {{{[[Quotes/BAX95]]}}} or {{{[[Hobbies|AboutMe/Hobbies]]}}}), use it in {{{<<tiddler...>>}}} or {{{<<tabs...>>}}} macros etc.


''Syntax:'' 
|>|''<part'' //partName// [''hidden''] ''>'' //any tiddler content// ''</part>''|
|//partName//|The name of the part. You may reference a part tiddler with the combined tiddler name "//nameOfContainerTidder//''/''//partName//. <<br>>If you use a partName containing spaces you need to quote it (e.g. {{{"Major Overview"}}} or {{{[[Shortcut List]]}}}).|
|''hidden''|When defined the content of the part is not displayed in the container tiddler. But when the part is explicitly referenced (e.g. in a {{{<<tiddler...>>}}} macro or in a link) the part's content is displayed.|
|<html><i>any&nbsp;tiddler&nbsp;content</i></html>|<html>The content of the part.<br>A part can have any content that a "normal" tiddler may have, e.g. you may use all the formattings and macros defined.</html>|
|>|~~Syntax formatting: Keywords in ''bold'', optional parts in [...]. 'or' means that exactly one of the two alternatives must exist.~~|
<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!Applications<html><a name="Applications"/></html>
!!Refering to Paragraphs of a Longer Tiddler<html><a name="LongTiddler"/></html>
Assume you have written a long description in a tiddler and now you want to refer to the content of a certain paragraph in that tiddler (e.g. some definition.) Just wrap the text with a ''part'' block, give it a nice name, create a "pretty link" (like {{{[[Discussion Groups|Introduction/DiscussionGroups]]}}}) and you are done.

Notice this complements the approach to first writing a lot of small tiddlers and combine these tiddlers to one larger tiddler in a second step (e.g. using the {{{<<tiddler...>>}}} macro). Using the ''part'' feature you can first write a "classic" (longer) text that can be read "from top to bottom" and later "reuse" parts of this text for some more "non-linear" reading.

<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!!Citation Index<html><a name="Citation"/></html>
Create a tiddler "Citations" that contains your "citations". 
Wrap every citation with a part and a proper name. 

''Example''
{{{
<part BAX98>Baxter, Ira D. et al: //Clone Detection Using Abstract Syntax Trees.// 
in //Proc. ICSM//, 1998.</part>

<part BEL02>Bellon, Stefan: //Vergleich von Techniken zur Erkennung duplizierten Quellcodes.// 
Thesis, Uni Stuttgart, 2002.</part>

<part DUC99>Ducasse, St�fane et al: //A Language Independent Approach for Detecting Duplicated Code.// 
in //Proc. ICSM//, 1999.</part>
}}}

You may now "cite" them just by using a pretty link like {{{[[Citations/BAX98]]}}} or even more pretty, like this {{{[[BAX98|Citations/BAX98]]}}}.

<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!!Creating "multi-line" Table Cells<html><a name="TableCells"/></html>
You may have noticed that it is hard to create table cells with "multi-line" content. E.g. if you want to create a bullet list inside a table cell you cannot just write the bullet list
{{{
* Item 1
* Item 2
* Item 3
}}}
into a table cell (i.e. between the | ... | bars) because every bullet item must start in a new line but all cells of a table row must be in one line.

Using the ''part'' feature this problem can be solved. Just create a hidden part that contains the cells content and use a {{{<<tiddler >>}}} macro to include its content in the table's cell.

''Example''
{{{
|!Subject|!Items|
|subject1|<<tiddler ./Cell1>>|
|subject2|<<tiddler ./Cell2>>|

<part Cell1 hidden>
* Item 1
* Item 2
* Item 3
</part>
...
}}}

Notice that inside the {{{<<tiddler ...>>}}} macro you may refer to the "current tiddler" using the ".".

BTW: The same approach can be used to create bullet lists with items that contain more than one line.

<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!!Creating Tabs<html><a name="Tabs"/></html>
The build-in {{{<<tabs ...>>}}} macro requires that you defined an additional tiddler for every tab it displays. When you want to have "nested" tabs you need to define a tiddler for the "main tab" and one for every tab it contains. I.e. the definition of a set of tabs that is visually displayed at one place is distributed across multiple tiddlers.

With the ''part'' feature you can put the complete definition in one tiddler, making it easier to keep an overview and maintain the tab sets.

''Example''
The standard tabs at the sidebar are defined by the following eight tiddlers:
* SideBarTabs
* TabAll
* TabMore
* TabMoreMissing
* TabMoreOrphans
* TabMoreShadowed
* TabTags
* TabTimeline

Instead of these eight tiddlers one could define the following SideBarTabs tiddler that uses the ''part'' feature:
{{{
<<tabs txtMainTab 
    Timeline Timeline SideBarTabs/Timeline 
    All 'All tiddlers' SideBarTabs/All 
    Tags 'All tags' SideBarTabs/Tags 
    More 'More lists' SideBarTabs/More>>
<part Timeline hidden><<timeline>></part>
<part All hidden><<list all>></part>
<part Tags hidden><<allTags>></part>
<part More hidden><<tabs txtMoreTab 
    Missing 'Missing tiddlers' SideBarTabs/Missing 
    Orphans 'Orphaned tiddlers' SideBarTabs/Orphans 
    Shadowed 'Shadowed tiddlers' SideBarTabs/Shadowed>></part>
<part Missing hidden><<list missing>></part>
<part Orphans hidden><<list orphans>></part>
<part Shadowed hidden><<list shadowed>></part>
}}}

Notice that you can easily "overwrite" individual parts in separate tiddlers that have the full name of the part.

E.g. if you don't like the classic timeline tab but only want to see the 100 most recent tiddlers you could create a tiddler "~SideBarTabs/Timeline" with the following content:
{{{
<<forEachTiddler 
		sortBy 'tiddler.modified' descending 
		write '(index < 100) ? "* [["+tiddler.title+"]]\n":""'>>
}}}
<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!!Using Sliders<html><a name="Sliders"/></html>
Very similar to the build-in {{{<<tabs ...>>}}} macro (see above) the {{{<<slider ...>>}}} macro requires that you defined an additional tiddler that holds the content "to be slid". You can avoid creating this extra tiddler by using the ''part'' feature

''Example''
In a tiddler "About" we may use the slider to show some details that are documented in the tiddler's "Details" part.
{{{
...
<<slider chkAboutDetails About/Details details "Click here to see more details">>
<part Details hidden>
To give you a better overview ...
</part>
...
}}}

Notice that putting the content of the slider into the slider's tiddler also has an extra benefit: When you decide you need to edit the content of the slider you can just doubleclick the content, the tiddler opens for editing and you can directly start editing the content (in the part section). In the "old" approach you would doubleclick the tiddler, see that the slider is using tiddler X, have to look for the tiddler X and can finally open it for editing. So using the ''part'' approach results in a much short workflow.

<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!Revision history<html><a name="Revisions"/></html>
* v1.0.10 (2011-05-23)
** Adapt to TW 2.6.2 default behaviour when existing tiddlers are opened (don't select text) and fixed Firefox 4 issue. Thanks to dave for reporting the issue.
* v1.0.9 (2007-07-14)
** Bugfix: Error when using the SideBarTabs example and switching between "More" and "Shadow". Thanks to cmari for reporting the issue.
* v1.0.8 (2007-06-16)
** Speeding up display of tiddlers containing multiple pard definitions. Thanks to Paco Rivi�re for reporting the issue.
** Support "./partName" syntax inside {{{<<tabs ...>>}}} macro
* v1.0.7 (2007-03-07)
** Bugfix: <<tiddler "./partName">> does not always render correctly after a refresh (e.g. like it happens when using the "Include" plugin). Thanks to Morris Gray for reporting the bug.
* v1.0.6 (2006-11-07)
** Bugfix: cannot edit tiddler when UploadPlugin by Bidix is installed. Thanks to Jos� Luis Gonz�lez Castro for reporting the bug.
* v1.0.5 (2006-03-02)
** Bugfix: Example with multi-line table cells does not work in IE6. Thanks to Paulo Soares for reporting the bug.
* v1.0.4 (2006-02-28)
** Bugfix: Shadow tiddlers cannot be edited (in TW 2.0.6). Thanks to Torsten Vanek for reporting the bug.
* v1.0.3 (2006-02-26)
** Adapt code to newly introduced Tiddler.prototype.isReadOnly() function (in TW 2.0.6). Thanks to Paulo Soares for reporting the problem.
* v1.0.2 (2006-02-05)
** Also allow other macros than the "tiddler" macro use the "." in the part reference (to refer to "this" tiddler)
* v1.0.1 (2006-01-27)
** Added Table of Content for plugin documentation. Thanks to RichCarrillo for suggesting.
** Bugfix: newReminder plugin does not work when PartTiddler is installed. Thanks to PauloSoares for reporting.
* v1.0.0 (2006-01-25)
** initial version
<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!Code<html><a name="Code"/></html>
<html><sub><a href="javascript:;" onclick="window.scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>
***/
//{{{
//============================================================================
//                           PartTiddlerPlugin

// Ensure that the PartTiddler Plugin is only installed once.
//
if (!version.extensions.PartTiddlerPlugin) {



version.extensions.PartTiddlerPlugin = {
    major: 1, minor: 0, revision: 10,
    date: new Date(2011, 4, 23), 
    type: 'plugin',
    source: "http://tiddlywiki.abego-software.de/#PartTiddlerPlugin"
};

if (!window.abego) window.abego = {};
if (version.major < 2) alertAndThrow("PartTiddlerPlugin requires TiddlyWiki 2.0 or newer.");

//============================================================================
// Common Helpers

// Looks for the next newline, starting at the index-th char of text. 
//
// If there are only whitespaces between index and the newline 
// the index behind the newline is returned, 
// otherwise (or when no newline is found) index is returned.
//
var skipEmptyEndOfLine = function(text, index) {
	var re = /(\n|[^\s])/g;
	re.lastIndex = index;
	var result = re.exec(text);
	return (result && text.charAt(result.index) == '\n') 
			? result.index+1
			: index;
}


//============================================================================
// Constants

var partEndOrStartTagRE = /(<\/part>)|(<part(?:\s+)((?:[^>])+)>)/mg;
var partEndTagREString = "<\\/part>";
var partEndTagString = "</part>";

//============================================================================
// Plugin Specific Helpers

// Parse the parameters inside a <part ...> tag and return the result.
//
// @return [may be null] {partName: ..., isHidden: ...}
//
var parseStartTagParams = function(paramText) {
	var params = paramText.readMacroParams();
	if (params.length == 0 || params[0].length == 0) return null;
	
	var name = params[0];
	var paramsIndex = 1;
	var hidden = false;
	if (paramsIndex < params.length) {
		hidden = params[paramsIndex] == "hidden";
		paramsIndex++;
	}
	
	return {
		partName: name, 
		isHidden: hidden
	};
}

// Returns the match to the next (end or start) part tag in the text, 
// starting the search at startIndex.
// 
// When no such tag is found null is returned, otherwise a "Match" is returned:
// [0]: full match
// [1]: matched "end" tag (or null when no end tag match)
// [2]: matched "start" tag (or null when no start tag match)
// [3]: content of start tag (or null if no start tag match)
//
var findNextPartEndOrStartTagMatch = function(text, startIndex) {
	var re = new RegExp(partEndOrStartTagRE);
	re.lastIndex = startIndex;
	var match = re.exec(text);
	return match;
}

//============================================================================
// Formatter

// Process the <part ...> ... </part> starting at (w.source, w.matchStart) for formatting.
//
// @return true if a complete part section (including the end tag) could be processed, false otherwise.
//
var handlePartSection = function(w) {
	var tagMatch = findNextPartEndOrStartTagMatch(w.source, w.matchStart);
	if (!tagMatch) return false;
	if (tagMatch.index != w.matchStart || !tagMatch[2]) return false;

	// Parse the start tag parameters
	var arguments = parseStartTagParams(tagMatch[3]);
	if (!arguments) return false;
	
	// Continue processing
	var startTagEndIndex = skipEmptyEndOfLine(w.source, tagMatch.index + tagMatch[0].length);
	var endMatch = findNextPartEndOrStartTagMatch(w.source, startTagEndIndex);
	if (endMatch && endMatch[1]) {
		if (!arguments.isHidden) {
			w.nextMatch = startTagEndIndex;
			w.subWikify(w.output,partEndTagREString);
		}
		w.nextMatch = skipEmptyEndOfLine(w.source, endMatch.index + endMatch[0].length);
		
		return true;
	}
	return false;
}

config.formatters.push( {
    name: "part",
    match: "<part\\s+[^>]+>",
	
	handler: function(w) {
		if (!handlePartSection(w)) {
			w.outputText(w.output,w.matchStart,w.matchStart+w.matchLength);
		}
	}
} )

//============================================================================
// Extend "fetchTiddler" functionality to also recognize "part"s of tiddlers 
// as tiddlers.

var currentParent = null; // used for the "." parent (e.g. in the "tiddler" macro)

// Return the match to the first <part ...> tag of the text that has the
// requrest partName.
//
// @return [may be null]
//
var findPartStartTagByName = function(text, partName) {
	var i = 0;
	
	while (true) {
		var tagMatch = findNextPartEndOrStartTagMatch(text, i);
		if (!tagMatch) return null;

		if (tagMatch[2]) {
			// Is start tag
	
			// Check the name
			var arguments = parseStartTagParams(tagMatch[3]);
			if (arguments && arguments.partName == partName) {
				return tagMatch;
			}
		}
		i = tagMatch.index+tagMatch[0].length;
	}
}

// Return the part "partName" of the given parentTiddler as a "readOnly" Tiddler 
// object, using fullName as the Tiddler's title. 
//
// All remaining properties of the new Tiddler (tags etc.) are inherited from 
// the parentTiddler.
// 
// @return [may be null]
//
var getPart = function(parentTiddler, partName, fullName) {
	var text = parentTiddler.text;
	var startTag = findPartStartTagByName(text, partName);
	if (!startTag) return null;
	
	var endIndexOfStartTag = skipEmptyEndOfLine(text, startTag.index+startTag[0].length);
	var indexOfEndTag = text.indexOf(partEndTagString, endIndexOfStartTag);

	if (indexOfEndTag >= 0) {
		var partTiddlerText = text.substring(endIndexOfStartTag,indexOfEndTag);
		var partTiddler = new Tiddler();
		partTiddler.set(
						fullName,
						partTiddlerText,
						parentTiddler.modifier,
						parentTiddler.modified,
						parentTiddler.tags,
						parentTiddler.created);
		partTiddler.abegoIsPartTiddler = true;
		return partTiddler;
	}
	
	return null;
}

// Hijack the store.fetchTiddler to recognize the "part" addresses.
//
var hijackFetchTiddler = function() {
	var oldFetchTiddler = store.fetchTiddler ;
	store.fetchTiddler = function(title) {
		var result = oldFetchTiddler.apply(this, arguments);
		if (!result && title) {
			var i = title.lastIndexOf('/');
			if (i > 0) {
				var parentName = title.substring(0, i);
				var partName = title.substring(i+1);
				var parent = (parentName == ".") 
						? store.resolveTiddler(currentParent)
						: oldFetchTiddler.apply(this, [parentName]);
				if (parent) {
					return getPart(parent, partName, parent.title+"/"+partName);
				}
			}
		}
		return result;	
	};
};

// for debugging the plugin is not loaded through the systemConfig mechanism but via a script tag. 
// At that point in the "store" is not yet defined. In that case hijackFetchTiddler through the restart function.
// Otherwise hijack now.
if (!store) {
	var oldRestartFunc = restart;
	window.restart = function() {
		hijackFetchTiddler();
		oldRestartFunc.apply(this,arguments);
	};
} else
	hijackFetchTiddler();




// The user must not edit a readOnly/partTiddler
//

config.commands.editTiddler.oldIsReadOnlyFunction = Tiddler.prototype.isReadOnly;

Tiddler.prototype.isReadOnly = function() {
	// Tiddler.isReadOnly was introduced with TW 2.0.6.
	// For older version we explicitly check the global readOnly flag
	if (config.commands.editTiddler.oldIsReadOnlyFunction) {
		if (config.commands.editTiddler.oldIsReadOnlyFunction.apply(this, arguments)) return true;
	} else {
		if (readOnly) return true;
	}

	return this.abegoIsPartTiddler;
}

config.commands.editTiddler.handler_PartTiddlerPlugin = config.commands.editTiddler.handler;

config.commands.editTiddler.handler = function(event,src,title)
{
	var t = store.getTiddler(title);
	// Edit the tiddler if it either is not a tiddler (but a shadowTiddler)
	// or the tiddler is not readOnly
	if(!t || !t.abegoIsPartTiddler)
		{
		return config.commands.editTiddler.handler_PartTiddlerPlugin(event,src,title);
		}
	return false;
}

// To allow the "./partName" syntax in macros we need to hijack 
// the invokeMacro to define the "currentParent" while it is running.
// 
var oldInvokeMacro = window.invokeMacro;
function myInvokeMacro(place,macro,params,wikifier,tiddler) {
	var oldCurrentParent = currentParent;
	if (tiddler) currentParent = tiddler;
	try {
		oldInvokeMacro.apply(this, arguments);
	} finally {
		currentParent = oldCurrentParent;
	}
}
window.invokeMacro = myInvokeMacro;

// To correctly support the "./partName" syntax while refreshing we need to hijack 
// the config.refreshers.tiddlers to define the "currentParent" while it is running.
// 
(function() {
	var oldTiddlerRefresher= config.refreshers.tiddler;
	config.refreshers.tiddler = function(e,changeList) {
		var oldCurrentParent = currentParent;
		try {
			currentParent = e.getAttribute("tiddler");
			return oldTiddlerRefresher.apply(this,arguments);
		} finally {
			currentParent = oldCurrentParent;
		}
	};
})();

// Support "./partName" syntax inside <<tabs ...>> macro
(function() {
	var extendRelativeNames = function(e, title) {
		var nodes = e.getElementsByTagName("a");
		for(var i=0; i<nodes.length; i++) {
			var node = nodes[i];
			var s = node.getAttribute("content");
			if (s && s.indexOf("./") == 0)
				node.setAttribute("content",title+s.substr(1));
		}
	};
	var oldHandler = config.macros.tabs.handler;
	config.macros.tabs.handler = function(place,macroName,params,wikifier,paramString,tiddler) {
		var result = oldHandler.apply(this,arguments);
		if (tiddler)
			extendRelativeNames(place, tiddler.title);
		return result;
	};
})();

// Scroll the anchor anchorName in the viewer of the given tiddler visible.
// When no tiddler is defined use the tiddler of the target given event is used.
window.scrollAnchorVisible = function(anchorName, tiddler, evt) {
	var tiddlerElem = null;
	if (tiddler) {
		tiddlerElem = document.getElementById(story.idPrefix + tiddler);
	}
	if (!tiddlerElem && evt) {
		var target = resolveTarget(evt);
		tiddlerElem = story.findContainingTiddler(target);
	}
	if (!tiddlerElem) return;

	var children = tiddlerElem.getElementsByTagName("a");
	for (var i = 0; i < children.length; i++) {
		var child = children[i];
		var name = child.getAttribute("name");
		if (name == anchorName) {
			var y = findPosY(child);
			window.scrollTo(0,y);
			return;
		}
	}
}

} // of "install only once"
//}}}

/***
<html><sub><a href="javascript:;" onclick="scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>

!Licence and Copyright
Copyright (c) abego Software ~GmbH, 2011 ([[www.abego-software.de|http://www.abego-software.de]])

Redistribution and use in source and binary forms, with or without modification,
are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this
list of conditions and the following disclaimer.

Redistributions in binary form must reproduce the above copyright notice, this
list of conditions and the following disclaimer in the documentation and/or other
materials provided with the distribution.

Neither the name of abego Software nor the names of its contributors may be
used to endorse or promote products derived from this software without specific
prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY
EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES
OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT
SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED
TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR
BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN
ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.

<html><sub><a href="javascript:;" onclick="scrollAnchorVisible('Top',null, event)">[Top]</sub></a></html>
***/

 
With its self-similar [[fractal structure|fractal consciousness]], the whole is a key to the parts…

__''Fractal Haiku''__
{{{
The fractal
 ——opens——  we meet
          by chance
light inscribes
dead wood lark song 
             glance.

The fractal
  pulses and sings
            a quine;
now bellow,
  buckle, recombine.

The fractal closes:
     a door undone,
we see deep
         into night
       . . . as one.
}}}

{{glyph{{{font150{серафими многоꙮчитїи}}}}}}
//"many-eyed seraphim"//
rendered with the rare Cyrillic ꙮ "Multiocular O"
: reminding me of the many-eyed cherubim Proginoskes described by Madeleine [[L'Engle]] -- and with thanks to Paul "~JustKnecht" for discovering the Cyrillic glyph

In every object, //__mountain, tree, and star__// — in every birth and life,
As part of each — evolved from each — meaning, behind the ostent,
A mystic [[cipher|correspondances]] waits infolded.
  –Walt Whitman, //[[Leaves of Grass|Whitman]]//

Various are the roads of man. He who follows and compares them will see strange figures emerge, figures which seem to belong to that great cipher which we discern written everywhere, in wings, eggshells, clouds and snow, in crystals and in stone formations, on ice-covered waters, on the inside and outside of mountains, of plants, beasts and men, in the lights of heaven, on scored disks of pitch or glass or in iron filings round a magnet, and in strange conjunctures of chance. In them we suspect a key to the magic writing, even a grammar, but our surmise takes on no definite forms and seems unwilling to become a higher key.
  –Novalis

Men, animals, //__trees, stars__,// they are all [[hieroglyphics|hieroglyph]].
  –Nikos [[Kazantzakis]]

Time moves both ways,
in the nullifying, //defeating,// {{bluem{negating, [[repeating|repeating/Jung]]}}}
joy of life;
the nullifying, //defeating,// {{bluem{negating, [[repeating|repeating/Paz]]}}}
joy of life …
And every little gust that chances through
will dance in the dust of me and you,
with joy-of-life.
And in our perfect secret-keeping:
One ear of corn,
in silent, reaping
joy of life …
''Joy!''  Again, around—a pause, a sound—a song:
a way a lone a last a loved a long …
No time. No flock. No chime, no clock. No end.
White star, //[[white ship|white whale]]//—Nightjar, transmit: transcend!
White star, white ship—Nightjar, transmit: [[trans-|transmissive]]
  –"[[Time, As A Symptom]]"
  Composed and sung by Joanna Newsom

The many books and strange figures and the lovely thoughts around you are [[ghosts|fractal consciousness]] of the spirits that have been before you.  The words your lips utter are the link in the chain that binds you and your fellow men.  The sorrowful and joyful conclusions are the seeds sown by the past in the field of your soul to be reaped by the future.
  –Kahlil Gibran, "[[Wisdom and I]]"

//[[Fractal]] is my religion// – proclaimed by my friend Lily

The reed — along with the //__grass, the mountain-top, and everything else__// — is the manifestation of a single, unitary [[ground|Ground-Divine]]. Alternatively called the Tao or the Void, this is an all-encompassing reality which permeates and shines through the “ten thousand things”, to borrow a phrase from Lao Tzu.
  –Jonathan Weidenbaum,
  "Why I am not a [[pantheist]] (Nor a panentheist)"

Sky and earth, air and water, //__plain and mountain__,//
lake and volcano, man and woman,
… the map of the sky is reflected in the mirror of music.
  –Octavio Paz, "[[A Tree Within]]"

Everything [[undulates|everything undulates]]; the //__mountain__// is still.
And a small man like me?
I am flux: unity.
—me

Are those their fata which we read in sibylline
between the //fas// and its //nefas//?
Bear in mind, son of Hokmah,
this man is //__mountain__// and
unto changeth doth one ascend.
Heave we aside the fallacy!
  –James Joyce, //[[Finnegans Wake|nascimento/metheg]]//
…
<part tesseract>
The prisoner of that sacred edifice…was at his best a onestone parable, a rude breathing on the void of to be, a venter hearing his own bauchspeech in backwords, //or,// more strictly, but //tristurned initials, the cluekey to a worldroom// beyond the roomwhorld…[scarce one of his many companions seriously doubted, or for long] the canonicity of his existence as a [[tesseract|L'Engle]].  {{grem{[also from the [[Wake|Finnegans Wake]]]}}}
</part>

<<tiddler passages/Turner>>&nbsp;&nbsp;–Frederick Turner, [[passage|passages]] from "Death Mass" in //Hadean Eclogues//

On your way here
Innumerable times you have been transformed
You have used your own body
to measure the age of the //__mountains and rivers__//.
You have manifested yourself
as trees, grass, butterflies, single-celled beings,
and as chrysanthemums
…
Who knows that the infinitely large must be found
in your tiny body?
Upon each point on your body,
thousands of Buddha fields have been established.
With each stretch of your body, you measure time
from the non-beginning to the never-ending.
&nbsp;&nbsp;–Thich Nhat Hanh, "[[The Old Mendicant]]"

To gaze deeply is to be ''broken''
To be seized by obscured things
Inside your chest, a mute space expands
Where //__mountains and desert__// undergo metamorphosis
Suspended in the eyes of the unforeseen
&nbsp;&nbsp;–Mira Fong, "[[The Sublime Wants To Reach You]]"

If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.
&nbsp;&nbsp;–George Eliot

There's no presumption in joining in
on the //indescribable relation;//
the [[meshwork|the web is holy]] grows more and more ardent,
mere being-borne is not enough.
…
Take your practiced strengths and stretch them
until they reach between two
[[contradictions|origin of all poems/contradict]] . . . For far inside you
the god wishes to consult.
&nbsp;&nbsp;–Rainer Marie Rilke, [[winged energy of delight]]

In the mythus a superhuman intelligence uses the unconscious thoughts and dreams of men as its hieroglyphics to address men unborn. In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men…
&nbsp;&nbsp;–Henry David Thoreau, "[[Sunday|https://books.google.com/books?id=ZJE7AQAAMAAJ&pg=PA65#v=onepage&q&f=false]]", //A Week on the Concord and Merrimack Rivers//

Finding the stimuli will affect the entire episode of panic because with its self-similar [[fractal structure|fractal consciousness]], the whole is a key to the parts… Again, citing chaos theory, it is possible to show how finding the hidden stimulus can change the limit cycle of a panic episode into a creative chaos… In nonlinear dynamics, insight is perceived as information or energy and may raise a limit cycle of repetition to a chaotic attractor capable of creating new order.

Franklin's [[fractal-quaking|Awe and Trembling/Franklin]] shaking a multitude of digital newness each unique to its distinguishing moment.  My moments of waiting, positioning and repositioning launched me into supersedent infrastructures.  Memories totalized as they failed in adhering to a linear sequence…
&nbsp;&nbsp;–from //[[Awe and Trembling]]: Psychotherapy of Unusual States//

For another viewpoint on Fractal Poiesis, see //[[“How a thing will / unfold”|https://web.archive.org/web/20150924203951/http://marjorieperloff.com/essays/ammons-briefings/]]: Fractal Rhythms in A. R. Ammons’s __Briefings__//, by Marjorie Perloff (1998).  Also worth noting is the animated, three-dimensional word cloud which appears on Perloff's website, and her writing on [[Rimbaud|Genius/Rimbaud]].

/***
|''Name''|TiddlyWebAdaptor|
|''Description''|adaptor for interacting with TiddlyWeb|
|''Author:''|FND|
|''Contributors''|Chris Dent, Martin Budden|
|''Version''|1.4.10|
|''Status''|stable|
|''Source''|http://svn.tiddlywiki.org/Trunk/association/adaptors/TiddlyWebAdaptor.js|
|''CodeRepository''|http://svn.tiddlywiki.org/Trunk/association/|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''CoreVersion''|2.5|
|''Keywords''|serverSide TiddlyWeb|
!Notes
This plugin includes [[jQuery JSON|http://code.google.com/p/jquery-json/]].
!To Do
* createWorkspace
* document custom/optional context attributes (e.g. filters, query, revision) and tiddler fields (e.g. server.title, origin)
!Code
***/
//{{{
(function($) {

var adaptor = config.adaptors.tiddlyweb = function() {};

adaptor.prototype = new AdaptorBase();
adaptor.serverType = "tiddlyweb";
adaptor.serverLabel = "TiddlyWeb";
adaptor.mimeType = "application/json";

adaptor.parsingErrorMessage = "Error parsing result from server";
adaptor.noBagErrorMessage = "no bag specified for tiddler";
adaptor.locationIDErrorMessage = "no bag or recipe specified for tiddler"; // TODO: rename

// retrieve current status (requires TiddlyWeb status plugin)
adaptor.prototype.getStatus = function(context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	var uriTemplate = "%0/status";
	var uri = uriTemplate.format([context.host]);
	var req = httpReq("GET", uri, adaptor.getStatusCallback, context,
		null, null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getStatusCallback = function(status, context, responseText, uri, xhr) {
	context.status = responseText ? status : false;
	try {
		context.statusText = xhr.statusText;
	} catch(exc) { // offline (Firefox)
		context.status = false;
		context.statusText = null;
	}
	context.httpStatus = xhr.status;
	if(context.status) {
		context.serverStatus = $.evalJSON(responseText); // XXX: error handling!?
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// retrieve a list of workspaces
adaptor.prototype.getWorkspaceList = function(context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.workspaces = [];
	var uriTemplate = "%0/recipes"; // XXX: bags?
	var uri = uriTemplate.format([context.host]);
	var req = httpReq("GET", uri, adaptor.getWorkspaceListCallback,
		context, { accept: adaptor.mimeType }, null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getWorkspaceListCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(status) {
		try {
			var workspaces = $.evalJSON(responseText);
		} catch(ex) {
			context.status = false; // XXX: correct?
			context.statusText = exceptionText(ex, adaptor.parsingErrorMessage);
			if(context.callback) {
				context.callback(context, context.userParams);
			}
			return;
		}
		context.workspaces = workspaces.map(function(itm) { return { title: itm }; });
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// retrieve a list of tiddlers
adaptor.prototype.getTiddlerList = function(context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	var uriTemplate = "%0/%1/%2/tiddlers%3";
	var params = context.filters ? "?" + context.filters : "";
	if(context.format) {
		params = context.format + params;
	}
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([context.host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name), params]);
	var req = httpReq("GET", uri, adaptor.getTiddlerListCallback,
		context, merge({ accept: adaptor.mimeType }, context.headers), null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getTiddlerListCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(status) {
		context.tiddlers = [];
		try {
			var tiddlers = $.evalJSON(responseText); //# NB: not actual tiddler instances
		} catch(ex) {
			context.status = false; // XXX: correct?
			context.statusText = exceptionText(ex, adaptor.parsingErrorMessage);
			if(context.callback) {
				context.callback(context, context.userParams);
			}
			return;
		}
		for(var i = 0; i < tiddlers.length; i++) {
			var tiddler = adaptor.toTiddler(tiddlers[i], context.host);
			context.tiddlers.push(tiddler);
		}
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// perform global search
adaptor.prototype.getSearchResults = function(context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	var uriTemplate = "%0/search?q=%1%2";
	var filterString = context.filters ? ";" + context.filters : "";
	var uri = uriTemplate.format([context.host, context.query, filterString]); // XXX: parameters need escaping?
	var req = httpReq("GET", uri, adaptor.getSearchResultsCallback,
		context, { accept: adaptor.mimeType }, null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getSearchResultsCallback = function(status, context, responseText, uri, xhr) {
	adaptor.getTiddlerListCallback(status, context, responseText, uri, xhr); // XXX: use apply?
};

// retrieve a particular tiddler's revisions
adaptor.prototype.getTiddlerRevisionList = function(title, limit, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	var uriTemplate = "%0/%1/%2/tiddlers/%3/revisions";
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([context.host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name), adaptor.normalizeTitle(title)]);
	var req = httpReq("GET", uri, adaptor.getTiddlerRevisionListCallback,
		context, merge({ accept: adaptor.mimeType }, context.headers), null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getTiddlerRevisionListCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(status) {
		context.revisions = [];
		try {
			var tiddlers = $.evalJSON(responseText); //# NB: not actual tiddler instances
		} catch(ex) {
			context.status = false; // XXX: correct?
			context.statusText = exceptionText(ex, adaptor.parsingErrorMessage);
			if(context.callback) {
				context.callback(context, context.userParams);
			}
			return;
		}
		for(var i = 0; i < tiddlers.length; i++) {
			var tiddler = adaptor.toTiddler(tiddlers[i], context.host);
			context.revisions.push(tiddler);
		}
		var sortField = "server.page.revision";
		context.revisions.sort(function(a, b) {
			return a.fields[sortField] < b.fields[sortField] ? 1 :
				(a.fields[sortField] == b.fields[sortField] ? 0 : -1);
		});
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// retrieve an individual tiddler revision -- XXX: breaks with standard arguments list -- XXX: convenience function; simply use getTiddler?
adaptor.prototype.getTiddlerRevision = function(title, revision, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.revision = revision;
	return this.getTiddler(title, context, userParams, callback);
};

// retrieve an individual tiddler
//# context is an object with members host and workspace
//# callback is passed the new context and userParams
adaptor.prototype.getTiddler = function(title, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = title;
	if(context.revision) {
		var uriTemplate = "%0/%1/%2/tiddlers/%3/revisions/%4";
	} else {
		uriTemplate = "%0/%1/%2/tiddlers/%3";
	}
	if(!context.tiddler) {
		context.tiddler = new Tiddler(title);
	}
	context.tiddler.fields["server.type"] = adaptor.serverType;
	context.tiddler.fields["server.host"] = AdaptorBase.minHostName(context.host);
	context.tiddler.fields["server.workspace"] = context.workspace;
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([context.host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name), adaptor.normalizeTitle(title),
		context.revision]);
	var req = httpReq("GET", uri, adaptor.getTiddlerCallback, context,
		merge({ accept: adaptor.mimeType }, context.headers), null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getTiddlerCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(status) {
		try {
			var tid = $.evalJSON(responseText);
		} catch(ex) {
			context.status = false;
			context.statusText = exceptionText(ex, adaptor.parsingErrorMessage);
			if(context.callback) {
				context.callback(context, context.userParams);
			}
			return;
		}
		var tiddler = adaptor.toTiddler(tid, context.host);
		tiddler.title = context.tiddler.title;
		tiddler.fields["server.etag"] = xhr.getResponseHeader("Etag");
		// normally we'd assign context.tiddler = tiddler here - but we can't do
		// that because of IE, which triggers getTiddler in putTiddlerCallback,
		// and since ServerSideSavingPlugin foolishly relies on persistent
		// object references, we need to merge the data into the existing object
		$.extend(context.tiddler, tiddler);
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// retrieve tiddler chronicle (all revisions)
adaptor.prototype.getTiddlerChronicle = function(title, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = title;
	var uriTemplate = "%0/%1/%2/tiddlers/%3/revisions?fat=1";
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([context.host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name), adaptor.normalizeTitle(title)]);
	var req = httpReq("GET", uri, adaptor.getTiddlerChronicleCallback,
		context, { accept: adaptor.mimeType }, null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.getTiddlerChronicleCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(status) {
		context.responseText = responseText;
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// store an individual tiddler
adaptor.prototype.putTiddler = function(tiddler, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = tiddler.title;
	context.tiddler = tiddler;
	context.host = context.host || this.fullHostName(tiddler.fields["server.host"]);
	var uriTemplate = "%0/%1/%2/tiddlers/%3";
	try {
		context.workspace = context.workspace || tiddler.fields["server.workspace"];
		var workspace = adaptor.resolveWorkspace(context.workspace);
	} catch(ex) {
		return adaptor.locationIDErrorMessage;
	}
	var uri = uriTemplate.format([context.host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name),
		adaptor.normalizeTitle(tiddler.title)]);
	var etag = adaptor.generateETag(workspace, tiddler);
	var headers = etag ? { "If-Match": etag } : null;
	var payload = {
		type: tiddler.fields["server.content-type"] || null,
		text: tiddler.text,
		tags: tiddler.tags,
		fields: $.extend({}, tiddler.fields)
	};
	delete payload.fields.changecount;
	$.each(payload.fields, function(key, value) {
		if(key.indexOf("server.") == 0) {
			delete payload.fields[key];
		}
	});
	payload = $.toJSON(payload);
	var req = httpReq("PUT", uri, adaptor.putTiddlerCallback,
		context, headers, payload, adaptor.mimeType, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.putTiddlerCallback = function(status, context, responseText, uri, xhr) {
	context.status = [204, 1223].contains(xhr.status);
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(context.status) {
		var loc = xhr.getResponseHeader("Location");
		var etag = xhr.getResponseHeader("Etag");
		if(loc && etag) {
			var bag = loc.split("/bags/").pop().split("/")[0];
			context.tiddler.fields["server.bag"] = bag;
			context.tiddler.fields["server.workspace"] = "bags/" + bag;
			var rev = etag.split("/").pop().split(/;|:/)[0];
			context.tiddler.fields["server.page.revision"] = rev;
			context.tiddler.fields["server.etag"] = etag;
			if(context.callback) {
				context.callback(context, context.userParams);
			}
		} else { // IE
			context.adaptor.getTiddler(context.tiddler.title, context,
				context.userParams, context.callback);
		}
	} else if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// store a tiddler chronicle
adaptor.prototype.putTiddlerChronicle = function(revisions, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = revisions[0].title;
	var headers = null;
	var uriTemplate = "%0/%1/%2/tiddlers/%3/revisions";
	var host = context.host || this.fullHostName(tiddler.fields["server.host"]);
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name),
		adaptor.normalizeTitle(context.title)]);
	if(workspace.type == "bag") { // generate ETag
		var etag = [adaptor.normalizeTitle(workspace.name),
			adaptor.normalizeTitle(context.title), 0].join("/"); //# zero-revision prevents overwriting existing contents
		headers = { "If-Match": '"' + etag + '"' };
	}
	var payload = $.toJSON(revisions);
	var req = httpReq("POST", uri, adaptor.putTiddlerChronicleCallback,
		context, headers, payload, adaptor.mimeType, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.putTiddlerChronicleCallback = function(status, context, responseText, uri, xhr) {
	context.status = [204, 1223].contains(xhr.status);
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// store a collection of tiddlers (import TiddlyWiki HTML store)
adaptor.prototype.putTiddlerStore = function(store, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	var uriTemplate = "%0/%1/%2/tiddlers";
	var host = context.host;
	var workspace = adaptor.resolveWorkspace(context.workspace);
	var uri = uriTemplate.format([host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name)]);
	var req = httpReq("POST", uri, adaptor.putTiddlerStoreCallback,
		context, null, store, "text/x-tiddlywiki", null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.putTiddlerStoreCallback = function(status, context, responseText, uri, xhr) {
	context.status = [204, 1223].contains(xhr.status);
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// rename an individual tiddler or move it to a different workspace -- TODO: make {from|to}.title optional
//# from and to are objects with members title and workspace (bag; optional),
//# representing source and target tiddler, respectively
adaptor.prototype.moveTiddler = function(from, to, context, userParams, callback) { // XXX: rename parameters (old/new)?
	var self = this;
	var newTiddler = store.getTiddler(from.title) || store.getTiddler(to.title); //# local rename might already have occurred
	var oldTiddler = $.extend(true, {}, newTiddler); //# required for eventual deletion
	oldTiddler.title = from.title; //# required for original tiddler's ETag
	var _getTiddlerChronicle = function(title, context, userParams, callback) {
		return self.getTiddlerChronicle(title, context, userParams, callback);
	};
	var _putTiddlerChronicle = function(context, userParams) {
		if(!context.status) {
			return callback(context, userParams);
		}
		var revisions = $.evalJSON(context.responseText); // XXX: error handling?
		// change current title while retaining previous location
		for(var i = 0; i < revisions.length; i++) {
			delete revisions[i].revision;
			if(!revisions[i].fields.origin) { // NB: origin = "<workspace>/<title>"
				revisions[i].fields.origin = ["bags", revisions[i].bag, revisions[i].title].join("/");
			}
			revisions[i].title = to.title;
		}
		// add new revision
		var rev = $.extend({}, revisions[0]);
		$.each(newTiddler, function(i, item) {
			if(!$.isFunction(item)) {
				rev[i] = item;
			}
		});
		rev.title = to.title;
		rev.created = rev.created.convertToYYYYMMDDHHMM();
		rev.modified = new Date().convertToYYYYMMDDHHMM();
		delete rev.fields.changecount;
		revisions.unshift(rev);
		if(to.workspace) {
			context.workspace = to.workspace;
		} else if(context.workspace.substring(0, 4) != "bags") { // NB: target workspace must be a bag
			context.workspace = "bags/" + rev.bag;
		}
		var subCallback = function(context, userParams) {
			if(!context.status) {
				return callback(context, userParams);
			}
			context.adaptor.getTiddler(newTiddler.title, context, userParams, _deleteTiddler);
		};
		return self.putTiddlerChronicle(revisions, context, context.userParams, subCallback);
	};
	var _deleteTiddler = function(context, userParams) {
		if(!context.status) {
			return callback(context, userParams);
		}
		$.extend(true, newTiddler, context.tiddler);
		context.callback = null;
		return self.deleteTiddler(oldTiddler, context, context.userParams, callback);
	};
	callback = callback || function() {};
	context = this.setContext(context, userParams);
	context.host = context.host || oldTiddler.fields["server.host"];
	context.workspace = from.workspace || oldTiddler.fields["server.workspace"];
	return _getTiddlerChronicle(from.title, context, userParams, _putTiddlerChronicle);
};

// delete an individual tiddler
adaptor.prototype.deleteTiddler = function(tiddler, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = tiddler.title; // XXX: not required!?
	var uriTemplate = "%0/bags/%1/tiddlers/%2";
	var host = context.host || this.fullHostName(tiddler.fields["server.host"]);
	var bag = tiddler.fields["server.bag"];
	if(!bag) {
		return adaptor.noBagErrorMessage;
	}
	var uri = uriTemplate.format([host, adaptor.normalizeTitle(bag),
		adaptor.normalizeTitle(tiddler.title)]);
	var etag = adaptor.generateETag({ type: "bag", name: bag }, tiddler);
	var headers = etag ? { "If-Match": etag } : null;
	var req = httpReq("DELETE", uri, adaptor.deleteTiddlerCallback, context, headers,
		null, null, null, null, true);
	return typeof req == "string" ? req : true;
};

adaptor.deleteTiddlerCallback = function(status, context, responseText, uri, xhr) {
	context.status = [204, 1223].contains(xhr.status);
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// compare two revisions of a tiddler (requires TiddlyWeb differ plugin)
//# if context.rev1 is not specified, the latest revision will be used for comparison
//# if context.rev2 is not specified, the local revision will be sent for comparison
//# context.format is a string as determined by the TiddlyWeb differ plugin
adaptor.prototype.getTiddlerDiff = function(title, context, userParams, callback) {
	context = this.setContext(context, userParams, callback);
	context.title = title;

	var tiddler = store.getTiddler(title);
	try {
		var workspace = adaptor.resolveWorkspace(tiddler.fields["server.workspace"]);
	} catch(ex) {
		return adaptor.locationIDErrorMessage;
	}
	var tiddlerRef = [workspace.type + "s", workspace.name, tiddler.title].join("/");

	var rev1 = context.rev1 ? [tiddlerRef, context.rev1].join("/") : tiddlerRef;
	var rev2 = context.rev2 ? [tiddlerRef, context.rev2].join("/") : null;

	var uriTemplate = "%0/diff?rev1=%1";
	if(rev2) {
		uriTemplate += "&rev2=%2";
	}
	if(context.format) {
		uriTemplate += "&format=%3";
	}
	var host = context.host || this.fullHostName(tiddler.fields["server.host"]);
	var uri = uriTemplate.format([host, adaptor.normalizeTitle(rev1),
		adaptor.normalizeTitle(rev2), context.format]);

	if(rev2) {
		var req = httpReq("GET", uri, adaptor.getTiddlerDiffCallback, context, null,
			null, null, null, null, true);
	} else {
		var payload = {
			title: tiddler.title,
			text: tiddler.text,
			modifier: tiddler.modifier,
			tags: tiddler.tags,
			fields: $.extend({}, tiddler.fields)
		}; // XXX: missing attributes!?
		payload = $.toJSON(payload);
		req = httpReq("POST", uri, adaptor.getTiddlerDiffCallback, context,
			null, payload, adaptor.mimeType, null, null, true);
	}
	return typeof req == "string" ? req : true;
};

adaptor.getTiddlerDiffCallback = function(status, context, responseText, uri, xhr) {
	context.status = status;
	context.statusText = xhr.statusText;
	context.httpStatus = xhr.status;
	context.uri = uri;
	if(status) {
		context.diff = responseText;
	}
	if(context.callback) {
		context.callback(context, context.userParams);
	}
};

// generate tiddler information
adaptor.prototype.generateTiddlerInfo = function(tiddler) {
	var info = {};
	var uriTemplate = "%0/%1/%2/tiddlers/%3";
	var host = this.host || tiddler.fields["server.host"]; // XXX: this.host obsolete?
	host = this.fullHostName(host);
	var workspace = adaptor.resolveWorkspace(tiddler.fields["server.workspace"]);
	info.uri = uriTemplate.format([host, workspace.type + "s",
		adaptor.normalizeTitle(workspace.name),
		adaptor.normalizeTitle(tiddler.title)]);
	return info;
};

// create Tiddler instance from TiddlyWeb tiddler JSON
adaptor.toTiddler = function(json, host) {
	var created = Date.convertFromYYYYMMDDHHMM(json.created);
	var modified = Date.convertFromYYYYMMDDHHMM(json.modified);
	var fields = json.fields;
	fields["server.type"] = adaptor.serverType;
	fields["server.host"] = AdaptorBase.minHostName(host);
	fields["server.bag"] = json.bag;
	fields["server.title"] = json.title;
	if(json.recipe) {
		fields["server.recipe"] = json.recipe;
	}
	if(json.type && json.type != "None") {
		fields["server.content-type"] = json.type;
	}
	fields["server.permissions"] = json.permissions.join(", ");
	fields["server.page.revision"] = json.revision;
	fields["server.workspace"] = "bags/" + json.bag;
	var tiddler = new Tiddler(json.title);
	tiddler.assign(tiddler.title, json.text, json.modifier, modified, json.tags,
		created, json.fields, json.creator);
	return tiddler;
};

adaptor.resolveWorkspace = function(workspace) {
	var components = workspace.split("/");
	return {
		type: components[0] == "bags" ? "bag" : "recipe",
		name: components[1] || components[0]
	};
};

adaptor.generateETag = function(workspace, tiddler) {
	var revision = tiddler.fields["server.page.revision"];
	var etag = revision == "false" ? null : tiddler.fields["server.etag"];
	if(!etag && workspace.type == "bag") {
		if(typeof revision == "undefined") {
			revision = "0";
		} else if(revision == "false") {
			return null;
		}
		etag = [adaptor.normalizeTitle(workspace.name),
			adaptor.normalizeTitle(tiddler.title), revision].join("/");
		etag = '"' + etag + '"';
	}
	return etag;
};

adaptor.normalizeTitle = function(title) {
	return encodeURIComponent(title);
};

})(jQuery);


/*
 * jQuery JSON Plugin
 * version: 1.3
 * source: http://code.google.com/p/jquery-json/
 * license: MIT (http://www.opensource.org/licenses/mit-license.php)
 */
(function($){function toIntegersAtLease(n)
{return n<10?'0'+n:n;}
Date.prototype.toJSON=function(date)
{return this.getUTCFullYear()+'-'+
toIntegersAtLease(this.getUTCMonth())+'-'+
toIntegersAtLease(this.getUTCDate());};var escapeable=/["\\\x00-\x1f\x7f-\x9f]/g;var meta={'\b':'\\b','\t':'\\t','\n':'\\n','\f':'\\f','\r':'\\r','"':'\\"','\\':'\\\\'};$.quoteString=function(string)
{if(escapeable.test(string))
{return'"'+string.replace(escapeable,function(a)
{var c=meta[a];if(typeof c==='string'){return c;}
c=a.charCodeAt();return'\\u00'+Math.floor(c/16).toString(16)+(c%16).toString(16);})+'"';}
return'"'+string+'"';};$.toJSON=function(o,compact)
{var type=typeof(o);if(type=="undefined")
return"undefined";else if(type=="number"||type=="boolean")
return o+"";else if(o===null)
return"null";if(type=="string")
{return $.quoteString(o);}
if(type=="object"&&typeof o.toJSON=="function")
return o.toJSON(compact);if(type!="function"&&typeof(o.length)=="number")
{var ret=[];for(var i=0;i<o.length;i++){ret.push($.toJSON(o[i],compact));}
if(compact)
return"["+ret.join(",")+"]";else
return"["+ret.join(", ")+"]";}
if(type=="function"){throw new TypeError("Unable to convert object of type 'function' to json.");}
var ret=[];for(var k in o){var name;type=typeof(k);if(type=="number")
name='"'+k+'"';else if(type=="string")
name=$.quoteString(k);else
continue;var val=$.toJSON(o[k],compact);if(typeof(val)!="string"){continue;}
if(compact)
ret.push(name+":"+val);else
ret.push(name+": "+val);}
return"{"+ret.join(", ")+"}";};$.compactJSON=function(o)
{return $.toJSON(o,true);};$.evalJSON=function(src)
{return eval("("+src+")");};$.secureEvalJSON=function(src)
{var filtered=src;filtered=filtered.replace(/\\["\\\/bfnrtu]/g,'@');filtered=filtered.replace(/"[^"\\\n\r]*"|true|false|null|-?\d+(?:\.\d*)?(?:[eE][+\-]?\d+)?/g,']');filtered=filtered.replace(/(?:^|:|,)(?:\s*\[)+/g,'');if(/^[\],:{}\s]*$/.test(filtered))
return eval("("+src+")");else
throw new SyntaxError("Error parsing JSON, source is not valid.");};})(jQuery);
//}}}

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i1iycePGz8v4M6LxmX7o9TjA4PQYh27kiJieGpe0ZnipTFU8V16U1Wm9Z8eOHcXaAN9BI/wVnRk+rXVhDWW0Co2Pn9WlzVbPv2H9+vXXSrEZiNnATDnaNxc7HGe3kavi5kfs8sxzGcbm9xe3Wg6dSbug4mAY65Qdzt21a9ePnnrqqYsiv1m6Pw6YoGH5h88+++zn1POnx4o4TKk31O3po8ypTHNAnDJlSg9nlwiaCaZpmnp4zZo1XJ+3BK06gFvKL8n4v6ueX2N8bdEK48crg5Y0aUK4qtdW8ZsosmUR2qe7opoRTiFywnm643pk06ZNE1optBUHcBnzB6rgUzo9/kasBOMz7TD3dxM8J6d1VPFTuU7FcbiuKOqcoOlotk7+/6p6aodIg4pbsdgnX3755Stfe+21S2ODMf6ECRMaGj/Ko0saz+mHTBqazZsrL+U1o0OjPHQ2RgLTkfVEXtPybz366KP3pHmr4s064GL1+t/WCfdqVVZe2qNEo56fNjKN55RqJNMoLZbVrFzM0x+a9rMw0wkjyAlfW7Vq1bWRV0U344DJynyV9vqLtfiWQ4thiPFZeFNoxQCWNaYs6FyI9UR581NeX3HnawfbCWDXJzsN0a3r3zzxxBM8aGoIfTmA9MXPPffcQnm1ZoVnn5/uBhrW1JtoJY1jnhwvppuOcqaNG8k4LYed3zgnk/Isy+5IJ+Ii2TzdhU3QBd8DYtb30FBQXw64RCfAX9++ffvlLhjMvb2eHoVijpGWqUsQo9k05HKy5se0SLvOHM9pxv2R6SsP91xjxvCI+zjoKuOq1atXf+E4p55q5ABuMz+mXc+VGlLlExLP+/VF5Tk5xc0zJmekHYfnEEtPeWneKGu6GRnLRtxKvswZaJAu9FZoUS5uhmO5phs54OM6ek9Pt5x4Od3r55TsD488uXxWNoejvGlj5COd5neacZreapzO6anIeTUVTdKZ6a8cT3GVAyZKcM6WLVuuJIMVZK6LU4/5UaYdHuUAlNEoHJM6rpfzmG8cdTGvXdxXmVxZsD4CltUM8sdPPvnktFzdVQ64RE+0Zstzs2ImFxx5rqSK1yidNKebdjyWZzrKRDnTTkfevCo6psfyo3xOpko25mN3GE/nOqCN0myyzHkjrnLA8zp0fcwNAvPc1oeOWECzdDONcVmx3shTT+rhjp5nuH5yxVUxD0+4Lub5rnZr5dMs8sZ6I+1yjRulNSMT87M1Hzt2bE3dr7zyyuduvvnm2lVaBWe3SHfdddfBefPmnR+vk9PeT4XRyyiZ40V+TLfCLiONkw9Q7ymMztsM0IBlI440MhiB3RodhzXL6aRFSPmOGyMb6Zg3R1sWB9A50JmgG9MR2ildrzzfjvmyI0AK3/DCC7zPeqxyvy4SM0balVo+YstZxjjyIw+awMNxejlPpOjZvN8Dn1GQw87nunnjgfx6JaZHl2TlqIhyUQfTVZh8KeR4lmFBxgkAbUBWne2rCuVNAml1DrjzzjtHSPiLDGkUB84+mxeVj4MrNiYl0paE1yzfsmAMrjun8nURjO4Q5Vx2xE6POjBl6SxTTFOR73zm5XBOJuWlcZfDrMGUaTuKP/vuu+/+hNPBdVOQhu5n5KTC4rr7Ka4beIsBoKLEgVleI1nSXEZaHkZmPqe3VwE9i+kFTDkEOwdM3jhV2ThgRgRTGT2T/ClE2TTNccs43gijJyMxga8q/jPz6rRQgz7tRBY07YQcLbAVMIYZ6Rg337goIJEnjYDhqh6AY2Q2AGyB6QxMiVyA2RFg4j6hM2KRx8iUjWNcDz2SacmGgR91to59YeeLcuYZYzsOZwksvvHGG4/1aCXUOGDJkiVD1dhi7+9MNAKlmwEqduWpfJoW4zZ+rudiSIyOkQHnA0fDxjQc5jMLi7Ad4bzUF51QFNz7B5lYlune5KYRbcEBTEO0wSDdhol3meM1DpgxY8bHlTDKiTSCOw6mBRZFQ1Qy5RF3ekrn4pTLbiEak/zsXOjx6VWvy4h1mAcGSHM6o4I2RAciQ73xITu8HLgc0iJtWfOM4dMWpjtDZhRc7bQaB4j5KSeAfaCgQIyUg1hxLh0eMlHONNhbNcuAMbq3wJFvOq3HfOM0nRGBM3EGgBxAL8UJjhsXiQ3+NJIjDeNjMwN2jCB9FisUu6HUARdHQW+j4DFn+t0Y4lEJ0+AcjTzgNNNeFJ0PjPGZNhpBlDdt+Rg3DQYo104gDp/plRFuGfMjTmniEWJe3jH1VGoZ3o2K92ey/TnaDc0lvXQAHhHwy5USGLoR2B4SDLHiRnQujSkAZePUg5LMl8i3EtDH8jnaPDBOYDqKOtGxbDTzjckTwXywaacz57PLSoE1KD3Iqt0LkCsdsGzZsg8pXlqcnhgXDxdKr2VfbYhKpHSMWx4Mn0Z7mFqu0bSDTKPgcl1WlSxyLOrqbGV56MFePeZFDnA5pgtm+OM8GD7aJYgUZNqZ1dnmk1A6QL1iXswUbz0jH5ohG7enVoK0SMd4bAi7EEaSeWCcHY2SK8fylBsh5TuvcZSFpp7obHiMRvRqBtJyMX5cdHNlpPZUGbUOUKaaV03SDGmh9JhWnUAZKE8+sANDlB0X8QhOT/kux+m5eFpOlIGmPhwR+WkPjvVGusikP/A4K/VlfOTTESDWb+rWQS3vBSkz0zTYPSTyUhon0HMMUUnoXByeHUA+4unC6LytYJflPHFtMS/Vk/XAaWCPSssZk2YwDcZhcU20TA7TRm+FSZe9eXF2fLyKmBEz5ub/mG4a77OAscjQo6xg7F3IOs7iy5CNsumi6LKbwa7Pso3iMQ3a9ZrPjoi2mO8yU4w87c4tuKlsjDPqvNjD1zo7qRwBis+EaWjWAcjTo7lG8KLqMnKYIUsDHNj52Bk2RC6fec5nnPIbxWMaNFNf7JXw0mnVOrk+2sga2KrxKRsHJDC5cABXEErgmwwlxGmhZDYgOCdwvPe1hRVOG8BCF9NSA8S0HJ2qYBnz0zh8eAbTxu7tGJZg/SwfMW3k4NjsYh3zQqcOkA6TiilIb3eNVC8sRwNK0TtaBRqgBw/F+sHhw2XQ2DgFETfPvb/VuqI8ZaUQeTnaPHQ0TRlMETEOjzhzfRwd8FuF1AHKP85rQM3YsOFarcDyKMpI4A0KRlI0snuYecbOaww/QmqUmGY6JxN5po3J53roPECco4kz1bDRYO3qBhQOUI+vebnRSrVToUcDawlbMHsffs4AaV1RJk1L4zlZ84ydx3HjOALg2dA+qfdnrnddfWHZ+WjhAHl9qA1Epk44wJUzEgg4gnt6ynbjkUkdAq+v+mN+5CPEtGZoDI2cZRkBnNK9lsWyu0CX3+DxVFTU0ZcB+qOIHcGjQdYYDnrUQ4O59gBcr41RVU9Veo5vnrHLdNwOYE/PzShnA0I3wHW6bMWPjQAx3jATnM6DMa1dGkds2bKlGBFc086cObNscKpgM3Xl8qS8qjjG59mzfmJbnGipj81DtyC1q/R6q+j5zzzzzC69hsJWolj54kLZaWV8vsAReveo2DXp97bFOsHpu9Xtr/VLjZzjI0Pb6O1sFDiT8Nw7TjfWz/k7iTPrycuFAx566KHDK1as4IlL+eQAReO60ClFMm8QF1s8G4FpiCkAQxjHu/RUj9TwMc76QqMJlE+IvRDa9brcVD/zO4FTB6hdW8u5X4q/psZ33QH0cHZF8Q6JHumhjwHpnXHPzU6FdYO1AmcQx1EO5MHYBKYVDEsHIt4IqDcCevV3BMZyqujUAVrsj40AMqgxW4UucGaU8+so5nUK84w0OoBLPe+QcnVgSE6hhE4BTqPeCJlntzG5LRrjxw6h+t++55573ozH3bWxhrR3xLR2af28v9zxUBaGZes3kEB90aGMJvTqFsQO11tH8XmD0gHyzi9j5c1es8Y8zdLM7fzCMAJXGEwfAwHUQ30Rcr/9jent0qkD5PD/pszSAWI8FSvppgOoZ6a2n3FxxSj61E15IIq6dJJm6qGe6Gz0QJ9uQvrQRh2+1gF6GfdXUq6cZJmz2KZ1C9hh6etTNcWz8HIY6iZQflzgqQs9urHjcztwejoCxKt1wAMPPMAD0dXOBE6HaUzrBK2vEta9LcDczLU2SncSKI9y07WGB0no0U3g+UHc/qquXbfffvsm6iynoF4FftyLC1T1MlaUaYdmO3nRRRcVe/5YDkbSL3RSpaNISzSNp7zU+Jw1qB89ugk8rIqgzvCwQtHDamrWvPRIFMRzca6MaZ2i2dvrWzt1T6Y4IHFlwSiM27dW6iUf+SknPXBxrqBe30O1Um6rsqkDpNePXEaNA2677bYNStjsRBrAXUm3gfPG/Pnzyzsh12cDcldDI/w40+k5TMdCDnny5RzILoz6unXOiXplnh3vVaf+D8uUJ2Ez1IB/047oJsf126biyyCOdwtzD6Rvc/boUzh176EyCpkOCUwXTB3sXHwqxlHIEOjpxKuA1y3nzJlTN+Kq5NvlY78EHrnjjjvK183rHCDlH1TD/lKZios5PMiWtK/3hJJK+hX1tMAlHT+R4johBYyb7mJSmVycqUZvfxcfXOLQNRDAQY+FP4I6yT/GePabcbqY+6mELrMgXwThxnIggYVT394pFk96dn+BUcI2U/83YMB6vXVl7SEE2HTLLbfM9gIMv24EwFQv+56GeukAHqLQe7p5UUW9ERgNHI4wHFMPczk4NypiPmh6O1MNzxvAlDXQQKdJpx/Z9bvR+OiU1Ux35P+uxr+o9GKDzLBnShjoUVAoKONxR0NggeWOiqGNIxglBAxMwPAcqPzyLflPFDB6412TdNdsvuf7qT7ZKQih5cuX/4nmygedgXlz4cKFdTsVp3+Aj1sAw+tbQTVbeHXie2+99dZyc2Ppmm2omWD1sB8IFac14vS+zZvLHSqsD6DCAsz7ybq1S1cRy3PilQ7QVumQjH5HzMSZID1UxPQP6J7indF07pcd7+TuP2efSgcgrFHwQ2X+RcyoL+V27IoglvteoOn1+pht2pSNWj/vT5mON3SARgEnmi8rlBty5jd9wsz5P8DBAkzR6RlFHfjPey86g+RxsqEDENO+da0WkL8+nqWnuE9PDxgx/f1Is0XmABlBxv+e7PeTyEvpPh1ABhn7LhX2q5hZX1Gsu+OO6e8nml7PFUoCm/TM+RsJry7alANWrlx5QPPbdcq93yVwNtD7RE0djJznvYg5j6xduzZdFw/rfPLF++67r/a1i4wBmnIA+fQA4X81Cr4Sy+DiK1N5FHlP03TCdevW1V11i79U9nq8mcY37QAK03z2z0IrY8E8anv66afTfW8UeU/S7Hhod/qQR530H3Tg+mazjW7JARSqXdBfCK2KFaDE+8kJNn76XhF20ZbzhmibvuiWHcABTU74jAquGWI8PdM/Mai5/+ir8lMxnbsnpl3aG0E9f53s8nuNtpxR3nTlXZAFqvDSpUv1NuGonyl9QZThYQmP+gbiaVOsdyBoLgKZ89O3RWT8X2oxvlyds/bhbxNK9dsBlK0fGo/V7SPT0YdjXdxM6h/bFNfBkX8q01zDcMpl+okg4/9C6+AVeoZS+55jFGpAt+UAymUk6L1OHmNentbDv/uYNWtWzQtYqczJHsfgPFvmejkFGf8xXTEvrrrnSeVz8bYdQKEaCUN0F/+3csKStBKe9TIaMj/VT0VPujjzPAfOdMpBUW01H9R68GeadsqX2frTgI44wBXrGzjf0JO0exXn352UwLME3r3UQ56uvoFWVtgmwX0XV8rprWZvsdyLfV0fYeXT9G1DRx2ANnLCIjnhn0Sen2rH81neQuMxI/TJBuxweIGL6Sad63t13aKef532+T/vlO4ddwCK8VVA/dLkW+r5NSdnK81jQx70E7r5Tqbr6wvT43lhF8NztZAB3mL7O124LW3meiGTv5LVFQe4Nj3WvEpO+I7is82LmKmJz73jCH6gMdDAHM80ww5HC2q2evH/T3p+WVPO6qxAm8yuOgDd+A6F3qjgk708XSt/ApXqzRsX/EKF/8jEz5VwTqeBuxtO7bxhwZO99HXFpL4dMv5yvRFyP5eRSVrHol13gDXVTmm0zgc3y7A4o2F35xzBrolRAe7vb7d4xZ67Kl4sA9PjK+Z2q8lI2KPINzUVfVs7nOMfyCslOksMmAOs9k033TRShv0jLdRfF69uobZciiVfvJfESCHgpHSUMJfHwKLaAmyU8e+Xo37Q30NVC3WVogPuANfM57q0E/qkDPslGfIq8cvP+Vqm21gG5x1NXsn/e+1sVimeXwi6qMgJc0Bsk5wxTM64QuEa8RcrVK4VMV9/aNmYlzV/LKc/rF3NTzu9q2lVp5PCAVFpGWbQMn1CUyfrheITLhZrrnDLI0TG3qe8/PZtjeb+/9FoW6Oe/vSJ6OnSIQsnnQOyWorJnZNuWKfKoFMUnSLMR6bYKg2WQb1l2iXWdvG2aREF79RCypsdJy38P1q0yw6NqbHLAAAAAElFTkSuQmCC

/*{{{*/
.tiddler .originButton div {
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}

.tiddler .spaceSiteIcon .siteIcon {
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.tiddler .originButton {
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.selected .tagging,
.selected .tagging:hover {
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.tagging {
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.tagging li.listTitle {
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.tagging li {
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.tagging .tiddlyLink {
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/* for following */
#popup .siteIcon {
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.content {
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.editorHeading {
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.heading {
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.followButton a {
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.tiddler .followPlaceHolder {
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	right: 64px;
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}

.tiddler .followButton {
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	color: #fff;
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	padding: 10px 0px 0px 10px;
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/* creates the larger triangle */
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.editSpaceSiteIcon .originButton {
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.originButton img,
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.modifierIcon {
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.toolbar {
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.toolbar .moreCommand.highlight {
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.tiddler .toolbar .button {
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.tiddler .toolbar a:hover {
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.tiddler .tagged .listTitle {
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.revButton {
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/*! EditTemplate specific*/
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.spaceSiteIcon .externalImage .image a:hover,
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div.toolbar {
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a.image:hover {
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@media all and (max-device-width: 480px) {
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}
@media only screen and (device-width: 768px) {
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}
@media all and (max-width: 960px) {
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		margin-right: 80px;
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	.tiddler .heading {
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	br {
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}
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!!!Five great narratives which Postman posits as organizing myths (figurative gods) upon which to base an education:
*The Spaceship Earth
*The Fallen Angel
*The American Experiment
*The Law of Diversity
*The ~Word-Makers / ~World-Weavers

 
''Loren Eiseley'' (3 September 1907 – 9 July 1977) was an American anthropologist, educator, philosopher, and natural science writer.

[[Loren Eiseley's Gravesite|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6451]]
//"We loved the Earth but could not stay"//

"If I remember the sunflower forest it is because from its hidden reaches man arose. The green world is his sacred center. In moments of sanity he must still seek refuge there."

<part trunk>
"I too am aware of the trunk that stretches loathsomely back of me along the floor. I too am a many-visaged thing that has climbed upward out of the dark of endless leaf falls, and has slunk, furred, through the glitter of blue glacial nights. I, the professor trembling absurdly on the platform with my book and spectacles, am the single philosophical animal. I am the unfolding worm, and mud fish, the weird tree of [[Igdrasil|Axis Mundi]] shaping itself endlessly out of darkness toward the light."
—The Firmament of Time</part>


Wayne Luckmann wrote a poem about "[[Secular Saint Eiseley]]".
<part TheRope>
!!The Rope
by Loren [[Eiseley]]
(from //Notes of an Alchemist// 1972)

I used to carry a frayed rope in my hand
upon the speaker's rostrum,
try to tell
my students this:
that there was a similar rope
as loosely frayed
that bound them to the past,
{{rjustify{
+++[more]
{{ljustify{
a rope that somewhere ran
to an old salt-oozing eye
in the deep sea,
and that strange eye
still stared from underneath their brows
full at me,
just as the interlocked vertebrae of their dextrous spines
was long ago
a fish's gift,
just as
their lungs had labored gasping in a swamp
to serve a fish's needs,
and these frayed strands
of the rope I held
ran back and back
to individual and diverse times
in sea and swamp and forest,
twisted finally
into our living substance, hidden in ourselves
that code of DNA,
that secret spiral ladder
made up of bits and pieces of
the past that never dies
but [[lives entwined]] in us,
our spines up-tilted in a forest attic;
our foot, so tendon-bound
and twisted over,
a re-engineered bent
climbing pad
renewed to walk on grass;
our fingers quick
with stones;
our brains
dreaming lost ancient dreams
as well as throwing
ropes in the air as though to catch
what is uncatchable -
the future.
We can ask only the question
nor can we be
answered save through signs.
By many primitive fires around the world
man has
employed the rope trick of the Indian fakirs,
striven to climb
out of himself to heaven,
forever scaled
the giant beanstalk of himself,
been cast
forever down,
arose and climbed again.
Here holding
before a scientific audience
a plain, unmagical ordinary rope of hemp
I suddenly find
that, having made ascent, by weeping eye, salt-crusted fin,
and wrigglings learned
piercing the downpour of a continent
to reach this trembling platform,
it is my intent
to stay and cast
the wondrous rope still farther.
Fakir, mystic I may be, but this,
this is the way we came, the way
of the invisible rope
in the beginning cast
somewhere in the Devonian darkness
or below:
this is what instructed seers enact,
unknowing the precise sense
in which they cast but casting rope or thread
always above them
by dimly smoking fires
or using
an old, old symbolism
and climbing
before an audience
the ever-growing tree
up which there run
animals in pursuit.
This is a heavy time to cast my rope.
I stand unmagical
knowing only
the trick was done far back and must be done again.
I let the cord fall and I climb on words,
swaying, ascending,
desperate as man
in the black dark has always swung and climbed
toward some far sky lord he has never seen,
assembling along the ever-lengthening rope
his own dismantled self, the eye that weeps
salt tears
reborn,
the mind
cleansed of its treason and foul unbelief.
Believe, oh do believe;
look up,
the rope is there
lent by that devious double agent, night.
Oh now we know
the rope is hidden in ourselves to climb.
}}}
===
}}}
</part>
----

Every one of us is a hidden child. We are hidden in our beginnings—in the vagaries of the genetic cards that have been dealt to us by nature; we are hidden in the episodes of our individual lives, environments, events unduplicable that have aided or scarred us. We may have come from poverty or riches, but ironically this tells us nothing either, for on occasion it may be the rich child who has suffered trauma and the poor one who has achieved insight and balance.  It is not always so … I merely say to begin with that life is infinitely complex and hidden. We share together some elements of a complicated culture and a language, which, while common to all of us, whispers to each of us secret meanings, depending upon the lives we have led. Our diverging roads begin before birth and intensify afterwards.
—The Lost Notebooks of Loren Eiseley

Tomorrow lurks in us, the latency to be all that was not achieved before.  This is what led proto-man, five million years ago, to start upon a journey, at a time when night and day were strange and miraculous, as was the trumpeting of mammoths or the march of reindeer.  It was for this that man adorned his caverns in the morning of time.  It was for this that he worshipped the bear.  For man had fallen out of the secure world of instinct into a place of wonder.  That wonder is still expanding, changing as man’s mind keeps pace with it.  He stands and listens with a shell pressed to his ear.  He is still a child before the infinite spaces but he is in no way frightened … //The shifting unseen potential that we call nature has left man but one observable dictum, ''to grow.''//
—from //The Star Thrower//

"[[How Flowers Changed the World|angiosperms]]"

----

//From a letter from W. H. Auden to Loren Eiseley, a poem privately titled __Contra Monod__// {{grem{(a reference to Jacques Lucien Monod?)}}}

Genetics
may explain shape, size and posture but not why one
physique
should be gifted to cogitate about cogitation,
divorcing Form from Matter, and fated to co-habit
on uneasy terms with its Image, dreading a double death,
a dreamer, a maker of asymmetrical objects,
a linguist who is never at home in Nature's grammar.

Science, like Art, is fun, a playing with truths, and no game
should even pretend to slay the heavy-lidded riddle
//What is the Good Life?//

Common Sense warns me never to buy
either but, when I compare their rival myths of Being,
be-wigged Descartes looks more //outré// than the painted
wizard.

—quoted in The Lost Notebooks of Loren Eiseley

 
Growing from Anatta and Prana, the [[Fourfold Fruit]] flowers and knows itself: unnamed ~G-D (Ground-Divine) or ~Atman-Tao

[[I am]] ''a
Speck in the Cosmos
Daughter of the Biome
Son of the Wild
Family of Mankind
Path Walker
Defender of the Jewels
~Tao-Child''

''//Anatta Existence//''
Unbounded Sum and Void
Matter, Dimension, Forces
[[Physical Ground|Realms of the Manifest]]
//Meet ''me'', Choose//
• [[Right View]]
The world undulates, ebbs, flows, [[and is still|everything undulates]]
 … //quaking and kything, conscious-making//
Body in common with the whole  (~No-Self, I = Earth)
I am a Speck in the Cosmos  (in/of/equal to all)
//To change//
<<<
1. Look, listen, meet me!  Name your reverence for this life-arising sphere.  Awarely choose love.
;
:The world awaits hallowing; it awaits the disclosure and realization of its meaning. But we must begin. Meet the world with the fullness of your being, and you shall meet God … If you wish to believe, love!&nbsp;&nbsp;—Martin Buber
<<<
{{rjustify{
+++[more]
{{ljustify{
''//Prana Life//''
[[Chemical-Binder|Time-Binder]]
Cosmos/Anatta in flux gave rise to Prana
Conditionality
//''Seed of Perfection'' dwelling on Earth to ''You''//
• Right Attention & Right View
Earth, Water, Light
Respiration  (~No-Will, but growth)
Plant life, [[angiosperms]]
I am a Daughter of the Biome — [[Seed of Perfection|Friar's Journeybook/SeedOfPerfection]]
//To grow//, rooted by physical environ
<<<
2. Keep faith in the Seed of Perfection dwelling on Earth. Take refuge in its passages to you, and [[protect]] your fellowships.
;
://These are gifts no one owns — lasting ages and latent everywhere — yet hemmed by uncertainty, human weakness and evil.//
3. Sustain yourself from the Earth deliberately. Be mindful of the great throngs of life on every side, arising and dying equally under the sun.  You share their splendor and finiteness.
;
://The world has no Chosen tribe of creatures.  Do not elevate your community above another's only because it is different.  Keep contact with the open sky and living things.//
<<<
+++[+]
"The shifting unseen potential that we call nature has left man but one observable dictum, ''to grow''" (Loren [[Eiseley]]) — reconsider the meaning of growth from mankind's position of potential mass destruction.
===


''//Kama Life//''
[[Space-Binder|Time-Binder]]
Prana in flux within Anatta gave rise to Kama
Relationship
//from the ''Earth, You'' share//
• Right Intention & Right Conduct
Motility, Boundary, Hunger
Desires  (Will to pleasure)
Rooted in present moment
I am a Son of the Wild — animal life
//To move, eat, mate//
<<<
4. Honor and nurture your fellow beings.  Embrace.  Ease another's suffering.  Strive to end poverty and oppression.
;
://Be here with another: a child, a neighbor, a kin, or a stranger, and be wholly present to them: with words, hands, eyes, and all your intent.//
5. Do not kill or cause harm.  Ignore no evil done by humanity; mend what is possible without violence.  Turn your heart away from vengeance.
<<<
+++[+]
<<tiddler quickens>>
===


''//Artha Life//''
[[Time-Binder]]
Kama in flux consuming and renewing Prana gave rise to Artha
Creating [[Realms of the Manifest]]
//''You will what?''//
• Right Livelihood, Right Effort & Right Conduct
Memory and Reasoning Faculties of Man (Homo)
Minds focused on Cosmic fragments
Rooted in Ego, speaking ~I-It  (Will to power)
I [[Grew-Up|nascimento]] in the Family of Mankind (our fundamental roots)
//To have, do, create//, [make and reproduce], //to grasp or 'be grasped'//
<<<
6. Honor the sanctity of coupling and your physical being. Protect yourself. Defend and teach one another the same.

7. Practice, practice, to find strength and clarity in today's purpose.  The outer marks of success cannot satisfy.  What will you bring to being?
://Every day offers a [[new start|I begin]], if we nurture our bodies and relationships, and choose love.//
<<<
+++[+]
----

And ever those, who would enjoyment gain
Must find it in the purpose they pursue
—Sarah Josepha Hale

<<tiddler flow-permanence>>

Tomorrow lurks in us, the latency to be all that was not achieved before.  This is what led proto-man, five million years ago, to start upon a journey, at a time when night and day were strange and miraculous, as was the trumpeting of mammoths or the march of reindeer.  It was for this that man adorned his caverns in the morning of time.  It was for this that he worshiped the bear.  For man had fallen out of the secure world of instinct into a place of wonder.  That wonder is still expanding, changing as man’s mind keeps pace with it.  He stands and listens with a shell pressed to his ear.  He is still a child before the infinite spaces but he is in no way frightened … The shifting unseen potential that we call nature has left man but one observable dictum, to grow.
—Loren [[Eiseley]] in //The Star Thrower//
===


''//Dharma Life//''
[[Culture-Binder|Time-Binder]]
Artha refines and expresses Kama, giving rise to Dharma
Education
//''You come'' to acceptance//
• Right Effort & Right Speech
Widens the Ego's [[circle]] to a larger "Self" rooted in the entire human family
Begins with dialogue of ~I-You
Kama sublated (not negated)
Accepting the finiteness of Artha and its workings
I am Becoming Master of my Will  (knowledge //understood//)
To change, grow, move, create, to have and release, //to meet and turn//
<<<
8. Be generous.  Do not steal, hoard, or diminish what is needed by all.
;
://You provision with and for the means of unborn humanity. Your sources and effects are finite, yet [[adequate|adequate life]] to need.  Share them freely.//
9. Speak truthfully, and do not stand with deception. Keep questioning!  You shall come to acceptance, but not a livable codex.

A. Stay alert to the evidence of your senses.  Heed the efficacy of other ways and the test of empirical knowledge.  Let your children think and act freely.
;
://Alert to all your senses, develop them for the gift of discernment.//
<<<

''//Moksha Life//''
Relinquishing  ([[Bind|Time-Binder]]-Unloosing)
Dharma shifts Artha back toward Prana or an Ideal ~Super-Personal, Extraconceptual state which is Moksha
Community
//''You save life''//
• Right Concentration & Right Intention
Has been the province of [[priests|Welcome to your own priesthood]], wise ones, or "magic"  (knowledge //felt//)
I am Training to Defend the Jewels:
[[Chain|the cord]] of Dharma (natural law / wisdom), Sangha (community), and Bodhi/Christ/Inner Light (ideal Self)
—understood by Tillich as both sacrament (holy presence that is) and laws (holy potential that ought to be)
//To suffer and transcend//: all desires, attachments, and impermanence
<<<
B. Be grateful.  Loosen the grasp of attachments.  Find a proportion for yourself in the whole.
C.  Avoid haste, distraction and worry.  Reserve quiet contemplative time; from this take congruent action.
D. Save life whenever you can, but also accept death. Do not live in fear nor speculate on an afterlife.
<<<
+++[+]
The true value of a human being is determined by the measure and the sense in which they have obtained [[liberation|widening the circle]] from the self. We shall require a substantially new manner of thinking if humanity is to survive.
—Albert Einstein
===


''//Atman~Tao//''
Peak experiences, fleeting ({{emph{Unbound}}} from Ego's craving to flee and self-affirm)
Moksha shifts Dharma and Artha back toward Anatta / ~No-Self, which in sentient form is ~Atman-Tao or 'Soul of the World' — not existence, but ''Way''
Transcendent
//''Tao'' is manifest//
• Right View, (At)/(In)tention (?), Concentration, Effort
Tao that cannot be spoken
Nondual, Seed of Perfection or natural splendor 'unveiled' from subject/object limitations
The death of [[Tanha]], end of the 'thinker' and thirst for becoming, is succeeded by the plenitude of //Life.//
I am a ~Tao-Child
//Being borne and dying//
<<<
E. Be here with all your heart, all your mind, and all your strength centered, and respond to life's call.  The Tao [~Ground-Divine] is manifest in every time and place.  Come to this peace.
<<<
----
This is the ultimate concern of faith (the centered listening and response): beyond suffering, impermanence, non-self — wisdom that springs from neither fixity nor change.

"Reconcile not with myself:  with what lifts me, sustains me, lets me fall."  (Octavio Paz)

http://www.vipassana.com/resources/8fp3.php
}}}
===
}}}
----
Preserve and restore your Ground-Divine in the body and cosmos: this Ground or Tao being the basic, eternal principle of the universe that transcends reality and is the source of //being, non-being, and change.//

//Absolve yourself.//   Insoluble consciousness, resolution, absolution, dissolution. <part ecstasy>//Ecstasy steps outside a 'system' of belief.//

Greek //ex-// + //histanai// "to place, cause to stand," //out of// … //syn-// "together" + //histanai//
</part>

 
… I calmly confront the prospect that my life will consist of nothing more than being shut up forever in this office, surrounded by these people. I have enough money to buy food and drink, I have somewhere to live and enough free time in which to dream, write, and sleep — what more can I ask of the gods or hope for from Fate?
– Fernando [[Pessoa|Heteronym]] (#113)

I wake to sleep, and take my waking slow.
''I feel my fate'' in what I cannot fear.
I learn by going where I have to go.
–Theodore Roethke (#108), "[[The Waking]]"

''I feel my fate'': my fate finds me,
I feel my star: my star finds me,
I feel my aims: my aims find me.
My soul and the world are but one.
– Rudolf Steiner

//Ich fühle mein Schicksal,
Mein Schicksal findet mich.
Ich fühle meinen Stern,
Mein Stern findet mich.
Ich fühle meine Ziele,
Meine Ziele finden mich.
Meine Seele und die Welt sind Eines nur.//
– from [[Verses and Meditations|https://books.google.com/books?id=cz04DAAAQBAJ&pg=PA112]]
: German has "Schicksal," which means "fate, destiny."  High German did not acquire the word until the 1500s, and it came from Low German and Dutch, as "schicksel," and essentially meant "''chance''" which then became "destiny, fate".
Free man in the realm of fate.
But if you turn away from this,
And only keep your mind attuned
To the daily semblance-nature,
Then you will, as image of man,
Lose yourself in the play of fate.
– Rudolf Steiner, page [[54|https://books.google.com/books?id=Dkw96EUVPfwC&pg=PA54]] of Steiner's volume in the Western Esoteric Masters Series

And yet they, who passed away long ago, still exist in us, as predisposition, as burden upon our fate, as murmuring blood, and as gesture that rises up from the depths of time.
– Rainer Maria Rilke (#17), from //Letters to a Young Poet//

In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been [[repeated|repeating]] countless times in our ancestral history, and on the average follow ever the same course.  It is like a deeply graven riverbed in the psyche…
– Carl Jung (#21), "On the Relation of [[Analytical Psychology to Poetic Art]]"

This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously."
– Viktor Frankl (#24), //[[Man's Search For Meaning]]//

According to Paul Tillich (#130), humanity can stand //in and through anxiety//. This stance is "[[courage to be]]".  This anxiety constitutes three features: the anxiety of fate and death, the anxiety of emptiness and meaninglessness, and the anxiety of guilt and condemnation. 

Genetics
may explain shape, size and posture but not why one
physique
should be gifted to cogitate about cogitation,
divorcing Form from Matter, and fated to co-habit
on uneasy terms with its Image, dreading a double death,
''a dreamer, a maker of asymmetrical objects,
a linguist'' who is never at home in Nature's grammar.
– In a letter from W. H. Auden (#150) to Loren [[Eiseley]] (#35)

No people are uninteresting.
Their fate is like the chronicle of planets.
– Yevgeny Yevtushenko (#154), "[[People]]"

There is a chain of fate that links us irrevocably
to our own destruction.
– Evan S. Connell (#189), //[[Notes From A Bottle]]//

… A carapace, made of character and compromise, begins to form around us… We begin to think that the lives we lead are the only ones we shall ever lead, and fall down into the acceptance of what we take to be our fate.
– Roberto Unger (#439), //The Self Awakened//, quoted in my [[countervailingGBG]] themes

He re-imagined [[art|moticos]] as gift communication, a part of daily life—and a constant engagement that links the past, present and future into interchangeable symbols; fateful accidents, magic reversals and poetry.
– [[Cary Loren|http://www.thebookbeat.com/backroom/2014/01/24/in-memory-of-moticos/]] on Ray Johnson (#458)

Then he tossed the tool aside and stood on the center, facing his fate.
– Neal Stephenson, //Anathem//, quoted by [[Chad Miller|https://www.flickr.com/photos/chadmiller/3890650873/]]

There is no fate that plans men's lives. Whatever comes to us, good or bad, is usually the result of our own action or lack of action.
– Herbert N. [[Casson|https://en.wikiquote.org/wiki/Herbert_N._Casson]] (1869-1951)

Fate might play a role, but I have the ability to nudge it in the right direction.

!Mythopoeia
J. R. R. [[Tolkien]]
1931

To one [C.S. Lewis] who said that myths were lies and therefore worthless, even though 'breathed through silver'.

//Philomythus to Misomythus//

You look at trees and label them just so,
(for trees are 'trees', and growing is 'to grow');
you walk the earth and tread with solemn pace
one of the many minor globes of Space:
a star's a star, some matter in a ball
compelled to courses mathematical
amid the regimented, cold, inane,
where destined atoms are each moment slain.

At bidding of a Will, to which we bend
(and must), but only dimly apprehend,
great processes march on, as Time unrolls
from dark beginnings to uncertain goals;
and as on page o'er-written without clue,
with script and limning packed of various hue,
an endless multitude of forms appear,
some grim, some frail, some beautiful, some queer,
each alien, except as kin from one
remote [[Origo|https://en.wikipedia.org/wiki/Origo]], gnat, man, stone, and sun. 
God made the petreous rocks, the arboreal trees,
tellurian earth, and stellar stars, and these
homuncular men, who walk upon the ground
with nerves that tingle touched by light and sound.
The movements of the sea, the wind in boughs,
green grass, the large slow oddity of cows,
thunder and lightning, birds that wheel and cry,
slime crawling up from mud to live and die,
these each are duly registered and print
the brain's contortions with a separate dint.
Yet trees are not 'trees', until so ''named and seen''
and never were so named, till those had been
who speech's involuted breath unfurled,
faint echo and dim picture of the world,
but neither record nor a photograph,
being divination, judgement, and a laugh
response of those that felt astir within
by deep monition movements that were kin
to life and death of trees, of beasts, of stars:
free captives undermining shadowy bars,
digging the foreknown from experience
and panning the vein of spirit out of sense. 
Great powers they slowly brought out of themselves
and looking backward they beheld the elves
that wrought on cunning forges in the mind,
and light and dark on secret looms entwined.

He sees no stars who does not see them first
of living silver made that sudden burst
to flame like flowers beneath an [[ancient song|language of shaping]],
whose very echo after-music long
has since pursued. There is no firmament,
only a void, unless a jewelled tent
myth-woven and elf-patterned; and no earth,
unless the mother's womb whence all have birth.
The heart of Man is not compound of lies,
but draws some wisdom from the only Wise,
and still recalls him. Though now long estranged,
Man is not wholly lost nor wholly changed.
Dis-graced he may be, yet is not dethroned,
and keeps the rags of lordship once he owned,
his world-dominion by creative act:
not his to worship the great Artefact,
Man, Sub-creator, the refracted light
through whom is splintered from a single White
to many hues, and endlessly combined
in living shapes that move from mind to mind. 
Though all the crannies of the world we filled
with Elves and Goblins, though we dared to build
Gods and their houses out of dark and light,
and sowed the seed of dragons, 'twas our right
(used or misused). The right has not decayed.
We make still by the law in which we're made.

Yes! 'wish-fulfilment dreams' we spin to cheat
our timid hearts and ugly Fact defeat!
Whence came the wish, and whence the power to dream,
or some things fair and others ugly deem?
All wishes are not idle, nor in vain
fulfilment we devise -- for pain is pain,
not for itself to be desired, but ill;
or else to strive or to subdue the will
alike were graceless; and of Evil this
alone is deadly certain: Evil is.

Blessed are the timid hearts that evil hate
that quail in its shadow, and yet shut the gate;
that seek no parley, and in guarded room,
though small and bate, upon a clumsy loom
weave tissues gilded by the far-off day
hoped and believed in under Shadow's sway.

Blessed are the men of Noah's race that build
their little arks, though frail and poorly filled,
and steer through winds contrary towards a wraith,
a rumour of a [[harbour guessed by faith|Confession]].

Blessed are the legend-makers with their rhyme
of things not found within recorded time.
It is not they that have forgot the Night,
or bid us flee to organized delight,
in lotus-isles of economic bliss
forswearing souls to gain a Circe-kiss
(and counterfeit at that, machine-produced,
bogus seduction of the twice-seduced). 
Such isles they saw afar, and ones more fair,
and those that hear them yet may yet beware.
They have seen Death and ultimate defeat,
and yet they would not in despair retreat,
but oft to victory have tuned the lyre
and kindled hearts with legendary fire,
illuminating Now and dark Hath-been
with light of suns as yet by no man seen.

I would that I might with the minstrels sing
and stir the unseen with a throbbing string.
I would be with the mariners of the deep
that cut their slender planks on mountains steep
and voyage upon a vague and wandering quest,
for some have passed beyond the fabled West.
I would with the beleaguered fools be told,
that keep an inner fastness where their gold,
impure and scanty, yet they loyally bring
to mint in image blurred of distant king,
or in fantastic banners weave the sheen
heraldic emblems of a lord unseen.

I will not walk with your progressive apes,
erect and sapient. Before them gapes
the dark abyss to which their progress tends
if by God's mercy progress ever ends,
and does not ceaselessly revolve the same
unfruitful course with changing of a name.
I will not treat your dusty path and flat,
denoting this and that by this and that,
your world immutable wherein no part
the little maker has with maker's art.
I bow not yet before the Iron Crown,
nor cast my own small golden sceptre down.

In Paradise perchance the eye may stray
from gazing upon everlasting Day
to see the day illumined, and renew
from mirrored truth the likeness of the True.
Then looking on the Blessed Land 'twill see
that all is as it is, and yet made free:
Salvation changes not, nor yet destroys,
garden nor gardener, children nor their toys.
Evil it will not see, for evil lies
not in God's picture but in crooked eyes,
not in the source but in malicious choice,
and not in sound but in the tuneless voice.
In Paradise they look no more awry;
and though they make anew, they make no lie.
Be sure they still will make, not being dead,
and poets shall have flames upon their head,
and harps whereon their faultless fingers fall:
there each shall choose for ever from the All.

of the individual human being.
I want to believe that we can survive without an industrialized supply chain.  I want to be inspired again, to admire the power & potential of the natural man, without regard to society.
 
----

''Pema Chödrön'' (14 July 1936) is an American Tibetan Buddhist, an ordained nun and disciple of Chögyam Trungpa Rinpoche.  Chodron has written several books and is the director of the Gampo Abbey in Nova Scotia, Canada.  Her first book, //The [[Wisdom of No Escape]]// was published in 1991.  Born Deirdre ~Blomfield-Brown in New York City.

 
Fragments of //[[Notes From A Bottle]]// by Evan Shelby Connell
----

//It is late;
we can only hope.//

Has the author, Porson, begun his first book
concerning the details of human folly?
He has promised it ought not to exceed, at the most,
five hundred volumes.

Have we wearied of the letters of our name, until
we are no less nameless than a Gulf
or a terrace which has its name,
but in reality is cast of previous hours?

If, in the name of God, we thus employ our times,
tell me, when you have learned, the Devil's labor.

''Out of grave necessity I create this rosalia.''

I have been wondering if each individual
is possessed of his own wisdom, or if
whatever exists and is known
must be regarded as common to us all;
and therefore he that looks most rigorously
''into mutual depths'' thus should be thought
least unwise.  Perhaps I will ask the next man
that I meet, if he be not offensive.
…
Meaningful associations are formed
beneath our conscious level; this process
is like a dream.
…
To each question there are many false answers.  But there is one
which is final.  On this account, if none other,
I undertake, again, to communicate to you my thoughts.

 
''David Whyte'' (born 2 November 1955)  grew up in Yorkshire, England.  He studied Marine Zoology in Wales and trained as a naturalist in the Galápagos Islands.  He has also worked as a naturalist guide, leading anthropological and natural history expeditions in the Andes, Amazon and Himalaya.

Whyte's poetry reflects a living spirituality and a deep connection to the natural world.  He is quoted as saying that all of his poetry and philosophy is based on "the conversational nature of reality".  (From Wikipedia and his own [[biography|http://www.davidwhyte.com/biography.html]].)

He was a close friend of the Irish poet John O'Donohue, author of //[[Anam Cara]]//.

<<<
We shape our self
to fit this world

and by the world
are shaped again +++[…]
&nbsp;
The visible
and the invisible

working together
in common cause,

to produce
the miraculous.

I am thinking of the way
the intangible air

passed at speed
round a shaped wing

easily
holds our weight.

So may we, in this life
trust

to those elements
we have yet to see

or imagine,
and look for the true

shape of our own self,
by forming it well

to the great
intangibles about us.
===
&nbsp;

-- from "Working Together" in //The House of Belonging// (1996)
<<<

//“The leading edge of ourselves is often an irrational part of ourselves”//  … irrational only in the sense that it can’t be defined by the person it’s leaving behind.  I think eventually you do find that there’s a greater kind of intellectual context that can’t be recognized when you’re in the initial stages of a new phase in your life, where you’re pushing yourself and focusing and things are starting to happen that you can’t quite define.  In the early stages, there’s a lot of danger in this because you can pull away from it thinking that you’re losing control and you’ll be drowned by what you’re actually paying attention to. It’s at that point where you need to focus more intensely but you also need to ask for help from other people who have been through this.

You could say that poetry and the poetic tradition has a great deal of help in it, as well as our great contemplative traditions, too. A nd that you can go to some of these people, whether it’s Anna Akhmatova in Russia, a great Russian woman poet, or whether it’s Meister Eckhart or the Kabbalah.  There is a lot of help in the world for us… You’re not alone in this, and by definition, if the underlying nature of reality is conversational, there are all of these other elements or helping hands in the world without which you can’t actually claim your happiness.

(From an [[April 2010 interview|http://www.soundstrue.com/podcast/transcripts/david-whyte.php?camefromhome=camefromhome]] with Tami Simon.)

----

* [[start]]
* [[your simple wish to find a way]]
* [[The Seven Streams]]

!Sigh No More
Mumford & Sons

<html> 
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</html>

Serve God, love me and mend
This is not the end
Lived unbruised, //we are friends
And ''I'm sorry''
I'm sorry//

Sigh no more, no more
One foot in sea, one on shore
//My heart was never pure
''You know me''
You know me//

But man is a giddy thing
Oh man is a giddy thing
Oh man is a giddy thing
Oh man is a giddy thing

Love; it will not //betray you
Dismay or enslave you//, ''it will set you free''
Be more like the man you were made to be

There is a design, an alignment to cry
Of my heart to see,
The beauty of love as it was made to be

Love; it will not betray you
Dismay or enslave you, it will set you free
Be more like the man you were made to be

There is a design, an alignment to cry
Of my heart to see,
The beauty of love as it was made to be

Love; it will not betray you
Dismay or enslave you, it will set you free
Be more like the ''man you were made to be''

And there is //a design, an alignment to cry
Of my heart to see,
The ''beauty of love'' as it was made to be//

Grammar is a "critique of the universe."  – Octavio [[Paz]]

Grammar studies the possible relationships among words, combined in [[sentence]]s to form meaning.

Every grammatical principle is an expression of some requirement for clarity by the human mind

//''gramma''// -- Greek for "letter"

//''glamour''// -- 1720, Scottish, "magic, enchantment" (especially in phrase //to cast the glamor//), a variant of Scottish //gramarye// "magic, enchantment, spell," alteration of English //grammar//.  Popularized by the writings of Sir Walter Scott (1771-1832). Sense of "magical beauty, alluring charm" first recorded 1840.

Language appreciation, including non-English

Reading stories
Composition
Journal (Response as reader/viewer/listener/participant)
Poetry
Music
Alphabets
Vocabulary
Etymology
Translation via machine, and human translation of idioms
Constructed languages
Mathematical languages
Balanced ternary or dozenal base number systems

//A New Kind of Science// (Wolfram — wisdom and hubris)

Literate computer [[programming language]] (Knuth), "Notation as a Tool of Thought" ([[Iverson]]), [[TOK|The City of Mind]] (Le Guin), [[GBG|Glass Bead Game]] language, [[boustrophedon]] text

 
I continue my reflection today on taking nothing precious for granted.  Our carahood chief among that!

//"These are [[gifts|Friar's Journeybook/November7]] no one owns -- lasting ages and latent everywhere -- yet ''hemmed by uncertainty and human frailties.''"//
… a line I wrote, referring to "gifts of providence" which are not supernatural or deistic in origin
: the basic gifts of family and friendship (sangha),
: the passage of wisdom and strength to us (dharma),
: and an ideal we may strive for (under so many names, bodhi or tao just a few.)
When it's neglected or suffers inattention or breaches of trust, we [[do harm|Do not cause harm]] to the most important elements of our life.  So I have done.  I am turning my attention to this now more than ever.

Thank you for being my [[Anam Cara]].

----

//She replied five minutes later://

I like this to reflect on

I acknowledged to myself this morning that lately I have been "trying" to lose myself in fantasy things - but that doesn't mean I'm going to stop - I just acknowledge it

I'm very tired today - yet I also don't really want to share that because it is, basically, just complaining

----

Exactly one year later, March 28th, I met my second wife Carmen.

!Patmos
Friedrich Hölderlin

[[The god|winged energy of delight]]
is near, and hard to grasp.
But //where danger is, there grows
the saving power also.//
Eagles dwell in darkness, 
And the sons of the Alps 
Cross over the abyss without fear 
On lightly-built [[bridge]]s.
Wherefore, {{grem{[or therefore?]}}} since the summits
Of Time cluster high all around, 
And loved ones dwell near,
Languishing on separate +++[mountains]
 
//… It is fearful how God randomly 
Scatters the living, and how very far.// (Hölderlin)

//[[On the mountains of the heart|Rilke/mountains]] cast out to die …
Here, it's true, some things flourish;
out of mute downplunge
an unknowing herb breaks forth singing.//
===

Give us pure water,
O give us wings and a true mind,
That we may cross over and return. 

Thus I spoke,
And //a spirit fast beyond all measure//
Carried me far from my own house
To a place I never thought I'd go. 
The shaded forests and
Yearning streams of my homeland
Were glowing in the twilight. 
I did not recognize the lands 
I passed through, then suddenly 
In fresh splendor, mysterious 
In the golden haze, quickly emerging 
In the steps of the sun, 
Fragrant with a thousand peaks,
Asia rose before me.

Another alternate translation of the full poem appeared in [[Harper's Magazine|https://harpers.org/blog/2007/07/patmos/]]

Also: [[On ‘Translating’ Hölderlin|http://www.likestarlings.com/on-translating-holderlin/]] by Robert Huddleston

/%

Hello,

If you choose to change this GettingStarted tiddler, you may wish to add the following to your new content if you expect you space to be included:

<<<
----
Hello,
''This ~GettingStarted tiddler has been customized.''
If you want to see the original system tiddler just click the following link: GettingStarted@system-info at system-info.
<<<
%/

Welcome to your brand new [[TiddlySpace|http://docs.tiddlyspace.com/TiddlySpace]].

You're almost ready to go, there are just a couple of things left to do.

!Customise your space
Go to [[SpaceSettings]] to finish customising  your space. When you're done, come back here (just scroll up). Don't worry though, this will still be open when you've finished.

!Further Customisation

For advanced options, the [[ServerSettings]] tiddler is used to enable the following features:

#index: The value is the name of a tiddler that will be presented when loading the space.  For example, when set to {{{Hello}}} for the space hello.tiddlyspace.com, navigating to that URL will present the Hello tiddler. If there is no {{{Hello}}} you will get an error.
#editor: The name of an [[editor application|http://docs.tiddlyspace.com/Example%20Tiddler%20Editors]] to edit tiddlers with.  Applications come from [[included spaces|http://docs.tiddlyspace.com/How%20do%20I%20include%2Fexclude%20spaces%3F]]

//If you do not need or understand these features there is no need to create a ServerSettings tiddler.//

To edit these options: 

* click [[here|ServerSettings]] to open the [[ServerSettings]] tiddler
* click on the edit button (the pencil icon)
* add the options you wish to set 
* click on the save button (the tick icon).

An example [[ServerSettings]] tiddler:
{{{
index: HelloThere
editor: /edit#{tiddler}
}}}

The additional text after /edit allows a tiddler to be opened in edit mode e.g:
{{{http://hello.tiddlyspace.com/edit#MyTiddler}}}

!!See Also

* [[ServerSettings shadow tiddler|http://docs.tiddlyspace.com/ServerSettings%20shadow%20tiddler]]
* [[Choosing a non-TiddlyWiki Default Application for your Space|http://docs.tiddlyspace.com/Choosing%20a%20non-TiddlyWiki%20Default%20Application%20for%20your%20Space]]

!Finished customising?
You can [[Start writing]] some [[tiddlers|http://docs.tiddlyspace.com/Tiddler]].
If you're not done tweaking yet though, you can always [[Customise this space|SpaceSettings]] a bit more.

You can also [[access and read other tiddlers in various ways|http://docs.tiddlyspace.com/Viewing%20Tiddlers]].

!Administration
If you'd like to change your password or create another space, visit "Your Account" from the [[Universal Backstage|http://docs.tiddlyspace.com/UniversalBackstage]] (the blue dot in the upper right of the page). If you'd like to add a member or [[include a space|http://docs.tiddlyspace.com/How%20do%20I%20include%2Fexclude%20spaces%3F]] visit "This Space" from the [[Universal Backstage|http://docs.tiddlyspace.com/UniversalBackstage]].

You can have as many spaces as you like and each space can have as many members as you or your group need.

!Stuck?
If you're stuck, and would like some help, please visit the [[help|http://help.tiddlyspace.com]] space, which can point you in the right direction.

!Maithuna
by Octavio [[Paz]]


My eyes discover you
naked
    and cover you
with a warm rain
of glances

******

A cage of sounds
       open
to the morning
     whiter
than your thighs
      at night
your laughter
     and more your foliage
your blouse of the moon
          as you leap from bed

Sifted light
     the singing spiral …

My day
     exploded
in your night
        Your cry
leaps in pieces
        Night
spreads
     your body
washing under
        your bodies
+++[knot]
{{grem{  breathless and strong in her blood
  that knot made to untie
    -- from [[Kythings|Kythings interpreted]]}}}
===

Your body once again

******


Your laughter burns your clothes
              your laughter
soaks my forehead my eyes my reasons …

making love      //[en el acto de amor]//
     at the precipice   //[sobre el precipicio]//

… rain of hands leaves fingers wind
on your body
      on my body on your body

******

Last night
     in your bed
we were three:
the moon  [[you|Carmen]] & me

******

I open
    the lips of your night
damp hollows
        unborn
echoes:

    whiteness
a rush
    of unchained water

******

To sleep to sleep in you
or even better to wake
          to open my eyes
at your center
    black white black
white
  To be the unsleeping sun
your memory ignites
         (and
the memory of me in your memory)

******

And again the sap skywise
rises
  (//salvia// your name
is flame)
    Sapling
crackling
    (rain
of blazing snow)
       My tongue
is there
   (Your rose
burns through the snow)
           is
now
  (I seal your sex)
         dawn
from danger drawn

   {{grem{leaping the text . . .}}}

              (In my blood:
[[Camoens|https://en.wikipedia.org/wiki/Lu%C3%ADs_de_Cam%C3%B5es]], Vasco da [[Gama|https://en.wikipedia.org/wiki/Vasco_da_Gama]], and the rest . . .)
The garden has been left behind.
          Behind or ahead?
''There are no more gardens than those we carry within''.
What waits for us on the other shore?
Passion is passage:
     the other shore is here,
light in the shoreless air,
       //Prajnaparamita,//
Our Lady of the Other Shore,
             you yourself,
the girl of the tale,
        alumna of the garden.
I forgot Nagarjuna and Dharmakirti
               in your breasts,
I found them in your cry,
          //[[Maithuna]],//
               two in one,
one in all,
     all in nothing,
          //sunyata,//
the empty plenitude,
         emptiness round as your hips!

******

The vision scatters in a whirlwind,
helix of seventeen syllables
            drawn on the sea,
not by Basho:
      by my eyes, the sun and the bird,
today, at about four,
          at the latitude of Mauritania.
A wave explodes:
       salt butterflies.
Metamorphosis into the identical…

             Dizziness,
vertigo high above a mirror.
           //El jardín se abisma.//

I had an interesting dream last night I wanted to share:

I was in a restaurant with a group of people from work (primarily) and a few random family members (an uncle by marriage, for example.)  My boss Karl asked me, "Where do you want to go eat?", and I deflected the question, saying that wherever they chose would be fine.  He pressed me, saying I must have a favorite restaurant.  I responded, "I'm a flexible guy."  (Something very plausible I would say in real life to avoid a social decision.)

Then he made a few insightful statements:

"No, that's just the way you are."  He said it had something to do with 'respect' and the way I was raised.  That part is murky to me now.
He also said, "I see it in meetings with you every day."
Then the kicker, "You are trying to balance customer schedules, the needs of the factory, and your own living language."
"My only advice is to have more confidence in your dealings with me."

Hmmm … what am I trying to tell myself?  The 'living language' part really struck me, although I'm a tad unclear if he said that or 'language of living.'

//My therapist responded://
The dream:  a powerful one.  It sounds as if Karl wants to be "met".  And it sounds as if you are trying to integrate more of you into the growing self that you are.  I doubt Karl would speak of "living language" and yet it works for him and most certainly works for, out of, and in you.

Interview with Robert [[Vickrey]]:
<html> 
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</html>

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/z66QPWnrxW8?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/z66QPWnrxW8?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>

/***
|''Name''|TiddlySpacePublishingCommands|
|''Version''|0.8.5|
|''Status''|@@beta@@|
|''Description''|toolbar commands for drafting and publishing|
|''Author''|Jon Robson|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpacePublishingCommands.js|
|''CoreVersion''|2.6.1|
|''Requires''|TiddlySpaceConfig TiddlySpaceFilters|
!Usage
Provides changeToPrivate, changeToPublic and saveDraft commands
Provides TiddlySpacePublisher macro.
{{{<<TiddlySpacePublisher type:private>>}}} make lots of private tiddlers public.
{{{<<TiddlySpacePublisher type:public>>}}} make lots of public tiddlers public.
!TODO
* add public argument?
!Code
***/
//{{{
(function($) {

var tiddlyspace = config.extensions.tiddlyspace;
var originMacro = config.macros.tiddlerOrigin;

tiddlyspace.getTiddlerStatusType = function(tiddler) {
	var isShadow = store.isShadowTiddler(tiddler.title);
	var exists = store.tiddlerExists(tiddler.title);
	if(isShadow && !exists) {
		return "shadow";
	} else if(!exists) {
		return "missing";
	} else {
		var types = ["private", "public"];
		var type = "external";
		for(var i = 0; i < types.length; i++) {
			var t = types[i];
			type = config.filterHelpers.is[t](tiddler) ? t : type;
		}
		if(config.filterHelpers.is.unsynced(tiddler)) {
			type = type == "private" ? "unsyncedPrivate" : "unsyncedPublic";
		}
		return type;
	}
};

var cmd = config.commands.publishTiddler = {
	text: "make public",
	tooltip: "Change this private tiddler into a public tiddler",
	errorMsg: "Error publishing %0: %1",

	isEnabled: function(tiddler) {
		return !readOnly && config.filterHelpers.is["private"](tiddler);
	},
	handler: function(ev, src, title) {
		var tiddler = store.getTiddler(title);
		if(tiddler) {
			var newBag = cmd.toggleBag(tiddler.fields["server.bag"]);
			this.moveTiddler(tiddler, {
				title: tiddler.fields["publish.name"] || tiddler.title,
				fields: { "server.bag": newBag }
			});
		}
	},
	toggleBag: function(bag, to) {
		var newBag;
		if(typeof bag != typeof "") {
			var tiddler = bag;
			bag = tiddler.fields["server.bag"];
		}
		if(bag.indexOf("_private") > -1) { // should make use of endsWith
			to = to ? to : "public";
			newBag = bag.replace("_private", "_" + to);
		} else {
			to = to ? to : "private";
			newBag = bag.replace("_public", "_" + to);
		}
		return newBag;
	},
	copyTiddler: function(title, newTitle, newBag, callback) {
		var original = store.getTiddler(title);
		newTitle = newTitle ? newTitle : title;
		var adaptor = original.getAdaptor();
		var publish = function(original, callback) {
			var tiddler = $.extend(new Tiddler(newTitle), original);
			tiddler.fields = $.extend({}, original.fields, {
				"server.bag": newBag,
				"server.workspace": "bags/%0".format(newBag),
				"server.page.revision": "false"
			});
			delete tiddler.fields["server.title"];
			tiddler.title = newTitle;
			adaptor.putTiddler(tiddler, null, null, callback);
		};
		publish(original, callback);
	},
	moveTiddler: function(tiddler, newTiddler, callback) {
			var info = {
			copyContext: {},
			deleteContext: {}
		};
		var _dirty = store.isDirty();
		var adaptor = tiddler.getAdaptor();
		var newTitle = newTiddler.title;
		var oldTitle = tiddler.title;
		delete tiddler.fields["server.workspace"];
		var oldBag = tiddler.fields["server.bag"];
		var newBag = newTiddler.fields["server.bag"];
		var newWorkspace = "bags/%0".format(newBag);
		cmd.copyTiddler(oldTitle, newTitle, newBag, function(ctx) {
				info.copyContext = ctx;
				var context = {
					tiddler: tiddler,
					workspace: newWorkspace
				};
				store.addTiddler(ctx.tiddler);
				tiddler.title = oldTitle; // for cases where a rename occurs
				if(ctx.status) { // only do if a success
					if(oldBag != newBag) {
						adaptor.deleteTiddler(tiddler, context, {}, function(ctx) {
							info.deleteContext = ctx;
							var el;
							if(tiddler) {
								tiddler.fields["server.workspace"] = newWorkspace;
								tiddler.fields["server.bag"] = newBag;
							}
							el = el ? el : story.refreshTiddler(oldTitle, null, true);
							if(oldTitle != newTitle) {
								store.deleteTiddler(oldTitle);
								store.notify(oldTitle, true);
							}
							if(el) {
								story.displayTiddler(el, newTitle);
							}
							if(oldTitle != newTitle) {
								story.closeTiddler(oldTitle);
							}
							if(callback) {
								callback(info);
							}
							store.setDirty(_dirty);
						});
					} else {
						if(callback) {
							callback(info);
						}
					}
					refreshDisplay();
				}
		});
	}
};

var changeToPrivate = config.commands.changeToPrivate = {
	text: "make private",
	tooltip: "turn this public tiddler into a private tiddler",
	isEnabled: function(tiddler) {
		return !readOnly && config.filterHelpers.is["public"](tiddler);
	},
	handler: function(event, src, title) {
		var tiddler = store.getTiddler(title);
		var newBag = cmd.toggleBag(tiddler, "private");
		var newTiddler = { title: title, fields: { "server.bag": newBag }};
		cmd.moveTiddler(tiddler, newTiddler);
	}
};
config.commands.changeToPublic = cmd;

/* Save as draft command */
var saveDraftCmd = config.commands.saveDraft = {
	text: "save draft",
	tooltip: "Save as a private draft",
	isEnabled: function(tiddler) {
		return changeToPrivate.isEnabled(tiddler);
	},
	getDraftTitle: function(title) {
		var draftTitle;
		var draftNum = "";
		while(!draftTitle) {
			var suggestedTitle = "%0 [draft%1]".format(title, draftNum);
			if(store.getTiddler(suggestedTitle)) {
				draftNum = !draftNum ? 2 : draftNum + 1;
			} else {
				draftTitle = suggestedTitle;
			}
		}
		return draftTitle;
	},
	createDraftTiddler: function(title, gatheredFields) {
		var tiddler = store.getTiddler(title);
		var draftTitle = saveDraftCmd.getDraftTitle(title);
		var draftTiddler = new Tiddler(draftTitle);
		if(tiddler) {
			$.extend(true, draftTiddler, tiddler);
		} else {
			$.extend(draftTiddler.fields, config.defaultCustomFields);
		}
		for(var fieldName in gatheredFields) {
			if(TiddlyWiki.isStandardField(fieldName)) {
				draftTiddler[fieldName] = gatheredFields[fieldName];
			} else {
				draftTiddler.fields[fieldName] = gatheredFields[fieldName];
			}
		}
		var privateBag = tiddlyspace.getCurrentBag("private");
		var privateWorkspace = tiddlyspace.getCurrentWorkspace("private");
		draftTiddler.title = draftTitle;
		draftTiddler.fields["publish.name"] = title;
		draftTiddler.fields["server.workspace"] = privateWorkspace;
		draftTiddler.fields["server.bag"] = privateBag;
		draftTiddler.fields["server.title"] = draftTitle;
		draftTiddler.fields["server.page.revision"] = "false";
		delete draftTiddler.fields["server.etag"];
		return draftTiddler;
	},
	handler: function(ev, src, title) {
		var tiddler = store.getTiddler(title); // original tiddler
		var tidEl = story.getTiddler(title);
		var uiFields = {};
		story.gatherSaveFields(tidEl, uiFields);
		var tid = saveDraftCmd.createDraftTiddler(title, uiFields);
		tid = store.saveTiddler(tid.title, tid.title, tid.text, tid.modifier,
			new Date(), tid.tags, tid.fields);
		autoSaveChanges(null, [tid]);
		story.closeTiddler(title);
		story.displayTiddler(src, title);
		story.displayTiddler(src, tid.title);
	}
};

var macro = config.macros.TiddlySpacePublisher = {
	locale: {
		title: "Batch Publisher",
		changeStatusLabel: "Make %0",
		noTiddlersText: "No tiddlers to publish",
		changeStatusPrompt: "Make all the selected tiddlers %0.",
		description: "Change tiddlers from %0 to %1 in this space"
	},

	listViewTemplate: {
		columns: [
			{ name: "Selected", field: "Selected", rowName: "title", type: "Selector" },
			{ name: "Tiddler", field: "tiddler", title: "Tiddler", type: "Tiddler" },
			{ name: "Status", field: "status", title: "Status", type: "WikiText" }
		],
		rowClasses: []
	},

	changeStatus: function(tiddlers, status, callback) { // this is what is called when you click the publish button
		var publicBag;
		for(var i = 0; i < tiddlers.length; i++) {
			var tiddler = tiddlers[i];
			var newTiddler = {
				title: tiddler.title,
				fields: { "server.bag": cmd.toggleBag(tiddler, status) }
			};
			cmd.moveTiddler(tiddler, newTiddler, callback);
		}
	},
	getMode: function(paramString) {
		var params = paramString.parseParams("anon")[0];
		var status = params.type ?
			(["public", "private"].contains(params.type[0]) ? params.type[0] : "private") :
			"private";
		var newStatus = status == "public" ? "private" : "public";
		return [status, newStatus];
	},
	handler: function(place, macroName, params, wikifier, paramString, tiddler) {
		var wizard = new Wizard();
		var locale = macro.locale;
		var status = macro.getMode(paramString);
		wizard.createWizard(place, locale.title);
		wizard.addStep(macro.locale.description.format(status[0], status[1]),
			'<input type="hidden" name="markList" />');
		var markList = wizard.getElement("markList");
		var listWrapper = $("<div />").addClass("batchPublisher").
			attr("refresh", "macro").attr("macroName", macroName).
			attr("params", paramString)[0];
		markList.parentNode.insertBefore(listWrapper, markList);
		$.data(listWrapper, "wizard", wizard);
		macro.refresh(listWrapper);
	},
	getCheckedTiddlers: function(listWrapper, titlesOnly) {
		var tiddlers = [];
		$(".chkOptionInput[rowName]:checked", listWrapper).each(function(i, el) {
			var title = $(el).attr("rowName");
			if(titlesOnly) {
				tiddlers.push(title);
			} else {
				tiddlers.push(store.getTiddler(title));
			}
		});
		return tiddlers;
	},
	refresh: function(listWrapper) {
		var checked = macro.getCheckedTiddlers(listWrapper, true);
		var paramString = $(listWrapper).empty().attr("params");
		var wizard = $.data(listWrapper, "wizard");
		var locale = macro.locale;
		var params = paramString.parseParams("anon")[0];
		var publishCandidates = [];
		var status = macro.getMode(paramString);
		var pubType = status[0];
		var newPubType = status[1];
		var tiddlers = params.filter ? store.filterTiddlers(params.filter[0]) :
			store.filterTiddlers("[is[%0]]".format(pubType));
		var enabled = [];
		for(var i = 0; i < tiddlers.length; i++) {
			var tiddler = tiddlers[i];
			var title = tiddler.title;
			if(!tiddler.tags.contains("excludePublisher") && title !== "SystemSettings") {
				publishCandidates.push({ title: title, tiddler: tiddler, status: pubType});
			}
			if(checked.contains(title)) {
				enabled.push("[rowname=%0]".format(title));
			}
		}

		if(publishCandidates.length === 0) {
			createTiddlyElement(listWrapper, "em", null, null, locale.noTiddlersText);
		} else {
			var listView = ListView.create(listWrapper, publishCandidates, macro.listViewTemplate);
			wizard.setValue("listView", listView);
			var btnHandler = function(ev) {
				var tiddlers = macro.getCheckedTiddlers(listWrapper);
				var callback = function(status) {
					$(".batchPublisher").each(function(i, el) {
						macro.refresh(el);
					});
				};
				macro.changeStatus(tiddlers, newPubType, callback);
			};
			wizard.setButtons([{
				caption: locale.changeStatusLabel.format(newPubType),
				tooltip: locale.changeStatusPrompt.format(newPubType),
				onClick: btnHandler
			}]);
			$(enabled.join(",")).attr("checked", true); // retain what was checked before
		}
	}
};

})(jQuery);
//}}}

!Spaces
<<groupBy server.bag>>

!Private
<<list filter [is[private]]>>

!Public
<<list filter [is[public]]>>

!Drafts
<<list filter [is[draft]]>>

@@font-family: serif;

{{center{
~POST-SYNODAL APOSTOLIC EXHORTATION
@@font-size:125%;{{font150{''//AMORIS LÆTITIA//''
}}}OF THE HOLY FATHER
{{font150{''FRANCIS''}}}

ON LOVE IN THE FAMILY

@@}}}@@
8. Jesus’ description of the two houses, one built on rock and the other on sand (cf. Matthew 7:24-27), symbolizes any number of family situations shaped by the exercise of their members’ freedom, for, as the poet says, “every home is a lampstand” (Jorge Luis [[Borges]]).  Let us now enter one of those houses…

32. “Neither today’s society nor that to which we are progressing allow an uncritical survival of older forms and models”.  It is also evident that “the principal tendencies in anthropological-cultural changes” are leading “individuals, in personal and family life, to receive less and less support from social structures than in the past”.

33. On the other hand, “equal consideration needs to be given to the growing danger represented by an extreme individualism which weakens family bonds and ends up considering each member of the family as an isolated unit, leading in some cases to the idea that one’s personality is shaped by his or her desires, which are considered absolute”.  “The tensions created by an overly individualistic culture, caught up with possessions and pleasures, leads to intolerance and hostility in families”.  Here I would also include today’s fast pace of life, stress and the organization of society and labour, since all these are cultural factors which militate against permanent decisions. We also encounter widespread uncertainty and ambiguity. For example, we rightly value a personalism that opts for authenticity as opposed to mere conformity. While this can favour spontaneity and a better use of people’s talents, if misdirected it can foster attitudes of constant suspicion, fear of commitment, self-centredness and arrogance. Freedom of choice makes it possible to plan our lives and to make the most of ourselves. Yet if this freedom lacks noble goals or personal discipline, it degenerates into an inability to give oneself generously to others.

113. <part speech> Married couples joined by love speak well of each other; they try to show their spouse’s good side, not their weakness and faults. In any event, they keep silent rather than speak ill of them. This is not merely a way of acting in front of others; it springs from an interior attitude. Far from ingenuously claiming not to see the problems and weaknesses of others, it sees those weaknesses and faults in a wider context. It recognizes that these failings are a part of a bigger picture. We have to realize that all of us are a complex mixture of light and shadows. The other person is much more than the sum of the little things that annoy me. Love does not have to be perfect for us to value it. The other person loves me as best they can, with all their limits, but the fact that love is imperfect does not mean that it is untrue or unreal. It is real, albeit limited and earthly. If I expect too much, the other person will let me know, for he or she can neither play God nor serve all my needs. Love coexists with imperfection. It "bears all things" and can hold its peace before the limitations of the loved one. </part>

!That Is Our Eden's Spring, Once Promised
Ray [[Bradbury]]

What I to apeman
And what then he to me?
I an apeman one day soon will seem to be
To those who, after us, look back from Mars
And they, in turn, mere beasts will seem
To those who reach the stars;
So apemen all, in cave, in frail tract-house,
On Moon, Red Planet, or some other place;
Yet similar dream, same heart, same soul,
Same blood, same face,
Rare beastmen all who move to save and place their pyres
From cavern mouth to world to interstellar fires.
We are the all, the universe, the one,
As such our fragile destiny is only now begun.
Our dreams then, are they grand or mad, depraved?
Do we say yes to [[Kazantzakis]] whose wild soul said:
God cries out to be saved?
Well then, we go to save Him, that seems sure,
With flesh and bone not strong, and heart not pure,
All maze and paradox our blood,
More lost than found,
We go to marry stranger flesh on some far burial ground
Where yet we will survive and, laughing, look on back
To where we started on a blind and frightful track
But made it through, and for no reason
Save it must be made, to rest us under trees
On planets in such galaxies as toss and lean
A most peculiar shade,
And sleep awhile, for some few million years,
To rise again, fresh washed in vernal rain
That is our Eden’s spring once promised,
Now repromised, to bring Lazarus
And our abiding legions forth,
Stoke new lamps with ancient funeral loam
To light cold abyss hearths for astronauts to hie them home
On highways vast and long and broad,
Thus saving what? Who’ll say salvation’s sum?
Why, thee and me, and they and them, and us and we…

And God.

----

Bradbury wrote another [[poem|white whale]] in which he spoke of "this kindling of your tiny apehood's fire."

@@Please do not modify this tiddler; it was created automatically upon space creation.@@

/***
|''Description''|Sanitisation for dynamically pulling tiddlers into your space and displaying them|
!Notes
Works both inside and outside TiddlyWiki. Uses the HTML Sanitizer provided by the Google Caja project
(see http://code.google.com/p/google-caja/wiki/JsHtmlSanitizer for more on this), which is licensed under
an Apache License (see http://www.apache.org/licenses/LICENSE-2.0).
!Code
***/
//{{{
(function($) {

var cleanURL = function(url) {
	var regexp = /^(?:http|https|mailto|ftp|irc|news):\/\//;
	return (regexp.test(url)) ? url : null;
};

$.sanitize = function(html) {
	return html_sanitize(html, cleanURL);
};

/*
 * HTML Sanitizer, provided by Google Caja
 */

/* Copyright Google Inc.
 * Licensed under the Apache Licence Version 2.0
 * Autogenerated at Tue May 17 17:39:24 BST 2011
 * @provides html4
 */var html4={};html4.atype={NONE:0,URI:1,URI_FRAGMENT:11,SCRIPT:2,STYLE:3,ID:4,IDREF:5,IDREFS:6,GLOBAL_NAME:7,LOCAL_NAME:8,CLASSES:9,FRAME_TARGET:10},html4.ATTRIBS={"*::class":9,"*::dir":0,"*::id":4,"*::lang":0,"*::onclick":2,"*::ondblclick":2,"*::onkeydown":2,"*::onkeypress":2,"*::onkeyup":2,"*::onload":2,"*::onmousedown":2,"*::onmousemove":2,"*::onmouseout":2,"*::onmouseover":2,"*::onmouseup":2,"*::style":3,"*::title":0,"a::accesskey":0,"a::coords":0,"a::href":1,"a::hreflang":0,"a::name":7,"a::onblur":2,"a::onfocus":2,"a::rel":0,"a::rev":0,"a::shape":0,"a::tabindex":0,"a::target":10,"a::type":0,"area::accesskey":0,"area::alt":0,"area::coords":0,"area::href":1,"area::nohref":0,"area::onblur":2,"area::onfocus":2,"area::shape":0,"area::tabindex":0,"area::target":10,"bdo::dir":0,"blockquote::cite":1,"br::clear":0,"button::accesskey":0,"button::disabled":0,"button::name":8,"button::onblur":2,"button::onfocus":2,"button::tabindex":0,"button::type":0,"button::value":0,"canvas::height":0,"canvas::width":0,"caption::align":0,"col::align":0,"col::char":0,"col::charoff":0,"col::span":0,"col::valign":0,"col::width":0,"colgroup::align":0,"colgroup::char":0,"colgroup::charoff":0,"colgroup::span":0,"colgroup::valign":0,"colgroup::width":0,"del::cite":1,"del::datetime":0,"dir::compact":0,"div::align":0,"dl::compact":0,"font::color":0,"font::face":0,"font::size":0,"form::accept":0,"form::action":1,"form::autocomplete":0,"form::enctype":0,"form::method":0,"form::name":7,"form::onreset":2,"form::onsubmit":2,"form::target":10,"h1::align":0,"h2::align":0,"h3::align":0,"h4::align":0,"h5::align":0,"h6::align":0,"hr::align":0,"hr::noshade":0,"hr::size":0,"hr::width":0,"iframe::align":0,"iframe::frameborder":0,"iframe::height":0,"iframe::marginheight":0,"iframe::marginwidth":0,"iframe::width":0,"img::align":0,"img::alt":0,"img::border":0,"img::height":0,"img::hspace":0,"img::ismap":0,"img::name":7,"img::src":1,"img::usemap":11,"img::vspace":0,"img::width":0,"input::accept":0,"input::accesskey":0,"input::align":0,"input::alt":0,"input::autocomplete":0,"input::checked":0,"input::disabled":0,"input::ismap":0,"input::maxlength":0,"input::name":8,"input::onblur":2,"input::onchange":2,"input::onfocus":2,"input::onselect":2,"input::readonly":0,"input::size":0,"input::src":1,"input::tabindex":0,"input::type":0,"input::usemap":11,"input::value":0,"ins::cite":1,"ins::datetime":0,"label::accesskey":0,"label::for":5,"label::onblur":2,"label::onfocus":2,"legend::accesskey":0,"legend::align":0,"li::type":0,"li::value":0,"map::name":7,"menu::compact":0,"ol::compact":0,"ol::start":0,"ol::type":0,"optgroup::disabled":0,"optgroup::label":0,"option::disabled":0,"option::label":0,"option::selected":0,"option::value":0,"p::align":0,"pre::width":0,"q::cite":1,"select::disabled":0,"select::multiple":0,"select::name":8,"select::onblur":2,"select::onchange":2,"select::onfocus":2,"select::size":0,"select::tabindex":0,"table::align":0,"table::bgcolor":0,"table::border":0,"table::cellpadding":0,"table::cellspacing":0,"table::frame":0,"table::rules":0,"table::summary":0,"table::width":0,"tbody::align":0,"tbody::char":0,"tbody::charoff":0,"tbody::valign":0,"td::abbr":0,"td::align":0,"td::axis":0,"td::bgcolor":0,"td::char":0,"td::charoff":0,"td::colspan":0,"td::headers":6,"td::height":0,"td::nowrap":0,"td::rowspan":0,"td::scope":0,"td::valign":0,"td::width":0,"textarea::accesskey":0,"textarea::cols":0,"textarea::disabled":0,"textarea::name":8,"textarea::onblur":2,"textarea::onchange":2,"textarea::onfocus":2,"textarea::onselect":2,"textarea::readonly":0,"textarea::rows":0,"textarea::tabindex":0,"tfoot::align":0,"tfoot::char":0,"tfoot::charoff":0,"tfoot::valign":0,"th::abbr":0,"th::align":0,"th::axis":0,"th::bgcolor":0,"th::char":0,"th::charoff":0,"th::colspan":0,"th::headers":6,"th::height":0,"th::nowrap":0,"th::rowspan":0,"th::scope":0,"th::valign":0,"th::width":0,"thead::align":0,"thead::char":0,"thead::charoff":0,"thead::valign":0,"tr::align":0,"tr::bgcolor":0,"tr::char":0,"tr::charoff":0,"tr::valign":0,"ul::compact":0,"ul::type":0},html4.eflags={OPTIONAL_ENDTAG:1,EMPTY:2,CDATA:4,RCDATA:8,UNSAFE:16,FOLDABLE:32,SCRIPT:64,STYLE:128},html4.ELEMENTS={a:0,abbr:0,acronym:0,address:0,applet:16,area:2,b:0,base:18,basefont:18,bdo:0,big:0,blockquote:0,body:49,br:2,button:0,canvas:0,caption:0,center:0,cite:0,code:0,col:2,colgroup:1,dd:1,del:0,dfn:0,dir:0,div:0,dl:0,dt:1,em:0,fieldset:0,font:0,form:0,frame:18,frameset:16,h1:0,h2:0,h3:0,h4:0,h5:0,h6:0,head:49,hr:2,html:49,i:0,iframe:4,img:2,input:2,ins:0,isindex:18,kbd:0,label:0,legend:0,li:1,link:18,map:0,menu:0,meta:18,nobr:0,noframes:20,noscript:20,object:16,ol:0,optgroup:0,option:1,p:1,param:18,pre:0,q:0,s:0,samp:0,script:84,select:0,small:0,span:0,strike:0,strong:0,style:148,sub:0,sup:0,table:0,tbody:1,td:1,textarea:8,tfoot:1,th:1,thead:1,title:24,tr:1,tt:0,u:0,ul:0,"var":0},html4.ueffects={NOT_LOADED:0,SAME_DOCUMENT:1,NEW_DOCUMENT:2},html4.URIEFFECTS={"a::href":2,"area::href":2,"blockquote::cite":0,"body::background":1,"del::cite":0,"form::action":2,"img::src":1,"input::src":1,"ins::cite":0,"q::cite":0},html4.ltypes={UNSANDBOXED:2,SANDBOXED:1,DATA:0},html4.LOADERTYPES={"a::href":2,"area::href":2,"blockquote::cite":2,"body::background":1,"del::cite":2,"form::action":2,"img::src":1,"input::src":1,"ins::cite":2,"q::cite":2};var html=function(a){function x(b,c,d){var e=[];w(function(b,e){for(var f=0;f<e.length;f+=2){var g=e[f],h=e[f+1],i=null,j;if((j=b+"::"+g,a.ATTRIBS.hasOwnProperty(j))||(j="*::"+g,a.ATTRIBS.hasOwnProperty(j)))i=a.ATTRIBS[j];if(i!==null)switch(i){case a.atype.NONE:break;case a.atype.SCRIPT:case a.atype.STYLE:h=null;break;case a.atype.ID:case a.atype.IDREF:case a.atype.IDREFS:case a.atype.GLOBAL_NAME:case a.atype.LOCAL_NAME:case a.atype.CLASSES:h=d?d(h):h;break;case a.atype.URI:h=c&&c(h);break;case a.atype.URI_FRAGMENT:h&&"#"===h.charAt(0)?(h=d?d(h):h,h&&(h="#"+h)):h=null;break;default:h=null}else h=null;e[f+1]=h}return e})(b,e);return e.join("")}function w(b){var c,d;return v({startDoc:function(a){c=[],d=!1},startTag:function(e,f,g){if(!d){if(!a.ELEMENTS.hasOwnProperty(e))return;var h=a.ELEMENTS[e];if(h&a.eflags.FOLDABLE)return;if(h&a.eflags.UNSAFE){d=!(h&a.eflags.EMPTY);return}f=b(e,f);if(f){h&a.eflags.EMPTY||c.push(e),g.push("<",e);for(var i=0,j=f.length;i<j;i+=2){var k=f[i],l=f[i+1];l!==null&&l!==void 0&&g.push(" ",k,'="',r(l),'"')}g.push(">")}}},endTag:function(b,e){if(d)d=!1;else{if(!a.ELEMENTS.hasOwnProperty(b))return;var f=a.ELEMENTS[b];if(!(f&(a.eflags.UNSAFE|a.eflags.EMPTY|a.eflags.FOLDABLE))){var g;if(f&a.eflags.OPTIONAL_ENDTAG)for(g=c.length;--g>=0;){var h=c[g];if(h===b)break;if(!(a.ELEMENTS[h]&a.eflags.OPTIONAL_ENDTAG))return}else for(g=c.length;--g>=0;)if(c[g]===b)break;if(g<0)return;for(var i=c.length;--i>g;){var h=c[i];a.ELEMENTS[h]&a.eflags.OPTIONAL_ENDTAG||e.push("</",h,">")}c.length=g,e.push("</",b,">")}}},pcdata:function(a,b){d||b.push(a)},rcdata:function(a,b){d||b.push(a)},cdata:function(a,b){d||b.push(a)},endDoc:function(a){for(var b=c.length;--b>=0;)a.push("</",c[b],">");c.length=0}})}function v(c){return function(d,e){d=String(d);var f=null,g=!1,h=[],j=void 0,l=void 0,m=void 0;c.startDoc&&c.startDoc(e);while(d){var n=d.match(g?t:u);d=d.substring(n[0].length);if(g){if(n[1]){var o=b(n[1]),p;if(n[2]){var 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k(a){return a.replace(j,g)}function i(a){return a.replace(h,"")}function g(a,b){return f(b)}function f(a){a=b(a);if(c.hasOwnProperty(a))return c[a];var f=a.match(d);if(f)return String.fromCharCode(parseInt(f[1],10));if(!!(f=a.match(e)))return String.fromCharCode(parseInt(f[1],16));return""}var b;"script"==="SCRIPT".toLowerCase()?b=function(a){return a.toLowerCase()}:b=function(a){return a.replace(/[A-Z]/g,function(a){return String.fromCharCode(a.charCodeAt(0)|32)})};var c={lt:"<",gt:">",amp:"&",nbsp:"240",quot:'"',apos:"'"},d=/^#(\d+)$/,e=/^#x([0-9A-Fa-f]+)$/,h=/\0/g,j=/&(#\d+|#x[0-9A-Fa-f]+|\w+);/g,l=/&/g,m=/&([^a-z#]|#(?:[^0-9x]|x(?:[^0-9a-f]|$)|$)|$)/gi,n=/</g,o=/>/g,p=/\"/g,q=/\=/g,t=new RegExp("^\\s*(?:(?:([a-z][a-z-]*)(\\s*=\\s*(\"[^\"]*\"|'[^']*'|(?=[a-z][a-z-]*\\s*=)|[^>\"'\\s]*))?)|(/?>)|[\\s\\S][^a-z\\s>]*)","i"),u=new RegExp("^(?:&(\\#[0-9]+|\\#[x][0-9a-f]+|\\w+);|<!--[\\s\\S]*?-->|<!\\w[^>]*>|<\\?[^>*]*>|<(/)?([a-z][a-z0-9]*)|([^<&>]+)|([<&>]))","i");return{escapeAttrib:r,makeHtmlSanitizer:w,makeSaxParser:v,normalizeRCData:s,sanitize:x,unescapeEntities:k}}(html4),html_sanitize=html.sanitize

// stop here if we're not in TiddlyWiki
// XXX: is this the correct way of checking for TiddlyWiki?
if (!window.TiddlyWiki || !window.store || !store instanceof TiddlyWiki) {
	return;
}

var tiddlyspace = config.extensions.tiddlyspace;

var _subWikify = Wikifier.prototype.subWikify;

var cleanedTitle = 'This section has been cleaned of any potentially harmful code';

var replaceFunctions = {
	html: function(w) {
		var sanitizedHTML, spanEl;
		this.lookaheadRegExp.lastIndex = w.matchStart;
		var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
		if(lookaheadMatch && lookaheadMatch.index == w.matchStart) {
			sanitizedHTML = $.sanitize(lookaheadMatch[1]);
			spanEl = createTiddlyElement(w.output, 'span', null, 'sanitized');
			spanEl.innerHTML = sanitizedHTML;
			spanEl.setAttribute('title', cleanedTitle);
			w.nextMatch = this.lookaheadRegExp.lastIndex;
		}
	},
	customFormat: function(w) {
		switch(w.matchText) {
			case '@@':
				var e = createTiddlyElement(w.output, 'span');
				var styles = config.formatterHelpers.inlineCssHelper(w);
				if (styles.length === 0) {
					e.className = 'marked';
				}
				w.subWikifyTerm(e, /(@@)/mg);
				break;
			case '{{':
				var lookaheadRegExp = /\{\{[\s]*([\w]+[\s\w]*)[\s]*\{(\n?)/mg;
				lookaheadRegExp.lastIndex = w.matchStart;
				var lookaheadMatch = lookaheadRegExp.exec(w.source);
				if(lookaheadMatch) {
					w.nextMatch = lookaheadRegExp.lastIndex;
					e = createTiddlyElement(w.output,lookaheadMatch[2] == "\n" ? "div" : "span",null,lookaheadMatch[1]);
					w.subWikifyTerm(e,/(\}\}\})/mg);
				}
				break;
		}
	}
};

Wikifier.prototype.subWikify = function(output, terminator) {
	var tid = this.tiddler,
		spaceName = tiddlyspace.currentSpace.name,
		tidSpace, recipeName, stripped;
	try {
		recipeName = tid.fields['server.recipe'] ||
			tid.fields['server.workspace'];
		tidSpace = tiddlyspace.resolveSpaceName(recipeName);
		if (tidSpace !== spaceName) {
			// external tiddler, so replace dangerous formatters
			stripped = stripHTML(tid, this.formatter);
		}
	} catch(e) {
		// do nothing. There's no tiddler, so assume it's safe (?!?!?)
	}

	_subWikify.apply(this, arguments);

	if (stripped) {
		// change back to the original function
		unstripHTML(stripped, this.formatter);
	}
};

// replace potentially unsafe formatters with versions that strip bad HTML/CSS
var stripHTML = function(tid, formatter) {
	var popped = {}, _handler;
	for (var i = 0; i < formatter.formatters.length; i++) {
		var f = formatter.formatters[i];
		if (replaceFunctions[f.name]) {
			_handler = f.handler;
			popped[f.name] = _handler;
			f.handler = replaceFunctions[f.name];
		}
	};

	return popped;
};

// put the original formatters back where they belong
var unstripHTML = function(stripped, formatter) {
	for (var i = 0; i < formatter.formatters.length; i++) {
		var f = formatter.formatters[i];
		if (stripped[f.name]) {
			f.handler = stripped[f.name];
		}
	};
};

})(jQuery);
//}}}

 
<part Third>
From [[Rilke]]'s Third Elegy, translated by Edward Snow:

… he //seemed// well-guarded.  But //within//: who fended there,
who checked the floods of origin within him?
Ah, in that sleeper there //was// no caution: sleeping,
but dreaming, and in a kind of fever: what paths he took!
He, so shy, so unwary, how embroiled he became,
with all those spreading tendrils of inner event already
wrought into primitive patterns, into throttling growth, into prowling
animal-like forms.  How he surrendered himself—.  Loved.
Loved his interior world, his ''innerin wildnis'', that primeval forest
within him, on whose mute floor of ancient downfall
''his heart'' stood, shimmering green.  Loved.  Forsook it, followed
his own roots out into that violent source world
where his small birth seemed all but nothing.  Loving,
descended into the elder blood, into the ravines
where things hideous lay, still gorged with fathers. And every
terror recognized him, winked, seemed to understand.
Yes, Horror smiled at him . . . So seldom
did //you// smile that tenderly.  How could he not love
what smiled at him that way?  //Before// you
he loved it; for it was there even while you bore him,
dissolved in the fluid that lightens the embryo.
</part>

Rilke wrote of the history of the species as: "a primeval forest whose floor we never reach, because it stands endlessly, layer on layer, on what has been overthrown, an apparition on the back of downfall."
-- from commentary //[[The Fountain of Joy|http://www.poetryintranslation.com/PITBR/German/TheFountainOfJoy.htm#anchor_Toc231376575]]// by A. S. Kline 

----

<part Ninth>
From the Ninth Elegy:

Siehe, ich lebe. Woraus? Weder Kindheit noch Zukunft
wereden weniger . . . Überzähliges [[Dasein|Les Minst/Dasein]]
entspringt mir im Herzen.

Look, I am living.  On what?  Nether childhood nor future
Are growing less . . . Supernumerous existence
wells up in my heart.
</part>

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Step forth and husband soil as yet untitled,
Blood it with your wives, sow it with seeds,
Crop-harvest it with sons and maiden daughters,
And all that was begat once long ago in Earth’s strange waters
//Do// recall.
The White Whale was the ancient Ark.
You be the New.
Forty days, {{grem{forty moons,}}} forty years, 
{{grem{forty births}}}, forty-//''hundred''// years,
Give it no mind;
You see. The Universe is blind.
You touch. The Abyss does not feel.
You hear. The Void is dear.
Your wife is pomegranate. The stars are lifeless and bereft.
You smell the Wind of Being.
On windless worlds the nostrils of old Time are stuffed
With dust and worse than dust.
Settle it with your lust, shape it with your seeing,
Rain it with your sperming seed,
Water it with your passion,
Show it your need.
Soon or late,
Your mad example may imitate.

And gone and flown and landed there is White Whale craft,
Remember Moby here, this dream, this time which does suspire,
This kindling of your tiny apehood’s fire.

-- from the poem "Old Ahab’s Friend, and Friend to Noah, Speaks His Piece"
by Ray [[Bradbury]]

//See also "[[That Is Our Eden’s Spring, Once Promised|Eden's Spring]]"//

----

The figurative sense of a 'Great White Whale' is in reference to the white sperm whale hunted by Captain Ahab in Herman Melville's novel //Moby Dick// (1851) … signifying an objective earnestly or relentlessly pursued; the object of an obsession.  This [[obsession|curse]] completely encircles and defines the person in its grip, threatening to destroy him.

In the opening of his novel //Look Homeward, Angel//, Thomas Wolfe writes of "[[forty thousand years|Evocative Words/Wolfe]]".

I begin today with new-found bliss
Knowing, my [[Carmen]], that you exist,
And the memory of our kiss
Is a [[sweet, low song|Rilke/LoveSong]]
from a distant shore…
That is also my home.

May 12, 2014

 
I can't speak strongly enough on how I feel about children's literature, and really the whole subject of childhood development.  One of my favorite quotes by Madeleine [[L'Engle]] forms part of my credo on this:  "The challenge I face with children is the redemption of adulthood. We must make it evident that maturity is the fulfillment of childhood and adolescence, not a diminishing; that it is an affirmation of life, not a denial; that it is entering fully into our essential selves."  What a task this is.  My entry into adulthood has sometimes proved otherwise, not being the fulfillment of my childhood self.  However, I know that if I relax some of my high expectations, I have done OK.  The young Randy growing up would have loved to have known someone like me as I am today.  He would have loved to see my library, and been thrilled by the technology and instruments I own (musical and otherwise.)

Back to the subject of children's lit, I have also drawn much inspiration from Eleanor Cameron, another "children's" author, who wrote two excellent non-fiction books on the subject.  Also, on the education side, there is Maria [[Montessori]]  …

That reminded me of another piece of the puzzle.  My hero in the computer science field is Alan [[Kay]], who has worked particularly closely with children and designed technology that is centered on their needs.  I have a great DVD that Alan Kay made on his research [called //[[Squeakers|https://web.archive.org/web/20030714072820/http://www.squeakersfilm.org/]]//, released December 2002], which I should send you a copy of.

As you can see, I still spend a lot of time in my head, exploring ideas, turning them over and looking at every angle, allowing things to cross-pollinate, branch out, and lead me down new paths.  One of my challenges over the years has been that my interests are very diverse (far-flung, one might say.)  I don't know what really stands out -- both as the "strongest' talent and the one that captures and keeps my interest for the long haul.  It seems that I'm looking for a synergy of several different fields, something that is both left-brain and right-brain, scientific and artistic.

----

//The answer from my former teacher, who came into my life in the 3rd grade://

Your two passion points (from the time I've known you) are children's lit and computer tech. Combine those two and see what you can do.  You already have the seeds in your mind… You're on the right track just begin to focus somewhere.

I think you'd make a terrific teacher. The kids we see today you'd identify with and be such a hero for, because you took horrible circumstances and made a success from them…

{{bluem{Success?  Nine years later, I hear two voices in my head --  Pshaw!  Double pshaw! (as said by a certain character named Dr. Copeland.)  There is another, too, stirred by what this teacher saw in me and named.}}}

Adapted from //Leaves of Grass//
by Walt [[Whitman]]
-----

You shall possess the origin of all poems.
You shall no longer take things at second or third hand,
nor look through the eyes of the dead,
nor feed on the specters in books.
You shall not look through my eyes either,
nor take things from me.
You shall listen to all sides and filter them from your self.

Backward I see in my own days where I sweated through fog with linguists and contenders,
I have no mockings or arguments, I witness and wait. 

I believe in you my soul,
Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want,
not custom or lecture, not even the best,
Only the lull I like, the hum of your valvèd voice.

The smallest sprout shows there is really no death,
And if ever there was it led forward life,
and does not wait at the end to arrest it,
And ceased the moment life appeared.

Urge and urge and urge,
Always the procreant urge of the world. 

Out of the dimness opposite equals advance,
always substance and increase,
Always a knit of identity, always distinction, breed of life.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed,
and luckier.

I pass death with the dying
and birth with the new-washed babe,
and am not contained between my hat and boots.
I peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

These are really the thoughts of all men in all ages and lands, 
they are not original with me,
If they are not yours as much as mine they are next to nothing,
If they are not the riddle and the untying of the riddle they are nothing,
If they are not just as close as they are distant they are nothing.

This is the grass that grows wherever the land is and the water is,
This the common air that bathes the globe.

<part multitudes>
In all people I see myself, none more and not one an iota less,
And the good or bad I say of myself I say of them.

I know I am solid and sound,
To me the converging objects of the universe perpetually flow,
All are written to me, and I must get what the writing means.

I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter's compass.

My voice goes after what my eyes cannot reach,
With the twirl of my tongue I encompass worlds and volumes of worlds.
Speech is the twin of my vision, it is unequal to measure itself; it provokes me forever.

Encompass worlds, but never try to encompass me,
I crowd your sleekest and best words by simply looking toward you.

Writing and talk do not prove me,
I carry the plenum of proof and every thing else in my face,
With the hush of my lips I wholly confound the skeptic.

Now I will do nothing but listen,
To accrue what I hear into this song,
to let sounds contribute toward it. 

Do I contradict myself?
Very well then, I contradict myself.
(I am large, I contain multitudes.)
</part>
+++[…]
<part contradict>
Very well then, I [[contradict|2013-09-02]] myself.
I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
I hear and behold God in every object,
yet understand God not in the least.
</part>
===

There is that in me—I do not know what it is—
but I know it is in me.
Wrenched and sweaty—calm and cool then my body becomes,
I sleep—I sleep long.
I do not know it—it is without name—it is a word unsaid,
It is not in any dictionary, utterance, symbol.

Something it swings on more than the earth I swing on,
To it the creation is the friend whose embracing awakes me. 
It is not chaos or death—it is form, union, plan—
it is eternal life—it is Happiness.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.
I depart as air, I shake my locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles. 

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first, keep encouraged,
Missing me one place, search another,
I stop somewhere waiting for you.

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.

//The Fellowship of the Ring//
J.R.R. [[Tolkien]]

 
Excerpted from a poem by Minnie Bruce Pratt
("Poem for My Sons", 1990) and changed to a father's perspective
----

It's taken me years to write this to you.

I had to make a future, willful, voluble,
lascivious, a thinker, a long walker,
unstruck transgressor, furious, shouting,
existence I could pray to,
capable of poetry.

But now I have spoken, my self, I can ask
for you:
that you'll know evil when you smell it;
that you'll know good and do it, and see how both
run loose through your lives; that then you'll remember
you come from dirt and history; that you'll choose
memory, not anesthesia; that you'll have work
you love, hindering no one, a path crossing
at boundary markers where you question power;
that your loves will match you thought for thought
in the long heat of blood and fact of bone.

Words not so romantic nor so grandly tossed
as if I'd summoned the universe to be
at your disposal.
       I can only pray:

That you'll never ask for the weather, earth,
angels, women, or other lives to obey you;

that you'll remember me, who crossed,
recrossed you,
your father making slowly toward
an unknown place where you could be with me,
like [[a man on foot|pioneer]], in a long stepping out.

 
I am the mate and companion of people,
all just as immortal and fathomless as myself,
(They do not know how immortal, but I know.)
… In all people I see myself,
none more and not one an iota less,
And the good or bad I say of myself I say of them.
(Walt Whitman, [[Song of Myself]])

//What [[lifelines]] innumerable!  How full the universe is!//

the world is born when two people kiss (Octavio Paz, [[the two took off their clothes]])

@@display:block;width:22em;border: 2px solid;padding: 14px;border-radius: 13px;In any one who dies there dies with him
his first snow, first kiss, and first fight …
Not people die but worlds die in them …
Yes, books and bridges remain,
and painted canvas and machinery,
yes, much is sentenced to remain,
but something really departs all the same!

We remember people, their imperfect ways,
But what did we know, in essence, about them?
What do we know of brothers, sisters, friends?
What do we know of our one and only?
And about our own fathers,
knowing everything, we know nothing.

They perish. They cannot be brought back.
Their secret worlds are not regenerated.
And every time I want again
to cry out against the unretrievableness.

– Yevgeny Yevtushenko, [[People]]
@@
Any man's death diminishes me, because I am involved in mankind.
– John Donne, "[[For Whom the Bell Tolls]]"

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give—yes or no, or maybe—
should be clear: the darkness around us is deep.
– William Stafford, "A Ritual to [[Read to Each Other]]"

the real people //here, now,// on a [[journey|Friar's Journeybook/October21]] like mine — and yours.

Les ~ also evoking the common or [[lay|Journey's Etymologies/lay]] people

I know of people in the grave …
I noticed people disappeared …
(Emily [[Dickinson]])

Are not people perpetually, over and over and over again, assaulted by books as by buzzing alarms?
Louder than all the storms, louder than all the oceans, people have been crying out (Rilke, [[Listeners At Last]])

The lives she narrates were the real lives of real people, and “if we are to do right by these many forgotten lives, lives ground by the political and judicial systems, we can only do so through the writing of history.” Otherwise, we betray them by making them heroes who would be “immediately lumped in with so many other heroes, whose defining trait is that they were put in motion and controlled by an author’s hand.” (Arlette Farge, [[The Allure of the Archives|archives]])

Writers can't make facts react backwards, redo what's done, but what we have left of what's done is stories, and writers tell those better than most people. The incredible thing is that desire suffices against history, against death, against the hup-two lock-step of binary logic and the clockwork of common sense. What we imagine is all that animates us, not just texts, but also people. (Shelley Jackson, [[patchwork girl]])

We are here to bring to consciousness the beauty and power that are around us and to praise the ''people'' who are here with us. We witness our generation and our times.  (Annie Dillard, //Holy the Firm//, "[[notice each thing]]")

@@display:block;width:34em;border: 2px solid;padding: 14px;border-radius: 13px;… It’s something most ''people'' are aware of only as a general crisis, or sense of inadequacy, or helpless dependence, or pointless loneliness, or a sense of not having a strong enough ego to meet and master inner storms that come from an unexpected angle. But not many people realise that it is, in fact, the suffering of ''the child'' inside them. Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it. So everybody develops a whole armour of secondary self, the artificially constructed being that deals with the outer world, and the crush of circumstances. And when we meet ''people'' this is what we usually meet…

When you develop a strong divining sense for ''the child'' behind that armour, and you make your dealings and negotiations only with that child, you find that everybody becomes, in a way, like your own child.

… That’s the paradox: the only time most ''people'' feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked ''child'' is flung out onto the world.

… The only calibration that counts is how much heart ''people'' invest, how much they ignore their fears of being hurt or caught out or humiliated. And the only thing ''people'' regret is that they didn’t live boldly enough, that they didn’t invest enough heart, didn’t love enough. Nothing else really counts at all. ([[Ted Hughes]])
@@
This, to me, is the ultimately heroic trait of ordinary people; they say no to the tyrant and they calmly take the consequences of this resistance. Their deeds may be small, and almost always unnoticed, unmarked by history. Their names are not remembered, nor did these authentic humans expect their names to be remembered. I see their authenticity in an odd way: not in their willingness to perform great heroic deeds but in their quiet refusals. In essence, they cannot be compelled to be what they are not.
(Philip K. Dick, [[quiet hero]])

… Be patterns, be examples in all countries, places, islands, nations, wherever you come; that your life and conduct may preach among all sorts of people, and to them. Then you will come to walk cheerfully over the world, answering that of God in every one.
([[George Fox|Quaker]])

I do not care what face
other ages and other people have given
the enormous, faceless essence.
(Nikos Kazantzakis, [[SavedBy22]])

My wish is that the dialogue between us should help to build bridges connecting all people, in such a way that everyone can see in the other not an enemy, not a rival, but a brother or sister to be welcomed and embraced! ([[Pope Francis|pontifex]])

it pains me to see that so many people have been made powerless - have not been given the tools to take control of their beings and their sense of the world. to know that actions have a direct and lasting impact, just as inactions do. that we have freedom beyond the building and the massing of others - to be regal and stand before the known universe, throw our arms out to the unknown universe, and say simply, "i accept".
in that one pure and shuddering moment we shatter the [[god myth]].

Surpassing all kings, powerful and tall…
fortress they called him,
protector of the people
([[the great man sees]])

To the people whose labors go beyond ideas into the realm of 'real materials'
(Frank Herbert, in the dedication of //Dune//)

[[Honor your physical being]]: Get out of my head and be among people: physically near, and unafraid to touch, be touched, or be seen (ungirded by intellect, social position, or barriers of words.)

[[sexuality]]: as a bond between two people, as love enacted. There is an intimacy which subsumes any sexual act.

Most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction … instead of a rallying toward exalted moments.

Many people have a tree growing in their heads, but the brain itself is much more a grass than a tree.
(Deleuze and Guattari, [[rhizome]])

I love you —
Those three words have governed much of my life.
(And the lives of most people.)
– written to [[lily|kiss11]]

Then she thinks of language itself: there is no single mind who creates and composes it — just millions of people each learning and changing the words as they speak. And as for poets and other writers of note (and not just notes) well, to her mind they are doing something at the creative edges while the main work is being done everywhere, as it always has been, by the people collectively without any commanders or geniuses or any such nonsense, and all players of the individualised art game. ([[i+e:poem]])

I want to [[judge|INFJ]] people less — starting with myself and my desire to "correct."

I fear that I'm a pedantic thinker, not the type who inspires other people: "a person excessively concerned with minor details and rules or with displaying academic learning."

The most significant effect of adding networked computers to your life is that it reduces the cost of collaborating with other people… ([[Cory Doctorow|project of humankind]])

Connected to 'the grid', people can find and sample books ([[Dynabook Library]])

The open web has always been about people doing the stuff that people want to do with information, with as few restrictions as possible. ([[Chris Dent]])

… It is about how technology uses us and has used people in the past, for good or ill. It is about how technology creates new worlds, for good or ill. (Neil Postman, [[The End of Education]])

How should ordinary people be able to see anything but irrelevance (at best!) in such a divided movement? ([[Humanism]])

[Correspondances are] the affinities which exist between spiritual states and states in nature; those people who are aware of these [[correspondances]] become artists and their [[art]] is of value only in so far as it is capable of expressing these mysterious relationships. (Charles Baudelaire, //L'art Romantique//)

When he sent works of art through the mail to people as gifts, he was describing what he thought were the correct relations among people…An envelope from Ray was like a haiku, a moment of immediacy and indeterminancy, a particularly vivid moment outside the economy, outside the machinery of our culture. It was free.
(Bill Wilson [[speaking|http://www.nytimes.com/1999/02/28/arts/art-architecture-dear-friends-of-ray-and-audiences-of-one.html?_r=0]] of Ray Johnson)

… [[Ray's|Ray Johnson]] clever pallette remains profoundly punctuated with the forgotten details that other people's lives would be made of, if we only had the time to ponder such things.

TOK could be spoken as well as typed into the Exchange terminals, as a worldwide lingua franca for traders and travellers and people wishing to communicate with people of another language directly or through the Exchanges … The City would provide training on any level, from simple gameplaying to the heights of pure mathematics or theoretical physics, for anyone desiring to master some part of the infinite complexities of information retrieval. The Memory of [[The City of Mind]] was incalculably vast.

The ascent of man is not made by lovable people. It's made by people who have at least two qualities: an immense integrity and at least a little [[genius|Genius]]. (Jacob Bronowski)

After many hours spent in thought and struggling with words, I have concluded:

''There is no perfect formulation for living;
no ethical or existential [[codex|Dekatessera Commentary]].''

I now recognize being lured by "the temptation to try to complete with words what can only be completed in living." ^^[[[18]|http://www.turntowardlife.org/eco_spiritual_vows.htm]]^^

Or as [[Hesse]] said: "The deity is within you, not in ideas and books. Truth is lived, not taught."

So, the verbal and written portion of my spiritual journey now enters a necessary process of subtraction.

In all honesty, I have developed these desires with the belief that they will benefit me, somehow making me a better, happier, more contented, or more enlightened person.  Even my stated ideal of compassion is selfish.  I recognize that and am moving forward.  I won't get lost in the analysis of my motives.

''Strong commitment to my children's happiness and sound development remains a fixed point in my nebulous worldview.''

 
Adapted from //Song of Myself//
by Walt [[Whitman]]
interwoven with Octavio [[Paz]] and …
November 2011
-----

<part kosmos>
Walt Whitman, a kosmos, of Manhattan the son, 
Turbulent, fleshy, sensual, eating, drinking and breeding, 
No sentimentalist, no stander above men and women or apart from them, 
No more modest than immodest. 

Unscrew the locks from the doors! 
Unscrew the doors themselves from their jambs! 

Whoever degrades another degrades me, 
And whatever is done or said returns at last to me. 

Through me the afflatus surging and surging, through me the current and index. 

I speak the pass-word primeval…

Through me many long dumb voices, 
Voices of the interminable generations of prisoners and slaves, 
Voices of the diseas’d and despairing and of thieves and dwarfs…
Of the deform’d, trivial, flat, foolish, despised…

Through me forbidden voices, 
Voices of sexes and lusts, voices veil’d and I remove the veil, 
Voices indecent by me clarified and transfigur’d…

I believe in the flesh and the appetites, 
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle. 

Divine am I inside and out, and I make holy whatever I touch or am touch’d from, 
The scent of these arm-pits aroma finer than prayer, 
This head more than churches, bibles, and all the creeds. 
</part>

----

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me belongs to you.

I loafe and invite my soul,
at my ease observing a spear of summer grass.
My tongue, every atom of my blood, formed from this soil, this air,
Born here of parents born here from parents the same,
and their parents the same, [eight, born from 1898 to 1909],
I, now twenty-nine years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

I am mad for it to be in contact with me:
The smoke of my own breath,
My respiration and inspiration, the beating of my heart,
the passing of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and dark-colored sea-rocks, and of hay in the barn,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets,
or along the fields and hill-sides,
The feeling of health, the full-noon trill,
the song of me rising from bed and meeting the sun.

Stop this day and night with me
and you shall possess the [[origin of all poems]],
You shall possess the good of the earth and sun,
(there are millions of suns left,)
You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the specters in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

I have heard what the talkers were talking,
the talk of the beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world. 

Out of the dimness opposite equals advance, always substance and increase, always sex,
Always a knit of identity, always distinction, always a breed of life.
To elaborate is no avail, learn'd and unlearn'd feel that it is so.

I and this mystery here we stand.
Clear and sweet is my soul, and
clear and sweet is all that is not my soul.
Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn. 

Backward I see in my own days where I sweated through fog with linguists and contenders,
I have no mockings or arguments, I witness and wait. 

I believe in you my soul,
Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want,
not custom or lecture, not even the best,
Only the lull I like, the hum of your valvèd voice.

The smallest sprout shows there is really no death,
And if ever there was it led forward life,
and does not wait at the end to arrest it,
And ceased the moment life appeared.

{{grem{Paz speaks…}}}

One day, as if I had returned, not to my house,
but to [[the beginning of the Beginning|The beginning of the Beginning]],
I reached a clarity.

I heard a dark green murmur burst from the center of the night:
the neem tree.
The tree would not give way.
Huge as a monument to patience, fair as the balance
that weighs a dewdrop, a grain of light, an instant.

Strength is fidelity,
power reverence:
no one ends at himself,
each one is an all in another all, in another one.
The other is contained in the one, the one is another:
we are constellations.
The enormous neem once knew how to be small.
At its feet I knew I was alive,
I knew that death is expansion,
self-negation is growth.
I learned, in the brotherhood of the trees,
to reconcile myself, not with myself:
with what lifts me, sustains me, lets me fall.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed,
and luckier.

I pass death with the dying
and birth with the new-washed babe,
and am not contained between my hat and boots.
I peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and fathomless as myself,
(They do not know how immortal, but I know.)

These are really the thoughts of all men in all ages and lands, 
they are not original with me,
If they are not yours as much as mine they are next to nothing,
If they are not the riddle and the untying of the riddle they are nothing,
If they are not just as close as they are distant they are nothing.

This is the grass that grows wherever the land is and the water is,
This the common air that bathes the globe.

In all people I see myself, none more and not one an iota less,
And the good or bad I say of myself I say of them.

I know I am solid and sound,
To me the converging objects of the universe perpetually flow,
All are written to me, and I must get what the writing means.

I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter's compass,
I know I shall not pass like a child's curlicue cut with a burnt stick at night.
I do not trouble my spirit to vindicate itself or be understood,
I see that the elementary laws never apologize.

(I reckon that I behave as proudly as //the level I plant my house by.)//

My voice goes after what my eyes cannot reach,
With the twirl of my tongue I encompass worlds and volumes of worlds.

Speech is the twin of my vision, it is unequal to measure itself,
It provokes me forever, it says sarcastically,
//You contain enough, why don't you let it out then?//

Come now I will not be tantalized — you conceive too much of articulation.

Encompass worlds, but never try to encompass me,
I crowd your sleekest and best words by simply looking toward you.

Writing and talk do not prove me,
I carry the plenum of proof and every thing else in my face,
With the hush of my lips I wholly confound the skeptic.

Now I will do nothing but listen,
To accrue what I hear into this song,
to let sounds contribute toward it. 

Do I [[contradict|origin of all poems/contradict]] myself?
Very well then, I contradict myself.
(I am large, I contain multitudes.)

I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
I hear and behold God in every object,
yet understand God not in the least.

There is that in me—I do not know what it is—but I know it is in me.
Wrenched and sweaty—calm and cool then my body becomes,
I sleep—I sleep long.
I do not know it—it is without name—it is a word unsaid,
It is not in any dictionary, utterance, symbol.

Something it swings on more than the earth I swing on,
To it the creation is the friend whose embracing awakes me. 
It is not chaos or death—it is form, union, plan—
it is eternal life—it is Happiness.

The spotted hawk swoops by and accuses me,
he complains of my gab and my loitering.
I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me,
It flings my likeness after the rest
and true as any on the shadowed wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles. 

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first, keep encouraged,
Missing me one place, search another,
I stop somewhere waiting for you.

<part poem>

a stem not severed from a rose
a nut not fallen from a tree
a shell not shed by the living sea
these three;
a man, a machine, and me
meet in a coupling of waste and wealth

</part>
----
After work, I wade back through the silence of the shop:
the lathes shut down, inert, like enormous animals in hibernation,
red oil rags lying limp on the shoulders
of machines, dust motes still climbing shafts
of dawn light, hook and hoist chain lying desultory
as an old drunk collapsed outside a bar,
barn sparrows pecking on the shores of oil puddles—
emptiness, wholeness; a cave, a cathedral.

As morning light washes the walls of Florence,
the boy Leonardo mixes paints in Verrocchio's shop
and watches the new apprentice muddle
the simple task of the Madonna's shawl.
Leonardo whistles a canzone and imagines
a lathe: the spindle, bit, and treadle, the gleam of brass.
– B. H. Fairchild

(discovered from the [[Read A Little Poetry]] blog)
----

//a spring held tight
vibratin as he walks
a challenge to his brothers
the hidden selves safe aneath
quick thrustin strides

the beat o haimmers
edgin to brittle pairts
that spairk quick and chip//
—from [[Kythings interpreted]]

----

My first career – lasting over a decade and not yet finished – was spent in machine shops.  I felt like a stranger among the machines, and never had any desire to learn their workings.

Nonetheless, I fed my family from the produce of the shop: the daily beat of metal being shaped into usable forms.  Wealth was made, but much was also wasted.

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!The Method of Nature
Ralph Waldo Emerson, 1841

We must admire in man the ''form of the formless, the concentration of the vast, the house of reason, the cave of memory''… O rich and various Man! thou palace of sight and sound, carrying in thy senses the morning and the night and the unfathomable galaxy; in thy brain, the geometry of the City of God; in thy heart, the bower of love and the realms of right and wrong.

An individual man ''is a fruit which it cost all the foregoing ages to form and ripen''.  He is strong not to do, but to live… Each individual soul is such, in virtue of its being a power to translate the world into some particular language of its own; if not into a picture, a statue, or a dance,—why then, into a //trade, an art, a science, a mode of living, a conversation, a character, an influence.//
…
Follow the great man, and you shall see what the world has at heart.  There is no omen like that.  But what strikes us in the fine [[genius]] is //that which belongs of right to everyone.//  A man should know himself as a necessary actor.  A link was wanting between two craving parts of Nature, and he was hurled into being as the bridge over that yawning need, the mediator betwixt two else unmarriageable facts.  His two parents each held wants, and the union of foreign constitutions in him enables him to do gladly and gracefully what the assembled human race could not have sufficed to do.

He knows his own materials; everywhere he applies himself to his work; he cannot read, he cannot think, he cannot look, but he unites the hitherto separated strands into a perfect [[cord|the cord]].  What are the thoughts we utter but the reason of our incarnation?  To utter these thoughts we took flesh, missionaries of the everlasting word which will be spoken.  Should not a man be sacred to himself and to men?  Is it for him to account himself cheap and superfluous, or to linger by the way-side for opportunities?  Did he not come into being because something must be done which he and no other is and does?  ''If only he //sees//, the world will be visible enough.''  //He need not study where to stand,// {{grem{[as I have done so long]}}} nor to put things in favourable lights; in him is the light,—from him all things are to their centre illuminated.
…
''To questions of this sort, Nature replies, "I grow, I grow."''  All is nascent, infant.  When we are dizzied with the arithmetic of the savant toiling to compute the length of her line, the return of her curve, we are steadied by the perception that a great deal is doing; that all seems just begun; remote aims are in active accomplishment.  We can point nowhere to anything final; but tendency appears on all hands: {{grem{child,}}} planet, constellation, //total Nature is growing like a field of maize in July;// is becoming somewhat else in rapid metamorphosis.  The embryo does not more strive to be man than yonder burr of light we call a nebula tends to be a ring, a globe, and parent of new stars.
…
Nature does not exist to any one or to any number of particular ends, but to numberless and endless benefit … there is in it no private will, no rebel leaf or limb, but the whole is oppressed by one superincumbent tendency, and obeys that redundancy or excess of life which in conscious beings we call //[[ecstasy|Sevenfold Self/ecstasy]]//.

 
''//@@color:purple;font-size:125%;See __<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('TarotKeys 4-5')).map(function(t){return t.title}))" title="See Tarot Keys 4 & 5">My Story Through Tarot</a></html>__ …@@//''

A collage I created over 10 years ago:
[img[TarotCollage]]

+++[Commentary reconstructed in 2016:]
&nbsp;
[[Two of Cups|https://en.wikipedia.org/wiki/Two_of_Cups]]
<<<
The card shows a man and a woman staring into each other's eyes, sharing their emotions by way of the cups  … ''danger or heroism'' in the transaction  … There is romance between them, a sexual attraction. The Two of Cups shows power that is created when two come together.  If you are in conflict, look for truce and the chance to forgive and be forgiven.  If you are struggling with two choices or tendencies within yourself, seek to reconcile them …

Usually, the Two of Cups is welcome in a reading, but it can also sound a note of warning.  The energy of Two can be very compelling. They create between themselves a world of their own that can feel exclusionary to outsiders.  [These passages remind me of [[my wife Carmen|song sweet and low]] and myself.]
<<<
[[Five of Swords|https://en.wikipedia.org/wiki/Five_of_Swords]]

[[Four of Wands|https://en.wikipedia.org/wiki/Four_of_Wands]]

[[The World Dancer|https://en.wikipedia.org/wiki/The_World_(Tarot_card)]]

I built a bridge from the Wands couple, upon which her feet touch down.
<<<
"The figure is at once ''male and female'', above and below, suspended between the heavens and the earth. It is completeness. It is also said to represent cosmic consciousness; the potential of perfect union with the One Power of the universe. It tells us full happiness is also to give back to the world, sharing what we have learned or gained."
<<<
I also placed a second, fainter version of her rising from the cups of the two lovers.

[[Seven of Pentacles|https://en.wikipedia.org/wiki/Suit_of_coins#Card_images_in_the_Rider-Waite_tarot_deck]] (or Coins)

But notice that I added an 8th pentacle straddling between this card and the reversed Magus / Magician.

[[The Magician|https://en.wikipedia.org/wiki/The_Magician_(Tarot_card)]]

He has a pentacle on his table -- now up to __9__ between the two images.
<<<
When the Magician appears in a reading, it points to the talents, capabilities and resources at the querent's disposal.  Depending on the card's placement in relation to other cards, the message is to tap into one's full potential rather than holding back, especially when there is a need to transform something. There are choices and directions to take. Guidance can arrive through one's own intuition or in the form of someone who brings about change or transformation.

The card can mean that ''a manipulator'' is floating around, usually if it's reversed.  He may be a beneficent guide, but he does not necessarily have our best interests in mind. He may also represent the querent’s ego or self-awareness. He can also represent the intoxication of power, both good and bad.
<<<
Pentacles are the suit of physical manifestation -- career, financial security, possessions, health and physical body, etc.  The Magician also exerts power over this realm … and each of the four elements on his table:
*a pentacle (material world),
*a cup (emotion),
*a sword (intellect),
*a wand or staff (creativity and will) -- his power over Will is perhaps the most considerable of all, since he holds a second wand upright in his hand, altered from a raw piece of wood.

The man in the image with 7 pentacles looks to be young and contemplative, and his success grows from a living plant -- I think of a landowner or grower (because agriculture empowers and liberates us from an earlier era of hunting and gathering.)

Adding an 8th pentacle suggests an artist in his work … skill in craft and business, perhaps in the preparatory stage.

Adding a 9th pentacle might suggest this meaning from the Wikipedia article:
<<<
"having financial independence, the self-reliance of personal pursuits, the ability to treat yourself with luxury, and being on a stable financial plateau and steady security. Reversed, the card means excess spending … to feel lonely in your personal pursuits, to feel inadequate financially, to have everything money can buy but yet still feeling impoverished emotionally and spiritually. The advice of the card is to look within the root of your existing problems, to look and focus on what will make you feel complete and secure, yet to learn and grow along the way."
<<<
===
&nbsp;
----

__The Major Arcana__
0 --	The Fool
1 --	The Magician
2 --	The High Priestess
3 --	The Empress
4 --	The [[Emperor]]
5 --	The [[Hierophant]]
6 --	The Lovers
7 --	The Chariot
8 --	Justice
9 --	The Hermit
10 --	Wheel of Fortune
11 --	Strength
12 --	The Hanged Man
13 --	Death
14 --	Temperance
15 --	The Devil
16 --	The [[Tower|Dark Tower]]
17 --	The Star
18 --	The Moon
19 --	The Sun
20 --	Judgement (The Angel)
21 --	The World

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

!Sheep
Jane Hirshfield

It is the work of feeling
to undo expectation.

A black-faced sheep
looks back at you as you pass
and your heart is startled
as if by the shadow
of someone once loved.

Neither comforted by this
nor made lonely.

Only remembering
that a self in exile is still a self,
as a bell unstruck for years
is still a bell.

----

The world embraces us at every moment. And you don’t stop at your skin. To write about a tree with absolute objectivity is to write autobiography, and to write your personal story is to write the geography of the planet.
– Jane Hirshfield, {{grem{see more of her words [[here|http://www.poetryfoundation.org/bio/jane-hirshfield#about]]}}}

!My Life Was the Size of My Life

My life was the size of my life.
Its rooms were room-sized,
its soul was the size of a soul.
In its background, mitochondria hummed,
above it sun, clouds, snow,
the transit of stars and planets.
It rode elevators, bullet trains,
various airplanes, a donkey.
It wore socks, shirts, its own ears and nose.
It ate, it slept, it opened
and closed its hands, its windows.
Others, I know, had lives larger.
Others, I know, had lives shorter.
The depth of lives, too, is different.
There were times my life and I made jokes together.
There were times we made bread.
Once, I grew moody and distant.
I told my life I would like some time,
I would like to try seeing others.
In a week, my empty suitcase and I returned.
I was hungry, then, and my life,
my life, too, was hungry, we could not keep
our hands off      our clothes on   
our tongues from

Or a computer programming language, a software environment, etc.
I asked this question in one of my [[Technology Ideas]].

When reading about computer science, I keep coming across this concept of //the tool being written / created by (or "in") itself.//

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Excerpts from //[[The Internet and Everyone|i+e]]// concerning poetry --

There's something happening here
I know; there are no regular words or
ways of writing words that we inherit
to let this thought come clearly out
from where I'm chasing for it…
     apart from [[poetry]], that is.
So I give up for the moment
still aware whatever it is that drives me
to write and to think in this way
is not going to end.
~~237~~

Then she thinks of language itself: there is no single mind who creates and composes it -- just millions of people each learning and changing the words as they speak.  And as for poets and other writers of note (and not just notes) well, to her mind they are doing something at the creative edges while the main work is being done everywhere, as it always has been, by the people collectively without any commanders or geniuses or any such nonsense, and all players of the individualised art game.

But the writer says nothing.  He is taking to heart what the traveller said: of his not sharing the writing with readers, though now it is technically possible to do so.  Let the work answer its own questions, he thinks, it's as much as I can do to write this.
~~534~~

The disciplines of [[poetry]] and colloquial speech, however divided are the cultures, remain potentially able to transcend the ancient and modern disciplines of rigorous thought, which he takes as delusions of intellectual grandeur and pride.

Thus
in philosophy,
as in speculative science and in critical thought,
as well as to their antecedents
in theology and magic,
grammar, logic and rhetoric,
and all such artificial divisions of thought,
he sees nothing
but the occult tendency of the educated mind
''to give up the reading of its feelings,
and the reading of the world'',
for the belief in
literal knowledge.

<part poetic-colloquial>
Seeing the world and the feelings as the only oracles of consequence, ''he takes both experimental science and artistic composition as two valid ways to proceed'', regardless of mother-tongue and despite the apparent power of the book, ''unless [[poetic|i+e:poem]] or colloquial''.
</part>

And beyond these two procedures or methods he puts belief in all that is. ''For of life in its profusion'', in which he sees each person as creative part, ''the narrator sees no need to fear the consequence but only to trust the universe or the whole'', mere names as these are.
~~366~~

----
<part GertrudeStein>
''after this'':

Any time is the time to make a poem.  The snow and sun below.
:Gertrude Stein, //Everybody's autobiography//, 1937
</part>
----

The poem, no longer chant or rhyme but now the experience,
what comes to mind when one encounters words poetic,
a word which by definition has no definition,
words which, suggests Wallace Stevens
give the imagination sudden life
(the poetic nature of any words depending on the minds through which they pass).
~~263~~

What distinguishes the poetic figures, as seen perhaps in Noh theatre, so full of hieratic feeling, from the numerical figures of the economic calculus to which you and I and everyone are reduced in the industrial system?
~~270~~

!From Out the Cave
by Joyce Sutphen

When you have been
at war with yourself
for so many years that
you have forgotten why,
when you have been driving
for hours and only
gradually begin to realize
that you have lost the way,
when you have cut
hastily into the fabric,
when you have signed
papers in distraction,
when it has been centuries
since you watched the sun set
or the rain fall, and the clouds,
drifting overhead, pass as flat
as anything on a postcard;
when, in the midst of these
everyday nightmares, you
understand that you could
[[wake up]],
you could turn
and go back
to the last thing you
remember doing
with your whole heart:
that passionate kiss,
the brilliant drop of love
rolling along the tongue of a green leaf,
then you wake,
you stumble from your cave,
blinking in the sun,
naming every shadow
as it slips.

Type the text for 'excludeMissing'

| What a delight, what a gift, that you do not require the man you married to remain frozen in time.  You have walked with me, believed in me, and lent me your strength and acceptance as I find the man I am.  //THANK YOU.//  This was a wonderful weekend in which we expanded our family.  You are at __the heart__ of mine: f&a |

chkPrivateMode: false

{{rjustify{
1-18-07}}} {{dialog{
Anam Cara,
 We are the strongest we have ever been & yet we have the ability to be soft & yielding when the moment calls.  I am blessed to have such a malleable partner -- magic is made from the impossible made real -- we have the strength & flexibility to make magic 
}}}
----

N. Corymb who came to my [[Quaker]] Meeting in early 2013 shared this: //Quakerism did not abolish a priesthood; it abolished the [[laity|Journey's Etymologies]].//

"Come tell us what is saving your life now," the old priest asked of Barbara.  Some years later when she wrote this book, she answered:

What is saving my life now is the conviction that there is no spiritual treasure to be found apart from the bodily experiences of human life on earth.
My life depends on engaging the most ordinary physical activities with the most exquisite attention I can give them.
My life depends on ignoring all touted distinctions between the secular and the sacred, the physical and the spiritual, the body and the soul ...

Whoever you are, you are human.  Wherever you are, you live in the world, which is just waiting for you to notice the holiness in it.  So welcome to your own priesthood, practiced at the altar of your own life.  The good news is that you have everything you need to begin.

—from //An Altar in the World// by Barbara Brown Taylor

 
| pawn | pedonem |
| peon | pedestal |
| [[pioneer|Jones/pioneers]] | pedestrian |

All from the Latin //pedonem// (nominative //pedo//) "one going on foot".

----

[[To my son and daughter]]:

//… making slowly toward
an unknown place
where you could be with me,
like a man on foot,
in a long stepping out.//

<<<
Today, as in all recorded history, as man strives to create and preserve his individual and communal identity, he finds himself surrounded by problems he can neither totally understand nor conveniently reject as unintelligible, such as time, life, death, or the existence of a universe.  He is also driven by aspirations whose goals he cannot hope to reach, yet cannot accept as unreachable, such as his ethical needs for justice and truth, or his aesthetic demand for consummate beauty.  Beneath these [[existential dilemmas|http://en.wikipedia.org/wiki/Existential_crisis]] man still lives by and for ideas; yet, simultaneously, he remains //only superficially a reasoning animal.//

More basically, man is a //''desiring, suffering, death-conscious, hence time-conscious, creature.''//  Neither the meager diet of scientific interpretation posing as philosophy, nor the obscurantism of pseudomysticism disguised as metaphysics is useful to someone stooped under the burden of daily struggle, while he is carried along into a "brave new world" with the storm of social and industrial advance.

As for the certain conflicts which man can neither resolve nor accept as unresolvable, one may look at them as those between //knowledge felt// and //knowledge understood//.  These two warring projections of a single, underlying tension are ordinarily described as passion and knowledge.

—J. T. Fraser, //Of Time, Passion, and Knowledge: Reflections on the Strategy of Existence//, 1975
<<<

Hannah Arendt — //Vita Activa//
Labor, Work, and Action

[[Triple quest for self]]

!Imaginal Love

Act of imaginal love:
so we planted these three,
now our daughter's aspen grove
through her window rustles;
she and the trees grew and grew
in seven years, much taller.

Some days later, I start anew:
sweep up the pieces, as I rue
my oldest rage thrown 'cross the room;
with nose stinging, eyes blurring,
I say ‘so sorry’ again, again,
in twenty years, no wiser.

Lapse of the imagined self:
I accept this goodnight kiss
of the orange pill 'cross my lips
swallowed by an aching voice
to leave me dull, unlike myself;
sleep eight hours, wake unfound.

Act of imaginal love:
squeeze my hand, weaker than
fierce contractions squeezing her;
eyes now lock in the child's gaze
lifted up and out, into view,
long labor, hearts are fuller.

Some days later, I start anew:
we hold our hands out, two,
and speak a pledge of singular love
before our friends, beneath the sky,
to keep beginning with no ending;
one year passed, afraid but truer.

//Imaginal love persists://
the trees are leafing, taller,
each forgiven, we grow wiser,
unlike myself, I wait longer,
my child's squeeze: a reminder
of how we arise, joined now stronger.

'Code' as literature — Donald Knuth:
"Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do… The practitioner of literate programming can be regarded as an essayist, whose main concern is with exposition and excellence of style." ^^[[[15]|http://www.literateprogramming.com]]^^

Bertrand Meyer, inventor of the Eiffel programming language, said that programming is a "model of a model" of some part of the world … "Reality is a cousin twice removed."

The [[Glass Bead Game]] and its grammar may be the same.

''My current primary interests:''
*Javascript language that runs in all modern web browsers and powers [[this wiki web]]
**~TiddlyWiki and [[Wagn]]
*HTML (a declarative markup language, not a programming language per se), its cousin XML, and Wiki markup / Markdown with hypertext
<part Python>
*Python language invented by Guido van Rossum
**[[Sage]] mathematics system and notebook created by William Stein
**[[TiddlyWeb|What Is A Wiki]] toolkit powering this Wiki
**See an excerpt from "[[The Zen of Python|simple/ZenPython]]"
</part>
*Wolfram Language announced June 2013, which germinated as //Mathematica// since the late 1980s
*Smalltalk language invented by Alan [[Kay]] to realize the [[Dynabook]]
*Visual and grid-based environments, as an extension of the spreadsheet (Excel, Apple Numbers, Quantrix Modeler)
*APL and J languages invented by Kenneth [[Iverson]]
*Lisp language invented by John ~McCarthy

<part Ritchie>
From New York Times [[obituary|http://www.nytimes.com/2011/10/14/technology/dennis-ritchie-programming-trailblazer-dies-at-70.html]] October 13, 2011:
<<<
The C programming language, //a shorthand of words, numbers and punctuation,// is still widely used today, and successors like C++ and Java build on the //ideas, rules and grammar// that Mr. Ritchie designed.

Mr. Ritchie, Mr. Thompson and their Bell Labs colleagues were making not merely software but, as Mr. Ritchie once put it, ''//“a system around which fellowship can form.”//''
[emphasis mine]

Colleagues who worked with Mr. Ritchie were struck by his code — meticulous, clean and concise. His writing, according to Mr. Kernighan, was similar. “There was a remarkable precision to his writing,” Mr. Kernighan said, “no extra words, elegant and spare, much like his code.”
<<<
</part>

On the [[defunct]] Nervousness.org, these were referred to more specifically as ~LMAOs: //land mail art objects//.
<<<
The purpose of mail art, an activity shared by many artists throughout the world, is to establish an aesthetical communication between artists and common people in every corner of the globe, to divulge their work outside the structures of the art market and outside the traditional venues and institutions: //''a free communication in which words and signs, texts and colours act like instruments for a direct and immediate interaction.''//
–Loredana Parmesani
<<<
From [[Wikipedia|http://en.wikipedia.org/wiki/Mail_art]]:
Mail art (also known as postal art and ''correspondence art'') is a ''populist artistic movement'' centered around sending small scale works through the postal service. Media commonly used in mail art include postcards, collages, artist-created stamps, found or recycled images and objects, and [[Artist Trading Cards|http://en.wikipedia.org/wiki/Artist_trading_cards]], but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post.

----
* It is decentralized, in that mail artists all rely on other artists to convey their messages, their work, their advertisements for projects. 
* It is international, and it goes beyond the usual cultural barriers of geography and language. 
* There is no sanctity of completion; all that is put into it is subject to further manipulation by other artists: nothing is ever finished. This is what art is really all about, continual reinvention and metamorphosis. Paintings in the museums are just interesting stops along the way, but they are never the end of the road. 
* Because it is freely reproduced and traded, but never sold, it cannot be compromised for the sake of money.
* It embodies the do-it-yourself spirit that has been absent from conventional art and music for too long. Anybody can participate.
* //"The profitlessness of mail-art has been an ''emancipation'', a moment of ''economic truancy'' and ''mischief'', as ''irrational as love"''.//&nbsp;&nbsp;–William S. Wilson

''Mail Art as Intermedia'' … Dick Higgins revived the word "intermedia," from the 1812 writings of Samuel Taylor [[Coleridge|http://books.google.com/books?id=mwqX6LBmfhYC&lpg=PA51&ots=4pbHPyi1LQ&dq=intermedia%20coleridge&pg=PA51#v=onepage&q=intermedia%20coleridge&f=false]], to define works which fall conceptually between media that are already known; he uses the term to demystify //avant garde// art, going on to say:
<<<
…between almost any art and non-art media other intermedia are possible. What lies between theater and life, for instance? Between music and philosophy? … If we take any art as a medium and the postal system as a medium, then mail art is the intermedium between these.
<<<
----
Quoting William S. Wilson:
<<<
The phrase ''"stable open system"'' I borrow from Michael Polanyi, who borrowed the words to describes life as a stable open system.  The implication here is that mail-art is a model for systems that enhance the animation and livingness of life, and that it must be aware of the structures and functions of other systems, ranging from postal services through to museums.  ''Not entertainment, but art'', has in our culture often worked to ''break "the mind-forged manacles"'' @@color:grey;(William Blake's [[poem|http://www.poetryfoundation.org/poem/172929]]),@@ and to enable people to fly beyond the nets of nationalism, religion and language.
:@@color:grey;"When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets." (James Joyce)@@
<<<
–Above research courtesy of Madelyn Starbuck in "[[Clashing and Converging: Effects of the Internet on the Correspondence Art Network|http://www.lib.utexas.edu/etd/d/2003/starbuckmk032/starbuckmk032.pdf]]"

 
I composed the poem [[Intervisible]] during the week of July 11, 2016.
In these verses, I tried to evoke my concept of selfhood.

Unpacking each stanza:

<<<
@@font-size:125%;font-family: serif;No —
Another shall Never
(though many may try)
decide or define,
by name, face, or sign,
You who I knew —
a soul being true.@@
<<<
''__No__''
the process of finding one's true self by rejecting exterior labels
reclaiming you who I //knew// (past-tense, before society got a hold of you / me / us)

with the definitions stripped away
— //all// of them: name, face, sign (a degree, title, wedding band, profession, every conceivable sign or sigil we've attached to ourselves)

<<<
@@font-size:125%;font-family: serif;Yes!
True, untamed and Free:
[[maple|Ich und Du/maple]] twig ~ a twisted key
unlocks the space within,
True is neither and both, ever
held-forth, strange yet kin —
a life being led.@@
<<<
''__Yes__''
You, yes You!
with an exclamatory //Yes!// to what remains after the first stanza's shedding

Truth found in untamed Nature, symbolized by a maple twig
— also Martin [[Buber's|Ich und Du/maple]] "everyday hour on earth" and "streak of sun on a maple twig" …
— and the poem //[[Ars Poetica|Ars Poetica/MacLeish]]// by Archibald ~MacLeish, which describes
"an empty doorway and a maple leaf"

//I am one small twig on the Tree of Life.//

The ''~'' glyph resembles a twig twisted into a key
: a key not to a door outside, but unlocking boundless space within
an identify composed of opposites and contradictions (cf. Walt Whitman: //"I contain [[multitudes|origin of all poems/multitudes]].//")

Role, profession, or even gender does not contain me
Saying yes to neither and both -- the end of binary thinking -- as a [[Centaur]] lives
//held-forth://&nbsp;  held (intimately, private) and forth (to the world)

The "soul" remembered in the first stanza becomes a "life" to be //led//, not contemplated

<<<
@@font-size:125%;font-family: serif;Here —
led so deftly, tethered
(in a thousand [[lines of sight]])
by this Heart which sheltered
words and plans kept right;
our story ages backward —
dreamer being brave.@@
<<<
''__Here__''
led here, to this very moment, the culmination of an entire life history

It's a deft balancing act to contain all those "dozens of people" who I am (borrowing my friend [[Ryan]]'s words)

Each "line of sight" is a past or present relationship, a life experience, a viewpoint adopted as we grew up, and every major step in the path (blunders and triumphs alike)
: This verse inspired a new attempt on my wiki, arranging those [[lines of sight]]  — the 1,000 (or so) entities who walk my life, formed in an arrangement of 119 "lines"
words and plans kept right — maintain fidelity to the true self discovered
Also practice unfailing honesty in our relationships (the words and plans we speak to others)

Our story ages backward — to the original raw potential we could access in childhood; with the trappings of "maturity" undone … age back into boyhood?

Also, perhaps, +++[what Ferlinghetti wrote…]
<<<
I am waiting 
for Alice in Wonderland 
to retransmit to me 
her total dream of innocence 
and I am waiting 
for Childe Roland to come 
to the final [[darkest tower|Dark Tower]]…
I am waiting 
to get some intimations 
of immortality 
by recollecting my early childhood 
and I am waiting 
for the green mornings to come again   
youth’s dumb green fields come back again 
and I am waiting 
for some strains of unpremeditated art 
to shake my typewriter 
and I am waiting to write 
the great indelible poem…
and I am awaiting   
perpetually and forever 
a renaissance of wonder.

&nbsp;&nbsp;– from "[[I Am Waiting|https://web.archive.org/web/20160909180537/https://www.poetryfoundation.org/poems-and-poets/poems/detail/42869]]" by Lawrence [[Ferlinghetti]],  //A Coney Island of the Mind// (1958)
<<<
===
&nbsp;

the first stanza's "soul" > "life" stops hunting out a path to follow, or a way to be "led" (second stanza), and becomes a "dreamer" brave enough to //live, act, and// . . . . . (what word?)

''//… brave enough for Destination//''
:not a noun signifying a place; but describing the //action// of working out one's destiny

 
Madeline [[L'Engle]]'s "Time Quintet" – //A Wrinkle in Time, A Wind in The Door, A Swiftly Tilting Planet, Many Waters, An Acceptable Time//

"Wendung" ([[Turning]]) and //The Duino Elegies// – Rainer Maria [[Rilke]]

//[[Anam Cara]]// – John O'Donohue

//[[Ich und Du]]// – Martin Buber

//The Saviors of God// – Nikos [[Kazantzakis]]

//The Fifth Sacred Thing// – [[Starhawk]]

//The Kin of Ata Are Waiting for You// – Dorothy Bryant

//The [[Glass Bead Game]]// – Hermann [[Hesse]]

//[[House of Leaves]]// – Mark Z. Danielewski

//Leaves of Grass// – Walt [[Whitman]]

//[[Man's Search For Meaning]]// – Viktor Frankl

[[Desiderata]] – Max Ehrmann

//Four Quartets// – T.S. [[Eliot]]

//The Lost Notebooks of Loren [[Eiseley]]//

The writings of [[Kahlil Gibran→|Out of My Deeper Heart]]

//Ishmael// – Daniel Quinn

//The Book: On the Taboo Against Knowing Who You Are// – Alan [[Watts|countervailingGBG/Watts]]

Books and art by [[SARK]] (Susan Ariel Rainbow Kennedy)

//The Omnivore's Dilemma// – Michael Pollan

//Confession of a Buddhist Atheist// – and other writings of Stephen Batchelor

//A Room Made of Windows// – Eleanor Cameron

//Figgs & Phantoms// – Ellen Raskin

William Sleator – author of //Strange Attractors// and
//The Boy Who Reversed Himself// which I read in the third grade:
<<<
I never forgot a few main elements: the protagonists Laura and Omar, and Sleator explaining through character dialogue some dimensional mechanics such as 2D and 3D cross-sections, and introducing the 4D directions //ana// and //kata//: which in 4-space are the pair orthogonal to 3D left/right, up/down, and foward/backward.
I also remember the book's conclusion when a much higher-dimension being explained to the adolescent Laura and Omar about the hierarchy of dimensions, and how every gateway between them is hidden/protected ... so that we don't abuse 2D beings, 4D beings don't abuse us, and so on, higher upward infinitely(?)
<<<
''Although not a deep reading, these too:''

//The Drama of the Gifted Child: The Search for the True Self// – Alice Miller

//[[The Ordering of Love|https://books.google.com/books?id=A8VCSfVYPXUC&pg=PR7]]: The New & Collected Poems of Madeleine L'Engle//
(including poems from //Lines Scribbled on an Envelope//, 1969, and a series of sonnets circa 1998)

//The Art of Loving// – Erich Fromm

----
{{dialog{8.21.10

 Thank you for making such warm & welcoming havens for our children & for us.
 I appreciate all of your hard work & devotion to your family.
 I love being a member of our little group.
 And I love you ☺
}}}
----

“My prose has no individual style as such, but is rather an unspoken and still unexpressed groping toward the personal. There is something there that wants to come out; something of my own that must be said. Yet, perhaps, words are not the way for me…

I get hopelessly involved in words to contain the increasing number of ideas… I am soon so overextended—stretched grammatically and logically to the point where any semblance of clarity is lost.

—Neal Cassady

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User-agent: *
Disallow: /bags
Disallow: /recipes

 
Your unique calling inspires me
Quest held in shadow light
Smoke stoked fires (I am burning) –
Let in a sun slant –
Lit to beckon insanity

Bliss is the calling
Of singular soldiers
Shielding priceless richness
From owners all

{{grem{-- by <<tag lily>>
12-13-02}}}

 
<part SSFW>
words //spill// quick, jumbled verse
— dessert //simmers//, peach pink brown —
elm trees //falter//, ancient still flaming —
rooms //wither//, forlorn and faded home
</part>

— Inspired by the title of Sara Baume's debut novel //[[Spill Simmer Falter Wither|https://books.google.com/books?id=lWspCgAAQBAJ&lpg=PP1&pg=PA57#v=onepage&q&f=false]]//

----

//Rewritten in dual [[boustrophedon]] fashion, starts from the beginning and end, meets in the middle -- flaming://

words: home
faded ''spill'';
quick and forlorn jumble.

verse ''withers'';
rooms brown, elms pink.

peach trees ''falter'',
''simmer'',
ancient still deserts

flaming

----

The peach trees are "still" (motionless? or nevertheless?) //deserts:
"a suitable reward"// -- an obsolete noun from French //deservir//, "be worthy to have" --
not //dessert// to be eaten, as meant in the first poem.

[img[Actress McBaimer in Duke's Cameo Cigarettes|https://farm2.staticflickr.com/1573/26657042666_00f1bf296f_o.jpg][https://www.flickr.com/photos/39042429@N00/26657042666/]]
Image discovered from the Twitter publishing of ''[[JustKnecht|https://twitter.com/justknecht]]'', with these interlingual musings …

Latin //coincidentia oppositorum//
-- coincidence of opposites +++[+]
<<<
[[Jung]] held that a “non-rational” union of opposites enables the individual to transcend and ultimately overcome his or her conflicts. Indeed, Jung held that there is a non-rational instinctive human function, which he termed the “transcendent function,” that mediates and combines opposites through the production of fantasies and symbols, and which enables the individual to gain a new perspective and more encompassing and rewarding attitude toward what he formerly regarded to be an insoluble dilemma or conflict.  Unlike Hegel, whose [[dialectic]] of opposing principles and ideas Jung regarded to be conscious and rational, Jung held that the transcendent function involves a combination of conscious and unconscious elements and goes far beyond and is indeed opaque to thought and reason. In his later work, Jung regarded the coincidence of opposites to be constitutive of both the God archetype and the Self. Throughout his career, Jung traced the appearance of the notion of //coincidentia oppositorum// in such varied arenas as Brahmanic thought, Christian mysticism, Alchemy and the Kabbalah.

[[The Red Book]] is replete with Jung’s not as yet fully formed on the coincidence of opposites.
-- Written by [[Sandy Drob|http://theredbookofcgjung.blogspot.com/2009/11/coincidence-and-conflict-of-opposites.html]]
<<<
===
&nbsp;

Spanish //la conjunción de un espejo y de una enciclopedia//
-- the conjunction of a mirror and an encyclopedia +++[+]
<<<
<part Borges>
//"I owe to the conjunction of a mirror and an encyclopedia the discovery of Uqbar."// -- The opening sentence of a short story "Tlön, Uqbar, Orbis Tertius" by Argentine writer Jorge Luis Borges, about a mysterious fictional country called Uqbar.

From the second paragraph, translated into English: "The next day, Bioy called me from Buenos Aires.  He said he had to look at the article on Uqbar, in volume XXVI of the [[Encyclopedia]]… The text of the Encyclopedia said: //For one of those gnostics, the visible universe was an illusion or (more precisely) a sophism.//"
</part>
<<<
===
&nbsp;

French //la demoiselle au miroir//
-- the girl in the mirror

Chinese 陰陽
-- yin and yang

German //das Glasperlenspiel//
-- The [[Glass Bead Game]]

English //just connecting//
-- or is it?

This image has also circulated on Tumblr at [[The Hungry Eye|http://somehungryeye.tumblr.com/post/104108804477/card-number-314-m-baimer-from-the-actors-and]] and within the colleciton of [[Duke University Libraries|http://library.duke.edu/digitalcollections/sizes/eaa_D0059/]]

----

The poet Octavio [[Paz]] had this to say of mirrors and opposites:

… sky and earth, air and water, plain and mountain,
&nbsp;&nbsp;&nbsp;&nbsp;lake and volcano, man and woman,
//el mapa del cielo se refleja en el espejo de la música …//
&nbsp;&nbsp;&nbsp;&nbsp;-- the ''map of the sky'' is reflected in the mirror of music.

//En el espejo de la música las constelaciones se miran antes de disiparse,
el espejo se //''abisma''// en sí mismo anegado de claridad hasta anularse en un reflejo…//
&nbsp;&nbsp;&nbsp;&nbsp;-- In the mirror of music the ''constellations'' look at themselves before scattering,
the mirror plunges into itself, drowned in clarity until it is erased by a reflection.

{{grem{Alternate Translation:}}}
The mirror sinks inward [[abyss-like|abime]], a +++[flooded]
<<<
//who checked the floods of origin within him?// -- [[The Duino Elegies]]

"flooded clarity" -- //the gifts that flooded from him were ''sent back''
{{grem{[from a human mirror]}}} in pieces, heavy with transience// … (Rilke's [[notebook/novel|The Notebooks of Malte Laurids Brigge]])
<<<
===

&nbsp;&nbsp;&nbsp;&nbsp;clarity 'til erased by a reflection.

Excerpt  from +++["A Tree Within"]
<<<
<<tiddler [[A Tree Within]]>>
<<<
===
&nbsp;
----

Paz explicitly spoke the word ''"abyss"'' many times, including these:

//The [[world is manifest|Landscape]] as it is:
a sun immobile, in the abyss.

The hour [[rests on an abyss|Peak and Gravity]] of clarities//
: un ''abismo'' de claridades
Juxtapose with:
: ''abisma'' en sí mismo anegado de claridad//
sinks inward abyss-like, a flooded clarity//

!Authority • Father

This particular //myth -- secret// -- or //key// to life experience was examined through the symbolism of tarot by [[Rachel Pollack]], in her book //~Seventy-Eight Degrees of Wisdom: A Book of Tarot// (1980 and 1997).  Her explanation follows, interspersed with my personal responses {{grem{shown in grey italics:}}}

The Emperor symbolizes the laws of society, both good and bad, and the power that enforces them.  To a child, the Father {{grem{[or his surrogate]}}} is in many ways indistinguishable from society as a whole … It was the Father who bore the authority and thus became the judge, the Father who punished (and the mother who intervened), and the Father who taught us the rules of society and then demanded obedience.

In Rome, the concept of law versus chaos was carried to the point where stability, or 'law and order' to use the modern term, became virtues in themselves, apart from the inherent morality of those laws.  No progress can be made in conditions of anarchy (turns the argument); bad laws need to be changed, but first the law must be obeyed at all costs.  Any other approach can only destroy society.  Today, we see this viewpoint embodied in an abstraction we call the 'system'.

In the Emperor's best aspect he indicates the stability of a just society that allows its members to pursue their personal needs and development.  The natural world is chaotic; without some kind of social structure we could each spend all our lives fighting to survive.  Society allows us both to work together and to benefit from the experience of those who lived before us.

----

A description follows of '[[the great man|the great man sees]]' and one specifically, the ancient hero Gilgamesh:
<<<
Surpassing all kings, powerful and tall
beyond all others, violent, splendid,
a wild bull of a man, unvanquished leader,
hero in the front lines, beloved by his soldiers —
//fortress// they called him, //protector of the people,
raging flood that destroys all defenses —//
<<<
"In the most practical terms, The Emperor represents the highest leadership, a head of state, or the most exemplary and powerful person in the realm," as stated by [[Tarot.com|http://www.tarot.com/tarot/the_emperor]].

In the public sphere of American life, this leadership will transition in the coming winter.  This too weighs on my mind.  Our current President [[said|https://medium.com/the-white-house/on-the-anniversary-of-his-presidential-campaign-announcement-the-president-delivers-remarks-to-the-c0ae10c0f88d#.krmp4dczd]]:
<<<
<part ObamaSelf-Government>
Our Founders trusted us with the keys to this system of self-government. Our politics is the place where we try to make this incredible machinery work; where we come together to settle our differences and solve big problems, do big things together that we could not possibly do alone…

The way we respect — or don’t respect — each other as citizens will determine whether or not the hard, frustrating, but absolutely necessary work of self-government continues.

//(In a February 2016 speech before the Illinois General Assembly, which I discovered while [[Reading Obama]].)//</part>
<<<
And if effective democratic self-rule were not to continue?  I ask myself, what happens then?  A living personification of the Emperor would very likely emerge to fill the void, a "strong man" such as those who ruled in South American or Middle Eastern countries, or perhaps a cult of personality that dominates our media, public discussion, and political processes.

----

Pollack continued her explication:
<part symbolizes>
The value of the symbol of the Emperor depends a very great deal on time and place.  In an unjust society {{grem{[or system, or family]}}} the Emperor's power hinders rather than helps personal development…
{{rjustify{
+++[more]
{{ljustify{
The Emperor represents a crucial test.  In the process of growing up, it is indeed the rules of society that many people find most difficult to surmount.  We must absorb these rules, as well as our society's traditions and beliefs, then go beyond them to find ''a personal code of conduct''.  This does not mean the attitude 'rules are made to be broken'.  People who feel compelled to flaunt all laws remain as bound to those laws as the person who follows them blindly.  {{grem{[Another __ [[never|Evocative Words/name]]__ defines you -- my tendency to act as the exception to every rule.]}}}

An urge to destroy the Father cannot be consummated or even recognized {{grem{ -- I have read of this through a Freudian lens, in the tale of Oedipus, and a fantasy telling of the [[King Stag]].}}}  So the psyche, to relieve the terrible dilemma, identifies itself with the Father image, creating a 'super-ego' as a new guide for the self (replacing the 'id' -- the urges and desires which led to such a crisis.)  But what form does this super-ego take?  Precisely that of the rules of society, traditionally learned under the parents' guidance.
 
People who are trapped at the level of the Emperor are often people who have never really accepted the ordinary humanity of their father. {{grem{[In my case, his [[dramatic failings|2008-07-28]] as I saw them, and not a pedestal I've placed him on.]}}}  They may recognize it rationally, but it ''disturbs and haunts them''.

The [[Emperor]] indicates (following the ~Rider-Waite image) the power of society, its rules and especially its authority to enforce those rules.  The appearance of the trump indicates an encounter with the law or social order.  Again, the good or bad qualities depend on the context.

As a symbol of personal qualities, the Emperor can indicate the ability to defend one's territory, to create firm boundaries and vigorously maintain them.  He symbolizes a rationalist approach to issues, one that values analysis and measurement over unchecked emotion.  The obstructed Emperor can signify immaturity, and the inability to make difficult decisions and carry them through.

He also can indicate a specific person who holds great power, either objective or emotional over the subject.  This is very often the father {{grem{ -- yes, Paul Francis Tillman; but also for me the Company which employs me; the 'Merchant Princes' who control it, such as [[Karl|2008-04-02]] Stevenson; and a few heroes of my society looming in my psyche, such as Steve [[Jobs]], a reported megalomaniac.  I also dread my impending resignation or firing, either of which may occur in shame, and in my 'mundane' life today, possible encounters with the taxman or debt collector.

These are aspects of a larger encounter with the social order I inhabit -- a rupture in this current life I created and am living badly.  Here I also think of a rupture from society such as that experienced by John Forbes Nash and his "beautiful mind."}}}

Rachel Pollack wrote, "I have seen [tarot] readings so dominated by the Emperor that all of life's possibilities become stunted and unfulfilled."

I am the [[young stag|King Stag]], named a genius in my youth, who lived with that as a burden and blessing.  Living in the herd has at times threatened to kill my individual spirit -- before my necessary revolt or reconciliation can be achieved, //"not with myself: with what [[lifts me, sustains me, lets me fall|The beginning of the Beginning]]."//
}}}
===
}}}
I wrestle within this symbol of the Emperor -- seeking while also shunning his dominance and stability, the validation of achievement -- trying to deal with my own human [[will to power|Triple quest for self]] and the suffering //(miserando)// which accompanies it.

I often marked May 8, 1995 as the end of my childhood.  Fifteen years later, I [[wrote this|2010-05-08]]:
> I feel angry because I believe myself to be impotent in the world of relations.  I feel disoriented, not knowing where my 'place' or role is.  I am in my mind the //protagonist// of this story – the //proto:// first, in the //agon// – contest, trial, drama.
Much of that remains true.  Today I continue in my //agon// with the [[Emperor]].
</part>

----

<part agon>
In //[[Genius]]//, Harold Bloom wrote: "That ''agon with the self'' can mask itself as something else, including the inspiration of idealized forerunners … Isaac D'Israeli remarks that 'many men of genius must arise before a particular man of genius can appear.'  Every genius has forerunners, though far enough back in time we may not know who they are."  //See [[the cord]] stretching back in time, to countless forerunners great AND obscure.  Also, just today (11/11/2016), I discovered another man who has thought on "[[The Cult of Personality|https://web.archive.org/web/20161111185039/https://thinkonthesethingstoo.wordpress.com/2012/10/24/the-cult-of-personality-pt-2-ambiversion/]]".//

Furthermore … "The great inventions of genius influence that genius itself in ways we are slow to appreciate.  We speak of the man or woman in the work; we might better speak of ''the work in the person''.  And yet we scarcely know how to discuss the influence of a work upon its author, or of a mind upon itself.  I take that to be the principal enterprise of [[this book|http://www.amazon.com/Genius-Mosaic-Hundred-Exemplary-Creative/dp/0446691291]].  With all of the figures I depict in this mosaic, my emphasis will be on ''the contest they conducted with themselves''."
</part>

----

Paul Foster Case, founder of [[Builders of the Adytum]], wrote:
<<<
The title of Key 4, //The Emperor//, means "he who sets in order" … it implies both authority and paternity.  It also represents the head of government and the war-making power … He is the definer, the lawgiver, the regulator.  He frames the constitution of your personal world.
<<<
In the borders of the Elemental Tarot ~Emperor-Father card, is a quote from the ancient Gnostic text, //[[The Thunder, Perfect Mind]]//, that was found buried in an earthen jar/time capsule in Nag Hammadi, Egypt in the year 1945.  The words on this card say:
://''I am the ruler of my offspring and my power is from Him.''//
:{{grem{I am the staff of his power in his youth, and he is the rod of my old age. [omitted]}}}
The Emperor's son (or the people he rules) are the source of his power.

The Elemental Tarot ~Emperor-Father is seen as a strong, warrior-like presence,
with a happy red +++[child on his shoulders:]
<<<

[img[Emperor Card from the Elemental Tarot|https://farm2.staticflickr.com/1706/26204614661_aa14ca12ef_o.jpg][https://www.flickr.com/photos/39042429@N00/26204614661/]]

//The child represents the embodiment of the future, rebirth, and self transmutation.//
<<<
===


Pollack described the ~Rider-Waite tarot card's symbolism, reflecting
<<<
its dual aspects.  He holds an //ankh//, Egyptian symbol of life, to indicate that under the law he bears the power of life and death, and will hopefully use it well.

Four rams {{grem{[symbolic kin of the __wild bull]__}}} adorn his throne, while at the crown's peak he bears the sign of Aries … symbolizing force, aggression and war {{grem{[or "Defense" as my country idealistically renamed this function of the modern Empire.]}}}  But as the first sign of the zodiac, Aries also signifies the new life of spring which can emerge from the stability of a just society.
<<<

[img[The Emperor|https://upload.wikimedia.org/wikipedia/en/c/c3/RWS_Tarot_04_Emperor.jpg][https://en.wikipedia.org/wiki/The_Emperor_(Tarot_card)]]

<part Jung>
The primordial image (or archetype) is a figure — be it a daemon, a human being, or a process — that constantly recurs in the course of history… In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been [[repeated|FractalPoiesis]] countless times in our ancestral history, and on the average follow ever the same course.  It is like a deeply graven riverbed in the psyche…
-- Carl Jung, "On the Relation of [[Analytical Psychology to Poetic Art]]", 1922
</part>

<part Paz>
The universal mirror that [[repeating|repeating/fractal]] this world
reflects another, that transforms what it copies;
Man is not what he is, cells or god,
but that which is always further off.
Our passions are not the unions of blind matter;
The battles and embraces of the elements
rhyme with our desires and appetites…
-- Octavio Paz, "[[A Tree Within]]"
</part>

<part fractal>
[[Fractal|Fractal/Mathematics]] curves are theoretical constructs that never stop repeating themselves.
</part>

 
La Ramée, Red Willow, Usonia

the [[Village University]]

the Island

Ata, Avalon, or Terebithia

@@display:block;width:13em;<<tiddler kiss26>>— "kiss26" by [[Lily|kiss of words]]@@

I [[dream]]’d that was the new City of Friends;
Nothing was greater there than the quality of robust love—it led the rest;
It was seen every hour in the actions of the men of that city,
And in all their looks and words.
— Walt [[Whitman]]

As Father Francis [[reminded|Evangelii Gaudium]]:  “Dreaming of different places, and moving from one to another, has misled many.”  (Thomas À Kempis)

I also warned myself of the mystery school or clichéd ivory tower – elitism – or the fictional Castalia of [[Hesse]]'s Game, when I dreamed of the [[Village University]].

 
Hesse himself in //''The [[Glass Bead Game]]''// speaks of something like this:
<<<
An instinct within me rebelled against throwing all my energies and interests into this magic forever.  Some naive feeling for simplicity, for wholeness and soundness, warned me against the spirit of the Vicus Lusorum //[the Village of Players]//.
<<<
The hero's teacher [[advises him|Hesse]] where to seek truth:
<<<
The deity is within you, not in ideas and books. Truth is lived, not taught.
<<<
The poet Rilke speaks of the same deity:
<<<
//Far inside you
the god wishes to consult//
— [[winged energy of delight]]
{Consider what beads may compose the
//sternly calculable arc// of this poem.}
<<<
From Gene [[Gendlin|Felt Sense]]:
<<<
<part Gendlin>
Human beings are capable of thinking analytically. They can create a [[grid|flow-permanence]] with abstract variables. And then if you map observations and experiences on that grid, you can take them apart and get patterns for different things and move these patterns around. You learn a great deal. If it weren’t for that, we wouldn’t have any technology. Seven billion of us couldn’t all live on this planet without that capability. So there’s no denigrating science. But you have to know that ''a living process is a wider story than that. Those analytic, cognitive units are not alive'', and they can’t literally be read back into living.</part>
<<<
From Morris [[Berman|transcontextual]] in //The Reenchantment of the World//:
<<<
… Realities lay in wholes rather than parts … //'Let loose ends lead to their own ends,'// a friend of mine once wrote in one of her poems  … Certainly, no set of abstractions we lay out in linear, discursive terms can grasp ''the larger noncognitive reality of life''.  But we live in this century, not the fourteenth or twenty-second, and for better or worse we are saddled with verbal-rational knowledge as the primary mode of exposition …
<<<
From Roberto Unger in //The Self Awakened//:
<<<
<part Unger>
Our most constant and powerful yearnings and interests have to do with ourselves and with our relation to one another. Our perceptual and cognitive equipment is built on a scale suited to operate within the limited horizon of human action. It is only by force of disappointment with this nearby, human world that we contrive and pretend to view it from a godlike distance. And it is only by crazed ambition, perpetually arising from entrenched features of our situation, that we set our sights on distant objects … 

We can never reduce our insights to the ideas that can be justified and generated by a closed set of axioms; //our powers of insight outreach our capacities of proof.//  Our ability to master language is characterized by a recursive ability -- a power to string words and phrases together in endless but significant combinations -- a power to which linguists have given the name "discrete infinity."

In the life of desire, we find at every turn that our most intense longings, attachments, and addictions constantly transcend their immediate objects @@color:grey;[~I-It]@@</part>
<<<
From Alan Watts:
<<<
<part Watts>
You will feel like an onion: skin after skin, subterfuge after subterfuge, is pulled off to find no kernel at the center. Which is the whole point: to find out that the ego is indeed a fake -- a wall of defense around a wall of defense . . . around nothing.

… Don't try to get rid of the ego-sensation. Take it, so long as it lasts, as a feature of play of the total process -- like a cloud or wave, or like feeling warm or cold, or anything else that happens of itself.  Getting rid of one's ego is the last resort of invincible egoism!  It simply confirms and strengthens the reality of the feeling.  But when this feeling of separateness is approached and accepted like any other sensation, it evaporates like the mirage that it is.</part>
<<<
From Martin [[Buber]]:
<<<
This essential twofoldness @@color:grey;[of the human nature, between@@ [[I-You|Ich und Du]] @@color:grey;and ~I-It]@@ cannot be overcome by invoking a "world of ideas" as a third element that might transcend this opposition.  For I speak only of the actual human being, of you and me, of our life and our world … not of any [abstract, philosophical] Being-in-itself.

To be sure, some men who in the world of things make do with experiencing and using have constructed for themselves an ''idea annex or superstructure'' in which they find refuge and reassurance in the face of intimations of nothingness.  At the threshold they take off the clothes of the ugly weekday, shroud themselves in clean garments, and feel restored as they contemplate primal being or what ought to be -- something in which their life has no share.
<<<
"<<tiddler theopoetic/precis>>"

From Nikos [[Kazantzakis]] in //Saviors of God//:
<<<
But it cannot be contained in the twentysix letters of an alphabet which we string out in rows; we know that all these words, these allegories, these thoughts, and these incantations are, once more, but a new mask with which to conceal the Abyss.
<<<
Ray [[Bradbury]] offered brilliant insights on this subject 40 years ago, in an interview linked to [[here|Bradbury]].

He speaks of the intellect as our skin, but emotions as the true life pumping through our veins.  He also quotes Kazantzakis from the very same book //(Saviors of God)// which I read about six years ago.

Roberto Unger also wrote in the chapter "Religion" of //The Self Awakened//:
<<<
The problems of connection and transcendence present themselves under disguise in a characteristic sequence over the course of a life -- of the most ambitious lives, lived by those who have taken to heart the message of self-construction through resistance to the world and to the hardened version of one's self.

	First, we must abandon our fantasies about multiple selves and multiple lives. We must embrace a particular trajectory and accept its consequences for the person we shall become.

	Then we must follow this violent act of self-mutilation with a struggle to learn how to feel the ghostly movements of the missing limbs:  by an act of imaginative love, we must imagine the experience of the people we did not become. This enlargement of the sense of self joins with our early experience of identification and compassion to establish a basis for accepting and imagining other people.
: {{grem{See the examination of [[Mentalizing]] -- the imaginative activity involved in making sense of one's own behavior, or the behavior of others, and doing so by means of imputing intentional mental states -- the contents of a mind that motivate action; be this hopes, beliefs, fears, wishes…}}}
	Later, as we struggle, from a particular position in the world, with the limits of our circumstance and of our insight, and face the temptation to mistake disillusionment for wisdom, a carapace, made of character and compromise, begins to form around us. Part of this carapace comes from inside: the habitual dispositions of the self form a character. Such routines are indispensable: they provide a coherent and secure place from which we can embark on adventure and experiment. However, our freedom and vitality also require resistance against our own character as yet another reduction of the unlimited to the limited and of the surprising to the formulaic.  Part of the carapace also comes from outside: resignation to the limits of an individual circumstance.  We begin to think that the lives we lead are the only ones we shall ever lead, and fall down into the acceptance of what we take to be our fate.

	 This combination of hardened character and unchallenged compromise results in a mummification of the self. We begin to die many small deaths. We can then live only by ripping apart this mummy that begins to encase us. We do not rip it apart to be virtuous or righteous; rather, we rip it apart so that we can live in such a manner that we die only once.

	We cannot rip it apart by a direct act of will.  However, the will can operate indirectly and powerfully, if guided by a view of moral opportunity.  We progress by a dynamic of engagement and self-transformation.
<<<

''J. R. R. (John Ronald Reuel) Tolkien''  (3 January 1892 – 2 September 1973)  South African-born British philologist, scholar, and writer of the fantasies //The Hobbit// (1937) and //The Lord of the Rings// (1954-55), considered the father of modern fantasy literature.

[[NYTimes Obituary: J. R. R. Tolkien|http://www.nytimes.com/1973/09/03/books/090373tolkien-obit.html]]

<<<
"To respond to //''the inconsolable hurts in human existence''//, [and] to root an orientation to life in //''a vision of the world''// … requiring us to place ourselves, dangerously, in the hands of others — such are the distinctive marks of religion …

The lesson of history — that is to say the history of the two and a half thousand years in which the present world religions (including Buddhism and Confucianism) have held sway — suggests that these religions have succeeded in the world only by satisfying certain conditions: reliance on a scriptural canon, organization of a community of belief, and, often, identification of this community of belief with a people."
&nbsp;&nbsp;–Roberto Unger, //[[The Religion of the Future|religion of the future]]//
<<<

A <part precis>model of three "pillars" supporting [[religious experience]] or a spiritual response to life.  These three "jewels" are a guidance and refuge to their followers, and include:
:an Ultimate Ground of life and consciousness, from which we formulate answers to our mortality, imperfection, and the transience of the world;
:a body of Wisdom and Practice which maintains this vision of the world;
:a Community of believers or practitioners (parishioners < //paroikos// "neighbors")
</part>

----

''Consciousness - Wisdom - Community''

[[Seed of Perfection|Friar's Journeybook/SeedOfPerfection]] - Passages - Fellowships

Buddha / [[Boddhichita|https://en.wikipedia.org/wiki/Bodhicitta]] - Dharma - Sangha ([[Buddhism]])

The Divine Triangle or Three Jewels — Sanskrit: त्रिरत्न
''[[Triratna|https://en.wikipedia.org/wiki/Three_Jewels]]'': also called the Three Treasures, Three Refuges, or most commonly the Triple Gem
:Depending on one's interpretation, it can mean the historical Buddha (Siddharta Gautama), other men such as Jesus of Nazareth or Muhammad; or outside human history a transcendent Being, Order, or Power; or more generally a Boddhichita / Christlike //nature//, the Ground-Divine, called by Quakers the [[Inward / Inner Light|https://en.wikipedia.org/wiki/Inner_light]] — the ideal or 'highest' spiritual potential that exists within all beings
:Dharma: the teachings of the Buddha, Christ, or the Patriarchs, Prophets, and Messengers of peaceable religions; a scriptural canon, or the shared path and 'Teaching of the Way'
:Sangha: the community of belief; those who have attained peace, salvation, or enlightenment
Ground-Divine - Dharma/Science - Sangha/Meeting ([[Quaker]])

Yahweh - Tanakh & Midrash - Jewish Community

Christ - Scriptures - Church Community (Christian)

Father - Son - Holy Spirit (Orthodox and Roman Catholic Churches -- [[teaching on catholicity|http://www.vatican.va/archive/ccc_css/archive/catechism/p123a9p3.htm#836]])

Allah - Islam & Qur'an - Muslim Community

----

;Look, listen, meet me!
:Seed of Perfection, Consciousness, Buddha, Yahweh, Christ, Allah, Father
;Name your reverence for this life-arising sphere:
:Passages, Wisdom, Dharma, Tanakh, Bible, Islam, Son ([[Incarnation|https://en.wikipedia.org/wiki/Incarnation_(Christianity)]])
;Awarely choose love:
:Fellowship, Community, Sangha, Jews, Christians, Muslims, Holy Spirit
Keep faith in the Seed of Perfection dwelling on Earth.
Take refuge in its passages to you, and
Protect your fellowships.

----

//A [[dialectic]] triad may tentatively join this model?//
Abstract (Immediate) – Consciousness, Seed of Perfection, ~G-D the 'Thesis'
Mediated (Opposing) – Community, Relationships, Holy Spirit vis-a-vis, Antithesis
Synthesis (Concrete) – Wisdom, Dharma, Holy Scripture, Son the Synthesis
:from Latin //concrescere// 'to grow together'
//See the [[Sevenfold Self]] and [[Dekatessera Commentary]]//

Also see Plato's [[tripartite|https://en.wikipedia.org/wiki/Plato%27s_tripartite_theory_of_soul]] theory of soul.

<<<
<<tiddler passages/community>>

"<<tiddler [[theopoetic/precis]]>>"
&nbsp;&nbsp;–Amos Niven Wilder
<<<
<part Shield>

{{hd1{{{font125{✡︎}}}}}}''An Unusual ~Six-Pointed Shield''

the [[Quaker]] Religious Society of Friends
one holy, [[catholic|Evangelii Gaudium]] and apostolic Church
Whitman, Paz, Rilke ([[poets|humble poet]] of Les Minst) -- [[Buddhism]]
Martin [[Buber]] (Hasidic Judaism) -- //Tawhid// (Druze, Tao)

Quaker Meeting House; all may [[discern|http://www.etymonline.com/index.php?allowed_in_frame=0&search=cernere]] the Inner Light
Jorge Borgoglio & the [[Hierophant]] (Christ as exemplar)
Totem, Taboo, Iconoclasm -- Pema Chödrön
Transdeva [[Practice|holistic tools for thought]] -- ~Dharma-Sangha [[Cord|the cord]]

//Following the same pattern of correspondences://
Simplicity -- //[[Quaker|Quaker/Haiku]] Meeting House//
Peace -- //where each may discern the Light//
Integrity -- //here by quiet call//
Community -- //Inward, fast between,//
Equality -- //We Friends gather in shared sight//
Stewardship -- //You and I and All.

the quaking inward light
the luminous figure of the Nazarene
the enlightenment of Buddha-mind
the Eternal You addressed by Buber
Oneness and Tao that cannot be spoken
kosmos and man ~ a vast [[contradictory|origin of all poems/contradict]] unity

Denn [[im Manne will der Gott|winged energy of delight]] beraten sein.//

I and Thou and All (Ich und Du und Alle) ≈
[[Oikos Philos Anthropos Logos]] οφαλ

A thread of iconoclasm runs through +++[Quakerism]
&nbsp;
* Edward Burnett [[Tylor|https://en.wikipedia.org/wiki/Edward_Burnett_Tylor]] was described as a "Quaker iconoclast", and in the same [[text|https://books.google.com/books?id=FdoctIHJjaQC&pg=PT38]] Robert Fraser said: "In [James George] Frazer the ''quiet'' iconoclast we meet a spectacle quite common in the late Victorian period: a Protestant-inspired exegetical honesty turning against itself."

* In his youth, Walt [[Whitman]] "listened to the preaching of the great Quaker iconoclast, Elias Hicks, of whom his parents were followers; and I fancy that Hicks…gave the most important contribution to his education."  (Moncure D. Conway in this [[essay|https://books.google.com/books?id=yUhOAQAAMAAJ&pg=PA544]].)&nbsp;  See Whitman's own "[[Anecdotes about Elias Hicks|https://en.wikisource.org/wiki/Anecdotes_about_Elias_Hicks]]".

* {{body{ John Charles Earle [[wrote|http://www.whitmanarchive.org/criticism/reviews/poems/anc.00198.html]] (stating the facts incorrectly?) in 1874: "His grandfather was 'the great Quaker Iconoclast, Elias Hicks,' and as dispositions of mind and body are alike hereditary, we find in the grandson an Iconoclast of another type. Whitman's ambition is to break into pieces every sacred image and construct a theory of humanity entirely his own."

Whitman wrote in //[[Leaves of Grass|https://books.google.com/books?id=6clEAAAAYAAJ&pg=PA22]]//:
<<<
I make the poem of evil also, I commemorate that part also,
I am myself just as much evil as good, and my nation is—and I 
say there is in fact no evil,
(Or if there is I say it is just as important to you, to the land or 
to me, as any thing else.)

I too, following many and follow'd by many, inaugurate a religion, 
I descend into the arena,
(It may be I am destin'd to utter the loudest cries there, the winner's pealing shouts,
Who knows? they may rise from me yet, and soar above every thing.)

… Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left …
<<<
He wrote in his [[1855 Preface|http://www.bartleby.com/39/45.html]] to //Leaves of Grass//:
<<<
There will soon be no more priests. Their work is done. They may wait awhile … perhaps a generation or two … dropping off by degrees. A superior breed shall take their place … the gangs of kosmos and prophets //en masse// shall take their place. A new order shall arise and they shall be the priests of man, and every man shall be his own priest. The churches built under their umbrage shall be the churches of men and women. Through the divinity of themselves shall the kosmos and the new breed of poets be interpreters of men and women and of all events and things. They shall find their inspiration in real objects to-day, symptoms of the past and future…
<<<
In [[Song of Myself]], he named himself a +++[kosmos]
> <<tiddler [[Song of Myself/kosmos]]>>
===
}}}
===


[[1000 lifeline notes/TotemTaboo]]

Employing the tools and practice of another hero --
//"a gently quizzical ethnographer of his own country."//

//The Shield connects these [[lines of sight]]://
88 (61) — 87 (86)
59, 71, 39, 58 (97, 29) — 84 (83)
40 (37, 53) — 85 (81, 89, 97, 110)

//encircling the man [[I am]] -- [[Intervisible]]://
@@display:block;width:17em;{{center{
18 - 19
12 - 27 - 42 - ''59'' - 82 - 89 - 110}}}@@
</part>

''T. S. (Thomas Stearns) Eliot''  (26 September 1888 – 4 January 1965)  British poet, dramatist, and literary critic whose works include //The Love Song of J. Alfred Prufrock// (1915) and //The Waste Land// (1922).  He won the 1948 Nobel Prize for literature for //Four Quartets//.  Although born in St. Louis, Missouri, he emigrated to London at age 25 and became a British subject.

[[NYTimes Obituary: T.S. Eliot, the Poet, is Dead in London at 76|http://www.nytimes.com/books/97/04/20/reviews/eliot-obit.html]]

!Wisdom and I
Kahlil Gibran

{{grem{(Discovered October 17, 2008)}}}

In the silence of the night, Wisdom came into my chamber and stood by my bed. She gazed upon me like a loving mother, dried my tears, and said:

"I have heard the cries of your soul, and have come here to comfort you. Open your heart to me and I shall fill it with light. Ask, and I shall show you the path of Truth."

I complied her with bidding, and asked:

"Who am I, Wisdom, and how came I to this place of horrors? What are these mighty hopes, these mountains of books, and these strange figures? What are these thoughts that come and go like a flock of doves? What are these words we compose with desire and write down in joy? What are these sorrowful and joyous conclusion that embrace my soul and enveloped my heart? Whose are these eyes that stare at me and pierce the very inmost recesses of my soul, and yet are oblivious of my grief? What are these voices that lament the passing of my days and chant the praises of my childhood? Who is this youth that toys with my desires and mocks my feelings, forgetting the deeds of yesterday, contenting himself against the slow approach of tomorrow?

"What is this dreadful world that moves me and to what unknown land?

"What is this earth that opens wide her jaws to swallow our bodies and prepares an everlasting shelter for greed? Who is this Man who contents himself with the favors of Fortunes and craves a kiss from the lips of Life while Death smites him in the face? Who is this Man who buys a moment of pleasure with a year of repentance and gives himself over to sleep, while dreams call to him? Who is this Man who swims on the waves of Ignorance towards the gulf of Darkness?

"Tell me, Wisdom, what are all these things?"

And Wisdom open her lips and spoke:

"You Man, would see the world with the eyes of God, and would grasp the secrets of the hereafter by means of human thoughts.  Such is the fruit of Ignorance.

Go into the field, and see how the bee hovers over the sweet flowers and the eagle swoops down on its prey. Go, into your neighbor's house and see the infant child bewitched by the firelight, while the mother is busied at her task. Be like the bee, and do not waste your spring days gazing on the doings of the eagle. Be like the child rejoicing at the firelight and let the mother be. All that you see was, and still is, yours.

The many books and strange figures and the lovely thoughts around you are ghosts of the spirits that have been before you. The words your lips utter are the link in the chain that binds you and your fellow men. The sorrowful and joyful conclusions are the seeds sown by the past in the field of your soul to be reaped by the future.

"The youth that toys with your desires is he who will open the gate of your heart for light to enter. The earth that opens wide her mouth to swallow man and his works is the redeemer of our souls from bondage to our bodies.

The world that moves with you is your heart, which is the world itself.  And Man, whom you deem so small and ignorant, is God's messenger who has come to learn the joy of life through sorrow and gain knowledge from ignorance."

Thus spoke Wisdom, and laid a hand upon my burning brow, saying:

"March on. Do not tarry. To go forward is to move towards perfection. March on, and fear not the thorns or the sharp stones on Life's path."

//See also [[Out of My Deeper Heart]]//

The style of Wisom addressing the Man (in this //parable?// or //assay?//) reminds me of [[Kazantzakis]] in //The Saviors of God//.

But yield who will to their separation,
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future's sakes.

from "Two Tramps in Mud Time" by Robert Frost

I was introduced to this stanza of the poem in Madeleine [[L'Engle]]'s book //The Arm of the Starfish//.

''Kama''
//guanine//
Animal/Homo Desires – ~Space-Binder
I Feel / We Feel (raw sensation) – Feeling & Worth
Genre: Poem – [[correspondances]], communing

''Artha''
//adenine//
[[Ego]] – I – Attachment – ~Time-Binder
I Do / I Make – Having & Power
Genre: Novel – Valor, Agon, Art (for a patron?)

''Dharma''
//cytosine//  [unstable, //[[kytos|http://www.etymonline.com/index.php?term=cyto-]]// "hollow vessel"]
Natural Law – ~I-You – ~Culture-Binder
Desire Sublated
I Know / I Choose – Knowledge & Worth, [[Dialegence|dialegen]]
Genre: Thesis – Talk & [[Tok|The City of Mind]] – Science, Sacred Scripture

''Moksha''
//thymine [uracil]//
Relinquishing – Bodhi Mind – inspiration from //Prana//
Ich (I Am) und Du – superpersonal
Genre: [[Mitocos|mitocos]] – [[Mandelbrot Quakes]] – stream of consciousness
Unity / Dissolution with [[Atman-Tao|Sevenfold Self]]

guanine, adenine, cytosine, and thymine are the four nucleic acid bases from which is "built" the genetic code, or [[DNA]], of life on Earth

{{dialog{Anam,
 Do you remember, floating on a cloud with the light scent of sesame in the air?  In a sun yellow room, daring to touch, to reach across a gap of seeming miles, merely inches?
 This memory, this image warms my heart, and I am reminded of the exact moment.

8/27/03}}}

----

September 27, 2003

{{font125{Anam Cara ~

Will you marry

me and spend

the rest of your

life in Avalon?}}}

December 15, 2003
{{font85{DAY ONE THOUSAND}}}

----

 
//reclaiming the Muse from museums//

[[moticos]]: "… Art as simply communication, a part of daily life — and a constant engagement with life that links the past, present and future into interchangeable symbols, fateful accidents, magic reversals and poetry.  His books and letters were simple but intricate puzzles, all self-contained ''anti-museums'', missives that questioned collecting and collectors, the purpose of art, stretching the boundaries of poetry."

----

"What is it to be admitted to a museum, to see a myriad of particular things, compared with being shown some star's surface, some hard matter in its home! I stand in awe of my body, this matter to which I am bound has become so strange to me. I fear not spirits, ghosts, of which I am one, — //that// my body might, — but I fear bodies, I tremble to meet them. What is this Titan that has possession of me? Talk of mysteries! — Think of our life in nature, — daily to be shown matter, to come in contact with it, — rocks, trees, wind on our cheeks! The //solid// earth! the //''actual''// world! the //common sense! Contact! Contact! Who// are we? //where// are we?"
— Henry David Thoreau, //The Maine Woods//, [[Ktaadn, Part 6|http://thoreau.eserver.org/ktaadn06.html]] (1848)

----

3-21-03

{{dialog{Two years ago we took a pilgrimage and uncovered the Anam Carahood.  I am amazed and pleased at what I have become.

The key to what makes us work is communication and discussion.

Two questions for you --
1)  Did you ever see a sunset you didn't like?

2)  Do you ever wish you were born at a different time in history?}}}

----

My answers: If I was taking a moment to watch the sunset, I would have appreciated any permutation of its colors & grandeur.  Those evenings when my eyes were turned away from the sunset were bleaker.
  #2 to be answered tomorrow!
~:~ {{font85{
//When we sleep entwined, or share a meal, or create everyday adventures, or immerse ourselves in conversation … it is like drawing water from the coolest well in a vast desert.// }}}
----

 
//"What of the King Stag when the young stag is grown?//  It must be with Arthur as the fates decree.  And you will have his sword."

//Treachery,// she thought, and her heart pounded.

– From //The Mists of Avalon// by Marion Zimmer Bradley

@@text-align: center;{{dialog{
When I feel I'm losing my direction I remember that all roads lead to Avalon --

I'll never be lost }}}@@
----

/***
|Name|SearchOptionsPlugin|
|Source|http://www.TiddlyTools.com/#SearchOptionsPlugin|
|Documentation|http://www.TiddlyTools.com/#SearchOptionsPluginInfo|
|Version|3.0.10|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|plugin|
|Description|extend core search function with additional user-configurable options|
Adds extra options to core search function including selecting which data items to search, enabling/disabling incremental key-by-key searches, and generating a ''list of matching tiddlers'' instead of immediately displaying all matches.  This plugin also adds syntax for rendering 'search links' within tiddler content to embed one-click searches using pre-defined 'hard-coded' search terms.
!!!!!Documentation
>see [[SearchOptionsPluginInfo]]
!!!!!Configuration
<<<
<<tiddler SearchOptions>>
<<option chkSearchResultsOptions>> Include {{{options...}}} slider in "search again" form
<<<
!!!!!Revisions
<<<
2011.04.08 3.0.10 fixed typo in CSS in formatSearchResults_buttons().  Restore missing options in Configuration section.
|please see [[SearchOptionsPluginInfo]] for additional revision details|
2005.10.18 1.0.0 Initial Release
<<<
!!!!!Code
***/
//{{{
version.extensions.SearchOptionsPlugin= {major: 3, minor: 0, revision: 10, date: new Date(2011,3,18)};
//}}}
//{{{
var defaults={
	chkSearchTitles:	true,
	chkSearchText:		true,
	chkSearchTags:		true,
	chkSearchFields:	true,
	chkSearchTitlesFirst:	true,
	chkSearchList:		true,
	chkSearchHighlight:	true,
	chkSearchListTiddler:	false,
	chkSearchByDate:	false,
	chkIncrementalSearch:	true,
	chkSearchShadows:	true,
	chkSearchOpenTiddlers:	false,
	chkSearchResultsOptions:true,
	chkSearchExcludeTags:	true,
	txtSearchExcludeTags:	'excludeSearch',
	txtIncrementalSearchDelay:	500,
	txtIncrementalSearchMin:	3
}; for (var id in defaults) if (config.options[id]===undefined)
	config.options[id]=defaults[id];
if (config.macros.search.reportTitle==undefined)
	config.macros.search.reportTitle="SearchResults"; // note: not a cookie!
config.macros.search.label+="\xa0"; // a little bit of space just because it looks better
//}}}
// // searchLink: {{{[search[text to find]] OR [search[text to display|text to find]]}}}
//{{{
config.formatters.push( {
	name: "searchLink",
	match: "\\[search\\[",
	lookaheadRegExp: /\[search\[(.*?)(?:\|(.*?))?\]\]/mg,
	prompt: "search for: '%0'",
	handler: function(w)
	{
		this.lookaheadRegExp.lastIndex = w.matchStart;
		var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
		if(lookaheadMatch && lookaheadMatch.index == w.matchStart) {
			var label=lookaheadMatch[1];
			var text=lookaheadMatch[2]||label;
			var prompt=this.prompt.format([text]);
			var btn=createTiddlyButton(w.output,label,prompt,
				function(){story.search(this.getAttribute("searchText"))},"searchLink");
			btn.setAttribute("searchText",text);
			w.nextMatch = this.lookaheadRegExp.lastIndex;
		}
	}
});
//}}}
// // incremental search uses option settings instead of hard-coded delay and minimum input values
//{{{
var fn=config.macros.search.onKeyPress;
fn=fn.toString().replace(/500/g, "config.options.txtIncrementalSearchDelay||500");
fn=fn.toString().replace(/> 2/g, ">=(config.options.txtIncrementalSearchMin||3)");
eval("config.macros.search.onKeyPress="+fn);
//}}}
// // REPLACE story.search() for option to "show search results in a list"
//{{{
Story.prototype.search = function(text,useCaseSensitive,useRegExp)
{
	var co=config.options; // abbrev
	var re=new RegExp(useRegExp ? text : text.escapeRegExp(),useCaseSensitive ? "mg" : "img");
	if (config.options.chkSearchHighlight) highlightHack=re;
	var matches = store.search(re,co.chkSearchByDate?"modified":"title","");
	if (co.chkSearchByDate) matches=matches.reverse(); // most recent first
	var q = useRegExp ? "/" : "'";
	clearMessage();
	if (!matches.length) {
		if (co.chkSearchListTiddler) discardSearchResults();
		displayMessage(config.macros.search.failureMsg.format([q+text+q]));
	} else {
		if (co.chkSearchList||co.chkSearchListTiddler) 
			reportSearchResults(text,matches);
		else {
			var titles = []; for(var t=0; t<matches.length; t++) titles.push(matches[t].title);
			this.closeAllTiddlers(); story.displayTiddlers(null,titles);
			displayMessage(config.macros.search.successMsg.format([matches.length, q+text+q]));
		}
	}
	highlightHack = null;
}
//}}}
// // REPLACE store.search() for enhanced searching/sorting options
//{{{
TiddlyWiki.prototype.search = function(searchRegExp,sortField,excludeTag,match)
{
	var co=config.options; // abbrev
	var tids = this.reverseLookup("tags",excludeTag,!!match,sortField);
	var opened=[]; story.forEachTiddler(function(tid,elem){opened.push(tid);});

	// eliminate tiddlers tagged with excluded tags
	if (co.chkSearchExcludeTags&&co.txtSearchExcludeTags.length) {
		var ex=co.txtSearchExcludeTags.readBracketedList();
		var temp=[]; for(var t=tids.length-1; t>=0; t--)
			if (!tids[t].tags.containsAny(ex)) temp.push(tids[t]);
		tids=temp;
	}

	// scan for matching titles first...
	var results = [];
	if (co.chkSearchTitles) {
		for(var t=0; t<tids.length; t++) {
			if (co.chkSearchOpenTiddlers && !opened.contains(tids[t].title)) continue; 
			if(tids[t].title.search(searchRegExp)!=-1) results.push(tids[t]);
		}
		if (co.chkSearchShadows)
			for (var t in config.shadowTiddlers) {
				if (co.chkSearchOpenTiddlers && !opened.contains(t)) continue; 
				if ((t.search(searchRegExp)!=-1) && !store.tiddlerExists(t))
					results.push((new Tiddler()).assign(t,config.shadowTiddlers[t]));
			}
	}
	// then scan for matching text, tags, or field data
	for(var t=0; t<tids.length; t++) {
		if (co.chkSearchOpenTiddlers && !opened.contains(tids[t].title)) continue; 
		if (co.chkSearchText && tids[t].text.search(searchRegExp)!=-1)
			results.pushUnique(tids[t]);
		if (co.chkSearchTags && tids[t].tags.join(" ").search(searchRegExp)!=-1)
			results.pushUnique(tids[t]);
		if (co.chkSearchFields && store.forEachField!=undefined)
			store.forEachField(tids[t],
				function(tid,field,val) {
					if (val.search(searchRegExp)!=-1) results.pushUnique(tids[t]);
				},
				true); // extended fields only
	}
	// then check for matching text in shadows
	if (co.chkSearchShadows)
		for (var t in config.shadowTiddlers) {
			if (co.chkSearchOpenTiddlers && !opened.contains(t)) continue; 
			if ((config.shadowTiddlers[t].search(searchRegExp)!=-1) && !store.tiddlerExists(t))
				results.pushUnique((new Tiddler()).assign(t,config.shadowTiddlers[t]));
		}

	// if not 'titles first', or sorting by modification date,
	// re-sort results to so titles, text, tag and field matches are mixed together
	if(!sortField) sortField = "title";
	var bySortField=function(a,b){
		if(a[sortField]==b[sortField])return(0);else return(a[sortField]<b[sortField])?-1:+1;
	}
	if (!co.chkSearchTitlesFirst || co.chkSearchByDate) results.sort(bySortField);

	return results;
}
//}}}
// // HIJACK core {{{<<search>>}}} macro to add "report" and "simple inline" output
//{{{
config.macros.search.SOP_handler=config.macros.search.handler;
config.macros.search.handler = function(place,macroName,params)
{
	// if "report", use SearchOptionsPlugin report generator for inline output
	if (params[1]&&params[1].substr(0,6)=="report") {
		var keyword=params[0];
		var options=params[1].split("=")[1]; // split "report=option+option+..."
		var heading=params[2]?params[2].unescapeLineBreaks():"";
		var matches=store.search(new RegExp(keyword.escapeRegExp(),"img"),"title","excludeSearch");
		if (matches.length) wikify(heading+window.formatSearchResults(keyword,matches,options),place);
	} else if (params[1]) {
		var keyword=params[0];
		var heading=params[1]?params[1].unescapeLineBreaks():"";
		var seperator=params[2]?params[2].unescapeLineBreaks():", ";
		var matches=store.search(new RegExp(keyword.escapeRegExp(),"img"),"title","excludeSearch");
		if (matches.length) {
			var out=[];
			for (var m=0; m<matches.length; m++) out.push("[["+matches[m].title+"]]");
			wikify(heading+out.join(seperator),place);
		}
	} else
		config.macros.search.SOP_handler.apply(this,arguments);
};
//}}}
// // SearchResults panel handling
//{{{
setStylesheet(".searchResults { padding:1em 1em 0 1em; }","searchResults"); // matches std tiddler padding

config.macros.search.createPanel=function(text,matches,body) {

	function getByClass(e,c) { var d=e.getElementsByTagName("div");
		for (var i=0;i<d.length;i++) if (hasClass(d[i],c)) return d[i]; }
	var panel=createTiddlyElement(null,"div","searchPanel","searchPanel");
	this.renderPanel(panel,text,matches,body);
	var oldpanel=document.getElementById("searchPanel");
	if (!oldpanel) { // insert new panel just above tiddlers
		var da=document.getElementById("displayArea");
		da.insertBefore(panel,da.firstChild);
	} else { // if panel exists
		var oldwrap=getByClass(oldpanel,"searchResults");
		var newwrap=getByClass(panel,"searchResults");
		// if no prior content, just insert new content
		if (!oldwrap) oldpanel.insertBefore(newwrap,null);
		else {	// swap search results content but leave containing panel intact
			oldwrap.style.display='block'; // unfold wrapper if needed
			var i=oldwrap.getElementsByTagName("input")[0]; // get input field
			if (i) { var pos=this.getCursorPos(i); i.onblur=null; } // get cursor pos, ignore blur
			oldpanel.replaceChild(newwrap,oldwrap);
			panel=oldpanel; // use existing panel
		} 
	}
	this.showPanel(true,pos);
	return panel;
}

config.macros.search.renderPanel=function(panel,text,matches,body) {

	var wrap=createTiddlyElement(panel,"div",null,"searchResults");
	wrap.onmouseover = function(e){ addClass(this,"selected"); }
	wrap.onmouseout = function(e){ removeClass(this,"selected"); }
	// create toolbar: "open all", "fold/unfold", "close"
	var tb=createTiddlyElement(wrap,"div",null,"toolbar");
	var b=createTiddlyButton(tb, "open all", "open all matching tiddlers", function() {
		story.displayTiddlers(null,this.getAttribute("list").readBracketedList()); return false; },"button");
	var list=""; for(var t=0;t<matches.length;t++) list+='[['+matches[t].title+']] ';
	b.setAttribute("list",list);
	var b=createTiddlyButton(tb, "fold", "toggle display of search results", function() {
		config.macros.search.foldPanel(this); return false; },"button");
	var b=createTiddlyButton(tb, "close", "dismiss search results",	function() {
		config.macros.search.showPanel(false); return false; },"button");
	createTiddlyText(createTiddlyElement(wrap,"div",null,"title"),"Search for: "+text); // title
	wikify(body,createTiddlyElement(wrap,"div",null,"viewer")); // report
	return panel;
}

config.macros.search.showPanel=function(show,pos) {
	var panel=document.getElementById("searchPanel");
	var i=panel.getElementsByTagName("input")[0];
	i.onfocus=show?function(){config.macros.search.stayFocused(true);}:null;
	i.onblur=show?function(){config.macros.search.stayFocused(false);}:null;
	if (show && panel.style.display=="block") { // if shown, grab focus, restore cursor
		if (i&&this.stayFocused()) { i.focus(); this.setCursorPos(i,pos); }
		return;
	}
	if(!config.options.chkAnimate) {
		panel.style.display=show?"block":"none";
		if (!show) { removeChildren(panel); config.macros.search.stayFocused(false); }
	} else {
		var s=new Slider(panel,show,false,show?"none":"children");
		s.callback=function(e,p){e.style.overflow="visible";}
		anim.startAnimating(s);
	}
	return panel;
}

config.macros.search.foldPanel=function(button) {
	var d=document.getElementById("searchPanel").getElementsByTagName("div");
	for (var i=0;i<d.length;i++) if (hasClass(d[i],"viewer")) var v=d[i]; if (!v) return;
	var show=v.style.display=="none";
	if(!config.options.chkAnimate)
		v.style.display=show?"block":"none";
	else {
		var s=new Slider(v,show,false,"none");
		s.callback=function(e,p){e.style.overflow="visible";}
		anim.startAnimating(s);
	}
	button.innerHTML=show?"fold":"unfold";
	return false;
}

config.macros.search.stayFocused=function(keep) { // TRUE/FALSE=set value, no args=get value
	if (keep===undefined) return this.keepReportInFocus;
	this.keepReportInFocus=keep;
	return keep
}	

config.macros.search.getCursorPos=function(i) {
	var s=0; var e=0; if (!i) return { start:s, end:e };
	try {
		if (i.setSelectionRange) // FF
			{ s=i.selectionStart; e=i.selectionEnd; }
		if (document.selection && document.selection.createRange) { // IE
			var r=document.selection.createRange().duplicate();
			var len=r.text.length; s=0-r.moveStart('character',-100000); e=s+len;
		}
	}catch(e){};
	return { start:s, end:e };
}
config.macros.search.setCursorPos=function(i,pos) {
	if (!i||!pos) return; var s=pos.start; var e=pos.end;
	if (i.setSelectionRange) //FF
		i.setSelectionRange(s,e);
	if (i.createTextRange) // IE
		{ var r=i.createTextRange(); r.collapse(true); r.moveStart("character",s); r.select(); }
}
//}}}
// // SearchResults report generation
// note: these functions are defined globally, so they can be more easily redefined to customize report formats//
//{{{
if (!window.reportSearchResults) window.reportSearchResults=function(text,matches)
{
	var cms=config.macros.search; // abbrev
	var body=window.formatSearchResults(text,matches);
	if (!config.options.chkSearchListTiddler) // show #searchResults panel
		window.scrollTo(0,ensureVisible(cms.createPanel(text,matches,body)));
	else { // write [[SearchResults]] tiddler
		var title=cms.reportTitle;
		var who=config.options.txtUserName;
		var when=new Date();
		var tags="excludeLists excludeSearch temporary";
		var tid=store.getTiddler(title); if (!tid) tid=new Tiddler();
		tid.set(title,body,who,when,tags);
		store.addTiddler(tid);
		story.closeTiddler(title);
		story.displayTiddler(null,title);
	}
}

if (!window.formatSearchResults) window.formatSearchResults=function(text,matches,opt)
{
	var body='';
	var title=config.macros.search.reportTitle
	var q = config.options.chkRegExpSearch ? "/" : "'";
	if (!opt) var opt="all";
	var parts=opt.split("+");
	for (var i=0; i<parts.length; i++) { var p=parts[i].toLowerCase();
		if (p=="again"||p=="all")   body+=window.formatSearchResults_again(text,matches);
		if (p=="summary"||p=="all") body+=window.formatSearchResults_summary(text,matches);
		if (p=="list"||p=="all")    body+=window.formatSearchResults_list(text,matches);
		if (p=="buttons"||p=="all") body+=window.formatSearchResults_buttons(text,matches);
	}
	return body;
}

if (!window.formatSearchResults_again) window.formatSearchResults_again=function(text,matches)
{
	var title=config.macros.search.reportTitle
	var body='';
	// search again
	body+='{{span{<<search "'+text.replace(/"/g,'&#x22;')+'">> /%\n';
	body+='%/<html><input type="button" value="search again"';
	body+=' onclick="var t=this.parentNode.parentNode.getElementsByTagName(\'input\')[0];';
	body+=' config.macros.search.doSearch(t); return false;">';
	if (!config.options.chkSearchResultsOptions) // omit "options..."
		body+='</html>';
	else {
		body+=' <a href="javascript:;" onclick="';
		body+=' var e=this.parentNode.nextSibling;';
		body+=' var show=e.style.display!=\'block\';';
		body+=' if(!config.options.chkAnimate) e.style.display=show?\'block\':\'none\';';
		body+=' else anim.startAnimating(new Slider(e,show,false,\'none\'));';
		body+=' return false;">options...</a>';
		body+='</html>@@display:none;border-left:1px dotted;margin-left:1em;padding:0;padding-left:.5em;font-size:90%;/%\n';
		body+='	%/<<tiddler SearchOptions>>@@';
	};
	body+='}}}\n\n';
	return body;
}

if (!window.formatSearchResults_summary) window.formatSearchResults_summary=function(text,matches)
{
	// summary: nn tiddlers found matching '...', options used
	var body='';
	var co=config.options; // abbrev
	var title=config.macros.search.reportTitle
	var q = co.chkRegExpSearch ? "/" : "'";
	body+="''"+config.macros.search.successMsg.format([matches.length,q+"{{{"+text+"}}}"+q])+"''\n";
	var opts=[];
	if (co.chkSearchTitles) opts.push("titles");
	if (co.chkSearchText) opts.push("text");
	if (co.chkSearchTags) opts.push("tags");
	if (co.chkSearchFields) opts.push("fields");
	if (co.chkSearchShadows) opts.push("shadows");
	if (co.chkSearchOpenTiddlers) body+="^^//search limited to displayed tiddlers only//^^\n";
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| Our family grows, as does our experience of life.  I thought of this book only a day or two in the past and wondered when it would reappear.  Like our work, play, dwelling spaces, and conversation topics, everything flows.  It is a random, comfortable rotation like that which nature provides.  I thank you for and for our ka. |

4-25-03

{{dialog{Quite often these days I feel lost -- chartless on an endless sea.

Thank you for providing a safe port where I have a chance to breathe and remember who I most like to be.

My storms these days seem so much more dangerous
}}}
----

 
Tumbling with abandon
 down mountains of sand,
Driving with hunger
 through uncharted land,
Kissing here, a soft spot
 in your mind,
Finding peace with a
 soul of my kind.

From the mesas to the bluffs, I travel with you, ignoring the questions of my mind, trusting the needs of my heart.
{{rjustify{
5-25-03}}}
----

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life is more true than reason will deceive
(or more secret than madness did reveal)
deeper is life than to lose: higher than to have
—but beauty is more each than living's all

multiplied with infinity sans if
the mightiest meditations of mankind
canceled are by ''one merely opening leaf''
(beyond whose nearness there is no beyond)

or does some littler bird than eyes can learn
look up to silence and completely sing?
futures are obsolete; pasts are unborn
(here less than nothing's more than everything)

death, as men call him, ends what they call men
—but beauty is more now than dying's when

----

The Artist is no other than he who unlearns what he has learned, in order to know //himself//; and the agony of the Artist, far from being the result of the world’s failure to discover and appreciate him, arises from his own personal struggle to discover, to appreciate and finally to express himself.

----

love alone understands:only for whom
i'll keep my tryst until that tide shall turn;
and from all selfsubtracting hugely doom
treasures of reeking innocence are born.

Then,with not credible the anywhere
eclipsing of a spirit's ignorance
by every wisdom knowledge fears to dare,

//how the(myself's own self who's)child will dance!//

and when he's plucked such mysteries as men
do not conceive—let ocean grow again   ^^71^^

----

seeker of truth

follow no path
all paths lead where

truth is here   ^^3^^

----

all worlds have halfsight,seeing either with

life’s eye(which is if things seem spirits)or
(if spirits in the guise of things appear)
death’s:any world must always half perceive.

''Only whose vision can create the whole''

(being forever born a foolishwise
proudhumble citizen of ecstasies
more steep than climb can time with all his years)

he’s free into the beauty of the truth;

and strolls the [[axis of the universe|Axis Mundi]]
—love. Each believing world denies,whereas
your lover(looking through both life and death)
timelessly celebrates the merciful

wonder no world deny may or believe   ^^73^^

----

now does our world descend
the path to nothingness
(cruel now cancels kind;
friends turn to enemies)
therefore lament,my dream
and don a doer's doom

create is now contrive;
imagined,merely know
(freedom:what makes a slave)
therefore,my life,lie down
and more by most endure
all that you never were

hide,poor, dishonoured mind
who thought yourself so wise;
and much could understand
concerning no and yes:
if they've become the same
it's time you unbecame

where climbing was and bright
is darkness and to fall
(now wrong's the only right
since brave are cowards all)
therefore despair,my heart
and die into the dirt

but from this endless end
of briefer each our bliss—
where seeing eyes go blind
(where lips forget to kiss)
where everything's nothing
—arise, my soul; and sing   ^^62^^

----

2 little whos
(he and she)
under are this
wonderful tree

smiling stand
(all realms of where
and when beyond)
now and here

(far from a grown
-up i&you-
ful world of known)
who and who

(2 little ams
and over them this
aflame with dreams
incredible is)   ^^60^^

----

—look—
selves,stir:writhe
o-p-e-n-i-n-g 

are(leaves;flowers)dreams 

,come quickly come
run run
with me now
jump shout(laugh
dance cry

sing)for it's Spring

—irrevocably;
and in
earth sky trees:
every
where a miracle arrives

(yes)

you and I may not
hurry it with
a thousand poems
my darling
but nobody will stop it   ^^63^^

[[Hierophant]]
[[Builders of the Adytum]]
[[Welcome to your own priesthood]]
[[pontifex]]
[[Emperor]]
[[Muse]]
[[Ground-Divine]]
[[Four Noble Truths]]
[[tarot]]

 
''Carl (Gustav) Jung''  (26 July 1875 – 6 June 1961)  Swiss psychiatrist who founded analytical psychology, whose works include //The Psychology of the Unconscious// (1912) and //Psychological Types// (1921).  Among his contributions to understanding of the human mind are the concepts of extraversion and introversion, archetypes, and the collective unconscious.

After the outbreak of World War I in August 1914, Jung perceived that a series of "visions", "fantasies", or "imaginations" (his own terms) he had experienced and recorded were not only of personal relevance -- but entwined with a larger cultural moment {{grem{(or a reality spanning multiple times and cultures.)}}}  In 1914 and 1915 he compiled the visions from his journals, along with additional commentary on each imaginative episode, into a privately held manuscript which became //Liber Novus: [[The Red Book]]//.

<<tiddler repeating/Jung>>
In other published works, Jung wrote:
<<<
The man who takes to the back streets and alleys, because he cannot endure the broad highway, will be the first to discover the psychic elements that are waiting to play their part in the life of the collective. Here the artist's relative lack of adaptation turns out to his advantage; it enables him to follow his own yearnings far from the beaten path, and to discover what it is that would meet the unconscious needs of his age.
-- From his essay "On the Relation of [[Analytical Psychology to Poetic Art]]", 1922, published in //The Spirit in Man, Art, and Literature//

Life has always seemed to me like a plant that lives on its [[rhizome]]. Its true life is invisible, hidden in the rhizome.The part that appears above ground lasts only a single summer. Then it withers away – an ephemeral apparition. When we think of the unending growth and decay of civilizations, we cannot escape the impression of an absolute nullity. Yet I have never lost a sense of something that lives and endures underneath the eternal flux. What we see is the blossom, which passes. The rhizome remains. In the end the only events in my life worth telling are those when the imperishable world irrupted into the transitory one.

''Nights through dreams tell the myths forgotten by the day.''

-- From //Memories, Dreams, Reflections//
<<<
Citing Wikipedia, "Jung took interest in the possible universal nature of the imagery of the [[I Ching]], and he wrote the introduction to an influential German translation by Richard Wilhelm by discussing his theories of archetypes and synchronicity.  Jung wrote, 'Even to the most biased eye, it is obvious that this book represents one long admonition to careful scrutiny of one's own character, attitude, and motives.'  The book had a notable impact on the 1960s counterculture and on 20th century cultural figures such as Philip K. [[Dick|quiet hero]], John [[Cage|Where the Heart Beats: John Cage]], Jorge Luis [[Borges]], and Herman [[Hesse]]."

From a 2014 archive of the website [[PatternLanguage.com|https://web.archive.org/web/20141230051247/http://www.patternlanguage.com/leveltwo/spiritframe.htm?/leveltwo/../personal/jungrep.htm]]:

//This sequence of paintings was made by a patient of [[Jung]]'s over a period of many years.  As the sequence of paintings progresses we see the woman healing herself, and the paintings describe, and reflect, a more and more integrated self, culminating in the truly remarkable last// +++[painting…]
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{{grem{This image was republished by another person on [[Tumblr|http://spatzspots.tumblr.com/post/52159526279/spirit-growing-in-the-world-this-sequence-of]].}}}
===


----

Jung had the following Latin statement inscribed over the doorway of his home, and on his tombstone:

//''Vocatus atque non vocatus deus aderit.'' (Called or not called, God is present.)//
He had discovered it among the Latin writings of Desiderius Erasmus, specifically in a 1563 edition of //Collectaneas adagiorum.// ^^[[[3]|https://web.archive.org/web/20160325114236/http://jungnewyork.com/photo_vocatus.shtml]]^^

[img[Vocatus atque non vocatus deus aderit. (Called or not called, God is present.)|http://farm4.static.flickr.com/3540/5766541717_84790263ca.jpg][http://www.flickr.com/photos/39042429@N00/5766541717/]]

[[NYTimes Obituary: Dr. Carl G. Jung, Pioneer in Analytic Psychology|http://www.nytimes.com/learning/general/onthisday/bday/0726.html]]

[[Carl Jung's Gravesite|http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=2336]]

Also inscribed on Jung's headstone:
//Primus homo de terra terrenus, Secundus homo de caelo caelestis… The first man is of the earth and is earthly. The second man is of heaven and is heavenly.//
1 Corinthians 15:47

If we imagine our being as a room of any size, it seems that most of us know only a single corner of that room, a spot by the window, a narrow strip on which we keep walking back and forth. That gives a kind of security. But isn't insecurity with all its dangers so much more human?

We are not prisoners of that room.

Borgeby gärd, Sweden, August 12, 1904
//Letters to a Young Poet//
Rainer Maria [[Rilke]]

 
//The Varieties of Religious Experience// (1902) by William James    +++[more/hide]
;
"Religion, as I now ask you arbitrarily to take it, shall mean for us the feelings, acts, and experiences of each individual in their solitude, so far as they apprehend themselves ''to stand in relation to whatever they may consider the divine''."
:Martin Buber said much the same in //[[Ich und Du]]//:
<<<
What does all erroneous talk about God's nature and works (though such talk is always erroneous) matter in comparison with the ''one truth'' that all men who have addressed God ''//really meant him?//'' For whoever pronounces the word God and really means You, addresses, no matter what his illusion, the true You of his life, which cannot be limited by any other, and to whom he stands in a relationship that includes all others.
<<<
James went on to say that "Religion, whatever it is, is ''a man's total reaction upon life'', so why not say that any total reaction upon life is a religion? … The theories which Religion generates, being thus variable, are secondary; and if you wish to grasp her essence, you must ''look to the feelings and the conduct'' as being the more constant elements."
===

----

<part experia>
''//experience// – "out of peril and testing"'' (knowledge by way of //experiment//)
{{serif{@@color(grey):Origin from Latin //experientia// "knowledge gained by repeated trials" <//ex-// "out of" + //peritus// related to ''//peril//'' < Greek //peria// "trial, risk, attempt"@@ }}}
</part>

My //ReligiousSearch précis// follows, ordered semi-alphabetically:

In religion or mythology, the [[Axis Mundi]] is <<tiddler [[Axis Mundi/precis]]>>.  //See [[World Mythologies]]//

Martin [[Buber]], best known for his philosophy of dialogue, argued in his book {{serif{//[[I and Thou|Ich und Du]]//}}} that religious experience involves reciprocal relationships with a personal subject, rather than knowledge of some "thing."

The teachings of [[Buddhism]] run through my religious thinking, which I framed in new language:
<<<
<<tiddler Buddhism/precis>>
<<<
The [[Charter for Compassion]] calls upon all men and women <<tiddler [[Charter for Compassion/precis]]>>.

Paul R. Fleischman composed [[the circle of religious elements]] which I slightly adapted.  I recognize that my addition of //diligent regard// may fall under what he termed //calling// -- meaningful work or right livelihood.

<<tiddler [[courage to be/precis]]>> //[''G''round-''D''ivine]//
With this, "humanity can stand in and through anxiety."
–Paul Tillich

The [[Dekatessera|Dekatessera Commentary]] describes in fourteen precepts my chosen practice of living. 

Honesty is the [[devil's torch]], my friend Lily wrote:
://<<tiddler [[devil's torch/precis]]>>//
She went on to say "most religions believe that knowledge is dangerous," and
://''dissolution'' of the [[god myth]] is not hating god … it is moving beyond the need to have someone outside the self that can answer the unanswered questions.//
I strive for the ''[[dialegen]]t way'': dialogue, [[dialectic]], diligence, and ''religence'':
:Having a deep interest in religion while not being religious
:Explicitly linked to //relegere//, 'to read the texts again'
:Choosing not to practice a 'religious life' in closed-membership style
:Empathy grows from sincere interest in others; //"all real living is meeting"//
The [[Divine Triangle]] is a <<tiddler [[Divine Triangle/precis]]>>[[Fractal]] energy – plain and simple – fractal is my religion.
://[[Fractal Mundiosa|pensamientos españoles]]:// Fractal World that is Divine [[Feminine|Muse]]
Read the [[Friar's Journeybook]] to follow a portion of my spiritual journey through life, some of it theorized and not yet lived.

The Ground-Divine is Being-itself and the whole Living World.
:<<tiddler Ground-Divine/precis>>
<<tiddler Humanism/precis>> Generally non-theist, it offers an alternative to dogmatic religion.

Thomas [[Jefferson]], usually categorized as a Deist by historians, authored the Virginia Statute for Religious Freedom.

Nikos [[Kazantzakis]] wrote of humanity as 'the saviors of God' … //I feel all the powers of the universe whirling within me … ''~G-D'', the Great Ecstatic, struggles to speak … [She] is a power that contains all things, that begets all things.  Like every other living thing, I am in the center of the Cosmic whirlpool.//
:I attempted to 'translate' or experiment with Kazantzakis' language addressing the Divine -- first by culling the verses he numbered as 22, stringing together in prose form, and then iterating through several found poems: SavedBy22.
Martin Luther King Jr. wrote in //Stride Toward Freedom//: "Religion deals with both earth and heaven, both time and eternity. Religion operates not only on the vertical plane but also on the horizontal. It seeks not only to integrate men with God but to integrate men with men and each man with himself." (1958)

A [[Layman Monk]] is a man or woman with a family, a craft, and a devoted life practice. A [[monk|Journey's Etymologies]] contributes his productive energies to society (and/or 'a godly life') and keeps his integrity. He grows to strength and wisdom, in community, not in isolation.

Vladimir [[Nabokov]] used a word-form which was new to me: //"Theolatry// I found degrading, and its premises, unsound … if my private universe scans right, so does the verse of galaxies divine."

Make a [[NEWSTART]] toward health: nutrition, exercise, water, sunshine, temperance, air, rest, and trust [in Self, Community, and Divine]

Why I am not a [[pantheist]]: "Seek to uncover the layers of significance already built within the texture of experience…These layers of meaning are religious as much as aesthetic and moral, and possess an inherent value. They need not be vindicated by any metaphysical vision."

Take refuge in the many ceaseless [[passages]] to you of the Great Natural Perfection →

The Roman Catholic [[pontifex]] <<tag Francis>> expressed his wish that "the dialogue between us should help to build bridges connecting all people, in such a way that everyone can see in the other not an enemy, not a rival, but a brother or sister to be welcomed and embraced!"

[[Quakers|Quaker]] <<tiddler Quaker/precis>>

I posit that self-realization arises in the [[Realms of the Manifest]]
:the seventh, Transcendent, <<tiddler [[Realms of the Manifest/precis]]>> This realm is super-personal; it transcends Self, Relationships, and Groups.
Roberto Mangabeira Unger wrote that a [[religion of the future]] must <<tiddler [[religion of the future/precis]]>>

Carl [[Sagan]] said:
<<<
"A religion, old or new, that stressed the magnificence of the universe as revealed by modern science might be able to draw forth reserves of reverence and awe hardly tapped by conventional faiths. Sooner or later such a religion will emerge."
//Pale Blue Dot//, 1994
<<<
The [[Sevenfold Self]] uses words from Hindu, Buddhist, and Taoist tradition to describe a "hierarchy" of consciousness:
://Growing from Anatta and Prana, [[Kama-Artha-Dharma-Moksha|Fourfold Fruit]] flowers and knows itself: ''~Atman-Tao''//
<<tiddler theopoetic/precis>>

Marcus Aurelius wrote: //Everything is interwoven, and [[the web is holy]].//

 
''Jorge Luis Borges'' (24 August 1899 – 14 June 1986), was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language literature. His best-known books, //Ficciones (Fictions)// and //El Aleph (The Aleph)//, published in the 1940s, are compilations of short stories interconnected by common themes, including dreams, labyrinths, libraries, mirrors, fictional writers, philosophy, and religion.
!To Whomever is Reading Me
translated by Alastair Reid

You are invulnerable. Have they not granted you,
those powers that preordain your destiny,
the certainty of dust? Is not your time
as irreversible as that same river
where Heraclitus, mirrored, saw the symbol
of fleeting life? A marble slab awaits you
which you will not read -- on it, already written, 
the date, the city, and the epitaph. 
Other men too are only dreams of time, 
not indestructible bronze or burnished gold; 
the universe is, like you, a Proteus. 
Dark, you will enter the darkness that awaits you, 
doomed to the limits of your traveled time. 
Know that in some sense you are already dead.

<<<
As it begins in Spanish:

''A quien está Leyéndome''
//[[Eres invulnerable|everything is fundamentally alright]]. ¿No te han dado los númenes que rigen tu destino certidumbre de polvo?//
<<<

<<tiddler [[en el espejo/Borges]]>>
//Also see [[Ars Poetica]]//

----

According to The Writer's Almanac (8/24/2011)
<<<
Borges studied in Europe, moved back to Argentina, and got a job in a library. He worked his way up to be director of the National Library of Buenos Aires. He was able to do his work in just one hour every morning so he could spend the rest of his day wandering through the stacks. In a cruel twist, he also began losing his vision, and by 1955 he was completely blind. "I speak of God's splendid irony in granting me at once 800,000 books and darkness," he said.

He also wrote: "I cannot think it unlikely that there is such a ''total book'' on some shelf in the universe.  I pray to the unknown gods that some man — even a single man, tens of centuries ago — has perused and read this book.  If the honor and wisdom and joy of such a reading are not to be my own, then let them be for others… let there be one instant, one creature, wherein thy enormous Library may find its justification."  ("The Library of Babel," 1941).
<<<
August 24th is also the birthday of Brazilian author Paulo Coelho (I've read his book //The Alchemist//) and the English author A.S. [[Byatt|gathered from the web/August24]].

| {{font85{ The morning sky in Colorado was magnificent. The sun infused the clouds with pink, orange & purple hues. I traveled east on a silicate road, thinking about the many pleasures in my life. For the most part, I am happy. What is the other part? An impetus to growth and acceptance of imperfections. }}} |

 
Given these clues, fill in the blanks.
Questions numbered in superscript {{purplss{x}}}.
{{{
  T    es
  L    ni
  0    um
}}}
T stands for True; spoken name from Latin //est// : "is"
L stands for ¬ (logical Not); Latin //ne-// (negating prefix)
0 suggests //Om// or void; Latin //zephirum// < Arabic //safara//

|>| {{serif{''Table 1''}}} |
| ''Name'' | ''Opposite'' |
| es  | ni |
| tres  | tri |
| nves | nvi |
| mes  | mi |
| gres  | gri |
| ques | qui |
| octes  | octi |
| me'gres | me'gri |
| me'ques | me'qui |
| myrios | nimros |
All //-es// endings rhyme with //"says"//
-es followed by es = //-essn//

|>|>|>| {{serif{''Table 2''}}} |
| l'um | vestri | | mesnvi-tri |
| es | vestries | vesumes | |
| tresni | vesumni | vestresni | |
| tres | nves | vestres | |
| tressn | | vestressn | |
| vestrini | | mesnvi-trini | mesnvi-tresni |
://Tres// is equivalent to //tres-um//
://Um// is distinct in meaning, but shares the same glyph ''0'' with //l'um, le-um//
//Om// [[ॐ|Oikos Philos Anthropos Logos]] (the formless void that begets all things)

__''Questions:''__
me'gresum, quesgri-mesvestrini = """_______________""" {{purplss{1}}}
{{{
= T0,TLT,TLL x mesnvi-trini
divided by ______.25   [Questions 2, 3]
= 91 years, _ _ weeks, and 5 days
}}}
//Nves// is from the Spanish word _ _ _ _ _ . {{purplss{4}}}

//Mes// is within """____"""½ days {{purplss{5}}} of a natural occurrence related to the Lithuanian //menesis// and Old Irish //mi//.

//Gres// number of years is considered old _ _ _ , {{purplss{6}}}
related to the Greek word _ _ _ _ _ . {{purplss{7}}}

//Ques// is from the Latin word q _ _ _ _ _ _ , {{purplss{8}}}
suggesting the  """___""" power {{purplss{9}}} of  """___""" . {{purplss{10}}}

//Octes// number of days is approximately eight  """______________""" . {{purplss{11}}}

The French masculine """_____________""" {{purplss{12}}} article """____""" {{purplss{13}}} begins the name
of a concept which has gone by several different names in English.
''List three:'' {{purplss{14}}}

Ten glyphs are required, the first being //myrios//, to represent the greatest number in Greek expressed by a single word: """______________""" . {{purplss{15}}}

The greatest number these ten glyphs can represent is:
"""___________________""" . {{purplss{16}}}

This system as a whole suggests the astrological sign """___________""" {{purplss{17}}}
and was described as the "prettiest" of its kind by
"""______________"""&nbsp;&nbsp;&nbsp;"""___________""" . {{purplss{18}}}

The key is:
{{{
B _ _ _ _ _ _ _   _ _ _ _ _ _ y   [Question 19]
}}}

Email answers to dialecticdad (at) gmail (dot) com
or tweet them [[@museical|https://twitter.com/museical]]

''Bonus:'' can you fill in four missing words from Table 2 and suggest a more harmonious ordering of this table?

----
''Riddle'' as traced by [[Etymonline|http://www.etymonline.com/index.php?term=riddle]]: from Old English //rædels//
"riddle; counsel; conjecture; imagination; discussion"
<<<
propounded for solving
by the hearer/reader using
clues embedded
within that wording
[Oxford Dictionary of English Folklore]
<<<

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									BROWSE
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I propose this rate as a means to reduce United States consumption and "free" 1 billion productive acres of land and water that are feeding our consumption.

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Start right now
take a small step
you can call your own
don’t follow
someone else’s
[[hero]]ics, be humble
and focused,
start close in,
don’t mistake
that other
for your own.

Start close in,
don’t take
the second step
or the third,
start with the first
thing
close in,
the step
you don’t want to take.

Excerpt from '[[Start Close In|http://www.davidwhyte.com/river_flow.html]]'
From //River Flow - New & Selected Poems// by David Whyte

– Collected here August 4, 2015

!34 Reasons I Love You
# Your beautiful eyes -- I will always remember that Friday in April when I first gazed into them.
# That you are a thinker who expresses yourself fully and honestly, whether voiced or written.
# Your hug -- there is nothing in the world more reassuring.
# Your strength and ability to overcome challenges.
# That you welcomed Sara and Evan into your life and give them your love.
# Your devotion to your Mom.
# That you never stop caring for your true friends.
# How you genuinely care about your students -- you also possess the gift of reaching them and teaching them.
# I love to hear you sing and to see other people's reaction to your rich, beautiful voice.
# Dancing with you -- //"Strawberry Wine"//, taking lessons together (I anticipate continuing), //"Open Arms"//, our swoop and kiss.
# Planning our wedding together.
# That beautiful moment by the lake in Cheyenne, where we clasped hands and became husband and wife.
# I love that girl you were at age {{font125{{{bluem{''7, 12, 17,''}}}}}} and all the years between -- who I didn't get a chance to walk beside, but I know pieces of her inside you now.
# That I did get to know you at age {{font125{{{bluem{''31, 32, 33,''}}}}}} and now look forward to at least a half century more.
# Taking walks together -- smelling flowers along the way -- kissing you under the open sky.
# Moments of cuddling half-awake, before we get out of bed in the morning.
# Our family meal-times.
# All that you do helping take care of our family and keeping our home beautiful.
# How we carve out quality time at both ends of the day, for just the two of us.
# How we sit together on the same side of a restaurant booth.
# Your long brunette hair, fair skin, and lovely proportions. We make a perfect couple (many have said so, and they were right.)
# That intense spark of passion we have -- our physical union expresses the closeness of our souls.
# How you understand my fears and insecurities.
# That you voice your concerns, sit in a doctor's office with me; you think of my welfare and see my blind spots.
# That you helped me relax -- to leave my shirt untucked, let my hair grow out, dress up in costumes.  I also love when you relax and are no longer self-conscious.
# We are each other's confidantes -- thank you for always listening and offering your help.  Also, I am honored that you reveal yourself to me.
# That you are non-judgmental and appreciate a diverse, multi-faceted world.
# Your abilities and knowledge in areas unfamiliar to me -- tae kwon do, music, and others -- and I get to have brand-new experiences along the way (like hugging your waist on the back of a motorcycle.)
# Your drive for improvement and achieving goals.
# You are generous and give all that you have to relationships.
# That you have been willing to forgive me.
# Your caresses -- a hand resting lightly on my leg or shoulder -- the many reminders of your presence and affection.
# Seeing a beautiful woman walk across a room or through a crowd toward me, and thinking with awe: //"That's my wife."//
# That you chose me -- and said {{font125{{{bluem{''yes''}}}}}} to this life together.
{{rjustify{
remuse.net/#Birthday}}}

!Waste Of Paint
Bright Eyes (Conor Oberst)
from the album //Lifted or The Story is in the Soil, Keep Your Ear to the Ground// (2002)

I have a friend, he's mostly made of pain. He wakes up, drives to work,
and then straight back home again. He once cut one of my nightmares out of paper.
I thought it was beautiful, I put it on a record cover.
And I tried to tell him he had a sense of color and composition so magnificent.
And he said "Thank you, please but your flattery is truly not becoming me.
''Your eyes are poor. You are blind. You see, no beauty could have come from me.
I am a waste of breath, of space, of time.''"

I knew a woman, she was dignified and true. Her love for her man was one of her many virtues.
Until one day, she found out that he had lied and she decided the rest of her life,
from that point on would be a lie. But she was grateful for everything that had happened.
And she was anxious for all that would come next. But then she wept.
What did you expect? In that big, old house with the cars she kept.
"Oh!" and "such is life," she often said. With one day leading to the next,
you get a little closer to your death, which was fine with her.
She never got upset and with all the days she may have left,
she would never clean another mess or fold his shirts or look her best.
She was free to waste away alone.
…
So now I hang out down by the train's depot.
No, I don't ride, I just sit and watch the people there.
And they remind me of wind-up cars in motion.
The way they spin and turn and jockey for positions.
And I want to scream out that it all is nonsense.
All your lives one track, can't you see it's pointless?

But then, my knees give under me, my head feels weak
and suddenly it is clear to see that it is not them but me,
''who has lost my self-identity, as I hide behind these books I read, while scribbling [[my poetry|A Perfect Sonnet]],
like art could save a wretch like me, with some ideal ideology that no one can hope to achieve.
And I am never real; it's just a sketch of me.
And everything I made is trite and cheap and a waste of paint, of tape, of time.''

So now I park my car down my the cathedral, where floodlights point up at the steeples.
Choir practice was filling up with people. I hear the sound escaping as an echo.
Sloping off the ceiling at an angle. When voices blend they sound like angels.
I hope there is some room still in the middle.
But when I lift my voice up now to reach them. The range is too high, way up in heaven.
So I hold my tongue, forget the song, tie my shoe and start walking off.
And try to just keep moving on,
''with my broken heart and my absent God
and I have no faith but it is all I want,
to be loved and believe in my soul, in my soul...''

 
''Jerome Bruner'' (1 October 1915 – 5 June 2016) was an American psychologist who made significant contributions to human cognitive psychology and cognitive learning theory in educational psychology.

Bruner wrote the following widely regarded books:
* //A Study of Thinking// (1956)
* //Towards a Theory of Instruction// (1966)
* //The Relevance of Education// (1973)
* //Actual Minds, Possible Worlds// (1986)
** has been cited by over 16,000 scholarly publications, making it one of the most influential works of the 20th century.
* //The Culture of Education// (1996)
* //Making Stories: Law, Literature, Life// (2003)

Bruner lived to see his 100th birthday.  On his faculty webpage at New York University (updated May 16, 2011), he wrote:
<<<
I'm interested in the various institutional forms by which culture is passed on -- most particularly in school practices and in legal codes and legal praxis. In both examples, my concern is with how canonical forms create a [[dialectic]] with the "possible worlds" of imaginative art forms.  My preferred method of work in both instances is the anthropological-interpretive.
<<<
Alan Kay wrote that "Jerry's signature challenge, hope, and belief is central here: //'… any subject can be taught effectively in some intellectually honest form to any child at any stage of development.'//
&nbsp;&nbsp;&nbsp;-- from "The [[Arts of the Hidden]]: An Essay for the Left Hand", collected in //Jerome S. Bruner beyond 100: Cultivating Possibilities//; see further excerpts [[here→|Arts of the Hidden]]

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The Dekatessera describes in fourteen precepts my chosen practice of living.  These ethics are grounded in a naturalist worldview which does not look to an afterlife, nor to a God/Parent made in the image of human desires.  This "life of dialogue" embraces principles of Buddhism and the teachings of Christ, among other philosophies.
!Dekatessera Lexeis ~ δεκατεσσερα λεξεις
!!!I. Look, listen, meet me!  Name your reverence for this life-arising sphere.  Awarely choose love.
//Strength is fidelity, power reverence.//
<<<
The world awaits hallowing; it awaits the disclosure and realization of its meaning. But we must begin. Meet the world with the fullness of your being, and you shall meet God … If you wish to believe, love!
—Martin Buber
<<<
''Decalogue 1'' — I Am Who Am, and Thou Too Art, //[[Ich und Du]]//
Ground-Divine is Being-itself and the whole Living World

''DL 2'' — Resist deifying and worship of "graven images."
(any figure or story that serves human desires)

No other Lords or man-made Gods occlude the true invitation ripe in this moment — Meet me!

+++[+]
Direct, unmediated experience of the Divine is available to everyone.  Commit yourself to knowing truth – felt and understood more fully in this world of relations.  Witness the significance outside you and in other beings.  Live in the mysteries and simple truths, the separateness-and-unity.
The strength of your view and your understanding lies in its truthfulness – more precisely its fidelity to the 'actual' world: changing, co-arising events and beings, extraconceptual realities older and larger than yourself.

	@@color:grey;''//Adhitthana Panna://'' [Determination and transcendent insight-outlook.]@@
	This guidance is first an //enjoinder to dialogue.//  (Contrast the meanings of joining, attention, and attachment.)
	There is no anthropic god or supernatural entity who is jealous for your attention or worship. However, this way requires "the fullness of your being" and nothing less.  Be undistracted by "any other gods before me."  I imagine that Buber's God could be formulated as the "Ground Divine" which is //Transdeva//.

	@@color:grey;''//Nekkhamma://'' [Renunciation]@@  Renouncing "false gods" or explaining/justifying stories which serve to allay fear and ignorance.  Loosen the grasp of attachments and stories, or any supernatural agent created atop these. (Gods of physical things.)  Many narratives or explaining stories have been used by the powerful as justificationalism.  Also do not attach yourself to creeds, including this one, or let yourself ossify in dogma.  Release from desires is the way out of figurative slavery.
	This guidance is also for the maintenance of your mind and manner of viewing.  Increase your capacity for knowing and not-knowing (continually listening.)
	Continue [[widening the circle]] of your awareness.
<<<
''//Reverence For Life//''
I open my heart and mind
to consider, delight in, protect and celebrate
the beauty, integrity and well-being
of all life-forms and natural systems:
people of all ages, kinds and races,
animals and plants, lands and seas,
which co-exist with me now and which will come after me
into the far future.  These I take
to be my kin, expressions of the same Heart of Being
{[[Seed of Perfection]]}, the same Living Universe,
of which my life is an expression.
<<<
===
!!!II. Keep faith in the Seed of Perfection dwelling on Earth.  Take refuge in its passages to you, and protect your fellowships.
//These are gifts no one owns — lasting ages and latent everywhere — yet hemmed by uncertainty, human weakness and evil.
You must accept that we live in [[miserando|Four Noble Truths]]: we suffer, strive, and grasp intertwined with all of living.  Craving and suffering are two faces of an untamed will.//
<<<
All of the manifest actions of egotism and all of the inner states of sin point to one thing: //repudiation, destruction, and abuse of community for the sake of the self.//
—John Rawls
<<<
	''//Bodhichitta Dharma Sangha, the [[Divine Triangle]]://''  The fellowship or community (Sangha) conveys the wisdom or teachings (Dharma – natural law, including science, and human experience) which tend the Seed of Perfection in all, and awakens and enlightens your being (Bodhichitta/God/Christ/Light.)

	Awakening and Enlightenment is your natural "destiny": Buddha/Bodhichitta mind, the Tao, non-dual Natural Perfection. Its ceaseless passages have came down through history (as inherited Dharma), and via communities or kinship paths (the Sangha.)
!!!III. Sustain yourself from the Earth deliberately.  Be mindful of the great throngs of life on every side, arising and dying equally under the sun.  You share their splendor and finiteness.
//The world has no Chosen tribe of creatures.  Do not elevate your community above another's only because it is different.  Keep contact with the open sky and living things.//
+++[+]
''DL 3'' — Do not "use the world in vain" as an object for your pleasure, or "take it up in a worthless way."
<<<
[[Ecology]] is the science of understanding consequences.
<<<
	''//Sila://'' [right conduct, right action, right livelihood.]
	Nothing is beneath your regard.  Be mindful of your conduct and its consequences, and the finitude-impermanence of things.
	The //gazing// of the first guidance is the goodness of near-sighted, intimate immediacy (as in Buber's statement "all else lives in his light.")  This is followed by the goodness of //far-sighted// view which tempers curiosity and impulse, as does //respect//: looking back with regard.
===
!!!IV. Honor and nurture your fellow beings.  Embrace.  Ease another's suffering. Strive to end poverty and oppression.
//Be here with another: a child, a neighbor, a kin, or a stranger, and be wholly present to them: with words, hands, eyes, and all your intent.//
+++[+]
''DL 5'' — Honor thy father and mother, your brothers and sisters, your children, and continue to widen this circle of loving-kindness.

	Learn to exchange your view for another's.

	''//Metta://'' [~Loving-Kindness]
===
!!!V. Do not kill or cause harm.  Ignore no evil done by humanity; mend what is possible without violence.  Turn your heart away from vengeance.
+++[+]
''DL 6'' — Thou shalt not kill.
	''//Sila Viriya Metta://'' [Viriya - Action, effort, diligence, vigor.]
===
!!!VI. Honor the sanctity of coupling and your physical being.  Protect yourself.  Defend and teach one another the same.
//Every day offers a [[new start|NEWSTART]], if we nurture our bodies and relationships, and choose love.//
+++[+]
''DL 7'' — Thou shalt not commit adultery.
	''//Sila Nekkhamma://'' [Conduct which renounces sexual indulgence or abuse.] Honor your being as sacred, and do not disperse (scatter) its energies - this may include the use of intoxicants, and relates to the eleventh guidance.
In sexual relations, be aware of future suffering that may be caused.  Be fully aware of the responsibility of bringing new lives into the world.  Meditate on the world into which you are bringing new beings.
===
!!!VII. Practice, practice, to find strength and clarity in today's purpose.  The outer marks of success cannot satisfy.  What will you bring to being?
//What will you bring to being from the seeds of evil and seeds of good latent in human nature?  (Finding your place in the [[project of humankind]].)//
+++[+]
''Transdeva'' teaching on the use of will in daily life and in "//practical// matters."  Your //practice// comes forth to be tested daily by the //mundane//, "earthly or secular" circumstances.  You always have a choice how to answer.
<<<
And ever those, who would enjoyment gain
Must find it in the purpose they pursue;
The sting of falsehood loses half its pain
If our own soul bear witness -- we are true!
&nbsp;&nbsp;–Sarah Josepha Hale, "[[The Chase of Pleasure|https://books.google.com/books?id=f7QtAAAAMAAJ&pg=PA81#v=onepage&f=false]]"
<<<
The counsel of Roberto Mangabeira Unger quoted [[here|countervailingGBG]] and in [[Religion of the Future|religion of the future]]; now condensed further and with the language of karma -- "a particular trajectory" and its consequences:
<<<
First, we must //abandon our fantasies// about multiple selves and multiple lives.  Embrace [our karma] and accept its consequences for the person we shall become.

Then, //by an act of imaginative love//, we must imagine the experience of the people we did not become; [widen this to] accepting and imagining other people compassionately.

As we struggle within the limits of our circumstance and our insight, our freedom and vitality require //resistance against our own character//, as yet another reduction of the unlimited to the limited and of the fertile to the formulaic.  We can then ''//live//'' only by ripping apart this mummy that begins to encase us.
<<<
===
!!!VIII. Be generous.  Do not steal, hoard, or diminish what is needed by all.
//You provision with and for the means of unborn humanity. Your sources and effects are finite, yet adequate to need. Share them freely.//
+++[+]
''DL 8'' — Thou shalt not steal.
	''//Dana Sila://'' [Generosity, giving of oneself; avoiding greed is Sila?] Using what is not yours can include over-consumption while others are starving. 
===
!!!IX. Speak truthfully, and do not stand with deception.  Keep questioning!  You shall come to acceptance, but not a livable codex.
+++[+]
''DL 9'' — Thou shalt not bear false witness.
	''//Sacca://'' [Truthfulness, Honesty, Right Speech]
<<<
''//Questioning as a Path of Transformation//''
Mindful of the way that answers can become meaningless
without the questions that evoked them,
and that even great truths can become lifeless dogmas,
I embrace the practice of creative, open-ended, questioning
of self, others and institutions as a way of deepening my engagement
with the ongoing quest for a wiser and more compassionate world.
<<<
===
!!!X. Stay alert to the evidence of your senses.  Heed the efficacy of other ways and the test of empirical knowledge.  Let your children think and act freely.
+++[+]
''Transdeva'' teaching on the use of our rational minds, attention to external reality, and non-attachment to views.
//Changed "fruit" to "test"//
"There is an external reality that we ignore at our peril, and indeed much of the evolution of the human species can be described as an increasing concordance between the images within our brains and the reality in the external world." — Sagan
===
!!!XI. Be grateful.  Loosen the grasp of attachments.  Find a proportion for yourself in the whole.
+++[+]
''DL 10'' — Thou shalt not covet.
	''//Nekkhamma Upekkha://'' [Renunciation which realizes serenity and equanimity; because suffering is caused by craving.]
===
!!!XII. Avoid haste, distraction and worry.   Reserve quiet contemplative time; from this take congruent action.
+++[+]
''DL 4'' — Remember the Sabbath day.
	''//Sila Khanti://'' [Conduct with forbearance, patience, acceptance, endurance]
	The one intention is to realize connection with all beings, which has been called Interbeing by Thich Nhat Hanh.  The Torah recommended one day of seven as a Sabbath; this could equal two concentrated hours every day (nearly a seventh of your waking time.) It is important to pull away from work and not let it ply your attention during this time. Cultivating mindful habits can "consecrate" every day.
	
<<<
''//Peace and Personal Truthfulness//''
I commit myself to work for the peaceful resolution of conflicts
between persons, between nations and between humans and other species.
And as part of that process, I commit myself to facing and working through my own anger, fear, greed, ignorance, self-deception, unfulfilled needs, and lack of skill,
such as they may be, and also the same, of my culture and my country.
<<<
===
!!!XIII. Save life whenever you can, but also accept death.  Do not live in fear nor speculate on an afterlife.
+++[+]
''Transdeva'' answer to mortality.
===
!!!XIV. Be here with all your heart, all your mind, and all your strength centered, and respond to life's call.  The Tao [Ground-Divine] is manifest in every time and place.  Come to this peace.
+++[+]
''Transdeva'' guidance to the present moment and a reminder of love.  Points a way toward the Tao that cannot be spoken.

This is the ultimate concern of faith (the centered listening and response): beyond suffering, impermanence, non-self — wisdom that springs from neither fixity nor change.

"Reconcile not with myself:  with what lifts me, sustains me, lets me fall."  (Octavio Paz)

Preserve and restore the Tao in the body and cosmos: Tao being the basic, eternal principle of the universe that transcends reality and is the source of //being, non-being, and change.//

//Absolve yourself.//   Insoluble consciousness, resolution, absolution, dissolution. //Ecstasy steps outside a 'system' of belief.// 

[[Atman, Tao result Google Books|http://books.google.com/books?id=jtO7czidPeYC&lpg=PA611&ots=0RCtEJhU2T&dq=%22Atman-Tao%22&pg=PA611#v=onepage&q=%22Atman-Tao%22&f=false]]

	''//Upekkha Panna Metta Viriya//''
<<<
''//Exploratory Spiral of Endless Beginnings//''
Understanding the limited capacity of words to hold spiritual meanings,
and understanding the temptation to try to complete with words
what can only be completed in living,
I affirm these Commitments as a way of mobilizing my inner resources
to continue my path of exploration, action, embodiment, and dialogue,
of compassion, reflection, and celebration,
not as completing, resolving or even fully describing
any of the themes they name. 
I open my heart and mind to affirm and learn from
all that is reverential toward life in every tradition and culture,
and to evolve new affirmations and practices
as my reverence for life deepens.
<<<
===
<br>
----
<part FiveStrengths>
''[[Five strengths|Wisdom of No Escape]]:''
Seed of Perfection dwelling on Earth – Bodhichitta
Determination
Familiarity
Reproach (gentle – have I done this before?)
Aspiration – that wisdom and compassion will increase; fear and ignorance will diminish
</part>
-----
''Practice methods:''
Buber's life of dialogue
Frankl's logotherapy – will to meaning
Hegel's dialectic
-----
Interspersed while crafting these words, I recognized:
''There is no perfect formulation for living;
no ethical or existential [[codex →|2011-09-14]]''

My commitment is for a practice now – not in theory, not in lofty sentiments chanted by a few of this fortunate society, sought 'in the ideal' and ever in the distance.  Begin today!

!Passage to India
Excerpts from the poem by Walt [[Whitman]]
  
SINGING my days,	 
Singing the great achievements of the present,	 
Singing the strong, light works of engineers,	 
Our modern wonders, (the antique ponderous Seven outvied,)	 
In the Old World, the east, the Suez canal,
The New by its mighty railroad spanned,
The seas inlaid with eloquent, gentle wires,
I sound, to commence, the cry, with thee, O soul,	 
The Past! the Past! the Past!
  
The Past! the dark, unfathomed retrospect!
The teeming gulf! the sleepers and the shadows!	 
The past! the infinite greatness of the past!	 
For what is the present, after all, but an outgrowth of the past?	 
…
Passage, O soul, to India!	 
Eclaircise the myths Asiatic—the primitive fables.	 
  
Not you alone, proud truths of the world!	 
Nor you alone, ye facts of modern science!	 
But myths and fables of eld—Asia’s, Africa’s fables!
The far-darting beams of the spirit!—the unloosed dreams!	 
The deep diving bibles and legends;	 
The daring plots of the poets—the elder religions…
You too I welcome, and fully, the same as the rest;	 
You too with joy I sing.
…
Passage to India!
Lo, soul, seest thou not God’s purpose from the first?	 
The earth to be spanned, ''connected by net-work'',
The people to become brothers and sisters,	 
The races, neighbors, to marry and be given in marriage,	 
The oceans to be crossed, the distant brought near,
The lands to be welded together.
…
Passage to India!	 
Lo, soul, for thee, of ''tableaus twain'',
I see, in one, the Suez canal initiated, opened {{grem{[in 1869, when Walt was 50]}}}
I see the procession of steamships…
the strange landscape, the pure sky, the level sand in the distance…
  
In one again, different, (yet thine, all thine, O soul, the same,)	 
I see over my own continent the Pacific Railroad, surmounting every barrier;
I see continual trains of cars winding along the Platte, carrying freight and passengers;	 
I hear the locomotives rushing and roaring, and the shrill steam-whistle,	 
I hear the echoes reverberate through the grandest scenery in the world;	 
I cross the Laramie plains—I note the rocks in grotesque shapes—the buttes;	 
I see the plentiful larkspur and wild onions—the barren, colorless, sage-deserts;
I see in glimpses afar, or towering immediately above me, the great mountains—I see the Wind River and the Wahsatch mountains;	 
I see the Monument mountain and the Eagle’s Nest—I pass the [[Promontory|https://en.wikipedia.org/wiki/Promontory,_Utah]]—I ascend the Nevadas;	 
I scan the noble Elk mountain, and wind around its base;	 
I see the [[Humboldt range|https://en.wikipedia.org/wiki/Humboldt_Range]]—I thread the valley and cross the river,	 
I see the clear waters of Lake Tahoe—I see forests of majestic pines,
Or, crossing the great desert, the alkaline plains, I behold enchanting mirages of waters and meadows;	 
Marking through these, and after all, in duplicate slender lines,	 
Bridging the three or four thousand miles of land travel,	 
Tying the Eastern to the Western sea,	 
The road between Europe and Asia.
…
Along all history, down the slopes,	 
As a rivulet running, sinking now, and now again to the surface rising,	 
A ceaseless thought, a varied train—Lo, soul! to thee, thy sight, they rise,	
The plans, the voyages again, the expeditions:	 
Again Vasco de Gama sails forth;	 
Again the knowledge gained, the mariner’s compass,	 
Lands found, and nations born—thou born, America, (''a hemisphere unborn''),
For purpose vast, man’s long probation filled,
Thou, rondure of the world, at last accomplished.  

O VAST Rondure, swimming in space,	
Covered all over with visible power and beauty,	
Alternate light and day and the teeming spiritual darkness,	
Unspeakable high processions of sun and moon and countless stars above,	
Below, the manifold grass and waters, animals, mountains, trees,
With inscrutable purpose — some hidden prophetic intention,	
Now first it seems my thought begins to span thee.	
 
Down from the gardens of Asia, descending, radiating,	
Adam and Eve appear, then their myriad progeny after them,	
Wandering, yearning, curious — with restless explorations,
With questionings, baffled, formless, feverish — with never-happy hearts,	
With that sad, incessant refrain, //Wherefore, unsatisfied soul?// and //Whither, O mocking life?//	
 
Ah, who shall soothe these feverish children?	
Who justify these restless explorations?	
Who speak the secret of impassive earth?
Who bind it to us? what is this separate Nature so unnatural?	
What is this earth to our affections? (unloving earth, without a throb to answer ours,	
Cold earth, the place of graves.)	
 
Yet soul be sure the first intent remains, and shall be carried out,	
Perhaps even now the time has arrived.
After the seas are all crossed, (as they seem already crossed,)	
After the great captains and engineers have accomplished their work,	
After the noble inventors, after the scientists, the chemist, the geologist, ethnologist,	
Finally shall come the poet worthy that name,	
The true son of God shall come singing his songs.
 
Then not your deeds only O voyagers, O scientists and inventors, shall be justified;	
All these hearts as of fretted children shall be soothed,	
All affection shall be fully responded to, the secret shall be told,	
All these separations and gaps shall be taken up and ''hooked and linked together'',
The whole earth, this cold, impassive, voiceless earth, shall be completely justified,
Trinitas divine shall be gloriously accomplished and compacted by the true son of God, the poet,	
(He shall indeed pass the straits and conquer the mountains,	
He shall double the cape of Good Hope to some purpose,)	
Nature and Man shall be disjoined and diffused no more,	
The true son of God shall absolutely fuse them.…
 
Passage indeed O soul to primal thought,	
Not lands and seas alone, thy own clear freshness,	
The young maturity of brood and bloom,	
To realms of budding +++[bibles.]
<<<
//Taking myself the exact dimensions of [[Jehovah|https://en.wikipedia.org/wiki/Jehovah]],
Lithographing [[Kronos|https://en.wikipedia.org/wiki/Cronus]], Zeus his son, and Hercules his grandson,
Buying drafts of [[Osiris|https://en.wikipedia.org/wiki/Osiris]], Isis, [[Belus|https://en.wikipedia.org/wiki/Belus_(Babylonian)]], [[Brahma|https://en.wikipedia.org/wiki/Brahma]], Buddha,
In my portfolio placing [[Manito|https://en.wikipedia.org/wiki/Manitou]] loose, [[Allah|https://en.wikipedia.org/wiki/Allah]] on a leaf, the crucifix engraved,
With [[Odin|https://en.wikipedia.org/wiki/Odin]] and the hideous-faced [[Mexitli|https://en.wikipedia.org/wiki/Mexitli]] and every idol and image,//
From "Song of Myself"
<<<
=== 

O soul, repressless, I with thee and thou with me,
Thy circumnavigation of the world begin,	
Of man, the voyage of his mind’s return,	
To reason’s early paradise,	
Back, back to wisdom’s birth, to innocent intuitions,	
Again with fair creation.
 
O we can wait no longer,	
We too take ship O soul	
Joyous we too launch out on trackless seas,	
Fearless for unknown shores on waves of ecstasy to sail,	
Amid the wafting winds, (thou pressing me to thee, I thee to me, O soul,)
Caroling free, singing our song of God,	
Chanting our chant of pleasant exploration.	
 
With laugh and many a kiss,	
(Let others deprecate, let others weep for sin, remorse, humiliation,)	
O soul thou pleasest me — I thee.	
 
Ah ''more than any priest, O soul'', we too believe in God,	
But with the mystery of God we dare not dally.	
 
O soul thou pleasest me — I thee;
Sailing these seas or on the hills, or waking in the night,	
Thoughts, silent thoughts, of Time and Space and Death, like waters flowing,
Bear me indeed as through the regions infinite,	
Whose air I breathe, whose ripples hear, lave me all over,	
Bathe me O God in thee, mounting to thee,	
I and my soul to range in range of thee.	
 
O Thou transcendent,
Nameless, the fibre and the breath,	
Light of the light, shedding forth universes, thou centre of them,	
Thou mightier centre of the true, the good, the loving,	
Thou moral, spiritual fountain—affection’s source—thou reservoir,	
(O pensive soul of me—O thirst unsatisfied—waitest not there?
 
Waitest not haply for us somewhere there the Comrade perfect?)	
Thou pulse—thou motive of the stars, suns, systems,	
That, circling, move in order, safe, harmonious,	
Athwart the shapeless vastnesses of space,	
How should I think, how breathe a single breath, how speak, if, out of myself,
I could not launch, to those, superior universes?	
 
Swiftly I shrivel at the thought of God,	
At Nature and its wonders, Time and Space and Death,	
But that I, turning, call to thee O soul, thou actual Me,	
And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,	
And fillest, swellest full the vastnesses of Space.	
 
Greater than stars or suns,	
Bounding O soul thou journeyest forth;	
— What love than thine and ours could wider amplify?
What aspirations, wishes, outvie thine and ours O soul?	
What dreams of the ideal? what plans of purity, perfection, strength?	
What cheerful willingness for others’ sake to give up all?	
For others’ sake to suffer all?	
 
Reckoning ahead O soul, when thou, the time achieved,
The seas all crossed, weathered the capes, the voyage done,	
Surrounded, copest, frontest God, yieldest, the aim attained,	
As filled with friendship, love complete, the Elder Brother found,	
The Younger melts in fondness in his arms.	
 
Passage to more than India!
Are thy wings plumed indeed for such far flights?	
O soul, voyagest thou indeed on voyages like those?	
Disportest thou on waters such as those?	
Soundest below the Sanscrit and the Vedas?	
Then have thy bent unleashed.
 
Passage to you, your shores, ye aged fierce enigmas!	
Passage to you, to mastership of you, ye strangling problems!	
You, strewed with the wrecks of skeletons, that, living, never reached you.	
 
Passage to more than India!	
O secret of the earth and sky!
Of you O waters of the sea! O winding creeks and rivers!	
Of you O woods and fields! of you strong mountains of my land!	
Of you O prairies! of you gray rocks!	
O morning red! O clouds! O rain and snows!	
O day and night, passage to you!
 
O sun and moon and all you stars! Sirius and Jupiter!	
Passage to you!	
 
Passage, immediate passage! the blood burns in my veins!	
Away O soul! hoist instantly the anchor!	
Cut the hawsers—haul out—shake out every sail!
Have we not stood here like trees in the ground long enough?	
Have we not groveled here long enough, eating and drinking like mere brutes?	
Have we not ''darkened and dazed ourselves with books'' long enough?	
Sail forth—steer for the deep waters only,	
Reckless, O soul, exploring, I with thee, and thou with me,
For we are bound where mariner has not yet dared to go,	
And we will risk the ship, ourselves and all.	
 
O my brave soul!	
O farther farther sail!	
O daring joy, but safe! are they not all the seas of God?
O farther, //farther, ''farther'' sail!//

!!//The Allure of the Archives//
by Arlette Farge
Translated by Thomas ~Scott-Railton
Yale University Press, 2013.

//(Discovered reading Brenda Wineapple's [[book review|http://www.threepennyreview.com/samples/wineapple_su14.html]] in ''The Threepenny Review''.)//

The archive lays things bare, and in a few crowded lines you can find not only the inaccessible but also the living. Scraps of lives dredged up from the depths wash up on shore before your eyes. Their clarity and credibility are blinding. Archival discoveries are a manna that fully justify their name: //sources// as refreshing as wellsprings.
…
The world stands still, stiff as a statue. The index books are [[sibylline|nascimento/metheg]] to anyone who does not know their code. Breathing quietly, each person hunts for the magic words that will open the door to them, although only one door at a time, of course.
…
In the murmurs of thousands of words and expressions, you might be tempted to look only for the extraordinary or the clearly revealing. This is a mistake. Seemingly insignificant and unimportant details can reveal what was unspoken… trace intimate outlines and capture the thousands of ways each person has of communicating with the world.
…
Our task is to find a language that can integrate singular moments into a narrative capable of reproducing their roughness… We need a language that is capable of reconstructing and deconstructing, playing with the similar as with the different. The human being captured in documents is, as Michel [[Foucault|genealogy]] has written, "interwoven in his own being with histories that are neither subordinate to him nor homogenous with him."
…
If we aim to "defend stories" and bring them into history, we must commit ourselves to demonstrating in a compelling manner the ways in which each individual constructed her own agency out of what history and society put at her disposal.
…
The history of individuals can shake our received wisdom about the ensemble of behaviors and events that we consider to be collective. Yet at the same time, we can only study individuals through their interactions with social groups.
…
In the end, there is no such thing as a simple story, or even a settled story. If the archive is to serve as an effective social observatory, it will only do so through the scattered details that have broken through, and which form a gap-riddled puzzle of obscure events. You develop your reading of the archives through ruptures and dispersion, and must mold questions out of stutters and silences. It is like a kaleidoscope revolving before your eyes. Pausing for an instant, it fixes the precise shapes of imagined figures, which then burst into iridescent light before coming together in different configurations.These figures are ephemeral, and the smallest movement scatters them to produce others. The meaning that can be found in the archive has both the strength and the evanescence of these images that are one by one brought forward by the whirlwind of the kaleidoscope. 
…
The historian cannot be narrator alone; he must also explain and persuade, providing detailed explanations because he knows that contrary ones can be always be advanced. The first illusion that must be cast aside is that of the definitive truthful narrative. A historical narrative is a construction, not a truthful discourse that can be verified on all of its points.
…
It is possible to cast aside the illusion of universality, of a total and definitive truth that can be reconstructed in its entirety. At the same time, one cannot dismiss the truth, nor even be scornful of it. The truth must never be led astray, and the space between these two poles is often quite narrow. When building a relationship with the archive you become very conscious of these two imperatives, and of how important it is for them to work together.
…
//History's goal is the understanding of a time and a world.//

From ''Brenda Wineapple'''s review:
<<<
The novelist creates a world out of her imagination, which is fine; but the historian is an ethicist, not a fabulist. The stakes are high. The lives she narrates were the real lives of real people, and “if we are to do right by these many forgotten lives, lives ground by the political and judicial systems, we can only do so through the writing of history.” Otherwise, Farge feels, we betray them by making them heroes who would be “immediately lumped in with so many other heroes, whose defining trait is that they were put in motion and controlled by an author’s hand.”
…
//The Allure of the Archives// is more than a reflection, however evocative, on the seductive joys and travails of research; it is a methodological handbook. “History is never the simple repetition of archival content,” Farge writes, “but a pulling away from it, in which we never stop asking how and why these words came to wash ashore on the manuscript page.” 
…
“We cannot bring back to life those whom we find cast ashore in the archives,” Farge admits. “But this is not a reason to make them suffer a second death.” So we untie the ribbons on those packets to tell better tales, responsible tales, tales about “humanity and forgetting, origins and death. About the words each of us uses to enter into the debates that surround us.” //That// is the allure of the archives.
<<<

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The University of Virginia's Rotunda and Pavilions at dusk, 1991

Appeared in //Thomas [[Jefferson]]: Architect: The Interactive Portfolio// – by Chuck Wills 

Jefferson's philosophy of the Academical Village inspired the [[Village University]].

| {{dialog{ You have given me the freedom to explore the depths of who I am and who I want to be, judging only the prejudice of other people's limitations set upon me.  You question my preconceived notions, and make accessable every tool to follow my dreams.}}} |

| You have given me the ability to forget. Because I know you will always be here, I do not clutch my memories so tightly, and I look forward to the many years ahead that will blur my memory further. With you, I do not fear tomorrow. I never fear being left alone. |

From //''Gödel, Escher, Bach: An Eternal Golden Braid''// by Douglas Hofstadter:

Note that in the enzymatic action on the DNA strands, the fact that information is stored in the DNA is just plain irrelevant; the enzymes are merely carrying out their symbol-shunting functions … It is of no interest to the three enzymes that at some point they are actually copying the very genes which coded for them. The DNA, to them, is just a template without meaning or interest.

It is quite interesting to compare this with the [[Quine|quine]] sentence's method of describing how to construct a copy of itself.  There, too, one has a sort of "double strand" — two copies of the same information, where __one copy acts as instructions, the other as template__.

In DNA, the process is vaguely parallel, since the three enzymes (DNA endonuclease, DNA polymerase, DNA ligase) are coded for in just one of the two strands, which therefore acts as //program//, while the other strand is merely a //template//. The parallel is not perfect, for when the copying is carried out, both strands are used as template, not just one. Nevertheless, the analogy is highly suggestive. There is a biochemical analogue to the use-mention dichotomy: when DNA is treated as a mere sequence of chemicals to be copied, it is like //mention// of typographical symbols; when DNA is dictating what operations shall be carried out, it is like //use// of typographical symbols.

''Two Outstanding Problems'':
…How is it that merely by dictating which //proteins// are to be produced in cells, DNA exercises such spectacularly precise control over the exact structure and function of macroscopic living objects? There are two major distinct problems here.

One is that of //''cellular differentiation''//: how do different cells, sharing exactly the same DNA, perform different roles—such as a kidney cell, a bone marrow cell, and a brain cell?

The other is that of //''morphogenesis''// ("birth of form"): how does intercellular communication on a local level give rise to large-scale, global structures and organizations—such as the various organs of the body, the shape of the face, the suborgans of the brain, and so on?

----
{{serif{
//This I know:
   I am happy
   I wake each morning
   willing to face the day
   I smile when I
     think of your smile
   I wish everyday was
     a weekend
   I know myself more
     deeply than I
     ever have
   I am happy// ☺ }}}
----

/***
|''Name:''|TiddlySpaceLinkPlugin|
|''Description:''|Formatter to reference other spaces from wikitext |
|''Author:''|PaulDowney (psd (at) osmosoft (dot) com) |
|''Source:''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceLinkPlugin.js|
|''Version:''|1.4.2|
|''License:''|[[BSD License|http://www.opensource.org/licenses/bsd-license.php]] |
|''Comments:''|Please make comments at http://groups.google.co.uk/group/TiddlyWikiDev |
|''~CoreVersion:''|2.4|
!!Documentation
This plugin provides wikitext formatters for referencing another [[space|Space]] on the same TiddlySpace server, as in the following examples:
<<<
  {{{@space}}} -- @space 
  {{{~@space}}} -- ~@space 
  {{{Tiddler@space}}} -- Tiddler@space
  {{{[[Tiddler Title]]@space}}} -- [[Tiddler Title]]@space 
  {{{[[Link text|Tiddler Title]]@space}}} -- [[Link text|Tiddler Title]]@space
<<<
Links to tiddlers with a title begining with an "@" remain as tiddlyLinks:
<<<
  {{{[[@tiddler]]}}} -- [[@tiddler]]
<<<
and these may be changed into a space link using {{{@@}}}:
<<<
  {{{[[@@space]]}}} -- [[@@space]]
  {{{[[Link to an another space|@@space]]}}} -- [[Link to another space|@@space]]
  {{{[[@space|@@space]]}}} -- [[@space|@@space]]
<<<
TiddlySpace includes the [[TiddlySpaceLinkPlugin]] which provides WikiText markup for linking to other spaces on the same server. For example @glossary is a link to the {{{glossary}}} space and [[Small Trusted Group]]@glossary a link to an individual tiddler in the @glossary space. Prefixing the link with a tilde escapes the link, for example {{{~@space}}}.
Email addresses, for example joe.bloggs@example.com and mary@had.a.little.lamb.org should be unaffected.
!!Features
The plugin provides external links decorated so that other plugins may be included to add features such as the ability to dynamically pull externally linked tiddlers into the current TiddlyWiki.
Wikitext linking to a space on another server, for example from a tiddler in a space on tiddlyspace.com to a tiddler or a space on example.com, isn't currently supported. 
!!Code
***/
//{{{
/*jslint onevar: false nomen: false plusplus: false */
/*global jQuery config createTiddlyText createExternalLink createTiddlyLink */

function createSpaceLink(place, spaceName, title, alt, isBag) {
	var link, a, currentSpaceName, label;
	try {
		if (spaceName === config.extensions.tiddlyspace.currentSpace.name) {
			title = title || spaceName;
			a = createTiddlyLink(place, title, false);
			jQuery(a).text(alt || title);
			return a;
		}
	} catch (ex1) {
		currentSpaceName = false;
	}

	a = jQuery("<a />").addClass('tiddlySpaceLink externalLink').appendTo(place)[0];
	if(title) {
		jQuery(a).attr('tiddler', title);
	}
	if(isBag) {
		jQuery(a).attr('bag', spaceName);
	} else {
		jQuery(a).attr('tiddlyspace', spaceName);
	}

	config.extensions.tiddlyweb.getStatus(function(status) {
		link = status.server_host.url;
		if (title) {
			label = alt || title;
			link = link + "/" + encodeURIComponent(title);
		} else {
			label = alt || spaceName;
		}
		// assumes a http URI without user:pass@ prefix
		if(!isBag) {
			link = link.replace("http://", "http://" + spaceName.toLowerCase() + ".");
		} else {
			link += "/bags/" + spaceName + "/tiddlers.wiki";
		}
		jQuery(a).attr("href", link).text(label);
	});
	return a;
}

(function ($) {

	config.textPrimitives.spaceName = "[a-zA-Z][a-zA-Z0-9-]*[a-zA-Z0-9]";
	config.textPrimitives.spaceNameStrict = "[a-z][a-z0-9-]*";
	config.textPrimitives.bareTiddlerLetter = config.textPrimitives.anyLetterStrict;

	config.formatters.splice(0, 0, {
		name: "spacenameLink",
		match: config.textPrimitives.unWikiLink + "?" + config.textPrimitives.bareTiddlerLetter + "*@" + config.textPrimitives.spaceName + "\\.?.?",
		lookaheadRegExp: new RegExp(config.textPrimitives.unWikiLink + "?(" + config.textPrimitives.bareTiddlerLetter + "*)@(" + config.textPrimitives.spaceName + ")", "mg"),
		handler: function (w) {
			if (w.matchText.substr(w.matchText.length - 2, 1) === '.' && w.matchText.substr(w.matchText.length - 1, 1).match(/[a-zA-Z]/)) {
				w.outputText(w.output, w.matchStart, w.nextMatch);
				return;
			}
			if (w.matchText.substr(0, 1) === config.textPrimitives.unWikiLink) {
				w.outputText(w.output, w.matchStart + 1, w.nextMatch);
				return;
			}
			this.lookaheadRegExp.lastIndex = w.matchStart;
			var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
			if (lookaheadMatch && lookaheadMatch.index === w.matchStart) {
				createSpaceLink(w.output, lookaheadMatch[2], lookaheadMatch[1]);
				w.nextMatch = this.lookaheadRegExp.lastIndex;
			}
		}
	},
	{
		name: "tiddlySpaceLink",
		match: "\\[\\[[^\\|\\]]*\\|*@@" + config.textPrimitives.spaceName + "\\]",
		lookaheadRegExp: new RegExp("\\[\\[(.*?)(?:\\|@@(.*?))?\\]\\]", "mg"),
		handler: function (w) {
			this.lookaheadRegExp.lastIndex = w.matchStart;
			var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
			if (lookaheadMatch && lookaheadMatch.index === w.matchStart) {
				var alt = lookaheadMatch[2] ? lookaheadMatch[1] : lookaheadMatch[1].replace(/^@@/, "");
				var space = lookaheadMatch[2] || alt;
				createSpaceLink(w.output, space, "", alt);
				w.nextMatch = this.lookaheadRegExp.lastIndex;
			}
		}
	},
	{
		name: "tiddlyLinkSpacenameLink",
		match: "\\[\\[[^\\[]*\\]\\]@",
		lookaheadRegExp: new RegExp("\\[\\[(.*?)(?:\\|(.*?))?\\]\\]@(" + config.textPrimitives.spaceName + ")", "mg"),
		handler: function (w) {
			this.lookaheadRegExp.lastIndex = w.matchStart;
			var lookaheadMatch = this.lookaheadRegExp.exec(w.source);
			if (lookaheadMatch && lookaheadMatch.index === w.matchStart) {
				var title = lookaheadMatch[2] || lookaheadMatch[1];
				var alt = lookaheadMatch[1] || lookaheadMatch[2];
				createSpaceLink(w.output, lookaheadMatch[3], title, alt);
				w.nextMatch = this.lookaheadRegExp.lastIndex;
			}
		}
	});

	// ensure space links don't appear as missing links
	config.textPrimitives.brackettedLink = "\\[\\[([^\\]][^@\\]][^\\]]*)\\]\\](?=[^@])";
	config.textPrimitives.titledBrackettedLink = "\\[\\[([^\\[\\]\\|]+)\\|([^\\[\\]\\|]+)\\]\\](?=[^@])";

	// reevaluate derrived expressions ..
	config.textPrimitives.tiddlerForcedLinkRegExp = new RegExp("(?:" + config.textPrimitives.titledBrackettedLink + ")|(?:" +
		config.textPrimitives.brackettedLink + ")|(?:" +
		config.textPrimitives.urlPattern + ")","mg");
	config.textPrimitives.tiddlerAnyLinkRegExp = new RegExp("("+ config.textPrimitives.wikiLink + ")|(?:" +
		config.textPrimitives.titledBrackettedLink + ")|(?:" +
		config.textPrimitives.brackettedLink + ")|(?:" +
		config.textPrimitives.urlPattern + ")","mg");

	// treat space links in titledBracketedLink as external links
	var missingTiddlySpaceLink = new RegExp("^@@" + config.textPrimitives.spaceName + "$", "");
	var isExternalLink = config.formatterHelpers.isExternalLink;
	config.formatterHelpers.isExternalLink = function(link) {
		return missingTiddlySpaceLink.test(link) || isExternalLink(link);
	};

}(jQuery));
//}}}

----
@@text-align: center;{{dialog{
I appreciate our level of comfort with each other and the growth it fosters. It blends into our surroundings and makes the world a better place to be in.

I never feel as though I'm operating outside of my "comfort zone" }}}@@
----

/*{{{*/
.tiddler .error.annotation .button{
	display: inline-block;
}

#backstageArea {
	z-index: 49;
	color: white;
	background-color: black;
	background: -webkit-gradient(linear,left bottom,left top,color-stop(0, #222),color-stop(0.5, #333),color-stop(1, #555));
	background: -moz-linear-gradient(center bottom,#222 0%, #333 50%, #555 100%);
	filter: progid:DXImageTransform.Microsoft.gradient(startColorstr=#ff555555, endColorstr=#ff222222);
	-ms-filter: "progid:DXImageTransform.Microsoft.gradient(startColorstr=#ff555555, endColorstr=#ff222222)";
	height: 25px;
	padding: 0;
}

#backstageButton {
	overflow: hidden;
}

#backstageButton #backstageShow,
#backstageButton #backstageHide {
	margin: 0px;
	padding: 0px;
}

#backstageButton #backstageShow:hover,
#backstageButton #backstageHide:hover {
	background: none;
	color: none;
}

#backstageButton img,
#backstageButton svg {
	width: 24px;
	height: 24px;
}

#messageArea {
	top: 50px;
}

#backstageToolbar {
	position: relative;
}

#backstageArea a {
	padding: 0px;
	margin-left: 0px;
	color: white;
	background: none;
}

#backstageArea a:hover {
	background-color: white;
}

#backstage ol,
#backstage ul {
	padding: auto;
}

#backstageButton a {
	margin: 0;
}

.backstagePanelBody ul {
	padding: 5px;
	margin: 5px;
}

#backstage #backstagePanel {
	margin-left: 5%;
	padding: 0em;
	margin-right: 5%;
}

#backstageToolbar a {
	position: relative;
}

#backstageArea a.backstageSelTab,
#backstageToolbar .backstageTask {
	line-height: 25px;
	color: #767676;
}

.backstageTask .externalImage,
.backstageTask .image {
	display: inline;
}

#backstageToolbar a span {
	z-index: 2;
}

a.backstageTask {
	display: inline;
        margin-left: 1em !important;
}

.backstagePanelBody .button {
	display: inline-block;
	margin-right: 10px;
}

.backstagePanelBody {
	margin: 0 0 0 0.6em;
	padding: 0.4em 0.5em 1px 0.5em;
}

#backstage table {
	margin: auto;
}

#backstage .wizard table {
	border: 0px;
	margin: 0;
}

#backstage div  li.listLink {
	border: 0px;
	width: 78%;
	font-size: 0.7em;
}

#backstage div li.listTitle {
	font-weight: bold;
	text-decoration: underline;
	font-size: 1em;
	background: #ccc;
	width: 100%;
}

#backstage fieldset {
	border: solid 1px [[ColorPalette::Background]];
}

#backstage .viewer table,#backstage table.twtable {
	border: 0px;
}

#backstageToolbar img {
	padding: 0;
}

#backstage .wizard,
#backstage .wizardFooter {
	background: none;
}

.viewer td, .viewer tr, .twtable td, .twtable tr {
	border: 1px solid #eee;
}

#backstage .inlineList ul li {
	background-color: [[ColorPalette::Background]];
	border: solid 1px [[ColorPalette::TertiaryMid]];
	display: block;
	float: left;
	list-style: none;
	margin-right: 1em;
	padding: 0.5em;
}

.backstageClear, .inlineList form {
	clear: both;
	display: block;
	margin-top: 3em;
}

.tiddlyspaceMenu {
	text-align: center;
}

span.chunkyButton {
	display: inline-block;
	padding: 0;
	margin: 0;
	border: solid 2px #000;
	background-color: #04b;
}

span.chunkyButton a.button, span.chunkyButton a:active.button {
	white-space: nowrap;
	font-weight: bold;
	font-size: 1.8em;
	color: #fff;
	text-align: center;
	padding: 0.5em 0.5em;
	margin: 0;
	border-style: none;
	display: block;
}

span.chunkyButton:hover {
	background-color: #014;
}

span.chunkyButton a.button:hover {
	border-style: none;
	background: none;
	color: #fff;
}

#backstage .unpluggedSpaceTab .wizard,
.unpluggedSpaceTab .wizard {
	background: white;
	border: 2px solid #CCC;
	padding: 5px;
}

.syncKey .keyItem {
	border: 1px solid black;
	display: inline-block;
	margin: 0.2em;
	padding: 0.1em 0.1em 0.1em 0.1em;
}

.keyHeading {
	font-size: 2em;
	font-weight: bold;
	margin: 0.4em 0em -0.2em;
}

.unpluggedSpaceTab .putToServer,
.unpluggedSpaceTab .notChanged {
	display: none;
}

.tiddlyspaceMenu ul {
	margin: 0;
	padding: 0;
}

.tiddlyspaceMenu ul li {
	list-style: none;
}

.unsyncedChanges .unsyncedList {
	display: block;
}

.unsyncedList {
	display: none;
}
/*}}}*/

Paradoxes & origins, mysteries and delights.

Being with you, and learning how to better be with myself, helps me taste the shape of the song I'm meant to sing.
 
 
----

----
@@text-align: center;{{serif{

//I am ever amazed
by the simple
beauty
of
your
smile//
☺
}}}@@
----

/***
|Name|StorySaverPlugin|
|Source|http://www.TiddlyTools.com/#StorySaverPlugin|
|Documentation|http://www.TiddlyTools.com/#StorySaverPluginInfo|
|Version|1.8.3|
|Author|Eric Shulman|
|License|http://www.TiddlyTools.com/#LegalStatements|
|~CoreVersion|2.1|
|Type|documentation|
|Requires|MarkupPostBody|
|Description|documentation for [[StorySaverPlugin]]|
Automatically saves a list of currently viewed tiddlers (the "story") in a local cookie, {{{txtSavedStory}}} and then opens those tiddlers when the document is subsequently reloaded, allowing you to quickly resume working with the document from the same place you left off!! The plugin also defines {{{<<saveStory>>}}} and {{{<<openStory>>}}} macros that allow you to quickly save/re-display stories stored in tiddlers, using simple, one-click command links or droplists.
!!!!!Usage
<<<
If a document URL does not contain a paramifier (i.e., a "#..." suffix), then the saved story cookie (if any) will be used //as if// it had been entered as a permaview (e.g., a "#tiddler tiddler tiddler..." suffix on the URL), bypassing the [[DefaultTiddlers]] definition.  This behavior is automatically applied whenever the plugin is installed in your document.  You can enable/disable the automatic cookie-based StorySaver feature by using the checkbox below:
><<option chkSaveStory>> enable StorySaverPlugin
>//usage:// {{{<<option chkSaveStory>>}}}
You can also temporarily //bypass// the redisplay of a saved story ''without disabling the StorySaver cookie'' by including a trailing "#" at the end of the document URL.  This will cause your document to be loaded into the browser without displaying //any// initial tiddlers at all.  Alternatively, you can enter {{{#story:storyname}}} on the end of the URL (e.g., {{{#story:DefaultTiddlers}}}) to display any specific saved story, regardless of the value of the cookie-based saved story.

__''saveStory macro:''__
The {{{<<saveStory>>}}} macro lets you write the list of currently viewed tiddlers to a specified tiddler name (e.g., DefaultTiddlers, MyFavorites, etc.).  Tiddlers containing saved stories are automatically tagged with <<tag story>>, so that they can be recognized by the {{{<<storyViewer>>}}} macro (see [[StoryViewerPlugin]]).  The syntax for the {{{<<saveStory>>}}} macro is:
{{{
<<saveStory storyname label tooltip tag tag tag...>>
}}}
*''storyname''<br>is the target tiddler in which to save the current story.  If you use the keyword, ''ask'', in place of the tiddlername, you will be prompted to enter a tiddler title when saving the story (default: DefaultTiddlers).
*''label'' and ''tooltip''<br>are the link text and mouseover guide-text
*''tag tag tag...'' (optional)<br>are extra tags that are added when saving a story tiddler (in addition to the default<<tag story>>tag).

__''openStory macro:''__
To redisplay a saved story, the {{{<<openStory>>}}} macro can be used to embed either a droplist of all saved stories, or a link for a specified story.  Selecting from the droplist or clicking the link opens the corresponding set of tiddlers.  
{{{
<<openStory list tagValue>>
<<openStory popup label tooltip tagValue>>
<<openStory storyname label tooltip fold>>
}}}
*''list''<br>shows a droplist of all saved stories, plus additional commands/viewing options.  Selecting a story opens the corresponding tiddlers.
*''popup''<br>shows a popup display containing a list of all saved stories, plus additional commands/viewing options.  Selecting a story opens the corresponding tiddlers.  ''label'' and ''tooltip'' are optional and provide alternative display text and mouseover help text, respectively.
*''storyname''<br>is a tiddler containing a saved story.  //Note: You can also use a tag value as a storyname, in which case the story view will be composed of all tiddlers tagged with the specified tag value.//
*''label''<br>is the command link text (default: "open story: %0", where %0 is replaced by the storyname).
*''tooltip''<br>is the command mouseover guide-text (default: "open the set of tiddlers listed in: '%0'"),
*''tagValue'' (optional, default='story')<br>specifies an alternative tag value to match when listing story tiddlers.  Note: if MatchTagsPlugin is installed, you can also use a compound //boolean tag expression//, enclosed within doubled square brackets.
*''fold''<br>If this optional keyword is present, the story tiddlers are initially 'folded' using [[CollapsedTemplate]] instead of the usual [[ViewTemplate]] (see [[CollapseTiddlersPlugin]]).

__''excludeStory tag:''__
Any tiddlers tagged with<<tag excludeStory>>will be automatically omitted when creating new story tiddlers with {{{<<saveStory>>}}}.  Similarly, if a tiddler that is part of a saved story is tagged with<<tag excludeStory>>, it will not be displayed when that story is opened via {{{<<openStory>>}}}.

__''PermaView command link enhancement:''__
In order to further aide in saving/restoring the list of tiddlers currently being viewed, the core {{{<<permaview>>}}} command has been enhanced, so its link value always includes the current story view tiddler list as a paramifier in the URL.  This let you quickly use the browser's right-click menu directly on the permalink command text to "bookmark this link...".  Depending upon your system, you may also be able to drag the 'permaview' link directly from the page and drop it onto your desktop to create an instant permaview-bearing URL shortcut icon.
<<<
!!!!!Examples
<<<
*{{{<<saveStory TestStory "save a test story">>}}}<br>{{smallform{<<saveStory TestStory "save a test story">>}}}
*{{{<<openStory TestStory>>}}}<br><<openStory TestStory>>
*{{{<<openStory list>>}}}<br>{{smallform{<<openStory list>>}}}
*{{{<<openStory popup label tooltip>>}}}<br>{{smallform{<<openStory popup>>}}}
<<<
!!!!!Configuration
<<<
<<option chkSaveStory>> use automatic story cookie (reopens tiddlers on startup)
<<option chkStoryAllowAdd>>include 'add a story' command in droplist/popup
<<option chkStoryFold>>fold story tiddlers when opening a story (see [[CollapseTiddlersPlugin]])
<<option chkStoryClose>>close other tiddlers when opening a story
<<option chkStoryTop>>open story tiddlers at top of column
<<option chkStoryBottom>>open story tiddlers at bottom of column
<<<
!!!!!Revisions
<<<
2009.10.20 1.8.3 fix handling for 'add' item in popup menu
2009.08.29 1.8.2 added 'return false' to all button handlers to fix IE page-transition error
2009.08.23 1.8.1 fixed 'excludeStory' handling for links to missing tiddlers
2009.08.20 1.8.0 added 'excludeStory' tag handling
2009.07.27 1.7.1 corrected test for {{{chkStoryAllowAdd}}} when rendering //list// output
2009.07.27 1.7.0 added options: {{{chkStoryAllowAdd=true}}}, {{{chkStoryTop=true}}}, and {{{chkStoryBottom=false}}}.  Also, autoscroll to first tiddler in story
2009.07.26 1.6.0 added optional 'extratags' param to {{{<<saveStory>>}}} and 'tagfilter' to {{{<<openStory>>}}}
2009.07.06 1.5.1 in setTiddler(), use pushUnique() to avoid double 'story' tag
2009.04.24 1.5.0 added optional 'fold' param to {{{<<openStory StoryName ...>>}}} macro
2008.09.07 1.4.3 added removeCookie() function for compatibility with [[CookieManagerPlugin]]
2008.07.11 1.4.2 in confirmExit(), corrected bracketing for titles containing spaces
2008.03.10 [*.*.*] plugin size reduction: documentation moved to [[StorySaverPluginInfo]]
2008.01.01 1.4.1 sort list of stories alphabetically
2008.01.01 1.4.0 added popup option
2007.12.31 1.3.1 instead of readBracketedList(), use internal tiddler.links[] to retrieve story list from tiddler content. Allows more flexible formatting of story tiddler content: anything content that is not a tiddler link is automatically filtered out of the list.
2007.10.23 1.3.0 split {{{<<storyViewer>>}}} macro definition into stand-alone [[StoryViewerPlugin]] to allow separate installation of story saving vs. story viewing features.
2007.10.21 1.2.0 added {{{<<openStory>>}}} and {{{<<storyViewer>>}}} macros.
2007.10.20 1.1.0 in setTiddler(), automatically add "story" tag to saved story tiddlers
2007.10.18 1.0.1 added default initialization for chkSaveStory option value.  Also, in setTiddler(), call displayTiddler() after saving story to ensure that altered tiddler is shown to the user.
2007.10.05 1.0.0 initial release.   Moved [[SetDefaultTiddlers]] inline script and rewrote as a {{{<<saveStory>>}}} macro.  Moved permaview "mouseover HREF" enhancement from [[CoreTweaks]].
<<<

 
//Began 2011, revised January 2012 and again March 2014://

matter … becoming information @@color:purple; ~ experienced by living creatures@@ //[added 2014]//
:inanimate
:motion
:sound
:energy
![[dig →|dig]]
data …in formation …@@color:grey;to@@ gnosis
[//sub[[ject|iacere]]ive// gnosis which is "realer than [[myth|World Mythologies]]"]
:sensory data
:what we remember
:felt sense or preconceptual feeling
:information contrasted with knowledge and experience
:content-bearing object
:auto-associative memory
----

My fragments and phrases above were never elucidated.

<<tiddler [[Glass Bead Game/dig]]>>
From [[Chris Dent]]'s writing "[[Knowledge Access|http://cdent.tiddlyspace.com/Knowledge%20Access]]"; emphasis added by [[remuse]]:
<<<
(I think) knowledge access structures are far more important than knowledge representation +++[formalisms …]

I'm in the habit of rejecting formal knowledge representations as they limit. Formal symbolic representations are resistant to the creation of new knowledge. They are fine if your goal is proving theories false. That's a negative goal and there must be more than that.

Earlier today I decided that knowledge access structures are far more important than knowledge representation formalisms. Access helps to generate new theory while avoiding repetition.    

(6/26/2002, http://www.dougengelbart.org/colloquium/forum/ba-unrev-talk/0206/msg00088.html and [[msg00097.html|http://www.dougengelbart.org/colloquium/forum/ba-unrev-talk/0206/msg00097.html]])
===

{{grem{[Knowledge access is __social__; knowledge formalisms may be learned and further crafted in solitude, without knowing their efficacy until they are 'tested' in other lives and minds.]}}}

A model I like [of human comprehension and communication] goes like this: four [aspects] are arranged as a pyramid with //data// on the bottom, //information// next, then //knowledge//, then //wisdom//.

Data is essentially perceived phenomena.

Information is data which has been placed in context or identified as having pattern. Factual statements about a context.

Knowledge is the discovery of ''new perspective through the synthesis of information''. It is considered by some to be contained in individuals only, but the notion of institutional memory or knowledge throws this into doubt. It is the multi-faceted lens through which we perceive the world.

''Wisdom is an ethical perspective'', a distillation of knowledge that has value for a community.

Learning can be thought of as a process of gathering data, using learned perspectives to make it information, synthesizing the information into knowledge.
<<<

@@text-align: center;{{serif{

 
 
 
//Yes//
 
 
 
}}}@@
----

 
In the words of this [[beautiful canticle|Canticle of the Sun]], Saint Francis of Assisi reminds us that our common home is like a sister with whom we share our life and a beautiful mother who opens her arms to embrace us. “Praise be to you, my Lord, through our Sister, Mother Earth, who sustains and governs us, and who produces various fruit with coloured flowers and herbs”.

''This sister now cries out to us'' because of the harm we have inflicted on her by our irresponsible use and abuse of the goods with which God has endowed her. We have come to see ourselves as her lords and masters, entitled to plunder her at will.
!Praise Be to You: On Care For Our Common Home
Encyclical Letter of the Holy Father Francis
24 May 2015

''Hermann Hesse''  (2 July 1877 – 9 August 1962)  German-born poet, painter, and novelist whose works, including //Siddhartha// (1922) and //Steppenwolf// (1927), concern the duality of human existence and the alienation of the artist.  He won the 1946 Nobel Prize for literature for //The [[Glass Bead Game]]//.   Died in Switzerland.
<<<
Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense … Isn't there any truth? Is there no real and valid doctrine?

The Master had never heard him speak so fervently. He walked on in silence for a little, then said, "There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht — I can see they have already begun."
<<<

 
[[my poem|The Sublime Wants To Reach You]] shines on
the //[[Amora Obscura|A Pin-Light Bent]]://
gap-riddled [[puzzle|archives]];

and the [[mirror|en el espejo]] sinks in --
sudden [[sunburst|Nabokov]] in my head!
(drowned in [[clarity|A Tree Within]])

----

//The Sublime Wants To Reach You//
: to gaze deeply is to be broken
//A ~Pin-Light Bent//
: the Selfhood inverts on a mirror
//Allure of the Archives//
:  like a kaleidoscope revolving before your eyes
//en el espejo (coincidentia oppositorum)//
: a “non-rational” union of opposites
//Pale Fire//
:  that blackness was sublime / I felt distributed through space and time
//A Tree Within//
: construct the ''[new] house'' of glances over this dubious place

----

//Darkbloom// can be rearranged and respelled as ''//(ivia) okoba __d__o__l__o__r__u__m__//''.

Below that lies a hidden referential layer to a [[Navajo|https://en.wikipedia.org/wiki/Navajo_language]] [[Woman|https://en.wikipedia.org/wiki/Radical_38]] 女 in pain (her name missing from [[history|HistoryGBG]].)

The letters '[[nv|https://en.wikipedia.org/wiki/NV]]' identify the "missing woman" added to //aboko// … Vivian ≈ Vladmir … Navajo lands subsumed by the Europeans … a painful tension and union of opposites.

//See ''__<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('AmoraObscura')).map(function(t){return t.title}))" title="See This Haiku Story River">This Haiku Story River</a></html>__'' …//

 
[[Wikipedia article|http://en.wikipedia.org/wiki/Tranquility_(video_game)]] about //tranquility//

Created by William A. Romanowski

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/EbLhw_zJiFo?fs=1&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/EbLhw_zJiFo?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>

Archived [[TQworld|https://web.archive.org/web/20070623023440/http://www.tqworld.com]] site:

//From the server...// The ~TQworld servers customize a unique game and soundtrack based on how well you're playing. You'll never play the same game twice and no two players see the same levels.	
 
//...to your computer...// Your customized game experience arrives instantly through the internet and into the tranquility Game Browser on your computer. The data that's sent for each level is quite small and you won't have long "loading..." delays like other on-line games. This small burst of data only occurs between loading levels. //tranquility// doesn't require a continuous net connection while you're playing.	
 
//...to your subconscious.// This is where the real magic happens. As you play tranquility, you'll subconsciously synchronize with the visual and audio patterns.
While experiencing the tranquility effect, hours may melt into minutes with most players experiencing a relaxed euphoria, a feeling of contentment and deep spatial dislocation.

How is this possible? //tranquility// is capable of displaying thousands of intensely colorful geometric shapes that are synchronized, yet all moving independently. At the same time, the game is generating a 250 voice, ~CD-quality stereo soundtrack is responding and reacting to your movements within the game space.

//tranquility's// intelligent motion control system observes your mouse movements and responds positively to slow, graceful movement and resists "thrashing" and over-reactive movement of the player's hand. This combination of positive feedback for "tranquil" movements and the immersive visual and audio stimulation work together to produce a calm focus in the mind.

The more often you play, learning to flow with, and within, the game, the more profound the effect.

Outside is within, we are walking where we've never been,
the meeting-place of this and that, that is right here and now,
we are the crossroads …
sky and earth, air and water, plain and mountain, lake and volcano, man and woman,
the map of the sky is reflected in the mirror of music,
where the eye is erased worlds are born:
PAINTING HAS ONE FOOT IN ARCHITECTURE AND THE OTHER IN DREAMS.

… man is the moment in which the earth doubts that it is earth, the world that it is the world,
man is the mouth that fogs the mirror of likenesses and analogies,
the animal that knows how to say //no// and thus invents new likenesses and says //yes//,
the blindfolded equilibrist who dances on the tightrope of a smile,
the universal mirror that repeating this world reflects another, that transforms what it copies,
man is not what he is, cells or god, but that which is always further off.
Our passions are not the unions of blind matter,
the battles and embraces of the elements rhyme with our desires and appetites,
to paint is to search for the secret rhyme, to sketch the echo, to paint the link:
//The Vertigo of Eros// [1944 painting by Roberto Matta]
is the dizziness of the rose rocking over the ossuary,
the vision of a fish's fin as night falls in the sea is the sparkle of an idea,
you have painted love behind a curtain of flaming water
TO COVER THE EARTH WITH A NEW MIST.

In the mirror of music the constellations look at themselves before scattering,
the mirror plunges into itself, drowned in clarity until it is erased by a reflection.
: the mirror sinks inward [[abyss-like|abime]], a flooded clarity 'til erased by a reflection. {{grem{[my alternate translation]}}}
spaces flow and hurl down under the glance of petrified time,
<part flames>
presences are flames, flames are [[tigers|This Is]], the tigers have turned to waves,
a waterfall of transfigurations, a waterfall of repetitions, traps of time:
we must give hungry nature its ration of light,
we must shake the rattle of rhyme to deceive time and wake the soul,
we must plant eyes in the plaza, we must water the parks with solar and lunar laughter,
we must learn the song of Adam, the solo for a flute made from a femur,
we must construct the house of glances over this dubious place,
the house of air and water where music sleeps, fire keeps watch, and the [[poet|humble poet]] paints.

-- by Octavio [[Paz]]
</part>

Paul Ricoeur suggests a ‘triple quest’ in the constitution of the self; this order ‘is built on the themes of ''having'', ''power'', and ''worth''’, and these quests are intricately linked.
http://lyceumphilosophy.com/?q=node/123

Having
Power
Worth — Human [[art]] — [[adequate life]]

Many in my culture seem to revere human selfhood or achievement — consisting of the above elements.  Hence they revere wealth, power, and 'personality'.  Or simplified, they revere achievement.
That word //achievement// shares its root withs 'chief' (i.e. the 'super-man'.)

//Power is reverence// ^^[[[20]|The beginning of the Beginning]]^^

A useful way to understand how myth speaks to us is to keep in mind the six critical elements of the human condition as set out by contemporary French existentialist philosopher Paul Ricoeur (born 1913): Ricoeur proposed that, in order for humans to be at peace with their lives, they need to address these six issues in their lives: (1) our finitude; (2) our estrangement from God and/or the numinous; (3) our process of becoming and transcendence, in that in each human life, the truth is never whole and complete; (4) the paradox of the freedom and burden of human choice; (5) our existence with, in, and through others, for our sense of meaning is relational; and ultimately, (6) our identity and participation in the cosmos.

 
Who is the enemy? I am the blockage. I deny myself, and I torture my intellect and ego with the idea of perfection beyond my grasp – or worse, just around the corner, I'm almost there, I almost "have it." ([[2010-05-08]])

If I get it all down on paper, it's no longer
Inside of me //threatening the life it belongs to//
– "[[Breathe|breathe]]"

My [[Dad|Father]]

[[Strite|The Art of the Lathe]] Widgets Co.

My disfigured self -- insecurity and loathing

Symbolism of the [[Emperor|Emperor/symbolizes]]

[[sexuality]] and gender
* //[[how much the body can do]], and [[the two took off their clothes]]//
* //[[Maithuna]]//, two in one, one in all … //(Your rose burns through the snow)//
* [[Sex is difficult|Honor your physical being/Rilke]] -- "unworthy of your dearest possession"
* //"for he has loved and loved again in his loneliness, each time squandering his whole nature"// ([[Rilke|The Notebooks of Malte Laurids Brigge]])

[[Loss List]]

 
September 13, 1999

Ok well here it goes :) 

About the letter.  I first want to tell you that out of all the guys that have ever said it to me, you are the one I believe with all my heart.  Because you know me that well.  The thing is though, I've never really thought about you in "that" kind of way.  I feel like I'm disappointing you by telling you that, and I really don't want you to be.  It's just I love you soo much, not only as a friend, but as a a person in general and I will never ever give you up for anything in the world.  But the kind of love you have for me  in contrast to the love I have for you, well as you could have guessed, it's a little different.  Please don't be disappointed in me, I will always always always love you for everything you ever have been and everything you are now and everything you will be in the future.  I adore you, and you mean the absolute world to me Randy.  But I'm afraid that my love doesn't have the same meaning as it does for you.  Well most of it's the same, but it's just that one little aspect that's different.  Please don't be disappointed in me, because that would crush my totally.  I just don't want anything to change from this, because you mean sooo much to me Randy, I could never begin to explain.  

Love always and forever
A

----

June 2, 2000

OF COURSE I WANT YOU TO COME BACK TO COLORADO!!!  And of course I want to be the "center" of your life.  I don't  understand where the doubt ever came in to play.  You have always been so important to me, and I apologize for not showing it enough I guess.  I've always wanted it to be that way and I'm glad that you want it to be that way too.  I'm sorry that everything got out of control with us, but I think it's just normal, or at least I hope it is :)   I don't know if I'm going to be home tonight at 10, I might be.  If I am I will email you at that time!!   DEAL?  I love you soo much Randy, and I'm glad that I got all that out.

I LOVE YOU!!!!
A

----

May 28, 2009

On a side note, I was very jealous to find out you got married!  Well, to a girl lol.  I kind of always thought I was the girl for you.

----

December 24, 2010
<<<
From me: //Sorry I haven't written in a long time.  I hope you enjoy the holiday time with your family, and best wishes for much happiness in 2011.

Life has been busy here, but good.  I haven't seen you for 10 years (wow!) and I think I "flaked out" the last time we were writing because I couldn't quite bridge the gap of time in my mind.  Don't know if that makes sense.  But you will always hold a special place in my memories.//
<<<
//Her response://

Haha, totally ok about the flaking out.  It is a huge gap and our lives have went in very opposite ways since we last hung out.  I'm just happy to see your pic updates and to share even the smallest bit of your life with you, even if just through this website :)

----

//Several years later, after we were both married and had children, she wrote://

It's a little hard for me to remember how confusing my feelings were at that time.  Not for you but in a general sense.  I don't know that I had really found myself at all back then, and for me you were my rock. The one constant that I could rely on…  I did love you, as the best friend I ever had, it's a closeness I haven't felt really ever again with a friend.  However it wasn't a romantic love, but more like I had this kindred spirit that just understood me like no one had.  I remember how bad I felt that your love was the romantic kind and I believe my insecurity over potentially losing your friendship, that closeness, led to my attempt to romantically love you -- and I think in the middle message you posted that's what you see… although I didn't intend to hurt you, it would obviously be very confusing as to why I'm talking like that all the sudden when I had told you that's not how I felt -- all in an effort to try to keep you from moving on from me.
> I wrote, //" I will always feel some regret that I didn't come back to Denver.  We could have made it through a transition, put the confusion behind us, and preserved our close friendship, been there for each other as we entered adulthood.  I'm very sorry I didn't, and I wasn't there."//
All had been forgiven so long ago :)  but it is still so nice to hear.  It's a beautiful thing that we can reconnect and share this.

!KYLE AND THE SEA MONSTER
from //[[RAW|scream]]: real and woven//

When Kyle was seven years old, he believed in sea monsters.  Prior to seven he did not know of sea monsters, and around the age of twelve he learned that they were not real.  But at seven years old Kyle discovered the wonder of sea monsters.

Every day after school Kyle would run the six blocks home from school, fling his backpack on the back stairs and run the two flights to his bedroom.  He would not pause for a snack or to use the bathroom - he ran straight to his room.  The house was one that he and his parents shared with his aunt, uncle and four cousins.  Kyle was an only child.  Two years ago his father had quit his job as a college professor to finish a novel, a year ago they were running low on savings and so they had to leave their home and move in with his mother's sister.

His aunt was a nice lady.  She gave him his own room even though it was on the top floor of the house.  The room came with a bookcase and the bookcase was loaded with all sorts of books that a boy of seven would enjoy.  His cousins, two of which were boys, were in their teens, and he guessed that these books were once theirs in a long abandoned playroom.

He discovered the book the second week they had lived there. He was bored, with no playmates, and it was raining outside. He sat near the bookshelf, closed his eyes, and picked the book at random.  Oh what sites awaited him!

Sea monsters in all of their glory - their multi-colored scales, their large and gnashing teeth, their glowing eyes.  Kyle was in love.  What he loved most of all was how they rose sudden out of the depths of water, and with a great bellow frightened all the ships in the vicinity.  Kyle knew the sea monster had power.  Kyle wanted power.

So every day he would run home, up the stairs, pull the book from its special spot on the shelf, throw himself down on the bed and begin to read the words that were burned into his memory, and the images that danced through his mind as the school day seemed to stretch on and on.  Kyle was in love with the sea monster.

So as Kyle grew, and like his teenage cousins outgrew the sea monster book, he went on to college and found a lovely girl who he could stand, and they married and went on about their lives.  But inside, Kyle never forgot the sea monster. Though he remained at most times a mild and gentle husband, there was the rage in him that swam in the depths below his consciousness - the snarling, glassy eyed sea monster of self, ready to come to the surface and bellow and charge and destroy.

His wife did not know about the sea monster lying in wait.  Sometimes when she would cry after an episode of self-assertion on Kyle's part, she'd never have guessed that it was the sea monster at work (or play).  Her passive little heart would never have guessed it.  Because unlike land monsters, sea monsters have no interest in maidens - they have no concept of their value or worth.

Many of us originally turn to the dharma at least in part as a way of trying to overcome the pain of our psychological and relational wounding. Yet we are often in denial about or unconscious of the nature or extent of this wounding. As a result, being a “good” spiritual practitioner can become a compensatory identity that covers up and defends against an underlying deficient identity, where we feel bad about ourselves, not good enough, or basically lacking. Then, although we may be practicing diligently, our spiritual practice can be used in the service of denial and defense. And when spiritual practice is used to bypass our real-life human issues, it becomes compartmentalized in a separate zone of our life that remains unintegrated with our overall functioning.

– excerpted from [["Human Nature, Buddha Nature"|http://www.tricycle.com/interview/human-nature-buddha-nature]], an interview with John Welwood, which appeared on //Tricycle.com//

Excerpt from //[[Kythings|Kythings interpreted]]// by Duncan Munro Glen, 1969
----
I sit cauld. Time
steady
in my pulse
racin to a time
I turn frae.
''A time o shut doors''
I coul[[dna|DNA]] open
for licht or daurk.
…
A young face
sad in my een. But quick
turn to quicker feet
and shouting voices …
My time.
But they call
''and it is Their time'' //[my children, Maya and Aron]//
…
I staun against the door
and turn open-end
//to cross daurk corridors and
''shout my strength to the shadows''//
that run wi me
aye a step ahint
across halls and up stairs
to daurk that waits
and waits. And I turn warm;
turn to the fire wi them
in times unkent; //daurkness
welcomed and warm//
coverin us in the hidden places
of the ''gairden''.

!Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

----

I did not think of language as the means to self-description.  I thought of it as the door -- a [[thousand opening doors!|lifelines]] -- past myself.  I thought of it as the means to notice, to contemplate, to praise, and, //thus//, to come into power.
(from //Blue Pastures//, 1995)

The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
(from “Of Power and Time” in //Upstream: Selected Essays//, released October 11, 2016)

The Order of ''Interbeing'' (Vietnamese: Tiếp Hiện, French: Ordre de l'Interêtre), was founded between 1964 and 1966 by Vietnamese Buddhist monk Thich Nhat Hanh.

Tiếp Hiện is a ~Sino-Vietnamese term (Chinese 接现). The term did predate the Order of Interbeing's use in other contexts in Vietnamese, but was and remains uncommon. Tiếp means "being in touch with" and "continuing." Hiện means "realizing" and "making it here and now."

The translation "Interbeing" (French: Interêtre) is a word coined by Thich Nhat Hanh to represent the Buddhist principles of impermanence and the nonself characteristic which reveal the interconnectedness of all things.

From the Community of Interbeing Manual of Practice, http://interbeing.org.uk/manual/

''Chapter 4.2, The Mindfulness Trainings''
!!The Fourteen Mindfulness Trainings

''The First Mindfulness Training: //Openness//''
Aware of the suffering created by fanaticism and intolerance, I am determined not to be idolatrous about or bound to any doctrine, theory or ideology, even Buddhist ones. Buddhist teachings are guiding means to help me learn to look deeply and to develop my understanding and compassion. They are not doctrines to fight, kill or die for.
''The Second Mindfulness Training: //Nonattachment to Views//''
Aware of suffering created by attachment to views and wrong perceptions, I am determined to avoid being narrow-minded and bound to present views. I will learn and practise non-attachment from views in order to be open to others’ insights and experiences. I am aware that the knowledge I presently possess is not changeless, absolute truth. Truth is found in life and I will observe life within and around me in every moment, ready to learn throughout my life.
''The Third Mindfulness Training: //Freedom of Thought//''
Aware of the suffering brought about when I impose my views on others, I am committed not to force others, even my children, by any means whatsoever – such as authority, threat, money, propaganda or indoctrination – to adopt my views. I will respect the right of others to be different and to choose what to believe and how to decide. I will, however, help others renounce fanaticism and narrowness through compassionate dialogue.
''The Fourth Mindfulness Training: //Awareness of Suffering//''
Aware that looking deeply at the nature of suffering can help me develop compassion and find ways out of suffering, I am determined not to avoid or close my eyes before suffering. I am committed to finding ways, including personal contact, images and sounds, to be with those who suffer, so I can understand their situation deeply and help them transform their suffering into compassion, peace and joy.
''The Fifth Mindfulness Training: //Simple, Healthy Living//''
Aware that true happiness is rooted in peace, solidity, freedom and compassion, and not in wealth or fame, I am determined not to take as the aim of my life fame, profit, wealth or sensual pleasure, nor to accumulate wealth while millions are hungry and dying. I am committed to living simply and sharing my time, energy and material resources with those in real need. I will practise mindful consuming, not using alcohol, drugs or any other products that bring toxins into my own and the collective body and consciousness.
<<tiddler [[Dealing With Anger]]>>
<<tiddler [[Dwelling Happily in the Present Moment]]>>
''The Eighth Mindfulness Training: //Community and Communication//''
Aware that lack of communication always brings separation and suffering, I am committed to training myself in the practice of compassionate listening and loving speech. I will learn to listen deeply without judging or reacting and refrain from uttering words that can create discord or cause the community to break. I will make every effort to keep communications open and to reconcile and resolve all conflicts, however small.
''The Ninth Mindfulness Training: //Truthful and Loving Speech//''
Aware that words can create suffering or happiness, I am committed to learning to speak truthfully and constructively, using only words that inspire hope and confidence. I am determined not to say untruthful things for the sake of personal interest or to impress people, nor to utter words that might cause division or hatred. I will not spread news that I do not know to be certain nor criticise or condemn things of which I am not sure. I will do my best to speak out about situations of injustice, even when doing so may threaten my safety.
''The Tenth Mindfulness Training: //Protecting the Sangha//''
Aware that the essence and aim of a Sangha is the practise of understanding and compassion, I am determined not to use the Buddhist community for personal gain or profit or transform our community into a political instrument. A spiritual community should, however, take a clear stand against oppression and injustice and should strive to change the situation without engaging in partisan conflicts.
''The Eleventh Mindfulness Training: //Right Livelihood//''
Aware that great violence and injustice have been done to the environment and society, I am committed not to live with a vocation that is harmful to humans and nature. I will do my best to select a livelihood that helps realise my ideal of understanding and compassion. Aware of global economic, political and social realities, I will behave responsibly as a consumer and as a citizen, not investing in companies that deprive others of their chance to live.
''The Twelfth Mindfulness Training: //Reverence for Life//''
Aware that much suffering is caused by war and conflict, I am determined to cultivate non-violence, understanding and compassion in my daily life, to promote peace education, mindful mediation and reconciliation, within families, communities, nations and in the world. I am determined not to kill and not to let others kill. I will diligently practise deep looking with my Sangha to discover better ways to protect life and prevent war.
''The Thirteenth Mindfulness Training: //Generosity//''
Aware of the suffering caused by exploitation, social injustice, stealing and oppression, I am committed to cultivating loving kindness and learning ways to work for the well-being of people, animals, plants and minerals. I will practise generosity by sharing my time, energy and material resources with those who are in need. I am determined not to steal and not to possess anything that should belong to others. I will respect the property of others, but will try to prevent others from profiting from human suffering or the suffering of others beings.
''The Fourteenth Mindfulness Training: //Right Conduct//'' (for lay members)
Aware that sexual relations motivated by craving cannot dissipate the feeling of loneliness, but will create more suffering, frustration and isolation, I am determined not to engage in sexual relations without mutual understanding, love and a long-term commitment. In sexual relations, I must be aware of future suffering that may be caused. I know that to preserve the happiness of myself and others, I must respect the rights and commitments of myself and others. I will do everything in my power to protect children from sexual abuse and to protect couples and families from being broken by sexual misconduct. I will treat my body with respect and preserve my vital energies (sexual, breath, spirit) for the realisation of my bodhisattva ideal. I will be fully aware of the responsibility for bringing new lives in the world, and will meditate on the world into which we are bringing new beings.

!!The Five Mindfulness Trainings

''The First Mindfulness Training''
Aware of the suffering caused by the destruction of life, I am committed to //cultivating compassion// and learning ways to //protect the lives// of people, animals, plants and minerals. I am determined not to kill, not to let others kill, and //not to support any act of killing// in the world, in my thinking, and in my way of life.
''The Second Mindfulness Training''
Aware of suffering caused by exploitation, social injustice, stealing and oppression, I am committed to //cultivating loving kindness// and learning ways to work for the well-being of people, animals, plants and minerals. I will //practise generosity// by sharing my time, energy and material resources with those who are in real need. I am determined //not to steal and not to possess anything that should belong to others.// I will respect the property of others, but I will prevent others from profiting from human suffering or the suffering of other species on Earth.
''The Third Mindfulness Training''
Aware of the suffering caused by sexual misconduct, I am committed to //cultivating responsibility// and learning ways to //protect the safety and integrity of individuals, couples, families and society.// I am determined not to engage in sexual relations without love and a long-term commitment. To preserve the happiness of myself and others, I am determined to respect my commitments and the commitments of others. I will do everything in my power to protect children from sexual abuse and to prevent couples and families from being broken by sexual misconduct.
''The Fourth Mindfulness Training''
Aware of the suffering caused by unmindful speech and the inability to listen to others, I am committed to //cultivating loving speech and deep listening// in order to bring joy and happiness to others and relieve others of their suffering. Knowing that words can create happiness or suffering, I am determined to //speak truthfully, with words that inspire// self-confidence, joy and hope. I will not spread news that I do not know to be certain and will not criticise or condemn things of which I am not sure. I will refrain from uttering words that can cause division or discord, or that can cause the family or the community to break. I am determined to //make all efforts to reconcile and resolve all conflicts//, however small.
''The Fifth Mindfulness Training''
Aware of the suffering caused by //unmindful consumption//, I am committed to cultivating good health, both physical and mental, for myself, my family and my society by //practising mindful eating, drinking and consuming.// I will ingest only items that preserve peace, well-being and joy in my body, in my consciousness and in the collective body and consciousness of my family and society. I am determined not to use alcohol or any other intoxicant or to ingest foods or other items that contain toxins, such as certain TV programmes, magazines, books, films and conversations. I am aware that to damage my body or my consciousness with these poisons is to betray my ancestors, my parents, my society and future generations. I will //work to transform violence, fear, anger and confusion in myself and in society by practising a diet for myself and for society.// I understand that a proper diet is crucial for self-transformation and for the transformation of society.

[[Dynabook]]
[[Dynabook Library]]
[[Village University]]
[[quine]]
[[programming language]]
[[this wiki web]]
[[PurpleWiki]]
[[Evocative Technology]]
[[Kay]]
[[Jones]]

Everything [[undulates|quickens]]
The mountain is still
And [[a small man like me?|I begin]]

I am earth of its earth
and breath of its breath
Ceaseless [[flux|SavedBy22]], unity.

----

Bear in mind, son of Hokmah, if so be
you have metheg in your midness,
this ''man'' is ''mountain'' and
unto changeth doth one ascend.
Heave we aside the fallacy!
//—from [[Finnegans Wake|nascimento]]//

//See [[fractal consciousness]]//

!Awe and Trembling: Psychotherapy of Unusual States
E. Mark Stern and Robert B. Marchesani (Editors)
April 2000

!!!Chaos and Awe (Tobi Zausner)
Although nonlinear dynamics began as a science with the mathematics of Poincaré (1892-1899/1993) in the late nineteenth century, the association of chaos with new order is ancient.  Religions cross-culturally believe the world originated in chaos.  In the ~Judaeo-Christian tradition (Genesis 1) the world was former from the chaos of the abyss, while in Hinduism the Hiranyagarbha or [[Golden Germ|Friar's Journeybook/SeedOfPerfection]] of the new world floated for a thousand years on the primordial waters of chaos (Mookerjee, 1966).

{{rjustify{
+++[more]
{{ljustify{
Ancient Egypt associated chaos with the dark night and the Goddess Nut, who at the end of every day ate the sun and gave it forth renewed each morning (Campbell, 1974).  As new world and new order begin in chaos, so may a new self begin in the experience of awe.

For religions around the world the state of awe is a sacred mark of attainment.  Not only is it entered into willingly but is striven for through training and sacrifice despite its sometimes fearful aspect.  Across cultures religious awe has many of the following elements.  It begins with a cessation of stimuli from the external world followed by the experience of entering an alternate reality structured according to the belief system of the individual.  This ''numinous dimension'' may include any one or all of the following: the experience of a journey, a cosmic geography, a sacred hierarchy, {{grem{mystic}}} symbols, and a divine being.

Resembling the civilization of the individual who experiences it, the state of awe becomes ''an encounter with the infinite structured by the familiar''.  The earliest example of an ecstatic journey is found in the cave art of the Paleolithic.  Even with cultural variations, it is still possible to recognize the shaman in a spirt boat or transformed into an anthropomorphized animal traversing an ordered cosmos to access the numinous (Eliade, 1972).  In Judaism, Ezekiel's vision of the throne chariot of God (Ezekiel 1), called the //Merkabah//, became a vehicle of awe to visit the seven heavens…  The ascent to the Merkabah began with a descent, emphasizing its inward or psychological nature with the individual in a seated posture, head between the knees.  Because of the dangers inherent in the mystical journey, magic seals with secret names were given as protection and to facilitate the opening of mysteries.
…
For Hindus, awe may be achieved by directing energy through the seven chakras, which are vortices located along the midline of the body extending from the base of the spine to the crown of the head.  The individual, instructed in prayers and physical postures, is aded by a long tradition of visual art.  Tibetan Buddhism also uses body and hand positions to direct meditation and art as a guide to visualization (Lauf, 1976).  Concentrating on images in a thangka, an example of which is the painting called //Gelugpa Assembly Tree//, an individual attempts to identify with and incoroporate divinities and divine hierarchies through a process of melting oneself into voidness and revisualizing oneself as a deity in paradisical space (Thurman, 1991).
}}}
===
}}}
!!!Ecstasy Outside Religion
States of awe have also been reported outside of religious traditions… External stimuli are not obliterated and subsumed by an alternate reality.  Instead the world remains identifiable but intensified.  It may even appear suffused with radiance…  Even without religious doctrines or symbology, awe remains a supportive experience.  ''The paradoxically familiar yet transformed world becomes the structure.''

Ecstatic union with nature was fundamental to Transcendentalism, a spiritual movement in 19th century America.  Definitely outside of organized religion, two of its most famous exponents were the writers Ralph Waldo [[Emerson]] and Henry David Thoreau.  For Emerson, communion with nature erased all feelings of egotism.  Instead he felt filled by "currents of the Universal Being."  Thoreau, who called the swamp his temple, said during "a night in which the silence was audible, I heard the unspeakable."
!!!Fractals and Chaos Theory
In chaos theory, a [[fractal|Fractal]] is a structure comprised of parts that not only resemble each other but also resemble the structure as a whole.  An example would be waves in the ocean.  As a wave may contain multiple small waves within it, so the overall wave of panic comprises multiple smaller waves of panic in a pattern of fractal self-similarity.
…
In a [[fractal pattern|fractal consciousness]] of self-similarity, the parts do not have to be {{grem{[and are often not]}}} exactly identical to each other.  Most fractals in the natural world are similar but non-identical.  For example, in trees which are a type of branching fractal, the trunk separates into branches which separate into smaller branches.  The various branches of the tree are similar but not exactly the same.  This is one of the reasons that real trees make a greater impression than the geometrically identical trees used in diagrams.  Variations within a structure enhance its impact and compel us to spend more energy on its assimilation.
!!!Panic and Creativity
Finding the stimuli will affect the entire episode of panic because with its self-similar fractal structure, the whole is a key to the parts…  Again, citing chaos theory, it is possible to show how finding the hidden stimulus can change the limit cycle of a panic episode into a creative chaos…  In nonlinear dynamics, insight is perceived as ''information or energy'' and may raise a limit cycle of repetition to a ''chaotic attractor'' capable of creating new order.

The moment of insight is the discovery of the hidden stimuli.  At that point an individual undergoes a shift ([[Gendlin|Felt Sense]], 1981), which in nonlinear dynamics may be perceived or modeled as a moment of chaos connecting one level of being with another… The moment of chaos becomes an experience of transformation.
…
Creative processes such as writing about the attack or drawing it may be used as adjunct therapy.  The efficacy of this method may be found in work of the Norwegian painter Edvard Munch, who turned his panic into visual expression [in //[[The Scream|scream of nature]]//.]
!!!Naming
Naming something in order to gain control over it is an archaic belief.  For example, in the Old Testament (Genesis, 2:19) Adam is given dominion over the animals by naming them.  Animals, viewed as emotional and preverbal, are associated with the instinctual self.  Naming them may be viewed as controlling one's lower or instinctual nature, a way of harnessing the power of the unconscious so that it becomes useful {{grem{[healthy functioning, integrated]}}}, rather than overwhelming.
…
In addition to naming as a form of recognition and control, it may also be exorcising.  This other aspect to naming concerns the existence of a ''true or hiden name'' as a powerful key of release… Jung (1976), who spoke of the magic power of the name, referred to //Rumpelstiltskin// and also cited an ancient Egyptian myth where the goddess Isis "permanently robs the sun god Ra of his power by compelling him to tell her his real name" (p. 187).  In both cases, the correct name is not easy to find.
!!!Trembling (E. Mark Stern)
Trembles…signal that my body is running on ahead even as it does something akin to standing still… Words from a Noel Coward tune popular in my childhood: "and then my heart stood still."  I'm not practiced at stillness.  And following?  ''Bodyquakes'' or thunderclaps?
…
Attempt to feel a tremulous kinship with vulnerable nerve cells unable to communicate with the rest of the brain.  Years of emotional preparation insist I do not yield to atomistic or mechanistic models.  Still these are my temptations.  Choose instead the [[existential dilemma|Human condition]].  Enable myself to reverence my now trembling.  OK now, fully experience the sensation of irregular involuntary movement.
…
For the time my tremblings, though filled with apprehension, were also triumphant.  Their stops and starts inaugurated a wellspring in mysterious communion with a dear friend of mine from years gone by.  He was, and as I have recently learned, still is a brilliant composer.  <part Franklin> What I best recalled about [[Franklin Morris|http://en.wikipedia.org/wiki/Franklin_E._Morris]] was visiting with him well into the evenings some 50 years ago as we both sat around a table, me with my classroom assignments, he with trembling hands producing profound musical compositions in union with uncanny dissonant scales.  ''Entries on his composition pad reckoned with unique pleas to the harmonies of disorder.''  This friend, calling years later as if we had decades ago simply said adieu recently, reminded me that he had always had "the shakes"…  ''His motif was to shake new sounds into and from the world.''  Franklin's [[fractal-quaking|Mandelbrot Quakes]] shaking a multitude of digital newness each unique to its distinguishing moment.

My moments of waiting, positioning and repositioning…launched me into supersedent infrastructures.  Memories totalized as they failed in adhering to a linear sequence… I tenaciously cling to my family…

To contemplate that "another side" which would, adhere //on its own//, and ''[[merge|mergent]] in jumble with the non-personal history of an ever expanding–ever contracting universe?''  Exhilarating.

Rainer Maria [[Rilke]]'s words:
<<<
//Perhaps I can never achieve the last,
But that will be my attempt.//
<<<
Written by E. Mark Stern, who passed away March 11, 2014.

----

… //"The world in which we live is a vast cage within a maze, high as our mind, wide as our power of will, long as our life span.  Those who have never reached the rails or seen what is beyond the cage know of no freedom to dream of…"//
– Abraham Heschel (1951) quoted by Kirk J. Schneider

excerpts from //[[Awe and Trembling]]: Psychotherapy of Unusual States//
</part>

!On a Good Day
Joanna [[Newsom]]

Hey hey hey, the end is near!
On a good day,
you can see the end from here.
But I won't turn back, now,
though the way is clear;
I will stay for the remainder.

I saw a life, and I called it mine.
I saw it, drawn so sweet and fine,
and I had begun to fill in all the lines,
right down to what we'd name her.

Our nature does not change by will.
In the winter, 'round the ruined mill,
the creek is lying, flat and still;
it is water,
though it's frozen.

So, 'cross the years,
and miles, and through,
on a good day,
you can feel my love for you.
Will you leave me be,
so that we can stay true
to the path that you have chosen?

 
As written by Dave Harrity, "A reductionist’s definition would be an infinity symbol (@@font-size:150%;∞@@), two loops meeting at a central point on a plane."  Used in mathematics as the [[infinity symbol|http://en.wikipedia.org/wiki/Infinity_symbol]].

----

Vladimir Nabokov wrote:
<<<
<<tiddler [[Friar's Journeybook/lemniscate]]>>
<<<

!Lemniscate
a poem from //[[Our Father in the Year of the Wolf|http://www.daveharrity.net/books-3/#/our-father]]// (2015)
by Dave Harrity   @@font-size:125%;font-family: serif;

the month he disappeared I slit my chin shaving

  it was all white tile & red wine splat
small picks of thin hair & a bright-eyed scrap

  of cycloptic tissue shred that told me
I’d become a man & no matter all the times
  I did the deed or waxed whatever smooth

  the hair came back with each full moon
but father never mentioned how to keep it clean

just like he used to say: //lupus est homo homini//@@
: @@color:SteelBlue; Harrity translates this in his notes as //“one man to another is a wolf.”//@@

!From "Second Law"
by Dave Harrity
(excerpts from the original [[here|http://www.wordfarm.net/books/9781602260160/our_father_[excerpt].pdf]]; bold emphasis is mine)   @@font-size:125%;font-family: serif;

Call it inertia, call it quanta, call it all-expanding star—ordered namings
of erosions or best chronologies of kings…

This string of simple let-downs:
what’s bound unbounds; what’s fixed
unfixes…

Windows
& doors open to the wolves we are & are becoming.
One life strung out from another—morning din
rung mescaline—song not sung
so much as hummed, going on to be ignored…

''haze inside the head like a secret middle name.''
@@
<<<
//An earlier September 2014 version of the poem appears [[here|https://web.archive.org/web/20151231003104/http://www.around-around.com/second-law]].  It differs from the excerpts as follows://
: {{body{Call it inertia, call it quanta, call it expanding dark–
  an ordered naming of erosions or the best chronologies of kings.

--Veils cocooning, shells dissolved--

To be so simple? Rathering clear expectation:
  song not heard so much as hummed–so it can be ignored. 

One life strung out from another, a morning din rung mescaline–
haze in the middle of your name.}}}
<<<

{{grem{[See Harrity's connection to [[theopoetics|theopoetic]].]}}}

 
I am first a Daddy – of Maya, a 7 year-old girl, and Aron, a 5 year-old boy.  They bring me back to the beauty of each present day.  I was born to be their father.  I share this journey with my best friend and wife Carmen.  Next month I turn 34, finishing my second life haiku.

I am a [[gazer|Turning]], a reader, a thinker: a man seeking principles and practices of living.  My nature is to reflect and question, analyze, construct meanings, and take them apart.  I've tried to name my role in the world with limited success.  Poet?  Teacher?  Storyteller?  Or [[Layman Monk]]?   My desires crash against my daily livelihood -- a stagnant epoch of the past 16 years.

I chose this particular tool – a [[wiki|this wiki web]] //"environment",// or //medium?// -- perhaps becoming //[[genre|genres]]?// – for several reasons.  Its wandering, non-linear form seems to match my brain.  I can link ideas every which way and let structure emerge in novel ways (//in a thousand [[lines of sight]]:// one of many possible hypertext paths.)  In this 'place' both public and anonymous, I do not self-censor.  

Contained here is the record of my [[dream]] as it takes shape.  My wiki encompasses a spiritual and artistic quest, mostly invisible to those around me. 
: As one of my heroes said: //the [[invisible basis|imaginary rock foundation]] for everyone to see everything as art, and her or himself as artist.//
I have another purpose as well: if I die before my children reach adulthood, this record might still be in existence, so they can come to know me through it.  My wiki provides a richer (and possibly more revealing) view than a conventional paper diary.  Having now accumulated five years of material, it provides a 'brain dump' of me: my personal history, my context in society, the map of what I see and desire.  (One of many starting maps: the [[Bird's Eye View]].)

This wiki was published for 32 months (May 22, 2011 to February 2, 2014) under the name "Dialectic Dad", and for the following 31 months as [[re: muse]].  The song "[[Occident]]" is from that liminal time of early 2014; //[[makhzan]]// and //[[dance]]// were among the first wiki-words summoned "more intensely under the Muse's spell."

My current plan is to cease all revisions and additions by September 24, 2016 -- concluding 64 months of experimental writing.  Copies of the wiki are retrievable from the [[Internet Archive|https://web.archive.org/web/*/remuse.tiddlyspace.com]].

I am on the path of [[grounded change|SARK/naming]].  Stated here in earlier years, I was only aspiring for it.  Visible changes have begun.  They will ebb again, and I may appear to step backwards, sideways, or sit still.  This is my being-in-the-world.  Miraculous.  Impossible to define.  Endlessly possible to live today.

Began May 2011; updated August 2016

+++[May 2011 first version]
----
I am first a Daddy - the father of two children - Maya, a 2 year-old girl, and Aron, an 8 month-old boy - each marvelous and beautiful as all children are, but singularly so to me.

I share Maya and Aron's journey with their mother, my wife and [[Anam Cara]].

I am also a reader and thinker, a man seeking principles and practices of living. I am attracted to this particular medium for its non-linear and wandering structure, as a "place" I can be spontaneous and uncensored, yet also deliberative.

I want to construct, resolve, reflect, question, grasp and relinquish, gaze further, inward and outward, readying myself to offer a world-view to my children. I aspire for grounded change ... and if not change, a shifting, accepting, mindful being-in-the-world.
----
{{grem{N.B. I created this wiki one day before the last [[Red Willow prelude|awake my soul/RedWillow]] ended.}}}
===

 
''April 17 - May 28, 2016''

Prefaced by a poem, I have named nine facets of the active statement
{{font150{

   [[I dream]] …}}}
''Step #1:''  I will repay my debts to society and live within my means.
Immediately begin a healthy self-discipline that will right my economic course.

Throughout, I resolve to keep myself healthy and whole, practicing daily meditation (however brief it may be.)  I have only talked of meditation before and admired the //idea// of it.  Now is the time to try.  I will tally each time that I meditate in my journal -- called a "[[Friar's Journeybook]]".

I dream of leaving my present employment, within the next __12 months__, for an urgent dual purpose: to gain more time (and quality of life) with my family, and to ''develop my talents''.  But first, my business and financial affairs demand attention.

Increasingly during the past two years, I have veered out of the social order.  Yet I continued to behave as if I was present and made no actual changes to my obligations.  This has happened at my workplace (where I sit right now), within two marriages which ended and began in rapid succession, and among my co-workers and employees.  Three years ago, I wrote to myself:
<<<
//[[Do not cause harm]] by inattention, neglect, or breaches of trust.
When I misplace my focus, relationships and self-regard suffer.

When I repudiate the claims of my fellowship
(my marriage, my family, the Company I work with),
I transgress; I cause harm.//
<<<
My transgressions have become numerous and are now straining my economic stability.  This endangers ''my commitment as a father (important above all else.)''

Many take a dim view of [[tarot]] -- as superstitious, evil or perhaps merely misguided, an occult attempt at "fortune telling" -- but I see it as another symbolic language available to be mined.  I recently examined the [[Emperor]] symbol, which seems to have me caught in its grasp:
<<<
The Emperor indicates an encounter with the law or social order… Obstructed, can signify immaturity or the inability to make difficult decisions and carry them through.
<<<
I dread my impending resignation or firing, either of which may occur in shame, and in my 'mundane' life today, possible encounters with the taxman or debt collector.  I have felt close to a ''rupture'' in this current life I created and am living badly -- such as that experienced by John Forbes Nash and his "beautiful mind."

''I am now gathering the will to halt my slide into apathy and ruin.''

__Here I will list the steps of my progress__:
# Eat and drink adequately every day.
# Meditate every day.
# Avoid what I //know// to be self-destructive or damaging to my relationships.
# Give an honest day's work for a day's pay -- starting on April 25th.
# Listen to all my unheard telephone messages.
# Answer business requests of the past month which I ignored.
# Gather, calculate, file, and //eventually pay// my last year of delinquent tax filings. (Which consist of 12 to 15 different filings -- confirm the count, and reduce them one by one.)
# Take control of my business and personal debt, with no further borrowing allowed.
# Determine the future of my bookstore and behave as a responsible owner.
# Establish a household budget agreeable to me and my wife, which reduces waste and debt.
I ruminated on the state of my unfulfilled dreams for the past week.  Now I have little more than five weeks to correct my long period of neglect -- //''to get my house in order''.//

This is a first and necessary step (along with continuous self-care), if I am to manifest the [[dream]] "gestating inside me" -- like the embryo imagined nearly [[six years ago|2010-06-27]]: now my incredible little boy!

This entry will be followed by others -- along a common theme --

according to this tentatively drawn map of the +++[long-form dream:]
&nbsp;
<<tiddler dream/table>>
===

Wagn is an open web platform for building coherent web systems.

Using simple wiki-inspired building blocks called cards, “Wagneers” construct sites ranging from simple content managers to custom project trackers to fully integrated web suites. (from their [[Ruby Gem|http://rubydoc.info/gems/wagn/1.12.13/file/README.rdoc]])

[[Wagn|http://www.wagn.org/Wagn.org]] is an open web platform for collaboration…built from simple building blocks called cards. ^^[[[16]|http://www.wagn.org/Introduction%2Bdraft2]]^^

It enables users to "integrate your web systems in imaginative and powerful ways," as described by the project website.  Below, one of its developers stated a design principle
://''to keep smoothing the ramp from reader to editor to site-builder.''//
The philosophy behind its implementation seems quite similar to ~TiddlyWiki.  In fact, Wagn [[acknowledges some similarity|http://www.wagn.org/TiddlyWiki]] between the two.  Primary differences are Wagn storing its content in a SQL database and using Ruby on Rails as its infrastructure.

From a Rails Inside review 17 December 2008:  ^^ [[[17]|http://www.railsinside.com/misc/177-wagn-a-revolutionary-open-source-wiki-on-rails.html]]^^
<<<
The basic innovation with Wagn is that instead of the editable units being pages, they're cards - and cards come in many different types, each with their own properties. So there are basic cards with a rich-text editor, HTML cards, plain text cards, image cards, executable Ruby cards, user account cards, and more. In addition, it supports "plus cards" - linkages between other cards that let you assign tags or attributes or indicate how other cards combine into tuples. The effect is a sort of cross between a wiki and a database.

Other features include the ability to nest cards within other cards, dynamic form building, a permissions model, and WQL - the wiki query language - which lets you build up flexible cards through searching for other cards.
----
Comment by [[John Abbe]] @@color(grey)://[Wagn developer]//@@
December 18th, 2008:
Wow, thanks for the positive review! It's especially meaningful to us since we feel like you get most of what we're trying to do (tuples, cross between a wiki and a database, WQL, nesting/inclusion). Another design principle (with much work ahead) is to keep smoothing the ramp from reader to editor to site-builder.
<<<

<html> 
<object width="520" height="324"><param name="movie" value="http://www.youtube.com/v/wktlwCPDd94?version=3&amp;hl=en_US"></param><embed src="http://www.youtube.com/v/wktlwCPDd94?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="520" height="324"></embed></object> 
</html>

See [[the Charter's website|http://www.charterforcompassion.org/index.php/charter/charter-overvew]]

''The principle of compassion'' lies at the heart of all religious, ethical and spiritual traditions, calling us always to treat all others as we wish to be treated ourselves. Compassion impels us to work tirelessly to alleviate the suffering of our fellow creatures, to dethrone ourselves from the centre of our world and put another there, and to honour the inviolable sanctity of every single human being, treating everybody, without exception, with absolute justice, equity and respect.

''It is also necessary'' in both public and private life to refrain consistently and empathically from inflicting pain. To act or speak violently out of spite, chauvinism, or self-interest, to impoverish, exploit or deny basic rights to anybody, and to incite hatred by denigrating others—even our enemies—is a denial of our common humanity. We acknowledge that we have failed to live compassionately and that some have even increased the sum of human misery in the name of religion.

''We therefore call upon all men and women'' ~ <part precis>to restore compassion to the centre of morality and religion</part> ~ to return to the ancient principle that any interpretation of scripture that breeds violence, hatred or disdain is illegitimate ~ to ensure that youth are given accurate and respectful information about other traditions, religions and cultures ~ to encourage a positive appreciation of cultural and religious diversity ~ to cultivate an informed empathy with the suffering of all human beings—even those regarded as enemies.

''We urgently need'' to make compassion a clear, luminous and dynamic force in our polarized world. Rooted in a principled determination to transcend selfishness, compassion can break down political, dogmatic, ideological and religious boundaries. Born of our deep interdependence, compassion is essential to human relationships and to a fulfilled humanity. It is the path to enlightenment, and indispensable to the creation of a just economy and a peaceful global community.

<html><a href="javascript:;" onclick="story.closeAllTiddlers
();story.displayTiddlers(null,store.filterTiddlers(store.getTiddlerText('EntryStream')).map(function(t){return t.title}))" title="the story river flows forth from remuse">$1</a></html>

/***
|''Name''|TiddlySpaceToolbar|
|''Description''|augments tiddler toolbar commands with SVG icons|
|''Author''|Osmosoft|
|''Version''|0.6.6|
|''Status''|@@beta@@|
|''Source''|http://github.com/TiddlySpace/tiddlyspace/raw/master/src/plugins/TiddlySpaceToolbar.js|
|''CodeRepository''|http://github.com/TiddlySpace/tiddlyspace|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
|''CoreVersion''|2.5.0|
|''Requires''|ImageMacroPlugin|
|''Keywords''|toolbar icons SVG|
!Description
replaces tiddler toolbar commands with SVG icons if available
!Notes
requires [[ImageMacroPlugin|http://svn.tiddlywiki.org/Trunk/contributors/JonRobson/plugins/ImageMacroPlugin/plugins/ImageMacroPlugin.tid]]

SVG icons are drawn from tiddlers titled {{{<command>.svg}}}
In readonly mode a tiddler called {{{<command>ReadOnly.svg}}} will be used if it exists.
!TODO
* rename (IconToolbarPlugin?)
* support more than one more popup menu in the toolbar.
!Code
***/
//{{{
(function($) {

if(!config.macros.image) {
	throw "Missing dependency: ImageMacroPlugin";
}

var macro = config.macros.toolbar;

macro.icons = {
	cloneTiddler: "editTiddler"
};

var _handler = macro.handler;
macro.handler = function(place, macroName, params, wikifier,
		paramString, tiddler) {
	var toolbar = $(place);
	toolbar.attr({
		refresh: "macro",
		macroName: macroName
	}).data("args", arguments);
	var status = _handler.apply(this, arguments);
	if(tiddler.isReadOnly()) {
		toolbar.addClass("toolbarReadOnly");
	} else {
		toolbar.removeClass("toolbarReadOnly");
	}
	var parsedParams = paramString.parseParams("name")[0];
	if(parsedParams.icons && parsedParams.icons == "yes") {
		this.augmentCommandButtons(place);
	}
	if(parsedParams.more && parsedParams.more == "popup") {
		// note we must override the onclick event like in createTiddlyButton
		// otherwise the click event is the popup AND the slider
		$(".moreCommand", place).each(function(i, el) {
			el.onclick = macro.onClickMorePopUp;
		});
		// buttons that are after a less command should not be in more menu.
		$(".lessCommand ~ .button", place).appendTo(place);
		$(".lessCommand", place).remove();
	}
	return status;
};

macro.refresh = function(place, params) {
	var args = $(place).empty().data("args");
	this.handler.apply(this, args);
};

var imageMacro = config.macros.image;
macro.augmentCommandButtons = function(toolbar) {
	$(".button", toolbar).each(function(i, el) {
		var cmd = $(el).attr("commandname");
		cmd = cmd ? cmd : "moreCommand"; // XXX: special-casing of moreCommand due to ticket #1234
		var icon = store.tiddlerExists(cmd) ? cmd : macro.icons[cmd];
		var text = $(el).text();
		if(readOnly) {
			var readOnlyAlternative = "%0ReadOnly".format([icon]);
			if(store.tiddlerExists(readOnlyAlternative)) {
				icon = readOnlyAlternative;
			}
		}
		if(store.tiddlerExists(icon)) {
			$(el).css({display: "inline-block"}).empty();
			imageMacro.renderImage(el, icon, { alt: text });
		}
	});
};

// provide onClickMore to provide extra commands in a popup
macro.onClickMorePopUp = function(ev) {
	ev = ev || window.event;
	var sibling = this.nextSibling;
	if(sibling) {
		var commands = sibling.childNodes;
		var popup = Popup.create(this);
		$(popup).addClass("taggedTiddlerList");
		for(var i = 0; i < commands.length; i++) {
			var li = createTiddlyElement(popup, "li", null);
			var oldCommand = commands[i];
			var command = oldCommand.cloneNode(true);
			command.onclick = oldCommand.onclick;
			li.appendChild(command);
		}
		Popup.show();
	}
	ev.cancelBubble = true;
	if(ev.stopPropagation) {
		ev.stopPropagation();
	}
	return false;
};

})(jQuery);
//}}}

abime
An unfathomable depth; an abyss or chasm.
The bottom of a chasm or valley.
(literary) An infiniteness of thought.

 
[[2016-10-07|Honor your physical being]] and earlier,
[[2013-03-22 — Honor your physical being|Honor your physical being]]
[[2012-01-02 — Dig for courage, wisdom, worth|dig]]
[[2011-11-11 — Resolution to transcend anger|resolutions]]

''2006-10-10'' -- from an email to my Mom:

I remember writing, "He, who advocates technology and spends his days in its wonders, sits here with age-old tools, pen and paper, to write.  He, a real person, with feelings, fears, and desires."  Something along that line -- I'm at work now and don't have the book.  Anyway, I found it interesting how very different those two sides of me are -- the feeling side who scrawled madly, merely trying to capture general concepts as they arose -- and the person who wrote in the front half, so deliberate, words carefully chosen, meanings thoroughly analyzed.  Both sides are very real and need their respective roles in my life.

''2016-09-22'' -- from my [[Friar's Journeybook]]:
<<<
Pressed up against these //[[walls|The Wall]] erected around a [[labyrinth|House of Leaves/labyrinth]]// …
  "the rich, everlasting mystery is found to be the childish you" …
<<<
(The first line is mine, harking back to "[[The Wall]]"; the second line is by [[Cesare Pavese]], who Alan Kay quoted in the [[Arts of the Hidden]].)

----

From the [[defunct]] website [[43 Things|https://web.archive.org/web/20080115013655/http://www.43things.com/person/silica]] -- my list of dreams in 2008
(A version 2 [[relaunch|https://43things.com/]] appears to be underway in September 2016.)


//Undated entry, most likely in 2009://

Lily became my family long ago, before Maya was born.  Like many people regard their immediate kin, I took her for granted and imagined a more "ideal" family.  The reality is, I have __never__ been willing, able, nor had any good reason to fracture the family of me and my [[Cara|Anam Cara]].  If we were childless, I wouldn't want to be apart; and now with Maya, it is incomprehensible.  Why have I pretended our relationship is disposable or conditional?  I think it is my attempt to intellectualize even this most intimate love and hold it at a distance.  As I scrutinize and pick apart my self, often doing harm in the process, __no__ relationship (thus far) has been safe from it.  Lily and Maya must be exceptions to this.  {{grem{[Aron was likely not conceived yet.]}}}  Actually, I have to free myself from this daily inquisition.  I have a wonderful family.  I am thankful for them and wish to only cultivate love and security -- not the doubt, fear, and rejection I have accustomed myself to.

----

Dated posts I have written in various journals from the main of day-to-day living:

!Occident
Joanna Newsom

Mercy me! the night is long.
Take my pen, to write you this song.

Lord: is it harder to carry on,
or to know when you are done?

All my life, I've felt as though
I'm inside a beautiful memory,
replaying
with the sound turned down low.

Long-life, show your face.
Slow-heart, curb your taste.
Smoke me out of my hiding place.
Long-life, state your case.

What in the world are we waiting for —
building glowing cities along the shore,
where the wind batters in,
baiting my kin like a matador?

So much value, placed upon
what lies just beyond our plans:
waving my handkerchief,
running along, till the end of the sand.

Long-life, speak your name.
So tired of the guessing game.
But, something is moving,
just out of frame:
Slow-heart,
brace and aim.

Breaching slowly, across the sea,
one mast —
a flash, like the stinger of a bee —
to take you away,
a swarming fleet is gonna take you
from me.

The universe is getting loose:
sodden spread,
from some leaden disuse,
rushing, unhinged,
toward diminishing lights,
like a headless caboose.

I'll wait for you,
alongside the ocean,
and make do
with my no-skin.
But then, Long-life,
will you let me in?
And then, Slow-heart,
are you gonna know him?
Long-life, speak your name.
I wait, while I decry the wait.
And when I die, may I relate:
Slow heart, congregate.

To leave your home, and your family,
for some distortion of property?
Well, darling, I can't go.
But you may stay
here, with me.

it is all a pretty complicated mess, but it isn't a story i want to tell. i have that right, i guess. to keep some of the stories untold. to hold them deep inside and closed up. nobody needs to know how i really feel - i don't even know how i really feel - the true feeling i have about this thing kind of scares me i think, and it is better to play nice and make everybody feel lovely about themselves. maybe 'play families' are how some people cope, but it isn't my way, so i don't understand it, and it turns me off.

it doesn't pay to hold on to resentments - to hold the hard feelings. my husband just told me that "at worst, you should be neutral." i think he is right.

I learned in the book //[[Reading Obama]]// that in 1942, John [[Rawls]] defined sin as:
''//the destruction and repudiation of community.//''

In //A Brief Inquiry Into the Meaning of Sin and Faith//, John Rawls stated:
<<<
All of the manifest actions of egotism and all of the inner states of sin point to one thing: namely, repudiation, destruction, and abuse of community for the sake of the self.
<<<

!The Old Wisdom
By Jane Goodall

When the night wind makes the pine trees creak
And the pale clouds glide across the dark sky,
Go out my child, go out and seek
Your soul: The Eternal I.

For all the grasses rustling at your feet
And every flaming star that glitters high
Above you, close up and meet
In you: The Eternal I.

Yes, my child, go out into the world; walk slow
And silent, comprehending all, and by and by
Your soul, the Universe, will know
Itself: the Eternal I.

 
Narrative
Poetics
Technics
Polycinema
Recordkeeping (Ethnography)

adenine
guanine
cytosine
thymine
uracil

''Narrative'' > stories, novels, chronology, [[word makers|The End of Education]]
   … memory, time-binding, //I'm not what you think +++[I am]
: "Don Delillo said … The writer sets her pleasure, her ''eros'', against the great, megalithic death that is history's most enduring work.  I [Jackson] take that death to be not just the literal extinction of life after life, but the extinguishing of ''the narrative pulse'' of all those lives under the granite gravity of history recorded.  History is a cold, congealed thing, but if it is not too far past, there are strands of DNA, molecules of story imbedded in it, which can be rejoined and reanimated…" ([[Shelley Jackson|patchwork girl]], 1995)
===
//
** Ideas, Organization, Voice, Word Choice, Flow, Conventions, Presentation

''Poetics'' > lyrical discipline and [[poetry]]
   … aesthetic, rhythmic language qualities -- a channel of emotion
** //You can only go with loves in this life.// ([[Bradbury]])

''Technics'' > formal languages and mathematics
   … informatics, machine code, [[algorithmic languages|programming language]], idealized '[[TOK|The City of Mind]]'

''Polycinema'' > 'many moving moments'
   … cinema verite, spanning +++[senses]
<<tiddler polycinema/passages>>
===
&nbsp;

''Recordkeeping'' > raw empirical data and historic [[archives]]
   … data as Ethnography and Social +++[Observatory]
: //"If the archive is to serve as an effective social observatory, it will only do so through the scattered details that have broken through, and which form a gap-riddled puzzle of obscure events."// (Arlette Farge, 2013)
===
&nbsp;

adenine <-> thymine … narrative <-> polycinema … syuzhet/fabula and diagesis/mimesis
guanine <-> cytosine … poetics <-> technics … bond to make [[music]]
cytosine (unstable) => uracil … technics => decomposes into records & data
adenine <-> uracil … narrative <-> recordkeeping … history, biography, scientific writing

This model formulated March 10, 2015;
hyperlinks to other authors added May 25, 2016;
the fifth genre identified as Ethnography on June 17, 2016.

----

//See [[Language Appreciation]]//
<<<
Each individual soul is such … being a power to translate the world into some particular language of its own; if not into a picture, a statue, or a dance,—why then, into a //trade, an art, a science, a mode of living, a conversation, a character, an influence.//
-- Ralph Waldo Emerson, [[The Method of Nature|Method of Nature]], 1841
<<<
What of dharma expressions?  (Which some have called [[theopoetic]]s.)  I previously imagined these with correspondences to the [[Fourfold Fruit]] in February 2014.

[[Mandelbrot Quakes]] are best captured in the form of Polycinema … though the other genres may each serve as a lens into "Fractal Poiesis" or the expressions of //[[Mitocos Mathema Muse|mitocos]]//.

 
Yesterday, I had a significant session with my counselor.  Simple as the statement sounds, the climax of the session came when I said, "I fear there will be many casualties for my happiness."  I fear upheaval, I fear change.  I want to stay in the calm waters, even in a small pool where I may go mad with unmet desires and compromised dreams.  Please bear in mind, this is not damning criticism of my marriage.  This is reflection upon a life I have consciously and deliberately made, but which cannot be permanent.

The day was pleasant in parts, but also a time of regretful reflection and assessment.  I stopped to view the early span of my life marked at the milestones of age 9, 14, 19, and 24.  Eek!  The next number in that sequence is 29, which I'm not ready to contemplate.  I know those probably seem like ridiculously young ages to you, but much has transpired in these last 15 years, a time which indelibly shaped my personality, which created many of my beliefs and behaviors, my best and most beautiful aspects and my flagrant shortcomings.  Change, even significant change, is still to be expected, and I hope that this year brings good and satisfying changes.

Have you ever heard of cathexis, or its verb formation, to cathect?  It's a term of psychology.  I was reading an interesting book last night that spoke of cathexis.  I am thinking of the great power that is invested in objects and constructs all around me.  We used to speak of constructs as the illusory things we should cast aside to see the truth.  I believe some constructs can hold great power, or cathexis; they define a person and a universe.

As for the family, Lily and I keep this partnership running, which has worked, for the most part, over five years now.  She says that I've been withdrawn for some time now.  Perhaps so.

----

//The answer from my friend://

I reflected the other day (it must be a good time for reflection in both our houses!) that I had invariably elected to be the bigger fish in the smaller pond in this life, which is why I have made no real difference in the world.  Unlike you, I shall not change that now. I am too comfortable and satisfied in a curious sort of way. But, then, I was never ambitious.
 
And, by the way, better there be casualties than no happiness. As Ralph Waldo Emerson said, "All sensible people are selfish." And there you have it.

As for withdrawal, it is endemic to the kind of creatures we are, I'm afraid. We live withdrawn, because our real lives are on the inside, and engage only when we must or when we have to rely upon others, which we keep down to a dull roar and generally don't request unless it becomes important in some manner to our survival. I suspect that the other people in our lives don't quite know what to do with that, but neither do we know how to live any differently, though probably should. Pity, really. But it is part of the penalty people pay for loving us, I imagine.

!!Wendung : Turning
by Rainer Maria [[Rilke]]
Paris, June 20, 1914
(excerpts follow, combining the translations by Edward Snow and Stephen Mitchell)

//The path from inner intensity to greatness leads through sacrifice. –Kassner//

Und das Gerücht, daß ein //Schauender// sei,
rührte [[die mindest|Les Minst]],
fraglicher Sichtbaren,
''rührte die Frauen.''
…
And the rumor that a //[[gazer|voyant]]// existed
stirred the least clearly,
more questionably visible ones.
''stirred women''.
…
He had long won it through gazing.
Stars fell to their knees
under his grappling up-glance.
Or he gazed beseechingly,
and the scent of his urgency
wearied an Immortal,
until it smiled on him from sleep.

Towers he gazed at with such force
that they were startled
building them up again, abruptly, all in an instant!
But how often the landscape,
overburdened by the day,
rested in his quiet perceiving, at twilight.

Animals stepped trustingly
into his open gaze as they grazed,
and the caged lions
stared in, as into unthinkable freedom;
birds flew straight through it,
as it made room; flowers
gazed back into it 
greatly, as in children.
…
Gazing how long?
How long inwardly lacking,
imploring deep down in his glance?
When he, whose vocation was Waiting, sat far from home…
and later from the tormenting bed, again:
there was counsel in the air,
beyond grasping there was counsel
over his still feelable heart,
over [[his heart|The Duino Elegies/Third]] which through the buried-alive body
could nevertheless be felt…
it did not have love.

(And forbade him further consecrations.)

For the act of gazing sets limits.
And the world gazed at more deeply
wants to flourish in love.
…
Work of the eyes is done,
begin heartwork now
on those images in you, those captive ones;
for you conquered them: but even now you don't know them.
…
//Werk des Gesichts ist getan,
tue nun ~Herz-Werk.//
…
''Behold, inner man, your inner woman!''
she who was won
from a thousand natures,
the merely attained,
as yet never loved creation.

----

In two letters addressed to Lou ~Andreas-Salomé, the poet wrote:
<<<
Lou, dear, here is a curious poem, written this morning, which I am sending you at once, since I instinctively called it “Turning,” knowing that it represents that turning which surely must come if I am to live, and you will understand its meaning.  [Saturday, June 20, 2014]

With this "Turning," which //is// one, and yet scarcely one any longer, since it has been on its way for so long, has been prepared for, indeed has already almost arrived.  Your body knew of its coming, as it were, before you yourself did, yet in the way that only bodies know of things, -- with such infinite innocence and directness that in the end, this knowledge could temporarily create for it a new misunderstanding with the mind.

Do you know by what sign this revealed itself?  By the eyes, -- those //gazing// ones, those wresting to attain that being "as yet never loved," one and the same in a thousand different guises; //they wanted to love,// ''they blasted the boundaries set for them''… [June 24, 2014]
<<<
Both available at Google Books //[[Rilke and Andreas-Salomé: A Love Story in Letters|https://books.google.com/books?id=_7PzAgAAQBAJ&lpg=PR1&pg=PA245#v=onepage&q&f=false]]//

<!--{{{-->
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/***
|''Name''|TiddlySpaceFilters|
|''Description''|provide TiddlySpace-specific filter extensions|
|''Author''|Jon Robson|
|''Version''|0.6.1|
|''Status''|@@beta@@|
|''CoreVersion''|2.6.2|
|''Requires''|TiddlySpaceConfig|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
!Usage
{{{
<<tsList Private>>
<<tsList Public>>
<<tsList Draft>>
}}}
!Code
***/
//{{{
(function($) {

var tiddlyspace = config.extensions.tiddlyspace;
var privateBag = tiddlyspace.getCurrentBag("private");
var publicBag = tiddlyspace.getCurrentBag("public");

config.filterHelpers = {
	is: {
		"private": function(tiddler) {
			var bag = tiddler.fields["server.bag"];
			return bag == privateBag;
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			return bag == publicBag;
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			return (privateBag == bag && fields["publish.name"]) ? true : false;
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		local: function(tiddler) {
			return config.filterHelpers.is["public"](tiddler) ||
				config.filterHelpers.is["private"](tiddler);
		},
		unsynced: function(tiddler) {
			return tiddler ? tiddler.isTouched() : false;
		}
	}
};

config.filters.is = function(results, match) {
	var candidates = store.getTiddlers("title");
	var type = match[3];
	for (var i = 0; i < candidates.length; i++) {
		var tiddler = candidates[i];
		var helper = config.filterHelpers.is[type];
		if(helper && helper(tiddler)) {
			results.pushUnique(tiddler);
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	return results;
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})(jQuery);
//}}}

look
listen
meet me!
choose the way of love
manifold and always near
strength is fidelity
keep faith in the Seed of Perfection dwelling on Earth
take refuge in its passages to You
protect your fellowships
sustain yourself from the Earth deliberately
@@color(brown):be mindful of the great throngs of life on every side@@
arising and dying equally under the sun
You share their splendor and finiteness
honor your fellow beings
nurture your fellow beings
embrace
ease another's suffering
strive to end poverty
strive to end oppression
do not kill
@@color(brown):do not cause harm@@
ignore no evil done by humanity
mend what is possible without violence
turn your heart away from vengeance
practice, practice
find strength and clarity in today's purpose
the outer marks of success cannot satisfy
what will You bring to being?
honor the sanctity of coupling
@@color(brown):honor your physical being@@
protect yourself
defend one another
teach one another the same
be generous
do not steal
do not hoard or diminish what is needed by all
speak truthfully
do not stand with deception
keep questioning!
You shall come to acceptance
never a livable codex
stay alert
heed the evidence of your senses
heed the efficacy of other ways
heed the test of empirical knowledge
let your children think freely
be grateful
loosen the grasp of attachments
find a proportion for yourself in the whole
avoid haste, distraction and worry
reserve quiet contemplative time
take congruent action from this quiet
save life whenever You can
also accept death
@@color(brown):do not live in fear@@
nor speculate on an afterlife
be here with all your heart [wholehearted, unhidden]
all your heart, mind, and strength centered
respond to life's call
the Tao is manifest in every time and place
come to this peace

/***
|''Name''|RandomColorPalettePlugin|
|''Description''|Adds a random color palette to TiddlyWiki|
|''Author''|Jon Robson|
|''Version''|1.4.0|
|''Status''|stable|
|''Source''|https://github.com/jdlrobson/TiddlyWikiPlugins/raw/master/plugins/RandomColorPalettePlugin/RandomColorPalettePlugin.js|
|''License''|[[BSD|http://www.opensource.org/licenses/bsd-license.php]]|
!Usage
{{{
<<RandomColorPalette>>
}}}
Sets and saves a random color palette on execution

{{{
<<RandomColorPaletteButton>>
}}}
Creates a button, which when clicked will change the color palette
More information at http://macros.tiddlyspace.com/#%5B%5BRandomColorPaletteButton%20macro%5D%5D
!Code
***/
//{{{
RGB.prototype.toRGBString = function() {
	return "rgb(%0,%1,%2)".format(parseInt(this.r * 255, 10),
		parseInt(this.g * 255, 10), parseInt(this.b * 255, 10))
}
function HSL_TO_RGB(h, s, l) { // h (hue) between 0 and 360, s (saturation) & l (lightness) between 0 and 1
	var c = l <= 0.5 ? 2 * l * s : ( 2 - (2 * l)) * s;
	var h1 = h / 60;
	var x = c * (1 - Math.abs((h1 % 2) - 1)); 
	var r, g, b;
	if(typeof(h) == 'undefined') {
		r = 0;
		g = 0;
		b = 0;
	} else if(0 <= h1 && h1 < 1) {
		r = c;
		g = x;
		b = 0;
	} else if(1 <= h1 && h1 < 2) {
		r = x;
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		b = 0;
	} else if(2 <= h1 && h1 < 3) {
		r = 0;
		g = c;
		b = x;
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		r = 0;
		g = x;
		b = c;
	} else if(4 <= h1 && h1 < 5) {
		r = x;
		g = 0;
		b = c;
	} else if(5 <= h1 && h1 < 6) {
		r = c;
		g = 0;
		b = x;
	}
	m = l - (0.5 * c);
	return new RGB(r + m, g + m, b + m);
}

(function($){
	var macro = config.macros.RandomColorPalette = {
		messagesOn: false, 
		changedPaletteText: "We have assigned you a random theme by adjusting the [[ColorPalette]] tiddler.\nDon't like it? Click <<RandomColorPalette>> for another one.", 
		handler: function(place, macroName, params, wikifier, paramString, tiddler) {
			paramString = paramString || "";
			var options = macro.getOptions(paramString);
			macro.generatePalette(options, true);
		},
		optionTypes: {
			floats: ["hue", "saturation", "darkest", "lightness", "huevariance", "dark", "pale", "light", "mid",
				"saturation_light", "saturation_pale", "saturation_mid", "saturation_dark"
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		getOptions: function(paramString) {
			var args = paramString.parseParams("name", null, true, false, true)[0];
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				options[i] = numbers.indexOf(i) > -1 ? parseFloat(args[i][0], 10) : args[i][0];
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			var num = (Math.random() * 1);
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				return max;
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				if(info.attempts < 5) {
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			var saturation = options.saturation || macro.generateRandomNumber(0.3, 0.7);
			var dark = options.dark || options.darkest || macro.generateRandomNumber(0, 0.10);
			var pale = options.pale || options.lightness || macro.generateRandomNumber(0.90, 1);
			var delta = ( ( pale - dark ) / 3 );
			var mid = options.mid || dark + delta;
			var light = options.light || dark + (delta * 2);
			var lightness_values = {Dark: dark, Mid: mid, Light: light, Pale: pale};
			var saturation_values = {};
			for(i in lightness_values) {
				if(true) {
					saturation_values[i] = options["saturation_" + i.toLowerCase()] || saturation;
				}
			}

			var opposite_hue = (hue + 180) % 360;
			var seed = options.huevariance || Math.floor((85 * Math.random()) + 5); // we want it to be at least 5 degrees
			var huetwo = (opposite_hue + seed) % 360;
			var huethree = (opposite_hue - seed) % 360;
			if(huetwo < 0) {
				huetwo = 360 + huetwo;
			}
			if(huethree < 0) {
				huethree = 360 + huethree;
			}
			for(var j in lightness_values) {
				if(true) {
					var saturation = saturation_values[j];
					palette["Primary" + j] = HSL_TO_RGB(hue, saturation, lightness_values[j]);
					palette["Secondary" + j] = HSL_TO_RGB(huetwo, saturation, lightness_values[j]);
					palette["Tertiary" + j] = HSL_TO_RGB(huethree, saturation, lightness_values[j]);
				}
			}
			palette.Background = HSL_TO_RGB(hue, saturation, 0.92);
			palette.Foreground = HSL_TO_RGB(hue, saturation, 0.08);
			palette.ColorPaletteParameters = ["HSL([", hue, "|", seed, "], [", saturation_values.Pale, "|",
				saturation_values.Light, "|", saturation_values.Mid, "|", saturation_values.Dark, "],",
				"[", dark, "|", mid, "|", light, "|", pale, "])"].join("");
			// construct new ColorPalette
			var text = ["/*{{{*/\n"];
			var colorcode;
			for(var id in palette) {
				if(true) {
					var color = palette[id];
					colorcode = outputRGB ? color.toRGBString() : color.toString();
					text.push("%0: %1\n".format(id, colorcode));
				}
			}
			text.push("/*}}}*/");
			text = text.join("");
			if(save) {
				macro.saveColorPalette(text);
			}
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Interview with Ray Bradbury, January 1974:

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//''"You can only go with loves in this life."''//
<<<
But thinking is to be a corrective in our life — it’s not supposed to be a center of our life.  //Living// is supposed to be the center of our life, //being// is supposed to be the center — with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life — the way of living is the blood pumping through our veins, the ability to sense and to feel and to know.
<<<
In this interview, Bradbury refers to Nikos [[Kazantzakis]] and his book //The Saviors of God.//

The influence of Kazantzakis was at work in Bradbury's few poems:
<<<
We are the all, the universe, the one,
As such our fragile destiny is only now begun.
Our dreams then, are they grand or mad, depraved?
Do we say yes to Kazantzakis whose wild soul said:
God cries out to be saved?
Well then, we go to save Him, that seems sure,
With flesh and bone not strong, and heart not pure,
All maze and paradox our blood …

To rise again, fresh washed in vernal rain …
To light cold abyss hearths for astronauts to hie them home
On highways vast and long and broad,
Thus saving what?  Who’ll say salvation’s sum?
Why, thee and me, and they and them, and us and we …

And God.

-- from "That Is Our [[Eden's Spring]], Once Promised"

//and in a second poem://

You see. The Universe is blind.
You touch. The ''Abyss'' does not feel.
You hear. The Void is dear …

The nostrils of old Time are stuffed
With dust and worse than dust.
Settle it with your lust, shape it with your seeing,
Rain it with your sperming seed …

-- from "[[Old Ahab’s Friend|white whale]], and Friend to Noah, Speaks His Piece"
<<<

 
The following is gratefully borrowed from a [[blog|http://readalittlepoetry.wordpress.com/about]] which I admire.

Its author begins an introduction "''Why I read poetry, and why this exists''" by quoting from a letter of Robert Frost:
<<<
//“A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.//
@@color:grey;It is a reaching-out toward expression; an effort to find fulfillment. A complete poem is one where an emotion finds the thought and the thought finds the words.”
(Robert Frost letter to Louis Untermeyer, 1 January 1916)@@

…After awhile it transforms, changes, molds you, together with the words, until there is nothing left but your hands, holding //“emptiness, wholeness; a cave, a cathedral.”// &nbsp; @@color:grey;(B.H. Fairchild from //[[The Art of the Lathe]]//)@@

This is an attempt to find bits and pieces of my life tucked away in poems, waiting to be found, waiting to meet me, again, in another universe. I think I have lived through worlds, a hundred of them, a thousand, little puzzles told by poets who knew exactly what I was feeling, even if I couldn’t give them names for it.
<<<
A reader asked if her blog's title [[Read A Little Poetry|http://readalittlepoetry.wordpress.com]] came from this quote by Johann Wolfgang von Goethe:
<<<
“A man should hear a little music, ''read a little [[poetry]]'', and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.”
<<<
://No, but it is beautiful. Thank you for showing it to me.//
Also see the poem [[People]] which I rediscovered in its entirety there.

----

//See definitions of [[poetry]]//
''
+++[poetry collected in this wiki]
<<list filter [tag[poetry]][sort[-modified]]>>
===''

 
[img[Volcom Stone Logo|https://c5.staticflickr.com/8/7344/27300549076_68404ba535.jpg][https://www.flickr.com/photos/39042429@N00/27300549076/]]
From a Volcom t-shirt signifying //"Youth Against Establishment"//

Expressing a belief that the established ways of thinking must give way to new, creative, and more innovative ways of expression.

In this imagery I also see the forces of [[Yin-Yang|en el espejo]] (Chinese term "dark—bright") at play.
<<<
I think, here is your emblem
To hang in the future sky;
Not the cross, not the hive,
But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;
Life with calm death; the falcon’s
Realist eyes and act
Married to the massive
Mysticism of stone,
Which failure cannot cast down
Nor success make proud.
-- "Rock and Hawk" in //Solstice and Other Poems// (1935) by [[Robinson Jeffers]]
<<<
Volcom is a California youth apparel [[company|http://www.volcom.com/company/]] founded in 1991 "on the belief that there is a higher level of consciousness to be found within one’s self through the internal and external journeys that board-sports, music, art and film provide … For over two decades Volcom has been ''TRUE TO THIS'' … the quest for Spiritual Intoxication."  In their name, I hear a reference to //volcano// and //communication//.

Hermann Hesse's [[Glass Bead Game]] spoke of "the covert but passionate search for a means to confer legitimacy on this freedom, for a new and sufficient authority arising out of Reason."
<<<
//the invisible basis for everyone to see
everything as art
and her or himself as artist
a title to replace titles 
a role to supersede roles//
-- John Chris Jones, [[imaginary rock foundation]]
<<<
[[Rachel Pollack]]: "This is __the tribe__ of diviners, those special magicians, shamans, psychics, and visionaries who use cards, or sticks, or __trees, or stones, or shells to communicate__ with the Gods."

T.S. [[Eliot]]:
<<<
Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment 
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of __old stones__ that cannot be deciphered.
: {{grem{N.B. The Stone as symbol of a youth movement, contrasted with the mystery of old stones.  Chronological years are an arbitrary marker.}}}
<<<
[[James Joyce]]:  "The prisoner of that sacred edifice…was at his best __a onestone parable__, a rude breathing on the void of to be." &nbsp; {{grem{[Rude as a primitive, natural and "unsophisticated" act.]}}}

Nikos [[Kazantzakis]]: "Struggle to tame the dread mystery.  How?  By cultivating a single field, by kissing a woman, by __studying a stone__, an animal, an idea.
… Struggle unceasingly to establish it in words.  Battle with myths, with comparisons, with allegories, with rare and common words, with exclamations and rhymes, to embody it in flesh, to transfix it!"

----

''Words which speak of volcanic power:''

… sky and earth, air and water, plain and mountain,
&nbsp;&nbsp;&nbsp;&nbsp;lake and volcano, man and woman,
//el mapa del cielo se refleja en el espejo de la música …//
&nbsp;&nbsp;&nbsp;&nbsp;-- the map of the sky is reflected in the mirror of music.
(Octavio Paz, "[[A Tree Within]]")

in some places there are fast currents that run ice cold and then burning hot - underwater volcanoes that spew lava and grow mountains under the water.  it is all there and i hardly give notice or voice to it.  some of it scares me, and some of it thrills me.  i keep most of it from myself because there is just too much of it …
(Lily ~McCulloch, [[inner ocean]]}

Emily [[Dickinson]]:  I have never seen “Volcanoes”

 
Like a vapor or glowing		from this wet and rocky body,
the inert quickens for a while:
blind fish, buzzing bee, hunting owl and wolf,
voices at a campfire,		and the touch of a human hand
extends into lifeless depths	(above, below, inside) …
Understanding comes in fragments.
This is our ''inheritance'':		created, caught, devoured,
ever tenuous grasp		of Will
on the unbounded sum and void …
[[Everything undulates|everything undulates]].

[img[The Cathedral of Learning, University of Pittsburgh, Pennsylvania| http://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Cathedral_of_Learning_stitch_1.jpg/250px-Cathedral_of_Learning_stitch_1.jpg][http://en.wikipedia.org/wiki/Cathedral_of_Learning]]
image from Wikimedia Commons – click to read the Wikipedia article

A rhizome has no beginning or end; it is always in the middle, between things, interbeing, //intermezzo//. The tree is a filiation, but the rhizome is alliance, uniquely alliance. The tree imposes the verb “to be,” but the fabric of the rhizome is the conjunction, “and . . . and . . . and . . .”  This conjunction carries enough force to shake and uproot the verb “to be.”

Where are you going? Where are you coming from? What are you heading for? These are totally useless questions. Making a clean slate, starting or beginning again from ground zero, seeking a beginning or a foundation -- all imply a false conception of voyage and movement (a conception that is methodical, pedagogical, initiatory, symbolic…)

[Some know] another way of traveling and moving: proceeding from the middle, through the middle, coming and going rather than starting and finishing.  They know how to move between things, establish a logic of the AND, overthrow ontology, do away with foundations, nullify endings and beginnings. They know how to practice pragmatics.  {{grem{[Kleist, Lenz, and Büchner]}}}

An assemblage, in its multiplicity, necessarily acts on semiotic flows, material flows, and social flows simultaneously. There is no longer a tripartite division between a field of reality (the world) and a field of representation ([[the book]]) and a field of subjectivity (the author). Rather, an assemblage establishes connections between certain multiplicities drawn from each of these orders, so that a book has no sequel nor the world as its object nor one or several authors as its subject. In short, we think that one cannot write sufficiently in the name of an outside. The outside has no image, no signification, no subjectivity. The book as assemblage with the outside, against the book as image of the world. A ''rhizome-book'', not a dichotomous, pivotal, or fascicular book. Never send down roots, or plant them, however difficult it may be to avoid reverting to the old procedures. //"Those things which occur to me, occur to me not from the root up but rather only from somewhere about their middle. Let someone then attempt to seize them, let someone attempt to seize a blade of grass and hold fast to it when it begins to grow only from the middle."// (Franz Kafka)

… Let us summarise the principal characteristics of a rhizome: unlike trees or their roots, the rhizome connects any point to any other point and its traits are not necessarily linked to traits of the same nature; it brings into play very different regimes of signs and even nonsign states. The rhizome is reducible to neither the One or the multiple. It is not the One that becomes Two or even directly three, four, five, etc. It is not a multiple derived from the one, or to which one is added //(n+1)//.  It is comprised not of units but of dimensions, or rather directions in motion. It has neither beginning nor end, but always a middle (milieu) from which it grows and which it overspills. It constitutes ''linear'' multiplicities with //n// dimensions having neither subject nor object, which can be laid out on a plane of consistency and from which the one is always subtracted //(n-1)// {{grem{??}}}

The rhizome {{grem{[may be]}}} made only of lines… These lines, or ligaments, should not be confused with lineages of the aborescent type, which are merely localizable linkages between points and positions… Unlike the graphic arts, drawing or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable and has multiple entranceways and exits and its own lines of flight.

There exist tree or root structures in rhizomes; conversely, a tree branch or root division may begin to burgeon into a rhizome. The coordinates are determined not by theoretical analyses implying universals but by a pragmatics composing multiplicities or aggregates of intensities.

A new rhizome may form in the heart of a tree, the hollow of a root, the crook of a branch. Or else it is a microscopic element of the root-tree, a radicle, that gets rhizome production going. Accounting and bureaucracy proceed by tracings: they can begin to burgeon nonetheless, throwing out rhizome stems, as in a Kafka novel. An intensive trait starts working for itself, a hallucinatory perception, synesthesia, perverse mutation, or play of images shakes loose, challenging the hegemony of the signifier.

In the case of the child, gestural, mimetic, ludic, and other semiotic systems regain their freedom and extricate themselves from the "tracing," that is, from the dominant competence of the teacher's language -- a microscopic event upsets the local balance of power. Similarly, generative trees constructed according to Chomsky's [[syntagm]]atic model can open up in all directions, and in turn form a rhizome.

To be rhizomorphous is to produce stems and filaments that seem to be roots, or better yet connect with them by penetrating the [[trunk|Eiseley/trunk]], but put them to strange new uses. We're tired of trees. We should stop believing in trees, roots, and radicles. They've made us suffer too much. All of arborescent culture is founded on them, from biology to linguistics. Nothing is beautiful or loving or political aside from underground stems and aerial roots, adventitious growths and rhizomes.

Thought is not arborescent, and the brain is not a rooted or ramified matter. What are wrongly called "dendrites" do not assure the connection of neurons in a continuous fabric. The discontinuity between cells, the role of the axons, the functioning of the synapses, the existence of synaptic microfissures, the leap each message makes across these fissures, make the brain a multiplicity immersed in its plane of consistency or neuroglia, a whole uncertain, probabilistic system ("the uncertain nervous system"). Many people have a tree growing in their heads, but the brain itself is much more a grass than a tree. "The axon and the dendrite twist around each other like bindweed around brambles, with synapses at each of the thorns." (Steven Rose, //The Conscious Brain//, p. 76; on memory, see pp. 185-219.)
– Deleuze and Guattari, "[[A Thousand Plateaus: Rhizome|http://danm.ucsc.edu/~dustin/library/deleuzeguattarirhizome.pdf]]"

 
''~G-D'' is Being-itself and the whole Living World

A single, unitary ground … which permeates and shines through the '[[ten thousand things|FractalPoiesis]]'

Zen and Catholicism meet deep inside me . . . There is nothing to contradict and nothing to harmonize. They don’t say the same thing, because they don’t say anything. They don’t address the one God expressed in different languages, because the only God there is, is the God of silent music.
—Thomas Moore

//''Look upon me'',// you who reflect upon +++[me]
<<<
//and you hearers, hear me.
You who are waiting for me, take me to yourselves.

Take me to yourselves from understanding and grief.
And take me to yourselves from places that are ugly and in ruin.
Come forward to childhood,
and do not despise it because it is small.
And do not turn away greatnesses in some parts from the smallnesses,
for the smallnesses are known from the greatnesses.

Why do you curse me and honor me?
You have wounded and you have had mercy.
Do not separate me from the first ones whom you have known.
And do not cast anyone out nor turn anyone away.

I am the voice whose sound is manifold
and the word whose appearance is multiple.
I am the utterance of my name.

I am lust in outward appearance,
and interior self-control exists within me.
I am the hearing which is attainable to everyone
and the speech which cannot be grasped.
I am a mute who does not speak,
and great is my multitude of words.

I am the sign of the letter
and the designation of the division.
And I …
light bearers// (hearers) //to you
… the great power;
… to the one who created me;
''And I will speak the name.''//

-- From //[[The Thunder, Perfect Mind|http://gnosis.org/naghamm/thunder.html]]//
<<<
===


The Jewish term //Shekinah// originally meant the “in-dwelling Presence,” the divine energy that went into the Ark of the Covenant.  Over time, however, this word, especially in Kabbalah, came to mean the [[female aspect|Muse]] of the divine.

One face of the [[Divine Triangle]] — inherently beyond gender or human qualities

<part precis>Also a re-spelling of the English letters ~G-D signifying the ineffable @@font-size:140%;font-family: serif;''יהוה''@@
naming the God of Abraham worshiped by Jews, Christians, and Muslims… perhaps even the Tao, Inner Light, [[Seed of Perfection|Friar's Journeybook/SeedOfPerfection]] or Boddhichita '~Enlightened-Mind'.
</part>

@@font-size:140%;font-family: serif;''יהוה''@@ — [[I Am Who Am|http://www.vatican.va/archive/ccc_css/archive/catechism/p1s2c1p1.htm#II]] described in the Roman Catholic Catechism

"For whoever pronounces the word God and really means You, addresses, no matter what his illusion, the true You of his life, which cannot be limited by any other, and to whom he stands in a relationship that includes all others."
—Martin Buber, in //[[Ich und Du]]//

''I Am Who Am, and Thou Too Art'' -- mutuality in this divine relationship

----

As said by [[Paul Tillich|courage to be]]:
"The fear of doubt and lack of meaning in life is threatening to one’s identity and being, but this anxiety is addressed by “absolute faith.” Absolute faith is taking this kind of anxiety upon itself and affirming oneself and one’s being. In this stance within anxiety and against the threat of nonbeing, we actually come closer to our being itself, and especially to “Being-itself” …

We can speak without voice to the trees and the clouds and the waves of the sea. Without words they respond through the rustling of leaves and the moving of clouds and the murmuring of the sea …

All things call on us with small or loud voices.  {{grem{[Look, listen, meet me!]}}}  They want us to listen; they want us to understand their intrinsic claims, their justice of being… But we can give it to them only through the love that listens.

… The [[courage to be]] brings us to a place of acceptance of ourselves, and in this we have an encounter with ''~G-D'' as Being-itself, the ground of being."

----

"The world awaits hallowing; it awaits the disclosure and realization of its meaning. But we must begin. Meet the world with the fullness of your being, and you shall meet God … If you wish to believe, love!

There is something that can only be found in one place. It is a great treasure, which may be called the fulfillment of existence. The place where this treasure can be found is the place on which one stands."
—Martin [[Buber]], in //The Way of Man//

I do not care what face
other ages and other people have given
the enormous, faceless essence …
I BELIEVE IN THE INNUMERABLE,
&nbsp;&nbsp;&nbsp;THE EPHEMERAL MASKS
WHICH GOD HAS ASSUMED …
&nbsp;&nbsp;&nbsp;BEHIND THY CEASELESS FLUX
I DISCERN
&nbsp;&nbsp;&nbsp;INDESTRUCTIBLE UNITY.
—from //[[The Saviors of God|Kazantzakis]]// by Nikos Kazantzakis

Kazantzakis wrote of humanity as 'the saviors of God' …
"I feel all the powers of the universe whirling within me …
~G-D, the Great Ecstatic, struggles to speak …
[She] is a power that contains all things, that begets all things …"

{{grem{I changed to the female pronoun above, describing 'God' or my perception of the ~Ground-Divine.}}}

Henry David Thoreau wrote [[here|https://books.google.com/books?id=2MxEAAAAYAAJ&pg=PA498#v=onepage&q&f=false]]:
"Sometimes a mortal feels in himself Nature, not his Father but his //Mother// stirs within him, and he becomes immortal with her immortality.  From time to time she claims kindredship with us, and some globule from her veins steals up into our own."

Ralph Waldo [[Emerson]] wrote:
"Nature does not exist to any one or to any number of particular ends, but to numberless and endless benefit … there is in it no private will, no rebel leaf or limb, but the whole is oppressed by one superincumbent tendency, and obeys that redundancy or excess of life which in conscious beings we call //ecstasy//."

Rainer Maria [[Rilke]] wrote of the hope:
"… you will someday exist in Him, who is the farthest, the [[outermost limit|Rilke/OutermostLimit]]."

----

I discover this in walking, sleeping, reading, speaking; in the worldly cloister of a factory; in my neurosis and goodness; spent many days a lazy libertine — self-aware or tricking myself? — striving to be a good father and husband, a training [[Layman Monk]].  Here I place a foothold on the vast, [[quaking|everything undulates]] Ground-Divine.

the [[Dialegent|dialegen]] way, also named Transdeva

//See [[Tetragrammaton|https://en.wikipedia.org/wiki/Tetragrammaton]]

Since Darwin, we have been forced, in art as in life, to //mature to finiteness.// I mean maturing as human beings not simply by realizing that there are no usable absolutes for man—//for that mere realization is still a kind of adolescence//—but by accepting one's finiteness and learning to live with it with some degree of sanity and integrity.
—Philip Appleman, "Darwin: On Changing the Mind"
For contrast with //maturing to finity,// see //[[Quenchless thirst]]//.

While both authors [Ralph Wado [[Emerson]] and Loren [[Eiseley]]] acknowledge the reality of human finitude, it is the distinctive manner in which Eiseley approaches this central factor of our existence that provides for his richness as a contemplative thinker.  Eiseley //spiritualizes// our finitude, and in a broad range of ways.  He goes so far as to suggest, ''by way of love'', the possibility of surmounting our physical and intellectual barriers and ''identifying with the rest of the cosmos.''
—Jonathan [[Weidenbaum|pantheist]], "Emerson and Eiseley" appearing in //Artifacts and Illuminations: Critical Essays on Loren Eiseley//

 
In Xanadu did Kubla Khan 
A stately pleasure-dome decree: 
Where Alph, the sacred river, ran 
Through caverns measureless to man 
Down to a sunless sea.
*****
Through wood and dale the sacred river ran,	 
Then reach'd the caverns measureless to man,	 
And sank in tumult to a lifeless ocean:	 
And 'mid this tumult Kubla heard from far	 
Ancestral voices prophesying war!
 
  The shadow of the dome of pleasure	 
    Floated midway on the waves;	 
  Where was heard the mingled measure	 
    From the fountain and the caves.	 
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!	 
 
  A damsel with a dulcimer	 
    In a vision once I saw:	 
  It was an Abyssinian maid,	 
    And on her dulcimer she play'd,
  Singing of Mount Abora.	 
  Could I revive within me,	 
  Her symphony and song,	 
To such a deep delight 'twould win me,	 
That with music loud and long,
I would build that dome in air,	 
That sunny dome! those caves of ice!	 
And all who heard should see them there,	 
And all should cry, Beware! Beware!	 
His flashing eyes, his floating hair!
Weave a circle round him thrice,	 
  And close your eyes with holy dread,	 
  For he on honey-dew hath fed,	 
And drunk the milk of Paradise.

-- from "[[Kubla Khan|http://www.bartleby.com/101/550.html]]" by Samuel Taylor Coleridge (1797)
//"Or, a vision in a dream. A Fragment."//

 
========   PART 1   ========

stream of dreams,
stream of consciousness
water - aqua -
Lily.
birds - meditation - visualization
garden
chords
Beauty & Sadness.
piano - terrace
geraniums
mental abstraction.
emotive pictures.
sunrise - solace -
quiet - yearning -
Completion.
//I'm now retreating inward, coming back
with gifts, and going inside to Someone:
Someone who appreciates me.//
(That's what I'm missing:
appreciation & communion)
Hawk
contemplation - courtyard
friendship - conversation
free of deceit
posturing
or superficial posing
Chameleon.
Avalon.
fountain - gyroscope
mermaid - path - statues
triumph - forgiveness
smiling at an old friend who I deeply wounded
Chère.
regret
a warm hug - a cup of tea
a kiss - the whistling tea kettle
playing cards - bird bath
steam and Lavender:
Soaking in a warm bath with an
ice-cold beer & small chocolates.
//I love that woman inside myself. I satisfy all
the things which she needs, and she satisfies
all the things which I need.//
Grindal.
crying - comfort
ringing telephone - someone who cares
candles - good scents
spacious lawn,
Heather, light faded blue.
white terrace - rock garden
Hawk cry
Father
Woman
I need her.  She is here inside me.
blonde - green eyes -
smile:  "It's all there."
(said by Jonathan)
beauty
warm terrycloth robe
book - kiss of sunshine on my face
wet, tousled hair
Not abusive - to myself or by myself.
Not deceitful
meow
So I let her in.
And she smiles.
lying curled on my lap
acceptance - gratitude

========   PART 2   ========

sandwich
church tomorrow
light conversation
bird-song
the distant sound of a lawn mower
and laughter
the smell of a barbecue
the taste of peppermint
feeling of Youth & Energy.
it is not gone -- it is never gone
Harp.
always learning, always growing.
There is never any reason for
discouragement or disappointment.
vine - mirror - book
writing stories
wanting, so desperately, to be Special.
craving closeness
driving - hot, wet highway
going somewhere safe
with Her.
always She -- Mother, Wife, Daughter,
my love -- bringer of Light and Life.
the delicious aroma of pipe smoke
laying my head against his shoulder
Oh, so good.
but yearning - loss - and regret
a wedding which should have never happened
Myrt.
Renee.
many paths for one man … and somehow,
I must accept the one he chose.
the one which brought me here:
to You.
Lily.
(not my first)
blue-eyed pixie

========   PART 3   ========

hunger
and a baby carriage
burning his picture
wicked pleasure
coercion & manipulation
Bliss followed by Guilt.
guilt for what I've done
But in that garden, it does not matter.
It's okay to be Me.
and that isn't simply a buzz-word;
it's VITAL to my existence.
Roses -
one rose which I discarded.
pricked by its thorns,
I tossed it to the ground and let it die.
but in the petals, the scent remains
-- to be Resurrected.
sinking sorrow
what could have been
But it goes on … it always goes on.
//The flower is not born from the seed, but
from the memory of the scent. The seed simply
encrypts the scent in a form which can be
brought to Life again.//
tasted again -
kissed again -
warmed again -
The water can now flow again
… a stream never stops flowing
//Rather, archetypes propel each new
incarnation to capture the scent from the
dried petals and blossom again.//
my rose
Rose in the Wild.
In this tangible and confusing world …
those words made her cry.
//And I realize that the tangibles are all we
have to fight for.//  Everything else is ~Un-Real.
And all we have is the Real.
NOTHING IS EVER LOST.
//Rather, walk with me, and I will show you
where every sparkle is captured and kindled
in a deep well of fire that warms the world.//
Our memories of what Will Be,
as it Was Before,
urge us to relish what Is Now.
Now - Then -
and One Day -
are all the same thing.
//Tense does not exist; it is a
construct & illusion.// Both forms are ~Un-Real:
the grammatical tension used to divide time,
and the spiritual tension dividing our souls.

========   PART 4   ========

light a candle for me
and say a prayer
Father
Andrew
We named him well.
All is safe where it is.
The murder that took place tonight --
travesty, tragedy, trial and truth -- show
the sin & ugliness "We" hide from "Them"
//But "We" are simply the little children trying
to behave as we Should.
And "They" are simply those of Us who created
the words Should and Ought.//
Both terms are the basis of domestication,
and the beginning of all human suffering.
For the murderers - rapists -
thieves - and traitors of this world
were once little children
simply trying to behave as they Should.
Then, a door opened in their minds;
the crack widened into a chasm; and all
the repression - suppression - and submission
Came Raging Out.
The //alaya vigyan// was opened.
The Shadow had its reign.
my Lover, my Brother, my Better Self
forgot who He was.
For when the Shadow escapes and
commits those heinous crimes, it is simply
evidence of the mistaken identity which
our race suffers from.
I am She and He is Me, put together:  W E
and We must somehow manage to get along.
WE WILL

========   PART 5   ========

stained glass
hills - canopy bed
silver tray -
christmas tree
//Myth, of two types:
the older, richer myths (which are
attainable with the magic He gave me)//
- and -
the newer, brighter myths (which train
us to carve up pieces of our souls)
I shall opt for the first.
flute - incantation
channeling a fundamental capability
which we are taught to ignore
NO MORE
School can be a better experience than this.
I won't let it be bad
aching - hot water
gingerbread
oil paintings - sheep
Quartz crystal:
reflecting the many facets of One
puzzle which is inherently Multiple.
duplicity - falsity
multiplicty - authenticity
//Don't allow yourself to forget, and life will
stop hurting.// Don't simply bandage the problem.
Rather, cauterize the infectious wound which
was torn open in your heart, long ago.
geraniums - blown glass
Hail Mary!
//Guilt: release from it and remember WHY//
With that remembrance, you will be set free.
therapy with the plants
simply talking -
swimming - listening
painting - drawing in the sand.
Bushes obscure the porch, dimming the light which
shines through the front window, making it a safe place
-- to cry -- and read -- and sing.
All of these things (and more)
are possible in the Garden.

========   PART 6   ========

John -
he didn't remember me.
Or he didn't want to.
Cynthia -
shining red hair,
the flash of a camera,
a small piece of my life burned
on film, then transferred to canvas.
I LOVE HER
I am Enough in All Ways
-- across all time
-- crossing all boundaries
my problem?
I was just trying too hard.
keep writing
wonderful things may come out
remember them
and write them in a song
sunset gourami.
blue -
grey -
silver -
fabricated illness
more rejection
more efforts to win my love
1997 to 2001
two cards,
vastly different meanings.
I'm sorry, Mommy!
This hurts so bad.
Her Son, so far away
close to home, and
She left me
Left me!
//Left me!//
So I start again.
You should be good at that by now.
Don't look for that card …
You'd only be inviting tears.
NO REGRETS
It's possible for you; trust me.
Katie loves you.
The Child.
trusting - innocent - intelligent
Honor that.
Be a good Father
I know you Can
YOU WILL

========   PART 7   ========

Pawn of Prophecy
- or Destiny -
but you can still exercise your power; use
that authority, and use your magic well.
the Blue Hour
the Little Death
Grotesquerie
Anam Cara
Soul Friend, Dear One
Cara mia - my heart's desire.
He's been here all along.
Now kiss Her
and smile …
All will be well
//I love you, and I love ALL of you, and I
love EVERYTHING about you. You know that.//
Now open your eyes, damnit.
butterflies everywhere
circles of grass & stone
iridescent stone, and a
brown satchel containing everything we need.
a fern tree
where the Seat is located
firm, unyielding Stone
cushioned by a down pillow
//Trigger the live current which flows from
the Ring on your right hand, then to my Heart,//
through me and with-out me, absorbed by the
Stone, and coursing to the Earth from whence
it was made.
From whence we came, we shall return.
All people instinctively know that.
frogs - and a boat -
lazy, rhythmic waves
fireflies - or lightning bugs -
whatever you want to call them.
Catch them in a bottle, but don't let them
die while you're enchanted by their glow.
cold light
regenerative life
a plural entity, complete in Himself
a wind in the door
and a ring of endless light
name WHO YOU REALLY ARE
learn to Kythe, and remember how to Be
-- BE --
the primordial word spoken by
the first Voice
to make Himself many:  U S
and we walk on this beach - watching the
seagulls fly over a clean, deserted shore.
//Split a piece of wood, and you will
find me; lift a stone, and I am there.//
the Kingdom of God is with-in you,
with-out you, and all around You.
He cannot be imprisoned
in a House of wood & stone
He refuses.
I refuse.
Andy
Assisi
a light in the garden
a woman clothed in blue
a boy smiling, because
He knows who He is.
At last:
COMPLETION

A book by Carl [[Sagan]] referring to this image of the Earth taken from a spacecraft:
[img(70%,)[Pale Blue Dot|http://farm3.static.flickr.com/2510/5769625836_8647930433_m.jpg][http://www.flickr.com/photos/39042429@N00/5769625836/]]
Our planet a mere dot in a band of sunrays amid empty space

Type the text for 'systemConfig'

''M. C. (Mauritis Cornelius) Escher''  (18 June 1898 – 27 March 1972)  Dutch graphic artist known for his often mathematically inspired woodcuts, lithographs, and mezzotints which feature impossible constructions, explorations of infinity, and imaginary metamorphoses.

 
Enough of hedonistic and prechewed novels, with //psychologies//.  One must aim at the maximum, be a //voyant// as Rimbaud wanted to be. The hedonistic novelist is nothing but a //voyeur//.  One the other hand, enough of purely descriptive techniques, of 'behaviorist' novels, mere movie scripts without the saving grace of images.

Morelli adds: "To accustom one's self to use the expression //figure [figura]// instead of //image [imagen]//, to avoid confusions."
   "Yes, everything coincides.  But it is not a question of return to the Middle Ages or anything like it.  The mistake of postulating an absolute historical time: There are different times //even though// they may also be parallel.  In this sense, one of the times of the so-called Middle Ages can coincide with one of the times of the Modern Ages.  And that time is what has been perceived and inhabited by painters and writers who ''refuse to seek support in what surrounds them'', to be 'modern' in the sense that their contemporaries understand them, which does not mean that they choose to be anachronistic; they are simply ''on the margin'' of the superficial time of their period, and from that other time where everything conforms to the condition of //figure//… where everything has value as a ''sign'' and not as a theme {{grem{[i.e. plot?]}}} of description, they attempt a work which may seem alien or antagonistic to the time and history surrounding them, and which nonetheless includes it, explains it … orients it towards a transcendence within whose [[limits|limits of language]] man is waiting."

Now hopscotching to Arthur [[Rimbaud's|Genius/Rimbaud]] words:
<<<
//Je dis qu'il faut être voyant, se faire voyant. Le poète se fait voyant par un long, immense et raisonné dérèglement de tous les sens.//
I say one must be a //seer//, make oneself a //seer//.  The poet makes himself a seer by an immense, long, deliberate //derangement// of all the senses. {{grem{ -- or, Rilke's [[gazer|Turning]], 'ein ''Schauender'' sei' --}}}

All forms of love, suffering, madness: he searches himself; he consumes all the poisons in himself, to keep only their quintessence… Let him die charging among those unutterable, unnameable things: other fearful workers will come: they’ll start from the horizons where the first have fallen! …

To find a language – for that matter, all words being ideas, the age of a [[universal language|language of shaping]] will come!  This language will be of the soul for the soul, containing everything: scents, sounds, colours, thought attaching to thought and pulling…

These poets will exist! When woman’s endless servitude is broken, when she lives for and through herself, when man – previously abominable – has granted her freedom, she too will be a poet!  Women will discover the unknown!  Will her world of ideas differ from ours? – She will discover strange things, unfathomable; repellent, delicious: we will take them to us, we will understand them.

Meanwhile, let us demand //new things// from the //poets// – ideas and forms.  All the clever ones will think they can easily satisfy this demand: that’s not so!
: Above excerpts from this [[translation by A. S. Kline|http://www.poetryintranslation.com/PITBR/French/Rimbaud3.htm#anchor_Toc202003799]]
//J'allais sous le ciel, Muse! et j'étais ton féal.//
I went out under the sky, Muse! and I was your vassal.
<<<
-- //[[Hopscotch]]// chapter 116

From "A Tale of Two Gardens", page 295-299 of
//The Collected Poems of Octavio [[Paz]], 1957-1987//

One day,
as if I had returned,
not to my house,
but to the beginning of the Beginning,
I reached a clarity.
…
I heard a dark green murmur
burst from the center of the night: the neem [[tree]].
…
The tree would not give way.
Huge as a monument to patience,
fair as the balance that weighs
a dewdrop,
a grain of light,
an instant.
…
Strength is fidelity,
power reverence:
no one ends at himself,
each one is an all
in another all,
in another one.
The other is contained in the one,
the one is another:
we are constellations.
The enormous neem
once knew how to be small.
At its feet
I knew I was alive,
I knew
that death is expansion,
self-negation is growth.
I learned,
in the brotherhood of the trees,
to reconcile myself,
not with myself:
with what lifts me, sustains me, lets me fall.

[img(90%,)[Azadirachta indica|http://upload.wikimedia.org/wikipedia/commons/a/a5/Animal_Section_in_a_rural_Punjabi_home.JPG][http://commons.wikimedia.org/wiki/Category:Azadirachta_indica]]
A [[Neem Tree|http://en.wikipedia.org/wiki/Azadirachta_indica]]
//Azadirachta indica//
from Persian //āzād dirakht//, literally, free or noble tree

!House of Leaves
by Mark Z. Danielewski
published March 7, 2000

“This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place …

You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.

Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.

And then the nightmares will begin.” 

----

“Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.” 

----

On [[page 109|https://books.google.com/books?id=qGA_3RGqTkQC&pg=PA109]], two evocative words appear: //''stereophonic''// and {{font150{//''labyrinth''// …}}}

With those, I careen into other stories and visions:

[[Sembl]] is a space for "''stereophonic sensemaking''" -- a home for this roaming mind.

<part labyrinth>
Curiously enough, if we can look to history to provide us with some context, the reasons for building labyrinths have varied substantially over the ages…  Most famously of all, however, was the ''labyrinth'' Daedalus constructed for King Minos.  It served as a prison.  Purportedly located on the island of Crete in the city of Knossos, the maze was built to incarcerate the Minotaur, a creature born from an illicit encounter between the queen and a bull…
-- //House of Leaves//

Anyone who loves to plunge into her music must admit the urge to almost immediately [[hyperlink|Time, As A Symptom]] out of it: to master these thickets by naming the sources with which [[Newsom]] has seeded them. If her music has the lushness of a garden, it's really a ''labyrinth'', a game; all but the most casual listeners will soon find themselves trying to map it. 
-- from "[[One For The Ages|http://www.npr.org/2015/10/19/449323861/one-for-the-ages]]" by Ann Powers, reviewing a Joanna Newsom album

the center, the middle sea, the heart of the ''labyrinth''
-- Dorothy [[Sayers|The Harpy/Sayers]]

and if the words
are scattered in the ''labyrinth''
you tell stories about the minotaur
-- Noah Grey, "[[You Go Where The Words Are|limits of language/Noah]]"

Are we not heroes, each of us
in one fashion or another,
wandering through mysterious ''labyrinths''?
-- Evan S. Connell, //[[Notes From A Bottle]]//

Action is the widest gate of deliverance. It alone can answer the questionings of the heart. Amid the ''labyrinthine'' complexities of the mind it finds the shortest route. No, it does not "find" — it creates its way, hewing to right and left through resistances of logic and matter.
-- Nikos [[Kazantzakis]], //The Saviors of God//

The universe cannot be read until we have learned the language and become familiar with the characters in which it is written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word. Without these, one is wandering about in a ''dark labyrinth''.
-- Galileo Galilei

//Maps Of The Mind: Charts and Concepts of the Mind and its ''Labyrinths''// -- by Charles ~Hampden-Turner

This webpage embeds an evolving ‘visual-hash-tableau’ in which linked-text/images dive-down into interconnected lattices/labyrinths of techno-social-tracks left by the explorer-adventurers involved. 
-- Lynn [[Conway|blogosphere]], "Our Travels Through ~Techno-Social ~Space-Time"

The writer's first obligation is fidelity to his language. The writer has no other instrument but words. Unlike the tools of the artisan or painter or musician, words are full of ambiguous and even contradictory meanings. Using them should mean clarifying them, purifying them, making them true instruments of our thinking rather than masks or approximations. Writing implies a profession of faith and an attitude that transcends rhetoric and grammar…
-- Octavio [[Paz]], //The Labyrinth of Solitude//

Pressed up against these //[[walls|The Wall]] erected around a [[labyrinth|seven words, seven selves]]// …
  "the rich, everlasting mystery is found to be the childish you" …
(The first line is mine, the second by [[Cesare Pavese]].)

[[Ray Johnson]]'s rigorous art of free association can easily be dismissed by those without the hearty tenacity required to follow the links from one correspondance to another. On the surface it is deceptively child-like but the myriad ways any two elements intersect is worthy of scholarly study… The triangulation is the structure on which a complex and far-reaching ''labyrinth'' of associations is built. While it is impossible to arrive at the end of this maze, any attempt to do so is enlightening for its own sake, revealing subtle truths about our world via his. Ray's clever palette remains profoundly punctuated with the forgotten details that other people's lives would be made of, if we only had the time to ponder such things.
-- Mark Bloch

The best-known books of Jorge Luis [[Borges]], //Ficciones (Fictions)// and //El Aleph (The Aleph)//, are compilations of short stories interconnected by common themes, including dreams, ''labyrinths'', libraries, mirrors, fictional writers, philosophy, and religion.

No one can build you the [[bridge]] on which you, and __[[only you|everything is fundamentally alright]]__, must cross the river of life. There may be countless trails and bridges and demigods who would gladly carry you across; but only at the price of pawning and forgoing yourself. There is one path in the world that none can walk but you.  Where does it lead?  Don’t ask, walk!
-- Friedrich Nietzsche

119th in my [[lines of sight]], intersecting
# //[[The Matrix|1000 lifeline notes/Matrix]]//
# //[[House of Leaves]]//
# [[Awe and Trembling]]
# Lewis Carroll [[→|Dark Tower/I-Am-Waiting]]
# King's [[Dark Tower]], and 11/22/63: [[Let Us Dance]]
</part>

After Paul Otlet became dissatisfied with his legal career, he developed an interest in bibliography. His first published work on the subject was the essay "Something about bibliography", written in 1892. In it he expressed the belief that books were an inadequate way to store information, because the arrangement of facts contained within them was an arbitrary decision on the part of the author, making individual facts difficult to locate. A better storage system, Otlet wrote in his essay, would be cards containing individual "[[chunks|Glass Bead Game/BeadTiddler]]" of information, that would allow "all the manipulations of classification and continuous interfiling."

In addition would be needed "a very detailed synoptic outline of knowledge" that could allow classification of all of these chunks of data.

 
[[Remused|re: muse]] is an adjective, like amused or bemused – but more intensely under the Muse's spell.  Every artist has their muses.  Read the [[Introduction]] to learn about the author and //why// I'm here – what I'm doing with these words and images – and how I use [[this wiki web]] as my favorite written medium.

At this page's top menu of links, reproduced below, click ''@@font-family: 'Vollkorn'; <<tiddler riverflowsforth with: "home">>@@'' to recreate the story river -- as it exists today -- and click @@font-family: 'Vollkorn';[[about|Bird's Eye View]]@@ to return to this 'Bird's Eye View'.

{{center{
@@font-family: 'Vollkorn'; ''<<tiddler riverflowsforth with: "home">>''  """///"""  [[about|Bird's Eye View]]  """///"""   [[influences|Influences]] """///""" [[art]] """///""" [[evocative words|Evocative Words]]  """///""" [[books|Books I'm reading or plan to read]]  """///"""  [[dream]] """///"""   [[mitocos]]@@}}}
* My [[dream]] statement establishes the basic priorities of my life.

* Publicly-known people who have been significant <<tag influences>> on my thought and self-conception are listed by birth years [[here→|Influences]] and among the [[lifelines]] enumerated for my project //[[One Thousand Conversations|http://conversings.blogspot.com]]// …

* Some <<tag art>> and <<tag poetry>> I've gathered … including several [[haiku]] I've written.

* A list of [[Evocative Words]] and phrases that point a few paths through my life and mind …

* [[Books|Books I'm reading or plan to read]] I'm reading with excerpts, commentary, and hyperlinks, along with shorter readings [[gathered from the web]]…

* A collection of <<tag passages>> taken from books, poems, websites, and other literature I read, with a few gathered [[here→|passages]]

* Read the [[Friar's Journeybook]] to follow a piece of my spiritual journey through life.

* Or read [[journal]] postings and freewriting experiments, some which predate this wiki or [[fly beyond|1000 lifeline notes/BillWilson]] its net.

* The theme which inspires my collecting and organizing efforts born in this wiki is named [[mitocos mathema muse|mitocos]]…

* Creating a "home" to store excerpts, annotate, converse with, and interlink between other people's work (written, visual, musical) in [[Dynabook]] fashion … many nodes are labeled with "[[tags|MyTags]]" to find (or rediscover) more easily.

For those who may wish to contact me, my email address is dialecticdad (at) gmail (dot) com.  You may also follow me [[@museical|https://twitter.com/museical]] on Twitter.

This is a [[wiki reloaded]] from an earlier incarnation known as [[Dialectic Dad|http://dialecticdad.tiddlyspace.com]].

Note: This is a partial list of attributions for passages and ideas that appear in this wiki. It's in need of updating.

Explanation of source links +++[+]
----
<<tiddler AboutSourceLinks>>
----
===
!Hyperlinked Source List
#Not all who wander are lost.  ^^[[[1]|Not all those who wander]]^^ –J.R.R. [[Tolkien]] in [[Evocative Words]]
#//Points of View: a tribute to Alan [[Kay]]// ^^[[[2]|http://www.scribd.com/fullscreen/56501816?access_key=key-q4wmgx31wfcju738rxw]]^^ edited by Ian Piumarta & Kimberly Rose
#Vocatus atque non vocatus deus aderit.  ^^[[[3]|http://www.jungnewyork.com/photo_vocatus.shtml]]^^ from www.jungnewyork.com about Carl [[Jung]]'s use of this phrase
#"A Personal Computer for Children of All Ages"  ^^[[[4]|http://www.scribd.com/fullscreen/1036359?access_key=key-1oedzjdjf7y0aljmrb4o]]^^ paper about the [[Dynabook]] by Alan Kay
#An instrument whose music is ideas ^^[[[5]|http://squeakland.jp/school/HTML/essays/dynabook_revisited.htm]]^^ from "The Dynabook Revisited, A Conversation with Alan [[Kay]]" hosted by squeakland.jp in [[Evocative Technology]]
#"Notation as a Tool of Thought" ^^[[[6]|http://www.jsoftware.com/papers/tot.htm]]^^ paper by Kenneth E. [[Iverson]] in [[Evocative Technology]]
#"Bicycle" ^^[[[7]|http://www.folklore.org/StoryView.py?project=Macintosh&story=Bicycle.txt]]^^ article by Andy Hertzfeld from www.folklore.org – referencing [[bicycle]] for the mind
#Yield who will to their separation… ^^[[[8]|But yield who will to their separation]]^^ from Robert Frost's poem "Two Tramps in Mud Time" in [[Evocative Words]]
#"Remembering Ken [[Iverson]]" ^^[[[9]|http://keiapl.info/rhui/remember.htm]]^^ by Roger Hui
#Front page of www.c2.com [[wiki|this wiki web]] ^^[[[10]|http://c2.com/cgi/wiki]]^^ created by Ward Cunningham
#"Correspondence on the Etymology of [[Wiki|this wiki web]]" ^^[[[11]|http://c2.com/doc/etymology.html]]^^ by Ward Cunningham
#"What Is [[Wiki|this wiki web]]" ^^[[[12]|http://www.wiki.org/wiki.cgi?WhatIsWiki]]^^ from www.wiki.org
#Description of [[TiddlyWiki|this wiki web]] ^^[[[13]|http://tiddlywiki.org/#JeremyRuston%20Introduction%20TiddlyWiki%20%5B%5BWhat%20is%20TiddlyWiki%3F%5D%5D]]^^ from www.tiddlywiki.org and alternately at [[www.tiddlywiki.com|http://tiddlywiki.com]]
#Squeak.org website ^^[[[14]|http://web.archive.org/web/20132204293400/http://www.squeak.org/About/]]^^ under "Philosophy", describes the [[Dynabook]]
#"Literate Programming" ^^[[[15]|http://www.literateprogramming.com]]^^ by Donald Knuth in //Literate Programming// – cited from literateprogramming.com in [[Technology Ideas]]
#[[Wagn]] Introduction ^^[[[16]|http://www.wagn.org/Introduction%2Bdraft2]]^^ from www.wagn.org, a wiki software project
#"[[Wagn]]: A Revolutionary Open Source Wiki on Rails" a Rails Inside review ^^ [[[17]|http://www.railsinside.com/misc/177-wagn-a-revolutionary-open-source-wiki-on-rails.html]]^^ by Mike Gunderloy
#~TurnTowardLife.org ~Eco-Spiritual Vows/Intentions/Committments ^^[[[18]|http://www.turntowardlife.org/eco_spiritual_vows.htm]]^^

1 -- The Self, a unique center of awareness around which galaxies revolve.

2 -- Anam Cara
synergy of two

3 -- Avalon
two carae and a home

5 -- The nuclear family of my childhood

----

 
According to Wikipedia: "Quakers <part precis>(or Friends, as they refer to themselves) are members of a family of religious movements collectively known as the Religious Society of Friends. The central unifying doctrine of these movements is the //[[priesthood of all believers|Welcome to your own priesthood]]//.</part>"
----
Quakerism is an experience-based religion meaning that everyone can have a direct encounter with the Divine. By tradition, Quakerism is non-creedal; there are no signed statements of belief or oaths. 

Quakers generally recognize five central testimonies: ''simplicity, integrity, equality, community and peace.'' The testimonies are not rules, but ways of living in the world.
(According to Wikipedia, "In the USA, children and Friends school students are often taught the acronym SPICES, which stands for Simplicity, Peace, Integrity, Community, Equality and Stewardship."
----
<part Haiku>
{{serif{

__Ich und Du und Alle__

//Quaker Meeting House —
where each may discern the Light
here by quiet call,

Inward, fast between,
We Friends gather in shared sight
You and I and All.//}}}
</part>
"There is a principle which is pure, placed in the human mind, which in different places and ages hath different names: it is, however, pure and proceeds from [the Ground-Divine] "God."  //It is deep and inward, confined to no form of religion nor excluded from any, where the heart stands in perfect sincerity.//”
–John Woolman

"This is the word of the Lord God to you all, a charge to you all in the presence of the living God; be patterns, be examples in all countries, places, islands, nations, wherever you come; that your life and conduct may preach among all sorts of people, and to them. Then you will come to //walk cheerfully over the world, answering that of God in every one;// whereby in them ye may be a blessing, and make the witness of God in them to bless you: then to the Lord God you shall be a sweet savour, and a blessing."
–George Fox

//''Answer the ~Ground-Divine of every one and in every soul.''//
-----
Walking our precious spiritual paths, climbing our mountains of mystical experience, we risk trampling the seed (a favorite metaphor of early Quaker writers): we prize our path and our apparent progress over the tiny germ of God’s righteousness that lies ready to grow and blossom in our hearts. But if we remain still, our hearts, prepared by the work of love’s light, will permit the seed to mature and bear fruit. To borrow a Buddhist verse:
<<<
Sitting quietly, doing nothing.
Spring comes, and the grass grows by itself.
<<<
The God who makes the sun to rise and the rain to fall doesn’t need our help in nurturing the Christ-seed: the seed grows of itself when we stop stepping on it. Perhaps our new life begins, then, with the simple realization that walking a spiritual path gets us nowhere, that what we need to do is, as Fox tells us, to “be still awhile from thy own thoughts, searching, seeking, desires, and imaginations,” to “stand still in the light.”  Our standing still is our saving act of faith, for it takes faith to stop our seed-trampling travel toward a goal, to accept that we are citizens of the Promised Land here and now if only we have ears to hear the voice of love in our hearts.

On Quaker Theology:
#“God” signifies “love” — in biblical Greek, agape.
#“Love/agape” signifies behavior, empathetic encounter with and response to the actual other in her actual need.
#Each of us has, here and now, a degree (“measure”) of the power of agape.
#That agape-power will shape our lives if we allow it to do so — if, that is, we commit ourselves to it, discern how we are impeding it, and get out of its way.

The essential Quaker message is, then, not only simple but also practical: commit yourself to God/love as that which moves you to respond justly and generously to the other, even at cost to you, and then pay attention to that love’s movement in your heart and allow it to guide and empower you; anything else is distraction and therefore anti-religion, anti-spirituality. In keeping with that, the first Friends announced the end of religion-as-we-know-it, emphatically including the end of teachers, techniques, and speculations. Their theology, like the biblical exegesis supporting it, served their belief that God-who-is-love had come to guide his people himself: it was but a sign directing human beings to the motive power of agape within. In our contemporary distillation of their theology, we follow in that spirit.

http://postmodernquaker.wordpress.com
-----
The Quaker Universalist Fellowship is a gathering of Friends who work to foster understanding among people from the diverse spiritual cultures which flourish in our globalized human community …
We seek, or create, opportunities for all Friends to engage in constructive dialogue among Quakers and with representatives of other spiritual traditions, in the hope that religious faith, although diverse, will become a force which unites rather than divides the human family. We seek to nurture that unity through lives of simplicity, humility, justice, mercy, and peace so that it becomes a beacon drawing together the human family in love and service to all earthly life.
– QUF Steering Committee, October 2009
----
Friends testimonies on peace, equality, simplicity, integrity, truth, community, and diversity have evolved over time and are the outward expressions of Friends attempts to turn our idealism into action.  Friends value and pursue actions that reflect our ideals.  Not only do Friends expect that we can live divinely inspired lives, but also we expect that, with Divine power and guidance, we can attain social justice and peace on earth.

That we do not always attain the ideal does not mean we will not continue to strive for it. Consequently, in our meetings for worship and business and in our daily lives, Friends try to manifest our common values:
*life is sacred;
*God's inward presence is experienced universally;
*revelation is continuous;
*simplicity, integrity, community and diversity are essential in the search for truth;
*seeking truth and unity are goals for worship and business;
*the way opens, making the ideal attainable.

These values follow from our realization that there is that of God in everyone.
–from http://www.fgcquaker.org/area-focus/introduction-quakerism

Quakerism has deep Christian roots.  Many Quakers are Christian and many are not.
<<<
My sort of Quakerism deals with our present life, such as it is, here on Earth. Some divisions of Christianity emphasize the role of good works, but even these are focused on an afterlife. Christianity, from its beginnings, was not focused on the “here and now,” but instead on what would come in the hereafter. This is not my focus, and it is why I am not a Christian.
–Sanford L. Segal, //Friends Journal//, February 2010
<<<
----
@@color(grey):
{ Testimony meaning "evidence, statement of a witness" first recorded early 15c., from Old French //''testimonie''// (11c.) < Latin //''testimonium'' 'evidence, proof, testimony,'// < //__testis__ 'witness'// + -//__monium__,// suffix signifying 'action, state, condition.'}@@

''Quaking'' could be an appropriate word before the //mysterium tremendum//.

I imagine a Layman Monk to be a man or woman with a family (of birth or choice), a craft, and a devoted life practice. A monk contributes his productive energies to society (and/or 'a godly life') and keeps his integrity. He grows to strength and wisdom, in community, not in isolation.

I further hope that this path will provision for my children's well-being and happiness.

In October 2011, I realized that the [[Quaker]] Religious Society of Friends may provide one such example of 'lay religious life' since it removes intermediaries and advocates for the 'priesthood of all believers.'  I began attending a weekly Quaker meeting in February 2013. It is 50 minutes of silent meditation followed by conversation and fellowship.

March 24, 2013, I am still searching for words, mindful that the way or Tao must be //lived// ... not spoken or read ... ''Friar'' may be a better term than monk.

December 8, 2013: So many things swirling together—
*[[Quaker]] and catholic (lowercase) Christian life
*[[Buddhism]]
*[[Humanism]]
*[[Pantheism|pantheist]]
*The [[Dialegent|dialegen]] way, rejecting supernaturalism
*Teachings of [[Buber]] and [[Tillich|courage to be]]
*[[Dekatessera Commentary]], my own act of synthesis
*[[Evangelii Gaudium]] — turning toward the Catholic Church?

April 14, 2016: I entered into [[Confession]].

Will something begin to cohere?  Living essentially, go back to the practice at hand:

*My first endeavor is to bring into harmony what I think, what I say, and what I do.  Correct each discrepancy, small and large, as I find it.
*Honor my physical being.
*[[Do not cause harm]]; endeavor toward loving-kindness for all sentient life.
*Give time and full attention to listen and meet another in dialogue. (Begin with my wife and children.)
*Strive with patient, diligent inquiry to understand [[what I see and desire]].  I accept not-knowing and incomplete or evolving answers over delusion.

I would love to learn and live at a place I've imagined like the [[Village University]].

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As once the winged energy of delight
carried you over those many first abysses,
now build the unimagined bridge's
sternly calculable arc.

Miracle's not only in the unexplained
outlasting of the threat;
only in the clear, consummate
achievement is the miracle //defined.//

There's no presumption in joining in
on the indescribable relation;
the meshwork grows more and more ardent,
mere being-borne is not enough.

Take your practiced strengths and [[stretch|dig]] them
until they reach between two
contradictions . . . For far inside you
the god wishes to consult.

–Rainer Marie [[Rilke]], mid-February 1924

{{grem{(first collected to this wiki November 20, 2011)}}}

----

Additions on the last day of November, 2016:

//[[zwischen|Les Minst]] zwein Widersprüchen . . .
Denn im Manne will der Gott beraten sein.//

between two [[contradictions|origin of all poems/contradict]] . . .

For far inside you the god wishes to consult.
//–or–//  For within man the god wants to consult.
//–or–//  For the god must find counsel in the man.
//–or–//  Because inside human beings is where God learns.

//An alternate translation://

All the winged ecstasy
has borne you over many an early abyss,
now, with mathematical audacity
build the arches of unheard-of bridges.

Wonder is not merely in the inexplicable
surviving of danger;
only in the clear and purely granted
achievement is the miracle miraculous.

To participate in the indescribable
relating, is not presumption,
ever more intense becomes the pattern,
only being borne along will not suffice.

Stretch your practised powers till they span
the distance between two contradictions,
for the god must find
counsel in the man.

----

Stephanie Dowrick wrote //[[In the Company of Rilke|https://books.google.com/books?id=ETTyw3ImfWMC&pg=PT193]]://

The physical and sensual are essential music in the song of the spiritual: they sing of the inseparable.  Abstractions are not enough.  We live in bodies; our insights need embodiment.  The daring dialectic that Rilke proposes between the human and the divine is never more outrageously demonstrated than in the last lines below.
<<<
//Just as the winged energy of delight
carried you over many chasms early on,
now raise the daringly imagined arch
holding up the astounding bridges . . .

. . . Take your well-disciplined strengths
and stretch them between two
opposing poles. Because inside human beings
is where God learns.//
<<<

See [[other excerpts|Rilke/InHisCompany]] from Dowrick's book.

 
Excerpts from the latter part of //[[The Fifth Sacred Thing|http://www.amazon.com/Fifth-Sacred-Thing-Starhawk/dp/0553373803]]//, written 1994 by Starhawk (Miriam Simos)
----

Lily smiled.  The strain eased from her face… "We will have victory only if we are stronger healers than they are warriors."
(page 444)

Bird's eyes still hurt, but when he closed them suddenly his ears were filled with music.  In time, he knew, he would sing it and struggle to play it and write it down.  Well or badly, it didn't matter, only that he sang what was in him.  Songs for the living, songs for the dead.
(page 477)

Concentrating on her breath, she slipped back into her bee mind.  She saw, not the world of visual form as she knew it, but a multifaceted prism of light and shade intertwined with streaks of color.  Traces of scent bombarded her, the heady clarity of borage, the perfume of the rose, the pungent pineapple sage.  She could get lost in the twining, trailing scents…

Nothing happened in words or even pictures, exactly, but more as an overlay of images and smells and movements and feelings, like the body sense of magnetic north, feelings of rightness or wrongness.
(page 457)

----

<part Hurt>
I can't carry my own pain, let alone the weight of all of yours.  //[[Diosa|Muse]]//, I have too many ancestors, one history of oppression would be enough to inherit.  Leave me alone!

"Then listen, listen to us, we are your ancestors too.  I sold my daughter to the slavers, I loaded the cattle cars, I smashed the temples of the heathens, I applied the lash, I raped.  We are your ancestors, we are the unquiet dead.  Feed us, heal us, listen to our stories.  Or we will feed on you."

… There were hell worlds after hell worlds to be lost in, too many of them, the underside of the last five thousand years of history, and he could find no way out…

"No, we want you to [[sing|2001-03-11]] for us, speak for us, redeem our lives," the ghosts clamored, victims and victimizers, their voices intertwined.

… Oh, Lily, it was a noble attempt.  Fight on the landscape of consciousness, you said, but the body is too damn vulnerable, and we cannot win.  We cannot win.

-- from page 458 of //[[The Fifth Sacred Thing|Starhawk]]//
</part>

Something knocked in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first, +++[faint line,]
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing;
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
the darkness perforated,
riddled
with arrows, fire, and flowers,
the overpowering night, the universe.
===

And I, +++[tiny being,]
Who knows that the infinitely large must be found
in your tiny body?
Upon each point on your body,
thousands of [[Buddha fields|The Old Mendicant]] have been established.
----
===

drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss.
I wheeled with the stars.
My heart broke loose with the wind.

(Pablo Neruda)

When we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily //drained to the dregs in our quenchless thirst for infinity//, we shall not blame ourselves for making so much of the tea-cup…

Those who cannot feel the littleness of great things in themselves are apt to overlook the greatness of little things in others.

—//The Book of Tea// by Kakuzo Okakura

This morning, I thought of the new Pope <<tag Francis>> as I read these words.

Five days later somewhat ironically, I read these words of his predecessor Benedict XVI (Joseph Ratzinger):
<<<
Man bears within him a thirst for the infinite, a longing for eternity, a quest for beauty, a desire for love, a need for light and for truth which impel him towards the Absolute; man bears within him the desire for God.
<<<